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Downloaded from
YTS.BZ
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Official YIFY movies site:
YTS.BZ
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(ominous eerie music)
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00:00:46,708 --> 00:00:50,708
(distant plane engines roaring)
5
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(traffic hums and whooshes)
6
00:01:16,708 --> 00:01:19,791
(patrons chattering)
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(locks clacking)
8
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(bag unzips)
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00:01:26,416 --> 00:01:27,833
(amplifier buzzes)
10
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(cup clatters)
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(cup clatters)
12
00:01:43,333 --> 00:01:46,083
(cup clattering)
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(uptempo percussive
music using cup sample)
14
00:02:19,125 --> 00:02:22,958
♪ I went to the ocean ♪
15
00:02:22,958 --> 00:02:27,041
♪ And I couldn't find a bed ♪
16
00:02:27,041 --> 00:02:30,958
♪ I went to the seaside ♪
17
00:02:30,958 --> 00:02:35,958
♪ And I couldn't find the dead ♪
18
00:02:37,458 --> 00:02:41,041
♪ I couldn't find the dead ♪
19
00:02:55,083 --> 00:02:58,958
♪ I looked for a lady ♪
20
00:02:58,958 --> 00:03:03,041
♪ But she didn't like to say ♪
21
00:03:03,041 --> 00:03:05,875
♪ What she really wanted ♪
22
00:03:05,875 --> 00:03:10,875
♪ I know something that a-way ♪
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♪ I know it was ♪
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(cup clacking)
25
00:03:36,916 --> 00:03:38,083
Jesus Christ.
26
00:03:38,291 --> 00:03:39,833
- That was a pretty neat trick.
27
00:03:41,000 --> 00:03:42,958
- Oh, uh...
28
00:03:42,958 --> 00:03:44,500
Yeah. Thanks.
29
00:03:44,500 --> 00:03:46,666
It's pretty simple stuff.
30
00:03:46,666 --> 00:03:49,208
- Well, give yourself
the credit you deserve.
31
00:03:49,291 --> 00:03:50,541
That's a unique talent.
32
00:03:51,791 --> 00:03:52,833
I'm Donna Alby.
33
00:03:55,708 --> 00:03:57,291
Decibel?
34
00:03:57,291 --> 00:03:58,500
- Yeah.
35
00:03:58,500 --> 00:04:01,083
Oh! Oh, um, the Shin Splints, right?
36
00:04:02,000 --> 00:04:04,500
- They're recording at
my studio as we speak.
37
00:04:04,500 --> 00:04:06,000
- And you came to see my show?
38
00:04:07,041 --> 00:04:08,958
Wait. (chuckles) That, that is so cool.
39
00:04:08,958 --> 00:04:10,250
I, I'm sorry. I'm Scout.
40
00:04:10,250 --> 00:04:12,500
How did you even find me?
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00:04:12,500 --> 00:04:14,041
- Have you ever considered
42
00:04:14,041 --> 00:04:17,041
how your sound might
improve in a new setting?
43
00:04:17,958 --> 00:04:20,291
- Oh, I mean, I don't know.
44
00:04:20,291 --> 00:04:22,166
I usually make stuff in my own space.
45
00:04:22,166 --> 00:04:26,000
- I'd like to invite you to
record at Decibel Studios.
46
00:04:26,000 --> 00:04:28,666
We'll call it an experiment.
47
00:04:28,666 --> 00:04:30,375
And if we're successful,
48
00:04:30,375 --> 00:04:33,208
you can expect more than
60 bucks and a drink.
49
00:04:33,208 --> 00:04:34,416
(Donna chuckles)
50
00:04:34,416 --> 00:04:37,333
- I guess I just think
of it as paying my dues.
51
00:04:37,333 --> 00:04:40,375
- You need to be working
at the next level, Scout.
52
00:04:40,375 --> 00:04:44,166
And I have the tools to make that happen.
53
00:04:44,166 --> 00:04:46,583
(ominous music)
54
00:04:46,583 --> 00:04:47,416
Think about it.
55
00:04:48,333 --> 00:04:50,666
Don't let your talent go to waste.
56
00:04:52,708 --> 00:04:54,708
I have a good feeling about this, Scout.
57
00:04:55,958 --> 00:04:56,833
I'm glad we met.
58
00:05:06,791 --> 00:05:10,291
(ominous music continues)
59
00:05:12,750 --> 00:05:13,791
(phone bleeps)
60
00:05:13,791 --> 00:05:15,208
- [Bailey] Hey, Scout. It's Bailey.
61
00:05:15,208 --> 00:05:17,750
Listen, I don't wanna make
this awkward or whatever,
62
00:05:17,750 --> 00:05:22,083
but the collective elected me
to ask you about resident dues
63
00:05:22,083 --> 00:05:24,875
and there's a lot of
talk about raising rent,
64
00:05:24,875 --> 00:05:26,291
and it ain't good.
65
00:05:26,291 --> 00:05:30,000
Anyway, call me or come over.
We should, we should talk.
66
00:05:34,500 --> 00:05:35,791
- Okay.
67
00:05:35,791 --> 00:05:39,125
(Scout breathes deeply)
68
00:05:49,625 --> 00:05:53,750
(mid-tempo percussive music)
69
00:05:53,750 --> 00:05:55,375
- [Bailey] We should talk.
70
00:05:55,375 --> 00:05:56,416
Whatever.
71
00:05:56,416 --> 00:05:57,750
Talk.
72
00:05:57,750 --> 00:05:58,875
Whatever.
73
00:05:58,875 --> 00:06:00,166
Listen. Listen.
74
00:06:00,166 --> 00:06:01,291
Whatever.
75
00:06:01,291 --> 00:06:02,541
Listen. Listen.
76
00:06:02,541 --> 00:06:03,375
Whatever.
77
00:06:03,375 --> 00:06:04,541
We should talk.
78
00:06:04,541 --> 00:06:06,958
Raising rent. Dues.
79
00:06:06,958 --> 00:06:08,416
Raising rent.
80
00:06:08,416 --> 00:06:09,416
Listen. Listen.
81
00:06:09,416 --> 00:06:10,833
Raising rent. Ain't good.
82
00:06:10,833 --> 00:06:11,791
Listen. Listen.
83
00:06:11,791 --> 00:06:12,958
Raising Rent. Ain't good.
84
00:06:12,958 --> 00:06:14,166
We should talk.
85
00:06:14,166 --> 00:06:15,958
Raising rent. Ain't good.
86
00:06:15,958 --> 00:06:17,000
Dues.
87
00:06:17,000 --> 00:06:18,291
Raising rent. Ain't good.
88
00:06:18,291 --> 00:06:19,375
We should talk.
89
00:06:19,375 --> 00:06:20,750
Raising rent. Ain't good.
90
00:06:20,750 --> 00:06:21,750
Dues.
91
00:06:21,750 --> 00:06:23,041
Raising rent. Ain't good.
92
00:06:23,041 --> 00:06:24,166
We should talk.
93
00:06:24,166 --> 00:06:25,708
Raising rent. Ain't good.
94
00:06:25,708 --> 00:06:26,583
Dues.
95
00:06:26,583 --> 00:06:27,833
Raising rent. Ain't good.
96
00:06:27,833 --> 00:06:29,041
We should talk. Listen, listen.
97
00:06:29,041 --> 00:06:30,375
Raising rent. Ain't good.
98
00:06:30,375 --> 00:06:31,416
Listen, listen.
99
00:06:31,416 --> 00:06:32,875
Raising rent. Ain't good.
100
00:06:32,875 --> 00:06:37,458
(mid-tempo percussive music continues)
101
00:06:42,125 --> 00:06:46,125
(metronome clacks rhythmically)
102
00:06:53,541 --> 00:06:55,833
(heartbeat thumping)
103
00:06:55,833 --> 00:06:59,000
(wind chimes ringing)
104
00:07:02,458 --> 00:07:04,875
(fly buzzes)
105
00:07:05,875 --> 00:07:10,875
(metronome clacking)
(wind chimes ringing)
106
00:07:14,291 --> 00:07:17,208
(metronome clicks)
107
00:07:20,708 --> 00:07:23,041
(watch chirps)
108
00:07:23,041 --> 00:07:26,708
(Scout humming melodically)
109
00:07:32,041 --> 00:07:35,708
(Scout humming melodically)
110
00:07:41,500 --> 00:07:45,166
(Scout humming melodically)
111
00:07:50,666 --> 00:07:54,333
(Scout humming melodically)
112
00:07:59,000 --> 00:08:04,000
(Scout humming melodically)
(dark electronic music)
113
00:08:09,791 --> 00:08:13,458
(Scout humming melodically)
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00:08:24,083 --> 00:08:27,458
(gentle music)
115
00:08:27,458 --> 00:08:29,291
(car door clicks open)
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00:08:29,291 --> 00:08:32,041
(car door slams)
117
00:08:36,625 --> 00:08:37,958
- Welcome to Decibel.
118
00:08:38,916 --> 00:08:40,083
(wind chimes ringing)
119
00:08:40,083 --> 00:08:42,583
I'm so glad you decided to come.
120
00:08:42,583 --> 00:08:43,708
- Wow. (chuckles)
121
00:08:43,708 --> 00:08:45,458
It's gorgeous here.
122
00:08:45,458 --> 00:08:46,625
(Donna chuckles)
123
00:08:46,625 --> 00:08:48,666
- Certainly remote.
124
00:08:48,666 --> 00:08:52,916
(distant coyotes yelping)
125
00:08:52,916 --> 00:08:53,750
Come on in.
126
00:08:55,583 --> 00:08:56,708
I'll give you the tour.
127
00:08:59,333 --> 00:09:04,333
(footsteps clacking)
(gentle music continues)
128
00:09:08,708 --> 00:09:09,583
(door clicks open)
129
00:09:10,083 --> 00:09:11,666
- [Scout] How long have you lived here?
130
00:09:11,666 --> 00:09:12,583
- Not long.
131
00:09:13,583 --> 00:09:15,958
I needed some space, after leaving ViLi.
132
00:09:17,916 --> 00:09:20,000
Figured 150 acres would do.
133
00:09:22,125 --> 00:09:24,708
(footsteps clacking)
134
00:09:24,708 --> 00:09:26,208
- Can't wait to get out there.
135
00:09:27,333 --> 00:09:28,916
Record some desert sounds.
136
00:09:32,833 --> 00:09:34,958
(Donna sighs)
137
00:09:34,958 --> 00:09:37,875
- I am so excited that you're here.
138
00:09:39,875 --> 00:09:43,208
You made the right choice,
accepting my invitation.
139
00:09:45,333 --> 00:09:46,708
I can't wait to get to work.
140
00:09:47,583 --> 00:09:50,708
Your room is right down there.
141
00:09:51,791 --> 00:09:54,666
But first, there's some people
I think you'll wanna meet.
142
00:09:57,458 --> 00:10:00,375
(cicadas chirping)
143
00:10:03,750 --> 00:10:05,625
I'd like you to meet a friend of mine.
144
00:10:07,208 --> 00:10:08,333
This is Scout.
145
00:10:10,291 --> 00:10:11,625
- I loved your last record.
146
00:10:13,000 --> 00:10:15,875
(Lee sighs)
147
00:10:16,166 --> 00:10:17,750
- I am sorry, Donna.
148
00:10:18,166 --> 00:10:19,708
He's just mad we have to leave.
149
00:10:20,875 --> 00:10:23,208
You're gonna join us for
dinner tonight, right?
150
00:10:23,208 --> 00:10:24,666
- Of course.
151
00:10:24,666 --> 00:10:26,458
I'm just showing her her room now.
152
00:10:26,458 --> 00:10:28,333
I'll let you know when dinner's ready.
153
00:10:34,333 --> 00:10:36,083
- This room is beautiful.
154
00:10:36,083 --> 00:10:38,666
- Oh, I like my artists to be comfortable.
155
00:10:38,666 --> 00:10:39,500
- Thank you.
156
00:10:43,916 --> 00:10:46,166
- Oh, this is one of yours, right?
157
00:10:46,166 --> 00:10:47,375
(suspenseful music)
158
00:10:47,375 --> 00:10:48,250
- Yes.
