All language subtitles for Jack Parr & Gage Oxley - LIVE STREAM (2018)
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (SoranĂ®)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,900 --> 00:00:06,540
I believe we are live.
2
00:00:08,740 --> 00:00:09,960
Let us just check.
3
00:00:10,340 --> 00:00:11,740
Hello everyone if you're watching.
4
00:00:13,380 --> 00:00:15,080
I believe we are live.
5
00:00:16,820 --> 00:00:18,160
We are a little bit early.
6
00:00:20,100 --> 00:00:22,100
Yes, we are live. We are live.
7
00:00:22,430 --> 00:00:23,430
Hello. Hello.
8
00:00:24,650 --> 00:00:30,990
So just to check all of the system
before we go ahead and start, just make
9
00:00:30,990 --> 00:00:32,049
you can definitely hear us.
10
00:00:37,430 --> 00:00:42,990
This is our very first live stream here
at Oxygen Films, so do bear with us
11
00:00:42,990 --> 00:00:45,450
while we're checking things out.
12
00:00:47,020 --> 00:00:50,600
So to introduce ourselves, my name is
Gage Oxley, I'm the Managing Director of
13
00:00:50,600 --> 00:00:53,260
Oxygen Films and to join with me is Jack
Parr.
14
00:00:54,020 --> 00:00:58,900
So Jack, do you want to tell the
audience a little about yourself as I
15
00:00:58,900 --> 00:01:00,500
make sure we are running?
16
00:01:02,340 --> 00:01:06,520
We're hoping that all you lovely people
who watch this where we live in tune in
17
00:01:06,520 --> 00:01:07,520
today.
18
00:01:07,780 --> 00:01:11,740
So yeah, me and Gage have worked
together for how many years now?
19
00:01:12,220 --> 00:01:13,220
Couldn't I start five?
20
00:01:13,940 --> 00:01:18,420
Five years. I've known you for five
years now. Gage cast me in my first ever
21
00:01:18,420 --> 00:01:19,420
feature film.
22
00:01:20,060 --> 00:01:21,780
So I'd say you started my career off.
23
00:01:22,160 --> 00:01:25,860
And then we just carried on working
together and we worked on loads of
24
00:01:26,020 --> 00:01:30,040
And then we worked on one called This
World We Live In, which did pretty good.
25
00:01:30,220 --> 00:01:34,480
And yeah, it did really well at the
festival run.
26
00:01:35,160 --> 00:01:37,500
And so we carried on working together,
carried on working together, and we've
27
00:01:37,500 --> 00:01:39,040
just done another film together.
28
00:01:39,820 --> 00:01:44,220
Do any more next month? Not just yet.
29
00:01:44,500 --> 00:01:49,300
Thank you very much for holding for me
there. I can't wait to check that you
30
00:01:49,300 --> 00:01:50,300
could hear us.
31
00:01:50,500 --> 00:01:55,300
We are live though. We're also following
along on our iPads though. If you do
32
00:01:55,300 --> 00:01:58,380
have any questions throughout the course
of the live stream.
33
00:01:58,910 --> 00:02:04,810
then you can send us a message, send us
a question, and we will answer it. We
34
00:02:04,810 --> 00:02:10,030
are aware we've started a little bit
early than our 12 o 'clock plan, but we
35
00:02:10,030 --> 00:02:13,490
intend to show you quite a lot of our
content and stuff that we've got coming
36
00:02:13,490 --> 00:02:14,490
very soon.
37
00:02:14,810 --> 00:02:19,350
Just to introduce myself, I'm Gay Doctor
Managing Director of Oxygen Films, and
38
00:02:19,350 --> 00:02:23,590
with me is Jack Parr, extraordinary
actor, who is with us as well.
39
00:02:25,130 --> 00:02:30,970
So, we are first going to show off the
very first trailer for Wretched Things.
40
00:02:31,470 --> 00:02:35,250
Wretched Things is our most recent short
film.
41
00:02:35,470 --> 00:02:40,250
It's one of our most exciting and,
thankfully, ambitious projects. It was
42
00:02:40,250 --> 00:02:41,850
ambitious for you, wasn't it? It was
ambitious.
43
00:02:42,350 --> 00:02:43,228
I'm nervous.
44
00:02:43,230 --> 00:02:45,450
Yes, it was quite intense.
45
00:02:45,770 --> 00:02:49,150
So, we're going to show you the very
first trailer.
46
00:02:49,710 --> 00:02:50,710
four extra things now.
47
00:02:51,150 --> 00:02:54,370
We'll be showing it throughout the live
stream, so you might see it quite a few
48
00:02:54,370 --> 00:02:55,830
times, but I hope you enjoy.
49
00:03:19,280 --> 00:03:22,200
You know, I told people I was straight
since my mid -twenties.
50
00:03:23,280 --> 00:03:25,140
It's one of my biggest regrets.
51
00:03:25,980 --> 00:03:27,760
I feel like I lost my entire youth.
52
00:03:42,360 --> 00:03:46,540
Our magazine reaches 2 million unique
readers every single week. That's 2
53
00:03:46,540 --> 00:03:47,540
million eyes on you.
54
00:05:17,930 --> 00:05:21,310
So that was the trailer for Wretched
Things.
55
00:05:22,250 --> 00:05:25,590
That is coming out, as you saw at the
end there, January 2019.
56
00:05:26,930 --> 00:05:31,370
So before we go further into Wretched
Things, we are going to ask quite a few
57
00:05:31,370 --> 00:05:33,150
questions about that. That's our most
recent project.
58
00:05:34,050 --> 00:05:36,830
First, we're going to talk about This Is
Where We're Living, which is quite a
59
00:05:36,830 --> 00:05:37,830
big project for us.
60
00:05:37,850 --> 00:05:41,830
We shot that film about two years now.
61
00:05:42,350 --> 00:05:44,750
Is that how I meant? Since we shot it,
yeah, it's mental.
62
00:05:46,130 --> 00:05:50,190
It really does try, especially because
This World We Live In came out earlier
63
00:05:50,190 --> 00:05:51,430
this year.
64
00:05:52,110 --> 00:05:54,570
It's been quite a rollercoaster ride,
hasn't it?
65
00:05:55,190 --> 00:05:57,250
Feels like we shot that this summer.
66
00:05:57,750 --> 00:06:00,730
Yeah, but it was quite a long time ago.
67
00:06:01,050 --> 00:06:06,890
Yeah, This World We Live In was our
first kind of... major short film
68
00:06:06,890 --> 00:06:11,990
and it was quite an intense experience
for you, wasn't it? It was, yeah.
69
00:06:12,210 --> 00:06:15,770
I remember sitting down and we were
talking about the character and the
70
00:06:15,770 --> 00:06:18,670
storyline and you were, I think you were
a bit nervous about kind of getting
71
00:06:18,670 --> 00:06:21,510
into it. Yeah. Do you think that was a
good decision to jump into it now?
72
00:06:21,850 --> 00:06:26,070
100%, like I was so nervous to take that
role on and some of the things that we
73
00:06:26,070 --> 00:06:30,990
did were really challenging and so I was
so nervous and obviously for people to
74
00:06:30,990 --> 00:06:33,990
see what was in the film as well was
nerve -wracking but
75
00:06:34,950 --> 00:06:40,250
Taking that leap and going there has
changed how I've gone on in a role and
76
00:06:40,250 --> 00:06:41,670
I've gone on to do next.
77
00:06:42,250 --> 00:06:44,290
It worked out very well.
78
00:06:44,570 --> 00:06:48,290
It was a bit of a risk for me. When I
was going for the role, it was a risk to
79
00:06:48,290 --> 00:06:51,750
take the things I was going to do, but
it was the best risk I was taking.
80
00:06:52,090 --> 00:06:54,910
Because it got me to different places.
81
00:06:55,870 --> 00:06:57,070
It was a reason.
82
00:06:57,630 --> 00:07:01,150
And it was a different character for
you, I think.
83
00:07:01,530 --> 00:07:02,770
One that you probably...
84
00:07:03,360 --> 00:07:05,680
haven't really seen since maybe until
Wretched Things.
85
00:07:06,220 --> 00:07:10,100
But I mean, would you, do you now feel
kind of more confident as an actor going
86
00:07:10,100 --> 00:07:12,920
forward having had those challenges
raised?
87
00:07:14,220 --> 00:07:18,080
After this world we live in and then
Wretched Things, I don't think there's
88
00:07:18,080 --> 00:07:20,820
anything else that could possibly
challenge me now.
89
00:07:21,280 --> 00:07:25,880
I literally think that I've been
challenged so much. Yeah, that's it.
90
00:07:27,080 --> 00:07:31,460
Me and the lead actor Adam said that at
the end of it, if we can do this.
91
00:07:31,770 --> 00:07:33,850
And we can do anything, like mental.
92
00:07:34,910 --> 00:07:35,910
Good, okay.
93
00:07:35,950 --> 00:07:42,350
So definitely, in the acting world right
now, I feel comfortable with normal
94
00:07:42,350 --> 00:07:43,350
roles.
95
00:07:43,670 --> 00:07:48,770
So This Way We're Living has been seen
by, on YouTube alone, about a quarter of
96
00:07:48,770 --> 00:07:49,770
a million people.
97
00:07:50,030 --> 00:07:54,150
We've had festival circuits around the
world, reaching nearly every continent.
98
00:07:54,250 --> 00:07:55,790
Antarctica, we are coming for you.
99
00:07:56,430 --> 00:08:00,250
But we've had a really nice reaction
from audiences internationally.
100
00:08:01,730 --> 00:08:05,910
How do you kind of take a lot of the,
you know, some of the comments that
101
00:08:05,910 --> 00:08:10,110
got, reading them and kind of seeing
positive, such a positive, you know,
102
00:08:10,130 --> 00:08:12,590
response and such an overwhelming
response to something we created?
103
00:08:12,850 --> 00:08:19,110
It's crazy because I remember when we
sat down and talked about this script
104
00:08:19,110 --> 00:08:22,910
then a week later you bring the script
and then we just shot it a month later
105
00:08:22,910 --> 00:08:25,670
and that was it and we just did it and
it got out there. I never thought it got
106
00:08:25,670 --> 00:08:28,430
the reaction that it did. And then when
I started to see all the comments...
107
00:08:28,460 --> 00:08:32,159
Hundreds and thousands of people
watching it. I was getting messages on
108
00:08:32,159 --> 00:08:37,320
Instagram from people all over the
world, from Brazil, Spain, America, from
109
00:08:37,640 --> 00:08:41,760
And people like, photographers were
messaging me out, phone calls from
110
00:08:41,760 --> 00:08:42,760
from LA.
111
00:08:42,840 --> 00:08:46,020
Hey man, I've seen your short film. I
was like, this is mad.
112
00:08:46,280 --> 00:08:47,660
I did not expect that reaction.
113
00:08:47,920 --> 00:08:51,900
Sometimes you can do a short film that
everyone's passionate about and then it
114
00:08:51,900 --> 00:08:52,900
can just go.
115
00:08:52,920 --> 00:08:53,920
Yeah. It just blows up.
116
00:08:54,060 --> 00:08:57,100
You don't even know it's going to
happen. We all just did it because we
117
00:08:57,100 --> 00:08:58,760
enjoyed the process and we just loved
filming.
118
00:08:59,060 --> 00:09:01,680
And we just enjoyed the story and we
believed in it and we believed it was
119
00:09:01,680 --> 00:09:05,120
to work. It was going to work, yeah. But
I didn't think that it was going to be
120
00:09:05,120 --> 00:09:08,340
on that scale of people. No. I don't
think any of us did, to be honest. No,
121
00:09:08,340 --> 00:09:12,440
definitely not. I mean, we, for me, I
shot it, I mean, we shot it in December
122
00:09:12,440 --> 00:09:13,460
2016.
123
00:09:14,580 --> 00:09:18,800
But we just kind of started, I started
working on it from Edinburgh Fringe, so
124
00:09:18,800 --> 00:09:19,860
kind of August.
125
00:09:20,680 --> 00:09:23,220
2016, was when I kind of started getting
the idea of doing something about
126
00:09:23,220 --> 00:09:26,180
ChemSec, after seeing a really brilliant
player there.
127
00:09:27,240 --> 00:09:31,860
And I think, you know, I'd just come off
a feature film set which was very, very
128
00:09:31,860 --> 00:09:35,840
challenging and one that kind of made me
question whether or not I could
129
00:09:35,840 --> 00:09:39,500
continue within the film industry and
kind of think, you know, whether or not
130
00:09:39,500 --> 00:09:42,880
this was the right job for me. And then
having those responses from people
131
00:09:42,880 --> 00:09:47,080
watching this where we're living has
kind of... that really did rejuvenate.
