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1
00:00:02,810 --> 00:00:03,710
IS ANYTHING WRONG?
2
00:00:03,750 --> 00:00:05,050
NO, NOT A THING, BABY.
3
00:00:05,080 --> 00:00:08,480
YOU KNOW, THIS WHOLE THING IS
GONNA BREAK WIDE OPEN. I CAN FEEL IT.
4
00:00:08,510 --> 00:00:09,780
YAA!
5
00:00:09,810 --> 00:00:12,610
I THINK THE ANSWER'S STILL
BACK AT THAT CLUB, THE CRADLE.
6
00:00:12,650 --> 00:00:16,810
YOU WANT TIME AND MONEY TO
GO UNDERCOVER AS A SINGER?
7
00:00:19,450 --> 00:00:20,510
FREEZE, WILCOX!
8
00:01:53,720 --> 00:01:56,950
YOU WANT TO TAKE
THE AIR OUT OF THAT?
9
00:02:09,690 --> 00:02:12,260
HEY, TURN THE SOUND UP.
10
00:02:12,290 --> 00:02:14,990
I WANT TO HEAR THAT.
11
00:02:15,030 --> 00:02:17,760
THE CAR IS REGISTERED TO
ROCK STAR ZACK SHERMAN.
12
00:02:17,790 --> 00:02:19,460
SHERMAN, WHO WAS
DIVORCED LAST YEAR
13
00:02:19,490 --> 00:02:22,990
AFTER A STORMY MARRIAGE
TO ROCK VOCALIST GINA B,
14
00:02:23,030 --> 00:02:24,530
HAS BEEN MISSING
FOR OVER 2 WEEKS
15
00:02:24,560 --> 00:02:27,230
AND IS SUSPECTED TO BE
THE VICTIM OF FOUL PLAY.
16
00:02:27,260 --> 00:02:29,960
I'M SPEAKING WITH DETECTIVE
SERGEANT DEE DEE McCALL
17
00:02:29,990 --> 00:02:31,430
FROM METRO HOMICIDE DIVISION.
18
00:02:31,460 --> 00:02:33,790
SERGEANT, WHAT CAN YOU
TELL US ABOUT THE REPORTS
19
00:02:33,830 --> 00:02:35,860
THAT GINA B FILED
BATTERY CHARGES
20
00:02:35,890 --> 00:02:37,590
AGAINST ZACK SHERMAN LAST YEAR?
21
00:02:37,630 --> 00:02:40,730
WELL, THEY WERE FILED AND
WITHDRAWN AFTER THE DIVORCE.
22
00:02:40,760 --> 00:02:43,160
HAS THE POSSIBILITY OF
SUICIDE BEEN RULED OUT?
23
00:02:43,190 --> 00:02:44,230
DEE DEE!
24
00:02:44,260 --> 00:02:45,536
McCall: NO, BUT IT HASN'T
BEEN SERIOUSLY CONSIDERED.
25
00:02:45,560 --> 00:02:46,430
I DON'T BELIEVE THIS.
26
00:02:46,460 --> 00:02:48,030
WE JUST FOUND THE
CAR, NOT THE BODY.
27
00:02:48,060 --> 00:02:49,506
WELL, IS THERE ANY
EVIDENCE TO INDICATE
28
00:02:49,530 --> 00:02:51,760
THAT THIS COULD BE SOMETHING
OTHER THAN AN ACCIDENT?
29
00:02:51,790 --> 00:02:55,990
I'M NOT REALLY AT LIBERTY
TO DISCUSS THAT RIGHT NOW.
30
00:02:56,030 --> 00:02:58,190
EXCUSE ME.
31
00:02:58,230 --> 00:02:59,160
FROM THE SOUTH BAY AREA,
32
00:02:59,190 --> 00:03:03,000
THIS IS INEZ PEDROSA FOR
THE ALL NEWS CHANNEL.
33
00:03:11,130 --> 00:03:12,370
HI, HUNTER.
34
00:03:12,400 --> 00:03:15,370
Hunter: YOU HAVE ABSOLUTELY
NO SCREEN PRESENCE.
35
00:03:16,470 --> 00:03:19,270
I GUESS THAT'S WHY THEY
DECIDED TO INTERVIEW ME.
36
00:03:19,300 --> 00:03:21,500
YOU SHOULD ENROLL IN
ONE OF THOSE CLASSES,
37
00:03:21,530 --> 00:03:24,500
THOSE ACTING CLASSES THAT
TEACH YOU HOW TO GET IN TOUCH
38
00:03:24,530 --> 00:03:26,800
WITH YOUR MOST INNER FEELINGS.
39
00:03:26,830 --> 00:03:29,100
YOU HAVE SUCH WIT.
40
00:03:29,130 --> 00:03:31,500
GOOD NIGHT.
41
00:03:37,830 --> 00:03:38,770
ALL RIGHT!
42
00:03:38,800 --> 00:03:40,106
I GUESS WE DON'T GET ANY
BETTER THAN THAT, HUH?
43
00:03:40,130 --> 00:03:42,730
HEY, LARRY, THANK YOU, BABY.
44
00:03:55,300 --> 00:03:56,500
YEAH.
45
00:03:56,530 --> 00:03:58,530
THEY FOUND THE CAR.
46
00:04:00,900 --> 00:04:03,240
THE CAR. THAT'S ALL?
47
00:04:03,270 --> 00:04:06,870
MOVE OUTSIDE. I WANT TO
TALK TO YOU FOR A MINUTE.
48
00:04:16,540 --> 00:04:17,870
IS ANYTHING WRONG?
49
00:04:17,910 --> 00:04:19,310
NO, NOT A THING, BABY.
50
00:04:19,340 --> 00:04:22,970
OH, OK. ME AND THE GUYS ARE GOING
OVER TO THE CRADLE FOR A COUPLE DRINKS.
51
00:04:23,010 --> 00:04:25,210
UM, DO YOU WANT TO
COME WITH US? I'M POPPING.
52
00:04:25,240 --> 00:04:26,410
NO, I'M TOO TIRED, BABY.
53
00:04:26,440 --> 00:04:28,140
OK. CAN I WAKE YOU UP LATER?
54
00:04:28,170 --> 00:04:29,170
WELL, YOU CAN TRY.
55
00:04:29,210 --> 00:04:31,470
I'LL DO BETTER THAN
THAT. YOU CAN COUNT ON IT.
56
00:04:31,510 --> 00:04:35,170
OH... SAM, THANKS
FOR EVERYTHING.
57
00:04:35,210 --> 00:04:37,170
THANKS FOR BRINGING ME BACK.
58
00:04:37,210 --> 00:04:39,770
HEY, NO PROBLEM, BABY.
59
00:04:40,040 --> 00:04:41,310
YOU HAVE A GOOD TIME.
60
00:04:41,340 --> 00:04:42,170
ALL RIGHT.
61
00:04:42,210 --> 00:04:43,286
AND YOU SOUNDED REAL
GOOD TONIGHT, BABY.
62
00:04:43,310 --> 00:04:46,110
OH, THANKS. OK, BYE-BYE.
63
00:04:52,440 --> 00:04:55,870
YOU KNOW, THIS WHOLE THING
IS GONNA BREAK WIDE OPEN.
64
00:04:55,910 --> 00:04:57,270
I CAN FEEL IT.
65
00:04:57,310 --> 00:05:00,610
ALL RIGHT. NOW WHAT'S
GOING DOWN WITH THAT BROAD?
66
00:05:00,640 --> 00:05:02,410
WILL YOU STOP WORRYING?
67
00:05:02,450 --> 00:05:04,210
I'M MEETING HER
TONIGHT, RIGHT HERE.
68
00:05:04,250 --> 00:05:05,450
SHE'S DUE ANY MINUTE.
69
00:05:05,480 --> 00:05:06,350
WELL, CLOSE IT OUT!
70
00:05:06,380 --> 00:05:08,210
AND I DON'T CARE WHAT IT TAKES.
71
00:05:08,250 --> 00:05:09,110
DO YOU GET MY MEANING?
72
00:05:09,150 --> 00:05:12,910
IT'S DONE, SAM. I TOLD
YOU NOT TO WORRY.
73
00:05:21,680 --> 00:05:24,050
IT'S NOT FUNNY ANYMORE, HUNTER.
74
00:05:24,080 --> 00:05:24,980
IT'S CHARLENE.
75
00:05:25,010 --> 00:05:28,250
CHARLENE. I HAVEN'T
TALKED TO YOU IN YEARS.
76
00:05:28,280 --> 00:05:29,450
HOW HAVE YOU BEEN?
77
00:05:29,480 --> 00:05:31,580
I GOT TO TALK TO YOU, DEE DEE.
