All language subtitles for Hunter S02E10 Waiting for Mr. Wrong.WEBRip x264 [i_c].NonHI.en
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1
00:00:05,680 --> 00:00:07,016
SO NOW WE'VE GOT A CORPSE,
2
00:00:07,040 --> 00:00:09,740
WITH NO EVIDENCE TO TIE HIM
TO A $5 MILLION JEWELRY HEIST.
3
00:00:11,140 --> 00:00:12,556
BETTER GO GET A HAT, BIG GUY,
4
00:00:12,580 --> 00:00:13,686
YOUR HORNS ARE SHOWING.
5
00:00:13,710 --> 00:00:14,916
WHAT WAS YOUR OPENING LINE, HUH?
6
00:00:14,940 --> 00:00:16,086
HOW'D YOU COME ON TO HER?
7
00:00:16,110 --> 00:00:17,556
YOU LIKE DOING IT?
8
00:00:17,580 --> 00:00:19,440
I'M OPEN TO SUGGESTIONS.
9
00:00:20,810 --> 00:00:22,186
HUNTER GOT ACQUAINTED
WITH HER ON THE TRAIN,
10
00:00:22,210 --> 00:00:23,410
AND NOW HE'S UNDERCOVER.
11
00:00:25,080 --> 00:00:26,416
I GUESS IT'S LOVE AT FIRST SIGHT
12
00:00:26,440 --> 00:00:27,586
FOR BOTH OF YOU, THEN, HUH?
13
00:00:27,610 --> 00:00:29,310
I COULDN'T HELP MYSELF.
14
00:01:26,780 --> 00:01:28,540
IT WORKS FOR ME.
15
00:01:47,440 --> 00:01:49,156
ALL RIGHT, LET'S DO THIS THING.
16
00:01:49,180 --> 00:01:50,180
OK.
17
00:01:54,810 --> 00:01:55,880
HERE WE GO.
18
00:01:59,240 --> 00:02:00,916
EVERYBODY AGAINST THE WALL.
19
00:02:01,980 --> 00:02:02,986
COME ON!
20
00:02:03,010 --> 00:02:04,656
DO AS WE SAY, AND
NOBODY GETS HURT.
21
00:02:04,680 --> 00:02:08,616
YOU HEARD HIM. GET OVER
THERE! COME ON, MOVE!
22
00:02:08,640 --> 00:02:09,780
COME ON, KEEP BACK.
23
00:02:23,810 --> 00:02:25,486
HOW MUCH TIME? HOW MUCH TIME?
24
00:02:25,510 --> 00:02:27,140
WE'VE GOT A MINUTE.
25
00:02:42,810 --> 00:02:45,556
ALL RIGHT. WE GOT
IT ALL. LET'S SPLIT!
26
00:02:45,580 --> 00:02:48,616
COME ON! COME ON! COME
ON! WHERE'S THE DIAMONDS?
27
00:02:48,640 --> 00:02:50,316
I DON'T KNOW... FORGET
ABOUT THEM. LET'S GO, COME ON!
28
00:02:50,340 --> 00:02:52,016
YOU SAID THERE WAS DIAMONDS.
WHERE'S THE DIAMONDS?
29
00:02:52,040 --> 00:02:53,017
COME ON!
30
00:02:53,041 --> 00:02:54,086
I SAID, WHERE'S THE DIAMONDS?
31
00:02:54,110 --> 00:02:55,087
THEY'RE IN THE VAULT.
32
00:02:55,111 --> 00:02:56,116
LET'S SPLIT, MAN. COME ON!
33
00:02:56,140 --> 00:02:57,956
OPEN IT.
34
00:02:57,980 --> 00:02:58,986
I SAID, OPEN IT.
35
00:02:59,010 --> 00:03:00,356
JUST GET OUTTA HERE.
36
00:03:06,180 --> 00:03:07,610
OPEN IT.
37
00:03:09,740 --> 00:03:12,316
COME ON! COME ON! COME ON!
38
00:03:12,340 --> 00:03:14,110
HURRY UP.
39
00:03:16,840 --> 00:03:18,316
GIVE ME A HAND.
GRAB SOME OF THESE.
40
00:03:18,340 --> 00:03:20,186
WE GOTTA GET OUTTA HERE, NOW!
41
00:03:20,210 --> 00:03:23,356
COME ON, COME ON, COME ON.
42
00:03:23,380 --> 00:03:26,910
YOU'RE OUT OF IT. I'M
GONE, MAN. I'M GONE.
43
00:04:57,840 --> 00:04:59,356
McCall: CAN YOU
DESCRIBE THEIR VOICES?
44
00:04:59,380 --> 00:05:01,456
ONE OF THEM, UH... THE
ONE WHO DID THE SHOOTING,
45
00:05:01,480 --> 00:05:03,786
HE HAD AN ACCENT, JUST SLIGHTLY.
46
00:05:03,810 --> 00:05:05,086
WHAT KIND OF AN ACCENT?
47
00:05:05,110 --> 00:05:07,056
I... I'M NOT SURE.
HISPANIC, I THINK.
48
00:05:07,080 --> 00:05:09,756
Hunter: DID YOU NOTICE ANYTHING
UNUSUAL ABOUT THEIR BEHAVIOR?
49
00:05:09,780 --> 00:05:14,186
NO. JUST THAT... ONE OF
THEM SEEMED TO BE IN CHARGE.
50
00:05:14,210 --> 00:05:15,516
WHICH ONE? THE SHOOTER?
51
00:05:15,540 --> 00:05:19,316
RIGHT. THE OTHER ONE
WAS NERVOUS, IN A HURRY.
52
00:05:19,340 --> 00:05:20,586
BUT HIS PARTNER WASN'T?
53
00:05:20,610 --> 00:05:23,416
NO. HE WAS COOL.
54
00:05:23,440 --> 00:05:24,586
COLD.
55
00:05:24,610 --> 00:05:26,316
NOW, YOU FELT THAT
ONE OF THESE MEN
56
00:05:26,340 --> 00:05:27,516
HAD BEEN IN YOUR STORE BEFORE
57
00:05:27,540 --> 00:05:28,656
BECAUSE HE KNEW
THAT THE DIAMONDS
58
00:05:28,680 --> 00:05:29,756
WERE NOT OUT ON
THE FLOOR, RIGHT?
59
00:05:29,780 --> 00:05:30,956
WELL, YES. BUT
HUNDREDS OF PEOPLE
60
00:05:30,980 --> 00:05:32,610
SHOP IN HERE EVERY WEEK.
61
00:05:35,180 --> 00:05:36,816
WANTED TO SEE US, CAPTAIN?
62
00:05:36,840 --> 00:05:40,516
YEAH. UPDATE ME.
WHAT'S YOUR PROGRESS?
63
00:05:40,540 --> 00:05:42,916
WELL, WE RAN THE
HAMMER AND THE SWEATER.
64
00:05:42,940 --> 00:05:44,416
BOTH CAME FROM LOCAL STORES.
65
00:05:44,440 --> 00:05:46,056
ANY LEADS ON WHO BOUGHT 'EM?
66
00:05:46,080 --> 00:05:48,156
UH, NO. THEY WERE
CASH PURCHASES.
67
00:05:48,180 --> 00:05:49,986
THE CLERKS DON'T REMEMBER
ANYBODY IN PARTICULAR.
68
00:05:50,010 --> 00:05:51,986
HOW ABOUT THE WITNESSES?
69
00:05:52,010 --> 00:05:53,156
THERE'S NOT MUCH TO
GO ON THERE EITHER.
70
00:05:53,180 --> 00:05:54,786
NO HARD DESCRIPTIONS, ANYWAY.
71
00:05:54,810 --> 00:05:56,356
THEY DID SAY ONE OF THE GUYS
72
00:05:56,380 --> 00:05:57,656
HAD A SLIGHT HISPANIC ACCENT.
73
00:05:57,680 --> 00:05:58,916
BALLISTICS?
74
00:05:58,940 --> 00:06:01,056
9mm AUTOMATIC.
75
00:06:01,080 --> 00:06:02,556
SO, WHAT DO YOU GOT?
76
00:06:02,580 --> 00:06:06,056
WELL, WE THINK ONE OF THE
PERPETRATORS MAY BE A DIPPER.
77
00:06:06,080 --> 00:06:07,186
Wyler: SAY AGAIN?
78
00:06:07,210 --> 00:06:10,416
WE THINK ONE OF THE
PERPETRATORS MAY BE A DIPPER.
79
00:06:10,440 --> 00:06:12,656
WE FOUND SNUFF IN THE FERRARI.
80
00:06:12,680 --> 00:06:14,656
THE OWNER OF THE CAR
SAYS THAT HE DOESN'T USE IT
81
00:06:14,680 --> 00:06:16,986
AND DOESN'T KNOW
ANYBODY THAT DOES.
82
00:06:17,010 --> 00:06:18,216
THAT'S IT?
83
00:06:18,240 --> 00:06:19,486
YES.
84
00:06:19,510 --> 00:06:21,116
AND ALL THAT YOU CAN TELL
ME IS THAT WE MIGHT BE LOOKING
85
00:06:21,140 --> 00:06:23,216
FOR A LATINO WHO'S
GOING SMOKELESS?
86
00:06:23,240 --> 00:06:24,416
WELL, I DON'T THINK
87
00:06:24,440 --> 00:06:26,256
IT'S QUITE THAT BLEAK, CAPTAIN.
