Original subtitles

What? You're resigning

to go to harvest? Why?

we made a mistake, Bailey.

what happened when

we kissed each other--

that was a mistake.

- ok.

- ok.

so let me make it easy

for both of us.

what, by quitting?

by firing yourself

over something

that we both did?

Bailey...

no! No, I'm not--

I'm not gonna

let you do that.

Lauren, I can't

let you do that.

harvest? Come on.

I happen to know that

you like working here,

and you're good at it,

and I want you

working here.

oh, you want.

so do you.

Lauren...so do you.

I'm tearing this up.

you can't keep me

from resigning, Bailey.

what if I don't

want to be here?

Lauren, wait. We--

I'm attracted to you,

Bailey.

we're--ok,

you're gonna say

we're both attracted

to each other,

but that's the point.

we shouldn't be here

like this.

we shouldn't be walking around

each other every day

worried we're gonna make

another mistake.

that's not gonna happen.

that won't happen.

if we have to come up

with some kind of system

where--where

we work different--

meals or whatever

we have to do.

ok, if I'm around here

too much--

you're around a lot.

ok, well, then, I'll

stay out of your way.

ok? We can put this

behind us, Lauren.

we're--we're grownups.

right?

grownups.

sometimes I think

there's no such thing.

? Everybody wants to live ?

? like they wanna live ?

? and everybody

wants to love ?

? like they wanna love ?

? and everybody

wants to be ?

? closer to free... ?

? closer to free ?

(Typing on computer)

I'm totally psyched you moved

back to the dorm, jule, but...

you wanna tell me what

the hell you're doing?

oh, oh. Really,

really sorry,

but o'Neil said I could

resubmit to Perry marks

if I had a new story

in her box by 7 A.M.

(yawns)

who?

she's this writer who's

coming to visit our class.

what was wrong

with the old one?

derivative, adolescent,

boring--take your pick.

how do you spell

"naively"?

as in Maggie naively thought

she'd get some sleep tonight?

so, you're doing

a totally new one

in, like, 5 hours?

isn't that

kinda ambitious?

no. I had this in a drawer,

you know, for a while.

sorta kept it there.

yeah? What's it about?

hmm, stuff.

you know, moving on,

getting past the bad stuff.

you wanna know the best

night of my life?

when I realized

I can do that--

put ned behind me.

hmm. Will that ever happen?

keep writing, girl.

it will.

Claudia: Charlie, do you

know what time it is?

ok, I just changed Diana,

like, 10 minutes ago.

she's soaked through again,

and I have to get to school.

Charlie...

Owen, come.

we have to--

oh, sorry.

these kids are definitely gonna

end up on Jerry springer.

what are these?

what is this?

here. Let me

take her.

ok, guys, we should--

can you pick me up

after school?

claud, I can pick you up

from school.

and now Charlie's gonna

have to pick up Owen.

is that ok?

hughley's at 4:00, right?

yes. Ok, everybody.

we should--come on.

Charlie and Kirsten

need their privacy.

yes.

come on.

no.

(chuckles)

I'm sorry.

hey, how about

my place tonight?

quiet dinner.

just us.

(banging)

what? What's so funny?

nothing. Nothing.

it's just...

I've never been able

to say that.

quiet dinner

at my place.

(chuckles)

(banging intensifies)

that's too loud to be Owen.

what is that?

(hammering)

excuse me.

renovations. Always a bear

in twenties victorians.

wait a second. There must

be some kind of mistake here.

no mistake.

your contractor's

been informed.

as for that roof--

excuse me.

my contractor?

you are Bailey salinger, right?

this is your house?

"How to say no

when you wanna say yes."

"antibiotics and you."

(whispering) Sarah, can you

remind me why we're here again?

(whispering)

because.

because you're 16.

and?

and you should have

a checkup.

look, I went

to the gynecologist

when I was 16,

and I learned

about birth control,

all that stuff.

ok, Sarah, we have

talked about this.

as far as sex is concerned,

I wanna wait, like you did.

and then, uh, considering

my nonexistent boyfriend

situation,

I really don't think

we have a problem here.