78
00:05:31,610 --> 00:05:35,210
IT'S ABOUT THE CASE YOU'RE
WORKING ON... ZACK SHERMAN.
79
00:05:35,250 --> 00:05:36,210
WHAT ABOUT IT?
80
00:05:36,250 --> 00:05:38,210
NOT ON THE PHONE.
81
00:05:38,250 --> 00:05:39,510
WELL, WHERE ARE YOU?
82
00:05:39,550 --> 00:05:41,250
I'LL MEET YOU AT
THE CRADLE. IT'S...
83
00:05:41,280 --> 00:05:42,610
YEAH, I KNOW WHERE THAT CLUB IS.
84
00:05:42,650 --> 00:05:43,650
WHEN DO YOU WANT TO MEET?
85
00:05:43,680 --> 00:05:48,250
LET'S SAY, UH, ABOUT AN HOUR AND A HALF...
- 30.
86
00:05:48,280 --> 00:05:50,180
BUT DON'T GO INSIDE.
87
00:05:50,210 --> 00:05:52,050
STAY IN THE CAR.
88
00:05:52,080 --> 00:05:53,210
I'LL FIND YOU.
89
00:05:53,250 --> 00:05:55,410
CHARLENE, LOOK, CAN'T
YOU TELL ME A LITTLE...
90
00:06:11,990 --> 00:06:14,350
Charlene: TED?
91
00:06:14,390 --> 00:06:16,450
YOU IN HERE?
92
00:06:17,150 --> 00:06:18,720
TED?
93
00:06:19,550 --> 00:06:21,750
YOU ALONE?
94
00:06:22,320 --> 00:06:25,250
UH... YEAH.
95
00:06:32,090 --> 00:06:33,350
GOOD.
96
00:06:33,390 --> 00:06:35,990
DID YOU BRING IT WITH YOU?
97
00:06:36,690 --> 00:06:37,920
NO.
98
00:06:37,950 --> 00:06:41,320
I'M CALLING OFF THE DEAL.
99
00:06:42,150 --> 00:06:44,520
WHAT THE HELL YOU TALKING ABOUT?
100
00:06:44,550 --> 00:06:47,150
I MEAN, UH...
101
00:06:47,190 --> 00:06:48,920
JUST FORGET IT.
102
00:06:48,950 --> 00:06:51,850
I DON'T WANT ANY MONEY.
103
00:06:51,890 --> 00:06:54,590
TELL MISS B NOT TO WORRY.
104
00:06:54,620 --> 00:06:55,650
I'M CUTTING OUT.
105
00:06:55,690 --> 00:06:59,250
NOT UNTIL YOU GIVE ME THE
MERCHANDISE, YOU'RE NOT.
106
00:06:59,290 --> 00:07:03,760
I HAVEN'T GOT IT. IT WAS A SCAM.
107
00:07:03,790 --> 00:07:05,530
YOU DON'T UNDERSTAND.
108
00:07:05,560 --> 00:07:06,790
IT DOESN'T WORK THAT WAY.
109
00:07:06,830 --> 00:07:09,360
YOU GOT A BUYER HERE.
110
00:07:09,390 --> 00:07:10,890
I HAVEN'T GOT IT.
111
00:07:10,930 --> 00:07:13,530
I NEVER HAD IT.
112
00:07:14,760 --> 00:07:15,890
OK.
113
00:07:15,930 --> 00:07:17,490
OK.
114
00:07:18,190 --> 00:07:20,360
WHO DOES HAVE IT?
115
00:07:21,760 --> 00:07:23,560
I DON'T KNOW.
116
00:07:23,590 --> 00:07:25,860
I DON'T KNOW.
117
00:08:00,260 --> 00:08:01,730
YES?
118
00:08:01,760 --> 00:08:02,930
WENDY?
119
00:08:02,970 --> 00:08:05,470
DEE DEE?
120
00:08:05,500 --> 00:08:06,570
YEAH.
121
00:08:06,600 --> 00:08:10,330
I DON'T BELIEVE IT! I HAVEN'T
SEEN YOU IN... 10 YEARS!
122
00:08:10,370 --> 00:08:11,800
I KNOW. 10 LONG YEARS.
123
00:08:11,830 --> 00:08:14,670
SO I HEARD YOU JOINED THE
POLICE FORCE OR SOMETHING.
124
00:08:14,700 --> 00:08:16,230
IS THAT WHY YOU'RE HERE?
125
00:08:16,270 --> 00:08:19,030
YEAH. MAY I COME IN?
126
00:08:21,830 --> 00:08:26,800
SO, IS, UH... THIS
AN OFFICIAL VISIT?
127
00:08:27,100 --> 00:08:29,430
IT IS IN A WAY, YEAH.
128
00:08:29,470 --> 00:08:32,370
I'M AFRAID CHARLENE IS MISSING.
129
00:08:33,730 --> 00:08:35,170
YEAH? HMM.
130
00:08:35,200 --> 00:08:38,900
YOU MEAN SOMEONE
CARES WHERE SHE IS?
131
00:08:38,930 --> 00:08:40,370
SHE'S PROBABLY HIDING.
132
00:08:40,400 --> 00:08:42,130
WHY? IS THERE A
WARRANT FOR HER ARREST?
133
00:08:42,170 --> 00:08:46,300
WENDY, I THINK THAT CHARLENE
MIGHT BE IN SOME TROUBLE HERE.
134
00:08:46,330 --> 00:08:47,476
LOOK, SHE CALLED ME LAST NIGHT.
135
00:08:47,500 --> 00:08:50,000
SHE SOUNDED VERY UPSET.
SHE SOUNDED SCARED.
136
00:08:50,030 --> 00:08:51,900
SHE ASKED ME TO MEET
HER, I WAITED FOR HER,
137
00:08:51,930 --> 00:08:52,970
AND SHE NEVER SHOWED UP.
138
00:08:53,000 --> 00:08:58,030
WELL, I'M SORRY IF I CAN'T
GET WORKED UP ABOUT IT.
139
00:08:58,070 --> 00:09:00,370
I WASHED MY HANDS
OF HER YEARS AGO.
140
00:09:00,400 --> 00:09:02,910
I'M REAL SORRY TO HEAR THAT.
141
00:09:02,940 --> 00:09:05,710
DO YOU HAVE AN ADDRESS
OR PHONE NUMBER ON HER?
142
00:09:05,740 --> 00:09:08,470
YEAH, YEAH. SHE WROTE ME A
LETTER ABOUT 3 MONTHS AGO.
143
00:09:08,510 --> 00:09:10,910
I HAVE IT AROUND HERE SOMEWHERE.
144
00:09:10,940 --> 00:09:12,470
I NEVER ANSWERED IT.
145
00:09:12,510 --> 00:09:13,670
YOU KNOW, WENDY,
146
00:09:13,710 --> 00:09:16,610
NO MATTER WHAT MAY HAVE
HAPPENED BETWEEN YOU AND CHARLENE,
147
00:09:16,640 --> 00:09:18,410
SHE IS STILL YOUR SISTER.
148
00:09:18,440 --> 00:09:21,110
OH, YEAH. SHE
REMINDED ME OF THAT
149
00:09:21,140 --> 00:09:24,470
EVERY TIME SHE HIT ME
UP FOR ANOTHER LOAN.
150
00:09:26,440 --> 00:09:29,910
LOOK, UM, I GOT AN
APPOINTMENT IN AN HOUR,
151
00:09:29,940 --> 00:09:32,770
AND I'VE GOT TO GET
READY FOR IT, ALL RIGHT?
152
00:09:34,040 --> 00:09:37,340
THIS IS WHERE SHE
LIVED 3 MONTHS AGO.
153
00:09:40,110 --> 00:09:41,810
THANKS.
154
00:09:52,940 --> 00:09:56,640
LOOKS LIKE SOMEBODY
BROKE IT OPEN.
155
00:09:59,110 --> 00:10:00,610
HEY, HEY, HEY, COME ON NOW.
156
00:10:00,640 --> 00:10:02,180
THAT'S AGAINST THE LAW.
157
00:10:02,210 --> 00:10:06,080
I'M IMPOUNDING IT AS EVIDENCE.
158
00:10:09,380 --> 00:10:11,950
THAT'S LOW.
159
00:10:26,610 --> 00:10:28,710
NOBODY'S HOME.
160
00:10:29,010 --> 00:10:31,050
WELL, I DON'T WANT
TO LEAVE THIS MAIL
161
00:10:31,080 --> 00:10:33,280
BACK OUT THERE IN
THAT BUSTED MAILBOX.
