All language subtitles for three.seats.for.the.26th.1988.1080p.bluray.x264-cinefile

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These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�gs�M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS��r<�O�I�f@�*ױ�B@M��libebml v1.3.1 + libmatroska v1.4.2WA�mkvmerge v8.2.0 ('World of Adventure') 64bitD��AWj�Da� *��1,s������P8c됆��T�k���ׁsňCܮVXb�������S_TEXT/UTF8�D(C�u��S������Love is what kills, what chills��9C�u��h������what thrills��Z�����OLove is what drives us mad���C�u�炌G�����3 SEATS FOR THE 26TH���C�u�炫⠦���Love is what makes us so bad���C�u���۠����But it's the best, to hell with the rest�� C�u��p5�����To hell with the rest���C�u���������The express train�� f����� from Paris, is arriving on platform 2.�� =C�u��@�����Please, spare us a minute�� ����� mto ask you��������some questions���C�u��}[�����I'm from Marseille TV.�� Ơ���� 8A quote for the "News"?�� C�u���Ѡ����Please!��<������Not right now!��%C�u���e�����So many women want to know.�� =����� \And see you on TV.��OC�u��ķ�����It's for the 1 o'clock news.��&������How many years, Mr Montand�� C�u��Ḡ����did you live in Marseille?�� B����� �Over 16 years���C�u���栗���How long ago?��⠜����Over 20 years ago!���C�u��>�����How does it feel,��ˠ���� �to come back,���������after so many years?���C�u��V_�����Great, of course!�� aC�u��nR�����In town, do you still have...�� l����� �... friends or family?�� �C�u���栦���Yes... but we've lost touch.�� Ơ���� �You must have lots of memories?�� fC�u���z�����Lots of memories.�� 7����� �Most of them good,���C�u���ؠ����some not so good,��������that's how it goes.�� �C�u��1Ԡ����Tell us about "MONTAND REMEMBERS".��͠����tWhat do you want to know?�� �C�u��Uՠ����Is it a musical or a concert?�� ������ �You've got it all wrong.�� C�u��p������What inspired my team,��w����� �and I hope they were inspired,���C�u���������were events��A������from my youth��w����� and my first loves.��JC�u������Thank you, Mr. Montand.�� ����� �Good luck!���C�u��B�����He's really a charmer.��Y����� �Who?��蠝����Montand, of course.���C�u��!)�����... so be at the Opera on the 26th��%����� �for "MONTAND REMEMBERS".��+�����iTurn it off, will you?��C�u��:@�����Now for the weather: blue skies and sunshine��Ѡ����yeverywhere today�� �C�u��~������We're out of rose-petal jam?��������[Right, Mom.��������-You sure?��蠓����Yes, Mom.���C�u���������Second shelf on the left?��N������None, Mom.��6C�u���$�����You eat that stuff by the spoonful!��������OIt's disgusting.��蠣��� �To each her own, darling.���C�u��������I'm going to see him on the 26th. Coming?��������ONo, I hate shows like that.�� �C�u���B�����It'll be different.��㠦����Maybe, but after my troubles��T����� �I won't be seen in public.��%C�u��������People talk as it is.��T�����FAt the bus stop, two women���C�u��X�����were gossiping about it:��%������about the Lambert scandal.�������u"The Baron got 5 years!"�� BC�u��9������I was ashamed.��e�����Who cares!��k����� I do! I've had enough.���C�u��Y������What do you see in Montand?�������� Everything! His voice, his songs...�� �C�u��p������I really like him.��⠰����He's entertained people all his life.�� Š�����That's great.��C�u��������There are lasers��0������There are lighters��_����� �that thousands hold high�� �C�u���n�����There are amps��ݠ�����There are lamps��`����� �and flashes that fly�� �C�u���������Radio's there��/������and so's TV��Z����� �It's all sound and light�� fC�u��������I'm alone on stage��0������I'm all the rage��0����� �I'm queen for a night.�� C�u���m�����The sound of the strings��������gives my heart wings�������VI feel lighter than air�� IC�u��s�����At times that band��֠����~is like the softest hand�������'caressing my hair��}C�u��*Z�����But when at last��Z�����it starts to blast��0����� �it's so deliciously loud�� C�u��E<�����That I surrender:��Z�����I'm in love with the crowd.���C�u�� ������Stop it, Marion��N����� I've got enough problems.�� C�u��2J�����Dad's swindles won't stop my career!�� ������ \We've been through that:�� lC�u��J������You're a Lambert! You can't be a chorus girl!�� 䠞��� �Your father said so.���C�u��^q�����I should be a speculator, like him?�� ���VI'd rather kick my heels than bow my head!�� �C�u��yР����Very funny.��e����� bDon't worry, I'll use a stage name.�� lC�u���������The family honor will be safe.��ˠ���� sYour father'd be appalled by your silly dreams!�� �C�u���������He says he misses you.�������� �Come with me to the jail.���C�u���ڠ����I'm going at 5.��~����� �I can't. You know Mrs. Simonot:��wC�u��ۺ�����she gets mad if you ask a favor.��x����� 3Tell him I'll go Monday.���C�u���I�����Kiss him for me.�� ����� See you later.���C�u�� �Ơ����- This is an honor, sir. - Nice of you.��������PWe'll do our utmost.��YC�u�� �Q�����Anna, room 514.��������- Care to see your suite? - Later.�� Ơ����Let's check the theater.���C�u�� ĵ�����Now?���������Of course.�������� DI'll drive you.���������But the staff won't be there.���C�u@�� ڴ�����Rehearsals start this afternoon.�� H����� �It's an old habit:�� ������we check out "the scene of the crime" right away.�� �C�u@�� �������What's wrong? You upset?��������[No, I have a headache.��⠖��� �Go lie down.��������You're right, I'll take a nap.���C�u@�� ������Got any aspirin?��������Right away.�������yFetch some aspirin for Miss Miller.�� C�����d- What's with Betty? - I don't know.��C�u@�� *������Since you two split up, she's been impossible.�� ����� �She didn't want to go on tour.��Ѡ����9I was wrong to insist.��6C�u�� E������Seen the paper?��נ���� sLike it?�������� �Not bad.��AC�u�� k������There it is.���C�u�� �Ӡ����I'd never seen it.��������`Not bad, huh?��k����� sYou bet!��6�����!The sets have arrived.�� �C�u�� ������The ocean liner,��������+the shipyard, New York...��T�����'Great, everything's here.��C�u�� �����I know why you picked Marseille to start.�� l�����!Maria!���C�u�� -�����Her real name was Mylene.�� �������Mylene Le Goff, from Brittany.�� C�u�� K������She was a B-girl, as we used to say.��Ѡ���� �A whore!�� C�u�� `������All right.��k������I was a riveter in the shipyard.�� Ơ����My best buddy was Marius Ceredo.�� �C�u�� ������We went to town Saturday nights.�� f����� After the movies we'd go to the Paradise Bar,�� �C�u�� �Ϡ����behind the Opera.��~����� �That's where I met Mylene.�� C�u�� �X�á��I ran into her again 20 years ago, last time I was here.�� ������You gonna contact her?��0C�u�� η�����I don't know what became of her.��xC�u�� �򠙡��You hear me OK?��T������Yeah, fine.��eC�u�� 頢���Mylene, can you hear me?