159
00:10:51,208 --> 00:10:52,625
The ViLi Monitor.
160
00:10:53,708 --> 00:10:56,041
Decibel was founded on her success.
161
00:10:57,583 --> 00:11:00,250
When was the last time you
had your breasts examined?
162
00:11:03,875 --> 00:11:05,958
- Excuse me? (chuckles)
163
00:11:05,958 --> 00:11:07,125
- A mammogram.
164
00:11:08,291 --> 00:11:09,333
It's important.
165
00:11:10,083 --> 00:11:12,250
(monitor chimes)
(suspenseful music continues)
166
00:11:12,250 --> 00:11:15,083
(monitor ringing)
167
00:11:18,291 --> 00:11:20,208
(monitor bleeps)
168
00:11:20,708 --> 00:11:21,791
All clear.
169
00:11:27,166 --> 00:11:28,833
- No wonder you're a billionaire.
170
00:11:33,458 --> 00:11:36,041
So, then...
171
00:11:37,083 --> 00:11:38,041
Why music?
172
00:11:39,416 --> 00:11:42,833
It's about as far away from
healthcare as you can get.
173
00:11:42,833 --> 00:11:46,833
- They're more closely related
than you'd think. (chuckles)
174
00:11:46,833 --> 00:11:49,083
When I was at ViLi, we
were making real headway
175
00:11:49,083 --> 00:11:52,666
into how sound impacts physical health.
176
00:11:53,875 --> 00:11:54,750
- What'd you find?
177
00:11:58,416 --> 00:11:59,666
- The board of directors let me go,
178
00:11:59,666 --> 00:12:02,041
before I had much of a
chance to figure it out.
179
00:12:03,125 --> 00:12:06,833
I know I did good work at ViLi,
180
00:12:06,833 --> 00:12:10,000
touchless cancer
screenings, the ana patch,
181
00:12:10,000 --> 00:12:12,375
my needleless anesthetic,
and new vaccines.
182
00:12:16,000 --> 00:12:18,125
I gave everything for my company.
183
00:12:21,583 --> 00:12:22,875
But being pushed out
184
00:12:24,125 --> 00:12:27,875
helped me find the essence of
what I always wanted to do.
185
00:12:30,041 --> 00:12:30,875
Music.
186
00:12:32,541 --> 00:12:34,625
A good song can be a benison as well.
187
00:12:36,916 --> 00:12:39,375
In a way, it saved my life.
188
00:12:40,500 --> 00:12:43,708
- I don't know if music saved my life,
189
00:12:46,250 --> 00:12:48,000
but I'd die to keep making it.
190
00:12:50,916 --> 00:12:52,166
- That's gorgeous, Scout.
191
00:12:54,000 --> 00:12:56,041
That's the type of dedication we need.
192
00:12:59,166 --> 00:13:02,583
And we'll have a little
fun too, right? (chuckles)
193
00:13:02,583 --> 00:13:04,958
I'll come collect you
when it's time for dinner.
194
00:13:10,333 --> 00:13:14,000
(brooding electronic music)
195
00:13:25,625 --> 00:13:28,791
- "Life without music is meaningless."
196
00:13:34,333 --> 00:13:38,333
(dirt crunches under footsteps)
197
00:13:41,708 --> 00:13:44,541
(insects buzzing)
198
00:13:56,166 --> 00:14:01,166
(wind whistling)
(insects buzzing)
199
00:14:06,583 --> 00:14:08,916
(intense whooshing)
200
00:14:08,916 --> 00:14:11,833
(animals chirping)
201
00:14:17,333 --> 00:14:21,750
(Scout humming melodically)
202
00:14:21,750 --> 00:14:24,541
(Scout humming melodically)
203
00:14:24,541 --> 00:14:28,125
(distant muffled chattering)
204
00:14:28,125 --> 00:14:29,250
- [Jackie] I don't care.
205
00:14:29,250 --> 00:14:31,666
- [Donna] (indistinct) Be professional.
206
00:14:33,833 --> 00:14:37,750
(gentle acoustic guitar music)
207
00:14:42,250 --> 00:14:44,375
(Scout chuckles)
208
00:14:44,375 --> 00:14:48,291
(gentle acoustic guitar music)
209
00:14:52,500 --> 00:14:53,791
- Oh, come on.
210
00:14:54,875 --> 00:14:55,708
Really?
211
00:14:57,416 --> 00:14:58,750
- Your first record, right?
212
00:14:59,666 --> 00:15:00,541
I love this one.
213
00:15:02,375 --> 00:15:07,625
♪ Last night I dreamed I was a radio ♪
214
00:15:09,416 --> 00:15:14,916
♪ And you were coming through
me like my favorite song ♪
215
00:15:15,250 --> 00:15:19,375
♪ Dreamed I was a radio. ♪
216
00:15:19,583 --> 00:15:24,583
♪ And you were coming through
me like my favorite song ♪
217
00:15:24,916 --> 00:15:30,208
♪ You were coming through
me like my favorite song ♪
218
00:15:30,791 --> 00:15:34,666
♪ You were coming through
me like my favorite song ♪
219
00:15:34,666 --> 00:15:38,041
(heartbeat thumping)
(ominous music)
220
00:15:38,041 --> 00:15:40,708
(fork clatters)
221
00:15:45,000 --> 00:15:46,833
- Lee, make yourself useful.
222
00:15:53,666 --> 00:15:55,458
- Thank you.
223
00:16:03,166 --> 00:16:06,083
(cicadas chirping)
224
00:16:09,541 --> 00:16:11,625
(chair creaks)
225
00:16:12,208 --> 00:16:13,833
- So, uh...
226
00:16:14,625 --> 00:16:18,583
What's it been like, working with Donna?
227
00:16:21,333 --> 00:16:22,416
- Mm.
228
00:16:23,458 --> 00:16:25,791
She's a bit intense.
229
00:16:25,791 --> 00:16:26,750
- Like how?
230
00:16:27,958 --> 00:16:30,083
- Man, don't look so worried.
231
00:16:30,083 --> 00:16:33,125
She's, uh, she's, she's cool.
232
00:16:33,125 --> 00:16:37,166
Think of it like she's
a, like, a bit eccentric.
233
00:16:37,166 --> 00:16:40,333
(dark swelling music)
234
00:16:46,625 --> 00:16:47,458
- Hey.
235
00:16:49,000 --> 00:16:49,833
Stick 'em up.
236
00:16:50,791 --> 00:16:51,625
- Griff.
237
00:16:52,750 --> 00:16:54,875
You're right on time.
238
00:16:55,583 --> 00:16:57,083
- Kimosabe.
239
00:16:57,083 --> 00:16:58,208
- [Griff] Just you people.
240
00:16:58,583 --> 00:16:59,416
- Griffin...
241
00:17:00,916 --> 00:17:02,000
This is Scout.
242
00:17:04,625 --> 00:17:06,125
- Griff.
- Scout.
243
00:17:06,125 --> 00:17:08,916
- We are so lucky to have her here.
244
00:17:09,875 --> 00:17:13,625
Her music will lead us into the future.
245
00:17:13,625 --> 00:17:14,666
- To the future, huh?
246
00:17:15,791 --> 00:17:16,625
No pressure.
247
00:17:17,458 --> 00:17:21,708
- Griffin will be your
engineer for the week.
248
00:17:21,708 --> 00:17:25,333
- Oh, I wasn't planning
on using an engineer.
249
00:17:25,333 --> 00:17:27,541
I don't, usually.
250
00:17:27,541 --> 00:17:29,083
- Nice to meet you, too.
251
00:17:29,083 --> 00:17:33,125
- Yeah, when you see the studio
tomorrow, you'll understand.
252
00:17:33,125 --> 00:17:34,916
- Griff, settle an argument for us.
253
00:17:34,916 --> 00:17:36,958
Donna's been talking about this all night.
254
00:17:36,958 --> 00:17:40,500
Do you think there's, uh, such
a thing as a perfect sound?
255
00:17:42,583 --> 00:17:43,416
- Silence?
256
00:17:45,750 --> 00:17:47,958
- That wasn't the question.
257
00:17:47,958 --> 00:17:53,583
The question was whether there's
a perfect frequency, right?
258
00:17:53,583 --> 00:17:54,875
A...
259
00:17:54,875 --> 00:17:57,333
An undiscovered waveform.
260
00:17:57,333 --> 00:17:59,833
- I want no part of this conversation.
261
00:17:59,833 --> 00:18:02,375
- You know, songs aren't just waveforms,
262
00:18:02,375 --> 00:18:05,000
or whatever the fuck.
263
00:18:05,000 --> 00:18:06,958
I don't think you get it.
264
00:18:06,958 --> 00:18:09,000
You don't even play an instrument, right?
265
00:18:10,708 --> 00:18:12,250
- No, you're right, Lee.
266
00:18:13,250 --> 00:18:14,791
No, I don't play.
267
00:18:14,791 --> 00:18:18,791
I haven't played since I
was a child. (chuckles)
268
00:18:21,333 --> 00:18:24,333
But I'm not pretending
to still be a rock star.
269
00:18:24,541 --> 00:18:27,125
(Lee chuckles)
270
00:18:29,958 --> 00:18:30,791
Excuse me.
271
00:18:33,041 --> 00:18:37,875
(footsteps clacking)
(gentle music)
272
00:18:37,875 --> 00:18:39,250
(door thuds)
273
00:18:39,541 --> 00:18:40,750
- Lee.
274
00:18:40,750 --> 00:18:42,500
- Give me a break, Jack.
She doesn't give a shit.
275
00:18:42,500 --> 00:18:44,375
She's kicking us out tomorrow anyway.
276
00:18:47,125 --> 00:18:49,416
(lighter flicks)
277
00:18:49,708 --> 00:18:50,875
- Who needs a refill?
278
00:18:53,791 --> 00:18:56,208
(dark music)
279
00:18:57,041 --> 00:18:59,958
(distant singing)
280
00:18:59,958 --> 00:19:01,833
(gentle acoustic guitar music)
281
00:19:01,833 --> 00:19:06,833
♪ And you were coming through
me like my favorite song ♪
282
00:19:07,291 --> 00:19:11,416
♪ Dreamed I was a radio ♪
283
00:19:11,416 --> 00:19:16,416
♪ And you were coming through
me like my favorite song ♪
284
00:19:16,875 --> 00:19:18,041
(garbled music)
285
00:19:18,041 --> 00:19:20,166
♪ Coming through me like ♪
286
00:19:20,166 --> 00:19:23,083
- [Scout] Is she always that tough?
287
00:19:24,125 --> 00:19:25,625
- She's got a lot to prove.
288
00:19:25,958 --> 00:19:26,875
She's invested.
289
00:19:30,000 --> 00:19:31,750
- How long have you worked for her?
290
00:19:33,125 --> 00:19:35,166
- On and off for a couple years.
291
00:19:35,166 --> 00:19:37,000
It's all freelance, but it pays well.
292
00:19:39,041 --> 00:19:41,958
Donna's a lot of things,
but cheap ain't one of 'em.
293
00:19:45,000 --> 00:19:46,875
- Do you like her?
294
00:19:46,875 --> 00:19:47,791
- Yeah.
295
00:19:47,791 --> 00:19:48,625
Sure.
296
00:19:50,791 --> 00:19:51,750
She's kind of mean,
297
00:19:52,625 --> 00:19:55,958
but, uh, she's the only
billionaire I've ever met.
298
00:19:55,958 --> 00:19:57,708
Maybe that's just how they all are.
299
00:20:01,708 --> 00:20:03,458
- I don't know what I'm doing here.
300
00:20:05,625 --> 00:20:08,083
- It's a cool opportunity, right?
301
00:20:08,458 --> 00:20:12,125
Early days for the studio, but
Donna's a successful person.
302
00:20:13,250 --> 00:20:16,083
She'll win out here too,
I think. Eventually.
303
00:20:16,083 --> 00:20:19,250
- But like, The Shin Splints. I mean...
304
00:20:22,750 --> 00:20:24,750
Am I taking their studio time?
305
00:20:25,958 --> 00:20:27,750
- Tune that shit out.
306
00:20:27,750 --> 00:20:28,833
They'll be all right.
307
00:20:29,875 --> 00:20:31,250
Donna sees something in you.
