All language subtitles for effects.1979.bdrip.x264-gazer-English

(eerie music)

(upbeat music)

(erratic music)

- Hey do you remember that attorney's name?

The one we met last time.

(erratic music)

Hello, hello.

Good dope huh?

- I guess so.

What did you say?

- We met some attorney over there.

Remember his wife worked for some judge?

- I don't know.

- Well I saw him in the street the other day.

- His wife's name was Jane or Janet or--

- Yeah I don't want to walk in there

and do one of my hey man routines.

- [Rita] Everybody will be

stunned when we get there anyway.

- Speaking of which I laid out a few lines in the bedroom.

- [Rita] Great that's just what I need.

- Cut.

Okay that was good everybody.

Dom what about that turn?

- Got it she looked great.

- Good.

- Well I still don't know what to do when he comes in?

- No no you're fine, you're stoned you're confused.

Besides everything's happening

too fast for you to even be scared.

- Alright what's next?

- I think we're through.

Barney, Rita you're finished.

- [Barney] Oh great.

- Tomorrow we start early.

- Oh man.

- I mean it. - I need that light.

- That's right. - I gotta get some sleep.

- 6AM, early.

- Do you want the jogging suit or the shorts?

- Probably the jogging suit.

- Yeah so you're ass doesn't hang out.

- [Lacey] See you two tomorrow.

- [Barney] Hey, listen.

- So is that a wrap?

- [Lacey] That's a wrap.

- [Rita] Hey you know what?

- [Dominic] That went pretty well.

- [Lacey] It's a long schedule.

- They're not bad together.

- On camera.

- They married or what?

- [Celeste] Now.

- [Barney] I could drive a truck through

your God damn lines.

- Okay you two, I'll see you later.

- [Rita] Get some continuity distracting,

I just saw you go crazy.

- [Barney] Yeah, well why don't you stop smoking

real joints in the God damn place.

I don't know it's in the bathroom.

- Did Lacey want these any place in particular?

- Oh yeah over on the kitchen counter.

He's got somebody who picks it up

and takes it to the bus station.

(suspenseful music)

(birds singing)

- This is sync take three.

Okay standby.

I got speed.

- Speed.

- Slate it Celeste.

(clapboard claps)

Action.

- Keith comes up in about a week.

Anyway we don't have much of a chance.

They have the judge in their hip pocket.

Yeah he's Sloan's golfing buddy.

Something's wrong Mona?

(clapboard claps)

Something's wrong Mona?

Hey the Steelers are playing the Browns on Sunday.

We aught to get tickets if we can.

(gun firing)

Something's wrong Mona.

(gun firing)

(acoustic piano music)

- Thoughts tending to ambition,

these do plot unlikely wonders

how these vain weak nails may rend a passage in

the flinty ribs of this hard world my ragged prison walls.

And for they cannot die in their own pride.

Thus play I in one person many

people and none of them contented.

Sometimes am I king,

then treasons make me wish myself a beggar.

But whate'er I be,

nor I nor any man that but man is with nothing is content,

till he be eased with being nothing.

Play that one back for Lacey Bickel.

(bar music)

- How's the tuxedo?

- Out of date.

- I left my top hot in the car.

- Yeah right.

- How you doing?

How am I doing right.

How you doing?

- Fine.

- We played a good day today.

- Not bad.

- Excuse me Maria.

- Maria that's her name huh?

- Hey, you doing?

- Good.

- Good.

Maria, Maria a double bourbon for the lady and a double--

- [Celeste] Scotch please.

- Alright wait double scotch for the lady.

And double bourbon for me, easy on the ice.

Why aren't you acting in this film

instead of doing the lights?

- Rita's better for the role.

I like doing the lights alright.

- I never worked with a woman gaffer before.

- Beats working at a massage parlor.

- Oh yeah yeah, sure does.

Did you do that?

- No.

- It beats, I mean it beats it.

I mean look at that guy over there right.

Gene Kelly should of had one of those things right?

I'm singing in the bar just

Uh-oh, uh-oh, you and your big mouth.

- My father, knows.

- Hey where's your cape Drac?

- We were just talking about. - You got a light?

- I had one.

- How you doing?

(disco music)

My card.