�������� �When you come back after 20 years�� C�u�� 51�����To the place you called your own���C�u�� I������Your childhood days have flown��3C�u�� _:�����Along with your hopes and fears���C�u�� ~������How's it sound?��k�����aNice.��5����� >Try it from stage right.�� aC�u�� �������When you come back after 20 years��bC�u�� �������All your friends are married���C�u�� �g�����So many romances have tarried��3C�u�� ڏ�����Your old loves have turned to tears��WC�u�� �Š����When you come back after 20 years��)C�u�� *������Some people remember the old days��bC�u�� ?������Some people resist the old ways��9C�u�� U>�����It's all memories and souvenirs��C�u�� pI�����When you come back after 20 years���C�u��ߠ����PARADISE CLUB���C�u��q������Anyone here?��_C�u���������May I help you?�������� �Is Mrs. Fouque here?��`C�u���M�����She died over 10 years ago.��x����� II'm sorry.���������Were you related?��C�u���������Not at all.��������~I knew her nephew, Marius Ceredo.��EC�u���F�����I'm looking for him.���������Do you know him?��C�u���Ӡ����Sure we know him.��$����� �His in-laws own the shoe store.�� C�u@��>�����You'll find him in the shipyard.�� ����� �He's rarely here.��ݠ����cCould you autograph your book for us?��hC�u��.ܠ����We've got seats for your show.�� �C�u���+�����I was thinking, since you know Ceredo,��͠����Emaybe you know Mylene Le Goff?�� =C�u���U�����Who?��;�����That's a northern name.���C�u��������Yes, she's from Brittany.��}����� �No, I don't know her.��⠟���PWhat did the lady do?���C�u���f�����She was...��蠨����She had a business, I believe.�� �C�u��.|�����Hi, girls!��e����� You're late!��Ġ����yLucky Mrs Simonot isn't in yet.��ˠ�����Got the seats?���C�u@��C������I stood in line for an hour.����ȡ6When my turn came, even the cheap seats were gone! It's wild!�� ������cYou said it!��;C�u@��\D�����What'll we do?��������=Get this: the cleaning lady at the theater�� ������Eused to do my Dad's old office.�� aC�u��~������Shit!�������� >What was I saying?�� ������She remembered me,��6C�u���t�����said rehearsals were at 5 and she'd let me in.�� ޠ�����But it'll be tricky: he wants no spectators.�� C�u���Ӡ����You got a lucky star!��_�����I wanna see the show, not the rehearsals!�� C������Wait! At 5 I show up,��UC�u��� ġ��I turn on the charm and ask him for 3 seats for the 26th.��C�u���x�����You're nuts!��Š����lNo, it'll work. He'll have seats.�������� �Sure, stars get house seats.�� sC�u���M�����I wouldn't dare.��������What'll you say to him?��6����� I'll look him straight in the eyes like this���C�u��������and I'll say��⠮����Forgive me, if I'm being too bold...�� aC�u��*4�����But I'm a huge fan of yours.�� ؠ�����I'm a salesgirl at "The Sweet Pea".�� aC�u��E������Mrs. Simonot's beauty store.�� 𠫡�� �Working there is really a bore...�� [C�u��ao�����Selling lotions is an awful chore.�� ������ \I secretly dream of a life on the stage.��C�u���}�����I hope you don't mind: you're not my type...�� ������ \But I'm crazy about your voice!�� aC�u���⠭���Whenever you sing, my heart thumps.�� ޠ���� �I turn on my radio and get goose bumps.�� rC�u���k�����I've got what it takes to go very far...�� [�����One day, you'll see. I'll be a star...�� 7C�u���M�����But right now all I need are 3 seats...�� ����� �for the 26th.�� �C�u���������Yes, all we need are 3 seats for the 26th.���C�u��������Young lady, I've traveled far and wide�� ����� �I've seen this world from every side�� �C�u��� ����The prettiest girls from East and West�� ������ \But you are by far the best!�� aC�u���񠱡��I've been looking for you high and low�� ����� �Now that I've found you, I want you to know�� �C�u���,�����You'll be a star, you can't miss.���C�u���2�����Take me to the ends of the earth�������'Here's what I want, can't you guess?�� =C�u��>�����To know what life is really worth��������PTo climb the road to success�� C�u��"I�����She's got what it takes to go very far�� ޠ���� �One day, you'll see, she'll be a star�� 1C�u��=������But right now all we need are 3 seats�� ������ \for the 26th��,C�u��Yؠ����3 good seats for the 26th�� ������ bFor the 26th�� 7C�u��}������Girls, behave!��������Morning, Mrs. Simonot!��TC�u���������What's this?��������7It just arrived.���������3 bottles of cologne broken in transit! What a stench!��hC�u���G�����Another wasted day!��������Did Mr. Frederic call?��ݠ����'He did.���C�u���Ԡ����What did he say?����á��1He said it was no dice for tonight and you'd understand.��hC�u���¡��He said "no dice"? I doubt it! A man of his background!��EC�u��9 �����Can I leave early? I have to go see Dad in jail.��&������You poor child.���C�u��Rw�����Yes, but not too early. Avoid the rush hour.�� ������PGive him my regards.���C�u��u+�����But your father did behave very badly.��O������I'll tell him, Mrs Simonot.���C�u���������Get the liner ready! Light the shipyard!��������We need a street sign!���C�u���������Thanks, Rosette��⠺����Betty's put on 5 lbs since her costume fitting.���C�u���Ƞ����Do your best.��5�����+Steve, light the facade.��xC�u���ڠ����What's that?��q����� �Seen the sub?��<C�u@��Ƞ����Where's my contract?��������`I haven't had time, sorry...��נ���� �The sub forgot his cap.��������?Who did?���C�u��%I�����-José. - Oh, Montand's stand-in!��������1Never say that! Call him "Young Montand"!�� �C�u��9������Get lost!������� �No, José. It's thumb, forefinger, middle finger.�� aC�u��T_�����One, two, three, four... Go!��*������Here's your cap!... OK?�� l������Fine.���C�u��mv�����From the top?�������� Right away, Tony! Move it!�� CC�u���������Ready?��B����� �Betty? José?��A������I'm here.���C�u���Ƞ����Check your mike please, Betty.��ˠ���� �I hate mikes!��xC�u���������Anytime, Marcel.��_C�u���R�����How about her low-cut dress?���������And his dancing?��Z������And that crazy hairdo?���C�u���o�����And the tap-dancing?��TC�u��M�����Maria, I'll marry you yet. You'll be proud of me.��񠵡���I'll become a big star. I'll be in movies.�� �C�u@��;�����We'll see...��������+You don't believe me?����¡���When you're born at the bottom, you don't get very far.��C�u��\������Yvo, you're dreaming...��ܠ����'It's true, I was dreaming...��*C�u��uf�����I spent most of my time at the Star movie theater.��UC�u���砬���The Star was on Paradise street...���C�u���@�����It was the only movie house in town�� ����� �that showed movies in English.�� 1C�u���ɠ����So every week�������� >I had a date with the biggest Hollywood stars.���C�u���꠭���Movies, you dance, movies, you sing�� ������ >Movies, you're so enchanting�� �C�u��������Movies are funny, movies are sunny�� ����� gMovies are non-stop milk and honey�� �C�u��!