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1
00:02:59,246 --> 00:03:02,814
This is WSNB Radio New Orleans
2
00:03:02,816 --> 00:03:06,518
live broadcasting from the
beautiful Suburban Gardens here,
3
00:03:06,520 --> 00:03:09,655
where our special guest this evening,
Mr. Louis Armstrong,
4
00:03:09,657 --> 00:03:13,025
is back in New Orleans
after ten long years.
5
00:03:13,027 --> 00:03:16,195
He's come back here
a big, big star.
6
00:03:18,332 --> 00:03:20,232
...on WSNB Radio
New Orleans.
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00:03:20,234 --> 00:03:23,202
And our next broadcast
is brought to you by,
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00:03:23,204 --> 00:03:25,604
uh, Royal Crown Hair Cream.
9
00:03:25,606 --> 00:03:27,472
That's right.
Your hair'll be curling...
10
00:03:30,077 --> 00:03:32,311
What a crowd here...
11
00:03:33,214 --> 00:03:34,546
Yes, sir.
12
00:03:34,548 --> 00:03:37,249
Our station manager
handed me a paper here
13
00:03:37,251 --> 00:03:39,868
that says to his recollection,
14
00:03:39,869 --> 00:03:43,029
this will be the first time a colored
boy will be on the radio in New Orleans.
15
00:03:43,857 --> 00:03:46,258
All right,
so we see they're dimming the lights here,
16
00:03:46,260 --> 00:03:50,162
and, uh, our MC
is approaching the microphone
17
00:03:50,164 --> 00:03:52,864
to begin
this evening's broadcast.
18
00:03:52,866 --> 00:03:56,168
I ain't announcing
no nigger man on the radio.
19
00:04:11,385 --> 00:04:13,151
Good evening,
ladies and gentlemen.
20
00:04:13,153 --> 00:04:14,987
I'm Mr. Armstrong.
21
00:04:31,105 --> 00:04:32,704
Hello. You like that?
22
00:04:32,706 --> 00:04:34,640
I said we back home,
we back home.
23
00:04:39,113 --> 00:04:40,512
Thank you, folks.
Thank you, folks.
24
00:04:40,514 --> 00:04:42,648
Thank you, folks.
Look out here, folks.
25
00:04:42,650 --> 00:04:45,884
Now, this goes out to
all you lovely people in here
26
00:04:45,886 --> 00:04:49,288
and all my beautiful brothers and
sisters outside on the levee.
27
00:04:53,093 --> 00:04:54,526
The first I'm going
to play for you
28
00:04:54,528 --> 00:04:56,662
is You Rascal You.
You Rascal You.
29
00:04:56,664 --> 00:04:58,030
Look out here, fellas,
look out.
30
00:04:58,032 --> 00:04:59,665
You ready?
Here we go. One...
31
00:05:18,185 --> 00:05:19,484
♪ Boy, you know one thing?
32
00:05:19,486 --> 00:05:21,653
♪ I'll sure be glad
when you're dead
33
00:05:26,126 --> 00:05:27,759
♪ Laughin' and grinnin'
in my face
34
00:05:27,761 --> 00:05:30,629
♪ You're trying to be in the
back with my wife, you old dog
35
00:05:45,879 --> 00:05:48,947
♪ I'll be glad when you're dead
you rascal, you
36
00:06:23,050 --> 00:06:25,917
♪ I'll be glad when you're dead
you rascal you
37
00:06:25,919 --> 00:06:30,255
♪ I'll be glad
when you're dead you rascal you
38
00:06:30,257 --> 00:06:32,324
♪ When you're layin'
six feet deep
39
00:06:32,326 --> 00:06:34,926
♪ No more fried chicken
will you eat
40
00:06:34,928 --> 00:06:37,896
♪ You ain't no good,
you rascal you ♪
41
00:06:59,920 --> 00:07:02,454
Thank you, thank you.
42
00:07:02,456 --> 00:07:06,391
Thank you. Thank you, folks.
Thank you, folks. Thank you, thank you.
43
00:07:38,258 --> 00:07:40,125
Ladies and gentlemen,
listen to the crowd
44
00:07:40,127 --> 00:07:44,996
welcoming home the wonderful
Louis Armstrong in New Orleans.
45
00:07:52,473 --> 00:07:54,639
This here is my sister,
Miss Nora Bass.
46
00:07:54,641 --> 00:07:56,708
Nora, this is
Mr. Charles Bolden.
47
00:07:56,710 --> 00:07:59,344
He live on First Street.
48
00:07:59,346 --> 00:08:03,014
Maybe you should invite Mr.
Bolden to Sunday service with us.
49
00:08:06,153 --> 00:08:07,586
Nora.
50
00:08:10,357 --> 00:08:13,725
You don't seem like much a church-going man,
Mr. Bolden.
51
00:08:15,195 --> 00:08:17,062
Mama and me, we go to...
52
00:08:17,064 --> 00:08:19,564
Mama and me, we go
to First Street Baptist.
53
00:08:21,869 --> 00:08:23,301
Mama.
54
00:08:23,303 --> 00:08:25,237
This is
Mr. Charles Bolden.
55
00:08:25,239 --> 00:08:27,639
This is my mama,
Mrs. Ida Bass.
56
00:08:28,375 --> 00:08:29,474
How do you do,
Mrs. Ida...
57
00:08:29,476 --> 00:08:31,710
How do you make
your livin', Mr. Bolden?
58
00:08:36,550 --> 00:08:38,250
I make the church music better.
59
00:08:48,161 --> 00:08:49,928
I make the church music better.
60
00:10:04,671 --> 00:10:06,304
So what do a manager do?
61
00:10:06,306 --> 00:10:07,772
What do a manager do?
62
00:10:08,008 --> 00:10:08,840
Oh.
63
00:10:08,842 --> 00:10:10,442
I take care of the business
64
00:10:10,444 --> 00:10:12,210
while you take care
of your music.
65
00:10:13,013 --> 00:10:15,714
Your music got power.
I hear it.
66
00:10:16,283 --> 00:10:18,516
I seen what it do
to folks.
67
00:10:18,518 --> 00:10:20,685
Take power like you got...
68
00:10:20,687 --> 00:10:22,721
...combine it with
a business purpose,
69
00:10:23,457 --> 00:10:25,256
that's what a manager do.
70
00:10:27,861 --> 00:10:29,828
You a sensation, Bolden.
71
00:10:33,200 --> 00:10:35,533
You play horn louder
than the day's long,
72
00:10:35,535 --> 00:10:37,168
even in the hot sun.
73
00:10:37,170 --> 00:10:41,272
You got women dropping to your feet,
hoping to carry your horn.
74
00:10:41,274 --> 00:10:43,875
The day you was born,
you was kissed on the lips
75
00:10:43,877 --> 00:10:47,379
with something only you got,
ain't nobody else got it.
76
00:10:47,848 --> 00:10:49,814
Folks hear your music,
77
00:10:49,816 --> 00:10:51,282
they understand something
78
00:10:51,284 --> 00:10:53,418
can't hardly put to words.
79
00:10:55,589 --> 00:10:58,223
And I know how to sell
what you got.