308
00:20:33,333 --> 00:20:35,416
Best case scenario, you get a record deal.
309
00:20:36,416 --> 00:20:39,875
Worst case scenario, you get
a few good songs out of it.
310
00:20:43,333 --> 00:20:44,166
- Yeah.
311
00:20:46,708 --> 00:20:48,000
- Hey.
312
00:20:48,000 --> 00:20:49,375
Do you wanna see the studio?
313
00:20:51,458 --> 00:20:53,958
(eerie music)
314
00:20:57,541 --> 00:21:00,833
(dirt crunches under footsteps)
315
00:21:00,833 --> 00:21:03,416
(lock chimes)
316
00:21:03,416 --> 00:21:06,083
(door whooshes)
317
00:21:07,916 --> 00:21:09,041
(door whooshes)
318
00:21:09,041 --> 00:21:11,458
(door slams)
319
00:21:13,000 --> 00:21:14,500
- This is the fancy studio?
320
00:21:15,333 --> 00:21:16,291
(Griff chuckles)
321
00:21:16,708 --> 00:21:17,541
- [Griff] Uh-huh.
322
00:21:23,250 --> 00:21:24,208
- Where's the gear?
323
00:21:25,333 --> 00:21:28,333
- I know it sounds crazy,
but the room is the gear.
324
00:21:29,625 --> 00:21:31,583
Everything in here is connected.
325
00:21:31,583 --> 00:21:34,916
You have a thousand individual
microphones, 2,000 speakers,
326
00:21:34,916 --> 00:21:37,750
all in the walls, all
communicating with each other.
327
00:21:37,750 --> 00:21:39,666
No need for any wires.
328
00:21:39,666 --> 00:21:42,291
Don't need to plug in any instruments.
329
00:21:42,291 --> 00:21:44,208
- I don't even see any instruments.
330
00:21:44,208 --> 00:21:46,458
- It's so much more than that, Scout.
331
00:21:46,458 --> 00:21:47,291
Here.
332
00:21:48,916 --> 00:21:50,041
Put these on.
333
00:21:50,041 --> 00:21:51,541
They connect you to the studio.
334
00:21:51,541 --> 00:21:52,875
Makes everything streamlined.
335
00:21:53,541 --> 00:21:54,416
- [Scout] Really?
336
00:21:55,666 --> 00:21:56,708
(bracelet clicks)
337
00:21:57,166 --> 00:21:58,291
- Step in.
338
00:21:58,291 --> 00:21:59,500
Sing anything.
339
00:22:00,875 --> 00:22:02,875
Promise you're not gonna be disappointed.
340
00:22:03,833 --> 00:22:06,500
(door whirring)
341
00:22:14,250 --> 00:22:15,125
Give me a vocal.
342
00:22:15,958 --> 00:22:17,500
Literally anything.
343
00:22:17,500 --> 00:22:18,458
Anything you like.
344
00:22:20,583 --> 00:22:21,416
- Okay.
345
00:22:23,250 --> 00:22:24,083
Um...
346
00:22:26,500 --> 00:22:28,541
Well, I have been working
on like one thing,
347
00:22:28,541 --> 00:22:30,750
but it's not really ready yet.
348
00:22:31,708 --> 00:22:32,833
- [Griff] No pressure.
349
00:22:38,166 --> 00:22:41,041
♪ I'm an anarchist ♪
350
00:22:41,041 --> 00:22:46,041
♪ Give me chaos, give me
fury and a late-night kiss ♪
351
00:22:47,416 --> 00:22:49,625
Yeah, something like that. I don't know.
352
00:22:49,625 --> 00:22:50,708
- Okay. Take a listen.
353
00:22:51,708 --> 00:22:54,541
♪ I'm an anarchist ♪
354
00:22:54,541 --> 00:22:59,250
♪ Give me chaos, give me
fury and a late-night kiss ♪
355
00:22:59,416 --> 00:23:00,875
Can I add to it?
356
00:23:00,875 --> 00:23:03,416
- Yeah. Anything you like.
357
00:23:03,416 --> 00:23:04,500
Think of it this way.
358
00:23:04,500 --> 00:23:05,791
Those bracelets connect you
359
00:23:05,791 --> 00:23:09,125
to all the equipment in the
walls, those mics and speakers.
360
00:23:09,125 --> 00:23:10,333
And that touchscreen functions
361
00:23:10,333 --> 00:23:12,458
like any instrument you can imagine.
362
00:23:12,458 --> 00:23:16,083
It's a keyboard, horn,
sampler, drum machine.
363
00:23:16,083 --> 00:23:18,000
You just swipe through it.
364
00:23:18,000 --> 00:23:19,458
Donna programmed it herself.
365
00:23:22,083 --> 00:23:24,833
(monitor chirps)
366
00:23:27,458 --> 00:23:30,541
(kick drum thumping)
367
00:23:32,750 --> 00:23:36,250
(mellow electronic music)
368
00:23:52,916 --> 00:23:55,458
♪ I'm an anarchist ♪
369
00:23:55,458 --> 00:24:00,458
♪ Give me chaos, give me
fury and a late-night kiss ♪
370
00:24:00,458 --> 00:24:04,416
♪ From a man I know who's
not the best for me ♪
371
00:24:04,416 --> 00:24:07,041
♪ I'm a cynic when I'm in it ♪
372
00:24:07,041 --> 00:24:10,875
♪ I'm a witness to my own
destructive thoughts ♪
373
00:24:10,875 --> 00:24:13,458
♪ Overwritten, overwrought ♪
374
00:24:13,458 --> 00:24:16,041
♪ I want the best for you ♪
375
00:24:16,041 --> 00:24:18,708
♪ If it's the worst for me ♪
376
00:24:18,708 --> 00:24:21,250
♪ I want the best for you ♪
377
00:24:21,250 --> 00:24:25,000
♪ If it's the worst for me ♪
378
00:24:25,541 --> 00:24:27,833
Wait. That is so intuitive.
379
00:24:27,833 --> 00:24:28,708
- It sounds great.
380
00:24:30,625 --> 00:24:31,916
- I'm gonna loop it, okay?
381
00:24:34,333 --> 00:24:36,666
♪ I'm a nihilist ♪
382
00:24:36,666 --> 00:24:39,208
♪ I'm sick of tryin' this ♪
383
00:24:39,208 --> 00:24:42,208
♪ I'm getting high on this ♪
384
00:24:42,208 --> 00:24:47,208
♪ It's a feeling that I
like, I won't come down, no ♪
385
00:24:47,250 --> 00:24:49,958
♪ It's the worst for me ♪
386
00:24:49,958 --> 00:24:52,666
♪ I want the best for you ♪
387
00:24:52,666 --> 00:24:54,500
♪ If it's the worst ♪
388
00:24:55,083 --> 00:24:57,750
(ominous music)
389
00:25:00,541 --> 00:25:02,958
(door thuds)
390
00:25:06,208 --> 00:25:08,708
(Donna sighs)
391
00:25:11,166 --> 00:25:12,958
- I wanted to be here when you met.
392
00:25:14,541 --> 00:25:17,416
- Yeah, I'm, I'm really
sorry. I should've asked.
393
00:25:17,416 --> 00:25:20,416
I know this is your baby.
394
00:25:20,416 --> 00:25:22,458
Um, I was just really excited.
395
00:25:22,458 --> 00:25:23,875
And so when Griff said
that we could come to-
396
00:25:23,875 --> 00:25:24,708
- Do you like it?
397
00:25:25,541 --> 00:25:26,375
- The studio?
398
00:25:28,583 --> 00:25:30,625
This is the coolest thing I've ever seen.
399
00:25:31,708 --> 00:25:32,541
- Good.
400
00:25:34,416 --> 00:25:36,541
Now, tell me.
401
00:25:38,125 --> 00:25:42,208
What is your first memory of music, Scout?
402
00:25:42,208 --> 00:25:44,791
(gentle music)
403
00:25:46,791 --> 00:25:48,291
- Oh, um...
404
00:25:50,583 --> 00:25:51,458
I don't know.
405
00:25:55,916 --> 00:25:58,375
Sitting in the pew with
my grandparents, I guess.
406
00:26:00,458 --> 00:26:01,625
Yeah.
407
00:26:01,625 --> 00:26:04,708
They built this old organ in
the back of the sanctuary.
408
00:26:07,291 --> 00:26:09,375
Sometimes the sermons were pretty boring.
409
00:26:12,583 --> 00:26:13,666
But I liked the hymns.
410
00:26:15,208 --> 00:26:16,625
"Ave Maria".
411
00:26:17,958 --> 00:26:19,916
"How Great Thou Art".
412
00:26:19,916 --> 00:26:20,750
Every Sunday.
413
00:26:22,916 --> 00:26:23,750
- Well...
414
00:26:24,666 --> 00:26:26,416
We are creatures of habit.
415
00:26:27,166 --> 00:26:28,750
Aren't we?
416
00:26:31,208 --> 00:26:33,541
- What about you? First memory of music?
417
00:26:35,375 --> 00:26:38,000
- My mother, she was a piano teacher.
418
00:26:38,000 --> 00:26:39,416
- Did she teach you how to play?
419
00:26:40,916 --> 00:26:42,791
- She certainly tried.
420
00:26:42,791 --> 00:26:44,125
(eerie music)
421
00:26:45,666 --> 00:26:47,083
Can you do me a favor, scout?
422
00:26:49,291 --> 00:26:51,500
Can you tell me what that is?
423
00:26:51,500 --> 00:26:53,958
(organ chord drones)
424
00:26:55,000 --> 00:26:55,833
- This chord?
425
00:26:57,333 --> 00:26:58,166
It's B-flat.
426
00:26:59,041 --> 00:27:01,291
Is this a church organ?
427
00:27:02,833 --> 00:27:04,166
You messing with me?
428
00:27:04,166 --> 00:27:05,000
- And this?
429
00:27:07,500 --> 00:27:08,916
- What is this? Like a test?
430
00:27:08,916 --> 00:27:10,333
- Don't think of it that way.
431
00:27:11,375 --> 00:27:12,208
Please.
432
00:27:13,166 --> 00:27:14,083
Humor me.
433
00:27:15,416 --> 00:27:16,416
- Um...
434
00:27:16,416 --> 00:27:19,416
F-sharp, but this is
like grade school shit.
435
00:27:19,416 --> 00:27:23,541
- Oh! If it's so easy,
then what comes next?
436
00:27:24,041 --> 00:27:25,208
- In the scale?
437
00:27:25,458 --> 00:27:26,291
- No.
438
00:27:27,166 --> 00:27:30,083
What chord should come next?
439
00:27:30,666 --> 00:27:34,916
What is the best decision, musically?
440
00:27:34,916 --> 00:27:36,500
Use the monitor in front of you.
441
00:27:38,583 --> 00:27:40,041
- Um...
442
00:27:40,041 --> 00:27:40,958
B-flat.
443
00:27:43,416 --> 00:27:44,250
F-sharp.
444
00:27:47,166 --> 00:27:48,166
D-sharp-minor.
445
00:27:49,083 --> 00:27:50,125
F-major.
446
00:27:50,125 --> 00:27:51,166
Eh.
447
00:27:51,500 --> 00:27:52,333
Like this.
448
00:27:53,291 --> 00:27:56,541
(brooding organ music)
449
00:28:01,583 --> 00:28:02,416
- Yeah.
450
00:28:03,375 --> 00:28:04,208
Yeah, I...
451
00:28:06,833 --> 00:28:08,083
- Did I pass your test?
452
00:28:09,500 --> 00:28:12,708
- I told you it's not
a test, but if it was?
453
00:28:14,791 --> 00:28:16,375
With flying colors.
454
00:28:17,541 --> 00:28:20,250
(crickets chirping)
455
00:28:20,625 --> 00:28:23,458
(water splashing)
456
00:28:26,083 --> 00:28:29,250
(muffled organ music)
457
00:28:42,458 --> 00:28:47,458
(muffled organ music)
(crickets chirping)
458
00:28:48,083 --> 00:28:51,250
(muffled organ music)
459
00:28:53,666 --> 00:28:57,041
(muffled organ music)
460
00:28:57,041 --> 00:29:00,583
(feedback rings)
461
00:29:00,583 --> 00:29:04,000
(discordant organ music)
462
00:29:07,916 --> 00:29:10,541
(door slams)
463
00:29:10,541 --> 00:29:13,208
(ominous music)
464
00:29:25,583 --> 00:29:30,000
(distorted electronic tones buzzing)
465
00:29:31,166 --> 00:29:34,500
- [Scout] What's it been
like, working with Donna?
