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1
00:00:01,068 --> 00:00:04,102
( theme music playing )
2
00:00:47,080 --> 00:00:50,081
( music playing )
3
00:00:56,489 --> 00:01:00,324
- DICK, IS THAT
THE LORETTA DUPRIS, THE ACTRESS?
4
00:01:00,360 --> 00:01:02,093
- WELL, SHE IS COMING
TO DO A SHOW
5
00:01:02,129 --> 00:01:03,662
AT THE MAPLE GROVE THEATER.
6
00:01:03,697 --> 00:01:05,596
- DON'T PLAY WITH ME, DICK.
7
00:01:05,632 --> 00:01:07,365
IS IT HER OR NOT?
8
00:01:09,369 --> 00:01:10,401
- SOUNDS LIKE IT.
9
00:01:10,436 --> 00:01:12,637
- SHE'S COMING TODAY?
10
00:01:12,673 --> 00:01:13,839
- GEORGE, WHAT'S THE BIG DEAL?
11
00:01:13,874 --> 00:01:15,773
WE'VE HAD PERFORMERS
STAY HERE BEFORE.
12
00:01:15,809 --> 00:01:18,709
- DICK, WINK MARTINDALE
IS ONE THING.
13
00:01:20,447 --> 00:01:24,982
LORETTA DUPRIS MAKES HIM
LOOK LIKE SMALL POTATOES.
14
00:01:25,018 --> 00:01:26,418
- REALLY? WHO IS SHE?
15
00:01:26,453 --> 00:01:29,588
- SHE WAS ONLY THE STAR
OF "KINSEY CORNERS."
16
00:01:29,623 --> 00:01:32,958
SHE PLAYED MADISON WHITWORTH,
THE CRUEL VIXEN
17
00:01:32,993 --> 00:01:36,928
WHO VICTIMIZED EVERY MAN
IN DINSMORE COUNTY.
18
00:01:36,963 --> 00:01:39,097
- SOUNDS LIKE WE COULD ASK
FOR OUR MONEY UP FRONT.
19
00:01:40,868 --> 00:01:43,502
- THIS IS GOING
RIGHT IN MY SCRAPBOOK.
20
00:01:43,537 --> 00:01:46,304
- GEORGE,
THAT ISN'T HER AUTOGRAPH.
21
00:01:46,339 --> 00:01:47,305
I WROTE IT.
22
00:01:47,340 --> 00:01:48,940
- OH?
23
00:01:48,976 --> 00:01:51,242
WELL, MAYBE I'LL KEEP IT
TO REMEMBER YOU BY.
24
00:01:58,184 --> 00:01:59,517
- DICK, WHEN SOMEONE CANCELS,
25
00:01:59,553 --> 00:02:01,753
ALL YOU HAVE TO DO
IS CROSS IT OUT.
26
00:02:03,289 --> 00:02:05,890
- HONEY, GEORGE TOOK
LORETTA DUPRIS' NAME
27
00:02:05,926 --> 00:02:06,924
AS A MOMENTO.
28
00:02:06,960 --> 00:02:08,593
- LORETTA DUPRIS
IS COMING HERE?
29
00:02:08,629 --> 00:02:09,594
THAT HUSSY?
30
00:02:10,564 --> 00:02:12,130
- HONEY, I'M SURE
THAT'S THE PART SHE PLAYS
31
00:02:12,165 --> 00:02:13,231
ON THAT SERIES.
32
00:02:13,267 --> 00:02:15,499
- WELL, I HEAR THEY BASED
THE CHARACTER ON HER
33
00:02:15,535 --> 00:02:17,702
AND THEY HAD TO TONE IT DOWN
FOR TELEVISION.
34
00:02:21,441 --> 00:02:22,707
- HI, DICK.
35
00:02:24,578 --> 00:02:26,544
HERE'S THE BIO
ON THIS WEEK'S GUEST.
36
00:02:26,580 --> 00:02:28,813
I SHOULD HAVE AN EASY TIME
DIRECTING THIS SHOW.
37
00:02:28,848 --> 00:02:31,148
A 600-POUND MAN
ISN'T GOING ANYWHERE.
38
00:02:33,686 --> 00:02:35,653
- THANKS, J.J.
BUT YOU DIDN'T HAVE TO COME
39
00:02:35,688 --> 00:02:37,421
ALL THE WAY FROM THE STATION
WITH THIS.
40
00:02:37,457 --> 00:02:38,723
- JUST SEEMED LIKE
41
00:02:38,759 --> 00:02:41,326
THE NEIGHBORLY THING
TO DO, NEIGHBOR.
42
00:02:44,398 --> 00:02:45,930
- YOU LIVE IN THE NEXT COUNTY.
43
00:02:45,965 --> 00:02:48,099
- NOT ANYMORE, NEIGHBOR.
44
00:02:50,136 --> 00:02:51,869
- J.J., ARE YOU TRYING
TO TELL ME SOMETHING?
45
00:02:51,905 --> 00:02:54,538
- GET THAT OLD CUP OF SUGAR
READY.
46
00:02:54,574 --> 00:02:55,706
WE'RE NEIGHBORS.
47
00:02:57,877 --> 00:02:58,977
- GREAT.
48
00:03:00,814 --> 00:03:03,114
- I JUST BOUGHT THAT OLD PLACE
ON THE CORNER.
49
00:03:03,150 --> 00:03:04,515
- OH, THE ROCKINGHAM HOUSE,
50
00:03:04,550 --> 00:03:06,818
THAT'S ONE OF THE OLDEST
STRUCTURES IN TOWN.
51
00:03:06,853 --> 00:03:08,787
OH, I'M GLAD IT'S GONNA GET
THE CARE IT DESERVES.
52
00:03:08,822 --> 00:03:11,522
- DAMN RIGHT.
