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1
00:00:01,034 --> 00:00:04,035
( theme music playing )
2
00:00:51,685 --> 00:00:54,085
- HI. I'M LARRY.
3
00:00:54,120 --> 00:00:57,589
( audience applause )
4
00:00:57,624 --> 00:00:58,523
THIS IS MY BROTHER DARYL,
5
00:00:58,558 --> 00:01:00,525
AND THIS IS MY OTHER BROTHER
DARYL.
6
00:01:00,561 --> 00:01:02,927
COULD WE BORROW
150 POUNDS OF SUGAR?
7
00:01:05,065 --> 00:01:06,731
- CAN YOU MAKE DO
WITH A CUP OF SUGAR?
8
00:01:06,766 --> 00:01:09,867
- NO. ONE CUP AIN'T GONNA
HOLD THE DOOR OPEN.
9
00:01:11,271 --> 00:01:12,737
- LARRY, YOU DON'T NEED SUGAR
FOR THAT.
10
00:01:12,772 --> 00:01:17,242
HAVE YOU EVER CONSIDERED
USING, OH, A ROCK?
11
00:01:18,779 --> 00:01:21,446
- WHOA, YOU GOT SOME KIND OF
ENGINEERING BACKGROUND
12
00:01:21,481 --> 00:01:22,480
OR SOMETHING?
13
00:01:25,285 --> 00:01:27,718
- HI, EVERYBODY.
I HAVE GREAT NEWS.
14
00:01:27,754 --> 00:01:29,387
I'M GONNA REDECORATE MY ROOM.
15
00:01:29,423 --> 00:01:30,455
- YOU ARE?
16
00:01:30,490 --> 00:01:32,257
- EVERY SO OFTEN
I CHANGE IT AROUND
17
00:01:32,292 --> 00:01:34,192
SO I DON'T FALL INTO A RUT.
18
00:01:35,862 --> 00:01:37,094
- HOW OFTEN DO YOU DO IT?
19
00:01:37,130 --> 00:01:38,429
- EVERY 10 YEARS.
20
00:01:39,932 --> 00:01:42,233
IN APRIL.
21
00:01:42,269 --> 00:01:43,268
ON A MONDAY.
22
00:01:45,104 --> 00:01:46,471
AFTER LUNCH.
23
00:01:48,107 --> 00:01:50,408
BUT THIS TIME,
I'M PRETTY MUCH OUT OF IDEAS
24
00:01:50,443 --> 00:01:52,144
SO, JOANNA, COULD YOU--
25
00:01:52,179 --> 00:01:55,080
- OH, GEORGE, I'M NOT SURE
WE HAVE THE SAME TASTE.
26
00:01:55,115 --> 00:01:58,216
- JOANNA, YOU HAVE THE BEST
TASTE OF ANYBODY I KNOW.
27
00:01:58,251 --> 00:02:00,551
- THEN OBVIOUSLY YOU NEED TO
GET TO KNOW DARYL BETTER.
28
00:02:02,322 --> 00:02:04,188
HE'S THE ONE THAT CAME UP
WITH THAT DIRT IDEA
29
00:02:04,223 --> 00:02:05,890
FOR THE FLOOR OF OUR CABIN.
30
00:02:07,227 --> 00:02:09,994
YOU MIGHT BE ABLE TO
WOO HIM AS A CONSULTANT.
31
00:02:10,029 --> 00:02:12,030
- WELL, THAT'S VERY NICE
OF YOU, FELLAS,
32
00:02:12,065 --> 00:02:15,166
BUT I DID ASK JOANNA FIRST.
33
00:02:15,201 --> 00:02:16,367
- THAT'S OKAY.
34
00:02:16,403 --> 00:02:18,870
DARYL IS PRICED A LITTLE BIT
OUT OF YOUR LEAGUE.
35
00:02:21,541 --> 00:02:22,841
- SO, JOANNA?
36
00:02:22,876 --> 00:02:23,841
- OKAY, GEORGE.
37
00:02:23,877 --> 00:02:26,010
I'LL COME UP IN AN HOUR
AND MAKE A FEW SUGGESTIONS
38
00:02:26,045 --> 00:02:27,712
BUT THAT'S ALL.
- AN HOUR?
39
00:02:27,747 --> 00:02:29,881
YOU COULD GIVE A GUY
SOME NOTICE.
40
00:02:34,220 --> 00:02:36,354
- HERE'S YOUR BREAKFAST.
41
00:02:36,389 --> 00:02:38,690
- STEPHANIE, JUST A HINT.
42
00:02:38,725 --> 00:02:43,227
IT'S BACON AND EGGS.
NOT BACON THEN EGGS.
43
00:02:44,798 --> 00:02:46,330
- MORNING, STRATFORD-INNITES.
44
00:02:46,366 --> 00:02:48,667
WE INTERRUPT THIS BREAKFAST
FOR A MICHAEL HARRIS BULLETIN.
45
00:02:48,702 --> 00:02:49,901
I'M GOING AWAY FOR A WEEK.
46
00:02:49,937 --> 00:02:51,035
- MICHAEL.
47
00:02:51,070 --> 00:02:53,104
- SAVE THOSE BOO-HOOS, STEPH.
48
00:02:53,139 --> 00:02:55,172
I'VE GOT A BIG JOB INTERVIEW.
49
00:02:55,208 --> 00:02:56,808
- MICHAEL!
50
00:02:56,843 --> 00:02:58,409
- IN SYRACUSE.
51
00:02:59,479 --> 00:03:01,112
- MICHAEL.
52
00:03:01,148 --> 00:03:02,913
- CUPCAKE, SYRACUSE
IS UP AND COMING.
53
00:03:02,949 --> 00:03:05,816
IT'S OFTEN CALLED THE NEW YORK
OF CENTRAL NEW YORK.
