All language subtitles for Man On a Tightrope (1953) (Elia Kazan) 1080p BRRip x264-Classics ENG

- Move those trucks off the road.
- Get them off the road!

Move them off the road!

What's the matter?

- Come on. Get off.
- What's happening here?

Get off!

Move them! Move, move, move!

- Come on. Move them! Let's go!
- KONRADIN: Cernik! Cernik!

The tractor's off the
road. It's in the ditch.

Get off the road.

My name's Karel Cernik. I'm
the manager of this circus.

I have a permit to travel.

Get your wagons in the
ditch. Do as you're told.

That's it.

Get it off the road.

Change your expression. Smile.

Or they'll know what you're thinking.

Mr. Cernik.

Mr. Cernik.

Look at that. Rear axle
on that trailer's broken.

- KONRADIN: Guys, come on.
- Again?

- Vosdek.
- Vosdek!

Joe, my father wants you.

Be right with you, sir.

- Here. I'll finish.
- No. It's finished.

Check it, will you,
please? Check your knots.

- The rear axle on my trailer.
- Again?

Again.

Call all the men in the
circus by their first names?

If I know them well enough. Yes. Why?

I don't like it.

- You're my daughter, Tereza.
- I work in this circus, too.

- I earn what I'm paid. I'll do as I please.
- You are my daughter.

That young man is a stranger to us.

He's been with the
circus for nearly a year.

He's still a stranger.

Do you know anything about him? Where
he came from? Who are his people?

I know that I like him,
I like to be with him,

and I will be with him
just as much as I want.

You will have nothing to do
with Vosdek outside of your work.

What's that bandage on Maria?

It's nothing. When we stopped suddenly,
she got kicked. She'll be all right.

I wish we could take
better care of you, baby.

MAN: Coming through.

Rotten. Rotten.

If that had happened in a performance,
somebody would have broken his neck.

Everything's rotten.

You're right.
Everything's falling apart.

Father, I'm sorry that I flared up.

But you don't need to
be worried about Joe.

He's a good man. He's decent.

He's clean and...

I'm not worrying about him.

About you, my darling.

Isn't your fault that you're
as ignorant as a child.

You haven't anyone to teach you.

No mother, no school, except the circus.

No one but me.

I've had no time.

Come on. Come on.

We didn't stop here just
to smoke. Get moving!

Come on, Max! Get up!

We have a performance
in Volary tomorrow.

We entertain the people.

Get this circus back on
the road. Come on, Max.

Get moving! Get this circus on the road!

Hurry up back there!

Hurry, hurry, hurry, hurry, hurry.

Hurry, hurry, hurry.
Hurry, hurry, hurry, hurry.

Hurry. Hurry.

Jaromir.

- Police are in the house.
- What?

- Police.
- Private or secret?

- Secret.
- Where?

- You sure?
- Yes.

Come on.

I really frightened
them that time, didn't I?

- The police are here.
- Police? Where?

Enough!

Wait! What are you doing?

Police are here.

Since when is
it a crime to listen to music?

If you don't mind my asking, what
are you trying to do with that chalk?

Everybody around here complains
because I don't work with the circus.

They say I'm just a
piece of excess baggage.

- So, I'm working up an act.
- Oh, I see.

A man in Carlsbad once told me I had
the most beautiful toes in the world.

Yeah, I know.

I was that man in Carlsbad.

We didn't have so many other
things to worry about in those days.

- Yeah. -
Good-bye.

Be careful. What are you doing there?

The canvas is rotten!
I didn't pull hard!

Don't you ever talk
to Mr. Cernik that way!

- Who's that? New man?
- He's the best I could get. He's stupid.

All of our canvas is going.

Where's Placek? He's
supposed to be watching that.

- He's gone.
- Where?

Guess they found out he was a good man.

They transferred him to
work in a factory in Klatovy.

I see.

Maybe you'll be the next one they take.

Come on with those poles!

I hope not, Mr. Cernik. My
whole life is in this circus.

Yeah. I know that. We
couldn't get along without you.

Took you long enough to get here.

Come on with my beer! Come on!

Mother Cernik, excuse me.
What did the police want?

I don't know. They
didn't talk to anyone.

They came and they looked at us.

Then they went...
Without a word.

They suspect something.

I wouldn't worry if they'd
asked a question or two.

- This silence...
- MAN: Everybody outside. Move!

- It's coming down.
- Yeah.

Ready!

ALL: Ho!

Pull!

You love your flowers,
don't you, Mrs. Cernik?

Oh, yes. They're beautiful.
I love to work in my garden.

- It's good coffee.
- I don't make it. My husband's the cook.

- Oh! What's that?
- Police.

Oh!

Move those poles!

They're not gonna move
themselves! Let's go!

- Come on, you people!
- Are you the manager of this circus?

No, sir. He's over by the horse tent.

- KONRADIN: Baby, come on. Dance.
- Get out.

One, two. Dance. Tereza,
make him lift his left foot.

TEREZA: Come on.

- You are Karel Cernik?
- Yes.

- You are to come with me.
- I'm arrested?

You will be taken to SNB
Headquarters in Plzen for questioning.

What time is it?

Will I be able to return in time
for the performance this evening?

Perhaps. If your
answers are satisfactory.

May I be permitted to put
my coat on and necktie?

- Do it quickly.
- Excuse me.

What's the trouble now?

I don't know. They're
taking me to Plzen.

- Have they accused you of anything?
- They didn't tell me.

Did it ever occur to you
to stand up for your rights?

I haven't
any rights. Nobody has.

- When will you be back?
- They won't keep me long.

It's only the usual routine.

You know, one of these
days, you may walk in here

and find I've packed
my suitcase and left.

You think I couldn't get
along on my own, don't you?

What? I didn't say anything.

You look very nice.

Nice. Don't lie to me.

No, no. If I don't get back in time for
the performance, you know what to do.

I know, Karel.

Just keep an eye on
everything, will you?

Watch her. You think she cares?

The minute he's out of sight,
she'll head for the lions' cage.

What do you expect?
She's not of the circus.

I love you more than you'll ever know.

Always practicing your
tricks, aren't you?

It's a pity you can't
learn to do something.

I know a few tricks, too.

No, women are not like angels.

Don't place them so high above.

Remember, no matter what I
do, my heart belongs to you.

Now, come, come, Pasha.
You're showing no life.

We must have life in the act.

Yes. We must have zest.
Otherwise, the people go to sleep.