53
00:03:11,558 --> 00:03:12,623
I'M GONNA 'DOZE IT.
54
00:03:15,061 --> 00:03:16,026
- WHAT?
55
00:03:16,062 --> 00:03:17,762
- WELL, YOU DON'T EXPECT ME
TO LIVE IN IT?
56
00:03:17,797 --> 00:03:19,764
THAT PLACE MUST BE
100 YEARS OLD.
57
00:03:19,799 --> 00:03:21,199
- TRY 250.
58
00:03:21,234 --> 00:03:22,166
- WOW.
59
00:03:22,201 --> 00:03:24,368
THAT ROOF'S GONNA FALL
ON A LOT OF MEMORIES.
60
00:03:24,404 --> 00:03:25,737
HA.
61
00:03:25,772 --> 00:03:28,539
LUCKILY, THERE'S A GUEST HOUSE
I CAN STAY IN
62
00:03:28,574 --> 00:03:32,677
WHILE I PUT UP THIS BABY.
63
00:03:36,049 --> 00:03:37,414
- YOU'RE GONNA LIVE
IN A MUSHROOM?
64
00:03:38,417 --> 00:03:39,850
- IT'S A SATELLITE HOUSE, DICK.
65
00:03:39,886 --> 00:03:42,254
- J.J., THIS IS
A COLONIAL COMMUNITY.
66
00:03:42,289 --> 00:03:43,721
THIS IS THE TYPE OF HOUSES
67
00:03:43,757 --> 00:03:45,189
WHERE GEORGE WASHINGTON
WOULD HAVE SLEPT,
68
00:03:45,224 --> 00:03:47,492
NOT GEORGE JETSON.
69
00:03:50,063 --> 00:03:51,195
- FINE, DICK.
70
00:03:52,466 --> 00:03:55,032
THANKS FOR PARKING
THE WELCOME WAGON ON MY HEART.
71
00:03:57,170 --> 00:04:00,705
YOU MIGHT WANT TO BE A LITTLE
CAREFUL WALKING BY MY HOUSE.
72
00:04:00,740 --> 00:04:03,674
SOMETIMES THOSE WRECKING BALLS
SWING WIDE.
73
00:04:09,449 --> 00:04:11,415
- HELLO.
I'M LORETTA DUPRIS.
74
00:04:11,451 --> 00:04:12,750
I HAVE A RESERVATION.
75
00:04:12,785 --> 00:04:15,253
- OH, YES, YES,
WE'RE EXPECTING YOU.
76
00:04:16,256 --> 00:04:17,588
SIGN HERE, MISS VIXEN--
77
00:04:19,926 --> 00:04:21,793
DUPRIS.
78
00:04:21,828 --> 00:04:25,130
I'LL HAVE OUR HANDYMAN
HELP YOU WITH YOUR BAGS.
79
00:04:25,165 --> 00:04:26,397
( bell rings )
80
00:04:26,432 --> 00:04:27,465
- ROOM 7.
81
00:04:31,304 --> 00:04:33,304
- ALLOW ME, MISS DUPRIS.
82
00:04:35,775 --> 00:04:37,108
RIGHT THIS WAY.
83
00:04:38,111 --> 00:04:41,779
( music playing )
84
00:04:41,814 --> 00:04:43,081
- WELL, I PUT THE KIBOSH
85
00:04:43,116 --> 00:04:45,450
ON OUR NEW NEIGHBOR'S
RENOVATION PLANS.
86
00:04:45,485 --> 00:04:47,052
I TOLD THE LANDMARK COMMISSION.
87
00:04:47,087 --> 00:04:49,720
THEY'VE ISSUED AN INJUNCTION
TO STOP HIM FROM REPLACING
88
00:04:49,756 --> 00:04:52,790
AN HISTORICAL HOUSE
WITH SPACE STATION, J.J.
89
00:04:54,661 --> 00:04:55,626
- GOOD MORNING.
90
00:04:55,662 --> 00:04:56,728
- GOOD MORNING.
91
00:04:56,763 --> 00:04:58,129
( clearing throat )
92
00:04:59,733 --> 00:05:02,166
- OH, PLEASE,
YOU DON'T HAVE TO GET UP.
93
00:05:02,201 --> 00:05:03,701
- YES. YES, I DO.
94
00:05:04,771 --> 00:05:06,237
- PLEASE SIT, SIT.
95
00:05:06,272 --> 00:05:08,206
I JUST WANTED TO INVITE
ALL OF YOU
96
00:05:08,241 --> 00:05:10,909
TO BE MY GUESTS
FOR THE OPENING TONIGHT.
97
00:05:10,944 --> 00:05:12,744
- WELL, THANK YOU,
WE'D BE DELIGHTED.
98
00:05:12,779 --> 00:05:13,911
- IT'S THE LEAST I CAN DO
99
00:05:13,946 --> 00:05:16,081
AFTER ALL THE ATTENTION
YOU'VE BEEN GIVING ME.
100
00:05:16,116 --> 00:05:18,083
AND I ESPECIALLY LOVE
THE FRESH CUT FLOWERS
101
00:05:18,118 --> 00:05:21,219
IN MY ROOM EVERY MORNING.
102
00:05:21,254 --> 00:05:22,853
- FRESH CUT FLOWERS?
103
00:05:22,889 --> 00:05:24,956
- IT'S ALL PART
OF THE SERVICE.
104
00:05:26,059 --> 00:05:29,027
- HEY, WE DIDN'T GET
ANY FLOWERS THIS MORNING.
105
00:05:29,062 --> 00:05:31,262
- WE HAVE YOU SCHEDULED
FOR AFTERNOON FLOWERS.
106
00:05:33,399 --> 00:05:35,066
- PLEASE JOIN US FOR BREAKFAST.
