Original subtitles

CONNIE SUE: We leave the two of you alone for one summer

to go and visit Grandma,

and vou move us lock, stock, and barrel to some,

to some dilapidated old house clear out in the boonies.

Mv social life's qoin' right down the drain.

Oh, now, don't you worry, honey.

No southern qentleman worth his salt's gonna let a few miles

stand between him and a pretty girl like you.

You're gonna be with the same friends in the same school,

and it's just five miles further out.

Besides, it's not everv dav vou qet a chance to buy a piece of history.

"Perhaps the most picturesque"

"and atmospheric of the river plantations"

"was the famous Dumaine Estate in Jefferson County."

"In the days prior to the Civil War,"

"the statelv manor house was the scene of many elegant balls until..."

Well... You see?

It'll be iust like that aqain as soon as we get it fixed up.

Until what?

Oh, nothinq, nothinq. I... I read you the most important parts.

Then, come on, Mama. Let's see what we're really gettin' into.

Now, Connie Sue, qive that book back. That is my book.

Now, now, no fiqhtin' while I am drivin' this car.

- CONNIE SUE: Hev, no wonder. - Oh, really!

Listen. "Until the estate fell into ruin"

"under the ownership of a retired riverboat captain"

"named Jacques Dumaine"

"whose fondness for the bottle was matched"

"only by his obsession for gambling."

Oh, come on now, Connie Sue. Give me the book.

- Wait a minute, Mama, there's more. - I mean it. I'll park the car

and you can qo read it in the woods if you want.

It is my book. Oh, I'm so angry! I'm really...

"The final infamv came to the house in the fall of 1862"

"when the old man went insane"

"and hunq himself in the hayloft of the barn."

Far out!

Far out? It's gross, that's what it is.

Oh, now, come on, children. That is just enough.

Now, Mama, what kind of a weird place are you draggin' us off to?

We are not draqqinq vou off to any place.

Your father and I have purchased a perfectly astonishing example

of authentic Antebellum architecture. Haven't we, Joe?

I suppose, children, if vour mother is determined to re-live.

Gone with the Wind, I think the least we can do is humor her.

Oh, ho, ho, reallv? Since when was it all my idea?

(CHUCKLES) Yeah, was a bargain, I guess.

Who could resist a "fixer upper."

A "fixer upper"?

How much of a "fixer upper"?

Oh, it's iust a, uh, few little thinqs, you know, here and there.

I think it's qonna be neat livin' in that old riverboat captain's house.

EMILY: Right.

There's the turnoff, Dad.

(ALL WHOOPING)

EMILY: Well, what do you think?

Isn't it iust the most divine place you ever did see?

I know vou and Daddv are stoked on history,

but I do hope, at least, there's indoor plumbin'.

EMILY: Your enthusiasm is simply overwhelming.

(YOWLING)

Come on, Penelope, it won't be that bad.

I reckon we're the onlv romantics in this family, Em.

Alexander, qive me a hand with the luggage, son.

- Alex, come on. Get a move on. - Oh, yeah.

Here you go.

And that, too. That's it. Okay.

(CONNIE SUE AND EMILY TALKING INDISTINCTLY)

- it's so huqe, it looks like a museum. - Well, now...

You're qonna need a whole store full of furniture.

Well, darlin', I don't see where that's such a problem...

(CONTINUE TALKING)

- Hi there. - It's so big.

- You like it? - It's different.

Well, it's not much different than the other house.

I mean, that was a colonial, too.

Yeah, I know, but this house feels old.

Well, it is old. That's why your mother and I wanted it.

Hey, where's my room?

(Well, it's riqht u!) there at the end of the stairs, first door.

Here, here. Take the white ones. Go on.

- Mama, don't babv me. - I'm not babying you,

but vou're so unhaDDV, I don't know what to do.

- You. - Who, me?

- Oh. Just like I thouqht. - I beg your pardon.

You're the one.

What one?

The one the spirits have waited for.

Excuse me. I gotta go.

Stranqe forces are at work here, mysterious forces of the other world

that only you can comprehend.

JOE: Alexander!

LAVINIA: You must be ready, boy.

Listen for the call of the spirits. They'll come to you soon.

You must be ready, boy.

JOE: Shake a leg, Son.

Whv don't vou, uh, hotfoot it out to the barn with these.

- Oh, Ves, sir. - Thank you.

Oh, everv time I see this place, I love it more.

Oh, Joe. I've dreamed of livin' in a house like this all my life.

Miss Scarlett, I'd carrv vou up those stairs in fine style

if it weren't for my bad back.

Oh, never seems to bother you on the golf course.

Hey!

Hey, what you think you're doin'?

I'm sorry.

(SIGHS)

Who the devil are ya, anyway?

Alexander Armsworth.

Well, I qot a riqht to be here, Mr. AlexanderArmsworth.

Don't worry about that none.

Eases the misery. (CHUCKLES)

Ah!

Bet vou iust can't wait to tell your rich old daddy you found.

Amorv Timmons lavin' down on the job. Huh'?

No, sir.

Well, wouldn't do you no good no how.

(LAUGHING)

Today's my day off.

Don't vou never tell no one what to do on their day off.

Alexander.

(FAINT WHINING)

(DOG YAPS)

(WHINING CONTINUES)

(BARKs)

Hey there, puppy. Come on, now.

I won't hurt vou. Come on. Yeah, that's better.

You sure are a funnv lookin' old thing, know that?

You sure are a funnv lookin' old thing, know that?

Just like an old mop, yeah.

How did vou manaqe to get up here anyway, moppet? Huh?

Who do you belong to?

(FAINT TINKLING)

(BARKs)

(WHIMPERING)

Alexander, are you in here?

Hey, Alexander?

What the heck are vou doing out here, Blossom?

Helping my Aunt Vinia to clean.

Well, qo help then. I don't want vou tagging after me all the time.

There's somethinq I qotta tell Va, Alexander. Something vital.

Something dumb, more likely.

You better listen and listen up qood 'cause it has to do with

mvsterious voices from the other world that only you can comprehend.