They want you to
frighten them. Understand?

Oh, I know, poor fellow.

It isn't easy to show life when
all we can feed you is slops.

Mash made of sawdust
for the king of beasts.

But the show must go
on. So come on, Pasha.

Come on. We must have
discipline. Show your teeth.

Claw at me. Ah! Come on. Ah,
come on, Pasha! Come on! Come on!

Can't you see I'm busy at the moment?

Why don't you let Pasha have a rest?

I'm an artist, madam.
I'm never satisfied.

- Cernik's going to Plzen.
- I told you I was busy.

I have plenty of time.

Everybody's watching.

Come on, Pasha! Strike at me!
Tear me to pieces! Come on, Pasha!

Strike me. Strike at me.

JOE: That
day you say you're mine

For all of

All of time

Some lovely...

- Karel Cernik.
- Karel Cernik.

You are the owner of the Circus Cernik?

No, sir.

Bears your name.

Yes, sir. I used to own it
and my father before me, but...

What happened?

1948, when the people's Democratic
Republic of Czechoslovakia

won the victory over fascist
imperialism, my circus was nationalized,

became the property of the
state, like everything else.

I was permitted to remain as manager.

You have various members of your
family with you in this circus.

- Yes, sir. My wife and my daughter.
- Your second wife.

Yes, sir. My first wife died. She
was the mother of my child, Tereza.

You and your family form a
little clique within the circus.

I don't know what you mean, sir.

You have private
meetings, late at night.

Of course. We get together.

That's the way with
all families, isn't it?

Your circus appears to be very
cosmopolitan in its personnel.

- "Cosmopolitan"?
- International.

You have many foreigners on your rolls.

French woman, for instance,
who calls herself La Duchesse.

She's not French, sir.
She's certainly no duchess.

Years ago, she married a sword-swallower,
who called himself The Duke.

And when he died, she went
a little wrong up here.

In a performance in Malacek, she
produced a French flag and waved it.

That was only in honor of
the memory of her husband.

I confiscated the flag and burned it.

- You have a Chinese.
- Yes, sir.

Does he give adherence to the
Chinese people's democratic republic,

or is he one of the lackeys
of the defeated fascist regime?

I don't think he knows what
he is, sir. He's a juggler.

You see, sir, circus people
aren't like other people.

The only nationality we have, the
only religion we have is the circus.

We have no politics. We
have no home, the circus.

Two weeks ago you were ordered
by the Ministerium of Propaganda

to make certain changes in
your performance as a clown.

Yes, sir. We made those changes.

That was in the act where the
other clown kicks me 27 times.

Did you continue to do
as you had been ordered?

- Well, to tell the truth, sir...
- Answer my question.

No, sir. I didn't.

You went back to doing it
just as you had done before.

- Yes, sir.
- Why?

Well, the way the propaganda officials

wanted me to clown,
it just wasn't funny.

- The people didn't laugh.
- And what do you do?

Well, I just stand there.

I flinch on each kick, but
my expression never changes.

And this is considered amusing?

The audience thinks so.

Can you show us?

- You mean here?
- Yes.

- Now? -
Mmm-hmm.

You have to imagine it in
the clown makeup and costume.

See, he's trying to make me furious,

so that I'll turn around and
kick him, but he can't do it.

And then finally, he's so tired that
he can't lift his foot to kick me again.

And then I do turn around...

...and I give him a big kiss.

The propaganda people
said that in this act,

Jaromir, that's the other clown, should
represent Wall Street imperialism.

Silk hat, spats, diamond
studs and all that.

And I was to be an
American negro worker.

And we were told to eliminate
the kiss at the finish.

Well, we tried it that
way and they didn't laugh.

We worked at it and worked
at it, but they didn't laugh.

I mean, you can understand that without

the unexpected kiss at
the finish, it was no good.

- You have your permit with you?
- Yes, sir.

- You'll hand it over to the sergeant.
- Will it be given back to me?

Without that permit, the
circus can't continue to move.

That will depend.

Mr. Chief Inspector, I
am not a political man.

You will do well to become one.

I've been with the circus in
this country since I was born.

I was here when we were
ruled by an emperor in Vienna.

I was a performer under the
Masaryk and Bene� republics,

and even under the Nazi tyranny.

My circus isn't much anymore,

and heaven knows there
are better clowns than I.

All I ask is to be allowed
to continue as a performer.

You have shown disobedience
which approaches treason.

I've never been a traitor.

In the past month, I've given seven
shows free for the soldiers of our army.

You were ordered to give
those shows, were you not?

Yes, sir, but I was glad to do it.

I must warn you, Karel Cernik,

that you will obey the instructions
that have been given you.

You will obey them within 48 hours, or
you'll be transferred to a field of activity

where you can do more
constructive work and less damage.

- But my circus!
- Your circus?

You've already forgotten
it's no longer your circus!

It's the property of the state!

Lt'll be subject to liquidation
and its properties turned over

to your competitor, Vladislav Barovik,

who has been far more
intelligent in his ability

to accommodate himself and
his circus to the party line.

Now, pay a fine of 100 koruna for
failing to do as you were told.

You pay the lieutenant
outside, and then you may go.

But we shall be calling upon
you again within 48 hours.

- The duchess.
- Hmm? Oh!

And when you do, we expect that you
will have gotten rid of your La Duchesse.

Yes, sir.

What'll she do? How will she live?

That's neither here nor
there. Just throw her out.

Dismiss her. That's all.

Oh, Cernik.

One moment. What about
that radio receiver?

- What about it, sir?
- Is it equipped with a condensator?

I'm afraid I don't
know what that is, sir.

Surely you're a good mechanic, Cernik.

You know that a condensator enables
you to bring in shortwave broadcasts.

I never listen to them,
sir. I wouldn't think of it.

I'm sure you wouldn't.

But as long as the radio
is there, others might.

I advise you, just to be on the safe side
with the police, smash your condensator.

Remove temptation.

- Just look through it. Check it.
- I know where the radio section would be.

If it's in the file,
it would be back here.

- Thank you, sir. May I go now?
- You may go.

There we are.

There's nothing in the
dossier here about a radio set.

Isn't there?

Well, sir, what did you think?

You made a botch of the interrogation.

In what way, sir? I'm not aware that
I had departed from my instructions.

You told him the circus
belonged to the state.

Don't you realize there is no state?

The circus and everything, but
everything, belongs to the people.

- That's how you should have
said it. - Ah-ha, yes, sir.