162
00:10:33,310 --> 00:10:35,880
WELL, LEAVE IT WITH THE MANAGER.
163
00:10:36,280 --> 00:10:38,210
I THINK I OUGHT
TO LEAVE IT INSIDE,
164
00:10:38,250 --> 00:10:39,210
MAKE SURE SHE GETS IT.
165
00:10:39,250 --> 00:10:42,410
SO WHAT ARE YOU GOING
TO DO NOW, PICK THE LOCK?
166
00:10:42,450 --> 00:10:43,610
I WON'T ENTER.
167
00:10:43,650 --> 00:10:47,710
I'LL JUST OPEN THE DOOR
AND DROP THE MAIL IN.
168
00:10:55,250 --> 00:10:58,710
I HAD A BIG BREAKFAST.
MY TIMING'S OFF.
169
00:10:58,750 --> 00:11:00,610
GIVE ME A BREAK.
170
00:11:00,650 --> 00:11:02,650
HERE WE GO.
171
00:11:07,720 --> 00:11:11,150
NOW WE KNOW SHE'S IN TROUBLE.
172
00:11:26,220 --> 00:11:28,320
THIS CHARLENE?
173
00:11:30,190 --> 00:11:31,820
YEAH.
174
00:11:33,290 --> 00:11:35,490
WE MIGHT NEED THIS.
175
00:11:47,820 --> 00:11:50,450
OH, NO.
176
00:11:55,120 --> 00:11:56,520
AW, GEEZ.
177
00:11:56,550 --> 00:11:57,890
DON'T MOVE.
178
00:11:57,920 --> 00:11:59,420
POLICE.
179
00:11:59,450 --> 00:12:01,190
YOU'RE COPS.
180
00:12:01,220 --> 00:12:03,830
OH, MAN, THANK GOD.
181
00:12:03,860 --> 00:12:05,030
YOU HAPPY ABOUT THAT?
182
00:12:05,060 --> 00:12:06,666
IF YOU WERE LOOKING DOWN
THE BARREL OF A CANNON,
183
00:12:06,690 --> 00:12:10,790
WHO WOULD YOU LIKE TO FIND
OUT WAS ON THE OTHER SIDE?
184
00:12:11,960 --> 00:12:13,290
OK, MOVE OVER HERE. SPREAD 'EM.
185
00:12:13,330 --> 00:12:17,360
HEY, MAN, I'M CLEAN. I AIN'T
CARRYING. I AIN'T HOLDING.
186
00:12:17,390 --> 00:12:19,130
YEAH?
187
00:12:19,160 --> 00:12:22,560
WELL, YOU'RE HOLDING A
LOCK PICK FOR STARTERS.
188
00:12:22,590 --> 00:12:24,860
LOCK PICK? IT'S A NAIL FILE.
189
00:12:24,890 --> 00:12:27,630
WELL, THAT'S FOR YOU, THEN.
190
00:12:27,660 --> 00:12:29,290
WHY DID YOU BREAK IN?
191
00:12:29,330 --> 00:12:30,930
CHARLENE'S A FRIEND OF MINE.
192
00:12:30,960 --> 00:12:32,106
I AIN'T SEEN HER IN 4 OR 5 DAYS.
193
00:12:32,130 --> 00:12:34,430
I THOUGHT MAYBE
SOMETHING HAPPENED TO HER.
194
00:12:34,460 --> 00:12:36,490
GOT SOME I.D.?
195
00:12:36,530 --> 00:12:38,160
YEAH.
196
00:12:42,930 --> 00:12:44,390
SCOTT RAYMOND DAVIS?
197
00:12:44,430 --> 00:12:45,490
YOU CAN CALL ME SCOOTER.
198
00:12:45,530 --> 00:12:46,930
EVERYBODY CALLS ME SCOOTER.
199
00:12:46,960 --> 00:12:48,830
WHERE DO YOU KNOW CHARLENE FROM?
200
00:12:48,860 --> 00:12:50,760
I'M A MUSICIAN. SHE'S A SINGER.
201
00:12:50,790 --> 00:12:52,560
WE GOT MUTUAL FRIENDS IN COMMON.
202
00:12:52,590 --> 00:12:54,890
ZACK SHERMAN BE ONE OF THEM?
203
00:12:54,930 --> 00:12:56,290
NO, BUT I KNOW WHO HE IS.
204
00:12:56,330 --> 00:12:59,030
YOU GUYS FIGURE OUT
WHAT HAPPENED TO HIM YET?
205
00:12:59,060 --> 00:13:02,000
YOU DATE, UH...
CHARLENE, DO YOU?
206
00:13:02,030 --> 00:13:05,270
SOMETIMES. SHE'S A
FREE SOUL. SO AM I.
207
00:13:05,300 --> 00:13:06,806
Hunter: SO WHAT
HAPPENED HERE, SCOOTER?
208
00:13:06,830 --> 00:13:08,130
A DRUG ADDICT GET CAUGHT SHORT?
209
00:13:08,170 --> 00:13:11,530
NO, CHARLENE AIN'T INTO
DOPE OR ANYTHING LIKE THAT.
210
00:13:11,570 --> 00:13:14,200
I COULD CHECK AROUND,
ASK SOME QUESTIONS...
211
00:13:14,230 --> 00:13:16,870
SEE WHAT I COULD SHAKE LOOSE.
212
00:13:18,470 --> 00:13:21,000
YEAH, YOU DO THAT.
213
00:13:22,370 --> 00:13:26,270
YOU CAN FIND ME
HERE OR AT THE CRADLE.
214
00:13:26,300 --> 00:13:27,470
IT'S A ROCK CLUB.
215
00:13:27,500 --> 00:13:30,430
WELL, IT WAS REAL
NICE MEETING YOU.
216
00:13:30,470 --> 00:13:35,130
COULD I HAVE MY NAIL
FILE BACK, PLEASE?
217
00:13:35,170 --> 00:13:36,870
THANK YOU.
218
00:13:42,070 --> 00:13:44,570
WHAT PLANET DO YOU THINK...
219
00:13:44,600 --> 00:13:46,330
I DON'T KNOW.
220
00:14:08,110 --> 00:14:11,410
L-56, REQUEST ANY
WANTS OR WARRANTS
221
00:14:11,440 --> 00:14:14,110
ON A LATE MODEL BMW,
CALIFORNIA LICENSE PLATE...
222
00:14:14,140 --> 00:14:17,870
LAWRENCE, PETER, CHARLES, 0-9-8.
223
00:14:17,910 --> 00:14:20,670
Dispatcher: ROGER, L-56.
224
00:14:24,840 --> 00:14:27,810
WELL, HE SPOTTED US.
THAT TELLS US SOMETHING.
225
00:14:27,840 --> 00:14:30,270
I JUST GOT A LITTLE
BIT TOO CLOSE TO HIM.
226
00:14:34,670 --> 00:14:36,940
Dispatcher: L-56, I HAVE
NO WANTS OR WARRANTS.
227
00:14:36,970 --> 00:14:40,510
VEHICLE IS REGISTERED
TO A ZACHARY SHERMAN,
228
00:14:40,540 --> 00:14:45,070
1404 SUMPTER, BALDWIN HILLS.
229
00:14:52,700 --> 00:14:55,000
YOUR FRIEND SCOOTER
THE SPACE MAN
230
00:14:55,030 --> 00:14:56,930
STIFFED US ON THIS NUMBER.
231
00:14:56,960 --> 00:14:58,800
IT DOESN'T SURPRISE ME.
232
00:14:58,830 --> 00:15:01,160
WHAT HAVE WE GOT HERE, SERGEANT?
233
00:15:01,200 --> 00:15:05,200
CHARLENE'S MAIL. I THOUGHT YOU
WERE GONNA LEAVE IT AT THE APARTMENT?
234
00:15:05,240 --> 00:15:06,070
I FORGOT.
235
00:15:06,100 --> 00:15:07,346
YOU DIDN'T FORGET.
THIS IS A FEDERAL RAP.
236
00:15:07,370 --> 00:15:09,200
I DON'T WANT TO HAVE
ANYTHING TO DO WITH THIS.
237
00:15:09,240 --> 00:15:10,400
IT'S EVIDENCE.
238
00:15:10,440 --> 00:15:14,100
BESIDES, THERE'S NOTHING THERE
EXCEPT FOR JUNK MAIL AND ADS.
239
00:15:14,140 --> 00:15:15,000
GIVE IT TO ME.
240
00:15:15,040 --> 00:15:17,140
THERE IS ONE THING, HOWEVER.
241
00:15:17,170 --> 00:15:18,640
A PHONE BILL.