80
00:11:00,594 --> 00:11:02,927
And you...
81
00:11:02,929 --> 00:11:05,697
...you better listen to me.
82
00:11:06,366 --> 00:11:07,932
Mmm-hmm.
83
00:11:10,904 --> 00:11:13,338
How the band supposed to make
more money if we gotta pay you?
84
00:11:14,207 --> 00:11:16,941
I put you in front
of a white audience.
85
00:11:23,183 --> 00:11:24,716
Jesus Christ, Bartley.
86
00:11:24,718 --> 00:11:27,185
Yeah.
87
00:11:27,187 --> 00:11:28,453
You ever done this?
88
00:11:28,455 --> 00:11:30,155
I got to fly
the balloon.
89
00:11:59,686 --> 00:12:01,720
Boy, they don't
like this one bit, huh?
90
00:12:03,690 --> 00:12:05,490
How long before
we gotta start this...
91
00:12:06,593 --> 00:12:08,560
- Oh, no, I'll be damned.
- Oh, yeah.
92
00:12:08,562 --> 00:12:10,795
Oh, no. Buddy.
93
00:12:11,765 --> 00:12:13,131
Bartley, I don't think
this is a good idea.
94
00:12:13,133 --> 00:12:15,467
Oh, you'll be all right.
You'll be great.
95
00:12:15,469 --> 00:12:16,568
I won't fall?
96
00:12:16,570 --> 00:12:17,535
Come on,
you got to go now.
97
00:12:17,537 --> 00:12:18,570
Yeah?
98
00:12:18,572 --> 00:12:20,238
Why the fuck
am I doing this?
99
00:12:20,240 --> 00:12:21,740
All right.
100
00:12:21,741 --> 00:12:23,241
I... Tell me...
Tell me when to jump.
101
00:12:26,346 --> 00:12:29,280
Play it loud!
102
00:12:33,086 --> 00:12:36,588
- Stop the cart. Stop the cart.
- Whoa, whoa.
103
00:12:59,913 --> 00:13:01,246
Oh.
104
00:14:00,106 --> 00:14:02,307
Thanks for the crowd.
105
00:14:09,049 --> 00:14:10,648
Whoo!
106
00:14:10,650 --> 00:14:13,117
Hey, Buddy Bolden!
107
00:14:20,861 --> 00:14:22,293
Whoo!
108
00:14:41,114 --> 00:14:42,114
Stop.
109
00:15:34,267 --> 00:15:35,700
Thank you,
ladies and gentlemen, thank you.
110
00:15:35,702 --> 00:15:38,703
I see that we have someone
who can't not be here today.
111
00:15:38,705 --> 00:15:40,855
Right over there.
112
00:15:40,856 --> 00:15:43,006
You know, folks,
they helped me get my very first cornet.
113
00:15:43,009 --> 00:15:44,309
Yes, they did.
114
00:15:44,311 --> 00:15:46,411
I was just a little boy
back then.
115
00:15:54,754 --> 00:15:57,288
♪ Oh, that's it right there
116
00:15:58,458 --> 00:16:00,825
♪ Every night
117
00:16:00,827 --> 00:16:03,795
♪ You'll hear her croon
118
00:16:03,797 --> 00:16:08,333
♪ A Russian lullaby
119
00:16:09,302 --> 00:16:10,601
♪ Oh, just
120
00:16:11,738 --> 00:16:14,939
♪ Just a little plaintive tune
121
00:16:14,941 --> 00:16:19,077
♪ When baby starts to cry
122
00:16:20,981 --> 00:16:26,284
♪ Rock-a-bye, my baby... ♪
123
00:16:44,037 --> 00:16:46,037
You all right
down here, Buddy?
124
00:19:20,827 --> 00:19:24,862
...Radio broadcasting
live from Suburban Gardens
125
00:19:24,864 --> 00:19:27,064
in New Orleans.
126
00:19:57,297 --> 00:19:59,230
Evening, Bolden.
127
00:20:00,466 --> 00:20:02,400
As an officer
of the court,
128
00:20:02,402 --> 00:20:06,771
I am duty-bound to
make a periodic assessment
129
00:20:06,773 --> 00:20:10,942
of the conditions in our
state prisons and asylums.
130
00:20:10,944 --> 00:20:15,112
As presiding judge of the
Criminal Court or Orleans parish,
131
00:20:15,114 --> 00:20:17,782
I am the final arbiter
132
00:20:17,784 --> 00:20:20,985
of your life and liberty.
133
00:20:20,987 --> 00:20:23,821
I'm here
because you're here.
134
00:20:29,062 --> 00:20:30,761
"Servants...
135
00:20:30,763 --> 00:20:32,997
"be obedient to them
that are your masters.
136
00:20:32,999 --> 00:20:36,500
"according to the flesh,
with fear and trembling..."
137
00:20:38,538 --> 00:20:42,506
That's the way the world
moves on, Bolden.
138
00:20:43,343 --> 00:20:45,476
Hate your oppressors
139
00:20:45,478 --> 00:20:48,846
and you'll be enslaved
forever by your memories.
140
00:20:57,257 --> 00:20:58,823
Hey!
141
00:20:59,559 --> 00:21:01,643
Hey!
142
00:21:01,644 --> 00:21:03,728
Kid, you gotta put 'em up
or you gonna get hit.
143
00:21:04,664 --> 00:21:05,997
All right, you two.
144
00:21:05,999 --> 00:21:07,131
Go on. Come on.
145
00:21:35,795 --> 00:21:38,296
What'd I tell you?
What'd I tell you?
146
00:21:58,217 --> 00:21:59,717
Come on now,
come on!
147
00:23:31,010 --> 00:23:32,743
Come on down
and see me play tonight.
148
00:23:32,745 --> 00:23:34,512
And leave Mama
all alone?
149
00:23:34,514 --> 00:23:35,913
No. Bring her with.
150
00:23:35,915 --> 00:23:37,948
She can dance
like we do in church.
151
00:23:37,950 --> 00:23:40,584
- What?
- I know she can.
152
00:24:41,147 --> 00:24:42,179
Hold this.
153
00:24:53,192 --> 00:24:55,125
Come on,
you go it.
154
00:25:03,035 --> 00:25:04,201
God damn.
155
00:25:16,182 --> 00:25:17,648
Why we out here?
156
00:25:17,650 --> 00:25:19,116
Women are dancing
over here.
157
00:25:19,719 --> 00:25:21,752
Buddy, dancing's inside.
158
00:25:23,322 --> 00:25:25,289
Ain't never enough
dancers for that.
159
00:25:25,291 --> 00:25:26,690
You gotta call 'em all.
160
00:25:26,692 --> 00:25:28,926
Can't you call, call 'em
from inside?
161
00:25:31,063 --> 00:25:33,097
So you're just gonna
keep playing, huh?
162
00:25:36,369 --> 00:25:38,202
You know what's
between them stars?
163
00:25:38,204 --> 00:25:39,870
Don't start with
that shit, Buddy.
164
00:25:39,872 --> 00:25:40,905
Space.
165
00:25:40,907 --> 00:25:42,206
Please, man. Shit.
166
00:25:42,208 --> 00:25:43,841
Ain't nothin' but time.
