All language subtitles for Jack Parr & Gage Oxley - LIVE STREAM (2018)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,900 --> 00:00:06,540 I believe we are live. 2 00:00:08,740 --> 00:00:09,960 Let us just check. 3 00:00:10,340 --> 00:00:11,740 Hello everyone if you're watching. 4 00:00:13,380 --> 00:00:15,080 I believe we are live. 5 00:00:16,820 --> 00:00:18,160 We are a little bit early. 6 00:00:20,100 --> 00:00:22,100 Yes, we are live. We are live. 7 00:00:22,430 --> 00:00:23,430 Hello. Hello. 8 00:00:24,650 --> 00:00:30,990 So just to check all of the system before we go ahead and start, just make 9 00:00:30,990 --> 00:00:32,049 you can definitely hear us. 10 00:00:37,430 --> 00:00:42,990 This is our very first live stream here at Oxygen Films, so do bear with us 11 00:00:42,990 --> 00:00:45,450 while we're checking things out. 12 00:00:47,020 --> 00:00:50,600 So to introduce ourselves, my name is Gage Oxley, I'm the Managing Director of 13 00:00:50,600 --> 00:00:53,260 Oxygen Films and to join with me is Jack Parr. 14 00:00:54,020 --> 00:00:58,900 So Jack, do you want to tell the audience a little about yourself as I 15 00:00:58,900 --> 00:01:00,500 make sure we are running? 16 00:01:02,340 --> 00:01:06,520 We're hoping that all you lovely people who watch this where we live in tune in 17 00:01:06,520 --> 00:01:07,520 today. 18 00:01:07,780 --> 00:01:11,740 So yeah, me and Gage have worked together for how many years now? 19 00:01:12,220 --> 00:01:13,220 Couldn't I start five? 20 00:01:13,940 --> 00:01:18,420 Five years. I've known you for five years now. Gage cast me in my first ever 21 00:01:18,420 --> 00:01:19,420 feature film. 22 00:01:20,060 --> 00:01:21,780 So I'd say you started my career off. 23 00:01:22,160 --> 00:01:25,860 And then we just carried on working together and we worked on loads of 24 00:01:26,020 --> 00:01:30,040 And then we worked on one called This World We Live In, which did pretty good. 25 00:01:30,220 --> 00:01:34,480 And yeah, it did really well at the festival run. 26 00:01:35,160 --> 00:01:37,500 And so we carried on working together, carried on working together, and we've 27 00:01:37,500 --> 00:01:39,040 just done another film together. 28 00:01:39,820 --> 00:01:44,220 Do any more next month? Not just yet. 29 00:01:44,500 --> 00:01:49,300 Thank you very much for holding for me there. I can't wait to check that you 30 00:01:49,300 --> 00:01:50,300 could hear us. 31 00:01:50,500 --> 00:01:55,300 We are live though. We're also following along on our iPads though. If you do 32 00:01:55,300 --> 00:01:58,380 have any questions throughout the course of the live stream. 33 00:01:58,910 --> 00:02:04,810 then you can send us a message, send us a question, and we will answer it. We 34 00:02:04,810 --> 00:02:10,030 are aware we've started a little bit early than our 12 o 'clock plan, but we 35 00:02:10,030 --> 00:02:13,490 intend to show you quite a lot of our content and stuff that we've got coming 36 00:02:13,490 --> 00:02:14,490 very soon. 37 00:02:14,810 --> 00:02:19,350 Just to introduce myself, I'm Gay Doctor Managing Director of Oxygen Films, and 38 00:02:19,350 --> 00:02:23,590 with me is Jack Parr, extraordinary actor, who is with us as well. 39 00:02:25,130 --> 00:02:30,970 So, we are first going to show off the very first trailer for Wretched Things. 40 00:02:31,470 --> 00:02:35,250 Wretched Things is our most recent short film. 41 00:02:35,470 --> 00:02:40,250 It's one of our most exciting and, thankfully, ambitious projects. It was 42 00:02:40,250 --> 00:02:41,850 ambitious for you, wasn't it? It was ambitious. 43 00:02:42,350 --> 00:02:43,228 I'm nervous. 44 00:02:43,230 --> 00:02:45,450 Yes, it was quite intense. 45 00:02:45,770 --> 00:02:49,150 So, we're going to show you the very first trailer. 46 00:02:49,710 --> 00:02:50,710 four extra things now. 47 00:02:51,150 --> 00:02:54,370 We'll be showing it throughout the live stream, so you might see it quite a few 48 00:02:54,370 --> 00:02:55,830 times, but I hope you enjoy. 49 00:03:19,280 --> 00:03:22,200 You know, I told people I was straight since my mid -twenties. 50 00:03:23,280 --> 00:03:25,140 It's one of my biggest regrets. 51 00:03:25,980 --> 00:03:27,760 I feel like I lost my entire youth. 52 00:03:42,360 --> 00:03:46,540 Our magazine reaches 2 million unique readers every single week. That's 2 53 00:03:46,540 --> 00:03:47,540 million eyes on you. 54 00:05:17,930 --> 00:05:21,310 So that was the trailer for Wretched Things. 55 00:05:22,250 --> 00:05:25,590 That is coming out, as you saw at the end there, January 2019. 56 00:05:26,930 --> 00:05:31,370 So before we go further into Wretched Things, we are going to ask quite a few 57 00:05:31,370 --> 00:05:33,150 questions about that. That's our most recent project. 58 00:05:34,050 --> 00:05:36,830 First, we're going to talk about This Is Where We're Living, which is quite a 59 00:05:36,830 --> 00:05:37,830 big project for us. 60 00:05:37,850 --> 00:05:41,830 We shot that film about two years now. 61 00:05:42,350 --> 00:05:44,750 Is that how I meant? Since we shot it, yeah, it's mental. 62 00:05:46,130 --> 00:05:50,190 It really does try, especially because This World We Live In came out earlier 63 00:05:50,190 --> 00:05:51,430 this year. 64 00:05:52,110 --> 00:05:54,570 It's been quite a rollercoaster ride, hasn't it? 65 00:05:55,190 --> 00:05:57,250 Feels like we shot that this summer. 66 00:05:57,750 --> 00:06:00,730 Yeah, but it was quite a long time ago. 67 00:06:01,050 --> 00:06:06,890 Yeah, This World We Live In was our first kind of... major short film 68 00:06:06,890 --> 00:06:11,990 and it was quite an intense experience for you, wasn't it? It was, yeah. 69 00:06:12,210 --> 00:06:15,770 I remember sitting down and we were talking about the character and the 70 00:06:15,770 --> 00:06:18,670 storyline and you were, I think you were a bit nervous about kind of getting 71 00:06:18,670 --> 00:06:21,510 into it. Yeah. Do you think that was a good decision to jump into it now? 72 00:06:21,850 --> 00:06:26,070 100%, like I was so nervous to take that role on and some of the things that we 73 00:06:26,070 --> 00:06:30,990 did were really challenging and so I was so nervous and obviously for people to 74 00:06:30,990 --> 00:06:33,990 see what was in the film as well was nerve -wracking but 75 00:06:34,950 --> 00:06:40,250 Taking that leap and going there has changed how I've gone on in a role and 76 00:06:40,250 --> 00:06:41,670 I've gone on to do next. 77 00:06:42,250 --> 00:06:44,290 It worked out very well. 78 00:06:44,570 --> 00:06:48,290 It was a bit of a risk for me. When I was going for the role, it was a risk to 79 00:06:48,290 --> 00:06:51,750 take the things I was going to do, but it was the best risk I was taking. 80 00:06:52,090 --> 00:06:54,910 Because it got me to different places. 81 00:06:55,870 --> 00:06:57,070 It was a reason. 82 00:06:57,630 --> 00:07:01,150 And it was a different character for you, I think. 83 00:07:01,530 --> 00:07:02,770 One that you probably... 84 00:07:03,360 --> 00:07:05,680 haven't really seen since maybe until Wretched Things. 85 00:07:06,220 --> 00:07:10,100 But I mean, would you, do you now feel kind of more confident as an actor going 86 00:07:10,100 --> 00:07:12,920 forward having had those challenges raised? 87 00:07:14,220 --> 00:07:18,080 After this world we live in and then Wretched Things, I don't think there's 88 00:07:18,080 --> 00:07:20,820 anything else that could possibly challenge me now. 89 00:07:21,280 --> 00:07:25,880 I literally think that I've been challenged so much. Yeah, that's it. 90 00:07:27,080 --> 00:07:31,460 Me and the lead actor Adam said that at the end of it, if we can do this. 91 00:07:31,770 --> 00:07:33,850 And we can do anything, like mental. 92 00:07:34,910 --> 00:07:35,910 Good, okay. 93 00:07:35,950 --> 00:07:42,350 So definitely, in the acting world right now, I feel comfortable with normal 94 00:07:42,350 --> 00:07:43,350 roles. 95 00:07:43,670 --> 00:07:48,770 So This Way We're Living has been seen by, on YouTube alone, about a quarter of 96 00:07:48,770 --> 00:07:49,770 a million people. 97 00:07:50,030 --> 00:07:54,150 We've had festival circuits around the world, reaching nearly every continent. 98 00:07:54,250 --> 00:07:55,790 Antarctica, we are coming for you. 99 00:07:56,430 --> 00:08:00,250 But we've had a really nice reaction from audiences internationally. 100 00:08:01,730 --> 00:08:05,910 How do you kind of take a lot of the, you know, some of the comments that 101 00:08:05,910 --> 00:08:10,110 got, reading them and kind of seeing positive, such a positive, you know, 102 00:08:10,130 --> 00:08:12,590 response and such an overwhelming response to something we created? 103 00:08:12,850 --> 00:08:19,110 It's crazy because I remember when we sat down and talked about this script 104 00:08:19,110 --> 00:08:22,910 then a week later you bring the script and then we just shot it a month later 105 00:08:22,910 --> 00:08:25,670 and that was it and we just did it and it got out there. I never thought it got 106 00:08:25,670 --> 00:08:28,430 the reaction that it did. And then when I started to see all the comments... 107 00:08:28,460 --> 00:08:32,159 Hundreds and thousands of people watching it. I was getting messages on 108 00:08:32,159 --> 00:08:37,320 Instagram from people all over the world, from Brazil, Spain, America, from 109 00:08:37,640 --> 00:08:41,760 And people like, photographers were messaging me out, phone calls from 110 00:08:41,760 --> 00:08:42,760 from LA. 111 00:08:42,840 --> 00:08:46,020 Hey man, I've seen your short film. I was like, this is mad. 112 00:08:46,280 --> 00:08:47,660 I did not expect that reaction. 113 00:08:47,920 --> 00:08:51,900 Sometimes you can do a short film that everyone's passionate about and then it 114 00:08:51,900 --> 00:08:52,900 can just go. 115 00:08:52,920 --> 00:08:53,920 Yeah. It just blows up. 116 00:08:54,060 --> 00:08:57,100 You don't even know it's going to happen. We all just did it because we 117 00:08:57,100 --> 00:08:58,760 enjoyed the process and we just loved filming. 118 00:08:59,060 --> 00:09:01,680 And we just enjoyed the story and we believed in it and we believed it was 119 00:09:01,680 --> 00:09:05,120 to work. It was going to work, yeah. But I didn't think that it was going to be 120 00:09:05,120 --> 00:09:08,340 on that scale of people. No. I don't think any of us did, to be honest. No, 121 00:09:08,340 --> 00:09:12,440 definitely not. I mean, we, for me, I shot it, I mean, we shot it in December 122 00:09:12,440 --> 00:09:13,460 2016. 123 00:09:14,580 --> 00:09:18,800 But we just kind of started, I started working on it from Edinburgh Fringe, so 124 00:09:18,800 --> 00:09:19,860 kind of August. 125 00:09:20,680 --> 00:09:23,220 2016, was when I kind of started getting the idea of doing something about 126 00:09:23,220 --> 00:09:26,180 ChemSec, after seeing a really brilliant player there. 127 00:09:27,240 --> 00:09:31,860 And I think, you know, I'd just come off a feature film set which was very, very 128 00:09:31,860 --> 00:09:35,840 challenging and one that kind of made me question whether or not I could 129 00:09:35,840 --> 00:09:39,500 continue within the film industry and kind of think, you know, whether or not 130 00:09:39,500 --> 00:09:42,880 this was the right job for me. And then having those responses from people 131 00:09:42,880 --> 00:09:47,080 watching this where we're living has kind of... that really did rejuvenate. 