107
00:05:35,102 --> 00:05:37,334
- NOBODY INVITED US
TO BREAKFAST.
108
00:05:37,370 --> 00:05:38,970
- YOU'RE GETTING FLOWERS, OKAY?
109
00:05:42,642 --> 00:05:45,009
- THANK YOU, BUT ALL I HAVE TIME
FOR IS A CUP OF COFFEE.
110
00:05:45,044 --> 00:05:47,078
- I'LL GET IT.
- OH, NO, I CAN.
111
00:05:51,418 --> 00:05:52,450
- HERE'S YOUR COFF O' CUPPEE.
112
00:05:55,422 --> 00:05:58,189
- GEORGE, YOU DON'T HAVE TO DO
EVERYTHING FOR ME.
113
00:05:58,224 --> 00:05:59,424
YOU MUST HAVE BEEN IN MY ROOM
114
00:05:59,459 --> 00:06:02,160
TEN TIMES IN THE LAST THREE DAYS
FIXING THINGS.
115
00:06:02,195 --> 00:06:04,896
- THEY WERE ALL
NECESSARY REPAIRS.
116
00:06:04,931 --> 00:06:06,864
- GEORGE, YOU FIXED MY SOAP.
117
00:06:08,334 --> 00:06:10,201
- HAS IT GIVEN YOU
ANY MORE TROUBLE?
118
00:06:11,371 --> 00:06:14,172
- WELL, I JUST WISH I HAD
SOMEONE AS CONSCIENTIOUS AS YOU
119
00:06:14,207 --> 00:06:15,640
AT THE THEATER.
- WHAT FOR?
120
00:06:15,675 --> 00:06:17,875
- WELL, THE FOG MACHINE
ISN'T WORKING.
121
00:06:17,910 --> 00:06:19,244
- I COULD TAKE A LOOK AT IT.
122
00:06:19,279 --> 00:06:20,612
- GREAT.
123
00:06:20,714 --> 00:06:24,182
WELL, WHILE YOU'RE AT IT, I--
OH NO, I SHOULDN'T ASK.
124
00:06:24,217 --> 00:06:25,916
THEN YOU'D HAVE TO BE THERE
EVERY NIGHT.
125
00:06:25,952 --> 00:06:29,320
- EVERY NIGHT, OH BOY, I MEAN,
I HAVE TO CHECK MY SCHEDULE.
126
00:06:29,356 --> 00:06:30,254
- OH, OKAY.
127
00:06:30,290 --> 00:06:32,156
WELL, I BETTER GET
TO THE THEATER.
128
00:06:33,460 --> 00:06:34,658
OH, BY THE WAY, JOANNA,
129
00:06:34,694 --> 00:06:36,994
I NEED A PAIR OF EARRINGS
FOR THE PLAY.
130
00:06:37,030 --> 00:06:38,963
IS THERE A GOOD
JEWELRY STORE IN TOWN?
131
00:06:38,998 --> 00:06:40,265
- I COULD BUY YOU SOME.
132
00:06:40,300 --> 00:06:42,834
I HAVE TO GO TO TOWN ANYWAY
TO PICK UP MOLE PELLETS.
133
00:06:44,837 --> 00:06:47,071
- GEORGE, I THINK I PROBABLY
HAVE SOME EARRINGS
134
00:06:47,106 --> 00:06:48,672
I CAN LEND MISS DUPRIS.
135
00:06:48,708 --> 00:06:49,974
- THANK YOU.
136
00:06:51,711 --> 00:06:54,345
- DICK, COULD I ASK YOU
SOMETHING?
137
00:06:54,380 --> 00:06:56,181
- SURE, GEORGE.
138
00:06:56,216 --> 00:07:00,184
- DO YOU THINK IT'S POSSIBLE
LORETTA LIKES ME?
139
00:07:00,219 --> 00:07:04,055
I MEAN, EITHER I'M CRAZY
OR SHE'S SENDING ME SIGNALS.
140
00:07:04,090 --> 00:07:05,089
WHAT DO YOU THINK?
141
00:07:06,226 --> 00:07:08,826
- THE ONLY OTHER CHOICE
IS CRAZY?
142
00:07:11,565 --> 00:07:13,931
- DICK, I CAN'T WORK ANYMORE.
143
00:07:13,966 --> 00:07:15,266
THE DRAIN IS FULL OF GUNK
144
00:07:15,301 --> 00:07:17,101
AND THERE IS A HOLE
IN MY RUBBER GLOVE.
145
00:07:18,905 --> 00:07:21,606
- STEPHANIE,
146
00:07:21,641 --> 00:07:24,175
WE HAVE OTHER RUBBER GLOVES.
147
00:07:24,210 --> 00:07:26,444
- I COULD MAKE A HOLE
IN THEM TOO.
148
00:07:28,581 --> 00:07:29,948
- STEPHANIE.
149
00:07:31,651 --> 00:07:32,650
( sighing )
150
00:07:35,922 --> 00:07:38,623
- SO GEORGE, WHAT KIND OF
SIGNALS IS LORETTA SENDING?
151
00:07:40,259 --> 00:07:43,394
- WELL, SHE INSISTED
I CALL HER LORETTA.
152
00:07:43,429 --> 00:07:45,596
- WELL, THAT'S HER NAME.
THAT DOESN'T MEAN ANYTHING.
153
00:07:45,632 --> 00:07:46,864
- DOES TOO.
154
00:07:46,899 --> 00:07:48,332
WHAT ELSE, GEORGE?
155
00:07:48,368 --> 00:07:51,135
- WELL, WHEN I POURED
THE COFFEE FOR HER JUST NOW,
156
00:07:51,171 --> 00:07:52,937
SHE PUT HER HAND ON MINE.
157
00:07:52,973 --> 00:07:54,038
- OOH!