88
00:06:26,280 --> 00:06:29,016
NO, IT'S PRETTY BLEAK, SERGEANT.
89
00:06:29,040 --> 00:06:32,056
I MEAN, WE HAVE TWO ARMED
ROBBERS THAT DON'T HESITATE
90
00:06:32,080 --> 00:06:35,216
TO BLOW AWAY AN INNOCENT
CUSTOMER. JUST TO MAKE A POINT.
91
00:06:35,240 --> 00:06:37,616
NOW, I HAVE TO ISSUE
A PRESS RELEASE,
92
00:06:37,640 --> 00:06:39,516
AND I AM DAMNED
IF I AM GOING TO SAY
93
00:06:39,540 --> 00:06:42,456
THAT WE SUSPECT THAT ONE OF
THE CULPRITS MIGHT BE A CHICANO
94
00:06:42,480 --> 00:06:45,416
WITH A PINCH BETWEEN
HIS CHEEK AND GUM.
95
00:06:45,440 --> 00:06:46,886
NOW, THAT'S BLEAK!
96
00:06:46,910 --> 00:06:49,786
WELL, WHY DON'T YOU JUST
USE STOCK RELEASE NUMBER 5?
97
00:06:49,810 --> 00:06:52,086
"SOURCES CLOSE TO THE
INVESTIGATION SAY THAT
98
00:06:52,110 --> 00:06:53,416
AN ARREST IS IMMINENT."
99
00:06:53,440 --> 00:06:57,016
BECAUSE MY SOURCES DON'T
INDICATE ANY SUCH THING.
100
00:06:57,040 --> 00:06:58,956
UNLESS YOU TWO HAVE
ANOTHER SECRET GAME-PLAN
101
00:06:58,980 --> 00:07:00,056
YOU'RE NOT SHARING?
102
00:07:00,080 --> 00:07:01,156
WELL, WE'RE GONNA INTERVIEW
103
00:07:01,180 --> 00:07:03,186
ALL THE STORE'S
FORMER EMPLOYEES.
104
00:07:03,210 --> 00:07:05,916
YOU THINK SOMEBODY
GOT FIRED, CAME BACK,
105
00:07:05,940 --> 00:07:07,886
KNOCKED OFF THE PLACE FOR
SPITE AND NOBODY RECOGNIZED HIM?
106
00:07:07,910 --> 00:07:10,656
WELL, MAYBE ONE
OF THEM SET IT UP?
107
00:07:10,680 --> 00:07:12,080
CHECK IT OUT.
108
00:07:19,440 --> 00:07:20,516
McCall: YOU ARE SCOTT TREVOR?
109
00:07:20,540 --> 00:07:22,586
Trevor: YES, DID
SOMEONE REFER YOU?
110
00:07:22,610 --> 00:07:24,386
YES, YOUR FORMER EMPLOYER.
111
00:07:24,410 --> 00:07:25,686
WELL, HOW NICE.
112
00:07:25,710 --> 00:07:28,786
ARE YOU INTERESTED IN A
VACATION PACKAGE, BY ANY CHANCE?
113
00:07:28,810 --> 00:07:30,486
WE HAVE SOME EXCELLENT
BARGAINS RIGHT NOW,
114
00:07:30,510 --> 00:07:31,956
BASED ON DOUBLE OCCUPANCY.
115
00:07:31,980 --> 00:07:33,616
NO. WE'RE NOT A COUPLE.
116
00:07:33,640 --> 00:07:35,116
WE'RE A COUPLE
OF POLICE OFFICERS.
117
00:07:35,140 --> 00:07:36,456
WE'RE JUST HERE TO ASK YOU
118
00:07:36,480 --> 00:07:37,786
A COUPLE OF QUESTIONS, SCOTT.
119
00:07:37,810 --> 00:07:39,556
WHAT ABOUT?
120
00:07:39,580 --> 00:07:41,356
THE JEWELRY STORE
YOU USED TO WORK AT.
121
00:07:41,380 --> 00:07:43,156
YOU LEFT LAST MONTH. HOW COME?
122
00:07:43,180 --> 00:07:44,756
I COULDN'T TAKE THE PRESSURE.
123
00:07:44,780 --> 00:07:45,956
McCall: PRESSURE?
124
00:07:45,980 --> 00:07:47,486
DO YOU KNOW HOW MUCH
125
00:07:47,510 --> 00:07:50,456
THE JEWELS IN THAT STORE
WERE WORTH? MILLIONS.
126
00:07:50,480 --> 00:07:52,156
YEAH, WE KNOW THAT. SO WHAT?
127
00:07:52,180 --> 00:07:54,016
SO STAYING ALIVE,
THAT'S "SO WHAT."
128
00:07:54,040 --> 00:07:55,316
THE PLACE MADE ME SO NERVOUS,
129
00:07:55,340 --> 00:07:56,716
MY ULCER HAD AN ULCER.
130
00:07:56,740 --> 00:07:58,786
DO YOU HAVE ANY IDEA HOW
MANY FANCY JEWELRY STORES
131
00:07:58,810 --> 00:08:00,786
HAVE BEEN ROBBED IN
THE LAST FEW YEARS?
132
00:08:00,810 --> 00:08:02,416
WELL, DID YOU KNOW THAT THE
STORE THAT YOU USED TO WORK AT
133
00:08:02,440 --> 00:08:03,716
WAS ROBBED A FEW DAYS AGO?
134
00:08:03,740 --> 00:08:04,786
DO I KNOW?!
135
00:08:04,810 --> 00:08:06,016
I HAVE BEEN SAYING
PRAYERS OF THANKSGIVING
136
00:08:06,040 --> 00:08:08,786
THAT I LEFT THAT
PLACE WHEN I DID.
137
00:08:08,810 --> 00:08:10,316
THAT POOR MAN THEY SHOT
138
00:08:10,340 --> 00:08:12,586
COULD'VE BEEN ME!
139
00:08:12,610 --> 00:08:14,156
YEAH, WELL, TRY TO GET A
HOLD ON YOURSELF, SCOTT.
140
00:08:14,180 --> 00:08:17,056
LOOK, SERGEANT HUNTER
AND I ARE HOMICIDE DETECTIVES.
141
00:08:17,080 --> 00:08:19,416
WE THOUGHT MAYBE YOU
MIGHT BE ABLE TO HELP US.
142
00:08:19,440 --> 00:08:21,316
DID ANYTHING UNUSUAL OCCUR
143
00:08:21,340 --> 00:08:22,886
THE LAST WEEK YOU WORKED THERE?
144
00:08:22,910 --> 00:08:24,086
JUST THAT I TOOK
145
00:08:24,110 --> 00:08:26,386
AN UNUSUALLY LARGE
NUMBER OF ULCER PILLS.
146
00:08:26,410 --> 00:08:29,016
DO YOU REMEMBER WAITING
ON ANY HISPANIC CUSTOMERS?
147
00:08:29,040 --> 00:08:30,386
A FEW.
148
00:08:30,410 --> 00:08:32,586
FROM MEXICO CITY, VERY RICH.
149
00:08:32,610 --> 00:08:34,686
DO ANY HISPANICS
WORK AT THE STORE?
150
00:08:34,710 --> 00:08:35,786
ARE YOU KIDDING?
151
00:08:35,810 --> 00:08:37,786
THAT MANAGER'S A
MAN OF DEEP PREJUDICE.
152
00:08:37,810 --> 00:08:38,687
HE WOULDN'T HIRE ONE.
153
00:08:38,711 --> 00:08:40,786
ANYBODY STRIKE YOU AS PECULIAR?
154
00:08:40,810 --> 00:08:42,816
HALF THE PEOPLE WHO
CAME INTO THAT PLACE
155
00:08:42,840 --> 00:08:44,086
WERE PECULIAR IN
ONE WAY OR ANOTHER.
156
00:08:44,110 --> 00:08:45,886
WELL, TRY SUSPICIOUS.
157
00:08:45,910 --> 00:08:48,356
THEY WERE ALL SUSPICIOUS.
158
00:08:48,380 --> 00:08:52,156
AT LEAST THIS JOB IS SAFE.
NOBODY SHOOTS TRAVEL AGENTS.
159
00:08:52,180 --> 00:08:55,656
YEAH. WELL, THANK YOU
VERY MUCH FOR YOUR TIME.
160
00:08:55,680 --> 00:08:58,816
AND IF YOU DO THINK OF ANYTHING
THAT MIGHT BE ABLE TO HELP US,
161
00:08:58,840 --> 00:09:00,210
GIVE US A CALL, WILL YOU?
162
00:09:02,010 --> 00:09:04,056
OH, ONE LAST QUESTION, SCOTT.
163
00:09:04,080 --> 00:09:07,756
DID YOU EVER SEE ANYBODY
IN THE STORE DIP SNUFF?
164
00:09:07,780 --> 00:09:11,416
SNUFF? CERTAINLY NOT,
IT'S A DISGUSTING HABIT.
165
00:09:11,440 --> 00:09:13,586
YEAH, WELL, NONE
OF US ARE PERFECT.
166
00:09:13,610 --> 00:09:15,216
IF YOU HAPPEN TO
THINK OF ANYBODY
167
00:09:15,240 --> 00:09:17,416
THAT MIGHT HAVE USED IT,
PLEASE LET US KNOW, HUH?
168
00:09:17,440 --> 00:09:20,316
WELL, THERE WAS
THAT, UH, MESSENGER.
169
00:09:20,340 --> 00:09:22,286
HE MADE A DELIVERY
ON A MOTORCYCLE.