- Have umbrella will travel right.

- [Celeste] Would you keep that away from me?

(disco music)

- That's, that's.

- Anyway. (loud snapping)

- Great, that's terrific.

Okay great, look guy.

Hey bud hang on.

Everybody got the groove

No look pal I mean what the fuck right?

Can you feel it

Don't you feel it

Don't you feel it

Celeste, come on.

(disco music)

(punch lands)

I feel the groove

I feel the groove

I feel the groove

- [Celeste] Hey, thinks for defending my honor.

(Dominic laughing)

- [Dominic] What?

- [Celeste] I said thanks.

(birds singing)

(woman screams)

- Alright looks real enough.

Now if we put this under her skirt are we really

gonna make the audience believe that is her leg?

- Sure on the cut after she's knocked down yeah.

- Alright but what about the blood?

- [Celeste] What about it?

- Well is there enough?

- [Celeste] Why?

- That's the way it would read with a razor cut down there.

- Listen how important is reality when we're trying to--

- [Celeste] Are we making a cartoon?

- It would be nice just to see

one little spurt at the moment of slashing.

- Nobody is gonna believe a spurt of blood.

- They'll believe anything we show them.

- But blood doesn't spurt when you cut somebody there.

It's spurts when you cut by an artery.

- Hey Celeste, I don't need an anatomy lesson.

Besides nobody has ever gone broke

underestimating the intelligence of an audience.

- Well for sure but they'll be plenty of blood

because he's gonna be slashing at her repeatedly right?

- I know that but I want the first one to grab them.

- You're so subtle.

You want the blood to spurt up into the camera lens?

- Yeah, why not?

- Alright we start here right?

He slashes at her repeatedly huh?

She drags herself up the stairs.

Blood flows, it's starts slow at first

but then it builds up to a frenzied pitch.

Look at that plenty of blood huh?

Maybe a little dramatic buildup.

You know all about that right?

God knows the script could use some.

- [Lacey] What a bitch.

- She's pretty good with that razor huh?

You aught to put her in the movie.

- Yeah.

I'll see you at four.

- Hey.

I'm going to town for a burger, you want one?

(acoustic piano music)

(offkey note plays)

(offkey note plays)

(music stops)

(erratic piano music)

(heavy breathing)

(acoustic piano music)

- Hey Lacey, how's the movie going?

- Nicky, alright.

- The chase.

He cannot he escape.

He has nowhere to go.

- Here it is buddy.

- I have him in my sites.

- Gin. (mimics shotgun blast)

Run 'em, hey where's Lobo been?

- He found this actress last night.

- Oh really?

From around here?

- Down Pittsburgh, you should see her dance.

What she doesn't know we have never even thought of.

- [Lacey] Alright here you go.

- Alright well bring her up here.

Maybe she wants to be a movie star.

- [Nicky] I'll talk to Lobo.

- Not now, I want to get some more of this shot.

- Hey when do we do my scene Mr. Director?

- Two weeks.

Just don't forget to tell Lobo and Scratch.

Four of spades, double.

- You got it.

- Gin.

- Awe come on, you're kidding.

On a double.

- Nice cards buddy nice cards.

Anyway there's some coke around.

- Any good?

- [Nicky] I just happen to have a sample.

- Hey well here we can do it right up on this.

- No no no no, go get the mirror

out of the other room Nicky.

Hey listen when you come over here next week

I don't want you getting all coked up

and talking about the chase, the chase.

- Hey I'm cool, I'm cool, I'm cool.

- Yeah well if you're so cool how

about cooling off my nose then.

- Deal loser.

(woman screaming)

(dramatic music)

(music stops)

(crickets chirping)

(erratic piano music)

- What are you doing here? (long screaming in background)

- [Barney] I thought I heard something.

- [Rita] Downstairs?

- I don't know I was having this horrible dream.

Something was outside.

- [Rita] Did you check outside?

- Don't worry.

Oh what a nightmare, it was horrible, ugly.

(film projector rolling)

- [Lacey] Cut.

Celeste what, what?

- [Celeste] I just think I blew a fuse.

- [Lacey] How I'm supposed to shoot in the dark?

- [Celeste] Would you just cool it a minute?

- Rita listen.