167
00:25:46,946 --> 00:25:48,212
Yeah.
168
00:26:21,013 --> 00:26:22,212
Nora.
169
00:26:24,984 --> 00:26:26,250
Shh.
170
00:26:28,654 --> 00:26:31,388
- Nora.
- Shh.
171
00:26:31,390 --> 00:26:34,258
What are you doing here?
172
00:26:34,260 --> 00:26:37,061
Nora,
why you don't come see me play?
173
00:26:38,631 --> 00:26:41,298
A lady don't go
where the Bolden band play.
174
00:26:43,369 --> 00:26:45,636
Oh.
175
00:26:45,638 --> 00:26:48,906
Mama said you grow up
too wild for a good girl.
176
00:26:48,908 --> 00:26:51,108
All that rockin'
in church,
177
00:26:51,110 --> 00:26:52,810
she don't like that, no.
178
00:27:00,686 --> 00:27:02,920
Mama don't like
your music neither.
179
00:27:08,427 --> 00:27:10,127
Hey, whoa, whoa!
180
00:27:10,963 --> 00:27:12,863
Y'all ain't
playin' it right.
181
00:27:15,768 --> 00:27:17,501
Put your horns down.
Put 'em down, put 'em down.
182
00:27:17,503 --> 00:27:19,837
We, we, we,
we're gonna clap it out.
183
00:27:19,838 --> 00:27:22,172
Tillman, give me that, uh, give me that
beat you were working with. Hit it on four.
184
00:27:22,174 --> 00:27:23,874
This one?
185
00:27:24,677 --> 00:27:26,377
Yeah, yeah,
that's it. Four.
186
00:27:26,379 --> 00:27:27,678
Now, Johnson.
187
00:27:27,680 --> 00:27:30,414
Ba, ba, ba-ra, ba-ra.
188
00:27:30,416 --> 00:27:32,716
Ba, ba, ba-ra, ba-ra.
189
00:27:34,553 --> 00:27:36,854
See how that feels?
Yeah, yeah, that's it.
190
00:27:36,856 --> 00:27:38,555
Now, Mumford,
give me time.
191
00:27:43,596 --> 00:27:45,929
Oh, yeah.
Cornish, come on down.
192
00:27:45,931 --> 00:27:47,998
Hit two and four.
193
00:27:49,635 --> 00:27:51,168
Come on, Cornish.
194
00:27:51,170 --> 00:27:52,469
Da. Da.
195
00:27:52,471 --> 00:27:53,471
Let's go.
196
00:27:54,540 --> 00:27:56,306
Yeah.
Yeah, that's right.
197
00:27:58,077 --> 00:27:59,009
Yeah.
198
00:27:59,011 --> 00:28:00,077
Now, Warner.
199
00:28:01,147 --> 00:28:03,447
Pay attention. Look.
You're gonna hit the four.
200
00:28:07,420 --> 00:28:08,752
Come on, Warner.
201
00:28:13,359 --> 00:28:16,060
Oh, yeah.
202
00:28:26,806 --> 00:28:28,238
Listen, listen.
203
00:28:32,478 --> 00:28:33,877
That's it.
204
00:28:35,581 --> 00:28:37,281
Oh!
205
00:28:45,624 --> 00:28:47,324
Yeah, ha.
206
00:28:55,868 --> 00:28:58,068
This music about
talking to each other.
207
00:28:58,437 --> 00:28:59,903
Yeah. Come on.
208
00:29:00,573 --> 00:29:02,539
Now y'all havin'
a conversation.
209
00:29:03,843 --> 00:29:05,776
Who said that?
210
00:29:05,778 --> 00:29:06,944
Why would you now...
211
00:29:06,946 --> 00:29:07,946
Yeah!
212
00:29:13,419 --> 00:29:14,419
Come on.
213
00:29:38,544 --> 00:29:39,544
I love you!
214
00:29:58,731 --> 00:30:00,063
Mama.
215
00:30:02,835 --> 00:30:04,301
Nora gonna
move in with us.
216
00:30:15,247 --> 00:30:16,346
Mmm.
217
00:30:16,347 --> 00:30:17,446
Yeah. That's it.
218
00:30:17,449 --> 00:30:19,283
Ease into it
like that.
219
00:30:19,718 --> 00:30:21,118
And you gotta, um...
220
00:30:21,120 --> 00:30:23,387
Get your...
Get your wrists loose.
221
00:30:23,389 --> 00:30:24,872
See that.
222
00:30:24,873 --> 00:30:26,356
Blow your lips.
Like that.
223
00:30:26,358 --> 00:30:27,858
You blow...
224
00:30:27,860 --> 00:30:30,260
Yeah, like...
225
00:30:34,633 --> 00:30:37,467
I ain't raise my daughter
for the likes of you.
226
00:30:37,469 --> 00:30:40,537
How you fixin' to make a livin'
playing your horn?
227
00:30:41,540 --> 00:30:43,373
Why can't you
get a real job?
228
00:31:52,578 --> 00:31:54,077
You dressing for church?
229
00:31:54,079 --> 00:31:58,615
I don't wanna hear nothing about
that First Street Baptist Church.
230
00:32:03,389 --> 00:32:04,688
We're Episcopal.
231
00:32:11,130 --> 00:32:12,763
Yeah.
232
00:32:12,764 --> 00:32:14,397
I got a new collar
for your shirt.
233
00:32:14,400 --> 00:32:17,434
Mama, I ain't wearing a collar.
It's too tight around my neck.
234
00:32:18,804 --> 00:32:20,404
Where you
performing at?
235
00:32:20,773 --> 00:32:22,205
Union Sons Hall.
236
00:32:23,442 --> 00:32:25,809
They call it the Funky Butt
when you're out playing.
237
00:32:25,811 --> 00:32:27,411
Yeah, Mama.
But how you know that?
238
00:32:27,413 --> 00:32:28,445
I hear things.
239
00:32:29,982 --> 00:32:32,015
No, Mama, no.
No, Mama.
240
00:32:33,619 --> 00:32:35,052
No, Mama, please.
241
00:32:36,322 --> 00:32:37,921
Mama, please, I can't
breathe with that on.
242
00:32:37,923 --> 00:32:38,989
But you look good.
243
00:32:38,991 --> 00:32:40,657
Can't breathe in it.
244
00:32:54,707 --> 00:32:56,139
Hey!
245
00:32:57,643 --> 00:32:59,109
Hey!
246
00:33:00,446 --> 00:33:01,478
Hey!
247
00:33:03,449 --> 00:33:04,648
Hey!
248
00:33:06,385 --> 00:33:07,651
Hey!
249
00:33:09,254 --> 00:33:10,354
Hey!
250
00:33:54,900 --> 00:33:56,366
Bolden!
251
00:33:56,368 --> 00:33:57,368
Buddy.
252
00:33:57,870 --> 00:34:00,003
Buddy!
Where you at, man?
253
00:34:01,807 --> 00:34:04,107
There you are.
I been lookin' all over.
254
00:34:04,109 --> 00:34:06,676
Evenin', Warner.
This here is Mavis.
255
00:34:07,379 --> 00:34:09,279
Hey, Mavis.