132
00:09:47,280 --> 00:09:51,220
Yeah. Especially because it took, we
were on set five days. Yeah. It was a
133
00:09:51,220 --> 00:09:55,860
day shoot and then we were done and
dusted and, yeah, I'm really, really
134
00:09:55,860 --> 00:09:56,860
overwhelmed with the response.
135
00:09:56,920 --> 00:10:01,720
Yeah. For me, like, this was, this was
the short film that changed my whole
136
00:10:01,720 --> 00:10:05,880
perspective on acting. Like, acting for
me was just, was just a bit of fun and
137
00:10:05,880 --> 00:10:09,420
playing around, it was a hobby, like,
and this, the amount of comments, like,
138
00:10:09,420 --> 00:10:10,940
think we got, how many?
139
00:10:11,600 --> 00:10:15,240
250 million? 250 million comments.
Pretty much every single comment was
140
00:10:15,520 --> 00:10:19,180
this puts me, this is my life, this, you
know, made me cry.
141
00:10:19,460 --> 00:10:23,740
And, like, seeing people, how people
reacted that way, was like, wow.
142
00:10:24,180 --> 00:10:28,420
Like, making films is not really about a
bit of fun and stuff. You literally can
143
00:10:28,420 --> 00:10:29,680
change people's minds, you know what I
mean?
144
00:10:29,960 --> 00:10:33,420
Change people's lives, see things, and I
was like, for me, that was a big thing
145
00:10:33,420 --> 00:10:34,420
for me. Yeah.
146
00:10:34,660 --> 00:10:41,560
I mean, one of the overriding kind of
things that Oxygen Films has promoted
147
00:10:41,560 --> 00:10:44,100
pushed is that, for us,
148
00:10:44,960 --> 00:10:49,460
you know film is not something that is
just to be you know let you know there's
149
00:10:49,460 --> 00:10:52,520
some films can wash you over and be fine
and you can watch them but
150
00:10:52,520 --> 00:10:56,860
realistically you know we know that film
is such a powerful tool to help um
151
00:10:56,860 --> 00:11:01,720
forge discussion to create a better life
for people to make people understand
152
00:11:01,720 --> 00:11:06,120
perhaps the problems that they're having
a little bit easier um so for us it
153
00:11:06,120 --> 00:11:10,980
really is kind of a very keen uh focus
that we need to continue creating
154
00:11:11,960 --> 00:11:14,620
challenging topics that look at, you
know, interesting stuff. Some of the
155
00:11:14,620 --> 00:11:18,820
comments we had on the film that he
mentioned was that, you know, someone
156
00:11:18,820 --> 00:11:22,060
Russia who was like, you know, his
parents didn't know he was gay.
157
00:11:22,560 --> 00:11:26,220
He felt it was really unsafe to come
out. And then the flurry of support that
158
00:11:26,220 --> 00:11:30,960
he's had on our comment board, you know,
it's really, really touching.
159
00:11:31,560 --> 00:11:35,060
And then the same for some of the other
films we've done. We've had letters
160
00:11:35,060 --> 00:11:39,140
from, you know, so many people saying
thank you for creating this. I've now
161
00:11:39,140 --> 00:11:43,030
realised I'm, you know... I should be
proud of who I am. I'm in a safe
162
00:11:43,030 --> 00:11:47,630
environment to come out and to be who I
am. So that's kind of why we create the
163
00:11:47,630 --> 00:11:48,630
content that we do.
164
00:11:49,290 --> 00:11:50,890
So we're very, very proud of that.
165
00:11:51,910 --> 00:11:55,330
Will Jordan has just joined. He says,
yes, boys.
166
00:11:56,590 --> 00:11:57,590
Hi, Will.
167
00:11:58,010 --> 00:12:02,650
Will Jordan had a cameo role in... He
did, yes, he did. I completely forgot
168
00:12:02,650 --> 00:12:03,349
about that.
169
00:12:03,350 --> 00:12:04,350
Footballer.
170
00:12:04,810 --> 00:12:08,190
He was, yeah. He did a fantastic job. Is
he on the winning team or the losing
171
00:12:08,190 --> 00:12:09,470
team? The losing team. I think he was.
172
00:12:10,190 --> 00:12:11,190
Sorry, Will.
173
00:12:12,210 --> 00:12:17,010
If you do have any questions, do put
them in the comment box below. We are
174
00:12:17,010 --> 00:12:18,010
keeping tabs on them.
175
00:12:18,510 --> 00:12:19,510
Keep them clean.
176
00:12:19,890 --> 00:12:21,190
Thanks for having me again.
177
00:12:21,850 --> 00:12:22,850
Again?
178
00:12:23,370 --> 00:12:24,370
He's not been in it.
179
00:12:24,570 --> 00:12:25,309
No, I'm not.
180
00:12:25,310 --> 00:12:27,650
I think that's the hint. He wants to be
in the next one. He wants to be in the
181
00:12:27,650 --> 00:12:30,010
next one. He can be in the next one. He
can be in the next one.
182
00:12:30,330 --> 00:12:31,930
We've got a row lined up here.
183
00:12:32,150 --> 00:12:34,090
Talk is something we are going to be
talking about.
184
00:12:34,590 --> 00:12:39,630
In a few moments, that is our next
secret project, although maybe not so
185
00:12:39,630 --> 00:12:40,770
now, I'll just say.
186
00:12:41,630 --> 00:12:48,130
But yeah, we will be talking to Jack
about your next upcoming role,
187
00:12:48,330 --> 00:12:52,910
and also the collaboration again, doing
this new film.
188
00:12:53,910 --> 00:12:55,870
So we are just...
189
00:12:56,699 --> 00:12:58,180
waiting for some more questions.
190
00:12:58,600 --> 00:13:02,120
It's now 12 .03, so the livestream has
officially started.
191
00:13:02,860 --> 00:13:08,760
Please do put some questions for us. We
do have some lined up already, but if
192
00:13:08,760 --> 00:13:12,020
you do have any questions, do put them
in the chat.
193
00:13:13,580 --> 00:13:16,440
So, we've talked a little bit about
this, where we live in.
194
00:13:17,300 --> 00:13:21,040
Now we went on to Wretched Things, which
we shot this summer.
195
00:13:21,820 --> 00:13:23,620
How was that process for you?
196
00:13:25,490 --> 00:13:27,030
I love it when you ask me.
197
00:13:27,830 --> 00:13:28,830
This one.
198
00:13:29,350 --> 00:13:32,970
For everyone who saw This World We Live
In, right, there was a couple of scenes
199
00:13:32,970 --> 00:13:36,650
in there that were really challenging
for me and really out of my comfort
200
00:13:37,170 --> 00:13:39,250
And then I didn't think I could be
challenged anymore.
201
00:13:39,470 --> 00:13:42,690
And this one was. It was mad.
202
00:13:43,050 --> 00:13:47,230
It was mad. It was the most challenging
role I've ever taken on in my life.
203
00:13:47,550 --> 00:13:51,550
And I'm looking forward to seeing it.
And I'm looking forward for everyone to
204
00:13:51,550 --> 00:13:52,850
see it. Because, again, it's going to be
it.
205
00:13:53,120 --> 00:13:55,920
It's going to be another up on this
world we live in.
206
00:13:56,620 --> 00:13:58,640
This was tough. This was really tough.
207
00:13:59,520 --> 00:14:01,240
Yeah, I mean, that's all I can say.
208
00:14:01,760 --> 00:14:02,760
It wasn't easy.
209
00:14:02,980 --> 00:14:09,340
It really wasn't. It was so challenging.
The nature of the theme and the arc and
210
00:14:09,340 --> 00:14:12,860
what the characters were going through
was tough.
211
00:14:13,480 --> 00:14:17,920
And to try and get that into my head and
try and play Jack outside of his body
212
00:14:17,920 --> 00:14:19,130
and go... This is Joey now.
213
00:14:20,090 --> 00:14:25,110
I've really got to take myself out of
this situation because it's hard for you
214
00:14:25,110 --> 00:14:26,110
to deal with that.
215
00:14:26,470 --> 00:14:32,310
If you get lost in it and you kind of
don't take yourself out of it, it can be
216
00:14:32,310 --> 00:14:36,450
hard and challenging. So, yeah, I had to
really, yeah, I went through some tough
217
00:14:36,450 --> 00:14:37,950
times. But do you know what?
218
00:14:38,610 --> 00:14:42,790
It was good fun as well. To challenge
yourself and do that and go, wow, I did
219
00:14:42,790 --> 00:14:44,190
that. I'm proud of it.
220
00:14:45,130 --> 00:14:47,890
You know, we're hitting things that
people aren't hitting in film.
221
00:14:48,530 --> 00:14:53,470
You know, hitting these markers that...
Am I talking rubbish? No, no, you're not
222
00:14:53,470 --> 00:14:57,610
talking rubbish at all. I completely
agree. I think, you know, the fact that
223
00:14:57,610 --> 00:15:02,770
are doing something that not everyone
does is really, you know, we've got to
224
00:15:02,770 --> 00:15:05,930
ourselves out different compared to
everyone else, I think.
225
00:15:07,290 --> 00:15:08,630
I think Retro Things does that.
226
00:15:09,130 --> 00:15:12,790
We did see the trailer earlier on at the
start of our live stream. We will be
227
00:15:12,790 --> 00:15:14,010
showing it again in a few moments.
228
00:15:14,390 --> 00:15:16,370
So if you have missed it, we will be
showing it again.
229
00:15:17,030 --> 00:15:20,490
But yeah, you really went for it in that
role, I think.
230
00:15:21,330 --> 00:15:23,930
Yeah, you were something else in that
one.
231
00:15:24,890 --> 00:15:28,750
We did speak about This Way We're
Living. If you haven't seen it, do go
232
00:15:28,750 --> 00:15:31,770
and watch it. It is on our Auction Film
channel. Obviously, keep ahead with the
233
00:15:31,770 --> 00:15:33,790
live stream first because we're normally
going to be here once.
234
00:15:34,160 --> 00:15:36,100
This world we live in will dare that, so
keep with us.
235
00:15:36,360 --> 00:15:40,320
In the meantime, though, we are going to
show you a little preview of one of the
236
00:15:40,320 --> 00:15:42,520
more challenging things of this world we
live in.
237
00:15:43,220 --> 00:15:45,040
Enjoy. You actually look like your
profile.
238
00:15:47,300 --> 00:15:48,300
Come in.
239
00:17:01,870 --> 00:17:02,870
Chosen coke.
240
00:17:15,329 --> 00:17:18,430
There you
241
00:17:18,430 --> 00:17:24,910
go.
242
00:17:26,589 --> 00:17:27,589
Come on, dude.
243
00:17:27,970 --> 00:17:29,030
It's your first chill.
244
00:17:35,180 --> 00:17:40,420
you say something no no come on come on
you need to go i'm gonna go no no no no
245
00:18:10,540 --> 00:18:11,540
Cousin Tina.
246
00:18:54,760 --> 00:18:58,660
So that was This World We Live In There,
a little teaser.
247
00:18:59,200 --> 00:19:04,340
Do feel free to go watch that after
you've watched this live stream. We'll
248
00:19:04,340 --> 00:19:09,720
probably for another hour or so, but if
you do have any questions after, please
249
00:19:09,720 --> 00:19:13,720
do put them in and we'll be here typing
away after, even though we're not live,
250
00:19:13,780 --> 00:19:14,780
so we can still answer questions.
251
00:19:15,340 --> 00:19:18,380
We did get a question from Will Jordan.
Thank you for asking one.
252
00:19:19,100 --> 00:19:23,300
What are you both looking forward to the
most about working with each other
253
00:19:23,300 --> 00:19:25,080
again? That's a good question.
254
00:19:25,960 --> 00:19:26,960
You go first.
255
00:19:27,000 --> 00:19:28,000
Am I going first? Okay.
256
00:19:28,640 --> 00:19:34,680
I'm... For you, you're such a versatile
performer in that you really, really
257
00:19:34,680 --> 00:19:37,840
take on a character and breathe and live
it.
258
00:19:38,480 --> 00:19:42,120
And I know you said you disassociate
yourself from those people because you
259
00:19:42,120 --> 00:19:46,580
to. Because those characters, you end up
playing a not -Jack part.
260
00:19:47,040 --> 00:19:49,560
So you do have to disassociate. But for
me...
261
00:19:49,800 --> 00:19:54,360
working with someone who really
understands the character and
262
00:19:55,420 --> 00:20:01,900
The point where you know an actor has a
role definitely confirmed and properly
263
00:20:01,900 --> 00:20:05,440
in their mind is when they start
thinking in the voice of the character.