132 00:09:47,280 --> 00:09:51,220 Yeah. Especially because it took, we were on set five days. Yeah. It was a 133 00:09:51,220 --> 00:09:55,860 day shoot and then we were done and dusted and, yeah, I'm really, really 134 00:09:55,860 --> 00:09:56,860 overwhelmed with the response. 135 00:09:56,920 --> 00:10:01,720 Yeah. For me, like, this was, this was the short film that changed my whole 136 00:10:01,720 --> 00:10:05,880 perspective on acting. Like, acting for me was just, was just a bit of fun and 137 00:10:05,880 --> 00:10:09,420 playing around, it was a hobby, like, and this, the amount of comments, like, 138 00:10:09,420 --> 00:10:10,940 think we got, how many? 139 00:10:11,600 --> 00:10:15,240 250 million? 250 million comments. Pretty much every single comment was 140 00:10:15,520 --> 00:10:19,180 this puts me, this is my life, this, you know, made me cry. 141 00:10:19,460 --> 00:10:23,740 And, like, seeing people, how people reacted that way, was like, wow. 142 00:10:24,180 --> 00:10:28,420 Like, making films is not really about a bit of fun and stuff. You literally can 143 00:10:28,420 --> 00:10:29,680 change people's minds, you know what I mean? 144 00:10:29,960 --> 00:10:33,420 Change people's lives, see things, and I was like, for me, that was a big thing 145 00:10:33,420 --> 00:10:34,420 for me. Yeah. 146 00:10:34,660 --> 00:10:41,560 I mean, one of the overriding kind of things that Oxygen Films has promoted 147 00:10:41,560 --> 00:10:44,100 pushed is that, for us, 148 00:10:44,960 --> 00:10:49,460 you know film is not something that is just to be you know let you know there's 149 00:10:49,460 --> 00:10:52,520 some films can wash you over and be fine and you can watch them but 150 00:10:52,520 --> 00:10:56,860 realistically you know we know that film is such a powerful tool to help um 151 00:10:56,860 --> 00:11:01,720 forge discussion to create a better life for people to make people understand 152 00:11:01,720 --> 00:11:06,120 perhaps the problems that they're having a little bit easier um so for us it 153 00:11:06,120 --> 00:11:10,980 really is kind of a very keen uh focus that we need to continue creating 154 00:11:11,960 --> 00:11:14,620 challenging topics that look at, you know, interesting stuff. Some of the 155 00:11:14,620 --> 00:11:18,820 comments we had on the film that he mentioned was that, you know, someone 156 00:11:18,820 --> 00:11:22,060 Russia who was like, you know, his parents didn't know he was gay. 157 00:11:22,560 --> 00:11:26,220 He felt it was really unsafe to come out. And then the flurry of support that 158 00:11:26,220 --> 00:11:30,960 he's had on our comment board, you know, it's really, really touching. 159 00:11:31,560 --> 00:11:35,060 And then the same for some of the other films we've done. We've had letters 160 00:11:35,060 --> 00:11:39,140 from, you know, so many people saying thank you for creating this. I've now 161 00:11:39,140 --> 00:11:43,030 realised I'm, you know... I should be proud of who I am. I'm in a safe 162 00:11:43,030 --> 00:11:47,630 environment to come out and to be who I am. So that's kind of why we create the 163 00:11:47,630 --> 00:11:48,630 content that we do. 164 00:11:49,290 --> 00:11:50,890 So we're very, very proud of that. 165 00:11:51,910 --> 00:11:55,330 Will Jordan has just joined. He says, yes, boys. 166 00:11:56,590 --> 00:11:57,590 Hi, Will. 167 00:11:58,010 --> 00:12:02,650 Will Jordan had a cameo role in... He did, yes, he did. I completely forgot 168 00:12:02,650 --> 00:12:03,349 about that. 169 00:12:03,350 --> 00:12:04,350 Footballer. 170 00:12:04,810 --> 00:12:08,190 He was, yeah. He did a fantastic job. Is he on the winning team or the losing 171 00:12:08,190 --> 00:12:09,470 team? The losing team. I think he was. 172 00:12:10,190 --> 00:12:11,190 Sorry, Will. 173 00:12:12,210 --> 00:12:17,010 If you do have any questions, do put them in the comment box below. We are 174 00:12:17,010 --> 00:12:18,010 keeping tabs on them. 175 00:12:18,510 --> 00:12:19,510 Keep them clean. 176 00:12:19,890 --> 00:12:21,190 Thanks for having me again. 177 00:12:21,850 --> 00:12:22,850 Again? 178 00:12:23,370 --> 00:12:24,370 He's not been in it. 179 00:12:24,570 --> 00:12:25,309 No, I'm not. 180 00:12:25,310 --> 00:12:27,650 I think that's the hint. He wants to be in the next one. He wants to be in the 181 00:12:27,650 --> 00:12:30,010 next one. He can be in the next one. He can be in the next one. 182 00:12:30,330 --> 00:12:31,930 We've got a row lined up here. 183 00:12:32,150 --> 00:12:34,090 Talk is something we are going to be talking about. 184 00:12:34,590 --> 00:12:39,630 In a few moments, that is our next secret project, although maybe not so 185 00:12:39,630 --> 00:12:40,770 now, I'll just say. 186 00:12:41,630 --> 00:12:48,130 But yeah, we will be talking to Jack about your next upcoming role, 187 00:12:48,330 --> 00:12:52,910 and also the collaboration again, doing this new film. 188 00:12:53,910 --> 00:12:55,870 So we are just... 189 00:12:56,699 --> 00:12:58,180 waiting for some more questions. 190 00:12:58,600 --> 00:13:02,120 It's now 12 .03, so the livestream has officially started. 191 00:13:02,860 --> 00:13:08,760 Please do put some questions for us. We do have some lined up already, but if 192 00:13:08,760 --> 00:13:12,020 you do have any questions, do put them in the chat. 193 00:13:13,580 --> 00:13:16,440 So, we've talked a little bit about this, where we live in. 194 00:13:17,300 --> 00:13:21,040 Now we went on to Wretched Things, which we shot this summer. 195 00:13:21,820 --> 00:13:23,620 How was that process for you? 196 00:13:25,490 --> 00:13:27,030 I love it when you ask me. 197 00:13:27,830 --> 00:13:28,830 This one. 198 00:13:29,350 --> 00:13:32,970 For everyone who saw This World We Live In, right, there was a couple of scenes 199 00:13:32,970 --> 00:13:36,650 in there that were really challenging for me and really out of my comfort 200 00:13:37,170 --> 00:13:39,250 And then I didn't think I could be challenged anymore. 201 00:13:39,470 --> 00:13:42,690 And this one was. It was mad. 202 00:13:43,050 --> 00:13:47,230 It was mad. It was the most challenging role I've ever taken on in my life. 203 00:13:47,550 --> 00:13:51,550 And I'm looking forward to seeing it. And I'm looking forward for everyone to 204 00:13:51,550 --> 00:13:52,850 see it. Because, again, it's going to be it. 205 00:13:53,120 --> 00:13:55,920 It's going to be another up on this world we live in. 206 00:13:56,620 --> 00:13:58,640 This was tough. This was really tough. 207 00:13:59,520 --> 00:14:01,240 Yeah, I mean, that's all I can say. 208 00:14:01,760 --> 00:14:02,760 It wasn't easy. 209 00:14:02,980 --> 00:14:09,340 It really wasn't. It was so challenging. The nature of the theme and the arc and 210 00:14:09,340 --> 00:14:12,860 what the characters were going through was tough. 211 00:14:13,480 --> 00:14:17,920 And to try and get that into my head and try and play Jack outside of his body 212 00:14:17,920 --> 00:14:19,130 and go... This is Joey now. 213 00:14:20,090 --> 00:14:25,110 I've really got to take myself out of this situation because it's hard for you 214 00:14:25,110 --> 00:14:26,110 to deal with that. 215 00:14:26,470 --> 00:14:32,310 If you get lost in it and you kind of don't take yourself out of it, it can be 216 00:14:32,310 --> 00:14:36,450 hard and challenging. So, yeah, I had to really, yeah, I went through some tough 217 00:14:36,450 --> 00:14:37,950 times. But do you know what? 218 00:14:38,610 --> 00:14:42,790 It was good fun as well. To challenge yourself and do that and go, wow, I did 219 00:14:42,790 --> 00:14:44,190 that. I'm proud of it. 220 00:14:45,130 --> 00:14:47,890 You know, we're hitting things that people aren't hitting in film. 221 00:14:48,530 --> 00:14:53,470 You know, hitting these markers that... Am I talking rubbish? No, no, you're not 222 00:14:53,470 --> 00:14:57,610 talking rubbish at all. I completely agree. I think, you know, the fact that 223 00:14:57,610 --> 00:15:02,770 are doing something that not everyone does is really, you know, we've got to 224 00:15:02,770 --> 00:15:05,930 ourselves out different compared to everyone else, I think. 225 00:15:07,290 --> 00:15:08,630 I think Retro Things does that. 226 00:15:09,130 --> 00:15:12,790 We did see the trailer earlier on at the start of our live stream. We will be 227 00:15:12,790 --> 00:15:14,010 showing it again in a few moments. 228 00:15:14,390 --> 00:15:16,370 So if you have missed it, we will be showing it again. 229 00:15:17,030 --> 00:15:20,490 But yeah, you really went for it in that role, I think. 230 00:15:21,330 --> 00:15:23,930 Yeah, you were something else in that one. 231 00:15:24,890 --> 00:15:28,750 We did speak about This Way We're Living. If you haven't seen it, do go 232 00:15:28,750 --> 00:15:31,770 and watch it. It is on our Auction Film channel. Obviously, keep ahead with the 233 00:15:31,770 --> 00:15:33,790 live stream first because we're normally going to be here once. 234 00:15:34,160 --> 00:15:36,100 This world we live in will dare that, so keep with us. 235 00:15:36,360 --> 00:15:40,320 In the meantime, though, we are going to show you a little preview of one of the 236 00:15:40,320 --> 00:15:42,520 more challenging things of this world we live in. 237 00:15:43,220 --> 00:15:45,040 Enjoy. You actually look like your profile. 238 00:15:47,300 --> 00:15:48,300 Come in. 239 00:17:01,870 --> 00:17:02,870 Chosen coke. 240 00:17:15,329 --> 00:17:18,430 There you 241 00:17:18,430 --> 00:17:24,910 go. 242 00:17:26,589 --> 00:17:27,589 Come on, dude. 243 00:17:27,970 --> 00:17:29,030 It's your first chill. 244 00:17:35,180 --> 00:17:40,420 you say something no no come on come on you need to go i'm gonna go no no no no 245 00:18:10,540 --> 00:18:11,540 Cousin Tina. 246 00:18:54,760 --> 00:18:58,660 So that was This World We Live In There, a little teaser. 247 00:18:59,200 --> 00:19:04,340 Do feel free to go watch that after you've watched this live stream. We'll 248 00:19:04,340 --> 00:19:09,720 probably for another hour or so, but if you do have any questions after, please 249 00:19:09,720 --> 00:19:13,720 do put them in and we'll be here typing away after, even though we're not live, 250 00:19:13,780 --> 00:19:14,780 so we can still answer questions. 251 00:19:15,340 --> 00:19:18,380 We did get a question from Will Jordan. Thank you for asking one. 252 00:19:19,100 --> 00:19:23,300 What are you both looking forward to the most about working with each other 253 00:19:23,300 --> 00:19:25,080 again? That's a good question. 254 00:19:25,960 --> 00:19:26,960 You go first. 255 00:19:27,000 --> 00:19:28,000 Am I going first? Okay. 256 00:19:28,640 --> 00:19:34,680 I'm... For you, you're such a versatile performer in that you really, really 257 00:19:34,680 --> 00:19:37,840 take on a character and breathe and live it. 258 00:19:38,480 --> 00:19:42,120 And I know you said you disassociate yourself from those people because you 259 00:19:42,120 --> 00:19:46,580 to. Because those characters, you end up playing a not -Jack part. 260 00:19:47,040 --> 00:19:49,560 So you do have to disassociate. But for me... 261 00:19:49,800 --> 00:19:54,360 working with someone who really understands the character and 262 00:19:55,420 --> 00:20:01,900 The point where you know an actor has a role definitely confirmed and properly 263 00:20:01,900 --> 00:20:05,440 in their mind is when they start thinking in the voice of the character. 