54
00:03:06,819 --> 00:03:08,620
- MICHAEL, YOU JUST CAN'T
TAKE OFF FOR A WEEK.
55
00:03:08,655 --> 00:03:10,388
WHO'S GOING TO PRODUCE
"VERMONT TODAY"?
56
00:03:10,423 --> 00:03:12,056
- NO PROBLEMO.
57
00:03:12,091 --> 00:03:15,827
I'VE ASKED ALMA SPROAT
TO FILL MY FLOOR SHOTS.
58
00:03:17,297 --> 00:03:18,796
- THE STATION'S RECEPTIONIST?
59
00:03:20,667 --> 00:03:23,134
WELL, WHAT DOES SHE KNOW ABOUT
PRODUCING A TELEVISION SHOW?
60
00:03:23,169 --> 00:03:24,769
- NOT A HELL OF A LOT.
61
00:03:24,805 --> 00:03:27,572
BUT IN CASE I DON'T GET THE JOB,
WATCH MY STOCK RISE.
62
00:03:27,608 --> 00:03:29,607
( laughing )
63
00:03:29,642 --> 00:03:31,109
ALMA WILL BE FINE.
64
00:03:31,144 --> 00:03:33,411
THIS WEEK, I'VE LINED YOU UP
WITH THE PERFECT GUEST,
65
00:03:33,447 --> 00:03:35,113
NAME: MR. NED NICHOLAS.
66
00:03:35,148 --> 00:03:37,515
OCCUPATION: BUILDS MODELS
OF NATIONAL MONUMENTS
67
00:03:37,550 --> 00:03:39,017
OUT OF CHERRY LIFESAVERS.
68
00:03:40,253 --> 00:03:42,220
THAT'S THE SUPREME COURT
BUILDING.
69
00:03:42,255 --> 00:03:44,188
- IT IS?
70
00:03:44,224 --> 00:03:46,257
- C'MON, DICK,
YOU'RE THE HISTORY BUFF.
71
00:03:46,292 --> 00:03:49,393
- I DON'T WANT NED NICHOLAS
AND HIS CANDY MODELS.
72
00:03:49,429 --> 00:03:51,629
VERY BAD CANDY MODELS.
73
00:03:51,664 --> 00:03:53,397
I WANT DIMITRI ALEXANDOFF.
74
00:03:54,734 --> 00:03:55,700
- COME AGAIN?
75
00:03:55,735 --> 00:03:57,334
- DIMITRI ALEXANDOFF,
76
00:03:57,370 --> 00:04:00,438
THE GUY WHO SPENT 10 YEARS
IN A RUSSIAN GULAG
77
00:04:00,474 --> 00:04:03,141
AND THEN ESCAPED
TO THE UNITED STATES.
78
00:04:03,176 --> 00:04:05,376
- DICK, DICK,
THE U.S., RUSSIA, US, THEM,
79
00:04:05,411 --> 00:04:07,078
WHAT CAN YOU SAY
THAT HASN'T ALREADY BEEN SAID?
80
00:04:09,515 --> 00:04:10,548
- MICHAEL--
81
00:04:10,583 --> 00:04:12,383
- WHOOPS, OOH,
I'VE GOT A PLANE TO CATCH.
82
00:04:12,418 --> 00:04:13,618
OH, BYE, STEPH.
83
00:04:14,654 --> 00:04:16,654
WE NOW RETURN YOU TO YOUR
REGULARLY SCHEDULED BREAKFAST.
84
00:04:16,723 --> 00:04:17,688
( giggling )
85
00:04:19,926 --> 00:04:22,894
( music playing )
86
00:04:23,897 --> 00:04:25,663
( knock on door )
87
00:04:25,698 --> 00:04:28,433
- HELLO, MR. LOUDON.
I'M ALMA SPROAT.
88
00:04:28,468 --> 00:04:31,836
I'M REALLY EXCITED ABOUT
PRODUCING YOUR SHOW THIS WEEK.
89
00:04:33,072 --> 00:04:36,841
- YEAH. YEAH,
THIS CANDY ARCHITECT
90
00:04:36,876 --> 00:04:41,378
SHOULD REALLY BE SOMETHING.
91
00:04:41,414 --> 00:04:43,614
- OH, YES, IT'LL BE
FASCINATING TO SEE
92
00:04:43,649 --> 00:04:45,383
WHAT THE WASHINGTON MONUMENT
WILL LOOK LIKE
93
00:04:45,418 --> 00:04:48,186
IF IT'S RED AND ROUND.
94
00:04:49,689 --> 00:04:56,360
- YEAH, WE'LL PROBABLY
WANT TO BUILD TO THAT.
95
00:04:56,395 --> 00:04:58,295
- I KNOW I'M BRAND NEW
AT THIS JOB
96
00:04:58,331 --> 00:05:00,898
AND IT'S PROBABLY
NOT MY PLACE TO SAY
97
00:05:00,934 --> 00:05:04,869
BUT... THIS GUEST
IS REALLY STUPID.
98
00:05:06,839 --> 00:05:08,339
- OH, ALMA.
99
00:05:13,312 --> 00:05:14,779
WHAT CAN WE DO?
100
00:05:14,814 --> 00:05:15,980
HE'S ALREADY BOOKED.
101
00:05:16,015 --> 00:05:17,815
- WELL, LET'S GIVE
HIM THE OLD HEAVE-HO.
102
00:05:19,686 --> 00:05:21,586
- WE CAN'T JUST CANCEL HIM,
CAN WE?
103
00:05:24,357 --> 00:05:26,924
- SO, WHO SHALL WE BOOK INSTEAD?