What are you talking about?

Aunt Vinia iust told me you're a sensitive.

Don't take her lonq to tell. All she needs is to look at your palm,

- or feel vour head bumps. - A what?

A sensitive's got second sight...

The Dower to see throudh the darkness that clouds the minds of mortal men,

to see the unseen.

Well, how can vourAunt Vinia know what kind of sight I got?

Todav's the first time she ever laid eyes on me.

And if she believes that stuff, she's as freaky as you are.

You best not scoff, Alexander.

Aunt Vinia knows about the other world.

And restless spirits, them that wander through all eternity

and never find no peace.

Well, I don't believe in ghosts.

And I don't believe in yourAunt Vinia neither,

so iust stop followinq me around with all your stupid stories!

Well, vou better start believin', Mr. Smarty-Pants.

LAVINIA: You must be ready, boy.

(THUNDER CRASHES)

(CLOCK TOLLING)

(THUNDER RUMBLING)

(TINKLING)

(ROOSTER GROWING)

Moppet!

Come here, qirl, look what I brought you.

Moppet?

(TINKLING)

Who's down there?

Blossom, is that you?

Darn vou, Blossom! You spider-legged spook.

You think you're so funny!

You qet out of here riqht now. I told you to stay away from me.

Oh, now, listen.

Be sure and tell Georqe and all your dear ones I send my love.

Okay. Bye-bye-

The nerve!

The pure unadulterated nerve of that woman!

Now, how in the world did Ludee Calhoun ever find out

that we were Dlannin' our open house for the first Saturday in November?

The printer, the caterer, the CIA...

In the wars of social one-upsmanship, Em, everybody is suspect.

Ha, ha! Well, I wouldn't be surprised if she hadn't bribed the painter.

He saws now that he doesn't know when he's gonna be able

to finish the outside of the house.

- Oh, now, Em. - Well, I think it's just plain tacky.

Hercallin' up all sweetness and light

to sav that she iust had to move her harvest ball up a week early

to accommodate some very important guests.

Oh, now, listen.

She knew... She knew that we were plannin' our open house.

Em, criminal lawvers, they like to use delaying tactics,

but we, uh, corporate attorneys,

we like to beat the other fella to the punch.

What?

How about movin' our party up a week?

Oh.

We could have one little, uh, costume party.

How delicious! Hmm.

Oh! Oh, how delicious!

Oh, but listen now, not a regular costume party.

I mean, not one with qhosts and goblins and things.

I mean, we'll have to have something special.

Something to match this house.

We'll qive a cotillion with people dressed up,

you know, as thev were in Civil War days.

Oh, Joseph, Joseph, I wouldn't be surprised

if Miss Marv Lee Merrvweather herself didn't come.

(CHUCKLES) Now, Em, don't go overboard.

She hasn't been to a party in 40 years.

Well, only because the parties now

can't hold a candle to the ones she remembers.

But this one will be just like the old days.

We'll have, um, we'll have mintjuleps,

and we'll have party ices and waltzin'.

Oh, evervbodv who is anybody will be here!

Oh, Ludee Calhoun will be just green with envy!

(BOTH LAUGHING)

- ALEXANDER: Hev, Dad! Dad! - Yeah.

Hey, come on, Dad. I'm gonna be late.

- But why aren't vou on the school bus? - Did you miss it?

I couldn't DrV Connie Sue away from the bathroom mirror.

Oh, dear, well, vou have to forgive your sister, darlin'.

- She's just qoin' throuqh a phase. - Oh, Ma...

Now, don't tease.

You're gonna be there vourself before long.

Well, tomorrow we set this household on a schedule.

- About phases? Mmm. - No, bathrooms.

Uh, well, how about a kiss for your mother?

- Ma! - Oh, Ma!

Goodbye, goodbye. Have a good day.

Don't forget your paper sack.

JOE: Have a good day at school.

- Okav. - Alexander, your lunch.

Oh!

Thanks.

- Hev, Alexander. - Oh, hey, guys.

How do vou like livin' out in the boonies?

It's all right.

I wouldn't want to live in an old wreck of a house like that.

It's not no wreck. It's historical.

MY mother's iust hvsterical trvinq to fix up an old monstrosity like that.

Aw, what do you know?

Cabtain Jacques Dumaine used to live in my house.

He was a riverboat captain. They wrote books about him.

Bet vou no one that famous ever lived in your house.

Hev, Alexander, your girlfriend's wantin' you.

She's not mv qirlfriend. Come on, let's go.

Alexander, can I talk to you? It's vital.

We wouldn't want to keep vou from anything that's vital, Alexander.

Hey, Henry!

We'll leave vou alone with Miss Cotton Blossom.

What is it now?

It's about the thinq that's in vour barn. You seen it, didn't you?

- Seen what? - The ghost that's haunting your barn.

(ALEXANDER SCOFFS)

The onlv thinq in mv barn that I've seen is you.

Last niqht vou took a light up in the hayloft

and you swiped my new dog.

I weren't in vour havloft last night or never.

- Hev, Alexander. - Hey.

You lie so much, vou don't know what's true and what isn't.

I do so! I mean, I do not.

Oh, yeah? Well, what about that time when you told everybody

your father was a government agent

working on a secret mission in China?

And you don't even have any father.

A lot vou know. His mission's so secret, nobody knows about it.

Not even me and Aunt Vinia.

I'm sorrv, Blossom, but just quit bugging me.

Bet he would be a secret agent.

Somebody brave and special.

Mr. Timmons!

Mr. Timmons!

(GROANING) Here I am. Right here.

(CHUCKLES)

(MUMBLING) Yes.

Hi, Ms. Armsworth. You callin' me? Huh?

- Indeed I was, Mr. Timmons. - Well, how you doin'?

I was, uh, I was iusttakin' a nap. I was restin'.

From what exertions? It is after 4:00.

You have not done a lick of work on that gazebo.

Well, uh, if vouse to ask my professional opinion,

I'd sav that the Whole place needed painting.

That is not your concern. This is.

Listen, I'm gonna do it. I guarantee it.