264 00:20:05,740 --> 00:20:10,720 And I think you do that. I think I've seen your thought process as, Joey, your 265 00:20:10,720 --> 00:20:14,360 thought process coming up with your new character. I think I've already started 266 00:20:14,360 --> 00:20:17,860 seeing some of the clogs starting to turn. 267 00:20:19,370 --> 00:20:20,470 How about you? Thanks. 268 00:20:21,710 --> 00:20:28,310 So, Gage, when I first spoke to him, I couldn't believe when I first spoke to 269 00:20:28,310 --> 00:20:32,770 Gage how young he was. So, Gage was, I think he was 17, right? 270 00:20:33,430 --> 00:20:36,530 I was on set for a feature film, my first feature film, and Gage was running 271 00:20:36,530 --> 00:20:40,710 show and just knew so much about film. I was like, this guy's a genius. I'm 272 00:20:40,710 --> 00:20:42,870 thinking, wait till this guy's 30 years old. 273 00:20:43,170 --> 00:20:45,710 I can't understand how... 274 00:20:46,140 --> 00:20:49,020 You know what I mean? I couldn't understand how young you were and how 275 00:20:49,020 --> 00:20:51,960 were, and I thought, it's just back to me. I wanted to work with you again and 276 00:20:51,960 --> 00:20:54,180 again, every time I worked with you again, and I got the bigger roles and 277 00:20:54,180 --> 00:20:57,240 bigger roles, because it was a speaking role, then it was, you know, seven 278 00:20:57,240 --> 00:21:00,980 scenes, then it was a lead role, and this role, and having that one -on -one, 279 00:21:01,280 --> 00:21:05,420 where we'd go and sit down and talk about the role, or talk about these 280 00:21:05,420 --> 00:21:12,120 things, I just love that you really invest in the lead actor, or the actor, 281 00:21:12,340 --> 00:21:16,630 and, you know, the production has to do their thing, and you're, seriously on to 282 00:21:16,630 --> 00:21:18,390 any problems, you come to me. 283 00:21:19,030 --> 00:21:22,590 Anything's wrong, you come to me. This is what we're going to do. And it just, 284 00:21:22,590 --> 00:21:25,430 think we really work together well now because we know each other well. Yeah. 285 00:21:25,590 --> 00:21:30,090 And I love your vision and I think I believe you like my vision. 286 00:21:30,550 --> 00:21:34,150 100%. Yeah. And we balance with each other. Yeah. And our ideas are great and 287 00:21:34,150 --> 00:21:36,710 kind of get, boom, there's an idea and there's an idea and we join up and we 288 00:21:36,710 --> 00:21:38,310 just brainstorm and it works. 289 00:21:38,610 --> 00:21:41,930 Thank you. So the chemistry is really good. Yeah. So that's why I like it. 290 00:21:41,930 --> 00:21:44,720 you. I'll be putting that on my resume. 291 00:21:44,940 --> 00:21:46,780 Yeah, yeah, yeah. This is going on my show reel completely. 292 00:21:47,500 --> 00:21:51,340 But no, I think you mentioned it there, that kind of collaborative process is 293 00:21:51,340 --> 00:21:55,020 really, really important, especially for scenes like the one we just watched in 294 00:21:55,020 --> 00:22:00,940 this world we live in. That was a challenging little day, was that? And 295 00:22:00,940 --> 00:22:03,900 actually, that entire scene was shot in one continuous day. 296 00:22:04,900 --> 00:22:09,940 So, yeah, what was your kind of feelings before going into that day and then 297 00:22:09,940 --> 00:22:11,140 after that day? How did you find that? 298 00:22:12,380 --> 00:22:16,820 The reason why it's challenging is because, with a lot of opposite acting, 299 00:22:16,820 --> 00:22:19,700 of the time actors haven't done it before. So I've never been to a Chemsex 300 00:22:19,700 --> 00:22:20,840 holiday, I've never done that. 301 00:22:21,160 --> 00:22:26,160 So we obviously did a lot of research, watched a documentary on Chemsex, and we 302 00:22:26,160 --> 00:22:27,640 got advice from doctors. 303 00:22:27,900 --> 00:22:30,260 Yeah, 50 -50 Dean Street were a really, really good house. 304 00:22:30,860 --> 00:22:35,520 And so going in there, I had to... And the good thing about the character was, 305 00:22:35,660 --> 00:22:37,180 he had never done that before. 306 00:22:37,400 --> 00:22:40,580 It was his first time, so it was challenging, but it was almost... 307 00:22:41,850 --> 00:22:44,990 Refreshing in a way because it was new to me and new to the character. So I had 308 00:22:44,990 --> 00:22:47,310 to walk in there and go, what's going on? This is weird. 309 00:22:48,010 --> 00:22:52,690 It was a challenge because it's not a nice place to be in. 310 00:22:52,930 --> 00:22:54,570 So it's very vulnerable. 311 00:22:55,770 --> 00:22:56,770 And lonely. 312 00:22:57,510 --> 00:22:59,350 And it's like no one can help you now. 313 00:22:59,610 --> 00:23:00,810 Once you're in there, you're trapped. 314 00:23:01,030 --> 00:23:03,650 And he goes to try and get away, Joey. 315 00:23:04,170 --> 00:23:07,710 He's like, I'm going to go now. This is weird. And he gets stopped. No, stay. 316 00:23:07,930 --> 00:23:09,730 And I'm like... Yeah. 317 00:23:10,300 --> 00:23:13,400 It's a scary environment to be in. I mean, yeah, it's a scary environment. I 318 00:23:13,400 --> 00:23:17,520 think as an actor for you, it must have been quite intimidating for a director. 319 00:23:17,940 --> 00:23:23,120 That was my very first scene I shot, which was kind of of that nature, of the 320 00:23:23,120 --> 00:23:24,120 sexual nature. 321 00:23:24,180 --> 00:23:30,760 And so for me, I was kind of very conscious about how I directed and the 322 00:23:30,760 --> 00:23:32,940 spoke and kind of the general atmosphere of that day. 323 00:23:33,660 --> 00:23:36,220 But the fact that we managed to film all of that in one... 324 00:23:36,720 --> 00:23:41,140 the day before we do have some more questions so thank you for sending them 325 00:23:41,140 --> 00:23:46,540 if you do have any more questions do put them down below but one of the you know 326 00:23:46,540 --> 00:23:51,500 the things about that yes of course one of the things about that filming day was 327 00:23:51,500 --> 00:23:56,820 the day before we had to clear out the basement of this student house in Leeds 328 00:23:56,820 --> 00:24:00,200 completely because it was one of the most 329 00:24:01,320 --> 00:24:04,140 Terrifying that was more terrifying I think than the following desert with so 330 00:24:04,140 --> 00:24:09,220 many spiders We have to completely like properly like clean it's obviously you 331 00:24:09,220 --> 00:24:13,400 and the other actors. We had Jack Bell kind of margin there. Yeah, we're gonna 332 00:24:13,400 --> 00:24:20,180 be kind of Practically naked so we couldn't have you know, like Everywhere 333 00:24:20,180 --> 00:24:23,140 it was we're just yeah 334 00:24:26,440 --> 00:24:28,560 Yes, I remember I had to bat a gum. 335 00:24:28,980 --> 00:24:30,620 We've got Primark dressing gowns. 336 00:24:31,120 --> 00:24:35,100 We were running on a low budget. You did? 337 00:24:35,340 --> 00:24:37,220 I wouldn't be having them back after filming that. 338 00:24:38,620 --> 00:24:45,320 So, yeah, that was kind of a little idea about that 339 00:24:45,320 --> 00:24:46,420 filming day. 340 00:24:46,660 --> 00:24:48,420 Do you want to ask a question from David? 341 00:24:48,880 --> 00:24:50,200 David? David what? 342 00:24:50,420 --> 00:24:52,940 Thanks for tuning in and asking the question, David. 343 00:24:53,200 --> 00:24:55,800 David said, looks like it was a fairly technical... 344 00:24:56,080 --> 00:24:59,080 Technically, challenging suit, can you talk about filming difficulties? 345 00:24:59,760 --> 00:25:00,760 Yeah. 346 00:25:01,100 --> 00:25:02,100 Yeah, 347 00:25:03,440 --> 00:25:07,700 I mean, there were quite... It was quite a smooth show, actually, and I think it 348 00:25:07,700 --> 00:25:13,280 was because we hadn't... We hadn't done a short film in quite a long time. Like, 349 00:25:13,280 --> 00:25:17,220 three years before was the first time we'd done a short film. All of the other 350 00:25:17,220 --> 00:25:21,420 years, we'd done feature films, and they are typically much more exhaustive. 351 00:25:22,720 --> 00:25:27,600 you know instead of five day filming we were doing like 20 to 30 day shoots um 352 00:25:27,600 --> 00:25:32,080 the budget for the features were far more for this whole living it was about 353 00:25:32,080 --> 00:25:36,920 pounds whereas our features were close to 20 000 the differences were were huge 354 00:25:36,920 --> 00:25:40,860 and so for us this kind of felt like a walk in the park really we had about a 355 00:25:40,860 --> 00:25:44,500 week of pre -production than a week of production in about a week or so. 356 00:25:44,880 --> 00:25:48,700 I remember on Christmas Eve you came around to do the final voice -over. We 357 00:25:48,700 --> 00:25:50,760 wrapped the film on Christmas Eve. 358 00:25:51,020 --> 00:25:52,700 I got my parents as well. You did, yeah. 359 00:25:52,960 --> 00:25:53,960 Game of Thrones box set. 360 00:25:54,160 --> 00:25:55,280 Still not watched it, have you? No. 361 00:25:55,620 --> 00:25:57,740 Two years ago and it's still not watched it. 362 00:25:57,980 --> 00:26:02,580 I was buying on about how much I wanted to watch Game of Thrones and I had to 363 00:26:02,580 --> 00:26:04,020 shoot Gamesport with Game of Thrones box set. 364 00:26:04,560 --> 00:26:06,960 That's a nice little insight. 365 00:26:07,320 --> 00:26:09,980 That needs to go on the IMDB trivia. Yeah, the trivia. 366 00:26:11,140 --> 00:26:18,040 But yeah, I mean, really, it was a tremendously challenging film to shoot, 367 00:26:18,040 --> 00:26:22,480 actually the difficulties that came with it were non -existent. We had such a 368 00:26:22,480 --> 00:26:27,220 great crew on it. So Sian Carey, Beth Fallon were kind of leading on it with 369 00:26:27,320 --> 00:26:30,260 and you as well, in kind of production and producer role. 370 00:26:31,000 --> 00:26:35,540 But, I mean, them two, I've known them for, about 11 years now. 371 00:26:36,140 --> 00:26:39,780 And we've kind of continued on with Oxygen and the Odyssey series. 372 00:26:40,780 --> 00:26:47,160 Yeah, I mean, with them two, it was very much, we got the show running and it 373 00:26:47,160 --> 00:26:48,180 was quite smooth. 374 00:26:48,580 --> 00:26:52,420 I don't think technically it wasn't, nothing really went wrong technically. 375 00:26:52,420 --> 00:26:55,340 was a five -day shoot and there was a big crew for that short film. I think 376 00:26:55,340 --> 00:26:59,020 there was quite a lot of people in specific roles that really did their 377 00:26:59,020 --> 00:27:00,020 well. Yeah, definitely. 378 00:27:00,280 --> 00:27:01,280 So in terms of that, I don't think it was... 379 00:27:01,830 --> 00:27:04,590 We finished every day early, didn't we? Yeah, we did. Oh, David. 380 00:27:05,670 --> 00:27:07,610 We didn't mess up. We're pros. 381 00:27:08,550 --> 00:27:09,550 We're pros. 382 00:27:10,750 --> 00:27:13,330 Yeah, I mean, that was quite a good question. 383 00:27:13,590 --> 00:27:16,730 One of the issues we did have, actually, on that day, the only issue we had was 384 00:27:16,730 --> 00:27:22,850 with our card reader. Literally halfway through filming the chem sex scene, the 385 00:27:22,850 --> 00:27:28,390 card reader did break, and we had three different people ringing around trying 386 00:27:28,390 --> 00:27:29,750 to find it. It was very specialist. 387 00:27:30,170 --> 00:27:34,430 piece of equipment that's super tiny, it's literally a card reader, and in the 388 00:27:34,430 --> 00:27:39,690 end I just literally pulled it apart, folded a little piece of it, gaffed it, 389 00:27:39,810 --> 00:27:42,070 put it back together in the kitchen of the student accommodation. 