170
00:09:22,310 --> 00:09:24,316
I GUESS THEY THINK THAT
SORT OF THING IS MACHO.
171
00:09:24,340 --> 00:09:25,416
WHAT ARE YOU TALKING ABOUT?
172
00:09:25,440 --> 00:09:26,586
WELL, I DON'T KNOW HIS NAME.
173
00:09:26,610 --> 00:09:28,086
IT WAS THE ONLY
TIME I EVER SAW HIM.
174
00:09:28,110 --> 00:09:29,816
DIDN'T MAKE A VERY
GOOD IMPRESSION ON ME,
175
00:09:29,840 --> 00:09:31,716
THE WAY HE SHOVED
IT UNDER HIS LIP.
176
00:09:31,740 --> 00:09:33,216
CAN YOU IMAGINE KISSING
SOMEBODY LIKE THAT?
177
00:09:33,240 --> 00:09:35,786
NOT PERSONALLY, NO.
178
00:09:35,810 --> 00:09:37,686
AH, DO YOU REMEMBER
THE NAME OF THE SERVICE...
179
00:09:37,710 --> 00:09:39,086
THE MESSENGER SERVICE?
180
00:09:39,110 --> 00:09:42,156
OH, IT WAS THAT ONE
WITH THE CUTE LITTLE LOGO.
181
00:09:42,180 --> 00:09:45,216
THE WHEEL WITH THE
WINGS... WHAT WAS THAT?
182
00:09:45,240 --> 00:09:46,580
MERCURY EXPRESS!
183
00:09:48,010 --> 00:09:52,156
DO YOU WANNA GIVE ODDS
ON THIS? I'LL LAY YOU 10 TO 1.
184
00:09:52,180 --> 00:09:55,186
I LOVE THAT TYPE OF TALK.
185
00:09:55,210 --> 00:09:56,740
BUT NO BET.
186
00:10:28,680 --> 00:10:30,756
JERRY BURRELL?
187
00:10:51,310 --> 00:10:53,816
JERRY WADE BURRELL.
188
00:10:53,840 --> 00:10:56,156
BASIC SMALL-TIME HOOD.
189
00:10:56,180 --> 00:10:58,286
THE BIGGEST THING THIS
CREEP EVER BOOSTED
190
00:10:58,310 --> 00:10:59,686
WAS A COMPACT CAR.
191
00:10:59,710 --> 00:11:01,656
I'D SAY HE MADE A RECENT
CAREER MOVE, WOULDN'T YOU?
192
00:11:01,680 --> 00:11:03,986
WELL, HE'S NOT GONNA
ANSWER ANY QUESTIONS
193
00:11:04,010 --> 00:11:06,340
IN AN AIR-CONDITIONED
DRAWER, THAT'S FOR SURE.
194
00:11:11,280 --> 00:11:13,186
SO, NOW WE GOT A CORPSE,
195
00:11:13,210 --> 00:11:16,616
WITH NO EVIDENCE TO TIE HIM
TO A $5 MILLION JEWELRY HEIST.
196
00:11:16,640 --> 00:11:19,816
NOTHING ON HIM, NOTHING
IN HIS APARTMENT...
197
00:11:19,840 --> 00:11:21,686
EXCEPT THIS.
198
00:11:21,710 --> 00:11:23,956
THE PHOTOGRAPH WAS
TAKEN A COUPLE OF WEEKS AGO.
199
00:11:23,980 --> 00:11:26,486
THE OTHER GUY THERE
IS CARLOS MARINO.
200
00:11:26,510 --> 00:11:28,216
HE AND BURRELL DID TIME IN 1983.
201
00:11:28,240 --> 00:11:30,556
WHAT WAS HE IN FOR?
202
00:11:30,580 --> 00:11:32,256
RECEIVING STOLEN GOODS.
203
00:11:32,280 --> 00:11:33,686
HI. SORRY I'M LATE.
204
00:11:33,710 --> 00:11:34,756
WHAT DO YOU GOT?
205
00:11:34,780 --> 00:11:36,916
I GOT SOME GOOD
NEWS, I GOT SOME BAD.
206
00:11:36,940 --> 00:11:38,186
GIVE ME THE GOOD NEWS.
207
00:11:38,210 --> 00:11:41,286
THE GOOD NEWS IS, MARINO
SPEAKS WITH A HISPANIC ACCENT.
208
00:11:41,310 --> 00:11:43,116
THAT'S THE GOOD?
209
00:11:43,140 --> 00:11:44,356
WHAT'S THE BAD?
210
00:11:44,380 --> 00:11:45,786
THE BAD IS, HE SKIPPED.
211
00:11:45,810 --> 00:11:47,656
HE HASN'T SEEN HIS PAROLE
OFFICER SINCE THE HEIST.
212
00:11:47,680 --> 00:11:49,940
McCALL, THAT'S THE GOOD NEWS.
213
00:11:53,380 --> 00:11:54,856
WHO'S THE GIRL?
214
00:11:54,880 --> 00:11:56,486
I'LL FIND THAT OUT.
215
00:11:56,510 --> 00:11:57,940
LET ME SEE THAT?
216
00:11:59,480 --> 00:12:01,980
SHE LOOKS FAMILIAR.
217
00:12:07,580 --> 00:12:09,180
HERE SHE IS!
218
00:12:10,580 --> 00:12:11,656
ARE YOU SURE?
219
00:12:11,680 --> 00:12:14,080
I'M POSITIVE.
HERE... TAKE A LOOK.
220
00:12:19,380 --> 00:12:21,386
SIMILAR TYPES, I GUESS.
221
00:12:21,410 --> 00:12:23,286
A SIMILAR TYPE! WHAT ARE
YOU? A CASTING DIRECTOR?
222
00:12:23,310 --> 00:12:24,940
THAT'S HER, LOOK AT THAT!
223
00:12:28,040 --> 00:12:29,816
Secretary: GOLDEN WEST MODELING.
224
00:12:29,840 --> 00:12:31,456
McCall: HI, THIS IS
MARY BREWSTER,
225
00:12:31,480 --> 00:12:33,856
VICE PRESIDENT OF
S.J.C. STUDIOS CASTING,
226
00:12:33,880 --> 00:12:37,386
I UNDERSTAND THAT YOU
REPRESENT AN ANGELITA CHAVIRA?
227
00:12:37,410 --> 00:12:39,056
ANGIE CHAVIRA? YES.
228
00:12:39,080 --> 00:12:40,416
WHY? ARE YOU INTERESTED IN HER?
229
00:12:40,440 --> 00:12:42,516
WELL, UH, NO, BUT MY
EXECUTIVE PRODUCER IS.
230
00:12:42,540 --> 00:12:44,356
HE'D LIKE VERY MUCH TO
HAVE AN INTERVIEW WITH HER.
231
00:12:44,380 --> 00:12:46,116
WELL, IF YOU'RE IN A HURRY,
232
00:12:46,140 --> 00:12:48,056
YOU CAN CATCH HER AT LA ROUGE.
233
00:12:48,080 --> 00:12:50,586
SHE'S DOING A BUSINESSMAN'S
LUNCHEON UNTIL 2:00.
234
00:12:56,940 --> 00:12:58,716
THIS NUMBER CAN BE
SEEN AT BRADFORD'S
235
00:12:58,740 --> 00:13:01,686
IN 4 DIFFERENT
COLORS, FOR $79.95.
236
00:13:01,710 --> 00:13:03,816
THAT IS A NUMBER, LOOK AT THIS!
237
00:13:03,840 --> 00:13:04,856
WILL YOU PLEASE, GUYS?
238
00:13:04,880 --> 00:13:06,286
DOES THAT INCLUDE YOU TOO?
239
00:13:06,310 --> 00:13:07,716
DO YOU DELIVER?
240
00:13:07,740 --> 00:13:09,916
WHAT'S YOUR NUMBER PRICED AT?
241
00:13:09,940 --> 00:13:11,856
IF YOU HAVE TO ASK,
YOU CAN'T AFFORD IT.
242
00:13:11,880 --> 00:13:13,640
HEY, WAIT A MINUTE...
243
00:13:17,940 --> 00:13:19,556
YOU KNOW, IF WE SHOW
HER THAT PHOTOGRAPH,
244
00:13:19,580 --> 00:13:22,356
SHE'LL JUST DENY IT'S HER.
245
00:13:22,380 --> 00:13:25,286
YEAH, BUT HER REACTION
COULD TELL US DIFFERENT.
246
00:13:25,310 --> 00:13:28,416
IT'LL JUST TIP MARINO
OFF THAT WE'RE ON TO HIM.
247
00:13:28,440 --> 00:13:29,716
McCall: SO WHAT DO YOU WANNA DO?
248
00:13:29,740 --> 00:13:30,856
DO YOU WANNA JUST STICK WITH HER
249
00:13:30,880 --> 00:13:32,710
UNTIL MARINO TRIES
TO CONTACT HER?
250
00:13:34,340 --> 00:13:36,086
WELL, IF HE DOESN'T, HE'S CRAZY.
251
00:13:36,110 --> 00:13:37,856
BETTER GO GET A HAT, BIG GUY...
252
00:13:37,880 --> 00:13:39,180
YOUR HORNS ARE SHOWING!
253
00:13:40,840 --> 00:13:42,716
I'LL CALL IN AND GET PERMISSION
254
00:13:42,740 --> 00:13:44,586
FOR 24-HOUR SURVEILLANCE.