I'm not like other girls.

you know, guys just

don't follow me around

like they do Julia.

Claudia...

look, I saw tons

of high-school guys

all over you

at that party.

and you're growing up.

so you need a grown-up

woman's doctor

and somebody else besides

me and your brothers

to give you advice.

it must be hard

to be a mom.

all those things

you have to remember

to tell your kids.

stuff that's hard

to talk about.

and they don't

wanna listen.

you're welcome.

Ok.

Thanks.

um, ok, so we're low

on co2 for the tap,

and I brought in

some extra soda.

because of that, joy's out sick,

so I gave lanie her tables.

thanks.

ok. So--

great. I got it

covered. Bye.

bye.

Charlie, hey. I been

trying to call you.

I know.

I got your message.

- you did?

- yeah.

ok, because, listen,

I heard about

this morning with

the contractor, ok,

and I just wanna say

before you say anything

I'm sorry, ok?

I'm really sorry.

I was totally,

totally wrong.

great. Thanks.

you've been great about

letting us move back

into the house,

and the last thing

that I wanna do is

make you regret it.

why would I regret it?

it's--it's ok.

no, it's not--

it's not ok.

if we're gonna be living

in the house like this

together,

this kind of thing

can't be happening.

wait a minute. Are we

actually arguing about this?

I'm telling you

to do what you want,

and you're saying no?

we're not arguing, ok?

we're just--

we're just setting

ground rules, ok?

because I wanna find

a way to share this house

that is fair to you.

and to you, too.

ok, that's fair

to everyone.

all right?

all right.

all right.

it really

wasn't that long ago

that I was sitting there

wondering what

the visiting writer

was gonna say.

5 years ago

seems like 5 minutes.

to you. To me,

it seems like 5 decades.

you've got a lot

of good stories here.

I liked a lot of them.

Josh. Where's Josh?

"ramparts waving."

lots of good

local color.

(affects accent)

you must be from Boston.

I am, actually.

nice story, Josh.

um, Ariana...

good ear for dialogue.

see? I wrote that

right across the top.

why is it so hard?

'cause it is, isn't it?

writing's hard.

you get a good idea,

and you think,

"hey, that'll make

a great story,"

but then...

there's that

white sheet of paper.

it seems like

the widest ocean

that you have

to swim across,

and then,

when you're done,

and you're finished,

and you read it,

if it doesn't

seem like...Like...

"yet if it does not seem

a moment's thought,

our stitching and unstitching

has been naught."

yeats.

Adam's curse. Right.

but what does it mean?

it means that you can

work for, like, hours

changing a word

and moving a comma,

and when it's done, if it

doesn't seem like nothing,

like easy and natural,

then--

then it's...Phony.

doesn't seem

like anything.

which story's yours?

I'm salinger.

salinger.

ahh, salinger

comma Julia.

uh-huh.

well, I think

the writer...

could have asked

way more of herself,

of her story.

it's fine. It just...

it doesn't face up

to its subject matter.

it lets itself

off easy.

I'm not saying this

very well. Um...

the subject was

kinda personal, so...

so it's scary. I know.

requires taking risks.

not just, like,

writing well,

'cause we can

all write well.

rosalyn cutler.

are you here, rosalyn?

Lauren. Lauren...

wait.

I know we're supposed

to be staying out of

each other's way,

but let's not

be nuts about it.

will ya sit

for 5 minutes

and show me

which end is up on

this account sheet?

ok. It'll only take

5 minutes.

thank you.

ahh...

Sarah: Bailey...

sorry.

- hi.

- hey.

Sarah, this is Lauren,

my new manager.

- hi.

- and, Lauren, this is Sarah.

hi. Is this a bad time?

am I interrupting something?

no, no, not at all.

this...

no, we can--

uh, I'm gonna go.

ok.

