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PREVIOUSLY ON CEDAR COVE...
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NO.
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SO YOU'RE THE GUYTHAT HE HIRED.
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BUT I'M NOT A GUY.
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NO, YOU'RE NOT.
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I RE-UPPED.
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PLEASE, JACK,I'M NOT JEALOUS.
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I'M CONCERNED ABOUT YOU.
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YOU KNOW, I TOTALLYUNDERSTAND IF YOU'RE ANGRY.
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I'M NOT.
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YOU'RE NOT?
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I WAS.
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I WAS SPITTIN' ANGRY.
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THEN I TOOK DUKE OUT FORA COUPLE OF HOURS, AND...
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AND NOW?
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I'M BETTER.
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YOU KNOW THAT NOTHING HAPPENEDWITH WILL, RIGHT?
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I BELIEVE YOU.
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AND HERE I THOUGHT
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WE WERE GOING TO HAVEA BIG MESSY FIGHT.
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NO, BUT...
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YOU'VE GOT TO BEHONEST WITH ME.
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DOES WILL HAVEANYTHING TO DO
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WITH YOU WANTING TOSLOW THINGS DOWN?
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NO.
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NO, I JUST WANT SOME TIMETO CATCH MY BREATH.
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I GUESS YOU WEREEXPECTING SOMEONE
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A LITTLE MOREMASCULINE.
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MMM.
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YOU KNOW, ALEX ISSHORT FOR ALEXANDRA.
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YEAH, I GOT THAT,THANKS.
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SHE MOVED INTOTHE CABIN.
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-SO I HEAR.-SHE LOVES IT.
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SHE'S THINKING ABOUT NAILINGCOWBOY BOOTS TO THE WALL.
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WHAT DO YOUTHINK OF THAT?
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SO...
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YEAH.
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YEAH, THIS ISKIND OF...
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I KNOW.
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SO WHATDO WE DO NOW?
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GOOD NIGHT, LUKE.
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GOOD NIGHT.
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YOU'RE UP EARLY.
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HMM.
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I'M ON DEADLINEFOR THE PAPER.
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OH, DON'T WORRY.
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I HEAR THE EDITOROF THECHRONICLE
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IS A TOTAL PUSHOVER.
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NO, THIS IS THE ARTICLEFORTHE SEATTLE COURIER,
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AND IT'S DUEBY THE END OF THE WEEK.
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AND IF I DON'T WOWTHE NEW EDITOR
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WITH ANOTHERBEAUTIFULLY WRITTEN,
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EMOTIONALLY DRIVEN STORY,
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THEN THIS ASSIGNMENTWILL BE MY LAST.
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SO, WHAT DO YOU HAVE?
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A MIGRAINEAND AN UPSET STOMACH.
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YOU'RE GOING TOBE OKAY.
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AH...
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YOU KNOW, I REMEMBER THE RUSH
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OF WRITING SOMETHINGTHAT MILLIONS OF PEOPLE READ,
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BUT I FORGOT THE PANICTHAT PRECEDES IT.
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WHAT'S REALLY GOING ON?
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I NEVER THOUGHTTHAT I WOULD BE BACK
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WORKING WITHA HIGH-PROFILE PAPER AGAIN.
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MY STORY ON LUKEOPENED UP
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A LOT OF CLOSED DOORSFOR ME, BUT...
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WHAT IF I DON'T HAVEANOTHER GREAT ARTICLE IN ME?
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YOU KNOW, WHAT IFTHAT WAS JUST A FLUKE?
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THE ARTICLE ON LUKE
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IS THE FIRST OF MANY.
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I'M NOT SO SURE.
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YOU MADE ME CRY.
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I DID?
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YOU NOT ONLY GOT IN MY HEAD,
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YOU TOUCHED MY HEART.
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WOW...
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NOW, THATIS WORTH MORE THAN A PULITZER.
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WELL,
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THEN STOP YOUR BELLYACHINGAND WRITE ME ANOTHER ONE.
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♪ HOLD YOUR HEADCLOSE TO THE GROUND ♪
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♪ SO YOU CAN HEAR MY VOICEAS IT STARTS TO SOUND ♪
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♪ CAN YOU FEEL IT NOWYOU FEEL IT IN YOUR VEINS... ♪
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MORNING.
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GOOD MORNING.
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COFFEE?
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OH, YEAH.
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HOW DID YOU SLEEP?
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NOT WELL.
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HOW DO YOU THINK IAN SLEPT?
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I THINK...
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IAN AND I NEED TOGET USED TO SLEEPING APART.
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THIS ISN'T ABOUT BABIES
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OR US LYINGTO EACH OTHER ANYMORE.
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WHAT'S IT ABOUT?
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WHETHER WE SHOULDSTAY TOGETHER.
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HELLO...
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HEY!
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THERE THEY ARE.
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HI. OH...
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THERE SHE IS.
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OH, WHO'S THE MOST BEAUTIFULGIRL IN THE WORLD?
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YES, YOU ARE!
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YES...
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AND WHAT IS IT ABOUT BABIES
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THAT MAKE ADULTSSOUND LIKE IDIOTS?
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OH, HEY, SHELLY,YOU LOOK GREAT.
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OH, THANK YOU.
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LOOK AT YOU.
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OH, YEAH, I'M FINE, DAD.
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THANKS FOR ASKING.
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OH, I SEE YOU ALL THE TIME.
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PLUS, YOU'RE NOTAS CUTE AS THIS ONE.
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VERY TRUE.
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WE'RE JUST COMING INFOR A QUICK VISIT,
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AND THEN I'M GOING TO TAKESHELLY AND ADELE OUT TO EAT
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BEFORE I'VE GOT TOGET BACK TO WORK.
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OKAY.
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AND THEN WE'REGOING TO GO BACK
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TO DADDY'S NICE NEW HOUSEFOR A NAP.
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HEY, WHY DON'T YOU JOIN US?
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I DON'T NEED A NAP.
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HE MEANT FOR LUNCH.
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OH, I WISH I COULD, GUYS,
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BUT I'VE GOT TO WORK.
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ERIC TOLD ME ABOUTTHE NEW JOB IN SEATTLE.
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DOES THAT MEAN
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WE MIGHT GETTO SEE YOU MORE OFTEN?
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MOST DEFINITELY, YES.
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YAY.
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HEY, DO YOU GUYS NEED TOLEAVE ADELE HERE WITH ME?
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WELL, YOU HAVE TO WORK.
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YOU DESERVE TO HAVESOME ALONE TIME WITH SHELLY.
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THANKS, DAD, BUT I WANTBOTH MY GIRLS WITH ME.
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OKAY.
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GOOD LUCK WITH YOUR ARTICLE.
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THANK YOU.
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OKAY, BYE, GUYS.
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BYE BYE.
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BYE...
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HEY!
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HI.DO YOU HAVE TIME
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FOR AN EMERGENCY LUNCH?
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DID YOUTALK TO CLIFF?
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I DID, BUT THIS IS ABOUT ALEX.
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WHO'S THAT?
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NEW HORSE TRAINERTHAT CLIFF HIRED.