104
00:05:26,960 --> 00:05:28,226
- CAN WE REALLY DO THIS?
105
00:05:28,261 --> 00:05:31,162
- C'MON, WHO'S YOUR DREAM GUEST?
106
00:05:31,197 --> 00:05:33,364
IF YOU COULD HAVE ANYONE
ON THE FACE OF THE EARTH,
107
00:05:33,399 --> 00:05:34,632
WHO WOULD IT BE?
108
00:05:34,668 --> 00:05:36,333
- AT THIS MOMENT, YOU.
109
00:05:38,671 --> 00:05:42,907
BUT MY SECOND CHOICE
WOULD BE DIMITRI ALEXANDOFF.
110
00:05:42,942 --> 00:05:47,312
- THE ESCAPED RUSSIAN?
HE'D BE A GREAT GUEST.
111
00:05:47,347 --> 00:05:50,882
- YEAH, BUT HOW WOULD WE GET
A BUSY GUY LIKE THAT
112
00:05:50,917 --> 00:05:52,984
ON SUCH SHORT NOTICE?
113
00:05:53,019 --> 00:05:55,153
- EASY, I KNOW HIS SECRETARY
114
00:05:55,188 --> 00:05:58,122
AND I HAVE THE RECIPE
FOR A STROGANOFF
115
00:05:58,158 --> 00:06:01,493
THAT'LL MAKE HIM HUSTLE
HIS BUNSKIES RIGHT OVER HERE.
116
00:06:01,528 --> 00:06:03,594
( music playing )
117
00:06:05,432 --> 00:06:08,233
- SO WHAT SORT OF CHANGES
DO YOU USUALLY MAKE?
118
00:06:08,268 --> 00:06:13,905
- WELL, 10 YEARS AGO,
I MOVED THIS FROM OVER THERE.
119
00:06:13,940 --> 00:06:17,441
TEN YEARS BEFORE THAT,
I MOVED IT FROM OVER THERE.
120
00:06:17,476 --> 00:06:21,245
TEN YEARS BEFORE THAT,
IT WASN'T HERE SO I BOUGHT IT.
121
00:06:22,449 --> 00:06:23,548
- WELL, HOW DO YOU USE THE ROOM?
122
00:06:23,583 --> 00:06:27,552
TO READ, TO WATCH TELEVISION,
TO WORK?
123
00:06:27,587 --> 00:06:28,552
- YES.
124
00:06:29,923 --> 00:06:30,955
- MM-HM.
125
00:06:30,991 --> 00:06:34,292
- SO NOW THAT YOU'VE GOT
A HANDLE ON THE PRIVATE ME,
126
00:06:34,327 --> 00:06:36,327
WHAT SHOULD THIS PLACE
LOOK LIKE?
127
00:06:40,600 --> 00:06:42,066
- THIS.
128
00:06:42,102 --> 00:06:44,468
- C'MON, THERE MUST BE SOMETHING
YOU COULD DO
129
00:06:44,503 --> 00:06:46,103
TO IMPROVE THIS PLACE.
130
00:06:46,138 --> 00:06:48,739
- NOTHING REALLY.
131
00:06:48,775 --> 00:06:50,574
MAYBE I'D ADD
A SPLASH OF COLOR.
132
00:06:50,609 --> 00:06:54,245
- WHOA, COLOR!
133
00:06:54,280 --> 00:06:56,013
WHAT KIND OF COLOR?
134
00:06:56,049 --> 00:06:57,582
- WELL, WHAT'S YOUR FAVORITE?
135
00:06:57,617 --> 00:07:00,251
- BOY, THEY'RE ALL SO NICE,
I DON'T KNOW.
136
00:07:02,154 --> 00:07:03,120
- HOW ABOUT BLUE?
137
00:07:03,155 --> 00:07:06,324
- BLUE, THAT'S MY FAVORITE!
138
00:07:06,359 --> 00:07:08,493
NO OFFENSE TO THE OTHERS.
139
00:07:08,528 --> 00:07:11,428
- WELL, YOU COULD HAVE
A BLUE BEDSPREAD.
140
00:07:11,464 --> 00:07:13,831
- A BLUE BEDSPREAD.
141
00:07:13,867 --> 00:07:16,501
JOANNA, YOU'VE GOT TO DO IT.
142
00:07:16,536 --> 00:07:18,836
HAVE YOUR WAY WITH THIS ROOM.
143
00:07:18,871 --> 00:07:20,171
I'LL STAY AT THE INN.
144
00:07:20,206 --> 00:07:22,340
DON'T SHOW IT TO ME
UNTIL YOU'RE DONE.
145
00:07:22,375 --> 00:07:24,075
- IT MIGHT BE KIND OF FUN.
146
00:07:24,110 --> 00:07:26,711
I DID SEE SOME NICE CURTAINS
AT BENFER'S.
147
00:07:26,746 --> 00:07:28,079
- CURTAINS!
148
00:07:29,349 --> 00:07:30,614
BOY!
- GEORGE,
149
00:07:30,649 --> 00:07:32,649
I'LL DO IT, OKAY?
150
00:07:33,887 --> 00:07:35,887
( music playing )
151
00:07:36,990 --> 00:07:40,157
- WHEN I FINALLY
STEPPED OFF PLANE,
152
00:07:40,193 --> 00:07:45,129
I REALIZED
AT LAST I AM FREE.
153
00:07:45,165 --> 00:07:48,899
I THREW MYSELF
TO THE GROUND.
154
00:07:48,935 --> 00:07:50,201
I TOOK DIRT.
155
00:07:50,236 --> 00:07:52,203
I PUT IT IN MY MOUTH.
156
00:07:53,639 --> 00:07:56,707
I WANTED TO TASTE FREEDOM.