I can see my error now, sir. Thank
you for pointing it out to me.

I'm not going to worry
about this man Cernik.

He seems to me a dull,
uncomplicated clown.

Is that what you think,
Commissar Sergeant?

And what do you think, Comrade Fesker?

I think that this man Cernik
is far from uncomplicated.

Granted that he has never known
anything but the life of the circus.

Politically, he's an imbecile.

I have a feeling that beneath
the deceptive exterior,

he is profoundly shrewd, subtle.

There's something in the back
of his mind that might make me...

He's a dedicated man with an
exalted sense of individuality.

He deserves to be watched. Where
will that circus be tomorrow?

- Still in Volary.
- I'll have a look at it.

The Ministerium of Propaganda and
their perversities of human nature.

All of those superior gentlemen
end up in treason to the party.

He'd like nothing better
than to make fools of us.

Well, Comrade, if he's going to be
watching that flea-bitten little circus,

I'll see to it somebody's watching him.

M. 4-2.

He's here.

- He's here.
- God be praised.

Get into your own outfit.
I'll be ready in time.

There's no doubt about it now. The
police have had a spy in this outfit.

Who?

We'll find out.

Tell the others to meet in the
ticket wagon right after the show.

Come on. Come on, Pasha. Come on.

Come on. Come on, Caesar.

- Caesar.
- Good evening, Mr. Cernik.

- Mr. Cernik.
- What's the trouble, Rudolf?

- I know they're all telling you...
- Telling me what?

But it isn't my fault.
I can swear to that.

Please, Mr. Cernik. Please.
Keep her away from me.

Rudolf Hubmann, you're the last
good lion tamer left in this country.

If it weren't for that fact, I should
take great pleasure in killing you.

Mr. Cernik, the curse of my
life is that I'm a handsome man.

There's your cue. Get on with your act.

- Madame.
- LA DUCHESSE: Who is it?

It's me, Cernik. I must speak to you.

I am occupied at the moment.

Even so, I have to speak to you.

I can hear you quite distinctly
from where you are, Cernik.

- I've been to the police in Plzen.
- I hope you spat in their faces.

No. They were the big police, the SNB.

There was an official there from
the Propaganda Ministerium in Prague.

Swine. Every one of them.

They told me I must
dismiss you from the circus.

Accordingly, I am informing you
that you're dismissed as of tomorrow.

You will have two weeks' pay.

Haven't you anything to say?

Go away.

- KAREL: Madame.
- Go away.

Madame, the dismissal is canceled.

Maybe they'll forget about it, or maybe
I'll think of something to tell them.

But you're not gonna leave my circus.

Not as long as I'm manager.

Will you please burn that flag?

TEREZA: Joe. Joe, let's go for a walk.

No, I can't. I got work to do.

Joe, come on. Joe, come on.

- There's your father. There's your father.
- Let's go for a walk.

What do you... What do you
know about this Joe Vosdek?

Not much.

He's one of those displaced people.

- I think the Gestapo killed his father.
- You ever talk to him?

Not much. Only about
work. Keeps to himself.

Got any friends that you know of?

You know yourself. Miss Tereza
seems to be friends with him.

Uncle! Kalka! Kalka!

- Kalka?
- What's he been up to now?

Kalka stole something, and
Konradin wants to kill him.

- ZAMA: No!
- Give it back to me, or I'll kill you!

- No!
- Get the fire hose.

- That'll bring him down. Get the hose.
- No, no, no!

Never mind the hose.
What was stolen, Konradin?

My crucifix. He stole
it. I saw him with it.

It's my crucifix. I didn't steal it.

- I believe you, Kalka!
- You believe him.

I'll cut him in half!

KAREL: Get off that
rope! Come down off that!

Come down here! Come down here!

- Come down.
- Come on, Konradin.

- Get down off of that rope.
- Get off that rope!

Come down!

Now, get out of here,
all of you. You go to bed.

- You'll get it back from him. Mr. Cernik?
- Yes, yes.

- You'll get it back?
- Yes!

And I'll see you in
the ticket wagon later.

- Now, Kalka, come down.
- No.

- Come down!
- No!

- You...
- Come on down, Kalka. He won't beat you.

He can get a job with Barovik's circus.
Mr. Barovik himself offered him a job.

When did you see Barovik?

Mr. Barovik has a real
circus. He has four elephants.

- Come down! You won't be beaten.
- You promise?

- Yes.
- Do you swear that?

- Yes.
- Come on down, Kalka. He won't beat you.

All right. Come on.
Give me the crucifix.

Now you can pack your little bag and
go to Barovik and his four elephants.

You can't do that, Karel.

This circus is bad enough
already. If you lose Kalka...

- Here. Now, get out.
- Lf you lose Kalka...

Come on! Get out!

At last you found someone
you're not afraid of, a dwarf.

- How'd they find out?
- That's what I've been wondering. How?

No one who knows about it except the
six of us here, my wife and daughter.

Whenever it's turned
on, it's so low that

no one outside the trailer
could possibly hear it.

No, I...

I just cannot suspect any one of you.

Perhaps I should, but I can't do it.

- What about Zama?
- My wife is my wife.

We leave her out of this discussion.

Our lives are at stake, Cernik.
We can't leave anybody out.

- Lf she could betray you in one way...
- Konradin!

I can forgive you for that only because
you don't know what you're talking about.

So that disposes of
everyone except my daughter.

Tereza? That's impossible.

Thank you, Jaromir, and you're
right. But she's a child.

She may have talked to someone.

She may have innocently told
someone what we listen to.

And who is that someone?

She talks to that silent young
man who handles the horses.

- Joe Vosdek?
- Joe Vosdek.

So he's the spy.

Who'd be more likely? We
don't know anything about him.

Where he came from, who are his friends.

As far as I know, he never
sends a letter or receives one.

But there are lots of people
we don't know anything about.

That's always the way with the circus.

They come and they go, and
we don't ask any questions.

Do you think he's
learned anything definite?

No, I don't think so.

But I have a feeling that
everything's closing in around us.

Yeah.

Cernik.

You know that I've never been
backward in my loyalty to you.

I'd go along with you
wherever you'd lead.

But now,

you look at that map and you dream.

Dream.

You seem to have lost
the power of action.

You've let that woman
take the heart out...

That's enough, Konradin! Now, get out!

Terez.

I'm going with you.

No, you're not. You don't
know where I'm going.