255
00:13:44,610 --> 00:13:46,086
WOULD YOU LIKE TO, UH...
256
00:13:46,110 --> 00:13:48,686
STAY AND KEEP AN EYE ON HER?
257
00:13:48,710 --> 00:13:51,040
IT WILL BE HELL,
BUT, UH, I'LL DO IT.
258
00:14:13,340 --> 00:14:15,780
HANG UP, SHE'S
MOVING OUT! COME ON.
259
00:15:36,940 --> 00:15:38,380
STAY WITH HER.
260
00:15:41,780 --> 00:15:43,886
THAT WOMAN THAT JUST LEFT
HERE, WHERE'S SHE GOING?
261
00:15:43,910 --> 00:15:45,786
HEY, BUDDY, THE LINE
FORMS AT THE REAR.
262
00:15:45,810 --> 00:15:46,986
POLICE.
263
00:15:47,010 --> 00:15:48,486
SAN DIEGO.
264
00:15:48,510 --> 00:15:50,556
SAN DIEGO, THANK
YOU VERY MUCH. SORRY.
265
00:15:50,580 --> 00:15:51,840
HEY, NO PROBLEM.
266
00:15:53,910 --> 00:15:56,486
YOUR ATTENTION, PLEASE.
THIS IS THE LAST CALL...
267
00:15:56,510 --> 00:15:57,816
SHE'S GOING SOUTH.
268
00:15:57,840 --> 00:15:59,586
YEAH, AND SO ARE WE.
BETTER CALL THIS THING IN.
269
00:15:59,610 --> 00:16:01,116
AND YOU GOTTA BEAT
THIS TRAIN TO SAN DIEGO.
270
00:16:01,140 --> 00:16:06,056
OH, WAIT A MINUTE.
THAT IS A 3-HOUR DRIVE.
271
00:16:06,080 --> 00:16:07,656
YOU BETTER GET GOING!
272
00:16:07,680 --> 00:16:09,316
NOW BOARDING ON TRACK 9,
273
00:16:09,340 --> 00:16:11,740
LEAVING FOR SAN
DIEGO IN 10 MINUTES.
274
00:16:24,380 --> 00:16:25,486
YOUR ATTENTION, PLEASE.
275
00:16:25,510 --> 00:16:28,540
THIS IS THE LAST CALL
FOR TRAIN NUMBER 578.
276
00:16:29,780 --> 00:16:30,956
SMOKING, OR NON-SMOKING?
277
00:16:30,980 --> 00:16:32,640
I'M NOT SURE YET.
278
00:17:29,040 --> 00:17:30,416
OH! OH!
279
00:17:30,440 --> 00:17:32,686
OH... OH, I'M SO SORRY!
280
00:17:32,710 --> 00:17:36,356
OH, YEAH. THANKS.
281
00:17:36,380 --> 00:17:37,756
OH, I REALLY... I
DIDN'T MEAN TO... I...
282
00:17:37,780 --> 00:17:39,056
YEAH, I THINK YOU DID.
283
00:17:39,080 --> 00:17:40,556
Bartender: WELL,
WHAT WILL IT BE, SIR?
284
00:17:40,580 --> 00:17:42,156
WHATEVER IT IS, I'LL PAY FOR IT.
285
00:17:42,180 --> 00:17:43,386
WELL, THAT'S ALL RIGHT.
YOU DON'T HAVE TO.
286
00:17:43,410 --> 00:17:46,486
NO, REALLY. I INSIST.
287
00:17:46,510 --> 00:17:48,440
BE CAREFUL.
288
00:18:03,610 --> 00:18:05,216
THANK YOU FOR THE DRINK.
289
00:18:05,240 --> 00:18:06,586
YOU'RE WELCOME.
290
00:18:06,610 --> 00:18:08,456
NICE MEETING YOU.
291
00:18:08,480 --> 00:18:09,886
RICK. RICK McPHERSON.
292
00:18:09,910 --> 00:18:12,356
ANGIE. ANGIE CHAVIRA.
293
00:18:12,380 --> 00:18:15,386
ANGIE... THANKS FOR
SPILLING YOUR DRINK ON ME.
294
00:18:15,410 --> 00:18:17,416
MY PLEASURE.
295
00:18:39,710 --> 00:18:44,116
OFFICER, I'M SERGEANT
McCALL, METROPOLITAN POLICE.
296
00:18:44,140 --> 00:18:45,216
I'M IN HOT PURSUIT HERE.
297
00:18:45,240 --> 00:18:47,016
HOT PURSUIT? WHERE'S
YOUR CHERRY LIGHT?
298
00:18:47,040 --> 00:18:48,286
WHERE'S YOUR SIREN?
299
00:18:48,310 --> 00:18:49,756
LOOK, I DON'T HAVE TIME TO...
300
00:18:49,780 --> 00:18:51,856
OFFICER, I HAVE
TO BE IN SAN DIEGO
301
00:18:51,880 --> 00:18:54,186
BEFORE THE 2:00
TRAIN GETS THERE.
302
00:18:54,210 --> 00:18:56,356
NOW, THE REASON I
DON'T HAVE THE SIREN
303
00:18:56,380 --> 00:18:57,416
AND THE CHERRY LIGHT GOING
304
00:18:57,440 --> 00:18:58,417
BECAUSE I KNOW IT'S NOT A CODE 3
305
00:18:58,441 --> 00:18:59,586
AND I KNOW I'M GOING
TO MAKE IT, I HOPE.
306
00:18:59,610 --> 00:19:01,186
IF YOU JUST LET ME
GET OUT OF HERE.
307
00:19:01,210 --> 00:19:02,556
OK, OK, GO.
308
00:19:02,580 --> 00:19:04,816
YOU'D BE BETTER
OFF ON THE FREEWAY.
309
00:19:04,840 --> 00:19:07,786
I JUST GOT OFF THE FREEWAY.
310
00:19:07,810 --> 00:19:10,380
HEY, GET THAT TAILLIGHT FIXED!
311
00:19:13,140 --> 00:19:15,016
SO IS SAN DIEGO YOUR HOME?
312
00:19:15,040 --> 00:19:18,186
IT USED TO BE. I LEFT
RIGHT AFTER HIGH SCHOOL.
313
00:19:18,210 --> 00:19:20,516
OH, YOU'RE COMING
BACK FOR A VISIT, THEN.
314
00:19:20,540 --> 00:19:22,016
WELL, I HAVE SOME FRIENDS
315
00:19:22,040 --> 00:19:23,586
I LIKE TO KEEP IN TOUCH WITH.
316
00:19:23,610 --> 00:19:24,786
IS YOUR FAMILY THERE?
317
00:19:24,810 --> 00:19:27,940
NO. NO, MY FAMILY
LIVES IN GUATEMALA.
318
00:19:30,440 --> 00:19:32,856
YOU WANT ME TO
FILL IT UP FOR YOU?
319
00:19:32,880 --> 00:19:36,016
I THOUGHT THIS WAS A
SELF-SERVE STATION?
320
00:19:36,040 --> 00:19:38,356
WELL, IT IS FOR MOST PEOPLE,
321
00:19:38,380 --> 00:19:39,516
BUT FOR YOU,
322
00:19:39,540 --> 00:19:41,886
I'D BE WILLING TO
MAKE AN EXCEPTION.
323
00:19:41,910 --> 00:19:44,486
WELL, DON'T BOTHER. THE
CAR'S FILTHY ENOUGH ALREADY.
324
00:19:44,510 --> 00:19:46,056
ARE YOU ON VACATION?
325
00:19:46,080 --> 00:19:50,756
WELL, SORT OF. I'M,
UH, HOW DO YOU SAY...
326
00:19:50,780 --> 00:19:52,656
KIND OF IN BETWEEN ASSIGNMENTS.
327
00:19:52,680 --> 00:19:54,886
I THINK THEY CALL IT UNEMPLOYED.
328
00:19:54,910 --> 00:19:56,340
YES, THEY DO.
329
00:20:07,680 --> 00:20:10,516
SOUNDS LIKE YOU GOT
TROUBLE TO ME, DARLIN'.
330
00:20:10,540 --> 00:20:13,480
YOU WANT ME TO TAKE
A LOOK AT IT FOR YOU?
331
00:20:15,080 --> 00:20:17,116
YEAH. WOULD YOU, PLEASE?
332
00:20:17,140 --> 00:20:19,356
HEY. MY PLEASURE.
333
00:20:19,380 --> 00:20:22,310
WE ALWAYS SERVICE WHAT WE SELL.
334
00:20:43,240 --> 00:20:45,016
WHAT DID YOU DO?
335
00:20:45,040 --> 00:20:47,216
YOU MEAN, WHAT KIND
OF WORK AM I OUT OF?
336
00:20:47,240 --> 00:20:50,086
I WAS IN ELECTRONICS DESIGN.
337
00:20:50,110 --> 00:20:53,986
SO, YOU THINK THE GRASS
MAY BE GREENER IN SAN DIEGO?
338
00:20:54,010 --> 00:20:57,256
WELL, I'VE GOT A JOB
INTERVIEW FRIDAY MORNING.
339
00:20:57,280 --> 00:20:59,616
PERHAPS THE GRASS IS
GREENER, WHO KNOWS?
340
00:20:59,640 --> 00:21:03,580
I THINK ABOUT MOVING BACK
THERE SOMETIMES MYSELF.
341
00:21:05,610 --> 00:21:06,686
YOUR ATTENTION PLEASE.
