Original subtitles

( theme music playing )

- WELL, I JUST LOADED THE LAST GUESTS INTO THEIR CAR.

THE INN IS NOW OFFICIALLY CLOSED FOR RENOVATION.

- GREAT, GEORGE, BECAUSE I HAVE A PROJECT HERE

THAT'S GONNA BE AS EXCITING TO YOU AS IT IS TO ME.

- UH-OH.

- GEORGE, I WANT YOU TO BUILD A BOOKCASE HERE ON THE WALL.

IT WILL BE SORT OF A LENDING LIBRARY FOR THE GUESTS,

FEATURING THE COLLECTIVE WORKS OF DICK LOUDON,

AMERICA'S MR. HOW TO.

- I'LL GET ON IT AS SOON AS I BUILD THAT FENCE

WE'RE SO EXCITED ABOUT.

- AND, GEORGE, YOU MIGHT BE ABLE TO USE THIS.

IT'S A BOOK I WROTE ON SHELF BUILDING.

- "SHELF HELP" BY DICK LOUDON.

CUTE. DON'T NEED IT.

- GEORGE, WHAT I'M TRYING TO SAY IS I WANT YOU TO USE THIS BOOK.

YOU KNOW, BUILDING A BOOKCASE CAN BE TRICKY.

- RIGHT. WE WOULDN'T WANT ME TO SLIP

AND ACCIDENTALLY BUILD A SHIP OR SOMETHING.

- OH, UH, STEPHANIE, I'VE DECIDED TO CLOSE THE INN

EARLIER THAN I EXPECTED.

- OH, DICK!

NO MORE STUPID GUESTS TO WAIT ON.

NO MORE STUPID ROOMS TO CLEAN.

NO MORE STUPID BOSSES TO LISTEN TO.

- WHOA, WHILE THE CAT'S AWAY.

- MICHAEL, DICK CLOSED THE INN EARLY.

- WELL, LET ME GET IN THERE.

- TAKE MY PLACE.

SO WHERE ARE YOU TWO GOING ON YOUR VACATION?

OR IS THIS IT?

- ACTUALLY, I'VE LEFT THAT UP TO CUPCAKE TOURS.

BUT SHE'S HAVING TROUBLE DECIDING.

- I JUST WANT TO MAKE SURE I PICK THE COUNTRY

I'LL LOOK BEST IN.

AND I HAVE. MOROCCO.

- MOROCCO?

I WENT THERE IN THE ARMY AND I HATED IT.

- BUT WERE YOU WEARING A STRAPLESS SUNDRESS

AND DOING THIS?

- NO.

- STEPH, MOROCCO IS SO FAR AWAY.

EXPENSIVELY FAR AWAY.

I'M SORRY. I ABSOLUTELY CAN'T AFFORD IT.

YOU'LL HAVE TO PUT IT OUT OF YOUR MIND.

- I WANT TO GO TO MOROCCO.

- I'LL FIND A WAY.

- AHH.

- WHAT'S THAT? - A LETTER.

IT'S FROM JENNY DE CAMP.

SHE AND MITCH SAY NEW YORK

JUST ISN'T THE SAME SINCE WE LEFT.

- YEAH, OLD MITCH MUST BE LOST WITHOUT ME TO SELL INSURANCE TO.

- DICK, LET'S TAKE OUR VACATION IN NEW YORK AND SEE THEM.

- HONEY, WE'RE ON THAT WAITING LIST FOR THE CRUISE.

I MEAN, I NEED A REAL VACATION, NOT A BIGGER PIECE OF THE ROCK.

- WELL, I NEED TO SEE MY FRIENDS.

I DON'T HAVE CLOSE FRIENDS HERE,

PEOPLE I CAN SHARE MY THOUGHTS AND FEELINGS WITH.

- WHAT ABOUT THELMA GREELY?

- SHE'S A FLAKE, DICK.

- HONEY, GIVE VERMONT A CHANCE.

THERE'S ALL KINDS OF LOCAL ORGANIZATIONS YOU COULD JOIN.

I MEAN, YOU USED TO MEET PEOPLE IN NEW YORK THAT WAY.

- FARM ASSOCIATION MEETING, LECTURE TOPIC:

"I AM BOSSY'S UDDER."

- WELL, SURE YOU WENT TO THE WORST ONE FIRST.

HERE, CHAMBER OF MUSIC CLUB, "MEETING CANCELLED

"DUE TO POPULARITY OF FARM ASSOCIATION LECTURE."

ALL RIGHT, HERE'S ONE.

