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[ Door Opens ]
[ Sig hs ]
Hey.
Good morni ng .
Baby with Neeta? At the park.
- Jax? - Clean ing out the garage.
[ Groan ing ]
You still that sore?
Ah , it's gettin' worse.
L 'm just so goddamn stiff.
Are you dry?
Like the Mojave vagina .
It's the stress.
You r body isn't prod ucing enoug h estrogen .
L'il write you a prescription. [ Door Closes ]
Hey, Ma. H i , honey.
You take a box of clothes from the garage?
L haven't done anyth ing out there.
L 'm missi ng a box.
U h , l cleaned some sh it out there before the baby came home.
There was a box of lau ndry had a serious stink to it.
Well , where is it?
Tossed it.
Just a bunch ofoid T-shirts, funky undeear.
Why?
What are you looking for?
An old Harley manual . Hard to find .
Sorry.
[ Door Opens ]
Good morn ing , chi ldren . [ Tara ] Hello.
- Thoug ht the prospect was with you . - Oh , no, no.
The wee man goes u nder the kn ife today. He's getting h is sack filled .
- Excuse me? - He's completing h imself.
We 're supposed to meet Clay at the shop.
Oh , l 'm ready. Lemme dump these in my truck.
Oh , sweetheart. What're you-
A pleasu re. Remembering breakfast with Daddy?
Oh , yeah . Kippers and oat cakes. Delicious.
- See you later. - Bye, babe.
[Door Closes ]
♪♪ [ Stereo.. Blues Rock]
[ Clunking]
H i . l th ink it's flat.
[Laughs ] Went out on 18.
You rode on th is all the way from the hig hway?
It's bad , isn't it? Mmm , the rim's shot.
Alig n ment's probably out of whack. Wi ll it take long?
We don't stock hybrids. lt' ll take a few hou rs.
Sh it.
You're one of Luan n's g irls.
Lyla.
Opie. l know.
Can you get me the n umber for a cab? Going to the studio?
Well , l have to get h im to school first.
Dog can give you a lift, if you don't mind the tow truck.
Really? That'd be great.
Dog . Yo?
Mi nd g iving her a lift to Luan n's studio? Sure.
Car shou ld be ready this afternoon . Okay. Great. Than k you .
Sure. [ Dog] Right this way, ma 'am.
[Dog] Watch your step.
[ Truck Engine Starts ]
l j ust wanted to check in , see how Charming was treating you .
Well , it's a un ique little town .
L u nderstand you r devotion .
And business?
It's g rowing .
G lad to hear it.
Did you get my proposal on the Oswald property? Yes, l d id .
It's an ambitious development. And a l ucrative one.
When th is land becomes available, l will need capital investors.
If th is land becomes available. Oh , it will .
Well , then l 'll be happy to make some calls on your behalf. But l , uh-
l have to be honest, Jacob.
It's difficult to get support for someone who is not affiliated .
This- This is our. . . membersh ip coord inator.
[Engine Rumbling]
And th is problem? On their way to being a footnote.
You want us outside?
Oh , if you don't mi nd .
Hey, how you doing?
[Bell Dings ]
[ Door Closes, Bell Dings ]
l 'll be in touch .
[Bell Dings ] Man , that's a sweet, sweet smell .
M mm . lt's Panamanian .
L thought it was, uh , time l come by,
give you a proper welcome.
l don't know if you know this, but, u h ,
a lot of the shopkeepers arou nd here-
Kick up an exorbitant vig for the seed money you loan them .
As you can see- [ Smacks Lips ] l don't need starf-u p.
Ah , but you're gonna need protection .
Keep th is beautifu l setup from tu rning into,
say, that crank lab.
You're adding extortion and g raft to you r résu mé?
Seems awfully nefarious for, uh , mechanics and , uh , Harley enth usiasts.
Well , you pay or you go away.
You r choice, Adolf.
We start slow.
A g rand , first of every month .
Welcome to Charmi ng .
[Door Opens, Bell Dings ]
[Man ln Distance ] Put 'em in the car.
Yeah . [ Woman ln Distance ] That's fine. Thanks.
Stockton called . l nside's a go.
[ Engines Start ]
And out here, we need to h umble M r. Morrow.
Yes, sir.