390 00:27:42,730 --> 00:27:46,050 While they were still filming, everyone was still filming, it didn't stop at 391 00:27:46,050 --> 00:27:48,690 all, it just carried on. 392 00:27:49,310 --> 00:27:53,530 The show must go on when you're filming. When you're working with actors, you 393 00:27:53,530 --> 00:27:57,470 can do reshoots and you can hold things back, but realistically you've got to 394 00:27:57,470 --> 00:27:58,470 keep on going because... 395 00:27:58,780 --> 00:28:05,680 lose you lose out otherwise so um yeah um will jordan has asked where 396 00:28:05,680 --> 00:28:10,580 do you both see yourself in 10 years time i don't know where i see myself in 397 00:28:10,580 --> 00:28:17,500 days time do you want me to start with that one yeah please 398 00:28:17,500 --> 00:28:23,760 um god i could have thought about this yeah i mean in 10 years time i was 31 399 00:28:24,780 --> 00:28:26,460 Oh, you're going to be a genius at 31. 400 00:28:28,140 --> 00:28:29,320 I'll probably be dead. 401 00:28:31,280 --> 00:28:32,280 I'll be out. 402 00:28:32,980 --> 00:28:34,000 No, in ten years' time. 403 00:28:34,640 --> 00:28:39,240 Do you know, I want to be in the same position I am now, to be honest. I 404 00:28:39,320 --> 00:28:44,840 obviously, it would be nicer to have more money and to have more of an 405 00:28:44,840 --> 00:28:48,160 about the films we make, because at the moment it is a very big challenge to 406 00:28:48,160 --> 00:28:53,100 promote the films and get... them seen by the people that we know want to see 407 00:28:53,100 --> 00:28:58,980 them and should see them to have that kind of natural following of people who 408 00:28:58,980 --> 00:29:05,040 look out for the film that would be really really nice just to mean that we 409 00:29:05,140 --> 00:29:08,140 we know the stuff we're doing is getting out to the people who need to see it 410 00:29:08,140 --> 00:29:14,380 but really I just want to be carrying on making films and working with you How 411 00:29:14,380 --> 00:29:16,460 old will you be in 10 years time? 412 00:29:18,480 --> 00:29:20,420 Why do I have to think about it so long? 33. 413 00:29:20,880 --> 00:29:22,720 33? At 33 years old. 414 00:29:23,580 --> 00:29:25,700 At 33 years old? 415 00:29:25,900 --> 00:29:31,460 In 33 years old? At 33 years old, I will have two kids. Two kids? 416 00:29:31,760 --> 00:29:32,760 A wife. 417 00:29:33,180 --> 00:29:34,180 And a house. 418 00:29:34,960 --> 00:29:35,960 That's family. 419 00:29:36,860 --> 00:29:38,740 You said 10 years' time. You didn't say an industry. 420 00:29:39,340 --> 00:29:40,340 Oh, true. Okay. 421 00:29:40,480 --> 00:29:43,400 That's me 10 years' time. But let's talk about the industry. 422 00:29:44,100 --> 00:29:47,480 I want to be just financially stable as an actor and as a writer. 423 00:29:47,900 --> 00:29:51,000 I want to be, you know, at least be doing that full time. 424 00:29:51,240 --> 00:29:54,580 I don't need to be earning millions as long as I can pay the food and pay the 425 00:29:54,580 --> 00:29:59,560 rent and act full time. And I want to be able to be in a situation where I can 426 00:29:59,560 --> 00:30:03,740 pick and choose my work that I really want to work on. Yeah, yeah, yeah. Not 427 00:30:03,740 --> 00:30:07,400 kind of taking it for the money and I need the rent. I want to be working on 428 00:30:07,400 --> 00:30:11,160 something I'm passionate about and that I want to work on with you. 429 00:30:11,920 --> 00:30:14,580 Yeah, yeah, yeah. Thank you. Oh, we're still on together. Yeah, I do want to 430 00:30:14,580 --> 00:30:16,120 work together forever now. 431 00:30:17,240 --> 00:30:18,300 I want to be the Godfather. 432 00:30:18,520 --> 00:30:20,420 Yeah. Yeah, that's it. 433 00:30:21,140 --> 00:30:23,520 Maybe that's a question we don't pose in the livestream. 434 00:30:24,040 --> 00:30:25,040 That's the livestream. 435 00:30:25,780 --> 00:30:28,840 I'm going to extend that question, though. Ten years' time, would you want 436 00:30:28,840 --> 00:30:30,780 writing projects, directing projects? 437 00:30:31,100 --> 00:30:32,300 Would you ever go into that? Oh, my God, yeah. 438 00:30:32,540 --> 00:30:35,820 Thank you. No worries. So, when I first started acting, I was like, acting, 439 00:30:35,920 --> 00:30:37,600 acting, acting. Like, I want to be an actor, and that was it. 440 00:30:37,800 --> 00:30:41,520 And then, after a while, I just started writing shorts, and then I started 441 00:30:41,520 --> 00:30:44,600 writing stuff, and the project got bigger and bigger, and I started 442 00:30:45,540 --> 00:30:48,940 sitcoms and on a feature film at the moment I think I'm thinking oh my god I 443 00:30:48,940 --> 00:30:52,300 actually really love writing I'd love to be a writer now like I'd love to write 444 00:30:52,300 --> 00:30:57,460 TV series and so writing is something hugely that I want to do now and that's 445 00:30:57,460 --> 00:31:01,060 ingrained in me now and I'm like you know I'm going to write for the rest of 446 00:31:01,060 --> 00:31:07,440 life and I don't want to talk about it too much yet but I'm producing our next 447 00:31:07,440 --> 00:31:11,240 well co -producer assistant producer on the next short film 448 00:31:12,230 --> 00:31:16,050 Then I got me thinking, okay, if I can do a bit of producing, you know, and now 449 00:31:16,050 --> 00:31:20,030 I'm thinking, God, you know, I'd love to get to, like, 40 and write and direct 450 00:31:20,030 --> 00:31:25,070 my own film. Yeah. And cast it and not be in it and just, you know. And just do 451 00:31:25,070 --> 00:31:29,130 the creating of it. Yeah. At the minute, I really just want to be in front of 452 00:31:29,130 --> 00:31:32,630 the screen and acting and feeling it, yeah. But maybe when I get older, I'll 453 00:31:32,630 --> 00:31:36,630 probably want to sit back and go, I'm directing it now. Yeah. 454 00:31:37,080 --> 00:31:39,680 I think you'd be a brilliant director. Do you think? I think you'd be a really, 455 00:31:39,720 --> 00:31:40,499 really good director. 456 00:31:40,500 --> 00:31:41,600 Thank you. I'm not sure. 457 00:31:41,900 --> 00:31:47,120 I think one of the things, one of the reasons to be a good, well, not the 458 00:31:47,120 --> 00:31:50,180 reasons, one of the kind of skills you'd need as a good director is to know how 459 00:31:50,180 --> 00:31:51,280 actors work. 460 00:31:52,100 --> 00:31:56,540 Empathy, isn't it? Yeah, it's knowing what to say in the right time to get the 461 00:31:56,540 --> 00:31:59,860 right performance. And I think, given your experience as an actor, I think 462 00:31:59,860 --> 00:32:03,520 that's one of the primary things. If anyone is watching, thinking about going 463 00:32:03,520 --> 00:32:06,890 into film, becoming a director, that is one of the things that I would... I 464 00:32:06,890 --> 00:32:10,870 suggest is, you know, maybe think about taking up an acting lesson. Even if you 465 00:32:10,870 --> 00:32:12,450 don't want to become an actor, you never will. 466 00:32:12,730 --> 00:32:18,450 I mean, I did acting lessons for about three years. I took drama, you know, air 467 00:32:18,450 --> 00:32:23,110 level and things like that. But just so I can understand how an actor takes. 468 00:32:23,330 --> 00:32:26,270 I've had some crazy, I've met some crazy people in my acting classes. 469 00:32:26,510 --> 00:32:30,650 Not always actors. I've met coaches, life coaches, acting coaches. I've met 470 00:32:30,650 --> 00:32:31,930 producers, writers, directors. 471 00:32:32,170 --> 00:32:34,610 And I'm like, why are you here? And they're like, oh, I just want to know 472 00:32:34,610 --> 00:32:35,610 it feels like to be an actor. 473 00:32:35,850 --> 00:32:39,130 I'm like, ah, it's clever. It is. So yeah, definitely takes my attention. 474 00:32:39,630 --> 00:32:45,130 So Jack did mention that he is going to be producing a new film along with other 475 00:32:45,130 --> 00:32:46,130 Oxygen films. 476 00:32:46,490 --> 00:32:49,550 We are going to be going into that in a short while. 477 00:32:50,290 --> 00:32:55,250 So do stick around for that. If you do have any questions in the meantime, do 478 00:32:55,250 --> 00:32:57,110 feel free to put them down below. 479 00:32:57,570 --> 00:33:00,610 Or you can tweet at us at Oxygen Film. 480 00:33:01,490 --> 00:33:04,070 Or what else can they do? They can Instagram us. 481 00:33:04,520 --> 00:33:05,800 We can follow them on Instagram, yeah. 482 00:33:06,020 --> 00:33:08,480 I mean, I've got the phone on me, but... No. 483 00:33:09,020 --> 00:33:12,120 Well, I've got mine. I've got mine. You can do something. 484 00:33:12,360 --> 00:33:13,360 The next trailer, I'll grab it. 485 00:33:13,520 --> 00:33:17,600 Yeah. All of the social media should be in the description. 486 00:33:17,940 --> 00:33:20,140 It's not in the description, but we'll be putting it in the description. 487 00:33:20,480 --> 00:33:21,059 Poor Paul. 488 00:33:21,060 --> 00:33:22,060 That was poor from me. 489 00:33:22,920 --> 00:33:27,380 Before we show the trailer for Wretched Things once again, we are just going to 490 00:33:27,380 --> 00:33:29,180 ask another question from Lola. 491 00:33:30,140 --> 00:33:31,820 Lola Torrent, thanks for... 492 00:33:32,170 --> 00:33:33,230 Thank you for the message. 493 00:33:33,910 --> 00:33:38,050 Hi, glad I didn't miss the live. Can't wait to see Brett's thing. I want to 494 00:33:38,050 --> 00:33:41,170 how you feel about having girls wanting to see the movie as well, because I'm so 495 00:33:41,170 --> 00:33:43,090 excited for it. Thank you very much, Lola. 496 00:33:43,570 --> 00:33:48,650 I know you're on our Instagram quite a lot, and you're always liking our stuff, 497 00:33:48,670 --> 00:33:50,750 so thank you very much for the support. It is much appreciated. 498 00:33:51,670 --> 00:33:55,550 How do you feel about that? Personally, I love it. Yeah? Why can't we have a 499 00:33:55,550 --> 00:34:00,210 girl audience? I mean, it is LGBT, you know, but... 500 00:34:00,560 --> 00:34:05,560 That's great. No, love it. I love it. Yeah. Because these stories obviously 501 00:34:05,680 --> 00:34:11,659 you know, they've got a certain market and a certain audience, but it's not, 502 00:34:11,659 --> 00:34:16,540 storyline can still affect everyone. No. This World We Live In is about, this 503 00:34:16,540 --> 00:34:21,040 guy was, he was not comfortable with himself when he was going down this 504 00:34:21,040 --> 00:34:25,520 horrible turmoil of being gay and not coming out and stuff, and his mates all 505 00:34:25,520 --> 00:34:29,780 straight. But when we actually really thought about it, and he went it down 506 00:34:29,780 --> 00:34:34,139 like you know the drugs and the alcohol this could be for anything this could be 507 00:34:34,139 --> 00:34:38,400 for if you get a divorce if you lose your house if you lose your job you 508 00:34:38,400 --> 00:34:43,980 it's more like about mental health and not dealing with what you know not 509 00:34:43,980 --> 00:34:48,159 talking to people about things and I was like anyone can watch this it's not 510 00:34:48,159 --> 00:34:52,810 always about what you think it's about the bigger picture It's always about the 511 00:34:52,810 --> 00:34:54,590 bigger picture. So, yeah, so Wretched Things, again, it's about the bigger 512 00:34:54,590 --> 00:34:59,130 picture, what's going on inside. I think with Wretched Things, even though I see 513 00:34:59,130 --> 00:35:04,890 it as, you know, really, you know, I've made the film for an LGBT audience 514 00:35:04,890 --> 00:35:09,050 because there's not a lot of films directly, kind of, that look at LGBT 515 00:35:09,050 --> 00:35:10,530 so specifically. 