- "THE ELM STREET SOCIETY.

"AN ORGANIZATION FOR THE PRESERVATION AND STUDY

"OF OLD NEW ENGLAND CULTURE AND TRADITIONS."

YOU KNOW, THAT SOUNDS INTERESTING.

( music playing )

- WHAT'S ALL THAT?

- JOANNA'S THINKING ABOUT JOINING A HISTORICAL GROUP.

SHE INVITED THEM TO MEET HERE.

I SEE YOU'RE READING MY BOOK.

ANY QUESTIONS OR COMPLIMENTS?

- YEAH, DO I HAVE TO USE THIS?

IT'S CONFUSING.

- CONFUSING?

- YEAH, WELL, I MEAN, LOOK AT THIS DRAWING.

WHAT DO YOU SEE?

- JUST THE FINEST CUT-AWAY VIEW OF A BOOKCASE

SINCE THE DAWN OF MAN.

- REALLY?

I SEE A GUY SHAKING HANDS WITH A SQUID.

DICK, I'VE BEEN FIXING UP THIS INN ALL MY LIFE.

WHY CAN'T I BUILD THE BOOKCASE MY WAY?

- GEORGE, BECAUSE IT HAS TO BE FUNCTIONAL

WITHOUT VIOLATING THE SPATIAL AND ARCHITECTURAL INTEGRITY

OF THE ROOM.

- IN OTHER WORDS, YOU WANT SOMETHING

YAY HIGH AND YAY WIDE.

Dick: NO, GEORGE, NO YAYS.

THAT'S THE REASON FOR THE BOOK.

IT GIVES PRECISE DIMENSIONS.

- I MEANT EXACTLY YAY.

- GEORGE, USE THE BOOK.

- WHATEVER YOU SAY, DICK.

ONE GUY SHAKING HANDS WITH A SQUID COMING UP.

- WHAT'S THE MATTER WITH HIM?

- NOTHING. IT'S JUST WHEN IT COMES TO NEW IDEAS,

HIS HEAD IS YAY THICK.

- HELLO?

- HELLO, EVERYONE.

I'M JOANNA LOUDON AND THIS IS MY HUSBAND, DICK.

- I'M PROFESSOR EDWARD BELLOWS

AND THIS IS NANCY, AMY, REESE AND KENDRA.

- WELL, NICE TO MEET ALL OF YOU.

PLEASE, EVERYONE, HELP YOURSELVES TO REFRESHMENTS.

- OH, THANK YOU.

- IT MAY JUST BE A HUNCH,

BUT I THINK BY THE END OF THE EVENING, YOU AND KENDRA...

- YOUR HUSBAND WON'T BE JOINING US?

- WELL, HE HAS FRIENDS.

I MEAN,

HE'S GOT WORK TO DO.

- WELL, SHALL WE GET STARTED?

AMY, WHY DON'T YOU BRING US UP TO DATE ON OUR LAST MEETING.

- THE MEETING CONVENED AT 8 P.M.

THE FIRST ORDER OF BUSINESS WAS TO CHOOSE A DATE

FOR OUR ANNUAL SOCIETY DANCE, NOVEMBER 3RD.

IS THAT ALL RIGHT WITH YOU, JOANNA?

- FINE.

- AT 8:15, REESE READ THE TREASURER'S REPORT

BUT THEN HE THOUGHT HE HEARD HIS WIFE CALLING HIM

SO HE WENT INTO THE WOODS,

TURNED INTO A RAVEN AND FLEW HOME.

- YOU TURNED INTO A RAVEN?

- IT'S THE EASIEST ONE.

Edward: THANK YOU, AMY.

AND NOW I SUPPOSE THE NEXT ORDER OF BUSINESS TODAY

SHOULD BE TO WELCOME JOANNA LOUDON.

( applause )

AND TO INITIATE HER INTO OUR LITTLE CIRCLE.

- WHAT'S GOING ON?

- IT'S JUST OUR INITIATION CEREMONY, JOANNA.

I MEAN, IF YOU WANT TO BE A WITCH,

YOU HAVE TO MARRY THE DEVIL, RIGHT?

- WHAT?

AGH!

- WHAT'S THE MATTER? YOU DON'T LIKE WEDDINGS?

- WHO ARE YOU PEOPLE?

- THE ELM STREET SOCIETY.

- I MEAN, WHAT ARE YOU?

- OH, A SATANIC CULT.

EVERYBODY KNOWS THAT.

- I DIDN'T.

- REALLY?