264
00:20:05,740 --> 00:20:10,720
And I think you do that. I think I've
seen your thought process as, Joey, your
265
00:20:10,720 --> 00:20:14,360
thought process coming up with your new
character. I think I've already started
266
00:20:14,360 --> 00:20:17,860
seeing some of the clogs starting to
turn.
267
00:20:19,370 --> 00:20:20,470
How about you? Thanks.
268
00:20:21,710 --> 00:20:28,310
So, Gage, when I first spoke to him, I
couldn't believe when I first spoke to
269
00:20:28,310 --> 00:20:32,770
Gage how young he was. So, Gage was, I
think he was 17, right?
270
00:20:33,430 --> 00:20:36,530
I was on set for a feature film, my
first feature film, and Gage was running
271
00:20:36,530 --> 00:20:40,710
show and just knew so much about film. I
was like, this guy's a genius. I'm
272
00:20:40,710 --> 00:20:42,870
thinking, wait till this guy's 30 years
old.
273
00:20:43,170 --> 00:20:45,710
I can't understand how...
274
00:20:46,140 --> 00:20:49,020
You know what I mean? I couldn't
understand how young you were and how
275
00:20:49,020 --> 00:20:51,960
were, and I thought, it's just back to
me. I wanted to work with you again and
276
00:20:51,960 --> 00:20:54,180
again, every time I worked with you
again, and I got the bigger roles and
277
00:20:54,180 --> 00:20:57,240
bigger roles, because it was a speaking
role, then it was, you know, seven
278
00:20:57,240 --> 00:21:00,980
scenes, then it was a lead role, and
this role, and having that one -on -one,
279
00:21:01,280 --> 00:21:05,420
where we'd go and sit down and talk
about the role, or talk about these
280
00:21:05,420 --> 00:21:12,120
things, I just love that you really
invest in the lead actor, or the actor,
281
00:21:12,340 --> 00:21:16,630
and, you know, the production has to do
their thing, and you're, seriously on to
282
00:21:16,630 --> 00:21:18,390
any problems, you come to me.
283
00:21:19,030 --> 00:21:22,590
Anything's wrong, you come to me. This
is what we're going to do. And it just,
284
00:21:22,590 --> 00:21:25,430
think we really work together well now
because we know each other well. Yeah.
285
00:21:25,590 --> 00:21:30,090
And I love your vision and I think I
believe you like my vision.
286
00:21:30,550 --> 00:21:34,150
100%. Yeah. And we balance with each
other. Yeah. And our ideas are great and
287
00:21:34,150 --> 00:21:36,710
kind of get, boom, there's an idea and
there's an idea and we join up and we
288
00:21:36,710 --> 00:21:38,310
just brainstorm and it works.
289
00:21:38,610 --> 00:21:41,930
Thank you. So the chemistry is really
good. Yeah. So that's why I like it.
290
00:21:41,930 --> 00:21:44,720
you. I'll be putting that on my resume.
291
00:21:44,940 --> 00:21:46,780
Yeah, yeah, yeah. This is going on my
show reel completely.
292
00:21:47,500 --> 00:21:51,340
But no, I think you mentioned it there,
that kind of collaborative process is
293
00:21:51,340 --> 00:21:55,020
really, really important, especially for
scenes like the one we just watched in
294
00:21:55,020 --> 00:22:00,940
this world we live in. That was a
challenging little day, was that? And
295
00:22:00,940 --> 00:22:03,900
actually, that entire scene was shot in
one continuous day.
296
00:22:04,900 --> 00:22:09,940
So, yeah, what was your kind of feelings
before going into that day and then
297
00:22:09,940 --> 00:22:11,140
after that day? How did you find that?
298
00:22:12,380 --> 00:22:16,820
The reason why it's challenging is
because, with a lot of opposite acting,
299
00:22:16,820 --> 00:22:19,700
of the time actors haven't done it
before. So I've never been to a Chemsex
300
00:22:19,700 --> 00:22:20,840
holiday, I've never done that.
301
00:22:21,160 --> 00:22:26,160
So we obviously did a lot of research,
watched a documentary on Chemsex, and we
302
00:22:26,160 --> 00:22:27,640
got advice from doctors.
303
00:22:27,900 --> 00:22:30,260
Yeah, 50 -50 Dean Street were a really,
really good house.
304
00:22:30,860 --> 00:22:35,520
And so going in there, I had to... And
the good thing about the character was,
305
00:22:35,660 --> 00:22:37,180
he had never done that before.
306
00:22:37,400 --> 00:22:40,580
It was his first time, so it was
challenging, but it was almost...
307
00:22:41,850 --> 00:22:44,990
Refreshing in a way because it was new
to me and new to the character. So I had
308
00:22:44,990 --> 00:22:47,310
to walk in there and go, what's going
on? This is weird.
309
00:22:48,010 --> 00:22:52,690
It was a challenge because it's not a
nice place to be in.
310
00:22:52,930 --> 00:22:54,570
So it's very vulnerable.
311
00:22:55,770 --> 00:22:56,770
And lonely.
312
00:22:57,510 --> 00:22:59,350
And it's like no one can help you now.
313
00:22:59,610 --> 00:23:00,810
Once you're in there, you're trapped.
314
00:23:01,030 --> 00:23:03,650
And he goes to try and get away, Joey.
315
00:23:04,170 --> 00:23:07,710
He's like, I'm going to go now. This is
weird. And he gets stopped. No, stay.
316
00:23:07,930 --> 00:23:09,730
And I'm like... Yeah.
317
00:23:10,300 --> 00:23:13,400
It's a scary environment to be in. I
mean, yeah, it's a scary environment. I
318
00:23:13,400 --> 00:23:17,520
think as an actor for you, it must have
been quite intimidating for a director.
319
00:23:17,940 --> 00:23:23,120
That was my very first scene I shot,
which was kind of of that nature, of the
320
00:23:23,120 --> 00:23:24,120
sexual nature.
321
00:23:24,180 --> 00:23:30,760
And so for me, I was kind of very
conscious about how I directed and the
322
00:23:30,760 --> 00:23:32,940
spoke and kind of the general atmosphere
of that day.
323
00:23:33,660 --> 00:23:36,220
But the fact that we managed to film all
of that in one...
324
00:23:36,720 --> 00:23:41,140
the day before we do have some more
questions so thank you for sending them
325
00:23:41,140 --> 00:23:46,540
if you do have any more questions do put
them down below but one of the you know
326
00:23:46,540 --> 00:23:51,500
the things about that yes of course one
of the things about that filming day was
327
00:23:51,500 --> 00:23:56,820
the day before we had to clear out the
basement of this student house in Leeds
328
00:23:56,820 --> 00:24:00,200
completely because it was one of the
most
329
00:24:01,320 --> 00:24:04,140
Terrifying that was more terrifying I
think than the following desert with so
330
00:24:04,140 --> 00:24:09,220
many spiders We have to completely like
properly like clean it's obviously you
331
00:24:09,220 --> 00:24:13,400
and the other actors. We had Jack Bell
kind of margin there. Yeah, we're gonna
332
00:24:13,400 --> 00:24:20,180
be kind of Practically naked so we
couldn't have you know, like Everywhere
333
00:24:20,180 --> 00:24:23,140
it was we're just yeah
334
00:24:26,440 --> 00:24:28,560
Yes, I remember I had to bat a gum.
335
00:24:28,980 --> 00:24:30,620
We've got Primark dressing gowns.
336
00:24:31,120 --> 00:24:35,100
We were running on a low budget. You
did?
337
00:24:35,340 --> 00:24:37,220
I wouldn't be having them back after
filming that.
338
00:24:38,620 --> 00:24:45,320
So, yeah, that was kind of a little idea
about that
339
00:24:45,320 --> 00:24:46,420
filming day.
340
00:24:46,660 --> 00:24:48,420
Do you want to ask a question from
David?
341
00:24:48,880 --> 00:24:50,200
David? David what?
342
00:24:50,420 --> 00:24:52,940
Thanks for tuning in and asking the
question, David.
343
00:24:53,200 --> 00:24:55,800
David said, looks like it was a fairly
technical...
344
00:24:56,080 --> 00:24:59,080
Technically, challenging suit, can you
talk about filming difficulties?
345
00:24:59,760 --> 00:25:00,760
Yeah.
346
00:25:01,100 --> 00:25:02,100
Yeah,
347
00:25:03,440 --> 00:25:07,700
I mean, there were quite... It was quite
a smooth show, actually, and I think it
348
00:25:07,700 --> 00:25:13,280
was because we hadn't... We hadn't done
a short film in quite a long time. Like,
349
00:25:13,280 --> 00:25:17,220
three years before was the first time
we'd done a short film. All of the other
350
00:25:17,220 --> 00:25:21,420
years, we'd done feature films, and they
are typically much more exhaustive.
351
00:25:22,720 --> 00:25:27,600
you know instead of five day filming we
were doing like 20 to 30 day shoots um
352
00:25:27,600 --> 00:25:32,080
the budget for the features were far
more for this whole living it was about
353
00:25:32,080 --> 00:25:36,920
pounds whereas our features were close
to 20 000 the differences were were huge
354
00:25:36,920 --> 00:25:40,860
and so for us this kind of felt like a
walk in the park really we had about a
355
00:25:40,860 --> 00:25:44,500
week of pre -production than a week of
production in about a week or so.
356
00:25:44,880 --> 00:25:48,700
I remember on Christmas Eve you came
around to do the final voice -over. We
357
00:25:48,700 --> 00:25:50,760
wrapped the film on Christmas Eve.
358
00:25:51,020 --> 00:25:52,700
I got my parents as well. You did, yeah.
359
00:25:52,960 --> 00:25:53,960
Game of Thrones box set.
360
00:25:54,160 --> 00:25:55,280
Still not watched it, have you? No.
361
00:25:55,620 --> 00:25:57,740
Two years ago and it's still not watched
it.
362
00:25:57,980 --> 00:26:02,580
I was buying on about how much I wanted
to watch Game of Thrones and I had to
363
00:26:02,580 --> 00:26:04,020
shoot Gamesport with Game of Thrones box
set.
364
00:26:04,560 --> 00:26:06,960
That's a nice little insight.
365
00:26:07,320 --> 00:26:09,980
That needs to go on the IMDB trivia.
Yeah, the trivia.
366
00:26:11,140 --> 00:26:18,040
But yeah, I mean, really, it was a
tremendously challenging film to shoot,
367
00:26:18,040 --> 00:26:22,480
actually the difficulties that came with
it were non -existent. We had such a
368
00:26:22,480 --> 00:26:27,220
great crew on it. So Sian Carey, Beth
Fallon were kind of leading on it with
369
00:26:27,320 --> 00:26:30,260
and you as well, in kind of production
and producer role.
370
00:26:31,000 --> 00:26:35,540
But, I mean, them two, I've known them
for, about 11 years now.
371
00:26:36,140 --> 00:26:39,780
And we've kind of continued on with
Oxygen and the Odyssey series.
372
00:26:40,780 --> 00:26:47,160
Yeah, I mean, with them two, it was very
much, we got the show running and it
373
00:26:47,160 --> 00:26:48,180
was quite smooth.
374
00:26:48,580 --> 00:26:52,420
I don't think technically it wasn't,
nothing really went wrong technically.
375
00:26:52,420 --> 00:26:55,340
was a five -day shoot and there was a
big crew for that short film. I think
376
00:26:55,340 --> 00:26:59,020
there was quite a lot of people in
specific roles that really did their
377
00:26:59,020 --> 00:27:00,020
well. Yeah, definitely.
378
00:27:00,280 --> 00:27:01,280
So in terms of that, I don't think it
was...
379
00:27:01,830 --> 00:27:04,590
We finished every day early, didn't we?
Yeah, we did. Oh, David.
380
00:27:05,670 --> 00:27:07,610
We didn't mess up. We're pros.
381
00:27:08,550 --> 00:27:09,550
We're pros.
382
00:27:10,750 --> 00:27:13,330
Yeah, I mean, that was quite a good
question.
383
00:27:13,590 --> 00:27:16,730
One of the issues we did have, actually,
on that day, the only issue we had was
384
00:27:16,730 --> 00:27:22,850
with our card reader. Literally halfway
through filming the chem sex scene, the
385
00:27:22,850 --> 00:27:28,390
card reader did break, and we had three
different people ringing around trying
386
00:27:28,390 --> 00:27:29,750
to find it. It was very specialist.
387
00:27:30,170 --> 00:27:34,430
piece of equipment that's super tiny,
it's literally a card reader, and in the
388
00:27:34,430 --> 00:27:39,690
end I just literally pulled it apart,
folded a little piece of it, gaffed it,
389
00:27:39,810 --> 00:27:42,070
put it back together in the kitchen of
the student accommodation.
