Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,540 --> 00:00:03,546
WE GOT TO GET THIS GUY
2
00:00:03,570 --> 00:00:05,416
BEFORE HE ENDS UP
KILLING HALF OF HOLLYWOOD.
3
00:00:05,440 --> 00:00:08,140
DON'T EVEN BLINK.
4
00:00:09,170 --> 00:00:11,376
JUST MOVE!
5
00:00:11,400 --> 00:00:13,246
Finn: THE PLAN IS FOR
YOU TO HIT THE STREETS
6
00:00:13,270 --> 00:00:14,776
DRESSED AS OUR JEWEL THIEF.
7
00:00:14,800 --> 00:00:16,746
BUT YOU BETTER BRING A LOT
OF YOUR BUDDIES WITH YOU,
8
00:00:16,770 --> 00:00:18,416
'CAUSE THIS GUY'S
A DEATH MACHINE.
9
00:00:18,440 --> 00:00:19,646
BE CAREFUL, OK?
10
00:00:19,670 --> 00:00:21,446
KNOW WHERE I CAN
FIND PHILLY JOE MORTON?
11
00:00:21,470 --> 00:00:24,076
THEY'LL NEVER FIND
ME, I'M UNCATCHABLE.
12
00:00:24,100 --> 00:00:25,376
OK, PUS FOR BRAINS,
13
00:00:25,400 --> 00:00:27,776
YOU'RE UNDER ARREST. HOMICIDE.
14
00:00:27,800 --> 00:00:29,440
DO YOU HAVE A LAST REQUEST?
15
00:01:26,500 --> 00:01:28,640
WORKS FOR ME.
16
00:02:11,070 --> 00:02:12,047
WHAT THE HELL?
17
00:02:12,071 --> 00:02:14,100
OOF!
18
00:02:16,700 --> 00:02:18,616
Lacy: AND WHAT'S YOUR
NAME, SWEETHEART?
19
00:02:18,640 --> 00:02:20,416
Woman: I'M LINDA.
20
00:02:20,440 --> 00:02:23,746
YOU'RE SOME KIND OF BUTTERCUP.
21
00:02:23,770 --> 00:02:25,276
Woman: I'M CANDY.
22
00:02:25,300 --> 00:02:27,276
I'LL BET YOU ARE.
23
00:02:33,640 --> 00:02:35,076
Lacy: WHO THE HELL ARE YOU?
24
00:02:35,100 --> 00:02:36,816
ALL RIGHT,
25
00:02:36,840 --> 00:02:38,376
WHERE DO YOU KEEP YOUR MONEY?
26
00:02:38,400 --> 00:02:40,776
YOU GOT A SAFE? WHERE IS IT?
27
00:02:40,800 --> 00:02:43,446
SHUT UP! SHUT UP!
28
00:02:43,470 --> 00:02:44,976
WHERE'S THE SAFE?
29
00:02:45,000 --> 00:02:46,176
I AIN'T GOT A SAFE!
30
00:02:46,200 --> 00:02:49,076
COME ON, MAN, YOU
GOTTA HAVE A SAFE!
31
00:02:49,100 --> 00:02:51,446
ALL RIGHT, ALL
RIGHT, I'LL SHOW YOU!
32
00:02:51,470 --> 00:02:52,616
NOW!
33
00:02:52,640 --> 00:02:53,876
ALL RIGHT, YEAH.
34
00:02:53,900 --> 00:02:56,076
CRAWL! NO! WHAT?
35
00:02:56,100 --> 00:02:57,476
FASTER, FAT MAN.
36
00:02:57,500 --> 00:03:01,676
FASTER! I'LL SHOOT
YOUR BUTT OFF.
37
00:03:01,700 --> 00:03:03,446
THAT SICKO HAD A GUN!
38
00:03:03,470 --> 00:03:05,246
COME ON. COME ON!
39
00:03:05,270 --> 00:03:06,746
COME ON. TAKE IT EASY!
40
00:03:06,770 --> 00:03:08,016
MOVE IT!
41
00:03:08,040 --> 00:03:09,576
STAY COOL, MAN, WILL YOU?
42
00:03:09,600 --> 00:03:10,577
COME ON!
43
00:03:10,601 --> 00:03:12,946
HURRY IT UP. ALL RIGHT.
44
00:03:12,970 --> 00:03:15,140
HURRY! ALL RIGHT!
45
00:03:16,770 --> 00:03:19,116
STAY COOL, MAN. COME ON.
46
00:03:19,140 --> 00:03:20,546
IT'S OPEN.
47
00:03:20,570 --> 00:03:21,916
NOW STEP BACK. ALL RIGHT.
48
00:03:21,940 --> 00:03:23,900
STEP BACK! STAY COOL!
49
00:03:32,670 --> 00:03:34,370
NOW GET DOWN.
50
00:03:35,100 --> 00:03:36,700
GET DOWN!
51
00:03:39,370 --> 00:03:42,476
NOW YOU BETTER STAY
RIGHT THERE, YOU HEAR ME?
52
00:03:42,500 --> 00:03:43,776
DO YOU HEAR ME?
53
00:03:43,800 --> 00:03:46,270
YEAH, I HEAR YOU! I HEAR YOU!
54
00:04:09,900 --> 00:04:11,440
BERT!
55
00:04:12,370 --> 00:04:13,846
BERT!
56
00:04:16,670 --> 00:04:18,400
COME ON, COME ON!
57
00:04:20,000 --> 00:04:21,970
DRIVE, JUST DRIVE!
58
00:04:26,200 --> 00:04:28,846
BERT! WHAT HAPPENED?
59
00:04:28,870 --> 00:04:30,476
DAMN IT, HE GOT THE JUMP ON ME.
60
00:04:30,500 --> 00:04:32,816
NOW YOU LISTEN TO ME
AND LISTEN TO ME GOOD.
61
00:04:32,840 --> 00:04:34,716
I WANT TO FIND OUT
WHO THAT PUNK WAS,
62
00:04:34,740 --> 00:04:36,146
AND I WANT MY JEWELS BACK,
63
00:04:36,170 --> 00:04:38,616
AND THEN I WANT HIM
OFFED, I WANT HIM DEAD.
64
00:04:38,640 --> 00:04:40,116
YOU UNDERSTAND? I
WANT YOU TO GO OUT
65
00:04:40,140 --> 00:04:41,676
AND GET ME THE
BEST THAT THERE IS.
66
00:04:41,700 --> 00:04:43,446
I WANT SOME CRAZY FREAK
67
00:04:43,470 --> 00:04:44,876
WHO'S GOING TO GET
OUT THERE IN THAT WORLD
68
00:04:44,900 --> 00:04:47,446
AND GET ME BACK MY
STUFF, YOU UNDERSTAND?
69
00:04:47,470 --> 00:04:48,976
YEAH. I WANT HIM DEAD!
70
00:04:49,000 --> 00:04:50,900
COME ON.
71
00:04:51,740 --> 00:04:53,376
Bert: THEY SAY HE'S
THE BEST, MR. LACY.
72
00:04:53,400 --> 00:04:55,546
YEAH? THEN HOW COME
I NEVER HEARD OF HIM?
73
00:04:55,570 --> 00:04:56,816
I CAN'T ANSWER THAT.
74
00:04:56,840 --> 00:04:58,176
YOU ASKED FOR SOMEONE
FROM THE PUNKER WORLD,
75
00:04:58,200 --> 00:04:59,446
AND I GOT HIM.
76
00:04:59,470 --> 00:05:01,646
THE PEOPLE SAY HE'S GUARANTEED.
77
00:05:01,670 --> 00:05:03,216
I STILL NEVER HEARD OF HIM.
78
00:05:03,240 --> 00:05:04,846
THEY SAY HE'S A FREAKIN' GENIUS.
79
00:05:04,870 --> 00:05:06,746
HE CAN MAKE A MURDER
LOOK LIKE A HIT-AND-RUN
80
00:05:06,770 --> 00:05:09,176
OR A MUGGING, YOU KNOW,
SOMETHING LIKE THAT.
81
00:05:09,200 --> 00:05:11,546
I MEAN, THEY SAY
THAT HE'S AN ARTIST,
82
00:05:11,570 --> 00:05:14,470
THAT HE CAN PULL INFORMATION
OUT OF A SLAB OF CONCRETE.
83
00:05:22,440 --> 00:05:24,476
♪ LASERS IN HIS EYES ♪
84
00:05:24,500 --> 00:05:26,316
♪ ACID IN HIS HEART ♪
85
00:05:26,340 --> 00:05:30,446
♪ LIKE A NUCLEAR REACTION
'BOUT TO BLOW THE WORLD APART ♪
86
00:05:30,470 --> 00:05:34,416
♪ GET A DEMOLITION SOUL
AND A SUBATOMIC BRAIN ♪
87
00:05:34,440 --> 00:05:36,816
♪ HE'S PROGRAMMED
FOR DESTRUCTION ♪
88
00:05:36,840 --> 00:05:41,446
♪ HE'S THE MINSTER OF PAIN ♪
89
00:05:41,470 --> 00:05:43,576
♪ EVIL TO THE BONE ♪
90
00:05:43,600 --> 00:05:45,616
♪ ROTTEN TO THE CORE ♪
91
00:05:45,640 --> 00:05:49,776
♪ ANYONE WHO CROSSED
HIM AIN'T LIVIN' ANYMORE ♪
92
00:05:49,800 --> 00:05:51,816
♪ 20 TONS OF MEAN ♪
93
00:05:51,840 --> 00:05:53,776
♪ DON'T EVER MAKE HIM MAD ♪
94
00:05:53,800 --> 00:05:55,976
♪ HE'S WALKING DEVASTATION ♪
95
00:05:56,000 --> 00:06:00,070
♪ HE'S JUST PLAIN BAD ♪
96
00:06:01,070 --> 00:06:04,946
♪ GOT AN ARTIFICIAL
SOUL IN A BODY OF STEEL ♪
97
00:06:04,970 --> 00:06:09,176
♪ LIKE A GREAT DINOSAUR,
HE'S JUST LOOKING FOR A MEAL ♪
98
00:06:09,200 --> 00:06:13,516
♪ HE'S A MERCENARY
SOLDIER AND AN ARMY OF ONE ♪
99
00:06:13,540 --> 00:06:20,470
♪ HE MIGHT EVEN
BE THE DEVIL'S SON ♪
100
00:06:29,470 --> 00:06:33,546
♪ THERE'S THUNDER IN HIS
HANDS, LIGHTNING IN HIS VEINS ♪
101
00:06:33,570 --> 00:06:38,146
♪ HE'S A MONSTER OF MUTATION,
A HUMAN EARTHQUAKE ♪
102
00:06:38,170 --> 00:06:39,976
♪ 20 TONS OF MEAN ♪
103
00:06:40,000 --> 00:06:42,146
♪ DON'T EVER MAKE HIM MAD ♪
104
00:06:42,170 --> 00:06:48,170
♪ HE'S WALKING DEVASTATION,
HE'S JUST PLAIN BAD ♪
105
00:07:14,670 --> 00:07:16,340
HEY, BABE.
