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These are the user uploaded subtitles that are being translated: 1 00:00:02,221 --> 00:00:05,156 ( fanfare ) 2 00:00:13,765 --> 00:00:18,568 ♪ OH, THAT BEAUTIFUL BLONDE FROM BASHFUL BEND ♪ 3 00:00:18,638 --> 00:00:21,171 ♪ NEVER DID LEARN TO KEEP A FRIEND ♪ 4 00:00:21,240 --> 00:00:24,442 ♪ SHE'D GIVE 'EM A START, THEN SHOOT 'EM IN THE END ♪ 5 00:00:24,510 --> 00:00:27,177 ♪ THE BEAUTIFUL BLONDE FROM BASHFUL BEND... ♪ 6 00:00:27,179 --> 00:00:30,047 ( yodeling ) 7 00:00:30,115 --> 00:00:33,383 ♪ SHE'S HARDLY THE TYPE TO CUDDLE NEAR ♪ 8 00:00:33,452 --> 00:00:36,320 ♪ SHE'D RATHER GO OUT AND ROPE A STEER ♪ 9 00:00:36,388 --> 00:00:39,389 ♪ THEY NEVER DID BUILD A SCHOOL THAT SHE'D ATTEND ♪ 10 00:00:39,458 --> 00:00:42,126 ♪ THE BEAUTIFUL BLONDE FROM BASHFUL BEND... ♪ 11 00:00:42,128 --> 00:00:45,396 ( yodeling ) 12 00:00:45,464 --> 00:00:48,465 ♪ WHEN SHE DEALS A POKER HAND ♪ 13 00:00:48,534 --> 00:00:51,201 ♪ YOU OUGHT TO SEE THEIR FACES ♪ 14 00:00:51,203 --> 00:00:54,471 ♪ ESPECIALLY WHEN SHE DEALS HERSELF ♪ 15 00:00:54,540 --> 00:00:57,141 ♪ APPROXIMATELY FIVE ACES ♪ 16 00:00:57,209 --> 00:01:00,410 ♪ I'M A-BETTIN' MY BOOTS SHE'LL MEET SOME CUSS ♪ 17 00:01:00,479 --> 00:01:03,213 ♪ A-CAUSIN' HER HEART TO RAISE A FUSS ♪ 18 00:01:03,215 --> 00:01:06,216 ♪ THEN SHE'LL FALL IN LOVE AND THAT'LL BE THE END ♪ 19 00:01:06,285 --> 00:01:08,351 ♪ OF THE HARD-TOOTIN', FREEBOOTIN', HIGHFALUTIN ♪ 20 00:01:08,421 --> 00:01:11,355 ♪ ROOTIN' TOOTIN', SIX-SHOOTIN' BEAUTIFUL BLONDE... ♪ 21 00:01:11,423 --> 00:01:15,559 - ( gunshot ricochets ) - ♪ FROM BASHFUL BEND ♪ 22 00:01:15,628 --> 00:01:19,129 ♪ THE BEAUTIFUL BLONDE FROM BASHFUL BEND. ♪ 23 00:01:21,367 --> 00:01:24,501 - ( gunshot ) - Man: THAT'S RIGHT, FREDDIE. 24 00:01:24,570 --> 00:01:26,570 NEVER WAIT TOO LONG BETWEEN SHOTS 25 00:01:26,638 --> 00:01:29,640 - OR YOUR FINGER MIGHT CHANGE ITS MIND. - ( gunshot ) 26 00:01:29,642 --> 00:01:32,710 AND SHOOTIN' AIN'T GOT NOTHING TO DO WITH THE MIND. 27 00:01:32,712 --> 00:01:35,312 - IT'S ALL A MATTER OF INSTINCT. - ( gunshot ) 28 00:01:35,381 --> 00:01:38,516 THERE YA GO PULLING THE TRIGGER AGAIN, 29 00:01:38,584 --> 00:01:42,319 WHEN ALL YOU'VE GOT TO DO IS CLOSE YOUR HAND GENTLY 30 00:01:42,321 --> 00:01:45,522 - LIKE YOU'RE SQUEEZING A SOCKFUL OF DEAD MICE. - ( gunshot, glass shatters ) 31 00:01:45,591 --> 00:01:47,524 THAT'S BETTER, BABY. 32 00:01:47,526 --> 00:01:50,461 JUST LIKE A BAG OF DEAD-- 33 00:01:50,463 --> 00:01:52,396 THAT'S SIX. 34 00:01:52,464 --> 00:01:54,865 CAN I GO PLAY WITH MY DOLLY NOW, GRANDPA? 35 00:01:54,933 --> 00:01:58,001 YOU LEAVE THAT DOLLY BE AND LEARN YOUR LESSON, WINIFRED. 36 00:01:58,070 --> 00:01:59,470 LOAD UP THAT GUN 37 00:01:59,538 --> 00:02:01,939 'CAUSE THIS IS A ROUGH COUNTRY, LITTLE LADY. 38 00:02:01,941 --> 00:02:03,340 AND THE WORDS THEY SAVVY BEST 39 00:02:03,409 --> 00:02:05,275 IS THE WORDS YOU SAY WITH THAT THERE THING. 40 00:02:05,344 --> 00:02:07,678 BEING A GOOD SHOT AIN'T A-GONNA GET YOU IN TROUBLE. 41 00:02:07,746 --> 00:02:09,279 IT'LL KEEP YOU OUTTA TROUBLE. 42 00:02:09,348 --> 00:02:11,148 YOU AIN'T GOT A PAPPY OR A MAMMY, 43 00:02:11,216 --> 00:02:13,951 AND I'M GETTIN' OLD. AND THIS IS SUDDEN COUNTRY. 44 00:02:13,953 --> 00:02:15,819 THERE'S NO TELLING WHERE I'M GONNA BE 45 00:02:15,887 --> 00:02:17,421 WHEN YOU START TO BLOSSOM OUT 46 00:02:17,423 --> 00:02:19,222 INTO THE FLOWER OF YOUNG WOMANHOOD. 47 00:02:19,291 --> 00:02:21,024 I'LL PROBABLY BE UP ON THE HILL 48 00:02:21,093 --> 00:02:22,693 WITH JUST A COUPLE OF COYOTES 49 00:02:22,761 --> 00:02:25,095 HOWLIN' OVER MY GRAVE TO KEEP ME COMPANY. 50 00:02:25,164 --> 00:02:27,498 THEN THAT THERE SHOOTIN' IRON HAS GOT TO BE 51 00:02:27,566 --> 00:02:30,767 YOUR MAMMY AND YOUR PAPPY AND YOUR BIG BROTHER. 52 00:02:30,836 --> 00:02:33,303 SO SHOOT, LITTLE LADY. 53 00:02:33,305 --> 00:02:37,374 LEARN TO SHOOT STRAIGHT AND QUICK. 54 00:02:37,443 --> 00:02:40,044 THERE WE ARE. HEH HEH. 55 00:02:42,180 --> 00:02:44,515 - GO ON NOW. - YES, SIR. 56 00:02:47,053 --> 00:02:49,252 THAT'S GRANDPA'S GOOD GIRL. 57 00:02:49,321 --> 00:02:51,221 NOW ONE FOR PAPPY. 58 00:02:53,459 --> 00:02:55,392 NOW ONE FOR MAMMY. 59 00:02:59,598 --> 00:03:01,532 AND ONE FOR BIG BROTHER. 60 00:03:04,469 --> 00:03:05,935 FINE. 61 00:03:06,005 --> 00:03:09,340 NOW ONE FOR THE LITTLE BOY WHO LIVES DOWN THE LANE. 62 00:03:11,477 --> 00:03:13,010 YES, SIR! 63 00:03:13,078 --> 00:03:15,945 WE GOT THE LITTLE BOY JUST WHERE IT DONE HIM THE MOST GOOD. 64 00:03:16,015 --> 00:03:17,481 YES, SIR. 65 00:03:17,483 --> 00:03:20,284 ALL YOU NEED NOW IS LOTS OF PRACTICE 66 00:03:20,286 --> 00:03:23,353 AND YOU'LL BE ABLE TO HOLD YOUR OWN IN THIS WICKED OLD WORLD. 67 00:03:23,355 --> 00:03:25,556 CAN I GO PLAY WITH MY DOLLY NOW, GRANDPA? 68 00:03:25,624 --> 00:03:27,891 YES, YOU CAN PLAY WITH YOUR DOLLY NOW. 69 00:03:27,959 --> 00:03:29,893 ( chuckles ) 70 00:03:29,961 --> 00:03:33,897 POOR MOTHERLESS LITTLE FREDDIE. WHAT A SHOT. 71 00:03:33,965 --> 00:03:37,501 ♪ ROCK-A-BYE BABY ♪ 72 00:03:37,569 --> 00:03:40,570 ♪ IN THE TREETOP ♪ 73 00:03:40,639 --> 00:03:43,107 ♪ WHEN THE WIND BLOWS ♪ 74 00:03:43,109 --> 00:03:45,909 ♪ THE CRADLE WILL ROCK. ♪ 75 00:03:45,977 --> 00:03:50,180 ♪ OH THAT BEAUTIFUL BLONDE FROM BASHFUL BEND ♪ 76 00:03:50,248 --> 00:03:52,782 ♪ NEVER DID LEARN TO KEEP A FRIEND ♪ 77 00:03:52,852 --> 00:03:56,053 ♪ SHE'D GIVE 'EM A START, THEN SHOOT 'EM IN THE END ♪ 78 00:03:56,055 --> 00:03:58,655 ♪ THE BEAUTIFUL BLONDE FROM BASHFUL BEND... ♪ 79 00:03:58,724 --> 00:04:01,658 ( yodeling ) 80 00:04:01,727 --> 00:04:04,995 ♪ SHE'S HARDLY THE TYPE TO CUDDLE NEAR ♪ 81 00:04:04,997 --> 00:04:07,931 ♪ SHE'D RATHER GO OUT AND ROPE A STEER ♪ 82 00:04:07,999 --> 00:04:11,001 ♪ THEY NEVER DID BUILD A SCHOOL THAT SHE'D ATTEND ♪ 83 00:04:11,003 --> 00:04:13,604 ♪ THE BEAUTIFUL BLONDE FROM BASHFUL BEND. ♪ 84 00:04:13,672 --> 00:04:16,673 ( yodeling ) 85 00:04:16,742 --> 00:04:19,009 ( wind whistling ) 86 00:04:19,077 --> 00:04:20,744 Man: WHAT ARE YOU TALKING ABOUT? 87 00:04:20,746 --> 00:04:24,013 THIS IS A LAW-ABIDING TOWN. IT AIN'T THE WILD WEST. 88 00:04:24,083 --> 00:04:25,816 PEOPLE DON'T DO THINGS LIKE THIS 89 00:04:25,818 --> 00:04:27,551 WITHOUT SOME REASON BEHIND IT. 90 00:04:27,619 --> 00:04:29,085 FOR HEAVEN'S SAKES, FREDDIE, 91 00:04:29,155 --> 00:04:31,088 YOU OUGHTTA HAVE SOME KIND OF AN IDEA. 92 00:04:31,156 --> 00:04:33,290 HOW DO I KNOW? THOSE THINGS JUST HAPPEN. 93 00:04:33,292 --> 00:04:35,425 IT CAN HAPPEN TO ANYBODY. THAT'S ALL. 94 00:04:35,494 --> 00:04:36,827 WELL, IT AIN'T SO BAD. 95 00:04:36,895 --> 00:04:39,296 THEY SAY THE FIRST 10 YEARS IS KINDA IRRITATING, 96 00:04:39,364 --> 00:04:41,031 BUT AFTER THAT YOU GET USED TO IT. 97 00:04:41,033 --> 00:04:42,565 - THEY SAY, ANYWAY. - WHAT? 98 00:04:42,635 --> 00:04:44,168 BUT WHY DID YOU SHOOT HIM, FREDDIE? 99 00:04:44,236 --> 00:04:45,702 I SAID "SHOOT." 100 00:04:45,771 --> 00:04:47,504 IF YOU WANTED TO GET RID OF HIM, 101 00:04:47,573 --> 00:04:51,107 COULDN'T YOU PUSH HIM OUT A WINDOW OR DOWN A WELL OR UNDER A HORSE, 102 00:04:51,177 --> 00:04:54,978 OR SHOVING HIM DOWN A SWAMP FROM THE BANK AT MIDNIGHT? 103 00:04:55,047 --> 00:04:57,247 BUT-- UH, BUT WHY DID YOU HAVE TO SHOOT 104 00:04:57,316 --> 00:05:00,450 THE POOR GUY IN THE FIRST PLACE? 105 00:05:00,519 --> 00:05:02,386 I WAS JEALOUS, I GUESS. 106 00:05:02,388 --> 00:05:04,321 ( thunder rumbling ) 107 00:05:06,792 --> 00:05:09,593 - YOU KNOW HOW GIRLS ARE. - DO I? 108 00:05:09,595 --> 00:05:12,729 I WAS SITTING AT ONE TABLE WITH A COUPLE OF SUCKERS FROM THE EAST. 109 00:05:12,798 --> 00:05:15,131 BLACKIE WAS AT THE NEXT TABLE GIVING ME THE FISHEYE 110 00:05:15,201 --> 00:05:16,734 BECAUSE WE HAD A KIND OF A BLOW-UP 111 00:05:16,802 --> 00:05:19,002 UP OVER THIS NEW JEZZY THAT BLEW IN. 112 00:05:20,739 --> 00:05:22,939 ROULETTE SHE CALLS HERSELF YET. 113 00:05:23,008 --> 00:05:25,408 NOTHING SERIOUS, BUT IF YOU CAN SEE ME 114 00:05:25,477 --> 00:05:27,611 GETTING SORE ABOUT A NUMBER LIKE THAT ONE? 115 00:05:27,613 --> 00:05:31,348 I WOULDN'T GIVE HER THE SATISFACTION, THAT TWILLY. 116 00:05:31,350 --> 00:05:33,483 JUST MINDIN' MY OWN BUSINESS. 117 00:05:33,552 --> 00:05:36,487 ( country music playing ) 118 00:05:47,032 --> 00:05:48,631 EXCUSE ME, GENTLEMEN. 119 00:05:48,701 --> 00:05:51,235 MAYBE YOU'LL DO US A BIG FLAVOR, FREDDIE, IN SINGING US A SONG. 120 00:05:51,237 --> 00:05:52,636 THAT'S WHAT I GET PAID FOR, 121 00:05:52,704 --> 00:05:54,972 SO IT CAN'T BE THAT BIG A FLAVOR. 122 00:05:54,974 --> 00:05:56,373 WILL YOU EXCUSE HER, GENTLEMEN? 123 00:05:56,441 --> 00:05:58,108 DEAL ME OUT, BOYS, BUT DON'T FORGET ME. 124 00:05:58,177 --> 00:06:00,043 - OH, IMPOSSIBLE. - HURRY BACK. 125 00:06:00,045 --> 00:06:01,445 SEE YA LATER. 126 00:06:01,513 --> 00:06:04,715 - ( music stops ) - ( applause ) 127 00:06:04,717 --> 00:06:07,517 - "EVERY TIME I MEET YOU." - SURE. 128 00:06:07,519 --> 00:06:09,453 ( music playing ) 129 00:06:19,531 --> 00:06:22,432 ( no audible dialogue ) 130 00:06:25,537 --> 00:06:30,407 ♪ EVERY TIME I MEET YOU ♪ 131 00:06:30,475 --> 00:06:36,079 ♪ I MEET YOU FOR THE FIRST TIME ♪ 132 00:06:36,147 --> 00:06:38,148 ♪ JUST AS THOUGH ♪ 133 00:06:38,217 --> 00:06:43,187 ♪ WE NEVER HAD MET BEFORE ♪ 134 00:06:45,557 --> 00:06:50,026 ♪ EVERY TIME I KISS YOU ♪ 135 00:06:50,095 --> 00:06:55,365 ♪ I KISS YOU FOR THE FIRST TIME ♪ 136 00:06:55,434 --> 00:06:58,168 ♪ AND MY HAPPY HEART ♪ 137 00:06:58,237 --> 00:07:03,207 ♪ KEEPS BEGGING YOU FOR MORE... ♪ 138 00:07:05,577 --> 00:07:07,711 ( French accent ) OOH, I TEAR MY STOCKING, CHERI. 139 00:07:07,713 --> 00:07:09,313 YOU ESCORT ME TO MY ROOM, NO? 140 00:07:09,315 --> 00:07:11,648 I'M AFRAID FOR ALL THESE MEN. 141 00:07:11,717 --> 00:07:16,052 WELL, UH, AHEM, I SUPPOSE SO. 142 00:07:16,121 --> 00:07:19,189 ♪ THE MOMENT IS GRAND ♪ 143 00:07:19,191 --> 00:07:24,127 ♪ AND THE FEELING IS SO BRAND NEW ♪ 144 00:07:26,731 --> 00:07:32,735 ♪ EVERY TIME YOU LEAVE ME ♪ 145 00:07:32,805 --> 00:07:37,273 ♪ WON'T YOU TAKE THIS THOUGHT ♪ 146 00:07:37,343 --> 00:07:42,545 ♪ ALONG WITH YOU? ♪ 147 00:07:42,614 --> 00:07:45,615 ♪ I'VE FALLEN IN LOVE ♪ 148 00:07:45,684 --> 00:07:52,289 ♪ FOR THE FIRST AND THE LAST TIME TOO ♪ 149 00:07:52,291 --> 00:07:56,226 ♪ Every time I meet you ♪ 150 00:07:56,295 --> 00:08:01,698 ♪ I fall in love all over again ♪ 151 00:08:01,767 --> 00:08:07,237 ♪ 'CAUSE EVERY TIME I MEET YOU ♪ 152 00:08:07,239 --> 00:08:13,643 - ♪ I MEET YOU FOR THE FIRST TIME ♪ - ♪ For the first time ♪ 153 00:08:13,712 --> 00:08:19,316 ♪ JUST AS THOUGH WE NEVER HAD MET BEFORE ♪ 154 00:08:19,384 --> 00:08:24,655 ♪ Just as though we never had met before ♪ 155 00:08:24,723 --> 00:08:28,791 - ♪ EVERY TIME I KISS YOU ♪ - ♪ Ooh ooh ♪ 156 00:08:28,861 --> 00:08:34,331 ♪ I KISS YOU FOR THE FIRST TIME ♪ 157 00:08:34,399 --> 00:08:39,135 ♪ AND MY HAPPY HEART KEEPS BEGGING YOU ♪ 158 00:08:39,204 --> 00:08:43,807 - ♪ FOR MORE ♪ - ♪ For more and more ♪ 159 00:08:43,875 --> 00:08:49,880 - ♪ I'm beggin' you and ♪ - ♪ EVERY TIME YOU THRILL ME ♪ 160 00:08:49,948 --> 00:08:56,219 - ♪ Ahh ♪ - ♪ YOU THRILL ME FOR THE FIRST TIME ♪ 161 00:08:56,221 --> 00:08:59,022 - ♪ Oh oh ♪ - ♪ THE MOMENT IS GRAND ♪ 162 00:08:59,090 --> 00:09:05,996 - ♪ THE FEELING IS SO BRAND NEW ♪ - ♪ The feeling is new ♪ 163 00:09:07,966 --> 00:09:13,770 ♪ EVERY TIME YOU LEAVE ME ♪ 164 00:09:13,839 --> 00:09:15,772 ♪ WON'T YOU TAKE ♪ 165 00:09:15,841 --> 00:09:22,245 ♪ THIS THOUGHT ALONG WITH YOU? ♪ 166 00:09:22,313 --> 00:09:26,649 ♪ I'VE FALLEN IN LOVE ♪ 167 00:09:26,718 --> 00:09:34,057 ♪ FOR THE FIRST AND THE LAST TIME TOO... ♪ 168 00:09:34,126 --> 00:09:41,098 - ( crowd cheering ) - ♪ For the last time too. ♪ 169 00:10:06,558 --> 00:10:09,225 - OH! ( screaming ) - ( shouting ) 170 00:10:09,294 --> 00:10:12,628 - HOW DARE YOU-- - ( man screams ) 171 00:10:12,698 --> 00:10:15,698 - ...REMEMBER MY NAME, AMBROSE. - I SEE. 172 00:10:15,767 --> 00:10:17,567 THEN YOU DIDN'T ACTUALLY MEAN TO SHOOT 173 00:10:17,636 --> 00:10:19,636 THE HONORABLE ALFALFA J. O'TOOLE? 174 00:10:19,638 --> 00:10:21,505 THE HONORABLE ALFALFA J. O'TOOLE? 175 00:10:21,507 --> 00:10:23,640 JUDGE OF THE UNITED STATES CIRCUIT COURT. 176 00:10:23,642 --> 00:10:25,375 AND SHOOT HIM GOOD, WHAT I MEAN. 177 00:10:25,443 --> 00:10:27,644 - IS THAT WHO YELLED? - DO YOU BLAME HIM? 178 00:10:27,712 --> 00:10:29,779 THEN WHERE WAS BLACKIE AND THAT TOMATO? 179 00:10:29,781 --> 00:10:32,115 MAYBE UNDER THE BED. HOW DO I KNOW? 180 00:10:32,184 --> 00:10:33,716 THE PARTY WE'RE INTERESTED IN 181 00:10:33,785 --> 00:10:35,585 IS THE ONE THAT WAS ON TOP OF THE BED-- 182 00:10:35,654 --> 00:10:38,455 THE HONORABLE ALFALFA J. O'TOOLE. 183 00:10:38,457 --> 00:10:42,258 - I SUPPOSE HE'S AWFULLY IRRITATED. - IF HE'S ALIVE HE IS. 184 00:10:42,327 --> 00:10:45,195 AND "IRRITATED" DOESN'T BEGIN TO DESCRIBE IT. 185 00:10:45,263 --> 00:10:47,597 MAYBE HE DOESN'T REMEMBER MY NAME, AMBROSE. 186 00:10:47,666 --> 00:10:50,800 - MAYBE HE FORGOT IT IN THE EXCITEMENT. - REMEMBER YOUR NAME? 187 00:10:50,869 --> 00:10:53,469 IN LETTERS OF FIRE HE REMEMBERS YOUR NAME-- 188 00:10:53,539 --> 00:10:56,339 IN LETTERS OF FIRE 9' HIGH. 189 00:10:56,341 --> 00:10:57,874 WHEN I CATCH THAT BLACKIE... 190 00:10:57,943 --> 00:10:59,943 LOOK, FREDDIE, A MAN'S A MAN. 191 00:10:59,945 --> 00:11:01,745 AND WHEN SOMETHING NEW COMES ALONG, 192 00:11:01,813 --> 00:11:04,947 - AN OPPORTUNITY PRESENTS ITSELF... - WHAT'S NEW ABOUT A TWIST? 193 00:11:05,017 --> 00:11:07,417 ...HIS THOUGHTS JUST NATURALLY TURN TO-- 194 00:11:07,419 --> 00:11:08,818 YOU TAKE LIKE ME, FREDDIE, 195 00:11:08,887 --> 00:11:11,555 SITTING RIGHT HERE IN THIS DUNGEON BESIDE YOU. 196 00:11:11,557 --> 00:11:13,489 EVEN I, WHO SIT HERE, FREDDIE-- 197 00:11:13,559 --> 00:11:16,292 EVEN YOU, WHO SIT THERE, FREDDIE, WHAT? 198 00:11:16,361 --> 00:11:18,161 WELL, I GOT A RIGHT TO SIT, AIN'T I? 199 00:11:18,230 --> 00:11:19,696 WELL, JUST KEEP ON SITTING. 200 00:11:19,764 --> 00:11:21,231 Man: PRONTO! OPEN THE DOOR! 201 00:11:21,299 --> 00:11:24,835 LOOK WHAT YOU'VE DONE. YOU'VE FLATTENED MY FLOWERS. 202 00:11:24,903 --> 00:11:26,435 HOW DO YOU DO? 203 00:11:26,505 --> 00:11:27,971 PUT THE BED OVER THAT WAY. 204 00:11:27,973 --> 00:11:30,773 BE CAREFUL. GO, OVER THAT WAY. 205 00:11:30,842 --> 00:11:32,708 PUT THAT OVER THAT WAY TOO. 206 00:11:32,778 --> 00:11:35,112 - WHERE DO YOU WANT IT? - THAT'S OVER THERE. 207 00:11:35,180 --> 00:11:37,847 Ambrose: WHAT BED? WHAT'S GOING ON HERE? 208 00:11:37,849 --> 00:11:39,649 IS THE JUDGE STILL SORE, JOE? 209 00:11:39,718 --> 00:11:41,585 IS HE SORE? ( laughs ) 210 00:11:41,587 --> 00:11:44,120 YOU MEAN IS HE SORE? HE AIN'T SORE. HE'S BOILING. 211 00:11:44,122 --> 00:11:45,788 HE AIN'T BOILING. HE'S EXPLODING. 212 00:11:45,857 --> 00:11:47,323 HE'S SETTING FIRE TO THE CURTAINS. 213 00:11:47,392 --> 00:11:48,724 I BROUGHT YOU SOMETHING TO EAT. 214 00:11:48,794 --> 00:11:50,060 THANKS, JOE, AND FOR THE BED. 215 00:11:50,128 --> 00:11:51,728 AND THE BATHTUB. DON'T MENTION IT, HONEY. 