466
00:29:34,500 --> 00:29:37,583
(eerie percussive music)
467
00:29:37,583 --> 00:29:39,000
Can't wait to get out there.
468
00:29:40,625 --> 00:29:42,125
Record some desert sounds.
469
00:29:42,125 --> 00:29:44,416
Record some desert sounds.
470
00:29:44,416 --> 00:29:46,750
♪ I'm an anarchist ♪
471
00:29:46,750 --> 00:29:48,458
(distorted and garbled vocals)
472
00:29:48,666 --> 00:29:50,583
- [Donna] Perfect frequency.
473
00:29:50,583 --> 00:29:53,458
(distorted and garbled vocals)
(eerie music continues)
474
00:29:53,458 --> 00:29:55,416
An undiscovered waveform.
475
00:29:55,416 --> 00:29:58,750
(eerie music continues)
476
00:30:02,083 --> 00:30:04,666
(coyote howls)
477
00:30:08,250 --> 00:30:10,875
(door creaks)
478
00:30:11,166 --> 00:30:12,125
- You're up early.
479
00:30:13,083 --> 00:30:14,875
- Yeah! Yeah, you too.
480
00:30:15,958 --> 00:30:17,416
Hey, have you seen Donna?
481
00:30:18,333 --> 00:30:19,833
- Not this morning.
482
00:30:19,833 --> 00:30:21,166
I think she's avoiding us.
483
00:30:22,125 --> 00:30:24,500
- Did you have a session
with her yesterday?
484
00:30:24,500 --> 00:30:26,750
I thought I heard someone
playing in the studio.
485
00:30:27,666 --> 00:30:30,333
- She wouldn't let us back
in that studio if we asked.
486
00:30:32,166 --> 00:30:36,916
And look, I know last night
ended sort of weird or whatever,
487
00:30:36,916 --> 00:30:40,416
but Lee had too much to drink.
488
00:30:40,416 --> 00:30:41,916
You know how it goes.
489
00:30:41,916 --> 00:30:44,000
He's in the car right now, still hungover.
490
00:30:45,041 --> 00:30:46,541
- All good, all good.
491
00:30:46,541 --> 00:30:47,375
I get it.
492
00:30:48,375 --> 00:30:50,208
- [Jackie] I just don't want
you to think that Donna's
493
00:30:50,208 --> 00:30:51,500
worse than she is.
494
00:30:52,083 --> 00:30:52,916
- [Griff] Hey.
495
00:30:54,875 --> 00:30:56,500
- Didn't think we'd see you again, Griffy.
496
00:30:56,791 --> 00:30:58,708
- Think I'd miss this pathetic sendoff?
497
00:31:00,375 --> 00:31:01,666
Was fun working with you, Jack.
498
00:31:01,666 --> 00:31:03,875
- Wish your boss felt the same.
499
00:31:03,875 --> 00:31:04,833
- Yeah.
500
00:31:04,833 --> 00:31:06,208
Tough crowd.
501
00:31:06,208 --> 00:31:07,916
But we made some good shit.
502
00:31:07,916 --> 00:31:10,291
You guys made some good
shit. Be sure of that.
503
00:31:10,291 --> 00:31:12,666
I'll send you mastered
versions in a few weeks.
504
00:31:19,833 --> 00:31:23,375
- Remember, you're
making your record. Okay?
505
00:31:23,500 --> 00:31:24,500
Nobody else's.
506
00:31:25,458 --> 00:31:26,500
Give 'em hell, Scout.
507
00:31:29,416 --> 00:31:32,708
(door clicks open)
508
00:31:33,041 --> 00:31:35,000
(door thuds)
509
00:31:36,333 --> 00:31:39,250
- Well, we have some
time before our session.
510
00:31:39,250 --> 00:31:40,625
I have some hangover beers.
511
00:31:41,458 --> 00:31:43,000
You wanna go for a walk?
512
00:31:43,416 --> 00:31:44,333
- Hell yeah.
513
00:31:44,583 --> 00:31:47,500
(cicadas chirping)
514
00:31:51,708 --> 00:31:53,375
So, you make your own music?
515
00:31:54,208 --> 00:31:56,791
- Nah. Just a lowly sound tech.
516
00:31:56,791 --> 00:31:58,000
- Oh, whatever.
517
00:31:59,500 --> 00:32:00,750
- Had a band for a while.
518
00:32:01,916 --> 00:32:05,583
Got tired of eating ramen,
having six roommates.
519
00:32:05,583 --> 00:32:07,416
Had to get a real job.
520
00:32:07,416 --> 00:32:08,708
- Trust me. I get it.
521
00:32:10,000 --> 00:32:12,125
- I never totally stopped playing, though.
522
00:32:12,125 --> 00:32:14,250
I have a little studio up
here, actually. Just for fun.
523
00:32:14,250 --> 00:32:15,750
- No shit.
524
00:32:15,750 --> 00:32:16,916
Hey, I wanna see it.
525
00:32:16,916 --> 00:32:17,791
- We should be getting back.
526
00:32:17,791 --> 00:32:19,875
Donna's pretty fuckin' punctual.
527
00:32:19,875 --> 00:32:22,250
- Do you have actual
instruments in your studio?
528
00:32:24,375 --> 00:32:26,875
(door creaks)
529
00:32:32,333 --> 00:32:33,916
(door thuds)
530
00:32:39,875 --> 00:32:41,166
So, you're a hoarder.
531
00:32:42,541 --> 00:32:44,666
- These are all left over from Studio 1.0.
532
00:32:47,625 --> 00:32:50,083
(acoustic guitar strums)
533
00:32:50,291 --> 00:32:51,125
- Hm.
534
00:32:51,708 --> 00:32:53,958
Can't imagine that studio
having instruments.
535
00:32:54,791 --> 00:32:56,375
- Yeah. It didn't last long.
536
00:32:56,375 --> 00:32:57,750
She, uh, pulled 'em all out,
537
00:32:57,750 --> 00:32:59,916
when she started
programming the new system.
538
00:33:06,166 --> 00:33:08,875
(cymbal ringing)
539
00:33:08,875 --> 00:33:11,708
(snare drum rattling)
540
00:33:11,708 --> 00:33:12,916
(kick drum thumping)
541
00:33:13,125 --> 00:33:14,083
We should really get going.
542
00:33:14,250 --> 00:33:15,791
- Sit your ass down and play.
543
00:33:17,375 --> 00:33:21,291
(gentle acoustic guitar music)
544
00:33:30,833 --> 00:33:33,666
♪ I could love you ♪
545
00:33:33,666 --> 00:33:37,333
♪ Oh, If you want me to ♪
546
00:33:38,791 --> 00:33:41,875
(Scout hums melodically)
547
00:33:41,875 --> 00:33:44,875
♪ I could love you ♪
548
00:33:44,875 --> 00:33:49,875
♪ Oh, if you want me to ♪
549
00:33:50,416 --> 00:33:54,791
♪ And you could love me too ♪
550
00:33:54,791 --> 00:33:58,000
♪ Or I could hate you, oh ♪
551
00:33:58,000 --> 00:34:02,333
♪ If you want me to ♪
552
00:34:02,333 --> 00:34:06,500
♪ You could hate me too ♪
553
00:34:06,500 --> 00:34:10,416
♪ Whatever you want or need ♪
554
00:34:10,416 --> 00:34:13,166
♪ Whatever you wish I'll be ♪
555
00:34:13,166 --> 00:34:19,041
♪ I'll be anything, I'll be anything ♪
556
00:34:19,333 --> 00:34:22,583
♪ Key chain on your favorite keys ♪
557
00:34:22,583 --> 00:34:25,958
♪ Shirt that you got from Palm Springs ♪
558
00:34:25,958 --> 00:34:28,958
♪ I'll be anything ♪
(eerie music)
559
00:34:28,958 --> 00:34:32,333
♪ I'll be anything ♪
560
00:34:32,333 --> 00:34:35,083
♪ Living across the road ♪
561
00:34:35,083 --> 00:34:38,791
♪ I'll do anything I'm told ♪
562
00:34:38,791 --> 00:34:39,916
♪ Maybe even ♪
563
00:34:39,916 --> 00:34:42,833
(distorted vocals)
564
00:34:44,958 --> 00:34:48,083
♪ I could love you, oh ♪
565
00:34:48,083 --> 00:34:52,125
♪ If you want me to ♪
566
00:34:52,125 --> 00:34:56,958
♪ And you could love me too ♪
567
00:34:57,333 --> 00:35:00,083
(cymbal ringing)
568
00:35:04,083 --> 00:35:05,750
(button clicks)
569
00:35:07,708 --> 00:35:10,250
- You know, I don't normally
work with an engineer.
570
00:35:10,916 --> 00:35:12,083
(Scout chuckles)
571
00:35:12,666 --> 00:35:13,500
- Fuck off.
572
00:35:15,958 --> 00:35:17,375
- [Griff] We should really get back.
573
00:35:17,375 --> 00:35:19,000
I don't wanna keep Donna waiting.
574
00:35:19,625 --> 00:35:20,875
- Okay. Fine.
575
00:35:21,875 --> 00:35:24,625
(cymbal crashes)
576
00:35:26,541 --> 00:35:30,333
(birds chirping)
(distant coyote howls)
577
00:35:32,166 --> 00:35:34,750
Uh, gotta be at least 50 years.
578
00:35:34,750 --> 00:35:37,750
I actually got it from
this shop down the street.
579
00:35:37,750 --> 00:35:39,875
It needs some love, but does the trick.
580
00:35:39,875 --> 00:35:41,291
- How nice of you to show.
581
00:35:44,625 --> 00:35:46,375
You're 15 minutes late.
582
00:35:47,458 --> 00:35:51,041
- So that was my fault. I,
uh, I was asking for a tour.
583
00:35:51,041 --> 00:35:54,208
- The time for tours was yesterday.
584
00:35:55,958 --> 00:35:57,125
- Well, we're here now.
585
00:35:59,083 --> 00:36:01,666
- It was kind of like, um,
like an inspiration thing,
586
00:36:01,666 --> 00:36:03,583
to start my day?
587
00:36:03,583 --> 00:36:06,333
Like getting me a
little, little warmed up.
588
00:36:07,416 --> 00:36:10,166
- When you're a guest in my studio,
589
00:36:11,250 --> 00:36:13,166
I decide how you warm up.
590
00:36:15,166 --> 00:36:16,000
Is that fair?
591
00:36:18,458 --> 00:36:19,291
- Yeah.
592
00:36:22,166 --> 00:36:23,000
No, absolutely.
593
00:36:27,333 --> 00:36:28,166
- Good.
594
00:36:29,791 --> 00:36:31,750
You two get to work.
595
00:36:31,750 --> 00:36:34,250
Who knows what exciting
discoveries we'll make today.
596
00:36:42,708 --> 00:36:46,208
(mellow electronic music)
597
00:36:54,666 --> 00:36:59,666
♪ I see your face ♪
598
00:36:59,750 --> 00:37:04,750
♪ I feel the same ♪
599
00:37:04,916 --> 00:37:09,916
♪ I see your shade ♪
600
00:37:09,916 --> 00:37:13,041
♪ It's all the same ♪
601
00:37:13,041 --> 00:37:18,000
♪ Who are you tonight ♪
602
00:37:18,000 --> 00:37:23,000
♪ Who are you tonight ♪
603
00:37:23,166 --> 00:37:26,333
♪ Who are you tonight ♪
604
00:37:28,833 --> 00:37:31,416
(Scout groans)
605
00:37:33,000 --> 00:37:33,833
Fuck!
606
00:37:34,833 --> 00:37:37,000
Can't figure out this goddamn chorus.
607
00:37:38,125 --> 00:37:39,875
(studio whirs down)
608
00:37:40,208 --> 00:37:41,666
- You'll figure it out.