106
00:07:19,140 --> 00:07:20,176
HAVE YOU LOOKED YET?
107
00:07:20,200 --> 00:07:21,946
I TOLD YOU I WOULDN'T.
108
00:07:21,970 --> 00:07:24,140
LET'S DO IT. OK.
109
00:07:24,970 --> 00:07:26,646
HOW'D YOU KNOW THEY
WOULD HAVE A SAFE?
110
00:07:26,670 --> 00:07:27,617
I DIDN'T,
111
00:07:27,641 --> 00:07:30,000
BUT WITH A HOUSE
THAT BIG, I TOOK A SHOT.
112
00:07:32,400 --> 00:07:34,500
THIS IS SO WEIRD.
113
00:07:47,300 --> 00:07:48,546
OH, MY GOD.
114
00:07:48,570 --> 00:07:50,140
OH.
115
00:07:54,400 --> 00:07:59,216
OUR FIRST TIME
OUT, WE SCORE THIS.
116
00:08:02,800 --> 00:08:05,146
Man: THIS STUDY
WILL HAVE NO VALIDITY
117
00:08:05,170 --> 00:08:08,076
IF YOU DON'T GIVE THE
QUESTIONS AN HONEST EFFORT.
118
00:08:08,100 --> 00:08:10,576
DO YOU THINK THAT VIOLENCE
IS INCREASING IN YOUR JOB?
119
00:08:10,600 --> 00:08:11,547
YES.
120
00:08:11,571 --> 00:08:12,676
DO YOU THINK THE
INCREASED VIOLENCE
121
00:08:12,700 --> 00:08:13,876
ON THE JOB HAS AFFECTED YOU?
122
00:08:13,900 --> 00:08:14,847
YES, I DO.
123
00:08:14,871 --> 00:08:16,676
WHAT ARE YOUR FEELINGS
TOWARDS CRIMINALS?
124
00:08:16,700 --> 00:08:18,746
DIDN'T YOU JUST ASK ME THAT?
125
00:08:18,770 --> 00:08:20,516
DO YOU EVER FEEL
THAT THE CRIMINALS
126
00:08:20,540 --> 00:08:22,576
DO WHAT THEY DO
AGAINST YOU PERSONALLY?
127
00:08:22,600 --> 00:08:23,577
NO.
128
00:08:23,601 --> 00:08:24,916
DO YOU CONSIDER THE CRIMINALS'
129
00:08:24,940 --> 00:08:26,476
PSYCHOLOGICAL CONDITION
WHEN YOU APPROACH THEM?
130
00:08:26,500 --> 00:08:27,946
ABSOLUTELY NOT.
131
00:08:27,970 --> 00:08:29,976
WHAT DO YOU THINK
OF CAPTAIN WYLER?
132
00:08:30,000 --> 00:08:31,516
AS I TOLD YOU AT THE OUTSET,
133
00:08:31,540 --> 00:08:34,700
YOUR ANSWERS ARE
TOTALLY CONFIDENTIAL.
134
00:08:35,740 --> 00:08:39,216
CAPTAIN WYLER IS
AN OK GUY, I SUPPOSE.
135
00:08:39,240 --> 00:08:40,816
WOULD YOU SAY THAT IN GENERAL
136
00:08:40,840 --> 00:08:42,846
YOU RESPECT THOSE IN AUTHORITY?
137
00:08:42,870 --> 00:08:44,246
GENERALLY, NO.
138
00:08:44,270 --> 00:08:46,916
DO YOU FEEL THAT
THERE'S A SIGNIFICANT ROLE
139
00:08:46,940 --> 00:08:49,446
IN POLICE WORK FOR A
PSYCHIATRIC APPROACH?
140
00:08:49,470 --> 00:08:51,440
NO. DO YOU?
141
00:08:52,640 --> 00:08:54,576
IN GENERAL, THEN,
142
00:08:54,600 --> 00:08:58,346
WHAT IS YOUR FEELING
ABOUT PSYCHIATRY?
143
00:08:58,370 --> 00:09:00,916
AH, WELL...
144
00:09:00,940 --> 00:09:03,676
YOU SEE, I LOOK
UPON PSYCHIATRISTS
145
00:09:03,700 --> 00:09:07,040
AS THE FREELOADERS
OF OUR SOCIETY.
146
00:09:13,940 --> 00:09:16,746
WANT SOME COFFEE?
147
00:09:16,770 --> 00:09:19,646
HUNTER, McCALL, I NEED THE
PAPERWORK ON THIS THING.
148
00:09:19,670 --> 00:09:20,776
YEAH, YEAH.
149
00:09:20,800 --> 00:09:22,246
ARE YOU WORKING ON IT? GOOD.
150
00:09:22,270 --> 00:09:24,176
BY THE WAY, HAVE YOU
TWO SEEN THE SHRINK YET?
151
00:09:24,200 --> 00:09:26,870
OH, YES, WE'VE BECOME
ONE WITH ONE ANOTHER.
152
00:09:27,670 --> 00:09:30,046
HOW 'BOUT YOU, McCALL?
153
00:09:30,070 --> 00:09:31,346
YEAH. YOU KNOW WHAT?
154
00:09:31,370 --> 00:09:32,846
HE WAS REALLY FASCINATING.
155
00:09:32,870 --> 00:09:36,300
GOOD. HURRY UP WITH THAT.
156
00:09:37,340 --> 00:09:39,646
HE WAS NOT FASCINATING.
HOW COULD YOU SAY THAT?
157
00:09:39,670 --> 00:09:41,746
READ MY LIPS, HE
WAS FASCINATING.
158
00:09:41,770 --> 00:09:45,340
F-A-S-C-I-N-A-T-I-N-G.
FASCINATING.
159
00:09:46,640 --> 00:09:49,046
Lacy: BERT, WHERE
THE HELL ARE WE?
160
00:09:49,070 --> 00:09:51,000
I THINK WE'RE HERE.
161
00:09:54,640 --> 00:09:56,616
GET IN THE BACK.
COME ON, MAN, MOVE IT,
162
00:09:56,640 --> 00:09:58,576
GET IN THE BACK,
WE GOTTA HUSTLE.
163
00:09:58,600 --> 00:09:59,946
OK.
164
00:09:59,970 --> 00:10:01,276
COME ON, MAN, GET IN THE BACK,
165
00:10:01,300 --> 00:10:02,970
DO YOU KNOW WHAT I'M SAYING?
166
00:10:05,470 --> 00:10:09,816
OK. PUT 'EM ON. PUT 'EM ON.
167
00:10:09,840 --> 00:10:12,346
COME ON, MAN, MOVE IT,
MOVE IT, WE GOTTA HUSTLE.
168
00:10:12,370 --> 00:10:13,716
COME ON, LET'S GO, PUT 'EM ON.
169
00:10:13,740 --> 00:10:15,876
NOW, YOU GUYS
TAKE THOSE OFF ONCE,
170
00:10:15,900 --> 00:10:17,816
JUST ONCE, AND IT'S OFF.
171
00:10:17,840 --> 00:10:19,946
YOU GOT THAT? YOU GOT THAT?
172
00:10:19,970 --> 00:10:21,770
YEAH. OK.
173
00:11:13,100 --> 00:11:15,116
COME ON, GLASSES
OFF, GLASSES OFF.
174
00:11:15,140 --> 00:11:17,876
GIVE 'EM HERE, MAN. ALL RIGHT.
175
00:11:17,900 --> 00:11:21,100
OK, BOYS, BURN YOUR
BUTTS, I AIN'T WAITING.
176
00:11:43,700 --> 00:11:45,346
HEY, COME ON, GUYS,
WE AIN'T GOT ALL DAY.
177
00:11:45,370 --> 00:11:47,270
MOVE YOUR BUTTS,
WILL YA? COME ON.
178
00:12:23,670 --> 00:12:25,800
Lacy: WHAT THE HELL IS THIS?
179
00:12:28,300 --> 00:12:31,046
Lincoln: IT'S OUR SQUAT, MAN.
180
00:12:31,070 --> 00:12:32,816
WE LIVE HERE.
181
00:12:32,840 --> 00:12:34,916
I SPOKE TO YOU ON THE PHONE.
182
00:12:34,940 --> 00:12:37,940
WE'RE FRIENDS OF LITTLE
STEVIE AND ROXANNE.
183
00:12:41,240 --> 00:12:42,376
HEY, LOOK...
184
00:12:42,400 --> 00:12:46,316
YOU... LOOK.
185
00:12:46,340 --> 00:12:50,946
YOU'RE COMING TO ME
'CAUSE YOU NEED ME.
186
00:12:50,970 --> 00:12:55,900
YOU GOT RIPPED OFF, NOT ME.
187
00:12:56,670 --> 00:13:00,546
YOU WANT TO KNOW WHO DID IT,
188
00:13:00,570 --> 00:13:02,546
NOT ME.
189
00:13:02,570 --> 00:13:04,676
SO...
190
00:13:04,700 --> 00:13:08,300
YOU DO IT MY WAY.
191
00:13:09,040 --> 00:13:11,940
OK. YOUR WAY.
192
00:13:13,240 --> 00:13:14,846
HOW MUCH DID THEY GET?
193
00:13:14,870 --> 00:13:16,146
OH, THEY WERE SOMEWHERE...
194
00:13:16,170 --> 00:13:18,916
NOT YOUR PHONY
INSURANCE NUMBERS.
195
00:13:18,940 --> 00:13:21,000
REALITY.
196
00:13:21,700 --> 00:13:24,376
ABOUT TWO MILLION IN JEWELS.
197
00:13:24,400 --> 00:13:26,340
ANY OF IT HOT?
