All language subtitles for Bolden.2019.720p.WEBRip.800MB.x264-GalaxyRG

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French Download
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,000 --> 00:00:12,074 2 00:00:23,224 --> 00:00:25,758 [WIND WHISTLING] 3 00:00:39,607 --> 00:00:42,207 [SOMBER MUSIC PLAYING] 4 00:00:55,689 --> 00:00:57,222 [ECHOING] 5 00:01:27,988 --> 00:01:30,422 [INDISTINCT WAILING] 6 00:01:32,927 --> 00:01:35,227 [WATER DRIPPING] 7 00:01:42,002 --> 00:01:44,136 [SQUEAKING] 8 00:01:47,608 --> 00:01:49,541 [SCRAPING] 9 00:02:01,889 --> 00:02:04,123 [MAN GRUNTING] 10 00:02:06,594 --> 00:02:08,260 [KEYS JINGLING] 11 00:02:11,966 --> 00:02:14,333 [BREATHING DEEPLY] 12 00:02:22,076 --> 00:02:24,510 [INMATES WAILING] 13 00:02:29,450 --> 00:02:31,250 [WATER DRIPPING] 14 00:02:53,174 --> 00:02:54,540 [RADIO CLICKS ON] 15 00:02:54,542 --> 00:02:56,341 [RADIO TUNING] 16 00:02:59,246 --> 00:03:02,814 MAN: [OVER RADIO] This is WSNB Radio New Orleans 17 00:03:02,816 --> 00:03:06,518 live broadcasting from the beautiful Suburban Gardens here, 18 00:03:06,520 --> 00:03:09,655 where our special guest this evening, Mr. Louis Armstrong, 19 00:03:09,657 --> 00:03:13,025 is back in New Orleans after ten long years. 20 00:03:13,027 --> 00:03:16,195 He's come back here a big, big star. 21 00:03:16,197 --> 00:03:18,330 [INDISTINCT CHATTER OVER RADIO] 22 00:03:18,332 --> 00:03:20,232 ...on WSNB Radio New Orleans. 23 00:03:20,234 --> 00:03:23,202 And our next broadcast is brought to you by, 24 00:03:23,204 --> 00:03:25,604 uh, Royal Crown Hair Cream. 25 00:03:25,606 --> 00:03:27,472 That's right. Your hair'll be curling... 26 00:03:27,474 --> 00:03:28,840 [INDISTINCT CHATTER AND LAUGHTER] 27 00:03:30,077 --> 00:03:32,311 What a crowd here... 28 00:03:33,214 --> 00:03:34,546 Yes, sir. 29 00:03:34,548 --> 00:03:37,249 Our station manager handed me a paper here 30 00:03:37,251 --> 00:03:39,868 that says to his recollection, 31 00:03:39,869 --> 00:03:43,029 this will be the first time a colored boy will be on the radio in New Orleans. 32 00:03:43,857 --> 00:03:46,258 All right, so we see they're dimming the lights here, 33 00:03:46,260 --> 00:03:50,162 and, uh, our MC is approaching the microphone 34 00:03:50,164 --> 00:03:52,864 to begin this evening's broadcast. 35 00:03:52,866 --> 00:03:56,168 I ain't announcing no nigger man on the radio. 36 00:03:56,170 --> 00:03:58,303 [FEEDBACK OVER SPEAKERS] 37 00:04:06,113 --> 00:04:07,246 [FEEDBACK STOPS] 38 00:04:09,316 --> 00:04:11,383 [CLEARS THROAT] 39 00:04:11,385 --> 00:04:13,151 Good evening, ladies and gentlemen. 40 00:04:13,153 --> 00:04:14,987 I'm Mr. Armstrong. 41 00:04:14,989 --> 00:04:17,522 [AUDIENCE CHEERING] 42 00:04:22,930 --> 00:04:24,296 [WHISTLING] 43 00:04:28,802 --> 00:04:30,502 [LAUGHING] 44 00:04:31,105 --> 00:04:32,704 Hello. You like that? 45 00:04:32,706 --> 00:04:34,640 I said we back home, we back home. 46 00:04:34,642 --> 00:04:35,882 [INDISTINCT CHATTER OVER RADIO] 47 00:04:39,113 --> 00:04:40,512 Thank you, folks. Thank you, folks. 48 00:04:40,514 --> 00:04:42,648 Thank you, folks. Look out here, folks. 49 00:04:42,650 --> 00:04:45,884 Now, this goes out to all you lovely people in here 50 00:04:45,886 --> 00:04:49,288 and all my beautiful brothers and sisters outside on the levee. 51 00:04:49,890 --> 00:04:51,456 [CHEERING OVER RADIO] 52 00:04:53,093 --> 00:04:54,526 The first I'm going to play for you 53 00:04:54,528 --> 00:04:56,662 is You Rascal You. You Rascal You. 54 00:04:56,664 --> 00:04:58,030 Look out here, fellas, look out. 55 00:04:58,032 --> 00:04:59,665 You ready? Here we go. One... 56 00:05:01,535 --> 00:05:03,602 [JAZZ MUSIC PLAYING OVER RADIO] 57 00:05:05,272 --> 00:05:07,506 [PLAYING JAZZ MUSIC] 58 00:05:10,277 --> 00:05:12,311 [MUSIC PLAYING OVER RADIO] 59 00:05:18,185 --> 00:05:19,484 ? Boy, you know one thing? 60 00:05:19,486 --> 00:05:21,653 ? I'll sure be glad when you're dead 61 00:05:23,424 --> 00:05:26,124 [ARMSTRONG CONTINUES CHATTERING OVER RADIO] 62 00:05:26,126 --> 00:05:27,759 ? Laughin' and grinnin' in my face 63 00:05:27,761 --> 00:05:30,629 ? You're trying to be in the back with my wife, you old dog 64 00:05:30,631 --> 00:05:31,229 [LAUGHS] 65 00:05:31,231 --> 00:05:33,732 [SCRAPING] 66 00:05:33,734 --> 00:05:36,034 [ARMSTRONG CONTINUES SINGING OVER RADIO] 67 00:05:45,879 --> 00:05:48,947 ? I'll be glad when you're dead you rascal, you 68 00:05:49,917 --> 00:05:52,451 [CORNET PLAYING] 69 00:05:57,024 --> 00:05:58,490 [PLAYING CORNET] 70 00:06:13,073 --> 00:06:14,706 [INMATES SHOUTING] 71 00:06:23,050 --> 00:06:25,917 ? I'll be glad when you're dead you rascal you 72 00:06:25,919 --> 00:06:30,255 [OVER RADIO] ? I'll be glad when you're dead you rascal you 73 00:06:30,257 --> 00:06:32,324 ? When you're layin' six feet deep 74 00:06:32,326 --> 00:06:34,926 ? No more fried chicken will you eat 75 00:06:34,928 --> 00:06:37,896 ? You ain't no good, you rascal you ? 76 00:06:38,632 --> 00:06:40,599 [MUSIC CONTINUES OVER RADIO] 77 00:06:42,770 --> 00:06:44,603 [MUSIC CONTINUES] 78 00:06:54,882 --> 00:06:58,550 [CHEERING] 79 00:06:59,920 --> 00:07:02,454 [ARMSTRONG LAUGHING OVER RADIO] Thank you, thank you. 80 00:07:02,456 --> 00:07:06,391 Thank you. Thank you, folks. Thank you, folks. Thank you, thank you. 81 00:07:06,393 --> 00:07:09,161 [ARMSTRONG SPEAKS INDISTINCTLY OVER RADIO] 82 00:07:09,163 --> 00:07:11,863 [SOMBER MUSIC PLAYING] 83 00:07:23,310 --> 00:07:25,177 [CORNET PLAYING] 84 00:07:38,258 --> 00:07:40,125 MAN: [OVER RADIO] Ladies and gentlemen, listen to the crowd 85 00:07:40,127 --> 00:07:44,996 welcoming home the wonderful Louis Armstrong in New Orleans. 86 00:07:44,998 --> 00:07:49,701 [INDISTINCT CHATTER CONTINUES OVER RADIO] 87 00:07:52,473 --> 00:07:54,639 MAN: This here is my sister, Miss Nora Bass. 88 00:07:54,641 --> 00:07:56,708 Nora, this is Mr. Charles Bolden. 89 00:07:56,710 --> 00:07:59,344 He live on First Street. 90 00:07:59,346 --> 00:08:03,014 Maybe you should invite Mr. Bolden to Sunday service with us. 91 00:08:06,153 --> 00:08:07,586 Nora. 92 00:08:10,357 --> 00:08:13,725 You don't seem like much a church-going man, Mr. Bolden. 93 00:08:15,195 --> 00:08:17,062 Mama and me, we go to... 94 00:08:17,064 --> 00:08:19,564 Mama and me, we go to First Street Baptist. 95 00:08:21,869 --> 00:08:23,301 Mama. 96 00:08:23,303 --> 00:08:25,237 This is Mr. Charles Bolden. 97 00:08:25,239 --> 00:08:27,639 This is my mama, Mrs. Ida Bass. 98 00:08:28,375 --> 00:08:29,474 How do you do, Mrs. Ida... 99 00:08:29,476 --> 00:08:31,710 How do you make your livin', Mr. Bolden? 100 00:08:36,550 --> 00:08:38,250 I make the church music better. 101 00:08:38,252 --> 00:08:39,851 [GIGGLING] 102 00:08:48,161 --> 00:08:49,928 I make the church music better. 103 00:08:51,365 --> 00:08:53,298 [JAZZ MUSIC PLAYING] 104 00:08:53,300 --> 00:08:54,900 [PEOPLE CHATTERING] 105 00:09:46,119 --> 00:09:47,619 [MAN SHOUTS] 106 00:09:47,621 --> 00:09:49,754 [SCREAMING] 107 00:09:50,324 --> 00:09:51,423 [GRUNTS] 108 00:09:51,425 --> 00:09:52,657 [PEOPLE SCREAMING] 109 00:09:55,295 --> 00:09:58,964 [MEN SHOUTING] 110 00:10:04,671 --> 00:10:06,304 BOLDEN: So what do a manager do? 111 00:10:06,306 --> 00:10:07,772 BARTLEY: What do a manager do? 112 00:10:08,008 --> 00:10:08,840 Oh. 113 00:10:08,842 --> 00:10:10,442 I take care of the business 114 00:10:10,444 --> 00:10:12,210 while you take care of your music. 115 00:10:13,013 --> 00:10:15,714 Your music got power. I hear it. 116 00:10:16,283 --> 00:10:18,516 I seen what it do to folks. 