342
00:21:06,710 --> 00:21:09,610
OCEANSIDE IS OUR NEXT
STATION STOP. OCEANSIDE.
343
00:21:17,980 --> 00:21:20,440
Hunter: I GUESS THINGS
COULD BE A LOT WORSE, HUH?
344
00:21:23,880 --> 00:21:26,086
THINGS HAVE BEEN WORSE.
345
00:21:26,110 --> 00:21:28,516
WHAT, FOR YOU PERSONALLY?
346
00:21:28,540 --> 00:21:30,186
IT WAS PERSONAL, ALL RIGHT.
347
00:21:30,210 --> 00:21:33,756
I WAS 14 YEARS OLD.
348
00:21:33,780 --> 00:21:36,886
THEY TOOK ME AND
ABOUT 20 OTHER PEOPLE
349
00:21:36,910 --> 00:21:37,956
AND THEY DUMPED US
350
00:21:37,980 --> 00:21:40,240
OUT IN THE MIDDLE OF
THAT DESERT OUT THERE.
351
00:21:43,880 --> 00:21:45,616
IT'S NOT TOO FAR FROM HERE,
352
00:21:45,640 --> 00:21:48,156
IF YOU JUST COUNT MILES.
353
00:21:48,180 --> 00:21:50,940
Hunter: YEAH, BUT YOU MADE IT.
354
00:21:53,980 --> 00:21:58,280
YEAH... YEAH, I MADE IT.
355
00:22:01,180 --> 00:22:03,756
I'M SORRY.
356
00:22:03,780 --> 00:22:05,116
SORRY FOR WHAT?
357
00:22:05,140 --> 00:22:08,486
IT'S JUST THAT SOMETIMES
I FORGET HOW LUCKY I AM.
358
00:22:08,510 --> 00:22:11,280
I'M EVEN A CITIZEN NOW.
359
00:22:12,880 --> 00:22:15,716
I REALLY MADE IT.
360
00:22:15,740 --> 00:22:17,680
CONGRATULATIONS.
361
00:23:09,310 --> 00:23:10,956
I'M A MODEL.
362
00:23:10,980 --> 00:23:13,316
AHH. I KNEW I'D SEEN
YOU SOMEPLACE BEFORE.
363
00:23:13,340 --> 00:23:14,416
IN A COMMERCIAL MAYBE?
364
00:23:14,440 --> 00:23:15,480
MAYBE.
365
00:23:17,780 --> 00:23:20,386
YOU KNOW, YOU'VE PROBABLY
HEARD THIS A MILLION TIMES,
366
00:23:20,410 --> 00:23:23,416
AND IT MAY BE VERY CLICHé-ISH,
BUT I'M GONNA SAY IT ANYWAY...
367
00:23:23,440 --> 00:23:24,516
YOU'RE VERY BEAUTIFUL.
368
00:23:24,540 --> 00:23:26,886
THANK YOU.
369
00:23:26,910 --> 00:23:28,286
YOU LIKE DOING IT?
370
00:23:28,310 --> 00:23:29,686
WHAT?
371
00:23:29,710 --> 00:23:31,216
MODELING.
372
00:23:31,240 --> 00:23:34,886
OH... YES.
373
00:23:34,910 --> 00:23:37,856
OH... NO.
374
00:23:37,880 --> 00:23:42,486
DOES THE PRIZE-WINNING COW
LIKE BEING A PIECE OF MEAT?
375
00:24:03,180 --> 00:24:06,156
YOUR ATTENTION, PLEASE.
NOW ENTERING SAN DIEGO...
376
00:24:06,180 --> 00:24:08,086
HAVE YOU BEEN HERE BEFORE?
377
00:24:08,110 --> 00:24:11,486
OH, JUST ONCE FOR THE
WEEKEND, ABOUT 10 YEARS AGO.
378
00:24:11,510 --> 00:24:14,680
HOW WOULD YOU LIKE A
PERSONAL TOUR GUIDE?
379
00:24:16,540 --> 00:24:19,916
MIGHT BE FUN TO SHOW YOU
AROUND IF YOU HAVE THE TIME.
380
00:24:19,940 --> 00:24:21,756
OH BOY, I'D LOVE THAT.
381
00:24:21,780 --> 00:24:23,786
BUT IT ALL DEPENDS IF
I GET THIS JOB OR NOT.
382
00:24:23,810 --> 00:24:24,986
HOW LONG ARE YOU
GONNA BE IN TOWN?
383
00:24:25,010 --> 00:24:28,486
I'M NOT SURE. I TOOK A WEEK OFF,
384
00:24:28,510 --> 00:24:31,010
BUT I'M OPEN TO SUGGESTIONS.
385
00:24:41,840 --> 00:24:43,356
YOU FORGOT YOUR LUGGAGE!
386
00:24:43,380 --> 00:24:45,186
WELL, I CHECKED IT THROUGH.
I'LL GO BACK AND GET IT.
387
00:24:45,210 --> 00:24:48,686
WELL, YOU KNOW
WHERE I'M STAYING.
388
00:24:48,710 --> 00:24:52,086
GIVE ME A CALL IF YOU
WANT THE 25-CENT TOUR.
389
00:24:52,110 --> 00:24:54,456
ANGIE, I'D REALLY LIKE
TO SEE YOU TONIGHT,
390
00:24:54,480 --> 00:24:56,986
BUT I GOTTA BE
WITH SOME FRIENDS.
391
00:24:57,010 --> 00:24:59,686
I UNDERSTAND.
392
00:24:59,710 --> 00:25:02,686
LET ME KNOW IF YOU
CHANGE YOUR PLANS.
393
00:25:02,710 --> 00:25:04,310
I WILL.
394
00:25:34,910 --> 00:25:36,156
WHAT KEPT YOU?
395
00:25:36,180 --> 00:25:37,710
DON'T ASK!
396
00:25:43,310 --> 00:25:45,886
McCall: "SWEET", HUH...
WAS THAT THE WORD?
397
00:25:45,910 --> 00:25:49,016
YES, IT WAS. ALSO BEAUTIFUL.
398
00:25:49,040 --> 00:25:52,316
I FELT BAD LYING TO HER, THOUGH.
399
00:25:52,340 --> 00:25:55,116
HUNTER, YOU'RE NOT GETTING
INVOLVED HERE, ARE YOU?
400
00:25:55,140 --> 00:25:57,356
I MEAN, I KNOW SHE'S
BEAUTIFUL AND SHE'S SWEET,
401
00:25:57,380 --> 00:25:58,916
BUT SHE'S ALSO A SUSPECT.
402
00:25:58,940 --> 00:26:00,556
WHAT ARE YOU TALKING
ABOUT, SUSPECT?
403
00:26:00,580 --> 00:26:03,216
SHE'S NOT A SUSPECT. SHE MAY
KNOW SOMEBODY WHO'S A SUSPECT.
404
00:26:03,240 --> 00:26:04,686
BUT WE'RE NOT EVEN
SURE ABOUT HIM.
405
00:26:04,710 --> 00:26:07,156
HELL, WE'RE NOT EVEN SURE
THAT SHE'S THE GIRL IN THE PICTURE.
406
00:26:07,180 --> 00:26:09,356
WRONG! YOU'RE NOT SURE, I AM.
407
00:26:09,380 --> 00:26:10,886
MARINO COULDN'T
MEET WITH HER IN L.A.,
408
00:26:10,910 --> 00:26:12,256
IT WAS TOO DANGEROUS,
SO HE CAME DOWN HERE
409
00:26:12,280 --> 00:26:13,916
TO MEET WITH HER,
AND I'D BET ON IT.
410
00:26:13,940 --> 00:26:16,416
WELL, YOU DIDN'T SPEND
3 HOURS TALKING TO HER
411
00:26:16,440 --> 00:26:17,686
ON THE TRAIN LIKE I DID.
412
00:26:17,710 --> 00:26:22,316
OH. SO WHAT WAS
YOUR OPENING LINE, HUH?
413
00:26:22,340 --> 00:26:23,556
HOW'D YOU COME ON TO HER?
414
00:26:23,580 --> 00:26:26,686
OPENING LINE? WHAT DO
YOU MEAN, OPENING LINE?
415
00:26:26,710 --> 00:26:28,586
I DIDN'T TRY TO MEET HER.
416
00:26:28,610 --> 00:26:29,856
NO?
417
00:26:29,880 --> 00:26:32,286
THAT WASN'T YOU THAT
WAS DROOLING IN HIS DRINK
418
00:26:32,310 --> 00:26:34,740
AT THE BAR WHEN SHE
WALKED BY IN HER SKIVVIES?
419
00:26:35,980 --> 00:26:38,440
ISN'T THAT FUNNY? I
THOUGHT THAT WAS YOU.
420
00:26:40,340 --> 00:26:42,380
IT LOOKED LIKE YOU.
421
00:26:54,080 --> 00:26:56,786
WELL, WHAT DO YOU KNOW?
422
00:26:56,810 --> 00:26:59,816
SHE SAID SHE WAS
STAYING AT THIS MOTEL,
423
00:26:59,840 --> 00:27:03,586
AND SHE'S STAYING AT THIS MOTEL.
424
00:27:03,610 --> 00:27:05,286
I GUESS IT'S LOVE AT FIRST SIGHT
425
00:27:05,310 --> 00:27:06,786
FOR BOTH OF YOU, THEN, HUH?
426
00:27:06,810 --> 00:27:08,986
YOU KNOW WHAT YOU SOUND LIKE?