158
00:07:57,043 --> 00:07:58,409
- THAT WAS JUST AN ACCIDENT.
159
00:07:58,445 --> 00:08:01,379
YOU WERE BOTH REACHING
FOR THE POT AT THE SAME TIME.
160
00:08:01,414 --> 00:08:04,215
- DICK, DICK, DICK.
161
00:08:04,250 --> 00:08:05,883
DID IT GO LIKE THIS?
162
00:08:05,918 --> 00:08:07,485
"NO, NO, I CAN--"
163
00:08:10,490 --> 00:08:12,022
- YEAH, IT WAS
SOMETHING LIKE THAT.
164
00:08:12,058 --> 00:08:14,325
MAYBE A LITTLE SMOOTHER.
165
00:08:14,360 --> 00:08:15,759
- THIS WOMAN IS GOOD.
166
00:08:17,897 --> 00:08:19,430
- WHAT DO YOU MAKE OF ALL THAT?
167
00:08:19,465 --> 00:08:21,132
- SHE OBVIOUSLY WANTS YOU.
168
00:08:21,167 --> 00:08:23,568
ONLY A FOOL COULD
MISREAD THOSE SIGNALS.
169
00:08:24,571 --> 00:08:28,038
- STEPHANIE, SEE IF YOU CAN
PICK UP THIS SIGNAL.
170
00:08:28,074 --> 00:08:29,407
CLEAN THE DRAIN.
171
00:08:30,743 --> 00:08:32,376
- OH, POOH.
172
00:08:34,547 --> 00:08:36,213
- SO, WHAT ABOUT IT, DICK?
173
00:08:36,248 --> 00:08:38,549
DO YOU THINK LORETTA LIKES ME?
174
00:08:38,585 --> 00:08:42,519
- WELL, I, UH, YOU KNOW,
I CAN'T DENY THAT IT'S, UH,
175
00:08:42,555 --> 00:08:45,256
STARTING TO LOOK THAT, UH,
176
00:08:45,291 --> 00:08:51,295
WITHIN THE REALM
OF POSSIBILITY THAT,
177
00:08:51,330 --> 00:08:53,131
UM, MAYBE SHE MIGHT.
178
00:08:54,800 --> 00:08:56,868
- OH, DON'T HAND ME THAT.
179
00:08:57,904 --> 00:09:01,272
WHAT WOULD A WOMAN LIKE THAT
SEE IN A GUY LIKE ME?
180
00:09:01,307 --> 00:09:03,875
YOU ASK A PAL
FOR A LITTLE HONEST ADVICE
181
00:09:03,910 --> 00:09:06,510
AND HE BLOWS SUNSHINE
UP YOUR OVERALLS.
182
00:09:10,483 --> 00:09:13,051
- WHAT WAS THAT ALL ABOUT?
183
00:09:13,086 --> 00:09:15,719
- GEORGE THINKS LORETTA'S
INTERESTED IN HIM.
184
00:09:15,755 --> 00:09:17,821
- WELL, I HOPE NOT.
185
00:09:17,857 --> 00:09:21,292
THAT WOMAN GOES THROUGH MEN
LIKE A THRESHER THROUGH WHEAT.
186
00:09:21,327 --> 00:09:23,060
- HONEY, YOU CAN'T GO
BY HEARSAY.
187
00:09:23,096 --> 00:09:26,096
- I'M NOT, I READ IT ON THE
FRONT PAGE OF A NEWSPAPER,
188
00:09:28,100 --> 00:09:31,802
WHILE I WAS IN THE EXPRESS LINE
AT THE SUPERMARKET.
189
00:09:31,837 --> 00:09:33,371
- WELL, DESPITE YOUR
DOCUMENTATION,
190
00:09:33,406 --> 00:09:36,006
I THINK THAT STUFF ABOUT
WOMEN BEING ABLE TO TWIST MEN
191
00:09:36,042 --> 00:09:38,075
AROUND THEIR LITTLE FINGER
IS A LOT OF HOOEY.
192
00:09:39,512 --> 00:09:40,577
- HI, MICHAEL,
WHAT ARE YOU DOING HERE?
193
00:09:40,613 --> 00:09:42,046
- HI. NO TIME TO TALK,
STEPH PHONED.
194
00:09:42,081 --> 00:09:43,547
SHE'S GOT A GLOP CRISIS ON.
195
00:09:43,582 --> 00:09:45,449
GOT TO GET IN THERE,
CLEAN THE DRAIN FOR HER.
196
00:09:47,520 --> 00:09:50,855
( music playing )
197
00:09:54,493 --> 00:09:56,794
- HI, LORETTA.
- HI, GEORGE--
198
00:09:56,829 --> 00:09:59,397
OH, IS THE FOG MACHINE FIXED?
199
00:09:59,432 --> 00:10:01,465
- GET READY TO FEEL BRITISH.
200
00:10:04,670 --> 00:10:06,970
- OH-OH-HOH.
201
00:10:07,006 --> 00:10:08,272
OHH!
202
00:10:09,409 --> 00:10:10,808
- I WOULD HAVE SHOWN IT
TO YOU SOONER
203
00:10:10,844 --> 00:10:12,076
BUT I LOST IT IN THE FOG.
204
00:10:12,111 --> 00:10:13,511
( laughing )
205
00:10:14,680 --> 00:10:20,150
- OH, IT'S KIND OF ROMANTIC,
ISN'T IT?
206
00:10:20,186 --> 00:10:21,352
- YEAH.
207
00:10:23,523 --> 00:10:25,255
- HALF HOUR TO CURTAIN,
MISS DUPRIS.
208
00:10:25,291 --> 00:10:26,424
BREAK A LEG.
209
00:10:27,560 --> 00:10:30,461
- WHOA! I HEARD SHOW BUSINESS
WAS DOG EAT DOG.