- Anywhere.
- You don't even know who I am.

I don't care. I know you're the only
man I've ever loved, ever wanted.

And after today, I know
that you love me, too.

You've got to love me,
Joe, and take me with you.

Terez. The first night that
it's cloudy and no moon,

I'm gonna try to slip
across the frontier

- into the American zone.
- Where's the frontier?

We're very near it right now. We'll
be near it for the next few days.

Why do you want to do this?

Look at that, Terez. You know what that
is. It's what is known as a dog tag.

When my outfit was stationed
near Plymouth in England,

some of us had these
things tattooed on us.

We always felt it was a great joke.

We said, "Unless this
arm gets blown off,

"they'll always be able
to identify my grave."

- Oh, stop.
- What were you doing in England?

I was in the American army.

You're an American. A spy.

Be a lot better than
what I am, a deserter.

A lousy deserter.

I'm a Czech, Terez. I was
born and brought up here.

Here. And when I was 14, my
father, he saw what was coming.

Munich. The Nazis.

He got my mother and me and my
little sister out of the country.

He got us to America. And he stayed
behind to close up his business.

It was a little factory near Deroun.

He never got out.

Anyway, while I was in America,

I learned to think like an
American, to be an American.

But I was still a Czech.

And I always thought the day might come

when I could do something
to help liberate my country

and find my father.

The day of liberation did
come, Terez, and I was here.

I asked for a pass to go to
Deroun to look for my father.

They couldn't give it to me because
Deroun was beyond the Russian lines.

So I thought, "Why not go
AWOL for just a few days?"

It was easy to get civilian clothes
then. Everything was confused.

When I got to Deroun,
it was nothing but ruins.

Ruins.

So I walked to another
town just beyond it.

And I knew I wasn't
any longer just AWOL.

I was a deserter. I couldn't
get back to the Americans.

They'd already left Czechoslovakia.

- But the Russians didn't leave.
- Joe.

My darling Joe.

I worked at all kind of jobs.

I even worked for the Red Army
for a while. Can you imagine?

I took care of their horses,
and I repaired their vehicles.

And when the circus came along and
your father offered me this job,

I jumped at the opportunity, because
this was the chance I was waiting for.

See, this way I could keep on traveling

and keep on hoping I'd
find what I was looking for.

Did you?

A man who'd been in the
same concentration camp,

he knew my father was dead.

But he didn't know how he died.

Maybe the gas chamber.

Anyway, I'm glad he didn't know.

Joe.

Look, Terez. I want you
to know just one thing.

One of these mornings you'll wake
up, you'll find that I'm gone.

- TEREZA: I'm going with you.
- But I want you to know that I'll always...

- I'll never forget you.
- I'm going with you wherever you go

- I'll go with you.
- I'll always be grateful for this.

Joe.

- Look...
- Joe.

Tereza.

Tereza, come here.

I love him.

And nothing on God's earth
will take me away from him.

Go with your father, Terez.

Tereza.

Tereza!

I don't want to cause you any
unhappiness, but you're making a mistake.

Much bigger than you
could possibly know.

You're my child, and I've loved
you since the instant you were born.

- You've got to believe me.
- And you think I'm still the same

sweet little bundle of
innocence I was then.

Well, I've grown up.

I'm a woman and I'm
going to act like one.

Perhaps it would be a good idea for you

to pay more attention to your
wife and see what she's up to.

Wait a minute, Kalka.

I want to wish you good luck.

Are you gonna have breakfast,
or am I gonna practice?

Keep your eye on the target.

Send Cernik here. Mr.
Barovik wants to see him.

Huh?

Oh.

What do you want, Barovik?

I have one or two business
matters to discuss.

- I'm busy.
- And I think it advisable to talk in private.

Step into my office.

Never mind your bodyguards.

- Nobody's gonna attack you.
- Good. 'Cause it would be a mistake.

I'm not armed. I don't need to be.

Now, Barovik... Incidentally,
where'd you get that outfit?

What do you do, change your
clothes with the regime?

A man's got to live.

What possible business could
you have with me, Barovik?

Plenty, my friend. Plenty.

Don't insult me by
calling me your friend.

What skullduggery are you up to now?

Skullduggery. Listen to the master.

Now what I want to know,
Cernik, is how much of your show

do you really think that
you can take with you?

With me? Where?

Over the border, into the American zone.

Into paradise.

What are you talking about?

I'm talking about your plan.

Your wild, crazy, but I
must admit, amusing plan

to break through the Iron Curtain
as that railroad train did last year.

You discussed it last night.

Had a meeting right here
in this ticket wagon.

Present were your fellow conspirators,
your cousin Jaromir and the rest.

I know all the names.

You told them about your visit to Plzen.

You said that

you thought there must be
a police spy in your troupe.

You suspect the young
man, Joe somebody or other.

Your plan is to

filter across the border by degrees,

in the dead of night,
somewhere in the wild country

between Tachov and Moravsk�.

You'll send an elephant
here, an acrobat there,

sneaking through the woods where
the sentries can't cover every inch.

You figure on some losses, but
you think that within three nights,

you'll have the bulk
of your circus across.

Where'd you get this information?

Not that you'd tell me.

Your floorboards are old and loose.

Sound seeps through the cracks,

and a little man crouching
under the wagon...

Kalka.

I asked him why he brought
the information to me

rather than to the police.

Fortunately for you,

the little dwarf is even more
terrified of the police than you are.

I locked him up.

You needn't be afraid of him
talking for the time being.

In fact, you have nothing
to be afraid of except me.

Got a match?

- What do you want out of me, Barovik?
- Nothing.

Nothing whatsoever. I merely
came to warn an old friend.

For God's sake, Barovik.
Tell me what you want.

No more than the leavings, Cernik.

Certainly you don't imagine
to get your whole show across.

No. I shall be leaving the tents.

- All of them.
- Are they in good condition?

Is anything in good
condition these days?

Very well. I accept the tents.

The seating.

You can have the seating.

The equipment?

You can have all the heavy equipment.

- The lions?
- No.

- Elephants?
- No!

Think I'd leave any of
my performers behind?

You can have the wolves.
They don't perform.

But you'll have to round them up.

I'm gonna release them at the
frontier to create a diversion.

You've worked this down to the
last detail, haven't you, my friend?

For three years, I've been
thinking about nothing else.

I told the police in Plzen that I'm
not political, and that's the truth.

But when they try to force
their politics on my circus,

on my show, then I must fight them.