216 00:11:51,796 --> 00:11:53,330 MAYBE I'D BETTER APOLOGIZE TO HIM. 217 00:11:53,332 --> 00:11:54,931 I GUESS I'D BETTER APOLOGIZE TO HIM. 218 00:11:54,933 --> 00:11:56,533 Ambrose: OH SURE, AND TAKE HIM SOME FUDGE. 219 00:11:56,535 --> 00:11:57,534 YOU JUST TAKE ME OVER THERE. 220 00:11:57,602 --> 00:11:58,869 AND WHEN I TELL HIM HOW SORRY I AM-- 221 00:11:58,937 --> 00:12:01,204 I CAN'T DO IT, FREDDIE, NOT WITHOUT BAIL. 222 00:12:01,206 --> 00:12:03,539 I GOT THE RIGHT, AMBROSE. I GOT THE LEGAL RIGHT. 223 00:12:03,609 --> 00:12:05,075 YOU GOT WHAT LEGAL RIGHT? 224 00:12:05,077 --> 00:12:06,877 YOU GOT A LEGAL RIGHT IF YOU GOT A COURT ORDER. 225 00:12:06,945 --> 00:12:08,411 AND YOU KNOW WHO THE ONLY PERSON IS 226 00:12:08,479 --> 00:12:11,147 - WHO CAN SIGN THAT COURT ORDER? - I CAN GUESS, I GUESS. 227 00:12:11,216 --> 00:12:14,417 THAT'S RIGHT, THE HONORABLE ALFALFA J. O'TOOLE IN PERSON. 228 00:12:14,419 --> 00:12:17,687 - IT ISN'T AS IF I WAS ASKING FOR ANYTHING REALLY, AMBROSE. - NOT MUCH. 229 00:12:17,756 --> 00:12:20,356 YOU KNOW I WOULDN'T GET YOU IN TROUBLE FOR THE WORLD, AMBROSE. 230 00:12:20,425 --> 00:12:22,559 I WOULDN'T EVEN CONSIDER IT, FREDDIE, 231 00:12:22,627 --> 00:12:26,296 LESS'N I WAS ABSOLUTELY SURE YOU HAD LEFT YOUR GUN HERE. 232 00:12:26,298 --> 00:12:28,831 YOU WASN'T OUT OF MY SIGHT FOR EVEN HALF A SECOND 233 00:12:28,900 --> 00:12:30,633 AND I WAS RIGHT WITH YOU ALL THE TIME. 234 00:12:30,702 --> 00:12:35,572 WELL, WHO ELSE WOULD I WANNA BE RIGHT WITH ALL THE TIME, AMBROSE? 235 00:12:35,640 --> 00:12:38,575 ( yelling ) 236 00:12:38,577 --> 00:12:40,109 STEADY NOW, STEADY NOW. 237 00:12:40,178 --> 00:12:42,045 IF YOU JUST WOULDN'T WIGGLE AROUND SO MUCH, 238 00:12:42,047 --> 00:12:44,848 - I'D HAVE IT OUT IN AN INSTANT. - AH AH! 239 00:12:44,850 --> 00:12:46,583 AH, THERE WE ARE. NOW I'VE GOT IT. 240 00:12:46,585 --> 00:12:48,518 HMM, ELUSIVE LITTLE DEVIL, ISN'T IT? 241 00:12:48,587 --> 00:12:50,453 I THOUGHT SURE IT WAS THERE. IT GOT AWAY AGAIN. 242 00:12:50,455 --> 00:12:51,988 HMM, WELL, LET'S HAVE ANOTHER WHACK AT IT. 243 00:12:52,057 --> 00:12:53,723 - ( shouting ) - ( giggling ) 244 00:12:53,792 --> 00:12:57,260 IF YOU'D JUST BE A LITTLE LESS CHEERFUL ABOUT IT, YOU OLD WINDBAG... 245 00:12:57,262 --> 00:12:59,729 OF ALL THE BUTCHERS I HAVE-- ( yelping ) 246 00:12:59,798 --> 00:13:02,065 OH, WILL I GET EVEN WITH YOU FOR THIS. 247 00:13:02,133 --> 00:13:04,734 THERE IT IS, THERE. HA HA, I'VE GOT IT. 248 00:13:04,736 --> 00:13:06,669 OR HAVE I? IS THAT A BUTTON OFF YOUR TROUSERS? 249 00:13:06,738 --> 00:13:09,739 OH, NO NO, IT CAN'T BE A BUTTON OFF THE TROUSERS. IT'S A DIFFERENT SHAPE. 250 00:13:09,808 --> 00:13:12,475 IT CAN'T BE A BUTTON OFF THE TROUSERS BECAUSE IT'D HAVE A THREAD IN IT. 251 00:13:12,543 --> 00:13:14,544 THIS HAS NO THREAD IN IT. IT'S A SAFE BET THAT THAT'S IT. 252 00:13:14,613 --> 00:13:16,279 - ( groans ) - ( giggles ) 253 00:13:16,348 --> 00:13:17,480 THERE THERE, DON'T EXCITE YOURSELF. 254 00:13:17,549 --> 00:13:19,015 WHAT'S A LITTLE DIFFERENCE BETWEEN FRIENDS? 255 00:13:19,083 --> 00:13:21,551 BETWEEN FRIENDS? I NEVER EVEN SAW HER. I HAVEN'T SEEN HER YET. 256 00:13:21,553 --> 00:13:22,886 SHE WORKED STRICTLY FROM THE BACK. 257 00:13:22,888 --> 00:13:23,887 ( giggling ) 258 00:13:23,955 --> 00:13:25,755 I'LL GIVE HER SO MUCH SOLITARY CONFINEMENT 259 00:13:25,824 --> 00:13:27,023 SHE'LL BE TALKING TO HERSELF. 260 00:13:27,091 --> 00:13:28,425 AND IF THAT CROOK OF A SORRY SHERIFF 261 00:13:28,493 --> 00:13:30,226 ALLOWS HER SO MUCH AS ONE VISITOR, I'LL-- 262 00:13:30,295 --> 00:13:33,362 - ( knocking at door ) - GET OUT AND STAY OUT! 263 00:13:33,432 --> 00:13:34,831 YES, DON'T COME IN HERE. 264 00:13:36,368 --> 00:13:38,168 OH HO. 265 00:13:38,236 --> 00:13:40,637 OH, HELLO... MY LOVE. 266 00:13:40,639 --> 00:13:42,706 WHAT IS THIS I HEAR ABOUT YOUR BEING SHOT 267 00:13:42,774 --> 00:13:45,441 IN A YOUNG WOMAN'S BEDROOM BY HER IRATE INAMORATUS, YOU OLD-- 268 00:13:45,510 --> 00:13:48,912 - THERE'S NO SUCH WORD AS "INAMORATUS," MADAM. - WHO IS THIS OLD TRAMP? 269 00:13:48,914 --> 00:13:50,579 MADAM, I HAPPEN TO BE THE DOCTOR. 270 00:13:50,649 --> 00:13:52,315 YOU WERE RIGHT THE FIRST TIME. 271 00:13:52,384 --> 00:13:54,250 NOW IF YOU'LL JUST GO HOME AND WAIT PATIENTLY, 272 00:13:54,319 --> 00:13:55,785 I'LL EXPLAIN THE WHOLE THING. 273 00:13:55,854 --> 00:13:57,720 WHAT WERE YOU DOING IN HER BEDROOM? 274 00:13:57,789 --> 00:13:59,856 WHOSE BEDROOM? OH, IS THIS A BEDROOM? 275 00:13:59,858 --> 00:14:01,258 HOW WAS I TO KNOW IT WAS A BEDROOM? 276 00:14:01,326 --> 00:14:02,925 THAT ISN'T A HOT STOVE YOU'RE SITTING ON. 277 00:14:02,994 --> 00:14:04,460 YOU CAN PUT TWO AND TWO TOGETHER. 278 00:14:04,529 --> 00:14:06,195 WILL YOU KEEP YOUR BEARD OUT OF MY SOUP? 279 00:14:06,264 --> 00:14:07,864 NATURALLY THE DOCTOR PUT ME ON A BED. 280 00:14:07,932 --> 00:14:09,666 - YOU WERE SHOT ON A BED. - HOW DO YOU KNOW? 281 00:14:09,734 --> 00:14:11,534 - THE WHOLE TOWN KNOWS. - WHAT? 282 00:14:11,603 --> 00:14:14,537 - ( doctor giggling ) - IT MAKES A VERY DAINTY PIECE OF CONVERSATION-- 283 00:14:14,605 --> 00:14:17,407 AN OLD WALRUS LIKE YOU HONEYFUGGLING AROUND WITH THIS LITTLE BLONDE 284 00:14:17,475 --> 00:14:19,476 WHEN IN COMES HER INAMORATUS AND LETS YOU HAVE IT. 285 00:14:19,478 --> 00:14:22,412 - RIGHT IN THE CABOOSE. - NOW LISTEN CAREFULLY, ELVIRA. 286 00:14:22,414 --> 00:14:25,548 OH. I WAS FEELING A LITTLE DIZZY. 287 00:14:25,617 --> 00:14:27,617 YOU KNOW HOW BILIOUS I'VE BEEN SINCE YOUR SISTER WENT EAST 288 00:14:27,619 --> 00:14:29,219 - AND YOU STARTED DOING THE COOKING? - HUH. 289 00:14:29,221 --> 00:14:31,621 SO JOE THE PROPRIETOR BROUGHT ME UP HERE TO LIE DOWN ON THAT COUCH 290 00:14:31,623 --> 00:14:33,623 FOR A LITTLE WHILE BECAUSE IT WOULDN'T DISTURB ANYBODY. 291 00:14:33,691 --> 00:14:36,292 - WHY DIDN'T YOU LIE DOWN DOWNSTAIRS? - WHAT ON? THE FARO TABLE? 292 00:14:36,294 --> 00:14:39,095 I'D LOOK GREAT WITH THE CUSTOMERS BETTING BOTH ENDS AGAINST MY MIDDLE. 293 00:14:39,163 --> 00:14:40,764 SO YOU WERE ENTIRELY ALONE? 294 00:14:40,832 --> 00:14:43,833 I WAS COMPLETELY ALONE. AND THE NEXT THING THAT HAPPENED-- 295 00:14:43,902 --> 00:14:45,635 HER INAMORATUS CAME IN AND LET YOU HAVE IT. 296 00:14:45,637 --> 00:14:48,705 WHOSE INAMORATUS? OH, IF I LIVE THROUGH THAT ONE... 297 00:14:48,707 --> 00:14:51,507 LOOK, WILL YOU BELIEVE ME IF I GET THE THUG SHE WAS SHOOTING AT UP HERE 298 00:14:51,576 --> 00:14:53,042 AND HAVE HIM TELL YOU HIMSELF 299 00:14:53,111 --> 00:14:54,778 IT WAS HIM AND NOT ME SHE WAS TRYING TO PLUG? 300 00:14:54,846 --> 00:14:57,314 I WILL NOT, BUT I WOULD CERTAINLY ADMIRE 301 00:14:57,382 --> 00:14:58,915 SEEING YOU TRYING TO GET HIM TO SAY IT. 302 00:14:58,983 --> 00:15:00,649 GO GET HIM, DOCTOR, AND BRING HIM UP HERE. 303 00:15:00,719 --> 00:15:02,585 - AND IF YOU NEED A PAPER, I'LL SIGN IT. - CERTAINLY. 304 00:15:02,653 --> 00:15:05,187 Elvira: BE SURE YOU TELL HIM WHAT TO SAY BEFORE YOU BRING HIM IN. 305 00:15:05,257 --> 00:15:07,056 YOU MAY DEPEND UPON IT, MADAM. ( giggles ) 306 00:15:07,125 --> 00:15:09,191 NOW WHOSE ROOM DID YOU SAY THIS WAS? 307 00:15:09,261 --> 00:15:10,727 I DIDN'T SAY ANYTHING ABOUT IT. 308 00:15:10,729 --> 00:15:12,395 I SUPPOSE THAT IT BELONGS TO THE HOTEL. 309 00:15:12,464 --> 00:15:13,729 IT LOOKS LIKE A HOTEL ROOM. 310 00:15:13,799 --> 00:15:16,132 IT WOULDN'T BE A LADY'S ROOM BY ANY CHANCE, WOULD IT? 311 00:15:16,201 --> 00:15:18,134 I DON'T KNOW! I'VE NEVER BEEN IN A LADY'S ROOM. 312 00:15:18,203 --> 00:15:20,136 I SUPPOSE THIS BELONGS TO ONE OF THE BARTENDERS. 313 00:15:20,205 --> 00:15:22,271 OH, IT MAY FOR ALL I KNOW. 314 00:15:22,340 --> 00:15:23,940 - I NEVER-- OH. - OR THESE? 315 00:15:23,942 --> 00:15:25,875 I DON'T KNOW! I DON'T KNOW ANYTHING ABOUT IT. 316 00:15:25,944 --> 00:15:28,011 I DON'T EVEN KNOW WHAT THEY ARE-- I HOPE. 317 00:15:28,079 --> 00:15:29,412 - ( groans ) - ( knocking at door ) 318 00:15:29,480 --> 00:15:31,147 WHOEVER YOU ARE, STAY OUT! 319 00:15:31,215 --> 00:15:33,550 ( Spanish accent ) HELLO. 320 00:15:33,552 --> 00:15:35,284 HOW YOU FEEL NOW, SWEETIE? 321 00:15:35,353 --> 00:15:37,420 YOUR LITTLE TUTU STILL ON FIRE? 322 00:15:37,488 --> 00:15:39,289 I'VE SEEN YOU HALF SHOT LOTS OF TIMES. 323 00:15:39,291 --> 00:15:40,957 - OH. - THIS IS SURE THE FIRST TIME I SEE-- 324 00:15:41,025 --> 00:15:42,759 AND WHAT ARE YOU DOING IN THIS ROOM? 325 00:15:42,827 --> 00:15:44,494 WHAT AM I DOING? 326 00:15:44,496 --> 00:15:46,896 WELL, WHAT SHOULDN'T I BE DOING IN THIS ROOM? 327 00:15:46,898 --> 00:15:48,631 WHAT ARE YOU DOING IN MY TROUSERS? 328 00:15:48,699 --> 00:15:50,633 YOUR TROUSERS? ( gasps ) 329 00:15:50,635 --> 00:15:52,569 THAT'S ALL I WANTED TO KNOW, ALFALFA. 330 00:15:52,637 --> 00:15:55,171 WELL, NOW THAT YOU THINK YOU KNOW IT, WHY DON'T YOU GO HOME? 331 00:15:55,173 --> 00:15:57,574 - WHY IS YOUR MOTHER UPSET? - "YOUR MOTHER"? 332 00:15:57,576 --> 00:15:59,576 - OH! - ( knocking at door ) 333 00:15:59,578 --> 00:16:02,846 AW NO, PLEASE. 334 00:16:02,914 --> 00:16:04,848 - HELLO. - HELLO. 335 00:16:04,916 --> 00:16:07,517 - HELLO. - HELLO YOURSELF. NOW GET OUTTA HERE. 336 00:16:07,585 --> 00:16:09,185 WHAT DO YOU THINK THIS IS, A BARBECUE? 337 00:16:09,253 --> 00:16:11,521 - Woman: HELLO. - I JUST HAPPEN TO THINK, YOUR HONOR-- 338 00:16:11,589 --> 00:16:13,256 WELL, CUT IT OUT. NOW GO AWAY. 339 00:16:13,324 --> 00:16:15,992 IF YOU WANNA SEE ME, YOU CAN COME TO COURT THE NEXT TIME I SIT-- AH! 340 00:16:15,994 --> 00:16:17,793 OH, WHY DID I HAVE TO THINK OF THAT? 341 00:16:17,863 --> 00:16:19,662 SHE JUST SORRY SHE SHOOT YOU, THAT'S ALL. 342 00:16:19,731 --> 00:16:22,665 - SHE WANT TO TELL YOU. - NATUR-- WHAT? JUST A MOMENT, YOU. 343 00:16:22,667 --> 00:16:24,467 WHEN I GET THROUGH WITH YOU-- 344 00:16:24,536 --> 00:16:27,069 Woman: NOW DON'T EXCITE YOURSELF INTO A CONDITION, ANGEL FACE. 345 00:16:27,138 --> 00:16:30,139 NOW BRING THAT SHE-RATTLESNAKE IN HERE. 346 00:16:30,208 --> 00:16:32,408 WHEN I GET THROUGH WITH YOU, YOUNG WOMAN-- 347 00:16:32,477 --> 00:16:34,878 WHAT DO YOU MEAN SETTING THIS FEMALE AT LIBERTY, YOU CROOK? 348 00:16:34,946 --> 00:16:37,146 WHY, SHE AIN'T AT LIBERTY, YOUR HONOR. 349 00:16:37,215 --> 00:16:39,081 IT'S JUST THAT SHE FELT SO BAD ON YOUR ACCOUNT. 350 00:16:39,150 --> 00:16:40,883 SHE WOULD'VE BROKE YOUR HEART, YOUR HONOR. 351 00:16:40,952 --> 00:16:43,018 OH, TO KNOW THAT YOU'RE ALIVE, YOUR HONOR, 352 00:16:43,088 --> 00:16:45,889 INSTEAD OF ROTTING AWAY IN SOME LONELY GRAVE... 353 00:16:45,891 --> 00:16:47,423 YOU DON'T ROT QUITE THAT SOON. 354 00:16:47,492 --> 00:16:49,091 WELL, WHY SHOULD HE ROT IN A LONELY GRAVE 355 00:16:49,160 --> 00:16:50,560 - FROM A LITTLE-- - AHH! 356 00:16:50,562 --> 00:16:52,228 YOU'RE TAKING THIS TOO LIGHTLY, CONCHITA. 357 00:16:52,297 --> 00:16:53,897 - ISN'T SHE, YOUR HONOR? - OH, IT'S NOTHING. 358 00:16:53,899 --> 00:16:55,765 - TURN OVER, HONEYBUNCH. SHOW 'EM-- - DA DA DA DA. 359 00:16:55,833 --> 00:16:57,300 YOU STOP CALLING MY HUSBAND HONEYBUNCH. 360 00:16:57,368 --> 00:16:59,568 I'M TERRIBLY TERRIBLY SORRY, YOUR HONOR. 361 00:16:59,638 --> 00:17:02,038 IF THERE'S ANY MAN IN THE WORLD I WOULDN'T HAVE WANTED TO-- 362 00:17:02,106 --> 00:17:04,707 - YOU STAY AWAY FROM MY HUSBAND. - WHY DON'T YOU GO HOME? 363 00:17:04,775 --> 00:17:06,709 I'M NOT THINKING OF HIM AS YOUR HUSBAND, MA'AM. 364 00:17:06,777 --> 00:17:08,311 YOU DON'T HAVE TO WORRY. 365 00:17:08,379 --> 00:17:10,980 - I'M NOT THINKING OF HIM AS A MAN AT ALL. - HUH? 366 00:17:10,982 --> 00:17:12,915 I'M THINKING OF HIM AS A FATHER, 367 00:17:12,984 --> 00:17:17,720 - A FORGIVING FATHER TO PUT HIS ARMS AROUND ME AND-- - AY, PAPI. 368 00:17:17,789 --> 00:17:20,189 IF YOU COULD ONLY FIND IT IN YOUR HEART TO FORGIVE ME, 369 00:17:20,191 --> 00:17:21,791 TO PRETEND THIS NEVER HAPPENED. 370 00:17:21,859 --> 00:17:23,526 WITH MY BUCKET FULL OF LEAD? 371 00:17:23,594 --> 00:17:25,528 I DIDN'T MEAN IT FOR YOU, YOUR HONOR. 372 00:17:25,530 --> 00:17:27,129 I DIDN'T MEAN IT FOR ANYBODY. 373 00:17:27,198 --> 00:17:29,332 I DON'T HARDLY KNOW ONE END OF A GUN FROM ANOTHER. 374 00:17:29,400 --> 00:17:32,135 I DON'T HARDLY KNOW HOW IT GOT IN MY HAND. 375 00:17:32,203 --> 00:17:35,004 ALL OF A SUDDEN, I SEE THIS BIG ROOK THAT I SLAVED FOR, 376 00:17:35,006 --> 00:17:37,807 THAT I BOUGHT NECKTIES FOR, THAT I HAWKED MY JEWELRY FOR, 377 00:17:37,809 --> 00:17:41,877 THAT I SEWED BUTTONS ON FOR, PLAYING "PUSS IN THE CORNER" WITH THIS BEAZEL. 378 00:17:41,947 --> 00:17:43,412 WHAT WAS I SUPPOSED TO DO? 379 00:17:43,481 --> 00:17:45,948 WELL, YOU WASN'T SUPPOSED TO PLUG ME, THAT'S A CINCH. 380 00:17:46,017 --> 00:17:48,017 LOOK IN MY EYES, YOUR HONOR. 381 00:17:48,086 --> 00:17:50,753 - DON'T YOU DO IT, ALFALFA. - DON'T LISTEN TO HER, JUDGE. 382 00:17:50,821 --> 00:17:52,555 SHE'S A LITTLE BIT UPSET TONIGHT. 383 00:17:52,624 --> 00:17:55,158 THINK HOW THEY'LL TALK ABOUT YOU WHEN YOU LET ME GO. 384 00:17:55,160 --> 00:17:58,161 THEY'LL SAY, "THERE'S A MAN WITH A HEART AS BIG AS A BULL FIDDLE, 385 00:17:58,229 --> 00:18:00,096 EVEN THOUGH HE DID GET SHOT UP A LITTLE." 386 00:18:00,164 --> 00:18:02,765 - A LITTLE? YOU SHOULD FEEL-- - "THAT WOULD HAVE MADE SOME MEN 387 00:18:02,767 --> 00:18:04,367 AS MAD AS A BEAR WITH A SORE PAW." 388 00:18:04,435 --> 00:18:06,235 IT AIN'T MY PAW THAT'S SORE, HONEY. 389 00:18:06,237 --> 00:18:08,704 "THE HONORABLE ALFALFA SET HER FREE. 390 00:18:08,773 --> 00:18:10,907 HE FORGIVE HER. HE PATTED HER ON HER LITTLE..." 391 00:18:10,975 --> 00:18:14,377 - OW! - "...HEAD AND SAID, 'I FORGIVE YOU, HONEY.'" 392 00:18:14,379 --> 00:18:15,645 PAINTS A VERY PRETTY PICTURE. 393 00:18:15,713 --> 00:18:17,847 YOU KNOW IT'S WHAT YOU WANT TO DO, YOUR HONOR. 394 00:18:17,915 --> 00:18:21,183 TELL THE SHERIFF. TELL HIM TO SET ME FREE. DON'T HOLD THE WORDS IN. 395 00:18:21,252 --> 00:18:23,586 AND THEN AS SOON AS YOU'RE ON YOUR FEET AGAIN, COME UP AND-- 396 00:18:23,588 --> 00:18:27,923 - DON'T YOU DO IT, ALFALFA. - COME UP AND POINT OUT THE EVIL OF MY WAYS. 397 00:18:27,993 --> 00:18:31,194 I NEED YOUR HELP. I NEED YOUR GUIDANCE. 398 00:18:31,196 --> 00:18:34,463 - I NEED A PAPA. - OH, PAPA. 399 00:18:34,532 --> 00:18:37,000 WELL, I DON'T SUPPOSE YOU WAS REALLY AIMING AT ME AT THAT. 400 00:18:37,068 --> 00:18:38,801 OF COURSE I WASN'T, YOUR HONOR. 401 00:18:38,869 --> 00:18:40,470 YOU KNOW THAT. 402 00:18:40,538 --> 00:18:43,606 WHY, I COULDN'T ANY MORE AIM AT A HUMAN BEING THAN I COULD-- 403 00:18:43,608 --> 00:18:46,409 I'M THE GENTLE TYPE, YOUR HONOR. 404 00:18:46,477 --> 00:18:49,211 I'M THE HOME TYPE. YOU CAN SEE THAT. 405 00:18:49,280 --> 00:18:52,949 LOOK INTO MY EYES AGAIN. LOOK DEEP. 406 00:18:53,017 --> 00:18:54,550 Doctor: I GOT HIM. I GOT HIM. 407 00:18:54,552 --> 00:18:57,686 - HERE HE IS. HERE HE IS. - YOU WANTED TO SEE ME, JUDGE? 408 00:18:57,756 --> 00:18:59,955 I UNDERSTAND THERE'S BEEN SOME LITTLE MIS-- 409 00:19:00,025 --> 00:19:02,825 UNDERSTANDING THAT I HAD NO CONNECTION WITH, YOU UNDERSTAND. 