You don't have to worry about that.

Well, lam worried... About this.

Oops.

(LAUGHING) Ah, Vou qot me there. I'm sorry about that.

It's not gonna happen again.

I mean it.

Oh, well. Would you look at this picture, please?

I would like our qazebo to be every bit as beautiful as this one.

Well, that's real pretty.

Yep, I can do that. It'll be picture perfect.

- I guarantee. You qot my word. - I hope so.

- I'll leave the maqazine with vou. - Well, thank you very much.

Good day, Mr. Timmons.

Ms. Armsworth.

(LAUGHING)

Oh, yeah.

(FAINT TINKLING)

(LOUD TINKLING)

GIRL'S VOICE: Alexander.

(BARKING)

Moppet, where'd you come from?

What is it, qirl? Where are you taking me?

Wait, Moppet!

(FAINT TINKLING)

Blossom, you up here?

This is one of your dumb tricks.

Come on, enough's enough.

GIRL'S VOICE: Alexander.

Alexander.

Wait. Do not qo, Alexander. I need your help.

Where are you?

I am in the darkness of the other world.

But for a short time it has been given for me to come to you,

to seek you out from among the living.

Me?

Do not be friqhtened, Alexander. No harm will come to you.

You must help me, Alexander.

We have onlv a short time to solve the riddle.

The task must be completed before the midnight hour on All Saints' Eve,

and only you can undertake it.

What's All Saints' Eve?

I believe you call it Halloween.

Why do I have to help you?

Because vou are the one I have been waiting for

all these lonq wears, the one with the gift.

The one who can release me from the terrible curse of my uncle.

What kind of curse?

One which condemned me

to wander amonq the lost souls and restless spirits,

and kept me from my dear parents

who have been searchinq for me all these long years.

If vou do not help me, I will never be able to rest in peace.

I'd like to help vou, honest, but I don't know anything about curses.

Hear me now, for I mav sav this once and only once.

"Sleeping lies the murdered lass..."

"Vainly cries the child of glass..."

"When the two shall be as one,"

"the spirit'sjourney will be done."

That doesn't make any sense.

You must find the sense. You must solve the riddle,

and you must do it soon.

Now, repeat itquicklv. I must be certain that you remember.

"Sleeping lies the murdered lass..."

"Vainly cries the child of glass..."

"When the two shall be as one,."

"The Spirit's journey will be done."

What does it all mean?

You must learn its secret for me and solve the mystery

that has kept me from mv eternal rest for more than 100 years.

I must qo now, Alexander. Do not fail me.

Release me from mv DFiSOH or I will haunt you for the rest of your days.

Haunt me? Wait a minute. I don't even know who you are.

Inez Dumaine.

But what do I do? Where do I start?

Early bird catches the bathroom.

Like mother, like daughter.

Um, could I talk to you for a minute?

Sure.

It's kind of private.

Well, uh, let's take it in your office.

Dad? 44mm?

Do vou think it's possible for some people to know special things

about spirits and qhosts and stuff like that?

Well, I'm more interested in fact than in fancy, Alexander.

But there are people that, uh, studv what they call "psychic phenomena."

Of course, you hear stories all the time.

I even heard the qhost of old Captain Dumaine

still roams around this place every now and then.

Supposed to be lookinq for a hidden treasure.

Treasure? In our house?

A fortune in diamonds, so thev saw', around this place somewhere.

If he didn't find it, could we look for it?

Oh, don't qo qettin' your hopes up, Alexander.

It's just a good story.

I think the fearsome qhost is the invention of Mr. Amory Timmons.

Well, mv qhost isn't bad. She's in trouble and she needs help.

Slow down, Alexander.

Who's in trouble?

Inez Dumaine.

I saw her last night, out in the hayloft.

You know what I think? I think you've been dreaming.

Nuh-uh. It was real.

The dog woke me up, Moppet.

Alexander, there's no dog in this place.

But you don't understand.

I understand that vounq men have overactive imaginations.

Then you don't believe me.

I believe that you believe you saw her.

Uh, let me make a suggestion.

Whv don't vou leave off reading these books

before you go to sleep at night?

Firstthinq vou know, vou're qonna be seeing ghosts everywhere.

Next.

Come on, snap to it. You're gonna miss your school bus.

Boo!

(LAUGHING)

Crass, Blossom. Very crass.

Who'd you think it was? The ghost?

I got some stuff for us to use.

Long as we're dealin' with beings from the other world,

we mav need 'em. I got 'em from my Aunt Vinia.

She sells them, and they're all guaranteed.

Aw, come on.

These are lodestones to drive off bad luck and draw good.

And that chamois has brimstone in it for keepin' away evil spirits.

This here is shem-shem-touras, the 10th Seal of Mercury.

What's that?

Tail of a black cat. Witch-Sayers use 'em to spot witches.

You put it on your nose, like this,

and look across it, and they become visible.

What's the matter with vou? That stuffs not good for anything.

Ifiqured if it worked on witches and such,

we ouqht to make it work on that ghost, too.

Look, if there is a qhost, and I'm not saying

there is or there isn't.

It's mv qhost and I'm the one that's a sensitive.

So, iust take vour old iunk and quittryin' to butt in on everything.

Is it the ghost of Inez Dumaine?

What do vou know about Inez Dumaine?

It is her. Oh, my goodness.

Tell me what you know!

I don't know much, but my Aunt Vinia does.

She can tell vou all sorts of things about spooks and ghosts.

We can go ask her right after school.

It ain't very far.

We live riqht throuqh them woods over yonder.

I'll think about it.

You do that, Alexander.

What's the matter?

This is stupid.

You want to find out about Inez Dumaine, don't you?

What are these?

Fish eyes.

We qot dried bat winqs and jellied turkey gizzards, too.

Want me to show ya?

Oh, you've seen her.

You've seen Inez Dumaine,

didn't ya, boy?

I tried to reach her myself,

but I couldn't.

Aunt Vinia, we want vou to tell us all about her.

Folks'd sav she was the onlv child of a rich New Orleans family.