117 00:10:18,518 --> 00:10:20,685 - Take power like you got... - [SNAPS] 118 00:10:20,687 --> 00:10:22,721 ...combine it with a business purpose, 119 00:10:23,457 --> 00:10:25,256 that's what a manager do. 120 00:10:25,892 --> 00:10:27,292 [SLURPING] 121 00:10:27,861 --> 00:10:29,828 You a sensation, Bolden. 122 00:10:33,200 --> 00:10:35,533 You play horn louder than the day's long, 123 00:10:35,535 --> 00:10:37,168 even in the hot sun. 124 00:10:37,170 --> 00:10:41,272 You got women dropping to your feet, hoping to carry your horn. 125 00:10:41,274 --> 00:10:43,875 The day you was born, you was kissed on the lips 126 00:10:43,877 --> 00:10:47,379 with something only you got, ain't nobody else got it. 127 00:10:47,848 --> 00:10:49,814 Folks hear your music, 128 00:10:49,816 --> 00:10:51,282 they understand something 129 00:10:51,284 --> 00:10:53,418 can't hardly put to words. 130 00:10:53,420 --> 00:10:54,819 [HORSE CARRIAGE APPROACHING] 131 00:10:55,589 --> 00:10:58,223 And I know how to sell what you got. 132 00:11:00,594 --> 00:11:02,927 And you... [LAUGHS] 133 00:11:02,929 --> 00:11:05,697 ...you better listen to me. 134 00:11:06,366 --> 00:11:07,932 Mmm-hmm. 135 00:11:10,904 --> 00:11:13,338 How the band supposed to make more money if we gotta pay you? 136 00:11:14,207 --> 00:11:16,941 I put you in front of a white audience. 137 00:11:19,413 --> 00:11:21,146 [RUFFLING] 138 00:11:23,183 --> 00:11:24,716 Jesus Christ, Bartley. 139 00:11:24,718 --> 00:11:27,185 Yeah. [LAUGHS] 140 00:11:27,187 --> 00:11:28,453 You ever done this? 141 00:11:28,455 --> 00:11:30,155 I got to fly the balloon. 142 00:11:33,193 --> 00:11:35,260 [RAGTIME MUSIC PLAYING] 143 00:11:54,414 --> 00:11:56,648 [LAUGHTER] 144 00:11:56,650 --> 00:11:59,684 [INDISTINCT CHATTER] 145 00:11:59,686 --> 00:12:01,720 MAN: Boy, they don't like this one bit, huh? 146 00:12:01,722 --> 00:12:03,688 [INDISTINCT CHATTER] 147 00:12:03,690 --> 00:12:05,490 How long before we gotta start this... 148 00:12:06,593 --> 00:12:08,560 - Oh, no, I'll be damned. - Oh, yeah. 149 00:12:08,562 --> 00:12:10,795 Oh, no. Buddy. 150 00:12:11,765 --> 00:12:13,131 Bartley, I don't think this is a good idea. 151 00:12:13,133 --> 00:12:15,467 Oh, you'll be all right. You'll be great. 152 00:12:15,469 --> 00:12:16,568 I won't fall? 153 00:12:16,570 --> 00:12:17,535 Come on, you got to go now. 154 00:12:17,537 --> 00:12:18,570 Yeah? 155 00:12:18,572 --> 00:12:20,238 Why the fuck am I doing this? 156 00:12:20,240 --> 00:12:21,740 All right. 157 00:12:21,741 --> 00:12:23,241 I... Tell me... Tell me when to jump. 158 00:12:23,243 --> 00:12:24,843 [SCREAMING] 159 00:12:26,346 --> 00:12:29,280 Play it loud! [LAUGHS] 160 00:12:33,086 --> 00:12:36,588 - Stop the cart. Stop the cart. - Whoa, whoa. 161 00:12:36,590 --> 00:12:38,857 [RAGTIME MUSIC CONTINUES PLAYING] 162 00:12:47,300 --> 00:12:48,967 [SCREAMING] 163 00:12:52,205 --> 00:12:54,539 [GRUNTS] 164 00:12:59,913 --> 00:13:01,246 Oh. 165 00:13:07,387 --> 00:13:10,321 [PLAYING CORNET] 166 00:13:33,580 --> 00:13:34,846 [BAND STOPS PLAYING] 167 00:13:37,450 --> 00:13:38,650 [BRANCHES SNAPPING] 168 00:13:38,652 --> 00:13:39,884 [BOLDEN EXCLAIMS] 169 00:13:40,687 --> 00:13:42,387 [RAGTIME MUSIC RESUMES] 170 00:13:43,290 --> 00:13:44,889 [CORNET PLAYING] 171 00:13:47,794 --> 00:13:49,994 [CROWD SHOUTING] 172 00:14:00,106 --> 00:14:02,307 Thanks for the crowd. [LAUGHS] 173 00:14:02,909 --> 00:14:04,843 [DRUMS PLAYING] 174 00:14:09,049 --> 00:14:10,648 Whoo! 175 00:14:10,650 --> 00:14:13,117 BAND: Hey, Buddy Bolden! 176 00:14:14,721 --> 00:14:16,487 [RAGTIME MUSIC CONTINUES] 177 00:14:20,861 --> 00:14:22,293 MAN: Whoo! 178 00:14:35,408 --> 00:14:37,175 [BANDS CLASHING] 179 00:14:41,114 --> 00:14:42,114 Stop. 180 00:15:27,427 --> 00:15:29,827 [CHEERING] 181 00:15:29,829 --> 00:15:34,265 [ARMSTRONG CHATTERING OVER RADIO] 182 00:15:34,267 --> 00:15:35,700 ARMSTRONG: Thank you, ladies and gentlemen, thank you. 183 00:15:35,702 --> 00:15:38,703 I see that we have someone who can't not be here today. 184 00:15:38,705 --> 00:15:40,855 Right over there. 185 00:15:40,856 --> 00:15:43,006 You know, folks, they helped me get my very first cornet. 186 00:15:43,009 --> 00:15:44,309 Yes, they did. 187 00:15:44,311 --> 00:15:46,411 I was just a little boy back then. 188 00:15:47,681 --> 00:15:49,781 [JAZZ MUSIC PLAYING] 189 00:15:49,783 --> 00:15:51,382 [ARMSTRONG CHATTERING] 190 00:15:54,754 --> 00:15:57,288 ? Oh, that's it right there 191 00:15:58,458 --> 00:16:00,825 ? Every night 192 00:16:00,827 --> 00:16:03,795 ? You'll hear her croon 193 00:16:03,797 --> 00:16:08,333 ? A Russian lullaby 194 00:16:09,302 --> 00:16:10,601 ? Oh, just 195 00:16:11,738 --> 00:16:14,939 ? Just a little plaintive tune 196 00:16:14,941 --> 00:16:19,077 ? When baby starts to cry 197 00:16:19,079 --> 00:16:20,979 [ARMSTRONG SCATTING] 198 00:16:20,981 --> 00:16:26,284 ? Rock-a-bye, my baby... ? 199 00:16:27,854 --> 00:16:29,687 [LOOM SQUEAKING] 200 00:16:31,124 --> 00:16:32,757 [WHEELS SQUEAKING] 201 00:16:35,128 --> 00:16:37,161 [ARMSTRONG CHATTERING OVER RADIO] 202 00:16:44,037 --> 00:16:46,037 You all right down here, Buddy? 203 00:16:47,507 --> 00:16:49,307 [LOOMS WHIRRING] 204 00:17:12,899 --> 00:17:14,665 [SEWING MACHINE CLICKING] 205 00:17:20,774 --> 00:17:22,206 [HISSING] 206 00:17:26,980 --> 00:17:28,579 [THUMP] 207 00:17:31,718 --> 00:17:33,284 [HISSING] 208 00:17:42,228 --> 00:17:44,629 - [CLACKS] - [HISSING] 209 00:18:05,351 --> 00:18:09,087 [SOUNDS COMBINING IN RHYTHM] 210 00:18:22,035 --> 00:18:24,302 [JAZZ MUSIC PLAYING] 211 00:19:10,617 --> 00:19:12,049 [MUSIC FADES] 212 00:19:12,051 --> 00:19:13,618 [MACHINE WHIRRING] 213 00:19:20,827 --> 00:19:24,862 MAN: [OVER RADIO] ...Radio broadcasting live from Suburban Gardens 214 00:19:24,864 --> 00:19:27,064 in New Orleans. 215 00:19:27,066 --> 00:19:30,301 [CONTINUES CHATTERING] 216 00:19:36,609 --> 00:19:38,409 [JAZZ MUSIC PLAYING] 217 00:19:57,297 --> 00:19:59,230 MAN: Evening, Bolden. 218 00:20:00,466 --> 00:20:02,400 As an officer of the court, 219 00:20:02,402 --> 00:20:06,771 I am duty-bound to make a periodic assessment 220 00:20:06,773 --> 00:20:10,942 of the conditions in our state prisons and asylums. 221 00:20:10,944 --> 00:20:15,112 As presiding judge of the Criminal Court or Orleans parish, 222 00:20:15,114 --> 00:20:17,782 I am the final arbiter 223 00:20:17,784 --> 00:20:20,985 of your life and liberty. 224 00:20:20,987 --> 00:20:23,821 I'm here because you're here. 225 00:20:29,062 --> 00:20:30,761 "Servants... 226 00:20:30,763 --> 00:20:32,997 "be obedient to them that are your masters. 227 00:20:32,999 --> 00:20:36,500 "according to the flesh, with fear and trembling..." 228 00:20:38,538 --> 00:20:42,506 That's the way the world moves on, Bolden. 229 00:20:43,343 --> 00:20:45,476 Hate your oppressors 230 00:20:45,478 --> 00:20:48,846 and you'll be enslaved forever by your memories. 231 00:20:49,482 --> 00:20:50,848 [GRUNTING] 232 00:20:57,257 --> 00:20:58,823 - [BOYS SHOUTING] - BARTLEY: Hey! 233 00:20:59,559 --> 00:21:01,643 Hey! 234 00:21:01,644 --> 00:21:03,728 Kid, you gotta put 'em up or you gonna get hit. 235 00:21:04,664 --> 00:21:05,997 All right, you two. 236 00:21:05,999 --> 00:21:07,131 Go on. Come on. 237 00:21:07,133 --> 00:21:08,633 [BOYS CHEERING] 238 00:21:28,354 --> 00:21:30,021 [INTENSE MUSIC PLAYING] 239 00:21:35,795 --> 00:21:38,296 [GRUNTING] - What'd I tell you? What'd I tell you? 240 00:21:58,217 --> 00:21:59,717 Come on now, come on! 241 00:21:59,719 --> 00:22:00,918 [GRUNTING] 242 00:22:24,644 --> 00:22:26,243 [METAL CLANGING] 243 00:22:26,245 --> 00:22:28,112 [CORNET ECHOING] 244 00:22:37,457 --> 00:22:39,223 [MATCHSTICK FLARING] 245 00:22:39,225 --> 00:22:40,825 [SLOW JAZZ MUSIC PLAYING] 246 00:23:29,442 --> 00:23:31,008 [MUSIC FADES] 247 00:23:31,010 --> 00:23:32,743 BOLDEN: Come on down and see me play tonight. 