256
00:34:09,280 --> 00:34:11,180
Bolden, we got a big crowd
waitin' on you, man.
257
00:34:11,183 --> 00:34:12,716
We're busy now, honey.
258
00:34:12,718 --> 00:34:15,552
And George Baquet,
waitin' out there with his horn.
259
00:34:16,455 --> 00:34:19,089
Blue-eyed tan man comin'
to our neighborhood?
260
00:34:20,492 --> 00:34:22,426
Warner, you worried
about George Baquet?
261
00:34:22,428 --> 00:34:24,061
That motherfucker
comin' for my job.
262
00:34:24,063 --> 00:34:25,629
Ain't nobody
comin' for your job.
263
00:34:25,631 --> 00:34:27,964
Why you think the best
paid clarinet man in New Orleans
264
00:34:27,966 --> 00:34:29,366
come to the pit
to play with us?
265
00:34:29,368 --> 00:34:31,301
Jimmy Palao got the
light-skin niggers, too.
266
00:34:31,303 --> 00:34:32,836
Nobody come
for your job.
267
00:34:32,838 --> 00:34:35,205
He ain't so white
like they talk.
268
00:34:35,207 --> 00:34:40,243
♪ Make me a pallet on your floor
269
00:34:43,315 --> 00:34:47,851
♪ Make me a pallet
on your floor
270
00:34:47,853 --> 00:34:49,453
What she doin' here?
271
00:34:50,756 --> 00:34:54,324
♪ If you make me a pallet
272
00:34:54,326 --> 00:34:58,328
♪ I swear your woman
will never know
273
00:34:59,598 --> 00:35:04,634
♪ Make me a pallet
on your floor
274
00:35:28,393 --> 00:35:30,193
Play your heart out,
Buddy Bolden.
275
00:35:37,169 --> 00:35:39,169
♪ Make it soft
276
00:35:39,171 --> 00:35:42,806
♪ Make it easy
make it flow
277
00:35:45,577 --> 00:35:47,410
♪ Make it soft
278
00:35:47,412 --> 00:35:51,648
♪ Make it easy
make it slow
279
00:35:54,052 --> 00:35:57,220
♪ When she comes in
280
00:35:57,222 --> 00:36:01,057
♪ I swear she would
never know
281
00:36:01,059 --> 00:36:06,863
♪ That you make me a pallet
down upon your floor ♪
282
00:36:18,310 --> 00:36:20,210
I'm pregnant.
283
00:36:23,782 --> 00:36:25,215
A baby?
284
00:36:25,951 --> 00:36:27,651
You can't take care
of yourself.
285
00:36:29,254 --> 00:36:31,688
Ain't you got one already?
A little boy?
286
00:36:38,096 --> 00:36:40,764
Yeah!
287
00:36:41,600 --> 00:36:43,767
Right and wrong.
288
00:36:45,070 --> 00:36:48,238
Oh, it can be
so confusing.
289
00:36:48,240 --> 00:36:50,106
Lord wrote a book
about it.
290
00:36:50,108 --> 00:36:53,276
Civil societies are
defined by it.
291
00:36:55,314 --> 00:36:58,181
You just don't know
the difference.
292
00:36:58,183 --> 00:37:00,417
Niggers don't know
right from wrong.
293
00:37:02,487 --> 00:37:04,721
You are not
in God's image.
294
00:37:12,464 --> 00:37:14,497
We're gonna
have a baby, Buddy.
295
00:37:18,637 --> 00:37:19,703
Come on.
296
00:38:02,447 --> 00:38:04,281
King Bolden.
297
00:38:04,283 --> 00:38:06,750
I want you to meet
George Baquet.
298
00:38:14,693 --> 00:38:15,759
Hey, George.
299
00:38:21,199 --> 00:38:23,033
You come to copy me?
300
00:38:23,035 --> 00:38:24,367
Don't worry, Warner.
301
00:38:24,369 --> 00:38:26,736
He just want to do a couple
of rounds with Bolden.
302
00:39:50,756 --> 00:39:51,756
Yeah!
303
00:40:19,017 --> 00:40:21,751
Ladies and gentlemen,
this here George Baquet.
304
00:40:48,180 --> 00:40:50,180
Here, here,
let me show you how to.
305
00:40:55,086 --> 00:40:56,453
Warner, come and get me!
306
00:40:57,489 --> 00:40:59,589
Come on, Warner,
come and get me.
307
00:41:00,659 --> 00:41:01,659
Come on.
308
00:41:30,522 --> 00:41:33,122
It's all right.
It's all right.
309
00:41:34,092 --> 00:41:35,558
You'll get this.
310
00:41:37,562 --> 00:41:39,596
Bolden, do you
write your music down?
311
00:41:40,332 --> 00:41:42,765
Can you
write it down?
312
00:41:42,767 --> 00:41:44,300
We're composing on the bandstand,
you know?
313
00:41:44,302 --> 00:41:47,637
So, it's...
It's like we're talking to each other.
314
00:41:47,639 --> 00:41:48,972
We're havin'
a conversation.
315
00:41:48,974 --> 00:41:51,674
I let the notes play on through,
that's what I do.
316
00:41:52,444 --> 00:41:54,010
Just got to listen.
317
00:41:54,012 --> 00:41:56,646
I never play without the
music right in front of me.
318
00:41:58,617 --> 00:42:00,717
You play it the same,
same, same, same, same.
319
00:42:00,719 --> 00:42:02,852
I don't do none of that.
I play it my way.
320
00:42:02,854 --> 00:42:04,738
Every time.
321
00:42:04,739 --> 00:42:06,623
And that string may,
it may never come out the same
322
00:42:06,625 --> 00:42:07,891
so how you gonna
write it down?
323
00:42:07,893 --> 00:42:09,359
How you gonna
write it down, huh?
324
00:42:09,361 --> 00:42:10,960
Bolden if you don't
write your music down,
325
00:42:10,962 --> 00:42:12,896
how's anyone gonna
play it when you're gone?
326
00:42:12,898 --> 00:42:15,832
You don't understand.
It's a... It's a livin' thing.
327
00:42:15,834 --> 00:42:17,901
It's, it's, it's...
It's me and the whole band.
328
00:42:17,903 --> 00:42:20,136
We, we, we just
breathing together.
329
00:42:21,773 --> 00:42:23,806
So you don't even know
what you're gonna play.
330
00:42:24,376 --> 00:42:26,142
You know,
sometimes I...
331
00:42:28,580 --> 00:42:31,080
I think it's better
not to play anything at all.
332
00:42:36,555 --> 00:42:39,756
Bolden, try playing
around this.
333
00:44:24,129 --> 00:44:26,329
You think Warner
holding back the band?
334
00:44:27,298 --> 00:44:28,931
He been working hard.
335
00:44:29,968 --> 00:44:31,968
But I'm with you
whatever you decide.
