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These are the user uploaded subtitles that are being translated: 1 00:00:07,069 --> 00:00:12,009 he's the king of rock and roll 2 00:00:12,009 --> 00:00:12,019 3 00:00:12,019 --> 00:00:15,169 welcome to watchmojo.com and today we're 4 00:00:15,169 --> 00:00:15,179 welcome to watchmojo.com and today we're 5 00:00:15,179 --> 00:00:16,880 welcome to watchmojo.com and today we're counting down our picks for the top 10 6 00:00:16,880 --> 00:00:16,890 counting down our picks for the top 10 7 00:00:16,890 --> 00:00:24,410 counting down our picks for the top 10 Elvis Presley songs for this list we 8 00:00:24,410 --> 00:00:24,420 Elvis Presley songs for this list we 9 00:00:24,420 --> 00:00:25,849 Elvis Presley songs for this list we chosen our entries based on a 10 00:00:25,849 --> 00:00:25,859 chosen our entries based on a 11 00:00:25,859 --> 00:00:28,130 chosen our entries based on a combination of the artists fan favorites 12 00:00:28,130 --> 00:00:28,140 combination of the artists fan favorites 13 00:00:28,140 --> 00:00:29,870 combination of the artists fan favorites and their most commercially successful 14 00:00:29,870 --> 00:00:29,880 and their most commercially successful 15 00:00:29,880 --> 00:00:41,869 and their most commercially successful songs number 10 can't help falling in 16 00:00:41,869 --> 00:00:41,879 songs number 10 can't help falling in 17 00:00:41,879 --> 00:00:46,100 songs number 10 can't help falling in love hearing on the blue Hawaii 18 00:00:46,100 --> 00:00:46,110 love hearing on the blue Hawaii 19 00:00:46,110 --> 00:00:48,290 love hearing on the blue Hawaii soundtrack this poppin blue-eyed soul 20 00:00:48,290 --> 00:00:48,300 soundtrack this poppin blue-eyed soul 21 00:00:48,300 --> 00:00:50,330 soundtrack this poppin blue-eyed soul hit was released as a single with 22 00:00:50,330 --> 00:00:50,340 hit was released as a single with 23 00:00:50,340 --> 00:00:52,880 hit was released as a single with rock-a-hula baby 24 00:00:52,880 --> 00:00:52,890 rock-a-hula baby 25 00:00:52,890 --> 00:00:56,180 rock-a-hula baby [Music] 26 00:00:56,180 --> 00:00:56,190 27 00:00:56,190 --> 00:01:04,829 take my unlike the b-side can't help 28 00:01:04,829 --> 00:01:04,839 take my unlike the b-side can't help 29 00:01:04,839 --> 00:01:06,899 take my unlike the b-side can't help falling in love has endured as an Elvis 30 00:01:06,899 --> 00:01:06,909 falling in love has endured as an Elvis 31 00:01:06,909 --> 00:01:08,970 falling in love has endured as an Elvis classic 32 00:01:08,970 --> 00:01:08,980 classic 33 00:01:08,980 --> 00:01:11,830 classic [Music] 34 00:01:11,830 --> 00:01:11,840 [Music] 35 00:01:11,840 --> 00:01:14,200 [Music] with a melody inspired by an 18th 36 00:01:14,200 --> 00:01:14,210 with a melody inspired by an 18th 37 00:01:14,210 --> 00:01:16,660 with a melody inspired by an 18th century French ballad the 3-minute track 38 00:01:16,660 --> 00:01:16,670 century French ballad the 3-minute track 39 00:01:16,670 --> 00:01:18,880 century French ballad the 3-minute track went to number 2 on the American pop 40 00:01:18,880 --> 00:01:18,890 went to number 2 on the American pop 41 00:01:18,890 --> 00:01:25,539 went to number 2 on the American pop charts the king also often used it as 42 00:01:25,539 --> 00:01:25,549 charts the king also often used it as 43 00:01:25,549 --> 00:01:27,910 charts the king also often used it as his closing number during his later jump 44 00:01:27,910 --> 00:01:27,920 his closing number during his later jump 45 00:01:27,920 --> 00:01:29,600 his closing number during his later jump suited live performances 46 00:01:29,600 --> 00:01:29,610 suited live performances 47 00:01:29,610 --> 00:01:31,340 suited live performances [Applause] 