All language subtitles for La maison sous les arbres

Yeah, you might as well, honey.

And don't worry, huh?

I'm sure they'll be here any minute.

Patrick?

Patrick?

On est arrivé.

Je dois téléphoner. Monsieur?

Patrick,

Patrick, what's happening to us?

Where the hell are you?

Jesus, what the hell are you doing
there?

No, no, I'll come for you.

Jill, I thought I'd come for you.

They're all right.

Hey, I'll tell you what we do.

You will watch the pot while I go and
collect them, okay?

Andrew, don't you want to eat something?

No. I don't want to eat that.

Just sit up for a minute. Have something
to eat. I don't want to eat that.

Look out for the nook.

For the burnt parts.

Philip?

Go to bed, Jill.

I'm trying to work.

She shut me out with your silence.

You shut yourself in.

Was it such a crime to get on that
barge?

I didn't mean to upset you, you know
that. I didn't realize how late it...

never mean anything and you never
realize anything!

But I've been late before. You've never
been this upset. What is it? What is it

this time? Because I can't stand it
anymore because I've had enough. You're

a child, Jill. You're like Patrick. You
and Patrick. Two little selfish children

running off doing whatever the hell you
please. Now, who gave you an idea to go

on a barge?

Nobody.

Nobody.

You just did it.

Just like that because you felt like it.

Haven't you ever done anything just like
that because you felt like it? Because

the idea came to you?

Have you always done exactly what you're
supposed to do?

Yes.

When you got pregnant, I married you.
Wasn't that what I was supposed to do?

I didn't mean that. I wanted to marry
you.

I loved you.

I love you.

I don't know what's the matter. It's
just... It's just that I'm sick and

of being taunted.

Taunted?

You're right, Philip.

We shouldn't talk.

Words don't mean the same thing to each
one of us.

Go back to your equations.

You understand them.

Philip, what's happened to us?

What is it?

Philip. Darling, you said to do what I
feel.

Well, I feel.

No.

What are you doing with Daddy's pen?

What do they write?

But it's true.

At the market, they always put them in
newspapers.

We better hurry up. Cynthia's waiting
for us. Okay, I'm coming.

Ready?

You want to say goodbye to Daddy?

Yes.

Be back at 12.

Goodbye.

Don't go far.

Ben, come here.

Oh, look at this. Oh, yeah.

Isn't it beautiful? That is romantic.

Isn't it beautiful?

You know, the lady who owned this was in
love.

Why don't you buy it?

It's probably very expensive.

What time is it, Ben?

Why is the time so important?

Because we have to be home by noon.

I want to try to get Philip out of the
house this afternoon.

I don't want him to be angry again.

We're not stuck in a barge, you know.
Whenever we want, we can drive home.

Do you like this?

Sweet, isn't it?

It's probably done by hand. Does he
always get so angry when you're late?

No, I'm not like this, you know. I mean,
he gets upset, but he's been very on

edge lately.

All right, now I'm going to buy you each
a present. What would you like,

Patrick? This. Yes?

All right. Kathy?

This. You sure?

Mr. Hallard.

Please sit down.

You're looking well.

Thank you.

How's your charming wife?

Let's see. You've been in Paris two
years.

Kathy must be eight.

And Patrick?

Patrick must be four.

I understand you have an apartment on
Rue Mazarin.

That's quite a change from your house in
Laurel Canyon, isn't it?

I know how easily you can get
information.

And you're working for a publisher.

Reptile.

Advances of modern science.

You're wasting your time.

My answer's no.

I have a contract with me.

Of course.

Another contract.

No.

Not if you offered me one million
dollars.

A million?

I don't think we could go that high.

Once you sign the contract, you will
have a very important job.

You tell me you don't want a million
dollars, Mr. Hallard, but there is

something you do want.

Don't try to deny it.

You want to use your considerable gifts.

That brain of yours is deteriorating.

Every month, every day, you allow it to
be idle.

You can go back to your work now.

It'll be as brilliant as before.

Let another year or two go by, and as
far as physics or mathematics go, you

be finished.

After you, let me put it this way, repay
our generosity,

you won't see us anymore.

And the job remains yours.

You're lying.

You'll never stop.

I give you my word.

Your word.

Oh.

I am sorry you've made such a hasty
decision, Mr. Howard.

Very, very sorry.

Philip, come out and play with us. No,
darling, not now, please. I can't. I'm

working. Oh, but you've worked enough
today. You work too much all the time.