Alright this is the first time that you've

encountered that presence coming up the stairs okay.

You're really frightened but you turn

and are drawn to that gun in the closet.

Alright okay now, once you've picked up

the gun you turn and aim towards

whatever's coming up the stairs at you.

You don't know what it is, but you're really scared.

- Okay I just spin around and in.

- Exactly, alright let's do it.

- [Celeste] This is a test.

- Alright from Arthur's exit, Barney over here.

How are you doing?

- [Barney] Just fine.

- Okay.

Okay let's do it.

- [Celeste] This is four.

- [Lacey] This'll be take four.

- [Dominic] Let me get frame.

- [Lacey] Alright.

- Ready? - You all set?

I got speed. - Speed

- [Lacey] Slate it.

- [Celeste] Take four.

- [Lacey] And,

action.

- Downstairs?

- Yeah it was a nightmare though, terrible,

thought someone was outside.

- Did you check outside?

- Nothing there.

Oh but it was horrible though, ugly.

- [Nicky] Hey party time! (whoops loudly)

- [Lacey] Did we get it?

- [Dominic] I think we got enough to cut.

- [Lacey] Alright.

- You, hey my ribs are still sore.

Hey Lace remember I told you about

that braul and the chick that kicked me.

- Nicky what do you want?

We're not finished yet.

- Alright take it easy, take it easy, listen.

I want to tell you we brought that actress out here.

And she wants to meet you you know.

- Alright I'll be right over okay.

- How's the jaw pal?

Hey no hard feelings.

I don't know you were part of this crew.

- No problem.

- Hey I'm gonna be here this weekend guy--

- Nicky out!

I told you I'll be there in 10 minutes.

I'll be right over.

Alright let's try one more time.

- No we got it.

- You sure?

- Sure, why don't you head over?

We can get the door shots from here okay.

- You're welcome.

- No I think I'll stay with Dom and help him strike.

- Alright then that's a wrap.

Rita, Barney you're okay.

Dom just get three shots each of the door okay?

- Right.

- [Celeste] Yeah?

- Okay.

- [Celeste] What do you got?

- We're wide open here, how you doing out there?

- Three steps down.

- Good.

(calm music)

How long have you known Lacey?

- Not long.

- How'd he get so rich?

- His parents.

They had their own plane, one day it blew up.

- Okay let's get one a little wider.

And you used his money for awhile.

- Well we used each other for what we both needed.

- Now you're an actress/gaffer.

- Gaffer.

- I'd like to see you act sometime.

If he's so rich how come I'm shooting

in 16 millimeter with a one man crew?

(sultry dance music)

You been away too long

I need your magic now

And if you're with me we could both have fun

Don't need to show you how

And I hope you're into my scene

'Cause right now you and I are a team

I'm not sure that you know what I mean

Whoa whoa whoa whoa whoa whoa whoa whoa

- [Nicky] Hey what do you think Lace?

Hey blush you pop tart.

(sultry dance music)

If you're staying baby that's okay

What you are will do

But if you're changing you can stay away 'cause I won't

(film rips) (music stops)

(sultry dance music)

Desperate pain

Desperate pain

Ooh

Desperate pain

I've got to get away

So get out of my house

Been locked up for days

Always knocking me down

Making good things turn out bad

Always blocking my way

Finally alone

And you're breaking my heart

Ripping apart

Before I can start

- [Lacey] You know how I feel about that.

I have no control over that.

Okay, we're cool baby, we're cool.

(calm music)

- A little higher.

Okay now everything is in the wrist okay.

So you bring it back, we brake, pause, and whip it.

Okay try it again bring it back, brake, pause.

And whip it, okay try it.

Back, brake.

Good, you see how far it went?

- No it's caught on something.

- What?

You got a fish.

Okay reel it in.

No give it some line, give it some line.

Give is some line good, a little line.

Okay good now start reeling it in, slowly don't lose it now.

Beautiful, does it feel like a big one?

- I don't know I never felt one.

- Oh right, right right.

Okay look there it is.

It's coming, come on reel it in slowly.

Slowly, don't lose him now, slowly, slowly.

Bring him in, bring him in, bring him in.

Okay there it is.

The net, I don't have the net.

- It's over on the tree.