48 00:01:31,340 --> 00:01:31,350 [Applause] 49 00:01:31,350 --> 00:01:37,180 [Applause] [Music] 50 00:01:37,180 --> 00:01:37,190 [Music] 51 00:01:37,190 --> 00:01:40,280 [Music] number nine blue suede shoes well it's 52 00:01:40,280 --> 00:01:40,290 number nine blue suede shoes well it's 53 00:01:40,290 --> 00:01:49,040 number nine blue suede shoes well it's the morning before the show borrowing a 54 00:01:49,040 --> 00:01:49,050 the morning before the show borrowing a 55 00:01:49,050 --> 00:01:51,080 the morning before the show borrowing a signature tune from former Sun Records 56 00:01:51,080 --> 00:01:51,090 signature tune from former Sun Records 57 00:01:51,090 --> 00:01:53,150 signature tune from former Sun Records label mate Carl Perkins where you can 58 00:01:53,150 --> 00:01:53,160 label mate Carl Perkins where you can 59 00:01:53,160 --> 00:01:54,260 label mate Carl Perkins where you can knock me down 60 00:01:54,260 --> 00:01:54,270 knock me down 61 00:01:54,270 --> 00:01:59,240 knock me down stiffen my face this rockabilly song was 62 00:01:59,240 --> 00:01:59,250 stiffen my face this rockabilly song was 63 00:01:59,250 --> 00:02:01,580 stiffen my face this rockabilly song was one of the first Elvis recorded after 64 00:02:01,580 --> 00:02:01,590 one of the first Elvis recorded after 65 00:02:01,590 --> 00:02:06,130 one of the first Elvis recorded after signing with RCA Records way issues 66 00:02:06,130 --> 00:02:06,140 signing with RCA Records way issues 67 00:02:06,140 --> 00:02:08,540 signing with RCA Records way issues pressured to cover the track by studio 68 00:02:08,540 --> 00:02:08,550 pressured to cover the track by studio 69 00:02:08,550 --> 00:02:10,880 pressured to cover the track by studio suits Presley requested that his version 70 00:02:10,880 --> 00:02:10,890 suits Presley requested that his version 71 00:02:10,890 --> 00:02:13,250 suits Presley requested that his version not be released while the original was 72 00:02:13,250 --> 00:02:13,260 not be released while the original was 73 00:02:13,260 --> 00:02:19,330 not be released while the original was still on the charts 74 00:02:19,330 --> 00:02:19,340 75 00:02:19,340 --> 00:02:21,730 although Perkins take outperformed his 76 00:02:21,730 --> 00:02:21,740 although Perkins take outperformed his 77 00:02:21,740 --> 00:02:23,980 although Perkins take outperformed his cover the song and those blue suede 78 00:02:23,980 --> 00:02:23,990 cover the song and those blue suede 79 00:02:23,990 --> 00:02:26,170 cover the song and those blue suede shoes have become synonymous with the 80 00:02:26,170 --> 00:02:26,180 shoes have become synonymous with the 81 00:02:26,180 --> 00:02:30,040 shoes have become synonymous with the king nonetheless what you've been doing 82 00:02:30,040 --> 00:02:30,050 king nonetheless what you've been doing 83 00:02:30,050 --> 00:02:32,050 king nonetheless what you've been doing today what they hold the love blue suede 84 00:02:32,050 --> 00:02:32,060 today what they hold the love blue suede 85 00:02:32,060 --> 00:02:33,890 today what they hold the love blue suede shoes 86 00:02:33,890 --> 00:02:33,900 shoes 87 00:02:33,900 --> 00:02:36,970 shoes number eight are you lonesome tonight 88 00:02:36,970 --> 00:02:36,980 number eight are you lonesome tonight 89 00:02:36,980 --> 00:02:39,860 number eight are you lonesome tonight [Applause] 90 00:02:39,860 --> 00:02:39,870 [Applause] 91 00:02:39,870 --> 00:02:41,460 [Applause] [Music] 92 00:02:41,460 --> 00:02:41,470 [Music] 93 00:02:41,470 --> 00:02:44,710 [Music] written in 1926 and backed with the 94 00:02:44,710 --> 00:02:44,720 written in 1926 and backed with the 95 00:02:44,720 --> 00:02:46,870 written in 1926 and backed with the fittingly titled I got a no are you 96 00:02:46,870 --> 