Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Welcome back to Play Of The Week,
where each week a new play is performed, live in front of
a studio audience here in Cornley, and broadcast to the nation.
I am Chris Bean, the director!
Tonight, we are going to present a truly frightening horror.
Last Halloween we presented a season of spooky stage adaptations,
but, regrettably, due to misprints on our publicity materials
we ended up presenting a rather underwhelming production
of The Texas Chainsaw Massager...
..in which a masked man went on a rampage,
giving back rubs to the local community.
Equally poorly received was our pyjama-based production
of Nightwear On Elm Street.
But we are going to put all that behind us tonight.
One tiny note, when we did our dress rehearsal the play ran smoothly
but just a touch too short for its time slot.
But do not fear - we have managed to make up those missing three minutes
with the subtle use of additional adjectives.
So the actors are prepared, the stage is set.
Please, enjoy The Lodge!
SPOOKY MUSIC
What an unusual, creepy, old, big, large blue house.
Alice, come in out the rain, please!
Oh, wow.
This place is amazing.
Well, it's not very homely.
So...
How would you like to make this all yours?
Grade II listed, detached family home,
built 1726.
Every detail of it immaculately renovated in 1931.
Period fixtures and fittings through... out!
Almost everything here is an antique, so please do be careful.
Pretty nice!
Ah, how many bedrooms?
Three. A large, impressive, spacious, elegant, commanding,
beautiful ensuite for yourselves.
A cosy, warm, welcome, nice, bright, safe single for Alice,
and a small, sweet, snug, petite, pretty, little, compact, neat,
charming single.
Perfect for the little one on the way.
BALLOON POPS
Well, that sounds great.
Believe me, you guys do not want to miss out on this opportunity.
Well, I'm convinced.
David, he's just a good salesman.
Shall we take a look in the kitchen?
Mm. Are you sure this place is safe?
It looks a bit rickety, all these old beams.
Oh, of course it's safe.
They built this in the days when they made things to last.
As you can see, a fully fitted kitchen.
Oh, it's lovely!
I suppose I quite like the tiles.
Yes. Can I pour you a tea?
Yes, please.
Ah...
Aargh!!!
Aargh, aargh!
Oh, that is nice!
Let's go back into the living room.
Here we are.
What on Earth is that?
Oh, good Lord, yes.
Oh, pay no attention to that.
It belongs to Mr Fortenoy.
Don't worry. It won't be here when you move in.
Now?
No, not now. Wait for your cue.
Mummy, look what I've got.
Alice, what have I told you about running off without an adult?
I was skipping with the other little girl.
What other little girl?
Outside.
There's no-one there.
ALICE LAUGHS Yes, there is. She gave me this.
How odd, strange, bizarre and weird.
Where did you find that?
Well, she must have found it in the spacious, impressive, verdant,
green garden, surrounding the unusual, creepy, old, big,
large blue house.
No, Mummy, there was a little girl!
Alice, how old are you?
Seven.
And is this your skipping rope?
Yes.
Why don't you show Tony what you can do?
Can you do any tricks?
No.
How would you like to see your new room?
Can I?!
Don't forget your new doll.
That's strange.
It's gone.
Well, it can't have gone far.
Come on, Alice. I'll race you!
ALICE GIGGLES
ALICE SCREAMS
Oh!!!
THUNDER
Well, it really is coming down out there.
So what do you think?
I still don't know, David.
I mean, there's something about this place just gives me
the creeps, and it seems unusually cheap for three bedrooms.
That's the advantage of being a few miles further out.
BUZZING
Damn lights have blown.
Damn lights have blown!
It's just a fuse.
Or this place is cheap because it's old and nothing works.
Good evening!
Sorry, didn't mean to scare you.
Oh, not at all.
I'm Albert Fortenoy.
The vendor?
Unfortunately, yes.
Unfortunately?
I wish I didn't have to sell.