609
00:37:42,125 --> 00:37:43,416
Come on back. Let's take a little break.
610
00:37:43,416 --> 00:37:44,500
We can listen in here.
611
00:37:45,416 --> 00:37:47,833
(dark music)
612
00:37:48,666 --> 00:37:52,000
(Donna breathes deeply)
613
00:37:58,583 --> 00:38:00,250
So that's it right there.
614
00:38:00,250 --> 00:38:02,291
It's just not melding.
615
00:38:02,291 --> 00:38:04,125
- [Scout] I know. I can hear it.
616
00:38:04,125 --> 00:38:06,458
I don't need a fuckin' PowerPoint.
617
00:38:07,416 --> 00:38:08,500
- Just trying to help.
618
00:38:09,375 --> 00:38:12,208
- (sighs) This is why
I work alone, you know?
619
00:38:12,208 --> 00:38:15,750
I can spend a whole week
on a sound, if I want to.
620
00:38:15,750 --> 00:38:18,000
It, this is just, it's too stressful,
621
00:38:18,000 --> 00:38:20,375
trying to get a whole
fucking song in a day.
622
00:38:20,375 --> 00:38:21,708
And with you watching me.
623
00:38:23,375 --> 00:38:25,125
- [Griff] It's all
right. You'll get there.
624
00:38:26,416 --> 00:38:27,958
- [Scout] Sorry.
625
00:38:27,958 --> 00:38:29,583
- [Griff] Do you wanna call it?
626
00:38:29,583 --> 00:38:31,250
- [Scout] Oh, yeah. I'm starving.
627
00:38:31,250 --> 00:38:32,083
- Totally cool.
628
00:38:32,958 --> 00:38:35,291
(Donna sighs)
629
00:38:35,875 --> 00:38:37,541
We'll finish your track tomorrow.
630
00:38:40,083 --> 00:38:41,291
- I won't be late.
631
00:38:42,500 --> 00:38:44,041
- Goodnight, Scout. Sleep well.
632
00:38:48,666 --> 00:38:50,375
(light buzzing)
633
00:38:50,375 --> 00:38:53,041
(ominous music)
634
00:39:02,625 --> 00:39:03,458
Hey.
635
00:39:05,458 --> 00:39:06,750
- Are you taking a break?
636
00:39:08,250 --> 00:39:10,291
- We're calling it for the day, actually.
637
00:39:12,958 --> 00:39:14,916
- It's a little early, don't you think?
638
00:39:16,500 --> 00:39:18,208
- We've been at it for 12 hours.
639
00:39:18,208 --> 00:39:20,333
She's tired. I'm tired.
640
00:39:21,416 --> 00:39:23,500
We almost finished an entire song.
641
00:39:23,500 --> 00:39:25,916
- No, it's not only about the song!
642
00:39:25,916 --> 00:39:29,416
(ominous music continues)
643
00:39:37,041 --> 00:39:38,666
You should know that by now. I...
644
00:39:41,291 --> 00:39:43,625
I need you to get more output from her.
645
00:39:44,708 --> 00:39:47,375
- 12 hours is more than
enough output, Donna.
646
00:39:48,125 --> 00:39:49,416
You can't force this shit.
647
00:39:59,291 --> 00:40:01,541
- I think you need to take some time off.
648
00:40:01,541 --> 00:40:02,708
- [Griff] Oh, come on.
649
00:40:02,708 --> 00:40:03,916
- You said it yourself.
650
00:40:05,583 --> 00:40:06,708
You're tired.
651
00:40:08,583 --> 00:40:10,083
I'll finish with her.
652
00:40:10,083 --> 00:40:12,083
- How?
- Pack your things, Griffin!
653
00:40:12,083 --> 00:40:13,541
Clear the studio!
654
00:40:17,041 --> 00:40:17,958
- You know what?
655
00:40:19,083 --> 00:40:19,916
Good luck.
656
00:40:21,333 --> 00:40:22,458
Good fuckin' luck.
657
00:40:24,291 --> 00:40:26,375
You can't do this on your own.
658
00:40:28,916 --> 00:40:30,416
- I won't have to.
659
00:40:36,333 --> 00:40:39,291
(footsteps clacking)
660
00:40:39,666 --> 00:40:41,958
(door creaks)
661
00:40:41,958 --> 00:40:44,375
(door slams)
662
00:40:47,791 --> 00:40:50,458
(thunder claps)
663
00:40:52,708 --> 00:40:57,041
(garbled and distorted organ music)
664
00:41:08,083 --> 00:41:13,083
(muffled crickets chirping)
(muffled thunder rumbling)
665
00:41:27,166 --> 00:41:30,250
♪ I could love you, oh ♪
666
00:41:30,250 --> 00:41:34,375
♪ If you want me to ♪
667
00:41:34,375 --> 00:41:38,916
♪ And you could love me too ♪
668
00:41:38,916 --> 00:41:42,583
♪ Or I could hate you, oh ♪
669
00:41:42,583 --> 00:41:45,916
♪ If you want me to ♪
670
00:41:47,083 --> 00:41:50,541
♪ And you could hate me too ♪
(eerie music)
671
00:41:50,541 --> 00:41:52,958
(distant coyote yelping)
672
00:41:52,958 --> 00:41:57,958
♪ Who are you tonight ♪
673
00:41:58,541 --> 00:42:03,166
♪ Who are you ♪
674
00:42:03,166 --> 00:42:05,958
♪ Who are you ♪
675
00:42:05,958 --> 00:42:08,666
♪ You, you, you, you, you ♪
676
00:42:08,666 --> 00:42:11,708
(distorted vocals)
677
00:42:11,708 --> 00:42:13,541
(mellow electronic music)
678
00:42:13,541 --> 00:42:16,833
♪ I could love you ♪
679
00:42:16,833 --> 00:42:19,750
♪ Dreamed I was a radio ♪
680
00:42:23,666 --> 00:42:28,666
♪ Who are you tonight ♪
(eerie music swelling)
681
00:42:32,250 --> 00:42:35,500
(distant coyote howls)
682
00:42:37,000 --> 00:42:39,833
(insects buzzing)
683
00:42:45,041 --> 00:42:50,041
(distant coyote howls)
(insects buzzing and chirping)
684
00:42:52,875 --> 00:42:56,083
(grass rustles)
685
00:42:56,083 --> 00:42:59,583
(distant coyote howls)
686
00:42:59,916 --> 00:43:02,500
(coyote barks)
687
00:43:03,375 --> 00:43:04,208
Fuck.
688
00:43:05,333 --> 00:43:08,833
(distant coyotes howling)
689
00:43:15,833 --> 00:43:18,666
(coyotes howling)
690
00:43:21,500 --> 00:43:24,083
(coyote howls)
691
00:43:27,458 --> 00:43:30,041
(coyote howls)
692
00:43:31,291 --> 00:43:34,875
(suspenseful music)
693
00:43:34,875 --> 00:43:37,708
(coyotes howling)
694
00:43:41,708 --> 00:43:44,541
(coyotes howling)
695
00:43:56,208 --> 00:44:00,125
(suspenseful music continues)
696
00:44:00,791 --> 00:44:03,375
(coyote howls)
697
00:44:06,750 --> 00:44:11,750
(coyotes howling)
(intense electronic music)
698
00:44:23,166 --> 00:44:27,333
(intense electronic music swells)
699
00:44:31,250 --> 00:44:33,875
(metronome clacks rhythmically)
700
00:44:33,875 --> 00:44:36,291
(door thuds)
701
00:44:38,166 --> 00:44:39,500
- Oh.
702
00:44:39,500 --> 00:44:40,833
I'm sorry. I didn't know you were-
703
00:44:40,833 --> 00:44:41,541
- Good morning.
704
00:44:41,541 --> 00:44:45,541
(metronome clacks rhythmically)
705
00:44:49,708 --> 00:44:52,333
Putting the microphone to good use, I see.
706
00:44:52,333 --> 00:44:53,416
- Oh, yeah.
707
00:44:54,375 --> 00:44:56,291
- Why is it scratched?
708
00:44:56,291 --> 00:44:59,916
- Oh, I accidentally
dropped it a couple times.
709
00:45:00,958 --> 00:45:02,791
- If I had known you were
gonna be so careless,
710
00:45:02,791 --> 00:45:04,916
I would've gotten you
a less expensive one.
711
00:45:06,375 --> 00:45:07,250
- Uh...
712
00:45:08,666 --> 00:45:09,500
Sorry?
713
00:45:10,375 --> 00:45:13,166
Most of my stuff is kinda scraped up.
714
00:45:14,125 --> 00:45:15,333
I use it.
715
00:45:16,250 --> 00:45:17,083
You know?
716
00:45:17,083 --> 00:45:20,041
- There's breakfast set
out, just over there.
717
00:45:21,416 --> 00:45:22,500
Please eat!
718
00:45:23,916 --> 00:45:25,083
You'll need your energy.
719
00:45:26,583 --> 00:45:28,083
- That's great. Thanks.
720
00:45:31,166 --> 00:45:34,541
You know, I accidentally
dropped the mic yesterday
721
00:45:34,541 --> 00:45:37,208
when I was trying to record a coyote.
722
00:45:44,916 --> 00:45:46,625
- Do you mind if I put something on
723
00:45:46,625 --> 00:45:48,375
from your session yesterday?
724
00:45:49,750 --> 00:45:52,500
I'd love for you to hear it. It's...
725
00:45:52,500 --> 00:45:53,583
It's gorgeous.
726
00:45:55,416 --> 00:45:56,208
- Yeah.
727
00:45:57,208 --> 00:45:58,041
Sure.
728
00:46:00,916 --> 00:46:01,750
(watch chirps)
729
00:46:01,750 --> 00:46:06,750
(food crunching)
(heartbeat thumping)
730
00:46:10,125 --> 00:46:14,541
(substances squelching and bubbling)
731
00:46:17,833 --> 00:46:20,916
(heartbeat thumping)
732
00:46:23,166 --> 00:46:24,166
What is that?
733
00:46:26,083 --> 00:46:27,500
- It's you, Scout.
734
00:46:33,291 --> 00:46:34,708
- I'm sorry.
735
00:46:34,708 --> 00:46:35,833
What?
736
00:46:35,833 --> 00:46:38,375
- Well, our studio measures
your bio rhythms, your,
737
00:46:39,875 --> 00:46:42,791
your breath, your heartbeat.
738
00:46:44,083 --> 00:46:45,333
Even your blood flow.
739
00:46:46,916 --> 00:46:50,041
Music comes from within.
Wouldn't you agree?
740
00:46:51,083 --> 00:46:53,375
(heartbeat thumping)
741
00:46:53,583 --> 00:46:55,083
- That's...
742
00:46:55,083 --> 00:46:57,000
(substances squelching and bubbling)
743
00:46:57,000 --> 00:46:58,916
That's really weird.
744
00:46:58,916 --> 00:47:00,333
Will you turn that off?
745
00:47:02,833 --> 00:47:04,916
(watch chirps)
746
00:47:05,000 --> 00:47:06,250
(speakers whirring down)
747
00:47:06,416 --> 00:47:09,708
- Breakthroughs come from
total self alignment.
748
00:47:09,708 --> 00:47:13,541
You have to listen closely to
yourself. That's how we learn.
749
00:47:14,416 --> 00:47:16,166
- Um...
750
00:47:16,166 --> 00:47:17,000
Okay.
751
00:47:17,875 --> 00:47:19,166
Thank you.
752
00:47:19,166 --> 00:47:21,333
This was a great breakfast,
753
00:47:21,333 --> 00:47:24,125
but I should probably head to the studio.
754
00:47:24,125 --> 00:47:25,916
I promised Griff that I wouldn't be late.
755
00:47:25,916 --> 00:47:28,458
- It's just you and me today, Scout.
756
00:47:28,458 --> 00:47:29,708
- Where's Griff?
757
00:47:29,708 --> 00:47:31,416
- [Donna] I don't need
anyone distracting you.
758
00:47:31,416 --> 00:47:32,708
- No, he wasn't distracting me!
759
00:47:32,708 --> 00:47:34,791
- Well, try something different today.
760
00:47:34,791 --> 00:47:36,333
- Different how?