198
00:13:28,440 --> 00:13:30,116
YOU GOT THE DOCUMENTATION?
199
00:13:30,140 --> 00:13:32,540
GIVE IT TO HIM.
200
00:13:40,840 --> 00:13:43,146
YOU GOING TO BE ABLE
TO GET MY JEWELS BACK
201
00:13:43,170 --> 00:13:46,140
AND TAKE CARE OF THAT
OTHER MATTER, TOO?
202
00:13:47,140 --> 00:13:49,876
THAT'S WHAT I DO, FOOL.
203
00:13:49,900 --> 00:13:52,546
YOU TELL 'EM, BIG GUY.
204
00:13:52,570 --> 00:13:55,016
HOW MUCH IS THIS
GOING TO COST ME?
205
00:13:55,040 --> 00:13:57,046
$100,000.
206
00:13:57,070 --> 00:13:59,140
100 G's?!
207
00:14:00,470 --> 00:14:01,816
GET 'EM OUT OF HERE.
208
00:14:01,840 --> 00:14:04,840
NO. NO.
209
00:14:05,740 --> 00:14:07,816
100 G's IS FINE.
210
00:14:07,840 --> 00:14:12,116
BIG GUY, YOU ARE
ONE COOL SUCKER.
211
00:14:16,700 --> 00:14:18,416
HOW LONG?
212
00:14:18,440 --> 00:14:22,070
AS LONG AS IT TAKES.
213
00:14:23,440 --> 00:14:25,676
GET 'EM OUT OF HERE.
214
00:14:25,700 --> 00:14:27,640
LET'S GO, BOYS.
215
00:14:42,140 --> 00:14:44,176
NOT ONLY DO I HAVE
TO SIT IN THAT ROOM
216
00:14:44,200 --> 00:14:45,576
AND LISTEN TO THAT
WIMP'S QUESTIONS,
217
00:14:45,600 --> 00:14:47,046
I HAVE TO SIT HERE AND
LISTEN TO YOU DEFEND HIM.
218
00:14:47,070 --> 00:14:48,446
THAT'S WHAT DRIVES ME CRAZY.
219
00:14:48,470 --> 00:14:50,216
I DON'T THINK DAVID'S A WIMP.
220
00:14:50,240 --> 00:14:52,846
DAVID? WE'RE ON A FIRST-NAME
BASIS WITH THIS GUY?
221
00:14:52,870 --> 00:14:55,376
DAVID IS THE BIGGEST WIMP
IN THE ENTIRE UNITED STATES.
222
00:14:55,400 --> 00:14:56,377
HUNTER.
223
00:14:56,401 --> 00:14:59,876
HE IS. WIMP! W-I-M-P.
224
00:14:59,900 --> 00:15:01,416
HUNTER! WHAT?
225
00:15:01,440 --> 00:15:03,946
YOU REMEMBER DR. DAVID ANSEN.
226
00:15:03,970 --> 00:15:06,340
FASCINATING GUY.
227
00:15:07,500 --> 00:15:08,546
YOU READY?
228
00:15:08,570 --> 00:15:09,846
YES, SIR.
229
00:15:09,870 --> 00:15:11,776
OH, GEE, YOU DON'T
HAVE TO CALL ME SIR.
230
00:15:11,800 --> 00:15:15,140
"DOCTOR" OR A SIMPLE
"MASTER" WILL DO.
231
00:15:43,040 --> 00:15:45,176
ISN'T THAT PRETTY? HUH? LOVELY.
232
00:15:45,200 --> 00:15:47,516
AND SHE LIKES IT.
LOOKS PERFECT ON YOU.
233
00:15:47,540 --> 00:15:49,770
YOU WON'T EVEN
HAVE TO HAVE IT SIZED.
234
00:15:54,700 --> 00:15:56,416
MR. SAULLY HELD?
235
00:15:56,440 --> 00:15:58,300
I'M SAULLY HELD.
236
00:16:04,570 --> 00:16:07,440
DON'T EVEN BLINK!
237
00:16:08,570 --> 00:16:11,540
JUST MOVE!
238
00:16:18,840 --> 00:16:20,700
WHAT ARE YOU...
239
00:16:47,840 --> 00:16:50,146
THE MOVIE WAS GREAT,
DAVID. THANK YOU.
240
00:16:50,170 --> 00:16:51,676
OH, HEY, IT WAS MY PLEASURE.
241
00:16:51,700 --> 00:16:54,276
UH, LISTEN, WHY DON'T
WE GO FOR A NIGHTCAP?
242
00:16:54,300 --> 00:16:56,146
I KNOW THIS GREAT
PLACE IN THE MARINA.
243
00:16:56,170 --> 00:16:58,846
I WOULD LIKE TO,
BUT I'M REALLY TIRED.
244
00:16:58,870 --> 00:17:00,546
IT'S JUST A LITTLE
TOO LATE FOR ME.
245
00:17:00,570 --> 00:17:01,676
NO PROBLEM.
246
00:17:01,700 --> 00:17:03,576
I'LL PROBABLY HAVE TO
GO BACK INTO THERAPY,
247
00:17:03,600 --> 00:17:04,846
BUT THAT'S FINE.
248
00:17:08,340 --> 00:17:09,317
GOOD NIGHT.
249
00:17:09,341 --> 00:17:11,070
GOOD NIGHT.
250
00:17:33,800 --> 00:17:35,500
AHH...
251
00:17:45,400 --> 00:17:48,176
YOU CAN MAKE THIS A LOT EASIER
252
00:17:48,200 --> 00:17:50,246
AND A LOT LESS PAINFUL.
253
00:17:50,270 --> 00:17:52,576
BY TELLING ME WHAT YOU
KNOW ABOUT THE JEWELRY THEFT
254
00:17:52,600 --> 00:17:53,816
AT LUCKY LACY'S HOUSE.
255
00:17:53,840 --> 00:17:55,716
I DON'T KNOW ANYTHING ABOUT IT!
256
00:17:55,740 --> 00:17:59,040
REALLY? DO YOU
HAVE A LAST REQUEST?
257
00:18:01,200 --> 00:18:04,576
I CAN MAKE YOU LOOK LIKE
THE VICTIM OF A MUGGING.
258
00:18:04,600 --> 00:18:07,716
I DO A BITCHIN' ONE OF THEM.
259
00:18:07,740 --> 00:18:11,976
OR A HIT-AND-RUN.
260
00:18:12,000 --> 00:18:15,816
IT'S ALWAYS A BIT MESSY,
BUT VERY EFFECTIVE.
261
00:18:15,840 --> 00:18:19,176
I CAN'T HELP YOU! I
DON'T KNOW ANYTHING!
262
00:18:19,200 --> 00:18:23,340
YOU KNOW EVERY ICE JOB IN TOWN!
263
00:18:24,500 --> 00:18:26,616
NOW TELL ME...
264
00:18:26,640 --> 00:18:28,676
WHO BROKE INTO LACY'S HOUSE?
265
00:18:28,700 --> 00:18:31,800
I DON'T KNOW. WHY
DON'T YOU BELIEVE ME?!
266
00:18:33,540 --> 00:18:35,916
I CAN SEE I'M GOING TO
HAVE TO PERSUADE YOU,
267
00:18:35,940 --> 00:18:39,000
WHICH IS OK, TOO.
268
00:18:39,800 --> 00:18:43,970
LITTLE MAN, YOU HAVE 5 SECONDS.
269
00:18:45,340 --> 00:18:47,700
SO WAS HE A WIMP OR NOT?
270
00:18:50,100 --> 00:18:51,716
I KNEW HE'D BE A WIMP.
271
00:18:51,740 --> 00:18:54,376
I DON'T THINK YOU
UNDERSTAND THIS.
272
00:18:54,400 --> 00:18:57,746
WHAT HAPPENS WHEN I AM
OFF-DUTY IS MY BUSINESS, OK?
273
00:18:57,770 --> 00:18:59,776
A LITTLE TOUCHY, AREN'T WE?
274
00:18:59,800 --> 00:19:00,946
WELL, LOOK, THE
MOST IMPORTANT THING
275
00:19:00,970 --> 00:19:02,346
IS YOU HAD A GOOD TIME, RIGHT?
276
00:19:02,370 --> 00:19:03,816
I DID. GOOD.
277
00:19:03,840 --> 00:19:04,976
THANK YOU.
278
00:19:05,000 --> 00:19:07,876
SO, MOVING RIGHT ALONG,
279
00:19:07,900 --> 00:19:10,146
WHEN ARE YOU GOING
OUT WITH THE WIMP AGAIN?
280
00:19:10,170 --> 00:19:13,076
WILL YOU GIVE IT A REST?
281
00:19:13,100 --> 00:19:15,540
HMM?
282
00:19:17,000 --> 00:19:18,900
WIMP.
283
00:19:19,840 --> 00:19:21,546
Woman over radio: Z-23.
284
00:19:21,570 --> 00:19:23,570
Man over radio: MURDER UNIT
TO SOUTHWEST, IDENTIFY.
285
00:19:31,200 --> 00:19:33,116
THINK YOU CAN
REFOCUS YOUR INTEREST
286
00:19:33,140 --> 00:19:34,776
FROM MY PERSONAL
LIFE TO THIS CASE?
287
00:19:34,800 --> 00:19:37,216
LISTEN, I'M A PROFESSIONAL,
AS YOU WELL KNOW.
288
00:19:37,240 --> 00:19:39,776
BESIDES, SOMEBODY HAS
TO LOOK OUT AFTER YOU.
289
00:19:39,800 --> 00:19:41,876
NOBODY HAS TO LOOK
OUT AFTER ME, HUNTER.
290
00:19:41,900 --> 00:19:43,546
I'LL BE THE JUDGE OF THAT.
291
00:19:53,900 --> 00:19:56,016
ANOTHER DAY IN SODOM
AND GOMORRAH WEST.
292
00:19:56,040 --> 00:19:57,546
WHAT YOU GOT HERE, BARNEY?
293
00:19:57,570 --> 00:19:59,016
GOT A COLD ONE.
294
00:19:59,040 --> 00:20:01,470
LOOKS LIKE IT WAS DUMPED
HERE SOMETIME LAST NIGHT.
295
00:20:08,840 --> 00:20:10,446
ANY I.D. ON HIM?
296
00:20:10,470 --> 00:20:11,940
Barney: NOTHING.