248 00:23:32,745 --> 00:23:34,512 NORA: And leave Mama all alone? 249 00:23:34,514 --> 00:23:35,913 No. Bring her with. 250 00:23:35,915 --> 00:23:37,948 She can dance like we do in church. 251 00:23:37,950 --> 00:23:40,584 - What? - I know she can. 252 00:23:43,890 --> 00:23:45,723 [MUSIC RESUMES] 253 00:24:17,423 --> 00:24:19,156 [CORNET PLAYING] 254 00:24:32,405 --> 00:24:33,671 [GASPS] 255 00:24:41,147 --> 00:24:42,179 Hold this. 256 00:24:42,181 --> 00:24:43,714 [GASPING] 257 00:24:53,192 --> 00:24:55,125 Come on, you go it. 258 00:24:57,463 --> 00:24:59,530 [MUTTERING] 259 00:25:03,035 --> 00:25:04,201 God damn. 260 00:25:09,208 --> 00:25:10,608 [THUDS] 261 00:25:11,444 --> 00:25:13,511 [PLAYING CORNET] 262 00:25:16,182 --> 00:25:17,648 Why we out here? 263 00:25:17,650 --> 00:25:19,116 Women are dancing over here. 264 00:25:19,719 --> 00:25:21,752 Buddy, dancing's inside. 265 00:25:21,754 --> 00:25:23,320 [CHUCKLES] 266 00:25:23,322 --> 00:25:25,289 Ain't never enough dancers for that. 267 00:25:25,291 --> 00:25:26,690 You gotta call 'em all. 268 00:25:26,692 --> 00:25:28,926 Can't you call, call 'em from inside? 269 00:25:31,063 --> 00:25:33,097 So you're just gonna keep playing, huh? 270 00:25:36,369 --> 00:25:38,202 You know what's between them stars? 271 00:25:38,204 --> 00:25:39,870 Don't start with that shit, Buddy. 272 00:25:39,872 --> 00:25:40,905 Space. 273 00:25:40,907 --> 00:25:42,206 Please, man. Shit. 274 00:25:42,208 --> 00:25:43,841 Ain't nothin' but time. 275 00:25:46,946 --> 00:25:48,212 Yeah. 276 00:26:13,439 --> 00:26:14,772 [KNOCKING ON WINDOW] 277 00:26:21,013 --> 00:26:22,212 Nora. 278 00:26:24,984 --> 00:26:26,250 Shh. 279 00:26:28,654 --> 00:26:31,388 - Nora. - Shh. 280 00:26:31,390 --> 00:26:34,258 [WHISPERING] What are you doing here? 281 00:26:34,260 --> 00:26:37,061 [GASPS] - Nora, why you don't come see me play? 282 00:26:38,631 --> 00:26:41,298 A lady don't go where the Bolden band play. 283 00:26:43,369 --> 00:26:45,636 Oh. 284 00:26:45,638 --> 00:26:48,906 Mama said you grow up too wild for a good girl. 285 00:26:48,908 --> 00:26:51,108 All that rockin' in church, 286 00:26:51,110 --> 00:26:52,810 she don't like that, no. 287 00:27:00,686 --> 00:27:02,920 Mama don't like your music neither. 288 00:27:06,392 --> 00:27:08,425 [JAZZ MUSIC PLAYING] 289 00:27:08,427 --> 00:27:10,127 BOLDEN: Hey, whoa, whoa! 290 00:27:10,963 --> 00:27:12,863 Y'all ain't playin' it right. 291 00:27:15,768 --> 00:27:17,501 Put your horns down. Put 'em down, put 'em down. 292 00:27:17,503 --> 00:27:19,837 We, we, we, we're gonna clap it out. 293 00:27:19,838 --> 00:27:22,172 Tillman, give me that, uh, give me that beat you were working with. Hit it on four. 294 00:27:22,174 --> 00:27:23,874 - This one? - [PLAYS DRUMS] 295 00:27:24,677 --> 00:27:26,377 Yeah, yeah, that's it. Four. 296 00:27:26,379 --> 00:27:27,678 Now, Johnson. 297 00:27:27,680 --> 00:27:30,414 Ba, ba, ba-ra, ba-ra. 298 00:27:30,416 --> 00:27:32,716 Ba, ba, ba-ra, ba-ra. 299 00:27:34,553 --> 00:27:36,854 See how that feels? Yeah, yeah, that's it. 300 00:27:36,856 --> 00:27:38,555 Now, Mumford, give me time. 301 00:27:38,557 --> 00:27:40,624 [SCATTING TO BEAT] 302 00:27:40,626 --> 00:27:42,426 [PLAYING GUITAR] 303 00:27:43,596 --> 00:27:45,929 Oh, yeah. Cornish, come on down. 304 00:27:45,931 --> 00:27:47,998 - Hit two and four. - [CLAPPING TO BEAT] 305 00:27:49,635 --> 00:27:51,168 Come on, Cornish. 306 00:27:51,170 --> 00:27:52,469 - [CLAPPING] - Da. Da. 307 00:27:52,471 --> 00:27:53,471 Let's go. 308 00:27:54,540 --> 00:27:56,306 Yeah. Yeah, that's right. 309 00:27:58,077 --> 00:27:59,009 Yeah. 310 00:27:59,011 --> 00:28:00,077 Now, Warner. 311 00:28:01,147 --> 00:28:03,447 Pay attention. Look. You're gonna hit the four. 312 00:28:03,449 --> 00:28:05,949 [CLAPPING TO BEAT] 313 00:28:07,420 --> 00:28:08,752 Come on, Warner. 314 00:28:11,457 --> 00:28:13,023 [JAZZ MUSIC PLAYING] 315 00:28:13,359 --> 00:28:16,060 Oh, yeah. 316 00:28:19,231 --> 00:28:20,731 [CLAPPING TO BEAT] 317 00:28:26,806 --> 00:28:28,238 Listen, listen. 318 00:28:32,478 --> 00:28:33,877 That's it. 319 00:28:35,581 --> 00:28:37,281 Oh! 320 00:28:37,283 --> 00:28:38,849 [CLAPPING TO BEAT] 321 00:28:45,624 --> 00:28:47,324 Yeah, ha. 322 00:28:52,498 --> 00:28:54,031 [ARMSTRONG SCATTING] 323 00:28:55,868 --> 00:28:58,068 This music about talking to each other. 324 00:28:58,437 --> 00:28:59,903 Yeah. Come on. 325 00:29:00,573 --> 00:29:02,539 Now y'all havin' a conversation. 326 00:29:02,541 --> 00:29:03,841 [CORNET BLOWS] 327 00:29:03,843 --> 00:29:05,776 - Who said that? - [CORNET BLOWS] 328 00:29:05,778 --> 00:29:06,944 Why would you now... 329 00:29:06,946 --> 00:29:07,946 Yeah! 330 00:29:13,419 --> 00:29:14,419 Come on. 331 00:29:28,701 --> 00:29:30,234 [MUSIC FADES] 332 00:29:31,837 --> 00:29:33,237 [MUSIC RESUMES] 333 00:29:33,639 --> 00:29:35,239 [CHEERING] 334 00:29:38,544 --> 00:29:39,544 I love you! 335 00:29:54,527 --> 00:29:56,160 [LAUGHING] 336 00:29:58,731 --> 00:30:00,063 Mama. 337 00:30:02,835 --> 00:30:04,301 Nora gonna move in with us. 338 00:30:15,247 --> 00:30:16,346 NORA: Mmm. 339 00:30:16,347 --> 00:30:17,446 - Yeah. That's it. - [GIGGLING] 340 00:30:17,449 --> 00:30:19,283 Ease into it like that. 341 00:30:19,718 --> 00:30:21,118 And you gotta, um... 342 00:30:21,120 --> 00:30:23,387 Get your... Get your wrists loose. 343 00:30:23,389 --> 00:30:24,872 See that. 344 00:30:24,873 --> 00:30:26,356 [BLOWS RASPBERRY] Blow your lips. Like that. 345 00:30:26,358 --> 00:30:27,858 - You blow... - [GIGGLES] 346 00:30:27,860 --> 00:30:30,260 - [BLOWS RASPBERRY] - Yeah, like... 347 00:30:30,262 --> 00:30:31,895 [LAUGHING] 348 00:30:34,633 --> 00:30:37,467 IDA: I ain't raise my daughter for the likes of you. 349 00:30:37,469 --> 00:30:40,537 How you fixin' to make a livin' playing your horn? 350 00:30:41,540 --> 00:30:43,373 Why can't you get a real job? 351 00:30:46,579 --> 00:30:48,645 [WALTZ MUSIC PLAYING] 352 00:30:48,647 --> 00:30:50,914 [INDISTINCT CHATTER AND LAUGHTER] 353 00:31:30,155 --> 00:31:31,788 [MUSIC ENDS] 354 00:31:31,790 --> 00:31:33,390 [CHATTER CONTINUES] 355 00:31:41,467 --> 00:31:42,900 [PLAYING JAZZ MUSIC] 356 00:31:42,902 --> 00:31:44,501 [CROWD SHOUTING] 357 00:31:52,578 --> 00:31:54,077 You dressing for church? 358 00:31:54,079 --> 00:31:58,615 I don't wanna hear nothing about that First Street Baptist Church. 359 00:32:03,389 --> 00:32:04,688 We're Episcopal. 360 00:32:06,158 --> 00:32:07,925 [MUSIC PLAYING FAINTLY] 361 00:32:11,130 --> 00:32:12,763 Yeah. 362 00:32:12,764 --> 00:32:14,397 ALICE: I got a new collar for your shirt. 363 00:32:14,400 --> 00:32:17,434 BOLDEN: Mama, I ain't wearing a collar. It's too tight around my neck. 364 00:32:18,804 --> 00:32:20,404 Where you performing at? 365 00:32:20,773 --> 00:32:22,205 Union Sons Hall. 366 00:32:23,442 --> 00:32:25,809 They call it the Funky Butt when you're out playing. 367 00:32:25,811 --> 00:32:27,411 Yeah, Mama. But how you know that? 368 00:32:27,413 --> 00:32:28,445 I hear things. 369 00:32:28,447 --> 00:32:29,980 [PLAYING JAZZ MUSIC] 370 00:32:29,982 --> 00:32:32,015 No, Mama, no. No, Mama. 371 00:32:33,619 --> 00:32:35,052 No, Mama, please. 372 00:32:36,322 --> 00:32:37,921 Mama, please, I can't breathe with that on. 373 00:32:37,923 --> 00:32:38,989 But you look good. 374 00:32:38,991 --> 00:32:40,657 Can't breathe in it. 375 00:32:44,830 --> 00:32:46,596 [MUSIC SLOWS] 376 00:32:54,707 --> 00:32:56,139 CROWD: Hey! 377 00:32:57,643 --> 00:32:59,109 Hey! 378 00:33:00,446 --> 00:33:01,478 Hey! 379 00:33:03,449 --> 00:33:04,648 Hey! 380 00:33:06,385 --> 00:33:07,651 Hey! 381 00:33:09,254 --> 00:33:10,354 Hey! 382 00:33:15,594 --> 00:33:17,461 [CROWD CHEERING] 383 00:33:50,562 --> 00:33:52,329 [CROWD CHEERING] 384 00:33:54,900 --> 00:33:56,366 WOMAN: Bolden! 