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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:07,901 --> 00:01:10,768 THANK YOU, DR. PATTERSON, FOR THAT INSIGHT INTO 2 00:01:10,770 --> 00:01:14,339 EASTERN NEW GUINEA TRIBAL CUSTOMS. 3 00:01:14,341 --> 00:01:17,509 AND JOIN US NEXT WEEK ON VERMONT TODAY. 4 00:01:19,146 --> 00:01:21,113 [OVER INTERCOM] AND WE'RE CLEAR. 5 00:01:23,883 --> 00:01:25,450 SUPER SHOW, DR. PATTERSON. 6 00:01:25,452 --> 00:01:26,585 YOU'LL BE BACK REAL SOON. 7 00:01:26,587 --> 00:01:28,753 MAKE PLANS. 8 00:01:31,125 --> 00:01:34,559 LET'S TAKE HER CARD RIGHT OUT OF THE ROLODEX. 9 00:01:34,561 --> 00:01:36,428 I THOUGHT-- I THOUGHT YOU LIKED THE SHOW? 10 00:01:36,430 --> 00:01:38,530 WELL, I WISHED YOU'D DOWNPLAY THAT CANNIBALISM THING 11 00:01:38,532 --> 00:01:41,266 AND PUSH THE VACATION GET-AWAY ANGLE. 12 00:01:41,268 --> 00:01:42,734 WELL, I THINK PEOPLE SHOULD KNOW 13 00:01:42,736 --> 00:01:46,138 IF THEIR VACATIONS ARE GONNA BE ONE-WAY. 14 00:01:46,140 --> 00:01:48,473 DICK, UH, ARE YOU GOING TO BE HANGING AROUND FOR A WHILE? 15 00:01:48,475 --> 00:01:49,874 YEAH. JOANNA'S MEETING ME HERE. 16 00:01:49,876 --> 00:01:51,476 AND THEN, WE'RE GOING FOR DINNER. WHAT-- WHY? 17 00:01:51,478 --> 00:01:54,346 WADE NORTHLANDER IS HERE, EYEBALLING THE PLACE. 18 00:01:54,348 --> 00:01:55,780 WHO'S WADE NORTHLANDER? 19 00:01:55,782 --> 00:01:57,315 EL CAPITAN OF INDUSTRY. 20 00:01:57,317 --> 00:01:59,584 [CHUCKLES] HE'S BEEN BUYING UP SMALL TIME OPERATIONS 21 00:01:59,586 --> 00:02:01,186 LIKE THIS, AND-AND REALLY TURNING THEM AROUND. 22 00:02:01,188 --> 00:02:02,621 I THINK YOU TWO SHOULD MEET. 23 00:02:02,623 --> 00:02:04,523 WHY? IS HE GOING TO BUY THIS STATION? 24 00:02:04,525 --> 00:02:05,890 DOUBTFUL. 25 00:02:05,892 --> 00:02:07,259 BUT HE MIGHT SPOT SOME TALENT THAT'S READY 26 00:02:07,261 --> 00:02:08,627 TO MOVE ONTO ONE OF HIS BIGGER MARKETS. 27 00:02:08,629 --> 00:02:09,861 LIKE BOSTON. 28 00:02:09,863 --> 00:02:12,063 WELL, I-- I DON'T THINK I WANT TO LEAVE VERMONT. 29 00:02:12,065 --> 00:02:14,633 ACTUALLY, I WAS REFERRING TO ME. 30 00:02:16,136 --> 00:02:17,869 UH-OH. HERE HE COMES. LOAD ME IN THE CATAPULT. 31 00:02:17,871 --> 00:02:20,004 NEXT STOP, BEANTOWN! 32 00:02:20,006 --> 00:02:22,940 MICHAEL, TRANSMITTING TOWER LOOKS OKAY, BUT I THINK 33 00:02:22,942 --> 00:02:24,709 THAT THE LAW REQUIRES THAT YOU HAVE A REAL BEACON 34 00:02:24,711 --> 00:02:27,179 UP THERE. NOT A FLASHLIGHT. 35 00:02:27,181 --> 00:02:29,314 [LAUGHS] DID I TELL YOU HE WAS SHARP? 36 00:02:29,316 --> 00:02:32,484 [BOTH LAUGH] WADE, I'D LIKE YOU TO MEET DICK LOUDON. 37 00:02:32,486 --> 00:02:33,652 YES, I CAUGHT SOME OF YOUR SHOW. 38 00:02:33,654 --> 00:02:35,019 YOU'RE A VERY SOLID INTERVIEWER. 39 00:02:35,021 --> 00:02:36,854 THANK YOU. 40 00:02:36,856 --> 00:02:38,089 MICHAEL, WOULD YOU, UH, 41 00:02:38,091 --> 00:02:39,991 GET ME AN INVENTORY OF THE STATION'S EQUIPMENT? 42 00:02:39,993 --> 00:02:41,293 I'LL HAVE TO BURN SOME MIDNIGHT OIL, 43 00:02:41,295 --> 00:02:43,595 BUT NO NEWS THERE. 44 00:02:43,597 --> 00:02:44,862 - HI, HONEY! - OH, HI! 45 00:02:44,864 --> 00:02:46,531 HI, MICHAEL. I'M READY. 46 00:02:46,533 --> 00:02:49,668 CAN WE SNEAK OUT EARLY LIKE LAST WEEK? 47 00:02:49,670 --> 00:02:51,403 [CHUCKLES] CUPCAKE, YOU KNOW I'M ALWAYS HERE, 48 00:02:51,405 --> 00:02:53,171 LATE INTO THE NIGHT, NOSE TO THE GRINDSTONE, 49 00:02:53,173 --> 00:02:54,472 - RIGHT, DICK? - YEAH, THAT'S WHAT 50 00:02:54,474 --> 00:02:56,541 KEEPS IT FROM GROWING. 51 00:02:58,778 --> 00:03:01,079 WADE, UH, THIS IS DICK'S LOVELY WIFE, JOANNA. 52 00:03:01,081 --> 00:03:03,315 AND MY OWN PERSONAL WONDER WOMAN, STEPHANIE. 