297
00:20:19,440 --> 00:20:23,146
I WANT PRINTS ON THIS GUY
AS SOON AS YOU CAN GET THEM.
298
00:20:23,170 --> 00:20:26,916
THANKS, BARNEY. LET'S GO!
299
00:20:26,940 --> 00:20:29,476
DON'T YOU WANT TO STAY
AND GET SOME EVIDENCE?
300
00:20:29,500 --> 00:20:30,976
NO, HE WAS DUMPED
HERE OVERNIGHT.
301
00:20:31,000 --> 00:20:32,770
NOTHING ELSE WE CAN DO.
302
00:20:35,300 --> 00:20:36,646
I'M TELLING YOU,
303
00:20:36,670 --> 00:20:38,476
THIS WOMAN HAD A BODY
ON HER YOU COULD DIE FOR.
304
00:20:38,500 --> 00:20:40,376
YEAH? SO, DID YOU
PUT A MOVE ON HER?
305
00:20:40,400 --> 00:20:42,516
APARACIO, YOU
NEVER LISTEN TO ME.
306
00:20:42,540 --> 00:20:44,270
SHE WAS A STIFF!
307
00:20:45,870 --> 00:20:47,416
WHAT'S SO FUNNY IN HERE?
308
00:20:47,440 --> 00:20:49,116
BELIEVE ME, HUNTER,
YOU DON'T WANT TO KNOW.
309
00:20:49,140 --> 00:20:50,276
YOU DON'T.
310
00:20:50,300 --> 00:20:51,546
OH, LISTEN, HUNTER, BY THE WAY,
311
00:20:51,570 --> 00:20:53,776
YOU HEAR WHAT HAPPENED TO
LUCKY LACY THE JEWEL THIEF?
312
00:20:53,800 --> 00:20:55,416
NO, WHAT HAPPENED?
313
00:20:55,440 --> 00:20:57,246
GOT HIT BY ANOTHER JEWEL THIEF.
314
00:20:59,100 --> 00:21:00,616
THAT'S FUNNY.
315
00:21:00,640 --> 00:21:02,746
I'M HAVING PRINCESS
DI AND MICK JAGGER
316
00:21:02,770 --> 00:21:04,046
OVER FOR DINNER
ON SATURDAY NIGHT,
317
00:21:04,070 --> 00:21:05,246
WOULD YOU LIKE TO JOIN US?
318
00:21:05,270 --> 00:21:07,646
WELL, YOU PUT IT THAT WAY, YEAH.
319
00:21:07,670 --> 00:21:09,176
OK, GREAT. I'LL TELL YOU WHAT,
320
00:21:09,200 --> 00:21:10,476
I'LL TALK TO YOU BEFORE THEN.
321
00:21:10,500 --> 00:21:12,416
I GOT TO GO. I'M LATE.
322
00:21:12,440 --> 00:21:15,646
SO THIS IS ACTION CENTRAL, HUH?
323
00:21:15,670 --> 00:21:17,116
I'M IMPRESSED.
324
00:21:17,140 --> 00:21:18,316
CARLOS!
325
00:21:18,340 --> 00:21:20,776
I DIDN'T THINK YOU CAME
OUT DURING THE DAYLIGHT.
326
00:21:20,800 --> 00:21:22,576
HA HA HA!
327
00:21:22,600 --> 00:21:24,616
A MORGUE JOKE? VERY BAD TASTE.
328
00:21:24,640 --> 00:21:26,746
YOU KNOW, I LIKE WOMEN BETTER
329
00:21:26,770 --> 00:21:29,876
WHEN THEY'RE UP
AND MOVING AROUND.
330
00:21:29,900 --> 00:21:31,916
CARLOS, DID YOU COME
HERE FOR ANYTHING SPECIFIC
331
00:21:31,940 --> 00:21:34,216
OR JUST TO CHECK OUT THE WOMEN?
332
00:21:34,240 --> 00:21:36,476
CHECK OUT THE WOMEN.
333
00:21:36,500 --> 00:21:39,946
NO. COME ON, HOW
ABOUT A LITTLE TOUR?
334
00:21:39,970 --> 00:21:41,646
WELL, THAT'S THE
CAPTAIN'S OFFICE,
335
00:21:41,670 --> 00:21:43,116
THAT'S HUNTER AND MY DESKS,
336
00:21:43,140 --> 00:21:45,346
THERE'S THE
COFFEE, AND THAT'S IT.
337
00:21:45,370 --> 00:21:48,670
Carlos: AND THERE IS
SERGEANT HUNTER HIMSELF.
338
00:21:50,540 --> 00:21:54,246
YOU'RE LOSING
SOMETHING HERE, STEVE.
339
00:21:54,270 --> 00:21:55,446
Carlos: HOW NICE,
340
00:21:55,470 --> 00:21:58,516
A LITTLE HEROISM
STAGED FOR MY VISIT.
341
00:21:58,540 --> 00:22:00,176
CARLOS, IF YOU'RE
MISSING YOUR HORN,
342
00:22:00,200 --> 00:22:02,746
I BELIEVE LOST AND FOUND
IS DOWNSTAIRS, ISN'T IT?
343
00:22:02,770 --> 00:22:03,846
MM-HMM.
344
00:22:03,870 --> 00:22:07,016
LISTEN, I NEED TO
TALK TO YOU GUYS,
345
00:22:07,040 --> 00:22:08,676
LIKE, IN PRIVATE.
346
00:22:08,700 --> 00:22:10,640
OK.
347
00:22:17,300 --> 00:22:19,316
OFF THE RECORD, OK?
348
00:22:19,340 --> 00:22:20,816
I MEAN, I HAVE ENOUGH
PROBLEMS WITH MY BOSS,
349
00:22:20,840 --> 00:22:22,176
YOU KNOW WHAT I'M SAYING?
350
00:22:22,200 --> 00:22:24,416
THE LATEST STIFF YOU SENT ME,
351
00:22:24,440 --> 00:22:26,776
M.E. MADE HIS REPORT, MUGGING,
352
00:22:26,800 --> 00:22:29,076
BUT I HAD TO TELL YOU GUYS,
THERE'S SOMETHING ELSE,
353
00:22:29,100 --> 00:22:31,216
SOMETHING HE MISSED.
354
00:22:31,240 --> 00:22:34,576
THAT DUDE HAD ABRASIONS
AROUND HIS WRISTS.
355
00:22:34,600 --> 00:22:36,516
HANDCUFFS?
356
00:22:36,540 --> 00:22:39,516
THAT'S RIGHT.
357
00:22:39,540 --> 00:22:43,016
COULD BE SOME SORT OF
DISGUSTING, PUTREFYING,
358
00:22:43,040 --> 00:22:45,376
HOMOSEXUAL BONDAGE ACT.
359
00:22:45,400 --> 00:22:47,416
YEAH, OR IT COULD BE
SOMEBODY THAT USES HANDCUFFS
360
00:22:47,440 --> 00:22:48,776
IN THEIR LINE OF WORK,
361
00:22:48,800 --> 00:22:51,576
LIKE A SECURITY GUARD OR A COP.
362
00:22:51,600 --> 00:22:53,076
MAKES SENSE.
363
00:22:53,100 --> 00:22:55,076
AH! HAND-DELIVERED, HUH?
364
00:22:55,100 --> 00:22:56,416
HI. HOW YOU DOING?
365
00:22:56,440 --> 00:22:57,716
I'M GOOD, HOW ABOUT YOU?
366
00:22:57,740 --> 00:22:59,576
ALL RIGHT. THE
PRINTS YOU ASKED FOR.
367
00:22:59,600 --> 00:23:00,816
GREAT. THANK YOU.
368
00:23:00,840 --> 00:23:02,476
YOU MEAN TO TELL ME YOU CAME
369
00:23:02,500 --> 00:23:04,116
ALL THE WAY OVER HERE
TO HAND-DELIVER THAT?
370
00:23:04,140 --> 00:23:05,476
YOU KNOW WHAT YOUR
TROUBLE IS HUNTER?
371
00:23:05,500 --> 00:23:06,876
YOU DON'T APPRECIATE
YOUR PARTNER.
372
00:23:06,900 --> 00:23:09,916
YEAH, WELL, NEVER MIND THAT.
373
00:23:09,940 --> 00:23:11,446
HOW ABOUT LUNCH NEXT WEEK?
374
00:23:11,470 --> 00:23:12,846
YEAH, SURE, GIVE ME A CALL.
375
00:23:12,870 --> 00:23:14,400
I WILL. SO LONG.
376
00:23:15,500 --> 00:23:19,746
OUR STIFF'S NAME
IS SAULLY H. HELD.
377
00:23:19,770 --> 00:23:21,116
I KNOW THAT NAME,
378
00:23:21,140 --> 00:23:22,576
THE GUY'S A JEWELRY FENCE.
379
00:23:22,600 --> 00:23:26,000
THAT GUY COULD USE A COUPLE
OF SESSIONS WITH THE WIMP.
380
00:23:26,800 --> 00:23:28,076
DAMN IT, MATTHEW!
381
00:23:28,100 --> 00:23:31,516
THERE MUST BE MILLIONS OF
DOLLARS WORTH IN JEWELS HERE.
382
00:23:31,540 --> 00:23:34,316
WE GOT TO FIND
SOME PLACE TO SELL IT.
383
00:23:34,340 --> 00:23:36,376
FORGET IT, BABY, WE
GOT TO JUST SIT ON IT,
384
00:23:36,400 --> 00:23:38,276
AND THAT'S EXACTLY
WHAT WE'RE GOING TO DO.
385
00:23:38,300 --> 00:23:39,946
WE HAVEN'T SEEN A DIME
FROM OUR BIG ROBBERY.
386
00:23:39,970 --> 00:23:41,076
WHAT'S THE POINT?
387
00:23:41,100 --> 00:23:43,916
THE POINT IS IT'S TOO DANGEROUS.
388
00:23:43,940 --> 00:23:45,746
WE AGREED, REMEMBER,
389
00:23:45,770 --> 00:23:48,076
TO GET AWAY, TO ENJOY LIFE.
390
00:23:48,100 --> 00:23:50,276
THIS IS OUR TICKET.
391
00:23:50,300 --> 00:23:52,600
LET'S GO FOR IT.
392
00:23:57,740 --> 00:23:59,646
I'M TELLING YOU IT WAS UNREAL.
393
00:23:59,670 --> 00:24:01,746
HA HA HA! YEAH, RIGHT.