AMY, I TOLD YOU THAT NEWSPAPER AD WASN'T CLEAR.

- DON'T BLAME ME.

I LAID ALL THREE VERSIONS OF THAT AD ON A BED OF NIGHTSHADE

AND THE SACRED TOAD HOPPED RIGHT ONTO THAT ONE.

- OH, WELL, THEN, JOANNA MUST HAVE MISREAD IT.

ALL RIGHT, JOANNA, NOW YOU'LL RELAX

ONCE I ANOINT YOU WITH THESE BAT LIVERS.

- OH, DICK!

- WHAT'S GOING ON?

- THESE PEOPLE ARE WITCHES.

- GEE, JOANNA, YOU SAY THAT LIKE IT'S A DIRTY WORD.

- OUT. EVERYBODY, OUT.

YOU TOO, OUT.

- JOANNA, GIVE US A CHANCE.

YOU KNOW, WE'RE NOT SO DIFFERENT THAN OTHER PEOPLE.

WE EVEN HAVE A CREDIT UNION.

- OUT!

( door slamming )

JOIN SOME ORGANIZATIONS, JOANNA.

YOU'LL MEET LOTS OF FRIENDS, JOANNA.

- YOU KNOW, I BET WE CAN CATCH THE LAST 20 MINUTES OF

"I AM BOSSY'S UDDER."

( music playing )

- I'M HOME, JOANNA. YOU CAN LOCK UP NOW.

- FINE.

- SO, HOW DID YOUR HISTORY GROUP THING GO?

- I DIDN'T EXACTLY FIT IN.

THEY WERE A BUNCH OF WITCHES.

- EVERYBODY HAS BAD DAYS, JOANNA.

I MEAN, YOU GET PRETTY CRANKY YOURSELF SOMETIMES.

- I MEAN REAL WITCHES WITH SACRED TOADS

AND POTIONS AND BAT LIVERS.

- WELL, I'M ON VACATION, I'M NOT CLEANING UP AFTER THEM.

- AM I ASKING SO MUCH?

ALL I WANT IS A FRIEND, JUST ONE FRIEND

LIKE THE KIND I HAD IN NEW YORK.

IN THIS WHOLE STUPID TOWN,

WHY CAN'T I COME UP WITH ONE GOOD FRIEND?

- OKAY, I'LL DO IT.

- DO WHAT?

- BE YOUR BEST FRIEND.

- STEPHANIE, THAT'S SWEET BUT--

- OH, C'MON, JOANNA.

I'VE GOT TIME ON MY HANDS

AND YOU CAN'T MAKE A FRIEND TO SAVE YOUR LIFE.

SO STARTING TOMORROW, YOU'VE GOT A BEST FRIEND.

- GREAT.

- STEPHANIE, WE'RE GONNA BE LATE FOR THE MOVIE.

Stephanie: BEST FRIENDS ARE NEVER IMPATIENT, JOANNA.

- I CAN SENSE THE CHEMISTRY.

- WELL, I DIDN'T HAVE THE HEART TO SAY "NO"

SO I GUESS THE SMART THING TO DO IS JUST SPEND THE DAY WITH HER.

- WHAT WOULD THE STUPID THING BE?

- JOANNA, NOW THAT WE'RE BEST FRIENDS,

MAYBE YOU SHOULD HAVE A PRIVATE PHONE LINE

INSTALLED IN MY ROOM SO WE CAN TALK LATE AT NIGHT.

- STEPHANIE, IF YOU WANT TO TALK TO ME LATE AT NIGHT

ALL YOU HAVE TO DO IS COME DOWN THE HALL.

- BUT DON'T.

- HI, ALL.

WHAT'S NEW IN THE LAND OF RENTED ROOMS?

- MICHAEL.

JOANNA AND I HAVE FORMED A NEW FRIENDSHIP

AND SHE WAS JUST TESTING IT.

Michael: OH.

WELL, GOOD FRIENDS ARE IMPORTANT.

ESPECIALLY WHEN YOU NEED SOMEONE TO WAVE ADIOS TO

AS YOU CLIMB ON THAT PLANE TO MOROCCO.

- MICHAEL!

HOW DID YOU GET THE TICKETS?

- STEPH, I FOUND A TRAVEL AGENT WHO ALL BUT GAVE THEM TO ME.

OH, DICK, BY THE BYE, HERE'S THE SHOWS WE'VE BOOKED

FOR AFTER THE VACATION.

- A TWO-PARTER WITH A TRAVEL AGENT?