Come on, Daddy. You can play with my
gun. Oh, I can. Well, you better watch

Buster. I got a gun in my home.

Philip, it's Sunday. Come out.

I can't, honey.

I'd like to get in the car with my
father.

You promised not to talk.

May I have a pen and a pencil?

Getting ready to leave, are you?

Just where the hell do you think you're
going?

I asked you a question, Philip.

I don't know damn well where I'm going.

Taking a plane to Duluth at 11.

Well, never mind. We'll send Boucher.

What you can do is collect your pay and
get out of here.

And by the way, you're not quitting, you
know.

You're fired.

Just what the hell are you talking
about?

Damnedest thing that's ever happened in
my career.

You know where my office is.

Why didn't you come around and see me
yourself?

What kind of an egghead custom is this?

The wife calling up the employer.

My wife?

Your wife called me up to say that
you're leaving at the end of the month.

That's ridiculous.

Somebody's playing tricks on you.

Your wife called me, Philip.

That's impossible.

I'm sure I recognized her voice.

She called up to say that you weren't
getting enough money here and that you

were leaving.

Well, I can assure you that nothing is
further from my heart.

Listen, Philip, has your wife been
having any kind of emotional upset

It wasn't my wife.

I better get going.

Listen, my boy, we've been having great
success up to now.

And with this new book, it'll be even
bigger.

I've even been planning a big race for
it. Thank you. I can use it. Look, I've

just got to get going or I'm going to
miss that plane.

Did I tell you the first printing is for
$50 ,000?

That's how much confidence I have in
you.

Put your keys in the door.

Again.

I'll put them here so you won't forget
where they are, okay?

Okay.

My contributions to dinner tonight.

Ah, terrific.

I'll put them on ice. Okay.

Patrick might swallow these pills. You
shouldn't leave them open on the sink.

What do you mean, open on the sink?

Where's the lid?

Isn't it there?

I don't know.

At least he can't reach them here.

I was sure I put those pills away.

It doesn't matter. They're okay now.

I like it. I really do like it.

Do you?

It's yours.

No, but I'll buy it from you. Oh,
Cynthia.

After all you've done for us.

And I'd like you to have it if you want
it.

No, but someday I shall be able to boast
about my early Jill Hallard. I'll never

be famous then.

Well, why not?

I mean, you're selling them, aren't you?
Well, only to that creepy little guy on

the rudest end.

And I think he's more interested in me
than in my paintings.

It doesn't matter.

As long as he buys.

It's too bad you have to blow it all on
that doctor.

Well, I know.

But it's important to me, Sienna.

I have to get better.

Well, I have to show apartments this
afternoon.

To two old widows from Baltimore.

Now, I think they've come to Paris to
live it up.

They even asked me if I knew any
unattached men.

Frenchmen.

Maybe you ought to think about going
into that business.

No, thank you.

I think I'll stick to my real estate.

By the way, if you and Philip ever
decide to go back to America, I can rent

place for you in a minute.

Bye, Patrick.

Bye.

At a very good price, too.

Oui? Qu 'est -ce que c 'est? Je m
'excuse, je me suis trompée.

Dr. Nolak.

Oh, monsieur.

Why are you so... Why do you do that?
Why are you so crazy?

Hello, Madame Haller. Hello, Anne.

What can I do for you?

I have an appointment with the doctor.

Not today, Madame Haller.

Well, today is Wednesday.

Tomorrow is Wednesday.

Could I...

Could I see the doctor, just for a
moment?

He's not in. He's at the clinic.

I'm sorry.

Hello?

Hello? Hello, Jill.

Philip! Hello, darling.

Listen, Jill, did you call Brital and
complain about my salary?

Did I what?

What? Philip, what?

To call Bretthal and complain about my
salary.

No.

No, I didn't call and complain about
your salary. What do you mean, Philip?

you absolutely sure?

Yes, I'm positive.

All right.

I think I'm positive.

All right.

What is your name?

Hansen. H -A -N -S -E -N.

Was he good?

Oh, I didn't know he was there. A little
angel.

Seven letters ending in L.

Perso. Right.

Remind me to take my umbrella when I
leave.

Is it here?

You borrowed it a couple of days ago.

I borrowed it?

It was raining and you were on your way
to Philip's office.

It was two days ago.

It's the red one.

It's not there.