394
00:24:01,770 --> 00:24:04,216
BILL AND BOB, DON'T
YOU GUYS EVER WORK?
395
00:24:04,240 --> 00:24:06,276
I TAKE IT THIS VISIT'S OFFICIAL?
396
00:24:06,300 --> 00:24:09,546
YEP, IT IS. SAULLY HELD. FENCE.
397
00:24:09,570 --> 00:24:11,346
WE GOT HIM AS A
D.B. TWO DAYS AGO.
398
00:24:11,370 --> 00:24:12,716
YOU GUYS HAVE
ANYTHING RECENT ON HIM?
399
00:24:12,740 --> 00:24:15,276
NAH, SHEET'S CLEAN
'CAUSE HE'S GOOD.
400
00:24:15,300 --> 00:24:18,016
HE'S THE NUMBER 2 OR 3
FENCE ON THE EAST SIDE.
401
00:24:18,040 --> 00:24:20,816
PROBABLY MOVED 20
MILLION IN GEMS LAST YEAR.
402
00:24:20,840 --> 00:24:22,476
HE HANDLED ALL THE BIG HEISTS.
403
00:24:22,500 --> 00:24:23,546
KNOW ANYONE WHO'D
WANT TO KILL HIM?
404
00:24:23,570 --> 00:24:24,846
NO.
405
00:24:24,870 --> 00:24:25,817
NO.
406
00:24:25,841 --> 00:24:28,046
WELL, LET'S HIT THE STREETS.
407
00:24:28,070 --> 00:24:29,616
YEAH. DON'T WORK TOO HARD.
408
00:24:29,640 --> 00:24:30,976
KEEP LAUGHING. LATER.
409
00:24:31,000 --> 00:24:32,900
ANYWAY, I WAS SAYING TO HIM...
410
00:24:34,370 --> 00:24:36,316
CHECK THIS OUT.
411
00:24:36,340 --> 00:24:39,100
MAYBE HE WANTS HIS HAIR SHINED.
412
00:24:46,240 --> 00:24:51,000
NOW... WHAT'S THE
BIG IDEA, FREAKO?
413
00:24:52,540 --> 00:24:56,676
WAIT A MINUTE, YOU'RE
NOT RICHARD GREENLY.
414
00:24:56,700 --> 00:24:58,516
WHAT?
415
00:24:58,540 --> 00:25:00,216
HEY, I'M REAL SORRY,
416
00:25:00,240 --> 00:25:03,240
I THOUGHT YOU WERE A GUY
THAT OWED ME A COUPLE GRAND.
417
00:25:04,740 --> 00:25:07,476
I'M SAYING I BLEW IT.
418
00:25:07,500 --> 00:25:09,540
OK?
419
00:25:11,100 --> 00:25:12,640
YEAH.
420
00:25:14,970 --> 00:25:16,846
HERE YOU GO, MAN.
421
00:25:16,870 --> 00:25:19,176
COME ON!
422
00:25:19,200 --> 00:25:22,116
HA HA HA! COME ON, FOOL!
423
00:25:27,670 --> 00:25:30,976
I... I SWEAR I DON'T KNOW.
424
00:25:31,000 --> 00:25:33,370
I SWEAR.
425
00:25:35,340 --> 00:25:39,976
COME ON, YOU'VE
WORKED WITH LACY BEFORE.
426
00:25:40,000 --> 00:25:42,046
IT'S A WELL-KNOWN FACT
427
00:25:42,070 --> 00:25:44,316
THAT YOU KNOW EVERY
JOB THAT GOES DOWN.
428
00:25:44,340 --> 00:25:46,816
I... I... I DO,
429
00:25:46,840 --> 00:25:51,076
BUT NOBODY KNOWS
NOTHING ABOUT THAT LACY JOB.
430
00:25:51,100 --> 00:25:52,816
I DON'T BELIEVE YOU.
431
00:25:52,840 --> 00:25:56,676
HONEST TO GOD. I...
432
00:25:56,700 --> 00:26:00,346
IT HAD TO BE
SOMEBODY OUT OF TOWN
433
00:26:00,370 --> 00:26:04,376
OR AN AMATEUR.
434
00:26:04,400 --> 00:26:06,276
COME ON.
435
00:26:06,300 --> 00:26:09,016
YOU THINK I'M A FOOL?
436
00:26:09,040 --> 00:26:12,976
MAN, I SWEAR. I SWEAR...
437
00:26:13,000 --> 00:26:15,816
YOU BETTER STOP YOUR SWEARING
438
00:26:15,840 --> 00:26:18,440
AND START PRAYING.
439
00:26:21,640 --> 00:26:23,746
I HATE TO THINK THAT YOU'RE
OUT ALL NIGHT PARTYING.
440
00:26:23,770 --> 00:26:27,276
GO AHEAD AND THINK
ABOUT IT, 'CAUSE IT HAPPENS.
441
00:26:27,300 --> 00:26:29,146
I DO HAVE A LIFE OTHER
THAN DRIVING AROUND
442
00:26:29,170 --> 00:26:30,546
IN THIS HEAP WITH YOU, YOU KNOW.
443
00:26:30,570 --> 00:26:31,646
WHO WAS IT, THE JERK
FROM THE BUREAU?
444
00:26:31,670 --> 00:26:34,276
HUNTER! NOT THE NUT DOCTOR?
445
00:26:34,300 --> 00:26:36,516
I TRUST YOU MEAN DAVID?
446
00:26:36,540 --> 00:26:38,876
COME ON, YOU CAN DO
A LOT BETTER THAN THAT.
447
00:26:38,900 --> 00:26:40,416
YOU BETTER SHUT UP AND DRIVE.
448
00:26:40,440 --> 00:26:43,116
LET ME TELL YOU SOMETHING...
THAT GUY'S A WIMP.
449
00:26:43,140 --> 00:26:44,346
DRIVE.
450
00:26:44,370 --> 00:26:45,446
I FEEL IT MY DUTY
451
00:26:45,470 --> 00:26:46,646
TO INFORM YOU
YOU'RE DATING A WIMP.
452
00:26:46,670 --> 00:26:47,816
SHUT UP AND DRIVE.
453
00:26:47,840 --> 00:26:50,040
HE'S A WIMP. WIMP.
454
00:26:56,800 --> 00:26:58,646
HERE WE GO, NICE AND COLD,
455
00:26:58,670 --> 00:27:00,046
JUST LIKE YOU LIKE THEM.
456
00:27:00,070 --> 00:27:01,047
SPARE US.
457
00:27:01,071 --> 00:27:02,346
YOU GOT TO HAVE
458
00:27:02,370 --> 00:27:03,816
A LITTLE SENSE OF
HUMOR ABOUT STIFFS.
459
00:27:03,840 --> 00:27:05,146
YOU HAVE TO HAVE
A SENSE OF HUMOR.
460
00:27:05,170 --> 00:27:07,016
SOME OF MY BEST
FRIENDS ARE DEAD.
461
00:27:07,040 --> 00:27:08,176
LET'S GET ON WITH IT, OK?
462
00:27:08,200 --> 00:27:10,416
WHEN I SAW THOSE
WRISTS, I HAD TO CALL YOU.
463
00:27:10,440 --> 00:27:12,500
WE APPRECIATE IT.
LET'S TAKE A LOOK.
464
00:27:14,800 --> 00:27:17,576
OH, YEAH. HEY, BILL AND BOB.
465
00:27:17,600 --> 00:27:19,116
HUNTER. YOU KNOW THIS GUY?
466
00:27:19,140 --> 00:27:20,476
IT'S A GUY NAMED HAMMOND.
467
00:27:20,500 --> 00:27:22,816
HE DID A LITTLE
BIT OF EVERYTHING.
468
00:27:22,840 --> 00:27:24,846
HALF AND HALF OR ALL CROOKED?
469
00:27:24,870 --> 00:27:26,476
HE HASN'T EARNED
AN HONEST DOLLAR
470
00:27:26,500 --> 00:27:27,876
SINCE HE WAS 10.
471
00:27:27,900 --> 00:27:29,076
HE'S A FRIEND OF LUCKY LACY'S.
472
00:27:29,100 --> 00:27:30,416
WHAT, THE JEWEL HEIST?
473
00:27:30,440 --> 00:27:31,716
THE VERY ONE.
474
00:27:31,740 --> 00:27:34,170
JEWELS AGAIN, HUH?
475
00:27:35,700 --> 00:27:37,246
Woman: THEY BELONGED
TO MY FATHER.
476
00:27:37,270 --> 00:27:39,216
HE JUST PASSED AWAY.
477
00:27:39,240 --> 00:27:41,070
OH, I'M SORRY.
478
00:27:42,770 --> 00:27:47,800
LET ME GET OUR APPRAISER,
MR. BROOKES. EXCUSE ME.
479
00:27:54,270 --> 00:27:55,746
THIS IS HAPPENING.
480
00:27:55,770 --> 00:27:57,446
WE'RE GOING TO BE INTO
SOME HEAVY BUCKS HERE.
481
00:27:57,470 --> 00:27:58,676
IT'S ABOUT TIME.
482
00:27:58,700 --> 00:28:00,600
JUST BE COOL.
483
00:28:08,700 --> 00:28:10,940
DAMN. WHAT?
484
00:28:14,800 --> 00:28:17,776
GET THESE THINGS AND
GET OUT OF HERE NOW.
485
00:28:17,800 --> 00:28:19,316
COME ON.
486
00:28:19,340 --> 00:28:21,740
NOT TOO FAST. OK.
487
00:28:23,470 --> 00:28:27,476
Man: JUST A MOMENT, SIR.
MISS, JUST A MOMENT, PLEASE.
488
00:28:27,500 --> 00:28:30,276
YOU GIVE ME A HARD TIME,
DOES LITTLE PAULIE BACK OFF?
489
00:28:30,300 --> 00:28:32,016
DOES THE MAN BACK OFF?
490
00:28:35,840 --> 00:28:38,246
HEY, WHAT'D YOU DO, MAN?
THE SPEED KICK IN, MAN?
491
00:28:38,270 --> 00:28:42,646
OOH. OH, OH! HEY, MAN!
I DIDN'T DO NOTHING!
492
00:28:42,670 --> 00:28:44,416
WHY DO YOU ALWAYS
SAY THAT, PAULIE?