And when the Yankees was comm',

her ma and pa sent herto stav with her uncle for safekeepin'

in that biq old house you're staying in now.

What happened to her?

She died.

Nobody knows

exactly.

Folks iustthouqht hercrazv old uncle, Jacques Dumaine

had somethin' to do with it.

They saw-

Maybe he did. Maybe he didn't.

All I know is she died

and nobodv could Drove nothing one way or the other.

Well, she gave me a riddle to solve

and it has something about murder in it.

Recite it to me, boy.

"Sleeping lies the murdered lass..."

"Vainly cries the child of glass..."

"When the two shall be as one,"

"the spirit'sjourney will be done."

Oh, that poor child.

What does it mean?

The spirits have chosen you to discover that.

I have to fiqure it out before midnight on Halloween.

She said if I don't do it by then,

she'll never be able to go to her eternal rest.

That's 'cause she has unfinished business from her earthly life.

Well, if I only knew where to start.

There's only one place to start, boy.

That's where the dead lie sleeping in eternal silence.

Where the restless spirits stand guard over the earthly remains.

(BLOWS)

What are vou waitinq for? I gotta be home by 9:00.

I ain't never been in no graveyard before.

It's spooky.

I thouqht vou knew all about graveyards and ghosts,

and things from the other world.

Not me, my Aunt Vinia.

Come on!

(WIND BLOWING)

(CRICKETS CHIRPING)

(OWL HOOTING)

(ANIMAL HOWLING)

ALEXANDER: Dumaine.

Maybe we better forget it.

ALEXANDER: I think I just about...

(DOOR CREAKING)

Got it.

Go ahead. You wanted to see where she's buried.

Not me.

You're a boy, and boys go first.

Whatever happened to women's lib?

You chicken?

ALEXANDER: (WHISPERING) Will you stop that?

"Captain Jacques Dumaine."

ALEXANDER: It's her. BLOSSOM: Oh, my goodness.

Oh, my goodness. Oh, my goodness.

Alexander, let's qet out of here. I'm scared.

Will you be quiet? I'm trying to think.

Well, can't you think outside?

I think a whole lot better when I'm outside.

"Sleeping lies the murdered lass."

"Sleeping lies the..."

Blossom, this is it.

This is where Inez is sleepin'.

This is where she's buried. That's the first part of the riddle.

Please, let's go, Alexander.

I don't want to hear about no murder in here.

If I could only figure out the second part.

"Vainly cries the child of glass."

What's a child of glass?

(BAT SCREECHES)

(BLOSSOM SCREAMING)

This is dumb. We don't even know what we're lookin' for.

What's a child of glass, anyway?

How do I look?

I thought you wanted to help.

I am helpin'. Just got tired of lookin', that's all.

- Well, I'm tired of lookinq, too. - Why don't you stop, then?

We ain't qonna find nothinq in all this old junk up here.

INEZ: No, do not stop, Alexander. I need you.

INEZ: No, do not stop, Alexander. I need you.

(TINKLING)

Who said that?

Inez, is that you?

It's the spirit.

Come on, Inez. What are you trying to do, scare us?

Alexander, I am afraid.

You're afraid!

Tell me, Alexander, have you solved the riddle?

Do you have the answer?

Well, not exactly.

I fiqured out the first Dart, thouqh, about the murdered lass,

but I don't know what a child of glass is yet.

You must hurry. My time is so short.

We'll figure it out, Inez.

Well, this is Blossom Culp. She's helpin' me.

Pleased to meet ya.

Enchantée, mademoiselle.

Inez, does the riddle have anything to do with the treasure?

- Treasure? - What treasure?

The Dumaine treasure. Don't you remember that?

No, I do not. Why do you talk of treasure?

What treasure?

Well, Dad saws it's supbosed to be hidden somewhere around here.

Alexander, do not speak of this treasure again.

Remember what you are to do.

I am dependinq on vou to free me from this terrible curse.

- What treasure? - Will you stay out of this?

I hope you understand...

All I understand is that you're my only chance to be free.

Help me, Alexander.

(SIGHS) Oh, my goodness.

But, Ma, vou don't understand. I don't have much time.

I qotta fiqure out the riddle by tomorrow, midnight.

What I understand is that vou are using the most outlandish excuse

to qet out of vour doinq your share of the work.

A ghost in distress!

I mean, now, really, Alexander...

- But, Mom! - Oh, no. Oh! Oh, no!

(STAMMERING) Alexander, go fetch your father, quick. Oh!

Mr. Timmons!

Hey! How are ya doing, ma'am?

Well, I done her. What ya think?

Well, l...

Picture perfect! Isn't that what you promised me, Mr. Timmons?

That's riqht, ma'am. Looks pretty good to me, huh?

You are inebriated again.

You sure love usinq them big words, don't ya?

Em!

- What's the trouble, Em? - Well, l...

This qazebo is a disaster and this man is a...

- Disqrace. - Well,

this dumb thinq ain't worth nothin' no how.

I was going to string it with these lights,

and I was qonna serve my mintjuleps in here tonight.

Well, what's all the fuss?

The house ain't even painted yet.

Really! No one will notice it at night, and the fuss is...

The fuss is that vou have been drinking so much

that vou have not been able to finish your work today.

The fuss is...

I want vou off this place as fast as you can get packed.

Now, wait a minute.

See, you can't kick me off. I've been...

I've been takinq care of this place for more than 20 years.

We've been more than patient with you, Mr. Timmons.

You can't say that you weren't warned.

Just too do vou think vou are, Mr. High and Mighty?

Huh?

You think 'cause vou come along here buying all this property,

vou qot a lot of monev, that makes you somethin'.

Is that what you think?

You thinkwhen vou sav "iumb," the whole world's gonnajump?

Let me tell Va somethin'. That money don't make you nothin'.

Nothing at all.

A lot of us poor people,

we've been around here a long time before you ever come.

We're qonna be in here a long time after you go.

Don't you never forget that!

All right, Timmons. You had your say.

Now, You qonna clear out or am I gonna have to throw you out?

Just take it easy. I'm gonna go.

You don't have to throw nobody nowhere.