427
00:27:09,010 --> 00:27:11,086
YOU SOUND LIKE A JEALOUS WOMAN!
428
00:27:11,110 --> 00:27:12,380
JEALOUS!
429
00:27:13,580 --> 00:27:16,556
HUNTER, LOOK, THIS IS THE DEAL.
430
00:27:16,580 --> 00:27:19,556
YOU'RE MY PARTNER, YOU'RE A COP.
431
00:27:19,580 --> 00:27:21,786
I JUST THINK YOU
OUGHTA ACT LIKE ONE.
432
00:27:21,810 --> 00:27:24,316
I THINK THAT IN THIS
PARTICULAR SITUATION,
433
00:27:24,340 --> 00:27:26,916
YOU ARE NOT BEING
TOTALLY PROFESSIONAL.
434
00:27:26,940 --> 00:27:30,016
WAIT A MINUTE, WHAT'S
NOT PROFESSIONAL ABOUT IT?
435
00:27:30,040 --> 00:27:32,916
ALL I'M DOING IS CAPITALIZING
ON THE FACT THAT I MET
436
00:27:32,940 --> 00:27:35,216
THIS BEAUTIFUL WOMAN ON THE
TRAIN. WHAT'S WRONG WITH THAT?
437
00:27:35,240 --> 00:27:36,356
THERE'S NOTHING WRONG WITH IT,
438
00:27:36,380 --> 00:27:37,986
JUST AS LONG AS YOU DON'T
LOSE SIGHT OF THE FACT
439
00:27:38,010 --> 00:27:39,086
THAT SHE'S A SUSPECT.
440
00:27:39,110 --> 00:27:40,256
NO, WAIT A MINUTE,
YOU GOT THAT WRONG.
441
00:27:40,280 --> 00:27:42,186
SHE'S NOT A SUSPECT,
SHE IS A LEAD.
442
00:27:42,210 --> 00:27:44,386
IF I CAN STAY CLOSE TO HER,
443
00:27:44,410 --> 00:27:47,086
THEN THAT MAKES FOR
BETTER POLICE WORK, RIGHT?
444
00:27:47,110 --> 00:27:50,286
RIGHT, RIGHT. AND I SUPPOSE
WHEN YOU'RE NOT WITH HER,
445
00:27:50,310 --> 00:27:51,956
THAT'S WHEN I GO
IN AND TAKE OVER.
446
00:27:51,980 --> 00:27:53,386
AND IF WE'RE REAL LUCKY,
447
00:27:53,410 --> 00:27:56,416
YOU'RE NOT GONNA
NEED ME AT ALL, RIGHT?
448
00:27:56,440 --> 00:28:01,356
NOW, WAIT A MINUTE,
WHAT AM I LAUGHING FOR?
449
00:28:01,380 --> 00:28:04,040
IF I AM RIGHT, THIS
ISN'T VERY FUNNY.
450
00:28:05,910 --> 00:28:08,016
AS A MATTER OF FACT, IT
COULD BE KINDA DANGEROUS.
451
00:28:08,040 --> 00:28:11,186
ESPECIALLY FOR YOU.
452
00:28:11,210 --> 00:28:13,056
McCall: HUNTER GOT ACQUAINTED
WITH HER ON THE TRAIN
453
00:28:13,080 --> 00:28:14,556
AND NOW HE'S UNDER-COVER.
454
00:28:14,580 --> 00:28:16,456
I GUESS YOU COULD
CALL THAT A LUCKY BREAK.
455
00:28:16,480 --> 00:28:18,716
Wyler: WELL, WHAT TOOK
YOU SO LONG TO CHECK IN?
456
00:28:18,740 --> 00:28:21,756
WELL, CAPTAIN THIS IS THE
FIRST CHANCE I'VE HAD TO CALL IN.
457
00:28:21,780 --> 00:28:23,556
YOU SEE, AS SOON AS WE
PUT HER UNDER SURVEILLANCE,
458
00:28:23,580 --> 00:28:25,986
SHE PICKED UP A SUITCASE AND
SHE GOT ON THE TRAIN TO SAN DIEGO.
459
00:28:26,010 --> 00:28:27,156
IT'S THE FIRST CHANCE I'VE HAD.
460
00:28:27,180 --> 00:28:29,116
WELL, THIS IS AN
AWFUL LOT OF TROUBLE
461
00:28:29,140 --> 00:28:31,756
TO GO TO FOR SOMEONE
WHO'S NOT EVEN A SUSPECT.
462
00:28:31,780 --> 00:28:34,656
CAPTAIN, LOOK, I KNOW THAT
SHE'S NOT A SUSPECT, BUT, UH...
463
00:28:34,680 --> 00:28:36,686
SHE COULD LEAD US TO ONE, RIGHT?
464
00:28:36,710 --> 00:28:40,286
Wyler: OK, YOU WANT US
TO DO ANYTHING UP HERE?
465
00:28:40,310 --> 00:28:42,456
YEAH, I DO. I'D LIKE THE
COMPUTER BOYS TO DO
466
00:28:42,480 --> 00:28:44,316
A COMPLETE RUN-DOWN
ON HER AND GET BACK TO ME
467
00:28:44,340 --> 00:28:45,416
WITH WHATEVER THEY FIND.
468
00:28:45,440 --> 00:28:46,886
WHAT'S THE NAME?
469
00:28:46,910 --> 00:28:50,756
McCall: ANGELITA
CHAVIRA. C-H-A-V-I-R-A.
470
00:28:50,780 --> 00:28:54,516
GOLDEN WEST MODELING HAS HER
WORK HISTORY AND HER ADDRESS.
471
00:28:54,540 --> 00:28:57,416
Wyler: OK, LOOK, HOW LONG
IS THIS GONNA TAKE, NOW?
472
00:28:57,440 --> 00:28:59,356
CAPTAIN, LOOK, IF THE GUY
DOESN'T SHOW IN A COUPLE DAYS,
473
00:28:59,380 --> 00:29:01,556
WE'LL CALL IT A BAD HUNCH AND
WE'LL COME HOME, ALL RIGHT?
474
00:29:01,580 --> 00:29:04,156
HOW MUCH MONEY DO YOU NEED?
475
00:29:04,180 --> 00:29:05,986
THE MOTEL ROOM WAS $40 A DAY
476
00:29:06,010 --> 00:29:08,640
AND HUNTER HAD TO BUY A
NEW SPORTS JACKET AND A SHIRT.
477
00:30:51,840 --> 00:30:52,956
TV Narrator: THE AVERAGE
MEAN TEMPERATURE
478
00:30:52,980 --> 00:30:55,586
AT THIS LATITUDE IS -32
DEGREES FAHRENHEIT.
479
00:30:55,610 --> 00:30:57,186
THE WIND-CHILL FACTOR, HOWEVER,
480
00:30:57,210 --> 00:31:01,316
FREQUENTLY REDUCES THIS
FIGURE TO 60 DEGREES BELOW ZERO.
481
00:31:01,340 --> 00:31:05,010
THE MOVEMENT OF DEEP
OCEAN WATER, WHICH IS...
482
00:31:08,180 --> 00:31:09,380
THANK YOU.
483
00:31:12,580 --> 00:31:17,056
RICK, I GET THIS FEELING
484
00:31:17,080 --> 00:31:20,016
THAT YOU'VE LEARNED
A LOT MORE ABOUT ME
485
00:31:20,040 --> 00:31:21,516
THAN I'VE LEARNED ABOUT YOU.
486
00:31:21,540 --> 00:31:23,416
ARE YOU HIDING
SOMETHING FROM ME?
487
00:31:23,440 --> 00:31:25,786
LIKE WHAT?
488
00:31:25,810 --> 00:31:27,240
WELL...
489
00:31:29,040 --> 00:31:30,616
I KNOW YOU'RE NOT MARRIED,
490
00:31:30,640 --> 00:31:34,116
AND IT'S NOT JUST BECAUSE
YOU SAID YOU AREN'T.
491
00:31:34,140 --> 00:31:38,386
BUT I DO GET THIS
FEELING THAT...
492
00:31:38,410 --> 00:31:41,116
THAT YOU HAVE A GIRLFRIEND,
493
00:31:41,140 --> 00:31:43,856
SOMEBODY THAT
YOU CARE FOR A LOT.
494
00:31:43,880 --> 00:31:46,116
WELL, I DO HAVE A
FRIEND... A WOMAN,
495
00:31:46,140 --> 00:31:49,286
BUT WE'RE NOT
BOYFRIEND AND GIRLFRIEND,
496
00:31:49,310 --> 00:31:50,616
WE'RE JUST VERY CLOSE.
497
00:31:50,640 --> 00:31:53,310
BUT YOU DON'T CARE FOR HER?
498
00:31:55,110 --> 00:31:57,780
I CARE FOR HER VERY MUCH.
499
00:32:01,580 --> 00:32:03,516
SOMETIMES, I...
500
00:32:03,540 --> 00:32:05,856
I WONDER WHAT IT
WOULD BE LIKE TO, UH...
501
00:32:05,880 --> 00:32:08,840
WHAT IT WOULD BE LIKE
TO MAKE LOVE TO HER.
502
00:32:12,010 --> 00:32:13,610
SO, WHY DON'T YOU?
503
00:32:17,040 --> 00:32:20,086
WELL, WE ARE VERY GOOD
FRIENDS, LIKE I SAY, AND, UH...