53 00:03:03,317 --> 00:03:05,517 - HELLO. - LADIES, THIS IS WADE NORTHLANDER, 54 00:03:05,519 --> 00:03:07,952 AN ANTI-TRUST SUIT WAITING TO HAPPEN. 55 00:03:07,954 --> 00:03:09,521 - NICE TO MEET YOU. - PLEASURE. 56 00:03:09,523 --> 00:03:10,755 MICHAEL, I'M GONNA USE YOUR PHONE. 57 00:03:10,757 --> 00:03:12,224 THE ONE IN MY BRIEFCASE IS ON THE BLINK. 58 00:03:12,226 --> 00:03:14,158 OH, I HATE WHEN THAT HAPPENS. 59 00:03:17,364 --> 00:03:20,599 LAMB CHOP, SPIT IN MY FACE AND CALL ME COOTIE. 60 00:03:20,601 --> 00:03:22,334 I CAN'T MAKE OUR DATE. 61 00:03:22,336 --> 00:03:25,470 DEATH IN THE FAMILY? 62 00:03:25,472 --> 00:03:27,572 MUCH MORE IMPORTANT. CAREER MOVE. 63 00:03:27,574 --> 00:03:29,073 THIS IS A MAN WHO OWNS STATIONS 64 00:03:29,075 --> 00:03:30,575 IN PLACES THAT HAVE MASS TRANSIT. 65 00:03:30,577 --> 00:03:32,477 [CHUCKLES] IF THINGS GO WELL, 66 00:03:32,479 --> 00:03:34,546 I'LL HAVE MORE MONEY TO THROW AWAY ON YOU THAN EVER. 67 00:03:34,548 --> 00:03:36,814 YOU CAN SWEET TALK ME OUT OF ANYTHING. 68 00:03:36,816 --> 00:03:39,651 WE'LL DO IT TOMORROW. THAT'S A "DOUBLE-CROSS THE HEART" PROMISE. 69 00:03:39,653 --> 00:03:41,386 OKAY. 70 00:03:41,388 --> 00:03:42,954 WELL, THEN, I GUESS I'M FREE TO TAG ALONG 71 00:03:42,956 --> 00:03:44,422 WITH YOU GUYS. 72 00:03:44,424 --> 00:03:47,359 OH, BOY. 73 00:03:47,361 --> 00:03:48,760 WELL, I'M GOING TO TAKE OFF. 74 00:03:48,762 --> 00:03:51,028 CAN ANYBODY RECOMMEND A NICE PLACE TO EAT? 75 00:03:51,030 --> 00:03:52,731 OH, THE HANOVER INN IS EXCELLENT. 76 00:03:52,733 --> 00:03:55,066 - IT'S KIND OF EXPENSIVE. - I'LL GIVE IT A TRY. 77 00:03:55,068 --> 00:03:56,601 DINING ALONE, I WON'T HEAR OF IT. 78 00:03:56,603 --> 00:03:58,603 - I INSIST THEY JOIN YOU. - WELL, GREAT. 79 00:03:58,605 --> 00:03:59,937 - IT'S ON ME. - NO, NO, NO, NO. 80 00:03:59,939 --> 00:04:01,473 THE STATION WON'T HEAR OF IT. 81 00:04:01,475 --> 00:04:03,608 DICK'S TREAT. 82 00:04:03,610 --> 00:04:04,876 [UNDER BREATH] WHAT? 83 00:04:04,878 --> 00:04:07,011 WELL, THANKS, DICK. SHALL WE GO? 84 00:04:10,950 --> 00:04:12,216 WELL, LOOK AT IT THIS WAY, DICK. 85 00:04:12,218 --> 00:04:13,652 IF YOU SPEND THE WHOLE EVENING TALKING ABOUT ME, 86 00:04:13,654 --> 00:04:15,420 YOU CAN WRITE IT OFF AS A BUSINESS EXPENSE. 87 00:04:26,065 --> 00:04:27,666 "TWO'S COMPANY. 88 00:04:27,668 --> 00:04:30,968 THREE'S A 'BLANK'." 89 00:04:30,970 --> 00:04:33,405 FIVE LETTERS. 90 00:04:35,008 --> 00:04:38,109 HOW'S-HOW'S THE CROSSWORD PUZZLE COMING, GEORGE? 91 00:04:38,111 --> 00:04:40,578 SLOW. [EXHALES] 92 00:04:40,580 --> 00:04:43,548 BUT THIS IS ONE TIME I'M NOT GOING TO GIVE UP. 93 00:04:45,251 --> 00:04:48,486 "TWO'S COMPANY. THREE'S A 'BLANK'." 94 00:04:48,488 --> 00:04:51,122 THREE'S A BLANK, BLANK, BLANK, BLANK, BLANK. 95 00:04:54,027 --> 00:04:56,227 I DON'T GET IT. 96 00:04:56,229 --> 00:04:58,363 GEORGE, IT'S A FAMOUS SAYING. 97 00:04:58,365 --> 00:05:01,533 "TWO'S COMPANY. THREE'S A..." 98 00:05:01,535 --> 00:05:04,536 BUNCH! 99 00:05:04,538 --> 00:05:08,239 IT FITS. THANKS! 100 00:05:08,241 --> 00:05:10,241 UH, BUT... UH, NO MORE HINTS 101 00:05:10,243 --> 00:05:12,444 AFTER THIS, OKAY? 102 00:05:12,446 --> 00:05:14,011 - BUT GEORGE-- - HONEY! 103 00:05:14,013 --> 00:05:15,613 HE WANTS TO DO IT HIMSELF. 104 00:05:21,287 --> 00:05:22,887 "OPPOSITE OF POOR." 105 00:05:22,889 --> 00:05:25,256 FOUR LETTERS. 106 00:05:25,258 --> 00:05:27,091 "OPPOSITE OF POOR." 107 00:05:27,093 --> 00:05:29,293 RICH! [LAUGHS] 108 00:05:31,765 --> 00:05:34,366 NAW, THAT'S TOO EASY. 109 00:05:37,571 --> 00:05:39,971 MUST BE A TRICK. 110 00:05:42,709 --> 00:05:45,009 I WONDER WHAT'S KEEPING STEPHANIE AND WADE? 111 00:05:45,011 --> 00:05:47,044 HONEY, I'M-I'M SURE IT'S NOTHING TO BE WORRIED ABOUT. 