242
00:15:18,670 --> 00:15:21,670
8 TOLL CALLS TO THE SAME NUMBER.
243
00:15:21,700 --> 00:15:25,100
WANT TO CHECK IT OUT?
244
00:15:25,140 --> 00:15:26,900
YEAH.
245
00:15:33,900 --> 00:15:35,970
I DON'T WANT ANY. OK?
246
00:15:36,000 --> 00:15:38,400
JED WILCOX?
247
00:15:40,640 --> 00:15:41,770
WE'RE WITH THE POLICE.
248
00:15:41,800 --> 00:15:46,200
WE'D LIKE TO TALK WITH YOU
ABOUT CHARLENE LINDQUIST.
249
00:15:46,240 --> 00:15:47,400
WHAT ABOUT HER?
250
00:15:47,440 --> 00:15:51,000
WELL, SHE CALLED YOU A COUPLE
TIMES LAST WEEK. WHAT ABOUT?
251
00:15:51,040 --> 00:15:52,470
DRUGS.
252
00:15:52,500 --> 00:15:54,040
YOU SAYING SHE'S A DRUG USER?
253
00:15:54,070 --> 00:15:56,470
USES DRUGS? SHE'S A SPEED FREAK.
254
00:15:56,500 --> 00:15:59,900
SHE'LL JOY POP, FREEBASE,
SPEEDBALL. YOU NAME IT.
255
00:15:59,940 --> 00:16:01,940
I TOLD HER I HAVEN'T
GOT ANY CONNECTIONS.
256
00:16:01,970 --> 00:16:03,210
I'M OUT OF THE DRUG SCENE.
257
00:16:03,240 --> 00:16:05,210
WE TALKING ABOUT
THE SAME PERSON HERE?
258
00:16:05,240 --> 00:16:07,080
THIS GIRL'S A SINGER.
259
00:16:07,110 --> 00:16:08,180
ONCE, MAYBE.
260
00:16:08,210 --> 00:16:11,540
NOW SHE'S YOUR
ALL-PURPOSE JUNKIE.
261
00:16:11,580 --> 00:16:12,780
WHAT DO YOU DO FOR A LIVING?
262
00:16:12,810 --> 00:16:14,580
I'M IN THE MUSIC BUSINESS.
263
00:16:14,610 --> 00:16:17,080
YOU KNOW SCOOTER DAVIS?
264
00:16:17,110 --> 00:16:18,010
YEAH. WHY?
265
00:16:18,040 --> 00:16:19,710
WHERE CAN WE FIND HIM?
266
00:16:19,740 --> 00:16:20,940
I DON'T KNOW.
267
00:16:20,980 --> 00:16:22,410
YOU TRIED THE CRADLE?
268
00:16:22,440 --> 00:16:24,910
YOU MIND IF WE GO
INSIDE AND TALK?
269
00:16:24,940 --> 00:16:27,310
DAMN RIGHT, I MIND.
270
00:16:27,340 --> 00:16:29,680
I GOT A LADY IN THERE.
271
00:16:29,710 --> 00:16:32,210
PROBABLY SOMEONE
WE SHOULD TALK TO.
272
00:16:32,240 --> 00:16:33,940
NOT UNLESS YOU GOT
A SEARCH WARRANT.
273
00:16:33,980 --> 00:16:37,540
WELL, I THINK WE GOT
TIME TO GET ONE OF THOSE.
274
00:16:37,580 --> 00:16:40,340
WHY DON'T YOU WAIT
HERE WITH HIM? EXCUSE ME.
275
00:16:40,380 --> 00:16:42,240
OK.
276
00:16:42,280 --> 00:16:44,440
OK, HUH?
277
00:16:45,140 --> 00:16:48,480
COME ON IN, OFFICERS.
278
00:17:05,050 --> 00:17:06,220
WHO WAS THAT?
279
00:17:06,250 --> 00:17:09,180
DON'T YOU THINK IT'S TIME YOU
HARD-NOSES READ ME MY RIGHTS?
280
00:17:09,220 --> 00:17:12,150
THERE WILL BE TIME
ENOUGH FOR THAT.
281
00:17:12,180 --> 00:17:15,920
CHARLENE LINDQUIST.
282
00:17:15,950 --> 00:17:17,180
SHE'S BEAUTIFUL.
283
00:17:17,220 --> 00:17:18,620
THINK SHE'S IN HERE?
284
00:17:18,650 --> 00:17:19,580
I HOPE NOT.
285
00:17:19,620 --> 00:17:21,950
LET'S TAKE A LOOK RIGHT HERE.
286
00:17:24,180 --> 00:17:26,080
NOPE.
287
00:17:28,780 --> 00:17:30,850
THAT'S NOT IT.
288
00:17:33,580 --> 00:17:35,650
LET'S CHECK NEXT DOOR.
289
00:17:38,980 --> 00:17:40,050
Captain: A SINGER?
290
00:17:40,080 --> 00:17:44,580
YOU WANT TIME AND MONEY TO
GO UNDERCOVER AS A SINGER?
291
00:17:44,620 --> 00:17:45,720
THAT'S RIGHT.
292
00:17:45,750 --> 00:17:47,850
LOOK, CAPTAIN,
I'VE DONE IT BEFORE,
293
00:17:47,880 --> 00:17:48,680
AND I CAN PULL IT OFF.
294
00:17:48,720 --> 00:17:50,280
I HAD A BAND WHEN
I WAS IN SCHOOL.
295
00:17:50,320 --> 00:17:53,220
I'VE ALWAYS KEPT UP
WITH MUSIC. I CAN DO IT.
296
00:17:53,250 --> 00:17:55,320
BUT THIS, UH, CRADLE PLACE...
297
00:17:55,350 --> 00:17:56,656
THAT'S A LITTLE OVER
YOUR HEAD, ISN'T IT?
298
00:17:56,680 --> 00:17:58,250
THEY GIVE UNKNOWNS
A SHOT ON WEEKNIGHTS.
299
00:17:58,280 --> 00:18:00,650
NOW, I KNOW THAT IF I
CAN LAST A NIGHT OR TWO
300
00:18:00,680 --> 00:18:02,720
THAT I CAN GET THE
INFORMATION WE NEED.
301
00:18:02,760 --> 00:18:04,120
HOW DANGEROUS IS IT?
302
00:18:04,160 --> 00:18:07,120
WELL, I DON'T SING ALL THAT BAD.
303
00:18:07,160 --> 00:18:09,590
YOU WERE JUST ON
TV THE OTHER NIGHT
304
00:18:09,620 --> 00:18:11,320
TALKING ABOUT ZACK SHERMAN.
305
00:18:11,360 --> 00:18:12,960
A LOT OF PEOPLE SAW YOU, McCALL.
306
00:18:12,990 --> 00:18:15,660
I KNOW THAT, BUT IT WAS
ONLY FOR A COUPLE OF MINUTES,
307
00:18:15,690 --> 00:18:16,866
AND IT WAS ON THE
LATE NIGHT NEWS.
308
00:18:16,890 --> 00:18:18,166
CAPTAIN, THIS IS NO
MORE DANGEROUS
309
00:18:18,190 --> 00:18:19,920
THAN COVERING A
HOMICIDE SUSPECT.
310
00:18:19,960 --> 00:18:22,690
YOU'VE ALSO GOT TWO
PEOPLE BOTH MISSING,
311
00:18:22,720 --> 00:18:24,720
WITH CLOSE
CONNECTIONS TO THIS...
312
00:18:24,760 --> 00:18:27,860
CRADLE JOINT AND ZACK SHERMAN.
313
00:18:27,890 --> 00:18:29,520
ISN'T HE CONNECTED
TO IT SOMEHOW?
314
00:18:29,560 --> 00:18:31,160
YES, THAT'S RIGHT, BUT
THAT'S EXACTLY WHY
315
00:18:31,190 --> 00:18:33,820
I THINK I OUGHT TO SPEND
A LITTLE TIME AT THE CLUB.
316
00:18:33,860 --> 00:18:35,660
HUNTER KNOW ABOUT THIS?
317
00:18:36,560 --> 00:18:39,520
YEAH. HE DOESN'T
THINK I OUGHT TO DO IT.
318
00:18:39,560 --> 00:18:41,890
IT'S BECAUSE ONE OF
THE MISSING PERSONS
319
00:18:41,920 --> 00:18:43,690
IS A MUSICIAN WHOSE
NAME IS SCOOTER DAVIS,
320
00:18:43,720 --> 00:18:46,360
AND HE GOT A REAL GOOD LOOK
AT ME AND HE KNOWS I'M A COP.