If I'm not able to fight
them, I must escape from them.

And I'll make that
attempt, whatever the cost.

Cernik, I've always given you
credit for being a good circus man.

And all circus men are fools, otherwise
we wouldn't be in the business.

But, you know, you're the
biggest fool of us all.

Don't you realize that
your plan is now impossible?

They've cut down every tree.

They've demolished every house for the
depth of a mile all along the border.

They've mined every field.

They've put up three rows
of barbed wire fences,

one of them electrified.

I learned all that yesterday
on my way back from Plzen.

I'm not gonna try to filter across.

I'm going the direct
route, right down the road.

And all at once.

It's impossible.

The very fact that it's impossible
could work to our advantage.

When are you gonna try
it? Tomorrow? Friday?

Today.

Today? Are you ready?

No. But with you in possession
of the secret and Kalka,

I couldn't run the risk of any delay.

I know I couldn't trust you
any further than I could see.

We'll make the dash this afternoon.

Yeah, I got to do it in broad daylight.

That's the one thing
they'd never expect.

Life won't seem nearly as interesting
with you in your grave, Cernik.

Ah!

Everything's changing.

You know that wonderful
rope act I used to do?

- Oh! That one.
- No, no. The one I used to do personally.

- Oh.
- You know what they've done?

They made me take it out.

- No. Why?
- Yeah.

- They said it was western.
- Oh, shh!

- What's worse, American.
- Shh.

Oh, I know. I know.

No. No, thanks.

Well, I'll be sorry to lose you, Cernik.

Well, who knows? A miracle might happen
and a few of you might get through alive.

Wait a minute.

- You and I better have a fight.
- A fight?

Yes. You hit me. I hit you.

We roll on the floor, knock over
furniture, break things, make an uproar.

- But why?
- The spies in the circus will report

to the police that you and I have had
another of our little disagreements.

Otherwise, you'll be suspected,
too. What are you smiling at?

Are you sure you're in
condition for a fight?

Never mind that. Never mind that.

The police will be alerted for
trouble, but not the real trouble.

Come on. Come on, Barovik.

Don't just stand there
laughing out of your ugly mouth.

Why, you couldn't even
get through a mock fight.

We'll see about that. Come on.

With pleasure.

Wait a minute, Barovik. First
I have to ask you a question.

For as long as we've known each other...

Out of breath already.

...which is quite a number of years,

you've been hoping and praying I'd fall
off that tightrope and break my neck.

- That's correct.
- Now you know enough about me

to have me arrested and tortured
and hanged, thrown in the lion pit.

- That's correct, too.
- Then why'd you come here

and go through all this rigmarole
of making a business deal?

Why didn't you just
turn me in to the police

and take all of my circus for nothing?

You mean to say you couldn't
answer that question yourself?

No.

You'd do exactly the same thing
if you put yourself in my place.

I don't want to put myself in your
place, Barovik. Answer the question.

Why are you suddenly
acting like a decent person?

Cernik, it's true.

I have no more love for
you than you have for me.

We would both cheerfully rob each
other or cut each other's throats.

But we are together on one thing.

We're both circus men.
First, last, and always.

We hate the government,
and we hate the police.

Mmm-hmm.

And when it comes to a question
of the circus against the law,

- you know which side I'm on.
- Mmm, that's right.

I see that. That makes sense.

- Well, you ready?
- Hmm? Oh, yeah. Fight.

- All right. Hit me.
- No. You gotta start.

- No, no, no. Please. Please. You hit me.
- It was your suggestion.

No, but just hit me, please.

As a matter of fact, I
sprained my hand last week.

I'm terribly sorry. Then push me. Push me.

Yeah.

Wait a minute. Not my window.

I just said break the furniture.

Oh, you didn't need to
do that. Not on my face.

Cernik, open the door. Cernik. Cernik!

Open the door!

Cernik! Cernik, open the door!

Cernik, open the door! Cernik!

Take that, Cernik! The great Barovik.

The greatest rope act of all time!

So you didn't like my rope act, eh?

No! That's a present.

My 25th jubilee.

Cernik. Cernik. Open
the door. Cernik. Cernik!

Cernik.

Cernik. Open it. Open it. Cernik.

- Cernik, Cernik. Open the door.
- Karel.

You think that's enough?

I think that should be about enough.

- Little statue all right?
- Yeah, it's intact.

- And I think you'd better...
- A little more. Yeah, yeah.

- Give me some of that.
- Sure. Help yourself.

- How's that look? Yeah?
- That looks pretty good.

You better take your coat
off. Be more convincing.

Yeah, yeah. What about
your collar and your tie?

Yeah. Thanks.

- And I'll send the trucks to Mikulov.
- Mikulov.

- Yeah.
- All right. I'll pick them up there.

Good.

Wait a minute. Here we are.

Yeah. Yeah. That's a good touch.

Yeah. Yeah, that's good.

- That's good. Thanks.
- Yeah.

- Good luck, Cernik.
- Same to you. Same to you.

- Yeah.
- Don't forget your revolver.

- My revolver.
- Here it is. Here.

Would you kindly return my matches?

Oh!

- I forgot all about them.
- Thanks.

- Sorry.
- It's perfectly all right.

But, you know, I feel much better.

Do you?

Much. Let's go.

KAREL: Get out. Get out.

If you ever come around my circus again,
Barovik, I'll feed you to the wolves!

You haven't heard the
last of this, Cernik!

Not by a long shot!

Leave him alone. Don't lay
a hand on him. Let him go.

- They won't trouble us again.
- Karel, are you hurt?

Of course I'm hurt. Jaromir, Konradin.

- TEREZA: Are you all right?
- Yeah. Vosdek.

Excuse me, please. We
move. As fast as possible.

We haven't got enough
gas to get to Yudice.

We got enough to get to the frontier.

- Now?
- Now.

But you're sentencing
every one of us to death.

We're dead now. This is our last chance
to be alive again. Now get to work.

What about the others? Should
we assemble and tell them?

No, no.

If we get across and
any are foolish enough

to want to come back,
they're free to do so.

They'll all get killed.

That's liberation, too.

- Vosdek. Go on. Go on.
- Yes, sir.

Vosdek, the tent wagons move out two
hours ahead of the rest of the circus.

I want you to go with
them, take charge of them.

I have other work for Krofta.

- We'll meet in Mikulov.
- Yes, sir.

- I'm going with you, Joe.
- No, you're not.