112 00:05:47,046 --> 00:05:48,646 I'M NOT WORRIED. IT'S JUST THAT THEY SAID 113 00:05:48,648 --> 00:05:50,281 THEY WANTED TO STAY AND HAVE DESSERT. 114 00:05:50,283 --> 00:05:52,183 THAT WAS TWO HOURS AGO. 115 00:05:52,185 --> 00:05:55,687 WELL, I'M SURE THEY ONLY HUNG AROUND TO... 116 00:05:55,689 --> 00:05:59,391 SEE WHAT THE BUSBOYS LOOK LIKE IN THEIR STREET CLOTHES. 117 00:05:59,393 --> 00:06:01,926 THAT MUST BE IT. 118 00:06:01,928 --> 00:06:03,528 HI-HO! 119 00:06:03,530 --> 00:06:04,896 STEPH STILL UP, OR DO I HAVE TO GO 120 00:06:04,898 --> 00:06:07,799 UPSTAIRS AND WAKE HER? HE SAID WITH A LASCIVIOUS WINK. 121 00:06:07,801 --> 00:06:10,602 UH, SHE'S-- SHE'S NOT UP THERE. 122 00:06:10,604 --> 00:06:12,637 WELL, POINT AWAY. I'VE BOUGHT A LITTLE 123 00:06:12,639 --> 00:06:15,206 PEACE OFFERING FOR STANDING HER UP TONIGHT. 124 00:06:15,208 --> 00:06:16,541 DONUTS. 125 00:06:16,543 --> 00:06:18,543 YOU'RE GONNA SPOIL HER. 126 00:06:18,545 --> 00:06:20,945 - IS SHE IN THE KITCHEN? - NOT-- UH, NOT-NOT REALLY. 127 00:06:22,549 --> 00:06:26,284 WELL, I'M STUMPED. 128 00:06:26,286 --> 00:06:29,120 SHE'S-SHE'S STILL AT-AT THE-- AT THE RESTAURANT WITH-- 129 00:06:29,122 --> 00:06:31,088 - WITH WADE. - WHAT? 130 00:06:31,090 --> 00:06:33,491 THEY DECIDED TO STAY FOR THE DESSERT. 131 00:06:33,493 --> 00:06:35,427 - WHEN WAS THIS? - OH, UH... 132 00:06:35,429 --> 00:06:38,029 45 MINUTES... MAYBE... 133 00:06:38,031 --> 00:06:41,265 TWO HOURS AGO. 134 00:06:41,267 --> 00:06:43,334 I CAN'T BELIEVE I BROUGHT THESE DONUTS-- 135 00:06:43,336 --> 00:06:45,970 - NOW, MICHAEL-- - THAT LADY DESERVES ECLAIRS. 136 00:06:45,972 --> 00:06:48,205 - SHE DOES? - NEVER EVEN HAD TO TELL HER 137 00:06:48,207 --> 00:06:50,508 TO COZY UP TO WADE. SHE-- SHE JUST KNEW. 138 00:06:52,245 --> 00:06:53,812 IT'S LIKE THE DAY WE WERE... 139 00:06:53,814 --> 00:06:55,847 BOTH WALKING THROUGH THE HOUSEWARES DEPARTMENT 140 00:06:55,849 --> 00:06:58,516 AT HANSON'S AND... WE BOTH WENT BONKERS 141 00:06:58,518 --> 00:07:01,319 OVER THE SAME SHRIMP FORK. 142 00:07:01,321 --> 00:07:03,354 I MEAN, ARE OUR SOULS SUPER GLUED TOGETHER 143 00:07:03,356 --> 00:07:05,222 OR WHAT? 144 00:07:05,224 --> 00:07:07,992 WELL, IT-IT SURE SOUNDS LIKE IT. 145 00:07:07,994 --> 00:07:09,193 WELL, I'D BETTER HIT THE ROAD. 146 00:07:09,195 --> 00:07:10,962 DON'T JUST HAND THESE TO HER. 147 00:07:10,964 --> 00:07:13,164 MAKE, KIND OF, A PRODUCTION OUT OF IT. 148 00:07:19,238 --> 00:07:21,305 YOU'RE GONNA HAVE TO DO THE PRODUCTION WITHOUT ME 149 00:07:21,307 --> 00:07:23,675 BECAUSE I'M GOING TO BED. BECAUSE IF I DON'T, 150 00:07:23,677 --> 00:07:26,110 I'M GONNA EAT ONE OF THOSE. 151 00:07:26,112 --> 00:07:27,545 - GOOD NIGHT, HONEY. - GOOD NIGHT. 152 00:07:27,547 --> 00:07:29,380 [CLEARS THROAT] 153 00:07:31,084 --> 00:07:32,851 LET'S SEE... 154 00:07:32,853 --> 00:07:36,688 "EXPRESSION OF EXTREME ANXIETY." 155 00:07:36,690 --> 00:07:39,190 EIGHT LETTERS. 156 00:07:39,192 --> 00:07:41,192 [CHUCKLES] I GOT THAT ONE. 157 00:07:43,964 --> 00:07:47,799 "HOLY COW?" 158 00:07:47,801 --> 00:07:50,468 YEAH, THAT'S WHAT PEOPLE SAY WHEN THEY'RE UPSET. 159 00:07:52,405 --> 00:07:54,806 GEORGE-- GEORGE, IT'S-IT'S AN EIGHT-LETTER WORD. 160 00:07:54,808 --> 00:07:57,976 "HOLY COW" IS-IS ONLY SEVEN LETTERS. 161 00:07:57,978 --> 00:07:59,878 OH, UH... 162 00:07:59,880 --> 00:08:03,815 "EXPRESSION OF EXTREME ANXIETY." 163 00:08:03,817 --> 00:08:07,619 AH. 164 00:08:07,621 --> 00:08:10,321 "HOLY COWS?" 165 00:08:12,492 --> 00:08:16,327 GEORGE, HAVE-HAVE YOU EVER HEARD ANYONE SAY THAT BEFORE? 166 00:08:16,329 --> 00:08:19,063 NO, BUT I NEVER HEARD THE EXPRESSION... 167 00:08:19,065 --> 00:08:22,567 "THREE'S A BUNCH" BEFORE EITHER, BUT... 168 00:08:22,569 --> 00:08:24,969 IT'S RIGHT THERE, IN THE PUZZLE. 