336
00:44:59,364 --> 00:45:00,496
♪ Ride on
337
00:45:00,498 --> 00:45:03,032
♪ No man can hinder thee
338
00:45:03,034 --> 00:45:06,703
- ♪ Ride on
- ♪ Ride on King Jesus
339
00:45:06,705 --> 00:45:08,271
♪ Ride on
340
00:45:08,273 --> 00:45:11,207
♪ No man can hinder thee
341
00:45:11,209 --> 00:45:12,642
♪ Ride on
342
00:45:12,644 --> 00:45:15,611
- ♪ Ride on
- ♪ Ride on King Jesus
343
00:45:15,613 --> 00:45:17,346
♪ Ride on
344
00:45:17,348 --> 00:45:18,815
♪ No man can... ♪
345
00:45:20,919 --> 00:45:22,985
You know what
this country needs?
346
00:45:23,521 --> 00:45:24,854
What's that?
347
00:45:24,856 --> 00:45:27,090
A negro
heavyweight champ.
348
00:45:27,826 --> 00:45:29,492
Jack Johnson
the champ, man.
349
00:45:29,494 --> 00:45:31,127
He the color champ.
350
00:45:31,129 --> 00:45:33,062
White champ
won't even fight him.
351
00:45:33,064 --> 00:45:34,731
No.
352
00:45:34,733 --> 00:45:37,600
White champ ain't gonna
fight your ministry boys
353
00:45:37,602 --> 00:45:39,001
and you wanna know why?
354
00:45:39,003 --> 00:45:40,036
Why?
355
00:45:40,038 --> 00:45:42,038
'Cause they don't
find us serious.
356
00:45:44,442 --> 00:45:48,010
Gettin' in a ring with Jack
Johnson's pretty goddamn serious.
357
00:45:52,250 --> 00:45:53,449
White folks...
358
00:45:54,853 --> 00:45:56,919
they're gonna have to
reckon with talent.
359
00:45:59,390 --> 00:46:01,491
Bolden, you know about
360
00:46:02,193 --> 00:46:03,960
cylinder recording?
361
00:46:05,830 --> 00:46:08,698
- Cylinder recording?
- Mmm-hmm.
362
00:46:08,700 --> 00:46:10,600
Put your music
in a machine.
363
00:46:22,213 --> 00:46:24,647
Bartley know a man
put music in a tin can.
364
00:46:24,649 --> 00:46:26,349
Music in
a tin can?
365
00:46:26,351 --> 00:46:27,617
Yeah.
366
00:46:27,619 --> 00:46:28,818
Well, how do it work?
367
00:46:28,820 --> 00:46:30,486
You sound music
into a machine
368
00:46:30,488 --> 00:46:32,355
and the machine
put out a tin can.
369
00:46:32,357 --> 00:46:35,424
They'll put tin can back into the machine,
and that music come out.
370
00:46:37,362 --> 00:46:38,928
B...
371
00:46:38,930 --> 00:46:40,763
Music in a tin can?
372
00:46:40,765 --> 00:46:42,765
What it sound like?
373
00:46:42,767 --> 00:46:44,700
I don't know.
I never heard it.
374
00:46:44,702 --> 00:46:46,469
But Bartley say
it sound like money.
375
00:46:47,572 --> 00:46:49,438
Sounds like magic.
376
00:46:49,440 --> 00:46:51,174
Yeah.
377
00:46:51,176 --> 00:46:54,911
Folks will hear my music,
but I'm invisible.
378
00:46:54,913 --> 00:46:56,312
I don't know, Nora.
379
00:46:56,314 --> 00:46:58,848
People hearing you play
and you ain't there?
380
00:47:01,085 --> 00:47:02,285
Yeah.
381
00:47:57,575 --> 00:47:59,008
This is a shit hole!
382
00:47:59,944 --> 00:48:02,678
Gotta get a better place!
383
00:48:02,680 --> 00:48:05,014
And I want
bigger niggers next time.
384
00:48:48,393 --> 00:48:49,692
This cost a dime.
385
00:48:50,929 --> 00:48:53,629
Sell 50 vials,
you make a dollar.
386
00:48:55,867 --> 00:49:00,136
Sell 100 vials,
you get $2.10.
387
00:49:01,606 --> 00:49:03,239
As business gets better,
388
00:49:04,676 --> 00:49:06,042
y'all do better.
389
00:49:07,812 --> 00:49:09,578
There's money
in recording music.
390
00:49:11,582 --> 00:49:13,983
You gonna put your music
in Bartley's machine?
391
00:49:16,454 --> 00:49:18,688
If there's a machine
play your music,
392
00:49:18,690 --> 00:49:20,156
more folks gonna hear.
393
00:49:20,758 --> 00:49:22,792
White folks, too.
394
00:49:22,794 --> 00:49:24,627
They the ones
can afford the machine.
395
00:50:06,404 --> 00:50:09,105
Desire and desperation
396
00:50:09,107 --> 00:50:12,208
are dangerous
motivations, Bolden.
397
00:50:16,581 --> 00:50:18,180
Humility recedes
398
00:50:18,182 --> 00:50:21,217
and loyalty vanishes.
399
00:50:22,053 --> 00:50:24,453
One thing stays the same.
400
00:50:24,455 --> 00:50:26,522
There's always someone
who can do it better.
401
00:51:01,893 --> 00:51:03,492
Teach him
a lesson, Buddy.
402
00:51:08,266 --> 00:51:09,666
Yeah, all right.
Thank you.
403
00:51:26,717 --> 00:51:29,952
Warner, I can't find
the valves to my horn.
404
00:51:29,954 --> 00:51:31,587
You have the valves
right here. Look.
405
00:51:31,589 --> 00:51:32,655
You're fine.
406
00:51:32,657 --> 00:51:33,756
I'm not fine, Warner.
407
00:52:09,494 --> 00:52:10,226
Buddy.
408
00:52:12,230 --> 00:52:13,529
Play somethin'.
409
00:52:15,233 --> 00:52:18,134
He's gonna let some other
motherfucker right in
410
00:52:18,136 --> 00:52:19,301
and steal our shit off?
411
00:52:19,303 --> 00:52:21,303
Who gonna catch us, Buddy?
412
00:52:21,304 --> 00:52:23,304
Cornish, Cornish, Cornish.
You're supposed to be on my side.
413
00:52:23,307 --> 00:52:26,308
Can't nobody do
what we do, baby.
414
00:52:26,310 --> 00:52:29,778
You gotta put your music in that
man's machine, motherfucker.
415
00:52:34,018 --> 00:52:36,385
King Bolden.
You ready?
416
00:52:37,121 --> 00:52:39,255
Are you ready, Warner?
417
00:52:39,257 --> 00:52:41,223
Ain't I lookin' ready?
418
00:52:41,225 --> 00:52:42,858
We gonna play
at Butcher Hollow tonight.
419
00:52:42,860 --> 00:52:43,860
No.
420
00:52:45,029 --> 00:52:46,529
It hurts my ears, man.
421
00:52:46,531 --> 00:52:48,797
The sound comin' off
of that wall, it's, uh,
422
00:52:48,799 --> 00:52:50,299
messin' with my time,
so...
423
00:52:50,301 --> 00:52:52,067
We go now,
we'll be right on time.
424
00:52:52,069 --> 00:52:53,869
Right on the down beat.
425
00:52:53,871 --> 00:52:56,872
Warner, listen to me.
My lip ain't balmed, so...