157
00:07:56,742 --> 00:07:59,010
OH, MY GOD, IT WAS SWEET.
158
00:08:01,581 --> 00:08:02,746
- WOW!
159
00:08:05,384 --> 00:08:09,020
ANOTHER THING
I'D LOVE TO ASK YOU--
160
00:08:09,055 --> 00:08:11,488
OH, DARN -- WE'RE OUT OF TIME.
161
00:08:13,126 --> 00:08:16,127
- JOIN US NEXT WEEK
ON "VERMONT TODAY."
162
00:08:17,130 --> 00:08:18,729
- AND WE'RE CLEAR.
163
00:08:18,765 --> 00:08:21,432
( applause )
164
00:08:21,468 --> 00:08:23,100
- WELL, THAT WAS WONDERFUL.
165
00:08:23,135 --> 00:08:25,837
I GREW AS A HUMAN BEING.
166
00:08:25,872 --> 00:08:28,906
- THANK YOU, DICK.
YOU MUST BUY MY BOOK.
167
00:08:28,942 --> 00:08:32,777
COULD SOMEONE HELP ME CARRY
SIX QUARTS OF STROGANOFF
168
00:08:32,812 --> 00:08:35,346
TO TRUNK OF MY COUPE DEVILLE
WITH LANDAU ROOF?
169
00:08:37,016 --> 00:08:39,883
- YOU MUST SAY GOODBYE
TO THE LOVELY MRS. SPROAT.
170
00:08:41,621 --> 00:08:43,988
- DICK, THIS SHOW WAS GOOD.
171
00:08:45,558 --> 00:08:46,757
- THANK YOU, J.J.
172
00:08:46,792 --> 00:08:49,360
- NO, I MEAN IT.
IT WAS GOOD.
173
00:08:49,395 --> 00:08:51,695
NORMALLY, I DON'T GO IN FOR
THIS PUBLIC AFFAIRS STUFF
174
00:08:51,731 --> 00:08:54,265
BUT TODAY, FIVE MINUTES
INTO THE SHOW,
175
00:08:54,300 --> 00:08:56,800
WE COMPLETELY FORGOT
OUR TRIVIAL PURSUIT GAME.
176
00:08:58,471 --> 00:09:01,372
- YOU PLAY GAMES WHILE
YOU'RE DIRECTING MY SHOW?
177
00:09:01,408 --> 00:09:04,542
- WELL, IT KEEPS THE GUYS
IN THE BOOTH FROM NODDING OFF.
178
00:09:05,678 --> 00:09:10,481
BUT TODAY, THE GAME WAS ALMOST,
WELL, A DISTRACTION.
179
00:09:11,684 --> 00:09:14,685
THANKS TO THIS LITTLE LADY
RIGHT OVER HERE.
180
00:09:14,721 --> 00:09:16,020
- THANKS.
181
00:09:16,055 --> 00:09:19,323
OH, J.J., WOULD YOU HELP ME
CLEAR THINGS OFF THE SET?
182
00:09:19,392 --> 00:09:20,858
- OH, ALMA.
183
00:09:20,893 --> 00:09:23,093
- I MADE SOME
BUTTERSCOTCH CHEWIES.
184
00:09:25,064 --> 00:09:27,298
- WITH PEANUT BUTTER?
185
00:09:30,069 --> 00:09:31,736
( sighing )
186
00:09:34,741 --> 00:09:37,709
- DICK, I THINK
YOU'VE HIT YOUR STRIDE.
187
00:09:37,744 --> 00:09:39,343
THIS SHOW MOVED ME.
188
00:09:39,378 --> 00:09:42,346
WHEN HE TOLD ABOUT FINALLY
GETTING A LETTER FROM HIS WIFE
189
00:09:42,381 --> 00:09:43,848
AND THEY HAD CENSORED
EVERYTHING
190
00:09:43,883 --> 00:09:49,386
EXCEPT THE WORDS "CONTINUED
ON NEXT PAGE," I WEPT.
191
00:09:50,389 --> 00:09:51,455
- WELL, THANKS, BEV.
192
00:09:51,490 --> 00:09:54,425
I KNOW YOU'RE LOOKING
FOR A REPLACEMENT
193
00:09:54,460 --> 00:09:57,028
IN CASE MICHAEL
GETS THE SYRACUSE JOB
194
00:09:57,063 --> 00:10:02,733
AND I JUST WANT TO SAY
I'D LIKE TO RECOMMEND THAT GIRL.
195
00:10:09,542 --> 00:10:11,375
- WELL,
FROM WHAT I'VE SEEN TODAY,
196
00:10:11,410 --> 00:10:13,377
SHE'S GREAT
BUT MICHAEL PHONED.
197
00:10:13,412 --> 00:10:15,513
HE DIDN'T GET THE JOB.
198
00:10:15,548 --> 00:10:20,550
- OH. SO HE'LL BE STAYING ON.
199
00:10:22,288 --> 00:10:24,522
- YOU DON'T SOUND TOO HAPPY
ABOUT THAT, DICK.
200
00:10:24,557 --> 00:10:27,324
- HE'S STAYING ON.
201
00:10:27,360 --> 00:10:29,827
WHOOPEE.
202
00:10:29,863 --> 00:10:32,263
- WELL, HE DOESN'T
HAVE TO STAY.
203
00:10:33,733 --> 00:10:37,535
- YOU MEAN, FIRE HIM?
204
00:10:37,570 --> 00:10:38,969
- WELL, HE WOULDN'T
REALLY BE FIRED.
205
00:10:39,004 --> 00:10:40,972
HE DOES A BUNCH OF
OTHER SHOWS FOR US.
206
00:10:41,007 --> 00:10:41,939
- THAT'S TRUE.