You probably left it somewhere.

I'll buy you another one.

Oh, listen, I leave umbrellas all over
Paris. Now, don't worry about it.

What worries me is that I can't
remember.

Have you heard from Philip?

No, he just left today.

He'll probably call tomorrow.

Sydney, he's been in London a week.

Not one call.

You know he loves you.

He loves to go to bed with me.

You know, it's funny how men can
separate the two. I mean, I... I can't

bed with a man that I don't love.

Can you?

No.

No, with one who doesn't love me.

Have you, um... had many affairs?

Only Philip.

Since I was...

Twenty.

Twenty.

Well,

aren't you the faithful one? Not that I
blame you. Philip is wildly attractive.

He's more than that. He's so brilliant.

Come on, now.

What's wrong, huh?

We've grown so... We've grown so far
away from each other.

Well, do you think he has another woman?

No.

No.

He's changed.

He's all closed up inside himself.

He works all the time.

Why has he changed, do you know?

have an idea.

Now, why don't you and I go out and we
can have a drink somewhere and we can

live it up a little.

I mean, it'll cheer us up.

Okay. The children.

Well, what about that agency?

What's its name?

On the Rue de Rennes. Yeah. Yeah.

Well, it's closed.

Well, why don't you... Okay.

Let's have a drink here then. To men.

Damn them all.

Who am I today?

Maybe the doctor will tell me presently.

Patrick!

What do you think of this?

Do you like it?

Okay.

Yes. Are you from the agency?

Yes. Come in.

Is that him?

Yes, that's him. I'll be right back.

My name is Lucy.

I took a risk calling you, but I had to
warn you.

Oh, sure.

You're a friend of mine, aren't you?

Maybe.

I can tell you what they're planning to
do if you refuse to go back.

But you're a big boy.

You'll have to make your own decision.

Patrick? Patrick, baby, what happened?

What happened to him?

I slapped him.

You what?

Well, he almost put my eye out with his
pen.

Look, he is only a little boy, and you
are here to take care of him, not to

punish him. Now will you get out of
here?

You owe me for three hours, madame.

Lucy, Lucy, what?

What is your name?

I

forgot

the grocery.

Is there mail today?

Aren't there letters for me today?

Come on.

What's in my mailbox?

She didn't.

Oh,

there's another.

One, two, three.

This is good for two pieces.

Kathy.

Ah.

What's that?

What does that mean?

A kiss.

A kiss.

To you.

Me? You're funny.

Funny boy.

What do you want for Christmas?

A clown hat.

Okay.

We were scared, thinking of you.

Those are beautiful.

Who are they from?

Me.

You're trembling.

Wake up. We're safe.

Philip.

I thought the truck was going through
the yellow. It was my fault.

I'm sorry.

I dreamt we were living on an island.

Nobody else but us.

Patrick. Sunshine.

Go. Make music.

Tonight I want to look the most
beautiful of all.

I want to go and see the toys.

I want to go and see the toys. You know,
there will be a lot of men just like

Daddy there.

Writers, publishers.

Zip me, darling.

Do you like this dress? Is it nice?

Is it pretty?

Yes. Ah, good.

But you have the same one.

What, Kathy?

You bought it a month ago.

Your sister's crazy.

Ew.

Oh, my.

You're a silly boy.

Oh, Patrick.

What are you doing?

Here it is.

But I bought it twice.

I didn't remember that it was already at
home in my closet.

Could I have a cigarette?

Let me.

Last week, you told me about an
umbrella.

Yeah, Cynthia's.

I borrowed it on the way to Philip's
office.

And Philip insists you've never been to
his office.

Where did I go?

Where?

Is it possible that you didn't go
anywhere?

Didn't go out at all?

Well, why would I tell Cynthia?

Perhaps you didn't even borrow the
umbrella.

What are you saying, Doctor, that
Cynthia lied?

Why don't you consider the possibility
that Cynthia may have had a lapse of

memory?

Often when you've told me about
forgetting things, it's happened when

around.

Well, that's not true.

Many times.

Well, if it is...

Isn't that natural?

We're together a lot of the time.

I'm afraid our time's up.

Doctor,

I don't know what you're driving at.

I bought the dress two times.

I was alone when I bought the dress.

I don't even know myself.

It's just something to think about.

Patrick, I'm Cathy.

I'm going to make a phone call. I'll be
right back.

Wait here. You hear me, Cathy? Wait
right here. All right.