426
00:52:58,142 --> 00:53:01,143
So get on down there.
I'll meet y'all over there.
427
00:53:01,145 --> 00:53:02,711
Come on, man,
we gotta go to work.
428
00:53:02,713 --> 00:53:04,680
"Go to work"?
Warner, you goin' to work.
429
00:53:07,752 --> 00:53:08,984
You all right, Buddy?
430
00:53:08,986 --> 00:53:10,186
Goddamn!
Warner, get out!
431
00:53:10,188 --> 00:53:11,120
Warner get out!
432
00:53:11,122 --> 00:53:12,888
Get on out.
433
00:53:12,890 --> 00:53:14,423
And I'll be right over.
434
00:53:15,059 --> 00:53:16,392
Okay?
435
00:53:21,566 --> 00:53:23,699
Well, I guess I'll see you over there,
Buddy.
436
00:53:36,347 --> 00:53:39,815
You were supposed to be
playing my place last night.
437
00:53:42,320 --> 00:53:46,288
I heard you was playing down the street.
Hmm?
438
00:53:46,290 --> 00:53:48,791
You fuck up my Thursday
night business.
439
00:53:48,793 --> 00:53:50,459
Somebody be
playing like me.
440
00:53:50,461 --> 00:53:53,162
Somebody be
playing like me.
441
00:53:53,164 --> 00:53:56,465
You gonna give us
the next three Thursdays
442
00:53:56,834 --> 00:53:58,634
for nothin'. Hmm?
443
00:53:59,971 --> 00:54:00,971
Gotta pay the band.
444
00:54:03,674 --> 00:54:06,141
You out your
motherfuckin' mind.
445
00:54:06,143 --> 00:54:08,277
You mess with
that man's business,
446
00:54:08,279 --> 00:54:11,280
that means you messing
with my business.
447
00:54:20,858 --> 00:54:22,858
Hey, Bartley,
448
00:54:22,859 --> 00:54:24,859
what you gonna do when you get
Buddy's music in a tin can?
449
00:54:24,862 --> 00:54:26,328
I'm gonna sell it.
450
00:54:26,330 --> 00:54:28,597
Who's gonna want
to hear his music?
451
00:54:28,599 --> 00:54:32,334
And I got exclusive arrangements
with a white man by then.
452
00:54:37,275 --> 00:54:39,642
Baby, you're gonna be
a family man now.
453
00:54:39,644 --> 00:54:42,544
You gonna have a child
to provide for.
454
00:54:42,546 --> 00:54:46,015
You wanna play your horn instead
of plastering walls, all right.
455
00:54:46,017 --> 00:54:48,350
But you gotta
make it pay.
456
00:55:05,036 --> 00:55:06,535
Bartley...
457
00:55:06,537 --> 00:55:10,506
he need to put
his music in that machine.
458
00:55:10,508 --> 00:55:12,274
Don't worry, baby.
459
00:55:12,276 --> 00:55:13,676
We gonna get him.
460
00:55:14,612 --> 00:55:18,047
Sooner or later,
we gonna get his music.
461
00:55:30,194 --> 00:55:32,261
You're
listening to Louis Armstrong...
462
00:55:32,263 --> 00:55:33,629
Nora!
463
00:55:35,266 --> 00:55:37,866
I need to get married
to you, Buddy.
464
00:55:40,304 --> 00:55:41,970
When you coming home?
465
00:56:23,147 --> 00:56:24,446
Hey, baby.
466
00:56:51,208 --> 00:56:53,242
♪ Cold empty bed
467
00:56:53,244 --> 00:56:55,544
♪ Springs hard as lead
468
00:56:55,546 --> 00:56:57,880
♪ Feel like Old Ned
469
00:56:57,882 --> 00:56:59,515
♪ Wished I was dead
470
00:56:59,517 --> 00:57:02,151
♪ All my life through
471
00:57:02,153 --> 00:57:06,588
♪ I've been so black and blue
472
00:57:07,124 --> 00:57:08,457
♪ Hmm, hmm
473
00:57:08,459 --> 00:57:09,992
♪ Even the mouse
474
00:57:10,895 --> 00:57:13,695
♪ Ran from my house
475
00:57:13,697 --> 00:57:17,065
♪ They laughed at you
and scorned you too
476
00:57:17,067 --> 00:57:19,334
♪ What did I do, babe
477
00:57:19,336 --> 00:57:23,172
♪ To be so black and blue?
478
00:57:25,176 --> 00:57:28,277
♪ Mmm, I'm white
479
00:57:28,279 --> 00:57:30,412
♪ Inside
480
00:57:30,414 --> 00:57:34,049
♪ But that don't help my case
481
00:57:34,819 --> 00:57:36,819
♪ 'Cause it
482
00:57:36,821 --> 00:57:39,354
♪ Can't hide
483
00:57:39,356 --> 00:57:42,491
♪ What is in my face
484
00:57:47,598 --> 00:57:49,665
♪ How would it end?
485
00:57:49,667 --> 00:57:52,067
♪ Ain't got a friend
486
00:57:52,069 --> 00:57:55,671
♪ My only sin is in my skin
487
00:57:55,673 --> 00:57:57,272
♪ What did I do, babe
488
00:57:57,274 --> 00:57:58,207
Bartley!
489
00:57:58,209 --> 00:58:01,910
♪ To be so black and blue?
490
00:58:02,847 --> 00:58:04,213
Bartley!
491
00:58:15,693 --> 00:58:16,859
Buddy!
492
00:58:16,861 --> 00:58:18,560
Buddy! Buddy!
493
00:58:32,776 --> 00:58:34,042
Come on.
494
00:58:40,918 --> 00:58:43,218
That's what a motherfuckin'
manager do.
495
00:59:05,709 --> 00:59:06,775
Aah!
496
00:59:06,777 --> 00:59:09,411
Stupid motherfuckin'
whore.
497
00:59:14,018 --> 00:59:15,284
Clean him up.
498
00:59:58,095 --> 00:59:59,828
Ain't you somethin',
499
01:00:01,198 --> 01:00:02,831
King Bolden.
500
01:00:06,270 --> 01:00:08,070
You ain't come home
to me.
501
01:00:12,376 --> 01:00:13,942
Don't do that to me.
502
01:00:46,543 --> 01:00:48,744
Ain't nobody playin'
what we playin'.
503
01:00:48,746 --> 01:00:50,879
Ain't nobody playin'
what Buddy playin'.
504
01:00:51,615 --> 01:00:54,016
Nobody's splitting up.
505
01:00:54,018 --> 01:00:56,985
And it just have a certain life.
506
01:01:03,794 --> 01:01:05,427
Buddy showed up
like black Jesus.
507
01:01:08,065 --> 01:01:10,165
So I guess that make us
his disciples.
508
01:01:12,803 --> 01:01:15,070
I'm looking for
a Buddy Bolden.
509
01:01:15,539 --> 01:01:17,272
Well, shit, get in line.
510
01:01:17,274 --> 01:01:18,106
You the police?
511
01:01:18,108 --> 01:01:22,344
Uh, no, no.
Uh, Bartley sent me.
512
01:01:22,346 --> 01:01:24,179
You don't play
clarinet, do you?
