All language subtitles for Kung Fu S01E01 King of the Mountain_Legendas02.ENG

[pleasant music]

[music continues]

As quickly as you can

snatch the pebble
from my hand.

When you can take
the pebble from my hand

it will be time
for you to leave.

Please excuse me.

[dramatic music]

[music continues]

Time for you to leave.

[dramatic music]

[intense music]

[music continues]

[music continues]

[music continues]

[gunshot]

[dramatic music]

Where are you going?

After them.

They are on horseback.
You are on foot.

I can find them.

You have no food.

No water.

They took her.

Your mother?

- How is it they spared you?
- I hid.

(Master Kan)
'Young man,
where are your parents now?'

Both dead.

- Your grandparents?
- I am alone, venerable sir.

You have no one else?

- An aunt. My father's sister.
- 'Where?'

In Perrysville.

Up north.

You should have this.

Your only hope of freeing her
lies in your own survival.

My way
lies through Perrysville.

If you wish it,
we could walk together.

- I am Caine.
- I am Peter.

[dramatic music]

[music continues]

[music continues]

[gunshot]

[thinking]

(Master Kan)
The rabbit feels rage.

The tiger, pity.

The dragon, pain.

All creatures, the low and
the high, are one with nature.

No life is insignificant.

If we have the wisdom to learn,
all may teach us their virtues.

This is Sun, master
of the white crane system.

From the crane

we learn grace
and self-control.

The snake
teaches us suppleness

and rhythmic endurance.

The praying mantis
teaches us speed and patience.

And from the tiger

we learn tenacity and power.

And from the dragon,
we learn to ride the wind.

Life sustains life.

And all living creatures
need nourishment.

Yet, with wisdom

the body learns to sustain
in ways that all may live.

Someone's coming.

Two men, leading animals.

Not horses.

Well, look who we got here.

Pilgrims.

Pay your respects, Amos.

Prospectors, me and Amos,
looking for the mother lode.

Trick is to find it.

- Smells good.
- There isn't enough.

Listen to the boy.
As if we'd come busting in.

(male #1)
'Your partner ain't said
nothing. He speak English?'

'We better ask him.'

There is enough.

Christian charity
from a heathen.

We can all learn something.

Amos...you don't suppose
these good people

might be carrying around
a little cash to spare, do you?

(Amos)
'I wonder if the Chinaman
might be carrying some on him.'

'Maybe he wouldn't
mind if we had a look.

[chuckles]

Master, do we seek victory
in contention?

Seek rather not to contend.

But shall we not then
be defeated?

We know that
where there is no contention

there is neither
defeat nor victory.

The supple willow does not
contend against the storm

yet it survives.

Go ahead, Amos.

'Man's easy to get along with.
He ain't gonna mind.'

See what's in the sack.

Leave him alone.

You heard what
the boy said, Amos.

We ain't looking
for any trouble.

Besides, I think
they're poorer than we are.

No hard feelings, boy.

I guess this is yours.

[dog barking]

You wish me to leave?

You may need help
to find your aunt.

- I can find her.
- You know what she looks like?

Where she lives?

- How will you find her?
- Ask.

Is there nothing
I can do for you?

You?

From a single action..

...you draw an entire universe.

'Could you not see
I had nothing to protect?'

- Your food.
- I do not eat meat.

You have borne your sorrow well.
I will not forget you.

[dramatic music]

Jennie McCoy? You related?

Half to maybe three-quarter
mile, heading west.

'Ask anybody
for the McCoy place.'

[intense music]

Please get up.

Why have you come?

To confess my unworthiness,
honorable sir.

I have disgraced my teachers
and shamed this holy place.

Tell me how.

I have senselessly
ended a life.

You speak of the
nephew of the emperor.

It was he, was it not,
who killed our Master Po?

Wasn't Master Po wounded..

...but still alive
when you struck the fatal blow?

That is so.

Would you have wished to desert
Master Po while he lived?

I could not find it within me,
honored sir.

The sin would have been
to desert Master Po.

Or to remain..

...to senselessly
accept your own death.

Death does no one honor.