390
00:27:42,730 --> 00:27:46,050
While they were still filming, everyone
was still filming, it didn't stop at
391
00:27:46,050 --> 00:27:48,690
all, it just carried on.
392
00:27:49,310 --> 00:27:53,530
The show must go on when you're filming.
When you're working with actors, you
393
00:27:53,530 --> 00:27:57,470
can do reshoots and you can hold things
back, but realistically you've got to
394
00:27:57,470 --> 00:27:58,470
keep on going because...
395
00:27:58,780 --> 00:28:05,680
lose you lose out otherwise so um yeah
um will jordan has asked where
396
00:28:05,680 --> 00:28:10,580
do you both see yourself in 10 years
time i don't know where i see myself in
397
00:28:10,580 --> 00:28:17,500
days time do you want me to start with
that one yeah please
398
00:28:17,500 --> 00:28:23,760
um god i could have thought about this
yeah i mean in 10 years time i was 31
399
00:28:24,780 --> 00:28:26,460
Oh, you're going to be a genius at 31.
400
00:28:28,140 --> 00:28:29,320
I'll probably be dead.
401
00:28:31,280 --> 00:28:32,280
I'll be out.
402
00:28:32,980 --> 00:28:34,000
No, in ten years' time.
403
00:28:34,640 --> 00:28:39,240
Do you know, I want to be in the same
position I am now, to be honest. I
404
00:28:39,320 --> 00:28:44,840
obviously, it would be nicer to have
more money and to have more of an
405
00:28:44,840 --> 00:28:48,160
about the films we make, because at the
moment it is a very big challenge to
406
00:28:48,160 --> 00:28:53,100
promote the films and get... them seen
by the people that we know want to see
407
00:28:53,100 --> 00:28:58,980
them and should see them to have that
kind of natural following of people who
408
00:28:58,980 --> 00:29:05,040
look out for the film that would be
really really nice just to mean that we
409
00:29:05,140 --> 00:29:08,140
we know the stuff we're doing is getting
out to the people who need to see it
410
00:29:08,140 --> 00:29:14,380
but really I just want to be carrying on
making films and working with you How
411
00:29:14,380 --> 00:29:16,460
old will you be in 10 years time?
412
00:29:18,480 --> 00:29:20,420
Why do I have to think about it so long?
33.
413
00:29:20,880 --> 00:29:22,720
33? At 33 years old.
414
00:29:23,580 --> 00:29:25,700
At 33 years old?
415
00:29:25,900 --> 00:29:31,460
In 33 years old? At 33 years old, I will
have two kids. Two kids?
416
00:29:31,760 --> 00:29:32,760
A wife.
417
00:29:33,180 --> 00:29:34,180
And a house.
418
00:29:34,960 --> 00:29:35,960
That's family.
419
00:29:36,860 --> 00:29:38,740
You said 10 years' time. You didn't say
an industry.
420
00:29:39,340 --> 00:29:40,340
Oh, true. Okay.
421
00:29:40,480 --> 00:29:43,400
That's me 10 years' time. But let's talk
about the industry.
422
00:29:44,100 --> 00:29:47,480
I want to be just financially stable as
an actor and as a writer.
423
00:29:47,900 --> 00:29:51,000
I want to be, you know, at least be
doing that full time.
424
00:29:51,240 --> 00:29:54,580
I don't need to be earning millions as
long as I can pay the food and pay the
425
00:29:54,580 --> 00:29:59,560
rent and act full time. And I want to be
able to be in a situation where I can
426
00:29:59,560 --> 00:30:03,740
pick and choose my work that I really
want to work on. Yeah, yeah, yeah. Not
427
00:30:03,740 --> 00:30:07,400
kind of taking it for the money and I
need the rent. I want to be working on
428
00:30:07,400 --> 00:30:11,160
something I'm passionate about and that
I want to work on with you.
429
00:30:11,920 --> 00:30:14,580
Yeah, yeah, yeah. Thank you. Oh, we're
still on together. Yeah, I do want to
430
00:30:14,580 --> 00:30:16,120
work together forever now.
431
00:30:17,240 --> 00:30:18,300
I want to be the Godfather.
432
00:30:18,520 --> 00:30:20,420
Yeah. Yeah, that's it.
433
00:30:21,140 --> 00:30:23,520
Maybe that's a question we don't pose in
the livestream.
434
00:30:24,040 --> 00:30:25,040
That's the livestream.
435
00:30:25,780 --> 00:30:28,840
I'm going to extend that question,
though. Ten years' time, would you want
436
00:30:28,840 --> 00:30:30,780
writing projects, directing projects?
437
00:30:31,100 --> 00:30:32,300
Would you ever go into that? Oh, my God,
yeah.
438
00:30:32,540 --> 00:30:35,820
Thank you. No worries. So, when I first
started acting, I was like, acting,
439
00:30:35,920 --> 00:30:37,600
acting, acting. Like, I want to be an
actor, and that was it.
440
00:30:37,800 --> 00:30:41,520
And then, after a while, I just started
writing shorts, and then I started
441
00:30:41,520 --> 00:30:44,600
writing stuff, and the project got
bigger and bigger, and I started
442
00:30:45,540 --> 00:30:48,940
sitcoms and on a feature film at the
moment I think I'm thinking oh my god I
443
00:30:48,940 --> 00:30:52,300
actually really love writing I'd love to
be a writer now like I'd love to write
444
00:30:52,300 --> 00:30:57,460
TV series and so writing is something
hugely that I want to do now and that's
445
00:30:57,460 --> 00:31:01,060
ingrained in me now and I'm like you
know I'm going to write for the rest of
446
00:31:01,060 --> 00:31:07,440
life and I don't want to talk about it
too much yet but I'm producing our next
447
00:31:07,440 --> 00:31:11,240
well co -producer assistant producer on
the next short film
448
00:31:12,230 --> 00:31:16,050
Then I got me thinking, okay, if I can
do a bit of producing, you know, and now
449
00:31:16,050 --> 00:31:20,030
I'm thinking, God, you know, I'd love to
get to, like, 40 and write and direct
450
00:31:20,030 --> 00:31:25,070
my own film. Yeah. And cast it and not
be in it and just, you know. And just do
451
00:31:25,070 --> 00:31:29,130
the creating of it. Yeah. At the minute,
I really just want to be in front of
452
00:31:29,130 --> 00:31:32,630
the screen and acting and feeling it,
yeah. But maybe when I get older, I'll
453
00:31:32,630 --> 00:31:36,630
probably want to sit back and go, I'm
directing it now. Yeah.
454
00:31:37,080 --> 00:31:39,680
I think you'd be a brilliant director.
Do you think? I think you'd be a really,
455
00:31:39,720 --> 00:31:40,499
really good director.
456
00:31:40,500 --> 00:31:41,600
Thank you. I'm not sure.
457
00:31:41,900 --> 00:31:47,120
I think one of the things, one of the
reasons to be a good, well, not the
458
00:31:47,120 --> 00:31:50,180
reasons, one of the kind of skills you'd
need as a good director is to know how
459
00:31:50,180 --> 00:31:51,280
actors work.
460
00:31:52,100 --> 00:31:56,540
Empathy, isn't it? Yeah, it's knowing
what to say in the right time to get the
461
00:31:56,540 --> 00:31:59,860
right performance. And I think, given
your experience as an actor, I think
462
00:31:59,860 --> 00:32:03,520
that's one of the primary things. If
anyone is watching, thinking about going
463
00:32:03,520 --> 00:32:06,890
into film, becoming a director, that is
one of the things that I would... I
464
00:32:06,890 --> 00:32:10,870
suggest is, you know, maybe think about
taking up an acting lesson. Even if you
465
00:32:10,870 --> 00:32:12,450
don't want to become an actor, you never
will.
466
00:32:12,730 --> 00:32:18,450
I mean, I did acting lessons for about
three years. I took drama, you know, air
467
00:32:18,450 --> 00:32:23,110
level and things like that. But just so
I can understand how an actor takes.
468
00:32:23,330 --> 00:32:26,270
I've had some crazy, I've met some crazy
people in my acting classes.
469
00:32:26,510 --> 00:32:30,650
Not always actors. I've met coaches,
life coaches, acting coaches. I've met
470
00:32:30,650 --> 00:32:31,930
producers, writers, directors.
471
00:32:32,170 --> 00:32:34,610
And I'm like, why are you here? And
they're like, oh, I just want to know
472
00:32:34,610 --> 00:32:35,610
it feels like to be an actor.
473
00:32:35,850 --> 00:32:39,130
I'm like, ah, it's clever. It is. So
yeah, definitely takes my attention.
474
00:32:39,630 --> 00:32:45,130
So Jack did mention that he is going to
be producing a new film along with other
475
00:32:45,130 --> 00:32:46,130
Oxygen films.
476
00:32:46,490 --> 00:32:49,550
We are going to be going into that in a
short while.
477
00:32:50,290 --> 00:32:55,250
So do stick around for that. If you do
have any questions in the meantime, do
478
00:32:55,250 --> 00:32:57,110
feel free to put them down below.
479
00:32:57,570 --> 00:33:00,610
Or you can tweet at us at Oxygen Film.
480
00:33:01,490 --> 00:33:04,070
Or what else can they do? They can
Instagram us.
481
00:33:04,520 --> 00:33:05,800
We can follow them on Instagram, yeah.
482
00:33:06,020 --> 00:33:08,480
I mean, I've got the phone on me, but...
No.
483
00:33:09,020 --> 00:33:12,120
Well, I've got mine. I've got mine. You
can do something.
484
00:33:12,360 --> 00:33:13,360
The next trailer, I'll grab it.
485
00:33:13,520 --> 00:33:17,600
Yeah. All of the social media should be
in the description.
486
00:33:17,940 --> 00:33:20,140
It's not in the description, but we'll
be putting it in the description.
487
00:33:20,480 --> 00:33:21,059
Poor Paul.
488
00:33:21,060 --> 00:33:22,060
That was poor from me.
489
00:33:22,920 --> 00:33:27,380
Before we show the trailer for Wretched
Things once again, we are just going to
490
00:33:27,380 --> 00:33:29,180
ask another question from Lola.
491
00:33:30,140 --> 00:33:31,820
Lola Torrent, thanks for...
492
00:33:32,170 --> 00:33:33,230
Thank you for the message.
493
00:33:33,910 --> 00:33:38,050
Hi, glad I didn't miss the live. Can't
wait to see Brett's thing. I want to
494
00:33:38,050 --> 00:33:41,170
how you feel about having girls wanting
to see the movie as well, because I'm so
495
00:33:41,170 --> 00:33:43,090
excited for it. Thank you very much,
Lola.
496
00:33:43,570 --> 00:33:48,650
I know you're on our Instagram quite a
lot, and you're always liking our stuff,
497
00:33:48,670 --> 00:33:50,750
so thank you very much for the support.
It is much appreciated.
498
00:33:51,670 --> 00:33:55,550
How do you feel about that? Personally,
I love it. Yeah? Why can't we have a
499
00:33:55,550 --> 00:34:00,210
girl audience? I mean, it is LGBT, you
know, but...
500
00:34:00,560 --> 00:34:05,560
That's great. No, love it. I love it.
Yeah. Because these stories obviously
501
00:34:05,680 --> 00:34:11,659
you know, they've got a certain market
and a certain audience, but it's not,
502
00:34:11,659 --> 00:34:16,540
storyline can still affect everyone. No.
This World We Live In is about, this
503
00:34:16,540 --> 00:34:21,040
guy was, he was not comfortable with
himself when he was going down this
504
00:34:21,040 --> 00:34:25,520
horrible turmoil of being gay and not
coming out and stuff, and his mates all
505
00:34:25,520 --> 00:34:29,780
straight. But when we actually really
thought about it, and he went it down
506
00:34:29,780 --> 00:34:34,139
like you know the drugs and the alcohol
this could be for anything this could be
507
00:34:34,139 --> 00:34:38,400
for if you get a divorce if you lose
your house if you lose your job you
508
00:34:38,400 --> 00:34:43,980
it's more like about mental health and
not dealing with what you know not
509
00:34:43,980 --> 00:34:48,159
talking to people about things and I was
like anyone can watch this it's not
510
00:34:48,159 --> 00:34:52,810
always about what you think it's about
the bigger picture It's always about the
511
00:34:52,810 --> 00:34:54,590
bigger picture. So, yeah, so Wretched
Things, again, it's about the bigger
512
00:34:54,590 --> 00:34:59,130
picture, what's going on inside. I think
with Wretched Things, even though I see
513
00:34:59,130 --> 00:35:04,890
it as, you know, really, you know, I've
made the film for an LGBT audience
514
00:35:04,890 --> 00:35:09,050
because there's not a lot of films
directly, kind of, that look at LGBT
515
00:35:09,050 --> 00:35:10,530
so specifically.