210
00:10:31,464 --> 00:10:32,930
- NO, GEORGE,
IN THE THEATER,
211
00:10:32,965 --> 00:10:35,132
IT'S BAD LUCK
TO WISH SOMEBODY GOOD LUCK
212
00:10:35,167 --> 00:10:37,802
SO INSTEAD YOU WISH
SOMETHING BAD TO HAPPEN TO THEM.
213
00:10:37,837 --> 00:10:41,105
- OH, WELL, PUT AN EYE OUT.
214
00:10:43,910 --> 00:10:45,476
- THANK YOU.
215
00:10:45,511 --> 00:10:48,145
GEORGE,
WOULD YOU DO ME A FAVOR?
216
00:10:48,180 --> 00:10:51,081
THERE'S A SCENE IN THE THIRD ACT
I CAN'T QUITE MEMORIZE.
217
00:10:51,117 --> 00:10:52,483
WOULD YOU GO OVER IT WITH ME?
218
00:10:52,518 --> 00:10:54,151
- GEEZ, I DON'T KNOW.
219
00:10:54,186 --> 00:10:56,186
THE ONLY TIME I EVER ACTED
220
00:10:56,222 --> 00:11:00,057
WAS WHEN I PLAYED A MOLAR
IN A HYGIENE PAGEANT.
221
00:11:01,127 --> 00:11:03,061
- GOOD, YOU'VE HAD EXPERIENCE.
222
00:11:03,096 --> 00:11:06,230
NOW, THIS IS GOING TO BE
THE SHIPBOARD SCENE.
223
00:11:06,266 --> 00:11:08,866
LET'S USE THIS
AS THE RAILING.
224
00:11:11,337 --> 00:11:12,703
TAKE IT FROM RIGHT THERE.
225
00:11:15,441 --> 00:11:19,610
- I'M AFRAID OUR ATLANTIC
CROSSING IS ALMOST OVER.
226
00:11:19,645 --> 00:11:24,748
- TOMORROW, I'LL BE BACK
WITH EDWARD IN SURREY.
227
00:11:24,784 --> 00:11:27,985
- AND I'LL BE AT MY CLUB
IN THE STRAND,
228
00:11:28,020 --> 00:11:31,422
TRYING TO MEND A BROKEN HEART
WITH WHISKEY AND SODA.
229
00:11:34,393 --> 00:11:36,660
- I SHAN'T FORGET YOU, BASIL.
230
00:11:36,695 --> 00:11:37,895
- NOR I YOU.
231
00:11:42,101 --> 00:11:43,567
- ISN'T THERE MORE, GEORGE?
232
00:11:43,603 --> 00:11:45,436
- IT SAYS "THEY KISS."
233
00:11:51,610 --> 00:11:53,877
- ARE WE STILL REHEARSING?
234
00:11:53,913 --> 00:11:55,112
- YES,
235
00:11:56,916 --> 00:11:58,482
FOR THIS.
236
00:12:12,731 --> 00:12:15,699
( music playing )
237
00:12:18,704 --> 00:12:20,504
- I JUST DON'T KNOW
HOW YOU CAN STAY SO CALM
238
00:12:20,540 --> 00:12:23,007
AFTER WHAT WE SAW
WITH GEORGE AND LORETTA.
239
00:12:23,042 --> 00:12:24,675
- WELL, WE KNOW WHAT WE SAW.
240
00:12:24,710 --> 00:12:27,211
IT WAS DARK, IT WAS FOGGY.
241
00:12:28,380 --> 00:12:31,682
- WELL, WHAT I SAW
LOOKED PRETTY GOOD TO ME.
242
00:12:31,718 --> 00:12:33,350
WHAT SAY WE RENT
ONE OF THOSE FOG MACHINES
243
00:12:33,386 --> 00:12:34,618
FOR TOMORROW NIGHT?
244
00:12:34,653 --> 00:12:36,620
- WHOO, WE COULD DO
THE AIRPORT SCENE
245
00:12:36,655 --> 00:12:38,155
FROM "CASABLANCA."
246
00:12:38,191 --> 00:12:40,024
- HERE'S LOOKING AT YOU,
CUPCAKE.
247
00:12:40,059 --> 00:12:41,859
( giggling )
248
00:12:46,165 --> 00:12:48,098
- HONEY, WE HAVE TO DO
SOMETHING ABOUT GEORGE.
249
00:12:48,134 --> 00:12:49,600
HE SHOULDN'T GET INVOLVED
WITH A WOMAN LIKE THAT.
250
00:12:49,635 --> 00:12:51,302
SHE USES MEN.
251
00:12:51,337 --> 00:12:54,372
- YOU'RE RIGHT. SHE'LL TAKE HIM
FOR EVERY POWER TOOL HE'S GOT.
252
00:12:55,975 --> 00:12:57,508
- YOU KNOW WHAT I MEAN.
253
00:12:57,543 --> 00:12:58,542
SHE'LL HAVE A FEW LAUGHS,
254
00:12:58,577 --> 00:13:00,077
GET SOME FREE WORK DONE
AT THE THEATER
255
00:13:00,113 --> 00:13:02,780
AND GEORGE WILL MISTAKE
THAT FOR LOVE.
256
00:13:02,815 --> 00:13:04,581
WHEN SHE MOVES ON,
HE'LL HAVE A BROKEN HEART
257
00:13:04,617 --> 00:13:07,051
AND SHE'LL HAVE
A FOG MACHINE THAT WORKS.
258
00:13:07,086 --> 00:13:09,619
WE HAVE TO DO SOMETHING.
259
00:13:09,655 --> 00:13:11,455
- WHAT DO WE DO?
- YOU TALK TO HIM.
260
00:13:13,326 --> 00:13:14,724
- OKAY, WE'LL DO IT.