207
00:10:41,975 --> 00:10:46,644
HE'S GOT "CARTOON LAGOON,"
"SEWING WITH SUZY,"
208
00:10:46,679 --> 00:10:48,111
"BINKY THE CLOWN,"
209
00:10:51,083 --> 00:10:52,349
"HEY, YOU, FARMER,"
210
00:10:55,922 --> 00:10:58,422
THE "MR. SING WITH ME HOUR."
211
00:11:02,328 --> 00:11:05,028
- YOU WANT ALMA, DON'T YOU?
212
00:11:05,064 --> 00:11:07,965
- WELL, THIS IS MICHAEL'S
MOST IMPORTANT SHOW.
213
00:11:08,000 --> 00:11:09,900
I MEAN, YOU'RE
THE STATION MANAGER,
214
00:11:09,936 --> 00:11:13,304
YOU MAKE UP YOUR MIND,
I'LL ABIDE BY YOUR DECISION.
215
00:11:13,339 --> 00:11:15,306
- GOOD, BECAUSE I'VE DECIDED
TO LET YOU DECIDE.
216
00:11:15,341 --> 00:11:17,675
MICHAEL OR ALMA,
BUT JUST TELL ME BY TOMORROW.
217
00:11:22,348 --> 00:11:25,349
( music playing )
218
00:11:26,786 --> 00:11:29,353
- I'M READY TO SHOW
GEORGE'S ROOM.
219
00:11:29,389 --> 00:11:31,589
HE IS SUCH A PACK RAT.
220
00:11:32,826 --> 00:11:34,358
I HAD TO FIND A PLACE
IN THE GARAGE
221
00:11:34,393 --> 00:11:36,461
FOR 20 YEARS OF "BOY'S LIFE."
222
00:11:39,765 --> 00:11:41,198
- SOUNDS PRETTY.
223
00:11:42,569 --> 00:11:45,970
- OH, HONEY, ARE YOU STILL
WORRIED ABOUT ALMA AND MI--
224
00:11:48,675 --> 00:11:51,108
- ABOUT ALMA AND MICHAEL?
225
00:11:51,144 --> 00:11:52,843
- REMEMBER LAST NIGHT
YOU SUGGESTED
226
00:11:52,878 --> 00:11:54,612
I TRY TO THINK OF
ALL THE GOOD THINGS
227
00:11:54,647 --> 00:11:55,646
MICHAEL HAD DONE FOR ME?
228
00:11:55,681 --> 00:11:56,580
- YEAH.
229
00:11:56,616 --> 00:11:57,581
- ALL I COULD COME UP WITH
230
00:11:57,616 --> 00:11:59,583
WAS THE TIME
I WAS WALKING IN THE DRIVEWAY
231
00:11:59,619 --> 00:12:01,485
AND HE SWERVED TO MISS ME.
232
00:12:04,590 --> 00:12:06,557
- SOUNDS LIKE
YOU SHOULD GO WITH ALMA.
233
00:12:06,592 --> 00:12:08,125
- ARE YOU NUTS?
THAT WOULD CRUSH--
234
00:12:14,767 --> 00:12:16,567
- THAT WOULD CRUSH MICHAEL.
235
00:12:16,603 --> 00:12:18,168
- THEN I GUESS
YOU'LL STAY WITH HIM.
236
00:12:18,204 --> 00:12:19,170
- THAT'S STUPID.
237
00:12:20,240 --> 00:12:23,073
ALMA JUST PRODUCED
THE BEST SHOW I EVER DID.
238
00:12:23,109 --> 00:12:27,178
I MEAN, SHOULDN'T KINDNESS,
DECENCY AND SKILL BE REWARDED?
239
00:12:27,213 --> 00:12:28,713
- YES.
- NO!
240
00:12:30,283 --> 00:12:31,515
I DON'T WANT TO FIRE MICHAEL.
241
00:12:31,550 --> 00:12:33,885
I DO FEEL SOMETHING FOR HIM.
242
00:12:33,920 --> 00:12:38,722
THE KIND OF AFFECTION
YOU FEEL FOR A PUPPY
243
00:12:38,758 --> 00:12:40,524
THAT YOU DON'T LIKE VERY MUCH.
244
00:12:41,761 --> 00:12:43,661
I MEAN, WHAT THE HELL
AM I GONNA DO?
245
00:12:43,696 --> 00:12:45,329
I HAVE TO DECIDE
BETWEEN MICHAEL--
246
00:12:48,401 --> 00:12:49,399
- BETWEEN MICHAEL--
247
00:12:49,435 --> 00:12:50,701
- STOP IT!
STOP IT!
248
00:12:52,939 --> 00:12:56,307
STOP TALKING ABOUT IT
BEHIND MY BACK.
249
00:12:56,342 --> 00:12:58,508
- STEPHANIE,
I DIDN'T KNOW YOU KNEW.
250
00:12:58,544 --> 00:13:00,110
- HOW CAN I NOT KNOW SOMETHING
251
00:13:00,146 --> 00:13:03,581
THAT'S GOING TO DESTROY
MICHAEL LIKE THIS?
252
00:13:03,616 --> 00:13:05,816
- THERE'S NOTHING
DEFINITE ABOUT IT YET.
253
00:13:05,852 --> 00:13:07,151
- WHAT DO YOU MEAN?
254
00:13:07,186 --> 00:13:09,753
THESE ARE DEFINITELY
SPLIT ENDS.
255
00:13:11,691 --> 00:13:15,092
AND IN CASE YOU DIDN'T SAY IT
LOUD ENOUGH, YES, EVERYBODY,
256
00:13:15,127 --> 00:13:18,162
STEPHANIE VANDERKELLEN
HAS SPLIT ENDS.