516 00:35:12,060 --> 00:35:16,360 The characters in it, most of the characters are not gay in the film, 517 00:35:16,360 --> 00:35:22,460 quite, you know, looking at the first chapter, we've got Warren Godman as Ben. 518 00:35:22,740 --> 00:35:26,500 He's got a model who is looking to get into the industry. 519 00:35:26,820 --> 00:35:33,200 He is straight, as far as we know. We know we never see him having any gay 520 00:35:33,200 --> 00:35:39,700 experiences. The second chapter with Tommy Velez, he is, you know, he's... 521 00:35:41,090 --> 00:35:43,050 potentially a bisexual character. 522 00:35:43,710 --> 00:35:47,350 Again, it's never explicitly seen on Munson, but we do see him having 523 00:35:47,350 --> 00:35:52,450 relationships with women or kind of being at least sexually attracted to 524 00:35:53,190 --> 00:35:58,030 But we also do see him experiment and, you know, so that character does... 525 00:35:58,400 --> 00:35:59,640 you know, it's not explicit. 526 00:36:00,180 --> 00:36:04,320 And then even in the third chapter, the one that you appear in, I'd have said, 527 00:36:04,340 --> 00:36:05,980 obviously, Joey is gay. 528 00:36:06,760 --> 00:36:08,200 He's very homosexual. 529 00:36:09,380 --> 00:36:14,640 Actually, looking at the other characters in the story, we have the 530 00:36:14,640 --> 00:36:21,560 character being Louis, who is very, very, you know, aggressive, kind of what 531 00:36:21,560 --> 00:36:23,560 I would say is the villain of the story. 532 00:36:24,540 --> 00:36:27,400 But we also see him having moments where 533 00:36:28,140 --> 00:36:33,100 His sexuality is explored in both heterosexual and homosexual. 534 00:36:33,580 --> 00:36:36,460 So again, he could be bisexual again. 535 00:36:36,860 --> 00:36:40,500 The story, this I think is probably our straightest story. 536 00:36:40,980 --> 00:36:44,600 I don't know how you feel about that from your perspective. 537 00:36:44,860 --> 00:36:48,700 I mean, from my side, I didn't feel it when I was doing it. But yeah, you're 538 00:36:48,700 --> 00:36:49,700 right. 539 00:36:51,310 --> 00:36:52,390 It's a pretty straight one. 540 00:36:52,670 --> 00:36:56,170 So thank you very much for that question, Lola, if you've got any 541 00:36:56,170 --> 00:36:59,330 tell your friends, because we have some girls watching. 542 00:37:00,130 --> 00:37:02,030 Oh, Lola, great. 543 00:37:02,650 --> 00:37:06,410 Can I read this out? Yes, so I can fangirl. Great, so I can fangirl over 544 00:37:06,410 --> 00:37:09,450 your amazing, handsome acts then, crying face emoji. 545 00:37:09,650 --> 00:37:12,230 Thanks a lot for your answer, Love Hotel. Thank you very much, Lola. Thank 546 00:37:12,230 --> 00:37:16,250 very much, Lola. Do stick around, because next up, we are going to be 547 00:37:16,250 --> 00:37:20,440 about our next... I know we've just finished one, but we're already starting 548 00:37:20,440 --> 00:37:25,480 another. So before we go into that, do have a look at this. This is the 549 00:37:25,480 --> 00:37:26,399 Things trailer. 550 00:37:26,400 --> 00:37:29,080 Once again, we'll be showing this throughout the livestream. 551 00:37:29,360 --> 00:37:30,360 Hope you enjoy. Enjoy. 552 00:37:52,650 --> 00:37:55,590 You know, I told people I was straight since my mid -twenties. 553 00:37:56,630 --> 00:37:58,530 It's one of my biggest regrets. 554 00:37:59,390 --> 00:38:01,150 I feel like I left my entire youth. 555 00:38:15,670 --> 00:38:19,790 Yeah, our magazine reaches two million unique readers every single week. That's 556 00:38:19,790 --> 00:38:20,930 two million eyes on you. 557 00:39:50,950 --> 00:39:52,250 And we are back. 558 00:39:55,210 --> 00:39:59,990 We're just talking through this question here, actually, from David, which we 559 00:39:59,990 --> 00:40:04,250 got in the middle of watching the trailer. It says, do you guys enjoy 560 00:40:04,250 --> 00:40:07,670 your own stuff? Lots of actors say they don't watch their own work. I assume the 561 00:40:07,670 --> 00:40:10,870 directors have to watch it over and over and over. 562 00:40:13,029 --> 00:40:16,950 Yep. You've got quite strong opinions. Yeah, I mean, I've heard this before 563 00:40:16,950 --> 00:40:20,350 where people say, oh, no, I don't like watching my own work. And I think it's 564 00:40:20,350 --> 00:40:24,330 actually being really modest and pretending that they don't actually 565 00:40:24,330 --> 00:40:29,870 it. But I actually think they have, they must do. I don't understand why you 566 00:40:29,870 --> 00:40:32,330 would get into acting or you would be passionate about a project. 567 00:40:32,750 --> 00:40:37,230 If I've done a project and I'm really passionate about it and I love the story 568 00:40:37,230 --> 00:40:39,770 and I love what's going on, yeah, I love watching it. 569 00:40:40,430 --> 00:40:43,630 I'm really proud of it. I'm like, we've created this. Me and you have created 570 00:40:43,630 --> 00:40:44,609 this world we live in. I love it. 571 00:40:44,610 --> 00:40:48,910 Don't get it wrong, after 20 times, yeah, it gets a bit too much. If any 572 00:40:48,910 --> 00:40:52,010 says, no, I act and I don't watch any of my work, I'm like, why? 573 00:40:52,310 --> 00:40:53,310 Why do you not do that? 574 00:40:53,850 --> 00:40:56,470 It's almost just like a job then. Does it help you? 575 00:40:56,910 --> 00:40:58,850 Do you think, or can it sometimes do you? 576 00:41:00,190 --> 00:41:03,890 Yeah, okay, this is difficult because I used to want to watch it after a scene. 577 00:41:03,930 --> 00:41:06,010 I used to want to watch it straight back on the camera. 578 00:41:06,859 --> 00:41:10,260 But number one that takes time and number two there's something entirely 579 00:41:10,260 --> 00:41:13,820 you don't like Yeah, and then you know you but how can we get another take and 580 00:41:13,820 --> 00:41:17,000 it's like well, you know I move on and if people don't know it's that scratch 581 00:41:17,000 --> 00:41:20,860 that you did that you don't like it. Yes. I'll stop watching things on the 582 00:41:20,940 --> 00:41:26,140 Yeah, but I wouldn't 100 % like Four years ago watching short films. I do 583 00:41:26,140 --> 00:41:30,780 now. I'm like wow better actors I've learned from watching back. 584 00:41:31,400 --> 00:41:35,780 That's not what you should do or you know, I wouldn't You know, you can pick 585 00:41:35,780 --> 00:41:40,820 things. Yeah, it does help, but you can be honest with yourself and go, I 586 00:41:40,820 --> 00:41:43,380 wasn't, you know, so good back then, and I know what I did wrong. 587 00:41:43,860 --> 00:41:48,800 So yeah, no, the answer is yes, I love watching products I've done. 588 00:41:49,040 --> 00:41:52,540 Because if I'm proud of it, yeah. You need to watch it, yeah. 589 00:41:53,020 --> 00:41:55,440 It's great, everyone loves it, you know, people are crying in the audience. 590 00:41:56,420 --> 00:42:00,320 I'm serious. My mum came to watch and she was crying her eyes out, and I'm 591 00:42:00,320 --> 00:42:01,320 like... 592 00:42:02,299 --> 00:42:04,220 We've made that impact, yeah. 593 00:42:04,460 --> 00:42:07,380 I'm like, yeah, I love watching stuff like that. I have the complete opposite 594 00:42:07,380 --> 00:42:08,380 reaction. 595 00:42:08,780 --> 00:42:13,780 Because, you hit the nail on the head there, David. For me, it is having to 596 00:42:13,780 --> 00:42:15,640 watch it over and over and over again. 597 00:42:16,100 --> 00:42:21,340 But also, I mean, for me, because I write as well as direct, I write the 598 00:42:21,340 --> 00:42:24,100 project, then I rewrite it, then I rewrite it, then I rewrite it. 599 00:42:24,520 --> 00:42:27,500 Then I read it, read it, read it. Then I direct it on the day with the actors 600 00:42:27,500 --> 00:42:28,800 over and over and over again. 601 00:42:29,080 --> 00:42:31,280 I'm often in the editing suite as well. Edit, edit, edit. 602 00:42:31,620 --> 00:42:36,800 So I'm watching it. And it gets to a point where you become so desensitized 603 00:42:36,800 --> 00:42:40,700 the content that you've created to the point where you no longer realize 604 00:42:40,700 --> 00:42:45,400 or not it's good or if something's not working, if a line isn't working. 605 00:42:46,240 --> 00:42:49,820 And also you become very attached as a writer -director to the work that you've 606 00:42:49,820 --> 00:42:51,760 done. And if you're on the day, you know, 607 00:42:52,600 --> 00:42:56,580 for example, if we shot a scene and we thought, loved that scene, I loved that 608 00:42:56,580 --> 00:43:00,620 moment when we were filming it, when actually, if we externalise yourself and 609 00:43:00,620 --> 00:43:03,880 think, well, actually, even though that was a great experience for me on set, it 610 00:43:03,880 --> 00:43:05,340 doesn't work well in the film. 611 00:43:06,300 --> 00:43:09,860 I find that a challenge, and that's something I'm kind of learning as I go 612 00:43:09,860 --> 00:43:15,180 ahead. But, yeah, I mean, the difficult thing is, when you've, you know, re 613 00:43:15,180 --> 00:43:17,980 -write, re -write, re -write, edit, edit, edit, and shot and done all these 614 00:43:17,980 --> 00:43:23,360 things, we've watched it, well, you especially, and that's not, but, If you 615 00:43:23,360 --> 00:43:26,160 direct and you've watched it maybe 30 times, you do pick up on these certain 616 00:43:26,160 --> 00:43:29,540 lines. But people are going to watch it once or twice, and they aren't going to 617 00:43:29,540 --> 00:43:31,760 notice things that we know it because you get attacked. 618 00:43:32,300 --> 00:43:39,140 Yeah, and you become hypercritical as well. It's very easy as a director and 619 00:43:39,140 --> 00:43:42,980 an actor as well to be super, super critical about your work. 620 00:43:43,340 --> 00:43:45,180 And that is dangerous. 621 00:43:45,980 --> 00:43:47,800 I work with actors. 622 00:43:48,280 --> 00:43:55,060 Some who like watching the content like you, others who are happy if I am happy 623 00:43:55,060 --> 00:43:59,400 and trust that I can basically say that was shit or that was good. 624 00:44:00,600 --> 00:44:07,500 But sometimes, yeah, I can prefer not watching the content back because, 625 00:44:07,620 --> 00:44:11,660 especially when it's something that you've put a lot of effort into and it's 626 00:44:11,660 --> 00:44:14,780 just maybe something isn't how exactly you pictured it in your head, that's 627 00:44:14,780 --> 00:44:18,220 another thing as a director you have to realise that some of the things you do 628 00:44:18,220 --> 00:44:21,420 are not going to work out how you imagined, but again, as you mentioned, 629 00:44:21,420 --> 00:44:23,600 only, you know, they're watching it for the first time. 630 00:44:23,920 --> 00:44:26,940 The readers, the watchers of the film don't have the script with them. They 631 00:44:26,940 --> 00:44:30,580 weren't on set. They don't know what's in my mind. So actually, what's in my 632 00:44:30,580 --> 00:44:31,720 mind is irrelevant. 