169 00:08:27,674 --> 00:08:30,542 GOOD NIGHT, GEORGE. 170 00:08:30,544 --> 00:08:33,244 WELL, IF YOU'RE GONNA TURN IN, I MIGHT AS WELL 171 00:08:33,246 --> 00:08:35,647 TAKE THIS BACK TO THE ROOM. 172 00:08:35,649 --> 00:08:37,549 UH... 173 00:08:37,551 --> 00:08:38,783 SIX LETTERS. 174 00:08:38,785 --> 00:08:41,019 DESCRIBING A PIGS FOOT. 175 00:08:42,956 --> 00:08:44,956 "SMELLY." 176 00:08:47,427 --> 00:08:49,027 "CLOVEN." 177 00:08:49,029 --> 00:08:52,296 "CLOVEN," "CLOVEN," "CLOVEN!" 178 00:09:05,779 --> 00:09:07,912 IT REALLY WAS A FUN EVENING. 179 00:09:07,914 --> 00:09:09,914 YOU REALLY ARE A UNIQUE GIRL. 180 00:09:09,916 --> 00:09:12,216 [EXHALES] I KNOW. 181 00:09:12,218 --> 00:09:13,651 AND IT'S HARD TO BE THAT WHEN YOU HAVE 182 00:09:13,653 --> 00:09:15,019 TO BUY OFF THE RACK. 183 00:09:15,021 --> 00:09:16,621 [CHUCKLES] 184 00:09:16,623 --> 00:09:19,591 THEN I'LL SEE YOU TOMORROW NIGHT? 185 00:09:19,593 --> 00:09:22,426 OH, I HAVE A DATE WITH MICHAEL. 186 00:09:22,428 --> 00:09:24,328 OH. 187 00:09:24,330 --> 00:09:26,931 THEN WOULD YOU BE INTERESTED IN FLYING WITH ME DOWN 188 00:09:26,933 --> 00:09:29,801 TO MARTHA'S VINEYARD FOR THE WEEKEND? 189 00:09:29,803 --> 00:09:32,436 [SCOFFS] I REALLY COULDN'T GET AWAY. 190 00:09:33,940 --> 00:09:36,641 FIRST CLASS? 191 00:09:36,643 --> 00:09:39,376 MY OWN PRIVATE JET. 192 00:09:39,378 --> 00:09:41,012 OH. 193 00:09:41,014 --> 00:09:42,780 I WAS BEGINNING TO THINK I'D NEVER HEAR THOSE 194 00:09:42,782 --> 00:09:45,750 WORDS AGAIN. [SIGHS] 195 00:09:45,752 --> 00:09:48,086 - THEN IT'S A DATE? - NO. 196 00:09:48,088 --> 00:09:51,455 NO. IT SOUNDS NICE, BUT... 197 00:09:51,457 --> 00:09:53,925 YOU KNOW, MICHAEL IS SORT OF MY STEADY. 198 00:09:53,927 --> 00:09:57,328 I MEAN, WE'RE NOT... 199 00:09:57,330 --> 00:10:00,164 ENGAGED OR ANYTHING, BUT... 200 00:10:00,166 --> 00:10:03,234 WE DO HAVE A VERY STRONG... 201 00:10:03,236 --> 00:10:05,937 RELATIONSHIP. 202 00:10:05,939 --> 00:10:07,605 ONE TIME... 203 00:10:07,607 --> 00:10:09,741 WE BOTH SAW THESE SHRIMP FORKS 204 00:10:09,743 --> 00:10:11,542 AT HANSON'S-- 205 00:10:25,591 --> 00:10:27,759 I'LL CALL YOU. 206 00:10:27,761 --> 00:10:29,727 I'LL ANSWER. 207 00:10:40,606 --> 00:10:43,107 HOLY COWS. 208 00:10:53,286 --> 00:10:55,887 �� [WIND INSTRUMENT PLAYS SAD TUNE] 209 00:10:59,025 --> 00:11:01,125 DICK, I JUST CAN'T GO TO BED UNTIL 210 00:11:01,127 --> 00:11:03,695 I HAVE ONE OF THOSE DONUTS. 211 00:11:03,697 --> 00:11:06,230 AREN'T YOU GONNA STOP ME? 212 00:11:06,232 --> 00:11:09,967 I JUST SAW WADE AND STEPHANIE KISSING. 213 00:11:09,969 --> 00:11:12,136 THAT DID IT. 214 00:11:12,138 --> 00:11:14,371 A SERIOUS KISS? 215 00:11:14,373 --> 00:11:16,140 REMEMBER THE SCENE IN POLTERGEIST, 216 00:11:16,142 --> 00:11:19,110 WHERE EVERYTHING GOT SUCKED INTO THE CLOSET? 217 00:11:25,852 --> 00:11:28,986 IT WAS A LOT LIKE THAT. 218 00:11:28,988 --> 00:11:30,688 OH, DEAR! 219 00:11:30,690 --> 00:11:32,256 MAYBE YOU SHOULD TALK TO MICHAEL. 220 00:11:32,258 --> 00:11:33,691 OR STEPHANIE. 221 00:11:33,693 --> 00:11:36,060 - NO WAY. - WHY NOT? 222 00:11:36,062 --> 00:11:37,561 HONEY, WHEN I WAS IN COLLEGE, 223 00:11:37,563 --> 00:11:39,663 I SAW MY ROOMMATE'S FIANCEE, SUZY, 224 00:11:39,665 --> 00:11:41,365 GO OUT WITH ANOTHER GUY, AND-AND LIKE A FOOL, 225 00:11:41,367 --> 00:11:43,167 - I TOLD HIM. - YOU DID THE RIGHT THING. 226 00:11:43,169 --> 00:11:45,169 NO, I DIDN'T, BECAUSE SUZY DENIED EVERYTHING, 227 00:11:45,171 --> 00:11:47,105 AND-AND MY ROOMMATE ACCUSED ME OF CAUSING TROUBLE 228 00:11:47,107 --> 00:11:48,973 BECAUSE I-I WANTED HER FOR MYSELF. 