00:02:46,880 fittingly titled I got a no are you 97 00:02:46,880 --> 00:02:49,000 fittingly titled I got a no are you lonesome tonight proved Elvis didn't 98 00:02:49,000 --> 00:02:49,010 lonesome tonight proved Elvis didn't 99 00:02:49,010 --> 00:02:51,040 lonesome tonight proved Elvis didn't have to sing for his voice to make the 100 00:02:51,040 --> 00:02:51,050 have to sing for his voice to make the 101 00:02:51,050 --> 00:03:02,110 have to sing for his voice to make the masses swim with its spoken word 102 00:03:02,110 --> 00:03:02,120 masses swim with its spoken word 103 00:03:02,120 --> 00:03:04,540 masses swim with its spoken word sections and Shakespeare quotations the 104 00:03:04,540 --> 00:03:04,550 sections and Shakespeare quotations the 105 00:03:04,550 --> 00:03:06,880 sections and Shakespeare quotations the pop track allowed Presley to mix up or 106 00:03:06,880 --> 00:03:06,890 pop track allowed Presley to mix up or 107 00:03:06,890 --> 00:03:08,560 pop track allowed Presley to mix up or modify some lyrics during live 108 00:03:08,560 --> 00:03:08,570 modify some lyrics during live 109 00:03:08,570 --> 00:03:11,080 modify some lyrics during live performances and it topped the Billboard 110 00:03:11,080 --> 00:03:11,090 performances and it topped the Billboard 111 00:03:11,090 --> 00:03:19,300 performances and it topped the Billboard Pop chart 112 00:03:19,300 --> 00:03:19,310 113 00:03:19,310 --> 00:03:22,580 [Music] 114 00:03:22,580 --> 00:03:22,590 [Music] 115 00:03:22,590 --> 00:03:25,290 [Music] number seven suspicious minds 116 00:03:25,290 --> 00:03:25,300 number seven suspicious minds 117 00:03:25,300 --> 00:03:28,809 number seven suspicious minds [Music] 118 00:03:28,809 --> 00:03:28,819 119 00:03:28,819 --> 00:03:31,979 I can't walk out 120 00:03:31,979 --> 00:03:31,989 I can't walk out 121 00:03:31,989 --> 00:03:36,660 I can't walk out because I love you do 122 00:03:36,660 --> 00:03:36,670 123 00:03:36,670 --> 00:03:39,360 released following the boost that is 68 124 00:03:39,360 --> 00:03:39,370 released following the boost that is 68 125 00:03:39,370 --> 00:03:41,160 released following the boost that is 68 comeback specially given him this 126 00:03:41,160 --> 00:03:41,170 comeback specially given him this 127 00:03:41,170 --> 00:03:43,140 comeback specially given him this soulful pop track breathed new life into 128 00:03:43,140 --> 00:03:43,150 soulful pop track breathed new life into 129 00:03:43,150 --> 00:03:46,260 soulful pop track breathed new life into Elvis's career and became his 17th and 130 00:03:46,260 --> 00:03:46,270 Elvis's career and became his 17th and 131 00:03:46,270 --> 00:03:48,660 Elvis's career and became his 17th and final American number one during his 132 00:03:48,660 --> 00:03:48,670 final American number one during his 133 00:03:48,670 --> 00:03:55,030 final American number one during his lifetime 134 00:03:55,030 --> 00:03:55,040 135 00:03:55,040 --> 00:03:57,830 featuring both string and horn sections 136 00:03:57,830 --> 00:03:57,840 featuring both string and horn sections 137 00:03:57,840 --> 00:04:00,080 featuring both string and horn sections suspicious minds is notable for its 138 00:04:00,080 --> 00:04:00,090 suspicious minds is notable for its 139 00:04:00,090 --> 00:04:02,450 suspicious minds is notable for its shifting time signatures and multiple 140 00:04:02,450 --> 00:04:02,460 shifting time signatures and multiple 141 00:04:02,460 --> 00:04:03,940 shifting time signatures and multiple subsequent cover versions 142 00:04:03,940 --> 00:04:03,950 subsequent cover versions 143 00:04:03,950 --> 00:04:12,860 subsequent cover versions [Music] 144 00:04:12,860 --> 00:04:12,870 145 00:04:12,870 --> 00:04:15,670 [Music] 146 00:04:15,670 --> 00:04:15,680 [Music] 147 