The shame of his death
does not lie on you..

...but on the nephew
of the emperor.

So shall it be
recorded into eternity.

Now go.

For you may
no longer remain here.

- Well?
- I'm Peter.

Peter Gideon.

Andy's boy?

- You got any money?
- Shut up.

- Where's your pa?
- Dead.

- Dead?
- Killed by Indians.

Ma got carried off.

What's in the sack?

Some things
I saved from the fire.

Dump it.

Around his neck, Pa.

- Where's the rest of it?
- Rest of what?

The money! Your pa
was mighty careful of it.

- There is no money.
- Pa, I see him before.

In town.

He come in with a Chinaman.

A Chinaman?

- Looked like one to me.
- Where'd you meet up with him?

He came by the cabin.

I reckon we know
where the money went.

- I know where to find him, Pa.
- Let's look him up.

- You're Mr..
- I am Caine.

I'm Amy Allender.

Mr. Poole says
you're looking for work.

Yes.

You know anything
about ranch work?

What is ranch work?

Working with stock.
Horses, cattle.

'You seem to be able
to handle a horse.'

I can handle a horse.

Well, I can't pay much.
Food, a place to sleep.

I'll try
to manage a little money.

I raise cattle, run a few
horses, grow my own fodder.

- That him?
- Yep.

You've got something that
belongs to the boy.

- What is it I have?
- For you to tell me.

- Does the boy say so?
- No.

You may satisfy yourself,
I have nothing.

Probably got it hid by now.

Will you not believe
the two of us?

Believe a Chinaman?

- Is this your uncle?
- Yes.

'And entitled to whatever
was stole from that cabin.'

I have said there was nothing.

Let me open him up,
Pa, a little.

Talk, Chinaman.

Do you wish
to stay with these people?

No!

Is there room
at your ranch for the boy?

Yes.

Then, if you wish,
I will do your ranch work.

Wait.

Whoa! He's out again.

The latch is loose.

'He just bulls it open
whenever he pleases.'

- You wish him inside?
- Yes.

Watch out for him.
He's not broken.

What is broken?

Tame.

(Master Kan)
Weakness prevails
over strength.

Gentleness conquers.

Become the calm
and restful breeze

that tames the violent sea.

[cow mooing]

Ho-ho.

There are
at least that many again.

They've gotta be rounded up,

brought back in,
fences repaired.

Grass is dry.

Yeah. They should be moved
from field to field.

'Give this part of the
range a chance to recover.'

Tell your pa he'll get his cut.

When?

When I'm ready.

Looks to me
like you're ready now.

- What do you do for a living?
- Lots of things.

- Anything that comes to hand.
- Well, mostly.

Jack of all trades.

That's right.

Suppose you leave this
to a professional.

[instrumental music]

[music continues]

I saw the light.
It's very late.

Is it?

You never seem to get tired.

But I do.

I still don't know
what to call you.

- You know my name.
- Caine.

Is that your
first name or your surname?

What is surname?

There's so much you don't know.

And so much you do.

- What is this?
- Well, you've earned it.

- How?
- You've worked hard.

You know, for the first time

I feel like the place
can earn money.

- What would I do with it?
- You're entitled to wages.

Isn't there anything you want?

Food.

Place to sleep.

Work.

Nothing else?

I'll...I'll
put it aside for you.

And it'll be there
when you want it.

(Caine)
Master, our bodies
are prey to many needs.

Hunger, thirst,
the need for love.

(Master Kan)
In one lifetime,
a man knows many pleasures.

A mother's smile
in waking hours

a young woman's intimate,
searing touch..

...and the laughter
of grandchildren

in the twilight years.

To deny these in ourselves

is to deny that
which makes us one with nature.

(Caine)
Shall we then seek
to satisfy these needs?

(Master Kan)
Only acknowledge them.
And satisfaction will follow.

To suppress a truth

is to give it force
beyond endurance.

[drums rolling]

Yeah?

I got something
I want you to make for me.

You'd better come back
in a couple weeks.

I got more work
than I can take care of.

[horse neighing]

[mellow music]

Look at him.

I like to watch him.