My dear wife Vera passed away 30 years ago.
30 years ago today, in fact.
I can no longer afford the - upkeep! - all on my own.
I'm so sorry.
Well, it's a beautiful house.
Thank you. I've lived here...
..all my life!
I feel very safe here.
It's been in my family since it was built.
Passed down for ge...
Passed down, passed...
Passed down.
Pa... Passed down!
Passed DOWN! Passed down for generations!
If these walls could talk, think of the stories they'd tell.
In fact, sometimes I think they can.
Sometimes I think I hear them whisper.
CREW RADIO: Stand by for sound cue seven.
Well, thank you very much for having us.
I think we've seen everything we need to see.
We'd best get going.
Come along, Alice!
Well, don't rush off on my account.
It's getting rather late,
and there is a storm coming...
Sound cue seven! THUNDER
There!
No, we really ought to make a move. It's a fair drive home.
I'll bring the car round.
Well, before you go, let's talk about making an offer.
Ha-ha.
Whoa!
Oh, oh! No... Aargh!
That's odd.
What is?
The car won't start.
What a damn nuisance.
We'll have to call someone.
You'll never get a mechanic to come all the way out here now, dear.
Get out!
Get ouuuut!
No, not now!
She said, "Now, deer."
Wait for your cue.
So what do we do now?
Well, it looks like you'll have to stay the night.
Oh, no, no, no. We wouldn't want to be an imposition.
It's no trouble at all.
Besides, in this weather, what choice do you have but to stay...
..at The Lodge?
SCARY MUSIC
He's got a point. It's far too far to walk back to the town.
Well, it's very kind of you.
Oh, please, it'll be good to have the company.
There's plenty of room.
Thank you.
The little one can stay in Vera's cosy, warm, welcoming,
bright, nice, safe study.
Help yourself to anything in the kitchen,
and there's some old nightclothes in the airing cupboard.
You have a free run of the house.
Although you should be aware, Fortenoy Lodge has a few
little quirks which I'm sure you'll discover.
But, then again, don't we all?
Ha, ha, ha!
Sleep well.
Ha, ha, ha, ha... CHAIR GRINDS TO A HALT
HE CONTINUES LAUGHING
Aaaaargh!
Ha, ha, ha, ha, ha...
Ah, ha, ha! Ah, ha, ha, ha...
Ah, ha, ha, ha!
HE LAUGHS LOUDER
Ah, haaaa! Ha-haaa!
Aaargh!
THEY TALK OVER EACH OTHER
THEY STOP TALKING SUDDENLY
Go, go... Go! Shut up.
Is she asleep?
Out like a light.
No, no!
No bother?
Some nonsense about another little girl in the mirror.
That girl's imagination!
It'll be good once she's got a little brother to play with.
BALLOON POPS
Yes.
Well, anyway, she's fast asleep now.
I made the bed up.
Oh, thank you, dear.
Get ouuuut!
Get ouuut! No, no! What are you doing?
She said "Cue deer."
She said, "Thank you, dear."
Get ouuut! Get... Shut up, shut up! I will give you a visual cue.
I really don't like that Mr Fortenoy.
He gives me the creeps.
I'm sure he's just a bit eccentric.
Imagine being alone in this place all these years.
Anyway, time for bed.
Looks like we're bunking in with Tony tonight.
No, no, no, no.
Tony?
Tony, time for bed!
Fast asleep.
Fast asleep.
Fast asleep.
Chuck a blanket over him.
Oh, for goodness' sake, all right.
David, look at this.
A newspaper article from 1937.
Good God, there's dozens of them!
4th of June 1948, "Vicar's daughter missing from school, presumed dead."
David, her doll looks just like the one Alice found earlier.
Every single page catalogued in perfect order, all detailing people
who've just vanished right up until the present day.
Why would he keep all of this?
I'm sure there's a perfectly reasonable explanation.
I knew there was something odd about that man.
What do you think he's doing up there?