229 00:11:48,975 --> 00:11:51,109 DID YOU? 230 00:11:51,111 --> 00:11:53,510 THAT-THAT'S NOT THE POINT. 231 00:11:53,512 --> 00:11:55,346 THE-THE POINT IS THEY GOT MARRIED ANYWAY 232 00:11:55,348 --> 00:11:56,614 AND THEY-THEY NEVER FORGAVE ME. 233 00:11:56,616 --> 00:11:58,916 AND THE GUY I SAW HER WITH PUT POISON IVY IN-IN-- 234 00:11:58,918 --> 00:12:00,618 IN MY SHORTS. 235 00:12:00,620 --> 00:12:02,820 AND EVER SINCE THEN, I-I-I MADE IT A-- 236 00:12:02,822 --> 00:12:04,155 A STRICT RULE THAT I WOULD NEVER 237 00:12:04,157 --> 00:12:06,023 MEDDLE IN-- IN OTHER PEOPLE'S RELATIONSHIPS. 238 00:12:06,025 --> 00:12:09,160 HONEY, THAT WAS COLLEGE. YOU'RE IN THE REAL WORLD NOW. 239 00:12:09,162 --> 00:12:11,562 YEAH, AND-AND-AND WADE IS REAL POWERFUL 240 00:12:11,564 --> 00:12:13,030 AND REAL RICH, AND HE PROBABLY OWNS 241 00:12:13,032 --> 00:12:16,200 THE WHOLE POISON IVY PLANTATION OF HIS OWN. 242 00:12:25,578 --> 00:12:28,780 - JOANNA? - YES? 243 00:12:28,782 --> 00:12:30,714 NEVER MIND. 244 00:12:35,421 --> 00:12:38,890 - STEPHANIE? - WHAT? 245 00:12:38,892 --> 00:12:41,458 COULD YOU HAND ME THAT BOWL? 246 00:12:46,766 --> 00:12:48,099 LAST NIGHT, WADE GAVE ME A KISS 247 00:12:48,101 --> 00:12:51,435 SO HOT IT COULD MELT LIPS, AND I GAVE IT RIGHT BACK. 248 00:12:51,437 --> 00:12:54,672 I DIDN'T MEAN TO PRY. 249 00:12:54,674 --> 00:12:57,408 LIFE IS SO UNFAIR. 250 00:12:57,410 --> 00:12:59,811 WHY COULDN'T I HAVE MET WADE FIRST? 251 00:12:59,813 --> 00:13:02,947 NOW, I HAVE ALL THESE STUPID FEELINGS 252 00:13:02,949 --> 00:13:04,548 FOR MICHAEL. 253 00:13:04,550 --> 00:13:06,284 OKAY. COME ON. LET'S TALK ABOUT IT. 254 00:13:06,286 --> 00:13:08,019 WHAT ARE YOUR FEELINGS FOR MICHAEL? 255 00:13:08,021 --> 00:13:10,754 [SIGHS] WELL... 256 00:13:10,756 --> 00:13:12,723 WHEN I'M WITH HIM, I'M... 257 00:13:12,725 --> 00:13:16,493 WARM AND COMFORTABLE. I FEEL LOVED. 258 00:13:16,495 --> 00:13:18,229 AND WHEN HE CRINKLES HIS NOSE AT ME, 259 00:13:18,231 --> 00:13:21,165 IT CRACKS THE PAINT ON MY TOENAILS. 260 00:13:21,167 --> 00:13:22,900 OKAY. 261 00:13:22,902 --> 00:13:25,369 WHAT ABOUT WADE? 262 00:13:25,371 --> 00:13:28,172 WELL, WHEN I'M WITH WADE... 263 00:13:28,174 --> 00:13:29,941 HE'S RICH. 264 00:13:31,811 --> 00:13:34,879 BUT HOW DO YOU FEEL ABOUT HIM? 265 00:13:34,881 --> 00:13:37,348 I FEEL GOOD THAT HE'S RICH. 266 00:13:46,425 --> 00:13:48,392 WELL, GOOD NIGHT, DICK. IF ANYBODY NEEDS ME, 267 00:13:48,394 --> 00:13:50,328 I'LL BE AT A LITTLE PLACE CALLED THE STRATFORD INN. 268 00:13:50,330 --> 00:13:52,263 SO, YOU, UH, HAVE A DATE WITH STEPHANIE TONIGHT? 269 00:13:52,265 --> 00:13:53,697 YES, I WANT TO SHOW MY GRATITUDE 270 00:13:53,699 --> 00:13:56,700 FOR WHAT SHE DID WITH WADE LAST NIGHT. 271 00:13:56,702 --> 00:13:59,136 I-I THINK THE DONUTS WERE MORE THAN ENOUGH. 272 00:14:00,974 --> 00:14:03,774 UH, MICHAEL! MICHAEL, YOU'RE NOT LEAVING, ARE YOU? 273 00:14:03,776 --> 00:14:06,911 UH, WELL, I'M IN THIS BIG BROTHER PROGRAM. 274 00:14:08,447 --> 00:14:10,581 WELL, GO AHEAD. I JUST NEEDED SOME FIGURES, 275 00:14:10,583 --> 00:14:13,217 AND I WANTED MY PERSONNEL PEOPLE IN CHICAGO... 276 00:14:13,219 --> 00:14:15,452 TO SEE A SAMPLE OF YOUR WORK. 277 00:14:15,454 --> 00:14:17,721 WHAT THE HECK? THE KID'S GONE THIS LONG WITHOUT A FATHER. 278 00:14:21,160 --> 00:14:22,559 UM, WH-WH-- WHAT DO YOU NEED? 279 00:14:22,561 --> 00:14:25,629 YOUR AUDIENCE GROWTH PROJECTIONS FOR THE NEXT... 280 00:14:25,631 --> 00:14:27,831 - FIVE YEARS. - OUCH. 281 00:14:27,833 --> 00:14:29,400 THAT'LL TAKE MOST OF THE NIGHT. 282 00:14:29,402 --> 00:14:31,302 THANKS. 283 00:14:31,304 --> 00:14:33,404 I'LL-- I'LL BRING THEM BY YOUR HOTEL WHEN I'M FINISHED. 284 00:14:33,406 --> 00:14:36,073 DON'T BOTHER. I THINK I HAVE A DATE TONIGHT. 