257
00:13:18,197 --> 00:13:19,329
( sobbing )
258
00:13:19,365 --> 00:13:22,366
( music playing )
259
00:13:28,308 --> 00:13:29,307
- OKAY.
260
00:13:31,377 --> 00:13:33,677
WELL? WHAT DO YOU THINK?
261
00:13:33,713 --> 00:13:37,347
- IT'S THE MOST BEAUTIFUL ROOM
I EVER SAW.
262
00:13:37,382 --> 00:13:41,151
I NEVER--
WHOA, THAT WAS CLOSE.
263
00:13:41,186 --> 00:13:43,987
- GEORGE, RELAX,
THE RUG IS THERE
264
00:13:44,023 --> 00:13:46,056
FOR YOU TO WALK ON
AND ENJOY.
265
00:13:46,092 --> 00:13:47,557
- GREAT.
266
00:13:50,796 --> 00:13:54,164
OH, WHAT A LOVELY BEDSPREAD.
267
00:13:54,199 --> 00:13:56,166
- IT'S A 200-YEAR-OLD ANTIQUE.
268
00:13:56,201 --> 00:13:58,435
- AH-AH-AHH.
269
00:13:58,470 --> 00:14:01,705
AND WOW, LOOK AT THOSE
PRETTY CUSHIONS.
270
00:14:01,741 --> 00:14:03,140
- I'M GLAD YOU LIKE THEM.
271
00:14:04,143 --> 00:14:06,410
DID YOU NOTICE THE WAY
THE RASPBERRY CANDIES
272
00:14:06,445 --> 00:14:09,713
BRING OUT THE COLOR
IN THOSE THROW PILLOWS?
273
00:14:09,749 --> 00:14:11,782
- I'M SORRY, I DIDN'T.
274
00:14:15,288 --> 00:14:18,755
- BOY, THIS LOOKS COMFY.
275
00:14:18,791 --> 00:14:20,090
- AREN'T YOU GONNA SIT IN IT?
276
00:14:20,126 --> 00:14:21,425
- I CAN'T, IT'LL WRINKLE.
277
00:14:21,460 --> 00:14:22,793
- NO.
278
00:14:22,828 --> 00:14:25,095
NO, IT WON'T.
SIT.
279
00:14:25,131 --> 00:14:26,863
- I CAN'T.
- SIT.
280
00:14:29,468 --> 00:14:32,937
- I CAN'T.
- SIT!
281
00:14:32,972 --> 00:14:34,104
- SEE, IT DID WRINKLE.
282
00:14:34,140 --> 00:14:35,072
- NO, IT DIDN'T.
283
00:14:36,109 --> 00:14:39,410
WELL, GEE, IT DID WRINKLE.
284
00:14:39,445 --> 00:14:41,045
( knocking on door )
285
00:14:41,147 --> 00:14:42,279
- HI.
286
00:14:42,314 --> 00:14:43,581
TO BE BRIEF, IT'S US.
287
00:14:48,454 --> 00:14:50,354
WE'RE HERE TO WISH YOU
A HAPPY ROOM-WARMING.
288
00:14:50,389 --> 00:14:51,588
- GET OFF THE RUG!
289
00:14:56,462 --> 00:14:57,761
- GEORGE.
290
00:14:57,797 --> 00:14:59,030
- I'M SORRY.
291
00:14:59,065 --> 00:15:02,133
WHY DON'T YOU MAKE
YOURSELVES COMFORTABLE?
292
00:15:02,168 --> 00:15:04,534
- NOT ON THE BED!
293
00:15:04,570 --> 00:15:07,004
YOU THREE GUYS CAN SIT
ON THE WRINKLED CHAIR.
294
00:15:15,681 --> 00:15:17,681
- DARYL LIKES WHAT
YOU'VE DONE WITH THE ROOM.
295
00:15:17,717 --> 00:15:19,183
- THANK YOU.
296
00:15:19,218 --> 00:15:22,019
THAT'S VERY FLATTERING,
COMING FROM A DECORATOR.
297
00:15:22,054 --> 00:15:24,255
- I'M AFRAID YOU'RE BARKING
UP THE WRONG DARYL.
298
00:15:26,392 --> 00:15:27,958
THE DECORATOR DARYL FEELS
299
00:15:27,994 --> 00:15:30,727
YOU'VE MADE INEFFECTUAL USE
OF YOUR SPACE.
300
00:15:34,133 --> 00:15:38,035
- NO OFFENSE, GUYS, BUT I THINK
JOANNA HAS CREATED A WARM,
301
00:15:38,070 --> 00:15:40,204
COMFORTABLE, INVITING--
DON'T TOUCH THE CANDY.
302
00:15:40,239 --> 00:15:41,638
YIKES!
303
00:15:47,446 --> 00:15:50,847
- OH, DEAR, LOOK HOW LATE
IT'S GOTTEN.
304
00:15:50,883 --> 00:15:52,716
C'MON, DARYL.
305
00:15:54,186 --> 00:15:56,386
WE'D LIKE TO THANK YOU
FOR A LOVELY TIME.
306
00:15:56,422 --> 00:15:58,722
AND IF YOU'RE THINKING ABOUT
HAVING ANY MORE PARTIES,
307
00:15:58,758 --> 00:16:01,291
WE CAN RSVP YOU RIGHT NOW.
308
00:16:01,326 --> 00:16:02,325
NO.
309
00:16:11,937 --> 00:16:14,938
- YOU HATE IT.
- NO, I LOVE IT.
310
00:16:14,973 --> 00:16:19,009
I LOVE IT SO MUCH I COULD
NEVER, NEVER, NEVER LIVE IN IT.
311
00:16:20,313 --> 00:16:23,914
EVERYTHING IS SO CLEAN,
SO NEAT.