516
00:35:12,060 --> 00:35:16,360
The characters in it, most of the
characters are not gay in the film,
517
00:35:16,360 --> 00:35:22,460
quite, you know, looking at the first
chapter, we've got Warren Godman as Ben.
518
00:35:22,740 --> 00:35:26,500
He's got a model who is looking to get
into the industry.
519
00:35:26,820 --> 00:35:33,200
He is straight, as far as we know. We
know we never see him having any gay
520
00:35:33,200 --> 00:35:39,700
experiences. The second chapter with
Tommy Velez, he is, you know, he's...
521
00:35:41,090 --> 00:35:43,050
potentially a bisexual character.
522
00:35:43,710 --> 00:35:47,350
Again, it's never explicitly seen on
Munson, but we do see him having
523
00:35:47,350 --> 00:35:52,450
relationships with women or kind of
being at least sexually attracted to
524
00:35:53,190 --> 00:35:58,030
But we also do see him experiment and,
you know, so that character does...
525
00:35:58,400 --> 00:35:59,640
you know, it's not explicit.
526
00:36:00,180 --> 00:36:04,320
And then even in the third chapter, the
one that you appear in, I'd have said,
527
00:36:04,340 --> 00:36:05,980
obviously, Joey is gay.
528
00:36:06,760 --> 00:36:08,200
He's very homosexual.
529
00:36:09,380 --> 00:36:14,640
Actually, looking at the other
characters in the story, we have the
530
00:36:14,640 --> 00:36:21,560
character being Louis, who is very,
very, you know, aggressive, kind of what
531
00:36:21,560 --> 00:36:23,560
I would say is the villain of the story.
532
00:36:24,540 --> 00:36:27,400
But we also see him having moments where
533
00:36:28,140 --> 00:36:33,100
His sexuality is explored in both
heterosexual and homosexual.
534
00:36:33,580 --> 00:36:36,460
So again, he could be bisexual again.
535
00:36:36,860 --> 00:36:40,500
The story, this I think is probably our
straightest story.
536
00:36:40,980 --> 00:36:44,600
I don't know how you feel about that
from your perspective.
537
00:36:44,860 --> 00:36:48,700
I mean, from my side, I didn't feel it
when I was doing it. But yeah, you're
538
00:36:48,700 --> 00:36:49,700
right.
539
00:36:51,310 --> 00:36:52,390
It's a pretty straight one.
540
00:36:52,670 --> 00:36:56,170
So thank you very much for that
question, Lola, if you've got any
541
00:36:56,170 --> 00:36:59,330
tell your friends, because we have some
girls watching.
542
00:37:00,130 --> 00:37:02,030
Oh, Lola, great.
543
00:37:02,650 --> 00:37:06,410
Can I read this out? Yes, so I can
fangirl. Great, so I can fangirl over
544
00:37:06,410 --> 00:37:09,450
your amazing, handsome acts then, crying
face emoji.
545
00:37:09,650 --> 00:37:12,230
Thanks a lot for your answer, Love
Hotel. Thank you very much, Lola. Thank
546
00:37:12,230 --> 00:37:16,250
very much, Lola. Do stick around,
because next up, we are going to be
547
00:37:16,250 --> 00:37:20,440
about our next... I know we've just
finished one, but we're already starting
548
00:37:20,440 --> 00:37:25,480
another. So before we go into that, do
have a look at this. This is the
549
00:37:25,480 --> 00:37:26,399
Things trailer.
550
00:37:26,400 --> 00:37:29,080
Once again, we'll be showing this
throughout the livestream.
551
00:37:29,360 --> 00:37:30,360
Hope you enjoy. Enjoy.
552
00:37:52,650 --> 00:37:55,590
You know, I told people I was straight
since my mid -twenties.
553
00:37:56,630 --> 00:37:58,530
It's one of my biggest regrets.
554
00:37:59,390 --> 00:38:01,150
I feel like I left my entire youth.
555
00:38:15,670 --> 00:38:19,790
Yeah, our magazine reaches two million
unique readers every single week. That's
556
00:38:19,790 --> 00:38:20,930
two million eyes on you.
557
00:39:50,950 --> 00:39:52,250
And we are back.
558
00:39:55,210 --> 00:39:59,990
We're just talking through this question
here, actually, from David, which we
559
00:39:59,990 --> 00:40:04,250
got in the middle of watching the
trailer. It says, do you guys enjoy
560
00:40:04,250 --> 00:40:07,670
your own stuff? Lots of actors say they
don't watch their own work. I assume the
561
00:40:07,670 --> 00:40:10,870
directors have to watch it over and over
and over.
562
00:40:13,029 --> 00:40:16,950
Yep. You've got quite strong opinions.
Yeah, I mean, I've heard this before
563
00:40:16,950 --> 00:40:20,350
where people say, oh, no, I don't like
watching my own work. And I think it's
564
00:40:20,350 --> 00:40:24,330
actually being really modest and
pretending that they don't actually
565
00:40:24,330 --> 00:40:29,870
it. But I actually think they have, they
must do. I don't understand why you
566
00:40:29,870 --> 00:40:32,330
would get into acting or you would be
passionate about a project.
567
00:40:32,750 --> 00:40:37,230
If I've done a project and I'm really
passionate about it and I love the story
568
00:40:37,230 --> 00:40:39,770
and I love what's going on, yeah, I love
watching it.
569
00:40:40,430 --> 00:40:43,630
I'm really proud of it. I'm like, we've
created this. Me and you have created
570
00:40:43,630 --> 00:40:44,609
this world we live in. I love it.
571
00:40:44,610 --> 00:40:48,910
Don't get it wrong, after 20 times,
yeah, it gets a bit too much. If any
572
00:40:48,910 --> 00:40:52,010
says, no, I act and I don't watch any of
my work, I'm like, why?
573
00:40:52,310 --> 00:40:53,310
Why do you not do that?
574
00:40:53,850 --> 00:40:56,470
It's almost just like a job then. Does
it help you?
575
00:40:56,910 --> 00:40:58,850
Do you think, or can it sometimes do
you?
576
00:41:00,190 --> 00:41:03,890
Yeah, okay, this is difficult because I
used to want to watch it after a scene.
577
00:41:03,930 --> 00:41:06,010
I used to want to watch it straight back
on the camera.
578
00:41:06,859 --> 00:41:10,260
But number one that takes time and
number two there's something entirely
579
00:41:10,260 --> 00:41:13,820
you don't like Yeah, and then you know
you but how can we get another take and
580
00:41:13,820 --> 00:41:17,000
it's like well, you know I move on and
if people don't know it's that scratch
581
00:41:17,000 --> 00:41:20,860
that you did that you don't like it.
Yes. I'll stop watching things on the
582
00:41:20,940 --> 00:41:26,140
Yeah, but I wouldn't 100 % like Four
years ago watching short films. I do
583
00:41:26,140 --> 00:41:30,780
now. I'm like wow better actors I've
learned from watching back.
584
00:41:31,400 --> 00:41:35,780
That's not what you should do or you
know, I wouldn't You know, you can pick
585
00:41:35,780 --> 00:41:40,820
things. Yeah, it does help, but you can
be honest with yourself and go, I
586
00:41:40,820 --> 00:41:43,380
wasn't, you know, so good back then, and
I know what I did wrong.
587
00:41:43,860 --> 00:41:48,800
So yeah, no, the answer is yes, I love
watching products I've done.
588
00:41:49,040 --> 00:41:52,540
Because if I'm proud of it, yeah. You
need to watch it, yeah.
589
00:41:53,020 --> 00:41:55,440
It's great, everyone loves it, you know,
people are crying in the audience.
590
00:41:56,420 --> 00:42:00,320
I'm serious. My mum came to watch and
she was crying her eyes out, and I'm
591
00:42:00,320 --> 00:42:01,320
like...
592
00:42:02,299 --> 00:42:04,220
We've made that impact, yeah.
593
00:42:04,460 --> 00:42:07,380
I'm like, yeah, I love watching stuff
like that. I have the complete opposite
594
00:42:07,380 --> 00:42:08,380
reaction.
595
00:42:08,780 --> 00:42:13,780
Because, you hit the nail on the head
there, David. For me, it is having to
596
00:42:13,780 --> 00:42:15,640
watch it over and over and over again.
597
00:42:16,100 --> 00:42:21,340
But also, I mean, for me, because I
write as well as direct, I write the
598
00:42:21,340 --> 00:42:24,100
project, then I rewrite it, then I
rewrite it, then I rewrite it.
599
00:42:24,520 --> 00:42:27,500
Then I read it, read it, read it. Then I
direct it on the day with the actors
600
00:42:27,500 --> 00:42:28,800
over and over and over again.
601
00:42:29,080 --> 00:42:31,280
I'm often in the editing suite as well.
Edit, edit, edit.
602
00:42:31,620 --> 00:42:36,800
So I'm watching it. And it gets to a
point where you become so desensitized
603
00:42:36,800 --> 00:42:40,700
the content that you've created to the
point where you no longer realize
604
00:42:40,700 --> 00:42:45,400
or not it's good or if something's not
working, if a line isn't working.
605
00:42:46,240 --> 00:42:49,820
And also you become very attached as a
writer -director to the work that you've
606
00:42:49,820 --> 00:42:51,760
done. And if you're on the day, you
know,
607
00:42:52,600 --> 00:42:56,580
for example, if we shot a scene and we
thought, loved that scene, I loved that
608
00:42:56,580 --> 00:43:00,620
moment when we were filming it, when
actually, if we externalise yourself and
609
00:43:00,620 --> 00:43:03,880
think, well, actually, even though that
was a great experience for me on set, it
610
00:43:03,880 --> 00:43:05,340
doesn't work well in the film.
611
00:43:06,300 --> 00:43:09,860
I find that a challenge, and that's
something I'm kind of learning as I go
612
00:43:09,860 --> 00:43:15,180
ahead. But, yeah, I mean, the difficult
thing is, when you've, you know, re
613
00:43:15,180 --> 00:43:17,980
-write, re -write, re -write, edit,
edit, edit, and shot and done all these
614
00:43:17,980 --> 00:43:23,360
things, we've watched it, well, you
especially, and that's not, but, If you
615
00:43:23,360 --> 00:43:26,160
direct and you've watched it maybe 30
times, you do pick up on these certain
616
00:43:26,160 --> 00:43:29,540
lines. But people are going to watch it
once or twice, and they aren't going to
617
00:43:29,540 --> 00:43:31,760
notice things that we know it because
you get attacked.
618
00:43:32,300 --> 00:43:39,140
Yeah, and you become hypercritical as
well. It's very easy as a director and
619
00:43:39,140 --> 00:43:42,980
an actor as well to be super, super
critical about your work.
620
00:43:43,340 --> 00:43:45,180
And that is dangerous.
621
00:43:45,980 --> 00:43:47,800
I work with actors.
622
00:43:48,280 --> 00:43:55,060
Some who like watching the content like
you, others who are happy if I am happy
623
00:43:55,060 --> 00:43:59,400
and trust that I can basically say that
was shit or that was good.
624
00:44:00,600 --> 00:44:07,500
But sometimes, yeah, I can prefer not
watching the content back because,
625
00:44:07,620 --> 00:44:11,660
especially when it's something that
you've put a lot of effort into and it's
626
00:44:11,660 --> 00:44:14,780
just maybe something isn't how exactly
you pictured it in your head, that's
627
00:44:14,780 --> 00:44:18,220
another thing as a director you have to
realise that some of the things you do
628
00:44:18,220 --> 00:44:21,420
are not going to work out how you
imagined, but again, as you mentioned,
629
00:44:21,420 --> 00:44:23,600
only, you know, they're watching it for
the first time.
630
00:44:23,920 --> 00:44:26,940
The readers, the watchers of the film
don't have the script with them. They
631
00:44:26,940 --> 00:44:30,580
weren't on set. They don't know what's
in my mind. So actually, what's in my
632
00:44:30,580 --> 00:44:31,720
mind is irrelevant.
633
00:44:32,080 --> 00:44:36,580
Yeah, and as an actor, you know, when
you go to the screening or the premiere,
634
00:44:36,720 --> 00:44:39,740
that is the first time we watched it.
Yeah, so that's why we're excited and we
635
00:44:39,740 --> 00:44:41,880
want to watch it because we've shot it,
so we can.
636
00:44:42,380 --> 00:44:46,060
I think we know what we're going to see.
We haven't seen the edit yet. So as a
637
00:44:46,060 --> 00:44:48,880
director, editor, writer, totally
different to being an actor.