Lauren: Ok.

I'll see you tomorrow.

yep.

bye.

nice to meet you.

hey...

hey.

so I just came by

to tell you

that everything's

a little crazy,

and the unpacking is not

exactly under control.

it is. It's gonna be,

but I thought I should cancel,

so I did.

cancel what?

Bailey, the spelunking trip

for my geology class.

maybe it is

a good idea.

not canceling it,

but just putting it

off for now,

with everything

going on right now.

yeah, I figured.

we're not even done with

the move and the house.

right. The house.

so I did the right thing.

yeah, I guess so.

just asking.

Claudia: Ok, yeah.

I will. I'll call you later.

ok, so, listen, Charlie.

you remember Melanie

from Griffin's band, right?

yeah, I guess.

ok, so she and some kids

are going down to this

club tonight,

'cause they hear that

r.e.m. Is gonna be playing.

it's one of those

surprise gigs

that only club people

know about.

ok, sweetheart,

let's get you cleaned up.

so, listen, the band's supposed

to go on, maybe around 8:00,

which probably means 10:00.

and drinking--

absolutely no drinking.

I know that.

and Melanie's practically,

well, she's practically

an adult.

so, for that matter,

so am I.

so, um, I was

just wondering...

claud, it sounds fine.

just be back by 10:00.

you think Bailey

has any intention

of ever cleaning

any of this stuff up?

are you even

listening to me?

I just said that they wouldn't

probably go on until 10:00.

I mean, maybe 11:00.

oh, sorry.

uh, how's midnight

sound, then?

12:00. Wow.

do you mean it?

this is you we're

talking about, right?

last time I checked.

good. 'Cause I don't

worry about you, claud.

should I?

all right.

only a few more boxes.

What the--

"is it good for you?"

I don't believe this.

I turn my back

for 15 seconds,

and Claudia's

collecting condoms

and--and birth control

pamphlets.

oh, Bailey, relax, ok?

so I took Claudia to the doctor.

you did?

yeah. Somebody's gotta

talk to her about that stuff,

and you know what?

if you wanna yell at me,

then go ahead.

'cause I know that I didn't

do anything wrong.

Sarah, I'm sorry.

you're right.

you're right.

hey...hey, listen...

I'm sorry.

I want you to do me

a favor, ok?

you know that trip--

the cave thing for

your geology class?

I want you to call them

and uncancel it.

don't you think I know

what it's like for you

here?

or how hard I am

to get along with

right now?

and none of it's

your fault, Sarah,

none of it.

ok? So just go

and have fun.

and you'll

be helping me,

if I can think

about you someplace

enjoying yourself.

Ahem.

hi.

it's so easy, isn't it?

huh?

to criticize

someone's work,

someone's hard work,

and then walk away.

oh, boy.

here we go.

you think I took

the easy way out

with that story.

you took the

easy way out, too,

by saying what you said

with no solution.

a solution?

I was trying, you know,

to say something

in that story.

yeah, you said

it was personal--

this is my world, ok,

and maybe it's not

interesting to someone

who's published

or won awards,

but it might be interesting

to someone boring like me.

you're not boring.

you know you're not.

no, but apparently

you think--

what I think is you got

all this attitude,

but you're good.

you're a writer.

sure, I'm a writer.

that's why you

trashed my story.

that's why

you trashed me.

look, I'm not good

up there.

I know.

like when I don't like

someone's work

and I don't wanna

deal with it,

I say something like,

"hey, nice job"

or "good ear

for local color."

something.

but when

I admire a writer,

i--i read their stuff

like I would my own.

I'm tough on it.

that's how I treat

a writer I respect.

ohh.

you still got it on you?

the story.

maybe I should take

another look at it.

oh, do you know how long

it's been, Charlie?

what?

since I've

lived on my own?

since I've had...

an answering machine

with my name on it?

and--and...

food in the fridge

that I like?

a guy on my couch

that...i can have

any time I want?