- STEPH, SPANK ME IF I'M WRONG

BUT I'D SAY A CELEBRATORY LUNCH IS IN ORDER.

- I CAN'T, MICHAEL.

- WHY NOT?

( whispering ) - IT'S POOR JOANNA,

DESPERATE AND LONELY.

- HOW PATHETIC.

- THE SMART THING TO DO IS JUST SPEND THE DAY WITH HER.

YOU READY TO GO, JOANNA?

- MORE THAN EVER.

- MICHAEL, ABOUT THIS TRAVEL AGENT?

- IT'LL HAVE TO WAIT, DICK.

I HAVE TO PICK HIS KID UP FROM SCHOOL.

( sighing )

- MORE PROBLEMS WITH THE BOOK, GEORGE?

- WELL, I'M GONNA HAVE TO CUT THESE STUDS

AND REPLACE THEM WITH A HEADER ACROSS HERE.

- GEORGE, YOU DON'T HAVE TO TELL ME, I WROTE THE BOOK.

- BUT THE HEADER YOU DESCRIBE ISN'T STRONG ENOUGH

AND I DON'T HAVE TO TELL THE MAN WHO WROTE THE BOOK

WHAT WILL HAPPEN IF THAT HEADER SNAPS.

- GEORGE, I TALKED TO EXPERTS. THE HEADER IS NOT GONNA SNAP.

WHAT WILL HAPPEN?

- THE WALL WILL COLLAPSE AND THEN--

WELL, WAIT, THAT COULD SOLVE ALL OUR PROBLEMS.

- HOW'S THAT?

- ROOM 3 WOULD FALL INTO THE LOBBY

AND ROOM 3 ALREADY HAS A BOOKCASE.

- GEORGE, DO EXACTLY WHAT IT SAYS IN THE BOOK

AND DON'T CHANGE ANYTHING.

- OKAY, DICK.

I'M SURE YOU KNOW WHAT YOU'RE DOING.

Stephanie: HERE'S THE RESTAURANT.

JOANNA, THAT OUTFIT I FOUND FOR YOU

MAKES YOU LOOK YEARS YOUNGER.

Joanna: HOW ABOUT HERE?

Stephanie: OH, GOOD.

IT'S A PERFECT SPOT TO WATCH PEOPLE GO BY

AND MAKE FUN OF THEIR CLOTHES.

- STEPHANIE, THAT'S TERRIBLE.

OKAY.

- NOW, THERE'S SOMEONE

WHO JUST STEPPED OUT OF THE PAGES OF "VOGUE"

AND INTO A SPINNING PROPELLER.

- JOANNA, IS THERE A BUS LEAVING?

- I CAN'T SEEM TO GET THE WAITER'S ATTENTION.

- ALLOW ME.

- YES?

- I'LL HAVE THE FRUIT PLATE.

- CHEF SALAD, DRESSING ON THE SIDE, PLEASE.

HOW DID YOU GET HIM TO COME OVER?

- MY VIBES.

I HAVE THESE SIGNALS I SEND OUT ON, LIKE, A GUY FREQUENCY.

- REALLY?

I WONDER IF I COULD DO THAT.

- WELL, ANYTHING'S POSSIBLE.

GO AHEAD AND TRY.

- MY GOD, IT'S WORKING.

STEPHANIE, HE'S COMING OVER HERE.

WHAT AM I GONNA SAY TO HIM?

- HI. - HELLO.

- YOU ARE A VERY ATTRACTIVE WOMAN.

- THANK YOU.

I REALLY SHOULD TELL YOU--

- BUT YOU SHOULD DO SOMETHING ABOUT THAT SQUINT.

DROP BY MY OFFICE.

I'LL FIX YOU UP WITH SOME CONTACT LENSES.

- DON'T FEEL BAD, JOANNA,

I GOT SOME CARDS WHEN I FIRST STARTED TOO.

- FRUIT SALAD.

CHEF SALAD.

- THANK YOU.

OH, I ORDERED THIS WITH THE DRESSING ON THE SIDE.

- THEN SEND IT BACK.

YOU'RE ENTITLED TO EXACTLY WHAT YOU WANT.

- OH, HE'S BUSY.

- HE'S A WAITER.

IF HE DIDN'T WANT TO CATER TO PEOPLE'S EVERY WHIM,

HE WOULD HAVE BECOME THE BOSS OF SOMETHING.

- UM, EXCUSE ME, SIR.

I ORDERED THE DRESSING ON THE SIDE.

WOULD YOU TAKE THIS BACK, PLEASE?