������Bitter movies, movies that bite�� ������ 8Movies for guys who like a good fight�� �C�u��:_�����But those flicks aren't for me, pal�� l����� Just give me a musical!�� rC�u��O������Movies, you taught me all I know�� ����� �You were my life from the word go�� C�u��i򠨡��I've been poor, I've been king�� ������ bI've been through almost everything�� lC�u���h�����Movies, I owe it all to you�� ����� �Movies, you make my dreams come true�� �C�u���y�����You taught me love and desire�� 䠨��� �Peace and beauty, ice and fire���C�u���������Movies, you dance, movies, you sing�� ������ gMovies, you're so enchanting�� C�u��������Movies are funny, movies are sunny�� ������ =Movies are non-stop milk and honey�� �C�u��/�����Movies are happy, gags à la carte�� 頯��� �Movies know how to tug at your heart�� �C�u��mϠ����Movies for romance, movies that lie�� ������ =Movies to make lovers sigh�� aC�u��������"But I just can't go on living without you..."���C�u���Ӡ����Message movies, movies for the head�� ����� �Movies cause ideas to spread�� C�u���C�����Suspense movies, and all the rest�� m����� But I still like musicals best!�� �C�u��_�����Bitter movies, movies that bite�� ������ gMovies for guys who like a good fight�� C�u��v�����Those flicks aren't for me, pal�� C����� �Just give me a musical!�� C�u��7������Yvo, you're dreaming again.�� rC�u��{�����Maria had no faith in me.�� 𠧡���One night we had a late date.���C�u���������I waited for her till all hours.���C�u���y�����She never came.��ݠ���� �I fell asleep.��C�u���D�����My Mom interrupted my dreams.�� ꠠ��� �Yvo monta!... Come up!�� �C�u�� �����Where you been?��k�����Well?��󠲡���I've got you your first gig! 50 francs!���C�u��$�ġ��You're the warm up act at the Valley Club in St. Antoine.��,������You'll need a few songs.�� C�u@��8������I got 'em!��A������What's for starters?��������OA Charles Trenet song.�������� �Like what?��e������"Life goes on, long live life, long live love!��nC�u��^������"Life is beckoning to us..."��������That'll do fine...�� �C�u��z�����You need a new name, one that looks good on a poster.��]C�u���������A name? What kind of name?��������[No rush, think one up. And the right clothes.���C�u���R�����I'm telling you, you're headed for Paris.��C�u��ǥ�����The right clothes...�������� �A new name...���C�u���K�����A gig...��5C�u���U�����Paris...��e������Yvo... monta! Come up!���C�u�� w�����Yvo Monta...���C�u��$/�����Yvo... Montana...��C�u��>������Yves Montana...���C�u�������Yves Montand.���C�u���������Hurry, please.��נ����yTake your places.���C�u���|�����Everyone here?��A������The second number's OK.��ݠ���� �The last bit with Berlingot drags...��C�u��爠����The talk about my first gig.�������� II can put more zip into it!�� �C�u���������Don't change a thing. It works fine as it is.��,�����oTrust me.���C�u��2�����Thanks everyone. Rehearsal's over.��s�¡���One moment, there's a special run-through tonight at 9.���C�u��>������I know, I know.��������'Why are you so worried?��YC�u@��Tڠ����I'm not.��k�����Don't be negative.��e����� That's just the way I work.��$������We have 3 more weeks of rehearsals. Don't panic.�� C�u��u������See you later?��_�����zSorry for bothering you...�� C�u���/�����But what I have to say is important.��U�����iImportant for whom?���C�u��� �����I'm such a fan of yours...�� ����� �I'm thrilled, but I don't have time now.�� C�u���v�����I know I'm clumsy, but I had to say it...�� =����� �What, that you're clumsy?��C�u��߀�����That I really admire you.��������Very kind of you. Please close the door.�� �C�u�������It's not kindness... It's hard to explain.��������I don't want to pester you. This won't take long.�� lC�u@��"󠼡��I stood in line for an hour, but it was sold out.�� ޠ�����I need 3 seats for the 26th... Of course, I'll pay.���C�u��GŠ����I'll see what I can do... Sit down.�� aC�u�������I didn't really expect to be alone with you...�� ������ \It was so easy...��ZC�u���R�����I'd prepared a big speech like...�� ��¡�� 3"I'll shine your shoes..." Now I'm at a loss for words.��UC�u���������I feel like a fool.��0�š���You're not at a loss for words, you have a way with words!���C�u@���������And you're Miss...?��k�����Sorry, I didn't introduce myself.�� B�����My name wouldn't mean a thing to you.�� �C�u���S�����My stage name is Roxane.�� ����� �Roxane because I love rock and "Cyrano".�� �C�u��W�����So you're an actress?��Z�����Trying to be...��B����� \I have a goal in life... You!�� �C�u��Ԡ����Me? What do you mean?��������To do what you did. Is that impossible?���C�u��8?�����No... After all, I did it.��ˠš�� �That's what I tell my parents... Parents never understand.�� �C�u��P2�����Don't you agree?��0����� �Show this at the box-office. You have your seats.��C�u��z�����How can I thank you? What do I owe you?�� Š���� mNo, just tell me honestly if you liked the show.��PC�u���+�����I don't dare ask you another favor.�� ����� �Go ahead, dare... Let's hear it.��NC�u��õ�����Tell me if I'm pushing my luck...��Ҡ�����Could I come to rehearsals?�� �C�u���!�����I'll sit quietly in a corner.��������That's quite a request!���C�u���2�����I have to learn. It's a tough job....��z������It's not a job! It's hard work.��,C�u��!:�ɡÁI take singing and dance classes. I'm doing one of your songs.���C�u��6������Really? Which one?�� �����["Love Thrills"��eC�u��^������Why don't you put down your bag?�� �C�u��������Love is what kills, what chills, what thrills��h�����Love is what drives us mad���C�u���ߠ����Love is all murmurs, whispers and fervors��&�����"Love is what makes us bad���C�u���ᠺ���Love makes us liars, wakes desires, sets fires,��9C�u���������Love is what drives us mad���C�u���N�����Love's reassuring, securing, alluring��h�����Love is the best, and to hell with the rest.��hC�u�� n�����I don't remember what comes after this���C�u�� 0������I forget how the words go here��>C�u�� E�����Love makes us feel young again��cC�u�� Y�����Love changes our lives��Ǡ����iLove is���C�u�� oߠ����What kills��;�����`What chills��e����� mWhat thrills�������&Love is�� C�u�� �������What drives us mad�� ޠ���� �Love is��������all murmurs��C�u�� �Y�����all whispers��蠕����all fervors��蠣��� Love is what makes us bad��\C�u�� �}�����Love's reassuring, alluring�� ޠ���� �And to hell with the rest��C�u��!4�����Come in.��Ġ�����Sorry.��B����� �No problem.��6�����iDidn't know you were giving lessons.��xC�u��!#��ǡ��The young lady just auditioned. Tony Fontaine, our director.�� C�u��!7������Hello, I'm Roxane.��0����� You're pretty good... but not good enough yet.