I

just

want to run.

Yes, hello.

This is Madam Hallard.

Yes, it's the 714 tonight before 7.

Yes, you'll have to kill the children,
dear.

Come on, the babysitter's waiting for
us.

Come on, be nice. We won't be back until
very late.

Okay, thank you.

Come on.

But Mademoiselle Hanson said you were
downstairs.

Patrick. Take this. Come on.

Thank you.

Voilà. Merci.

I see you, madam.

Hello. Britain knows how to publicize
your books. Hello,

madam.

Excuse me. Mr. Batal is so sorry that
your wife couldn't come.

After all, the party was for your book.
Yes, thank you. Excuse me, please.

Who are you? What are you doing here?

I'm the babysitter. I've been waiting
here for more than an hour.

Phone rang several times.

Hello, Joe.

Who is this?

What? Where? What police station?

Excuse me, sir. Excuse me, sir.

Excuse me, sir. Excuse me, sir.

Excuse me, sir. Excuse me, sir.

Excuse me, sir.

Hello. Oui.

Oui, commissaire.

Non, rien.

Personne à téléphoner.

Oui.

Oui, j 'ai temps.

Well, I have to leave very early
tomorrow.

Do you want me to come back in an hour?
No.

No, I'll call you if I need you.

I'm going to try and get her into bed.

Maybe a tranquilizer.

If only I'd gone with her today.

You can't be with her all the time.

I'd never have let her go near the
water.

Don't blame yourself. You have your job.

Call us if you need us.

Patrick Scar!

This is Patrick Scar! Hold on, that's
mine.

Where is Patrick?

Right on the edge. There,

right on the edge.

What are these paintings

about?

Come, come, come, mademoiselle.

Didn't you tell your art dealer you
wanted to paint what you kind of wanted?

I didn't. Tell him I painted what I saw
in the water. I like to paint water.

He has seen my paintings, but... You
spent a lot of time by the river.

Did you?

Or didn't you?

Yes.

I paint there.

Patrick liked to play there.

You were in a bad auto accident
recently, no?

Yes.

There's trouble with your memory. How
long has it been going on?

Two years.

Since we came here, about two years.

Do you feel your husband is burdened
with the children?

Sometimes.

I feel that.

I understand that you and your husband
haven't had a sexual relation for a very

long time.

Madame? Then your husband has a
mistress?

No.

Oh, indeed.

A young man with no sex in his life.

I think your husband does have a
mistress, and you know it. No, that's

You just feel your husband doesn't love
you.

Speak up, madame.

He's a brilliant man.

I think he loves me.

Did you ever think of killing yourself?

No.

Mothers have been known to commit
suicide with their children.

In some cases... Fiddleton get killed.

And the mother lose with her nerve.

I don't understand.

That doesn't appear to be a motive.

You're not a wealthy man.

Were you asked for a ransom?

No.

I regret to say, Monsieur Adal, I must
keep your wife here.

Why?

Why? She hasn't done anything wrong.

If that's the case, we won't have to
keep her long. Look, I know my wife had

nothing to do with this. I'm absolutely
positive.

Do you have other information you want
to share with me?

Where did you get that candle? Where's
my mother?

And the matches.

I forbid you to touch them.

Go to sleep now.

What is your name?

Hansen. H -A -N -S -E -N.

Put that down.

Give me that give it to me Please

Give me that Give

me that

I

Remember hearing Kathy say

Mademoiselle Hanson said you were
downstairs.

Mademoiselle Hanson is a babysitter that
I have used once.

Dark hair, dark eyes, slender, about 30.

Yes.

Your little boy left a yellow scarf on
the bench at a show.

A woman of description came and asked
for it.

You see? Which agency do you use?
Rotterdam.

8730... No.

8738... 8738... But

that's

my name! I'll show you my passport!

Erika Hansen. Swedish.

Student.

Never saw her before.

First you said she is Mrs.

Hanson.

Now you say she isn't Mrs. Hanson. Which
is it?

This person has never been to my
apartment.

Who used your name?

Who came to my apartment instead of you?

Would you prefer to come to the police
station and ask the questions there? Who

is she? I don't know who she is.

She said that she knew the little boy,
that he looked just like her own son who

died. She begged me to let her take my
place.

And you fell for it?

I'm sorry for her. I didn't see any
harm. We often swapped jobs and things.

Where did you meet her?