633 00:44:32,080 --> 00:44:36,580 Yeah, and as an actor, you know, when you go to the screening or the premiere, 634 00:44:36,720 --> 00:44:39,740 that is the first time we watched it. Yeah, so that's why we're excited and we 635 00:44:39,740 --> 00:44:41,880 want to watch it because we've shot it, so we can. 636 00:44:42,380 --> 00:44:46,060 I think we know what we're going to see. We haven't seen the edit yet. So as a 637 00:44:46,060 --> 00:44:48,880 director, editor, writer, totally different to being an actor. 638 00:44:50,000 --> 00:44:54,040 Yeah, we haven't seen it until we see the preview or the private screen or 639 00:44:54,040 --> 00:44:55,900 whatever. That's very true. 640 00:44:57,160 --> 00:45:01,240 So thank you for joining us so far. We are going to be sticking around for 641 00:45:01,240 --> 00:45:03,420 another about 25 minutes, half an hour. 642 00:45:04,200 --> 00:45:09,000 Do feel free to ask your questions down below in the comments and even if we 643 00:45:09,000 --> 00:45:10,030 are... stream. 644 00:45:10,510 --> 00:45:15,290 Do put them, because we'll be here for another while, so we can answer some 645 00:45:15,290 --> 00:45:16,290 questions. 646 00:45:17,270 --> 00:45:18,270 Answer them, sorry. 647 00:45:18,810 --> 00:45:23,770 So, we are going to talk a little bit about Wrecked Things before we go on to 648 00:45:23,770 --> 00:45:28,050 the final, final project that we are looking at doing. No, the final project 649 00:45:28,050 --> 00:45:30,490 are looking at doing, but the final thing that we're going to be talking 650 00:45:30,670 --> 00:45:31,670 our most recent one. 651 00:45:32,310 --> 00:45:36,370 So, yes, Wrecked Things is coming out in January next year. 652 00:45:36,970 --> 00:45:38,430 Are you nervous? 653 00:45:39,889 --> 00:45:40,709 I am. 654 00:45:40,710 --> 00:45:44,170 I am nervous, but that's good. Again, because I was nervous about this world 655 00:45:44,170 --> 00:45:47,310 we're living in, and them nerves then turned into pride. 656 00:45:47,730 --> 00:45:48,730 I was like, wow. 657 00:45:48,770 --> 00:45:52,390 People are reacting differently to what I thought they were going to react to. I 658 00:45:52,390 --> 00:45:55,250 thought they were going to be like, oh, why would you do that? But they were 659 00:45:55,250 --> 00:45:56,250 like, oh my god. 660 00:45:56,590 --> 00:45:57,650 This is an amazing story. 661 00:45:58,050 --> 00:46:00,450 I'm hoping it's going to be the same thing. I was nervous about doing this 662 00:46:00,450 --> 00:46:03,430 again, but I'm nervous for the release, but I'm also excited. 663 00:46:04,250 --> 00:46:05,970 Because we've got a strong audience. 664 00:46:06,990 --> 00:46:08,350 behind it, I think, backing it. 665 00:46:08,810 --> 00:46:10,550 And yeah, I'm excited. 666 00:46:10,930 --> 00:46:11,930 Are you excited? 667 00:46:11,990 --> 00:46:12,988 I am, yeah. 668 00:46:12,990 --> 00:46:17,070 I mean, for me, as I mentioned before, this is the most ambitious project I've 669 00:46:17,070 --> 00:46:18,070 ever done. 670 00:46:18,290 --> 00:46:22,130 I think it might be the most ambitious project most of us have done. It was 671 00:46:22,130 --> 00:46:27,550 quite an uncomfortable shoot because if you've seen the trailer, you know that a 672 00:46:27,550 --> 00:46:33,510 lot of the content is quite explicit or graphic and quite intense in its nature. 673 00:46:34,000 --> 00:46:38,360 So to be on set and filming that was quite an experience in terms of, you 674 00:46:38,420 --> 00:46:43,780 getting the crew together to make it work because, you know, we have to have 675 00:46:43,780 --> 00:46:47,440 good atmosphere on set and I think for this one it was absolutely amazing. 676 00:46:48,360 --> 00:46:51,540 So how did you find directing this film? 677 00:46:51,760 --> 00:46:55,760 What were the challenges and what were the, I don't know, difficulties and 678 00:46:55,760 --> 00:47:00,800 challenges that approached directing it? Yeah, I think the biggest challenge is 679 00:47:00,800 --> 00:47:02,260 second guessing myself constantly. 680 00:47:04,420 --> 00:47:08,140 Before I started writing this, I got a piece of advice, or I read something 681 00:47:08,140 --> 00:47:11,040 which said, you know, you should write the things that you are scared of, that 682 00:47:11,040 --> 00:47:11,979 you're more scared of. 683 00:47:11,980 --> 00:47:14,420 And I am terrified of Rutgers. 684 00:47:14,680 --> 00:47:20,660 When I was writing it, I was like, I really don't know if this is psychotic 685 00:47:20,660 --> 00:47:24,640 good. I don't know. It could be both. I have no idea. And I think that's the 686 00:47:24,640 --> 00:47:30,000 thing, is that I don't actually know if I'm excited. I'm absolutely petrified 687 00:47:30,000 --> 00:47:32,280 because... I was scared when I was writing it, I was scared when I was 688 00:47:32,280 --> 00:47:35,040 it, and I was scared watching the footage back. Yeah, and scared of the 689 00:47:35,220 --> 00:47:41,740 Yeah. But I'm scared just because, not for myself, and not for the actors, and 690 00:47:41,740 --> 00:47:46,160 not for everyone involved, I'm just scared because that story is intense, 691 00:47:46,160 --> 00:47:51,480 think I'm scared for the story. It's like a child, and I'm like, I'm passing 692 00:47:51,480 --> 00:47:55,700 to school, and it's like out in the world, and people can have their own 693 00:47:55,700 --> 00:47:56,700 opinions on it. 694 00:47:56,760 --> 00:48:02,740 I think this is going to be the most divisive film we have ever, ever 695 00:48:02,900 --> 00:48:05,860 And I think it might be the most divisive one we've ever, we'll ever do. 696 00:48:07,460 --> 00:48:10,820 Because I think there will be a lot of people who hate it and a lot of people 697 00:48:10,820 --> 00:48:13,260 who love it. Yeah, it's going to be like Marmite, I think. 698 00:48:13,640 --> 00:48:17,920 100%. And that's what I want. I don't want people to go, oh, that was alright. 699 00:48:18,120 --> 00:48:19,120 It's good. 700 00:48:19,140 --> 00:48:23,180 I don't want people like that. I want people to say, I effing hated that. 701 00:48:23,640 --> 00:48:26,120 I effing hated that. 702 00:48:27,019 --> 00:48:31,360 I hated it, I felt, you know, and having that outrage and that outburst is far 703 00:48:31,360 --> 00:48:32,440 better than someone going, eh, it's alright. 704 00:48:33,000 --> 00:48:37,160 And then having, obviously, Alternative, which would be nice as well, and I 705 00:48:37,160 --> 00:48:40,460 really loved that, I loved the, you know, this part of it. 706 00:48:40,700 --> 00:48:43,840 I'm trying to, I was about to say, spoiler alert as well, I'm not doing too 707 00:48:43,840 --> 00:48:45,300 at this, I nearly missed it. 708 00:48:45,640 --> 00:48:49,920 You've always said to me that you like films that you basically argue in the 709 00:48:49,920 --> 00:48:52,580 at the end. Yeah. So when, you know, you go watch a film in the cinema and 710 00:48:52,580 --> 00:48:55,960 you're both arguing about it, yeah, I think that's what you probably... 711 00:48:57,250 --> 00:48:59,410 Where people are arguing whether it's good or bad. 712 00:48:59,690 --> 00:49:02,510 Definitely. I think families will. 713 00:49:03,010 --> 00:49:05,610 Well, if families do, I'm not sure if it's family. 714 00:49:07,050 --> 00:49:08,650 Take the kids out. 715 00:49:09,970 --> 00:49:15,250 Lola has asked a question. Lola says, will there be any screenings in London 716 00:49:15,250 --> 00:49:18,150 towards the end of the year? Any flexible plans? Maybe. 717 00:49:19,030 --> 00:49:20,210 Yes, there are. 718 00:49:20,710 --> 00:49:22,410 We are hoping to have a screening. 719 00:49:22,880 --> 00:49:27,080 in London in January. We've not got that confirmed, so yeah. 720 00:49:27,280 --> 00:49:30,320 In London? In London, yeah, in your home. I'll be there. Your home state. 721 00:49:30,680 --> 00:49:32,000 I live in London now, by the way. 722 00:49:32,260 --> 00:49:35,280 Yeah, he's the traitor to Yorkshire. 723 00:49:35,980 --> 00:49:42,040 But yes, we plan to have our premiere up in Yorkshire in the north in January. 724 00:49:42,620 --> 00:49:46,180 But then following on from that, we'll have festival releases internationally. 725 00:49:47,260 --> 00:49:51,900 So for our international audiences, do stick around, do keep an eye out. 726 00:49:52,270 --> 00:49:55,470 for screenings near you. And you can also pitch to your cinema to get it 727 00:49:55,470 --> 00:49:59,530 screened. We'll be coming out with some more information on our website on that 728 00:49:59,530 --> 00:50:01,050 in the very near future. 729 00:50:01,450 --> 00:50:04,550 But yes, we hope to see you at the London premiere, Lola. 730 00:50:05,330 --> 00:50:08,730 Hopefully all of our actors will be there as well. We'll all be watching the 731 00:50:08,730 --> 00:50:09,730 carpet. 732 00:50:10,150 --> 00:50:14,870 And, you know, Gage and I can always say, always keep an eye on social media, 733 00:50:15,070 --> 00:50:18,990 Twitter, Instagram, and everything's always posted on there. 734 00:50:19,280 --> 00:50:20,580 Yeah, all updates. 735 00:50:20,780 --> 00:50:23,140 And then, sorry, David, what was your spot? Lancashire? 736 00:50:23,400 --> 00:50:24,400 Yorkshire? 737 00:50:24,640 --> 00:50:30,340 Ooh, Yorkshire's far better than Lancashire. I don't want to get into a 738 00:50:30,340 --> 00:50:33,080 the middle of a line. Oh, Lancashire's better than Yorkshire, that's what he's 739 00:50:33,080 --> 00:50:37,840 put. Yeah. I can't remember which sign is better than Yorkshire. 740 00:50:39,720 --> 00:50:43,460 Ooh, we'll stop that war before it gets started. 741 00:50:45,100 --> 00:50:47,800 But thank you very much for that comment, regardless. 742 00:50:49,180 --> 00:50:54,300 So, before we talk about the very final thing, as soon as we come back, we're 743 00:50:54,300 --> 00:50:59,220 going to have a short two -minute break, and then we're going to go talking 744 00:50:59,220 --> 00:51:01,860 about Tog on our next project. 745 00:51:02,100 --> 00:51:04,400 Excited? I am excited. I'm very excited. 746 00:51:04,920 --> 00:51:06,100 I'm very looking forward to it. 747 00:51:07,080 --> 00:51:10,960 But some of the, just before we go into that, some of the scenes that you shot 748 00:51:10,960 --> 00:51:14,860 in Wretched Things, your chapter is an 18 plus. 749 00:51:15,660 --> 00:51:20,920 in terms of specifications for our audience, how do you kind of prepare for 750 00:51:20,920 --> 00:51:22,320 filming scenes like that? 751 00:51:23,740 --> 00:51:27,200 I mean, both of your, well, all of your scenes in the film. 752 00:51:28,200 --> 00:51:33,040 Preparation. Some kind of... I mean, yeah, it's difficult to prepare for 753 00:51:33,040 --> 00:51:36,320 scenes because you can't really practice, you know, with your mate. 754 00:51:38,040 --> 00:51:41,940 You can't, like, you can't practice that. You kind of have to just go for 755 00:51:42,380 --> 00:51:46,340 I remember when we shot the first take of the first, you know, with Difficult 756 00:51:46,340 --> 00:51:50,580 Nature, we didn't even go for rehearsal. 757 00:51:50,820 --> 00:51:52,240 Oh, we did a light rehearsal. 758 00:51:52,440 --> 00:51:55,640 We did a light rehearsal, yeah. Our first take, you came in, because there's 759 00:51:55,640 --> 00:51:58,540 obviously a different room for the monitor and stuff, and it's just us and 760 00:51:58,540 --> 00:52:02,520 camera and the gauging therapy in the room, and he came in and was like, 761 00:52:03,400 --> 00:52:04,720 I think you got that in one. 762 00:52:04,960 --> 00:52:08,800 And I said, well, I think that's all, you know, we put everything into the 763 00:52:08,800 --> 00:52:11,100 take, because this is such a... 764 00:52:11,670 --> 00:52:15,510 different natured scene, you know. I don't know how to put it. Different 765 00:52:15,510 --> 00:52:17,910 natured, you know. Yeah, it's sexual nature. 