513
01:01:24,181 --> 01:01:26,081
No.
514
01:01:26,083 --> 01:01:27,649
No, he said that
515
01:01:27,651 --> 01:01:30,752
Bolden wanted to record his music.
I can do this.
516
01:01:30,754 --> 01:01:32,587
It come out on
a little tin can, huh?
517
01:01:32,589 --> 01:01:36,958
No. No, it comes out
on a wax cylinder.
518
01:01:36,960 --> 01:01:38,894
Ah. I got...
519
01:01:41,665 --> 01:01:45,100
- "Oscar Zahn"
- Mmm-mmm. Uh, Zahn.
520
01:01:45,602 --> 01:01:47,302
"Cylinder recorders."
521
01:01:48,539 --> 01:01:50,305
Buddy want to record
our music.
522
01:01:52,609 --> 01:01:54,142
Let me see that.
523
01:01:57,781 --> 01:01:59,614
Buddy's scared people are
gonna steal our music.
524
01:01:59,616 --> 01:02:01,883
Now he wanna
put it on a machine?
525
01:02:03,520 --> 01:02:05,020
Make no sense to me.
526
01:02:25,142 --> 01:02:28,110
Why you think the best
paid clarinet man in New Orleans
527
01:02:28,112 --> 01:02:30,112
come to the pit
to play with us?
528
01:02:33,450 --> 01:02:35,183
So, uh...
529
01:02:38,889 --> 01:02:40,455
It's pretty good.
530
01:02:41,458 --> 01:02:42,958
Mmm-hmm.
531
01:02:49,967 --> 01:02:53,335
We need to talk about exclusive arrangements,
you and me.
532
01:03:13,957 --> 01:03:16,191
I'll put you
in front of a white audience.
533
01:03:25,803 --> 01:03:27,869
You a sensation, Bolden.
534
01:03:28,505 --> 01:03:30,472
When people hear your music,
535
01:03:30,474 --> 01:03:34,142
they understand somethin'
can hardly be put in words.
536
01:04:11,348 --> 01:04:16,184
We need to talk about exclusive arrangements,
you and me.
537
01:05:00,964 --> 01:05:04,199
Playing with George Baquet,
good business.
538
01:05:12,042 --> 01:05:14,910
Now how you gonna make a livin'
without these, huh?
539
01:05:17,147 --> 01:05:20,115
You got a wife and child
to provide for.
540
01:05:21,318 --> 01:05:22,384
If it is your child.
541
01:05:34,631 --> 01:05:36,498
You gonna
get out of bed?
542
01:05:36,500 --> 01:05:40,402
Willie Cornish come by,
gave me the buttons for your horn.
543
01:05:41,605 --> 01:05:43,338
Why you takin' them out?
544
01:05:48,545 --> 01:05:50,145
I hear your daddy
every time you play.
545
01:05:50,147 --> 01:05:52,547
I hear your daddy
every time you play.
546
01:05:58,288 --> 01:06:00,655
Your daddy die young
to give you strength.
547
01:07:19,336 --> 01:07:22,103
My daddy gave me
the power of my lungs.
548
01:07:22,105 --> 01:07:24,439
That's how I play like I do.
549
01:07:58,208 --> 01:08:01,209
Your daddy
was sacrificed for your gift.
550
01:08:01,211 --> 01:08:03,244
What gonna happen
to your baby?
551
01:08:03,246 --> 01:08:05,380
You gonna lose your gift.
552
01:08:07,584 --> 01:08:09,651
Where are you now?
Huh?
553
01:08:28,572 --> 01:08:29,804
Brothers and sisters...
554
01:08:37,214 --> 01:08:40,448
...I come to you today
to talk about returning home.
555
01:08:40,450 --> 01:08:41,549
Back to Africa.
556
01:08:46,156 --> 01:08:48,923
We will never
be Americans.
557
01:08:48,925 --> 01:08:50,625
It's time to return home.
558
01:08:54,698 --> 01:08:57,499
- Now, let's go.
- We have the right to a peaceful protest.
559
01:09:30,867 --> 01:09:32,800
Get out! Get out! Go!
560
01:10:04,100 --> 01:10:06,401
You, come here!
You don't move!
561
01:10:09,439 --> 01:10:11,239
- Hey. Hey.
- Keep your hands off of me!
562
01:10:18,181 --> 01:10:20,348
This is all on Bartley.
563
01:10:20,350 --> 01:10:24,619
This here's your enterprising nigger's boy,
Bolden.
564
01:10:24,621 --> 01:10:28,122
Caused a riot outside that
dance hall he was playin' at.
565
01:10:28,124 --> 01:10:29,857
He's serious trouble.
566
01:10:31,261 --> 01:10:32,927
This is all on Bartley.
567
01:10:36,099 --> 01:10:37,699
Shut Bolden down?
568
01:10:37,701 --> 01:10:41,302
Shut him down.
Just stop that boy playing.
569
01:10:41,304 --> 01:10:44,272
A bold nigger
is dangerous.
570
01:10:59,322 --> 01:11:00,722
What you lookin' at?
571
01:11:59,049 --> 01:12:00,481
Come on.
572
01:12:00,483 --> 01:12:01,949
Get on out of here.
573
01:12:03,553 --> 01:12:05,720
Motherfucker!
Get off of me!
574
01:12:09,359 --> 01:12:11,326
Cornish, where's Warner?
575
01:12:15,932 --> 01:12:18,132
You made all your crowd crazy,
caused a riot.
576
01:12:18,134 --> 01:12:20,101
You will stop playing
your goddamn horn.
577
01:12:20,103 --> 01:12:22,937
That's what the motherfuckers want.
That's what you'll do.
578
01:12:34,117 --> 01:12:35,850
What we gonna do here?
579
01:12:43,760 --> 01:12:45,259
What's wrong
with the man?
580
01:12:45,261 --> 01:12:46,894
He gone
lost his mind.
581
01:12:47,464 --> 01:12:48,996
Look, he ain't no Bolden,
582
01:12:48,998 --> 01:12:51,999
but we can always get Bunk
Johnson to play with us all.
583
01:12:55,038 --> 01:12:56,537
Ain't you got work?
584
01:12:58,241 --> 01:12:59,807
You gonna
get out of bed?
585
01:14:37,307 --> 01:14:40,241
No. No, no. Leave me!
586
01:16:51,641 --> 01:16:53,274
Horns up, motherfuckers.
587
01:17:32,382 --> 01:17:33,814
Ambition...
588
01:17:35,518 --> 01:17:37,284
born of vanity.
589
01:17:40,623 --> 01:17:43,157
This is America, Bolden.
590
01:17:43,159 --> 01:17:45,760
How far you think
you're gonna get?
591
01:17:47,764 --> 01:17:49,864
Destroy the nigger's soul,
592
01:17:49,866 --> 01:17:53,234
and they will destroy
each other.
593
01:18:16,626 --> 01:18:17,892
Turn around.
594
01:18:27,103 --> 01:18:28,936
Number 9 to win.
595
01:18:41,050 --> 01:18:42,717
Your valves
are right here.
596
01:18:42,952 --> 01:18:44,218
You fine.