- OH, C'MON.

YOU WERE GONNA POUR IT ON ANYWAY.

- HEY!

YOU'VE GOT A CHOICE.

YOU CAN EITHER TAKE THIS SALAD BACK TO THE KITCHEN

IN YOUR HANDS OR IN YOUR PANTS.

- HEY, LOOK AT HIM GO.

- IS THERE ANY REASON TO SEND YOUR FRUIT PLATE BACK?

- NO, BUT LET'S DO IT ANYWAY.

( laughing )

- HI, HONEY. HOW DID YOU SLEEP?

- FINE ONCE THE GIGGLE 'TIL DAWN PARTY

IN STEPHANIE'S ROOM ENDED.

- I'M SORRY BUT STEPHANIE WAS TELLING ME

ALL KINDS OF INTERESTING AND PERSONAL THINGS

ABOUT MICHAEL THAT I NEVER WOULD HAVE GUESSED.

- AND YOU JUST LISTENED, RIGHT?

- RIGHT.

- HI, JOANNA.

HI, MR. TICKLISH YOU-KNOW-WHERE.

GUESS WHAT?

MICHAEL AND I TALKED IT OVER

AND WE WANT THE TWO OF YOU TO COME WITH US TO MOROCCO.

WE'VE RESERVED TICKETS AND EVERYTHING.

- WHAT?

- I REALLY HAD TO LEAN ON THE TRAVEL AGENT THIS TIME, DICK.

- WHAT DID YOU DO? THREATEN HIM WITH A SUMMER HOME?

- SO WHAT DO YOU SAY, JO-JO?

- GEE.

DICK?

- WELL, THIS IS ALL VERY NICE BUT I HATED MOROCCO, JO-JO.

I HAD ONE MEAL THERE AND SPENT THE REST OF THE WEEK

DOING MY IMPRESSION OF OLD FAITHFUL.

- DICK, IT'S NOT FAIR TO CONDEMN AN ENTIRE COUNTRY

JUST BECAUSE OF ONE BAD MEAL.

- ACTUALLY, JOANNA, IT IS.

BUT IN THIS CASE, DICK IS JUST PLAIN WRONG.

MOROCCO IS WORLD FAMOUS FOR ITS CUISINE.

- WELL, THEN, DON'T MISS THIS RESTAURANT

BECAUSE THEY CAN TAKE AN ORDINARY PARASITE

AND TURN IT INTO SOMETHING REALLY SPECIAL.

- MAYBE DICK AND I SHOULD DISCUSS THIS PRIVATELY.

- C'MON, MICHAEL,

YOU CAN'T HEAR YELLING FROM THE KITCHEN.

- DICK, I KNOW WHAT YOU'RE FEELING.

- GOOD. THEN YOU WON'T PURSUE THIS ANY FURTHER.

- HONEY, MOROCCO'S NOT MY FIRST CHOICE

FOR A VACATION EITHER

BUT THIS IS WITH STEPHANIE AND MICHAEL.

- YOU'RE NOT HELPING YOUR ARGUMENT.

- I FELT THE SAME WAY WHEN STEPHANIE WANTED TO BE MY FRIEND

BUT IT TURNS OUT SHE'S REALLY FUN TO BE WITH.

CAN'T YOU GIVE IT A CHANCE?

- YOU'D PREFER THIS TO NEW YORK OR ANY PLACE ELSE IN THE WORLD?

- I THINK IT WOULD BE FUN FOR BOTH OF US.

- AND YOU WON'T TELL STEPHANIE

ABOUT ANY MORE OF MY TICKLE PLACES?

- I PROMISE.

- GOOD. 'CAUSE I DON'T WANT TO BE EMBARRASSED AND SICK.

- THANK YOU.

STEPHANIE AND MICHAEL WILL BE SO EXCITED.

- MORE THAN THIS GUY.

OH, GEORGE, I COULDN'T HELP NOTICING

THE BOOKCASE IS FINISHED.

- YEAH.

- GEE, ROOM 3 SHOULD HAVE BEEN IN HERE ABOUT AN HOUR AGO.

- I WOULDN'T DO THAT.

- SEEMS REAL SOLID, GEORGE.

OH, GEORGE, LOOK AT THE VIEW FROM UP HERE.

I THINK I CAN SEE NEW HAMPSHIRE.

- THERE'S NOTHING WORSE THAN A SORE WINNER.

- SORRY, GEORGE, BUT YOU HAVE TO ADMIT,

YOU FOLLOWED THE EXACT SPECIFICATIONS

AND IT TURNED OUT LIKE A CHARM.