���C�u��!SO�����I know, but this was a big help.�� gC�u��!g0�����So I can attend rehearsals?��$������Of course.��e�����Great.���C�u��!~)�����Tonight, from 9 to midnight.������� �Thanks again for the seats.�� �C�u��!�-�����Don't mention it.�� C�u��!�)�����Who is she?��������I don't know. But she's got something.�� =������She's my type.��eC�u��!�Ԡ����Be my guest!�������� �Did you find the other one?��Z������Who?���C�u��!�͠����The hooker.��;������She seems to have left town. Just as well.��C�u��"N6�����Mr. Montand, please.�� ������He's not back yet.��`�����'Where can I find him?��ZC�u��"fS�����At the opera. He's rehearsing till 7. What time is it?���������Quarter to. He'll be back soon.���C�u��"�������You can wait in the lobby.��������UNo, I'm afraid I can't wait.�� C�u��"�v�����Would you give him this card?��}C�u��#&�����Where's my key?... I'm sure I put it in my bag.�� 7����� �Here it is.���C�u��#4B�����What's that get-up? You look like a...��񠷡���You've told me before. So you don't like it!�� �C�u��#T1�����Not much. Going out tonight?�� ������WWith Alice. To the movies.�� fC�u��#}i�����Had dinner?��f����� I don't plan to.��,C�u��#�������Gotta watch my weight.��*����� IRight, kid. An ounce of prevention.�� �C�u��#������Thanks.���������You had your hair done? It's not Tuesday!�� �C�u��#�g�����Dad mustn't think we're needy.�� �C�u��#�I�����Can't you tidy your room? ...It's a mess!��mC�u��#�S�����We no longer have servants!�� H����� �Mom, I may quit the beauty store.��C�u��$������If you want company, pour me a glass!�� =C�u��$E������Cheers!��C�u��$]�����It's just a temporary thing...��������OWhat is?�� ������The beauty store.���C�u��$qO�����I discussed it with Alice. She agrees.�� ��� �Marion, I don't follow you.���C�u��$�������You're hopeless!��������`From the jail, I went to see our lawyer.�� ����Your father owes a fortune.�� 7C�u��$�B�����I knew nothing about his business.�� ������Now we'll have to sell the apartment.�� =C�u��$�ˠ����So what: it's too big for us.�������� �You seem delighted!�� �C�u��$�ɠ����That's not what I said!���C�u��$�������We're broke, anyway.��Ѡ����yListen, this is no time to quit your job.�� �C�u@��% �ġ��You'll go back to work too. Weren't you a secretary once?��h�����Yes, but that was long ago... I'm rusty.��+C�u��%,ՠ����You'll be a whiz in no time.���������Thanks. What are you going to see?�� C�u��%B-�����An old musical.���������See you tomorrow.��;����� �Don't get home too late.���C�u��%�|�����Long ago, in a shipyard��͠����uThe rule was: you gotta work hard���C�u��%�<�����So I did, I worked very hard���C�u��%�à����Now I'm here, it all comes back���������The crane, the ship, the smokestack���C�u��&������Yes sir, it really comes back��WC�u��&F �����Here we cut, we bolted and sheared��̠����tWe wrenched, we soldered and seared���C�u��&fɠ����We nailed, we greased and smeared���C�u��&������Here we stretched and we soaked��̠����tHere we fired and we stoked��JC�u��&�l�����We fixed and fiddled and joked��'C�u��&̝�����I was a riveter on a site�� ������My load was heavy, but my step was light���C�u��&�������I riveted happily from morning to night�� ������But that's not a riveting sight!�� gC�u��'�N�����Here we bolted, and we galvanized��͠����uHere we threaded, and we fraternized�� C�u��'�������We molded, folded and standardized���C�u��'������We forged, we hammered, we lathed�� 㠰��� �We drilled, we shaped, and we steamed���C�u��'�������And sometimes we dreamed.���C�u��(}Ӡ����It was during the Occupation.��N����� �The whole country was in a bind.�� C�u��(�������It was dismal.��ݠ����-But I was twenty...���C�u��(�������A famous songwriter promised to write me some songs,���C�u��(�B�����but I had to leave Marseille.��������OThe CWF were looking for me.��tC�u��(⭠����"Compulsory Work Force."�� �C�u��)!�����They came this morning!�� ꠷��� �To ship you to Germany. You can't stay here.�� �C�u��).젡���I've got your contract.��������[I can't sign it, sorry.�� [C�u��)CJ�����I have to get out of town.��$������They're arresting any guys who won't work in Germany.��JC�u��)aD�����Joining the resistance?��������1What resistance?��蠰��� �Then go to Paris. Best place to hide!�� �C�u��)z������It's risky, but no one'll look for you there,�� 頚��� �out in the open.���C�u��)�������Good luck!���C�u��)�d�����Paris...�������� bNever occurred to me.��0C�u��)�|�����But he was right... it worked!���C�u��)�ڠ����How can I thank you for helping me and my wife?��������QThank me once we've crossed the equator.�� <C�u��)�砑���Yves...�����<Maria...��B����� sI've married Amalfi, the shipbuilder.�� C�u��*�����We're off to South America.��*����� �Amalfi!���������How could you!��ZC�u��*)������That's how it is. We're fleeing from the Nazis.���������Come, madame, we're boarding.��*C�u��*C=�����I'm coming, dear.���C�u��*^Ơ����I loved you, Maria!��ZC�u��*rS�����Betty!��������WNow what do we do?��SC�u��*�K�����Get a doctor, fast!��0����� CWhat's going on?���������I don't know... She's coming to!�� �C�u��*�'�����I'll undo it.��������fWhat's the matter, sweetie?�� �C�u��*�٠����The young lady fainted.��e����� How do you feel?�� ����� �Much better...��NC�u��*�G�����She seemed in great shape.��T������I didn't see a thing.�������� \My cousin died like that.���C�u��+'�����She said "Ah", then dropped dead.��UC�u@��+@C�����Is it her heart?��������6Dunno, I'm no doc!������� �Quite a problem.��_������I told you. No rehearsals after 8, we're bushed!�� HC�u��+Z*�����Don't start that again!��������+I'm going to see how she is. Coming?�� ������Give me time to change.���C�u��+rG�����I'll come too.��A����� IMay I?�������� �This is no time...��6C�u��+�Ԡ����I saw everything, even the accident.�� ������ DAccident?��;�����'Betty Miller's collapse.���C�u��+�{�����I hope it's not serious.��ZC�u��+�������I just wanted to say the show's superb.�� ������ 2A good rehearsal, but the beginning's too slow.���C�u��+ܫ�����The part with my Dad in Italy, the rise of Fascism...��������?Mind closing that...��C�u��+򩠐���Sorry.��������It wasn't slow... It was very touching.�� =������The split-up with Maria was great.�� fC�u��,E�����I cried when war broke out.�� ����� �It works well��㠞���Jbecause it's simple.��6C�u��,*�����This afternoon it was awful.�� ������ 8Tonight it worked... until Betty fainted...�� �C�u��,DƠ����I like the way you shift from drama to comedy.��������?Your voice and accent are just right.�� =C�u��,bꠞ���That's nice to hear.�� �����OMind if I ask, but is that really your life story?�� �C�u��,x������Did all those things happen to you?�� ����� �All the episodes are from my life.