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OKAY, WHAT'SWRONG WITH HIM?
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HIM IS A HER,
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AND HER IS A VERYATTRACTIVE WOMAN
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WHO IS WORKINGWITH MY BOYFRIEND.
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THIS IS CLIFFWE'RE TALKING ABOUT.
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YEAH, WELL, THANKS TO ME,HE'S OUT THERE ALL ALONE
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WITH A WOMANWHO MAKES FLANNEL SEXY.
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CLIFF LOVES YOU.
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YEAH, AND THEN I GO
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AND ASK HIMFOR MORE SPACE.
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IF I'M NOT CAREFUL,
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I'M GOING TO END UP WITHMORE SPACE THAN I WANT.
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WELL, THEN, DON'TGIVE HIM THE SPACE.
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IT'S YOUR RULE.YOU CAN BREAK IT.
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YEAH.
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YOU WERE RIGHT,IT'S COLIN MCFADDEN.
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OKAY.
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THANKS.
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I CONFIRMED HE'S THE ONESENDING YOU FLOWERS.
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SEEMS LIKEHE'S STAYING PUT,
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BUT I'LL MAKE SUREMY GUY AT PORTLAND P.D.
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KEEPS AN EYE ON HIM.
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GOOD.
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THANK YOU.
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MAYBE IF YOU TOLD METHE WHOLE STORY,
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I COULD DO MORE.
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I CAN'T.
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NO ONE CAN KNOW.
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WELL, YOU KNOW I'M HERE,
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AND IF YOU CHANGE YOUR MINDAND WANT TO TALK...
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YEAH.
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THANKS.
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WAIT A MINUTE...
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YOU'RE WAITING FORJUDGE LOCKHART.
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YES.
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HOW DID YOU KNOW?
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I HAVE A TOUCH OF ESP.
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I GOT IT FROM MY MOTHER--
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MY BIRTH MOTHER,THAT IS.
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REALLY?
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YEAH. YEAH...
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AND ALSO, UH, OLIVIA CALLED
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ASKED ME TO TELL YOUSHE'S RUNNING A LITTLE LATE.
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BUT I KNEW THATBEFORE SHE CALLED.
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IF YOU SAY SO.
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[LAUGHING]WHAT CAN I GET YOU FOR?
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UH, JUST WATER, PLEASE.
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BOTTLED, SPARKLING, OR TAP?
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TAP.
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AH.
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A MOST EXCELLENTAND, UH, ECONOMICAL CHOICE.
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HEY, MOON.
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HEY.
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SORRY I'M LATE.
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NO PROBLEM.
202
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SO...
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PAY UP.
204
00:09:39,974 --> 00:09:41,976
WHATEVER DO YOU MEAN?
205
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OH, LET ME REFRESH YOUR MEMORY.
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OUR MONTHLY POKER GAME,
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00:09:44,811 --> 00:09:45,562
WHERE YOU AND YOUR FRIENDS
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SURRENDER YOURHARD-EARNED CASH TO ME.
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IT'S ALL COMING BACK.
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HOW DO YOU BEAT A FULL HOUSE?
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STRAIGHT FLUSH.
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WHERE DID YOU GET THAT QUEEN?
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IT JUST APPEARED.
214
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AND THEN YOUR MONEY JUST...
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DISAPPEARED?
216
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YOU'RE A SHARK.
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I AM.
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I LIKE THAT ABOUT YOU.
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HERE YOU GO.
220
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I THREW INA COUPLE ICE CUBES
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ON THE HOUSE.
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GO WILD.
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YOUR USUAL.
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NOW THAT I HAVE YOUIN A WEAKENED STATE,
225
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I'M GOING TOHIT YOU UP FOR A FAVOR.
226
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FROM ME?
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YEAH. WITH REBECCA.
228
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WHAT'D SHE DO THIS TIME?
229
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SHE LIED ON HER RESUME.
230
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REALLY?
231
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FLAT-OUT LIEDOR JUST EMBELLISHED?
232
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I MEAN, NOT THATIT MAKES A DIFFERENCE.
233
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FLAT-OUT LIED.
234
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SHE DIDN'T GO TO YALE.
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HUH.
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OKAY.
237
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SO, WHAT'S THE FAVOR?
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LET ME HANDLE IT FOR YOU.
239
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BUT SHE WORKS FOR ME.
240
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WHAT ARE YOU UP TO?
241
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I WOULD HAVE LOVED TO SEE HER,
242
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JUST LIKE, EVEN,JUST BEING A BABY,
243
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AND WITNESSING SOMETHINGLIKE THAT FOR THE FIRST TIME--
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ERIC!
245
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HI, WARREN.
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HEY.
247
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HI.
248
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UH, WARREN, THIS IS SHELLY.
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SHELLY, THIS IS WARREN,MY BOSS.
250
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SHELLY, HI. IT'S VERYNICE TO FINALLY MEET YOU.
251
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NICE TO MEETYOU, TOO.
252
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-OH, THIS IS REBECCA.-HELLO.
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HI.
254
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WELL, WE SHOULD, UH,
255
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GET TO OUR TABLE.
256
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NO, NONSENSE. YOU GUYSARE GOING TO JOIN US.
257
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OH, NO, WE'RE FINE.
258
00:11:17,557 --> 00:11:19,100
OH, ERIC, COME ON, SIT.
259
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WE DON'T WANT TO INTERRUPT.
260
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I INSIST, ERIC.
261
00:11:22,061 --> 00:11:23,938
LIKE I SAID,SIT DOWN.
262
00:11:23,980 --> 00:11:25,064
O...KAY.
263
00:11:25,106 --> 00:11:27,232
MAYBE THEY'D LIKEA LITTLE TIME TO THEMSELVES?
264
00:11:27,315 --> 00:11:30,318
THEY HAVEN'T SEENEACH OTHER FOR A WHILE.
265
00:11:30,401 --> 00:11:32,153
IT HAS BEEN A WHILE.
266
00:11:32,237 --> 00:11:33,404
HOW DID YOU KNOW THAT?
267
00:11:33,488 --> 00:11:36,490
YEAH, REBECCA,HOW DID YOU KNOW THAT?
268
00:11:37,657 --> 00:11:39,368
SMALL TOWN.
269
00:11:40,243 --> 00:11:42,036
OKAY, UH, PLEASE,SHELLY, JOIN US.
270
00:11:42,120 --> 00:11:43,621
OKAY.
271
00:11:56,340 --> 00:11:58,259
I DON'T BELIEVE IT.
272
00:11:59,968 --> 00:12:02,595
IS THAT YOU?
273
00:12:02,637 --> 00:12:06,557
IS THAT REALLY YOU?
274
00:12:06,641 --> 00:12:07,933
IT'S ME.
275
00:12:07,975 --> 00:12:10,310
COLIN, WHEREHAVE YOU BEEN?
276
00:12:10,352 --> 00:12:12,187
AWAY.
277
00:12:12,271 --> 00:12:13,563
AND NOW?
278
00:12:13,605 --> 00:12:15,273
I'M MOVING BACK.