410 00:19:02,893 --> 00:19:04,360 BUT IF I CAN BE OF ANY ASSISTANCE-- 411 00:19:04,429 --> 00:19:07,162 OH, SO YOU HAD NO CONNECTION WITH ALL THIS IN ANY WAY, HUH? 412 00:19:07,232 --> 00:19:08,631 AND I SUPPOSE YOU HAD NO CONNECTION 413 00:19:08,700 --> 00:19:10,700 WITH THAT LITTLE FRENCH OMELET EITHER, 414 00:19:10,768 --> 00:19:13,569 JUST AS YOU DIDN'T HAVE WITH EVERY OTHER NEW TWILLY THAT'S BLOWN IN HERE. 415 00:19:13,638 --> 00:19:15,305 CUT IT OUT, HONEY. HE AIN'T WORTH IT. 416 00:19:15,373 --> 00:19:17,640 - WHY, YOU TRIPLE-TIMING, TWO-FACED-- - NOW NOW, WAIT A MINUTE. 417 00:19:17,708 --> 00:19:19,709 SO YOU THINK YOU'RE GONNA HORSE AROUND WITH ME, DO YA? 418 00:19:19,777 --> 00:19:22,044 WHY, I DON'T EVEN KNOW WHAT YOU'RE TALKING ABOUT, HONEY. 419 00:19:22,113 --> 00:19:24,781 - YOU MUST HAVE BEEN LOOKING AT A COUPLE OF OTHER PEOPLE. - DO TELL. 420 00:19:24,849 --> 00:19:27,449 AH, THERE YOU ARE, PRETTY PUSS. 421 00:19:27,519 --> 00:19:30,052 I HOPE I DON'T MAKE YOU MUCH TROUBLE. I'VE BEEN LOOKING-- 422 00:19:30,121 --> 00:19:32,788 NOT AS MUCH AS I'M GONNA MAKE FOR YOU, YOU OVERDRESSED LITTLE-- 423 00:19:32,857 --> 00:19:34,123 NOW NOW, FREDDIE. 424 00:19:34,192 --> 00:19:35,992 - WHAT IS THIS? - LET GO OF ME! 425 00:19:36,060 --> 00:19:38,127 WHAT YOU NEED IS SOME ADVICE AND SOME GUIDANCE. 426 00:19:38,196 --> 00:19:40,529 - WHAT I NEED IS A GUN. - SAVE ME! 427 00:19:40,598 --> 00:19:42,732 - GIVE ME THAT! - NO, STOP! NO! 428 00:19:42,800 --> 00:19:45,134 LOOK OUT NOW. REMEMBER, YOU DON'T KNOW 429 00:19:45,136 --> 00:19:46,802 ONE END OF THE GUN FROM THE OTHER. 430 00:19:46,871 --> 00:19:48,471 REMEMBER, YOU DON'T-- OW! 431 00:19:48,473 --> 00:19:50,939 REMEMBER, YOU DON'T KNOW ONE END OF THE GUN FROM THE OTHER. 432 00:19:51,009 --> 00:19:53,475 ( all shouting ) 433 00:19:53,545 --> 00:19:55,477 - AHH! - ( screaming ) 434 00:19:55,547 --> 00:19:58,247 ( shouting continues ) 435 00:20:05,156 --> 00:20:07,757 - Ambrose; LOOK OUT! LOOK OUT! - OW! 436 00:20:07,825 --> 00:20:09,792 ( room falls silent ) 437 00:20:12,096 --> 00:20:15,098 AH-- AH-- 438 00:20:16,901 --> 00:20:22,839 AH-- SHHHH... 439 00:20:22,907 --> 00:20:24,841 - NO. - YES. 440 00:20:24,909 --> 00:20:26,975 - WILL YOU STOP-- SHUT UP! - ARE YOU ALL RIGHT, ALFALFA? 441 00:20:27,045 --> 00:20:28,177 - OW! - OH DEAR. 442 00:20:28,246 --> 00:20:29,846 WILL YOU-- 443 00:20:29,848 --> 00:20:31,180 IT COULD HAPPEN TO ANYBODY. 444 00:20:31,182 --> 00:20:33,316 NOT TWICE IN THE SAME PLACE. THAT'S VERY UNUSUAL. 445 00:20:33,318 --> 00:20:36,185 - ALFALFA, I'M SO SORRY. - AHH! 446 00:20:36,254 --> 00:20:39,588 - O'Toole: GO AWAY! - NEVER A DULL MOMENT, I ALWAYS SAY. 447 00:20:39,657 --> 00:20:41,123 SHUT UP! 448 00:20:41,192 --> 00:20:43,459 WILL YOU GET OUTTA HERE, YOU STUPID ASS'S HEAD, 449 00:20:43,527 --> 00:20:46,529 AND CATCH THOSE MURDERESSES BEFORE THEY GET TO ALASKA? 450 00:20:46,597 --> 00:20:48,331 WHAT? 451 00:20:48,399 --> 00:20:51,133 YES, SIR, YOUR HONOR. GET OUT OF THE WAY. 452 00:20:51,202 --> 00:20:53,335 WELL, HOW ABOUT IT, DOCTOR? 453 00:20:53,404 --> 00:20:55,604 - Elvira: THERE THERE, ALFALFA. - Doctor: THERE THERE. 454 00:20:55,673 --> 00:20:57,539 NOW NOW NOW NOW, HAVE WE LOST OUR SENSE OF HUMOR? 455 00:20:57,609 --> 00:20:59,274 I SHOULD THINK IT'D BE A PRIVILEGE TO BE SHOT AT 456 00:20:59,344 --> 00:21:00,943 BY A BEAUTIFUL YOUNG THING LIKE THAT. 457 00:21:01,011 --> 00:21:05,214 - I REMEMBER ONE TIME IN YUMA, ARIZONA-- - WILL YOU STOP TALKING? 458 00:21:05,282 --> 00:21:06,949 SHOVE A PILLOW DOWN YOUR TONSILS 459 00:21:06,951 --> 00:21:08,617 AND START DIGGING, YOU OLD WINDBAG. 460 00:21:08,686 --> 00:21:10,353 WELL, LET'S SEE. WHERE IS IT? NOW LET'S SEE. 461 00:21:10,421 --> 00:21:11,954 ( yelps ) OH! 462 00:21:12,023 --> 00:21:14,323 OH, WAS THAT YOU OR THE ARM OF THE CHAIR? NOW LET'S SEE HERE. 463 00:21:15,559 --> 00:21:18,628 ( horn toots ) 464 00:21:18,696 --> 00:21:21,431 Man: ALL ABOARD! 465 00:21:22,900 --> 00:21:25,634 HURRY UP, CONCHITA! WE'LL MISS IT! 466 00:21:25,703 --> 00:21:27,136 WHAT ARE YOU DOING? 467 00:21:30,842 --> 00:21:33,042 ( woman screams ) 468 00:21:33,111 --> 00:21:34,643 WHERE DID YOU GET THESE THINGS? 469 00:21:34,712 --> 00:21:36,813 NEVER MIND. I'LL EXPLAIN LATER. 470 00:21:41,252 --> 00:21:42,718 WELL, I'M KIND OF CROWDED FOR SPACE, 471 00:21:42,787 --> 00:21:44,253 SO YOU SAY YOU'VE GOT TICKETS? 472 00:21:44,322 --> 00:21:45,855 CERTAINLY WE'VE GOT TICKETS. 473 00:21:45,923 --> 00:21:47,790 - WHAT DO YOU THINK WE ARE, FLOOBY JOOBIES? - YEAH. 474 00:21:47,792 --> 00:21:48,925 COULD I SEE THESE HERE NOW TICKETS? 475 00:21:48,993 --> 00:21:50,326 - WE LOST THEM. - THEY'RE IN THE SATCHEL. 476 00:21:50,328 --> 00:21:52,194 - HOW'S THAT AGAIN? - WE LOSE THE KEYS. 477 00:21:52,263 --> 00:21:54,263 - THEY'RE IN THE SATCHEL, BUT WE LOSE THE KEYS. - THAT'S RIGHT. 478 00:21:54,332 --> 00:21:55,531 YOO-HOO. ( whistles ) 479 00:21:55,599 --> 00:21:57,199 SHUT UP BEFORE YOU HAPPEN TO AN ACCIDENT. 480 00:21:57,268 --> 00:21:58,734 - SHH. - AND YOU TOO! 481 00:21:58,736 --> 00:22:01,403 - NOW WHERE DO WE LAY DOWN? - ANY LITTLE OLD PLACE'LL DO. 482 00:22:01,472 --> 00:22:03,739 I'D JUST LIKE TO SEE THEM TICKETS FIRST BECAUSE-- 483 00:22:03,808 --> 00:22:05,808 WE TOLD YOU WE LOST THE KEYS. 484 00:22:05,810 --> 00:22:07,944 - DON'T YOU TAKE OUR WORD? - I SEE. 485 00:22:07,946 --> 00:22:10,680 WELL, MAYBE I CAN HELP OUT ALONG THAT LINE. 486 00:22:10,748 --> 00:22:13,215 - HERE. - WHAT SERVICE. 487 00:22:13,284 --> 00:22:17,086 I THINK THIS ONE WILL JUST ABOUT DO IT. 488 00:22:17,155 --> 00:22:19,155 THERE WE ARE. 489 00:22:19,223 --> 00:22:22,225 AND HERE ARE THE TICKETS. 490 00:22:22,227 --> 00:22:24,226 - NO. - NO. 491 00:22:24,295 --> 00:22:26,696 YES. WELL, JUMP MY CLAIM. 492 00:22:26,764 --> 00:22:28,497 IF IT ISN'T LITTLE MISS HILDA SWANDUMPER. 493 00:22:28,499 --> 00:22:30,299 - HUH? - NATURALLY. 494 00:22:30,368 --> 00:22:32,635 - OH, SURE. - BROTHER HINGLEMAN'S TERRIBLY WORRIED ABOUT YOU. 495 00:22:32,703 --> 00:22:35,171 - BROTHER WHO? - BROTHER HINGLEMAN. WONDERING WHERE YOU WAS. 496 00:22:35,173 --> 00:22:36,839 TOLD ME TO BE ON THE LOOKOUT FOR YOU. 497 00:22:36,908 --> 00:22:39,308 WELL, IT CERTAINLY IS NICE TO MEET UP WITH YOU, 498 00:22:39,310 --> 00:22:41,711 BUT HE SURE DIDN'T TELL ME WHAT A LOOKER YOU WAS. 499 00:22:41,713 --> 00:22:43,446 OH REALLY? 500 00:22:43,448 --> 00:22:46,048 - OF COURSE HE'S AN AWFUL FLATTERER. - ALWAYS KIDDING. 501 00:22:46,117 --> 00:22:48,451 - I'LL TELEGRAPH HIM YOU'RE ONBOARD. - Man: YOO-HOO! 502 00:22:48,519 --> 00:22:50,853 - ( wolf whistles ) - Women: SHUT UP. 503 00:22:50,922 --> 00:22:53,522 - JUST COME WITH ME. PORTER, BRING THE BAGS. - YES, SIR. 504 00:22:53,591 --> 00:22:55,924 YOU'RE SURE GONNA LIKE IT IN SNAKE CITY, I HOPE. 505 00:22:55,994 --> 00:22:58,928 YOU MUST BE THAT LITTLE INJUN GIRL SHE WAS BRINGING WITH HER. 506 00:22:58,996 --> 00:23:01,730 YOU LEAVE MAMA AND PAPA BACK HOME IN TEEPEE? 507 00:23:01,799 --> 00:23:03,332 HOW WOULD YOU LIKE TO GO WITH ME 508 00:23:03,334 --> 00:23:05,868 AND SEE WHITE MAN'S CHOO-CHOO PUFF-PUFF ENGINE, HUH? 509 00:23:05,870 --> 00:23:07,336 HOW WOULD YOU LIKE TO GO SUCK AN EGG? 510 00:23:07,404 --> 00:23:08,938 OH, SHE'S LEARNED A LITTLE ENGLISH. 511 00:23:09,006 --> 00:23:10,673 EH, A LITTLE TOO MUCH, IF YOU ASK ME. 512 00:23:10,675 --> 00:23:12,541 WELL, IF YOU NEED ANYTHING DURING THE NIGHT, 513 00:23:12,610 --> 00:23:14,343 JUST TRY PULLING THE BELL HANDLE. 514 00:23:14,412 --> 00:23:16,345 IF ANYBODY ANSWERS IT, TELL 'EM WHAT YOU WANT. 515 00:23:16,414 --> 00:23:19,548 - GOOD NIGHT. - GOOD NIGHT. 516 00:23:19,617 --> 00:23:20,816 - IN HERE. - YES, MA'AM. 517 00:23:20,818 --> 00:23:22,885 HOPE Y'ALL WILL BE NICE AND COMFORTABLE. 518 00:23:22,954 --> 00:23:26,222 - WELL, WE WON'T GET LOST, THAT'S A CINCH. - YES, MA'AM. 519 00:23:29,761 --> 00:23:31,293 - NOW WHERE DID YOU GET IT? - GET WHAT? 520 00:23:31,362 --> 00:23:33,629 THIS SWANDUMPER STUFF OR WHATEVER SHE CALLS HERSELF. 521 00:23:33,697 --> 00:23:34,964 WE'RE TRAVELING, AIN'T WE? 522 00:23:35,032 --> 00:23:36,832 WE'VE GOT TO HAVE TRAVELING BAGS, AIN'T WE? 523 00:23:36,834 --> 00:23:39,168 - WHERE DID YOU GET THEM? - OH, WE'LL SEND THEM BACK LATER. 524 00:23:39,237 --> 00:23:40,970 - YOU STOLE THEM. - HOW YOU TALK. 525 00:23:40,972 --> 00:23:42,438 - YOU DID SO. - I DID NOT. 526 00:23:42,440 --> 00:23:44,707 I HEARD THAT WOMAN YELLING WHEN THE TRAIN WAS PULLING OUT. 527 00:23:44,775 --> 00:23:46,775 - CONCHITA. - SOME WOMEN ARE ALWAYS YELLING-- 528 00:23:46,844 --> 00:23:48,110 NEVER SATISFIED. 529 00:23:48,179 --> 00:23:50,313 - YOU LOCKED HER IN SOMEPLACE. - I DID NOT. 530 00:23:50,315 --> 00:23:52,648 YOU OUGHTTA BE ASHAMED OF YOURSELF, DOING THAT TO ANOTHER GIRL. 531 00:23:52,717 --> 00:23:54,917 I MEAN I DON'T CARE WHAT YOU DO TO A MAN, BUT TO ANOTHER GIRL-- 532 00:23:54,986 --> 00:23:56,185 I TELL YOU I DIDN'T. 533 00:23:56,187 --> 00:23:57,987 YOU KNOW HOW LONG YOU CAN GET FOR SOMETHING LIKE THAT? 534 00:23:58,055 --> 00:23:59,521 I MEAN WE CAN GET? 535 00:23:59,590 --> 00:24:00,589 YOU KNOW HOW LONG YOU CAN GET 536 00:24:00,658 --> 00:24:01,924 FOR PLUGGING A JUDGE IN BOTH ENDS? 537 00:24:01,992 --> 00:24:03,325 I MEAN WE ALSO? 538 00:24:03,394 --> 00:24:05,127 I HAD ALMOST FORGOTTEN ABOUT THAT PART. 539 00:24:05,195 --> 00:24:08,130 LOOK, WE NEEDED VALISES, WE GOT VALISES. 540 00:24:08,199 --> 00:24:10,266 WE NEEDED OVERCOATS, WE GOT OVERCOATS. 541 00:24:10,334 --> 00:24:12,000 WE NEEDED RESERVATIONS, WE GOT 'EM. 542 00:24:12,070 --> 00:24:13,336 WE'LL SEND THEM BACK LATER. 543 00:24:13,404 --> 00:24:15,338 SURE, WE'LL PROBABLY SPEND THE REST OF OUR NATURAL LIVES-- 544 00:24:15,406 --> 00:24:17,340 - SAY! WHAT DO YOU KNOW? - HUH? 545 00:24:17,408 --> 00:24:20,209 WE'RE SCHOOLTEACHERS. HOW MUCH IS ONE TIMES ONE? 546 00:24:20,211 --> 00:24:21,944 - WHO'S SCHOOLTEACHERS? - WE ARE. 547 00:24:21,946 --> 00:24:25,213 WE ARE HILDA SWANDUMPER AND WE GOT A LICENSE. 548 00:24:25,283 --> 00:24:27,550 - AIN'T THAT LOVELY? - JUST DANDY. 549 00:24:27,552 --> 00:24:29,484 OH, NICE CLEAN WORK. 550 00:24:29,554 --> 00:24:31,020 NO DRUNKS TO ROLL. 551 00:24:31,022 --> 00:24:33,889 NO SALESMEN TO LISTEN TO THEIR SILLY JOKES. 552 00:24:33,958 --> 00:24:35,958 NO GETTING SAUCED IF WE DON'T FEEL LIKE IT. 553 00:24:36,026 --> 00:24:38,694 - WHO'S GONNA TEACH WHAT, YOU? - YOU, I GUESS. 554 00:24:38,763 --> 00:24:41,030 I'M JUST FLAT FEET, THE INDIAN GIRL. 555 00:24:41,032 --> 00:24:42,631 WHILE YOU TEACH, I WEAVE BASKETS. 556 00:24:42,700 --> 00:24:44,166 IN A PIG'S PANTS I'LL BE THE TEACHER. 557 00:24:44,235 --> 00:24:45,901 DON'T YOU SEE HOW THIS FITS OUR SOLUTION? 558 00:24:45,970 --> 00:24:48,036 IN THE FIRST PLACE I DON'T KNOW ANYTHING. IN THE SECOND PLACE-- 559 00:24:48,106 --> 00:24:49,705 WHAT DO YOU HAVE TO KNOW TO TEACH LITTLE MUGHEADS 560 00:24:49,773 --> 00:24:50,973 WHO DON'T KNOW NOTHING NEITHER? 561 00:24:51,042 --> 00:24:52,708 WHAT AM I GONNA TEACH 'EM? HOW TO PLAY STUD? 562 00:24:52,777 --> 00:24:54,443 WELL, YOU CAN START THEM OFF ON PLAYING DRAW, 563 00:24:54,512 --> 00:24:55,844 - COULDN'T YOU? - VERY FUNNY. 564 00:24:55,913 --> 00:24:57,380 IN THE SECOND PLACE, I PROBABLY DON'T LOOK 565 00:24:57,448 --> 00:24:59,048 ANY MORE LIKE HILDA SWANDUMPER 566 00:24:59,116 --> 00:25:00,716 THAN I LOOK LIKE SWANDA HILDUMPER. 567 00:25:00,785 --> 00:25:02,184 ALL SWEDES LOOK ALIKE. 568 00:25:02,253 --> 00:25:03,853 AND IN THE THIRD PLACE, IF THERE'S ONE PLACE 569 00:25:03,855 --> 00:25:05,054 I DON'T WANNA BE IN THE FIRST PLACE 570 00:25:05,122 --> 00:25:07,255 IS WHEN MISS SWANDUMPER SHOWS UP WITHOUT HER TICKETS, 571 00:25:07,325 --> 00:25:10,859 WITHOUT HER SATCHELS, WITHOUT HER OVERCOATS, NOT TO MENTION HER HAT. 572 00:25:10,928 --> 00:25:13,529 - SHE AIN'T NEVER GOING TO SHOW UP. - HOW DO YOU KNOW? 573 00:25:13,597 --> 00:25:16,331 BECAUSE I BORROWED THIS STUFF FROM A BIG BLACK BOX. 574 00:25:16,401 --> 00:25:18,133 SHE MUST HAVE CROAKED ON THE WAY OUT. 575 00:25:18,202 --> 00:25:22,004 OH, THEN WHO WAS THAT DOING THE YELLING WHEN WE PULLED OUT? 576 00:25:22,006 --> 00:25:24,340 BLACK FEET, THE INDIAN GIRL, I GUESS. 577 00:25:24,408 --> 00:25:25,942 IT COULDN'T HAVE BEEN THE OTHER. 578 00:25:26,010 --> 00:25:28,277 OH, POOR KID. 579 00:25:28,279 --> 00:25:30,146 - DON'T DO THAT! - WHAT'S THE MATTER? 580 00:25:30,148 --> 00:25:32,348 IT'S BAD LUCK TO PUT A HAT ON THE BED. 581 00:25:39,156 --> 00:25:42,091 ( horn tooting ) 582 00:25:42,159 --> 00:25:44,226 ♪ WELCOME, HILDA ♪ 583 00:25:44,295 --> 00:25:46,495 - ♪ TO SNAKE CITY... ♪ - Man: ♪ TO OUR CITY... ♪ 584 00:25:46,564 --> 00:25:48,831 I WAS REALLY BEGINNING TO GIVE UP ON THIS ONE. 585 00:25:48,833 --> 00:25:51,767 ( laughing ) SHE MUST'VE COME BY WAY OF ALASKA. 586 00:25:51,835 --> 00:25:54,570 - ♪ FOR GIRLS AND BOYS-- ♪ - NO NO NO! 587 00:25:54,572 --> 00:25:57,572 IF SHE HEARS YOU SING LIKE THAT, SHE WON'T EVEN GET OFF THE TRAIN. 588 00:25:57,642 --> 00:26:00,108 - WITH MORE ENTHUSIASM. - NOW ONCE MORE. 589 00:26:00,178 --> 00:26:03,079 ( bell ringing ) 590 00:26:12,723 --> 00:26:14,657 ♪ EVERY BOY-- ♪ 591 00:26:14,725 --> 00:26:17,193 WELCOME, HILDA SWANDUMPER. 592 00:26:17,261 --> 00:26:19,528 YOU LOOK SO EXACTLY LIKE YOUR NAME. 593 00:26:19,530 --> 00:26:20,930 QUIET, PLEASE! 594 00:26:20,998 --> 00:26:22,865 I WOULD KNOW YOU IN A MILLION. 595 00:26:22,933 --> 00:26:24,867 I AM DR. SMIDLAP. 596 00:26:24,935 --> 00:26:28,070 AS LEADING MUSIC TEACHER AND UNDERTAKER OF SNAKE CITY, 597 00:26:28,072 --> 00:26:31,473 IT IS MY PLEASANT DUTY TO WELCOME YOU INTO OUR PEACEFUL FLOCK... 598 00:26:31,542 --> 00:26:33,742 ( cheering ) 599 00:26:33,811 --> 00:26:38,547 - WILL YOU SHUT UP? - ...AND INTRODUCE THE NEXT SPEAKER, MR. HINGLEMAN, 600 00:26:38,616 --> 00:26:42,084 CHAIRMAN OF THE SCHOOL BOARD AND LOCAL BLACKSMITH. 601 00:26:42,152 --> 00:26:45,888 AHEM, FRIENDS, YOUNG LADIES, FELLOW BOARDERS OF SNAKE CITY, 602 00:26:45,956 --> 00:26:48,490 AS CHAIRMAN OF OUR SCHOOL BOARD, 603 00:26:48,559 --> 00:26:52,294 IT IS MY WARM DUTY TO WELCOME YOU AS OUR NEW TEACHER. 604 00:26:52,363 --> 00:26:53,895 AND SAY IN CONCLUSION, 605 00:26:53,965 --> 00:26:57,299 MAY BASHFUL BEND'S GAIN BE SNAKE CITY'S LOSS. 606 00:26:57,367 --> 00:27:00,769 THANK YOU VERY MUCH FOR BOTH OF US-- ME AND MY FRIEND. 607 00:27:00,771 --> 00:27:02,571 I-- I MEAN MY LITTLE INDIAN MAID. 608 00:27:02,640 --> 00:27:04,240 - Man: YOO-HOO! - UGH. 609 00:27:04,242 --> 00:27:06,508 - ( all whooping ) - QUIET! 610 00:27:06,577 --> 00:27:07,843 - SHUT UP! - SHUT UP! 611 00:27:07,845 --> 00:27:10,045 I BROUGHT MY LITTLE, UH, FRIEND ALONG 612 00:27:10,114 --> 00:27:12,048 BECAUSE YOU NATURALLY DON'T WANT TO LIVE ALONE. 613 00:27:12,116 --> 00:27:15,451 I MEAN YOU KNOW HOW IT IS FOR A STRANGE GIRL IN A STRANGE TOWN. 614 00:27:15,453 --> 00:27:19,855 ( howling ) 615 00:27:19,857 --> 00:27:22,725 YOU WON'T HAVE A THING TO WORRY ABOUT, HILDA. I'M MRS. HINGLEMAN. 616 00:27:22,793 --> 00:27:25,194 JULIUS AND I WANT YOU TO STAY WITH US UP TO OUR HOUSE. 617 00:27:25,196 --> 00:27:27,596 - DON'T WE, PA? - WE SURE DO, MA. 618 00:27:27,598 --> 00:27:30,666 AND THAT GOES FOR LITTLE FIREWATER HERE TOO. 619 00:27:30,668 --> 00:27:32,668 HOW YOU LEAVING PAPA AND MAMA, HUH? 620 00:27:32,670 --> 00:27:34,670 EVERYTHING HEAP GOOD BACK IN WIGWAM? 621 00:27:34,672 --> 00:27:36,805 - HOW WOULD YOU LIKE TO GO-- - EVERYTHING WAS WONDERFUL. 