[Knocking] [Buzzing]
[ Whistles ] You , let's go.
[Door Closes ] [Buzzing]
[ Gru nting , Groaning ]
Hold h im ! Get h is arm .
- [ Big Otto Grunts ] - Beati ng was from the Leag ue.
This is from me!
[ Screaming ]
[Man ] ♪ Riding through this world♪
♪ All alone♪
♪ God takes your soul♪
♪ You're on your own ♪
♪ The crow flies straight♪
♪ A peect line♪
♪ On the devil's bed♪
♪ Untilyou die♪
♪ Gotta look this life♪
♪ ln the eye♪♪
[Police Radio Chatter] [ Phone Ringing]
What are you doing here?
L j ust had a visit from Clay Morrow,
trying to extorf protection money.
Figured it was a good time for us to reconnect,
assess ou r options.
That's SAMCRO blowi ng up a private residence-
arson , vig ilantism .
Torch ing the meth lab that you financed?
Laundry list of potential convictions.
Well , l can't just toss around photos and DVDs and expect that sh it's gonna land .
L 'm not taking anything to the D .A. that doesn't have legs.
Why don't you try both these legs on?
See how they feel .
Teamwork, David .
We all want the same thi ng .
So l]ust rub this shit on ?
On you r wrists- two pu mps, no more.
And if you notice a big hormonal spike,
it means you've done too much .
My whole l ife...
is a hormonal spike, sweetheart.
What is it? Gemma?
Gemma!
Sh it!
[ Panting ]
[ Grunts ] [ Yelping ]
- Oh ! Oh , sh it. l 'm so sorry. - Oh , my God . Jesus Christ!
Ah ! l 'm sorry.
Oh , man . l 'm sorry.
[ Groans ]
[ No Audio ]
[ David] You son ofa bitch.
[ Beeps ]
- [Door Opens ] - [ Computer Key Clicks ]
What do you want?
l j ust got back from Stockton .
Zobelle had Otto jumped .
Leag ue's got a reach straight to the Aryan shock collars.
What does that have to do with Charming?
We don't know what we're deal ing with here.
Zobelle's not Darby.
He ain 't some half-bright thug.
- Where are you at with him? - Nowhere.
L gave you the meth lab, and you gave Darby a pass.
Hey, l did n't give anybody a pass!
Don't you see the pattern here?
You're so hell-bent on bu rni ng us, you keep getting i n bed with the devil .
Happened with Stahl . Now it's happen ing with Zobelle.
It's gon na be the same sh it, man .
People die. People get hu rt- like Opie and Don na.
That was not on me!
Get out.
[ Door Opens ]
[Door Closes ]
[Beeps ]
Oh , sh it.
[Bell Pealing]
Ah , wou ld you excuse me? Su re.
[ Truck Door Opens ]
Hey, Daddy. [ Door Closes ]
Hello, sweetheart. H i .
- How'd we do? - lt's all set.
The van's in place. Good .
[ Woman On P.A., lndistinct]
[ Gemma Sighs ]
Sorry.
G uess l 'm lucky you did n't blow my head off.
You okay?
That ru nn ing cou ld n't have felt good .
Yeah , l 'm fi ne.
Who was the girl?
Jesus Christ, Gemma. You have to talk about what happened .
L know what it's like to keep someth ing like th is inside.
L doubt that.
You know why l was carrying that g un a few months ago?
The fed .
Got a restrain ing order. Yeah .
He went after you?
Yeah .
Raped you?
U h , it almost went there. l was able to stop h im .
Does Jax know?
L had to tell someone. l- l knew it wou ld eat me up if l did n't.
What did Jax do?
Well , there was noth ing he cou ld do. Koh n was already gone.
My point is,
you need to get th is thing out of your head before you kil l someone...
or get you rself killed .
[ Paper Rustling]
l made an appointment for you .
Dr. Lich . She's a friend . She's easy to talk to.
[ Scoffs ] A sh rin k?
You' re gon na talk to her,
or l 'm gon na tell Hale you assau lted me.
Throw your crazy ass in jail .
[ Exhales ]
Tables were reversed-
you came to me with what happened-
Sh it.
L wou ld've cut you off a long time ago.