He's probably trying to get some sleep,
and I'd like to do the same!
Ever since we've arrived, I've had a bad feeling about this place.
Get away from there!
David, I can see him.
MANIC BABBLING
What are you doing?
Get out. We're in the middle of filming.
David, he's doing something very strange in there.
It's some sort of ritual.
It's not our place to judge a man's religious beliefs.
I'm sure there's nothing to worry about.
Yes... Oh!
Yes, I... I'm sure you're right.
Gosh!
It really is coming down out there.
Then just be glad we're inside.
THEY WHISPER
Chris, give me some blanket.
RECORDING OF CHILD'S LAUGHTER
FOOTSTEPS
SHE GASPS
Oh...
It's only me!
Only me.
What are you doing up at this hour?
I thought I heard a strange noise.
It's most likely a bat.
They often flit about the place at night.
You know, in this light you remind me a little of my Vera.
She and I always wanted a child.
When's it due?
Erm...
Any day now.
BALLOON POPS
I'd give anything to see my Vera again.
To have her safely back at...
..the Lodge!
SILENCE
Perhaps I will see her again.
SCARY MUSIC There it is - the Lodge!
Perhaps I will see her again,
one day.
WOMAN SCREAMS
Oh, what was that?
It came from Vera's cosy, warm, welcoming, nice, bright, safe study.
Oh, my God, Alice!
David, wake up!
Whoa...
Whoa!
She's missing.
Oh, my God.
Get out!
Get ouuu... No, what are you doing?
You touched your nose.
I was acting!
Very convincing.
We must search the house.
Where is she? What have you done with our daughter?
Nothing at all. David, let's not jump to any conclusions.
Mummy? SHE GASPS
Why is everyone shouting?
Oh, Alice, thank God!
Come here, my darling.
Mummy's... got you.
Oh, Mummy has got you.
There, it's all going to be...
..OK.
Where were you?
I was just talking to the other little girl.
Alice, stop making things up. There is no other little girl.
Yes, there is.
She's the vicar's daughter and she told me Tony needs help.
SCARY MUSIC
I'm sorry.
He's dead.
TONY SNEEZES
Alice, go to your room.
Whoa!!!!
She'll be safe in there.
The man was clearly unwell.
He'd been taking those pills since we arrived.
Let's afford the man a little dignity at least.
Let's all go back to bed.
We can call the police in the mor... TONY: Woo...
Let's all go back to bed!
And we can call the police in the morning.
What on Earth are you talking about?
We can't wait till morning.
Look, stop it. Stop it!
We can't wait until morning.
We need to call them now.
Hello?
Yes, police.
I'd like to report a death.
Would they even risk coming out in a storm like this?
Oh...
Ah.
Oh!
We think it may have been an overdose.
Yes, the address is Fortenoy Lodge, ten miles outside of...
Hello? Hello?
It's gone dead.
You've cut the line!
Yes, I have.
Nothing can be done for Tony now.
How can you be so callous?
A man has died!
Oh, my God, he's gone!
Vera has taken him.
That's why you cut the line.
That's why you cut...
That's why you cut the line.
That's why you cut the line!
And you sabotaged our car!
Tony could never have left this place alive.
Nor can anyone, for that matter.
Not when my Vera's life depends on it.
What are you talking about, man?
There really is nothing I wouldn't do to see my wife again,
and when enough blood has been spilt, my Vera shall return.
EVIL LAUGH
CLICK
Ah, ha, ha, ha, ha!
HE CONTINUES MANIC LAUGH
Ah, ha, ha, ha!
Ah, ha... Aargh!
Ah, ha, ha!
Bang!
Not long now, my love!
Soon we shall be reunited.
Aha!
BOTH: Aargh, aargh...
Aargh... Aargh, aargh!
Emma, tie him to the chair - I've got him!
No, you haven't!
Yes, I have.
No, you haven't!
You have to let me get you.