321
00:18:46,390 --> 00:18:49,520
BUT THE ODDS OF A MISSING
PERSON SHOWING UP AT THAT CLUB
322
00:18:49,560 --> 00:18:52,220
ON THE SAME NIGHT I'M
THERE ARE VERY SLIM.
323
00:18:52,260 --> 00:18:53,560
AND BESIDES,
324
00:18:53,590 --> 00:18:57,960
THE OTHER MISSING PERSON IS A GIRL
WHOSE NAME IS CHARLENE LINDQUIST.
325
00:18:57,990 --> 00:18:59,890
WE PRACTICALLY GREW UP TOGETHER.
326
00:18:59,920 --> 00:19:02,630
CAPTAIN, I REALLY
WANT TO DO THIS.
327
00:19:03,400 --> 00:19:04,630
HOW MUCH IS IT GONNA COST?
328
00:19:04,660 --> 00:19:07,930
VERY LITTLE. I HAVE FRIENDS
THAT ARE PROFESSIONAL MUSICIANS.
329
00:19:07,960 --> 00:19:09,530
THEY OWE ME A FAVOR OR TWO.
330
00:19:09,560 --> 00:19:10,676
I'LL PUT TOGETHER
A COUPLE OF SONGS.
331
00:19:10,700 --> 00:19:12,930
WE GIVE IT TO THIS GUY
NAMED SOOKY AT THE CRADLE,
332
00:19:12,960 --> 00:19:14,600
AND IF HE LIKES IT, WE'RE IN.
333
00:19:14,630 --> 00:19:16,630
OK. DO IT.
334
00:19:16,660 --> 00:19:18,500
THANKS.
335
00:19:18,530 --> 00:19:21,330
I CAN'T SAY I'M UNHAPPY
WE DIDN'T FIND HER.
336
00:19:21,360 --> 00:19:22,030
ME EITHER.
337
00:19:22,060 --> 00:19:24,400
HEY, WHERE'S THE LITTLE FOX?
338
00:19:24,430 --> 00:19:28,060
SHE'S IN YOUR FIELD
NOW, CARLOS... MUSIC.
339
00:19:28,100 --> 00:19:29,236
McCall, on recording:
♪ ALL NIGHT ♪
340
00:19:29,260 --> 00:19:32,060
♪ I'M TAKING CARE OF MY FAMILY ♪
341
00:19:32,100 --> 00:19:33,630
♪ I'LL BE ALL I CAN BE ♪
342
00:19:33,660 --> 00:19:35,800
♪ AND WHEN MY WORK COMES AGAIN ♪
343
00:19:35,830 --> 00:19:38,260
♪ I AIN'T THE BAD ONE'S FRIEND ♪
344
00:19:38,300 --> 00:19:40,460
♪ NO, I'M A GHOST ♪
345
00:19:40,500 --> 00:19:41,900
♪ I SAY ♪
346
00:19:41,930 --> 00:19:43,730
♪ AND A LADY AM I ♪
347
00:19:43,760 --> 00:19:47,000
♪ WELL I'M JOE BY DAY ♪
348
00:19:47,030 --> 00:19:49,560
♪ AND ME AT NIGHT ♪
349
00:19:49,600 --> 00:19:51,460
TSK.
350
00:19:51,500 --> 00:19:53,130
HOW COME I NEVER
SEEN YOU BEFORE?
351
00:19:53,160 --> 00:19:55,430
JUST BEEN TRAVELING
AROUND A LOT,
352
00:19:55,460 --> 00:19:56,900
JUST CAME DOWN FROM SEATTLE.
353
00:19:56,930 --> 00:19:58,460
SO YOU CAN GO ANYTIME, HUH?
354
00:19:58,500 --> 00:19:59,500
YEAH.
355
00:19:59,530 --> 00:20:01,900
OK. BE HERE LIKE EARLY.
356
00:20:01,940 --> 00:20:04,540
8:30, 9:00? LIKE THAT THERE.
357
00:20:04,570 --> 00:20:06,900
GREAT. THANKS.
358
00:20:23,440 --> 00:20:26,970
Dispatcher: L-56? L-56, COME IN.
359
00:20:29,900 --> 00:20:31,170
L-56.
360
00:20:31,200 --> 00:20:34,000
HUNTER, DO YOU WANT TO BE
PATCHED THROUGH TO CARLOS?
361
00:20:34,040 --> 00:20:35,400
HE SAYS IT'S IMPORTANT.
362
00:20:35,440 --> 00:20:37,000
YEAH. PATCH HIM THROUGH.
363
00:20:37,040 --> 00:20:39,670
Carlos: HUNTER, A
D.B. JUST CAME IN.
364
00:20:39,700 --> 00:20:40,876
AND I'M AFRAID IT'S YOUR FRIEND.
365
00:20:40,900 --> 00:20:43,000
BUT YOU WANT TO CHECK IT
OUT FOR YOURSELF, RIGHT?
366
00:20:43,040 --> 00:20:44,540
YOU KNOW ME OH TOO WELL, CARLOS.
367
00:20:44,570 --> 00:20:47,370
I'M ON MY WAY.
THANK YOU SO MUCH.
368
00:21:00,840 --> 00:21:03,640
AND NOW, FOR THE FIRST
TIME AT THE CRADLE...
369
00:21:03,680 --> 00:21:06,710
THE HOT MACH 10! LET'S HEAR IT!
370
00:21:06,740 --> 00:21:08,010
GET UP! LET'S GO!
371
00:21:34,480 --> 00:21:36,640
♪ DRIVIN' TOO FAST ♪
372
00:21:36,680 --> 00:21:39,840
♪ BOUNCIN' THROUGH THE MUD ♪
373
00:21:42,480 --> 00:21:44,480
IS THAT HER?
374
00:21:45,080 --> 00:21:47,340
YEAH, THAT'S HER.
375
00:21:50,410 --> 00:21:52,680
THANK YOU.
376
00:22:10,580 --> 00:22:13,020
MISS GINA B, MR. SAM PRUITT.
377
00:22:13,050 --> 00:22:13,980
YOU'RE REALLY, REALLY GOOD.
378
00:22:14,020 --> 00:22:16,120
YOU GOT NO FEAR, AND
THAT'S HALF THE BATTLE.
379
00:22:16,150 --> 00:22:17,480
SIT DOWN. STAY A WHILE.
380
00:22:17,520 --> 00:22:18,350
THANKS A LOT.
381
00:22:18,380 --> 00:22:19,656
YEAH, IT WAS BEAUTIFUL.
JUST WONDERFUL.
382
00:22:19,680 --> 00:22:20,550
THANKS A LOT.
383
00:22:20,580 --> 00:22:21,926
MISS B, I LOVE YOU. I
THINK YOU'RE GREAT.
384
00:22:21,950 --> 00:22:23,226
WELL, THANK YOU.
THANK YOU VERY MUCH.
385
00:22:23,250 --> 00:22:26,650
I LIKE YOUR WORK, TOO. LISTEN,
YOU GONNA GET UP AND DO A NUMBER?
386
00:22:26,680 --> 00:22:27,920
AW, NOT TONIGHT, BABE.
387
00:22:27,950 --> 00:22:31,080
Sooky: AND THE CRADLE
KEEPS ON ROCKING WITH...
388
00:22:31,120 --> 00:22:34,020
DEAD DUCKS! LET'S HEAR IT!
389
00:23:10,360 --> 00:23:12,390
EXCUSE ME FOR A SECOND, BABY.
390
00:23:12,420 --> 00:23:14,260
WHY DON'T YOU ASK
HIM TO COME OVER?
391
00:23:14,290 --> 00:23:16,590
YEAH. OK. OK.
392
00:23:16,620 --> 00:23:20,090
LISTEN, I'M GONNA GO JOIN
MY BAND AT THE BAR, OK?
393
00:23:20,120 --> 00:23:20,960
OH, WHY DON'T YOU STAY?
394
00:23:20,990 --> 00:23:22,890
I WANT YOU TO MEET
THIS GUY, JED WILCOX.
395
00:23:22,920 --> 00:23:23,820
I THINK HE'D LIKE YOU.
396
00:23:23,860 --> 00:23:25,760
UH, HOW ABOUT IF I I
COME BACK AGAIN LATER,
397
00:23:25,790 --> 00:23:26,390
TAKE A RAIN CHECK?
398
00:23:26,420 --> 00:23:28,090
ALL RIGHT, THE NEXT TIME.
399
00:23:28,120 --> 00:23:29,360
SO TAKE CARE.
400
00:23:29,390 --> 00:23:30,990
YOU, TOO.
401
00:23:56,520 --> 00:23:58,160
SO WHAT HAPPENED
TO THE YOUNG LADY?
402
00:23:58,190 --> 00:24:00,390
OH, SHE WANTED TO
BE WITH HER FRIENDS.