761
00:47:36,333 --> 00:47:39,541
- I understand this might
feel a bit unconventional.
762
00:47:41,250 --> 00:47:43,625
The future always is.
763
00:47:44,458 --> 00:47:45,708
(Scout scoffs)
764
00:47:46,166 --> 00:47:49,666
I believe your time is valuable.
765
00:47:49,666 --> 00:47:51,166
I'm willing to prove it.
766
00:47:51,875 --> 00:47:55,166
Uh, 15,000 for a session?
767
00:47:55,166 --> 00:47:57,541
- Do I need a lawyer
or something for this?
768
00:47:57,541 --> 00:47:59,416
- It's this simple. I...
769
00:47:59,416 --> 00:48:01,916
I'm offering my studio
770
00:48:02,791 --> 00:48:04,500
for you to record in,
771
00:48:05,541 --> 00:48:08,958
and I'm paying you for your time.
772
00:48:08,958 --> 00:48:12,625
Think of it as a way for us
to explore our relationship.
773
00:48:12,625 --> 00:48:14,750
If we get to the point
where we need contracts,
774
00:48:14,750 --> 00:48:16,708
we'll get you representation.
775
00:48:16,708 --> 00:48:18,208
- Okay, that's really generous, Donna-
776
00:48:18,208 --> 00:48:19,250
- Who do I make the check out to?
777
00:48:19,250 --> 00:48:21,666
Scout clearly isn't your given name.
778
00:48:22,916 --> 00:48:25,416
(tense music)
779
00:48:32,541 --> 00:48:34,166
Let's start with a warmup.
780
00:48:36,500 --> 00:48:37,583
- What kind of warmup?
781
00:48:38,583 --> 00:48:42,000
- Let's do some scales.
782
00:48:42,000 --> 00:48:43,833
- [Scout] You're kidding, right?
783
00:48:43,833 --> 00:48:44,750
- Not at all.
784
00:48:45,583 --> 00:48:48,083
It's important to build from basics.
785
00:48:50,125 --> 00:48:51,750
Are you embarrassed?
786
00:48:57,708 --> 00:49:04,291
♪ Do, re, me, fa, so, la, te, do ♪
787
00:49:04,625 --> 00:49:07,000
- Okay, once more.
788
00:49:07,500 --> 00:49:09,250
But harmonize this time.
789
00:49:09,250 --> 00:49:10,666
Give me a fourth.
790
00:49:12,500 --> 00:49:14,791
♪ Do, re, me, fa ♪
791
00:49:14,791 --> 00:49:17,166
♪ Fa ♪
792
00:49:17,166 --> 00:49:21,250
♪ Do, re, me, fa, so, la, te, do ♪
793
00:49:22,666 --> 00:49:24,125
- Okay, now, this time-
794
00:49:24,125 --> 00:49:25,833
- I don't know how long I'm gonna be here,
795
00:49:25,833 --> 00:49:28,625
and I'd like to make
as many songs as I can.
796
00:49:28,625 --> 00:49:31,791
So, do you think we could
get back to my song soon?
797
00:49:33,208 --> 00:49:35,791
- Let's do one more.
798
00:49:35,791 --> 00:49:37,333
For good measure.
799
00:49:38,416 --> 00:49:40,458
F again, please.
800
00:49:41,250 --> 00:49:45,625
♪ Do, re, me, fa, so, la, te, do ♪
801
00:49:46,916 --> 00:49:47,750
- Bravo.
802
00:49:49,208 --> 00:49:50,041
- Awesome.
803
00:49:51,125 --> 00:49:53,791
So, I wanted to revisit the harmonies
804
00:49:53,791 --> 00:49:55,250
from the track that we did yesterday,
805
00:49:55,250 --> 00:49:57,916
and then move on to the bridge.
806
00:49:57,916 --> 00:50:01,625
- Oh, if that's where you'd like to begin,
807
00:50:01,625 --> 00:50:03,416
then that's where we'll begin.
808
00:50:05,625 --> 00:50:09,041
(moody electronic music)
809
00:50:12,250 --> 00:50:17,208
♪ Who are you tonight ♪
810
00:50:17,208 --> 00:50:21,583
♪ Who are you tonight ♪
811
00:50:24,125 --> 00:50:24,916
(studio whirs down)
812
00:50:24,916 --> 00:50:26,000
- Very good. Moving on.
813
00:50:26,166 --> 00:50:27,041
- What?
814
00:50:27,250 --> 00:50:29,375
I wanted to add some more layers
and then I was gonna go to-
815
00:50:29,375 --> 00:50:31,083
- We've got what we need.
816
00:50:31,291 --> 00:50:33,458
Replication is not creation.
817
00:50:34,375 --> 00:50:38,208
- Look, Donna, I know that
you're paying me for my time
818
00:50:38,208 --> 00:50:40,291
and I appreciate that,
819
00:50:40,291 --> 00:50:43,375
really, but I know what my songs need.
820
00:50:46,416 --> 00:50:49,041
- Oh, I keep forgetting
you've never worked
821
00:50:49,083 --> 00:50:51,333
with a producer before.
822
00:50:51,333 --> 00:50:52,166
(Donna chuckles)
823
00:50:52,166 --> 00:50:53,791
- That's not what I'm talking about.
824
00:50:54,166 --> 00:50:55,666
- Promise it's for your own good.
825
00:50:55,666 --> 00:50:58,458
We've spent too much time
on this song already.
826
00:51:00,291 --> 00:51:01,541
- You don't know that.
827
00:51:02,916 --> 00:51:03,958
- Actually, I do.
828
00:51:05,291 --> 00:51:06,250
Now let's move on.
829
00:51:07,083 --> 00:51:10,708
I actually have a, a little treat for you.
830
00:51:10,708 --> 00:51:14,041
I wonder if you'd like to find
831
00:51:14,041 --> 00:51:15,916
the vocal melody for this.
832
00:51:15,916 --> 00:51:17,500
(mellow electronic music)
833
00:51:17,666 --> 00:51:19,416
- What is that?
834
00:51:19,416 --> 00:51:21,333
- Something that we've been working on.
835
00:51:22,708 --> 00:51:24,416
- [Scout] You made this?
836
00:51:24,416 --> 00:51:27,708
- Inspired by you, of course.
837
00:51:27,708 --> 00:51:29,291
- This isn't my song.
- Please.
838
00:51:30,333 --> 00:51:31,458
Find the melody
839
00:51:33,791 --> 00:51:37,208
(Scout hums melodically)
840
00:51:38,958 --> 00:51:39,750
Louder.
841
00:51:41,916 --> 00:51:45,333
(Scout hums melodically)
842
00:51:46,083 --> 00:51:46,916
Good!
843
00:51:47,125 --> 00:51:48,625
Now let's find the lyrics.
844
00:51:59,541 --> 00:52:00,916
Well, don't stop.
845
00:52:00,916 --> 00:52:02,333
- Um...
846
00:52:02,333 --> 00:52:04,708
I'd like to get back to my music.
847
00:52:04,708 --> 00:52:07,041
- [Donna] This is your music, Scout.
848
00:52:07,041 --> 00:52:09,166
- I, I want my track back up.
849
00:52:10,208 --> 00:52:12,833
- Your bio rhythms are giving you away.
850
00:52:12,833 --> 00:52:14,666
I can see from my monitor here
851
00:52:14,666 --> 00:52:16,708
that you're frustrated with me.
852
00:52:16,708 --> 00:52:17,541
- No shit.
853
00:52:17,541 --> 00:52:19,500
- What's upsetting you so much?
854
00:52:19,500 --> 00:52:22,416
- Respectfully, Donna, this just...
855
00:52:22,416 --> 00:52:24,041
This isn't what I came here for.
856
00:52:26,125 --> 00:52:28,708
(door rattles)
857
00:52:31,625 --> 00:52:34,208
Unlock the door.
(eerie music)
858
00:52:34,208 --> 00:52:36,000
- I know you found one of my speakers
859
00:52:36,000 --> 00:52:37,500
in the desert this morning.
860
00:52:39,875 --> 00:52:41,291
Why didn't you say anything?
861
00:52:42,333 --> 00:52:47,208
(coyotes howling)
(eerie music continues)
862
00:52:47,208 --> 00:52:49,875
- Funny, Donna. Let me out, now!
863
00:52:53,791 --> 00:52:54,916
- My mother
864
00:52:55,833 --> 00:52:58,916
used to lock me in our music room,
865
00:52:59,791 --> 00:53:02,125
the week before every recital.
866
00:53:04,250 --> 00:53:05,750
And you know what?
867
00:53:07,333 --> 00:53:08,833
It worked every time.
868
00:53:08,833 --> 00:53:10,791
- Donna, let me out! Now!
869
00:53:10,791 --> 00:53:13,291
(Scout pants)
870
00:53:14,958 --> 00:53:17,625
(door whooshes)
871
00:53:18,541 --> 00:53:20,333
(door creaks)
872
00:53:20,333 --> 00:53:22,833
(Scout pants)
873
00:53:27,583 --> 00:53:30,000
(dark music)
874
00:53:32,000 --> 00:53:33,750
- You're onto it now.
875
00:53:34,708 --> 00:53:37,625
(studio crackling)
876
00:53:39,041 --> 00:53:41,458
(Scout pants)
877
00:53:41,458 --> 00:53:44,541
(Scout humming melodically)
878
00:53:44,541 --> 00:53:46,125
- [Scout] So, you make your own music?
879
00:53:46,125 --> 00:53:47,708
(coyote howls)
880
00:53:47,708 --> 00:53:49,791
I don't know what I'm doing here.
881
00:53:49,791 --> 00:53:53,208
This is the coolest thing I've ever seen.
882
00:53:54,833 --> 00:53:57,708
♪ Who are, who are, who are, who are you ♪
883
00:53:57,708 --> 00:54:02,708
(cacophonous reverberating
speech and singing)
884
00:54:04,000 --> 00:54:05,333
Stop it!
885
00:54:05,333 --> 00:54:07,833
(Scout pants)
886
00:54:13,291 --> 00:54:16,000
(Scout pants)
887
00:54:16,000 --> 00:54:18,750
(birds chirping)
888
00:54:24,708 --> 00:54:26,291
Stop it! Stop it!
889
00:54:26,291 --> 00:54:27,875
Stop it! Stop it!
890
00:54:27,875 --> 00:54:29,541
Stop it! Stop it!
891
00:54:29,541 --> 00:54:31,416
Stop it! Stop it!
892
00:54:31,416 --> 00:54:32,916
Stop it! Stop it!
893
00:54:32,916 --> 00:54:34,333
Stop it! Stop it!
894
00:54:34,333 --> 00:54:35,875
Stop it! Stop it!
895
00:54:35,875 --> 00:54:37,583
Stop it! Stop it!
896
00:54:37,583 --> 00:54:41,000
(tense electronic music)
897
00:54:47,583 --> 00:54:49,166
(ominous tones)
898
00:54:49,583 --> 00:54:50,875
- It's just me.
899
00:54:51,625 --> 00:54:52,958
I want to talk.
900
00:54:53,666 --> 00:54:56,000
There's so much for us to do, Scout.
901
00:54:56,708 --> 00:54:58,041
- Get outta my way!
902
00:55:00,333 --> 00:55:03,958
- You remember my ana patch, right?
903
00:55:05,666 --> 00:55:08,041
My needleless anesthetic?
904
00:55:08,041 --> 00:55:09,375
It's perfectly safe.
905
00:55:11,875 --> 00:55:14,458
I'll keep calm, but you should too.
906
00:55:16,125 --> 00:55:17,833
It's better that way.
907
00:55:17,833 --> 00:55:19,333
(objects clattering)
908
00:55:19,333 --> 00:55:20,583
(Donna sighs)
909
00:55:20,916 --> 00:55:21,875
Just breathe.
910
00:55:25,041 --> 00:55:25,875
Ten.
911
00:55:27,791 --> 00:55:28,625
Nine.
912
00:55:30,083 --> 00:55:30,916
Eight.
913
00:55:32,666 --> 00:55:33,500
Seven.
914
00:55:35,250 --> 00:55:36,083
Six.
915
00:55:38,250 --> 00:55:39,375
Five.