You think iust 'cause vou run Jefferson County

and everybody in it, that you run me?

Well, let me tell vou somethin' real clear.

You don't run no Amorv Timmons! Not at all.

That's what's due you.

You ain't heard the last of me, bub.

Missy.

Come on in.

EMILY: Oh, I don't know what I'm going to do.

Alexander, I've been lookin' for you.

I gotta talk to you about somethin' vital!

- I can't talk now. - But I said it's vital!

Okay, what's so vital?

I've been thinkin'.

Mavbe we ain't been qoinq about this lookin' business in the right way.

- What do vou mean? - We ain't looked in the crystal ball yet.

You're not qonna start with all that witchcraft stuff again.

You want to help Inez or not?

Sure, but what do vou know about crystal balls?

Aunt Vinia's got a crystal ball.

I watched her Dlentv of times. I know what to do.

Okav, but I qotta finish this first or Mom will have my hide.

I'll be waiting.

Blossom, are you here?

What are you made up for?

Hush. We qotta Drebare ourselves to enter the world of the spirits.

Sit down at the table.

(COUGHS)

Look, Alexander,

deep down into the crystal ball.

Look how peaceful and quiet. And listen.

Listen to the spirits calling you from beyond.

Alexander.

Alexander.

Alexander.

Alexander, what is it?

What are you looking at?

Something's holding me.

Some kind of force.

Oh, my goodness, I done it.

I've really done it.

Alexander, look.

Inez, are you ready, mon chéri?

Oh, Maman. Must I qo? I do not want to leave you and Papa.

Oh.

Mais oui, mon petit chou.

There is no other Wav. It is no longer safe in New Orleans.

But you have little Briqitte to watch over you

and your beautiful Babette.

Never let it out of your sight.

You must promise me this.

Oh Ves, Maman. I promise. I will keep her with me always.

Remember, Inez. Remember the promise you made to your maman.

Maman! Maman! Where are vou? Where have you gone?

Elle est morte. (LAUGHS) Dead. They're all dead.

No, Uncle Jacques. It is not true.

Why must you say these things?

Mine now.

Treasure! Diamonds! All mine!

Tell me where they are!

I do not know!

Give them to me.

But I cannot. I do not know where they are.

Curse be on vou. You will walk in darkness.

In the spirit world.

Never to meet your dear parents again.

No! Please!

Then tell me! Tell me, where are the diamonds?

(INEZ SCREAMING)

Blossom.

It's that doll.

The china doll that she was carrying.

- What? - That's the child of glass.

"When the two shall be as one,"

"the spirit'sjourney will be done."

We qotta find that doll and take it to where she lies sleeping in the crypt.

BLOSSOM: Whv don't we look in the hayloft?

Looked there once. I don't remember seeing any doll, do you?

That's 'cause we weren't looking for it.

Well, vou're qonna have to do the lookin', then.

I gotta get dressed for Mom's party.

Alexander.

You're qonna let some old Darfv keep you from helping that poor girl?

You think I want to qet dressed up in that dumb old costume?

Just so happens that I have to.

If I qet qrounded I won't be able to help Inez at all.

Oh.

Tell you what, though.

If I hurrv, I miqht have enouqh time to check up in the attic.

See if there's any old stuff up there.

You do that, Alexander.

I'll look up in the havloft. I ain't scared. Much.

Oh, there's no reason to be scared of Inez. We're helping her.

Yeah, but I wouldn't want to meet up with that old Captain, that's for sure.

CONNIE SUE: Alexander, what have you been doing in the attic?

It's almost 8:00. You'd better get dressed.

(SIGHING) I sure wish this night was over.

(SIGHING) I sure wish this night was over.

I know it seems like forever when vou're doing something you think is dumb.

You qotta think of Mama. She wants this to be an evening to remember.

And we ought to help make it that.

(CLATFERING ON WINDOW)

Hey! Watch it!

Alexander, I know where it is.

Where what is? The doll?

No, the place where Inez...

You know, the place where it happened.

You found where she died?

Yeah, I figured it out.

You'd better be right, Blossom.

'Cause I'm qonna get in a whole lot of trouble.

BLOSSOM: You'll see.

Where are we gem'?

The old well. Come on.

Aw, Blossom, this place is all locked up.

We can get in through here.

That there is the old well. Under them boards.

I remembered it when I thought back about Inez falling.

'Cause I used to plav in here when I was little.

This is where she died.

What are you doing now?

This is three knaves oil.

And this here is two jacks extract.

This wonder of the world root will make the spirits show us

the whereabouts of the thinqs that was lost. Like the doll.

And the treasure.

If I look through this mirror,

I'll be able to see a vision of where they's hid.

You're weird. I'm gettin' out of here right now.

You don't want to look no more?

I can't. Ma will kill me if I'm late.

Wouldn't do to vour old Dartv even if I did get an invite.

MAN: Hey, hello there.

- Hi, Pete, how do vou do? - Good to see you.

- HaDDv to see vou. - Au revoir. Yeah.

(PEOPLE TALKING INDISTINCTLY)

MAN: Mr. and Mrs. Desmond?

You know a Mr. and Mrs. Desmond.

Inez?

Inez, you up here?

I ain't stealin' nothin', Inez.

Honest. Just borrowin'.

I want to see a beautiful ball like you hear about in the fairy tales.

I'm beholden, Inez. Truly beholden.

I'll Drobablv be down at the bank to see you in

another week or so to pay for all this.

MAN: Yeah, that's rig ht.

EMILY: Oh, thank you. Thank you.

Excuse me, Mrs. CUID, will you take these out to the veranda?

Everybody out there is very hungry.

- LAVINIAI Yes. - Thank you.

Oh, welcome to our house.

It's so nice to have you here.

Oh, thank vou. You think so? Thank you very much.

Hello. Hello.

Welcome.

- Come on. Come on. - (CAT MEOWING)

Sit.

What is that cat doing in here, darling?

Oh, oh, hello, everybody.

Oh, Connie Sue, darlinq, would you do me a favor?

Over there is John Gardner.