(Celeste laughing)

- Yeah very funny just don't lose that fish, it's dinner.

Okay come on reel him in, here he comes, here he comes.

Okay Charlie, alright.

- Now what?

- We kill it.

Why you like raw fish, we could eat it like the Japanese.

- How do we kill it?

- Well there's a lot of different ways

but this one's the easiest.

You weren't so squeamish the other night

when you kicked that guy in the stomach.

- That was different, he was a real creep.

(river running)

(erratic music)

(Simon game buzzing)

- We're ready Lacey.

- Okay I'll be right there.

(Simon game buzzing)

(upbeat music)

(all talking at once)

- Hey.

- [Dominic] Hey Barney.

- Alright, come on welcome aboard mates.

Who wants a piece of ass?

Just get down here.

- [Guest] Have a little piece of that ass.

- [Guest] What you doing taking off finger prints of that.

- [Barney] A tasty treat by all accounts.

- [Celeste] Is that really a pig?

- I wouldn't kid you sweetheart.

- Oh I thought I caught the resemblance.

- Really Dom try this.

- You aught to try it, it's good pig Celeste.

- I'll pass it up thanks.

- How about a special thanks to my lovely wife

whose sauce and seasoning has made this little

piggy wiggy an epicurean standard.

- [Guest] Have a good day now love.

You're face is slightly blue.

- Probably the fire.

Where's Lace?

- Who knows?

He gets off by himself sometimes you know what I mean?

- [Lobo] Well you catch anything?

- She did.

- Yeah that's a nice spot up there.

- Yeah well I think I'm gonna go to bed.

- Hey you just got here.

We were just gonna do some serious drinking

- Not me. - and smoking.

- [Barney] Hey what do you say Dom, get stoned?

- [Dominic] No I'm gonna sack out myself thanks.

- I didn't know you had anything

to do with this movie the other night.

- So?

- Well how about a beer?

- No, no I gotta get up early, gotta catch the light.

- To hell with the light.

- Come on, you don't have to be so unfriendly.

- No I don't have to be, I want to be.

- Hey.

- Look I don't want to be your friend.

(door opens and closes)

- That bitch.

You ain't no prize anyway.

What are you smiling about?

- None of your business pal.

- Hey watch out you don't catch

anything from that bitch man.

See you later.

(erratic music)

- [Lacey] Okay now pan down their bodies to their hips.

- Okay now pan on down their bodies to their hips.

- That's good there you go.

Good, slow slow, that's good, that's right.

(heavy breathing)

Looks good, looks good, looks good.

- [Technician] Nice flesh tone.

- Yeah yeah looks great.

- [JB] Want to bring up the breathing Lace?

- [Lacey] Yeah sure JB why not?

- [JB] Yeah it's getting really heavy.

- That sounds fantastic JB.

Where'd you put those mics?

(all laughing)

- [JB] Well I got a shack up--

- Yeah we got about two minutes of tape.

- Now I want a tight shot of their faces.

- [Technician] Tight shot of their faces.

(grunting and moaning)

- [Lacey] I think we're gonna get it.

- [Technician] Think we got a clear idea.

- Okay hold it, hold it there, hold it.

Yeah we got it.

- [Technician] Good, good, good.

Alright.

- [Technician] Right on.

(shuddering)

- Okay get ready.

And a fade to black.

- Good. - Did you cum?

- You know Lacey I been on a lot of shoots

but this is the craziest location.

Sleeping on the sets with people.

My gaffer's an actress, it's been interesting.

- Hey we're a peoples film company man.

- You ain't seen nothing yet buddy.

- The movie will do alright,

possession's the thing right now.

Characters are good, a little shallow but.

- [Barney] Oh really?

About the only thing you don't have

is a good chase to the climax.

- Buh, buh, buh.

- Well thanks that's a nice vote of confidence.

But I think it's gonna be your

special effects that's gonna bring them in.

- That's bullshit, unless something's really happening

people don't care how they die.

- No you're wrong man, that's all they remember.

- Yeah remember when they chopped

that guys head off and The Omen?

- Yeah but it was the way it happened, the situation.

- Why it was the guys head falling off?

Or when they blew that guy up in the fury.