385 00:33:56,368 --> 00:33:57,368 WARNER: Buddy. 386 00:33:57,870 --> 00:34:00,003 Buddy! Where you at, man? 387 00:34:00,005 --> 00:34:01,805 [DOOR BANGS] 388 00:34:01,807 --> 00:34:04,107 There you are. I been lookin' all over. 389 00:34:04,109 --> 00:34:06,676 Evenin', Warner. This here is Mavis. 390 00:34:07,379 --> 00:34:09,279 Hey, Mavis. 391 00:34:09,280 --> 00:34:11,180 Bolden, we got a big crowd waitin' on you, man. 392 00:34:11,183 --> 00:34:12,716 We're busy now, honey. 393 00:34:12,718 --> 00:34:15,552 And George Baquet, waitin' out there with his horn. 394 00:34:16,455 --> 00:34:19,089 Blue-eyed tan man comin' to our neighborhood? 395 00:34:19,091 --> 00:34:20,490 [DOOR SHUTS] 396 00:34:20,492 --> 00:34:22,426 BOLDEN: Warner, you worried about George Baquet? 397 00:34:22,428 --> 00:34:24,061 That motherfucker comin' for my job. 398 00:34:24,063 --> 00:34:25,629 WARNER: Ain't nobody comin' for your job. 399 00:34:25,631 --> 00:34:27,964 BOLDEN: Why you think the best paid clarinet man in New Orleans 400 00:34:27,966 --> 00:34:29,366 come to the pit to play with us? 401 00:34:29,368 --> 00:34:31,301 Jimmy Palao got the light-skin niggers, too. 402 00:34:31,303 --> 00:34:32,836 Nobody come for your job. 403 00:34:32,838 --> 00:34:35,205 He ain't so white like they talk. 404 00:34:35,207 --> 00:34:40,243 [CELLO PLAYING] - WOMAN: ? Make me a pallet on your floor 405 00:34:43,315 --> 00:34:47,851 ? Make me a pallet on your floor 406 00:34:47,853 --> 00:34:49,453 What she doin' here? 407 00:34:50,756 --> 00:34:54,324 ? If you make me a pallet 408 00:34:54,326 --> 00:34:58,328 ? I swear your woman will never know 409 00:34:59,598 --> 00:35:04,634 ? Make me a pallet on your floor 410 00:35:28,393 --> 00:35:30,193 Play your heart out, Buddy Bolden. 411 00:35:31,063 --> 00:35:32,429 [INAUDIBLE] 412 00:35:37,169 --> 00:35:39,169 WOMAN: ? Make it soft 413 00:35:39,171 --> 00:35:42,806 ? Make it easy make it flow 414 00:35:45,577 --> 00:35:47,410 ? Make it soft 415 00:35:47,412 --> 00:35:51,648 ? Make it easy make it slow 416 00:35:54,052 --> 00:35:57,220 ? When she comes in 417 00:35:57,222 --> 00:36:01,057 ? I swear she would never know 418 00:36:01,059 --> 00:36:06,863 ? That you make me a pallet down upon your floor ? 419 00:36:18,310 --> 00:36:20,210 NORA: I'm pregnant. 420 00:36:20,846 --> 00:36:22,846 [BABIES CRYING] 421 00:36:23,782 --> 00:36:25,215 A baby? 422 00:36:25,951 --> 00:36:27,651 You can't take care of yourself. 423 00:36:29,254 --> 00:36:31,688 Ain't you got one already? A little boy? 424 00:36:34,026 --> 00:36:36,092 [CORNET PLAYS ON RADIO] 425 00:36:36,094 --> 00:36:38,094 [CHEERING] 426 00:36:38,096 --> 00:36:40,764 ARMSTRONG: Yeah! 427 00:36:41,600 --> 00:36:43,767 JUDGE PERRY: Right and wrong. 428 00:36:45,070 --> 00:36:48,238 Oh, it can be so confusing. 429 00:36:48,240 --> 00:36:50,106 Lord wrote a book about it. 430 00:36:50,108 --> 00:36:53,276 Civil societies are defined by it. 431 00:36:55,314 --> 00:36:58,181 You just don't know the difference. 432 00:36:58,183 --> 00:37:00,417 Niggers don't know right from wrong. 433 00:37:02,487 --> 00:37:04,721 You are not in God's image. 434 00:37:12,464 --> 00:37:14,497 NORA: We're gonna have a baby, Buddy. 435 00:37:18,637 --> 00:37:19,703 Come on. 436 00:37:20,706 --> 00:37:22,772 [SOMBER MUSIC PLAYING] 437 00:38:02,447 --> 00:38:04,281 BARTLEY: King Bolden. 438 00:38:04,283 --> 00:38:06,750 I want you to meet George Baquet. 439 00:38:14,693 --> 00:38:15,759 Hey, George. 440 00:38:21,199 --> 00:38:23,033 You come to copy me? 441 00:38:23,035 --> 00:38:24,367 BARTLEY: Don't worry, Warner. 442 00:38:24,369 --> 00:38:26,736 He just want to do a couple of rounds with Bolden. 443 00:38:34,012 --> 00:38:36,046 [CHEERING] 444 00:38:36,848 --> 00:38:38,782 [PLAYING UPBEAT MUSIC] 445 00:38:38,784 --> 00:38:40,650 [CROWD CHEERING] 446 00:38:46,158 --> 00:38:47,924 [PLAYING CORNET SOLO] 447 00:39:22,928 --> 00:39:24,861 [CHEERING] 448 00:39:39,878 --> 00:39:41,578 [TEMPO INCREASES] 449 00:39:50,756 --> 00:39:51,756 Yeah! 450 00:40:14,179 --> 00:40:15,779 [ALL CHEERING] 451 00:40:19,017 --> 00:40:21,751 Ladies and gentlemen, this here George Baquet. 452 00:40:36,201 --> 00:40:37,834 [SOUNDS FADING] 453 00:40:44,309 --> 00:40:45,775 [CLATTERING] 454 00:40:48,180 --> 00:40:50,180 YOUNG BOLDEN: Here, here, let me show you how to. 455 00:40:50,816 --> 00:40:52,449 [CLARINET PLAYING] 456 00:40:55,086 --> 00:40:56,453 Warner, come and get me! 457 00:40:57,489 --> 00:40:59,589 Come on, Warner, come and get me. 458 00:41:00,659 --> 00:41:01,659 Come on. 459 00:41:07,299 --> 00:41:09,132 [CLARINET CONTINUES PLAYING] 460 00:41:26,151 --> 00:41:28,117 [WATER DRIPPING] 461 00:41:30,522 --> 00:41:33,122 It's all right. It's all right. 462 00:41:34,092 --> 00:41:35,558 You'll get this. 463 00:41:37,562 --> 00:41:39,596 GEORGE: Bolden, do you write your music down? 464 00:41:40,332 --> 00:41:42,765 Can you write it down? 465 00:41:42,767 --> 00:41:44,300 We're composing on the bandstand, you know? 466 00:41:44,302 --> 00:41:47,637 So, it's... It's like we're talking to each other. 467 00:41:47,639 --> 00:41:48,972 We're havin' a conversation. 468 00:41:48,974 --> 00:41:51,674 I let the notes play on through, that's what I do. 469 00:41:52,444 --> 00:41:54,010 Just got to listen. 470 00:41:54,012 --> 00:41:56,646 I never play without the music right in front of me. 471 00:41:57,182 --> 00:41:58,615 [EXHALES] 472 00:41:58,617 --> 00:42:00,717 You play it the same, same, same, same, same. 473 00:42:00,719 --> 00:42:02,852 I don't do none of that. I play it my way. 474 00:42:02,854 --> 00:42:04,738 Every time. 475 00:42:04,739 --> 00:42:06,623 And that string may, it may never come out the same 476 00:42:06,625 --> 00:42:07,891 so how you gonna write it down? 477 00:42:07,893 --> 00:42:09,359 How you gonna write it down, huh? 478 00:42:09,361 --> 00:42:10,960 Bolden if you don't write your music down, 479 00:42:10,962 --> 00:42:12,896 how's anyone gonna play it when you're gone? 480 00:42:12,898 --> 00:42:15,832 You don't understand. It's a... It's a livin' thing. 481 00:42:15,834 --> 00:42:17,901 It's, it's, it's... It's me and the whole band. 482 00:42:17,903 --> 00:42:20,136 We, we, we just breathing together. 483 00:42:21,773 --> 00:42:23,806 So you don't even know what you're gonna play. 484 00:42:24,376 --> 00:42:26,142 You know, sometimes I... 485 00:42:26,144 --> 00:42:28,578 [WATER DRIPPING] 486 00:42:28,580 --> 00:42:31,080 I think it's better not to play anything at all. 487 00:42:36,555 --> 00:42:39,756 Bolden, try playing around this. 488 00:42:49,267 --> 00:42:51,167 [CLARINET PLAYING] 489 00:43:25,904 --> 00:43:27,904 [DUET CONTINUES] 490 00:43:48,960 --> 00:43:50,760 [WATER DRIPPING] 491 00:43:53,465 --> 00:43:55,732 [CHILDREN LAUGHING] 492 00:43:56,134 --> 00:43:58,701 [CORNET PLAYING] 493 00:44:24,129 --> 00:44:26,329 You think Warner holding back the band? 494 00:44:27,298 --> 00:44:28,931 He been working hard. 495 00:44:29,968 --> 00:44:31,968 But I'm with you whatever you decide. 496 00:44:34,572 --> 00:44:36,406 [MELANCHOLY MUSIC PLAYING] 497 00:44:55,593 --> 00:44:58,294 [MEN SINGING RIDE ON KING JESUS] 498 00:44:59,364 --> 00:45:00,496 ? Ride on 499 00:45:00,498 --> 00:45:03,032 ? No man can hinder thee 500 00:45:03,034 --> 00:45:06,703 - ? Ride on - ? Ride on King Jesus 501 00:45:06,705 --> 00:45:08,271 ? Ride on 502 00:45:08,273 --> 00:45:11,207 ? No man can hinder thee 503 00:45:11,209 --> 00:45:12,642 ? Ride on 504 00:45:12,644 --> 00:45:15,611 - ? Ride on - ? Ride on King Jesus 505 00:45:15,613 --> 00:45:17,346 ? Ride on 506 00:45:17,348 --> 00:45:18,815 ? No man can... ? 