If you want to get me you've got to get me - come on.
Stop that. Get in the chair!
You're weak, Chris. Get off!
Sorry, that was too much. All right, all right.
He got me.
Get out!
Get ouuuut!
No, you get out!
AUDIENCE: Aw!
Shut up.
Oh... Oh!
HE GROANS
Aaaargh!
I'm all right.
Mummy!
The vicar's daughter said the angry lady is coming.
We have to leave now.
The whole house is screaming it.
WHISPERING: Dennis?
Dennis, get in.
Get in.
Get in!
Get in!!!
No, "Get out."
OK, OK, sorry.
No, get in!
Get in! No, say "Get out."
Say get ouuuut!
Don't say "Say get out" - just "Get out."
OK, right, I'm sorry... No, get back in, Dennis!
Get back in, Dennis!
No, get out! All right, all right!
Dennis, come back!
Dennis, come back! Dennis, forget it.
Just forget it!
Go away, you idiot.
Go away, you idiot!
Get out! Get ouuuuut!
There it is! Yes, nailed it.
Alice, please, there is no angry lady!
Of course there is, silly.
She's right there!
She's gone.
Vanished without a trace.
You... will... die!
The rain has turned to hail.
Daddy!
SCARY MUSIC
"Expect more...
"..boides."
Oh, no...
We need to get out of here.
It's locked!
It's locked.
I'm afraid there's no way out of...
..the Lodge.
CALYPSO MUSIC
Mummy, I'm scared!
Quickly, this way - we can hide in the kitchen!
Oh...
Quickly, close the door.
Hand me that knife from the counter.
Oh!
Get in the cabinet.
Don't make a sound.
Ha-ha, ha-ha-ha...
Whe-ere are you?
Are you under the table?
No.
Are you in the pantry?
No.
Then you must be in here...
Aha! THEY SCREAM
Aargh... Aargh, aargh! You'll never take my family, Fortenoy!
Aargh!
Aargh... David, no!
Don't kill him!
No-one else has to die.
You're right.
ALICE SCREAMS
Ohhh!
I can feel myself changing!
Vera is merging with me...
My Vera, my Vera!
BOTH: Albert, is that you, my love?
It is, my sweet.
With one more life you shall be reborn!
Behold your new body.
Ah! Aaaah, aaah, aaah!
Ah! Aah! Aaah, aaah!
Aaah, aaaah, aaaah!
Aaah, aaah, aaah, aaah, aaah, aaah!
Aah, aah, aah!
Aah, aah, aah, aah!
Aah, aaah...
Ohhh.
Aaah, aaah!
Aaah, ohhh!
Ohhhh!
Aaaaah, aaaah, aaaah!
AAAAAAH, OHHHH!
AAAAAAAAHHHHH!
BOTH GROANING LOUDLY OVER EACH OTHER
You're doing far too much there, Chris.
Please don't hurt me, Mummy!
Your mummy has gone. Your mummy is dead... has gone!
BOTH: My love is dead.
And now I will have my revenge. And now I shall... WILL have my revenge!
Go, go, go!
SHE SCREAMS
SIREN APPROACHES
Help me! Help me!
KNOCK ON DOOR
Aha!
No need to panic. I'm here now. I'm...
I'm here.
Oh, yes, I... I'm...
..I'm going to kill her!
Help me! I really need help right now!
Right, yes. Just hold on... Hold on a minute.
No, but I... I have no other option now, do I? So I'm going to...
I'm going to kill her, ha-ha-ha! It's happening!
In three...
..two...
..one...
..and a half, and...
And I... Oh!
Oh, I've stabbed her. It's done. It's happened. This is so sad. Oh!
Aha!
GUNSHOT
Ah! Oh!
Oh!
You're safe now.
Here, take my hand.
Let's get you out of this damned place.
Everything's going to be OK.
DISCORDANT STRINGS
APPLAUSE
Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.