(both chuckle)

I could get used to that.

who couldn't?

now I feel guilty.

why?

a--I've probably jinxed it,

and b--I'm just

making you jealous.

heh. Jealous?

no way.

I can just

come over here,

and you gotta

pay the rent.

ok, that does it.

your share of the pizza

just doubled.

no way.

gimme your wallet.

give it. Give it to me.

no way. No way.

that pizza

was on you.

ohh.

All right,

do it fast, ladies,

what are you having?

um, I'll take a, uh...

uh...

um...

Melanie.

how's your

whole existence?

hey.

oh.

I didn't see you.

um, so...

what's the deal,

you guys came

here together?

um...

what, did you, like,

invite him here, too?

no, I just, uh, wasn't sure

you'd both show up.

Melanie, you practically

dragged me here.

you know, I bet r.E.M.

isn't even playing here,

probably, right?

i--i had to.

ok? You guys...

you never should have

broken up.

Melanie,

this is really--

ok, wait! Listen...

you dumped him 'cause

he stole that pick, right?

please don't do this.

well, you should know,

he's not the kind of guy

who does that.

in fact, when he

gave it back to his boss,

he bought him one of

Coltrane's sax reeds

to fill out

his collection.

ok, so, what am I

supposed to say?

you know what? I'm just

gonna leave you guys be,

ok?

bye.

? sarcastic

silver swirl ?

Charlie.

? the day

that it rained... ?

Charlie!

hey.

hey.

I got some house stuff.

and you know the rule,

I don't do a thing

until we talk.

ok.

ok, first off,

my contractor...

our contractor

checked the electrical,

and do you know how old

this system is?

70 years.

it's depression wiring,

so Manny says

the--the sooner

we replace it,

the more it'll save us,

because the code

constantly changes.

I wonder how much

he's going to charge us

to save us all that money?

uh, well, hey, it's--

I'm not saying

we have to do it.

it's your decision.

ok, what else? I got

another mile to go here.

well, it's just, uh...

Claudia.

I knocked

her knapsack over,

and I found all of these

condoms in there

and--and pamphlets

on birth control

and oral sex.

right. I mean, Sarah took her

to the gynecologist, right?

yeah, she did, but

wh-what I'm saying is

I'm wondering

who's on top

of all this stuff,

because here she is

getting all this

information

from all

these different people,

and I'm just wondering

if, maybe,

somebody should have

a conversation with her.

I don't understand.

well, it's just a--

a policy question.

you know, I'm not...

telling you what

you should do.

it's completely

up to you.

right, like, with the house

and the electrical system

and...

well, wait a second--

you keep saying

that it's all up to me,

but that's not what you mean.

you mean, it's up to me

as long as I make

the right decision.

can i--can I

please start over?

because I'm not

doing this right.

just stop, ok?

just take a look

at what you're doing here.

you bring up all these things

and you call them

policy questions,

but I mean, they're not

really questions,

are they?

listen, if you see

a better way to do

anything around here,

just do it.

just don't pretend that

that's not what you're doing.

ok?

Perry:

no, I see what you did.

I read the changes.

I still don't buy it.

but why not?

what does that mean?

this is based on

something that happened

that I knew about.

ok, but I don't care.

her boyfriend's

hitting her.

I told you,

I don't care.

it's not the story.

the story is why

she stays with him

as long as she does.

it's hard to answer,

right?

that's why it's

the part to write about,

because you don't know.

no, I do know why

she stayed. I do.

it was because i--

it's ok.

go ahead.

it was because I...

kept taking

all of his intensity

and all that

attention for love.

mistake. Hmm?

yeah, it was.

I know. It hurts...

but don't be afraid

to feel it.

ok.

(Telephone ringing)

oh, Charlie,

I need your key.

the phone's ringing.

Kirsten,

wait a second.

there's

ice cream in here.

you want it to melt?