I'm scared, Joe. I'm
scared you'll try to make

your escape before the rest
of us catch up with you.

- In daylight? No, Terez.
- Joe, I'm going with you.

What did Barovik want of you? Your hide?

- He came as a friend.
- Ha! A friend.

He gave you a good beating, all right.

What made you decide to stop being a
man and turn into a crawling little worm?

When I first met you,
you were a great man.

Circus Cernik was
famous all over Europe.

Kings and queens asked you
to perform at their courts.

The greatest circus people came
to you. Ringling, Hagenback, Krone.

They wanted to study at Circus
Cernik, and maybe steal from it.

And now look at you.

You let Barovik beat you.
You let the police beat you.

Why don't you stand up to
them like a man? Why? Why?

You haven't even got
enough spirit to answer me.

- Jaromir.
- What?

Those tent wagons have
gotta move out by 10:00.

Tell them to put every
man they can on it.

Speed up the loading.

All right.

You know why I did that.

You should have done it a long time ago.

COMMENTATOR ON RADIO: And swings.
He connects. There it goes.

It's still going. A long, hard-hit
ball. It's in there. It's a home run.

SOLDIER: What happened?

I wonder what that is
they're drinking up there.

- Every day the same rations.
- Let me take a look.

Here comes scooter Rizzuto to the plate.

Roe shakes his head at Campanella. He
seems a little jittery out there now.

I don't know what it is.
Some kind of Schnapps.

I wonder what it is they're drinking.

Hello. Hello.

Hello. Three men. Civilians.

Yes? Yes.

All right. Captain, sir.

Three men, civilians, in
a jeep at Sentry Point 152.

- Tell them to find out who they are.
- Yes, sir.

SOLDIER: All right.

- What was that?
- Must mean they've seen us

from the watchtower.

Hello? Sentry Point 152.

Sentry Point 152. I must remember that.

They are circus people.
Name is Circus Cernik.

Their papers are in order.

Yes. Yes. Their papers are in order.

Their circus will pass later today
along the road from Volary to Mikulov.

They must always
reconnoiter travel routes

to find suitable places for
resting and watering the animals.

- That's their problem. Let me eat.
- It's all right.

Just stand facing me so
you can see down the hill.

Don't keep looking in one direction.
Give me a cigarette, Jaromir.

We're being watched from
above. Just chat casually.

That river is the frontier.

The moment we go over this crest, we'll
be plainly visible from down there.

Those long, low buildings
are the barracks.

All along the river, there
are rows of barbed wire,

electrified wire as well.

Mines, too.

The road's clear. The bridge is clear.

- There's a ditch across the road.
- Yeah.

They know it's utterly impossible
for anyone to escape at this point.

That's to our advantage.

There's Bavaria.

Bavaria.

Good day to you, sir.

Kopatchin.

I want you to release the wolves

when you approach the
command post at the frontier.

- Right, sir.
- That'll be the signal for the bomb,

and full speed ahead.

We'll abandon every vehicle we can.
All the animals except the cats.

We'll proceed the last
stage of the way on foot.

What's this?

What's this? Why aren't
they busy loading?

- Because I don't like it.
- You don't like...

Wait.

This is a fine time to find
out you don't like the work

you've been doing with me for 20 years.

- May I have a word with you, Mr. Cernik?
- Certainly.

- Are we moving? Good.
- We're moving.

Make it quick, Krofta. We're in a hurry.

Mr. Cernik, what's the
meaning of all these changes?

We're heading for Mikulov. We should be
going to Yudice in the opposite direction.

I have orders to give a show for troops.

Well, then why isn't Jaromir
going ahead to pick out the lot,

the way he usually does?

Why aren't I with the
tent wagons where I belong?

Why have you put Vosdek in my place?

What does he know about canvas?

No, Mr. Cernik, there's something going
on around here, and I don't like it.

I haven't time to explain the
whole thing to you, Krofta.

I made a deal with Barovik.

A very satisfactory deal. I have
to keep it quiet for the time being.

- So, get on with your work.
- Do the police know about this?

This is of no interest to the police.

- Have you got a permit for Mikulov?
- Of course I have.

- You think I'd be...
- Let me see it.

Let me see it.

Krofta, have you forgotten
who's the boss of this troupe?

No, Mr. Cernik.

But I'm afraid you've
forgotten something,

something very important.

These aren't the old days. You
don't own this circus anymore.

You don't own me.

I'm the leader of the tent men,
the real workers in this circus.

And I'm telling you for
your own good, Mr. Cernik.

You're headed for serious trouble if you
don't change these orders you've give...

Hmm.

Konradin.

Get some cord. Tie him up. Gag him.

- So he's the one.
- Of course he is.

He said the tent men are the
only real workers in this circus.

That means the rest of us are parasites.

All we do is entertain the people.

Poor unhappy people.

My old friend.

Twenty years.

He'd have turned me in.

Shove him under the tool
bench. Put some canvas over him.

Get these men working. I want this whole
thing loaded by the time I get back.

Be about an hour.

MAN: Where's Krofta?

Vosdek takes charge of the tent
wagons. That means I get rid of him.

Krofta did me a good turn.

Reminded me I haven't a
travel permit for Mikulov.

I'm going to the district
police station to get it.

So, while I'm away...

Good morning, sir.

I hear you had a visit from
your old friend Barovik.

Not an entirely friendly visit either.

It was merely a little argument.
What can I do for you, sir?

Nothing, really. I just
wanted to have a look around.

- Isn't that your mother?
- Yes.

I seem to recall she
was a performer, too.

She was once known as the
strongest woman in Europe.

- Didn't she work with lions?
- Oh, yes, 18 male lions.

Oh, yes.

I'd really like to look around a little.

Unfortunately, we're just about to move.

It's all interesting.

I'll get someone to show you around.

I'm very sorry, but I have to go
to the district police station.

Oh.

Why, it's merely a matter of making
out the usual forms for a travel permit.

Haven't you a travel permit yet?

Yes. Yes, but there's
been a change of plan.

We're going to Mikulov today.

I see. I'll accompany
you to the police station.

So, good-bye.

- Bring him up.
- Bring that circus man up here.

- MAN: Cernik.
- I was right.

We looked here and they looked
at headquarters in Plzen.

We can't find anything about a
change in route for this circus.

Why do you want to go to Mikulov?

Circus Barovik is in that region.

- You want to set up in competition?
- No, sir, nothing like that.

Barovik and I are making
some trades. I have some...