504
00:32:20,110 --> 00:32:22,456
SHE LOOKS OUT FOR ME
AND I LOOK OUT FOR HER.
505
00:32:22,480 --> 00:32:24,410
I LIKE IT LIKE THAT.
506
00:32:25,710 --> 00:32:28,480
I WOULDN'T WANNA DO
ANYTHING TO JEOPARDIZE THAT.
507
00:32:33,310 --> 00:32:36,056
I ENVY YOUR FRIEND, RICK.
508
00:32:36,080 --> 00:32:38,656
I ENVY HER VERY MUCH.
509
00:32:38,680 --> 00:32:41,616
TV Narrator: IS CALLED
THERMOHAILING CIRCULATION.
510
00:32:41,640 --> 00:32:43,386
IN THE ANTARCTIC REGION,
511
00:32:43,410 --> 00:32:46,856
THE DENSE COLD WATER SINKS
AND FLOWS SLOWLY NORTHWARD.
512
00:32:46,880 --> 00:32:48,640
INCREASED SALINITY ALSO...
513
00:33:20,740 --> 00:33:24,210
STAY WITH ME, RICK. PLEASE.
514
00:33:25,410 --> 00:33:27,410
DON'T LEAVE.
515
00:34:17,240 --> 00:34:18,580
ANGIE?
516
00:34:22,640 --> 00:34:25,580
WHAT IS THIS ALL ABOUT, RICK?
517
00:34:28,540 --> 00:34:29,686
SIT DOWN.
518
00:34:29,710 --> 00:34:34,256
PLEASE EXPLAIN THIS TO
ME. WHAT IS GOING ON HERE?
519
00:34:34,280 --> 00:34:38,356
I'M A DETECTIVE FROM
L.A. METRO HOMICIDE.
520
00:34:38,380 --> 00:34:40,086
I FOLLOWED YOU ON THE TRAIN.
521
00:34:40,110 --> 00:34:41,710
WHY?
522
00:34:43,340 --> 00:34:46,316
I DON'T UNDERSTAND THIS,
RICK. WHY DID YOU LIE TO ME?
523
00:34:46,340 --> 00:34:48,780
YOU KNOW WHO THAT IS?
524
00:34:51,040 --> 00:34:52,756
WHERE DID YOU GET THIS?
525
00:34:52,780 --> 00:34:54,780
FROM JERRY BURRELL'S AFFECTS.
526
00:34:58,180 --> 00:35:00,856
AFFECTS?
527
00:35:00,880 --> 00:35:03,156
YOU MEAN, HE'S DEAD?
528
00:35:03,180 --> 00:35:04,610
YES.
529
00:35:05,840 --> 00:35:07,340
HOW WELL DO YOU KNOW HIM?
530
00:35:09,680 --> 00:35:13,986
I JUST MET HIM THIS ONCE,
WHEN THIS PICTURE WAS TAKEN.
531
00:35:14,010 --> 00:35:17,486
CARLOS SAID THAT HE
WAS A FRIEND OF HIS FROM...
532
00:35:17,510 --> 00:35:21,086
I DON'T KNOW, SOMEWHERE
BACK EAST, OR SOMETHING.
533
00:35:21,110 --> 00:35:23,486
WHAT DID HE DO?
534
00:35:23,510 --> 00:35:26,556
YOU REALLY DON'T KNOW, DO YOU?
535
00:35:26,580 --> 00:35:29,256
I HAVE NO IDEA WHAT
IS GOING ON, HERE.
536
00:35:29,280 --> 00:35:32,356
I DON'T UNDERSTAND.
537
00:35:32,380 --> 00:35:37,256
BURRELL AND MARINO STOLE
$5 MILLION WORTH OF DIAMONDS
538
00:35:37,280 --> 00:35:38,616
FROM A STORE IN LOS ANGELES,
539
00:35:38,640 --> 00:35:43,216
AND THEY... THEY KILLED A
CUSTOMER IN THE PROCESS.
540
00:35:43,240 --> 00:35:46,656
NO. NO, I DON'T BELIEVE IT.
541
00:35:46,680 --> 00:35:48,280
IT'S TRUE.
542
00:35:50,610 --> 00:35:53,586
HOW WELL DO YOU KNOW MARINO?
543
00:35:53,610 --> 00:35:56,016
I'VE DATED HIM A FEW TIMES.
544
00:35:56,040 --> 00:35:58,840
HE CALLS ME EVERY
COUPLE OF MONTHS.
545
00:35:59,910 --> 00:36:03,056
HE ALWAYS SPENDS A
LOT OF MONEY ON ME.
546
00:36:03,080 --> 00:36:06,140
TAKES ME TO EXCITING PLACES.
547
00:36:08,540 --> 00:36:11,356
HE SAID HE MADE HIS
LIVING FROM INVESTMENTS.
548
00:36:11,380 --> 00:36:14,840
YEAH, HE'S RIGHT, HE
DOES... OTHER PEOPLE'S.
549
00:36:17,780 --> 00:36:21,656
RICK... WHY DIDN'T
YOU JUST ASK ME
550
00:36:21,680 --> 00:36:24,616
ABOUT ALL THIS
FROM THE BEGINNING?
551
00:36:24,640 --> 00:36:27,116
WHY DID YOU LIE TO ME,
552
00:36:27,140 --> 00:36:30,086
TELLING ME THAT YOU
WERE AN ENGINEER?
553
00:36:30,110 --> 00:36:32,156
IS THAT ALL A PART OF YOUR JOB?
554
00:36:32,180 --> 00:36:34,540
YES, IT IS, ANGIE.
555
00:36:35,810 --> 00:36:38,410
AND WHY DID YOU MAKE LOVE TO ME?
556
00:36:41,380 --> 00:36:43,510
BECAUSE I COULDN'T HELP MYSELF.
557
00:36:57,710 --> 00:37:00,356
THEN YOU SHOULD HAVE TRUSTED ME.
558
00:37:00,380 --> 00:37:04,956
ANGIE, I'M A COP, AND
THERE WAS A POSSIBILITY
559
00:37:04,980 --> 00:37:08,340
THAT YOU CAME DOWN
HERE TO MEET MARINO.
560
00:37:16,540 --> 00:37:18,310
I DID.
561
00:37:21,580 --> 00:37:27,510
BUT, I DIDN'T KNOW I WAS GOING
TO MEET YOU ALONG THE WAY.
562
00:37:30,180 --> 00:37:32,916
THEN YOU MUST KNOW
WHERE MARINO IS?
563
00:37:32,940 --> 00:37:34,416
NO.
564
00:37:34,440 --> 00:37:38,440
NO, HE JUST SAID HE WOULD
CALL ME HERE BY TOMORROW.
565
00:37:39,780 --> 00:37:43,780
THAT WE WOULD FLY TO
CANCUN OR SOMEWHERE.
566
00:37:51,680 --> 00:37:53,940
WHAT IS IT, RICK?
567
00:37:55,880 --> 00:37:58,640
WHAT DO YOU WANT ME TO DO?
568
00:37:59,710 --> 00:38:01,316
JUST TELL ME.
569
00:38:01,340 --> 00:38:02,516
WHAT?!
570
00:38:02,540 --> 00:38:05,486
YOU LEFT HER ALONE IN THAT
ROOM WITH NO SURVEILLANCE,
571
00:38:05,510 --> 00:38:06,886
NO NOTHING?
572
00:38:06,910 --> 00:38:09,156
HUNTER, ALL SHE'S
GOTTA DO IS CALL MARINO,
573
00:38:09,180 --> 00:38:10,486
AND HE'S OUTTA THERE.
574
00:38:10,510 --> 00:38:12,416
LOOK, IF SHE'S
GONNA TIP HIM OFF,
575
00:38:12,440 --> 00:38:15,516
IT DOESN'T MAKE ANY DIFFERENCE
IF SHE'S BEING WATCHED OR NOT.
576
00:38:15,540 --> 00:38:17,586
BESIDES, I DECIDED TO TRUST HER.
577
00:38:17,610 --> 00:38:18,716
WHY?
578
00:38:18,740 --> 00:38:20,956
WELL, I HAD NO CHOICE, IT
HAD ALREADY BEEN MADE.
579
00:38:20,980 --> 00:38:24,856
WELL, I HOPE SHE
WAS GENTLE WITH YOU.
580
00:38:24,880 --> 00:38:27,716
OH! BE NICE, NOW. THE NEXT
THING YOU'RE GONNA WANT
581
00:38:27,740 --> 00:38:30,416
IS A LITTLE BOWL
OF MILK DOWN HERE!
582
00:38:30,440 --> 00:38:32,886
LOOK, IF SHE WASN'T
BEING STRAIGHT WITH ME,
583
00:38:32,910 --> 00:38:34,656
WHY WOULD SHE SAY THAT
SHE WAS COMING DOWN HERE
584
00:38:34,680 --> 00:38:35,856
TO MEET MARINO
IN THE FIRST PLACE?
585
00:38:35,880 --> 00:38:37,086
SHE DIDN'T NEED TO SAY THAT.
586
00:38:37,110 --> 00:38:38,556
SO, YOU EXPECT HER
TO CALL YOU AS SOON
587
00:38:38,580 --> 00:38:40,716
AS HE GETS IN TOUCH
WITH HER, IS THAT IT?
588
00:38:40,740 --> 00:38:44,586
RIGHT. DID THE REPORT
ON HER COME BACK YET?
589
00:38:44,610 --> 00:38:46,716
YEAH, I GOT IT.