- Oh no the greatest was Night of the Living Dead

with those cats eating one another.

- Oh man I was 14 when I saw that film,

it scared me for a year.

- Sure but the films that work for me

have to have something more going for them.

- Yeah I know what you mean.

But I'm not sure it matters to most people.

- Hey Dom you want to do a line of cocaine?

- Cocaine?

- Yeah haven't you ever seen any before?

- Yeah I've seen it I just never did any.

What do you do?

- Hold the bill up to your nose and snort, hard.

- Hard?

(acoustic piano music)

I blew it all around.

- Okay now stick your thumb up in your nose

to block the air off.

(loud sniffing)

- Makes your nose cold.

- [Lobo] Now do that line with the other nostril.

- I won't OD or anything will I?

(both laughing)

- Come on man, it won't hurt you.

- Okay?

(loud sniffing)

- Okay now, take your fingertips and dip them in the glass.

Take some water on them and snort up your nostril.

Seriously.

(sniffing)

- It's funny to have your nose cold.

- Don't make me laugh man.

Hey man you're okay.

- Thanks Lobo.

- You must be okay to get Celeste in the sack.

That chick's crazy.

- [Dominic] She's very talented.

- Oh yeah tell us about it Janet.

- I think my head just lit up.

No really can she can sing, I mean really sing.

And she's the best God damn gaffer I ever worked with.

- Yep she can act too.

She's gonna be very good in this film.

- She's not in this film.

- Right, must be better coke than I thought.

So tell me some more about this theory of yours.

- [Lobo] Yeah come on, come on.

- It's not a theory, I mean it's just an opinion.

- Well in that case I have a film I want you to see.

- That film oh, man the lifeboats, women and children first.

I wouldn't let any son of mine see a film like this.

So in the words of Ichabod Crane

I'll just take my head and go.

(Dominic laughing)

- [Lacey] This film was sent to me by

a friend of mine in England, shove over.

- [Barney] This movie will blow your mind.

- What's it about?

- You'll find out.

Can we do some more lines before we see it?

- Hey I don't want to talk all night, I might bore Lobo.

- Oh come on, we have nowhere to go.

Sit around for awhile,

you can do your Doris Day impersonations.

- Thanks.

- This film was made for a rather specific audience.

- Yeah I'll say.

- Will I like it?

- [Lacey] Lobo you'll love it.

(sniffing)

- [Barney] Yeah you got it.

- Another nose beam.

- Okay let's see a movie.

- Dom would you get those lights please?

(film projector clicking)

- Alright, hey I've seen this one before.

- Yeah they all look the same Lobo.

(film projector clicking)

- No no no, this isn't what I thought it was.

(film projector clicking)

This is too much.

(film projector clicking)

Hey is this for real man?

(film projector clicking)

- Jesus Christ.

I heard of them films.

- [Lobo] Is it real man?

Where the hell did you get that thing?

- Friend of mine sent it to me.

But you can never find out who made it.

- I don't know what to say about a film like that.

- Was that girl killed?

- It's trash, killing somebody on film?

It's sick, for what?

- Well now wait a minute.

You make your living creating

and photographing special effects.

Couldn't those of been special effects?

- Maybe it's not real.

- No, no that was real.

- It look real to me, play it again.

- No, not for me thanks.

- Tell me Dom do you think people

would pay to see something like that?

- Sure, sure people pay to see anything.

You did, your friend did.

- Yeah but I'm a filmmaker, what about the general public?

- What's the difference, you paid.

- Okay now what if I told you that I made that film?

- Oh Lacey don't bust my nuts.

- [Lacey] I'm serious.

- You made that film? - As a student

- You're even sicker than I thought.

- I made that film as a student

and that girl was never hurt, she was never touched.

- I don't believe you, that girl was killed.

- Are you're really sure?

- Did you really do that movie?

- You should of hired that guy to do

the special effects on this film if he could do that.

- Well he died in a motorcycle accident last year.

- Oh come on man quit fucking around.

Is it for real or what?

Shit Lace let's see it again.

(film projector clicking)

- [Rita] Looking for inspiration?

How are we?

- This is in Russian.

But I'll show it to you some time.

- [Rita] You want a drink?

- Sure.

- [Rita] So what are you doing

down here all alone watching home movies?