507 00:45:18,817 --> 00:45:20,917 [BOAT HORN BLOWS] 508 00:45:20,919 --> 00:45:22,985 You know what this country needs? 509 00:45:23,521 --> 00:45:24,854 What's that? 510 00:45:24,856 --> 00:45:27,090 A negro heavyweight champ. 511 00:45:27,826 --> 00:45:29,492 Jack Johnson the champ, man. 512 00:45:29,494 --> 00:45:31,127 He the color champ. 513 00:45:31,129 --> 00:45:33,062 White champ won't even fight him. 514 00:45:33,064 --> 00:45:34,731 No. 515 00:45:34,733 --> 00:45:37,600 White champ ain't gonna fight your ministry boys 516 00:45:37,602 --> 00:45:39,001 and you wanna know why? 517 00:45:39,003 --> 00:45:40,036 Why? 518 00:45:40,038 --> 00:45:42,038 'Cause they don't find us serious. 519 00:45:42,407 --> 00:45:44,440 [CHUCKLES] 520 00:45:44,442 --> 00:45:48,010 Gettin' in a ring with Jack Johnson's pretty goddamn serious. 521 00:45:52,250 --> 00:45:53,449 White folks... 522 00:45:54,853 --> 00:45:56,919 they're gonna have to reckon with talent. 523 00:45:59,390 --> 00:46:01,491 Bolden, you know about 524 00:46:02,193 --> 00:46:03,960 cylinder recording? 525 00:46:05,830 --> 00:46:08,698 - Cylinder recording? - Mmm-hmm. 526 00:46:08,700 --> 00:46:10,600 Put your music in a machine. 527 00:46:10,602 --> 00:46:12,368 [BOAT HORN BLOWS] 528 00:46:22,213 --> 00:46:24,647 BOLDEN: Bartley know a man put music in a tin can. 529 00:46:24,649 --> 00:46:26,349 NORA: Music in a tin can? 530 00:46:26,351 --> 00:46:27,617 Yeah. 531 00:46:27,619 --> 00:46:28,818 Well, how do it work? 532 00:46:28,820 --> 00:46:30,486 You sound music into a machine 533 00:46:30,488 --> 00:46:32,355 and the machine put out a tin can. 534 00:46:32,357 --> 00:46:35,424 They'll put tin can back into the machine, and that music come out. 535 00:46:37,362 --> 00:46:38,928 B... 536 00:46:38,930 --> 00:46:40,763 Music in a tin can? 537 00:46:40,765 --> 00:46:42,765 What it sound like? 538 00:46:42,767 --> 00:46:44,700 I don't know. I never heard it. 539 00:46:44,702 --> 00:46:46,469 But Bartley say it sound like money. 540 00:46:47,572 --> 00:46:49,438 Sounds like magic. 541 00:46:49,440 --> 00:46:51,174 [LAUGHS] Yeah. 542 00:46:51,176 --> 00:46:54,911 Folks will hear my music, but I'm invisible. 543 00:46:54,913 --> 00:46:56,312 I don't know, Nora. 544 00:46:56,314 --> 00:46:58,848 People hearing you play and you ain't there? 545 00:46:58,850 --> 00:47:00,383 [WATER DRIPPING] 546 00:47:01,085 --> 00:47:02,285 Yeah. 547 00:47:10,562 --> 00:47:12,061 [SOMBER MUSIC PLAYING] 548 00:47:13,364 --> 00:47:15,198 [INMATES WAILING] 549 00:47:25,176 --> 00:47:27,243 [SHOUTING] 550 00:47:46,931 --> 00:47:48,865 [ALL SHOUTING] 551 00:47:57,575 --> 00:47:59,008 MAN: This is a shit hole! 552 00:47:59,944 --> 00:48:02,678 Gotta get a better place! 553 00:48:02,680 --> 00:48:05,014 And I want bigger niggers next time. 554 00:48:07,952 --> 00:48:10,186 [FOOTSTEPS ECHOING] 555 00:48:35,813 --> 00:48:37,480 [INTENSE MUSIC CONTINUES] 556 00:48:48,393 --> 00:48:49,692 This cost a dime. 557 00:48:50,929 --> 00:48:53,629 Sell 50 vials, you make a dollar. 558 00:48:55,867 --> 00:49:00,136 Sell 100 vials, you get $2.10. 559 00:49:01,606 --> 00:49:03,239 As business gets better, 560 00:49:04,676 --> 00:49:06,042 y'all do better. 561 00:49:07,812 --> 00:49:09,578 There's money in recording music. 562 00:49:11,582 --> 00:49:13,983 You gonna put your music in Bartley's machine? 563 00:49:16,454 --> 00:49:18,688 If there's a machine play your music, 564 00:49:18,690 --> 00:49:20,156 more folks gonna hear. 565 00:49:20,758 --> 00:49:22,792 White folks, too. 566 00:49:22,794 --> 00:49:24,627 They the ones can afford the machine. 567 00:49:25,396 --> 00:49:26,562 [INAUDIBLE] 568 00:49:39,644 --> 00:49:41,010 [INTENSE MUSIC PLAYING] 569 00:49:50,355 --> 00:49:52,154 [WATER DRIPPING] 570 00:50:00,498 --> 00:50:01,564 [INAUDIBLE] 571 00:50:06,404 --> 00:50:09,105 JUDGE PERRY: Desire and desperation 572 00:50:09,107 --> 00:50:12,208 are dangerous motivations, Bolden. 573 00:50:13,011 --> 00:50:14,243 [WOMAN WAILS] 574 00:50:16,581 --> 00:50:18,180 Humility recedes 575 00:50:18,182 --> 00:50:21,217 and loyalty vanishes. 576 00:50:22,053 --> 00:50:24,453 One thing stays the same. 577 00:50:24,455 --> 00:50:26,522 There's always someone who can do it better. 578 00:50:26,524 --> 00:50:28,190 [CROWD CHEERING] 579 00:50:35,967 --> 00:50:38,601 [PLAYING UPBEAT MUSIC] 580 00:50:38,603 --> 00:50:39,668 [CROWD CLAPPING IN RHYTHM] 581 00:50:57,722 --> 00:50:59,355 [ALL CHEERING] 582 00:51:01,893 --> 00:51:03,492 MAN: Teach him a lesson, Buddy. 583 00:51:04,062 --> 00:51:05,494 [CHEERING] 584 00:51:08,266 --> 00:51:09,666 BOLDEN: Yeah, all right. Thank you. 585 00:51:11,969 --> 00:51:13,369 [PLAYS HOLLOW NOTE] 586 00:51:15,673 --> 00:51:17,807 [WATER DRIPPING] 587 00:51:17,809 --> 00:51:19,842 [INTENSE MUSIC PLAYING] 588 00:51:26,717 --> 00:51:29,952 [SOFTLY] Warner, I can't find the valves to my horn. 589 00:51:29,954 --> 00:51:31,587 You have the valves right here. Look. 590 00:51:31,589 --> 00:51:32,655 You're fine. 591 00:51:32,657 --> 00:51:33,756 I'm not fine, Warner. 592 00:51:57,982 --> 00:51:59,548 [CROWD SHOUTING] 593 00:52:09,494 --> 00:52:10,226 Buddy. 594 00:52:10,228 --> 00:52:11,794 [CROWD CHATTERING] 595 00:52:12,230 --> 00:52:13,529 Play somethin'. 596 00:52:15,233 --> 00:52:18,134 He's gonna let some other motherfucker right in 597 00:52:18,136 --> 00:52:19,301 and steal our shit off? 598 00:52:19,303 --> 00:52:21,303 Who gonna catch us, Buddy? 599 00:52:21,304 --> 00:52:23,304 BOLDEN: Cornish, Cornish, Cornish. You're supposed to be on my side. 600 00:52:23,307 --> 00:52:26,308 Can't nobody do what we do, baby. 601 00:52:26,310 --> 00:52:29,778 You gotta put your music in that man's machine, motherfucker. 602 00:52:31,516 --> 00:52:32,448 [KNOCK ON DOOR] 603 00:52:32,450 --> 00:52:33,450 [BELL CHIMING] 604 00:52:34,018 --> 00:52:36,385 King Bolden. You ready? 605 00:52:37,121 --> 00:52:39,255 Are you ready, Warner? 606 00:52:39,257 --> 00:52:41,223 Ain't I lookin' ready? 607 00:52:41,225 --> 00:52:42,858 We gonna play at Butcher Hollow tonight. 608 00:52:42,860 --> 00:52:43,860 No. 609 00:52:45,029 --> 00:52:46,529 It hurts my ears, man. 610 00:52:46,531 --> 00:52:48,797 The sound comin' off of that wall, it's, uh, 611 00:52:48,799 --> 00:52:50,299 messin' with my time, so... 612 00:52:50,301 --> 00:52:52,067 We go now, we'll be right on time. 613 00:52:52,069 --> 00:52:53,869 Right on the down beat. 614 00:52:53,871 --> 00:52:56,872 Warner, listen to me. My lip ain't balmed, so... 615 00:52:58,142 --> 00:53:01,143 So get on down there. I'll meet y'all over there. 616 00:53:01,145 --> 00:53:02,711 Come on, man, we gotta go to work. 617 00:53:02,713 --> 00:53:04,680 "Go to work"? Warner, you goin' to work. 618 00:53:07,752 --> 00:53:08,984 You all right, Buddy? 619 00:53:08,986 --> 00:53:10,186 Goddamn! Warner, get out! 620 00:53:10,188 --> 00:53:11,120 Warner get out! 621 00:53:11,122 --> 00:53:12,888 Get on out. 622 00:53:12,890 --> 00:53:14,423 And I'll be right over. 623 00:53:15,059 --> 00:53:16,392 Okay? 624 00:53:21,566 --> 00:53:23,699 Well, I guess I'll see you over there, Buddy. 625 00:53:30,841 --> 00:53:31,974 [DOOR SHUTS] 626 00:53:36,347 --> 00:53:39,815 You were supposed to be playing my place last night. 627 00:53:40,518 --> 00:53:42,318 [GRUNTS] 628 00:53:42,320 --> 00:53:46,288 I heard you was playing down the street. Hmm? 629 00:53:46,290 --> 00:53:48,791 You fuck up my Thursday night business. 