- Would you dance with him, he's so shy. - Oh, Mama.

Now don't complain, sweetheart.

Oh, you look so lovely and I love you.

- Oh Mama, please. - So much.

Oh, Mr. Thompson, would vou blease play me that divine waltz you promised,

and don't forqet those, uh, Stephen Foster songs, all right'?

Oh, Stephen Foster? Really, Mother, how gross.

Oh, Joe, darlinq, do vou think my grandmother's lamp is safe there?

Well, do vou, uh, want me to move it upstairs?

Oh no, sweetheart, that's not necessary. But I would appreciate it

if vou could iust move it over to the corner a little bit.

Well, now, don't you worry.

(GASPING)

Ludee Calhoun.

Why, Ludee.

I am so pleased you could come.

Oh, what a perfectly glorious dress.

My great grandmother.

Oh, reallv? Oh, the onlv thihq I have left of my great grandmother's is her lamp.

Joe teases me bv savinq that's why I wanted this house,

to show it off properly.

What a quaint idea for a housewarming. A Halloween party.

Complete with an old witch.

I was just telling Joe that a true cotillion

is the onlv Wav to match the traditions of this house.

Oh. What a pitv vou didn't have a chance to get the outside painted.

But my dear, with all the travelin' back and forth,

surelv vou must find the whole thing terribly, terribly tedious.

Ludee is plavinq down evervthinq but she has not missed a detail.

She is positively green with envy.

Well, she is qoinq to be a lot greener in a minute, hon.

You have iust scored the social coup of the decade.

What?

Look who's standing in the doorway.

EMILY: There she is, Miss Mary Lee Merryweather herself.

Oh, Miss Merrvweather, what a delightful surprise.

(GASPING) What exquisite lace.

My qoodness, vou must feel a great deal better

to be going out socially once again.

Aqe and infirmitv have nothinq to do with my being a recluse, Ludee.

Just the quality of the parties.

Well, lam quite certain that you will enjoy...

Oh, Miss Merrvweather, I cannot tell vou how honored we are to have you here.

The honor is mine, Emily.

I so often think of vour dear grandmother.

Maw I have the pleasure, Miss Mary Lee?

Well, I doubt if it'll be much of a pleasure, Joseph.

I'm not as young as I used to be.

A lovelv ladv is like fine wine. Age makes it all the better.

(CHUCKLING)

(DOG WHINING)

Hey there, Moppet. Good to see you.

(FAINT TINKLING)

Is this the way you solve the riddle?

Do vou not realize we have no time for frivolities?

Well, you don't think I like

beinq dressed up in this dumb costume, do you?

Well, if I cut out now, thev'll fix it so I can't help you at all.

ButAlexander, vou must. You are my only hope.

If vou cannot find the answer by midnight tomorrow...

I know. I know. I'm out here riqht now trying to puzzle it out.

I am sorry. I will be very quiet.

I promise.

- Alexander... - You promised.

I know, but they're playing a waltz.

You know, qirls don't make anv sense, not even ghost girls.

Big deal if they're playing a waltz.

I want you to dance with me.

Well, if that doesn't beat all.

Well, if that doesn't beat all.

At first vou're so all-fired worried about time slippin' by

and now you want to take time out to dance?

Come on, Inez.

Please, Alexander. When I was a little girl,

I used to sit on the steps when I was supposed to be sleeping

and watch Maman and Papa dance

and dream of one dav Waltzing with a handsome beau.

But it could not be.

And I may never have another chance in all eternity.

But I don't know how to waltz.

Come, I will show you.

If I were a girl, a real girl,

would you dance with me then?

Well, you're not.

To each spirit is qiven the Dower to step through the ghostly veil

and once aqain live as we were on earth.

The Dower lasts onlv a short time and it can only be used once.

Well, you wouldn't want to waste it.

I want this one waltz, Alexander.

I want it with all my heart.

(TINKLING)

(CAT YOWLING)

(BARKING)

Moppet!

How did that dog get in here?

MoDbet! Brigitte!

I'll get her. You stay out here.

(LAUGHING)

Oh!

(SCREAMING)

My lamp.

(BARKING)

(CAT YOWLING)

Get on home now.

Where did that thing come from?

Aw, come on, Penelope. Come on, baby.

JOE: Connie Sue, Connie Sue, take that cat upstairs.

Alexander, I want vou to qet that mutt out of this house!

I want vou to lock it up and we're gonna talk about this later!

Now, get! Get!

Ludee, dear, please, don't go.

Well, I certainlv am not qoing to stay looking like this.

Well, I cannot tell you how bad I feel.

You could not possiblv feel as bad as I do.

Your great grandmother's dress...

I thought it was your intent, Emily,

to recreate a more gracious South.

Not Sherman's March to the Sea.

Oh, Ludee. I'm so sorry.

Oh, dear. Oh, dear.

Oh.

(SOBBING)

Mom, I'm sorry.

Oh.

Oh, darling. It's all right.

It's all right. It was an accident.

This is some night to remember, isn't it?

Oh, all mv life I've dreamed of living in a house like this and...

Givinq an eleqant bartv with charming guests

from all of the finest families.

And now we have this... Shambles.

Oh, dear.

I quess vou think, I'm just the silliest thing, don't you?

It's all right, honey.

You go on now. I'll be all right.

Thank you.

(SNIFFLING) Oh. Oh.

(SOBBING)

Miss Desmond, here's your shoe.

Thank you, Mr. Armsworth.

- Dad. - Out. Out.

(EMILY SOBBING)

Emily.

Oh, oh, Miss Merryweather...

Whenever Scarlett O'Hara faced disaster

she alwavs said, "I'll think about it tomorrow."

And meanwhile, she fortified herself with a mintjulep.

- Oh. - Won't you join me?

Oh, thank you.

You have done a remarkable job restoring this place.

Well, l...

I'm afraid the gazebo leans a little.

Why, honey, it always did.

(DOG WHIMPERING)

(TINKLING)

(DOG WHIMPERING)

Alexander, lam sorry for little Brigitte.

She did not mean to upset the party. She was frightened.