It's my way of sayin' ...
what you' re doin' for me,
the club-
Means a lot.
You' re welcome.
You stil l have to see the sh rink.
Main level , Room 11 4 .
Yes, ma'am .
[ Wh in nies ]
[ N ickers ]
What do you want?
Get down off you r h ig h horse.
Hey, that's pretty good there. Thanks.
Ricardo.
So, u h , U nser tells me...
the county's looking at you r land?
Well , that's my problem .
U h , if it happens in Charmi ng , it's Sam Crow's problem .
[ Cell Phone Ringing ]
L got a letter from the cou nty zon ing commission . They're filing for eminent domain .
They want to run a highway through my timber-
20C acres that backs up to the Wahewa land.
l u nload it now, or l lose it to the cou nty for next to noth ing .
Bu llsh it. No, it's real.
Jacob Hale's putting together i nvestors for a housing development.
If it's residential , the county can't ru n a h ighway.
L have no choice but to sell it to 'em.
Well , don't be sign ing off on noth ing u ntil l get back to you . l want to do some diggi ng .
Okay.
Why don't you get me the letter?
That was Bobby on the phone. We're all set.
Everyone's gon na be at the table, 5: 00 p. m .
We move on th is Zobelle shit right away.
That th ing with Otto should never have happened .
It's my fau lt for not sh utting these assholes down sooner.
Thi ngs go like they have, Jax is gonna go a d ifferent way.
L ain't gon na let Jax or nobody else stop us from what we gotta do.
- Retaliation is what we do. - Yeah.
lt's the th ree of us and Bobby. We Sti ll need five for a majority.
Ch ibs might go with Jax. My old man too.
You talk to J u ice.
You tell h im how important th is is to us. All rig ht.
Hey. How's Otto?
Nearly blind .
Jesus. What's the retaliation?
L don't know. That's the problem . Not enough intel .
We strike back now, we could be playing right into thei r hands.
Zobel le's sq ueaky clean . Not even a parking ticket.
L ' m gonna have to do some street-level recon to find someth ing .
Exactly.
We know how deep Zobel le is tied to the A. B .
All we gotta fig u re out is what he wants with Charming .
Well , we need to make some new alliances. Protect ou r boys inside.
That's my poi nt, man .
That's why we gotta look past our short-term need to hu rt these guys.
So where does Clay land on th is?
It ain't about me and Clay. lt's about survival .
Everybody's hu rting already, brother.
And th is sh it between you and Clay? lt doesn't happen in a vacu um .
Now, you want my support? You gotta tel l me what the hell is goi n' on .
[ Clicks Tong ue ] l can't tell you .
[Door Opens ] ♪♪ [an Rapping, lndistinct]
Hey.
[Door Closes ]
[Jax] You old enough to watch this shit, Piney?
[ Chuckles ] l h ired him .
Security. [ Scoffs ]
Make the girls feel safe. Yeah !
Dirfy old bastard . [ Ch uckles ] l 'm tryi n' .
L need you at the table tonight.
Well , then l 'll be there, won't l?
Thi n k about what l said .
[ Woman ] Oh, okay.
How's Tara doin'?
Well , l heard that Gemma clocked her and broke her nose or somethin' .
Jesus Christ.
[Bell Dings ]
[ Woman On P.A. ] Pharmacy, call Operations. Pharmacy, call Operations.
What happened?
It was nothi ng .
J ust. . . stupid .
My mom did that?
We were on the street. l came up behi nd her and must have startled her.
That's a solid shot to the face.
It was an accident.
You know this total disclosu re th ing works both ways.
L know.
[ Woman ] Room 212. [ Woman 2] Here you go, Margaret.
[ Whispers ] l have to get back.
L 'm almost finished with the R.O.s.
lf you need to speak with someone, file a report, you can take-
Why wou ld l want to do that?
L know your g uy is part of the motorcycle gang here.
Club.
It's a motorcycle club. Rig ht.
Well , l hope the club doesn't become a problem .
My personal life has noth ing to do with the hospital . l know.
But when that personal life hits you in the face hard enoug h ,
it can't help but impact your work.
And then it does become the hospital's problem .
It's j ust a heads-up from a friend .
[ Groans ]
[ Sobbing ]
Are you Dr. Knowles's friend?