279
00:12:19,527 --> 00:12:21,278
OH, WAIT TILL PEGGY FINDS OUT.
280
00:12:37,375 --> 00:12:40,210
EASY, EASY...
281
00:12:40,294 --> 00:12:42,254
EASY, WHOA, WHOA...
282
00:12:43,338 --> 00:12:44,548
GOOD GIRL.
283
00:12:44,631 --> 00:12:45,549
HEY, GRACE!
284
00:12:45,590 --> 00:12:46,425
HEY.
285
00:12:46,466 --> 00:12:47,425
IS CLIFF AROUND?
286
00:12:47,467 --> 00:12:48,968
I'M AFRAID NOT.
287
00:12:49,010 --> 00:12:50,136
DO YOU KNOWWHERE HE IS?
288
00:12:50,178 --> 00:12:52,846
WE'VE GOT A NEW STALLIONWITH A LITTLE TOO MUCH ENERGY.
289
00:12:52,930 --> 00:12:54,640
CLIFF'S TRYING TO TIRE HIM OUT.
290
00:12:54,682 --> 00:12:55,473
AW.
291
00:12:55,557 --> 00:12:57,142
WELL, I JUST BROUGHTHIM SOME COOKIES.
292
00:12:57,184 --> 00:12:58,476
WOULD YOU LIKE ONE?
293
00:12:58,518 --> 00:12:59,936
I'D LOVE ONE,
294
00:12:59,977 --> 00:13:01,771
BUT I'M TRYINGTO LOSE FIVE POUNDS.
295
00:13:02,814 --> 00:13:04,148
OF COURSE YOU ARE.
296
00:13:04,190 --> 00:13:06,149
I'M JUST IN THE MIDDLEOF LUNGING MADDIE.
297
00:13:06,232 --> 00:13:07,067
OKAY, WELL, UH,
298
00:13:07,150 --> 00:13:08,151
I'LL JUST DROP THESE OFF, THEN,
299
00:13:08,193 --> 00:13:09,277
AND I'LL COME BACK LATER.
300
00:13:09,319 --> 00:13:11,321
OKAY. I'LL TELL CLIFF.
301
00:13:11,362 --> 00:13:12,488
OKAY.
302
00:13:13,823 --> 00:13:16,033
COME ON, MADDIE.
303
00:13:19,994 --> 00:13:22,789
YOU KNOW, I THINK I'M...I'M JUST...I'M GOING TO WAIT.
304
00:13:22,831 --> 00:13:25,833
OH, NO PROBLEM.
305
00:13:37,718 --> 00:13:39,761
I JUST NEEDA FEW THINGS.
306
00:13:39,845 --> 00:13:40,971
OKAY.
307
00:13:42,680 --> 00:13:45,516
I'M GLAD YOU CAME BY.
308
00:13:45,558 --> 00:13:46,851
YOU ARE?
309
00:13:46,892 --> 00:13:49,311
YEAH.
310
00:13:49,394 --> 00:13:51,230
I DIDN'T WANT TO LEAVEWITHOUT SAYING GOODBYE.
311
00:13:51,313 --> 00:13:53,482
WHAT ARE YOU TALKING ABOUT?
312
00:13:53,523 --> 00:13:56,150
I GOT THEM TO PULL UPMY DEPLOYMENT.
313
00:13:56,192 --> 00:13:58,444
I SHIP OUT LATER TODAY.
314
00:13:58,527 --> 00:13:59,362
REALLY?
315
00:13:59,445 --> 00:14:00,529
YEAH, WHAT'STHE DIFFERENCE?
316
00:14:00,571 --> 00:14:05,617
TODAY, TWO WEEKSFROM NOW...
317
00:14:05,700 --> 00:14:08,745
I JUST, I COULDN'T LEAVEWITHOUT...
318
00:14:08,828 --> 00:14:10,454
TELLING YOU THAT I LOVE YOU.
319
00:14:11,538 --> 00:14:12,373
AND WITHOUTTELLING YOU
320
00:14:12,456 --> 00:14:15,208
THAT I CAN'T KEEP LIVINGLIKE THIS.
321
00:14:16,209 --> 00:14:18,544
MAYBE SOMEONEJUST HAS TO SAY IT,
322
00:14:18,586 --> 00:14:22,172
AND THEN WE BOTH CANMOVE ON WITH OUR LIVES.
323
00:14:25,217 --> 00:14:26,134
WHAT I DO FOR A LIVING,
324
00:14:26,217 --> 00:14:31,139
EVERY DAY I'M REMINDEDOF HOW SHORT LIFE IS,
325
00:14:31,222 --> 00:14:35,600
AND IT'S TOO SHORTFOR US BOTH TO BE THIS UNHAPPY.
326
00:14:40,229 --> 00:14:45,234
YOU KNOW HOW I KNOW I MADETHE RIGHT DECISION TO LEAVE?
327
00:14:45,276 --> 00:14:47,861
BECAUSE YOU'RE NOTEVEN FIGHTING IT.
328
00:14:51,114 --> 00:14:54,033
YOU WON'T EVENTELL ME YOU LOVE ME.
329
00:15:18,304 --> 00:15:19,179
HELLO?
330
00:15:19,262 --> 00:15:20,263
HEY...
331
00:15:20,305 --> 00:15:21,431
HEY, YOU.
332
00:15:22,182 --> 00:15:24,684
I'M NOT SUREI CAN MAKE DINNER TONIGHT.
333
00:15:24,767 --> 00:15:26,018
WRITING?
334
00:15:26,101 --> 00:15:29,188
ACTUALLY, I'M, UH,GOING TO SEATTLE.
335
00:15:29,271 --> 00:15:30,272
WHY?
336
00:15:30,439 --> 00:15:33,483
I JUST FEEL LIKE MY ARTICLEIS LACKING SOME REALISM,
337
00:15:33,567 --> 00:15:35,443
AND IF I CAN ACTUALLY TALK TO
338
00:15:35,484 --> 00:15:37,445
THE PEOPLE I WANTTO WRITE ABOUT,
339
00:15:37,445 --> 00:15:38,279
IT MIGHT HELP.
340
00:15:38,404 --> 00:15:42,532
PLUS I'VE GOT TO DOSOME RESEARCH, SO...
341
00:15:42,615 --> 00:15:44,701
JACK, YOU DON'T SOUND SO GOOD.
342
00:15:44,784 --> 00:15:46,285
NO, NO, NEVER BETTER.
343
00:15:46,327 --> 00:15:49,330
LOOK, YOU'RE GOING TO GETTHIS ARTICLE WRITTEN,
344
00:15:49,455 --> 00:15:51,582
AND IT'S GOING TO BE EVEN BETTERTHAN THE ONE ON LUKE.
345
00:15:51,665 --> 00:15:54,084
YOU ARE CONTRACTUALLYOBLIGATED TO SAY THAT.
346
00:15:54,125 --> 00:15:55,043
YOU'RE MY GIRLFRIEND.
347
00:15:55,251 --> 00:15:58,421
I'M LIKE GEORGE WASHINGTON,I CANNOT TELL A LIE.