�� lC�u��,�������But the trimmings are all make-believe.�������� gCome in.��BC�u��,�;�����We've lost Maria.�������� �What?��p����� �Betty's quit.���������There's nothing wrong with her heart.�� HC�u��,������Then what is it?���������She's 3 months pregnant.��&C�u��,ౠ����Headaches, faints, the dress that didn't fit...�� aC�u@��,�������3 months. You sure?��6������Yes, 3 months.�������� �Then it's not my kid.��ܠ����cNo, it's Duval's, our musical arranger.�� �C�u��-u�����Suits me fine.��������1Betty wants to go back to Paris and have the baby.���C�u��-+������No! I'll talk to her! Where is she?��%�ġ���Back at the hotel. You won't convince her, you know that!��C�u��-G�����It's so unprofessional!�� �������She might have told us she was pregnant!�� C�u��-jڠ����Max, she's under contract, right?�� ������She hasn't signed it.�� �C�u��-�]�����Nice work!���������We're in for a nightmare.�� �����tWe need a fast solution!���C�u��-������I just called Betty's stand-in.��������UI know you hate her. You're in luck. She's busy!�� 1C�u@��-�0�����Romaine? She was great in "Guitry"!��N������She's in "Streetcar", packing 'em in!�� ������So no rehearsal tomorrow.��wC�u��-� �����Not unless we find a replacement for Betty.�� ����� �We open in 2 weeks. We're screwed, kids.���C�u��-�������I'm willing to try.�� CC�u��.������It's none of my business, but isn't she too young?��렔���cOf course!��C�u��.:@�����I'm sorry, miss.��ݠ���� DI must've been crazy...���C�u��.X�����No need to panic.�������� sMaria can be any age.��Z�����uMaybe but I...���C�u��.p�����For the story, she can be 20 or 30.�� l����� Her wig and make-up will do the rest. You agree?��DC�u��.�������Don't all answer at once!��㠖����You serious?������� DAbsolutely. I'd let her audition tomorrow.�� [C�u��.�제���What do you think?���������Nothing.���������You read music?��C�u��.�s�����I studied piano 7 years. And dancing.�� �ġ�� �You start rehearsing tomorrow, and if it's OK, you're on.���C�u@��.ܰ�����Max?��p�����If you say so...��������What should she practise, the Piaf scene?�� ������I'll get her a score and lyrics.��VC�u��/ՠ����I'm ecstatic!��0C�u��/ ������She's delightful.��������UYes, but...��Ġ���� �You don't like her?��������!It's a huge gamble!�� rC�u��/<|�����Anyway, we'll see.��_�̡ƁOIf she's no good, we pack it in. I'll do my "One Man Show" again.��cC�u��/f1�����I must've been crazy!��TC�u@��0Y������The restaurant's closed?��_�����Yes sir. We can make you a sandwich.�� ������nI'll take it... Yves, you want one?�� �C�u��0y_�����Not for me.��*����� 8I'll be upstairs.���C�u��0������Baroness de Lambert. You know her?�� 䠫��� �No, but I'm not from around here.��C�u��0�5�����"I caught the train to Paris.�� ������ D"Don't be mad, I want a new life.���C�u��0�ʠ����"Kiss everyone for me. Betty"�� 7�����VWake-up call and breakfast at 8.�� C�u��1 ������You gave her the score?��0������She's got everything she needs.�� rC�u��1!�����See you tomorrow.�� lC�u��1>X�����Good idea. I want the same.�� C�u��1Rߠ����Takes it out of you! We almost folded the show!��t������And a glass of red wine! You Max?�� �C�u��1q������Make that two!���C�u��1�\�����Could I speak to Baroness de Lambert?���������This is she? Who is it?��0C�u��2Ҡ����Yves Montand.��蠚����I got your card.�� \C�u��2&֠����Do we know each other?��ˠ���� DVery well. But you know me by another name.���C�u��2C�����Mylene Le Goff.��C�u��2\p�����Well, that's...��;����� bYou couldn't guess.���C�u��2tc�¡��I stopped by the hotel. I'd be most pleased to see you.�� [�����"Most pleased to see me"!�� CC�u��2�젰���In the old days we weren't so formal.�� ������Probably, you're right...���C�u��2�������I want to see you too. How about lunch?���C�u��2�U�����I can't lunch today.�� �����How about later, at 3?���C�u��2������Fine... 3 o'clock, in the hotel bar?��yC�u��2�k�����Can't we meet elsewhere?��$����� �Let me see...���C�u��3������At the Paradise?������� �Remember, the little bar behind the Opera?��������:I remember...��0C�u��3������But is it still there? I'm rarely in that area.�� ����� �It's there. I chanced by it yesterday.���C�u��3CM�����So 3 o'clock at the Paradise?��Ѡ����y3 o'clock. Fine.��wC�u��3k������Who was it?��⠗����Wrong number.��⠬����You make dates with wrong numbers?��$C�u��3������Still here? You'll be late.��Ѡ����yI'm OK.��������PHad a nice evening?���C�u��3�������Great!��;�����~Movie good?��ݠ����Terrific!��;C�u��3�F�����What were you up to all night?���������All night?��_C�u��3�J�����I heard the piano till 3!�������� �I couldn't get to sleep.���C�u��3�2�����Now I'm late.��ܠ�����I won't be back for lunch. Don't wait for me.�� �C�u��4������Is she sick?��������[She's not very late.��������iMaybe she visited her Dad.��NC�u@��4+������Prisons are tricky.��������UOnce you're in, it's hard to get out!�� �����I'll phone her. She didn't come in this morning.�� `C�u��4J�����I hope she's all right.��������UHere she is!���C�u��4v������Where have you been, Marinette de Lambert?�� ������Please, Mrs Simonot, my name is Marion!���C�u��4�(�����What if I called you Mrs Shitmonot?�� ������ >How dare you!��*C�u��4�'�����Out of fondness of your mother, I should forgive you.�� ������But I won't!��eC�u��4�s�����Remember, your family is old and illustrious!�� �������You should act with dignity and decorum!�� �C�u��4�𠸡��As for dignity and decorum, you can shove it!�� ������-You awful girl!��_C�u��4�r�����Take that back immediately!�� =����� \No! But you can have your job back!�� 7C�u��5Ѡ����Get out of here!�� ����� �You... anarchist!��NC�u��5'������I'm not feeling well!�� l����� Eau de cologne!��������PHurry! I'm dying!���C�u��5@������You take care of her.���������What got into you? Are you OK?�� �C�u��5]������Just fine.��_������I quit. I got hired by the Montand show today!�� �C�u��5sD�����You're kidding!��������[It's true! So long, Mrs Simonot!��x������Did you meet him?��_C�u��5�ꠡ���Tell me what he's like!��������He's wonderful!��~������He knew I was serious.���C�u��5�������I don't know what to say.��ˠ���� gI feel like crying.��ݠ�����Not now!��*C�u��5������I've got a rehearsal. I'll get you seats for the show.���C�u��5�������What are you doing here?��w����� What about you? Why aren't you at work?�� �C�u��6�����I'm on an errand for Mrs Simonot.��x�á�� Look, I'm in a rush today. I'll tell you about it later.��sC�u��6�X�����I'm late.��A������Not at all!... Like a drink?�� ������A scotch. Neat.�� C�u��6�1�����It's funny to be here again...�� ��� \...with you.��eC�u��6�������It's been so long.��T����� �I never come here. Do you?