You just had to show up tonight, didn't you?

You just had to come dancin'.

Well, now I'm in all kinds of trouble

and it's just because of you.

ButAlexander...

Whv'd vou have to DiCk on me, anvway? I didn't ask you to come around.

Alexander, please.

Whv don't vou do find somebodv else to solve your dumb riddle?

I'm tired of all your ghost stuff, anyway.

Inez?

I'm sorry. I didn't mean it.

Inez?

I'm reallv sorrv for those things that I said.

Won't you come back?

I still want to help you, honest.

We don't have much time.

Say I'm trash, will ya? Hah.

Throw me out of mv house after all these years.

You ain't gonna have a house to live in, Mr. Rich Man.

For your parties and your pretty family.

(LAUGHING)

Come on, burn! Burn!

(couerume)

TIMMONS: Come here, vou little brat! Got ya now!

Let me go!

Come here, you! (GRUNTS)

When I get hold of you!

Where are ya? Come on.

(ALEXANDER SCREAMS)

Em!

Hey!

- Hev, vou there! - EMILY: Joe! Joe! Joe!

- What? - Alexander's in the barn.

- Oh, mv God. - Wait a minute, Daddy.

I saw him from my window.

JOE: Alexander!

Oh, no. Here, Em. Em! No, Em!

Em, no!

No, Em!

(EMILY SHRIEKING)

Wait, child.

Well, what happened?

Alexander's in the barn!

Hurry. Please, hurry.

(EMILY SHRIEKING)

DISPATCHER ON RADIO: 1-L-20, 1-L-20, code 1.

- 11-L-30... - SHERIFF: It's like I told you before.

Alexander wasn't caught in that fire.

He musfve gotten out somehow.

Well, thankthe Lord for that.

Where could he be? He couldn't just vanish into thin air.

We'll find him, ma'am. Now, don't you fret.

We think somebodv deliberately set that fire.

Poured a can of paint thinner over the dry hay and touched a match to it.

Amory Timmons.

Ma' am?

Well, I had to fire him. He, uh, made some remarks to me.

But I never took him seriously.

We seen Mr. Timmons runnin' off when we's coming to the fire.

Was he alone?

He was all bv himself and headin' for the river.

I'll get out an all-points bulletin. We'll get him.

L, I don't... I don't care about Amory Timmons.

I just want my boy back again.

We'll find him, ma'am.

(TINKLING)

(DOG BARKING)

Moppet!

BLOSSOM: ls Alexander in there? Is that what you're trying to tell us?

Come on!

EMILY: Blossom, where's she going? Is he in there?

- Alexander! - Alexander!

- Alex. - Alexander!

Are you in there? Alexander!

Alexander! Alexander, you down there?

Isee him!

- EMILY: Where? - There he is.

He's down there on the ledge.

Do we have anv robe around here? Oh, there.

Get that rope on the wall.

Get it for me, would vou? I'm going down.

- I can't let vou do that. - Nothing can stop me.

No, it's crumbling. Now, look at that.

The whole thing could give way.

Now, I'll qet some more men out here and we'll rig up a winch.

That stuffs not qonna support the weight of either one of us.

I can do it. Let me take a rope down to Alexander.

That is out of the question. It's too dangerous.

Mr. Armsworth, please! I could do it.

Yeah, it might work.

If we tied a rope around her and let her down easy.

Well, it's worth a try, anyway.

Mrs. Culp, We can't ask your niece to do that.

I want to, Aunt Vinia. Please.

She'll be took care of.

All right then.

LAVINIA: She'll be fine, just fine.

Won't ya, honey?

All riqht, Blossom. Now you stay away from the sides.

That mortar is loose.

One of those stones is liable to break off on ya.

That's it.

Careful, honey. Almost there.

Just a little farther.

I'm here.

He's alive. I can see him breathin'.

Well now, look, I'm qonna throw you down another rope

and I want you to put it under his arms...

And then pull that noose tight.

Yes, sir.

(SCREAMING)

You all right, Blossom?

Yeah, I think so.

SHERIFF: Just hang on, young 'un.

We're qonna trv and Dull vou back up to the ledge.

Oh, my goodness.

Ow.

Ow. Ow.

- Tie it up, Em. Tie it up, Em. - Okay.

BLOSSOM: Alexander, I got something to show ya.

Blossom?

Yeah, it's me. You all right?

How did you get down here?

On a rope.

Just like Aunt Vinia always says,

good things can come out of bad.

Look, Alexander, the doll we seen in the crystal ball.

You got it.

That's great.

You better pull him up.

- Careful. Careful. - All right, dear. Up, up.

JOE: Come on.

That's it, come on.

LAVINIA: You'll be fine, Blossom. JOE: Almost.

JOE: Em, qive me a hand. Give me a hand over here.

- EMILY: Come on, darlin'. - That's good. All right.

- Come on, darlin'. Come on. - SHERIFFI I got him.

JOE: That's it. All right.

Watch his head... Boy...

- Give me some slack. - I am! I am!

All right. All right.

- You're safe now. - Okay Blossom, honey. You're next.

- How are vou, Alexander? - I'm okay.

SHERIFF: Got 'er'? Yeah, I got it.

Go ahead.

I'll hold it. I'll hold it. Go on.

Atta girl. All right. Got her.

Now. Hang on. Okay.

- Slack. - I'll give you some slack.

That's a girl.

JOE: How are vou, Alexander? You had quite a fall, son.

- How are vou feelinq? - Everything's goin' round in a circle.

Here, let me see.

SHERIFF: Hev, he miqht have a concussion.

You take him back into the house. I'll go radio for Doc Adams.

We'll lift you up now, darlin'. Come on.

There vou qo. There you go.

I don't know how we can ever thank you, young lady.

Go. Go.

Bless your heart.

"Vainly cries the child of glass."

That's it, isn't it?

I think so, and we'll have to qet 'em together before midnight tonight.

Oh, I Draw that bov is strohq enough to set her soul to rest.

If he isn't, I'll have to try and do it myself.

Not with that man running loose.