Have you and Barovik agreed on this?

- Yes, sir, we've agreed on everything.
- But you said you had a disagreement.

Yes, sir, I know, but...

- Why did you fight with him?
- We always fight, just for old time's sake.

Even when there's no cause for it.

Why are you so nervous, Cernik?

Well, sir, it's difficult to be completely
at ease in the presence of the police.

It's so easy to imagine all
sorts of crimes that do not exist.

You are right, Cernik.
It is easy to imagine.

What is not easy is arriving
at the precise facts.

But you need not worry.

We wish no harm to you or your circus.

We are fully aware that
you are performing a service

to the party by promoting morale.

We are not as rigid as we seem to be.

We know that there must be a place in the
system for circuses, as well as doctrines.

You will go outside and wait.

But I've got to have that
permit, sir, and right away.

- Lf we don't get on the road soon...
- You were told to go outside and wait.

A highly unskilled liar.

In fact, he's what used to
be known as an honest man.

Do you agree?

Yes, Comrade Fesker. An honest man.

And therefore dangerous.

I am now convinced that this Cernik

is on the verge of making a
serious, perhaps fatal mistake.

The thing to do is to let him make it,

and then we can take
appropriate measures.

So give him his permit.

But I'm not sure, sir, that
I have authority for that.

Don't worry, Captain. I'll
take full responsibility.

Get me the Commissar
Sergeant at 42-M, Plzen.

- Margaret, take the baby.
- Thank God he's there.

Come on.

- Give you the permit?
- They gave it to me.

- I don't know why.
- Did they question you?

They questioned me for the last time.

Do they suspect something?

Yes, but I don't think they're
sure just what it is they suspect.

Get a little gas put in this,
and have it coupled to my trailer.

- Krofta all right?
- Conscious but helpless.

I hope he has a safe journey to Bavaria.

Isn't that overdoing it a little?
Get into your other outfit.

Rudolf. Why aren't you
ready? We're about to roll.

- I'm ready, sir. Leo, the cages.
- All right, Rudolf.

By the way, we must be
prepared for some trouble today.

Trouble?

I swear to you there is nothing
between Madam Cernik and me. Nothing.

I know there isn't. That
isn't what I'm talking about.

We're going to cross the path
of the Circus Barovik today.

I want you to put live ammunition in
your pistol. There may be shooting.

If any of Barovik's men
should take a shot at you,

threaten to open the
cage and let the cats out.

But don't, under any
circumstances, do it.

We can't afford to lose
them, or you either.

Don't worry, Mr. Cernik.

I haven't learnt to use
the whip for nothing.

Huh?

Just stay in the cage with the lions.

You'll be safe in there.

I know you're a
miserable coward, Rudolf.

Outside of the lions' cage, of course.

What's the matter,
Karel? You look happy.

I look that way because
that's the way I feel.

- I want some coffee. I'm starving.
- You sit down.

I'll make it for you.

Where's Tereza?

Somewhere about. I saw
her a few minutes ago.

What are all the flags for?
Is it some kind of holiday?

That's what it is. Give
me some bread, Zama.

There's something going on here,
and you're very pleased about it.

What is it?

I'm disobeying my own orders.

You remember how I'd
listen to the broadcasts?

About all those people who've escaped?

About that railroad
train that broke through?

I knew that was what
you had in your mind.

I've known it for a long time.

But I never dreamed you'd
ever have the courage to do it.

Karel, when do we go?

- Few minutes.
- I'll be ready.

- The tent wagons left two hours ago.
- I know.

- You'll never see them again.
- I know, I know.

I couldn't risk the frontier
with all that heavy stuff.

- Of course you couldn't.
- I sent Vosdek with them

so he'd be out of our lives forever.

- No.
- He's gone for good.

Oh!

Tereza went with him on the tent wagon.

- You told me you'd just seen her.
- I know I did. I was lying.

- She went with Vosdek?
- Yes.

Tereza?

I...

Oh, boy.

I...

Oh, my God.

Karel. Karel, how could
she know? How could I know?

- Get out. Get out.
- Don't be cruel to her.

Understand her.

KONRADIN: We're ready. Are
you giving the signal to roll?

KAREL: Roll. Roll.

Roll. Roll.

Where are you going?

Going to go over the Mikulov
road to the tent wagons.

- Why in the name of...
- Tereza. She went with Vosdek.

- Cernik.
- KONRADIN: Let's go.

Come on. Let's roll.

Cernik.

You'll proceed as planned to
the bivouac point. Wait there.

- What is this?
- Tereza. She went with Vosdek.

Water the horses, feed them. Do anything

- to make it look normal.
- You can't leave us now.

- I'll be back in time.
- We're rolling.

- I'll be back in time.
- Let the girl go.

What did you say?
Take your hands off me.

We're rolling. Let them roll. Come on.

Roll them. Roll them. Let them roll.

Let them roll. Come on.

- Where is she?
- Who?

- Tereza.
- She's not here.

Don't play jokes with
me, Vosdek. Where is she?

She's not here, Mr. Cernik.

- Not here, eh?
- Mr. Cernik, I didn't know.

I didn't...

Joe. Joe. Joe, are you all right?

Are you all right?

Joe, I'm never gonna leave you.

- Never.
- You're coming with me now.

Joe.

He'd have given us all to the police.

He's an American soldier.
He's hiding from the police.

You don't know what
you're talking about.

He's an American. Look.

There's the proof.

He's going across the frontier.

He's going back to the
Americans, and I'm going with him.

Oh!

Is that true?

I'm going to try.

Then get into the jeep.

I told you, get into that jeep.

I can use you. I'm gonna try it myself.

TEREZA: Come on. Come on.

- We're going.
- I'll be ready.

Don't gather. Keep at your work.
I'll talk to you one at a time.

- Everything in order?
- I hope so.

- Have you decided if the situation's right?
- Yeah.

- The road down there is clear.
- We're going.

But what are we going
to do about this guard?

Would you take a
chance on firing a shot?

Talk to Vosdek. He'll attend to it.

It's starting. Don't
seem to be watching.

He's trained in this kind of thing.

Here, Heidi. Come,
Heidi. Here, Heidi. Come.

Get away. Get away. Get this dog away.

JOE: Yes, sir. Right away,
sir. Come on. Come, Heidi.

Get out. Get this dog away.
Take this dog away. Take the...

Get into his uniform.

On your horses. Help her up. Tereza,
why aren't you dressed? Hurry.