622 00:27:36,874 --> 00:27:38,540 Julius: FINE FINE. 623 00:27:38,609 --> 00:27:40,208 NOW I WANT YOU TO SHAKE HANDS 624 00:27:40,278 --> 00:27:41,743 WITH DR. SHULTZ IN CASE YOU GET SICK. 625 00:27:41,812 --> 00:27:43,345 - THE PLEASURE IS MINE. - HOW DO YOU DO? 626 00:27:43,413 --> 00:27:46,548 AND MR. SWEETSER, OUR SHERIFF, IN CASE YOU SHOOT SOMEBODY. 627 00:27:46,617 --> 00:27:49,618 - MY PLEASURE. - WHICH AIN'T VERY APT TO HAPPEN, HUH? 628 00:27:49,620 --> 00:27:51,687 - ( laughing ) - CAN YOU IMAGINE? 629 00:27:51,755 --> 00:27:53,555 Julius: AND THEN WE HAVE MR. JORGENSEN, 630 00:27:53,624 --> 00:27:55,624 THE UNITED STATES MARSHAL, 631 00:27:55,626 --> 00:27:58,294 IN CASE YOU DONE THAT SHOOTING ON GOVERNMENT PROPERTY. 632 00:27:58,296 --> 00:28:01,163 - ( laughing ) - ( Swedish accent ) I BEEN SWEDE ALSO, HILDA. 633 00:28:01,232 --> 00:28:02,965 - NO FOOLIN'? - YAH, SURE. 634 00:28:02,967 --> 00:28:06,501 I BET YOU THIS GAL HAVE MANY "YOLLY" GOOD TIMES TOGETHER, BY "YINGLE." 635 00:28:06,571 --> 00:28:08,170 FOUR'LL GET YA SIX. 636 00:28:08,238 --> 00:28:10,639 ( howling, laughing ) 637 00:28:10,708 --> 00:28:12,908 AND LAST BUT NOT LEAST, MY SON CHARLIE, 638 00:28:12,977 --> 00:28:15,310 WHO'S BEEN TEACHING THE SCHOOL AGAINST YOUR ARRIVAL. 639 00:28:15,379 --> 00:28:17,246 HOW DO YOU DO, MISS SWANDUMPER? WELCOME TO SNAKE CITY. 640 00:28:17,314 --> 00:28:20,248 OH, SO YOU WERE THE TEACHER AHEAD OF ME. 641 00:28:20,318 --> 00:28:22,117 I'M ACTUALLY A MINING ENGINEER BY TRADE. 642 00:28:22,186 --> 00:28:23,985 AND OWNS A LITTLE MINE OF HIS OWN. 643 00:28:24,055 --> 00:28:25,521 QUITE A SMALL ONE, I ASSURE YOU. 644 00:28:25,523 --> 00:28:27,189 - SILVER? - OH NO, GOLD. 645 00:28:27,258 --> 00:28:29,258 - OH. - OH, I SEE. 646 00:28:29,326 --> 00:28:30,859 ( high voice ) "MAY YOU CALL ME HILDA? 647 00:28:30,928 --> 00:28:33,929 WHY, THE VERY-- THE VERY-- THE VERY IDEA! 648 00:28:33,931 --> 00:28:37,132 ME, THAT AIN'T HARDLY-- THAT AIN'T HARDLY EVER SEEN YOU BEFORE!" 649 00:28:37,201 --> 00:28:38,533 DESPITE THE INTERRUPTIONS, 650 00:28:38,603 --> 00:28:40,336 IF I CAN BE OF ANY ASSISTANCE WHATSOEVER 651 00:28:40,338 --> 00:28:42,071 IN ACQUAINTING YOU WITH OUR TOWN, ITS PEOPLE, 652 00:28:42,073 --> 00:28:44,540 OR ITS SCHOOLHOUSE OR ANY OTHER LITTLE THING, I AM YOURS TO COMMAND. 653 00:28:44,608 --> 00:28:46,342 STAND BACK, VARMINT! 654 00:28:46,344 --> 00:28:48,611 I'M ABOUT TO TAKE MISS HILDA THROUGH OUR FAIR CITY 655 00:28:48,613 --> 00:28:50,145 AND BUY HER A LITTLE DRINK. 656 00:28:50,214 --> 00:28:52,414 ( high voice ) "OH, YOU BIG WICKED MAN, HOW DARE YOU TALK THAT WAY?" 657 00:28:52,483 --> 00:28:55,150 - AND IT AIN'T GONNA BE YOU, RAZORBACK. - OH, LOOK OUT, POPS-- 658 00:28:55,152 --> 00:28:57,486 IT'S GONNA BE THE REAL HILDA. 659 00:28:57,555 --> 00:28:59,821 - HOW ABOUT IT, CUTIE? - HOW ABOUT WHAT? 660 00:28:59,890 --> 00:29:01,890 AND WHAT DO YOU MEAN BY CALLING THIS YOUNG LADY "CUTIE"? 661 00:29:01,959 --> 00:29:03,559 - TAKE IT EASY, SON. - HOW DARE YOU, SIR? 662 00:29:03,561 --> 00:29:07,162 WELL, DOG MY CATS. IF IT AIN'T JOJO THE DOG-FACED BOY. 663 00:29:07,231 --> 00:29:09,698 HOW'S EVERYTHING DOWN AT THE KENNEL, JOJO? 664 00:29:09,700 --> 00:29:12,634 I SHOULD THINK YOU'D BE ASHAMED OF YOURSELF, GUS BASSERMAN. 665 00:29:12,703 --> 00:29:15,904 EVERYBODY'S ALWAYS TRYING TO PUT ME IN THE WRONG. 666 00:29:15,973 --> 00:29:18,173 - ALL I SAID WAS... - NOW, BOYS, WHY DON'T YOU MOVE ON? 667 00:29:18,242 --> 00:29:20,676 - ...IF IT AIN'T JOJO THE DOG-FACED BOY? - ( men laughing ) 668 00:29:23,247 --> 00:29:25,847 - OH, YOU MISSED ME. - GET OVER THERE, SON. 669 00:29:25,916 --> 00:29:27,983 - Julius: BUT I WON'T MISS YOU, GUS. - IS YOUR FATHER ALL RIGHT? 670 00:29:28,051 --> 00:29:30,052 ( laughter ) 671 00:29:30,120 --> 00:29:31,854 CUT IT OUT, BOYS. CUT IT OUT, GENTLEMEN. 672 00:29:31,856 --> 00:29:35,391 ( all shouting ) 673 00:29:35,459 --> 00:29:36,458 STOP IT! 674 00:29:36,527 --> 00:29:38,927 ( shouting continues ) 675 00:29:38,929 --> 00:29:40,996 Julius: NOW DON'T LET'S CARRY THIS NO FURTHER, GUS, 676 00:29:41,065 --> 00:29:42,864 BECAUSE I DON'T WANNA HAVE TO HURT YOU REALLY. 677 00:29:42,933 --> 00:29:44,400 YOU DON'T, HUH? 678 00:29:44,402 --> 00:29:47,069 I'LL SHOW YOU HOW MUCH YOU'RE GONNA HURT ME. 679 00:29:47,071 --> 00:29:49,338 NOW, BOYS, LET'S TALK THIS THING OVER. 680 00:29:49,340 --> 00:29:51,407 YOU AIN'T GONNA HURT ME. 681 00:29:51,475 --> 00:29:54,142 YOU AIN'T NEVER GONNA HURT NOBODY NO MORE. 682 00:29:54,211 --> 00:29:56,812 - GET ME? - I-- I AIN'T ARMED, GUS. 683 00:29:56,880 --> 00:29:58,814 TAKE A GOOD LOOK, JULIUS, 684 00:29:58,816 --> 00:30:00,949 'CAUSE IT'S THE LAST THING YOU'RE EVER GONNA-- 685 00:30:01,018 --> 00:30:02,150 ( gunshot ) 686 00:30:02,219 --> 00:30:05,220 - ( women screaming ) - WHO FIRED THAT SHOT? 687 00:30:05,222 --> 00:30:07,823 - WHO DONE THAT? - WHAT SHOT? 688 00:30:07,891 --> 00:30:10,559 DOG MY CATS, IF I DIDN'T DO IT UNCONSCIOUS-- 689 00:30:10,561 --> 00:30:12,627 100% UNCONSCIOUS. 690 00:30:12,697 --> 00:30:14,363 WE'VE GOT A WONDERFUL FEELING OF SECURITY. 691 00:30:14,431 --> 00:30:16,097 WITH A SHERIFF WHO CAN SHOOT LIKE THAT... 692 00:30:16,167 --> 00:30:18,067 ESPECIALLY WHEN HE'S 100% UNCONSCIOUS. 693 00:30:19,770 --> 00:30:21,303 OF COURSE THIS IS JUST MY SEWING ROOM, 694 00:30:21,372 --> 00:30:22,838 BUT I THINK YOU'LL BE AS SNUG IN HERE 695 00:30:22,840 --> 00:30:24,173 AS TWO PINS IN A PINCUSHION. 696 00:30:24,175 --> 00:30:25,507 NOW HERE'S THE MACHINE 697 00:30:25,575 --> 00:30:27,376 IF YOU WANT YOUR LITTLE MAID TO RUN ANYTHING UP. 698 00:30:27,378 --> 00:30:29,311 I SUPPOSE YOU SEW. IT HAS THE FOOT PEDAL-- 699 00:30:29,380 --> 00:30:31,980 SO MUCH MORE CONVENIENT THAN THE HAND CRANK, AT LEAST I THINK. 700 00:30:32,049 --> 00:30:34,250 WELL, NOW DEAR, YOU SLEEP THERE AND YOUR GIRL CAN-- 701 00:30:34,318 --> 00:30:37,252 - WHAT IS YOUR NAME AGAIN, DEAR? - POCAHONTAS. 702 00:30:37,321 --> 00:30:39,587 HER NAME IS REALLY CONSUELO. 703 00:30:39,657 --> 00:30:41,724 - SHE'S ONLY HALF INDIAN. - I AIN'T PURE. 704 00:30:41,792 --> 00:30:44,259 SHE CERTAINLY DOESN'T LOOK IT-- ONLY HALF I MEAN. 705 00:30:44,328 --> 00:30:47,663 WELL, DEAR, NOW YOU CAN SLEEP HERE ON THE TRUNDLE. 706 00:30:47,731 --> 00:30:49,197 SEE HOW COMFORTABLE IT IS? 707 00:30:49,266 --> 00:30:51,199 AND BE SURE YOU PUSH IT BACK DURING THE DAYTIME. 708 00:30:51,268 --> 00:30:54,202 - AFTER I GET OFF IT. - NATURALLY. 709 00:30:54,271 --> 00:30:56,137 SHE'S QUITE BRIGHT FOR AN INDIAN, ISN'T SHE? 710 00:30:56,207 --> 00:30:58,073 WELL NOW, YOU'LL BE WANTING TO GO DOWN TO THE SCHOOL. 711 00:30:58,141 --> 00:30:59,408 CHARLIE'S WAITING TO TAKE YOU. 712 00:30:59,410 --> 00:31:01,276 IN THE MEANWHILE, CONCARNE CAN MAKE UP THE ROOM. 713 00:31:01,278 --> 00:31:03,812 AND I THINK SHE'D BETTER HANG ALL YOUR THINGS OUT ON THE LINE. 714 00:31:03,814 --> 00:31:05,880 OR MAYBE SHE'D BETTER GIVE THEM ALL A LIGHT WASHING AND IRONING. 715 00:31:05,950 --> 00:31:09,418 I ALWAYS SAY THERE'S NOTHING LIKE HARD WORK, SOAP AND WATER. DON'T YOU? 716 00:31:09,420 --> 00:31:11,486 I'LL GO DOWN AND PUT ON A TUBFUL. 717 00:31:11,555 --> 00:31:14,089 ( sighs ) WE SHOULD HAVE STOOD IN JAIL. 718 00:31:14,091 --> 00:31:15,624 THE TROUBLE HASN'T EVEN STARTED YET. 719 00:31:15,693 --> 00:31:17,159 WAIL TILL I START TEACHING SCHOOL. 720 00:31:17,227 --> 00:31:19,695 HA, WAIT TILL I START IRONING. 721 00:31:19,763 --> 00:31:21,697 OF COURSE WE COULD HAVE WALKED IT. 722 00:31:21,699 --> 00:31:23,231 BUT YOU WANTED TO SHOW ME YOUR BUGGY. 723 00:31:23,300 --> 00:31:25,501 - I GUESS MAYBE I DID. - IT'S ONLY NATURAL. 724 00:31:25,569 --> 00:31:27,169 DID YOU HAVE IT SENT OUT FROM THE EAST? 725 00:31:27,237 --> 00:31:30,105 - OH YES, FROM OMAHA. - DO TELL. 726 00:31:30,173 --> 00:31:32,241 YOU MUST SHOW ME YOUR GOLD MINE TOO SOMEDAY. 727 00:31:32,243 --> 00:31:34,910 IF YOU DON'T MIND GOING DOWN IN A BUCKET. 728 00:31:34,978 --> 00:31:37,179 - HOW WAS THAT AGAIN? - WELL, YOU SEE, A GOLD MINE, 729 00:31:37,181 --> 00:31:39,581 HAVING NO STAIRS, YOU HAVE TO BE LOWERED IN A BUCKET. 730 00:31:39,583 --> 00:31:41,049 LIKE THE GIRL FROM NANTUCKET. 731 00:31:41,118 --> 00:31:42,785 - OH, EXCUSE ME. - HOW WAS THAT? 732 00:31:42,787 --> 00:31:44,452 OH, JUST A POEM. 733 00:31:44,522 --> 00:31:46,588 IS THERE A LOT OF GOLD IN YOUR MINE? 734 00:31:46,657 --> 00:31:49,124 - THERE MIGHT BE. AND THEN AGAIN-- - OH SURE. 735 00:31:49,193 --> 00:31:51,059 AT THE MOMENT WE'RE ONLY TAKING OUT 40oz. 736 00:31:51,061 --> 00:31:52,727 THAT'S ABOUT $800 WORTH. 737 00:31:52,797 --> 00:31:54,463 - A YEAR? - OH NO, A WEEK. 738 00:31:54,531 --> 00:31:56,331 - A WEEK? - OH YES. 739 00:31:56,400 --> 00:31:59,334 WELL, WHAT DO YOU KNOW? 740 00:31:59,403 --> 00:32:01,336 OH, HERE'S OUR LITTLE CHURCH. 741 00:32:01,405 --> 00:32:04,139 - WOULD YOU LIKE TO SEE IT? - I'D LOVE TO SEE IT. 742 00:32:04,141 --> 00:32:06,008 THEN I'D LOVE TO SHOW IT TO YOU. 743 00:32:06,010 --> 00:32:08,610 OH, ISN'T THIS PRETTY? 744 00:32:08,679 --> 00:32:10,078 DO YOU COME HERE ON SUNDAYS? 745 00:32:10,147 --> 00:32:12,347 AS A MATTER OF FACT, I PLAY THE ORGAN IN IT ON SUNDAYS. 746 00:32:12,416 --> 00:32:13,882 NO FOOLIN'? 747 00:32:13,884 --> 00:32:16,751 NOW WHEREVER DID THEY GET AN ORGAN, I MEAN WAY OUT HERE? 748 00:32:16,821 --> 00:32:19,221 WELL, AS A MATTER OF FACT, I GAVE IT TO THEM OUT OF THE GOLD MINE. 749 00:32:19,289 --> 00:32:21,356 NOW AIN'T-- ISN'T THAT SOMETHING? 750 00:32:21,358 --> 00:32:23,558 NOT REALLY. ONLY $65 PLUS FREIGHT. 751 00:32:23,627 --> 00:32:25,961 - WOULD YOU LIKE TO HEAR IT? - OH SURE. 752 00:32:26,029 --> 00:32:27,962 IT LOOKS AT LEAST LIKE A $100 ONE. 753 00:32:28,032 --> 00:32:30,231 THANK YOU. THAT'S WHAT IT SAID IN THE PROSPECTUS. 754 00:32:30,301 --> 00:32:33,202 ( playing ) 755 00:32:35,439 --> 00:32:39,307 ♪ IN THE GLOAMING ♪ 756 00:32:39,376 --> 00:32:44,179 ♪ OH, MY DARLING ♪ 757 00:32:44,247 --> 00:32:46,181 ♪ WHEN THE... ♪ 758 00:32:46,249 --> 00:32:53,188 Both: ♪ LIGHTS ARE DIM AND LOW... ♪ 759 00:32:54,391 --> 00:32:55,857 BUT YOU SING. 760 00:32:55,926 --> 00:32:58,127 OH, I DO QUITE A LOT OF THINGS BESIDES SCHOOLTEACH. 761 00:32:58,195 --> 00:33:00,396 SHALL WE TRY IT AGAIN? YOU TAKE THE LEAD THIS TIME. 762 00:33:00,464 --> 00:33:01,930 I'LL TRY TO REMEMBER IT. 763 00:33:01,998 --> 00:33:03,532 - IS THIS KEY ALL RIGHT? - ( note plays ) 764 00:33:03,600 --> 00:33:06,268 - OH, I WOULDN'T KNOW ONE KEY FROM ANOTHER. - SPLENDID. 765 00:33:06,336 --> 00:33:09,304 ( playing ) 766 00:33:11,542 --> 00:33:15,878 ♪ IN THE GLOAMING ♪ 767 00:33:15,946 --> 00:33:20,749 ♪ OH, MY DARLING ♪ 768 00:33:20,817 --> 00:33:24,286 ♪ WHEN THE LIGHTS ♪ 769 00:33:24,354 --> 00:33:30,091 ♪ ARE DIM AND LOW ♪ 770 00:33:30,160 --> 00:33:39,368 ♪ AND THE QUIET SHADOWS FALLING ♪ 771 00:33:39,436 --> 00:33:43,505 ♪ SOFTLY COME ♪ 772 00:33:43,574 --> 00:33:48,844 ♪ AND SOFTLY GO ♪ 773 00:33:48,912 --> 00:33:51,113 ♪ WHEN THE WINDS ♪ 774 00:33:51,181 --> 00:33:56,452 - ♪ ARE SOBBING FAINTLY ♪ - ( humming ) 775 00:33:56,520 --> 00:34:05,494 ♪ WITH A GENTLE UNKNOWN WOE ♪ 776 00:34:08,399 --> 00:34:13,668 ♪ WILL YOU THINK OF ME ♪ 777 00:34:13,737 --> 00:34:18,073 ♪ AND LOVE ME ♪ 778 00:34:18,141 --> 00:34:22,811 ♪ AS YOU DID ONCE ♪ 779 00:34:22,813 --> 00:34:27,616 ♪ LONG AGO? ♪ 780 00:34:27,618 --> 00:34:31,453 ♪ WILL YOU THINK OF ME AND... ♪ 781 00:34:33,223 --> 00:34:37,025 - ( playing loudly ) - ♪ LOVE ME ♪ 782 00:34:37,094 --> 00:34:38,627 ( knob cranks ) 783 00:34:38,695 --> 00:34:43,298 - ( playing softly ) - ♪ AS YOU DID ONCE ♪ 784 00:34:43,367 --> 00:34:50,205 ♪ LONG AGO? ♪ 785 00:34:54,178 --> 00:34:56,311 THAT WAS WONDERFUL-- 786 00:34:56,313 --> 00:34:58,380 THE WAY YOU SANG COMBINED WITH THE WAY YOU LOOK 787 00:34:58,448 --> 00:35:00,415 COMBINED WITH THAT PERFUME. 788 00:35:02,853 --> 00:35:05,454 - ( snickering ) - AHH! 789 00:35:05,522 --> 00:35:07,389 I'M TERRIBLY SORRY. I DIDN'T OUGHT TO MAYBE DO THAT. 790 00:35:07,457 --> 00:35:10,125 - PLEASE DON'T CRY. I'M-- - TWO-- TWO INDIANS! 791 00:35:10,193 --> 00:35:13,128 WHAT? OH, THE BASSERMAN BROTHERS. 792 00:35:13,196 --> 00:35:14,796 SOMEBODY GAVE THEM THOSE FEATHERS FOR CHRISTMAS. 793 00:35:14,865 --> 00:35:16,999 I FORGOT TO MENTION THEY'RE ALSO EAVESDRIPPERS. 794 00:35:17,001 --> 00:35:19,267 OH, I'M GLAD YOU WARNED ME. 795 00:35:19,336 --> 00:35:22,003 DID YOU THINK IT WAS BECAUSE YOU KISSED ME I GOT SO FRIGHTENED? 796 00:35:22,072 --> 00:35:24,539 OH, I WOULDN'T BE FRIGHTENED OF YOU, CHARLIE. 797 00:35:24,608 --> 00:35:26,141 THANK YOU. THANK YOU, HILDA. 798 00:35:26,209 --> 00:35:27,943 I WOULDN'T BE FRIGHTENED OF YOU EITHER. 799 00:35:28,011 --> 00:35:29,678 OH, THANK YOU. 800 00:35:39,289 --> 00:35:42,223 - PASS THESE DOWN THE LINE FOR ME, WILL YOU, ORVILLE? - SURE, WILBUR. 801 00:35:42,292 --> 00:35:45,627 "5'2" BLONDE, VERY PRETTY, NICE SHAPE." 802 00:35:45,696 --> 00:35:48,163 THAT'S A NICE SIZE TOO. I SURE HATE THEM BIG FAT ONES. 803 00:35:48,231 --> 00:35:50,899 NOW WHY DOES THAT RING SOME KIND OF BELL IN ME? 804 00:35:50,901 --> 00:35:53,168 THEY SURE RING MY BELL, THEM LITTLE JUICY ONES. 805 00:35:53,236 --> 00:35:55,971 - I REMEMBER ONE TIME-- - AND HAD A MEXICAN GIRL WITH HER. 806 00:35:55,973 --> 00:35:57,372 IF THEM FOLKS IN SNAKE CITY 807 00:35:57,441 --> 00:35:58,907 HADN'T OUGHTTA KNOWN HER SO GOOD 808 00:35:58,975 --> 00:36:00,441 AND WHERE SHE COME FROM AND ALL, 809 00:36:00,511 --> 00:36:02,911 I'D HAVE SWORE IT WAS THAT ONE I CARRIED SATURDAY NIGHT 810 00:36:02,979 --> 00:36:04,779 WITH THAT FRESH LITTLE INJUN GAL. 811 00:36:04,848 --> 00:36:06,581 - SHE WAS, HUH? - TOLD ME TO GO SUCK AN EGG. 812 00:36:06,650 --> 00:36:08,317 NO FOOLIN'? 813 00:36:08,385 --> 00:36:11,052 - I'LL BET YOU TOLD HER SOMETHING. - AND YOU'LL COLLECT. 814 00:36:11,121 --> 00:36:13,989 SHOULDN'T ALLOW THEM TO RIDE ON TRAINS AT ALL THE WAY I LOOK AT IT, 815 00:36:13,991 --> 00:36:15,724 BUT THEN I AIN'T RUNNING THE GOVERNMENT. 816 00:36:15,726 --> 00:36:17,659 I'LL TAKE THESE DOWN THE LINE FOR YOU, WILBUR. 817 00:36:17,728 --> 00:36:20,295 - THANKS, ORVILLE. - NO TROUBLE AT ALL, WILBUR. 818 00:36:22,266 --> 00:36:26,068 Orville: ALL ABOARD! 819 00:36:26,136 --> 00:36:29,104 ( horn toots, bell ringing ) 820 00:36:31,742 --> 00:36:34,543 - YES, SIR? - SNAKE CITY, PLEASE. ONE WAY. 821 00:36:37,347 --> 00:36:38,880 ( bell ringing ) 822 00:36:46,356 --> 00:36:49,624 - YOU DONE PERFECT. GOODBYE AND GOOD LUCK. - THANK YOU. 823 00:36:49,626 --> 00:36:51,493 AS IF YOU'VE BEEN RINGING IT FOR YEARS, DEAR. 824 00:36:51,495 --> 00:36:53,561 - WELL, YOU KNOW, PRACTICE MAKES PERFECT. - THAT'S RIGHT. 825 00:36:53,630 --> 00:36:55,230 WE FEEL THE CHILDREN ARE IN GOOD HANDS. 826 00:36:55,298 --> 00:36:56,764 - THANK YOU. - THE BEST. 827 00:36:56,834 --> 00:36:58,433 WELL, GOODBYE AND GOOD LUCK, 828 00:36:58,435 --> 00:37:00,368 NOT THAT YOU NEED IT, YOU KNOW. 829 00:37:00,437 --> 00:37:01,903 ARE YOU COMING TO SCHOOL, CONCHIE? 830 00:37:01,905 --> 00:37:03,905 I GOT TO DO A WASHING. SOME FUN, HUH? 831 00:37:03,973 --> 00:37:06,975 - I'LL DRIVE YOU HOME. - HILDA SWANDUMPER-- 832 00:37:06,977 --> 00:37:07,975 - ME TOO. - THANK YOU. 833 00:37:08,045 --> 00:37:09,578 - GOODBYE. - BYE. 834 00:37:09,646 --> 00:37:12,047 ARE YOU SURE THAT YOU DON'T WANT ME TO STAY JUST FOR THE FIRST MORNING? 