312
00:16:23,949 --> 00:16:27,951
- CLEAN IS THE PROBLEM?
NEAT IS THE PROBLEM?
313
00:16:58,918 --> 00:17:01,385
- CAN YOU LIVE IN IT NOW?
314
00:17:01,420 --> 00:17:02,419
- I GUESS SO.
315
00:17:04,090 --> 00:17:06,323
IF THE BOARD OF HEALTH
SAYS IT'S OKAY.
316
00:17:11,931 --> 00:17:13,931
( music playing )
317
00:17:15,268 --> 00:17:16,300
( knocking on door )
318
00:17:16,335 --> 00:17:17,467
Dick:
COME IN.
319
00:17:17,503 --> 00:17:18,568
- HI, DICK.
320
00:17:18,604 --> 00:17:20,604
YOUR PRODIGAL PRODUCER
HAS RETURNED.
321
00:17:21,874 --> 00:17:23,840
- MICHAEL, I WANT TO
TALK TO YOU.
322
00:17:23,876 --> 00:17:27,177
- SURE THING. OH, BETWEEN YOU,
ME AND THE LAMP POST,
323
00:17:27,213 --> 00:17:30,147
HOW DID ALMA DO?
324
00:17:30,182 --> 00:17:32,215
- ALMA WAS TERRIFIC.
325
00:17:32,250 --> 00:17:33,717
- SWELL.
I MUST REMEMBER TO GIVE HER
326
00:17:33,752 --> 00:17:35,719
ONE OF MY PATENTED WELL-DONES.
327
00:17:37,923 --> 00:17:39,890
- MICHAEL, I NEED TO
TALK TO YOU.
328
00:17:39,925 --> 00:17:41,691
- SAY NO MORE, DICK.
329
00:17:41,727 --> 00:17:45,129
I KNOW YOU WANT TO OFFER
YOUR CONDOLENCES
330
00:17:45,164 --> 00:17:46,397
ABOUT THE SYRACUSE JOB.
331
00:17:46,432 --> 00:17:48,065
WELL, FORGET IT.
332
00:17:48,100 --> 00:17:49,699
( sniggering )
333
00:17:49,735 --> 00:17:51,701
I REALIZE THAT
THAT WAS NOT THE JOB
334
00:17:51,737 --> 00:17:52,903
FOR THIS UP-AND-COMER.
335
00:17:52,939 --> 00:17:54,571
I'D RATHER BE HERE
AROUND PEOPLE I TRUST
336
00:17:54,606 --> 00:17:57,607
AND, PARDON MY MUSH,
REALLY GET OFF ON.
337
00:18:01,180 --> 00:18:02,213
- MICHAEL--
- BESIDES,
338
00:18:02,248 --> 00:18:04,314
IT'S HARDER TO BURST
ON THE SCENE FROM SYRACUSE.
339
00:18:04,349 --> 00:18:05,515
THERE HAVE BEEN STUDIES.
340
00:18:06,786 --> 00:18:09,352
OH, BY THE WAY, NOW, THE WORD
I'M GIVING THE UNDERLINGS HERE
341
00:18:09,388 --> 00:18:12,222
IS THAT I'M THE ONE
WHO TURNED THEM DOWN.
342
00:18:12,258 --> 00:18:13,657
IT'S IMPORTANT TO HAVE THE
RESPECT OF THE PEOPLE
343
00:18:13,692 --> 00:18:15,625
YOU WORK WITH, NO MATTER
HOW MUCH YOU HAVE TO LIE.
344
00:18:18,197 --> 00:18:26,336
- MICHAEL, SOMETIMES WE GO AWAY
AND WHEN WE COME BACK,
345
00:18:26,372 --> 00:18:29,840
THINGS AREN'T THE SAME
AS THEY USED TO BE.
346
00:18:29,876 --> 00:18:32,142
- WOW, THAT'S PROFOUND.
347
00:18:32,177 --> 00:18:33,343
UP FOR LUNCH?
348
00:18:34,847 --> 00:18:36,113
- MICHAEL, YOU'RE--
349
00:18:41,186 --> 00:18:44,822
YOU'RE AN OKAY PRODUCER.
350
00:18:44,857 --> 00:18:47,157
BUT ALMA IS BETTER
351
00:18:47,192 --> 00:18:50,394
AND THAT'S WHY I'M HIRING HER
FOR "VERMONT TODAY" AND --
352
00:18:53,032 --> 00:18:56,534
AND REVERSING THE PROCESS
FOR YOU.
353
00:19:00,806 --> 00:19:02,005
- COULDN'T HEAR YOU, DICK.
354
00:19:03,309 --> 00:19:05,643
- YOU'RE SORT OF FIRED.
355
00:19:07,045 --> 00:19:08,412
- WHAT?
356
00:19:08,447 --> 00:19:10,414
- I'M SORRY.
357
00:19:10,449 --> 00:19:11,348
- FIRED?
358
00:19:11,383 --> 00:19:12,850
Dick: BUT ONLY FROM"VERMONT TODAY."
359
00:19:12,885 --> 00:19:17,220
I MEAN, YOU STILL HAVE
ALL THOSE OTHER SHOWS.
360
00:19:17,256 --> 00:19:18,655
MICHAEL, I--
- NO, DON'T TOUCH ME.
361
00:19:22,728 --> 00:19:26,931
- I WASN'T GOING TO TOUCH YOU.
362
00:19:26,966 --> 00:19:30,100
- "VERMONT TODAY"
WAS MY SHOW.
363
00:19:30,136 --> 00:19:32,202
I CREATED IT.
I CREATED YOU.
364
00:19:32,238 --> 00:19:34,972
I MADE YOU WHAT YOU ARE TODAY,
365
00:19:35,007 --> 00:19:37,041
YOU BACK STABBER.