630 00:53:48,793 --> 00:53:50,459 Somebody be playing like me. 631 00:53:50,461 --> 00:53:53,162 Somebody be playing like me. 632 00:53:53,164 --> 00:53:56,465 You gonna give us the next three Thursdays 633 00:53:56,834 --> 00:53:58,634 for nothin'. Hmm? 634 00:53:59,971 --> 00:54:00,971 Gotta pay the band. 635 00:54:01,405 --> 00:54:02,405 [GRUNTS] 636 00:54:03,674 --> 00:54:06,141 BARTLEY: You out your motherfuckin' mind. 637 00:54:06,143 --> 00:54:08,277 You mess with that man's business, 638 00:54:08,279 --> 00:54:11,280 that means you messing with my business. 639 00:54:12,883 --> 00:54:14,283 [INTENSE MUSIC PLAYING] 640 00:54:14,285 --> 00:54:15,818 [INAUDIBLE] 641 00:54:19,657 --> 00:54:20,856 [WATER DRIPPING] 642 00:54:20,858 --> 00:54:22,858 WOMAN: Hey, Bartley, 643 00:54:22,859 --> 00:54:24,859 what you gonna do when you get Buddy's music in a tin can? 644 00:54:24,862 --> 00:54:26,328 BARTLEY: I'm gonna sell it. 645 00:54:26,330 --> 00:54:28,597 Who's gonna want to hear his music? 646 00:54:28,599 --> 00:54:32,334 And I got exclusive arrangements with a white man by then. 647 00:54:34,472 --> 00:54:37,273 [INHALES AND EXHALES] 648 00:54:37,275 --> 00:54:39,642 Baby, you're gonna be a family man now. 649 00:54:39,644 --> 00:54:42,544 You gonna have a child to provide for. 650 00:54:42,546 --> 00:54:46,015 You wanna play your horn instead of plastering walls, all right. 651 00:54:46,017 --> 00:54:48,350 But you gotta make it pay. 652 00:55:05,036 --> 00:55:06,535 Bartley... 653 00:55:06,537 --> 00:55:10,506 he need to put his music in that machine. 654 00:55:10,508 --> 00:55:12,274 BARTLEY: Don't worry, baby. 655 00:55:12,276 --> 00:55:13,676 We gonna get him. 656 00:55:14,612 --> 00:55:18,047 Sooner or later, we gonna get his music. 657 00:55:18,049 --> 00:55:19,815 [SUSPENSEFUL MUSIC PLAYING] 658 00:55:20,985 --> 00:55:22,318 [CORNET PLAYS] 659 00:55:22,853 --> 00:55:24,520 [JAZZ MUSIC PLAYING] 660 00:55:30,194 --> 00:55:32,261 MAN: [OVER RADIO] You're listening to Louis Armstrong... 661 00:55:32,263 --> 00:55:33,629 BOLDEN: [SHOUTS] Nora! 662 00:55:35,266 --> 00:55:37,866 NORA: I need to get married to you, Buddy. 663 00:55:40,304 --> 00:55:41,970 When you coming home? 664 00:55:45,443 --> 00:55:47,609 [THUNDER RUMBLES] 665 00:55:56,987 --> 00:55:58,620 [MELANCHOLY MUSIC PLAYING] 666 00:56:04,295 --> 00:56:06,362 [PLAYING BLACK AND BLUE] 667 00:56:13,537 --> 00:56:15,070 [PLAYING CORNET SOLO] 668 00:56:23,147 --> 00:56:24,446 Hey, baby. 669 00:56:51,208 --> 00:56:53,242 ? Cold empty bed 670 00:56:53,244 --> 00:56:55,544 ? Springs hard as lead 671 00:56:55,546 --> 00:56:57,880 ? Feel like Old Ned 672 00:56:57,882 --> 00:56:59,515 ? Wished I was dead 673 00:56:59,517 --> 00:57:02,151 ? All my life through 674 00:57:02,153 --> 00:57:06,588 ? I've been so black and blue 675 00:57:07,124 --> 00:57:08,457 ? Hmm, hmm 676 00:57:08,459 --> 00:57:09,992 - ? Even the mouse - [THUNDER RUMBLING] 677 00:57:10,895 --> 00:57:13,695 ? Ran from my house 678 00:57:13,697 --> 00:57:17,065 ? They laughed at you and scorned you too 679 00:57:17,067 --> 00:57:19,334 ? What did I do, babe 680 00:57:19,336 --> 00:57:23,172 ? To be so black and blue? 681 00:57:25,176 --> 00:57:28,277 ? Mmm, I'm white 682 00:57:28,279 --> 00:57:30,412 ? Inside 683 00:57:30,414 --> 00:57:34,049 ? But that don't help my case 684 00:57:34,819 --> 00:57:36,819 ? 'Cause it 685 00:57:36,821 --> 00:57:39,354 ? Can't hide 686 00:57:39,356 --> 00:57:42,491 ? What is in my face 687 00:57:42,493 --> 00:57:45,994 [ARMSTRONG SCATTING] 688 00:57:47,598 --> 00:57:49,665 ? How would it end? 689 00:57:49,667 --> 00:57:52,067 ? Ain't got a friend 690 00:57:52,069 --> 00:57:55,671 ? My only sin is in my skin 691 00:57:55,673 --> 00:57:57,272 ? What did I do, babe 692 00:57:57,274 --> 00:57:58,207 Bartley! 693 00:57:58,209 --> 00:58:01,910 ? To be so black and blue? 694 00:58:02,847 --> 00:58:04,213 Bartley! 695 00:58:04,215 --> 00:58:05,981 [PLAYING CORNET SOLO] 696 00:58:12,289 --> 00:58:13,689 [MUSIC ENDS] 697 00:58:15,693 --> 00:58:16,859 Buddy! 698 00:58:16,861 --> 00:58:18,560 Buddy! Buddy! 699 00:58:18,996 --> 00:58:20,629 [BUDDY GAGS] 700 00:58:32,776 --> 00:58:34,042 Come on. 701 00:58:40,918 --> 00:58:43,218 That's what a motherfuckin' manager do. 702 00:58:46,891 --> 00:58:48,023 [THUNDER RUMBLES] 703 00:58:48,025 --> 00:58:49,291 [BUDDY BREATHING HOARSELY] 704 00:59:01,572 --> 00:59:03,071 [THUNDER RUMBLES] 705 00:59:05,709 --> 00:59:06,775 Aah! 706 00:59:06,777 --> 00:59:09,411 Stupid motherfuckin' whore. 707 00:59:09,413 --> 00:59:11,079 [BUDDY GROANING] 708 00:59:14,018 --> 00:59:15,284 Clean him up. 709 00:59:16,086 --> 00:59:18,253 [THUNDER RUMBLES] 710 00:59:19,156 --> 00:59:20,556 [RAIN PATTERING] 711 00:59:21,292 --> 00:59:25,160 [THUNDER RUMBLING] 712 00:59:58,095 --> 00:59:59,828 Ain't you somethin', 713 01:00:01,198 --> 01:00:02,831 King Bolden. 714 01:00:06,270 --> 01:00:08,070 You ain't come home to me. 715 01:00:12,376 --> 01:00:13,942 Don't do that to me. 716 01:00:20,284 --> 01:00:22,017 [SOMBER MUSIC PLAYING] 717 01:00:24,388 --> 01:00:26,021 [WATER DRIPPING] 718 01:00:27,958 --> 01:00:29,391 [CORNET PLAYING] 719 01:00:36,133 --> 01:00:39,067 [MAN SHOUTING] 720 01:00:46,543 --> 01:00:48,744 JOHNSON: Ain't nobody playin' what we playin'. 721 01:00:48,746 --> 01:00:50,879 Ain't nobody playin' what Buddy playin'. 722 01:00:51,615 --> 01:00:54,016 Nobody's splitting up. 723 01:00:54,018 --> 01:00:56,985 - And it just have a certain life. - [ALL CHATTERING] 724 01:01:03,794 --> 01:01:05,427 Buddy showed up like black Jesus. 725 01:01:05,429 --> 01:01:07,062 [LAUGHTER] 726 01:01:08,065 --> 01:01:10,165 So I guess that make us his disciples. 727 01:01:10,167 --> 01:01:11,167 [KNOCK ON DOOR] 728 01:01:12,803 --> 01:01:15,070 I'm looking for a Buddy Bolden. 729 01:01:15,539 --> 01:01:17,272 Well, shit, get in line. 730 01:01:17,274 --> 01:01:18,106 You the police? 731 01:01:18,108 --> 01:01:22,344 Uh, no, no. Uh, Bartley sent me. 732 01:01:22,346 --> 01:01:24,179 You don't play clarinet, do you? 733 01:01:24,181 --> 01:01:26,081 [CHUCKLES] No. 734 01:01:26,083 --> 01:01:27,649 No, he said that 735 01:01:27,651 --> 01:01:30,752 Bolden wanted to record his music. I can do this. 736 01:01:30,754 --> 01:01:32,587 It come out on a little tin can, huh? 737 01:01:32,589 --> 01:01:36,958 No. No, it comes out on a wax cylinder. 738 01:01:36,960 --> 01:01:38,894 Ah. I got... 739 01:01:41,665 --> 01:01:45,100 - "Oscar Zahn" - Mmm-mmm. Uh, Zahn. 740 01:01:45,602 --> 01:01:47,302 "Cylinder recorders." 741 01:01:48,539 --> 01:01:50,305 Buddy want to record our music. 742 01:01:52,609 --> 01:01:54,142 Let me see that. 743 01:01:57,781 --> 01:01:59,614 Buddy's scared people are gonna steal our music. 744 01:01:59,616 --> 01:02:01,883 Now he wanna put it on a machine? 745 01:02:03,520 --> 01:02:05,020 Make no sense to me. 746 01:02:05,956 --> 01:02:09,124 [PLAYING CORNET AND CLARINET] 747 01:02:16,400 --> 01:02:18,100 [PLAYING OFF-KEY] 748 01:02:25,142 --> 01:02:28,110 WARNER: Why you think the best paid clarinet man in New Orleans 749 01:02:28,112 --> 01:02:30,112 come to the pit to play with us? 750 01:02:31,682 --> 01:02:33,448 [INTENSE MUSIC PLAYING] 751 01:02:33,450 --> 01:02:35,183 So, uh... [CLEARS THROAT] 752 01:02:38,889 --> 01:02:40,455 It's pretty good. [CLEARS THROAT] 753 01:02:41,458 --> 01:02:42,958 Mmm-hmm. 754 01:02:45,429 --> 01:02:46,928 [SIGHS] 755 01:02:49,967 --> 01:02:53,335 We need to talk about exclusive arrangements, you and me. 756 01:02:57,641 --> 01:02:59,474 [PLAYING SLOW MUSIC] 757 01:03:13,957 --> 01:03:16,191 I'll put you in front of a white audience. 758 01:03:17,161 --> 01:03:18,326 [MEN CHEERING] 759 01:03:25,803 --> 01:03:27,869 You a sensation, Bolden. 