835 00:37:12,049 --> 00:37:13,515 WELL, IF I'M GOING TO HANDLE THEM AT ALL, 836 00:37:13,517 --> 00:37:15,383 I MIGHT AS WELL DIVE RIGHT IN AND GET IT OVER WITH. 837 00:37:15,452 --> 00:37:17,452 ARE YOU SURE YOU DON'T WANT ME TO STAY WITHIN SCREAMING DISTANCE? 838 00:37:17,521 --> 00:37:19,521 WHY SHOULD THEY SCREAM? I'M NOT GONNA HURT THEM. 839 00:37:19,523 --> 00:37:20,922 THAT ISN'T EXACTLY WHAT I HAD IN MIND. 840 00:37:20,991 --> 00:37:23,124 HOWEVER, IN ANY CASE, WILL YOU TAKE THIS 841 00:37:23,193 --> 00:37:24,860 AS A DESK PIECE WITH ALL MY GOOD WISHES? 842 00:37:24,862 --> 00:37:27,462 OH! 843 00:37:27,531 --> 00:37:29,197 OH, IT'S BEAUTIFUL! 844 00:37:29,266 --> 00:37:31,599 AND SO SWEET AND THOUGHTFUL OF YOU. 845 00:37:31,668 --> 00:37:33,334 I SUPPOSE YOU KNOW WHICH END YOU POINT 846 00:37:33,403 --> 00:37:34,936 - AT YOUR OBJECTIVE? - OH YES. 847 00:37:35,005 --> 00:37:37,205 - WHICH END YOU HOLD IN YOUR LITTLE HAND? - YES INDEED. 848 00:37:37,274 --> 00:37:39,007 - AND HOW TO LOAD AND UNLOAD IT? - QUITE. 849 00:37:39,009 --> 00:37:40,942 I HOPE THERE'S NO DANGER OF YOUR HURTING YOURSELF. 850 00:37:41,011 --> 00:37:42,143 OH, I DON'T THINK SO. 851 00:37:42,212 --> 00:37:44,278 SOMEBODY MIGHT GET HURT, BUT IT WON'T BE ME. 852 00:37:44,348 --> 00:37:47,616 THANK YOU VERY MUCH. I'LL SEE YOU LATER, CHARLIE. 853 00:37:55,425 --> 00:37:57,959 I'VE TRIED FOUR TIMES NOW AND I'M BEGINNING TO BE 854 00:37:57,961 --> 00:37:59,761 JUST A LITTLE TIRED OF IT. 855 00:37:59,830 --> 00:38:01,963 YOU LITTLE KIDS ARE ALL RIGHT-- LATER-- 856 00:38:02,031 --> 00:38:04,032 BUT THERE MUST BE SOME FOREIGNERS IN THIS ROOM 857 00:38:04,101 --> 00:38:07,435 'CAUSE SOME OF YOU BIG ONES DON'T SEEM TO KNOW WHAT I'M TALKING ABOUT. 858 00:38:07,437 --> 00:38:09,904 NOW I DON'T LIKE GEOLOGY ANY BETTER THAN YOU DO, 859 00:38:09,973 --> 00:38:12,306 - BUT YOU'LL LEARN IT IF IT CROAKS YA. - ( box clatters ) 860 00:38:12,376 --> 00:38:14,109 ALSO YOU'RE GONNA QUIT TALKIN' IN CLASS. 861 00:38:14,111 --> 00:38:16,244 - YOU'RE GONNA LISTEN AND-- - ( frog croaks ) 862 00:38:16,246 --> 00:38:18,980 UGH! PHOOEY! 863 00:38:19,049 --> 00:38:21,650 - AND THOSE OF YOU THAT HAVE-- - ( cat meowing ) 864 00:38:26,856 --> 00:38:29,390 AND THOSE OF YOU THAT HAVE BEEN DRINKING AND SMOKING 865 00:38:29,459 --> 00:38:33,395 ARE GONNA BE VERY MUCH SURPRISED IN A VERY SHORT WHILE. 866 00:38:33,463 --> 00:38:35,864 NOW MAYBE SOME OF YOU THINK I'M KIND OF LITTLE AND SMALL, 867 00:38:35,866 --> 00:38:37,599 BUT WHERE I COME FROM THE BUNNY RABBITS 868 00:38:37,601 --> 00:38:41,269 HAVE TEETH THAT LONG AND HOWL LIKE TIMBERWOLVES. 869 00:38:41,338 --> 00:38:42,804 ( howling, barking ) 870 00:38:42,872 --> 00:38:46,942 AND EVEN THE DWARVES ARE OVER 6'6". 871 00:38:46,944 --> 00:38:48,543 ( guffawing ) 872 00:38:48,611 --> 00:38:50,746 THAT'S RIGHT, BOYS, GET RID OF SOME BIG ONES 873 00:38:50,814 --> 00:38:52,747 'CAUSE THEY'RE GONNA BE YOUR LAST ONES. 874 00:38:52,816 --> 00:38:55,483 NOW I'M GONNA GIVE YOU ALL A 10-MINUTE RECESS TO GO OUT AND PLAY. 875 00:38:55,552 --> 00:38:57,018 ONLY STAY AWAY FROM THE BUILDING. 876 00:38:57,087 --> 00:38:59,487 I'VE HEARD ENOUGH OF YOU. NOW BEAT IT. 877 00:38:59,489 --> 00:39:03,291 ( children shouting ) 878 00:39:03,360 --> 00:39:06,561 AH AH AH. AH AH AH. 879 00:39:06,629 --> 00:39:08,362 ALL EXCEPT YOU TWO. 880 00:39:08,432 --> 00:39:10,365 WOULDN'T YOU RATHER STAY HERE AND PLAY WITH ME? 881 00:39:10,433 --> 00:39:11,499 - ( giggles ) - YES, MA'AM! 882 00:39:11,568 --> 00:39:13,034 THAT'S FINE. 883 00:39:13,103 --> 00:39:15,971 JUST GO BACK TO YOUR DESK AND WE'LL HAVE LOTS OF FUN. 884 00:39:16,039 --> 00:39:20,642 - OH, GOODY, MA'AM! - JUST US THREE... 885 00:39:20,710 --> 00:39:24,379 LIKE YESTERDAY... IN THE WINDOW. 886 00:39:27,784 --> 00:39:29,851 ( laughing ) 887 00:39:36,326 --> 00:39:39,394 YOU, UH, LIKE TO DRINK IN CLASS, HUH? 888 00:39:39,462 --> 00:39:41,396 WHAT'S-- WHAT'S-- WHAT'S THE DIFFERENCE? 889 00:39:41,464 --> 00:39:43,932 SUPPOSE I TOLD YOU I DIDN'T LIKE IT? 890 00:39:44,000 --> 00:39:47,736 OTHER TEACHERS TOLD US THEY DIDN'T-- THEY DIDN'T-- THEY DIDN'T LIKE IT TOO. 891 00:39:47,804 --> 00:39:51,272 BUT YOU DIDN'T CARE WHAT THE OTHER TEACHERS SAID. 892 00:39:51,341 --> 00:39:52,607 THAT'S RIGHT. 893 00:39:52,609 --> 00:39:55,143 YOU'RE GONNA CARE WHAT THIS TEACHERS SAYS... 894 00:39:55,145 --> 00:39:56,944 IS THAT-- IS THAT SO? 895 00:39:57,014 --> 00:40:00,415 ...OR THIS LITTLE TEACHER IS GOING TO BLOW YOUR LITTLE HEAD OFF. 896 00:40:02,619 --> 00:40:04,085 HOW WAS THAT? 897 00:40:04,153 --> 00:40:06,488 WHY DON'T YOU TAKE ANOTHER LITTLE DRINK? 898 00:40:06,490 --> 00:40:08,023 I'LL BET IT WOULD TASTE AWFUL GOOD. 899 00:40:08,091 --> 00:40:11,259 - YOU CARE TO JOIN US, MA'AM? - WITH PLEASURE. 900 00:40:13,430 --> 00:40:16,163 ( both yelping, whimpering ) 901 00:40:16,233 --> 00:40:18,633 STICK THAT CIGARETTE IN YOUR MOUTH, UGLY MUG. 902 00:40:18,635 --> 00:40:19,567 YOU, THE OTHER ONE. 903 00:40:19,636 --> 00:40:21,636 NOW JUST-- JUST A MINUTE! 904 00:40:21,705 --> 00:40:23,504 YOU AIN'T GOT NO-NO-- NO RIGHT! 905 00:40:23,573 --> 00:40:25,840 - ( sniveling ) - STICK THAT CIGARETTE IN YOUR MOUTH 906 00:40:25,842 --> 00:40:27,275 BEFORE I RAM IT DOWN YOUR THROAT. 907 00:40:29,646 --> 00:40:32,446 NOW TURN AND LOOK AT YOUR BROTHER AND KEEP PRAYING. 908 00:40:32,516 --> 00:40:34,182 - ( whimpering ) - ( gunshot ) 909 00:40:34,251 --> 00:40:37,185 ( both crying ) 910 00:40:37,187 --> 00:40:39,120 SHUT UP AND PUT THAT INK BOTTLE ON YOUR HEAD. 911 00:40:39,189 --> 00:40:41,189 THE INK B-B-BOTTLE? 912 00:40:41,257 --> 00:40:43,792 - GO ON NOW. - NO, YOU GOT NO-- 913 00:40:43,860 --> 00:40:45,794 - OH, I'M GONNA TELL MY DADDY! - OH DEAR GOD, NO! 914 00:40:45,862 --> 00:40:48,263 JUST FOR THAT, YOU GET THE SAME, YOU RAT. 915 00:40:48,331 --> 00:40:50,932 PUT THAT INK BOTTLE ON YOUR HEAD BEFORE I SHOOT YOUR EARS OFF. 916 00:40:50,934 --> 00:40:54,802 - OH GOD, NO! - STEADY. 917 00:40:54,871 --> 00:40:56,938 - NO! - AH! 918 00:40:57,006 --> 00:40:59,207 NOW YOU WANT ME TO SHOW YOU LIKE THIS TO THE OTHER KIDS 919 00:40:59,209 --> 00:41:00,875 OR DO YOU WANNA MAKE A LITTLE DEAL WITH ME 920 00:41:00,944 --> 00:41:03,144 AND WASH YOUR FACES AND BEHAVE YOURSELVES FROM NOW ON? 921 00:41:03,213 --> 00:41:05,880 AND HELP ME KEEP ORDER WITH THE OTHER BAD ONES 922 00:41:05,882 --> 00:41:07,949 BECAUSE I'M ABOUT AS MUCH SCARED OF YOU 923 00:41:08,018 --> 00:41:10,285 AS I AM OF A PAIR OF MOSQUITERS. 924 00:41:10,353 --> 00:41:12,487 AND I'VE GOT TWO SHOTS LEFT IN THIS THING, 925 00:41:12,555 --> 00:41:14,956 ONLY THE NEXT TIME I'M NOT GONNA BE SO CAREFUL. 926 00:41:15,024 --> 00:41:18,560 - YOU GET ME? - ( both sobbing ) 927 00:41:18,562 --> 00:41:21,496 ( chattering ) 928 00:41:31,508 --> 00:41:33,708 - QUIET! - ( kids fall silent ) 929 00:41:33,777 --> 00:41:35,510 QUIET. 930 00:41:37,781 --> 00:41:41,783 AND NOW WE'RE GOING TO START OUR LITTLE LESSON. 931 00:41:41,851 --> 00:41:46,120 THE EARTH IS DIVIDED INTO THREE KINGDOMS-- 932 00:41:46,189 --> 00:41:52,126 THE ANIMAL, THE VEGETABLE AND THE-- THE-- 933 00:41:52,195 --> 00:41:54,329 - Bassermans: THE MINERAL! - ( kids laughing ) 934 00:41:54,397 --> 00:41:57,331 AND THE MINERAL, OF COURSE. 935 00:41:57,401 --> 00:42:00,068 I KNEW YOU BOYS WOULD WORK OUT SOONER OR LATER. 936 00:42:00,136 --> 00:42:03,872 AND THE MINERAL IS CALLED GEOLOGY. 937 00:42:03,940 --> 00:42:06,408 - NOW AIN'T THAT SOMETHIN'? - ( kids laughing ) 938 00:42:08,612 --> 00:42:10,045 ( metal clinking ) 939 00:42:11,347 --> 00:42:13,748 - Blackie: HOWDY. - OH, HOWDY, STRANGER. 940 00:42:13,817 --> 00:42:15,283 SOMETHING I CAN DO FOR YOU? 941 00:42:15,351 --> 00:42:16,818 I'M LOOKING FOR A YOUNG WOMAN 942 00:42:16,886 --> 00:42:21,556 CALLED FREDDIE JONES, WINIFRED JONES. 943 00:42:21,558 --> 00:42:23,825 HEARD SHE MIGHT HAVE DROPPED OFF IN YOUR FAIR CITY. 944 00:42:23,893 --> 00:42:27,762 LAST SEEN TRAVELING WITH A LITTLE MEXICAN TWERP-- UH, GIRL CALLED CONCHITA. 945 00:42:27,831 --> 00:42:29,297 I'M WONDERING IF BY ANY CHANCE-- 946 00:42:29,365 --> 00:42:32,233 OH, I USED TO KNOW A FELLA BY THE NAME OF FREDDIE JONES, 947 00:42:32,301 --> 00:42:33,902 ONLY WE JUST CALLED HIM PLAIN FRED. 948 00:42:33,970 --> 00:42:36,437 - NO, YOU SEE, THIS FREDDIE-- - DIED ABOUT 20 YEARS AGO. 949 00:42:36,506 --> 00:42:39,040 - WELL, THAT WASN'T-- - THEN THERE WAS CHARLIE JONES, 950 00:42:39,108 --> 00:42:41,509 SON OF RUFUS B AND HIS WIFE MARY. 951 00:42:41,578 --> 00:42:44,712 - NO, YOU SEE, THIS FREDDIE-- - MAMIE, THEY USED TO CALL HER. OR WAS IT LUCY? 952 00:42:44,781 --> 00:42:46,247 WELL, IT REALLY DOESN'T MATTER. 953 00:42:46,249 --> 00:42:47,849 WELL, I MIGHT AS WELL GET IT STRAIGHT. 954 00:42:47,851 --> 00:42:50,118 AND THEN OF COURSE THERE WAS CLIFFORD JONES. NOW HE WAS-- 955 00:42:50,186 --> 00:42:51,452 NO NO, IF YOU HAD EVER SEEN FREDDIE, 956 00:42:51,521 --> 00:42:53,321 YOU WOULD NEVER MISTAKE HER FOR CLIFFORD. 957 00:42:53,323 --> 00:42:55,723 - THAT'S RIGHT, YOU SAID A PRETTY GIRL. - AND WHAT A GIRL. 958 00:42:55,792 --> 00:42:57,992 - A NICE SHAPE TO HER? - FANTASTIC. 959 00:42:58,061 --> 00:42:59,794 WELL, TOO BAD I AIN'T SEEN HER. 960 00:42:59,863 --> 00:43:02,731 - I SURE ENJOY A NICE SHAPE TO A WOMAN. - WELL, WHO DOESN'T? 961 00:43:02,799 --> 00:43:04,999 - ( metal clanking ) - ♪ STANDING TWO GIRLS AND BOYS ♪ 962 00:43:05,068 --> 00:43:07,202 ♪ HOPE THAT YOU'LL FIND MANY JOYS. ♪ 963 00:43:07,204 --> 00:43:09,337 - SOME FUN, EH? - Blackie: BUENOS DIAS, SENORITA. 964 00:43:09,405 --> 00:43:10,871 ( gasps ) 965 00:43:10,941 --> 00:43:14,843 ( both speaking Spanish ) 966 00:43:23,286 --> 00:43:25,419 - AM I SURE? - BUT YOU DIDN'T TELL HIM I WAS HERE. 967 00:43:25,489 --> 00:43:27,822 - I COULD HAVE STAYED ON THE TRAIN AFTER-- - I DIDN'T TELL HIM NOTHING. 968 00:43:27,891 --> 00:43:29,757 I TELL HIM I NEVER SEEN HIM BEFORE. 969 00:43:29,826 --> 00:43:31,759 I TELL HIM TO GO FRY HIMSELF AN ENCHILADA. 970 00:43:31,761 --> 00:43:34,028 I TELL HIM I AM FRESH IN THIS COUNTRY FROM GUATEMALA, 971 00:43:34,030 --> 00:43:37,098 AND THAT IF HE THINK I LOOK LIKE ANYBODY HE KNOW, I'M CRAZY-- 972 00:43:37,166 --> 00:43:38,833 ALL IN SPANISH YOU UNDERSTAND. 973 00:43:38,835 --> 00:43:40,968 I TELL HIM YOU GOT OFF THE TRAIN TWO STATIONS BEHIND 974 00:43:41,037 --> 00:43:42,503 AND THAT YOU HAVE NO CONNECTION 975 00:43:42,572 --> 00:43:44,773 WITH THE NEW SCHOOLTEACHER WHO'S AN OLD BAG ABOUT 60. 976 00:43:44,841 --> 00:43:48,176 - WHAT DID HE SAY? - HE SAID HE'LL MEET YOU AT THE SCHOOLHOUSE AT 8:00. 977 00:43:48,178 --> 00:43:50,645 - I SEE, ALL IN SPANISH. - IN PERFECT SPANISH. 978 00:43:50,713 --> 00:43:52,313 YOU MUST HAVE FOOLED HIM COMPLETELY. 979 00:43:52,381 --> 00:43:54,449 - I'M NOT CERTAIN. - WHAT COULD HE WANT? 980 00:43:54,517 --> 00:43:56,784 - LOOK IN THE MIRROR. - APPLESAUCE. 981 00:43:56,853 --> 00:43:58,653 A GUY LIKE THAT WOULD NEVER TAKE A TRAIN FOR-- 982 00:43:58,721 --> 00:44:00,188 WAIT A MINUTE. THERE MIGHT BE A REWARD. 983 00:44:00,256 --> 00:44:03,258 - A REWARD? FOR WHAT? - FOR ME, DEAD OR ALIVE! 984 00:44:03,260 --> 00:44:06,260 - OH, WHO WOULD WANT YOU DEAD? - THAT'S IT, THE SNAKE. 985 00:44:06,329 --> 00:44:07,862 HE GETS HUNK WITH ME FOR BACK THERE 986 00:44:07,931 --> 00:44:10,131 AND SOME DOUGH BESIDES, THE CHEAP SO AND SO. 987 00:44:10,200 --> 00:44:12,000 - WHERE'S MY GUN? - OH, NOW LISTEN, PLEASE! 988 00:44:12,068 --> 00:44:13,334 IT'S DOWN AT THE SCHOOLHOUSE. 989 00:44:13,403 --> 00:44:14,536 YOU TELL CHARLIE I WENT AHEAD. 990 00:44:14,604 --> 00:44:15,937 HE'S GIVING ME A LESSON TONIGHT. 991 00:44:15,939 --> 00:44:17,872 AND HAVE HIM MEET ME THERE ABOUT A QUARTER AFTER. 992 00:44:17,941 --> 00:44:19,941 THAT'LL GIVE ME TIME TO TAKE CARE OF MR. BLACKIE. 993 00:44:19,943 --> 00:44:21,476 HAVEN'T YOU HAD ENOUGH TROUBLE? 994 00:44:21,544 --> 00:44:23,744 NOT WITH HIM, I HAVEN'T. 995 00:44:23,813 --> 00:44:25,713 ( crickets chirping ) 996 00:44:44,834 --> 00:44:46,767 ANYBODY HERE? 997 00:44:46,836 --> 00:44:49,070 ( cooing ) 998 00:44:50,640 --> 00:44:54,509 ( screeching, sighs ) 999 00:44:54,577 --> 00:44:56,911 - ALL RIGHT, ALL RIGHT. - ( screeching ) 1000 00:44:56,913 --> 00:44:58,847 ALL RIGHT! 1001 00:45:31,614 --> 00:45:33,581 ( footsteps approaching ) 1002 00:45:39,222 --> 00:45:41,189 ( knocking at door ) 1003 00:45:44,828 --> 00:45:46,261 COME IN, YOU RAT. 1004 00:45:47,764 --> 00:45:49,497 GOOD EVENING, HILDA SWANDUMPER. 1005 00:45:49,565 --> 00:45:53,033 - WHY, MR. JORGENSEN. - I HOPE I DON'T INTERRUPTING. 1006 00:45:53,103 --> 00:45:54,569 YOU'RE CERTAINLY THE LAST PERSON 1007 00:45:54,571 --> 00:45:55,970 I EXPECTED TO SEE HERE TONIGHT. 1008 00:45:56,039 --> 00:45:58,573 - I HOPE YOU'VE BEEN FEEL GOOD. - I'VE BEEN PRETTY GOOD. 1009 00:45:58,641 --> 00:46:02,310 - HOW HAVE YOU BEEN? - I BEEN FINE, THANK YOU. 1010 00:46:02,312 --> 00:46:04,445 I HOPE THOSE TWO "YACKLES" 1011 00:46:04,447 --> 00:46:05,847 DON'T GIVE YOU TOO MUCH TROUBLE 1012 00:46:05,915 --> 00:46:07,849 - FOR YOUR FIRST DAY. - THOSE TWO WHAT? 1013 00:46:07,917 --> 00:46:09,850 THE BASSERMANS, THEM TWO SCARECROWS. 1014 00:46:09,919 --> 00:46:12,320 Freddie: OH NO, NOT A BIT. THEY WERE EVEN VERY NICE. 1015 00:46:12,322 --> 00:46:14,388 YOU MUST HAVE VERY GOOD INFLUENCE THEN 1016 00:46:14,457 --> 00:46:16,591 BECAUSE THEY ARE REALLY A PAIR OF YACKLES, 1017 00:46:16,593 --> 00:46:18,660 BY YUMPIN' YACKLES. 1018 00:46:18,728 --> 00:46:21,062 - NO NO NO! - OH YES, THEY ARE, BY YINX. 1019 00:46:21,130 --> 00:46:23,531 YOU'D BETTER COME AWAY FROM THE WINDOW. YOU MIGHT CATCH COLD. 1020 00:46:23,599 --> 00:46:26,267 WELL NOW, THAT'S VERY SWEET OF YOU, HILDA SWANDUMPER. 1021 00:46:26,336 --> 00:46:29,003 YES, CAN I TELL YOU WHY I COME TO SEE YOU? 1022 00:46:29,005 --> 00:46:31,939 I GOT A LETTER FROM U.S. MARSHAL IN RIMPAU CITY. 1023 00:46:32,008 --> 00:46:34,609 - OH. - IN LETTER IS REWARD NOTICE. 1024 00:46:34,611 --> 00:46:37,077 - OH. - SOME YOUNG FLICKA CALLED "YONES"-- 1025 00:46:37,147 --> 00:46:41,081 FREDDIE YONES-- SHE SHOOTSEDED FEDERAL "YUDGE." 1026 00:46:41,151 --> 00:46:43,684 MY GRACIOUS. WHERE DID YOU SAY SHE SHOT HIM? 1027 00:46:43,753 --> 00:46:46,487 IN RIMPAU CITY ON BOTH SIDES. 1028 00:46:46,489 --> 00:46:48,756 WHY, I-- I NEVER HEARD OF SUCH A THING. 1029 00:46:48,758 --> 00:46:52,360 - I WOULD LIKE TO SEE THE WAY YOU HOLD A GUN. - A GUN?! 1030 00:46:52,362 --> 00:46:53,961 WHY, I WOULDN'T KNOW ANY MORE ABOUT-- 1031 00:46:53,963 --> 00:46:56,698 MISS YONES IS SUPPOSED TO BE WONDERFUL REVOLVER SHOOTER. 1032 00:46:56,766 --> 00:46:58,633 TWICE FROM LONG DISTANCE SHE SHOOT A JUDGE 1033 00:46:58,635 --> 00:47:00,301 IN THE-- IN THE SAME SHOOTING PLACE. 1034 00:47:00,370 --> 00:47:02,236 I-- I WOULDN'T KNOW ANY MORE ABOUT HOLDING A GUN THAN-- 1035 00:47:02,238 --> 00:47:03,437 OH, YOU HAVE NOTHING TO BE AFRAID OF. 1036 00:47:03,506 --> 00:47:04,972 I DON'T EVEN KNOW WHICH END OF THE TRIGGER YOU-- 1037 00:47:05,041 --> 00:47:06,641 JUST LET ME SEE YOU HOLD IT. 1038 00:47:06,709 --> 00:47:09,443 WELL, ALL RIGHT, BUT IF-- IF ANYTHING HAPPENS... 