U h-
No.
Mm-mmm .
What the hell is it with you and busting chicks' noses?
This one was an accident. l promise.
What are you doing here?
Same th ing you are.
Got mad love for Tara .
Come on . Get me the hel l out of here.
[ Sig hs ]
[ Clay ] Know any of the names on that letter?
Nah . Cou nty officials turn over all the time.
L 'll float it arou nd the city clerk's office,
see if any names j ump out.
Well , make su re you keep it clear of you r deputy.
Zobelle could be pulling strings on both the Hale brothers.
[ Ch uckles ] Conspiracy theory?
Sou nd ing a little paranoid , aren't you?
Better to be safe than stupid .
Speaking of stupid .
[ TV. ale Sportscaster, lndistinct]
Come on .
Sh it. Oh , man . Hey. Watch this.
Shit. Get off.
- You gentlemen got someth ing to say? - What the hell are you doing?
Street brawl ain't the answer, Ope.
- Use your h- - [ Gru nts ]
Son of a bitch ! [ Groan ing ]
[ Tig] Get up!
[ Siren Wailing ln Distance ]
[John Telier's Voice ] l realized that in my downward spiral ofhopelessness,
l was actually falling into the huge hole...
created by my absence ofbasic human graces.
The most obvious was forgiveness.
lfl was wronged by anyone, in or out ofthe club,
l had to be compensated- money or blood.
There was no turning the other cheek.
When relationships become a ledger ofprofit and loss,
you have no friends, no loved ones,
justpluses and minuses.
You are absolutely alone.
[Door Opens Closes ]
l need to ask you somethi ng .
L need the truth .
Okay.
Seems to be a suspicion maybe, eh , you're involved with Zobelle somehow.
This coming from you r M . C. buddies?
Don't matter where it come from . ls it true?
You're accusing me of being in someone's pocket, you hypocrite son of a bitch?
You've been on Clay's tit since you were a goddamn u ni .
He barks andyou]ump.
Whole town knows it.
Ch ief of police. What a goddamn joke!
Why do you thin k l chose you for my second?
H u h? A single-minded self-rig hteous pain i n the ass?
You' re the good guy.
Okay? The clean one.
L need you to stay that way,
otherwise this whole department's a goddamn joke!
Sit down !
L ' m gonna tell you something ...
that never leaves this room .
About a month ago,
l fou nd Gemma Teller...
in the util ity house off 1 0 ...
beaten and raped .
It was Zobelle's Aryan crew.
Did it to h urt the M . C.
Crush the matriarch .
Why did n't you- Gemma refused to tell them ,
to let it twist up the cl ub.
We staged the car accident to cover up her inj ury.
Jax?
None of them know?
No.
Are you sure it was obelle ?
[ Sniffs ] No tangible proof
Couldn't make an arrest if l wanted to.
Made a promise to Gemma to keep the d irty secret.
Same promise you j ust made.
L need you to know who Zobelle is...
so you can make you r own choice about what's best for Charming .
Oh .
You know anyone on the Sanwa Zoni ng Commission?
Cou nty's looking into Oswald's land .
G uess you r big brother's sal ivating at the idea.
What?
L 'm gonna cut them loose with a warn ing .
Good . We can't afford to feed 'em anyway.
This happens again ,
you'll do 30 for public disturbance.
Now get out. Yes, sir.
♪♪ [ Sons Whistling "The Star Spangled Banner"]
Thanks. [ David] Clay, Jax, need a minute.
What's this?
[ Clay] You guys running surveillance on us ?
[David] Not me.
Zobelle.
Got footage from a secu rity camera .
That's Opie torch ing the meth lab.
Jesus Christ.
Why are you giving us this sh it?
L ' m not U nser.
L 'm not on anybody's payroll .
Someth ing else you shou ld know.
A few years ago...
this developer buddy of my brother got caught ru nn ing a scam-
get a zon ing official on the take, th reaten land owners with eminent domain ,
force them to sell their property on the cheap.
My old man was a judge on the case. He buried it.
G uy walked away.
[ Ch uckles ]
Jake's buddy's got a new job on the San Joaq uin Zon ing Commission .
There's no h ighway. Dou bt it.
M m-h mm .
Appreciate it.