403
00:24:00,420 --> 00:24:02,700
JED. YOU HERE ON
BUSINESS OR PLEASURE?
404
00:24:02,730 --> 00:24:05,260
WITH YOU, IT'S
ALWAYS A PLEASURE.
405
00:24:05,300 --> 00:24:07,860
WHAT'S HER NAME?
406
00:24:07,900 --> 00:24:09,300
MACH 10.
407
00:24:09,330 --> 00:24:13,000
LISTEN, I... I THINK I BLEW MY
CHORDS OUT ON THAT LAST SET.
408
00:24:13,030 --> 00:24:14,206
I DON'T THINK I CAN
DO ANOTHER ONE.
409
00:24:14,230 --> 00:24:16,930
ALL RIGHT, LISTEN. YOUR GUYS
ARE HAVING A DRINK AT THE BAR.
410
00:24:16,960 --> 00:24:18,860
YOU GO UP, YOU HAVE
A SHOT OF BOOZE,
411
00:24:18,900 --> 00:24:20,330
YOU'LL BE AS GOOD AS NEW.
412
00:24:20,360 --> 00:24:23,200
HEY! YOU DID FINE.
413
00:24:43,730 --> 00:24:46,560
HE BURNED ME. LET'S GO.
414
00:25:06,680 --> 00:25:09,950
SO TELL ME, WHERE DID CARLOS
SAY THEY FOUND CHARLENE?
415
00:25:09,980 --> 00:25:12,350
THEY FOUND HER IN
A RUN-DOWN MOTEL
416
00:25:12,380 --> 00:25:14,780
WITH A SYRINGE
LAYING NEXT TO HER.
417
00:25:14,820 --> 00:25:15,850
OH. HEY.
418
00:25:15,880 --> 00:25:19,120
I DON'T BUY THAT CHARLENE
CALLED WILCOX FOR DRUGS.
419
00:25:19,150 --> 00:25:20,320
I JUST DON'T BUY THAT.
420
00:25:20,350 --> 00:25:21,320
WELL, I DON'T, EITHER.
421
00:25:21,350 --> 00:25:22,756
SHE WAS ALSO BEATEN
UP PRETTY BADLY..
422
00:25:22,780 --> 00:25:25,020
MIGHT HAVE BEEN AN OVERDOSE.
WHO KNOWS? I DON'T THINK SO.
423
00:25:25,050 --> 00:25:26,796
I BELIEVE SHE WAS
MURDERED. BUT NOW, TONIGHT,
424
00:25:26,820 --> 00:25:31,380
WELL, WE FIND OUT THAT WILCOX
IS TIED IN WITH ZACK SHERMAN.
425
00:25:31,420 --> 00:25:35,650
WELL, LET'S GO TELL HER SISTER.
426
00:25:36,280 --> 00:25:41,480
I DON'T WANT WENDY
FINDING OUT ABOUT IT ON TV.
427
00:25:42,780 --> 00:25:45,480
YOU THINK SHE CARES?
428
00:26:08,960 --> 00:26:12,020
I KNOW THERE'S SOMEBODY
IN THERE. I HEARD THEM.
429
00:26:12,060 --> 00:26:14,620
MISS LINDQUIST?
430
00:26:14,660 --> 00:26:16,660
POLICE!
431
00:26:22,220 --> 00:26:23,660
YAA!
432
00:26:28,690 --> 00:26:30,760
CHECK WENDY.
433
00:26:49,820 --> 00:26:53,560
Hunter: DO YOU HAVE ANY IDEA AT
ALL WHAT THEY WERE LOOKING FOR?
434
00:26:53,590 --> 00:26:54,720
NO.
435
00:26:54,760 --> 00:26:56,920
NO. I ASKED THEM WHAT
THEY THOUGHT I HAD
436
00:26:56,960 --> 00:26:57,820
THAT WAS SO IMPORTANT.
437
00:26:57,860 --> 00:27:00,590
THEY JUST STARTED TO
TEAR THE PLACE APART.
438
00:27:00,620 --> 00:27:04,160
THIS HAS SOMETHING TO DO
WITH CHARLENE, DOESN'T IT?
439
00:27:04,860 --> 00:27:08,600
ANSWER ME, DEE DEE!
IT'S CHARLENE, ISN'T IT?
440
00:27:09,060 --> 00:27:11,130
CHARLENE'S DEAD.
441
00:27:21,160 --> 00:27:23,360
OH, MY GOD.
442
00:27:26,600 --> 00:27:29,430
OH, MY GOD, NO!
443
00:27:29,460 --> 00:27:34,400
Pruitt: BIG TALL COP
WITH A WOMAN PARTNER?
444
00:27:35,260 --> 00:27:39,600
ALL RIGHT, GET LOST. CALL YOUR
TRAVEL AGENT AND TAKE A TRIP.
445
00:27:39,630 --> 00:27:42,030
I DON'T WANT TO SEE YOU
FOR AT LEAST A MONTH.
446
00:27:42,060 --> 00:27:44,430
SORRY WE CAME UP
EMPTY, MR. PRUITT.
447
00:27:44,460 --> 00:27:46,500
YEAH, FORGET IT.
WORK ON YOUR TAN.
448
00:27:46,530 --> 00:27:47,500
I'M GOING TO CANADA.
449
00:27:47,530 --> 00:27:52,230
YEAH, WHATEVER. JUST
DON'T SEND ME NO POSTCARDS.
450
00:28:00,900 --> 00:28:02,000
SAM, I'M REALLY SCARED.
451
00:28:02,030 --> 00:28:04,000
FIRST THEY'RE TELLING US
ALL THESE CRAZY STORIES
452
00:28:04,040 --> 00:28:07,270
ABOUT UNDERCOVER COPS, AND
NOW THIS... WHATEVER THIS IS ABOUT.
453
00:28:07,300 --> 00:28:08,570
LOOK, TAKE IT EASY, BABY.
454
00:28:08,600 --> 00:28:10,300
EVERYTHING IS UNDER CONTROL.
455
00:28:10,340 --> 00:28:11,940
BUT THE POLICE KNOW
ABOUT SCOOTER, TOO.
456
00:28:11,970 --> 00:28:13,800
THEY ASKED JED WILCOX ABOUT HIM.
457
00:28:13,840 --> 00:28:15,300
WE WILL FIND SCOOTER, BABY.
458
00:28:15,340 --> 00:28:18,140
NOW, PUT THIS IN MY HANDS. LET
ME TAKE CARE OF IT, ALL RIGHT?
459
00:28:18,170 --> 00:28:19,940
I SHOULD HAVE NEVER
CALLED ON YOU FOR HELP.
460
00:28:19,970 --> 00:28:21,540
I SHOULD HAVE JUST
TURNED MYSELF IN.
461
00:28:21,570 --> 00:28:22,500
NOW FORGET THAT.
462
00:28:22,540 --> 00:28:23,646
THERE WAS A TIME WHEN
YOU COULD'VE DONE THAT,
463
00:28:23,670 --> 00:28:26,670
BUT THAT TIME IS GONE.
464
00:28:28,540 --> 00:28:30,340
YEAH?
465
00:28:31,470 --> 00:28:33,770
OK. MOVE!
466
00:28:33,800 --> 00:28:35,970
HEY, AND, UH, JED...
467
00:28:36,000 --> 00:28:37,670
THANKS.
468
00:28:38,940 --> 00:28:40,840
HE'S FOUND SCOOTER.
469
00:30:05,850 --> 00:30:06,580
SCOOTER.
470
00:30:06,620 --> 00:30:08,380
HEY, JED. WHAT ARE
YOU DOING HERE?
471
00:30:08,420 --> 00:30:10,820
WHAT'S THE MATTER WITH
YOU? YOU'RE NERVOUS.
472
00:30:10,850 --> 00:30:12,880
YOU SNUCK UP ON ME. I
DIDN'T HEAR YOU COMING.
473
00:30:12,920 --> 00:30:14,980
I'M JUST SITTING HERE
WAITING FOR SOMEBODY.
474
00:30:15,020 --> 00:30:18,120
YEAH. THE GUY YOU'RE
WAITING FOR... HE CALLED ME.
475
00:30:18,150 --> 00:30:19,050
WHY?
476
00:30:19,080 --> 00:30:22,020
'CAUSE I PAID HIM TO
FIND YOU AND TO CALL ME
477
00:30:22,050 --> 00:30:24,920
'CAUSE YOU AND ME... WE GOT
SOME BUSINESS TO TRANSACT.
478
00:30:24,950 --> 00:30:27,620
HEY, MAN, I DON'T HAVE
NOTHING THAT YOU WANT.