916
00:55:39,541 --> 00:55:42,250
(ominous music)
917
00:55:42,375 --> 00:55:43,333
Four.
918
00:55:45,666 --> 00:55:46,500
Three.
919
00:55:47,750 --> 00:55:48,583
Two.
920
00:55:50,291 --> 00:55:51,125
One.
921
00:55:52,166 --> 00:55:55,083
(dark piano music)
922
00:55:58,041 --> 00:56:01,958
(psychedelic electronic music)
923
00:56:16,583 --> 00:56:19,333
(metal scraping)
924
00:56:28,083 --> 00:56:28,916
- Donna.
925
00:56:32,791 --> 00:56:33,625
Donna!
926
00:56:35,208 --> 00:56:36,625
What do you want?
927
00:56:38,291 --> 00:56:41,208
I'll do whatever you want.
Just please let me go.
928
00:56:41,208 --> 00:56:42,333
Please.
929
00:56:42,333 --> 00:56:44,083
- We have work to do first.
930
00:56:49,416 --> 00:56:50,750
- Why are you doing this?
931
00:56:51,083 --> 00:56:55,625
- Something revolutionary
is happening here, Scout.
932
00:56:57,000 --> 00:56:59,791
You are so special.
933
00:57:01,541 --> 00:57:03,416
I'm trying to help you see it!
934
00:57:03,416 --> 00:57:06,083
♪ I went to the ♪
935
00:57:07,333 --> 00:57:09,208
- Please just let me go.
936
00:57:09,208 --> 00:57:12,250
- Here's the problem. (chuckles)
937
00:57:12,250 --> 00:57:16,208
Recently, my computer stopped advancing.
938
00:57:16,208 --> 00:57:17,708
(studio buzzing)
939
00:57:17,916 --> 00:57:19,500
She stopped learning,
940
00:57:19,500 --> 00:57:22,458
even though I was feeding her
all kinds of music, but...
941
00:57:23,916 --> 00:57:24,750
You.
942
00:57:26,250 --> 00:57:27,958
Oh, she loves you.
943
00:57:27,958 --> 00:57:30,041
♪ Radio ♪
944
00:57:30,791 --> 00:57:31,833
- You can have my music.
945
00:57:33,000 --> 00:57:35,208
You can keep it. Anything you want.
946
00:57:35,208 --> 00:57:39,041
- No, it is so much
bigger than your music!
947
00:57:39,041 --> 00:57:42,958
Imagine a world where all
music is, is tailor made,
948
00:57:42,958 --> 00:57:45,416
auto-generated from a
listener's bio rhythms.
949
00:57:45,416 --> 00:57:48,833
Everyone will have their
own custom compositions,
950
00:57:48,833 --> 00:57:51,666
based on their, their preferences, their,
951
00:57:51,666 --> 00:57:54,583
their mood, their, their
most personal feelings,
952
00:57:54,583 --> 00:57:58,375
and on demand, anywhere,
never to be replicated!
953
00:57:58,375 --> 00:58:01,250
That is where we are headed!
954
00:58:01,250 --> 00:58:03,208
(Donna breathes deeply)
955
00:58:03,208 --> 00:58:06,125
I needed to be first. (chuckles)
956
00:58:07,166 --> 00:58:08,208
- I don't want to.
957
00:58:10,708 --> 00:58:11,833
I don't want to.
958
00:58:12,208 --> 00:58:14,166
- It's non-negotiable, I'm afraid.
959
00:58:18,000 --> 00:58:19,500
So...
960
00:58:19,625 --> 00:58:22,375
(Scout pants)
961
00:58:22,833 --> 00:58:24,333
Are you ready to play with us?
962
00:58:26,791 --> 00:58:28,250
- Please help me.
963
00:58:28,250 --> 00:58:30,750
Help me, please, somebody!
964
00:58:30,750 --> 00:58:34,541
(bracelets buzzing)
(sinister electronic music)
965
00:58:34,541 --> 00:58:35,958
(Donna laughs)
966
00:58:37,500 --> 00:58:39,791
- It's amazing, all the uses I've found
967
00:58:39,791 --> 00:58:43,208
for my failed experiments at ViLi.
968
00:58:43,375 --> 00:58:47,541
The radio defibrillator
didn't quite pan out, but...
969
00:58:48,333 --> 00:58:51,291
(sighs) Works beautifully
here, I'm afraid.
970
00:58:52,291 --> 00:58:53,125
(Scout whimpers)
971
00:58:53,125 --> 00:58:54,208
Are you ready now?
972
00:58:57,125 --> 00:58:58,291
Good.
973
00:58:58,666 --> 00:59:03,000
Let's go back to basics.
974
00:59:03,000 --> 00:59:04,625
Where it all started.
975
00:59:04,625 --> 00:59:07,916
I'm sure you'll recognize
this one from all those years
976
00:59:07,916 --> 00:59:11,166
as a child wriggling around in the pews.
977
00:59:11,166 --> 00:59:12,166
(Donna chuckles)
978
00:59:12,166 --> 00:59:15,416
(dramatic organ music)
979
00:59:21,000 --> 00:59:22,875
- I don't know this song.
980
00:59:22,958 --> 00:59:24,708
- I don't wanna hurt you again.
981
00:59:25,541 --> 00:59:26,708
Please don't make me.
982
00:59:29,750 --> 00:59:34,000
♪ Ave ♪
983
00:59:34,000 --> 00:59:36,000
♪ Maria ♪
984
00:59:40,541 --> 00:59:42,250
- Well, give me more!
985
00:59:42,250 --> 00:59:43,958
She needs to feel it!
986
00:59:43,958 --> 00:59:45,250
- Gratia plena!
987
00:59:45,250 --> 00:59:47,750
(bracelets buzzing)
(Scout whines)
988
00:59:47,916 --> 00:59:49,666
- Well, that's not very pretty.
989
00:59:50,083 --> 00:59:51,375
(Scout pants)
990
00:59:51,666 --> 00:59:53,958
Let's try again.
991
00:59:54,666 --> 00:59:57,916
(dramatic organ music)
992
01:00:03,125 --> 01:00:05,750
♪ Maria ♪
993
01:00:05,750 --> 01:00:08,208
♪ Gratia ♪
994
01:00:08,208 --> 01:00:13,083
♪ Plena ♪
995
01:00:13,083 --> 01:00:15,791
♪ Maria ♪
996
01:00:15,791 --> 01:00:19,458
♪ Gratia plena ♪
997
01:00:23,083 --> 01:00:24,666
- It's beautiful.
998
01:00:24,666 --> 01:00:27,000
She loves the emotion. Keep going!
999
01:00:27,000 --> 01:00:31,875
♪ Ave Dominus ♪
1000
01:00:31,875 --> 01:00:36,541
♪ Dominus tecum ♪
1001
01:00:36,541 --> 01:00:39,208
♪ Dominus tecum ♪
1002
01:00:44,166 --> 01:00:46,750
(Donna breathes deeply)
1003
01:00:46,750 --> 01:00:49,750
(studio whirs down)
1004
01:00:51,250 --> 01:00:52,833
- Very, very good, Scout.
1005
01:00:55,458 --> 01:00:57,208
I think she has your voice now.
1006
01:00:57,750 --> 01:01:00,250
(Donna breathes deeply)
1007
01:01:00,250 --> 01:01:05,250
(crickets chirping)
(dark music)
1008
01:01:10,416 --> 01:01:14,500
(dark thumping electronic tones)
1009
01:01:28,333 --> 01:01:31,041
What did you think of those
ultra-low frequencies?
1010
01:01:32,125 --> 01:01:35,208
I'm so glad you were
willing to listen there.
1011
01:01:35,208 --> 01:01:37,833
A little intense for me, but... (chuckles)
1012
01:01:37,833 --> 01:01:39,041
The computer loves them.
1013
01:01:43,375 --> 01:01:44,583
- Can I have some water?
1014
01:01:46,291 --> 01:01:47,125
Anything.
1015
01:01:47,125 --> 01:01:47,958
- Oh.
1016
01:01:49,291 --> 01:01:51,708
- I have something better!
1017
01:01:52,458 --> 01:01:54,500
Green tea.
1018
01:01:55,500 --> 01:01:57,125
Good for the vocal chords.
1019
01:01:58,833 --> 01:02:01,833
(Scout slurps)
1020
01:02:01,833 --> 01:02:03,375
Oh.
1021
01:02:03,708 --> 01:02:05,500
Careful, Scout. You shouldn't be so eager.
1022
01:02:05,500 --> 01:02:08,583
Let it cool a moment.
1023
01:02:14,833 --> 01:02:15,750
- Please.
1024
01:02:16,000 --> 01:02:17,583
I can't keep going like this.
1025
01:02:17,583 --> 01:02:19,375
- Oh, I know.
1026
01:02:21,041 --> 01:02:25,125
It's been such a long day
and you've given us so much.
1027
01:02:25,125 --> 01:02:26,958
You must be exhausted.
1028
01:02:26,958 --> 01:02:28,875
- I can't feel my arms.
1029
01:02:29,916 --> 01:02:33,000
- I have a special song
I'd like to play for you.
1030
01:02:33,000 --> 01:02:35,333
(high-pitched ringing tones)
1031
01:02:35,333 --> 01:02:40,833
♪ There you are, trying
so hard to be true ♪
1032
01:02:41,916 --> 01:02:44,666
♪ And still without your mother, baby ♪
1033
01:02:44,666 --> 01:02:46,375
♪ There you are ♪
1034
01:02:46,375 --> 01:02:48,750
Those are my lyrics.
♪ Loving ♪
1035
01:02:48,750 --> 01:02:49,875
- It looked like
1036
01:02:49,875 --> 01:02:52,250
you couldn't have quite
finished them before.
1037
01:02:52,250 --> 01:02:54,041
(Donna chuckles)
1038
01:02:54,166 --> 01:02:56,375
But my computer had no problem.
1039
01:02:57,250 --> 01:02:59,916
♪ Holding the door for you ♪
1040
01:02:59,916 --> 01:03:00,791
Turn it off.
1041
01:03:00,791 --> 01:03:03,166
♪ Take a look, take a look my way ♪
1042
01:03:03,166 --> 01:03:06,541
- Shh.
♪ I'm the girl in the bar ♪
1043
01:03:06,541 --> 01:03:09,208
♪ Holding the door for you ♪
Turn it off!
1044
01:03:09,208 --> 01:03:11,625
- Oh, don't be scared, Scout.
1045
01:03:12,916 --> 01:03:15,333
Listen to yourself. Enjoy it!
1046
01:03:16,333 --> 01:03:17,250
- Fuck you.
1047
01:03:18,625 --> 01:03:19,791
It's an imitation.
1048
01:03:22,125 --> 01:03:22,958
A cover band.
1049
01:03:24,333 --> 01:03:26,541
It's a fucking wedding singer.
1050
01:03:28,375 --> 01:03:30,583
♪ Thinking that you're too outrageous ♪
1051
01:03:30,583 --> 01:03:33,958
♪ There you are, fearing ♪
1052
01:03:34,000 --> 01:03:36,416
"Replication isn't creation."
(studio whirs down)
1053
01:03:36,750 --> 01:03:38,166
Isn't that what you told me?
1054
01:03:39,333 --> 01:03:41,375
I can help you, Donna, but not like this.
1055
01:03:41,375 --> 01:03:43,500
I need space. I need instruments.
1056
01:03:43,500 --> 01:03:45,916
I need something tangible!
1057
01:03:46,750 --> 01:03:49,541
Do you want a song? I'll
give you a real fucking song.
1058
01:03:52,333 --> 01:03:54,541
- I'd be careful, if I were you, Scout.
1059
01:03:56,333 --> 01:03:58,375
She's the only reason you're still alive.