1039 00:47:09,512 --> 00:47:12,246 NO NO NO, NOT THAT WAY. THIS WAY. 1040 00:47:12,248 --> 00:47:15,250 OH. IS THIS WHERE YOU PUT YOUR FINGER? 1041 00:47:15,318 --> 00:47:17,452 YEAH YEAH, THAT IS CORRECT. 1042 00:47:17,454 --> 00:47:19,187 - NO NO, DON'T EVER-- - ( gunshot ) 1043 00:47:19,189 --> 00:47:21,322 OH! OH, I-- I'M TERRIBLY SORRY. 1044 00:47:21,324 --> 00:47:25,259 - I TOLD YOU NOT TO. - WELL, I HAVE NOW DONE MY DUTY. 1045 00:47:25,328 --> 00:47:27,595 I BEEN SATISFIED, 1046 00:47:27,597 --> 00:47:29,597 - I "TANK." - TANK YOU TOO. 1047 00:47:29,599 --> 00:47:32,066 TANK YOU, HILDA SWANDUMPER. 1048 00:47:32,135 --> 00:47:35,069 GOOD NIGHT. 1049 00:47:35,137 --> 00:47:37,071 - ( door closes ) - WHEW. 1050 00:47:45,748 --> 00:47:48,149 ( Bassermans trilling, screeching ) 1051 00:47:48,217 --> 00:47:50,685 WHAT'S ALL THE EXCITEMENT? A LITTLE POPGUN BOTHER YA? 1052 00:47:50,687 --> 00:47:52,687 NOT IN THE SLIGHTEST. 1053 00:47:52,755 --> 00:47:55,023 BUT THAT WASN'T A VERY NICE THING TO DO TO THAT COMIC. 1054 00:47:55,091 --> 00:47:56,824 YOU NEARLY SCARED HIM OUT OF HIS ACCENT. 1055 00:47:56,826 --> 00:47:58,159 HOW LONG HAVE YOU BEEN HERE? 1056 00:47:58,161 --> 00:47:59,560 I'M ALWAYS EARLY FOR APPOINTMENTS. 1057 00:47:59,629 --> 00:48:00,761 I FOUND IT A VERY HEALTHY HABIT. 1058 00:48:00,830 --> 00:48:02,730 - YOU THINK SO. - I KNOW SO. 1059 00:48:05,902 --> 00:48:07,302 GOOD TO SEE YOU, BABY. 1060 00:48:07,370 --> 00:48:09,170 I CAN TASTE THAT LIP ROUGE. I SURE MISSED YOU. 1061 00:48:09,238 --> 00:48:11,438 - I DIDN'T MISS YOU. - OH YES, YOU DID. 1062 00:48:11,508 --> 00:48:14,108 BUT WHAT I CAN'T FIGURE IS HOW YOU'RE GETTING BY AS MISS, UH-- 1063 00:48:14,177 --> 00:48:16,844 MISS GARGO SWAMPBUTT, THE MIGHTY SCHOOLMARM 1064 00:48:16,846 --> 00:48:18,512 OR WHATEVER THAT AWFUL NAME IS. 1065 00:48:18,581 --> 00:48:19,714 YOU CAN'T SPELL "CAT." 1066 00:48:19,782 --> 00:48:22,049 - I CAN SPELL "LOUSE." - VERY FUNNY. 1067 00:48:22,118 --> 00:48:24,585 AND I MIGHT KNOW A COUPLE OF OTHER THINGS YOU DON'T KNOW ABOUT. 1068 00:48:24,587 --> 00:48:26,187 YOU MIGHT, BUT YOU DON'T. 1069 00:48:26,255 --> 00:48:28,122 I KNOW EACH AND EVERY ONE OF YOUR TALENTS. 1070 00:48:28,191 --> 00:48:31,926 - AND I, UH, CHERISH EACH AND EVERY ONE OF THEM. - I SEE. 1071 00:48:31,994 --> 00:48:34,928 HAVE YOU GOT ANY OTHER BRIGHT LAST REMARKS BEFORE I LET YOU HAVE IT? 1072 00:48:34,998 --> 00:48:36,597 BEFORE YOU LET ME HAVE WHAT? 1073 00:48:36,665 --> 00:48:39,067 OH! ( laughs ) 1074 00:48:39,135 --> 00:48:40,601 YOU GOING INTO YOUR ACT AGAIN? 1075 00:48:40,669 --> 00:48:42,536 HAVEN'T YOU MISSED ME ENOUGH TIMES FOR ONE WEEK? 1076 00:48:42,605 --> 00:48:45,339 I SAID HAVE YOU GOT ANY OTHER LAST REMARKS, YOU RAT? 1077 00:48:45,408 --> 00:48:48,476 ONLY THAT I LOVE YOU, THAT I'VE ALWAYS LOVED YOU 1078 00:48:48,544 --> 00:48:50,344 AND I ALWAYS WILL LOVE YOU, 1079 00:48:50,346 --> 00:48:52,346 AND THAT YOU LOOK EVEN LOVELIER HERE IN THE CANDLELIGHT 1080 00:48:52,415 --> 00:48:54,615 - THAN I REMEMBERED YOUR LOOKING. - OH, SHUT UP! 1081 00:48:54,617 --> 00:48:56,951 AND IT'S PRETTY HARD FOR ANYONE, EVEN YOU, 1082 00:48:57,019 --> 00:49:00,621 TO LOOK BETTER THAN THE PICTURE OF YOU I CARRY IN MY HEART. 1083 00:49:00,623 --> 00:49:02,689 WITH A REWARD SIGN UNDER IT 1084 00:49:02,759 --> 00:49:05,293 THAT I DON'T SUPPOSED YOU'D HAPPEN TO KNOW ANYTHING ABOUT. 1085 00:49:05,295 --> 00:49:07,494 - I KNOW ALL ABOUT IT. THAT'S WHY I'M HERE. - I SEE. 1086 00:49:07,564 --> 00:49:10,498 - I CAME TO WARN YOU. - VERY THOUGHTFUL OF YOU. 1087 00:49:10,500 --> 00:49:13,501 I SUPPOSE THAT $1,000 DIDN'T MEAN ANYTHING TO YOU AT ALL. 1088 00:49:13,569 --> 00:49:16,570 - NOTHING AT ALL. - YOU'D SELL YOUR GRANDMOTHER FOR $40. 1089 00:49:16,639 --> 00:49:18,172 THAT'S AN ENTIRELY DIFFERENT MATTER. 1090 00:49:18,241 --> 00:49:20,241 SHE'S VERY OLD AND NOT AT ALL WELL PRESERVED. 1091 00:49:20,243 --> 00:49:22,843 BUT AS YOU, ON THE OTHER HAND, ARE THE ROUNDEST, 1092 00:49:22,912 --> 00:49:24,912 THE DAINTIEST, THE MOST FRAGRANT 1093 00:49:24,914 --> 00:49:27,715 AND THE MOST IRRESISTIBLE LITTLE WITCH THAT EVER FLEW OUT OF A CAVE. 1094 00:49:27,717 --> 00:49:30,318 - DO TELL. - ...EVEN THOUGH YOU HAVE THE MIND OF A CHILD OF THREE 1095 00:49:30,386 --> 00:49:31,919 AND THE DISPOSITION OF A TARANTULA. 1096 00:49:31,988 --> 00:49:33,921 LISTEN, YOU SNAKE, YOU MIGHT AS WELL SAVE THAT APPLESAUCE 1097 00:49:33,990 --> 00:49:37,325 BECAUSE I HAVEN'T ANY MORE FEELING FOR YOU THAN I HAVE FOR THE CHEAPEST, 1098 00:49:37,327 --> 00:49:40,594 THE SLIMIEST, THE LOWEST-DOWNER, THE MEANEST, UH-- 1099 00:49:40,663 --> 00:49:43,731 SKUNK. YOU'VE ALREADY SAID RAT, SNAKE AND LOUSE. 1100 00:49:43,799 --> 00:49:46,067 NOW COME ON, LET'S GET OUT OF HERE BEFORE IT'S TOO LATE. 1101 00:49:46,135 --> 00:49:47,869 THIS TOWN ISN'T ANY GOOD FOR US ANYWAY. 1102 00:49:47,871 --> 00:49:49,871 WHAT WE NEED IS A NICE LITTLE TOWN 1103 00:49:49,873 --> 00:49:51,605 WITH A NICE LITTLE SPORTING ELEMENT 1104 00:49:51,674 --> 00:49:54,408 WHERE THEY ENJOY A SONG, WHERE THEY LIKE TO PLAY A LITTLE CARDS. 1105 00:49:54,477 --> 00:49:57,278 AFTER WHAT YOU PULLED, I'D LIKE TO KNOW HOW IT'S ANY OF YOUR BUSINESS 1106 00:49:57,346 --> 00:49:59,013 WHERE I STAY OR WHAT I DO OR-- 1107 00:49:59,081 --> 00:50:01,082 BECAUSE I MAKE IT MY BUSINESS, BABY. 1108 00:50:01,084 --> 00:50:02,283 YOU'VE BEEN ALL MY BUSINESS 1109 00:50:02,351 --> 00:50:04,285 EVER SINCE THE FIRST TIME I GOT A GANDER AT YOU. 1110 00:50:04,353 --> 00:50:08,022 AND UNTIL SOMETHING HAPPENS TO ME OR TO YOU OR TO BOTH OF US, 1111 00:50:08,024 --> 00:50:10,090 YOU'RE GOING TO KEEP RIGHT ON BEING MY BUSINESS. 1112 00:50:10,159 --> 00:50:12,760 YOU COME ANY NEARER AND YOU'RE GONNA BE OUT OF BUSINESS RIGHT NOW. 1113 00:50:12,829 --> 00:50:15,229 OH, PUT THAT THING AWAY AND STOP BEING RIDICULOUS. 1114 00:50:15,297 --> 00:50:17,565 YOU KNOW YOU'RE FOOLING WITH SUDDEN DEATH, DON'T YOU? 1115 00:50:17,633 --> 00:50:20,568 ( laughs ) AS A SUDDEN DEATH ARTIST YOU MAKE ME SNICKER. 1116 00:50:20,570 --> 00:50:22,570 YOU DON'T THINK I'D BE PARADING AROUND LIKE THIS 1117 00:50:22,638 --> 00:50:24,372 IF THERE WAS ANY AMMUNITION IN THAT CANNON, DO YOU? 1118 00:50:24,440 --> 00:50:27,241 - YOU THINK I'M FRESH OFF A FARM? - WHAT? YOU LIAR! 1119 00:50:27,309 --> 00:50:29,176 WELL, PULL THE TRIGGER AND FIND OUT. 1120 00:50:29,245 --> 00:50:31,512 NOW YOU SEE WHY IT'S GOOD TO BE EARLY FOR APPOINTMENTS. 1121 00:50:31,580 --> 00:50:34,248 THEY'RE THE TWO LIVE ONES YOU HAD LEFT. 1122 00:50:34,317 --> 00:50:37,051 YOU MUST HAVE BEEN MISSING SOME OF YOUR OTHER FRIENDS. 1123 00:50:38,855 --> 00:50:43,391 I'D LIKE TO HIT YOU WITH A NICE FLAT ROCK. 1124 00:50:45,394 --> 00:50:48,395 - WOULD YOU LIKE ME TO GO OUT AND GET YOU ONE? - ( Bassermans cooing ) 1125 00:50:48,464 --> 00:50:50,797 - THAT WON'T BE NECESSARY, THANK YOU. - ( screeching ) 1126 00:50:50,867 --> 00:50:52,800 WHY DON'T YOU STOP TALKING LIKE A LITTLE FAT HEAD 1127 00:50:52,869 --> 00:50:54,068 AND GET READY TO COME ALONG? 1128 00:50:54,136 --> 00:50:55,336 YOU KNOW YOU WANT TO. 1129 00:50:55,404 --> 00:50:57,338 BESIDES, YOU HAVEN'T ANY CHOICE IN THE MATTER, HONEY. 1130 00:50:57,406 --> 00:50:59,073 - HAVEN'T I? - OF COURSE NOT. 1131 00:50:59,141 --> 00:51:00,608 I DON'T WANT TO SOUND COMMERCIAL, 1132 00:51:00,676 --> 00:51:02,809 BUT IF YOU FORCED ME TO LET THEM KNOW WHERE YOU WERE-- 1133 00:51:02,879 --> 00:51:04,478 AND COLLECT THE THOUSAND. 1134 00:51:04,547 --> 00:51:06,881 THAT WOULD BE SMALL CONSOLATION FOR LOSING YOU, BABY. 1135 00:51:06,949 --> 00:51:08,148 BUT IT WOULD BE SOMETHING. 1136 00:51:08,217 --> 00:51:09,617 HALF A LOAF IS BETTER THAN NOTHING. 1137 00:51:09,685 --> 00:51:12,286 YES, SIR, A BIG FLAT ROCK. 1138 00:51:12,355 --> 00:51:14,755 NOT A LITTLE JAGGED ONE THAT WOULD MESS UP THE PLACE... 1139 00:51:14,757 --> 00:51:17,157 - DON'T BE GRUESOME. - ...OR A ROUND LUMPY ONE 1140 00:51:17,226 --> 00:51:19,627 - THAT WOULD DENT YOUR SKULL IN... - HOW YOU TALK. 1141 00:51:19,695 --> 00:51:22,964 ...BUT A NICE BIG SMOOTH FLAT ROCK. 1142 00:51:23,032 --> 00:51:25,433 - ( Bassermans cooing ) - ABOUT LIKE THIS? 1143 00:51:25,435 --> 00:51:27,434 THAT'S JUST ABOUT RIGHT. 1144 00:51:27,503 --> 00:51:29,837 YOU MAY FIRE WHEN READY, GRIDLEY. 1145 00:51:29,839 --> 00:51:32,240 YOU ARE THE FUNNIEST LITTLE-- 1146 00:51:34,243 --> 00:51:36,310 - ( Bassermans whooping, laughing ) - ( groaning ) 1147 00:51:36,379 --> 00:51:38,445 WELL, HE'S STILL ALIVE ANYWAY. 1148 00:51:38,514 --> 00:51:40,314 YEAH. WHAT DO YOU WANT US TO DO WITH HIM NOW? 1149 00:51:40,383 --> 00:51:42,116 THROW HIM IN THE S-SWAMP? 1150 00:51:42,118 --> 00:51:44,652 LET'S JUST GET RID OF HIM BEFORE CHARLIE HINGLEMAN GETS HERE AND-- 1151 00:51:44,654 --> 00:51:47,120 WE CAN THROW HIM IN OLD MAN HINGLEMAN'S FORGE. 1152 00:51:47,190 --> 00:51:49,991 AND OOMPA OOMPA OOMPA PAPAPOW! ( cackling ) 1153 00:51:49,993 --> 00:51:51,792 HE COME OUT LIKE A PIECE OF TOAST. 1154 00:51:51,861 --> 00:51:53,728 WE DON'T NEED ANYTHING THAT FANCY. 1155 00:51:53,730 --> 00:51:55,796 THERE'S SOMEONE COMIN'. I CAN HEAR FOOTSTEPS. 1156 00:51:55,865 --> 00:51:57,531 COME ON, HELP ME PUT HIM IN THE CLOSET. 1157 00:51:57,600 --> 00:51:59,266 - HURRY UP! - YES, MA'AM. 1158 00:51:59,335 --> 00:52:02,603 HURRY UP. COME ON, LIFT HIM UP. 1159 00:52:02,672 --> 00:52:04,372 OOH YES, MA'AM. 1160 00:52:07,343 --> 00:52:10,811 ( blabbering ) 1161 00:52:10,813 --> 00:52:11,745 IT'S LOCKED. 1162 00:52:11,814 --> 00:52:13,548 - YOU GOT A KEY? - NO. 1163 00:52:13,616 --> 00:52:16,083 - THEN WE'D BETTER TAKE HIM WITH US. - NO NO NO. 1164 00:52:16,152 --> 00:52:18,953 PUT HIM UNDER THE DESK. RIGHT. 1165 00:52:19,021 --> 00:52:22,156 Bassermans: ONE, TWO, THREE. 1166 00:52:23,626 --> 00:52:25,959 YOU DIDN'T HAVE TO BREAK EVERY BONE IN HIS BODY! 1167 00:52:26,029 --> 00:52:28,663 NOW GET OUT OF HERE. GO ON. 1168 00:52:30,566 --> 00:52:33,167 - WE'LL BE WATCHING OUTSIDE... - FOR THE NEXT ONE. 1169 00:52:33,235 --> 00:52:35,169 ( cooing ) 1170 00:52:35,237 --> 00:52:36,770 BEAT IT! 1171 00:52:36,839 --> 00:52:38,239 OH! 1172 00:52:39,441 --> 00:52:41,842 - ( panting ) - ( knocking at door ) 1173 00:52:41,911 --> 00:52:43,844 COME IN, CHARLIE. 1174 00:52:43,913 --> 00:52:46,914 AH, ALL READY FOR OUR ARITHMETIC LESSON, I HOPE? 1175 00:52:46,983 --> 00:52:48,783 - I HOPE I'M NOT LATE, BUT I-- - ANYTHING BUT. 1176 00:52:48,851 --> 00:52:50,251 IF YOU HAD BEEN ONE MINUTE SOONER, 1177 00:52:50,319 --> 00:52:52,053 YOU WOULD HAVE BEEN A COUPLE OF MINUTES TOO SOON. 1178 00:52:52,055 --> 00:52:53,654 I'M SORRY I HAD TO COME ON AHEAD. 1179 00:52:53,722 --> 00:52:56,457 I HOPE YOU WEREN'T AFRAID, I MEAN BEING WAY OUT HERE ALONE FOR SO LONG. 1180 00:52:56,525 --> 00:52:58,659 OH, YOU'RE NEVER REALLY ALONE, YOU KNOW, 1181 00:52:58,728 --> 00:53:01,262 - WITH THE OWL, THE BAT... - ( Bassermans gasping ) 1182 00:53:01,264 --> 00:53:03,196 - THE NIGHTJAR. - AH, YES YES. 1183 00:53:03,266 --> 00:53:05,132 CAPRIMULGUS EUROPAEUS OR GOATSUCKER. 1184 00:53:05,134 --> 00:53:06,801 I HOPE YOUR FIRST DAY WASN'T TOO HARD 1185 00:53:06,869 --> 00:53:09,269 WITH THOSE TWO HUMAN BUZZARDS DISGUISED AS SCHOOLCHILDREN-- 1186 00:53:09,338 --> 00:53:12,072 - I MEAN THE BASSERMANS. - NO NO NO, DON'T EVEN THINK OF IT. 1187 00:53:12,141 --> 00:53:13,674 AH AH AH, THIS IS A FRIEND. 1188 00:53:13,742 --> 00:53:15,609 - HOW WAS THAT? - THEY WERE EVEN VERY HELPFUL. 1189 00:53:15,678 --> 00:53:17,210 WELL, I'M RELIEVED TO KNOW IT BECAUSE OF ALL 1190 00:53:17,280 --> 00:53:19,212 THE COLD-BLOODED CUTTHROATS I'VE EVER KNOWN, 1191 00:53:19,282 --> 00:53:21,682 WAKEFUL OR IN MY DREAMS, THEY TAKE THE MEATAXE. 1192 00:53:21,684 --> 00:53:23,684 - NO NO NO NO! - I HAVE THE MOST PECULIAR FEELING 1193 00:53:23,686 --> 00:53:25,218 THAT YOU'RE TALKING TO SOMEBODY ELSE, 1194 00:53:25,288 --> 00:53:27,354 BUT I KNOW YOU CAN'T BE SINCE WE'RE OBVIOUSLY ALONE. 1195 00:53:27,423 --> 00:53:29,023 BUT I HAVE THAT PECULIAR FEELING ANYWAY. 1196 00:53:29,025 --> 00:53:31,491 - MAYBE SOMETHING YOU ATE. - ( Bassermans cooing ) 1197 00:53:31,561 --> 00:53:34,161 AH, STRIX VULGARIS OR BUBO VIRGINIANUS. 1198 00:53:34,230 --> 00:53:35,696 IF IT IS THE GREAT HORNED OWL, 1199 00:53:35,764 --> 00:53:37,431 HE CAN PROBABLY SEE YOU FROM HIS PERCH 1200 00:53:37,433 --> 00:53:39,367 AND IS TELLING THE NIGHT HOW BEAUTIFUL YOU ARE. 1201 00:53:39,435 --> 00:53:40,701 THAT'S VERY KIND OF YOU, CHARLIE. 1202 00:53:40,770 --> 00:53:42,369 BUT IF WE'RE GOING TO TALK ALONG THOSE LINES, 1203 00:53:42,438 --> 00:53:44,037 - LET'S TAKE A LITTLE WALK. - ( Blackie groans ) 1204 00:53:44,107 --> 00:53:45,639 - DID YOU HEAR THAT? - NO, WHAT? 1205 00:53:45,708 --> 00:53:48,042 FELIS CONCOLOR, THE AMERICAN PUMA. IT SOUNDED ALMOST AS IF-- 1206 00:53:48,110 --> 00:53:50,444 - ( groaning ) - THERE IT IS-- 1207 00:53:50,513 --> 00:53:52,179 - THERE IT IS AGAIN! - OH, I DIDN'T HEAR ANYTHING. 1208 00:53:52,248 --> 00:53:54,115 YOU MUST BE A LITTLE DEAF. IT'S PRACTICALLY IN THIS ROOM. 1209 00:53:54,117 --> 00:53:55,849 - ( groans ) - IT'S A BEAR, URSUS AMERICANUS! 1210 00:53:55,918 --> 00:53:57,118 - A BEAR?! - I SAID A BEAR, NOT A MOUSE. 1211 00:53:57,186 --> 00:53:58,519 WELL, I'M GETTING READY TO RUN. 1212 00:53:58,521 --> 00:54:00,254 - WAIT, HOW COULD IT BE A BEAR? - LET'S NOT FIND OUT. 1213 00:54:00,322 --> 00:54:01,589 - WE MUSTN'T BE RIDICULOUS. - I DON'T MIND. 1214 00:54:01,591 --> 00:54:02,723 - WHERE'S YOUR GUN? - RIGHT IN THE DESK. 1215 00:54:02,792 --> 00:54:03,857 I MEAN I DON'T KNOW WHERE IT IS. 1216 00:54:03,926 --> 00:54:05,125 - I'LL GET IT. - HE MIGHT BITE YOU. 1217 00:54:05,194 --> 00:54:06,594 - ( groans ) - ( candleholder clangs ) 1218 00:54:06,662 --> 00:54:08,629 OH, COME ON! 1219 00:54:35,892 --> 00:54:37,491 I HAD SUCH DIFFERENT PLANS FOR TONIGHT. 1220 00:54:37,559 --> 00:54:39,093 - I SUPPOSE YOU HAD. - ( gunshot ) 1221 00:54:39,161 --> 00:54:40,694 - WHAT WAS THAT? - IT'S NEAR THE SCHOOLHOUSE. 1222 00:54:40,696 --> 00:54:42,229 - SOMEBODY MUST HAVE SHOT THAT BEAR. - COME ON! 1223 00:54:42,298 --> 00:54:44,631 - ARE YOU SURE THAT YOU-- - I'M POSITIVE. COME ON! 1224 00:54:44,700 --> 00:54:47,702 TRY TO HIT ME WITH A ROCK, WILL YA? 1225 00:54:47,770 --> 00:54:50,304 YOU DIRTY LITTLE BADGER. 1226 00:54:50,306 --> 00:54:52,306 BETTER MEN THAN YOU HAVE TRIED TO-- 1227 00:54:52,374 --> 00:54:55,309 ( screaming ) 1228 00:55:04,854 --> 00:55:07,521 - AREN'T THOSE... - THE BASSERMAN BOYS. 1229 00:55:07,589 --> 00:55:09,923 STILL BREATHING? 1230 00:55:09,992 --> 00:55:11,659 I DON'T THINK SO. 1231 00:55:11,661 --> 00:55:13,660 OH, POOR LITTLE DOGGIES. THEY WEREN'T SO BAD. 1232 00:55:13,729 --> 00:55:15,396 WHO DO YOU SUPPOSE COULD HAVE KILLED THEM? 1233 00:55:15,398 --> 00:55:17,464 NOT THAT LOTS OF PEOPLE DIDN'T HAVE PLENTY OF REASON TO. 1234 00:55:17,533 --> 00:55:18,732 - I GUESS I DID. - YOU DID? 1235 00:55:18,734 --> 00:55:20,401 YOU WERE RIGHT WITH ME ALL THE TIME. 1236 00:55:20,469 --> 00:55:22,936 I KNOW. I MEAN IN A WAY. 1237 00:55:23,005 --> 00:55:25,606 THERE ARE A LOT OF THINGS YOU DON'T UNDERSTAND, CHARLIE. 