...appreciate the commercial opportu n ity- [ Door Opens ]
What are you doi ng here, Ell iott? We don't have an appointment.
We do now. What's th is about?
Sorry, gentlemen .
We're in the midd le of someth ing .
Yeah . Stealing my land .
L u nderstand you r frustration , but there is no theft here.
You will be compensated for every acre.
How are the folks i n Charming gonna react when they find out one of their fou nd ing sons...
sold them out ru n ning the same real-estate scam ...
you r old man bu ried . . . some years back?
You're specu lating in a tainted land deal .
Little brother has a good memory.
We shou ld fin ish this later, gentlemen . Excuse me.
[Door Closes ]
[ Door Opens ]
[Door Closes ]
Hey, you doing okay?
[ Cooing]
How's the nose?
L 've been sitting here watch ing him ,
trying to figu re out how l fit into all this.
What do you mean?
The violence,
the porn ,
the other g irls, you r mother.
L try to rationalize, but l-
lt's not normal .
What's normal?
L ca- l can't shake th is feeling ...
that someth ing bad is gonna happen ...
to him, to us.
l j ust don't know how to live with that.
L ' m trying to find my place here, Jax.
Wait here.
L want to show you something .
My dad wrote th is before he d ied .
It's h is vision for the club...
and what went wrong and how to save it.
L 'm gonna get us out of al l those th ings that you're afraid of.
You stay with me. l promise...
you'll find you r place.
It's been a sh it year.
L know we were layi ng low trying to...
shake off this A.T. F . stink.
And l would never put a member of this club at risk.
But. . . we u nderestimated Zobelle,
the League's reach .
Now he h urfs a brother.
If we don't act now, it's gonna be a sign of weakness.
They do it again , and we've got an obligation ...
to this club- [ Tapping]
to this town, to crush this threat.
Retaliation must be harsh...
and immed iate.
That's what we do.
It's what we've always done.
L agree with everyth ing you're saying .
We u nderestimated Zobelle.
Gotta protect our club, our town.
Retaliation is undisputable.
But if we do it now,
we're doing it half-blind .
These guys aren 't gangsters.
They're moneyed, smart and connected- both sides ofthe law.
They wanted us to blow up Darby's meth lab.
That's us doing it caught on secu rity cameras.
Ope's face plain as day.
Otto getting]umped was bait obelle knew we 'd take.
But out here, he's not using the muscle.
He's using the law.
He expects us to retal iate.
He wants it, and he's ready for it.
L love Otto.
l want to g ive h im his eye, but not at the expense of my club.
We gotta wait.
Due dil igence. Learn .
Let's vote it.
L mmediate retaliation .
Yea .
Absolutely, yea .
Don't feel right. So no.
Yea .
Nay.
Yea .
4-2 . Where you at, brother?
Smart vote.
Nay.
Nay. 4-4. No majority.
We wait on retaliation .
When you want blind action , you go to Tig .
When you want the truth , you come to me.
L don't know what's goi ng on between you and the boy.
But somebody has got to start making decisions that protect this club.
That's what l d id .
[ Chair Clatters ]
[ Door Opens ]
[ Ch ibs ] Thank you . Bye-bye. Bye.
All rig ht, you're all set.
Next time, pu ll over and call us.
Okay.
Or you can call me.
Fill the hole, Marty! [Marty] Got one in the back.
Hey. What's going on?
Tough vote.
Where is he?
He's, u h , inside.
[ Tow Truck Beeping ]
[ Sig hs ]
Tell me.
Maybe you were right about your boy.
He's more and more like h is old man .
L keep trying to bring h im close, you know?
L keep losin' .
L j ust want h im to love me.
He does.
L ain't so su re anymore.
[ Door Opens ]
♪♪ [ Stereo.. Blues Rock]
[Man Singing] ♪ Velvet king's in his seat♪
♪♪ [ Continues, lndistinct]
l 'm nothing without you , babe.
[ Sons Chattering]
[Engine Sputtering]
[High-pitched Whining] Shit!
[ Clay ] Oh , no!
[Jax] Chibs! Chibs!
Ch ibs! Chibs! Tara!
[ Clay] Oh, my God.
Oh , sh it, man .
Eng lish - US - PSD H
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