- [Lacey] I'm looking for inspiration.

How about you?

- Well I think this whole experience

has been really fantastic, very exiting.

But I'm really glad it's almost finished.

There's just something a little weird

you know in-grown about this whole situation.

Just what you need right, a neurotic actress.

It's just I get so damned freaked looking in that mirror.

I'm actually a little tired and slightly frazzled.

And Barney certainly doesn't help.

You should be filming this right.

Sometimes I think he's really

gonna come at me with that razor.

- Excuse for a minute.

- Hey, you don't have to stay up and babysit.

- No that's okay I'll be right back.

(suspenseful music)

(erratic music)

- Get the camera my husband is driving me slightly crazy.

I think this movie's really coming true.

This is fantastic, like I said right a great experience.

I think my mascara's all over my face.

- [Lacey] Would you like to have sex?

- That would feel really good but,

do you mean with you, or just in general?

- Well I'm looking for inspiration.

- And I'm looking for a good night's sleep.

I mean thanks for the offer.

But then what am I thanking you for?

You know what I mean?

I really need to get a good night's sleep.

You don't care right?

I mean what kind of inspiration would I be?

See you tomorrow?

(birds singing)

(loud rock music)

You know you are a scumbag

I'm just through with you

That's why they say you're such a bag

You got a long ways

Hair falling out of your head

Yeah your thumbs are bleeding freely

Got the pair little blues baby

But not for me ha

(loud rock music)

Yeah a woman's as good as another

When it comes to loving a man

One thing I know is so baby

You gotta do it the best you can

- Jesus Barney.

Every time I see you

How do you shut that thing off anyway?

Got the pair little blues baby

But not

I couldn't find a razor anywhere.

- But I see you found her.

She's a very beautiful girl.

- Yeah well--

- She really could dance too.

- [Dominic] Should have sent her up to pay me a visit.

- Yeah maybe.

- Maybe next time huh?

- Yeah sorry you missed her the last time.

- We need the razor.

- Oh yeah sure, it's right here.

- I didn't think to look through your drawers.

- It's alright handsome,

you can look through my drawers anytime.

- You coming?

- If you insist.

Say listen if you're into that sort of--

- [Dominic] No no, not for me thanks.

- Are you sure next time we get one of those up here?

- [Dominic] Well we'll see you know.

- [Barney] Listen you wouldn't believe

where I found her, Pittsburgh.

My buddy usually picks them.

Perfect chance to show his chest and arms and legs.

Sure beats a hooker I'll tell you.

- Now he's slashing at you as he follows you

up these stairs but you stumble and fall,

that means you're gonna have to crawl at the top.

(goofy laughing)

- Here it is boss.

- Okay now he's laughing at you like a lunatic,

he's cursing at you but somehow

you manage to get up to that closet.

- [Dominic] Well you wanted the shot from behind.

- Well yeah you could do that.

- [Dominic] Hand held on the stairs is gonna be tricky.

- I know that.

Okay now you've got the flashlight, use it.

It's gonna enable you to get up to the top.

And once you get there you turn and give him a little push.

He stumbles but you also drop the flashlight.

So you come to the closet, slide the door open,

reach inside for the gun which

is kept there in case of emergency.

- Awe that's a nice neat little package Lace.

- Yeah I learned it in film school.

- She could drop the flashlight we could finesse it

to get the shaft of lights on the stairs.

- Yeah not bad I like that.

- Now am I screaming anything intelligible?

- Only 'til I cut your throat and slice your mouth off.

- Yeah you'd be saying something like

Arthur why, you're killing me, you bastard.

- Shouldn't be hard.

- Okay Dom let's take it from downstairs

so we can see if this handheld thing will work.

- [Dominic] Right.

- Bastard huh Lacey?

It's Barney.

- [Lacey] Quiet Barney.

- Oh well you can call me Barney Fife,

or you can call me Barney, or you can call me Barnabo,

or you can call me Barnaster, or you can call me Barnacle,

or you can call me Burney, or you can call me Barnardo,

but you don't have to call me bastard!

- [Lacey] Barney get out of here with that thing.

- [Lobo] Hey take that over to lover boy.

- Hey let's go away together.