285 00:14:36,075 --> 00:14:37,975 ALL RIGHT, WADE! 286 00:14:37,977 --> 00:14:39,777 BREAK A HEART! 287 00:14:41,214 --> 00:14:43,614 BOY, DICK, I DON'T ENVY ME. 288 00:14:43,616 --> 00:14:45,582 AXING TWO DATES IN A ROW. 289 00:14:45,584 --> 00:14:47,818 HUMPH. MAKE ROOM FOR ONE MORE MONTH 290 00:14:47,820 --> 00:14:50,521 IN THE DOGHOUSE. [CHUCKLES] 291 00:14:50,523 --> 00:14:52,656 STEPH! MICHAEL. 292 00:14:52,658 --> 00:14:54,658 BAD NEWS. I'M, UH, I'M BACK 293 00:14:54,660 --> 00:14:57,261 ON DAWN PATROL. 294 00:14:57,263 --> 00:14:59,397 WHAT IS IT? 295 00:14:59,399 --> 00:15:02,766 WELL, CAN'T WE DISCUSS IT NOW? 296 00:15:02,768 --> 00:15:04,535 OKAY. 297 00:15:04,537 --> 00:15:06,037 NIGHT NIGHT, BYE BYE. 298 00:15:09,208 --> 00:15:10,908 DICK, DID, UH-- DID STEPH SAY ANYTHING 299 00:15:10,910 --> 00:15:13,477 - TO YOU TODAY? - NO. NO. WHY? 300 00:15:13,479 --> 00:15:15,413 SHE SAYS SHE HAS SOMETHING SHE WANTS TO DISCUSS WITH ME 301 00:15:15,415 --> 00:15:18,249 IN PERSON. SOUNDS SERIOUS. 302 00:15:18,251 --> 00:15:19,883 I MEAN, WHEN SHE DOESN'T RESPOND AT 303 00:15:19,885 --> 00:15:22,719 "NIGHT NIGHT, BYE BYE..." 304 00:15:22,721 --> 00:15:24,888 AW, MAYBE IT'S MY IMAGINATION. 305 00:15:24,890 --> 00:15:26,357 UH, MICHAEL, I-- I HAVE THIS-- 306 00:15:26,359 --> 00:15:29,160 THIS VERY STRICT RULE ABOUT... 307 00:15:29,162 --> 00:15:31,929 NEVER GETTING INVOLVED IN PEOPLE'S RELATIONSHIPS, 308 00:15:31,931 --> 00:15:34,865 BUT, UM... I'M GOING TO BEND IT SLIGHTLY. 309 00:15:34,867 --> 00:15:37,534 JUST-JUST THIS ONCE. AND THEN... 310 00:15:37,536 --> 00:15:40,171 THEN, YOU'RE ON YOUR OWN. 311 00:15:40,173 --> 00:15:42,173 I-I REALLY THINK YOU OUGHT TO-- 312 00:15:42,175 --> 00:15:45,943 YOU OUGHT TO SEE STEPHANIE TONIGHT. 313 00:15:45,945 --> 00:15:47,744 NO CAN DO, DICK. 314 00:15:47,746 --> 00:15:48,980 LET-- 315 00:15:48,982 --> 00:15:52,116 LET-LET ME SAY ONE-ONE MORE THING. 316 00:15:52,118 --> 00:15:56,053 UH, I-I-IF YOU DON'T SEE STEPHANIE TONIGHT, UM... 317 00:15:56,055 --> 00:15:59,323 PROBLEMS COULD-- COULD ARISE. 318 00:15:59,325 --> 00:16:01,258 READ YOU, DICK. BUT I NEVER SAW 319 00:16:01,260 --> 00:16:02,926 A CASE OF THE POUTS, A DOZEN LONG STEMS 320 00:16:02,928 --> 00:16:04,195 COULDN'T CURE. [CHUCKLES] 321 00:16:04,197 --> 00:16:06,397 BUT, UM... 322 00:16:06,399 --> 00:16:09,400 I'M-- I'M GONNA BEND MY RULE, UH... 323 00:16:09,402 --> 00:16:12,403 A TINY BIT FURTHER. 324 00:16:12,405 --> 00:16:15,172 STEPHANIE AND WADE... 325 00:16:15,174 --> 00:16:18,075 HAVE HAD A-- A REALLY... 326 00:16:18,077 --> 00:16:21,412 GOOD TIME LAST NIGHT. 327 00:16:21,414 --> 00:16:23,414 SO, YOU'RE SAYING, SINCE SHE DID ME A FAVOR, 328 00:16:23,416 --> 00:16:26,317 - I-I-- - I SAW THEM KISSING! 329 00:16:26,319 --> 00:16:28,319 SERIOUS KISSING! A-A FULL... 330 00:16:28,321 --> 00:16:30,154 MOUTH-EL KISS! 331 00:16:35,094 --> 00:16:36,727 WOW! 332 00:16:36,729 --> 00:16:39,030 I'M-I'M-I'M SORRY. 333 00:16:39,032 --> 00:16:41,499 WHAT AM I GONNA DO? 334 00:16:41,501 --> 00:16:43,234 I DON'T STAND A CHANCE AGAINST A RICH, 335 00:16:43,236 --> 00:16:45,102 SUCCESSFUL GUY LIKE WADE. 336 00:16:45,104 --> 00:16:47,304 MICHAEL, YOU HAVE-- YOU HAVE OTHER THINGS 337 00:16:47,306 --> 00:16:49,540 GOING WITH STEPHANIE THAT-THAT-THAT WADE DOESN'T. 338 00:16:49,542 --> 00:16:51,775 EXAMPLES, DICK. 339 00:17:02,221 --> 00:17:05,456 [STAMMERS] WHEN YOU WENT BONKERS OVER THE-- 340 00:17:05,458 --> 00:17:07,491 THE-THE SAME SHRIMP FORKS. 341 00:17:07,493 --> 00:17:09,560 YEAH. 342 00:17:09,562 --> 00:17:12,196 WELL, THAT'S ALL I NEED, DICK. 343 00:17:12,198 --> 00:17:14,031 I'M GONNA FIGHT FOR MY WOMEN. 