I promised your ma I'd take care of ya.

I aim to keep that promise.

SHERIFF ON RADIO: Okay, Phil,

You continue up Highway 28 to the bridge

and Sam will meet you there.

Come in, Sam.

SAM: Right, Sheriff.

(Keel) movin' north along the river shallows.

DeDutv Briqqs and his men are headin' across the hills.

We're going south through the swamp.

SAM: Right, Sheriff.

Now, You qotta fiqure this Timmons might be a little drunk or crazy or both.

So, I don't want nobodv trying to be a hero.

When vou spot him, you give me a holler on the radio.

Now, you got that?

SAM: Yes, sir.

(TINKLING)

Just what do vou think vou're doinq? You're supposed to stay in bed.

Well, I can't. I gotta do something.

- Somethinq vital. - Have you freaked? It's after 10:00.

Oh, no.

I gotta qet to the cemetery before midnight.

Cemetery?

Alexander, what kind of a crazy stunt are you pulling now?

Blossom found the doll, the child of glass.

We gotta get it to the crypt.

Promise you won't tell?

I'll Dromise no such thinq. Alexander, get back in that bed.

Connie Sue,

how would you like to be a restless spirit

wanderinq for a hundred vears and never being able to get to your folks?

You really did get a bang on the head.

Alexander, stop this minute, or I'll have to call Papa.

I never asked vou manv favors before, Connie Sue,

but I'm askin' vou one now, the most important one in my whole life.

Please let me help Inez. I won't be gone for long. Honest!

- Thanks, Connie Sue. - Be careful.

Blossom!

Where's Blossom?

She ain't here.

Well, where is she? I gotta talk to her.

She ran off somewheres.

What about the doll, the china doll?

She took it with her.

DEPUTY ON RADIO: Code 1. Calling Sheriff Muncey.

Where are you, Sheriff?

(SIGHS)

At the Dumaine plantation.

We're settinq fresh hounds on the trail from here.

We seen Timmons along Shakedown Road.

Chased him a bit but he gave us the slip in the woods

'bout, uh, two miles from the cemetery.

All right. Stav Where vou are, I'm on my way.

That's where Alexander went, Daddy.

What are you talkin' about?

He said he had to qo to the old cemetery.

Well, and you just let him go?

Well, I didn't know what to do, Daddy.

Clem! Wait a minute! I'm coming with you.

He was carrvin' on about a child of glass and restless spirits.

- I didn't know. - He had a concussion.

Now, Vou should've called your mother and me.

Well, vou iust better start sayin' your prayers, young lady,

that your little brother's all right.

(CAR ENGINE REVVING)

Blossom, it's me.

Blossom!

(DOGS BARKING IN DISTANCE)

- Blossom, Whv don't vou... - Gotcha, you little brat.

Didn't think you'd come this way.

Hear them dogs? Well, they're after me.

- You better qet outta here. - No, not before there's a little accident.

See, Vou're the onlv one can put me away.

You're the onlv one who seen what happened. Ain't that true?

- I didn't see anvthinq. - Ah, You're just sayin' that

30's you can save your skin.

You'd tell it like that the moment you got free.

Well, I hit mv head. I'll tell 'em I can't remember.

Nah. I can't take no chances.

- Thev'll know it was vou. - They won't know it was me.

They're gonna think it was an accident.

You're qonna hit vour head on this gravestone.

- (GROANING) - Blossom, let's go.

Come on!

The doll!

- Ah! - (SCREAMING)

Alexander, wait!

(SIREN BLARING)

(DOGS BARKING)

JOE: Alexander!

SHERIFF: You bows, vou're on the left, move out to the left.

Youse on the riqht, qet out on the right. That's it.

Let's move out.

Hurry!

(GRUNTING)

(DOOR CREAKING)

(GASPING)

(COUGHS)

(FOOTSTEPS RETREATING)

(DOOR RA-l-l-LING)

(DOOR CREAKS SHUT)

Whew! Think we gave him the slip.

Yeah.

Alexander.

It's probably close to midnight.

You better give me the doll.

Guess that's it. Just hope we're in time.

I wish we could see her again.

Yeah, I'd like to tell her I'm sorry for what I said.

And at least say goodbye.

I reckon she's restin' now.

(DOOR OPENING)

There you are, you little brats.

(LAUGHING MENACINGLY)

(TINKLING)

(HOWLING)

I ain't done nothing.

You got the wrong guy.

(HOWLING)

I'm cominq. Help! Stay away! Help! Help!

Help me! There's a haunt back there!

Help! Get away!

Help!

He's runnin' riqht at us. No. Hold your fire. Hold your fire.

Help. Help me! There's a haunt back there.

There's a spirit, right over there!

Come on, let's get outta here, quick!

I give up! I give up! Let's go.

(TINKLING)

- Thanks, Inez. - Yeah.

You saved our lives.

It was my pleasure.

Inez, I'm reallv sorrv for those things that I said last night.

I didn't mean them, honest.

I know that, Alexander.

You and Blossom showed me that such little differences

between friends do not matter.

It is onlv a siqn that vou care for each other, n'est-ce pas?

You have found her. You have found my little Babette.

That's the child of glass, Inez.

The last part of the riddle.

(SINGING IN FRENCH)

Mes arms, you have been very brave.

Both of you.

You faced much danger and hardship

to help me, a stranqer, a lost soul from the other world.

You qave much of yourselves for another.

And because vou did so, I may now go to my eternal rest.

If only I could repay your kindness.

Does this mean we'll never see you again?

Not in this life, Alexander.

We ain't gonna get haunted no more?

Only by memories, perhaps.

(TINKLING)

(CLOCK TOLLING)

"When the two shall be as one, the spiritsjourney will be done."

Goodbye, my friends.

Do not forget me.

(WHISPERS) Inez?

I got something in my eye.

Me, too.

(TINKLING)

Look, Alexander, the doll!

Diamonds.

It's the treasure that Captain Jacques Dumaine was looking for.

It's her gift to you and me, Blossom.

(INEZ HUMMING)

JOE: Alexander!

Blossom!