590
00:38:46,740 --> 00:38:47,786
WELL?
591
00:38:47,810 --> 00:38:49,956
SHE'S CLEAN AS A WHISTLE.
592
00:38:49,980 --> 00:38:51,016
HMM.
593
00:38:53,510 --> 00:38:56,486
IT'S PROBABLY FOR YOU.
594
00:38:56,510 --> 00:38:57,856
HELLO.
595
00:38:57,880 --> 00:39:00,886
RICK? HI.
596
00:39:00,910 --> 00:39:04,116
I JUST GOT A MESSAGE,
A NOTE FROM CARLOS.
597
00:39:04,140 --> 00:39:06,716
Hunter: WHAT DID IT SAY?
598
00:39:06,740 --> 00:39:10,016
HE SAYS HE WANTS ME TO
COME TO THE POINSETTIA MOTEL
599
00:39:10,040 --> 00:39:11,656
IN SAN ISIDRO.
600
00:39:11,680 --> 00:39:14,216
HE SAYS, TAKE A CAB AND
GIVE FALSE DIRECTIONS,
601
00:39:14,240 --> 00:39:16,086
TILL YOU KNOW YOU'RE
NOT BEING FOLLOWED
602
00:39:16,110 --> 00:39:18,586
BY THAT TALL GUY YOU'VE
BEEN SPENDING TIME WITH.
603
00:39:18,610 --> 00:39:20,986
AND THEN TAKE CUMBERLAND
STREET TO THE MOTEL.
604
00:39:21,010 --> 00:39:23,916
HE'S IN ROOM 24.
605
00:39:23,940 --> 00:39:25,486
WHAT DO YOU THINK IT MEANS?
606
00:39:25,510 --> 00:39:28,856
WELL, HE'S TRYING TO BE SURE
THAT I'M NOT FOLLOWING YOU.
607
00:39:28,880 --> 00:39:32,256
RICK, I'M STARTING TO
GET A LITTLE BIT NERVOUS.
608
00:39:32,280 --> 00:39:35,616
I'M NOT SO SURE ABOUT
THIS, I'M FRIGHTENED.
609
00:39:35,640 --> 00:39:38,016
NOW, LISTEN TO ME.
DO EXACTLY AS HE SAYS
610
00:39:38,040 --> 00:39:40,356
AND DON'T WORRY ABOUT
ANYTHING, IT'S PROBABLY JUST A TEST.
611
00:39:40,380 --> 00:39:42,086
HE PROBABLY WON'T EVEN SHOW UP.
612
00:39:42,110 --> 00:39:44,486
NOW, EITHER WAY, I'LL BE
THERE AHEAD OF YOU, OK?
613
00:39:44,510 --> 00:39:48,486
ALL RIGHT, THAT MAKES
ME FEEL A LOT BETTER.
614
00:39:48,510 --> 00:39:51,056
BUT I WISH YOU WERE
HERE WITH ME RIGHT NOW.
615
00:39:51,080 --> 00:39:53,440
YEAH, I FEEL THE SAME WAY.
616
00:39:56,340 --> 00:39:58,486
YEAH, ME TOO.
617
00:39:58,510 --> 00:39:59,610
BYE.
618
00:40:04,240 --> 00:40:06,116
WELL, I WONDER WHO THAT WAS?
619
00:40:06,140 --> 00:40:08,986
WELL, I HATE TO TELL
YOU I TOLD YOU SO.
620
00:40:09,010 --> 00:40:10,680
THEN DON'T.
621
00:40:46,480 --> 00:40:47,986
Marino: YES?
622
00:40:48,010 --> 00:40:50,280
CARLOS, IT'S ME, ANGIE.
623
00:41:02,110 --> 00:41:03,380
MANITA.
624
00:41:05,540 --> 00:41:08,256
I MISSED YOU!
625
00:41:08,280 --> 00:41:10,040
WHERE ARE THEY?
626
00:41:13,140 --> 00:41:15,286
YOU WANT TO SEE THEM, DON'T YOU?
627
00:41:15,310 --> 00:41:17,616
YOU KNOW I DO.
628
00:41:17,640 --> 00:41:19,686
I GOT THEM RIGHT
HERE, DON'T WORRY.
629
00:41:19,710 --> 00:41:20,980
WHERE?
630
00:41:37,140 --> 00:41:40,216
OH! OH, THAT'S BEAUTIFUL!
631
00:41:40,240 --> 00:41:43,816
AND I KNOW HOW TO SELL
THEM FOR TOP DOLLAR.
632
00:41:43,840 --> 00:41:48,286
WE'LL END UP WITH OVER A
COUPLE OF MILLION BUCKS.
633
00:41:48,310 --> 00:41:50,686
OH, THAT'S BEAUTIFUL.
634
00:41:50,710 --> 00:41:53,140
SO ARE YOU, MANITA.
635
00:42:08,780 --> 00:42:10,216
WHAT'S THE MATTER?
636
00:42:10,240 --> 00:42:13,156
WE HAVEN'T GOT TIME FOR
THIS. THAT MAN IS OUTSIDE.
637
00:42:13,180 --> 00:42:16,056
WHAT?! YOU LET HIM FOLLOW YOU?
638
00:42:16,080 --> 00:42:18,656
HE'S A PRIVATE DETECTIVE.
639
00:42:18,680 --> 00:42:22,316
HE SAID HE WANTS A PAY-OFF,
OR HE'LL GO TO THE POLICE.
640
00:42:22,340 --> 00:42:25,186
I TOLD HIM I DIDN'T KNOW
WHAT HE WAS TALKING ABOUT.
641
00:42:25,210 --> 00:42:26,286
IS HE ALONE?
642
00:42:26,310 --> 00:42:28,210
HE'S IN A PHONE
BOOTH BY THE OFFICE.
643
00:42:33,280 --> 00:42:35,956
NOW, LISTEN TO ME
VERY CAREFULLY.
644
00:42:35,980 --> 00:42:39,216
THERE'S A BROWN
SEDAN AROUND THE SIDE.
645
00:42:39,240 --> 00:42:41,156
PUT THIS IN IT.
646
00:42:41,180 --> 00:42:42,686
DRIVE DOWN THE ALLEY,
647
00:42:42,710 --> 00:42:45,786
AND PICK ME UP.
648
00:42:45,810 --> 00:42:46,880
YOU GOT IT?
649
00:42:49,380 --> 00:42:51,856
WHAT ARE YOU GOING TO DO?
650
00:42:51,880 --> 00:42:54,086
I'M GONNA GIVE
HIM HIS PAY-OFF...
651
00:42:54,110 --> 00:42:55,810
IN ONE INSTALLMENT.
652
00:43:31,740 --> 00:43:33,180
POLICE, MARINO!
653
00:43:36,180 --> 00:43:37,940
OHH!
654
00:43:52,040 --> 00:43:53,040
AHH!
655
00:44:05,980 --> 00:44:07,956
GET IN!
656
00:44:13,040 --> 00:44:15,316
WELL, I HATE TO
SAY I TOLD YOU SO.
657
00:44:15,340 --> 00:44:16,380
THEN DON'T!
658
00:45:33,980 --> 00:45:35,156
HOLD IT RIGHT THERE, BUDDY!
659
00:45:35,180 --> 00:45:36,340
WE'RE POLICE.
660
00:46:39,940 --> 00:46:42,216
McCALL, HUNTER.
YOU KNOW MR. GRIFFIN,
661
00:46:42,240 --> 00:46:44,256
THE OWNER OF THE JEWELRY
SHOP ON MAIN STREET.
662
00:46:44,280 --> 00:46:45,486
HOW DO YOU DO?
GLAD TO SEE YOU AGAIN.
663
00:46:45,510 --> 00:46:46,756
YES, HI. HOW ARE YOU?
664
00:46:46,780 --> 00:46:47,956
THIS IS MR. CALDWELL,
665
00:46:47,980 --> 00:46:50,386
AN ADJUSTER FOR
ALLIED INSURANCE.
666
00:46:50,410 --> 00:46:52,286
HI. HI.
667
00:46:52,310 --> 00:46:55,086
WELL, EVERYTHING'S
BEEN ACCOUNTED FOR.
668
00:46:55,110 --> 00:46:56,856
I WOULD LIKE TO CONGRATULATE YOU
669
00:46:56,880 --> 00:46:59,156
ON AN EXCELLENT JOB.
670
00:46:59,180 --> 00:47:01,416
THANK YOU. GLAD YOU GOT IT BACK.
671
00:47:01,440 --> 00:47:03,256
IT'S RARE IN CASES LIKE THIS
672
00:47:03,280 --> 00:47:04,986
TO RETRIEVE EVERY PIECE.
673
00:47:05,010 --> 00:47:06,616
WELL, WE WERE
JUST LUCKY, I GUESS.
674
00:47:06,640 --> 00:47:08,656
LUCKY? NO SUCH THING.
675
00:47:08,680 --> 00:47:12,816
THIS IS AN EXAMPLE OF
PROPERLY-DONE POLICE WORK.
676
00:47:12,840 --> 00:47:14,686
IN FACT, IT'S A MODEL CASE.
677
00:47:14,710 --> 00:47:18,216
IT'S AN EXAMPLE OF THE FINE
RESULTS THAT CAN BE ACHIEVED
678
00:47:18,240 --> 00:47:20,416
WHEN WE STICK CLOSELY
TO THE STRICT RULES
679
00:47:20,440 --> 00:47:26,210
OF PROPER POLICE PROCEDURE.
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