1238 00:55:25,674 --> 00:55:28,209 WE'D BETTER GO AND TELL SOMEBODY-- THE SHERIFF I GUESS, 1239 00:55:28,211 --> 00:55:30,144 NOT THAT IT'LL DO MUCH GOOD NOW. 1240 00:55:30,212 --> 00:55:32,145 - I DON'T UNDERSTAND. - I KNOW YOU DON'T. 1241 00:55:32,215 --> 00:55:33,814 AND I'LL EXPLAIN IT ALL TO YOU SOMEDAY. 1242 00:55:33,816 --> 00:55:35,683 JUST DON'T MAKE ME EXPLAIN IT ALL TO YOU NOW. 1243 00:55:35,685 --> 00:55:37,518 I FEEL SICK. 1244 00:55:45,294 --> 00:55:46,760 NOW JUST A MINUTE, JUST A MINUTE. 1245 00:55:46,829 --> 00:55:48,962 LET'S GET TOGETHER HERE. EVERYBODY TALKING AT ONCE-- 1246 00:55:49,031 --> 00:55:51,499 I'LL CONDUCT THE INVESTIGATION, IF IT'S ALL THE SAME TO YOU. 1247 00:55:51,567 --> 00:55:53,834 - WHY, CERTAINLY, SHERIFF. - WE DON'T GET SO MANY SHOOTINGS HERE. 1248 00:55:53,902 --> 00:55:55,369 I WAS JUST TRYING TO BE HELPFUL. 1249 00:55:55,437 --> 00:55:57,505 I KNOW, BUT WE MUST BE LOGICAL ABOUT THIS. 1250 00:55:57,573 --> 00:55:59,507 NOW WHO IN TOWN WOULD WANT TO SHOOT THE BASSERMAN BOYS? 1251 00:55:59,575 --> 00:56:01,375 PRACTICALLY EVERYBODY. 1252 00:56:01,443 --> 00:56:04,044 - WHAT IS THIS TERRIBLE CALAMITY I HEAR? - Julius: WHAT CALAMITY? 1253 00:56:04,113 --> 00:56:06,313 THAT THOSE DEAR LITTLE BASSERMAN BOYS WERE BLOWN TO MINCEMEAT 1254 00:56:06,382 --> 00:56:08,048 BY SOME PERSON OR PERSONS UNKNOWN. 1255 00:56:08,117 --> 00:56:10,517 "DEAR LITTLE BASSERMAN BOYS." 1256 00:56:10,586 --> 00:56:12,052 AREN'T YOU EXAGGERATING A LITTLE? 1257 00:56:12,121 --> 00:56:14,721 DR. SHULTZ HAS GONE TO BRING BACK THEIR BODIES. 1258 00:56:14,790 --> 00:56:16,523 - DID THEY HAVE A MOTHER? - I BURIED HER. 1259 00:56:16,525 --> 00:56:17,958 AHA! 1260 00:56:19,595 --> 00:56:21,395 NOW WHERE DID YOU SAY THE CORPSESES WAS? 1261 00:56:21,463 --> 00:56:23,463 IN FRONT OF THE SCHOOLHOUSE. 1262 00:56:23,532 --> 00:56:26,400 - HALF ON THE PORCH, HALF OFF THE PORCH, WASN'T IT? - THAT'S RIGHT. 1263 00:56:26,468 --> 00:56:28,869 ONE WITH HIS FACE LOOKING DOWN, ONE WITH HIS FACE LOOKING UP, 1264 00:56:28,938 --> 00:56:30,203 - AIN'T IT? - THAT'S RIGHT. 1265 00:56:30,273 --> 00:56:31,539 - THEY AIN'T THERE. - THEY AIN'T THERE? 1266 00:56:31,607 --> 00:56:33,274 - ABSOLUTELY NIX. - "YUMPING YERUSALEM." 1267 00:56:33,342 --> 00:56:34,942 I KNEW I SHOULD HAVE GONE OUT THERE MYSELF. 1268 00:56:35,010 --> 00:56:36,810 EVERY TIME I TRUST ANYTHING TO YOU-- 1269 00:56:36,879 --> 00:56:39,613 LISTEN, IF I TELL YOU THE CORPSESES AIN'T THERE, THERE IS NO CORPSESES-- 1270 00:56:39,615 --> 00:56:41,348 DELICTI OR ANY OTHER KIND. 1271 00:56:41,350 --> 00:56:42,883 ALL WE FOUND WAS THIS. 1272 00:56:42,952 --> 00:56:44,818 Sweetser: NOW YOU'RE PUTTING FINGERPRINTS ON IT. 1273 00:56:44,820 --> 00:56:47,688 Shultz: I'M SUPPOSED TO HANDLE IT WITH MY TEETH MAYBE, LIKE A DOG? 1274 00:56:47,756 --> 00:56:49,223 AIN'T THIS THE GUN I GIVE YOU, CHARLIE, 1275 00:56:49,291 --> 00:56:50,891 WHEN YOU WAS 21 THAT YOU NEVER LEARNED TO SHOOT? 1276 00:56:50,960 --> 00:56:52,225 NOW WE'RE GETTING SOMEPLACE. 1277 00:56:52,295 --> 00:56:53,560 - WHY, YES, BUT I-- - HE GAVE IT TO ME. 1278 00:56:53,629 --> 00:56:55,161 - OH HO! - OH WHAT? 1279 00:56:55,231 --> 00:56:57,765 - NOW HOLD YOUR HORSES, IKE. - THIS IS THE LETHAL WEAPON. 1280 00:56:57,767 --> 00:57:00,634 THE WHAT WEAPON? STOP LISPING, WILL YA? I CAN'T UNDERSTAND YOU. 1281 00:57:00,703 --> 00:57:02,436 - ( crashing ) - ( woman screams ) 1282 00:57:02,504 --> 00:57:05,972 SO YOU KILLED MY BOYS, HUH? 1283 00:57:06,042 --> 00:57:07,707 FIRST YOU BROKE MY WIFE'S HEART, 1284 00:57:07,777 --> 00:57:09,310 THEN YOU TRIED TO DRIVE ME OUT OF TOWN, 1285 00:57:09,378 --> 00:57:11,111 AND NOW YOU KILLED MY BOYS. 1286 00:57:11,179 --> 00:57:13,380 WHO DONE IT? COME ON, SPIT IT OUT! 1287 00:57:13,382 --> 00:57:15,382 KEEP AN EYE ON 'EM. THEY'D JUST AS SOON SHOOT ME-- 1288 00:57:15,384 --> 00:57:16,783 KEEP YOUR HAIR ON, GUS. 1289 00:57:16,852 --> 00:57:18,986 WE FEEL JUST AS BAD ABOUT THIS AS YOU DO, 1290 00:57:18,988 --> 00:57:21,922 - JUST THE SAME. - YOU CAN SAVE THAT HOGWASH. WHO KILL MY SONS? 1291 00:57:21,990 --> 00:57:23,257 - NOW JUST A MINUTE-- - SHUT UP, YOU! 1292 00:57:23,325 --> 00:57:25,125 THAT'S WHAT WE'RE TRYING TO FIND OUT, GUS. 1293 00:57:25,127 --> 00:57:27,127 - THAT'S WHAT WE'RE HERE FOR. - WHERE ARE THEY AT? 1294 00:57:27,195 --> 00:57:29,129 YOU DON'T HAVE TO TRY AND HIDE 'EM FROM ME. 1295 00:57:29,197 --> 00:57:31,197 I'LL BURY 'EM MYSELF 1296 00:57:31,267 --> 00:57:32,933 AND I'LL BURY SOME OF THE REST OF YOU 1297 00:57:33,002 --> 00:57:34,601 IF YOU DON'T TELL ME WHO DONE IT. 1298 00:57:34,603 --> 00:57:36,269 - Man: HA HA, THAT'S A GOOD ONE! - SHUT YOUR MAW! 1299 00:57:36,339 --> 00:57:37,605 Julius: WE DON'T KNOW WHO DONE IT, GUS. 1300 00:57:37,673 --> 00:57:40,006 NOW WE DON'T EVEN KNOW WHERE THE BODIES IS. 1301 00:57:40,076 --> 00:57:41,542 MY SON SEEN THEM AND EXAMINED THEM 1302 00:57:41,544 --> 00:57:43,277 AT THE SCHOOLHOUSE, BUT NOW THEY'RE GONE. 1303 00:57:43,345 --> 00:57:45,679 WHAT DO YOU MEAN THEY'RE GONE? WHY SHOULD THEY BE GONE? 1304 00:57:45,747 --> 00:57:48,015 - WHAT KIND OF A COCK AND BULL STORY IS THAT? - WAIT A MINUTE. 1305 00:57:48,083 --> 00:57:50,150 WHY ARE YOU TRYING TO HIDE THEM FROM ME, YOU DRUNKEN BUZZARD? 1306 00:57:50,219 --> 00:57:51,819 - WHERE ARE MY SONS? - TAKE YOUR HANDS OFF ME. 1307 00:57:51,821 --> 00:57:53,821 WHAT'S SO SACRED ABOUT YOU? 1308 00:57:53,823 --> 00:57:56,690 WHY IS MR. HINGLEMAN'S SON SO MUCH BETTER THAN MR. BASSERMAN'S SONS? 1309 00:57:56,759 --> 00:57:58,959 YOU MUSTN'T PUT YOUR HANDS ON MR. HINGLEMAN'S SON. 1310 00:57:59,028 --> 00:58:01,962 BUT MR. BASSERMAN'S SONS-- YOU CAN TAKE THEM OUT 1311 00:58:02,030 --> 00:58:03,964 AND SHOOT 'EM LIKE DOGS 1312 00:58:04,032 --> 00:58:08,235 AND THEN THROW 'EM OUT ON THE SWILL PILE. 1313 00:58:08,303 --> 00:58:09,970 WHOSE GUN IS THAT? 1314 00:58:10,038 --> 00:58:11,504 IS THAT WHAT DONE IT? 1315 00:58:11,574 --> 00:58:13,173 - WHOSE GUN IS THAT? - AW, DON'T GET EXCITED, GUS. 1316 00:58:13,241 --> 00:58:14,842 NOW JUST A MINUTE, MR. BASSERMAN-- 1317 00:58:14,910 --> 00:58:17,444 - WHAT'VE YOU GOT TO SAY ABOUT IT, YOU CHEAP-- - LEAVE HER ALONE. 1318 00:58:17,512 --> 00:58:19,113 I'M TERRIBLY SORRY, MR. BASSERMAN. 1319 00:58:19,181 --> 00:58:20,647 I DIDN'T KNOW YOUR BOYS VERY WELL. 1320 00:58:20,716 --> 00:58:22,983 I JUST MET THEM TODAY, BUT I LIKED THEM, I REALLY DID. 1321 00:58:23,052 --> 00:58:25,919 - AND-- AND THAT'S MY GUN. - OH, IT IS, IS IT? 1322 00:58:25,988 --> 00:58:27,787 - TAKE YOUR HANDS OFF THE LADY! - WHAT LADY? 1323 00:58:27,857 --> 00:58:30,924 - WHY, YOU DRUNKEN SOD, I GAVE HER THE GUN. - OH, YOU DID, DID YA? 1324 00:58:30,926 --> 00:58:32,926 - ( screaming ) - ( gunshot ) 1325 00:58:32,995 --> 00:58:35,896 ( all shouting ) 1326 00:58:38,267 --> 00:58:40,467 - YOU WILL, WILL YA? - AH! 1327 00:58:40,536 --> 00:58:43,870 - ( men yelling ) - STOP THAT, YOU BEAST! 1328 00:58:43,939 --> 00:58:45,872 GET IN BACK OF ME. 1329 00:58:45,941 --> 00:58:48,008 - WHAT'S GOING ON IN HERE? - WHY, I'LL-- 1330 00:58:48,076 --> 00:58:50,778 I COMMAND THAT YOU STOP! 1331 00:58:52,948 --> 00:58:56,050 - BE CAREFUL, MISS-- - OW! 1332 00:58:58,154 --> 00:58:59,887 GET OUT OF MY WAY. YAH! 1333 00:59:01,490 --> 00:59:02,589 LOOK OUT! 1334 00:59:26,182 --> 00:59:27,948 - ( screams ) - FOLLOW ME. 1335 00:59:31,387 --> 00:59:34,521 MISERABLE THING. GO ON, EVERYBODY. 1336 00:59:34,590 --> 00:59:36,056 - LOAD THE GUNS. - WHERE ARE THEY? 1337 00:59:36,124 --> 00:59:38,725 TELL THEM TO COVER THE HOUSE. 1338 00:59:38,794 --> 00:59:41,128 ( all shouting ) 1339 00:59:52,274 --> 00:59:55,175 - HURRY, MEN! HURRY! - ALL RIGHT, COMING. 1340 00:59:56,612 --> 00:59:59,580 ( gunfire ) 1341 01:00:03,018 --> 01:00:05,486 COME ON! 1342 01:00:10,092 --> 01:00:11,792 COME ON. 1343 01:02:03,672 --> 01:02:05,606 ( clicking ) 1344 01:02:14,015 --> 01:02:15,481 ( gasps ) 1345 01:02:15,551 --> 01:02:17,417 WHAT'S ALL THE SHOOTIN' FOR? 1346 01:02:17,485 --> 01:02:19,019 YEAH, CAN WE SHOOT TOO? 1347 01:02:19,021 --> 01:02:22,356 - I GUESS SO. - OH, GOODY GOODY GUMDROP! 1348 01:02:22,358 --> 01:02:24,024 - WAIT A MINUTE! - WHAT'S THE MATTER? 1349 01:02:24,092 --> 01:02:26,493 WHAT'S THE MATTER IS ON ACCOUNT OF YOU WE'RE SHOOTING. 1350 01:02:26,495 --> 01:02:29,296 WHAT DO YOU MEAN BY PRETENDING TO BE DEAD, YOU DIRTY LITTLE RATS? 1351 01:02:29,298 --> 01:02:30,697 THAT'S SO HE WOULDN'T SHOOT US. 1352 01:02:30,766 --> 01:02:32,298 HE WAS STANDING RIGHT THERE ALL THE TIME 1353 01:02:32,368 --> 01:02:33,967 WHEN YOU AND CHARLIE HINGLEMAN COME OVER. 1354 01:02:34,035 --> 01:02:36,569 - WHO WAS STANDING RIGHT THERE? - THAT BIG B-B-B-BLACKIE. 1355 01:02:36,639 --> 01:02:38,038 - WHILE WE WERE THERE? - YEAH. 1356 01:02:38,106 --> 01:02:41,507 HE WAS GONNA BLOW-- BLOW-- BLOW US TO PIECES, TO PIECES! 1357 01:02:41,577 --> 01:02:43,176 - SO WE STOPPED BREATHIN'. - ( laughs ) 1358 01:02:43,245 --> 01:02:45,846 WHAT'S ALL THE SHOOTIN'? WHERE'S THE FIGHT? 1359 01:02:45,848 --> 01:02:47,647 RIGHT HERE, BROTHER. HA HA! 1360 01:02:47,716 --> 01:02:49,583 YOU LOOK LIKE YOU'D HAD ONE ALREADY. 1361 01:02:49,651 --> 01:02:51,451 JUST FIRE THROUGH THAT WINDOW OVER THERE. 1362 01:02:51,453 --> 01:02:53,186 YOU GOT A GUN? 1363 01:02:53,255 --> 01:02:55,522 - MUST-- MUST HAVE LOST IT. - HERE HERE, TAKE ONE OF MINE. 1364 01:02:55,591 --> 01:02:57,724 JUST FIRE THROUGH THAT WINDOW RIGHT OVER THERE. 1365 01:02:57,726 --> 01:02:59,392 HIT ANYTHING YOU CAN SEE. 1366 01:02:59,461 --> 01:03:01,194 NOW GET THAT HORSE READY. 1367 01:03:01,196 --> 01:03:03,529 - ( gunfire ) - STOP FIRING! 1368 01:03:03,599 --> 01:03:06,200 - STOP! STOP FIRING, MR. HINGLEMAN. - WHAT DO YOU WANT? 1369 01:03:06,268 --> 01:03:08,334 LOOK! 1370 01:03:08,404 --> 01:03:09,869 LOOK! 1371 01:03:09,938 --> 01:03:11,537 - LOOK! - IKE. 1372 01:03:11,607 --> 01:03:13,473 - Freddie: STOP! LISTEN! - WHAT IS IT? SHUT UP. 1373 01:03:13,475 --> 01:03:15,742 - IKE! - LOOK HERE. 1374 01:03:15,810 --> 01:03:18,345 - ( laughing ) - SHH! 1375 01:03:18,413 --> 01:03:21,148 AH! STOP STOP! 1376 01:03:21,216 --> 01:03:22,682 UH, STOP! 1377 01:03:22,751 --> 01:03:25,385 Freddie: GIVE ME A POLE. COME ON, MUGHEADS. 1378 01:03:36,165 --> 01:03:38,097 HOW ARE YA? 1379 01:03:38,167 --> 01:03:42,836 NOW PICK THIS THING UP AND HOLD IT IN FRONT OF US... IF YOU CAN. 1380 01:03:42,904 --> 01:03:45,339 - ( bullet ricocheting ) - COME ON, COME ON. UP UP. 1381 01:04:02,991 --> 01:04:07,594 WELL WELL, HA HA, YOU GOT THE SON, HUH? 1382 01:04:07,663 --> 01:04:10,597 TAKE HIM UP IN THE HAYLOFT AND HANG HIM OUT THE WINDER. 1383 01:04:10,665 --> 01:04:12,332 IT'LL GIVE 'EM SOMETHING TO SHOOT AT. 1384 01:04:12,400 --> 01:04:13,866 HOW DO YOU WANT HIM HANGED, GUS? 1385 01:04:13,936 --> 01:04:15,736 UPSIDE DOWN, BY HIS CENTER? HOW? 1386 01:04:15,804 --> 01:04:18,405 WHAT'S THE MATTER WITH THE USUAL WAY? 1387 01:04:18,473 --> 01:04:22,609 THEY TOOK MINE. A SON FOR A SON. STRING HIM UP! 1388 01:04:22,611 --> 01:04:25,746 - COME ON, YOU. - COME ON. 1389 01:04:25,814 --> 01:04:28,081 WE'LL BRING CHARLIE BACK OR KILL THE WHOLE BUNCH OF THEM. 1390 01:04:28,149 --> 01:04:30,417 BUT WHO'S GONNA DO THE SHOOTING, HILDA? I AIN'T THAT GOOD. 1391 01:04:30,485 --> 01:04:32,218 - I'LL DO THE SHOOTING. - OH, YOU THINK YOU CAN? 1392 01:04:32,287 --> 01:04:35,021 YOU SAID IT, I THINK I CAN. GO ON, BIRDBRAIN. 1393 01:04:35,090 --> 01:04:37,991 COME ON. DO YOU MIND? 1394 01:04:49,571 --> 01:04:52,171 WATCH WHERE YOU'RE STEPPING. 1395 01:04:52,241 --> 01:04:55,142 ( gunfire continues ) 1396 01:05:06,121 --> 01:05:09,823 ( gunfire ) 1397 01:05:13,195 --> 01:05:16,396 - COME ON, HURRY UP, WILL YOU? - JUST A MINUTE. 1398 01:05:24,539 --> 01:05:27,941 - OH NO, HILDA. I WAS-- - NEVER MIND. 1399 01:05:46,628 --> 01:05:48,094 HEY, WAIT A MINUTE. 1400 01:05:48,163 --> 01:05:49,629 WHAT ARE WE SHOOTING AT HER FOR? 1401 01:05:49,631 --> 01:05:52,098 AT HER? THAT BIMBO STARTED ALL THE TROUBLE. 1402 01:05:52,167 --> 01:05:55,702 WAIT A MINUTE, I-- I MUST BE ON THE WRONG SIDE. 1403 01:05:55,771 --> 01:05:58,771 - OH, YOU ARE, ARE YA? - OH, YOU WOULD, WOULD YA? 1404 01:05:58,841 --> 01:06:00,507 CALM DOWN, WILL YOU, PAL? TAKE IT EASY. 1405 01:06:00,575 --> 01:06:02,909 YOU WOULDN'T SHOOT ME DOWN IN COLD BLOOD LIKE A RAT, WOULD YOU? 1406 01:06:02,978 --> 01:06:04,577 - OH YES, I WOULD. - LISTEN, CUT IT OUT, WILL YA? 1407 01:06:04,646 --> 01:06:06,380 YOU DIDN'T THINK THAT WAY ABOUT THE PEOPLE OUT THERE. 1408 01:06:06,448 --> 01:06:09,315 - TAKE THAT. - ( gun clicking ) 1409 01:06:09,384 --> 01:06:12,652 OH, YOU WOULD, WOULD YA? YOU WOULD, WOULD YA? 1410 01:06:12,721 --> 01:06:15,655 - HEY! - WHAT'S THE MATTER, CHIEF? 1411 01:06:15,657 --> 01:06:17,990 CAUGHT A SPY. JUST WATCH WHAT I'M GONNA DO TO HIM. 1412 01:06:18,060 --> 01:06:18,925 COME ON, GET IT OVER WITH. 1413 01:06:18,994 --> 01:06:20,526 YOU AIN'T SUPPOSED TO DO THAT, CHIEF. 1414 01:06:20,596 --> 01:06:22,262 - YOU'RE SUPPOSED TO HANG SPIES. - ARE YA? 1415 01:06:22,330 --> 01:06:24,197 - IT'S MORE DISHONORABLE THAT WAY. - OH. 1416 01:06:24,265 --> 01:06:25,532 WHY DON'T YOU FINISH IT? 1417 01:06:25,534 --> 01:06:27,801 TAKE HIM UP AND HANG HIM WITH THE OTHER ONE THEN. 1418 01:06:27,803 --> 01:06:29,402 ( laughing ) 1419 01:06:29,404 --> 01:06:31,338 WE GOTTA DO THINGS PROPER. 1420 01:06:31,406 --> 01:06:33,473 EXCUSE ME. AH AH! 1421 01:06:33,542 --> 01:06:35,141 - WHAT'S THAT? - WHERE? 1422 01:06:35,143 --> 01:06:38,077 - THERE, RIGHT OUT OF THE BARN LOFT. - CHARLIE! 1423 01:06:38,146 --> 01:06:41,214 ( men laughing ) 1424 01:06:41,283 --> 01:06:43,750 - GIVE ME THAT OTHER GUN. - HURRY HURRY. HURRY HURRY. 1425 01:06:43,819 --> 01:06:45,685 - HERE COMES ANOTHER ONE. - WHERE? 1426 01:06:45,687 --> 01:06:47,621 Freddie: BLACKIE! 1427 01:06:49,424 --> 01:06:51,891 - HURRY, HILDA, HURRY! - SHUT UP. 1428 01:06:51,960 --> 01:06:54,094 STEADY, FREDDIE, STEADY. YOU GOT PLENTY OF TIME. 1429 01:06:54,096 --> 01:06:56,963 IT TAKES A MAN MINUTES TO STRANGLE. 1430 01:06:57,032 --> 01:06:58,631 DON'T GO PULLING THAT TRIGGER, HONEY. 1431 01:06:58,700 --> 01:07:00,900 JUST DO LIKE GRANDPA SAID. SQUEEZE THE HAND. 1432 01:07:00,969 --> 01:07:03,336 SQUEEZE THE WHOLE HAND LIKE A BAG OF DEAD-- 1433 01:07:04,907 --> 01:07:06,907 Jorgensen: WONDERFUL, HILDA! 1434 01:07:06,909 --> 01:07:09,775 NOW FOR YOU, YOU RAT. STEADY, FREDDIE. 1435 01:07:09,845 --> 01:07:13,880 JUST A NICE EASY SQUEEZE LIKE A BAGFUL OF DEAD-- 1436 01:07:20,989 --> 01:07:24,324 ARE YOU ALL RIGHT, BOYS? CHARLIE, CHARLIE! 1437 01:07:24,392 --> 01:07:25,859 PUT THAT DOWN HERE, MA'AM. 1438 01:07:25,927 --> 01:07:28,728 AS FOR YOU, YOU RAT-- OPEN YOUR EYES, WILL YOU? 1439 01:07:28,797 --> 01:07:31,865 I TELL YOU IT BROKE. NOBODY COULD SHOOT THAT GOOD. 1440 01:07:31,933 --> 01:07:33,399 OPEN YOUR EYES, WILL YOU? 1441 01:07:33,468 --> 01:07:35,468 OR STICK OUT YOUR TONGUE OR DO ANYTHING, WILL YOU, 1442 01:07:35,537 --> 01:07:38,939 JUST TO LET ME KNOW THAT YOU'RE ALIVE, WILL YOU? 1443 01:07:38,941 --> 01:07:41,474 WAIT A MINUTE, GUS. AIN'T THEM YOUR BOYS DOWN THERE? 