766 00:52:18,150 --> 00:52:19,550 There we go. It's sexual nature. 767 00:52:20,350 --> 00:52:22,330 Really difficult to film, really difficult to act. 768 00:52:22,530 --> 00:52:24,470 Because I find it difficult to direct. 769 00:52:24,790 --> 00:52:29,830 Yeah. It's awkward, isn't it? You know, that kind of... Yeah. So you need to... 770 00:52:30,250 --> 00:52:31,250 do this. 771 00:52:31,870 --> 00:52:36,450 But is it kind of uncomfortable for an actor to do that? Or is it after the 772 00:52:36,450 --> 00:52:39,950 first time, is it like, okay, that's pretty easy? I mean, if the actor, if 773 00:52:39,950 --> 00:52:46,250 co -actor I'm working with is, you know, good and understanding and, you know, 774 00:52:46,250 --> 00:52:50,150 they're not awkward, it makes it so much easier. So, Adam I was acting alongside 775 00:52:50,150 --> 00:52:51,069 with was great. 776 00:52:51,070 --> 00:52:54,050 He was great. He was a good friend of mine on the shoot. 777 00:52:54,650 --> 00:52:55,970 He made everything super comfortable. 778 00:52:56,330 --> 00:52:57,370 He worried about me. 779 00:52:57,880 --> 00:53:01,360 He was concerned about me. It made me feel comfortable. I was like, don't 780 00:53:01,360 --> 00:53:02,460 about me. I'm fine. 781 00:53:02,740 --> 00:53:03,820 I'm okay, you know. 782 00:53:04,080 --> 00:53:08,500 And that's the main thing, the other actor. If the other actor's, you know, 783 00:53:08,500 --> 00:53:13,000 it, then it's because, hands up, I'm going to be honest, I've worked with 784 00:53:13,000 --> 00:53:16,720 that it's really difficult to work with because they're either nervous or not 785 00:53:16,720 --> 00:53:19,800 very confident or, you know, haven't done much before. 786 00:53:21,120 --> 00:53:24,720 Or they didn't want to do the theme, maybe. I've worked on things that they 787 00:53:24,720 --> 00:53:27,160 don't want to do it. They're just like, I don't want to do that. They'll put 788 00:53:27,160 --> 00:53:27,939 effort in. 789 00:53:27,940 --> 00:53:31,960 And it makes it really difficult for you because you have to try and make up 790 00:53:31,960 --> 00:53:33,140 their part, you know? 791 00:53:33,680 --> 00:53:37,620 And I think if you both go in full ball, to what me and Adam did, we went full 792 00:53:37,620 --> 00:53:40,680 in and we just went, hit it hard, it makes sense. It just flows. 793 00:53:41,240 --> 00:53:45,940 And then you're not, you know, you're more confident and it's not as... 794 00:53:47,360 --> 00:53:51,740 embarrassing or yeah i mean because it's like oh don't you know it is tough and 795 00:53:51,740 --> 00:53:56,780 i think that one of the things that we all you know we maintained on set was 796 00:53:56,780 --> 00:54:00,700 that you know it's a collaborative process yeah you know you were involved 797 00:54:00,700 --> 00:54:04,100 kind of the structure of the story you were coming back with ideas and it was 798 00:54:04,100 --> 00:54:07,820 adam yeah and we were constantly kind of having that conversation about how 799 00:54:07,820 --> 00:54:11,900 about this what about this and it was that kind of point where it wasn't it no 800 00:54:11,900 --> 00:54:16,540 longer became one person going you need to do this it was more of a well let's 801 00:54:16,860 --> 00:54:17,860 let's look at this. 802 00:54:18,340 --> 00:54:21,860 Three people going, would this work? 803 00:54:22,080 --> 00:54:26,620 And then making it. And I think that made it more intense because you saw the 804 00:54:26,620 --> 00:54:31,260 confidence and you saw the effort that everyone was going through. 805 00:54:31,660 --> 00:54:37,440 It was a joint process that everyone was working towards it. 806 00:54:39,160 --> 00:54:43,740 So we are going to watch the trailer for Wretched Things one final time in this 807 00:54:43,740 --> 00:54:48,520 live stream, and then we're going to be back in two minutes talking about our 808 00:54:48,520 --> 00:54:50,500 next project, which is quite intense. 809 00:54:50,920 --> 00:54:51,920 Enjoy. 810 00:54:53,240 --> 00:54:54,360 Ooh, enjoy! 811 00:55:16,840 --> 00:55:19,660 You know, I told people I was straight since my mid -twenties. 812 00:55:20,800 --> 00:55:22,700 It's one of my biggest regrets. 813 00:55:23,520 --> 00:55:25,280 I feel like I lost my entire youth. 814 00:55:39,880 --> 00:55:44,060 Our magazine reaches 2 million unique readers every single week. That's 2 815 00:55:44,060 --> 00:55:45,060 million eyes on you. 816 00:57:13,859 --> 00:57:16,180 And that was Wretched Things. 817 00:57:17,540 --> 00:57:20,740 That was our latest project there. 818 00:57:21,980 --> 00:57:25,620 So, ooh, we've kind of got a bit of a thing about that. I thought that. I was 819 00:57:25,620 --> 00:57:28,620 going to say, what happens here? Let's move it in the forward. Who did that? I 820 00:57:28,620 --> 00:57:31,820 did move it. Did you? Yeah, I just moved that. I just did it a bit closer to 821 00:57:31,820 --> 00:57:32,840 you. There we go. 822 00:57:33,200 --> 00:57:37,960 Very professional here on our thing. 823 00:57:38,460 --> 00:57:45,280 Yes, so we are going to chat about Tognell, but if you do have any final 824 00:57:45,280 --> 00:57:48,840 questions, then do feel free to ask them in below. 825 00:57:50,180 --> 00:57:56,080 So we've got a question here from Lola. Which chapter is the darkest and which 826 00:57:56,080 --> 00:57:57,380 one is the sexiest? 827 00:57:59,380 --> 00:58:01,960 Chapter, for me, hands down, that would be three. 828 00:58:02,300 --> 00:58:03,300 For me, it's three. 829 00:58:03,820 --> 00:58:07,040 I don't know about sexiest, but darkest, three. 830 00:58:07,360 --> 00:58:08,360 Three. 831 00:58:08,780 --> 00:58:10,200 Sexiest, I would say number one. 832 00:58:10,980 --> 00:58:15,680 Number one. Would you say sexiest is number one? I haven't seen the film, but 833 00:58:15,680 --> 00:58:17,080 know what goes on. 834 00:58:17,360 --> 00:58:23,080 The thing is, with the sex scenes in the film, the scenes that do feature 835 00:58:23,080 --> 00:58:29,140 more explicit and more scenes of a sexual nature, they are not fun scenes 836 00:58:29,140 --> 00:58:31,000 watch. They are not fun scenes to film. 837 00:58:33,690 --> 00:58:39,970 often we see sex in film as either romantic or glamorous or 838 00:58:39,970 --> 00:58:43,210 sometimes realistic or whatever it is. 839 00:58:43,790 --> 00:58:50,650 These scenes are tough because we want to challenge our audience. We want 840 00:58:50,650 --> 00:58:56,990 to see that sex is something that is not something that is cut and dry. People 841 00:58:56,990 --> 00:58:59,710 use sex for power. People use sex for dominance, for money, 842 00:59:01,800 --> 00:59:07,640 a lot of different reasons, and it's not as simple as saying it's between people 843 00:59:07,640 --> 00:59:08,618 who love each other. 844 00:59:08,620 --> 00:59:10,920 It's a tough one. 845 00:59:11,380 --> 00:59:13,020 It's dark. Yeah, it's dark. 846 00:59:13,320 --> 00:59:18,360 So do watch out for more trailers. We're going to be releasing more content in 847 00:59:18,360 --> 00:59:22,680 the coming months, but for now, Wretched Things is going to be out in January 848 00:59:22,680 --> 00:59:23,680 2019. 849 00:59:24,700 --> 00:59:25,720 Adam Iardi! 850 00:59:26,580 --> 00:59:27,580 Well done. 851 00:59:27,620 --> 00:59:28,620 Oh, yes. 852 00:59:29,480 --> 00:59:30,940 He's joined us. 853 00:59:31,340 --> 00:59:33,860 Adam, welcome to the room. 854 00:59:35,040 --> 00:59:36,300 You've missed 50 minutes. 855 00:59:37,000 --> 00:59:38,240 Where were you? You're late. 856 00:59:38,620 --> 00:59:43,480 I hope you're having... Adam, he plays Louis in the final chapter. Adam, just a 857 00:59:43,480 --> 00:59:45,120 quick question for you, actually, if you're still around. 858 00:59:46,320 --> 00:59:47,840 Which one do you think is the darkest? 859 00:59:48,420 --> 00:59:52,900 Or if you've got any questions, Adam. Yeah, feel free to send them on. 860 00:59:54,280 --> 00:59:57,750 So, yeah, I think we've only got ten minutes for the last... Yeah, we've got 861 00:59:57,750 --> 01:00:00,750 about 10 -15 minutes. We can stretch over. 862 01:00:01,130 --> 01:00:04,970 Yeah, I was thinking, should we move on to the final project? Let's talk about 863 01:00:04,970 --> 01:00:07,830 it. We've talked about this world we live in. We've talked about record 864 01:00:07,830 --> 01:00:11,190 that's coming out. And now we've got a new project that no one knows about yet 865 01:00:11,190 --> 01:00:13,330 that we're filming in October. 866 01:00:14,030 --> 01:00:18,510 Yes, and this is a project that's been co -written by Jack and I. 867 01:00:18,830 --> 01:00:23,970 It's the first time we've ever properly, officially, really collaborated on the 868 01:00:23,970 --> 01:00:24,970 writing process. 869 01:00:25,950 --> 01:00:29,990 done writing in the past, but this is the first time it is a proper 870 01:00:29,990 --> 01:00:33,870 collaboration. Yeah, this is my first writing credit ever. 871 01:00:34,570 --> 01:00:38,450 I've never, you know, I've written, I've never gone into production. 872 01:00:38,650 --> 01:00:43,810 Yeah, so do you want to talk a little bit about the character that you're 873 01:00:43,810 --> 01:00:44,509 to be playing? 874 01:00:44,510 --> 01:00:50,650 Yeah, so I'm going to be playing a young, I'd say aspiring model, Tom. 875 01:00:52,509 --> 01:00:54,510 He's never had a photoshoot before. 876 01:00:54,810 --> 01:00:56,690 He's just been told that he could be a model. 877 01:00:57,090 --> 01:00:59,910 So he's basically trying to get a portfolio done. 878 01:01:00,210 --> 01:01:04,290 So when you start out as a model, you go and get test shoots done. So it's free 879 01:01:04,290 --> 01:01:09,210 photos from, or you can pay, from the photographer, and then you kind of swap 880 01:01:09,210 --> 01:01:11,250 the photos. They have them for their portfolio, you have them for yours. 881 01:01:11,470 --> 01:01:14,450 And that's kind of how you start, and you can take them to agencies. 882 01:01:15,790 --> 01:01:20,610 So this young aspiring model goes for a photoshoot with a photographer. 883 01:01:21,490 --> 01:01:24,930 Eduardo. Yes. Do you want me to talk about Eduardo? 884 01:01:25,190 --> 01:01:26,049 You can talk about Eduardo. 885 01:01:26,050 --> 01:01:33,010 Eduardo is played by Santo, who will be working and putting 886 01:01:33,010 --> 01:01:36,770 more promotional content out in the coming weeks, so do check out that. 887 01:01:37,010 --> 01:01:43,190 But he plays a very professional, very big photographer, 888 01:01:43,390 --> 01:01:47,030 who is quite a respectful... 889 01:01:48,350 --> 01:01:54,530 name in the industry perhaps, but he kind of prays and takes advantage of 890 01:01:54,530 --> 01:01:58,610 vulnerable, insecure maybe, first time model. 