366
00:19:39,111 --> 00:19:42,579
I'M SORRY, DICK, BUT AFTER
THIS SLAP IN THE FACE,
367
00:19:42,614 --> 00:19:46,250
I DON'T THINK I CAN WORK
WITH YOU AGAIN.
368
00:19:46,285 --> 00:19:48,519
- WELL, THAT'S KIND OF GOOD.
369
00:19:53,959 --> 00:19:57,361
BECAUSE, AS I SAID,
YOU WON'T.
370
00:19:59,298 --> 00:20:00,330
( knocking on door )
371
00:20:00,366 --> 00:20:01,398
- DICK, GUESS WHAT?
372
00:20:01,433 --> 00:20:02,432
OH, HI, MICHAEL.
373
00:20:02,467 --> 00:20:04,100
I JUST GOT A CALL
FROM SYRACUSE.
374
00:20:04,136 --> 00:20:05,536
THEY SAW SUNDAY'S
"VERMONT TODAY"
375
00:20:05,571 --> 00:20:06,770
AND OFFERED ME A JOB,
376
00:20:06,805 --> 00:20:08,304
THE ONE YOU SAID
THEY COULD SHOVE.
377
00:20:09,642 --> 00:20:11,909
AND SYRACUSE IS CLOSE
TO MY DAUGHTER.
378
00:20:11,944 --> 00:20:14,477
OH, I OWE ALL THIS
TO BOTH OF YOU.
379
00:20:14,513 --> 00:20:15,913
MWAH!
380
00:20:15,948 --> 00:20:17,581
MWAH!
381
00:20:17,616 --> 00:20:19,883
IS THIS A HAPPY DAY OR WHAT?
382
00:20:31,797 --> 00:20:37,934
- WELL, DICK, LOOKS LIKE
YOU'RE OUT OF A PRODUCER.
383
00:20:39,137 --> 00:20:42,873
AND YOU CAN JUST
FORGET THIS GUY.
384
00:20:46,279 --> 00:20:47,844
BEG AND WEEP ALL YOU WANT.
385
00:20:47,880 --> 00:20:52,115
THE FACT IS I COULD NEVER
COME BACK TO "VERMONT TODAY."
386
00:20:54,320 --> 00:20:57,921
- I UNDERSTAND, MICHAEL,
AND MAYBE IT'S BEST
387
00:20:57,956 --> 00:21:01,591
IF WE BOTH PART COMPANY
388
00:21:01,627 --> 00:21:04,628
AND START FRESH.
389
00:21:04,664 --> 00:21:09,366
- PLEASE, DICK, PLEASE, PLEASE,
I WANT TO COME BACK.
390
00:21:09,401 --> 00:21:12,202
PLEASE, PLEASE,
I'LL BEG IF I HAVE TO.
391
00:21:17,542 --> 00:21:19,843
- MICHAEL, BEFORE
YOU LOSE YOUR PRIDE--
392
00:21:21,613 --> 00:21:22,846
- I'LL DO ANYTHING YOU WANT,
393
00:21:22,882 --> 00:21:25,148
ANYTHING
JUST TO GET MY JOB BACK.
394
00:21:25,183 --> 00:21:26,583
- WE HAVE DIFFERENT TASTES.
395
00:21:26,652 --> 00:21:29,553
WE'VE NEVER AGREED ON
A GUEST FOR THE SHOW.
396
00:21:29,588 --> 00:21:37,360
- JUST TELL ME WHO YOU WANT
AND I'LL WRITE IT ON THE FORM.
397
00:21:37,396 --> 00:21:40,897
- DR. RAOUL FINCH,
THE PALEONTOLOGIST.
398
00:21:44,370 --> 00:21:45,836
- HOW ABOUT IF HE CAME IN
ON THE ARMS OF SOME
399
00:21:45,871 --> 00:21:47,604
LOCAL CHEERLEADERS?
400
00:21:47,640 --> 00:21:48,638
- MICHAEL.
401
00:21:48,674 --> 00:21:50,174
- HE COULD TALK ABOUT
HOW THEIR BONES DIFFER
402
00:21:50,209 --> 00:21:53,843
FROM THOSE OF CRO-MAGNON
CHEERLEADERS, HM?
403
00:21:53,879 --> 00:21:55,445
- MICHAEL.
404
00:21:55,481 --> 00:21:56,446
- ALL RIGHT.
405
00:21:56,481 --> 00:21:58,382
YOU PICK THE GUESTS.
406
00:21:58,417 --> 00:21:59,850
NO ARGUMENTS.
407
00:21:59,885 --> 00:22:02,252
SO WHAT DO YOU SAY?
408
00:22:02,287 --> 00:22:07,658
AM I STILL YOUR PRODUCER?
409
00:22:08,827 --> 00:22:12,129
- I KNOW I'M GONNA REGRET THIS
MORE THAN I ALREADY DO,
410
00:22:13,999 --> 00:22:14,965
( sighing )
411
00:22:15,000 --> 00:22:16,232
OKAY.
412
00:22:20,973 --> 00:22:23,606
- THAT'S THE FINEST THING--
413
00:22:23,642 --> 00:22:25,075
( sighing )
414
00:22:25,110 --> 00:22:28,979
THAT'S THE FINEST THING
I'VE EVER SEEN A HUMAN BEING DO.
415
00:22:29,982 --> 00:22:33,984
WELL, FROM NOW ON,
IT'S GONNA BE A WHOLE NEW SHOW.
416
00:22:36,155 --> 00:22:37,720
AND A WHOLE NEW ME.
417
00:22:56,975 --> 00:22:59,910
( theme music playing )
418
00:23:26,271 --> 00:23:27,336
- MEOW!
29509
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