00:04:15,680 --> 00:04:24,890 [Music] number six Love Me Tender adapted from 148 00:04:24,890 --> 00:04:24,900 number six Love Me Tender adapted from 149 00:04:24,900 --> 00:04:27,320 number six Love Me Tender adapted from an old civil war song Presley's version 150 00:04:27,320 --> 00:04:27,330 an old civil war song Presley's version 151 00:04:27,330 --> 00:04:29,600 an old civil war song Presley's version of this romantic ballad had its debut on 152 00:04:29,600 --> 00:04:29,610 of this romantic ballad had its debut on 153 00:04:29,610 --> 00:04:33,600 of this romantic ballad had its debut on The Ed Sullivan Show 154 00:04:33,600 --> 00:04:33,610 155 00:04:33,610 --> 00:04:39,950 [Music] 156 00:04:39,950 --> 00:04:39,960 [Music] 157 00:04:39,960 --> 00:04:42,930 [Music] this performance prompted a million 158 00:04:42,930 --> 00:04:42,940 this performance prompted a million 159 00:04:42,940 --> 00:04:45,149 this performance prompted a million pre-orders of the single before its 160 00:04:45,149 --> 00:04:45,159 pre-orders of the single before its 161 00:04:45,159 --> 00:04:47,790 pre-orders of the single before its actual release and it was later featured 162 00:04:47,790 --> 00:04:47,800 actual release and it was later featured 163 00:04:47,800 --> 00:04:55,770 actual release and it was later featured in the movie of the same name though 164 00:04:55,770 --> 00:04:55,780 in the movie of the same name though 165 00:04:55,780 --> 00:04:58,050 in the movie of the same name though Elvis eventually refrained from singing 166 00:04:58,050 --> 00:04:58,060 Elvis eventually refrained from singing 167 00:04:58,060 --> 00:04:59,879 Elvis eventually refrained from singing Love Me Tender in its entirety during 168 00:04:59,879 --> 00:04:59,889 Love Me Tender in its entirety during 169 00:04:59,889 --> 00:05:06,240 Love Me Tender in its entirety during later shows the country single gave him 170 00:05:06,240 --> 00:05:06,250 later shows the country single gave him 171 00:05:06,250 --> 00:05:13,589 later shows the country single gave him another Billboard chart topper number 172 00:05:13,589 --> 00:05:13,599 another Billboard chart topper number 173 00:05:13,599 --> 00:05:20,309 another Billboard chart topper number five don't be cruel 174 00:05:20,309 --> 00:05:20,319 175 00:05:20,319 --> 00:05:22,529 written by Otis Blackwell this two 176 00:05:22,529 --> 00:05:22,539 written by Otis Blackwell this two 177 00:05:22,539 --> 00:05:24,299 written by Otis Blackwell this two minute track is one of the most rockin 178 00:05:24,299 --> 00:05:24,309 minute track is one of the most rockin 179 00:05:24,309 --> 00:05:32,260 minute track is one of the most rockin numbers of Elvis's pre military career 180 00:05:32,260 --> 00:05:32,270 181 00:05:32,270 --> 00:05:34,280 featuring the king on rhythm guitar 182 00:05:34,280 --> 00:05:34,290 featuring the king on rhythm guitar 183 00:05:34,290 --> 00:05:37,160 featuring the king on rhythm guitar scouting war on lead a solid bass hook 184 00:05:37,160 --> 00:05:37,170 scouting war on lead a solid bass hook 185 00:05:37,170 --> 00:05:39,620 scouting war on lead a solid bass hook steady slamming drums & backing vocals 186 00:05:39,620 --> 00:05:39,630 steady slamming drums & backing vocals 187 00:05:39,630 --> 00:05:46,730 steady slamming drums & backing vocals from the Jordanaires don't be cool top 188 00:05:46,730 --> 00:05:46,740 from the Jordanaires don't be cool top 189 00:05:46,740 --> 00:05:53,000 from the Jordanaires don't be cool top the pop country and R&B charts this one 190 00:05:53,000 --> 00:05:53,010 the pop country and R&B charts this one 191 00:05:53,010 --> 00:05:54,590 the pop country and R&B charts this one just oozes hair grease daddy-o 192 00:05:54,590 --> 00:05:54,600 just oozes hair