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ALL DOCUMENTS, CHILDREN'S DRAWINGS
AND POEMS FEATURED IN THIS FILM
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Downloaded from
YTS.MX
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ARE AUTHENTIC AND WERE CREATED
BETWEEN 1941 AND 1945.
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Official YIFY movies site:
YTS.MX
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BUTTERFLIES DON'T LIVE HERE
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TEREZĺN, 1941-1945
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Story
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Collaboration
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Cinematography
Editor / Producer
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Music
Conductor
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Narrators
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Director and screenplay
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Production
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Everything was devised
according to a plan.
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The weird script still
sticks to these walls.
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Block QL, Querstraße, Lange Straße,
numbers on houses, on doors,
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even people received numbers.
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There were also children here.
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They played and they scribbled,
just like all children do.
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These children were brought here
on a train,
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and they were looking forward
to that same train
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taking them home again.
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But neither this or that one did.
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It wasn't able to,
or perhaps allowed to.
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But with a box of crayons,
with pots of watercolours,
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their former homes came
back to them.
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From back home came girls
with flowers and boys with kites.
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Paths opened for them,
offering to take them home.
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Home is warm, there's a lamp,
a chair and a table,
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a window with a curtain.
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But that bed into which you need
to climb a ladder,
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who has misplaced it in here?
That's not the bed at home.
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All roads and paths lead home.
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Home is where
the red scooter is.
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But there were ramparts.
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The ramparts were guarding a town,
surveying its streets and houses.
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And the children drew it all.
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Even themselves, with stars
sown onto their hearts.
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Triple ramparts encircled the town,
surveying its streets.
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The children could watch them
through the barracks windows.
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That was permitted.
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In the distance beyond the ramparts
they saw animals and birds
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and the bluish hills
of the Czech mid-lands.
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That's where they imagined
was their home.
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There were backyards here
and the central barracks yard
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in which they played.
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What joy for children
who had been expelled from schools
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and suffered the horrors
of the transport.
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There was a horse here
that they couldn't get enough of.
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In the ghetto, the children could
only see people harnessed into carts.
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They saw hearses delivering bread,
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they saw funerals consisting
only in the gathering of coffins.
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With their crayons they even managed
to capture executions on paper.
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The worst of all is the cook.
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He left the children queue in line.
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He cooked rotten potatoes for them.
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He left grandpa to chew on a hard crust!
He, the cook!
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I'd like to go alone some place
where people are different, nicer.
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Somewhere unknown.
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Where no one gets killed.
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I'd like to have a little house
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surrounded by a firm fence,
or atop a high rock.
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If the house were atop
a high tree, like a nest,
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a house behind a moat,
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a house like a castle
behind a drawbridge,
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or beyond a deep river...
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I'd like my house to float
down a river - can you hear?
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That's the sound of the foghorn.
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We have to sail for unknown ports.
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Can you hear? It's time.
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The wind is singing the song
of faraway lands.
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To watch the heavens as we float along,
thinking of the violets.
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The last, the very last one,
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the one so deeply, bitterly,
dazzlingly yellow,
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as if the sun rang with a tear
against a white stone.
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It's so, it's so yellow,
it soared lightly on high.
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It went, surely, to give a kiss
to its final world.
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My folks have found me here.
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Dandelions call to me
and the chestnut's white bough.
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I haven't seen a butterfly here.
That one back then was the last one.
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00:08:29,084 --> 00:08:33,542
There are no butterflies living
here in the ghetto.
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00:09:20,001 --> 00:09:25,001
WORK SETS YOU FREE
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00:09:42,334 --> 00:09:44,584
It's getting better.
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They've permitted the opening
of the fort playground.
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Mummy began to sew for folks.
She cannot earn much.
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For an entire dress,
she can get a loaf of bread.
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They're opening the shops now.
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You can get mustard, cumin,
and celery salt there.
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Odd printed money is used there.
'Ghettogeld'. Who for? What for?
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In the land of wealth, everything
can be bought at a price of 1 CZK.
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Even a piggy pierced through
by a fork.
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PUPPET THEATRE
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But the children saw things
even adults couldn't see.
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00:11:22,501 --> 00:11:25,042
They saw jesters
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and princesses under the spell
of horrid dragons.
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They drew and acted
in fairytale plays,
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not knowing that Terezin
was just the first stop.
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00:11:41,001 --> 00:11:45,376
Everything was devised
according to a plan.
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00:11:45,501 --> 00:11:50,376
Not even the adults knew
Terezin was just the first stop
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on the long road to death.
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...we got used to lining up at 7 am...
...and at noon and again at 7 pm...
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...so that they could pour us
some warm water into it...
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00:12:17,792 --> 00:12:21,792
...we got used to lining up
with a dish in our hand...
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00:12:21,792 --> 00:12:24,667
...salty or coffee-tinged water...
...or maybe some potato...
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00:12:24,667 --> 00:12:28,417
...to slaps in the face for no reason...
...to greeting every uniform...
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...forbidden to walk on pavements...
...then to walk on pavements only...
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00:12:32,292 --> 00:12:36,501
...we got used to random slaps,
beatings and executions...
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...we got used to seeing people die
in their own excrement...
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00:12:39,751 --> 00:12:42,667
...to seeing crates
overflowing with corpses,
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00:12:42,667 --> 00:12:47,751
to seeing the sick in the muck,
to watching helpless doctors...
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00:12:47,751 --> 00:12:51,959
We got used to a thousand unfortunate
ones arriving every now and then,
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00:12:51,959 --> 00:12:57,417
and to a thousand even more
unfortunate ones leaving from here.
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Auschwitz, Ravensbruck,
Buchenwald, Majdanek...
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All the names haven't been written
down here yet.
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00:13:15,542 --> 00:13:21,709
Of the 15,000 children who played
and drew here for a while,
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only a hundred returned.
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Drawings and poems are all
that's left of them.
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00:13:33,251 --> 00:13:38,042
And your memory.
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00:13:42,667 --> 00:13:46,584
Can you hear? It's time.
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00:13:46,584 --> 00:13:50,167
The wind is singing the song
of faraway lands.
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00:13:50,167 --> 00:13:56,126
To watch the heavens as we float along,
thinking of the violets.
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00:14:18,834 --> 00:14:21,876
THE END
9525
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