638
00:44:50,000 --> 00:44:54,040
Yeah, we haven't seen it until we see
the preview or the private screen or
639
00:44:54,040 --> 00:44:55,900
whatever. That's very true.
640
00:44:57,160 --> 00:45:01,240
So thank you for joining us so far. We
are going to be sticking around for
641
00:45:01,240 --> 00:45:03,420
another about 25 minutes, half an hour.
642
00:45:04,200 --> 00:45:09,000
Do feel free to ask your questions down
below in the comments and even if we
643
00:45:09,000 --> 00:45:10,030
are... stream.
644
00:45:10,510 --> 00:45:15,290
Do put them, because we'll be here for
another while, so we can answer some
645
00:45:15,290 --> 00:45:16,290
questions.
646
00:45:17,270 --> 00:45:18,270
Answer them, sorry.
647
00:45:18,810 --> 00:45:23,770
So, we are going to talk a little bit
about Wrecked Things before we go on to
648
00:45:23,770 --> 00:45:28,050
the final, final project that we are
looking at doing. No, the final project
649
00:45:28,050 --> 00:45:30,490
are looking at doing, but the final
thing that we're going to be talking
650
00:45:30,670 --> 00:45:31,670
our most recent one.
651
00:45:32,310 --> 00:45:36,370
So, yes, Wrecked Things is coming out in
January next year.
652
00:45:36,970 --> 00:45:38,430
Are you nervous?
653
00:45:39,889 --> 00:45:40,709
I am.
654
00:45:40,710 --> 00:45:44,170
I am nervous, but that's good. Again,
because I was nervous about this world
655
00:45:44,170 --> 00:45:47,310
we're living in, and them nerves then
turned into pride.
656
00:45:47,730 --> 00:45:48,730
I was like, wow.
657
00:45:48,770 --> 00:45:52,390
People are reacting differently to what
I thought they were going to react to. I
658
00:45:52,390 --> 00:45:55,250
thought they were going to be like, oh,
why would you do that? But they were
659
00:45:55,250 --> 00:45:56,250
like, oh my god.
660
00:45:56,590 --> 00:45:57,650
This is an amazing story.
661
00:45:58,050 --> 00:46:00,450
I'm hoping it's going to be the same
thing. I was nervous about doing this
662
00:46:00,450 --> 00:46:03,430
again, but I'm nervous for the release,
but I'm also excited.
663
00:46:04,250 --> 00:46:05,970
Because we've got a strong audience.
664
00:46:06,990 --> 00:46:08,350
behind it, I think, backing it.
665
00:46:08,810 --> 00:46:10,550
And yeah, I'm excited.
666
00:46:10,930 --> 00:46:11,930
Are you excited?
667
00:46:11,990 --> 00:46:12,988
I am, yeah.
668
00:46:12,990 --> 00:46:17,070
I mean, for me, as I mentioned before,
this is the most ambitious project I've
669
00:46:17,070 --> 00:46:18,070
ever done.
670
00:46:18,290 --> 00:46:22,130
I think it might be the most ambitious
project most of us have done. It was
671
00:46:22,130 --> 00:46:27,550
quite an uncomfortable shoot because if
you've seen the trailer, you know that a
672
00:46:27,550 --> 00:46:33,510
lot of the content is quite explicit or
graphic and quite intense in its nature.
673
00:46:34,000 --> 00:46:38,360
So to be on set and filming that was
quite an experience in terms of, you
674
00:46:38,420 --> 00:46:43,780
getting the crew together to make it
work because, you know, we have to have
675
00:46:43,780 --> 00:46:47,440
good atmosphere on set and I think for
this one it was absolutely amazing.
676
00:46:48,360 --> 00:46:51,540
So how did you find directing this film?
677
00:46:51,760 --> 00:46:55,760
What were the challenges and what were
the, I don't know, difficulties and
678
00:46:55,760 --> 00:47:00,800
challenges that approached directing it?
Yeah, I think the biggest challenge is
679
00:47:00,800 --> 00:47:02,260
second guessing myself constantly.
680
00:47:04,420 --> 00:47:08,140
Before I started writing this, I got a
piece of advice, or I read something
681
00:47:08,140 --> 00:47:11,040
which said, you know, you should write
the things that you are scared of, that
682
00:47:11,040 --> 00:47:11,979
you're more scared of.
683
00:47:11,980 --> 00:47:14,420
And I am terrified of Rutgers.
684
00:47:14,680 --> 00:47:20,660
When I was writing it, I was like, I
really don't know if this is psychotic
685
00:47:20,660 --> 00:47:24,640
good. I don't know. It could be both. I
have no idea. And I think that's the
686
00:47:24,640 --> 00:47:30,000
thing, is that I don't actually know if
I'm excited. I'm absolutely petrified
687
00:47:30,000 --> 00:47:32,280
because... I was scared when I was
writing it, I was scared when I was
688
00:47:32,280 --> 00:47:35,040
it, and I was scared watching the
footage back. Yeah, and scared of the
689
00:47:35,220 --> 00:47:41,740
Yeah. But I'm scared just because, not
for myself, and not for the actors, and
690
00:47:41,740 --> 00:47:46,160
not for everyone involved, I'm just
scared because that story is intense,
691
00:47:46,160 --> 00:47:51,480
think I'm scared for the story. It's
like a child, and I'm like, I'm passing
692
00:47:51,480 --> 00:47:55,700
to school, and it's like out in the
world, and people can have their own
693
00:47:55,700 --> 00:47:56,700
opinions on it.
694
00:47:56,760 --> 00:48:02,740
I think this is going to be the most
divisive film we have ever, ever
695
00:48:02,900 --> 00:48:05,860
And I think it might be the most
divisive one we've ever, we'll ever do.
696
00:48:07,460 --> 00:48:10,820
Because I think there will be a lot of
people who hate it and a lot of people
697
00:48:10,820 --> 00:48:13,260
who love it. Yeah, it's going to be like
Marmite, I think.
698
00:48:13,640 --> 00:48:17,920
100%. And that's what I want. I don't
want people to go, oh, that was alright.
699
00:48:18,120 --> 00:48:19,120
It's good.
700
00:48:19,140 --> 00:48:23,180
I don't want people like that. I want
people to say, I effing hated that.
701
00:48:23,640 --> 00:48:26,120
I effing hated that.
702
00:48:27,019 --> 00:48:31,360
I hated it, I felt, you know, and having
that outrage and that outburst is far
703
00:48:31,360 --> 00:48:32,440
better than someone going, eh, it's
alright.
704
00:48:33,000 --> 00:48:37,160
And then having, obviously, Alternative,
which would be nice as well, and I
705
00:48:37,160 --> 00:48:40,460
really loved that, I loved the, you
know, this part of it.
706
00:48:40,700 --> 00:48:43,840
I'm trying to, I was about to say,
spoiler alert as well, I'm not doing too
707
00:48:43,840 --> 00:48:45,300
at this, I nearly missed it.
708
00:48:45,640 --> 00:48:49,920
You've always said to me that you like
films that you basically argue in the
709
00:48:49,920 --> 00:48:52,580
at the end. Yeah. So when, you know, you
go watch a film in the cinema and
710
00:48:52,580 --> 00:48:55,960
you're both arguing about it, yeah, I
think that's what you probably...
711
00:48:57,250 --> 00:48:59,410
Where people are arguing whether it's
good or bad.
712
00:48:59,690 --> 00:49:02,510
Definitely. I think families will.
713
00:49:03,010 --> 00:49:05,610
Well, if families do, I'm not sure if
it's family.
714
00:49:07,050 --> 00:49:08,650
Take the kids out.
715
00:49:09,970 --> 00:49:15,250
Lola has asked a question. Lola says,
will there be any screenings in London
716
00:49:15,250 --> 00:49:18,150
towards the end of the year? Any
flexible plans? Maybe.
717
00:49:19,030 --> 00:49:20,210
Yes, there are.
718
00:49:20,710 --> 00:49:22,410
We are hoping to have a screening.
719
00:49:22,880 --> 00:49:27,080
in London in January. We've not got that
confirmed, so yeah.
720
00:49:27,280 --> 00:49:30,320
In London? In London, yeah, in your
home. I'll be there. Your home state.
721
00:49:30,680 --> 00:49:32,000
I live in London now, by the way.
722
00:49:32,260 --> 00:49:35,280
Yeah, he's the traitor to Yorkshire.
723
00:49:35,980 --> 00:49:42,040
But yes, we plan to have our premiere up
in Yorkshire in the north in January.
724
00:49:42,620 --> 00:49:46,180
But then following on from that, we'll
have festival releases internationally.
725
00:49:47,260 --> 00:49:51,900
So for our international audiences, do
stick around, do keep an eye out.
726
00:49:52,270 --> 00:49:55,470
for screenings near you. And you can
also pitch to your cinema to get it
727
00:49:55,470 --> 00:49:59,530
screened. We'll be coming out with some
more information on our website on that
728
00:49:59,530 --> 00:50:01,050
in the very near future.
729
00:50:01,450 --> 00:50:04,550
But yes, we hope to see you at the
London premiere, Lola.
730
00:50:05,330 --> 00:50:08,730
Hopefully all of our actors will be
there as well. We'll all be watching the
731
00:50:08,730 --> 00:50:09,730
carpet.
732
00:50:10,150 --> 00:50:14,870
And, you know, Gage and I can always
say, always keep an eye on social media,
733
00:50:15,070 --> 00:50:18,990
Twitter, Instagram, and everything's
always posted on there.
734
00:50:19,280 --> 00:50:20,580
Yeah, all updates.
735
00:50:20,780 --> 00:50:23,140
And then, sorry, David, what was your
spot? Lancashire?
736
00:50:23,400 --> 00:50:24,400
Yorkshire?
737
00:50:24,640 --> 00:50:30,340
Ooh, Yorkshire's far better than
Lancashire. I don't want to get into a
738
00:50:30,340 --> 00:50:33,080
the middle of a line. Oh, Lancashire's
better than Yorkshire, that's what he's
739
00:50:33,080 --> 00:50:37,840
put. Yeah. I can't remember which sign
is better than Yorkshire.
740
00:50:39,720 --> 00:50:43,460
Ooh, we'll stop that war before it gets
started.
741
00:50:45,100 --> 00:50:47,800
But thank you very much for that
comment, regardless.
742
00:50:49,180 --> 00:50:54,300
So, before we talk about the very final
thing, as soon as we come back, we're
743
00:50:54,300 --> 00:50:59,220
going to have a short two -minute break,
and then we're going to go talking
744
00:50:59,220 --> 00:51:01,860
about Tog on our next project.
745
00:51:02,100 --> 00:51:04,400
Excited? I am excited. I'm very excited.
746
00:51:04,920 --> 00:51:06,100
I'm very looking forward to it.
747
00:51:07,080 --> 00:51:10,960
But some of the, just before we go into
that, some of the scenes that you shot
748
00:51:10,960 --> 00:51:14,860
in Wretched Things, your chapter is an
18 plus.
749
00:51:15,660 --> 00:51:20,920
in terms of specifications for our
audience, how do you kind of prepare for
750
00:51:20,920 --> 00:51:22,320
filming scenes like that?
751
00:51:23,740 --> 00:51:27,200
I mean, both of your, well, all of your
scenes in the film.
752
00:51:28,200 --> 00:51:33,040
Preparation. Some kind of... I mean,
yeah, it's difficult to prepare for
753
00:51:33,040 --> 00:51:36,320
scenes because you can't really
practice, you know, with your mate.
754
00:51:38,040 --> 00:51:41,940
You can't, like, you can't practice
that. You kind of have to just go for
755
00:51:42,380 --> 00:51:46,340
I remember when we shot the first take
of the first, you know, with Difficult
756
00:51:46,340 --> 00:51:50,580
Nature, we didn't even go for rehearsal.
757
00:51:50,820 --> 00:51:52,240
Oh, we did a light rehearsal.
758
00:51:52,440 --> 00:51:55,640
We did a light rehearsal, yeah. Our
first take, you came in, because there's
759
00:51:55,640 --> 00:51:58,540
obviously a different room for the
monitor and stuff, and it's just us and
760
00:51:58,540 --> 00:52:02,520
camera and the gauging therapy in the
room, and he came in and was like,
761
00:52:03,400 --> 00:52:04,720
I think you got that in one.
762
00:52:04,960 --> 00:52:08,800
And I said, well, I think that's all,
you know, we put everything into the
763
00:52:08,800 --> 00:52:11,100
take, because this is such a...
764
00:52:11,670 --> 00:52:15,510
different natured scene, you know. I
don't know how to put it. Different
765
00:52:15,510 --> 00:52:17,910
natured, you know. Yeah, it's sexual
nature.