I don't want

to hear the message.

it's probably for Bailey.

just let him get it later.

I don't want to see

the dishes in the sink.

I don't want to look at

the bills on the counter.

I just want to sit here

with you and Diana.

machine: Hi, we can't come

to the phone right now,

but leave a message and

we'll call you back. Thanks.

I just want

to hear the...

michaelson's

sprinkler system.

(laughs)

they've got a valve

that needs replacing.

you hear that?

uh-huh.

but not by me.

no.

(laughs)

Julia: So, did you

sleep with him?

who?

2 A.M. Barry.

the guy who read Whitman

into your machine.

did the poetry work?

Whitman wasn't

enough to get me

into Barry's bed.

hmm.

he had a roommate,

though.

ooh, a love triangle.

man, is there, like,

anything that

you don't ask about?

come on,

Perry, tell me.

I told you mine.

so, what happened?

no, thanks.

we had a fight, I guess.

I thought we were over,

but then I found a note

that he slipped

into my backpack.

said to meet him

up on west rock.

we used to go there

and have sex.

and that's when

I found him.

and it was good Friday,

and he'd left you

another note

about heaven and sacrifice

and how much he loved you.

I guess

you read my story, huh?

I cried for a week.

wow...

so, all that

really happened, huh?

let's not talk about it.

but, Perry, you wrote it.

it's all there in your book.

you're funny.

I'm---

you just are.

you want everything

out in the open.

well, that's...What you do.

in your writing,

you go so deep,

you bring everything out.

in my writing. Exactly.

look, I've got to go,

ok?

book signing later, right?

Hmm.

listen, salinger,

I'm sorry about

that thing with Cody.

it's just--i mean,

I can tell from

the way he talks

that he's really into you.

oh, yeah, right.

Melanie, please.

he's just so great,

that's all.

I mean, he's got every tune

in his beautiful head from--

from, like, Elvis to Mozart.

ok, Melanie, could you

just lay off about Cody?

I mean,

you think he's so great,

why don't you just

date him yourself.

I already did, remember?

and now he's into

somebody else...

and I guess you are,

too.

I'm what?

oh, no. Nuh-uh.

no, I'm not.

we played in

a band together, claud.

I saw where

your eyes were going.

I mean, every time

you cooked on some solo,

you did it

for one person only.

Griffin.

you're--

you're wrong. No.

it's ok. We all had

a crush on him,

but he's, like,

fantasy land,

you know?

I mean,

you know that, right?

yeah, I know that.

so, Cody's for real.

and I just--

I can't help thinking...

I mean, unless fantasy land

is actually where

you want to live.

Charlie?

Charlie, you here?

Wow, this is pretty cool.

hey.

listen, I'm kind of

busy right now.

I know. It's just

we talked about having

coffee after the signing.

I thought I'd come by early,

maybe get my copy signed.

oh, yeah, listen, um...

I'm not going to be able

to do the coffee.

I, um,

I made some other plans.

oh.

ok, well, we'll just

find another time then

to get together.

um, can we just say I'll

see you when I see you?

woman:

miss marks?

hi. Thanks for coming.

thank you.

and what's your name?

my name's Marcie.

- Marcie. Ok.

- i-e.

Ok, guys,

good job cleaning up

and we'll see you tomorrow.

see you tomorrow,

Mr. salinger.

so...what,

we have a few

minor disagreements

and you pack a suitcase?

what's going on, Charlie?

you taking a trip?

no, it's, uh...

it's a little more

than that.

it's more than that?

what? What's going on?

what are you--

are you leaving?

are you leaving

the house?

yeah.

I can't believe this.

I can't believe

you're doing this.

ok, listen to me. Ok?

I won't say another word,

not one word.

you can make every decision

in the house, ok?

Bailey, it has nothing

to do with decisions.

is it still Owen?

no.

well, then,

what is it, Charlie?

because I brought up

a couple of things

that I thought

we should work on

because I wanted to help.

I was trying to help.