1444 01:07:41,543 --> 01:07:44,076 - WELL, WHAT ABOUT IT? - AIN'T THAT WHAT WE'RE FIGHTIN' FOR? 1445 01:07:44,146 --> 01:07:46,612 WELL, DOGGONE IF IT AIN'T. I PLUMB FORGOT. 1446 01:07:46,682 --> 01:07:48,815 I'LL MAKE A FLAG. 1447 01:07:48,817 --> 01:07:51,618 - WHAT ARE YOU DOING? - JUST ONE MORE FOR LUCK. 1448 01:07:51,620 --> 01:07:53,553 ( chirping ) 1449 01:07:57,492 --> 01:08:00,627 - ( groaning ) - OPEN UP! 1450 01:08:00,695 --> 01:08:04,564 - OPEN UP. - AND HOW ARE MY BOUNCING BOYS? 1451 01:08:04,632 --> 01:08:07,000 ( groaning ) 1452 01:08:09,037 --> 01:08:10,704 AND HOW IS THIS ONE? 1453 01:08:10,706 --> 01:08:12,973 MAKING MOUNTAINS OUT OF MOLESKINS LIKE THEY ALL DO. 1454 01:08:12,975 --> 01:08:16,643 Freddie: IMAGINE GIVING UP A GOLD MINE FOR A TRAMP LIKE THIS. 1455 01:08:16,711 --> 01:08:18,578 Conchita: WHAT CAN YOU SEE IN HIM ANYWAY? 1456 01:08:18,580 --> 01:08:21,247 Freddie: I DON'T KNOW-- PROBABLY THE WAY 1457 01:08:21,249 --> 01:08:24,250 HIS HAIR CURLS AROUND HIS EARS. I GUESS THAT'S IT. 1458 01:08:24,319 --> 01:08:25,785 IT'S PROBABLY WHY I FELL FOR HIM 1459 01:08:25,787 --> 01:08:27,721 IN THE FIRST PLACE, I GUESS. 1460 01:08:27,789 --> 01:08:31,057 - AHEM. - OH, HELLO, MR. JORGENSEN. 1461 01:08:31,126 --> 01:08:33,859 - HELLO. - I DIDN'T KNOW YOU WERE STANDING THERE. 1462 01:08:33,929 --> 01:08:35,528 I'M SURE GLAD TO SEE YOU LOOKING SO GOOD. 1463 01:08:35,597 --> 01:08:40,934 I BEEN FEELING PRETTY GOOD, THANK YOU... MISS JONES. 1464 01:08:41,002 --> 01:08:45,538 - OH. - I BEEN TERRIBLE SORRY, MISS JONES, 1465 01:08:45,540 --> 01:08:49,075 BUT I BEEN THINK WE BEEN TAKING LITTLE TRIP TOGETHER 1466 01:08:49,144 --> 01:08:52,612 TO RIMPAU CITY. 1467 01:08:52,680 --> 01:08:58,151 I BEEN THINK YOU BEEN SHOOTING TOO GOOD FOR SWEDE. 1468 01:08:58,219 --> 01:08:59,885 I GET YOU, MR. JORGENSEN. 1469 01:08:59,955 --> 01:09:01,621 YOU SHOULD HAVE LEFT THEM BOTH HANGING UP THERE. 1470 01:09:01,690 --> 01:09:03,289 THE MORE YOU DO FOR THESE TRAMPS, 1471 01:09:03,358 --> 01:09:05,358 - THE MORE YOU GET IT IN THE END. - ( men groaning ) 1472 01:09:09,364 --> 01:09:11,764 BUT WHY DID YOU HAVE TO SHOOT THEM DOWN, FREDDIE? 1473 01:09:11,833 --> 01:09:14,166 I SAID "SHOOT." AND TIP YOUR MITT AGAIN. 1474 01:09:14,236 --> 01:09:16,636 COULDN'T YOU HAVE DONE IT WITH AN AXE OR JACKKNIFE? 1475 01:09:16,638 --> 01:09:19,572 - WHERE'S BLACKIE? - I DON'T KNOW. I SUPPOSE HE'S-- 1476 01:09:19,574 --> 01:09:22,208 ISN'T THAT LOBSTER EVEN GONNA COME OVER AND SEE ME TAKE THE RAP? 1477 01:09:25,580 --> 01:09:28,582 ( crowd murmuring ) 1478 01:09:28,650 --> 01:09:31,384 - WON'T YOU SIT HERE, MADAME? - MERCI. 1479 01:09:35,457 --> 01:09:38,925 - AH, MERCI BEAUCOUP. - HELLO, DARLING. 1480 01:09:38,993 --> 01:09:42,162 HOW YOU FEEL, FREDDIE? GLAD TO SEE YOU. 1481 01:09:44,465 --> 01:09:45,931 ( gavel pounding ) 1482 01:09:46,001 --> 01:09:47,467 ORDER IN THE COURT! 1483 01:09:47,469 --> 01:09:49,936 EVERYONE RISE AND REMOVE THEIR HATS. 1484 01:09:58,280 --> 01:10:00,480 ( giggling ) 1485 01:10:00,548 --> 01:10:02,482 Freddie: HOW DO YOU DO, YOUR HONOR? 1486 01:10:02,550 --> 01:10:05,151 I'M SURE GLAD TO SEE-- I SURE HOPE YOU FEEL GOOD. ( nervous laugh ) 1487 01:10:05,220 --> 01:10:06,819 I FEEL GREAT. 1488 01:10:06,888 --> 01:10:08,955 I'VE BEEN LOOKING FORWARD TO THIS MOMENT. 1489 01:10:08,957 --> 01:10:11,091 ( maniacal laugh ) 1490 01:10:15,897 --> 01:10:17,697 ( crashes ) 1491 01:10:19,967 --> 01:10:21,634 WHY DON'T YOU LOOK WHERE YOU'RE GOING? 1492 01:10:21,636 --> 01:10:22,835 I AM LOOKING WHERE I'M GOING. 1493 01:10:22,904 --> 01:10:24,504 IF ONLY I HAD MY STRONGER GLASSES. 1494 01:10:24,572 --> 01:10:26,172 - PICK UP YOUR STUFF. - HUH? 1495 01:10:26,174 --> 01:10:28,508 ( laughter ) 1496 01:10:28,576 --> 01:10:32,111 SHUT UP, SIT DOWN AND KEEP QUIET. 1497 01:10:32,180 --> 01:10:34,447 NOW LET'S GET THIS THING OVER WITH. 1498 01:10:34,449 --> 01:10:37,183 - I DON'T WANNA SIT NO LONGER THAN I HAVE TO. - ( giggling ) 1499 01:10:37,252 --> 01:10:40,387 EVERYBODY KNOWS WHO DID THE SHOOTINGS, WHO GOT SHOT-- 1500 01:10:40,455 --> 01:10:43,589 BOTH TIMES, AND WHERE THE ALLEGED CRIME OCCURRED. 1501 01:10:43,658 --> 01:10:47,193 WHAT DO I MEAN ALLEGED? SO CALL YOUR WITNESSES. 1502 01:10:47,262 --> 01:10:50,664 YOUR HONOR, BEFORE THIS CASE GOES ANY FURTHER, 1503 01:10:50,732 --> 01:10:52,465 I'D LIKE TO ASK YOUR HONOR ONE FAVOR. 1504 01:10:52,533 --> 01:10:54,501 WELL, MAKE IT A QUICK ONE. OUCH. 1505 01:10:55,804 --> 01:10:58,071 I WILL NOT EVEN ATTEMPT TO TELL YOUR HONOR 1506 01:10:58,073 --> 01:11:01,274 ABOUT THE WONDERFUL COURAGE DISPLAYED BY THIS YOUNG WOMAN 1507 01:11:01,276 --> 01:11:03,409 WHILE THIS OTHER RUBE AND I WERE HANGING BY OUR NECKS 1508 01:11:03,478 --> 01:11:05,211 OUTSIDE THIS BANDIT'S LOFT. 1509 01:11:05,280 --> 01:11:07,013 OUR BREATH CAME IN SHORT PANTS. 1510 01:11:07,015 --> 01:11:08,614 OUR FACES TURNED PURPLE. 1511 01:11:08,683 --> 01:11:10,483 OUR EYES BULGED OUT LIKE POOL BALLS. 1512 01:11:10,551 --> 01:11:12,085 OUR TONGUES WERE DOWN TO HERE. 1513 01:11:12,153 --> 01:11:15,021 BUT SHE KEPT ON THROUGH THE AVALANCHE OF BULLETS, 1514 01:11:15,023 --> 01:11:17,423 THE RAIN OF LEAD, COOLLY AND CALMY, 1515 01:11:17,425 --> 01:11:19,492 AND SHOT US DOWN WITHOUT ANY MORE FUSS THAN IF-- 1516 01:11:19,561 --> 01:11:21,628 SHE HAD BEEN SHOOTING AT ME. 1517 01:11:21,696 --> 01:11:24,230 YOU DON'T MEAN THAT, YOUR HONOR. 1518 01:11:24,298 --> 01:11:26,299 YOU'D HAVE BEEN PROUD OF HER, JUST AS I AM. 1519 01:11:26,367 --> 01:11:28,567 AND THAT OTHER TIME WHEN YOU GOT NICKED A LITTLE-- 1520 01:11:28,637 --> 01:11:29,969 "NICKED A LITTLE"? 1521 01:11:29,971 --> 01:11:31,638 YOU HAVE A TALENT FOR UNDERSTATEMENT THAT IS-- 1522 01:11:31,706 --> 01:11:34,507 OH, I KNOW IT'S ALWAYS WORSE TO BE THE RECIPIENT. 1523 01:11:34,509 --> 01:11:35,775 THAT'S JUST WHERE I GOT IT TOO. 1524 01:11:35,844 --> 01:11:36,976 YOU OUGHT TO FEEL MY RECIPIENT. 1525 01:11:37,045 --> 01:11:38,845 I'M SURE OF IT, YOUR HONOR. 1526 01:11:38,913 --> 01:11:41,848 BUT IT WAS ALL A MISTAKE AND IF ANYBODY'S TO BLAME, I AM TO BLAME. 1527 01:11:41,916 --> 01:11:44,583 VERY NOBLE, BUT IT ISN'T GOING TO GET YOU ANYWHERE. 1528 01:11:44,653 --> 01:11:46,585 I DON'T EXPECT IT TO, YOUR HONOR. 1529 01:11:46,655 --> 01:11:49,255 ALL I'M TRYING TO DO IS TO TELL YOUR HONOR THE TRUTH 1530 01:11:49,324 --> 01:11:51,925 AND ASK ONE FAVOR BEFORE THE COURT CONVENES 1531 01:11:51,993 --> 01:11:53,860 AND THIS UNFORTUNATE YOUNG WOMAN IS-- 1532 01:11:53,862 --> 01:11:56,129 THE COURT HAS ALREADY CONVENED 1533 01:11:56,131 --> 01:11:58,264 AND YOU'RE TURNING OUT TO BE QUITE A BLABBERMOUTH. 1534 01:11:58,266 --> 01:12:00,332 IF YOU THINK YOU'RE GOING TO TALK 1535 01:12:00,402 --> 01:12:02,135 THIS BLONDE ASSASSIN OUT OF A SENTENCE, 1536 01:12:02,137 --> 01:12:03,536 YOU'VE GOT ANOTHER THINK COMING. 1537 01:12:03,605 --> 01:12:05,071 BECAUSE I AM GOING TO STICK HER 1538 01:12:05,139 --> 01:12:06,740 IN A DUNGEON SO DEEP AND FULL OF RATS 1539 01:12:06,808 --> 01:12:08,274 THAT WHEN THEY GO TO FIND HER, 1540 01:12:08,342 --> 01:12:10,477 ALL THEY'LL FIND IS A LITTLE BUNDLE OF BONES 1541 01:12:10,545 --> 01:12:13,079 AND A BAG OF DRIED SKIN. ( laughing ) 1542 01:12:13,147 --> 01:12:15,081 I KNOW THAT, YOUR HONOR. 1543 01:12:15,149 --> 01:12:17,083 I KNOW WHAT YOU'RE GOING TO DO. 1544 01:12:17,151 --> 01:12:19,285 AND I WOULDN'T EVEN TRY TO CHANGE YOUR HONOR'S MIND 1545 01:12:19,354 --> 01:12:21,221 BECAUSE I KNOW IT CAN'T BE CHANGED. 1546 01:12:21,223 --> 01:12:23,556 ALL I ASK IS THAT BEFORE YOU DO IT TO HER, 1547 01:12:23,625 --> 01:12:25,558 YOU'LL GIVE ME THE ONE CHANCE TO MAKE AMENDS 1548 01:12:25,627 --> 01:12:28,094 AND SHOW HOW SINCERE I FEEL ABOUT HER 1549 01:12:28,163 --> 01:12:30,095 AND JOIN US IN HOLY WEDLOCK. 1550 01:12:30,165 --> 01:12:31,698 JOIN YOU IN HOLY WEDLOCK? 1551 01:12:31,766 --> 01:12:34,367 WHY, THE DIRTY-- WELL, WHAT DO YOU KNOW? 1552 01:12:34,435 --> 01:12:36,503 OH NO, YOU DON'T. 1553 01:12:36,571 --> 01:12:39,172 YOU AIN'T GONNA GET HER OUT OF THIS WITH ANYTHING THAT SIMPLE. 1554 01:12:39,240 --> 01:12:42,175 I KNOW IT'S HARD FOR YOUR HONOR TO UNDERSTAND, 1555 01:12:42,177 --> 01:12:44,577 BECAUSE COMPARED TO PEOPLE LIKE YOUR HONOR-- 1556 01:12:44,579 --> 01:12:47,046 WE PROBABLY LOOK LIKE KIND OF TERRIBLE PEOPLE. 1557 01:12:47,115 --> 01:12:48,981 I-- I MEAN BEING GAMBLERS AND SHILLS. 1558 01:12:49,050 --> 01:12:50,783 AND SINGERS AND THINGS LIKE THAT. 1559 01:12:50,852 --> 01:12:52,652 BUT-- BUT WAY DOWN DEEP, YOUR HONOR... 1560 01:12:52,720 --> 01:12:54,920 WE'RE JUST THE SAME AS EVERYBODY ELSE, YOUR HONOR. 1561 01:12:54,990 --> 01:12:56,523 WE DREAM OF LITTLE WHITE COTTAGES. 1562 01:12:56,591 --> 01:12:58,992 WITH LITTLE WHITE PICKET FENCES RUNNING AROUND THEM. 1563 01:12:58,994 --> 01:13:01,728 - IN THE TWILIGHT. - I WAS GOING TO SAY THE MOONLIGHT, YOUR HONOR. 1564 01:13:01,796 --> 01:13:03,596 THE TWILIGHT'S JUST AS GOOD. DON'T BE FUSSY. 1565 01:13:03,665 --> 01:13:05,064 AND CRICKETS CHIRPING IN THE TREES. 1566 01:13:05,133 --> 01:13:07,600 AND DON'T FORGET THE PITTER-PATTER OF LITTLE BABY FEET. 1567 01:13:07,669 --> 01:13:10,736 - OH, WE HAVEN'T, YOUR HONOR. - WE'RE CRAZY ABOUT 'EM. 1568 01:13:10,805 --> 01:13:14,740 - LOTS AND LOTS OF THEM. - PAINTS A VERY PRETTY PICTURE. 1569 01:13:14,809 --> 01:13:17,210 YOU THINK YOU CAN REALLY PUT UP WITH THIS LONG DRINK OF INK? 1570 01:13:17,278 --> 01:13:19,412 OH, HE'S-- HE'S NOT SO BAD, YOUR HONOR. 1571 01:13:19,480 --> 01:13:20,947 HE'S-- HE'S NOT SO BAD AS HE LOOKS. 1572 01:13:21,015 --> 01:13:25,018 I MEAN WAY DOWN DEEP HE'S ABOUT AS TRUE AND FAITHFUL AS A-- A-- 1573 01:13:25,020 --> 01:13:26,553 AS A $2 TRUMPET. 1574 01:13:26,621 --> 01:13:28,955 DON'T GO ANY FURTHER. YOU'RE BREAKING MY HEART. 1575 01:13:29,023 --> 01:13:32,225 AND I SUPPOSE YOU ARE MADLY IN LOVE WITH THIS BAGFUL OF TROUBLE-- 1576 01:13:32,227 --> 01:13:33,760 WAY DOWN DEEP I MEAN, OF COURSE-- 1577 01:13:33,828 --> 01:13:36,295 AND ARE CHAMPING AT THE BIT TO LOVE, HONOR, PROTECT 1578 01:13:36,364 --> 01:13:39,032 AND SUPPORT HER IN A STYLE TO WHICH SHE'S TOTALLY UNACCUSTOMED. 1579 01:13:39,034 --> 01:13:40,833 ANSWER YES OR NO. 1580 01:13:40,902 --> 01:13:43,836 OH, SHE'S NOT SO BAD, YOUR HONOR, WAY DOWN DEEP I MEAN. 1581 01:13:43,905 --> 01:13:45,838 I'M A LARD HEAD TO DO THIS 1582 01:13:45,840 --> 01:13:48,241 AND I'LL PROBABLY REGRET IT THE REST OF MY LIFE, 1583 01:13:48,243 --> 01:13:50,510 BUT I'M CONSIDERING-- ONLY CONSIDERING, MIND YOU-- 1584 01:13:50,512 --> 01:13:53,379 SUSPENDING SENTENCE IN THIS CASE AND-- 1585 01:13:53,448 --> 01:13:55,315 - OH, YOUR HONOR! - SHUT UP! 1586 01:13:55,317 --> 01:13:56,982 I'VE HEARD ENOUGH OUT OF YOU. 1587 01:13:57,052 --> 01:13:59,452 HAS ANYBODY GOT A RING IN THE HOUSE? 1588 01:13:59,454 --> 01:14:01,320 OH, YOUR HONOR. 1589 01:14:01,389 --> 01:14:05,191 YOU CAN HAVE MINE. I DO NOT NEED IT ANYMORE. 1590 01:14:05,193 --> 01:14:07,526 PARDON. 1591 01:14:07,595 --> 01:14:10,529 AW, GEE, THAT'S TERRIBLY KIND OF YOU. 1592 01:14:10,598 --> 01:14:11,864 IT'S NOTHING. 1593 01:14:11,933 --> 01:14:13,132 I HAVE NOTHING TO REMEMBER 1594 01:14:13,201 --> 01:14:16,269 AND I DON'T WANT TO REMEMBER ANYTHING. 1595 01:14:16,271 --> 01:14:19,005 IT CAME FROM PARIS-- FOR LUCK. 1596 01:14:19,073 --> 01:14:21,073 AW, GEE, THAT'S AWFUL SWEET OF YOU. 1597 01:14:21,142 --> 01:14:23,343 DARLING, THIS IS LaBELLE BERGERE. 1598 01:14:23,345 --> 01:14:25,010 - HOW DO YOU DO? - HOW DO YOU DO? 1599 01:14:25,080 --> 01:14:26,546 YOU ARE A LUCKY GIRL. 1600 01:14:26,548 --> 01:14:28,348 I GUESS I AM, WAY DOWN DEEP. 1601 01:14:28,416 --> 01:14:29,882 A HANDSOME DOG. 1602 01:14:29,951 --> 01:14:32,084 I SUPPOSE SO, IF YOU LOOK AT HIM IN THE RIGHT LIGHT. 1603 01:14:32,153 --> 01:14:34,287 - AND WHAT A DANCER. - YEAH. 1604 01:14:34,355 --> 01:14:38,757 - BUT HOW DO YOU KNOW? - OH, HEH, HOW DO I KNOW? 1605 01:14:38,827 --> 01:14:40,826 WELL, ONE CAN IMAGINE THESE THINGS, NO? 1606 01:14:40,895 --> 01:14:42,561 NO, NOT WITH HIM, YOU CAN'T. 1607 01:14:42,630 --> 01:14:44,964 SO THAT'S THE KIND OF-- SO THAT'S THE KIND OF POKER YOU PLAY 1608 01:14:44,966 --> 01:14:46,432 WHILE I'M SPENDING THE NIGHT IN THE CALABOOSE-- 1609 01:14:46,500 --> 01:14:47,967 - AH AH AH! - IS IT? 1610 01:14:48,036 --> 01:14:49,835 WAIT A MINUTE, HONEY. I WAS ONLY PASSING A LITTLE TIME. 1611 01:14:49,904 --> 01:14:52,438 YEAH, NOW I KNOW WHO YOU WERE PASSING IT WITH, YOU TWO-FACED TRIPLE-TIMING-- 1612 01:14:52,440 --> 01:14:53,840 NOW TAKE IT EASY, WILL YOU, BABY? 1613 01:14:53,908 --> 01:14:57,243 NOW WAIT A MINUTE! IS THIS ANY WAY TO-- 1614 01:14:57,311 --> 01:14:58,711 CUT IT OUT, WILL YOU, BABY? 1615 01:14:58,713 --> 01:15:00,779 AS FOR YOU, YOU CROSS-EYED LOUSE-FACED-- 1616 01:15:00,849 --> 01:15:03,182 - WAIT A MINUTE, HONEY. - OOH, IF I JUST HAD A GUN! 1617 01:15:03,251 --> 01:15:04,850 LOOK OUT! 1618 01:15:04,919 --> 01:15:07,319 NOW STOP THAT, FREDDIE. AIN'T YOU LEARNED YOUR LESSON? 1619 01:15:07,389 --> 01:15:09,789 - ( all shouting ) - ORDER! 1620 01:15:09,791 --> 01:15:12,325 STOP THAT! ORDER IN THE COURT! 1621 01:15:12,327 --> 01:15:14,460 DON'T GIVE IT TO HER, SHERIFF! DON'T GIVE IT TO HER! 1622 01:15:14,528 --> 01:15:16,128 - WAIT A MINUTE. LOOK OUT! - NOW YOU-- 1623 01:15:16,197 --> 01:15:19,332 - ( all screaming ) - ( gavel pounding ) 1624 01:15:19,400 --> 01:15:22,001 O'Toole: STOP THAT! ORDER IN THE COURT! 1625 01:15:22,070 --> 01:15:24,270 - STOP IT, I SAY! - ( all shouting ) 1626 01:15:24,339 --> 01:15:27,373 ( screaming ) SAVE ME, YOUR HONOR! 1627 01:15:31,612 --> 01:15:33,746 LOOK OUT! 1628 01:15:33,815 --> 01:15:36,382 ( screaming ) 1629 01:15:39,020 --> 01:15:40,954 - Ambrose: I'LL GET HER. - NO, FREDDIE! 1630 01:15:41,022 --> 01:15:42,989 Ambrose: LOOK OUT, FREDDIE. 1631 01:15:44,759 --> 01:15:45,825 - LET GO! - LET ME HAVE IT. 1632 01:15:45,893 --> 01:15:47,426 - GET IT! - HOLD IT! 1633 01:15:47,495 --> 01:15:49,428 - SOMEBODY-- - LOOK OUT THERE! LOOK OUT! 1634 01:15:49,497 --> 01:15:51,431 - THAT DOES IT! - LOOK OUT! 1635 01:15:52,767 --> 01:15:55,101 ( shouting stops ) 1636 01:15:55,169 --> 01:15:57,770 OH, SAY IT AIN'T SO. 1637 01:15:59,373 --> 01:16:01,941 Man: GET OUT! GET OUT OF THE WAY HERE! 1638 01:16:03,578 --> 01:16:06,912 SHHHH... 1639 01:16:06,981 --> 01:16:08,781 TELL ME IT DIDN'T HAPPEN. 1640 01:16:08,783 --> 01:16:11,451 WHEN IT COMES TO HIM, YOU NEVER MISS. 1641 01:16:11,453 --> 01:16:15,054 - OH NO NO. - Doctor: WELL, HERE WE GO AGAIN. 1642 01:16:15,056 --> 01:16:16,588 THREE TIMES FOR LUCK, I ALWAYS SAY. 1643 01:16:16,658 --> 01:16:18,124 - HA HA. OH! - ( crashes ) 1644 01:16:18,192 --> 01:16:22,195 ♪ OH THAT BEAUTIFUL BLONDE FROM BASHFUL BEND ♪ 1645 01:16:22,263 --> 01:16:24,931 ♪ NEVER DID LEARN TO KEEP A FRIEND ♪ 1646 01:16:24,933 --> 01:16:28,134 ♪ SHE'D GIVE 'EM A START, THEN SHOOT 'EM IN THE END ♪ 1647 01:16:28,136 --> 01:16:32,071 - ♪ SHOOT 'EM IN THE END... ♪ - YEEHAW! ( whooping ) 1648 01:16:32,140 --> 01:16:34,607 ♪ THAT HARD-TOOTIN', FREEBOOTIN', SIX-SHOOTIN' ♪ 1649 01:16:34,675 --> 01:16:36,742 - ♪ BEAUTIFUL BLONDE... ♪ - ( gunshot ricochets ) 1650 01:16:36,811 --> 01:16:43,216 ♪ THAT BEAUTIFUL BLONDE FROM BASHFUL BEND. ♪ 133604

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