1060
01:03:59,750 --> 01:04:01,833
(ominous music)
1061
01:04:01,833 --> 01:04:04,333
(Scout spits)
1062
01:04:14,458 --> 01:04:17,625
(ominous music swells)
1063
01:04:18,000 --> 01:04:20,583
(mellow music)
1064
01:04:31,416 --> 01:04:34,083
(static crackling)
1065
01:04:34,083 --> 01:04:35,958
♪ Feeling like you're undercover ♪
1066
01:04:35,958 --> 01:04:39,041
(Scout drowned out by
distorted blaring music)
1067
01:04:39,041 --> 01:04:44,041
(Scout drowned out by
distorted blaring music)
1068
01:04:47,583 --> 01:04:52,458
(distorted blaring music continues)
1069
01:04:52,583 --> 01:04:57,583
(metronome clacking)
(tense music)
1070
01:05:05,416 --> 01:05:07,583
(tense music continues)
1071
01:05:07,833 --> 01:05:11,458
(metronome clatters)
1072
01:05:11,458 --> 01:05:13,291
(knocks on door)
1073
01:05:13,291 --> 01:05:16,958
(sinister electronic music)
1074
01:05:23,708 --> 01:05:26,458
(knocks on door)
1075
01:05:33,583 --> 01:05:36,083
(door creaks)
1076
01:05:38,708 --> 01:05:39,583
- Can I help you?
1077
01:05:40,625 --> 01:05:42,500
- "Hi, Griff. How's it goin'?"
1078
01:05:44,500 --> 01:05:46,750
I left some shit here.
I just wanna grab it.
1079
01:05:46,750 --> 01:05:48,875
It's my laptop and some cables. That's it.
1080
01:05:51,083 --> 01:05:52,958
- This isn't a good time.
1081
01:05:54,500 --> 01:05:57,750
Scout's in the middle of
a creative breakthrough.
1082
01:05:57,750 --> 01:05:58,833
- Oh.
1083
01:05:58,833 --> 01:05:59,916
That's great.
1084
01:05:59,916 --> 01:06:00,750
- [Donna] It is.
1085
01:06:02,083 --> 01:06:04,125
And she doesn't need any distractions.
1086
01:06:07,083 --> 01:06:09,000
- I just want my fuckin' laptop.
1087
01:06:09,000 --> 01:06:11,041
- I'll send you your things, okay?
1088
01:06:12,041 --> 01:06:14,750
- This is a business based
on relationships, Donna.
1089
01:06:15,708 --> 01:06:16,708
Did you forget that?
1090
01:06:19,833 --> 01:06:20,666
- It used to be.
1091
01:06:22,166 --> 01:06:23,000
Griffin.
1092
01:06:25,625 --> 01:06:26,458
Not anymore.
1093
01:06:28,000 --> 01:06:30,416
(door slams)
1094
01:06:31,750 --> 01:06:32,958
(keys clinking)
1095
01:06:32,958 --> 01:06:33,791
Goddamn.
1096
01:06:36,875 --> 01:06:38,916
(Griff sighs)
1097
01:06:39,291 --> 01:06:41,791
(eerie music)
1098
01:06:44,583 --> 01:06:47,916
(eerie music continues)
1099
01:07:02,958 --> 01:07:05,291
(lock hums)
1100
01:07:07,458 --> 01:07:08,958
(lock hums)
1101
01:07:08,958 --> 01:07:09,958
(lock chirps)
1102
01:07:09,958 --> 01:07:13,458
(mellow electronic music)
1103
01:07:16,375 --> 01:07:18,041
Jesus Christ.
1104
01:07:25,291 --> 01:07:26,541
Hold on, Scout.
1105
01:07:29,416 --> 01:07:32,000
(object thuds)
1106
01:07:32,750 --> 01:07:37,000
(electronic strings strumming)
1107
01:07:37,041 --> 01:07:39,541
(Scout pants)
1108
01:07:40,916 --> 01:07:45,833
(Scout pants)
(dark music)
1109
01:07:53,166 --> 01:07:58,166
(Scout pants)
(dark music continues)
1110
01:08:23,000 --> 01:08:23,833
- Griff.
1111
01:08:24,833 --> 01:08:26,583
Griff, are you okay?
1112
01:08:26,916 --> 01:08:28,958
- I hope you're happy now, Scout.
1113
01:08:37,041 --> 01:08:39,666
I brought you your precious instruments.
1114
01:08:51,125 --> 01:08:51,958
Oh.
1115
01:08:53,666 --> 01:08:55,208
What a happy accident.
1116
01:08:56,583 --> 01:08:58,125
You even have your engineer.
1117
01:09:01,958 --> 01:09:03,208
(hands thumping)
1118
01:09:03,375 --> 01:09:04,416
(Scout pants)
1119
01:09:04,541 --> 01:09:05,916
- Come on, Donna.
1120
01:09:06,000 --> 01:09:06,833
Let him go.
1121
01:09:08,041 --> 01:09:09,416
You don't need him.
1122
01:09:09,416 --> 01:09:10,250
Okay?
1123
01:09:11,291 --> 01:09:12,125
I'll stay.
1124
01:09:13,500 --> 01:09:14,333
I promise.
1125
01:09:15,250 --> 01:09:17,500
He's not gonna tell anyone.
1126
01:09:17,666 --> 01:09:19,083
- I'm sorry, Scout.
1127
01:09:21,041 --> 01:09:22,875
But I think it's a package deal now.
1128
01:09:25,125 --> 01:09:27,791
(hand thumping)
1129
01:09:29,000 --> 01:09:33,416
Now I have given you
exactly what you asked for,
1130
01:09:34,500 --> 01:09:36,708
and you promised me a real song.
1131
01:09:39,041 --> 01:09:40,458
So let's hear it.
1132
01:09:42,875 --> 01:09:44,125
And I wanna be impressed.
1133
01:09:47,541 --> 01:09:49,041
Griffin's life depends on it.
1134
01:10:06,958 --> 01:10:11,958
♪ Falling from the light ♪
1135
01:10:13,208 --> 01:10:18,166
♪ Falling from the light ♪
1136
01:10:18,166 --> 01:10:23,000
♪ You saw ♪
1137
01:10:23,041 --> 01:10:28,041
♪ You couldn't contain yourself ♪
1138
01:10:28,041 --> 01:10:33,041
♪ 'Cause you were broken ♪
1139
01:10:33,625 --> 01:10:37,791
♪ Couldn't contain yourself ♪
1140
01:10:37,916 --> 01:10:39,666
- Keep going.
1141
01:10:39,708 --> 01:10:40,625
Don't stop.
1142
01:10:45,250 --> 01:10:50,250
♪ Falling from the light ♪
1143
01:10:50,875 --> 01:10:55,166
♪ Falling from the light ♪
1144
01:10:55,166 --> 01:11:00,041
♪ You saw ♪
1145
01:11:00,041 --> 01:11:04,625
♪ You couldn't contain yourself ♪
1146
01:11:04,625 --> 01:11:09,125
♪ 'Cause you were broken ♪
1147
01:11:09,125 --> 01:11:13,833
♪ You couldn't contain yourself ♪
1148
01:11:14,250 --> 01:11:16,583
- Back to the song, now!
1149
01:11:17,458 --> 01:11:19,083
(bracelets buzzing)
(tense music)
1150
01:11:19,083 --> 01:11:20,291
- Stop! You're hurting him!
1151
01:11:20,291 --> 01:11:21,291
- Then play!
1152
01:11:26,416 --> 01:11:31,416
♪ Only time can save you now ♪
1153
01:11:35,583 --> 01:11:39,333
♪ Only time can save you now ♪
1154
01:11:40,125 --> 01:11:42,666
(Donna chuckles)
1155
01:11:43,000 --> 01:11:48,166
- We're almost there.
♪ Only time can save you ♪
1156
01:11:48,291 --> 01:11:50,125
♪ Now ♪
1157
01:12:03,708 --> 01:12:07,416
♪ In a friend ♪
1158
01:12:07,416 --> 01:12:12,416
♪ I heard some howling from the light ♪
1159
01:12:13,666 --> 01:12:17,833
♪ You saw ♪
1160
01:12:17,833 --> 01:12:22,708
♪ You couldn't contain yourself ♪
1161
01:12:22,708 --> 01:12:27,708
♪ 'Cause you were broken ♪
1162
01:12:27,708 --> 01:12:31,750
♪ You couldn't contain yourself ♪
1163
01:12:31,750 --> 01:12:34,041
(Scout whimpers)
1164
01:12:34,041 --> 01:12:37,250
♪ Falling from the light ♪
1165
01:12:37,250 --> 01:12:39,416
- Why aren't you listening?
1166
01:12:39,416 --> 01:12:43,333
- Fuck you! Let him go!
♪ Falling from the light ♪
1167
01:12:43,333 --> 01:12:45,208
♪ You saw ♪
1168
01:12:45,208 --> 01:12:46,625
Donna, please.
1169
01:12:47,458 --> 01:12:50,958
♪ You couldn't contain yourself ♪
1170
01:12:51,083 --> 01:12:52,750
- All you had to do was listen.
1171
01:12:52,750 --> 01:12:57,375
♪ 'Cause you were broken ♪
1172
01:12:57,375 --> 01:13:01,375
♪ You couldn't contain yourself ♪
1173
01:13:03,875 --> 01:13:08,875
(bracelets buzzing)
(screaming)
1174
01:13:14,875 --> 01:13:19,041
(distorted and garbled screaming)
1175
01:13:25,666 --> 01:13:29,083
♪ Falling from the light ♪
1176
01:13:29,083 --> 01:13:30,666
- Yes.
1177
01:13:30,666 --> 01:13:34,708
♪ Falling from the light ♪
- Yes. (chuckles)
1178
01:13:34,708 --> 01:13:37,375
♪ You saw ♪
- Yes!
1179
01:13:38,875 --> 01:13:42,875
♪ You couldn't contain yourself ♪
1180
01:13:44,708 --> 01:13:46,791
- Oh, can you hear this Scout?
1181
01:13:46,791 --> 01:13:49,625
♪ You were broken ♪
1182
01:13:57,000 --> 01:14:00,875
♪ You fell ♪
1183
01:14:00,875 --> 01:14:05,833
♪ You couldn't contain ♪
1184
01:14:05,833 --> 01:14:08,166
♪ 'Cause you were broken ♪
1185
01:14:08,166 --> 01:14:12,416
♪ Falling from the light ♪
1186
01:14:12,416 --> 01:14:16,625
♪ Falling from the light ♪
1187
01:14:16,666 --> 01:14:20,625
♪ You saw ♪
1188
01:14:20,625 --> 01:14:25,625
♪ You couldn't contain yourself ♪
1189
01:14:25,625 --> 01:14:28,916
♪ 'Cause you were broken ♪
1190
01:14:28,916 --> 01:14:32,458
(distant sirens wailing)
(traffic humming)
1191
01:14:32,458 --> 01:14:39,041
(metronome clacking rhythmically)
1192
01:14:39,250 --> 01:14:42,666
(ominous music swelling)
1193
01:14:47,041 --> 01:14:50,458
(moody electronic music)
1194
01:14:56,041 --> 01:15:00,041
♪ You saw ♪
1195
01:15:00,041 --> 01:15:04,916
♪ You couldn't contain ♪
1196
01:15:04,916 --> 01:15:06,750
♪ 'Cause you were broken ♪
1197
01:15:06,750 --> 01:15:11,375
♪ Falling from the light ♪
1198
01:15:11,375 --> 01:15:15,791
♪ Falling from the light ♪
1199
01:15:15,791 --> 01:15:19,791
♪ You saw ♪
1200
01:15:19,791 --> 01:15:24,791
♪ You couldn't contain yourself ♪
1201
01:15:24,875 --> 01:15:28,291
♪ 'Cause you were broken ♪
1202
01:15:30,000 --> 01:15:34,250
(moody electronic music continues)
1203
01:15:44,625 --> 01:15:48,416
♪ 'Cause you were broken ♪
1204
01:15:48,416 --> 01:15:52,666
(moody electronic music continues)
1205
01:16:04,583 --> 01:16:08,000
♪ 'Cause you were broken ♪
1206
01:16:11,375 --> 01:16:15,625
(moody electronic music continues)
1207
01:16:26,333 --> 01:16:30,583
(moody electronic music continues)
1208
01:16:46,125 --> 01:16:50,375
(moody electronic music continues)
1209
01:16:56,416 --> 01:16:58,833
(dark music)
1210
01:17:45,416 --> 01:17:48,666
(dark music continues)
1211
01:18:30,000 --> 01:18:33,250
(dark music continues)
75482
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