261
00:13:18,798 --> 00:13:19,997
- NO PROBLEM.
262
00:13:20,032 --> 00:13:22,966
I'LL HAVE THAT WIND MACHINE
FIXED FIRST THING TOMORROW.
263
00:13:23,002 --> 00:13:24,268
- OH, THANKS, GEORGE.
264
00:13:24,304 --> 00:13:26,069
THE PLAY IS SO MUCH BETTER
265
00:13:26,105 --> 00:13:28,539
WHEN THE FURNITURE
ISN'T BLOWN INTO THE AUDIENCE.
266
00:13:29,909 --> 00:13:31,342
OH, HELLO.
267
00:13:31,377 --> 00:13:33,644
- WE REALLY ENJOYED
YOUR PERFORMANCE TONIGHT.
268
00:13:33,680 --> 00:13:35,812
- THANK YOU.
269
00:13:35,848 --> 00:13:39,350
- WELL, GOOD NIGHT.
270
00:13:39,385 --> 00:13:40,484
- GOOD NIGHT.
271
00:13:42,321 --> 00:13:43,387
FOR NOW.
272
00:13:51,330 --> 00:13:53,631
- 'NIGHT, DICK, JOANNA.
273
00:13:53,666 --> 00:13:59,269
- GEORGE, I HAVE TO TALK TO YOU
ABOUT YOU AND LORETTA.
274
00:13:59,304 --> 00:14:01,271
- AND I HAVE TO LEAVE.
275
00:14:03,408 --> 00:14:07,177
- DICK, IS THIS GONNA BE
ONE OF THOSE FATHER/SON TALKS?
276
00:14:08,914 --> 00:14:10,780
- GEORGE, YOUR PERSONAL LIFE
IS YOUR OWN.
277
00:14:10,816 --> 00:14:12,883
I WOULDN'T DREAM OF TELLING YOU
WHAT TO DO.
278
00:14:12,918 --> 00:14:14,618
JUST, DUMP LORETTA.
279
00:14:16,089 --> 00:14:17,688
- I DON'T UNDERSTAND.
280
00:14:17,724 --> 00:14:21,292
- GEORGE, YOU KNOW
HER REPUTATION WITH MEN.
281
00:14:21,327 --> 00:14:23,794
I MEAN, ARE YOU ABSOLUTELY SURE
SHE ISN'T JUST USING YOU
282
00:14:23,830 --> 00:14:26,697
FOR FREE HELP
AT THE THEATER?
283
00:14:26,732 --> 00:14:29,500
- NOW, JUST HOLD ON THERE, DICK.
284
00:14:29,535 --> 00:14:33,504
LORETTA IS A WONDERFUL,
GIVING PERSON.
285
00:14:33,539 --> 00:14:37,041
SHE WAS KIND ENOUGH TO LET ME
FIX HER FOG MACHINE.
286
00:14:38,010 --> 00:14:41,278
BUT THERE'S MORE TO
OUR RELATIONSHIP THAN THAT.
287
00:14:41,314 --> 00:14:42,913
I'M GONNA FIX HER WIND MACHINE.
288
00:14:43,849 --> 00:14:46,650
WELL, WHY SHOULDN'T
SHE BE INTERESTED IN ME?
289
00:14:46,685 --> 00:14:49,786
OKAY, SO MAYBE I'M NOT RICH,
MAYBE I'M NOT HANDSOME,
290
00:14:49,822 --> 00:14:51,555
MAYBE I'M NOT SOPHISTICATED.
291
00:14:51,590 --> 00:14:53,690
OH, GEE, SHE IS USING ME.
292
00:14:55,594 --> 00:14:58,528
( music playing )
293
00:15:02,134 --> 00:15:03,467
( knocking on door )
294
00:15:03,502 --> 00:15:05,269
- COME IN.
295
00:15:05,304 --> 00:15:06,437
- HI.
296
00:15:07,440 --> 00:15:09,139
SORRY I TOOK SO LONG.
297
00:15:14,713 --> 00:15:16,480
- SO, THIS IS YOUR ROOM.
298
00:15:19,185 --> 00:15:21,618
IT'S JUST AS I IMAGINED.
299
00:15:21,653 --> 00:15:23,220
- WELL, YOU WERE WRONG.
300
00:15:23,256 --> 00:15:24,922
THIS IS USUALLY OVER HERE.
301
00:15:30,363 --> 00:15:31,828
- MAY I SIT DOWN?
302
00:15:31,864 --> 00:15:34,164
- SURE, THERE'S
A REAL COMFORTABLE CHAIR
303
00:15:34,200 --> 00:15:35,966
BACK IN THE LOBBY.
304
00:15:36,001 --> 00:15:38,502
- I THOUGHT
YOU WANTED ME HERE.
305
00:15:38,537 --> 00:15:41,605
- WELL, I DID, BUT TONIGHT
ISN'T GONNA WORK OUT.
306
00:15:41,640 --> 00:15:45,476
I NEED TO FIX MY STOVE.
307
00:15:45,511 --> 00:15:46,477
- WHAT'S WRONG WITH IT?
308
00:15:46,512 --> 00:15:49,980
- WELL, IT GETS REAL HOT.
309
00:15:51,350 --> 00:15:52,549
- ISN'T IT SUPPOSED TO?
310
00:15:52,585 --> 00:15:54,851
- WHO DIED
AND MADE YOU HANDYMAN?
311
00:15:56,856 --> 00:15:59,889
- ANYWAY, I HAVE
LOTS OF OTHER THINGS TO DO.
312
00:15:59,925 --> 00:16:03,393
I HAVE TO WASH MY FEET.
313
00:16:05,131 --> 00:16:06,430
- GEORGE, WHAT'S WRONG?
314
00:16:06,465 --> 00:16:08,531
- NOTHING.