��NC�u��7k�����No, never.��6C�u��7c������You haven't changed.������� You have.��6C�u��7z������That's not very nice!��T������I didn't mean physically.�� C�u��7�7�����20 years change everyone.��ݠ���� �22 years.�� C�u��7�k�����You're as lovely as ever.�� 7����� �But you're not the same person. I don't know you.�� �C�u��7�#�����Still, I recognized your voice on the phone.�� �������Cheers!��C�u��7꘠����So now you're a Baroness?�� Ơ���� �I married Baron de Lambert.�� C�u��8񠝡��You struck it rich!��e������You didn't do badly either.���C�u��8������Allow me.���C�u��8:������It's gone.��⠢���%Just a flake of tobacco.��~C�u��8_?�����So what does the Baron do?�� =����� �Does he keep busy?���C�u��8s𠲡��He works! For the sheer pleasure of it.��,�����oHe's out of town at the moment... In Japan.�� �C�u��8�G�����So he's rich,��֠���� mhe loves you,��6�����and you're happy.�� C�u��8������That's it, more or less.�� Š����!That song's in your show.��NC�u��8������When I sing it on stage,�� l�����I think of you.��*C�u��8����Now that's nice!���C�u��9 򠚡��You're so lovely�� gC�u��9�����Your body close to mine�� 7C�u��936�����Oh, how we danced��sC�u��9M�����Oh, how we loved�� ����iYou still mad at me?���C�u��9f �����Mad at you? Why?�� Š���� �I don't know... For walking out on you.�� gC�u��9������You must've had your reasons.���C�u��9������It's late, I've got to go.�������� �I've seen your movies and TV shows.�� �C�u��:͠����My daughter tells me about all your adventures.��P�����EShe reads fan magazines.��ZC�u��:!䠣���She knows all the gossip.��̠�����It was a pleasure to see you.�� C�u��:>������But somehow...������� bit was a waste of time.���C�u��:R������Not if it was a pleasure!�� ����� bThat's true.��_C�u��:�Ġ����Speaking of my daughter...��*����� �Never mind, it'd be stupid to tell you now.�� �C�u��:�Ϡ����What would be stupid?��ݠ���� bTo tell you about... our daughter.�� HC�u��:� ����When we broke up...��%����� When I walked out, I was pregnant.�� BC�u��:�堽���But that was ages ago. It hardly concerns you now.��,�����EI was 2-months' pregnant when I married.�� C�u��:�������My husband thinks he was the father.�� �����You should have told me!��wC�u��;P�����What for? I'm already sorry I told you now!��������How old is she?��ZC�u��;%������She'll be 22 soon.��Y�����VDo you have her picture?���C�u@��;<=�����All my pictures are at home.��x����� Anyway, I don't have a recent one of her.��T�����If you'd like, I'll send you one.���C�u��;V������Where is she?��5������Italy... She married an Italian.�� �C�u��;z������See you.�������� �Why did I say that? We'll never see each other again.��C�u��;�������I don't know.���C�u��;�Ӡ����Get your evening paper!�� lC�u��<�Ǡ����May, 1944.�� ������zShortly before D-Day.�� 7C�u��<������Paris knew freedom was in the air.�� Ơ���� �We began to live again.���C�u��<�ˠ����I had a week to go at the Beaulieu Cabaret.��C�u��<�������Then, one morning...��0C�u��=]�����This is Audifred.��Y�����I got a great gig for you!��*������Two weeks at the Moulin Rouge!��xC�u��=*b�����Guess who's your co-star!��`����� Edith Piaf?��蠚����How'd you guess?��C�u��=>������I was just joking.��T������Well, I'm not! You sing for Piaf tomorrow morning!���C�u��=D�����I don't believe it.��0�����It was too good to be true.��נ����QI'd never been more scared in my life.���C�u��=�٠����I'm glad to have you in my show.�� �¡�� �Your Marseille accent worried us... didn't it, my dear!��,C�u��=�P�����Stop! Not like that. I'm sorry...��Ӡ����{Tony, Max, this won't work.�� �C�u��> ٠����Come here, Roxane. That's not how Piaf talked.�� ����� �She'd never call her secretary "my dear".�� �C�u��>&�����At least not like that!��T����� �Listen to me, Tony.�� �C�u��><�����I'm sorry, but I think...��נ����ywe shouldn't see Piaf.��0�����oWe can mention her, play her songs,���C�u��>Wˠ����but she shouldn't be in the show.���������It's my fault!���C�u��>o蠱���I thought I could manage, but I can't!�� =����� �It's not your fault, honey! You're doing fine.�� �C�u��>�������You're not the problem.��*������We just have to rethink the scene.�� �C�u��>�o�����You want to spare my feelings!��~�����%But I know I played her badly!��̠�����It's not your fault.��C�u��>�������We'll talk after rehearsal.�� Ơ���� nLet's get back to work.��}C�u��>�&�����Can I dump the wig?��_�����No, you keep the wig.��NC�u@��>�͠����Then should we show Simone?��Ѡ����ySimone Signoret's different.���������The dove scene's not about Simone:�� �C�u��? ������it's about a character she played.�� ����� �And that character belongs to all of us.�� fC�u��?"������Should I start at the song?��}������No, start at "Thank you, Miss Piaf".�� �C�u��?K3�����Thank you, Miss Piaf.��Z�����I'm sure we'll enjoy working together.�� HC�u��?`������Working with Edith...��$������...taught me what she was really like.�� [C�u��?z�����Not a pathetic loser, a flop-house madonna.��J������That was just her image.���C�u��?�נ����In fact, she was a cheerful young woman,��V������funny and full of life...�� C�u��?�������She could be a pain, too.��*������I admired her.��נ����nI still do.��ZC�u��?�𠲡��I didn't know Edith and I would have...�� r����� 2a passionate affair.��*C�u��?������"Hold me close and hold me fast��&�����"The magic spell you cast�� C�u��@ �����"This is la vie en rose�� g������"When you kiss me, heaven sighs�� �C�u��@)������"And then I close my eyes�� 頣��� �"I see la vie en rose..."�� C�u��A<�����I can't even bear to think about it.�� ����� �You were fine.��������Take his advice: be natural.��$C�u��AXʠ����It's hard to look natural on stage.�� ����� �You have to work at it.��~C�u��Am������It's very difficult.��Y������He intimidates me.��������That's only normal.���C�u@��A������I was petrified today.��Z�����Too scared to follow his directions.�� ����That awful wig didn't help either!��NC�u��A�������It'll be alright. I think he likes me.�� 1����� �Not the way I do.��eC�u@��A�������What's that mean?���������It means he likes you... and I love you.�� C�����oCan't we have lunch without talking about that?�� 7C�u��Aـ�����Okay, I'll suffer in silence.�� f����� �Fine.��kC�u��A�٠����He has a girlfriend?��ܠ�����We're playing 20 Questions?�� ����� �I'm just curious!��$C�u��B ؠ����His latest fling was with Betty.�� �������But his true love was Simone.��$C�u��B)Ҡ����Everybody knows that.��ܠ���� �Before her, there was Edith...��5�����zAnd Marilyn!���C�u��BE[�����Who's this Maria? I've never heard of her.�� ������A girl from around here.���C�u��B^���What'd he say? Who was she?��������UA whore... But he didn't tell me much about her.