479
00:30:27,650 --> 00:30:30,820
BUT YOU DO. YOU
GOT THE VIDEOTAPE.
480
00:30:30,850 --> 00:30:31,920
TAPE?
481
00:30:31,950 --> 00:30:32,820
THE TAPE.
482
00:30:32,850 --> 00:30:34,420
THE ONE CHARLENE
TRIED TO SELL ME.
483
00:30:34,450 --> 00:30:35,926
I DON'T KNOW ANYTHING
ABOUT ANY TAPE, MAN.
484
00:30:35,950 --> 00:30:39,650
YOU GOT IT FROM ZACK'S APARTMENT,
AND YOU GAVE IT TO CHARLENE,
485
00:30:39,680 --> 00:30:41,120
BUT CHARLENE GOT RID OF IT.
486
00:30:41,150 --> 00:30:43,780
THAT MEANS YOU GOT IT.
487
00:30:44,550 --> 00:30:45,550
NOW WHERE IS IT?
488
00:30:45,580 --> 00:30:46,680
I DON'T KNOW. I SWEAR.
489
00:30:46,720 --> 00:30:49,020
YOU ARE GONNA GIVE IT
TO ME STRAIGHT, LITTLE MAN,
490
00:30:49,050 --> 00:30:53,420
OR I AM GONNA BLOW
YOU AWAY RIGHT HERE.
491
00:30:53,450 --> 00:30:56,150
I WAS NEVER GONNA USE IT.
492
00:30:56,180 --> 00:30:58,350
I WOULDN'T TRY TO
BLACKMAIL MISS B.
493
00:30:58,380 --> 00:30:59,920
NEITHER WOULD CHARLENE.
494
00:30:59,950 --> 00:31:00,780
WE WERE VERY HIGH
495
00:31:00,820 --> 00:31:02,560
THE NIGHT I LET HER
LOOK AT THE TAPE.
496
00:31:02,590 --> 00:31:06,790
AND WE TALKED BIG
FOR A WHILE. TOO BIG.
497
00:31:06,820 --> 00:31:09,090
CHARLENE, SHE
THREW THAT TAPE AWAY.
498
00:31:09,120 --> 00:31:11,560
WELL, MY BOSS IS NOT
GONNA BUY IT, SCOOTER.
499
00:31:11,590 --> 00:31:15,520
HE SAYS I GOT TO CLEAN
THINGS UP RIGHT NOW.
500
00:31:15,560 --> 00:31:17,760
NOW LET'S GO GET IT.
501
00:31:17,790 --> 00:31:18,560
MOVE.
502
00:31:18,590 --> 00:31:21,320
FREEZE, WILCOX! POLICE!
503
00:31:50,560 --> 00:31:53,560
WELL, NOW WE GOTTA FIND OUT
WHO HIRED WILCOX, AND WHY?
504
00:31:53,600 --> 00:31:57,760
YEAH, I THINK THE ANSWER'S STILL
BACK AT THAT CLUB, THE CRADLE.
505
00:31:57,800 --> 00:31:58,930
THE CRADLE, HUH? YEAH.
506
00:31:58,960 --> 00:32:02,260
YOU DON'T THINK WILCOX
TOLD HIM YOU'RE A COP, DO YOU?
507
00:32:02,300 --> 00:32:05,470
THEY WON'T BE SURPRISED
WHEN I FLASH MY BADGE.
508
00:32:05,500 --> 00:32:08,340
YEAH. OR WHATEVER
YOU MIGHT FLASH.
509
00:32:08,370 --> 00:32:09,740
YES, WHATEVER I MIGHT FLASH.
510
00:32:09,770 --> 00:32:12,100
YOU HAVE THE DIRTIEST MIND
OF ANYONE I'VE EVER KNOWN.
511
00:32:12,140 --> 00:32:15,200
YEAH. THAT'S TRUE. IT IS TRUE.
512
00:32:15,240 --> 00:32:16,640
YOU'RE GIVING HIM
TOO MUCH SPACE.
513
00:32:16,670 --> 00:32:22,540
YOU FORGETTING THEY'RE COPS?
ANY CLOSER, AND THEY'LL SPOT US, MAN.
514
00:32:51,340 --> 00:32:54,370
YOU ARE NOT WELCOME HERE. OUT!
515
00:32:54,400 --> 00:32:58,100
I WANT YOU OUT!
516
00:32:58,140 --> 00:32:59,600
LOOK, YOU LIED TO ME.
517
00:32:59,640 --> 00:33:01,240
AND YOU MADE A
DAMN FOOL OUT OF ME,
518
00:33:01,270 --> 00:33:02,780
AND I WANT YOU OUT OF HERE.
519
00:33:02,810 --> 00:33:05,410
AS SOON AS WE'RE
FINISHED, WE'LL LEAVE.
520
00:33:05,440 --> 00:33:07,340
STATE YOUR BUSINESS.
521
00:33:07,380 --> 00:33:08,180
WE'D LIKE TO TALK...
522
00:33:08,210 --> 00:33:10,410
NOT YOU. I'M NOT TALKING TO YOU.
523
00:33:10,440 --> 00:33:11,510
STATE YOUR BUSINESS.
524
00:33:11,540 --> 00:33:15,110
JED WILCOX. HE CAME IN
LAST NIGHT, MET WITH A GUY.
525
00:33:15,140 --> 00:33:16,440
WHO WAS THAT?
526
00:33:16,480 --> 00:33:17,740
HIS NAME'S SAM PRUITT,
527
00:33:17,780 --> 00:33:20,910
AND HE'S FINANCING MISS
B's COMEBACK ALBUM. WHY?
528
00:33:20,940 --> 00:33:21,810
RING A BELL?
529
00:33:21,840 --> 00:33:23,510
YEAH. BEFORE HE GOT
IN THE MUSIC BUSINESS,
530
00:33:23,540 --> 00:33:25,480
HE WAS IN THE DRUG BUSINESS.
531
00:33:25,510 --> 00:33:26,540
ANYTHING ELSE?
532
00:33:26,580 --> 00:33:28,510
YEAH. YOU KNOW SCOOTER DAVIS?
533
00:33:28,540 --> 00:33:29,380
YEAH. SO?
534
00:33:29,410 --> 00:33:32,080
WELL, JED WILCOX
MURDERED HIM YESTERDAY.
535
00:33:32,110 --> 00:33:35,210
HE ALSO MURDERED
CHARLENE LINDQUIST.
536
00:33:42,040 --> 00:33:44,840
WHY? WHY WOULD ANYONE DO THAT?
537
00:33:44,880 --> 00:33:48,080
THAT'S WHAT WE'RE
TRYING TO FIND OUT.
538
00:33:48,110 --> 00:33:49,680
IT DOESN'T MAKE ANY SENSE.
539
00:33:49,710 --> 00:33:52,510
I MEAN, THEY WERE JUST TWO
SWEET LOSERS, YOU KNOW?
540
00:33:52,540 --> 00:33:54,480
WHAT CAN I DO? HOW CAN I HELP?
541
00:33:54,510 --> 00:33:56,110
WILCOX WAS LOOKING
FOR SOMETHING.
542
00:33:56,140 --> 00:33:59,840
HE THOUGHT THAT MAYBE
SCOOTER OR CHARLENE HAD IT.
543
00:33:59,880 --> 00:34:00,810
LIKE WHAT?
544
00:34:00,840 --> 00:34:02,040
WELL, WE DON'T KNOW.
545
00:34:02,080 --> 00:34:04,520
COULD IT BE SOMETHING SMALL,
546
00:34:04,550 --> 00:34:05,750
LIKE A PAPERBACK BOOK?
547
00:34:05,780 --> 00:34:07,280
COULD BE ANYTHING.
WHY DO YOU ASK?
548
00:34:07,320 --> 00:34:10,720
BECAUSE WHEN SCOOTER
HAD NO PLACE TO LIVE,
549
00:34:10,750 --> 00:34:12,250
WHICH WAS MOST OF THE TIME,
550
00:34:12,280 --> 00:34:15,020
HE ALWAYS HAD HIS
MAIL FORWARDED TO ME.
551
00:34:15,050 --> 00:34:17,650
I'VE BEEN GETTING STUFF
FOR THE LAST COUPLE OF DAYS.
552
00:34:17,680 --> 00:34:19,450
MOSTLY JUST JUNK MAIL.
553
00:34:19,480 --> 00:34:21,320
BUT THERE'S ONE PACKAGE
554
00:34:21,350 --> 00:34:23,680
THE SIZE OF A PAPERBACK BOOK.
555
00:34:23,720 --> 00:34:25,350
COULD WE SEE IT?