FEET GET DIRTY, THAT'S LIFE.
315
00:16:08,567 --> 00:16:09,700
IF YOU CAN'T LIVE WITH IT,
316
00:16:09,735 --> 00:16:12,770
MAYBE WE SHOULDN'T
SEE EACH OTHER.
317
00:16:12,805 --> 00:16:14,371
- WHY ARE YOU DOING THIS?
318
00:16:15,808 --> 00:16:19,310
I THOUGHT I FELT SOMETHING
SPECIAL HAPPENING BETWEEN US.
319
00:16:19,345 --> 00:16:25,849
- NO, I WAS JUST USING YOU
TO GET CLOSE TO THE FOG MACHINE.
320
00:16:25,884 --> 00:16:27,083
- I SEE.
321
00:16:29,455 --> 00:16:31,388
IF THAT'S THE WAY YOU FEEL.
322
00:16:42,301 --> 00:16:45,436
( music playing )
323
00:16:53,645 --> 00:16:58,682
- OH, MISS DUPRIS, I WAS JUST
ABOUT TO PUT OUT THE FIRE.
324
00:16:58,717 --> 00:16:59,716
( crying )
325
00:17:02,988 --> 00:17:05,823
- BUT, YOU KNOW, IF YOU FEEL
THAT STRONGLY ABOUT IT--
326
00:17:09,061 --> 00:17:11,628
- I'M SORRY IT'S JUST THAT,
327
00:17:11,663 --> 00:17:16,733
OH, I THOUGHT
HE WAS SO DIFFERENT.
328
00:17:16,768 --> 00:17:21,338
HE SEEMED SO GENUINE,
SO VULNERABLE.
329
00:17:23,676 --> 00:17:25,209
- YOU REALLY LIKE GEORGE?
330
00:17:25,244 --> 00:17:28,379
- HE'S WONDERFUL.
331
00:17:28,414 --> 00:17:29,980
YOU DON'T KNOW
HOW MANY JERKS
332
00:17:30,016 --> 00:17:32,382
A WOMAN LIKE ME
HAS TO PUT UP WITH
333
00:17:32,418 --> 00:17:36,487
BEFORE SHE MEETS
A MAN LIKE THAT.
334
00:17:36,522 --> 00:17:38,522
- YOU REALLY LIKE GEORGE?
335
00:17:39,592 --> 00:17:40,824
- ARE YOU KIDDING?
336
00:17:40,859 --> 00:17:44,295
I'VE BEEN SENDING OUT SIGNALS
ALL OVER THE PLACE.
337
00:17:44,330 --> 00:17:47,097
- YEAH, I PICKED UP ON THAT.
338
00:17:49,234 --> 00:17:52,502
- I JUST CAN'T UNDERSTAND
WHY HE SUDDENLY TURNED SO COLD.
339
00:17:54,072 --> 00:17:58,441
- WELL, MAYBE HE FEELS THAT,
YOU KNOW, YOU'VE BEEN USING HIM,
340
00:17:58,477 --> 00:18:01,178
YOU'VE JUST BEEN PRETENDING
TO LIKE HIM
341
00:18:01,213 --> 00:18:06,183
TO GET HIM TO DO THINGS
AT THE THEATER.
342
00:18:06,218 --> 00:18:09,386
YOU KNOW, I'M ONLY GUESSING.
343
00:18:12,157 --> 00:18:14,224
- WHERE WOULD HE GET
AN IDEA LIKE THAT?
344
00:18:16,895 --> 00:18:20,464
- WELL, MAYBE HE HAS SOME
STUPID FRIENDS,
345
00:18:22,334 --> 00:18:24,535
YOU KNOW,
WHO'VE HEARD THOSE STORIES
346
00:18:24,537 --> 00:18:27,804
ABOUT ALL THE MEN
YOU'VE CHEWED UP
347
00:18:29,141 --> 00:18:34,244
LIKE A GIANT GARBAGE DISPOSAL
OF LOVE.
348
00:18:34,279 --> 00:18:36,946
- OH, THAT DAMN MURRAY.
349
00:18:38,984 --> 00:18:40,083
- WHO?
- MURRAY,
350
00:18:40,086 --> 00:18:41,552
MY PRESS AGENT.
351
00:18:41,587 --> 00:18:44,020
HE CREATED
THAT EVIL VIXEN IMAGE.
352
00:18:44,056 --> 00:18:46,256
HE THOUGHT IT WOULD BE GOOD
FOR MY CAREER.
353
00:18:48,327 --> 00:18:53,930
- SO ALL OF THIS IS
DAMN MURRAY'S FAULT.
354
00:18:55,200 --> 00:18:58,235
- OH, THAT STUFF
NEVER BOTHERED GEORGE.
355
00:19:00,773 --> 00:19:03,073
THOSE FRIENDS
YOU WERE TALKING ABOUT,
356
00:19:03,109 --> 00:19:06,243
THEY MUST HAVE
POISONED HIS MIND.
357
00:19:06,278 --> 00:19:10,247
BUT WHO WOULD DO SOMETHING
THAT LOW, THAT INSENSITIVE,
358
00:19:10,282 --> 00:19:12,249
THAT STUPID?
359
00:19:14,186 --> 00:19:16,553
- THAT WOULD BE ME.
360
00:19:20,259 --> 00:19:21,224
- YOU?
361
00:19:21,260 --> 00:19:23,327
- I DIDN'T WANT TO SEE
GEORGE GET HURT
362
00:19:23,362 --> 00:19:26,162
SO I GAVE HIM
SOME MISINFORMATION
363
00:19:26,198 --> 00:19:28,865
AND RIPPED HIS HEART OUT.
364
00:19:30,536 --> 00:19:33,236
THAT'S NOT TO UNDERESTIMATE,
YOU KNOW,
365
00:19:33,272 --> 00:19:35,139
MURRAY'S ROLE IN ALL OF THIS.