My father used to say
that otters are happy

'even when they're alone.'

[thinking]
Alone. Alone. Alone.

'You sit by yourself,
grasshopper.'

'What do you think of?'

My mother, my father.
Both gone.

I am alone.

You hear the flock
of birds flying overhead?

'You hear the fish?'

'The beetle?'

In this crowded place,
you feel alone.

'Which of us is the most blind?'

[screeching]

Close your eyes.

What do you hear?

'I hear the otter.'

- Some birds.
- Mm-hmm.

[horse neighing]

'I hear a horse.'

A swarm of bees?

Yeah.

(Caine)
'To know nature
is to put oneself'

in perfect harmony
with the universe.

Heaven and earth are one.

So must we seek a discipline

of mind and body
within ourselves.

Anyone still hungry?

- There's lots of beef left.
- I don't eat meat.

Look.

Here, come here.

Hey.

Hey!

- Look.
- Why, who is he?

(Amy)
'What does he want?'

He wants me.

You're leaving.

Yes.

Why?

To stay would be
to bring danger here.

To be alive
in this world is to risk danger.

You think
I'm looking for safety?

And the boy?

There has to be a way.

If there were..

I'll go to the sheriff.
He'll stop him.

The sheriff will
not protect a wanted man.

The man on the mountain is
acting according to your laws.

Must I lose you too?

Peter.

Peter, where you've been?

Up on the mountain.

I knew you wouldn't use it.

Kill him! You can.

Are you afraid?

(Peter)
'You can't leave, Caine.'

He told me
to give you a message.

'He said that
if you tried to leave'

'he'd burn down the ranch..'

'...and everything in it.'

Peter?

He won't come out.

It's like seeing someone
he loves killed all over again.

What's gonna happen?

He will try first
to take me alive.

That can be the only reason
he has waited this long.

And if he can't?

Then I must assume,
rather than lose me

he will try
to kill me without mercy.

- Will you fight him?
- If I can.

Will you kill him if you can?

The taking of a life
does no one honor.

But he'll take yours.

[dramatic music]

[grunts]

- 'Hee-yah'.
- Ow!

[grunting]

[indistinct chattering]

(male #2)
'People will remember
what was done here.'

They will think
of it with respect.

The taking of a life
does no one honor.

What will you do?

Work.

Wander.

Rest when I can.

Caine!

[intense music]

[music continues]

[music continues]

Well.

(male #3)
'Throw that pouch down here.'

Turn around slowly.

'Your hands in the air.'

'Apart.'

Poster says
you're worth $10,000.

Alive.

Five thousand, dead.

I'd say we got what you call
a community interest.

Keep you alive.

'Keep you alive and get you
to the Chinese legation.'

Now, it might
take a little doing..

...but we'll give it a try.

You got ten seconds
to put those on.

Turn around.

Kwai Chang Caine.

'People back there
must want you pretty badly.'

And if it is unjustified?

I'm not interested in justice.
I deal in bounties.

You deal in the sale of bodies.

If you wanna put a name on it.

'I have.'

The cobra seeks to fix the eye
of the bird before it strikes.

In that moment
of looking at each other

each accepts his role.

Predator and prey.

'Fear creates the victim.'

Yet something in the bird

makes it seek
the eye of the cobra.

I've seen it.

A wish to die.

Yeah.

- Tell me how it feels.
- But you know how it feels.

I will survive if I can.

But you..

'...it is you
who feels the fear.'

I'm the one who's got
his finger on the trigger.

Facing death yet one more time.

Yours. Mine.

It's the death
that fascinates you.

'Looking into its eyes.'

'You are the bird.'

The cobra is death.

Paper says
your feet and your hands

are deadly weapons.

I'd say we got your feet
pretty well under control.

Now, I'll ask you
to put these on.

[gunshot]

[grunting]

[both grunting]

Ah!

[mellow music]

You know nothing has changed.

Where there has been one

there will be others.

But there's a difference.

We'll know you're alive.

What do you hear?

I hear my own heartbeat.

And I will not forget you.

[bells tolling]

[theme music]

[music continues]