344 00:17:14,033 --> 00:17:16,233 I'M GONNA GIVE WADE A VERBAL THRASHING 345 00:17:16,235 --> 00:17:17,634 HE WON'T SOON FORGET. 346 00:17:17,636 --> 00:17:20,003 AND HE CAN JUST GUESS ABOUT THOSE AUDIENCE PROJECTIONS. 347 00:17:29,915 --> 00:17:32,116 - UH, JOANNA? - YES? 348 00:17:32,118 --> 00:17:34,285 I'VE GOT AN ANSWER HERE I'M NOT SURE OF. 349 00:17:34,287 --> 00:17:37,488 HAVE YOU EVER SEEN THAT WORD BEFORE? 350 00:17:37,490 --> 00:17:40,224 "NIVRICKTHEM?" 351 00:17:40,226 --> 00:17:41,758 THAT'S NOT RIGHT, IS IT? 352 00:17:41,760 --> 00:17:43,227 I DON'T THINK SO. 353 00:17:43,229 --> 00:17:46,097 AW, I'M NEVER GONNA GET THIS THING DONE. 354 00:17:46,099 --> 00:17:47,364 I'M JUST GONNA GIVE UP. 355 00:17:47,366 --> 00:17:49,200 OH, GEORGE. 356 00:17:49,202 --> 00:17:51,735 OKAY. 357 00:17:51,737 --> 00:17:53,837 BUT WHAT I MEAN IS, SOMETIMES IT HELPS 358 00:17:53,839 --> 00:17:56,006 TO PUT THINGS ASIDE FOR A LITTLE WHILE. 359 00:17:56,008 --> 00:17:58,675 - LIKE FOR A COUPLE OF DAYS? - OR EVEN LONGER. 360 00:18:01,247 --> 00:18:02,679 [SIGHS] 361 00:18:06,385 --> 00:18:07,918 OH, HI. CAN I HELP YOU? 362 00:18:07,920 --> 00:18:09,587 YES, I'M HERE TO SEE STEPHANIE. 363 00:18:09,589 --> 00:18:12,590 FOR WHAT? 364 00:18:12,592 --> 00:18:14,458 I'M TAKING HER OUT. 365 00:18:14,460 --> 00:18:17,328 BUT THAT'S WHAT MICHAEL DOES. 366 00:18:17,330 --> 00:18:18,496 MICHAEL'S WORKING. 367 00:18:18,498 --> 00:18:20,531 OH. I'LL TELL HER YOU'RE HERE. 368 00:18:20,533 --> 00:18:21,999 THANK YOU. 369 00:18:22,001 --> 00:18:24,901 STEPHANIE, YOUR DATE'S HERE. AND IT ISN'T MICHAEL. 370 00:18:28,441 --> 00:18:30,073 [CHUCKLES] 371 00:18:31,611 --> 00:18:32,976 [EXHALES] 372 00:18:38,351 --> 00:18:41,785 UH, LISTEN. NO OFFENSE, BUT AS THE SAYING GOES, 373 00:18:41,787 --> 00:18:44,121 "TWO'S COMPANY. THREE'S A CROWD." 374 00:18:44,123 --> 00:18:47,424 IT DOES? 375 00:18:47,426 --> 00:18:49,893 WOO! "TWO'S COMPANY, THREE'S A CROWD!" 376 00:18:49,895 --> 00:18:52,729 HEY, JOANNA! GUESS WHAT? 377 00:18:58,204 --> 00:18:59,736 HI, WADE. 378 00:18:59,738 --> 00:19:02,005 - STEPHANIE, YOU LOOK TERRIFIC. - THANK YOU. 379 00:19:02,007 --> 00:19:03,541 NO, I MEAN IT. THE HAIR, THE DRESS, 380 00:19:03,543 --> 00:19:05,776 - THE NECKLACE-- - LOOK, WADE, I KNOW IT ALL WORKS. 381 00:19:08,514 --> 00:19:10,080 SOMETHING WRONG? 382 00:19:10,082 --> 00:19:12,550 I'M SORRY. I'VE JUST BEEN HAVING 383 00:19:12,552 --> 00:19:14,285 A NERVOUS BREAKDOWN. 384 00:19:14,287 --> 00:19:16,387 I, UH, MADE A DIFFICULT DECISION, 385 00:19:16,389 --> 00:19:18,455 - AND I THINK WE SHOULD TALK. - CAN IT WAIT? 386 00:19:18,457 --> 00:19:20,991 IF WE DON'T LEAVE RIGHT NOW, WE WON'T MAKE THE RESERVATIONS 387 00:19:20,993 --> 00:19:22,326 AT LUTECE. 388 00:19:22,328 --> 00:19:24,361 LUTECE? 389 00:19:24,363 --> 00:19:26,363 THAT'S IN NEW YORK. 390 00:19:26,365 --> 00:19:28,666 ONLY 55 MINUTES AWAY... 391 00:19:28,668 --> 00:19:31,602 VIA "AIR NORTHLANDER." 392 00:19:31,604 --> 00:19:33,470 OH. 393 00:19:33,472 --> 00:19:35,539 OH, BUT WADE... 394 00:19:35,541 --> 00:19:37,675 COULDN'T WE JUST SIT DOWN FOR A MINUTE? 395 00:19:37,677 --> 00:19:39,210 HOW ABOUT IN THE LIMO? 396 00:19:39,212 --> 00:19:40,744 IT'S RIGHT OUTSIDE. 397 00:19:40,746 --> 00:19:43,214 A LIMO? 398 00:19:43,216 --> 00:19:46,283 IT'S OVERSTRETCH. 399 00:19:46,285 --> 00:19:49,353 - BUT REALLY, WADE-- - CHAMPAGNE CHILLING. 400 00:19:49,355 --> 00:19:50,921 AND THERE'S A FULL MOON 401 00:19:50,923 --> 00:19:53,257 UP ABOVE THOSE CLOUDS. 402 00:20:06,439 --> 00:20:08,606 THIS IS WRONG! 403 00:20:08,608 --> 00:20:10,073 I CAN'T GO WITH YOU! 404 00:20:10,075 --> 00:20:11,842 I DON'T CARE HOW LONG THAT LIMO IS. 405 00:20:11,844 --> 00:20:15,078 - 20 FEET. - JUST STOP IT! 406 00:20:16,282 --> 00:20:18,549 LOOK, WHATEVER WAS... 407 00:20:18,551 --> 00:20:20,584 BETWEEN US IS OVER. 408 00:20:20,586 --> 00:20:22,052 ARE YOU SERIOUS? 