493
00:28:44,440 --> 00:28:45,746
EVERY TIME I SEE
YOU, YOU SAY THAT.
494
00:28:45,770 --> 00:28:47,846
YOU DUDES GOT TO
STOP SNEAKING UP ON ME.
495
00:28:47,870 --> 00:28:50,046
MAN, LIKE, YOU TOTALLY
FREAKED ME OUT.
496
00:28:50,070 --> 00:28:51,246
YEAH, I CAN IMAGINE.
497
00:28:51,270 --> 00:28:52,746
YEAH, LIKE, WHAT
DO YOU DUDES WANT?
498
00:28:52,770 --> 00:28:54,546
WE WANT TO KNOW
WHAT THE STREET SAYS.
499
00:28:54,570 --> 00:28:56,576
THE STREET SAYS? LIKE WHAT?
500
00:28:56,600 --> 00:28:58,576
"LIKE WHAT." WHAT DO
WE DO FOR A LIVING?
501
00:28:58,600 --> 00:28:59,846
HOMICIDE, RIGHT?
502
00:28:59,870 --> 00:29:02,846
YEAH. WELL, OK, MAN, THERE'S...
503
00:29:02,870 --> 00:29:05,246
THERE'S, LIKE, SOME STRANGE
VIBES ON THE STREET, MAN,
504
00:29:05,270 --> 00:29:07,716
LIKE A VERY... LIKE, WHOO...
LIKE A WEIRD HEAVINESS,
505
00:29:07,740 --> 00:29:10,346
AND PEOPLE ARE TENSE,
MAN, LIKE, VERY TENSE.
506
00:29:10,370 --> 00:29:11,546
IT'S LIKE THEY'RE AFRAID TO TALK
507
00:29:11,570 --> 00:29:13,216
'CAUSE THEY'RE
AFRAID TO BLEED, MAN.
508
00:29:13,240 --> 00:29:15,276
YADDA-YADDA-YADDA,
I'M RAPPING ALL THE TIME,
509
00:29:15,300 --> 00:29:17,146
MAN, BUT, LIKE, I CAN'T
GET TUNED IN ON THIS ONE.
510
00:29:17,170 --> 00:29:18,976
JUST, LIKE, I CAN'T
GET TUNED IN.
511
00:29:19,000 --> 00:29:21,676
PAULIE, GET TUNED IN.
512
00:29:21,700 --> 00:29:23,800
CALL ME.
513
00:29:31,140 --> 00:29:32,946
HOW COME EVERYBODY
IN THE JEWELRY BUSINESS
514
00:29:32,970 --> 00:29:34,916
IS GETTING KNOCKED OFF, SCOTTY?
515
00:29:34,940 --> 00:29:37,946
I AIN'T GOT IT,
HUNTER. I'M SORRY.
516
00:29:37,970 --> 00:29:40,340
YEAH.
517
00:29:48,340 --> 00:29:49,576
BOSCO!
518
00:29:49,600 --> 00:29:51,116
WHAT'S A 6-LETTER
WORD FOR CRIMINAL?
519
00:29:51,140 --> 00:29:52,576
SCUMBALL.
520
00:29:52,600 --> 00:29:54,316
THAT'S 8.
521
00:29:54,340 --> 00:29:56,016
BAD GUY.
522
00:29:56,040 --> 00:29:58,976
KEWPIE DOLL FOR THE LITTLE LADY.
523
00:29:59,000 --> 00:30:02,176
WHAT CAN I GET YOU FROM OUR
INTERNATIONALLY FAMOUS KITCHEN?
524
00:30:02,200 --> 00:30:03,246
NOTHING.
525
00:30:03,270 --> 00:30:04,546
WE ALREADY ATE. THANK GOD.
526
00:30:04,570 --> 00:30:07,016
DON'T GO POOR-MOUTHING
THE COOKING AROUND HERE.
527
00:30:07,040 --> 00:30:09,246
LOOK, WHAT DO YOU KNOW
ABOUT JEWELRY BUSINESS?
528
00:30:09,270 --> 00:30:12,346
SOMEBODY GOT KNOCKED
OFF FOR MUCHO ROCKS.
529
00:30:12,370 --> 00:30:13,516
YEAH, LUCKY LACY.
530
00:30:13,540 --> 00:30:15,346
YOU GOT IT, YOU
DON'T NEED ME ON THIS.
531
00:30:15,370 --> 00:30:17,646
NO, THE MURDERS,
THE MURDERS, BOSCO.
532
00:30:17,670 --> 00:30:19,816
I GOT TO TELL YOU ABOUT REVENGE?
533
00:30:19,840 --> 00:30:21,476
WE DON'T NEED PHILOSOPHY, BOSCO.
534
00:30:21,500 --> 00:30:22,876
WHAT WE NEED ARE HARD FACTS.
535
00:30:22,900 --> 00:30:24,016
YOUR PARTNER JUST SAID IT.
536
00:30:24,040 --> 00:30:27,740
LUCKY LACY...
THAT'S A HARD FACT.
537
00:30:28,440 --> 00:30:31,116
SO THAT'S IT, RIGHT? SEE YA.
538
00:30:31,140 --> 00:30:32,646
CAN I GET YOU ANYTHING TO EAT?
539
00:30:32,670 --> 00:30:34,476
NO, NO, WE'LL EAT NEXT TIME.
540
00:30:34,500 --> 00:30:36,976
BEEN SAYING THAT NOW
FOR 7 YEARS, HUNTER.
541
00:30:37,000 --> 00:30:38,316
IT'S A COINCIDENCE.
542
00:30:38,340 --> 00:30:40,676
WHAT'S THIS NEW CHICKEN
THING YOU HAVE UP HERE?
543
00:30:40,700 --> 00:30:41,776
COME ON.
544
00:30:41,800 --> 00:30:44,040
NO, IT LOOKS
GOOD. I LIKE ONIONS.
545
00:30:50,170 --> 00:30:52,016
Hunter: LUCKY LACY?
546
00:30:52,040 --> 00:30:53,176
YEAH.
547
00:30:53,200 --> 00:30:54,576
HOMICIDE.
548
00:30:54,600 --> 00:30:56,546
LIKE TO ASK YOU A
COUPLE QUESTIONS.
549
00:30:56,570 --> 00:30:58,046
YOU GOT A WARRANT?
550
00:30:58,070 --> 00:30:59,516
YOU WANT US TO GET ONE?
551
00:30:59,540 --> 00:31:02,146
HECK, NO. I'M LEGITIMATE.
552
00:31:02,170 --> 00:31:05,176
CAN I GET YOU SOMETHING,
WINE OR BRANDY,
553
00:31:05,200 --> 00:31:07,246
PIECE OF MEAT OR SOMETHING?
554
00:31:07,270 --> 00:31:08,516
NOTHING FOR ME. HOW ABOUT YOU?
555
00:31:08,540 --> 00:31:10,716
UH-UH. LIKE TO ASK
YOU A FEW QUESTIONS
556
00:31:10,740 --> 00:31:12,376
ABOUT THE ROBBERY AT YOUR HOME.
557
00:31:12,400 --> 00:31:14,646
I DIDN'T REPORT NO ROBBERY.
558
00:31:14,670 --> 00:31:16,246
WE DIDN'T SAY YOU DID.
559
00:31:16,270 --> 00:31:20,546
I THINK YOU BETTER
GET YOUR WARRANT.
560
00:31:20,570 --> 00:31:21,976
GET RID OF THEM, BERT.
561
00:31:22,000 --> 00:31:23,700
SIT DOWN, BERT.
562
00:31:25,800 --> 00:31:28,740
A WARRANT WON'T BE NECESSARY.
563
00:31:29,770 --> 00:31:32,170
WE GOT WHAT WE
CAME FOR, DIDN'T WE?
564
00:31:54,740 --> 00:31:57,546
WHAT'S THE BIG EMERGENCY?
565
00:31:57,570 --> 00:31:58,646
WE GOTTA TALK.
566
00:31:58,670 --> 00:32:00,116
WE ARE.
567
00:32:00,140 --> 00:32:03,216
YOU GOTTA PUT A HOLD
ON WHAT I TOLD YOU TO DO.
568
00:32:03,240 --> 00:32:04,916
A HOLD?
569
00:32:04,940 --> 00:32:08,116
THE HEAT'S COMING DOWN
ON ME, MAN. THEY KNOW!
570
00:32:08,140 --> 00:32:10,776
YOU BEEN TALKING?
571
00:32:10,800 --> 00:32:12,416
I HAVEN'T.
572
00:32:12,440 --> 00:32:13,916
IT DOESN'T MAKE ANY DIFFERENCE
573
00:32:13,940 --> 00:32:18,546
HOW THEY KNOW, THEY
KNOW! I'M CALLING IT OFF!
574
00:32:18,570 --> 00:32:21,946
NO. NO, MAN.
575
00:32:21,970 --> 00:32:24,276
A DEAL IS A DEAL.
576
00:32:24,300 --> 00:32:25,916
I PUT TIME IN ON THIS.
577
00:32:25,940 --> 00:32:29,870
WHAT, ARE YOU CRAZY?
I'M CALLING IT OFF!
578
00:32:46,970 --> 00:32:49,000
THIS AIN'T GOOD.
579
00:32:53,200 --> 00:32:54,776
DO YOU BUY JEWELRY?
580
00:32:54,800 --> 00:32:56,670
LET'S SEE IT.
581
00:33:22,340 --> 00:33:24,746
GET OUT OF HERE WITH THIS JUNK.
582
00:33:24,770 --> 00:33:26,116
WHAT ARE YOU TALKING ABOUT?
583
00:33:26,140 --> 00:33:27,616
THIS STUFF IS GOOD.
584
00:33:27,640 --> 00:33:29,116
YEAH, GOOD AND HOT.
585
00:33:29,140 --> 00:33:31,540
LOOK, WHAT'LL
YOU GIVE US FOR IT?
586
00:33:33,900 --> 00:33:35,816
YOU KIDS WANT SOME ADVICE?
587
00:33:35,840 --> 00:33:39,616
BURY THAT STUFF DEEP AND
LEAVE IT FOR YOUR OLD AGE.
588
00:33:39,640 --> 00:33:42,540
OTHERWISE, YOU
MAY NEVER HAVE ONE.
589
00:33:50,340 --> 00:33:52,276
I ASKED YOUS TO COME BY
BECAUSE I HAPPEN TO KNOW
590
00:33:52,300 --> 00:33:53,676
WHAT YOU GUYS ARE WORKING ON.