I know that, Bailey.

I know that!

that's what you do.

it's who you are.

you've always been

that way.

well, so, what is that

supposed to mean?

ever since

we've been on our own,

from the day

that they were gone,

that day...

you remember who took

all the phone calls

from the funeral home?

who sat up the whole

night with Claudia?

it's--it's in

your nature, Bailey.

it's how

you've always been,

and it's how

you should be.

what about you though,

Charlie?

because you're the one who's

been in charge the whole time.

only, I never

wanted that, Bailey.

it was something

that I had to do,

and I did it,

and I'm glad

that I did it.

but you,

you actually asked,

again and again.

Charlie, can I have

the restaurant?

Charlie,

can I have Owen?

ok--

what about this--

what about this

house stuff?

can i--

can I take that, too?

yeah, but I never meant

for you to leave.

so, please, just

tell me what I did--

you don't understand.

this is not about you

taking something

from me, ok?

this is about you

giving me something.

bay, I've been

dreaming about this

for 5 years, man.

not about

leaving you guys behind,

but about

having my own...

my own life...

and...i think

I see that, Bailey...

a life on my own.

on your own?

(Thunders)

Claudia, has--

has Sarah called here?

no.

you sure

she hasn't called?

haven't heard from her.

is everything ok?

I gave her a cell phone,

you'd think she'd call.

recording: The cellular customer

you are trying to reach is

unavailable.

- There you go.

- thank you.

uh, excuse me.

hi. I--i was here for

the book signing earlier,

and I left my copy

of Perry marks' book.

actually, I left it with her.

I'm kind of a friend.

I was wondering if you had

any more copies.

I'd like to get one.

aisle 9, new section.

lesbian,

feminist writers.

lesbian...writers?

guess you're not

a close friend, are you?

Bailey.

aren't you supposed

to be at the restaurant?

what are you--

look, I'm sorry.

I was--i was just--

I was driving around,

and I was trying to...

think, and--

come on in.

you're soaking wet.

take your jacket off.

I'll get you a towel.

It's really coming down

out there.

are you all right?

well, to tell you

the truth, no.

no, I'm not.

um...

here.

look, Lauren, I know

I shouldn't be here.

ok? I know that.

it's just...

you're the only one.

you're the only person

who--who gets this.

who knows

what this is like.

knows what?

what it's like to...

want to control

everything...

in your life and to wrap

yourself around so much.

do you know--

you know what I mean?

I do.

ok, I know.

I know you do.

this is why

I needed you.

wait, wait.

Lauren, wait.

I'm sorry, I can't--

I can't do that.

then why did you

come here, Bailey?

because...

because I thought

that you would--

you would understand.

it's too much.

I'm trying to do

too much. Even this--

even what

we're doing here.

I'm taking

more and more on

until it's more than

I can handle...

and--and then...

I'm pushing

everything away.

everything.

even the people that

I care about the most...

and I can't do that.

wow.

I'm taking the job

at harvest.

my stuff will be out of

the restaurant tomorrow.

Lauren--

what, are you gonna try

to talk me out of it again?

no, I'm not.

I'm...i'm

really sorry.

so am I.

You could come with me now,

and then you could

change your mind later...

whatever feels right.

no.

I want to decide.

don't do it now

if you're not ready.

I don't think

I want to go.

I want to stay.

Ok.

Charlie...

this house...

these creaking walls...

leaks...

my whole life

has happened here.

my whole life!

this is home.

I guess I'm just...

now where you are yet,

you know?

I'm not grown up enough

to move on.

oh, I don't know

about that, claud.

sometimes, lately,

I'll turn around,

and I'll see you

come through a door...

you look

so much like her...

all grown up.

I wish she was here

to see you,

'cause I know

how proud she'd be.

mom would be proud

of you, too, Charlie.

I don't know,

but if I am...

if I am that grown up...

it's because of you.

I am so happy

for you, Charlie.

you deserve this.