556
00:34:25,380 --> 00:34:26,120
YEAH, SURE.
557
00:34:26,150 --> 00:34:29,950
HEY, MACK. THE
PACKAGE FOR SCOOTER.
558
00:34:35,750 --> 00:34:36,820
THANK YOU.
559
00:34:36,850 --> 00:34:39,220
IT'S MADE OUT TO YOU,
SOOKY. YOU MIND IF WE OPEN IT?
560
00:34:39,250 --> 00:34:40,950
GO FOR IT.
561
00:34:46,820 --> 00:34:48,350
YOU GOT A VCR?
562
00:34:48,380 --> 00:34:49,080
NO. SORRY.
563
00:34:49,120 --> 00:34:51,580
I GOT ONE IN MY HOUSE.
564
00:34:51,620 --> 00:34:53,850
LET'S GO LOOK AT THIS.
565
00:34:53,880 --> 00:34:54,920
THANK YOU.
566
00:34:54,950 --> 00:34:56,650
YEAH.
567
00:35:08,120 --> 00:35:10,860
HE'S GOT THE CASSETTE.
568
00:35:12,290 --> 00:35:15,820
THEY'VE GOT IT AND WE'RE ON 'EM.
569
00:35:29,790 --> 00:35:31,960
GET IN HERE.
570
00:35:31,990 --> 00:35:34,520
YOU GOT ALL THE LIGHTS ON.
571
00:35:34,560 --> 00:35:35,460
EXPECTING SOMEBODY?
572
00:35:35,490 --> 00:35:38,860
NO. JUST WANT TO SEE YOU.
573
00:35:39,660 --> 00:35:42,360
HERE. GIVE ME THAT.
574
00:35:53,320 --> 00:35:54,420
HA HA HA!
575
00:35:54,460 --> 00:35:56,590
YOU TOOK MY COAT OFF,
576
00:35:56,620 --> 00:35:58,690
NOW COME HERE.
577
00:36:01,790 --> 00:36:03,800
I LIKE THAT.
578
00:36:14,860 --> 00:36:18,130
I THINK WE'RE WATCHING
AN X-RATED MOVIE.
579
00:36:18,160 --> 00:36:19,460
RECOGNIZE THE STARS?
580
00:36:19,500 --> 00:36:23,130
YEAH. ZACK SHERMAN AND MISS B.
581
00:36:23,160 --> 00:36:24,800
OH.
582
00:36:28,130 --> 00:36:30,560
WELL, I CAN'T WATCH THAT.
583
00:36:30,600 --> 00:36:32,400
THIS IS TOO STRANGE FOR ME.
584
00:36:32,430 --> 00:36:34,830
I'LL WATCH. MAKE SOME POPCORN.
585
00:36:34,860 --> 00:36:36,100
YOU ARE SO SICK.
586
00:36:36,130 --> 00:36:37,500
EVIDENCE. GOT TO WATCH IT.
587
00:36:37,530 --> 00:36:39,300
I'LL GIVE YOU A
BLOW-BY-BLOW DESCRIPTION.
588
00:36:39,330 --> 00:36:41,860
Miss B: OW! STOP!
WHAT ARE YOU DOING?
589
00:36:41,900 --> 00:36:45,160
SHUT UP! YOU LOVE
IT AND YOU KNOW IT!
590
00:36:45,200 --> 00:36:46,660
OH, NO. PLEASE, STOP!
591
00:36:46,700 --> 00:36:48,200
YOU ALWAYS LIKED IT.
592
00:36:48,230 --> 00:36:49,530
WHAT ARE YOU DOING?
593
00:36:49,560 --> 00:36:50,700
YOU MISS IT, DON'T YOU?
594
00:36:50,730 --> 00:36:52,360
STOP!
595
00:36:53,360 --> 00:36:56,000
GOT TRIED OF SLEEPING
WITH SAM PRUITT, HUH?
596
00:36:56,030 --> 00:36:56,900
YOU REMEMBER HOW IT WAS
597
00:36:56,930 --> 00:36:58,830
WHEN ZACK WAS
YOUR MAIN MAN, RIGHT?
598
00:36:58,860 --> 00:37:01,460
AAH!
599
00:37:05,070 --> 00:37:06,640
Zack: AAH!
600
00:37:19,140 --> 00:37:20,840
HELLO. THIS IS GINA B.
601
00:37:20,870 --> 00:37:24,040
LET ME SPEAK TO
SAM... SAM PRUITT.
602
00:37:27,640 --> 00:37:29,000
WHAT'S THAT?
603
00:37:29,040 --> 00:37:30,970
WHAT?
604
00:37:32,270 --> 00:37:34,400
THAT NOISE.
605
00:37:59,840 --> 00:38:02,480
McCall: ONE OF YOUR MEN IS DEAD!
606
00:38:02,510 --> 00:38:04,040
WANT TO TRY FOR TWO?
607
00:38:04,080 --> 00:38:08,280
SOLLIE MUST HAVE GOT
HUNTER. LET'S GET HER.
608
00:38:11,340 --> 00:38:13,910
I GOT A BETTER IDEA, LADY COP.
609
00:38:13,940 --> 00:38:15,840
YOU THROW OUT YOUR GUN.
610
00:38:15,880 --> 00:38:16,840
NO DEAL!
611
00:38:16,880 --> 00:38:19,240
FREEZE! POLICE!
612
00:38:21,810 --> 00:38:22,980
DON'T SHOOT.
613
00:38:23,010 --> 00:38:25,240
PUT THE GUN ON THE FLOOR.
614
00:38:25,280 --> 00:38:29,440
VERY EASY. PUT YOUR
HANDS BEHIND YOUR HEAD.
615
00:38:33,510 --> 00:38:36,910
CALL AN AMBULANCE
AND SOME BACK-UP.
616
00:38:40,340 --> 00:38:41,456
YOU HAVE THE RIGHT
TO REMAIN SILENT.
617
00:38:41,480 --> 00:38:44,210
MY LAWYER'S NAME IS JAKE
RICH. HE'S IN THE PHONE BOOK.
618
00:38:44,240 --> 00:38:46,180
I'M SURE HE IS.
619
00:38:46,210 --> 00:38:49,040
NAH. I DON'T LIKE THIS.
620
00:38:49,080 --> 00:38:50,710
I DON'T LIKE THIS ONE BIT.
621
00:38:50,740 --> 00:38:53,380
WE'VE GOT TO FIND
ZACK SHERMAN'S BODY.
622
00:38:53,410 --> 00:38:57,440
WHY, CHARLIE? LOOK, PRUITT
IS GUILTY OF MURDER ONE.
623
00:38:57,480 --> 00:38:58,716
WE KNOW THAT. THE
DISTRICT ATTORNEY'S
624
00:38:58,740 --> 00:39:00,640
NOT THE LEAST BIT
WORRIED ABOUT HIS CASE.
625
00:39:00,680 --> 00:39:01,980
HE SAYS IT'S AIRTIGHT.
626
00:39:02,010 --> 00:39:03,850
BUT WHAT ABOUT HER?
627
00:39:03,880 --> 00:39:04,920
THIS, UH...
628
00:39:04,950 --> 00:39:05,750
MISS B.
629
00:39:05,780 --> 00:39:07,620
NO BODY, NO CASE.
630
00:39:07,650 --> 00:39:10,050
SHE IS GOING TO ESCAPE FREE.
631
00:39:12,780 --> 00:39:17,080
NOW WHY DO I GET THE FEELING
YOU TWO DON'T CARE IF SHE GETS OFF?
632
00:39:17,120 --> 00:39:21,380
CAPTAIN, THIS WOMAN WAS ABUSED
FOR 10 YEARS BY ZACK SHERMAN.
633
00:39:21,420 --> 00:39:22,750
IF SHE DID KILL HIM,
634
00:39:22,780 --> 00:39:26,380
THE TAPE MAKES IT CLEAR
SHE DID IT IN SELF-DEFENSE.
635
00:39:26,420 --> 00:39:27,350
SO SHE WALKS?
636
00:39:27,380 --> 00:39:30,880
CHARLIE, LOOK, WHERE
ARE WE GONNA FIND A JURY
637
00:39:30,920 --> 00:39:32,820
THAT'S GONNA
CONVICT HER OF MURDER
638
00:39:32,850 --> 00:39:35,080
WITHOUT A CORPUS DELICTI?
639
00:39:35,120 --> 00:39:38,480
AND YOU TWO HAVE NO IDEA
WHERE ZACK SHERMAN'S BODY IS?
640
00:39:38,520 --> 00:39:42,520
WE'LL LOOK FOR HIM
ON THE WAY HOME.
41723
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