591
00:33:53,700 --> 00:33:57,616
SOMETIMES I GOT CONNECTIONS,
IF YOU KNOW WHAT I MEAN.
592
00:33:57,640 --> 00:34:00,776
LOOK, I'M GOING
TO LEVEL WITH YOU.
593
00:34:00,800 --> 00:34:02,816
I'M GOING TO COOPERATE
WITH YOU PEOPLE.
594
00:34:02,840 --> 00:34:04,346
WHAT THE HELL ARE
YOU TALKING ABOUT?
595
00:34:04,370 --> 00:34:06,546
THERE'S THIS GUY OUT THERE
596
00:34:06,570 --> 00:34:08,846
DOING THIS CRAZINESS, NOT ME.
597
00:34:08,870 --> 00:34:10,816
HE'S AFTER THE THIEF.
598
00:34:10,840 --> 00:34:13,546
IT WAS HIS JEWELS THAT
WERE STOLEN FROM ME,
599
00:34:13,570 --> 00:34:16,776
ALL PART OF A LEGITIMATE
GEMSTONE PURCHASE.
600
00:34:16,800 --> 00:34:19,716
I'M A COLLECTOR.
601
00:34:19,740 --> 00:34:22,646
LOOK, MY GUYS RAN
INTO THIS GUY LAST NIGHT,
602
00:34:22,670 --> 00:34:25,316
AND I'M DOING THIS
AS A PUBLIC SERVICE.
603
00:34:25,340 --> 00:34:27,216
YOU GOTTA STOP HIM.
604
00:34:27,240 --> 00:34:29,746
"PUBLIC SERVICE."
DID YOU HEAR THAT?
605
00:34:29,770 --> 00:34:30,816
YES.
606
00:34:30,840 --> 00:34:32,046
THIS GUY'S A REAL NUT CASE.
607
00:34:32,070 --> 00:34:34,776
I MET HIM IN AN ABANDONED
BUILDING IN HOLLYWOOD.
608
00:34:34,800 --> 00:34:36,976
I HAVE NO IDEA WHERE IT WAS,
609
00:34:37,000 --> 00:34:38,946
BUT YOU BETTER BRING A
LOT OF YOUR BUDDIES WITH YOU
610
00:34:38,970 --> 00:34:40,576
'CAUSE THIS GUY'S
A DEATH MACHINE.
611
00:34:40,600 --> 00:34:42,076
WHAT'S HE LOOK LIKE?
612
00:34:42,100 --> 00:34:44,976
HE'S BIG, REAL BIG.
613
00:34:45,000 --> 00:34:47,216
BLACK LEATHER.
614
00:34:47,240 --> 00:34:49,676
IN FACT, HE'S BIGGER THAN YOU.
615
00:34:49,700 --> 00:34:53,316
WE KNOW THAT THE
JEWEL THIEF IS 6'2 ", 6'3";
616
00:34:53,340 --> 00:34:57,246
MUSCULAR, HEAVY METAL,
LEATHER, FULL OUT PUNK, RIGHT?
617
00:34:57,270 --> 00:34:58,846
YEAH, THAT'S WHAT LACY SAYS.
618
00:34:58,870 --> 00:35:01,046
SO I HAD ROBBERY
PULL IN A MARKER.
619
00:35:01,070 --> 00:35:03,016
WE PERSUADED PHILLY JOE MORTON,
620
00:35:03,040 --> 00:35:04,876
ONE OF THE WEST
SIDE'S LEADING FENCES,
621
00:35:04,900 --> 00:35:07,916
TO TAKE A BRIEF VACATION
COURTESY OF THE DEPARTMENT.
622
00:35:07,940 --> 00:35:09,416
NOW, HUNTER,
623
00:35:09,440 --> 00:35:11,516
THE PLAN IS FOR YOU
TO HIT THE STREETS
624
00:35:11,540 --> 00:35:13,116
DRESSED AS OUR JEWEL THIEF,
625
00:35:13,140 --> 00:35:14,516
WHO'S LOOKING FOR PHILLY JOE,
626
00:35:14,540 --> 00:35:17,800
BUT OF COURSE, YOU
CAN'T FIND HIM ANYWHERE.
627
00:35:20,840 --> 00:35:23,916
UH, WELL, WAIT A MINUTE.
628
00:35:23,940 --> 00:35:26,246
LET ME GET THIS STRAIGHT,
629
00:35:26,270 --> 00:35:27,546
I'M GOING TO DRESS UP
630
00:35:27,570 --> 00:35:31,740
AS ONE OF THESE HEAVY
METAL PUNKER GUYS?
631
00:35:33,170 --> 00:35:35,576
I'LL DO IT.
632
00:35:35,600 --> 00:35:37,416
DO YOU KNOW WHERE I CAN
FIND PHILLY JOE MORTON?
633
00:35:37,440 --> 00:35:39,246
Man: NO, MAN, I
HAVEN'T SEEN HIM.
634
00:35:39,270 --> 00:35:40,416
ARE YOU SURE ABOUT THAT?
635
00:35:40,440 --> 00:35:41,646
I'M SURE.
636
00:35:41,670 --> 00:35:43,370
WHAT ABOUT YOU?
637
00:35:45,170 --> 00:35:47,116
OK.
638
00:35:47,140 --> 00:35:49,476
YOU TELL HIM WHEN YOU DO SEE HIM
639
00:35:49,500 --> 00:35:51,376
THAT THE SLAMMER
WANTS TO SEE HIM,
640
00:35:51,400 --> 00:35:52,516
YOU UNDERSTAND THAT?
641
00:35:52,540 --> 00:35:54,146
I'LL DO THAT.
642
00:35:54,170 --> 00:35:56,270
YOU DO THAT.
643
00:36:07,340 --> 00:36:09,246
YOUR NAME LOUIE GALLO?
644
00:36:09,270 --> 00:36:11,776
I WAS TOLD BY A MAN
THAT YOU COULD PUT ME
645
00:36:11,800 --> 00:36:13,346
IN TOUCH WITH PHILLY JOE MORTON.
646
00:36:13,370 --> 00:36:15,446
IS THAT CORRECT?
647
00:36:15,470 --> 00:36:17,546
BUT THAT'S WHAT HE SAID.
648
00:36:17,570 --> 00:36:20,576
THAT'S WHAT THE MAN TOLD ME.
649
00:36:20,600 --> 00:36:24,570
LOUIE GALLO? THAT'S
WHAT THE MAN TOLD ME.
650
00:36:32,300 --> 00:36:34,476
HEY, LADIES, HOW YA DOING?
651
00:36:34,500 --> 00:36:37,046
LISTEN, I WANT YOU TO
GET THE WORD OUT FOR ME.
652
00:36:37,070 --> 00:36:38,576
THERE'S THIS BIG GUY IN LEATHER,
653
00:36:38,600 --> 00:36:40,346
AND HE'S LOOKING FOR
PHILLY JOE MORTON.
654
00:36:40,370 --> 00:36:41,846
GOT SOME ICE FOR HIM.
655
00:36:41,870 --> 00:36:43,476
OK. NO PROBLEM.
656
00:36:43,500 --> 00:36:45,376
ALL RIGHT? YEAH.
657
00:36:45,400 --> 00:36:47,670
THANKS.
658
00:36:50,000 --> 00:36:51,176
YEAH?
659
00:36:51,200 --> 00:36:53,346
Woman: IT'S SUZ! LET ME IN!
660
00:36:53,370 --> 00:36:55,540
ALL RIGHT.
661
00:37:04,470 --> 00:37:06,900
ALL RIGHT, BABY.
662
00:37:09,040 --> 00:37:12,576
YOU'RE JUST WHAT I
BEEN LOOKING FOR.
663
00:37:12,600 --> 00:37:15,616
ARE YOU OUT OF YOUR MIND?
664
00:37:15,640 --> 00:37:17,376
YOU BETTER BELIEVE IT.
665
00:37:17,400 --> 00:37:19,146
HAVE YOU BEEN OUT ON THE STREET?
666
00:37:19,170 --> 00:37:20,976
THERE ARE COPS EVERYWHERE,
667
00:37:21,000 --> 00:37:22,946
AND THEY'VE GOT THIS
DRAWING OF YOU, MAN,
668
00:37:22,970 --> 00:37:24,746
AND IT LOOKS JUST LIKE YOU.
669
00:37:26,140 --> 00:37:27,776
LINCOLN, WHAT IS WITH YOU?
670
00:37:27,800 --> 00:37:28,946
I AM TRYING TO TELL YOU
671
00:37:28,970 --> 00:37:30,476
THEY ARE CRAWLING
ALL OVER HOLLYWOOD
672
00:37:30,500 --> 00:37:33,300
LOOKING FOR YOU. YOU
CAN'T GO OUT THERE.
673
00:37:35,240 --> 00:37:37,016
HAVE THEY FOUND ME?
674
00:37:37,040 --> 00:37:39,040
HAVE THEY FOUND ME?
675
00:37:40,170 --> 00:37:41,716
NO. NO, THEY HAVEN'T.
676
00:37:41,740 --> 00:37:45,876
SUZ, BABY, THEY NEVER WILL...
677
00:37:45,900 --> 00:37:50,546
'CAUSE I'M LINCOLN...
I'M THE MAN.
678
00:37:50,570 --> 00:37:54,446
THEY'LL NEVER FIND
ME. I'M UNCATCHABLE.
679
00:37:54,470 --> 00:37:56,076
I'M LINCOLN.
680
00:37:56,100 --> 00:37:58,770
OK.
681
00:37:59,570 --> 00:38:02,740
OK. WILL YOU PLEASE PUT ME DOWN?
682
00:38:09,740 --> 00:38:11,316
THANK YOU, BUD.
683
00:38:11,340 --> 00:38:15,370
I MUST GET EVERY DAMN
CATALOG IN THE WORLD.
684
00:38:16,100 --> 00:38:17,670
DAMN.
685
00:38:18,400 --> 00:38:20,200
"LUCKY."
686
00:38:26,740 --> 00:38:29,300
BERT! HA HA!
687
00:38:30,540 --> 00:38:31,646
BERT!
688
00:38:31,670 --> 00:38:34,846
HA HA HA!
689
00:38:34,870 --> 00:38:37,216
"WE'RE SORRY." BERT!