At the student center.

What happened to the check Mrs. Hallett
gave her?

She brought it to me.

She offered to give me more money, but I
thought there was something fishy and I

didn't take it. I swear I didn't.

Where is she?

Where does she live?

I don't know. I never asked her.

Get your coat, mademoiselle. You're
coming with me.

No, what are you going to do to me? Get
your coat. I didn't...

Do you think that she knows anything?

We'll see.

If she doesn't, can you find that woman?

We'll find her. You mustn't worry.

In cases like these, the women are
mentally ill. They take good care of

victims.

I'll drive you home.

Is there anything I can do, Philip?

No, nothing.

I know Jill so well.

It seems impossible that she... That she
what?

Would do anything to hurt the children.

Oh, Cynthia, please don't be ridiculous.

What is it, Philip? Please tell me.

Tell me.

Tell me.

You'll feel better if you talk about it.

It's because of me that they've taken
the kids away.

Who?

I don't understand.

You know, for two years they left me
alone.

And I was stupid enough to think I was
rid of them.

Who were they?

That's what's so funny. I don't even
know the organization they call

That's all I know about them.

You must think I'm some kind of a
madman.

I was mad once.

First time I let them trap me.

They always found a way to get to me.

Always.

I always find a way.

Like now.

Taking my children.

What do they want?

These polished and cultivated gentlemen
are interested in my work, my brain.

They specialize in industrial espionage.
I was a very high -class kind of

informer. They want you to do it again.

Yes.

They want me to sign a contract.
Contract with a top company, a new job.

I'll sign it. I'll sign anything.

Why the hell doesn't it ring?

Why don't they call me?

He's the only good thing that ever
happened to me.

Oh, Jesus, why don't they quarrel?

You must know how much I care for you.
If there's anything... Yes, yes, I know.

Please, just go to bed.

Jill.

How long have you been here?

I heard everything.

You can go ahead He's ready

Yes. Yes, hello.

Yes.

Yes, I understand.

All right, I'll be there as soon as I
can.

I'm coming with you. No, darling, you
mustn't. I must go alone. If they see

anybody with me, they won't come near
me.

You're back.

Only a poor daughter.

The children.

Gone.

When did they let you go?

Late last night.

Everything's going to be all right. I
know it.

I feel it.

You do?

Kathy brought that down the other day
after school.

I know.

She adores you.

So does Patrick.

It was lucky for us when you found us
that apartment upstairs.

For me, too.

I found myself a ready -made family.

It was terrible being locked up in jail.

Like a murderer.

Idiot police.

Philip and I were out of our heads with
worry.

You were very kind to stay with him.

Whenever we're in trouble, you're always
there.

That's what friends are for.

Well, I was in jail.

I thought about you.

You have a job.

You have Sydney.

You have a lot of friends.

And yet you spend all your time with us.

I love you.

Did you ever find your red umbrella?

Doesn't matter. I don't care.

Did you ever have a red umbrella?

Forget about it.

It's not important.

Since we moved in, you've been spying on
us, haven't you?

What?

Yes, I understand!

Yes!

You know where my children are.

Now you're going to tell me.

You're going to tell me or I'll kill
you.

Did you find out?

Where are my children?

Where are my children, please?

As soon as Philip signs the contract,
they'll return the children. No.

No, there won't be the meeting. I saw
them.

I saw the police following. Philip,
there won't be a meeting.

What are you doing, Mr. Hallert?

I have a few questions.

Please.

Go on.

Are you waiting for someone?

Who?

Mr. Hallert, I must insist you answer.

You can.

I think you should know what happened.

Go ahead.

Contact could not take place. He arrived
with an escort.

He should have known this and warned us.

Report to us immediately.

You were right.

There was no meeting.

They don't give me much information. I'm
not important enough.

Everything is coded and split up among
several of us.

All I have is a telephone number.

Come on, let's go.

Put these on.

Now wait for me here.

And please don't move. Promise me.

Just a minute.

You haven't told me everything, Mr.
Haller.

I don't understand.

Let's go to my office.

I'm to keep her here.

Ain't there a telephone where the
children are?

And there was no answer.

What number?

What number?

If you give me the number, I can find
the address.

Nine.

Hmm? 989.

989?

I

remember.

You must remember.

We...

989 -1213.

989 -1213.

Thank you.

Cut it.

Patrick let Kathy finish your drawing

Kathy isn't there a

door?