After the shoot we'll go up to Maine for a few days.

- You and me?

- You're name please?

(Celeste laughing)

- [Celeste] Why?

- [Dominic] What?.

- Why?

- Jesus Christ Celeste.

I want to make love by the ocean.

I want to sit up all night, I want to listen to the waves.

I want to make glorious unadulterated love okay?

That's why.

Hey you're not married are you?

Glorious unadulterated love,

I want to have breakfast in bed by the--

- [Celeste] But how?

- How what?

- How?

- I'll make some money on this film.

- I'm sorry you just took me by surprise that's all.

- Hey me too.

Me too I didn't expect to meet the greatest--

(loud erratic music) - Surprise!

Anyone ever hear of nose jobs?

Do them quick and cheap.

- Hey bitch.

- That was pretty gross Barney.

- Be careful man.

This is one sweet hog here.

How come you nose is always so far up in the air bitch?

Maybe we can fix it a little for you huh?

- Just get out of here asshole.

- We know different don't we?

Well if there's ever anything I can do for our nose handsome

don't hesitate to give me a call.

Happy trails.

(Barney laughing)

- Is he a faggot or what?

- I don't know.

- I mean he's changing all the times it's crazy.

I thought he was gonna slit your throat.

- I wouldn't be at all surprised.

- Hey Celeste, you think I need a nose job?

(Barney laughing)

(birds singing)

- Dom, Dom wake up.

We gotta change something.

Get dressed and come outside and meet me.

- What time is it?

- Don't wake Celeste.

Just get dressed and come outside.

- Fuck me.

(birds singing)

- [Lobo] Hey you know what it's mighty early to be up so.

- [Nicky] Yeah some pretty movie.

- [Lobo] Wow we didn't even go to sleep yet.

- [Lacey] Rise and shine Mr. Lens Man.

- Please huh, what the hell's going on here?

- I've decided that I want to run the credits

over a series of shots of this wild country right.

We got a possession thing here, some demon all around us,

maybe some smoldering hatred that's been wickedly fanned.

This demon is everywhere even in

this wild and beautiful country.

Pretty scary if you think about it that way huh?

- Sounds great, we have to do it now right?

- Yeah because I want the light to be just right.

Now I been up there in the morning,

I know what it's like.

Nicky and Lobo have been there too

and they're gonna take you.

You'll be back by noon we'll discuss the whole scene then.

- Come on let's get this over with.

- Alright just tell Celeste I'll see her later okay.

(birds singing)

- Hey Lace remember, my left side's my best.

- [Lobo] Wake me when it's over okay.

You aught to be in movies.

- [Dominic] Maybe we'll get something

for dinner while we're up there.

(horn honks)

(birds singing)

- [Nicky] Come on Lobo wake up you big ox.

(all talking at once)

- [Dominic] Where we going?

- [Nicky] It's up there on the hill.

If we go any further I can't drive up.

(birds singing)

- What us to go ahead Nicky?

- Yeah go ahead.

Just go with him I gotta take a leak.

- Pretty country Lobo.

Come here often?

- Yeah sometimes just to hunt stuff.

- Any bears?

- Not anymore.

(shotgun fires)

- [Lobo] Nicky you got him, damn.

- [Nicky] I know go get your gun before he gets away.

And bring the binoculars.

(dramatic music)

(groaning in pain)

(erratic music)

- Okay we should just hold him there.

Yeah let him finish putting his shoes on then let him go.

(shotgun fires)

(dramatic music)

(erratic music)

Okay good, that's good, watch your focus, watch your focus.

Okay keep him centered there.

This looks a little like Bigfoot huh?

That's okay we can pick him up at the stream after that.

Okay camera three get ready.

(erratic music)

We got lucky.

Now just hold him there.

- [Technician] Not getting much Billy.

- [Billy] We're gonna have to pick it up later.

- [Celeste] He wasn't supposed to get hurt.

- I know but it works.

We're lucky Nicky didn't kill him altogether.

I want you to pull back for a reveal right about here.

- Okay on three do that pull back.

- [Lacey] Yep good, he transitioned himself

right in front of that camera, he'd be right there.

- [Technician] Watch the gun JB.

- [JB] Shit.

(shotgun fires)

- [Lacey] Good.