348
00:15:59,755 --> 00:16:00,756
THANKS.
349
00:16:00,798 --> 00:16:03,592
SO, GRAB SOMETHING LATER?
350
00:16:03,633 --> 00:16:06,344
I'D RATHER STAY IN.
351
00:16:06,385 --> 00:16:09,097
WHATEVER WILL WE DOWITH OURSELVES?
352
00:16:09,138 --> 00:16:11,515
OH, WE'LL THINK OF SOMETHING.
353
00:16:12,808 --> 00:16:14,768
I'LL CALL YOU LATER.
354
00:16:14,852 --> 00:16:16,436
LOVE YOU.
355
00:16:16,478 --> 00:16:17,645
I LOVE YOU TOO.
356
00:16:17,687 --> 00:16:19,146
BYE.
357
00:16:23,317 --> 00:16:25,652
JUDGE LOCKHART,THEY'RE READY FOR YOU.
358
00:16:25,777 --> 00:16:27,278
I'LL BE RIGHT THERE.
359
00:16:31,657 --> 00:16:34,368
OH, YOU KNOW...
360
00:16:34,409 --> 00:16:36,620
BEEN BUSY.
361
00:16:38,872 --> 00:16:41,958
I SHOULD LET YOU GO, UM...
362
00:16:42,000 --> 00:16:44,127
WE CAN SKYPE LATER?
363
00:16:45,669 --> 00:16:48,630
I DON'T KNOW, I JUSTWANT TO SEE YOUR FACE.
364
00:16:51,716 --> 00:16:53,676
OKAY.
365
00:16:53,760 --> 00:16:57,679
I LOVE YOU TOO.
366
00:16:57,721 --> 00:16:58,555
BYE.
367
00:17:23,118 --> 00:17:24,369
HEY.
368
00:17:26,453 --> 00:17:28,580
OH, JUSTINE,ARE YOU OKAY?
369
00:17:28,705 --> 00:17:32,876
NO, I'M NOT OKAY.
370
00:17:34,377 --> 00:17:36,546
IT WASN'T JUST YOUON THAT BEACH YESTERDAY.
371
00:17:36,587 --> 00:17:39,173
IT'S OKAY, I'M CONFUSED TOO.
372
00:17:39,840 --> 00:17:41,383
NO, I DON'T THINKYOU'RE CONFUSED.
373
00:17:41,466 --> 00:17:44,553
I THINK YOU'REFEELING GUILTY.
374
00:17:44,636 --> 00:17:47,555
WHY WOULD YOU WANT ME ANYWAY?
375
00:17:47,596 --> 00:17:49,598
I'M A REALLY BAD GIRLFRIEND.
376
00:17:49,682 --> 00:17:52,142
YOU CAN DENY ITALL YOU WANT,
377
00:17:52,225 --> 00:17:53,560
BUT THERE IS SOMETHINGGOING ON BETWEEN US.
378
00:17:53,644 --> 00:17:55,395
IT'S JUST FRIENDSHIP.
379
00:17:55,478 --> 00:17:57,063
NO, THERE'S SOMETHINGMORE THAN THAT,
380
00:17:57,104 --> 00:17:58,648
AND THE SOONER YOU FACE IT,
381
00:17:58,690 --> 00:18:00,817
THE BETTER IT WILL BEFOR ALL OF US.
382
00:18:00,900 --> 00:18:02,068
SETH INCLUDED.
383
00:18:03,235 --> 00:18:05,028
I'VE GOT TO GO.
384
00:18:17,080 --> 00:18:18,247
YES?
385
00:18:19,290 --> 00:18:21,417
YOU RANG?
386
00:18:23,586 --> 00:18:24,587
WE NEED TO TALK.
387
00:18:24,628 --> 00:18:25,588
AGAIN?
388
00:18:25,754 --> 00:18:27,630
DON'T YOU HAVE OTHER PEOPLEYOU CAN EAT LUNCH WITH?
389
00:18:27,714 --> 00:18:30,425
I CALLED PATRICIA MALLOYAT YALE.
390
00:18:31,258 --> 00:18:31,926
YEAH?
391
00:18:32,009 --> 00:18:33,427
SHE DIDN'T REMEMBER YOU.
392
00:18:33,510 --> 00:18:36,763
I TOLD YOUI NEVER HAD HER.
393
00:18:38,014 --> 00:18:38,974
I KNOW.
394
00:18:39,099 --> 00:18:39,975
WHAT DO YOU KNOW?
395
00:18:40,058 --> 00:18:42,102
THAT YOU DIDN'T GO TO YALE.
396
00:18:43,769 --> 00:18:44,687
REALLY?
397
00:18:44,770 --> 00:18:46,021
WHAT?
398
00:18:46,105 --> 00:18:46,897
YOU'RE CAUGHT.
399
00:18:46,939 --> 00:18:49,316
YOU CAN'T PRETENDYOU'RE NOT CAUGHT.
400
00:18:49,399 --> 00:18:50,609
SAYS YOU.
401
00:18:50,692 --> 00:18:51,693
SAYS THE FACTS.
402
00:18:51,776 --> 00:18:52,777
I'M SORRY,
403
00:18:52,986 --> 00:18:55,446
IS THIS THE PART WHERE I'MSUPPOSED TO BREAK DOWN AND CRY
404
00:18:55,529 --> 00:18:57,030
AND BEG YOU TO NOT TELL MY BOSS?
405
00:18:57,114 --> 00:18:58,366
NO.
406
00:18:58,449 --> 00:19:00,784
THIS IS THE PARTWHERE YOU DROP THE ATTITUDE,
407
00:19:00,868 --> 00:19:02,744
BECAUSE YOUR ENTIRE CAREERIS AT STAKE.
408
00:19:02,785 --> 00:19:04,871
THIS ISN'T ATTITUDE.
409
00:19:04,954 --> 00:19:06,205
THIS IS ME,
410
00:19:06,288 --> 00:19:07,957
AND UNLIKE
411
00:19:07,999 --> 00:19:09,708
MOST OF THE PEOPLEYOU ENCOUNTER,
412
00:19:09,791 --> 00:19:11,543
I'M NOT AFRAID OF YOU.
413
00:19:29,975 --> 00:19:31,268
I'LL CATCH UPWITH YOU.
414
00:19:32,394 --> 00:19:34,062
HEY...
415
00:19:34,146 --> 00:19:35,105
HEY.
416
00:19:35,147 --> 00:19:36,856
WHAT ARE YOU DOINGBACK IN SEATTLE?
417
00:19:36,898 --> 00:19:40,860
OH, UH, I JUST NEEDED TO USETHE PAPER'S NEXUS,
418
00:19:40,943 --> 00:19:43,904
YOU KNOW, DO A LITTLE RESEARCH.
419
00:19:43,987 --> 00:19:44,946
HUH...
420
00:19:44,988 --> 00:19:46,740
I KNOW THAT FACE.
421
00:19:46,823 --> 00:19:47,573
WHAT?
422
00:19:47,657 --> 00:19:49,159
YOU ARE TOTALLY BLOCKED.