690
00:38:37,240 --> 00:38:40,446
HA HA! BERT! HA HA!
691
00:38:40,470 --> 00:38:43,546
IT'S IMPOSSIBLE.
NO, IT'S RIDICULOUS.
692
00:38:43,570 --> 00:38:45,176
LIEUTENANT, WE'VE
BEEN OUT THERE,
693
00:38:45,200 --> 00:38:47,076
WE HAVE PUT IN THE
HOURS, BELIEVE US.
694
00:38:47,100 --> 00:38:48,446
JUST A MINUTE,
695
00:38:48,470 --> 00:38:50,076
MAYBE I'M MISSING
SOMETHING HERE.
696
00:38:50,100 --> 00:38:52,276
NOW THIS GUY IS
LIKE 6-FOOT-8, RIGHT?
697
00:38:52,300 --> 00:38:53,277
RIGHT.
698
00:38:53,301 --> 00:38:54,316
HE'S DRESSED ALL
699
00:38:54,340 --> 00:38:55,846
IN BLACK LEATHER
AND CHAINS, RIGHT?
700
00:38:55,870 --> 00:38:58,376
ONE OF THOSE BIG, WEIRD
PUNK HAIRDOS, RIGHT?
701
00:38:58,400 --> 00:38:59,416
YEAH.
702
00:38:59,440 --> 00:39:00,816
AND HE'S GOING AROUND,
GRABBING PEOPLE
703
00:39:00,840 --> 00:39:02,576
IN BROAD DAYLIGHT
OFF THE STREET.
704
00:39:02,600 --> 00:39:04,446
THIS GUY THINK HE'S INVISIBLE?
705
00:39:04,470 --> 00:39:05,576
WELL, HE'S ACTING THAT WAY.
706
00:39:05,600 --> 00:39:07,116
LOOK, WE POUNDED
THE CEMENT HERE,
707
00:39:07,140 --> 00:39:08,816
SO THE GUY HAS TO BE
HOLED UP SOMEWHERE.
708
00:39:08,840 --> 00:39:11,016
THEN DIG HIM OUT. WE
GOT TO GET THIS GUY
709
00:39:11,040 --> 00:39:13,816
BEFORE HE ENDS UP
KILLING HALF OF HOLLYWOOD.
710
00:39:13,840 --> 00:39:16,870
LOOKS LIKE THE PINK HAIR, HUH?
711
00:39:20,370 --> 00:39:22,176
FINN SAYS YOU
SHOULD WEAR A WIRE.
712
00:39:22,200 --> 00:39:23,776
YOU CAN TELL FINN
WHERE TO PUT HIS WIRE.
713
00:39:23,800 --> 00:39:24,916
HE'S RIGHT, YOU KNOW.
714
00:39:24,940 --> 00:39:26,716
HE'S NOT RIGHT. YES, HE IS.
715
00:39:26,740 --> 00:39:29,040
IT'S TOO DANGEROUS WITHOUT IT.
716
00:39:30,770 --> 00:39:32,646
I'M GOING TO STICK CLOSE TO YOU.
717
00:39:32,670 --> 00:39:34,116
STICK CLOSE TO ME?
WHAT DO YOU WANT TO DO,
718
00:39:34,140 --> 00:39:35,416
RIDE PIGGY BACK
THROUGH THIS WHOLE DEAL?
719
00:39:35,440 --> 00:39:37,046
I'M DOING IT, ALL RIGHT?
720
00:39:37,070 --> 00:39:38,576
YEAH, JUST DON'T
GET ME KILLED, HUH?
721
00:39:38,600 --> 00:39:42,300
THANK YOU FOR THE
VOTE OF CONFIDENCE.
722
00:39:55,770 --> 00:39:57,616
WHAT IF HE DOESN'T
REACH OUT FOR YOU?
723
00:39:57,640 --> 00:39:59,316
HE'LL REACH OUT FOR ME.
724
00:39:59,340 --> 00:40:00,716
BE CAREFUL, OK?
725
00:40:00,740 --> 00:40:02,670
I'M ALWAYS CAREFUL.
726
00:40:40,240 --> 00:40:42,346
SO, WHICH ONE OF YOU LIZARDS
727
00:40:42,370 --> 00:40:44,816
IS GOING TO BE THE FIRST TO
HAVE HIS SPLEEN REMOVED?
728
00:40:44,840 --> 00:40:46,516
WHOA!
729
00:40:46,540 --> 00:40:49,516
WORD'S ON THE STREET THAT
YOU'RE LOOKING FOR PHILLY JOE.
730
00:40:49,540 --> 00:40:51,516
YEAH, PHILLY JOE.
731
00:40:51,540 --> 00:40:54,100
WELL, THEN... COME ON.
732
00:40:57,741 --> 00:41:02,016
♪ DON'T LOSE YOURSELF
TRYING TO SAVE ME ♪
733
00:41:02,040 --> 00:41:04,016
♪ I'LL BE OK ♪
734
00:41:04,040 --> 00:41:05,946
♪ LOVE WAS BUILT THAT WAY ♪
735
00:41:59,640 --> 00:42:02,140
YOU'RE A GNARLY
DUDE, AREN'T YOU?
736
00:42:03,940 --> 00:42:06,846
YOU JACKASS, THAT'S
NOT PHILLY JOE MORTON.
737
00:42:06,870 --> 00:42:09,476
YOU TALKING ABOUT
THE LACY JOB, RIGHT?
738
00:42:09,500 --> 00:42:10,846
YEAH.
739
00:42:10,870 --> 00:42:14,516
YOU TALK WITH ME.
THE LACY DEAL IS MINE.
740
00:42:14,540 --> 00:42:15,916
I'LL TALK TO YOU IN PRIVATE,
741
00:42:15,940 --> 00:42:19,076
NOT IN FRONT OF THESE JACKASSES.
742
00:42:19,100 --> 00:42:20,616
CUT OUT.
743
00:42:20,640 --> 00:42:23,170
GET YOURSELVES A
DRINK DOWNSTAIRS.
744
00:42:23,870 --> 00:42:26,300
Lincoln: BEAT IT, BABY.
745
00:42:43,040 --> 00:42:44,716
WHERE ARE THE JEWELS?
746
00:42:44,740 --> 00:42:47,216
DO YOU THINK I'M THAT
STUPID I'D HAVE THEM ON ME?
747
00:42:47,240 --> 00:42:49,016
HOW DO I KNOW YOU GOT 'EM?
748
00:42:49,040 --> 00:42:50,916
YOU'RE GOING TO
HAVE TO TRUST ME.
749
00:42:50,940 --> 00:42:53,016
I DON'T TRUST NO ONE.
750
00:42:53,040 --> 00:42:54,516
MAYBE THAT'S YOUR PROBLEM.
751
00:42:54,540 --> 00:42:56,776
I DON'T HAVE A PROBLEM.
752
00:42:56,800 --> 00:42:58,276
WHERE ARE THE JEWELS?
753
00:42:58,300 --> 00:43:00,746
I'VE GOT A SAMPLE.
WANT TO SEE IT?
754
00:43:00,770 --> 00:43:03,300
YEAH. EASY.
755
00:43:04,870 --> 00:43:07,040
EASY. TRUST ME.
756
00:43:12,470 --> 00:43:14,116
OK, PUS FOR BRAINS,
757
00:43:14,140 --> 00:43:16,016
YOU'RE UNDER ARREST, HOMICIDE.
758
00:43:16,040 --> 00:43:18,516
YOU GOT A LOT OF EXPLAINING
TO DO DOWNTOWN ABOUT
759
00:43:18,540 --> 00:43:20,976
THE MURDERS OF SAULLY
HELD AND PAUL HAMMOND.
760
00:43:21,000 --> 00:43:22,716
SPIN AROUND.
761
00:43:22,740 --> 00:43:23,916
LET'S TALK.
762
00:43:23,940 --> 00:43:26,416
DOWNTOWN. SPIN AROUND.
763
00:43:28,300 --> 00:43:29,740
OOF!
764
00:44:11,800 --> 00:44:13,146
AAH!
765
00:44:20,670 --> 00:44:22,540
OH!
766
00:44:37,400 --> 00:44:40,176
SO HOW WAS YOUR
WEEKEND, YOUNG LADY?
767
00:44:40,200 --> 00:44:42,576
IT WAS A WEEKEND.
768
00:44:42,600 --> 00:44:43,946
WHAT DO YOU MEAN,
769
00:44:43,970 --> 00:44:46,100
YOU WEREN'T OUT
WITH DR. FASCINATING?
770
00:44:47,970 --> 00:44:50,476
YOU KNOW, YOU SEEM
DEEPLY INTERESTED
771
00:44:50,500 --> 00:44:53,446
IN THAT SUBJECT. ANY IDEA WHY?
772
00:44:53,470 --> 00:44:56,416
WELL, I'M DEEPLY INTERESTED
IN YOUR PERSONAL WELFARE.
773
00:44:56,440 --> 00:44:59,676
WELL, IS IT MY WELFARE
YOU'RE INTERESTED IN,
774
00:44:59,700 --> 00:45:01,800
OR COULD IT BE SOMETHING ELSE?
775
00:45:04,270 --> 00:45:06,376
AND WHAT DO WE MEAN BY THAT?
776
00:45:06,400 --> 00:45:09,016
YOU DON'T HAVE TO
GET DEFENSIVE ABOUT IT.
777
00:45:09,040 --> 00:45:10,616
WAS I DEFENSIVE ABOUT IT?
778
00:45:10,640 --> 00:45:11,916
YES, AND I DETECT
779
00:45:11,940 --> 00:45:13,546
A LITTLE BIT OF HOSTILITY THERE.
780
00:45:13,570 --> 00:45:15,746
DO YOU WANT TO INVESTIGATE THAT?
781
00:45:15,770 --> 00:45:19,276
I GOT IT. YOU'RE DOING THE WIMP.
782
00:45:19,300 --> 00:45:22,216
THE GUY STARTED
PSYCHOANALYZING ME
783
00:45:22,240 --> 00:45:24,076
ON OUR SECOND DATE.
784
00:45:24,100 --> 00:45:26,946
YEAH, I KNEW IT.
WHAT DID HE FIND OUT?
785
00:45:26,970 --> 00:45:29,400
I'LL NEVER TELL.
786
00:45:33,970 --> 00:45:35,576
YES, YOU WILL.
50143
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.