366
00:19:37,943 --> 00:19:40,243
BUT I THINK
GEORGE REALLY LIKES YOU
367
00:19:40,279 --> 00:19:43,547
AND IT WOULDN'T TAKE MUCH
TO UNDO THE DAMAGE
368
00:19:43,582 --> 00:19:47,450
THAT, YOU KNOW,
MURRAY AND I HAVE DONE.
369
00:19:48,587 --> 00:19:51,821
- WELL, I GUESS YOU WERE
TRYING TO DO THE RIGHT THING.
370
00:19:51,857 --> 00:19:57,060
I'M SORRY I SAID
YOU WERE LOW AND INSENSITIVE.
371
00:19:57,095 --> 00:20:00,164
YOU'LL UNDERSTAND
IF I DON'T TAKE BACK "STUPID."
372
00:20:09,608 --> 00:20:10,740
- HI, DICK.
373
00:20:12,278 --> 00:20:15,045
I KNOW IT'S LATE
BUT I SAW THE LIGHT ON.
374
00:20:15,080 --> 00:20:19,082
- YOU KNOW,
IT'S ABOUT TO GO OFF.
375
00:20:19,117 --> 00:20:20,450
- AS LONG AS
WE'RE GONNA BE NEIGHBORS,
376
00:20:20,486 --> 00:20:22,019
YOU SHOULD KNOW THIS ABOUT ME.
377
00:20:22,054 --> 00:20:24,722
I'M LIABLE TO STOP BY
ANY HOUR, DAY OR NIGHT,
378
00:20:24,757 --> 00:20:27,157
TO TALK ABOUT MY PROBLEMS.
379
00:20:27,192 --> 00:20:30,227
WE'RE GONNA CHRISTEN
THIS RELATIONSHIP WITH A BEAUT.
380
00:20:30,229 --> 00:20:31,394
- LOOK, J.J.--
381
00:20:31,429 --> 00:20:34,230
- SOME BIG MOUTH BLABBED
TO THE LANDMARK COMMISSION
382
00:20:34,266 --> 00:20:35,465
ABOUT MY SATELLITE HOUSE
383
00:20:35,500 --> 00:20:36,867
AND THEY SLAPPED ME
WITH AN INJUNCTION
384
00:20:36,902 --> 00:20:39,002
AGAINST 'DOZING THE OLD ONE.
385
00:20:39,038 --> 00:20:40,370
I'M GONNA HAVE TO LIVE
386
00:20:40,406 --> 00:20:43,974
IN THAT 200-YEAR-OLD
PILE OF MATCHSTICKS.
387
00:20:45,444 --> 00:20:47,244
WHO DID IT?
388
00:20:47,279 --> 00:20:50,047
DICK, WHO WOULD DO A LOW,
389
00:20:50,082 --> 00:20:52,882
INSENSITIVE,
STUPID THING LIKE THAT?
390
00:20:54,920 --> 00:20:57,187
- THAT WOULD BE MURRAY.
391
00:21:01,860 --> 00:21:04,862
( music playing )
392
00:21:06,198 --> 00:21:07,764
( knocking on door )
393
00:21:07,800 --> 00:21:09,833
Loretta:
GEORGE, IT'S ME.
394
00:21:09,868 --> 00:21:10,900
CAN WE TALK?
395
00:21:10,936 --> 00:21:12,102
- GO AHEAD.
396
00:21:14,373 --> 00:21:15,572
Loretta:
CAN I COME IN?
397
00:21:23,549 --> 00:21:27,784
- GEORGE, I DON'T WANT YOU
TO RUN THE FOG MACHINE ANYMORE.
398
00:21:27,820 --> 00:21:29,519
- YOU DON'T?
- AS A MATTER OF FACT,
399
00:21:29,555 --> 00:21:32,355
I DON'T CARE IF YOU DO ANYTHING
AT THE THEATER FOR ME.
400
00:21:32,391 --> 00:21:33,290
- REALLY?
401
00:21:33,325 --> 00:21:35,626
- I ONLY WANT ONE THING
FROM YOU.
402
00:21:35,661 --> 00:21:37,294
- WHAT?
403
00:21:37,329 --> 00:21:40,831
- WOULD YOU HELP ME RUN
THE LINES IN THAT SCENE AGAIN?
404
00:21:40,866 --> 00:21:43,199
- GEE, I DON'T HAVE THE SCRIPT.
405
00:21:43,234 --> 00:21:47,504
- THAT'S OKAY.
I REMEMBER HOW IT ENDS.
406
00:21:50,209 --> 00:21:53,209
( music playing )
407
00:22:08,961 --> 00:22:11,762
- GEORGE, ANOTHER LETTER
FROM LORETTA?
408
00:22:13,298 --> 00:22:15,032
- WHAT DOES SHE HAVE TO SAY?
409
00:22:15,067 --> 00:22:18,735
- SHE'S PLAYING
IN RICHMOND, VIRGINIA.
410
00:22:18,771 --> 00:22:23,540
I GUESS I BETTER SKIP THAT PART,
IT'S KIND OF PERSONAL.
411
00:22:23,575 --> 00:22:25,508
THEN SHE SAYS--
412
00:22:25,544 --> 00:22:27,077
NO...
413
00:22:29,414 --> 00:22:33,784
MAYBE I SHOULD SKIP
THAT PART TOO.
414
00:22:33,819 --> 00:22:35,752
I'M GONNA SKIP THAT PART.
415
00:22:38,657 --> 00:22:40,223
SHE'S IN RICHMOND, VIRGINIA.
416
00:22:49,134 --> 00:22:52,135
( theme music playing )
417
00:23:18,263 --> 00:23:19,329
- MEOW!
29827
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