grease daddy-o 193 00:05:54,600 --> 00:06:02,189 just oozes hair grease daddy-o [Music] 194 00:06:02,189 --> 00:06:02,199 195 00:06:02,199 --> 00:06:07,260 number four all shook up 196 00:06:07,260 --> 00:06:07,270 197 00:06:07,270 --> 00:06:09,310 [Music] 198 00:06:09,310 --> 00:06:09,320 [Music] 199 00:06:09,320 --> 00:06:12,200 [Music] another Otis Blackwell pin track this 200 00:06:12,200 --> 00:06:12,210 another Otis Blackwell pin track this 201 00:06:12,210 --> 00:06:14,210 another Otis Blackwell pin track this two-minute number was first recorded and 202 00:06:14,210 --> 00:06:14,220 two-minute number was first recorded and 203 00:06:14,220 --> 00:06:22,330 two-minute number was first recorded and released by David Hill 204 00:06:22,330 --> 00:06:22,340 205 00:06:22,340 --> 00:06:25,070 but it failed to make much of an impact 206 00:06:25,070 --> 00:06:25,080 but it failed to make much of an impact 207 00:06:25,080 --> 00:06:27,469 but it failed to make much of an impact until the king strutted up to the mic to 208 00:06:27,469 --> 00:06:27,479 until the king strutted up to the mic to 209 00:06:27,479 --> 00:06:32,510 until the king strutted up to the mic to belt it out the piano-driven rocker then 210 00:06:32,510 --> 00:06:32,520 belt it out the piano-driven rocker then 211 00:06:32,520 --> 00:06:34,429 belt it out the piano-driven rocker then spent eight weeks on top of the pop 212 00:06:34,429 --> 00:06:34,439 spent eight weeks on top of the pop 213 00:06:34,439 --> 00:06:37,790 spent eight weeks on top of the pop charts and four weeks on the R&B chart a 214 00:06:37,790 --> 00:06:37,800 charts and four weeks on the R&B chart a 215 00:06:37,800 --> 00:06:40,950 charts and four weeks on the R&B chart a real crowd-pleaser for sure 216 00:06:40,950 --> 00:06:40,960 real crowd-pleaser for sure 217 00:06:40,960 --> 00:06:45,010 real crowd-pleaser for sure [Music] 218 00:06:45,010 --> 00:06:45,020 [Music] 219 00:06:45,020 --> 00:06:52,640 [Music] number three jailhouse rock released in 220 00:06:52,640 --> 00:06:52,650 number three jailhouse rock released in 221 00:06:52,650 --> 00:06:54,920 number three jailhouse rock released in anticipation of Presley's musical drama 222 00:06:54,920 --> 00:06:54,930 anticipation of Presley's musical drama 223 00:06:54,930 --> 00:07:01,399 anticipation of Presley's musical drama of the same name jailhouse rock tells of 224 00:07:01,399 --> 00:07:01,409 of the same name jailhouse rock tells of 225 00:07:01,409 --> 00:07:03,050 of the same name jailhouse rock tells of a party in the country jail 226 00:07:03,050 --> 00:07:03,060 a party in the country jail 227 00:07:03,060 --> 00:07:10,519 a party in the country jail featuring the prison band though it 228 00:07:10,519 --> 00:07:10,529 featuring the prison band though it 229 00:07:10,529 --> 00:07:12,439 featuring the prison band though it makes references to real-life people and 230 00:07:12,439 --> 00:07:12,449 makes references to real-life people and 231 00:07:12,449 --> 00:07:15,170 makes references to real-life people and features subtle homoerotic teams the 232 00:07:15,170 --> 00:07:15,180 features subtle homoerotic teams the 233 00:07:15,180 --> 00:07:17,809 features subtle homoerotic teams the rock-and-roll tune topped the US and UK 234 00:07:17,809 --> 00:07:17,819 rock-and-roll tune topped the US and UK 235 00:07:17,819 --> 00:07:26,749 rock-and-roll tune topped the US and UK charts it's also become iconic thanks to 236 00:07:26,749 --> 00:07:26,759 charts it's also become iconic thanks to 237 00:07:26,759 --> 00:07:28,339 charts it's also become iconic thanks to the energetic and memorable dance 238 00:07:28,339 --> 00:07:28,349 the energetic and memorable dance 239 00:07:28,349 --> 00:07:30,290 the energetic and memorable