Bratislav, load them in.

Give the instructions about
taking cover behind the sandbags.

If there's shooting, they must keep down,
even if they're piled on top of each other.

Tell them to make the
children keep down.

Konradin, have you got my
trailer at the end of the line?

- It's there, Cernik.
- We're not taking the commissary.

We're not taking any of the
trailers except the animals.

- Ditch the others.
- Right.

You know you won't be able to take that.

I know, sir.

Vosdek. Vosdek.

You ride on top of the first car.

Try to look official, as
if you were escorting us.

If they ask any questions,
you don't know anything

except that you're obeying orders
that came though from Plzen.

- Yes, sir.
- Watch out for Tereza.

Jaromir, give Joe the
bomb and his instructions.

All right, Karel, but the chances are...

It's homemade, so be careful with it.

Chances are...

Vosdek, it may not work at
all, or it may go off too soon.

Hey, you look pretty good.

Yeah. Real sharp.

- You ready?
- Yes, sir. Yes.

- Vosdek will give you the signal.
- Right.

When the Chinaman releases the wolves
at the command post, accelerate.

- Right.
- Step on it.

Hit that barrier as hard
as you can and keep going.

Don't leave any block
for Tereza and the ponies.

Yes, sir.

- But at the start, the pace is slow. Slow.
- Slow, yeah.

When they see us creeping down that
hill at the pace of the elephants,

they'll be certain we can't
be trying anything desperate.

- You see? Kalka's back.
- I've noticed.

- I am back, Mr. Cernik.
- So I see.

Let me come with you.

They travel at a very slow
pace because of the elephants.

I'll have some men from
the Volary station with me,

and I want you to alert
the Mikulov station.

Can I count on you? Good.

- Father.
- Yes?

I guess we're ready.

You all know your responsibilities. I'll
give the command to roll from the back.

- Listen, Cernik.
- What?

I still say you should be at
the head of the procession.

You should lead us across.

- No.
- But...

He thinks if anybody gets
left behind, it should be him.

You know how it is on the sea.
The captain's always the last.

But the elephants should be
last. They're the slowest.

But he wants to be the last
one to cross the frontier.

We'll see.

Max.

Sentry Point 152.

Krofta. I thought you were
down with the tent wagon.

Still here.

They say they have orders
to give a free show.

Yes, sir. Right.

Cut the wire.

Good afternoon, Commissar Sergeant.
I'm going after that circus.

You're coming with me.

- Plzen?
- Possibly beyond Plzen.

Have you a warrant for my arrest?

And the charges? Of course, you've
been ordered not to tell me anything.

- Don't worry. There'll be plenty of charges.
- I know.

I was sure that sooner or later
you'd exceed your authority. You have.

You ordered the granting of an illegal
permit to that circus. Get in the car.

Will you send some
men after that circus?

We'll take care of it in due time.

It's got to be now.
They're planning an escape.

Where did you get that idea from?

Where did I get it? From my
fertile imagination, Sergeant.

I tried to think like a circus man.

Tell my superiors all
about it in Prague.

From now on, Fesker, you need not
worry about anything, except yourself.

I understand.

Sooner or later, it
happens to all of us.

We're going, Zama. All I
have to do is give the word.

Give the word, Karel. I'm ready.

It's one of two things. It's the
end for us, or it's the beginning.

- Now, Cernik, give the order to stop.
- Stop?

Give the order to stop
this criminal escape.

Give the order.

- It's too late, Krofta.
- No, it's not too late. Give the order.

Just stop and think what you're doing.

I've heard enough, Cernik.

I've heard enough in that trailer to...

Traitor. Traitor. Traitor!

Krofta, you've got to be
reasonable about this thing.

You're a traitor!

Then why don't you shoot me?

Because it's my duty

to turn you over to the police,

so they can get out of you
all the details of this plot.

Now, give the order!

- Well, if you can convince me...
- Cernik, you're asking for death.

I've done that already.

I can get you mercy.

Did you think what could
happen to your wife?

Give the order.

Your daughter...

You give the order. Your circus...

ZAMA: Get out!

Jaromir. Jaromir.

KAREL: Konradin. Konradin.

- Yes, sir? What is it?
- Get the circus rolling.

- I will. I will.
- Get them rolling.

Roll. He said to roll.

MAN ON LOUDSPEAKER: This
is the Circus Cernik.

This is the Circus Cernik.

This is the Circus Cernik.

KAREL: Slowly.

This is the Circus Cernik.

Look at what they get for
entertainment. A circus, for Pete's sake.

This is the Circus Cernik.

This is the Circus Cernik.

Tower reports an SNB man on lead vehicle
of circus, traveling at slow rate.

Followed by horses and vehicles
which appear to be animal cages.

Two elephants.

Headquarters. Why couldn't
they have given me notice?

- Put through a call to Plzen.
- Yes, sir.

Now, what am I supposed
to do with a circus?

Morale show.

Will somebody please tell me where
I am to find a place for them?

This is the Circus Cernik.

This is the Circus Cernik.

- Did you get headquarters?
- The line seems to be dead.

I can't raise anything.

Send a man to question
the guard with the circus.

Do it yourself.

And find out what his orders are.

Holy cow.

- What are your orders?
- To escort this outfit here.

They're giving a performance
for the personnel.

This is the Circus Cernik.

This is the Circus Cernik.

Your hat, sir.

Go!

Sound the alarm!

Take it easy. Don't get itchy.

Fire.

Fire!

- Bitte?
- Macht nichts to us.

Faster!

Faster!

Come! Fast!

Hold your fire! Hold your fire!

No shooting across the river!

No shooting across the river!
No shooting across the river!

Stop firing!

SOLDIER: Get that away.

- Sergeant.
- Yes, sir?

- Straighten out the picture.
- Yes, sir.

Two men here.

Are we over?

Yes. Yes, we're over.

Tereza?

She's all right.

- And the elephants?
- Yes.

- The lions?
- Yes.

Then we've done it. We've done it.

You've done it, Karel. You've won.

You're gonna be well,
and you're gonna be happy.

I'm gonna die, my darling.

No.

Start the parade.

We give a performance tonight.

We celebrate.

We're free, Zama, you and I,

Tereza,

the circus.

No.

JOE: It's all right. It's all right.

Is he dead?

Yes, he's dead.

He got us across, and he paid for it.

He was glad to pay.

Don't just stand there.

You heard what she said. Go on.

ENGLISH SDH
- US