���C�u��Bz$�����Except that her name's not Maria. Her real name is...�� �C�u��B�A�����I forget. It's not important.�� =����� �He really is something!�� �C�u��B�������When he looks at me to reassure me, I go wild.��������9But when I look at you, you don't...���C�u��B�)�����You're more like the brother I never had.�� 7����� �And I'm not into incest.���C�u��B�'�����Too bad!���������But I'm into coffee!��TC�u��C Ơ����Look who's here!�� ������ CI'm here to see Marius Ceredo.��ݠ�����Do you have a pass?�� C�u��C(N�����Do I need one?��0������Forget it! Marius told me he was a good buddy.�� 1C�u��C@������Can I have an autograph?��*����� �For my granddaughter.���C�u��CU������She's absolutely crazy about you.�� r����� Marius Ceredo's in the yellow shed.�� �C�u��Cn]�����You see it over there?��ˠ���� \You can't miss it.���C�u��D/�����It's a real pleasure.��$�����EHow are you?���C�u��DIҠ����When you said you'd stop by, I called Henriette.�� �������She hopes you'll come for dinner,��xC�u��Dc㠤���the kids want to meet you.��נ����I can't make dinner.�� H������I'd rather you all saw the show.��~C�u��D~������I've sent you 4 seats.�� �C�u��D�v�����Cheers.��נ���� "To love", as we say here.�� lC�u��D������It's so great to see you here.�������� mSo much has happened.��~C�u��Dȓ�����You haven't changed.��������KRemember Mylene?���C�u��D�-�����Sure. I've even seen her.�� ��� She told you her troubles?��0C�u��D�������No, not a thing.�� ꠩���zWhat do we do with those pipes?���C�u��E ������Whole order came?��k�����Nearly all rest comes Monday.�������� �Ship it to B area, I'll warn 'em.�� C�u��E*������Where was I?��������6Mylene's troubles...��C�u��E?/�����She married Baron de Lambert...�� 7����� �He was convicted...���C�u��ET]�����tax evasion, real estate swindles, and more.�� ؠ�����Got 5 years in jail.��0C�u��Er������My wife says Mylene's ruined. He owed a fortune.�� [�����QOwed a fortune? Really...�� <C�u��E�F�����She told me a good one:��T����� hI fathered her daughter!���C�u��E�������Never knew she had one!��0����� �Neither did I.���C�u��E�������Well, congratulations!���C�u��FX������Maria, I don't like cellars and existentialists!��y�����!You hate everything, Amalfi!��C�u��Fo\�����Let's leave!������I'm staying. I'm sick of you.�� Š����I want a divorce.���C�u��F�Ҡ����Amalfi, we're through!���C�u��F�Π����Kid does OK, huh?��Ѡ�����She's really talented.��`C�u��G3�����The Latin Quarter number's OK.�� ������This is for the Moscow factory.�� �C�u��GN������Try on the overcoat.�� rC�u��GhO�����The fur hat.���������It's the same as Yuri's.�� C�u��G�䠩���That set change takes too long.�������yThe doves are acting up. We're working on them!���C�u��G� �����Wait in the parking lot. Have the car checked.�� ꠯���'Miss, this boccie ball is after you.�� �C�u��G�p�����It wants to meet you.��������`Who are you looking for?��0����� 8You seem so sad and blue.�� rC�u��H F�����For someone I used to know well...�� m������I know who...�� C�u��H ����He's out walking, then he'll go love his dove...�� �������She's his lovey-dovey... You get it?��NC�u��H:Π����You look so sad, I tried to make you smile.�� 7�����zTell him that Maria was here and said hello...��UC�u��HZ?�����Here he comes.�� ����� �Yes, that's him.��5C�u��HzX�����Who's the woman going toward him?��T����� bThe one he loves.��6C�u@��I"������How was it?��蠔����Very good.�������� �I switched two lines.��������Doesn't matter, you came out ahead.���C�u��I;�����Michael needs you. Problems on the New York set.�� [�����QI'm coming.���C�u��Ih`�����Don't I get a pat?��⠦����Sure, but don't fall asleep.�� �C�u��I|������You won't let me!����á��UDon't forget your fitting. Soon as I get my make-up off.�� �C�u��I������Your contract's ready on my desk.�� =����� �I'll stop by after my fitting.��NC�u��I�i�����She's delightful.���C�u��Iڕ�����I'm making herb tea. Want some?��`�����You feel sick?�������� �Not at all. I feel great.�� �C�u��I�⠙���You look awful.��5������You're hiding something. Where were you?�� �C�u��Jc�����At the store. It's inventory time.�� ������-Don't bother to lie. Mrs Simonot phoned me.�� �C�u��J&������About your appalling behavior.��Ѡ����yThat cow!��������Please, Marion!���C�u��JA�����She says you insulted her and stormed out!�� ������ \That's about it!��ZC�u��JV������I've noticed your odd comings and goings.��E������You in love? You don't dare tell me?�� C�u��J�נ����Since you insist, I'll tell you.�������� �But sit down and don't interrupt.�� �C�u��J�Ġ����Sounds ominous...��נ����May I start?��_C�u��J�K�ġ��It's true, I've quit my job. But I've had such a break...��t�����You scare me.��C�u��J� �����I'm in the Montand show.�� I����� �With Montand?��������Of course.���C�u��J�꠼���Don't get ideas. If you knew him, you'd flip too.�� �C�u��J�T�����What's wrong?��������ONothing...��0C�u��K ������I can't believe it...�� �������What'll your Dad say?�� C�u��K+������- Where you off to? - We'll talk later.�������� II don't feel well.��C�u��K�������Not so loud!�������� �Got stage fright? Don't catch cold.�� �C�u��K������We're 10 minutes late, do we start?��נ����~In 2 minutes.���������- Everyone in? - SRO!���C�u��K�������We added seats.�� �C�u��L ������What lovely chorus girls!�� ������ 2Such talent!���C�u��L%o�����My legs are jelly. I'll never make it.��U�����tWhat about me? Look!�� �C�u��LM������Let's go!��_C�u��Lb4�����Any time, Marcel.��ZC�u��L�{�����We're doing great!�� [�����We never did such business!��$C�u��M*�����I'll see the end in the theater.��TC�u��MC3�����- Flowers... - In my office.��NC�u��MY2�����Show starts at 6:45 p.m.���������We're not late. It's not even 6.�� �C�u��MR�����I'm proud to produce your first US movie.�� ޠ���� �It'll be a pleasure, Mr. Morgan.�� �C�u��M������We're off to Hollywood.���������George Cukor's waiting for you. Hope you're happy !��sC�u��N s�����You live in New York now?�� ������ hI'm in my first American movie, "Let's Make Love".��JC�u��N>�����With Marilyn Monroe. I read about it.�� C�u��Na!�����I have so much to tell you, where do I start?�� g����� \It's been too long...��C�u��N|������Sweet madness...�� �C�u��P[U�����My sister-in-law wants to congratulate you.�� ������ DIt's a delight... My husband and I...�� �C�u��Ps�����Valentin loved it too...���������Really?���������For Valentin...��eC�u��P�������- Did they like Roxane? - She's a hit.�� ������ �- My flowers? - In her dressing room.���C�u��P�Ġ����Is it gold lamé?��������yNo, embroidered silk.��*�����KAnd the diamonds?���C�u��P�F�����Fake!��������It was Betty Miller's dress. Too big for me.�� �������They took it in all over.