- PROBLEM, DICK?

- ( muttering ) IT DOESN'T FIT.

- WHAT? - IT DOESN'T FIT.

- BUT HOW CAN THAT BE? I WENT BY YOUR BOOK.

HERE, LET'S TRY THIS ONE.

NOPE.

WHAT ABOUT UP HERE?

NOPE, IT'S TOO SMALL.

DID YOU EVER THINK OF WRITING SHORTER BOOKS?

LET'S JUST SLING IT IN LIKE THAT

AND WE CAN READ IT SIDEWAYS.

LOOK, THERE'S NEW HAMPSHIRE.

( music playing )

- HERE'S OUR SEATS. DIBS ON THE WINDOW.

- STEPHANIE, DICK REALLY LIKES TO SIT BY THE WINDOW.

- NO, HONEY, FAIR IS FAIR, SHE DID SAY, "DIBS."

DIBS ON THE WAY BACK.

- JOANNA, YOU HAVE TO SIT NEXT TO ME.

BEST FRIENDS ALWAYS SIT TOGETHER ON PLANES.

- SORRY, DICK.

WELL, MAYBE IF NOBODY TAKES THAT SEAT NEXT TO YOU,

WE CAN SPEND THE NEXT 11 HOURS GETTING TO KNOW EACH OTHER.

WITH A LITTLE LUCK,

WE MIGHT WIND UP GETTING AS TIGHT AS THESE TWO.

- UNLESS THERE'S A MOVIE.

I'M GONNA GET SOME MAGAZINES.

- PLEASE FASTEN YOUR SEAT BELTS, WE'RE PREPARING FOR DEPARTURE.

COULD YOU FASTEN YOUR SEAT BELT, PLEASE?

- I CAN'T WAIT TO GET THERE.

- ME NEITHER.

I HEAR THERE ARE GREAT BUYS IN MOROCCO, SILKS, JEWELRY.

- OOH.

DO YOU THINK WE'LL SEE PRINCE RAINIER?

- WHY WOULD YOU EXPECT TO SEE HIM THERE?

- JOANNA, YOU SILLY. HE LIVES THERE.

- NO, HE DOESN'T.

HE LIVES IN MONACO, NEAR THE SOUTH OF FRANCE.

- RIGHT.

- WE'RE GOING TO MOROCCO, IN NORTH AFRICA.

- OH, THAT MOROCCO.

EW, YOU MEAN, LIKE, IN THE DESERT?

- I DON'T REALLY KNOW.

THE PERSON TO ASK ABOUT MOROCCO IS DICK.

- BUT IT MADE HIM SICK.

EW.

MICHAEL, WE'RE GETTING OFF.

- WHAT? - UP, UP, UP.

- STEPHANIE, YOU CAN'T LEAVE. THE PLANE IS ABOUT TO TAKE OFF.

- HOLD THAT DOOR.

- STEPHANIE!

- I'M SORRY, MISS, BUT YOU'LL HAVE TO TAKE YOUR SEAT.

WE'RE READY FOR TAKE-OFF.

- DO YOU REALIZE THIS PLANE IS GOING TO MOROCCO?

- OF COURSE.

- WELL, I'D HATE TO BE IN YOUR SHOES

WHEN THE REST OF THESE PEOPLE FIND THAT OUT.

- STEPHANIE, COME BACK HERE OR OUR FRIENDSHIP IS THROUGH.

Stephanie: BEST FRIENDS DON'T HOLD GRUDGES, JOANNA.

- WHERE ARE MICHAEL AND STEPHANIE?

- THEY GOT OFF THE PLANE.

- IF THEY'RE NOT GOING, THEN I DON'T HAVE TO GO.

- TAKE YOUR SEAT, PLEASE. WE'RE BEGINNING OUR TAXI.

- WE'VE CHANGED OUR MINDS. WE'RE GETTING OFF.

- WANNA BET?

- BUT--

- I'M SORRY BUT WE'RE TAKING OFF.

PLEASE, SIT DOWN.

YOU'LL FEEL BETTER AFTER YOU'VE EATEN.

WE'RE HAVING AN AUTHENTIC MOROCCAN MEAL.

- MISS!

MISS, JUST TOSS MINE IN HERE AND ELIMINATE THE MIDDLEMAN,

ALL RIGHT?

- CHEER UP, HONEY. AT LEAST WE'RE ON VACATION.

Dick: BUT I HATE MOROCCO.

( theme music playing )

- MEOW!