760 01:03:28,505 --> 01:03:30,472 When people hear your music, 761 01:03:30,474 --> 01:03:34,142 they understand somethin' can hardly be put in words. 762 01:03:35,479 --> 01:03:37,112 [MUSIC CONTINUES] 763 01:03:38,182 --> 01:03:39,414 [INAUDIBLE] 764 01:03:44,521 --> 01:03:46,188 [PEOPLE CHEERING] 765 01:04:08,779 --> 01:04:11,346 [MUSIC CONTINUES] 766 01:04:11,348 --> 01:04:16,184 We need to talk about exclusive arrangements, you and me. 767 01:04:25,629 --> 01:04:27,462 [INDISTINCT CHATTER IN BACKGROUND] 768 01:04:37,040 --> 01:04:38,640 [VALVES CLATTERING] 769 01:04:50,520 --> 01:04:52,220 [SOMBER MUSIC PLAYING] 770 01:04:56,360 --> 01:04:58,093 [INMATES WAILING] 771 01:05:00,964 --> 01:05:04,199 Playing with George Baquet, good business. 772 01:05:08,872 --> 01:05:10,572 [WATER DRIPPING] 773 01:05:12,042 --> 01:05:14,910 Now how you gonna make a livin' without these, huh? 774 01:05:17,147 --> 01:05:20,115 You got a wife and child to provide for. 775 01:05:21,318 --> 01:05:22,384 If it is your child. 776 01:05:34,631 --> 01:05:36,498 NORA: You gonna get out of bed? 777 01:05:36,500 --> 01:05:40,402 Willie Cornish come by, gave me the buttons for your horn. 778 01:05:41,605 --> 01:05:43,338 Why you takin' them out? 779 01:05:48,545 --> 01:05:50,145 ALICE: I hear your daddy every time you play. 780 01:05:50,147 --> 01:05:52,547 I hear your daddy every time you play. 781 01:05:58,288 --> 01:06:00,655 Your daddy die young to give you strength. 782 01:06:11,001 --> 01:06:13,368 [WATER DRIPPING] 783 01:06:18,342 --> 01:06:19,841 [DOOR OPENS] 784 01:06:19,843 --> 01:06:22,243 [CREAKS SHUT] 785 01:06:26,984 --> 01:06:29,084 [HEAVY BREATHING] 786 01:06:41,431 --> 01:06:43,498 [NORA GRUNTING] 787 01:06:43,967 --> 01:06:46,501 [SCREAMING] 788 01:06:49,006 --> 01:06:50,638 [GROANING] 789 01:06:52,676 --> 01:06:54,442 [GRUNTING] 790 01:06:54,444 --> 01:06:56,511 [JAZZ MUSIC PLAYING] 791 01:07:04,021 --> 01:07:05,286 [SCREAMING] 792 01:07:16,633 --> 01:07:19,334 [CROWD CHEERING] 793 01:07:19,336 --> 01:07:22,103 BOLDEN: My daddy gave me the power of my lungs. 794 01:07:22,105 --> 01:07:24,439 That's how I play like I do. 795 01:07:25,675 --> 01:07:26,675 [SCREAMING] 796 01:07:27,611 --> 01:07:29,210 [CROWD SHOUTING] 797 01:07:38,955 --> 01:07:41,322 [CROWD SHOUTING] 798 01:07:42,492 --> 01:07:43,425 [MAN COUGHING] 799 01:07:43,427 --> 01:07:44,492 [SCREAMING] 800 01:07:54,004 --> 01:07:56,271 [BABY WAILING] 801 01:07:58,208 --> 01:08:01,209 ALICE: Your daddy was sacrificed for your gift. 802 01:08:01,211 --> 01:08:03,244 What gonna happen to your baby? 803 01:08:03,246 --> 01:08:05,380 You gonna lose your gift. 804 01:08:07,584 --> 01:08:09,651 Where are you now? Huh? 805 01:08:12,856 --> 01:08:14,522 [UPBEAT MUSIC PLAYING] 806 01:08:24,701 --> 01:08:26,134 [MUSIC CONTINUES] 807 01:08:28,572 --> 01:08:29,804 Brothers and sisters... 808 01:08:29,806 --> 01:08:31,406 [MUSIC CONTINUES] 809 01:08:37,214 --> 01:08:40,448 ...I come to you today to talk about returning home. 810 01:08:40,450 --> 01:08:41,549 Back to Africa. 811 01:08:41,551 --> 01:08:42,817 [MUSIC CONTINUES] 812 01:08:46,156 --> 01:08:48,923 We will never be Americans. 813 01:08:48,925 --> 01:08:50,625 It's time to return home. 814 01:08:50,627 --> 01:08:51,893 [MUSIC CONTINUES] 815 01:08:51,895 --> 01:08:53,361 [CHEERING] 816 01:08:54,698 --> 01:08:57,499 - OFFICER: Now, let's go. - We have the right to a peaceful protest. 817 01:08:57,501 --> 01:08:59,334 [MUSIC CONTINUES] 818 01:09:10,514 --> 01:09:11,579 [GRUNTING] 819 01:09:30,867 --> 01:09:32,800 Get out! Get out! Go! 820 01:09:33,603 --> 01:09:34,903 [PLAYING BROKEN NOTES] 821 01:09:42,612 --> 01:09:43,845 [PLAYING HALTINGLY] 822 01:10:04,100 --> 01:10:06,401 You, come here! You don't move! 823 01:10:09,439 --> 01:10:11,239 - MAN: Hey. Hey. - Keep your hands off of me! 824 01:10:11,241 --> 01:10:12,240 [WOMEN SHRIEK] 825 01:10:12,242 --> 01:10:14,242 [INDISTINCT SHOUTING] 826 01:10:16,213 --> 01:10:18,179 [SHOUTING] 827 01:10:18,181 --> 01:10:20,348 MCMURPHY: This is all on Bartley. 828 01:10:20,350 --> 01:10:24,619 This here's your enterprising nigger's boy, Bolden. 829 01:10:24,621 --> 01:10:28,122 Caused a riot outside that dance hall he was playin' at. 830 01:10:28,124 --> 01:10:29,857 He's serious trouble. 831 01:10:31,261 --> 01:10:32,927 This is all on Bartley. 832 01:10:34,264 --> 01:10:36,097 [FOOTSTEPS ECHOING] 833 01:10:36,099 --> 01:10:37,699 JUDGE PERRY: Shut Bolden down? 834 01:10:37,701 --> 01:10:41,302 MCMURPHY: Shut him down. Just stop that boy playing. 835 01:10:41,304 --> 01:10:44,272 A bold nigger is dangerous. 836 01:10:44,274 --> 01:10:46,474 [BRASS BAND PLAYING] 837 01:10:59,322 --> 01:11:00,722 What you lookin' at? 838 01:11:14,638 --> 01:11:16,671 [CROWD WHISTLING] 839 01:11:20,810 --> 01:11:22,443 [BRASS BAND PLAYING] 840 01:11:33,857 --> 01:11:35,356 [CHEERING] 841 01:11:36,660 --> 01:11:38,593 [MUSIC FADING] 842 01:11:44,200 --> 01:11:45,466 [GROWLS] 843 01:11:48,138 --> 01:11:49,671 [PLAYING OFF TUNE] 844 01:11:59,049 --> 01:12:00,481 Come on. 845 01:12:00,483 --> 01:12:01,949 Get on out of here. 846 01:12:03,553 --> 01:12:05,720 Motherfucker! Get off of me! 847 01:12:05,722 --> 01:12:07,455 [BOLDEN SHOUTING] 848 01:12:09,359 --> 01:12:11,326 Cornish, where's Warner? 849 01:12:15,932 --> 01:12:18,132 BOLDEN: You made all your crowd crazy, caused a riot. 850 01:12:18,134 --> 01:12:20,101 You will stop playing your goddamn horn. 851 01:12:20,103 --> 01:12:22,937 That's what the motherfuckers want. That's what you'll do. 852 01:12:28,178 --> 01:12:29,877 [HISSING] 853 01:12:30,714 --> 01:12:32,513 [SCREAMING] 854 01:12:34,117 --> 01:12:35,850 What we gonna do here? 855 01:12:43,760 --> 01:12:45,259 MAN: What's wrong with the man? 856 01:12:45,261 --> 01:12:46,894 CORNISH: He gone lost his mind. 857 01:12:47,464 --> 01:12:48,996 Look, he ain't no Bolden, 858 01:12:48,998 --> 01:12:51,999 but we can always get Bunk Johnson to play with us all. 859 01:12:52,001 --> 01:12:53,368 [BIRDS TWITTERING] 860 01:12:55,038 --> 01:12:56,537 NORA: Ain't you got work? 861 01:12:58,241 --> 01:12:59,807 You gonna get out of bed? 862 01:13:17,894 --> 01:13:19,560 [CORNET PLAYING FAINTLY] 863 01:13:42,051 --> 01:13:44,118 [WALTZ MUSIC PLAYING] 864 01:14:31,968 --> 01:14:33,835 [INTENSE MUSIC PLAYING] 865 01:14:37,307 --> 01:14:40,241 No. No, no. Leave me! 866 01:14:41,778 --> 01:14:43,044 [BOTH GRUNT] 867 01:14:52,088 --> 01:14:53,721 [INTENSE MUSIC PLAYING] 868 01:14:58,228 --> 01:14:59,694 [MUSIC PLAYING FAINTLY] 869 01:15:26,956 --> 01:15:28,689 [JAZZ MUSIC PLAYING] 870 01:15:54,884 --> 01:15:56,651 [SHOUTING] 871 01:16:01,190 --> 01:16:02,757 [MUSIC FADES] 872 01:16:26,215 --> 01:16:27,982 [MUSIC CONTINUES PLAYING] 873 01:16:28,284 --> 01:16:29,951 [CHEERING] 874 01:16:32,655 --> 01:16:33,955 [CROWD EXCLAIMS] 875 01:16:51,641 --> 01:16:53,274 Horns up, motherfuckers. 876 01:17:11,127 --> 01:17:12,360 [WATER DRIPPING] 877 01:17:26,809 --> 01:17:28,275 [SOMBER MUSIC PLAYING] 878 01:17:32,382 --> 01:17:33,814 JUDGE PERRY: Ambition... 879 01:17:35,518 --> 01:17:37,284 born of vanity. 880 01:17:40,623 --> 01:17:43,157 This is America, Bolden. 881 01:17:43,159 --> 01:17:45,760 How far you think you're gonna get? 882 01:17:47,764 --> 01:17:49,864 Destroy the nigger's soul, 883 01:17:49,866 --> 01:17:53,234 and they will destroy each other. 884 01:17:55,405 --> 01:17:58,072 [CROWD CLAMORING] 885 01:18:16,626 --> 01:18:17,892 Turn around. 886 01:18:27,103 --> 01:18:28,936 Number 9 to win. 887 01:18:41,050 --> 01:18:42,717 Your valves are right here. 888 01:18:42,952 --> 01:18:44,218 You fine. 889 01:18:46,122 --> 01:18:48,956 [TRAIN HORN BLOWS] 890 01:18:52,228 --> 01:18:53,461 I'm leaving you, Buddy. 