766
00:52:18,150 --> 00:52:19,550
There we go. It's sexual nature.
767
00:52:20,350 --> 00:52:22,330
Really difficult to film, really
difficult to act.
768
00:52:22,530 --> 00:52:24,470
Because I find it difficult to direct.
769
00:52:24,790 --> 00:52:29,830
Yeah. It's awkward, isn't it? You know,
that kind of... Yeah. So you need to...
770
00:52:30,250 --> 00:52:31,250
do this.
771
00:52:31,870 --> 00:52:36,450
But is it kind of uncomfortable for an
actor to do that? Or is it after the
772
00:52:36,450 --> 00:52:39,950
first time, is it like, okay, that's
pretty easy? I mean, if the actor, if
773
00:52:39,950 --> 00:52:46,250
co -actor I'm working with is, you know,
good and understanding and, you know,
774
00:52:46,250 --> 00:52:50,150
they're not awkward, it makes it so much
easier. So, Adam I was acting alongside
775
00:52:50,150 --> 00:52:51,069
with was great.
776
00:52:51,070 --> 00:52:54,050
He was great. He was a good friend of
mine on the shoot.
777
00:52:54,650 --> 00:52:55,970
He made everything super comfortable.
778
00:52:56,330 --> 00:52:57,370
He worried about me.
779
00:52:57,880 --> 00:53:01,360
He was concerned about me. It made me
feel comfortable. I was like, don't
780
00:53:01,360 --> 00:53:02,460
about me. I'm fine.
781
00:53:02,740 --> 00:53:03,820
I'm okay, you know.
782
00:53:04,080 --> 00:53:08,500
And that's the main thing, the other
actor. If the other actor's, you know,
783
00:53:08,500 --> 00:53:13,000
it, then it's because, hands up, I'm
going to be honest, I've worked with
784
00:53:13,000 --> 00:53:16,720
that it's really difficult to work with
because they're either nervous or not
785
00:53:16,720 --> 00:53:19,800
very confident or, you know, haven't
done much before.
786
00:53:21,120 --> 00:53:24,720
Or they didn't want to do the theme,
maybe. I've worked on things that they
787
00:53:24,720 --> 00:53:27,160
don't want to do it. They're just like,
I don't want to do that. They'll put
788
00:53:27,160 --> 00:53:27,939
effort in.
789
00:53:27,940 --> 00:53:31,960
And it makes it really difficult for you
because you have to try and make up
790
00:53:31,960 --> 00:53:33,140
their part, you know?
791
00:53:33,680 --> 00:53:37,620
And I think if you both go in full ball,
to what me and Adam did, we went full
792
00:53:37,620 --> 00:53:40,680
in and we just went, hit it hard, it
makes sense. It just flows.
793
00:53:41,240 --> 00:53:45,940
And then you're not, you know, you're
more confident and it's not as...
794
00:53:47,360 --> 00:53:51,740
embarrassing or yeah i mean because it's
like oh don't you know it is tough and
795
00:53:51,740 --> 00:53:56,780
i think that one of the things that we
all you know we maintained on set was
796
00:53:56,780 --> 00:54:00,700
that you know it's a collaborative
process yeah you know you were involved
797
00:54:00,700 --> 00:54:04,100
kind of the structure of the story you
were coming back with ideas and it was
798
00:54:04,100 --> 00:54:07,820
adam yeah and we were constantly kind of
having that conversation about how
799
00:54:07,820 --> 00:54:11,900
about this what about this and it was
that kind of point where it wasn't it no
800
00:54:11,900 --> 00:54:16,540
longer became one person going you need
to do this it was more of a well let's
801
00:54:16,860 --> 00:54:17,860
let's look at this.
802
00:54:18,340 --> 00:54:21,860
Three people going, would this work?
803
00:54:22,080 --> 00:54:26,620
And then making it. And I think that
made it more intense because you saw the
804
00:54:26,620 --> 00:54:31,260
confidence and you saw the effort that
everyone was going through.
805
00:54:31,660 --> 00:54:37,440
It was a joint process that everyone was
working towards it.
806
00:54:39,160 --> 00:54:43,740
So we are going to watch the trailer for
Wretched Things one final time in this
807
00:54:43,740 --> 00:54:48,520
live stream, and then we're going to be
back in two minutes talking about our
808
00:54:48,520 --> 00:54:50,500
next project, which is quite intense.
809
00:54:50,920 --> 00:54:51,920
Enjoy.
810
00:54:53,240 --> 00:54:54,360
Ooh, enjoy!
811
00:55:16,840 --> 00:55:19,660
You know, I told people I was straight
since my mid -twenties.
812
00:55:20,800 --> 00:55:22,700
It's one of my biggest regrets.
813
00:55:23,520 --> 00:55:25,280
I feel like I lost my entire youth.
814
00:55:39,880 --> 00:55:44,060
Our magazine reaches 2 million unique
readers every single week. That's 2
815
00:55:44,060 --> 00:55:45,060
million eyes on you.
816
00:57:13,859 --> 00:57:16,180
And that was Wretched Things.
817
00:57:17,540 --> 00:57:20,740
That was our latest project there.
818
00:57:21,980 --> 00:57:25,620
So, ooh, we've kind of got a bit of a
thing about that. I thought that. I was
819
00:57:25,620 --> 00:57:28,620
going to say, what happens here? Let's
move it in the forward. Who did that? I
820
00:57:28,620 --> 00:57:31,820
did move it. Did you? Yeah, I just moved
that. I just did it a bit closer to
821
00:57:31,820 --> 00:57:32,840
you. There we go.
822
00:57:33,200 --> 00:57:37,960
Very professional here on our thing.
823
00:57:38,460 --> 00:57:45,280
Yes, so we are going to chat about
Tognell, but if you do have any final
824
00:57:45,280 --> 00:57:48,840
questions, then do feel free to ask them
in below.
825
00:57:50,180 --> 00:57:56,080
So we've got a question here from Lola.
Which chapter is the darkest and which
826
00:57:56,080 --> 00:57:57,380
one is the sexiest?
827
00:57:59,380 --> 00:58:01,960
Chapter, for me, hands down, that would
be three.
828
00:58:02,300 --> 00:58:03,300
For me, it's three.
829
00:58:03,820 --> 00:58:07,040
I don't know about sexiest, but darkest,
three.
830
00:58:07,360 --> 00:58:08,360
Three.
831
00:58:08,780 --> 00:58:10,200
Sexiest, I would say number one.
832
00:58:10,980 --> 00:58:15,680
Number one. Would you say sexiest is
number one? I haven't seen the film, but
833
00:58:15,680 --> 00:58:17,080
know what goes on.
834
00:58:17,360 --> 00:58:23,080
The thing is, with the sex scenes in the
film, the scenes that do feature
835
00:58:23,080 --> 00:58:29,140
more explicit and more scenes of a
sexual nature, they are not fun scenes
836
00:58:29,140 --> 00:58:31,000
watch. They are not fun scenes to film.
837
00:58:33,690 --> 00:58:39,970
often we see sex in film as either
romantic or glamorous or
838
00:58:39,970 --> 00:58:43,210
sometimes realistic or whatever it is.
839
00:58:43,790 --> 00:58:50,650
These scenes are tough because we want
to challenge our audience. We want
840
00:58:50,650 --> 00:58:56,990
to see that sex is something that is not
something that is cut and dry. People
841
00:58:56,990 --> 00:58:59,710
use sex for power. People use sex for
dominance, for money,
842
00:59:01,800 --> 00:59:07,640
a lot of different reasons, and it's not
as simple as saying it's between people
843
00:59:07,640 --> 00:59:08,618
who love each other.
844
00:59:08,620 --> 00:59:10,920
It's a tough one.
845
00:59:11,380 --> 00:59:13,020
It's dark. Yeah, it's dark.
846
00:59:13,320 --> 00:59:18,360
So do watch out for more trailers. We're
going to be releasing more content in
847
00:59:18,360 --> 00:59:22,680
the coming months, but for now, Wretched
Things is going to be out in January
848
00:59:22,680 --> 00:59:23,680
2019.
849
00:59:24,700 --> 00:59:25,720
Adam Iardi!
850
00:59:26,580 --> 00:59:27,580
Well done.
851
00:59:27,620 --> 00:59:28,620
Oh, yes.
852
00:59:29,480 --> 00:59:30,940
He's joined us.
853
00:59:31,340 --> 00:59:33,860
Adam, welcome to the room.
854
00:59:35,040 --> 00:59:36,300
You've missed 50 minutes.
855
00:59:37,000 --> 00:59:38,240
Where were you? You're late.
856
00:59:38,620 --> 00:59:43,480
I hope you're having... Adam, he plays
Louis in the final chapter. Adam, just a
857
00:59:43,480 --> 00:59:45,120
quick question for you, actually, if
you're still around.
858
00:59:46,320 --> 00:59:47,840
Which one do you think is the darkest?
859
00:59:48,420 --> 00:59:52,900
Or if you've got any questions, Adam.
Yeah, feel free to send them on.
860
00:59:54,280 --> 00:59:57,750
So, yeah, I think we've only got ten
minutes for the last... Yeah, we've got
861
00:59:57,750 --> 01:00:00,750
about 10 -15 minutes. We can stretch
over.
862
01:00:01,130 --> 01:00:04,970
Yeah, I was thinking, should we move on
to the final project? Let's talk about
863
01:00:04,970 --> 01:00:07,830
it. We've talked about this world we
live in. We've talked about record
864
01:00:07,830 --> 01:00:11,190
that's coming out. And now we've got a
new project that no one knows about yet
865
01:00:11,190 --> 01:00:13,330
that we're filming in October.
866
01:00:14,030 --> 01:00:18,510
Yes, and this is a project that's been
co -written by Jack and I.
867
01:00:18,830 --> 01:00:23,970
It's the first time we've ever properly,
officially, really collaborated on the
868
01:00:23,970 --> 01:00:24,970
writing process.
869
01:00:25,950 --> 01:00:29,990
done writing in the past, but this is
the first time it is a proper
870
01:00:29,990 --> 01:00:33,870
collaboration. Yeah, this is my first
writing credit ever.
871
01:00:34,570 --> 01:00:38,450
I've never, you know, I've written, I've
never gone into production.
872
01:00:38,650 --> 01:00:43,810
Yeah, so do you want to talk a little
bit about the character that you're
873
01:00:43,810 --> 01:00:44,509
to be playing?
874
01:00:44,510 --> 01:00:50,650
Yeah, so I'm going to be playing a
young, I'd say aspiring model, Tom.
875
01:00:52,509 --> 01:00:54,510
He's never had a photoshoot before.
876
01:00:54,810 --> 01:00:56,690
He's just been told that he could be a
model.
877
01:00:57,090 --> 01:00:59,910
So he's basically trying to get a
portfolio done.
878
01:01:00,210 --> 01:01:04,290
So when you start out as a model, you go
and get test shoots done. So it's free
879
01:01:04,290 --> 01:01:09,210
photos from, or you can pay, from the
photographer, and then you kind of swap
880
01:01:09,210 --> 01:01:11,250
the photos. They have them for their
portfolio, you have them for yours.
881
01:01:11,470 --> 01:01:14,450
And that's kind of how you start, and
you can take them to agencies.
882
01:01:15,790 --> 01:01:20,610
So this young aspiring model goes for a
photoshoot with a photographer.
883
01:01:21,490 --> 01:01:24,930
Eduardo. Yes. Do you want me to talk
about Eduardo?
884
01:01:25,190 --> 01:01:26,049
You can talk about Eduardo.
885
01:01:26,050 --> 01:01:33,010
Eduardo is played by Santo, who will be
working and putting
886
01:01:33,010 --> 01:01:36,770
more promotional content out in the
coming weeks, so do check out that.
887
01:01:37,010 --> 01:01:43,190
But he plays a very professional, very
big photographer,
888
01:01:43,390 --> 01:01:47,030
who is quite a respectful...
889
01:01:48,350 --> 01:01:54,530
name in the industry perhaps, but he
kind of prays and takes advantage of
890
01:01:54,530 --> 01:01:58,610
vulnerable, insecure maybe, first time
model.
891
01:01:58,830 --> 01:02:03,430
So it is quite a sinister story. We've
seen it in our industry quite a lot.
892
01:02:03,890 --> 01:02:09,870
It's one that is very realistic,
unfortunately, but the conversations
893
01:02:09,870 --> 01:02:13,050
going on for too long about Me Too,
Time's Up.