dance sequence that accompanies Elvis's 240 00:07:30,290 --> 00:07:30,300 sequence that accompanies Elvis's 241 00:07:30,300 --> 00:07:32,029 sequence that accompanies Elvis's performance of the song in the richard 242 00:07:32,029 --> 00:07:32,039 performance of the song in the richard 243 00:07:32,039 --> 00:07:47,300 performance of the song in the richard thorpe directed movie number 2 244 00:07:47,300 --> 00:07:47,310 thorpe directed movie number 2 245 00:07:47,310 --> 00:07:52,939 thorpe directed movie number 2 Heartbreak Hotel after he made the jump 246 00:07:52,939 --> 00:07:52,949 Heartbreak Hotel after he made the jump 247 00:07:52,949 --> 00:07:55,640 Heartbreak Hotel after he made the jump to RCA this track became Elvis's first 248 00:07:55,640 --> 00:07:55,650 to RCA this track became Elvis's first 249 00:07:55,650 --> 00:07:59,290 to RCA this track became Elvis's first single for the major label 250 00:07:59,290 --> 00:07:59,300 251 00:07:59,300 --> 00:08:00,700 [Music] 252 00:08:00,700 --> 00:08:00,710 [Music] 253 00:08:00,710 --> 00:08:01,820 [Music] [Applause] 254 00:08:01,820 --> 00:08:01,830 [Applause] 255 00:08:01,830 --> 00:08:07,360 [Applause] [Music] 256 00:08:07,360 --> 00:08:07,370 257 00:08:07,370 --> 00:08:09,430 although many execs found the song 258 00:08:09,430 --> 00:08:09,440 although many execs found the song 259 00:08:09,440 --> 00:08:11,650 although many execs found the song depressing Heartbreak Hotel became his 260 00:08:11,650 --> 00:08:11,660 depressing Heartbreak Hotel became his 261 00:08:11,660 --> 00:08:14,230 depressing Heartbreak Hotel became his first American number one and it hit 262 00:08:14,230 --> 00:08:14,240 first American number one and it hit 263 00:08:14,240 --> 00:08:15,510 first American number one and it hit number 2 in the UK 264 00:08:15,510 --> 00:08:15,520 number 2 in the UK 265 00:08:15,520 --> 00:08:18,440 number 2 in the UK [Music] 266 00:08:18,440 --> 00:08:18,450 [Music] 267 00:08:18,450 --> 00:08:27,960 [Music] backed by the blue moon boys the king 268 00:08:27,960 --> 00:08:27,970 backed by the blue moon boys the king 269 00:08:27,970 --> 00:08:30,270 backed by the blue moon boys the king also enlisted studio aces Chet Atkins 270 00:08:30,270 --> 00:08:30,280 also enlisted studio aces Chet Atkins 271 00:08:30,280 --> 00:08:32,640 also enlisted studio aces Chet Atkins and Floyd Cramer to craft what would 272 00:08:32,640 --> 00:08:32,650 and Floyd Cramer to craft what would 273 00:08:32,650 --> 00:08:36,200 and Floyd Cramer to craft what would soon become a live staple 274 00:08:36,200 --> 00:08:36,210 soon become a live staple 275 00:08:36,210 --> 00:08:39,399 soon become a live staple [Music] 276 00:08:39,399 --> 00:08:39,409 277 00:08:39,409 --> 00:08:44,950 [Applause] 278 00:08:44,950 --> 00:08:44,960 279 00:08:44,960 --> 00:08:52,820 you be silly you could die before we 280 00:08:52,820 --> 00:08:52,830 you be silly you could die before we 281 00:08:52,830 --> 00:08:54,770 you be silly you could die before we unveil our top pick here are a few 282 00:08:54,770 --> 00:08:54,780 unveil our top pick here are a few 283 00:08:54,780 --> 00:08:56,130 unveil our top pick here are a few honorable mentions 284 00:08:56,130 --> 00:08:56,140 honorable mentions 285 00:08:56,140 --> 00:09:01,530 honorable mentions [Music] 286 00:09:01,530 --> 00:09:01,540 287 00:09:01,540 --> 00:09:05,010 : gray Chicago morning a poor little 288 00:09:05,010 --> 00:09:05,020 : gray Chicago morning a poor little 289 00:09:05,020 --> 00:09:14,280 : gray Chicago morning a poor little baby child is born in the ghetto 290 00:09:14,280 --> 00:09:14,290 291 00:09:14,290 --> 00:09:16,630 he's not 292 00:09:16,630 --> 00:09:16,640 he's not 293 00:09:16,640 --> 00:09:18,720 he's not [Music] 294 