597
01:18:52,228 --> 01:18:53,461
I'm leaving you, Buddy.
598
01:18:54,931 --> 01:18:57,465
Mr. Warner gonna
take us up to Chicago.
599
01:18:59,535 --> 01:19:01,302
I'mma help them
settle up there.
600
01:19:02,672 --> 01:19:04,805
Can see if I can
get some work.
601
01:19:05,708 --> 01:19:07,608
Maybe in one of
the stockyards.
602
01:19:23,226 --> 01:19:30,464
♪ Well, I though I heard
Buddy Bolden call
603
01:19:31,901 --> 01:19:38,072
♪ We started in the summer
we didn't end till fall
604
01:19:38,741 --> 01:19:41,275
♪ You walk in my room
605
01:19:41,277 --> 01:19:45,946
♪ But when you leave,
you will crawl
606
01:19:45,948 --> 01:19:51,819
♪ Oh, that's what
Mr. Bolden called...
607
01:20:53,649 --> 01:20:55,382
Are you ready?
608
01:20:55,852 --> 01:20:57,718
Are you ready?
609
01:20:59,689 --> 01:21:02,656
Destroy men's souls
610
01:21:02,658 --> 01:21:05,726
and they will
destroy each other.
611
01:21:05,728 --> 01:21:08,295
The best boxers
in the world
612
01:21:08,297 --> 01:21:09,830
in the ring of fire!
613
01:21:13,236 --> 01:21:14,902
♪ Yeah
614
01:21:15,504 --> 01:21:18,072
♪ And then take it away
615
01:21:20,076 --> 01:21:23,611
♪ I thought I heard him say
616
01:21:26,182 --> 01:21:29,483
No, Bolden.
Step back, man.
617
01:21:29,485 --> 01:21:32,286
♪...Buddy Bolden repeat
618
01:21:33,823 --> 01:21:39,927
♪ I can play it hot
or I can play it sweet
619
01:21:41,764 --> 01:21:43,898
- I'm going...
- You ain't going in!
620
01:21:43,900 --> 01:21:45,332
- Get out of here.
- That's my song!
621
01:21:49,505 --> 01:21:53,974
♪ That's what I heard
Buddy Bolden repeat ♪
622
01:23:07,416 --> 01:23:08,615
That one there.
623
01:24:11,480 --> 01:24:13,147
Get up! Get up!
624
01:24:13,149 --> 01:24:15,082
Get your black ass up!
625
01:24:15,084 --> 01:24:16,817
- Get up!
- Bartley!
626
01:24:17,553 --> 01:24:18,952
You look at me, Bartley!
627
01:24:18,954 --> 01:24:21,355
You lost!
You lost on our deal!
628
01:24:23,392 --> 01:24:24,725
Bartley!
629
01:25:07,303 --> 01:25:09,703
You're gonna stop
killing us.
630
01:25:11,440 --> 01:25:13,107
It ain't me, baby.
631
01:25:14,110 --> 01:25:15,843
It ain't me.
632
01:26:05,861 --> 01:26:07,694
You have no past.
633
01:26:08,931 --> 01:26:10,631
No history.
634
01:26:12,134 --> 01:26:13,600
No culture.
635
01:26:15,704 --> 01:26:18,038
You come from nothing.
636
01:26:18,040 --> 01:26:19,873
I come from
the same place as you.
637
01:26:21,610 --> 01:26:23,644
There is nothing
638
01:26:23,646 --> 01:26:25,445
the same for you and me.
639
01:26:25,447 --> 01:26:27,781
And that ain't never
gonna change.
640
01:26:30,186 --> 01:26:32,286
You come from nothing,
raise your head,
641
01:26:32,288 --> 01:26:34,621
get people to gather
like you're some kind of...
642
01:26:37,026 --> 01:26:39,726
You think we're gonna
let that happen?
643
01:26:39,728 --> 01:26:40,994
Hmm?
644
01:26:40,996 --> 01:26:44,331
Let you incite
a godless crowd?
645
01:26:44,333 --> 01:26:46,600
You don't like
what I played on this?
646
01:26:49,872 --> 01:26:51,905
No one ever will.
647
01:27:02,251 --> 01:27:04,651
Power that is not righteous
648
01:27:05,221 --> 01:27:07,321
must be destroyed.
649
01:27:50,566 --> 01:27:52,833
Oh, thank you, folks.
Thank you, folks.
650
01:27:52,835 --> 01:27:54,434
Thank you, thank you.
651
01:27:55,137 --> 01:27:57,437
Thank you, folks.
Thank you, folks.
652
01:27:57,439 --> 01:27:58,839
So good to be back home.
653
01:27:58,841 --> 01:28:00,841
You know,
when I was a little boy wearing short pants,
654
01:28:00,843 --> 01:28:03,577
I lived with my sister and
my mama in the back of town.
655
01:28:03,579 --> 01:28:06,280
Yeah. Yeah,
that was my neighborhood.
656
01:28:09,385 --> 01:28:11,952
I was delivering coal
to the district.
657
01:28:13,555 --> 01:28:16,723
Boy, yeah, they don't talk about
a district no more, now, do they?
658
01:28:18,661 --> 01:28:21,828
Yeah. Yeah, I think I remember
seeing you there, Jackson, yeah.
659
01:28:21,830 --> 01:28:23,930
You had a big hat on though
covering your face.
660
01:28:26,769 --> 01:28:30,370
Anyway, this one morning, I was rolling
through that particular neighborhood,
661
01:28:30,372 --> 01:28:33,407
and I heard a sound
that I never heard before.
662
01:28:33,409 --> 01:28:34,875
I thought, "Man..."
663
01:28:37,846 --> 01:28:39,680
And, folks,
I wanna tell you something.
664
01:28:39,682 --> 01:28:42,349
He was playing the
saddest tune anyone hear.
665
01:28:42,351 --> 01:28:44,217
Oh. Mmm-mmm.
666
01:28:44,219 --> 01:28:45,686
I looked at him,
I said, "Mister."
667
01:28:45,688 --> 01:28:48,088
I said, "Mister."
668
01:28:48,089 --> 01:28:50,569
I said, "Why you playing so sad,
why you playing so sad a tune?"
669
01:28:52,795 --> 01:28:54,115
And he looked at me
and he said,
670
01:28:55,097 --> 01:28:56,830
he said, "Son,
671
01:28:56,832 --> 01:28:59,366
"today they took away the king.
They took away the king."
672
01:29:15,451 --> 01:29:17,184
I said, "The king?"
673
01:29:17,186 --> 01:29:18,618
I was just a little boy,
you know.
674
01:29:18,620 --> 01:29:20,253
"The king?"
I said, "Who's the king?"
675
01:29:20,255 --> 01:29:21,588
He said, "'Who's the king?'"
676
01:29:21,590 --> 01:29:25,225
"Buddy Bolden."
He said, "King Buddy Bolden."
677
01:29:25,227 --> 01:29:27,127
That's what he told me.
678
01:29:29,465 --> 01:29:32,232
So this one's gonna go out
to King Buddy Bolden,
679
01:29:32,234 --> 01:29:34,501
the first king
of New Orleans music.
48320
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