894
01:02:13,400 --> 01:02:18,140
and it now needs to change. We need to
make direct action on some of these
895
01:02:18,140 --> 01:02:21,900
things that we're talking about, which
we are now starting to see with a lot of
896
01:02:21,900 --> 01:02:26,360
very brave men and women talking out
about sexual exploitation, sexual abuse
897
01:02:26,360 --> 01:02:27,299
the industry.
898
01:02:27,300 --> 01:02:32,080
So this is something that we're very,
very keen to explore.
899
01:02:32,440 --> 01:02:35,820
And I'll say that it's loosely based on
a true story. Yes, if you want to.
900
01:02:36,080 --> 01:02:37,880
This is loosely based on a true story.
901
01:02:38,440 --> 01:02:40,380
This is this week, we didn't have that.
902
01:02:41,760 --> 01:02:45,560
So yeah, this kind of, when I was
getting into the industry, this loosely
903
01:02:45,560 --> 01:02:50,380
happened to me. It got me twice. It got
me thinking, if this happened to me
904
01:02:50,380 --> 01:02:52,360
twice, how often does this happen?
905
01:02:52,900 --> 01:02:56,480
How many models and how many actors go
through this when they're starting out?
906
01:02:56,800 --> 01:03:01,040
Not even when they're starting out, A
-listers. Harvey Weinstein, Kevin
907
01:03:01,060 --> 01:03:06,360
This happens. This happens. A lot. And I
don't know if I've seen really a film
908
01:03:06,360 --> 01:03:08,380
kind of challenge that.
909
01:03:08,660 --> 01:03:09,740
Not the...
910
01:03:10,640 --> 01:03:14,300
So, yeah, this is why, you know, we came
up with the idea. I pitched the script
911
01:03:14,300 --> 01:03:18,820
to Gage, and he rewrote, I rewrote, and
we, you know, we rewrote and put it
912
01:03:18,820 --> 01:03:19,820
right.
913
01:03:20,720 --> 01:03:24,800
So we decided to go into Brooklyn, and,
yeah, again, it's my first writing
914
01:03:24,800 --> 01:03:28,060
credit, first producing credit, acting
in it again. Yeah.
915
01:03:28,490 --> 01:03:31,970
So that's exciting, and I'm really
excited about this one. It's going to be
916
01:03:31,970 --> 01:03:34,970
good shoot, I think. I think it is going
to be a good shoot. It's going to be an
917
01:03:34,970 --> 01:03:35,970
intense shoot.
918
01:03:36,150 --> 01:03:42,310
So just to read out the official
synopsis for the film, although we kind
919
01:03:42,310 --> 01:03:44,890
just described it, I don't want to trip
myself up.
920
01:03:45,190 --> 01:03:49,290
Aspiring model Tom pushes his boundaries
on his first shoot as his vulnerability
921
01:03:49,290 --> 01:03:52,190
is tested by professional photographer
Eduardo.
922
01:03:53,250 --> 01:03:56,530
That's quite a tough one again for you.
923
01:03:57,680 --> 01:04:01,860
So I don't want to talk too much about
it because I know more content is kind
924
01:04:01,860 --> 01:04:06,460
coming out and I don't know how much
we're allowed to say from our producers
925
01:04:06,460 --> 01:04:09,260
probably going to kick us when we see
them later tonight.
926
01:04:09,640 --> 01:04:14,600
But this is something that we're super
proud of and that we'll be talking more
927
01:04:14,600 --> 01:04:20,200
about in the most recent social media.
So do follow us on social media. We are
928
01:04:20,200 --> 01:04:21,840
at Oxygen Film.
929
01:04:22,340 --> 01:04:24,760
That's on Twitter, Instagram and
Facebook.
930
01:04:25,340 --> 01:04:28,180
And we'll be putting a lot of content
out about TOG.
931
01:04:28,760 --> 01:04:31,360
Follow Jack on Twitter at ParJack.
932
01:04:31,960 --> 01:04:32,879
That's right.
933
01:04:32,880 --> 01:04:38,400
Yeah. And at GearJoxley for Twitter.
Instagram at GearJoxley and at JackWPar.
934
01:04:38,540 --> 01:04:40,360
You're very good at this. I am. Very
good.
935
01:04:40,640 --> 01:04:45,620
Wow. I'm not your friend or
collaborator. I'm just a stalker. I know
936
01:04:45,620 --> 01:04:46,920
what you are all the time. My PR.
937
01:04:50,899 --> 01:04:52,680
Yes, Pog will be coming out very soon.
938
01:04:53,660 --> 01:04:55,220
Really, really looking forward to this
one.
939
01:04:55,500 --> 01:04:58,360
How long would you set this up? Are we
allowed to talk about that?
940
01:04:58,600 --> 01:05:01,360
Yeah, I'm happy to talk about anything
if you are.
941
01:05:01,640 --> 01:05:02,640
You're the director.
942
01:05:03,620 --> 01:05:04,940
What are we on?
943
01:05:05,360 --> 01:05:07,520
15 minutes, I think. 15 minutes, yeah.
944
01:05:07,800 --> 01:05:10,460
I think it's another short one. Yeah,
it's a short one.
945
01:05:11,240 --> 01:05:14,620
I do think... Yeah, it could be shorter
than that, maybe.
946
01:05:15,940 --> 01:05:19,060
I don't know. We'll see. We'll see in
the edit and the cut.
947
01:05:19,920 --> 01:05:24,000
But yeah, this one, so TOG, I don't know
if everyone knows, TOG is, in the model
948
01:05:24,000 --> 01:05:25,800
world, it's short for Thugfa.
949
01:05:26,220 --> 01:05:29,180
So all the models say, I'm shooting this
really cool POG at the weekend.
950
01:05:29,880 --> 01:05:32,420
That's where the idea came from. I
thought, oh, that's quite cool and hip.
951
01:05:32,960 --> 01:05:34,060
We call it POG.
952
01:05:35,440 --> 01:05:38,160
Oh, we'll be editing together, says
Adam.
953
01:05:39,100 --> 01:05:40,100
We'll see.
954
01:05:40,120 --> 01:05:44,420
New films have awesome dudes. We'll be
editing together. We did, you know, Gabe
955
01:05:44,420 --> 01:05:47,780
said he was going to edit this one, and
he said you couldn't, because...
956
01:05:48,030 --> 01:05:52,530
Obviously I came up with the initial
idea of writing it and we worked
957
01:05:52,530 --> 01:05:54,990
and then he said, if you want to sit and
write, edit with me. Yeah.
958
01:05:55,270 --> 01:05:56,890
I was like, that's a good idea. Please
do.
959
01:05:57,510 --> 01:06:00,750
Please do. So we could both have a say
on the editing process.
960
01:06:01,090 --> 01:06:04,010
But the thing is, you know, I live in
London, Gage lives in Leeds, it could be
961
01:06:04,010 --> 01:06:10,750
quite difficult and I trust him 100%. So
I'm happy for Gage to edit because
962
01:06:10,750 --> 01:06:12,370
I don't, I've never edited.
963
01:06:12,570 --> 01:06:15,890
But it is another intense, it is quite
another intense film.
964
01:06:16,410 --> 01:06:17,710
Yeah, it is.
965
01:06:18,090 --> 01:06:23,730
Do keep an eye out on our social media.
We'll be talking about wretched things
966
01:06:23,730 --> 01:06:24,629
as well.
967
01:06:24,630 --> 01:06:29,130
We'll be talking more about that on our
social media in a few moments too.
968
01:06:29,710 --> 01:06:31,130
So do stick around.
969
01:06:31,710 --> 01:06:35,730
We are going to be finishing up the live
stream now, but we're going to be
970
01:06:35,730 --> 01:06:39,570
around for another few minutes
afterwards. If you do have any burning
971
01:06:39,810 --> 01:06:43,890
send them over now and then we can
answer them too.
972
01:06:44,620 --> 01:06:48,880
In the meantime, thank you very much for
joining. Thank you all for the ones who
973
01:06:48,880 --> 01:06:54,060
have asked questions, who've joined us.
And if you are watching this when we're
974
01:06:54,060 --> 01:06:59,460
not live, even if it's next week, next
month, next year, do still engage with
975
01:06:59,460 --> 01:07:01,260
down in the comments, ask questions.
976
01:07:01,580 --> 01:07:07,120
I and our social media team will always
kind of answer the questions and
977
01:07:07,120 --> 01:07:09,680
comments that we think deserve an
answer.
978
01:07:10,940 --> 01:07:14,860
And as mentioned, do stick to our social
media. We'll be releasing more content
979
01:07:14,860 --> 01:07:18,840
in the coming few months. And do watch
the film. This Where We Live In is
980
01:07:18,840 --> 01:07:22,080
available on our YouTube. So now we've
finished the broadcast, you can go and
981
01:07:22,080 --> 01:07:22,939
watch it.
982
01:07:22,940 --> 01:07:24,740
Click on our... If you haven't seen it
already.
983
01:07:25,380 --> 01:07:26,380
Watch it again.
984
01:07:26,580 --> 01:07:29,840
Do it again. Watch it three times.
Download it. Show the family.
985
01:07:30,440 --> 01:07:32,140
as long as they are over 18.
986
01:07:34,020 --> 01:07:37,600
And then Pulse is our other film that's
available on Facebook.
987
01:07:37,900 --> 01:07:43,040
Wretched Things comes out later, not
later this year, early next year,
988
01:07:43,240 --> 01:07:45,300
and Tug will soon follow.
989
01:07:45,760 --> 01:07:48,360
So, thank you very much for joining us.
Any last words?
990
01:07:48,640 --> 01:07:51,580
I was going to say, one last thing is,
obviously, you can always contact us on
991
01:07:51,580 --> 01:07:57,040
social media, and if there's anything
that you think we should, if there's any
992
01:07:57,040 --> 01:07:58,760
ideas you've got that you think we
should...
993
01:08:00,200 --> 01:08:01,460
How would you say that? Yeah, challenge.
994
01:08:02,540 --> 01:08:08,440
Any stories that you think we should
talk about?
995
01:08:08,800 --> 01:08:15,060
The thing with films is conversations
need to happen. Stories need to be told.
996
01:08:15,200 --> 01:08:19,260
There's always going to be someone's
story out there that hasn't been told.
997
01:08:20,060 --> 01:08:26,340
Even if it's not made into a film, even
if it's not addressed by putting it on a
998
01:08:26,340 --> 01:08:29,260
comment board, by talking to someone, by
opening up.
999
01:08:29,600 --> 01:08:34,060
And by getting the help you need and
deserve is so important. So if you have
1000
01:08:34,060 --> 01:08:39,760
been affected by any of the issues shown
in this live stream, help is out there.
1001
01:08:40,479 --> 01:08:44,580
Do comment and do reach out to us if you
want any extra links for support.
1002
01:08:45,279 --> 01:08:47,100
We do have them all readily available.
1003
01:08:48,260 --> 01:08:49,920
Thank you very much for joining us.
Thank you very much.
1004
01:08:50,220 --> 01:08:53,479
And we will be very, yes, we'll be in
touch.
1005
01:08:54,060 --> 01:08:55,960
And seeing you all very, very soon.
1006
01:08:56,859 --> 01:08:59,220
This has been our very first live stream
as well.
1007
01:08:59,460 --> 01:09:00,880
The very first one.
1008
01:09:01,600 --> 01:09:06,180
We've been live for quite a... That's a
lie. We've not been live for 36 minutes.
1009
01:09:06,240 --> 01:09:09,939
We've been live for far longer than 36
minutes. I don't know if we've been cut
1010
01:09:09,939 --> 01:09:12,040
off at some point. Sorry if we have.
1011
01:09:12,800 --> 01:09:15,020
We're just seeing that now. Although we
have been watching on there.
1012
01:09:15,380 --> 01:09:17,479
So I don't think we have been cut off.
1013
01:09:18,080 --> 01:09:20,760
We can go for about an hour. Yeah, I
think we have as well.
1014
01:09:21,479 --> 01:09:23,120
So thank you very much for joining us.
1015
01:09:23,350 --> 01:09:28,529
If you have any questions, do reach out.
And we hope to see you on the other
1016
01:09:28,529 --> 01:09:30,890
side. Thank you very much. Thank you
very much. Goodbye.
1017
01:09:31,290 --> 01:09:32,290
Bye.
1018
01:09:41,170 --> 01:09:42,170
We're still live?
1019
01:09:42,910 --> 01:09:45,649
I think we're still live. Hello, we're
back again.
1020
01:09:47,010 --> 01:09:50,510
We're still live. How do we stop this?
Can someone tell us how to stop this?
1021
01:09:50,850 --> 01:09:52,149
We'll see you later.
1022
01:09:52,990 --> 01:09:53,990
Thank you very much.
1023
01:09:54,250 --> 01:09:55,550
I think this is the final button.
93146
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.