00:09:18,720 --> 00:09:18,730 [Music] 295 00:09:18,730 --> 00:09:18,850 [Music] Oh 296 00:09:18,850 --> 00:09:18,860 Oh 297 00:09:18,860 --> 00:09:28,340 Oh [Music] 298 00:09:28,340 --> 00:09:28,350 [Music] 299 00:09:28,350 --> 00:09:30,989 [Music] this conversation a little more action 300 00:09:30,989 --> 00:09:30,999 this conversation a little more action 301 00:09:30,999 --> 00:09:35,069 this conversation a little more action please all this aggravation is that is 302 00:09:35,069 --> 00:09:35,079 please all this aggravation is that is 303 00:09:35,079 --> 00:09:42,059 please all this aggravation is that is fashion in the media number one found 304 00:09:42,059 --> 00:09:42,069 fashion in the media number one found 305 00:09:42,069 --> 00:09:44,120 fashion in the media number one found off 306 00:09:44,120 --> 00:09:44,130 off 307 00:09:44,130 --> 00:09:48,099 off [Music] 308 00:09:48,099 --> 00:09:48,109 [Music] 309 00:09:48,109 --> 00:09:51,049 [Music] even our number one spot is the gyrating 310 00:09:51,049 --> 00:09:51,059 even our number one spot is the gyrating 311 00:09:51,059 --> 00:09:52,999 even our number one spot is the gyrating pelvis shaking ditty that started all 312 00:09:52,999 --> 00:09:53,009 pelvis shaking ditty that started all 313 00:09:53,009 --> 00:09:55,460 pelvis shaking ditty that started all kinds of trouble debuting the song on 314 00:09:55,460 --> 00:09:55,470 kinds of trouble debuting the song on 315 00:09:55,470 --> 00:10:04,340 kinds of trouble debuting the song on the Milton Berle show personally made 316 00:10:04,340 --> 00:10:04,350 the Milton Berle show personally made 317 00:10:04,350 --> 00:10:06,559 the Milton Berle show personally made sure his performance announced to fans 318 00:10:06,559 --> 00:10:06,569 sure his performance announced to fans 319 00:10:06,569 --> 00:10:09,199 sure his performance announced to fans rock and roll was here to stay and Elvis 320 00:10:09,199 --> 00:10:09,209 rock and roll was here to stay and Elvis 321 00:10:09,209 --> 00:10:12,990 rock and roll was here to stay and Elvis was its king 322 00:10:12,990 --> 00:10:13,000 323 00:10:13,000 --> 00:10:13,170 [Music] 324 00:10:13,170 --> 00:10:13,180 [Music] 325 00:10:13,180 --> 00:10:15,410 [Music] [Applause] 326 00:10:15,410 --> 00:10:15,420 [Applause] 327 00:10:15,420 --> 00:10:17,910 [Applause] thanks to its raw and game-changing 328 00:10:17,910 --> 00:10:17,920 thanks to its raw and game-changing 329 00:10:17,920 --> 00:10:20,220 thanks to its raw and game-changing energy it topped multiple American 330 00:10:20,220 --> 00:10:20,230 energy it topped multiple American 331 00:10:20,230 --> 00:10:24,100 energy it topped multiple American charts and became his best-selling track 332 00:10:24,100 --> 00:10:24,110 charts and became his best-selling track 333 00:10:24,110 --> 00:10:27,260 charts and became his best-selling track [Music] 334 00:10:27,260 --> 00:10:27,270 335 00:10:27,270 --> 00:10:30,000 do you agree with our list what's your 336 00:10:30,000 --> 00:10:30,010 do you agree with our list what's your 337 00:10:30,010 --> 00:10:35,300 do you agree with our list what's your favorite Elvis Presley song 338 00:10:35,300 --> 00:10:35,310 339 00:10:35,310 --> 00:10:37,400 for a little less conversation and a lot 340 00:10:37,400 --> 00:10:37,410 for a little less conversation and a lot 341 00:10:37,410 --> 00:10:39,710 for a little less conversation and a lot more top 10s published daily be sure to 342 00:10:39,710 --> 00:10:39,720 more top 10s published daily be sure to 343 00:10:39,720 --> 00:10:41,760 more top 10s published daily be sure to subscribe to watchmojo.com 344 00:10:41,760 --> 00:10:41,770 subscribe to watchmojo.com 345 00:10:41,770 --> 00:10:56,969 subscribe to watchmojo.com [Music]26833