409 00:20:22,054 --> 00:20:24,888 WHAT ABOUT LAST NIGHT? 410 00:20:24,890 --> 00:20:27,358 LAST NIGHT I WAS CAUGHT UP IN THE MOMENT. 411 00:20:27,360 --> 00:20:29,926 THE WORDS "PRIVATE JET" ALWAYS MAKE ME LIGHTHEADED. 412 00:20:31,364 --> 00:20:32,929 I'M SORRY. 413 00:20:32,931 --> 00:20:34,831 I'M SURE, SOMEDAY, YOU'LL MEET ANOTHER 414 00:20:34,833 --> 00:20:38,502 PERFECT GIRL. 415 00:20:38,504 --> 00:20:39,770 - NORTHLANDER! - MICHAEL! 416 00:20:39,772 --> 00:20:42,339 HI, STEPH. GREAT DRESS! 417 00:20:42,341 --> 00:20:44,207 LISTEN, NORTHLANDER. DICK JUST FILLED ME IN 418 00:20:44,209 --> 00:20:45,776 ON YOUR SNEAKING LITTLE SCHEME, 419 00:20:45,778 --> 00:20:48,712 AND I'M SERIOUSLY MIFFED! 420 00:20:48,714 --> 00:20:51,749 - ARE YOU? - YOU ARE NOTHING BUT A HIGH LIVING LOWLIFE. 421 00:20:51,751 --> 00:20:53,049 AND I NEVER WANT TO SEE YOU AGAIN. 422 00:20:53,051 --> 00:20:54,451 UNLESS, OF COURSE, IT'S IN A PROFESSIONAL 423 00:20:54,453 --> 00:20:56,019 CAPACITY, IN WHICH CASE, I'D BE HONORED TO WORK 424 00:20:56,021 --> 00:20:59,055 BY YOUR SIDE. OH, THE HELL WITH IT! 425 00:20:59,057 --> 00:21:01,525 LISTEN, NORTHLANDER. I WANT YOU TO KEEP AWAY 426 00:21:01,527 --> 00:21:03,794 FROM MY GIRL! 427 00:21:03,796 --> 00:21:06,697 THAT IS IF YOU... STILL ARE MY GIRL. 428 00:21:06,699 --> 00:21:09,232 - I CERTAINLY AM. - ALL RIGHT! 429 00:21:11,504 --> 00:21:13,570 FOR YOUR INFORMATION, STEPHANIE WAS ABOUT READY 430 00:21:13,572 --> 00:21:15,639 TO BREAK IT OFF WITH ME, WHEN YOU BARGED IN. 431 00:21:15,641 --> 00:21:17,874 OH? 432 00:21:17,876 --> 00:21:20,143 YOU MEAN, I... JUST SHOT MY CAREER 433 00:21:20,145 --> 00:21:21,912 IN THE FOOT FOR NOTHING? 434 00:21:21,914 --> 00:21:25,282 BINGO! 435 00:21:25,284 --> 00:21:26,483 WELL, WHO CARES? 436 00:21:26,485 --> 00:21:27,785 I WOULDN'T WORK WITH YOU NOW, 437 00:21:27,787 --> 00:21:29,753 EVEN IF THE POSSIBILITY OF A JOB STILL EXISTED-- 438 00:21:29,755 --> 00:21:32,022 WHICH IT DEFINITELY DOES NOT, RIGHT? 439 00:21:38,130 --> 00:21:39,396 RIGHT. 440 00:21:39,398 --> 00:21:41,998 GOOD. TAKE A HIKE, NORTHLANDER! 441 00:21:42,000 --> 00:21:43,834 I NEVER HIKE. 442 00:21:43,836 --> 00:21:46,370 I LIMO. 443 00:21:46,372 --> 00:21:48,071 AND I WING. 444 00:22:00,353 --> 00:22:01,852 [MICHAEL] THAT MAN COULD HAVE GIVEN ME EVERYTHING 445 00:22:01,854 --> 00:22:03,286 I EVER WANTED. 446 00:22:03,288 --> 00:22:05,756 [STEPHANIE] ME TOO. 447 00:22:08,594 --> 00:22:11,428 YOU THREW AWAY YOUR CAREER FOR ME. 448 00:22:11,430 --> 00:22:13,497 NEEDLESSLY. 449 00:22:13,499 --> 00:22:15,833 AND YOU CHOSE ME OVER A MILLIONAIRE. 450 00:22:15,835 --> 00:22:18,268 HOW COME? 451 00:22:18,270 --> 00:22:20,838 WELL, I KEPT PICTURING MYSELF 452 00:22:20,840 --> 00:22:22,573 IN WADE'S YACHT... 453 00:22:22,575 --> 00:22:25,041 WADE'S LIMO... 454 00:22:25,043 --> 00:22:26,643 WADE'S JET... 455 00:22:26,645 --> 00:22:28,945 AND I LOOKED PERFECT. 456 00:22:28,947 --> 00:22:32,783 BUT IT WAS ALWAYS YOU SITTING NEXT TO ME. 457 00:22:32,785 --> 00:22:34,585 I'M MISTING UP HERE. 458 00:22:36,955 --> 00:22:39,490 I GUESS, WHEN YOU COME RIGHT DOWN TO IT, 459 00:22:39,492 --> 00:22:42,993 MONEY AND POWER AREN'T AS IMPORTANT AS LOVE. 460 00:22:42,995 --> 00:22:44,561 BESIDES... 461 00:22:44,563 --> 00:22:47,765 SOMEDAY, YOU'LL BE JUST AS RICH AS WADE. 462 00:22:47,767 --> 00:22:48,866 RIGHT? 463 00:22:48,868 --> 00:22:51,602 WITH YOU BY MY SIDE... 464 00:22:51,604 --> 00:22:53,537 I'D BETTER. 465 00:23:35,380 --> 00:23:36,680 MEOW. 32332

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