423
00:19:51,201 --> 00:19:53,453
UH...
424
00:19:53,537 --> 00:19:56,540
I CAN'T SEEM TO STRINGTWO SENTENCES TOGETHER.
425
00:19:56,665 --> 00:19:58,417
WELL, BACK IN PHILLY,WHENEVER YOU GOT LIKE THIS,
426
00:19:58,500 --> 00:20:00,043
YOU ALWAYS PULLED OUTA WINNER IN THE END.
427
00:20:00,126 --> 00:20:02,670
YEAH, WELL, THAT WAS PHILLY.
428
00:20:02,753 --> 00:20:04,338
HEY, WHY DON'T YOU JOIN US?
429
00:20:05,255 --> 00:20:06,089
US?
430
00:20:06,339 --> 00:20:08,175
YEAH, THAT'S THE EDITORIALSTAFF FROM THE PAPER.
431
00:20:08,216 --> 00:20:11,719
YOU'VE WANDERED INTOOUR REAL OFFICE.
432
00:20:11,803 --> 00:20:13,595
COME ON,IT'S A GREAT GROUP.
433
00:20:13,679 --> 00:20:14,888
YOU'LL REALLY LIKE THEM.
434
00:20:14,931 --> 00:20:16,473
UH...
435
00:20:19,059 --> 00:20:21,186
NO, I'M GOING TO STAY HERE,
436
00:20:21,227 --> 00:20:23,188
TRY AND GETSOME WORK DONE,
437
00:20:23,229 --> 00:20:24,188
BUT, UM...
438
00:20:24,229 --> 00:20:24,980
THANK YOU.
439
00:20:25,022 --> 00:20:26,941
IF YOU CHANGE YOUR MIND...
440
00:20:27,024 --> 00:20:28,733
I WON'T.
441
00:20:28,775 --> 00:20:30,610
RIGHT.
442
00:20:34,322 --> 00:20:36,865
SO, WHAT WEREYOU EXPECTING?
443
00:20:36,865 --> 00:20:37,575
I DON'T KNOW,
444
00:20:37,658 --> 00:20:38,909
I THOUGHTIF I CONFRONTED HER,
445
00:20:38,992 --> 00:20:40,077
SHE'D DROP SOME OFTHAT ATTITUDE,
446
00:20:40,160 --> 00:20:42,245
AND I COULDGET THROUGH TO HER.
447
00:20:42,329 --> 00:20:45,289
SHE CALLEDAND RESIGNED.
448
00:20:45,372 --> 00:20:46,207
REALLY?
449
00:20:46,290 --> 00:20:47,959
WHAT IS IT ABOUT HER?
450
00:20:48,042 --> 00:20:48,959
I MEAN, WHY CAN'T YOULET IT GO?
451
00:20:49,043 --> 00:20:51,127
YOU KNOW YOU CAN'TSAVE EVERYONE.
452
00:20:51,211 --> 00:20:52,879
WELL, SOMEBODY'SGOT TO HELP HER.
453
00:20:52,921 --> 00:20:54,172
ALL THAT BLUSTERAND BRAVADO,
454
00:20:54,214 --> 00:20:56,216
IT'S HIDING SOMETHING.
455
00:20:56,216 --> 00:20:57,883
YEAH, BUT WHY YOU?
456
00:20:57,967 --> 00:20:59,093
BECAUSE I SAW HERIN ACTION.
457
00:20:59,176 --> 00:21:00,845
SHE IS AN AMAZINGATTORNEY.
458
00:21:00,886 --> 00:21:02,137
I KNOW.I HIRED HER.
459
00:21:02,221 --> 00:21:04,180
BUT SHE LIED.
460
00:21:04,222 --> 00:21:05,139
SHE DIDN'T NEED TO.
461
00:21:05,223 --> 00:21:07,183
I SAW THE GRADES FROMTHE COLLEGE SHE DID GO TO.
462
00:21:07,225 --> 00:21:09,060
STRAIGHT AsACROSS THE BOARD.
463
00:21:09,102 --> 00:21:12,104
I JUST HATE TO SEE HERTHROW HER CAREER AWAY.
464
00:21:13,063 --> 00:21:15,732
WELL, I GUESS IF YOU COULDGET HER TO SEE REASON,
465
00:21:15,815 --> 00:21:16,691
I COULD REINSTATE HER,
466
00:21:16,774 --> 00:21:17,942
BUT SHE'D BE ON PROBATION,AND I MEAN IT,
467
00:21:18,025 --> 00:21:20,069
IF SHE EVEN GETS A PARKINGTICKET, THAT'S IT.
468
00:21:20,111 --> 00:21:21,403
I DON'T DOTHREE STRIKES.
469
00:21:21,445 --> 00:21:23,989
TONY, YOU'REA GOOD MAN.
470
00:21:24,072 --> 00:21:25,115
YEAH...
471
00:21:25,198 --> 00:21:27,658
BUT IS REBECCAA GOOD WOMAN?
472
00:21:27,742 --> 00:21:29,744
DICK TURNBULLISN'T VERY HAPPY.
473
00:21:29,827 --> 00:21:30,911
HE WANTS TO MEET.
474
00:21:30,953 --> 00:21:32,747
BECAUSE EVERYBODYI DO BUSINESS WITH BACK EAST
475
00:21:32,788 --> 00:21:35,374
[QUIETLY]ENDS UP IN FEDERAL CUSTODY.
476
00:21:35,415 --> 00:21:36,916
LOOK, YOU'RE MY LAWYER, OKAY?
477
00:21:36,958 --> 00:21:38,376
YOU SET UP WITH THE FEDSIN THE FIRST PLACE.
478
00:21:38,417 --> 00:21:40,628
DO SOMETHING. NOW!
479
00:21:42,921 --> 00:21:44,840
-HEY.-HI.
480
00:21:44,923 --> 00:21:45,758
SIT.
481
00:21:48,426 --> 00:21:50,219
I, UH...
482
00:21:50,261 --> 00:21:54,431
I GOTTA SAY, ERIC, UM...
483
00:21:54,473 --> 00:21:55,766
YOU SURPRISED ME.
484
00:21:55,849 --> 00:21:57,393
HOW IN THE WORLDDOES A GUY LIKE YOU
485
00:21:57,434 --> 00:21:59,602
GET A GIRL LIKE REBECCA?
486
00:21:59,685 --> 00:22:01,771
NOW, LISTEN, DON'TTAKE THIS THE WRONG WAY.
487
00:22:01,812 --> 00:22:04,106
YOU ARE FAR MORE TALENTEDTHAN I EVER THOUGHT,
488
00:22:04,148 --> 00:22:07,276
AND I GOTTAREMEMBER THAT.
489
00:22:07,276 --> 00:22:08,110
BUT YOU GOTTA KNOW
490
00:22:08,235 --> 00:22:09,361
YOU'RE WAY OUT OFYOUR LEAGUE HERE, RIGHT?