891 01:18:54,931 --> 01:18:57,465 Mr. Warner gonna take us up to Chicago. 892 01:18:59,535 --> 01:19:01,302 I'mma help them settle up there. 893 01:19:02,672 --> 01:19:04,805 Can see if I can get some work. 894 01:19:05,708 --> 01:19:07,608 Maybe in one of the stockyards. 895 01:19:07,610 --> 01:19:08,876 [CROWD CHEERING] 896 01:19:17,587 --> 01:19:19,520 [SLOW JAZZ MUSIC PLAYING] 897 01:19:23,226 --> 01:19:30,464 ? Well, I though I heard Buddy Bolden call 898 01:19:31,901 --> 01:19:38,072 ? We started in the summer we didn't end till fall 899 01:19:38,741 --> 01:19:41,275 ? You walk in my room 900 01:19:41,277 --> 01:19:45,946 ? But when you leave, you will crawl 901 01:19:45,948 --> 01:19:51,819 ? Oh, that's what Mr. Bolden called... 902 01:20:11,507 --> 01:20:13,340 [MUSIC FADING] 903 01:20:40,803 --> 01:20:43,871 [MUSIC PLAYING FAINTLY] 904 01:20:45,541 --> 01:20:47,308 [CHEERING] 905 01:20:48,411 --> 01:20:50,911 [MAN CONTINUES SINGING] 906 01:20:53,649 --> 01:20:55,382 BARTLEY: Are you ready? 907 01:20:55,852 --> 01:20:57,718 Are you ready? 908 01:20:57,720 --> 01:20:59,687 [CROWD CHEERING] 909 01:20:59,689 --> 01:21:02,656 JUDGE PERRY: Destroy men's souls 910 01:21:02,658 --> 01:21:05,726 and they will destroy each other. 911 01:21:05,728 --> 01:21:08,295 BARTLEY: The best boxers in the world 912 01:21:08,297 --> 01:21:09,830 in the ring of fire! 913 01:21:09,832 --> 01:21:11,332 [CHEERING] 914 01:21:13,236 --> 01:21:14,902 ? Yeah 915 01:21:15,504 --> 01:21:18,072 ? And then take it away 916 01:21:20,076 --> 01:21:23,611 ? I thought I heard him say 917 01:21:26,182 --> 01:21:29,483 No, Bolden. Step back, man. 918 01:21:29,485 --> 01:21:32,286 ?...Buddy Bolden repeat 919 01:21:33,823 --> 01:21:39,927 ? I can play it hot or I can play it sweet 920 01:21:41,764 --> 01:21:43,898 - BOLDEN: I'm going... - You ain't going in! 921 01:21:43,900 --> 01:21:45,332 - Get out of here. - That's my song! 922 01:21:45,334 --> 01:21:47,401 [CONTINUES SHOUTING] 923 01:21:49,505 --> 01:21:53,974 ? That's what I heard Buddy Bolden repeat ? 924 01:21:56,946 --> 01:21:58,679 [CONTINUE SHOUTING] 925 01:22:25,207 --> 01:22:26,307 [GRUNTS] 926 01:22:30,780 --> 01:22:32,980 [INTENSE MUSIC PLAYING] 927 01:22:32,982 --> 01:22:34,682 [LOOMS WHIRRING] 928 01:22:44,593 --> 01:22:45,726 [WHEEZES] 929 01:22:45,728 --> 01:22:47,328 [LOOMS WHIRRING] 930 01:23:07,416 --> 01:23:08,615 That one there. 931 01:23:09,485 --> 01:23:11,185 [SOMBER MUSIC PLAYING] 932 01:23:18,627 --> 01:23:20,594 [CROWD SHOUTING] 933 01:23:36,245 --> 01:23:37,245 [GRUNTS] 934 01:23:49,692 --> 01:23:51,025 [GASPING] 935 01:23:57,033 --> 01:23:58,499 [FAINT SHOUTING] 936 01:24:07,576 --> 01:24:09,576 [WHEEZING] 937 01:24:10,279 --> 01:24:11,478 [CHEERING] 938 01:24:11,480 --> 01:24:13,147 Get up! Get up! 939 01:24:13,149 --> 01:24:15,082 Get your black ass up! 940 01:24:15,084 --> 01:24:16,817 - Get up! - Bartley! 941 01:24:17,553 --> 01:24:18,952 You look at me, Bartley! 942 01:24:18,954 --> 01:24:21,355 You lost! You lost on our deal! 943 01:24:23,392 --> 01:24:24,725 Bartley! 944 01:25:04,366 --> 01:25:05,732 [CHUCKLES] 945 01:25:07,303 --> 01:25:09,703 You're gonna stop killing us. 946 01:25:11,440 --> 01:25:13,107 BARTLEY: It ain't me, baby. 947 01:25:14,110 --> 01:25:15,843 It ain't me. 948 01:25:22,518 --> 01:25:23,717 [PEN SCRATCHING] 949 01:25:41,237 --> 01:25:43,303 [BARTLEY GAGGING] 950 01:25:43,973 --> 01:25:44,973 [GASPS] 951 01:26:05,861 --> 01:26:07,694 You have no past. 952 01:26:08,931 --> 01:26:10,631 No history. 953 01:26:12,134 --> 01:26:13,600 No culture. 954 01:26:15,704 --> 01:26:18,038 You come from nothing. 955 01:26:18,040 --> 01:26:19,873 I come from the same place as you. 956 01:26:21,610 --> 01:26:23,644 There is nothing 957 01:26:23,646 --> 01:26:25,445 the same for you and me. 958 01:26:25,447 --> 01:26:27,781 And that ain't never gonna change. 959 01:26:30,186 --> 01:26:32,286 You come from nothing, raise your head, 960 01:26:32,288 --> 01:26:34,621 get people to gather like you're some kind of... 961 01:26:37,026 --> 01:26:39,726 You think we're gonna let that happen? 962 01:26:39,728 --> 01:26:40,994 Hmm? 963 01:26:40,996 --> 01:26:44,331 Let you incite a godless crowd? 964 01:26:44,333 --> 01:26:46,600 You don't like what I played on this? 965 01:26:49,872 --> 01:26:51,905 No one ever will. 966 01:26:51,907 --> 01:26:53,407 [INTENSE MUSIC PLAYING] 967 01:27:02,251 --> 01:27:04,651 Power that is not righteous 968 01:27:05,221 --> 01:27:07,321 must be destroyed. 969 01:27:37,786 --> 01:27:39,753 [BOLDEN SCREAMING] 970 01:27:44,126 --> 01:27:45,626 [KEYS JINGLE] 971 01:27:46,061 --> 01:27:47,928 [FOOTSTEPS RECEDING] 972 01:27:50,566 --> 01:27:52,833 Oh, thank you, folks. Thank you, folks. 973 01:27:52,835 --> 01:27:54,434 Thank you, thank you. 974 01:27:55,137 --> 01:27:57,437 Thank you, folks. Thank you, folks. 975 01:27:57,439 --> 01:27:58,839 So good to be back home. 976 01:27:58,841 --> 01:28:00,841 You know, when I was a little boy wearing short pants, 977 01:28:00,843 --> 01:28:03,577 I lived with my sister and my mama in the back of town. 978 01:28:03,579 --> 01:28:06,280 Yeah. Yeah, that was my neighborhood. 979 01:28:06,282 --> 01:28:09,383 [BOLDEN SHOUTING] 980 01:28:09,385 --> 01:28:11,952 I was delivering coal to the district. 981 01:28:11,954 --> 01:28:13,553 [CROWD EXCLAIM] 982 01:28:13,555 --> 01:28:16,723 Boy, yeah, they don't talk about a district no more, now, do they? 983 01:28:16,725 --> 01:28:18,659 [LAUGHS] 984 01:28:18,661 --> 01:28:21,828 Yeah. Yeah, I think I remember seeing you there, Jackson, yeah. 985 01:28:21,830 --> 01:28:23,930 You had a big hat on though covering your face. 986 01:28:24,967 --> 01:28:26,767 [BOLDEN SHOUTING] 987 01:28:26,769 --> 01:28:30,370 Anyway, this one morning, I was rolling through that particular neighborhood, 988 01:28:30,372 --> 01:28:33,407 and I heard a sound that I never heard before. 989 01:28:33,409 --> 01:28:34,875 I thought, "Man..." 990 01:28:34,877 --> 01:28:36,510 [BOLDEN SHOUTING] 991 01:28:37,846 --> 01:28:39,680 And, folks, I wanna tell you something. 992 01:28:39,682 --> 01:28:42,349 He was playing the saddest tune anyone hear. 993 01:28:42,351 --> 01:28:44,217 Oh. Mmm-mmm. 994 01:28:44,219 --> 01:28:45,686 I looked at him, I said, "Mister." 995 01:28:45,688 --> 01:28:48,088 I said, "Mister." 996 01:28:48,089 --> 01:28:50,569 I said, "Why you playing so sad, why you playing so sad a tune?" 997 01:28:52,795 --> 01:28:54,115 And he looked at me and he said, 998 01:28:55,097 --> 01:28:56,830 he said, "Son, 999 01:28:56,832 --> 01:28:59,366 "today they took away the king. They took away the king." 1000 01:29:01,970 --> 01:29:03,070 [DOOR OPENS] 1001 01:29:15,451 --> 01:29:17,184 I said, "The king?" 1002 01:29:17,186 --> 01:29:18,618 I was just a little boy, you know. 1003 01:29:18,620 --> 01:29:20,253 "The king?" I said, "Who's the king?" 1004 01:29:20,255 --> 01:29:21,588 He said, "'Who's the king?'" 1005 01:29:21,590 --> 01:29:25,225 "Buddy Bolden." He said, "King Buddy Bolden." 1006 01:29:25,227 --> 01:29:27,127 That's what he told me. 1007 01:29:27,129 --> 01:29:29,463 [AUDIENCE CHEERING] 1008 01:29:29,465 --> 01:29:32,232 So this one's gonna go out to King Buddy Bolden, 1009 01:29:32,234 --> 01:29:34,501 the first king of New Orleans music. 1010 01:29:36,171 --> 01:29:38,105 [JAZZ MUSIC PLAYING] 1011 01:30:35,364 --> 01:30:37,431 ? 1012 01:31:35,424 --> 01:31:37,491 ? 1013 01:32:18,934 --> 01:32:20,867 [MUSIC ENDS] 1014 01:32:47,262 --> 01:32:49,329 [JAZZ MUSIC PLAYING] 1015 01:32:50,305 --> 01:32:56,677 68358

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.