Sarah.

hey.

you're home.

ohh.

hi.

hi.

Bailey, it's 3 A.M.

take off your clothes

and go to sleep.

no, I waited up

to welcome you home.

I missed you.

Bailey, I was only gone

for, like, a day.

I know, but I still

missed you so much.

really? I didn't even

think you'd notice.

you've been so distracted.

I know, and--

and that's gonna change.

that has to change.

'cause...

how do I say this?

what?

you--

you know about Charlie?

Claudia said he's moving.

yeah, he's...Moved.

he's gone.

wow.

he's lived in this house

his whole live, Sarah.

he's run this house

since my parents

were gone.

he's run our family.

and I don't know

that I ever really

knew that until now.

and there's so much

in my life now...

so much that I have to

take care of...

and I have asked

for all of it,

so I'm not sorry.

as long as you know

one thing:

none of it matters

more to me than you do.

none of it.

because

I will never take

someone that I love

for granted again...

ever.

do you hear me?

do you know what

I'm saying?

yeah, I think so.

good.

Perry: If you guys think about

the concept of writing,

and what it is that

you're really writing about,

it's gonna be there.

ok, we'll see you guys.

thank you.

thanks.

oh, this looks like

a good one.

bye. Thanks.

so, one minute

we're friends,

and the next minute

we're not?

is it because I'm just

a college student?

or...or is it maybe

because you decided

I'm a crappy writer,

after all? Or...

or is it the gay thing?

in which case,

hello, Perry, it's

the nineties. Who cares?

Julia--

I mean, you're

telling me stories

about the boyfriends

you've had.

look, i--i have had

boyfriends, ok?

i--i did have--

ok, but then--

then why not tell me

the whole truth?

I mean, you let me come

to my own conclusion.

you let me think that

we were understanding

each other,

that we knew each other,

when, really,

I had no idea.

that story was true.

what's also true

is that I am gay now.

it's not something

that I tell people

when I first meet them.

look, you know, Julia,

i--i told you,

I'm not like you.

you talk about stuff.

you let everything in.

you let everything out.

I don't know. Maybe

you're braver than I am.

maybe...

maybe you just don't know

what it's like to be me.

well, how can I

if you don't tell me?

I mean,

if we were friends,

you'd tell me.

or maybe that's

what you're saying.

maybe you're saying that

we can't be friends.

no, I guess

what I'm saying is...

we already are.

listen, uh, I'm gonna start

looking for an apartment

tomorrow,

but, uh, Diana and I will

just crash here tonight,

if that's ok.

um...

Charlie, it's--

it's fine.

I mean, you don't

have to do that.

you don't have to

start looking right away.

oh, yes, I do.

I mean...

you told me before

how great it is to have

your own place, so...

well, yeah,

that's right. It is.

(laughs)

well, good.

then you should have that.

yeah, but I'm just--

I'm saying that...

you don't have

to do that now.

you can stay for awhile.

that's fine.

So, I heard r.E.M. Might

be playing here tonight.

it's a long shot, but...

you never know.

yeah, sometimes...

people surprise you.

yeah, I guess, yeah.

So, won't your

brothers freak...

that you're here?

it's pretty late.

I came here

'cause I wanted to, Cody.

and Melanie said

that...you might be here.

I'm just saying,

forget my brothers.

I'm here to be

with you.

oh.

ladies and gentlemen,

r.e.m.

(cheering)

? I've found a way

to make you ?

? I've found a way ?

? a way to make you smile ?

? I read bad poetry ?

? into your machine ?

? I save your messages ?

? just to hear your voice ?

? you always listen

carefully ?

? to awkward rhymes ?

? you always

say your name ?

? like I wouldn't know it ?

? you at

your most beautiful ?

? do do do do-do ?

? do do do do-do ?

? do do do do-do ?

? do ooh ooh-ooh ?

? I've found a way

to make you ?

? I've found a way ?

? a way to make you smile ?

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