491
00:22:09,403 --> 00:22:11,279
COME ON, ERIC,THE GIRL'S A MASERATI,
492
00:22:11,320 --> 00:22:14,032
YOU'RE-YOU'RE, WHAT,HER TWO DOOR COUPE,
493
00:22:14,115 --> 00:22:15,574
AT BEST?
494
00:22:15,616 --> 00:22:17,618
YOU CAN'T HANDLE HER.
495
00:22:19,077 --> 00:22:20,245
BUT, YOU KNOW, I'LL ADMIT IT,
496
00:22:20,287 --> 00:22:22,914
I UNDERESTIMATED YOU.
497
00:22:22,955 --> 00:22:25,249
I WILL NOT DO THAT AGAIN.
498
00:22:29,586 --> 00:22:31,421
I WON'T DO THAT AGAIN.
499
00:22:45,516 --> 00:22:47,435
JUSTINE...
500
00:22:48,102 --> 00:22:48,936
HEY.
501
00:22:48,977 --> 00:22:51,354
ARE YOU OKAY?
502
00:22:52,147 --> 00:22:53,565
NOT REALLY.
503
00:22:53,648 --> 00:22:55,900
WELL, I ASSUMESINCE YOU'RE HERE,
504
00:22:55,983 --> 00:22:57,819
YOU WANTED TOTALK TO ME.
505
00:22:57,902 --> 00:22:58,903
I DO.
506
00:22:58,986 --> 00:23:02,156
I'M JUST AFRAID YOU'LL JUDGE ME.
507
00:23:02,198 --> 00:23:04,032
NEVER.
508
00:23:04,074 --> 00:23:06,993
I JUDGE ME.
509
00:23:07,660 --> 00:23:10,413
WHAT ARE YOU TALKING ABOUT?
510
00:23:12,790 --> 00:23:15,041
I WANTED TOKISS LUKE.
511
00:23:15,125 --> 00:23:16,209
OH.
512
00:23:17,168 --> 00:23:18,419
HE KISSED ME ONCE BEFORE.
513
00:23:18,502 --> 00:23:19,337
HE DID?
514
00:23:19,462 --> 00:23:20,546
AND I SLAPPED HIM.
515
00:23:23,048 --> 00:23:26,301
BUT I THINK IT'S MEI REALLY WANTED TO SLAP.
516
00:23:27,385 --> 00:23:29,471
I HAVE A BOYFRIEND I LOVE,
517
00:23:29,554 --> 00:23:30,722
AND YET...
518
00:23:31,723 --> 00:23:33,724
DO YOU WANT TO BE WITH LUKE?
519
00:23:39,354 --> 00:23:41,814
I DON'T KNOW.
520
00:23:41,856 --> 00:23:43,899
WHEN I'M WITH HIM,
521
00:23:43,941 --> 00:23:45,609
YES, BUT...
522
00:23:45,650 --> 00:23:48,403
IS IT POSSIBLETO HAVE THE SAME FEELINGS
523
00:23:48,528 --> 00:23:49,363
FOR TWO MEN AT ONCE?
524
00:23:49,363 --> 00:23:51,197
TWO VERY DIFFERENT MEN?
525
00:23:51,280 --> 00:23:52,531
OF COURSE IT IS.
526
00:23:53,241 --> 00:23:56,869
BUT ULTIMATELY, FOR YOUR SAKEAND THEIRS,
527
00:23:56,869 --> 00:23:57,995
YOU NEED TO MAKE A CHOICE.
528
00:23:58,036 --> 00:23:59,537
HOW DO YOU DO IT?
529
00:23:59,579 --> 00:24:02,415
MAKE HARD DECISIONSDAY AFTER DAY IN COURT?
530
00:24:03,165 --> 00:24:05,877
WELL, EVERY CASE IS DIFFERENT,
531
00:24:05,960 --> 00:24:08,670
BUT I APPROACH THEMIN THE SAME WAY.
532
00:24:08,754 --> 00:24:13,216
I GATHER THE FACTS,I LISTEN TO THE ARGUMENTS,
533
00:24:13,299 --> 00:24:15,843
AND THEN WITH A CLEAR HEAD,
534
00:24:15,885 --> 00:24:18,053
I RENDER THE BEST DECISIONI CAN AT THE TIME.
535
00:24:18,137 --> 00:24:21,098
HOW CAN YOU BE SUREIT'S THE RIGHT DECISION?
536
00:24:22,474 --> 00:24:24,017
BECAUSE I TRUST MYSELF,
537
00:24:24,058 --> 00:24:26,144
AND THAT IS WHATYOU NEED TO DO,
538
00:24:26,227 --> 00:24:28,437
TRUST YOURSELF.
539
00:24:31,523 --> 00:24:33,108
AW...
540
00:24:34,234 --> 00:24:40,447
♪ AND I'M LIKE A BOOKUPON YOUR SHELF ♪
541
00:24:40,572 --> 00:24:41,948
♪ ONE OF THOUSANDS
542
00:24:41,990 --> 00:24:46,202
♪ HOPING TO BE THE NEXT ONEYOU PICK OUT ♪
543
00:24:46,244 --> 00:24:52,249
♪ AND I'M LIKEYOUR SHADOW IN THE SUN ♪
544
00:24:52,332 --> 00:24:54,376
♪ I'M SO ATTACHED TO YOU
545
00:24:54,418 --> 00:24:58,421
♪ I WOULD NOT EXISTIF YOU WERE GONE ♪
546
00:24:58,504 --> 00:25:01,590
♪ SO HOLD ME CLOSER NOW
547
00:25:01,632 --> 00:25:04,259
♪ HOLD ME CLOSER NOW
548
00:25:04,301 --> 00:25:08,054
♪ YEAH, I NEED NO ONE ELSEBUT YOU... ♪
549
00:25:08,096 --> 00:25:10,431
WELL, ISN'T THISA NICE SURPRISE.
550
00:25:11,265 --> 00:25:13,267
I BROUGHT YOU COOKIES.
551
00:25:13,309 --> 00:25:14,976
THEN I ATE THEM.
552
00:25:15,101 --> 00:25:16,061
HOW MANY WERE THERE?
553
00:25:16,102 --> 00:25:17,437
DON'T YOU JUDGE ME.
554
00:25:20,523 --> 00:25:23,443
GRACE, ISSOMETHING WRONG?
555
00:25:23,526 --> 00:25:26,236
GEE, I DON'T KNOW.
556
00:25:26,278 --> 00:25:28,071
COME ON, GRACE,SHE'S AN EMPLOYEE.
557
00:25:28,113 --> 00:25:30,114
YEAH, WELL,MRS. ARNETT WAS 60,
558
00:25:30,198 --> 00:25:32,283
AND SHE HAD MOREFACIAL HAIR THAN YOU.
559
00:25:32,408 --> 00:25:34,035
CAN'T YOUGET HER BACK?
560
00:25:34,077 --> 00:25:35,411
SHE WAS GOODWITH THE BOOKS,
561
00:25:35,494 --> 00:25:37,370
BUT I NEED SOMEONE TOHELP ME WITH THE HORSES.
562
00:25:37,412 --> 00:25:38,538
YEAH, WELL,WHAT ARE YOU DOING?