- [Celeste] Better watch it Lace, you're gonna blow it.

- [Lacey] Don't worry Celeste.

- [Technician] We're gonna lose him on three.

He's probably coming towards you on four.

(dramatic music)

(erratic music)

- [Technician] I know.

I don't know where the other guy is.

Well just follow him over to the door, yeah right.

Okay hold it there.

I don't know what he's doing.

Just hold it there.

- [Radio] Bird Dog Two to Bird Dog One.

Come in Scratch.

Come in Scratch, where's the lens man Scratch?

(water running)

Bird Dog Two to Bird Dog One, hey Scratch come in.

(harmonica playing)

(erratic music)

- [Technician] Who's coming?

Okay okay, follow him over there to it good.

This aught to be interesting.

Okay take him there and just wait.

(harmonica playing)

- [Radio] Bird Dog Two to Bird Dog One, Scratch come in.

- This is Bird Dog One I'm at the cabin.

- [Radio] Hey Scratch get bent will you.

- [Scratch] Ah your mother.

(laughing from radio)

(harmonica playing)

(drums beating)

(drums beating faster)

(drums beating repeatedly)

(crowbar thumping)

(drums beating slower)

- [Radio] Hey Bird Dog Three come back.

Hey Leslie talk, Bird Dog Three come in.

Come on.

(drums beating erratically)

(erratic music)

- [Technician] Who's that?

Geez Lacey he's got the gun.

- [Lacey] It's alright just follow him.

- [Technician] I don't know just follow him.

Yeah right.

I guess he's going back in the woods.

Right, yeah we're close now.

He's on his way home.

Move easy with him there.

He's taking a rest.

(drums beating erratically)

- [Lacey] Action.

(calm music)

- It's Arthur, I'm here to kill you.

- [Rita] No.

(Rita screaming)

No!

- Yes it's real, this is our day isn't it?

- [Rita] Save me!

No!

- Come here bitch.

(Rita screaming)

Sweetheart I won't do anything but.

- I once loved you, Barney no!

- [Barney] Oh yeah that's my name.

Barney, Barney.

- [Rita] Barney please, please, please, please.

- [Barney] That's the reason now,

it's the whole reason I'm doing this.

I warned you, I told you this would.

(Barney laughing)

- [Rita] Lacey!

- Sweetheart I warned you. (laughing)

Look, look at the blood, taste it, lick it.

- [Rita] Lacey!

- [Barney] Oh come here you bitch. (groaning in pain)

Come here.

What you wanted your whole life actress.

Take all you can get now.

- [Rita] No!

Lacey, please help.

- [Barney] Yeah see if he can help you.

That's it go for the gun you brilliant little actress you.

Just like we planned, it's as useless as you are.

- [Rita] What no!

(gun fires)

(erratic music)

- Lacey.

(erratic music)

(fast erratic piano music)

- [Lacey] I'm not gonna talk about this.

Everything is fine, nobody is hurt, nobody has touched--

- [Celeste] Everybody is fine?

Where are they then now?

- [Lacey] I told you they went home earlier.

- [Celeste] Their car is still in the driveway.

- [Lacey] So what they went in my car.

What are you talking to me about this for?

- [Celeste] I want to know where they are.

- Dom is outside, I sent him out on a survey this morning.

- While you were here slashing Rita and Barney huh?

- I didn't slash anybody Celeste.

You think something's wrong, there's nothing--

(gun fires) (groaning in pain)

- He killed Rita and Barney.

(horn honking)

- [Nicky] Give me that gun.

- [Lobo] What are you doing, we're supposed to--

- [Nicky] I don't care what I'm supposed to do.

I'm gonna get that bastard.

(erratic music)

You're damn right I'm gonna get him.

- Here take it easy you don't have to do that.

(shotgun fires)

(erratic music)

You really killed him.

- He would have killed me.

- This is a movie you weren't supposed to,

he, this is not in the script.

You're not supposed to do that, this is not in the script.

(erratic music)

- What the hell are you talking about?

(car explodes)

- [Technician] Okay tilt down 'til you find him.

Slow.

Hold it there.

- Did you get it?

(erratic music)

(horn honks)

(loud rock music)

(erratic music)