��xC�u��P�W�����I'll have my own on tour.�������%So your Mom snubbed the opening?�� r�����?She's impossible!��NC�u��P񌠜���No, I can see why.�� ����� �But she called me a gypsy again!�� <C�u��Q D�����Says I've dishonored my Dad, the works!��Ӡ����{I said nothing.���C�u@��Q%2�����I have to tell her I'm leaving tomorrow.���������Where to?��<�����zParis for my costumes. Then London: we open the 15th.���C�u��QN�����So how was I?�� ����� �I mean in the show?��6������Great!��kC�u��Qc�����You made me cry.��_�����Really, at the end I was in tears.�� ꠟ���?Ask Nicole, I sobbed.��~C�u��Q}Ӡ����It's not a tragedy.��ݠ�����Guess I'm too emotional.�� C�u��Q�䠒���Come in!���������You're not ready?��<����� �Almost. My girlfriends, Alice and Nicole.�� �C�u��Q�������It was...��������<It was really great.�� I������We'll be off. 'Bye!�� C�u��Q�V�����Write us!���C�u��Q� �����I'm starving.��������6Just let me get dressed.��ZC�u��R ������You pleased?��e������What with?��k����� �With the show, with me, my work?�� aC�u��R%&�����Of course I am.��*����� sBut develop confidence. At times I felt...�� [C�u��R<������your mind was elsewhere.��$����� �Concentrating on my lines!��}C�u��RR������Don't worry about your lines.�� C����� �Inner feelings are what matter.�� �C�u��Rk������And instincts. Understand?�� ������ �We had so few rehearsals.���C�u��R�F�����True, my sweet. I'm being unfair.�� l������Thanks for the flowers.���C�u��R�������I mean for the thought.��T����� IAnd for your faith in me.��ݠ�����I'm so happy.��*C�u��R�������So happy I never want to leave you.�� �C�u��S'������You're up? What time is it?��������Quarter to ten.�� ������What were you doing?���C�u��S>������Watching you sleep.��������UI hate that!��נ�����Listen to this...��NC�u��SW������Your reviews are better than mine...��Ǡ����oDon't make fun.��kC�u��Sm�����I mean it. They call you "the toast of Marseille".�� �C�u��S������Why are you so devastating...�� ���u...and yet so familiar?���C�u��S�ՠ����Sounds like a riddle. Why?��N����� I don't know.�� C�u��S�?�����It's as if I'd always known you.��%C�u��S�R�����That's reassuring.��0C�u��T#l�����What do you like for breakfast?��~������Tea, toast and jam.��NC�u��TL{�����This is room 514.��$����� mNo, not the usual.��NC�u��T`������The usual but for two.��*����� One moment...��_������What kind of jam?���C�u��Ty������Anything. Except rose-petal jam.�� ޠ�����Apricot?���C�u��T����Fine.��_C�u��T�d�����Funny you should mention rose-petal jam.�� H����� �I once knew a girl who adored it.�� mC�u��T�o�����She ate it by the spoonful.��~����� �Did you love her?���C�u��Tڶ�����Yes, I did.��6����� �Tell me more.��⠢���There's nothing to tell.���C�u��T�V�����Go on, I want to know.��ܠ����~It was long ago.���C�u��U6�����You weren't born yet.��ݠ����EHow old are you?��C�u��U/�����I'm almost 22. Is that bad?�� H����� �Very... No, it's wonderful.�� �C�u@��UF������Is it the woman Tony told me about?��ܠ����TWhat did he tell you?��������zYou're looking for a woman you once knew.�� C�u��Uh������None of his business!���C�u��U}y�����Yes... She was an amazing girl.�� <C�u��U������I was in love with her.��蠘���`What about me?�������� 2We're something else...��TC�u��U�4�����I'm your father's age, even older.��x����� My great-grandfather's!���C�u��U�������Where you going?��k�����To get dressed. Go on. Did you find her?�� =C�u��U�I�����Yes... I realized I still loved her.���C�u��Uꡠ����You told her?��<����� Why not?��<�����cI don't know.��`C�u��V f�����She said she was happy.������� �I felt I was intruding.���C�u��V e�����She said I was the father of her daughter.�� C�u��V6�����That was news to me.�������� �In fact she's broke, and her husband's in jail.��,C�u��VU������He was in shady real estate deals.�� �������She did quite a number on me.�� C�u��Vx_�����Maybe she made it all up. Even the daughter...�� ٠�����You must've heard of this.�� �C�u��V�������Baron de Lambert.��������&It was big in the papers here.�� �C�u��V�������I don't read the papers, not the local news.�� C�u��V�Ӡ����When we met she worked at the Paradise Club,�� 㠛��� �behind the Opera.���C�u��V�ޠ����Her name was Mylene Le Goff.��������ECome in.���C�u��WC6�����Milk in your tea?��������+No, thanks.��������-I don't have time....���C�u��WY������I have to go home and pack.�������KI still haven't told my folks I'm leaving.�� �C�u��Wx������Dad won't mind, but Mom'll make a scene.��+C�u��W�p�����See you later.��Z������2 o'clock at the station. Max'll pick you up.�� mC�u��W�򠤡��"The toast of Marseille" !���C�u��X&������No need for that. There's nothing left to steal.�� �C�u��XA������You slept out, but I'm being tactful!�� C�u��Xg������What are you doing?��������UPacking my bag.��*C�u��X|נ����You should pack yours.������� gWe leave at 2.���C�u��X�������Opening night was a smash, you should've come.�� ������ hI know, I saw the paper.��C�u��X�������You're Roxane?��������[I couldn't use my name.���C�u��X�n�����Well? You can't stay here all alone.�� l����� I can't come!��������uStop that!��0C�u��X�7�ǡ��Why didn't you tell me you knew him? That he was your lover,��������Qand my father?���C�u��X� �����Who told you that?��������UHe did! Who else?��㠜��� �But it's not true!��`C�u��Yn�����It's not true? I'm not his daughter?�� ������ Yes, but...���C�u@��Y+������Why did you tell him all that junk?��T������What junk?��G����� �Don't start!��T������How should I know?���C�u��YHU�����He sat there facing me, looking so smug...�� ������He hadn't changed...���C�u��YeU�����It annoyed me, I started inventing...�� ������I wanted to look strong,�� gC�u��Y�������a happy, successful woman...�������� 3If you knew where I met him... If you knew...�� C�u��Y�������He told me everything, Mom.�� �������The Paradise Club and all that.���C�u��Y� �����Promise you'll never tell your Dad!�� [������I promise.��`C�u��Yݻ�����Now get dressed and pack.�� �C�u��Y������No, I can't face him.��x������I love him.���C�u��Z�����Don't be so dumb! He loves you too!�� ����� �How can I explain to him...��TC�u��Z. �����Don't explain. Go for it!�� 2C�u��Zlt�����- Everyone here? - Except Tony.��������- No Tony? - He was at the hotel.��Ѡ����!Here he is.���C�u@��Z�䠗���And the girl?������Max is fetching her. Where are the bags?�� �����VOn the train.�������iWe'll miss the train.���C�u��Z�Ѡ����Go ahead. I'll join you on the train.��T������Here are Max and Roxane. And someone else.�� C�u��Z������Mylene...���C�u��Z�i�����I brought Mom. I knew you'd be pleased.�� `C�u��]�Ԡ����Subtitles: A. Whitelaw & S. 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