563
00:25:38,621 --> 00:25:39,622
ARE YOU JUST DOING THISTO PUNISH ME
564
00:25:39,664 --> 00:25:41,208
BECAUSE I WANTEDSOME SPACE?
565
00:25:41,291 --> 00:25:42,459
OR BECAUSE OF WILL?
566
00:25:42,542 --> 00:25:45,377
GRACE, REALLY,IS THAT WHAT YOU THINK?
567
00:25:45,461 --> 00:25:46,462
HOW WOULD YOU FEEL
568
00:25:46,545 --> 00:25:48,088
IF I HIREDA CHIPPENDALE DANCER
569
00:25:48,130 --> 00:25:49,965
TO WORK WITH MEIN THE LIBRARY,
570
00:25:50,048 --> 00:25:51,967
WITHOUT HIS SHIRT.
571
00:25:52,092 --> 00:25:52,968
WELL, NUMBER ONE,
572
00:25:53,218 --> 00:25:55,177
CHIPPENDALE DANCERS ALWAYSWORK WITHOUT THEIR SHIRTS,
573
00:25:55,303 --> 00:25:56,095
AND NUMBER TWO,
574
00:25:56,261 --> 00:25:58,097
I CAN'T SEE TOWN COUNCILGIVING THAT TO YOU
575
00:25:58,138 --> 00:25:59,181
IN THE BUDGET.
576
00:25:59,264 --> 00:26:00,515
HA HA.
577
00:26:01,308 --> 00:26:03,017
COME ON, TELL MEYOU HAVEN'T NOTICED
578
00:26:03,101 --> 00:26:04,310
WHAT A KNOCKOUT SHE IS.
579
00:26:04,393 --> 00:26:05,144
I'VE BEEN TOO BUSY
580
00:26:05,353 --> 00:26:07,271
STARING AT THIS KNOCKOUTRIGHT IN FRONT OF ME
581
00:26:07,313 --> 00:26:08,939
TO NOTICE ANY OTHERS.
582
00:26:17,279 --> 00:26:19,323
WANT TOSHARE IT WITH ME?
583
00:26:19,365 --> 00:26:20,157
NO, THANK YOU.
584
00:26:20,241 --> 00:26:21,950
I THINK YOU NEED ITMORE THAN I DO.
585
00:26:21,992 --> 00:26:24,410
FOR TWO PEOPLESLOWING THINGS DOWN,
586
00:26:24,494 --> 00:26:25,996
I'M SEEINGAN AWFUL LOT OF YOU LATELY.
587
00:26:26,079 --> 00:26:28,456
WHY DO YOU PUT UP WITH ME?
588
00:26:28,498 --> 00:26:30,791
I TOLD YOU BEFORE,
589
00:26:30,833 --> 00:26:32,542
I LOVE YOU.
590
00:26:34,169 --> 00:26:37,672
YOU'RE THE ONEWHO WANTED MORE SPACE.
591
00:26:37,672 --> 00:26:40,549
I WANTED LESS.
592
00:27:31,843 --> 00:27:33,511
HEY.
593
00:27:33,553 --> 00:27:35,430
IF YOU'RE NOT GOING TO JOIN US,
594
00:27:35,513 --> 00:27:38,432
THEN WE AREGOING TO JOIN YOU.
595
00:27:38,515 --> 00:27:40,225
LOOK,JERI, I JUST...
596
00:27:40,309 --> 00:27:42,060
EVERYONEWANTS TO MEET YOU.
597
00:27:42,143 --> 00:27:43,269
THEY ALL READ YOUR ARTICLE,
598
00:27:43,352 --> 00:27:44,562
AND LOVED IT.
599
00:27:44,645 --> 00:27:45,897
EVERYONE,THIS IS JACK.
600
00:27:45,980 --> 00:27:47,231
NICE TO MEETYOU, JACK.
601
00:27:47,315 --> 00:27:49,149
AND THIS IS EVERYONE.
602
00:28:24,179 --> 00:28:26,014
IAN!
603
00:28:26,848 --> 00:28:27,849
IAN.
604
00:28:27,890 --> 00:28:28,933
HEY.
605
00:28:28,975 --> 00:28:30,768
I'M SORRY.
606
00:28:30,810 --> 00:28:32,186
I'M SO SORRY FOR EVERYTHING.
607
00:28:33,604 --> 00:28:34,605
I WAS ANGRY AT YOU,
608
00:28:34,688 --> 00:28:36,773
AND I KNEW EARLIER YOU WANTED METO SAY I LOVE YOU,
609
00:28:36,773 --> 00:28:37,774
BUT THAT'S WHY I COULDN'T.
610
00:28:37,816 --> 00:28:38,774
CECILIA...
611
00:28:39,025 --> 00:28:42,695
I JUST WANT YOU TO STAY SAFEAND COME BACK TO CEDAR COVE.
612
00:28:42,778 --> 00:28:44,822
WE'LL FIGURETHIS OUT.
613
00:28:44,905 --> 00:28:47,907
WE'VE BEENTHROUGH WORSE.
614
00:28:47,949 --> 00:28:50,451
I LOVE YOU,
615
00:28:50,534 --> 00:28:52,661
AND I NEED YOU TO KNOW THAT.
616
00:28:54,622 --> 00:28:57,582
I REALLY DO LOVE YOU.
617
00:29:01,210 --> 00:29:03,087
I'M SORRY TOO.
618
00:29:04,839 --> 00:29:07,007
BUT IT'S TOO LATE.
619
00:29:07,966 --> 00:29:09,593
NO, IT ISN'T.
620
00:29:09,635 --> 00:29:11,887
I WANT A DIVORCE.
621
00:29:13,971 --> 00:29:15,222
LOVE IS NOT ENOUGH
622
00:29:15,264 --> 00:29:17,767
TO HOLD THIS MARRIAGETOGETHER ANYMORE,
623
00:29:17,808 --> 00:29:21,478
AT LEAST NOT FOR ME.
624
00:29:21,561 --> 00:29:23,813
I'M NOT GOING TOCHANGE MY MIND THIS TIME.
625
00:29:23,855 --> 00:29:26,732
OLIVIA IS NOT GOING TOCHANGE MY MIND.
626
00:29:26,815 --> 00:29:29,652
I KNOW I'M RIGHT.
627
00:29:29,777 --> 00:29:31,153
WE DON'T BELONG TOGETHER.
628
00:29:31,194 --> 00:29:34,406
GOODBYE, CECILIA.
629
00:30:07,016 --> 00:30:08,810
HEY, GRACE!
630
00:30:08,893 --> 00:30:10,227
HEY, ALEX.
631
00:30:12,771 --> 00:30:14,648
I THINKWE NEED TO TALK.
632
00:30:14,690 --> 00:30:16,024
ABOUT?
633
00:30:16,107 --> 00:30:18,151
CLIFF.
634
00:30:26,866 --> 00:30:29,953
JUSTINE.
635
00:30:31,162 --> 00:30:32,580
STOP RUNNINGAWAY FROM ME.