891 01:01:58,830 --> 01:02:03,430 So it is quite a sinister story. We've seen it in our industry quite a lot. 892 01:02:03,890 --> 01:02:09,870 It's one that is very realistic, unfortunately, but the conversations 893 01:02:09,870 --> 01:02:13,050 going on for too long about Me Too, Time's Up. 894 01:02:13,400 --> 01:02:18,140 and it now needs to change. We need to make direct action on some of these 895 01:02:18,140 --> 01:02:21,900 things that we're talking about, which we are now starting to see with a lot of 896 01:02:21,900 --> 01:02:26,360 very brave men and women talking out about sexual exploitation, sexual abuse 897 01:02:26,360 --> 01:02:27,299 the industry. 898 01:02:27,300 --> 01:02:32,080 So this is something that we're very, very keen to explore. 899 01:02:32,440 --> 01:02:35,820 And I'll say that it's loosely based on a true story. Yes, if you want to. 900 01:02:36,080 --> 01:02:37,880 This is loosely based on a true story. 901 01:02:38,440 --> 01:02:40,380 This is this week, we didn't have that. 902 01:02:41,760 --> 01:02:45,560 So yeah, this kind of, when I was getting into the industry, this loosely 903 01:02:45,560 --> 01:02:50,380 happened to me. It got me twice. It got me thinking, if this happened to me 904 01:02:50,380 --> 01:02:52,360 twice, how often does this happen? 905 01:02:52,900 --> 01:02:56,480 How many models and how many actors go through this when they're starting out? 906 01:02:56,800 --> 01:03:01,040 Not even when they're starting out, A -listers. Harvey Weinstein, Kevin 907 01:03:01,060 --> 01:03:06,360 This happens. This happens. A lot. And I don't know if I've seen really a film 908 01:03:06,360 --> 01:03:08,380 kind of challenge that. 909 01:03:08,660 --> 01:03:09,740 Not the... 910 01:03:10,640 --> 01:03:14,300 So, yeah, this is why, you know, we came up with the idea. I pitched the script 911 01:03:14,300 --> 01:03:18,820 to Gage, and he rewrote, I rewrote, and we, you know, we rewrote and put it 912 01:03:18,820 --> 01:03:19,820 right. 913 01:03:20,720 --> 01:03:24,800 So we decided to go into Brooklyn, and, yeah, again, it's my first writing 914 01:03:24,800 --> 01:03:28,060 credit, first producing credit, acting in it again. Yeah. 915 01:03:28,490 --> 01:03:31,970 So that's exciting, and I'm really excited about this one. It's going to be 916 01:03:31,970 --> 01:03:34,970 good shoot, I think. I think it is going to be a good shoot. It's going to be an 917 01:03:34,970 --> 01:03:35,970 intense shoot. 918 01:03:36,150 --> 01:03:42,310 So just to read out the official synopsis for the film, although we kind 919 01:03:42,310 --> 01:03:44,890 just described it, I don't want to trip myself up. 920 01:03:45,190 --> 01:03:49,290 Aspiring model Tom pushes his boundaries on his first shoot as his vulnerability 921 01:03:49,290 --> 01:03:52,190 is tested by professional photographer Eduardo. 922 01:03:53,250 --> 01:03:56,530 That's quite a tough one again for you. 923 01:03:57,680 --> 01:04:01,860 So I don't want to talk too much about it because I know more content is kind 924 01:04:01,860 --> 01:04:06,460 coming out and I don't know how much we're allowed to say from our producers 925 01:04:06,460 --> 01:04:09,260 probably going to kick us when we see them later tonight. 926 01:04:09,640 --> 01:04:14,600 But this is something that we're super proud of and that we'll be talking more 927 01:04:14,600 --> 01:04:20,200 about in the most recent social media. So do follow us on social media. We are 928 01:04:20,200 --> 01:04:21,840 at Oxygen Film. 929 01:04:22,340 --> 01:04:24,760 That's on Twitter, Instagram and Facebook. 930 01:04:25,340 --> 01:04:28,180 And we'll be putting a lot of content out about TOG. 931 01:04:28,760 --> 01:04:31,360 Follow Jack on Twitter at ParJack. 932 01:04:31,960 --> 01:04:32,879 That's right. 933 01:04:32,880 --> 01:04:38,400 Yeah. And at GearJoxley for Twitter. Instagram at GearJoxley and at JackWPar. 934 01:04:38,540 --> 01:04:40,360 You're very good at this. I am. Very good. 935 01:04:40,640 --> 01:04:45,620 Wow. I'm not your friend or collaborator. I'm just a stalker. I know 936 01:04:45,620 --> 01:04:46,920 what you are all the time. My PR. 937 01:04:50,899 --> 01:04:52,680 Yes, Pog will be coming out very soon. 938 01:04:53,660 --> 01:04:55,220 Really, really looking forward to this one. 939 01:04:55,500 --> 01:04:58,360 How long would you set this up? Are we allowed to talk about that? 940 01:04:58,600 --> 01:05:01,360 Yeah, I'm happy to talk about anything if you are. 941 01:05:01,640 --> 01:05:02,640 You're the director. 942 01:05:03,620 --> 01:05:04,940 What are we on? 943 01:05:05,360 --> 01:05:07,520 15 minutes, I think. 15 minutes, yeah. 944 01:05:07,800 --> 01:05:10,460 I think it's another short one. Yeah, it's a short one. 945 01:05:11,240 --> 01:05:14,620 I do think... Yeah, it could be shorter than that, maybe. 946 01:05:15,940 --> 01:05:19,060 I don't know. We'll see. We'll see in the edit and the cut. 947 01:05:19,920 --> 01:05:24,000 But yeah, this one, so TOG, I don't know if everyone knows, TOG is, in the model 948 01:05:24,000 --> 01:05:25,800 world, it's short for Thugfa. 949 01:05:26,220 --> 01:05:29,180 So all the models say, I'm shooting this really cool POG at the weekend. 950 01:05:29,880 --> 01:05:32,420 That's where the idea came from. I thought, oh, that's quite cool and hip. 951 01:05:32,960 --> 01:05:34,060 We call it POG. 952 01:05:35,440 --> 01:05:38,160 Oh, we'll be editing together, says Adam. 953 01:05:39,100 --> 01:05:40,100 We'll see. 954 01:05:40,120 --> 01:05:44,420 New films have awesome dudes. We'll be editing together. We did, you know, Gabe 955 01:05:44,420 --> 01:05:47,780 said he was going to edit this one, and he said you couldn't, because... 956 01:05:48,030 --> 01:05:52,530 Obviously I came up with the initial idea of writing it and we worked 957 01:05:52,530 --> 01:05:54,990 and then he said, if you want to sit and write, edit with me. Yeah. 958 01:05:55,270 --> 01:05:56,890 I was like, that's a good idea. Please do. 959 01:05:57,510 --> 01:06:00,750 Please do. So we could both have a say on the editing process. 960 01:06:01,090 --> 01:06:04,010 But the thing is, you know, I live in London, Gage lives in Leeds, it could be 961 01:06:04,010 --> 01:06:10,750 quite difficult and I trust him 100%. So I'm happy for Gage to edit because 962 01:06:10,750 --> 01:06:12,370 I don't, I've never edited. 963 01:06:12,570 --> 01:06:15,890 But it is another intense, it is quite another intense film. 964 01:06:16,410 --> 01:06:17,710 Yeah, it is. 965 01:06:18,090 --> 01:06:23,730 Do keep an eye out on our social media. We'll be talking about wretched things 966 01:06:23,730 --> 01:06:24,629 as well. 967 01:06:24,630 --> 01:06:29,130 We'll be talking more about that on our social media in a few moments too. 968 01:06:29,710 --> 01:06:31,130 So do stick around. 969 01:06:31,710 --> 01:06:35,730 We are going to be finishing up the live stream now, but we're going to be 970 01:06:35,730 --> 01:06:39,570 around for another few minutes afterwards. If you do have any burning 971 01:06:39,810 --> 01:06:43,890 send them over now and then we can answer them too. 972 01:06:44,620 --> 01:06:48,880 In the meantime, thank you very much for joining. Thank you all for the ones who 973 01:06:48,880 --> 01:06:54,060 have asked questions, who've joined us. And if you are watching this when we're 974 01:06:54,060 --> 01:06:59,460 not live, even if it's next week, next month, next year, do still engage with 975 01:06:59,460 --> 01:07:01,260 down in the comments, ask questions. 976 01:07:01,580 --> 01:07:07,120 I and our social media team will always kind of answer the questions and 977 01:07:07,120 --> 01:07:09,680 comments that we think deserve an answer. 978 01:07:10,940 --> 01:07:14,860 And as mentioned, do stick to our social media. We'll be releasing more content 979 01:07:14,860 --> 01:07:18,840 in the coming few months. And do watch the film. This Where We Live In is 980 01:07:18,840 --> 01:07:22,080 available on our YouTube. So now we've finished the broadcast, you can go and 981 01:07:22,080 --> 01:07:22,939 watch it. 982 01:07:22,940 --> 01:07:24,740 Click on our... If you haven't seen it already. 983 01:07:25,380 --> 01:07:26,380 Watch it again. 984 01:07:26,580 --> 01:07:29,840 Do it again. Watch it three times. Download it. Show the family. 985 01:07:30,440 --> 01:07:32,140 as long as they are over 18. 986 01:07:34,020 --> 01:07:37,600 And then Pulse is our other film that's available on Facebook. 987 01:07:37,900 --> 01:07:43,040 Wretched Things comes out later, not later this year, early next year, 988 01:07:43,240 --> 01:07:45,300 and Tug will soon follow. 989 01:07:45,760 --> 01:07:48,360 So, thank you very much for joining us. Any last words? 990 01:07:48,640 --> 01:07:51,580 I was going to say, one last thing is, obviously, you can always contact us on 991 01:07:51,580 --> 01:07:57,040 social media, and if there's anything that you think we should, if there's any 992 01:07:57,040 --> 01:07:58,760 ideas you've got that you think we should... 993 01:08:00,200 --> 01:08:01,460 How would you say that? Yeah, challenge. 994 01:08:02,540 --> 01:08:08,440 Any stories that you think we should talk about? 995 01:08:08,800 --> 01:08:15,060 The thing with films is conversations need to happen. Stories need to be told. 996 01:08:15,200 --> 01:08:19,260 There's always going to be someone's story out there that hasn't been told. 997 01:08:20,060 --> 01:08:26,340 Even if it's not made into a film, even if it's not addressed by putting it on a 998 01:08:26,340 --> 01:08:29,260 comment board, by talking to someone, by opening up. 999 01:08:29,600 --> 01:08:34,060 And by getting the help you need and deserve is so important. So if you have 1000 01:08:34,060 --> 01:08:39,760 been affected by any of the issues shown in this live stream, help is out there. 1001 01:08:40,479 --> 01:08:44,580 Do comment and do reach out to us if you want any extra links for support. 1002 01:08:45,279 --> 01:08:47,100 We do have them all readily available. 1003 01:08:48,260 --> 01:08:49,920 Thank you very much for joining us. Thank you very much. 1004 01:08:50,220 --> 01:08:53,479 And we will be very, yes, we'll be in touch. 1005 01:08:54,060 --> 01:08:55,960 And seeing you all very, very soon. 1006 01:08:56,859 --> 01:08:59,220 This has been our very first live stream as well. 1007 01:08:59,460 --> 01:09:00,880 The very first one. 1008 01:09:01,600 --> 01:09:06,180 We've been live for quite a... That's a lie. We've not been live for 36 minutes. 1009 01:09:06,240 --> 01:09:09,939 We've been live for far longer than 36 minutes. I don't know if we've been cut 1010 01:09:09,939 --> 01:09:12,040 off at some point. Sorry if we have. 1011 01:09:12,800 --> 01:09:15,020 We're just seeing that now. Although we have been watching on there. 1012 01:09:15,380 --> 01:09:17,479 So I don't think we have been cut off. 1013 01:09:18,080 --> 01:09:20,760 We can go for about an hour. Yeah, I think we have as well. 1014 01:09:21,479 --> 01:09:23,120 So thank you very much for joining us. 1015 01:09:23,350 --> 01:09:28,529 If you have any questions, do reach out. And we hope to see you on the other 1016 01:09:28,529 --> 01:09:30,890 side. Thank you very much. Thank you very much. Goodbye. 1017 01:09:31,290 --> 01:09:32,290 Bye. 1018 01:09:41,170 --> 01:09:42,170 We're still live? 1019 01:09:42,910 --> 01:09:45,649 I think we're still live. Hello, we're back again. 1020 01:09:47,010 --> 01:09:50,510 We're still live. How do we stop this? Can someone tell us how to stop this? 1021 01:09:50,850 --> 01:09:52,149 We'll see you later. 1022 01:09:52,990 --> 01:09:53,990 Thank you very much. 1023 01:09:54,250 --> 01:09:55,550 I think this is the final button. 93146

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