636
00:30:32,663 --> 00:30:33,664
I'M TIRED OFCHASING YOU DOWN
637
00:30:33,706 --> 00:30:35,082
JUST SO WE CAN TALK.
638
00:30:35,123 --> 00:30:35,999
LUKE... NO.
639
00:30:36,041 --> 00:30:37,667
I'M HERE, YOU'RE HERE,
640
00:30:37,709 --> 00:30:39,002
LET'S JUST GET THISOUT IN THE OPEN.
641
00:30:39,086 --> 00:30:40,587
GO HOME.
642
00:30:40,670 --> 00:30:41,963
NO.
643
00:30:43,047 --> 00:30:44,298
YOU NEED TO LEAVE ME ALONE.
644
00:30:44,340 --> 00:30:45,591
NO.
645
00:30:45,716 --> 00:30:46,883
JUST BACK OFF.
646
00:30:46,925 --> 00:30:47,843
NO.
647
00:30:47,884 --> 00:30:51,262
PLEASE, WHY WON'T YOUJUST LEAVE ME ALONE?
648
00:30:51,304 --> 00:30:53,473
THIS IS WHY.
649
00:31:09,111 --> 00:31:10,904
PLEASE DON'TGET ME FIRED.
650
00:31:10,988 --> 00:31:13,281
YOU THINK I'M GOINGTO GET YOU FIRED?
651
00:31:13,406 --> 00:31:14,156
IT HAPPENS.
652
00:31:14,281 --> 00:31:16,242
HORSE TRAINERS HAVEGIRLFRIENDS AND WIVES,
653
00:31:16,325 --> 00:31:18,369
AND SOMETIMES THOSEGIRLFRIENDS AND WIVES
654
00:31:18,410 --> 00:31:20,621
THINK I'M AFTERTHEIR MEN.
655
00:31:20,704 --> 00:31:21,913
I'M NOT.
656
00:31:21,997 --> 00:31:24,082
AND I'M NOT AFTER CLIFF.
657
00:31:24,082 --> 00:31:25,416
HE'S A GOOD MAN,
658
00:31:25,458 --> 00:31:26,917
A GOOD BOSS,
659
00:31:27,001 --> 00:31:29,044
AND I NEED THIS JOB.
660
00:31:29,086 --> 00:31:30,587
WELL, I'M NOT GOINGTO GET YOU FIRED.
661
00:31:30,629 --> 00:31:33,047
THAT'S JUSTNOT ME, REALLY.
662
00:31:33,132 --> 00:31:35,509
BUT YOU WOULD BE HAPPYIF I WASN'T HERE, RIGHT?
663
00:31:35,592 --> 00:31:37,760
HONESTLY? YES.
664
00:31:37,801 --> 00:31:40,178
CLIFF AND I ARE TAKINGA BIT OF A BREATHER,
665
00:31:40,263 --> 00:31:42,264
SO WHILEI'M NOT AROUND...
666
00:31:42,389 --> 00:31:44,182
HE'S GOT YOU AROUND.
667
00:31:44,266 --> 00:31:45,183
OH.
668
00:31:45,267 --> 00:31:46,351
LOOK, I'LL LEAVE.
669
00:31:46,434 --> 00:31:48,102
I DON'T WANT TOCAUSE ANY TROUBLE.
670
00:31:48,144 --> 00:31:49,186
NO...
671
00:31:49,270 --> 00:31:50,104
YOU'RE NOT COMFORTABLE
672
00:31:50,187 --> 00:31:51,480
WITH ME LIVINGAND WORKING AT THE RANCH.
673
00:31:51,522 --> 00:31:52,273
THAT'S TRUE,
674
00:31:52,356 --> 00:31:54,358
BUT THAT WASALSO BEFORE.
675
00:31:54,441 --> 00:31:56,943
YOU KNOW, YOU SEEMREALLY SWEET, HONEST,
676
00:31:56,985 --> 00:31:58,694
AND OBVIOUSLY YOU'REVERY GOOD AT WHAT YOU DO,
677
00:31:58,778 --> 00:32:01,321
OTHERWISE CLIFFWOULD NOT HAVE HIRED YOU.
678
00:32:02,281 --> 00:32:03,615
NOW I'M STARTINGTO FEEL BAD
679
00:32:03,698 --> 00:32:05,867
THAT I WAS JUDGING YOU.
680
00:32:05,950 --> 00:32:08,202
YOU KNOW, IF THERE IS EVERANYTHING I CAN DO
681
00:32:08,286 --> 00:32:09,704
TO MAKE YOU FEELMORE COMFORTABLE
682
00:32:09,788 --> 00:32:11,164
AT THE RANCH,
683
00:32:11,205 --> 00:32:12,581
JUST TELL ME.
684
00:32:12,623 --> 00:32:15,250
DO YOU HAVEANY LONGER SHORTS?
685
00:32:20,087 --> 00:32:23,299
OH GOOD, YOU'RE HERE.
686
00:32:23,340 --> 00:32:25,926
THERE'S MORE IN THE CAR.
687
00:32:26,718 --> 00:32:30,263
YOU GOTMORE FLOWERS TODAY.
688
00:32:30,346 --> 00:32:31,472
FROM WHO?
689
00:32:31,514 --> 00:32:33,599
THE CARD WASN'T SIGNED.
690
00:32:33,683 --> 00:32:36,393
AGAIN.
691
00:32:36,476 --> 00:32:38,312
MAYBE IT'SA MISTAKE.
692
00:32:38,353 --> 00:32:39,229
YEAH.
693
00:32:39,438 --> 00:32:42,190
YOU SURE HAVE BEEN GETTINGA LOT OF MISTAKES LATELY.
694
00:32:42,273 --> 00:32:44,317
YEAH, I KNOW.
695
00:32:46,194 --> 00:32:47,903
YOU KNOW...
696
00:32:47,986 --> 00:32:49,654
I THINK I'M GOING TOHAVE ROY LOOK INTO THIS.
697
00:32:49,697 --> 00:32:50,822
NO.
698
00:32:51,823 --> 00:32:54,366
NO... COME ON.
699
00:32:54,492 --> 00:32:55,910
OKAY, I MEAN,
700
00:32:55,952 --> 00:32:57,453
DON'T YOU THINKTHIS IS A LITTLE ODD?
701
00:32:57,536 --> 00:32:58,870
I AGREE,
702
00:32:58,954 --> 00:33:01,372
BUT I DON'T WANT TO MAKEA BIG DEAL OUT OF IT, OKAY?
703
00:33:01,414 --> 00:33:04,125
ALL RIGHT.
704
00:33:09,046 --> 00:33:12,716
ALL RIGHT, I'LL GO GETTHE REST OF THE GROCERIES.
705
00:33:27,770 --> 00:33:28,437
DON'T WORRY,
706
00:33:28,605 --> 00:33:30,147
I'M ON THE NEXT STAGEOUT OF TOWN.
707
00:33:30,189 --> 00:33:32,233
WE DON'T HAVE STAGESIN CEDAR COVE,
708
00:33:32,358 --> 00:33:33,525
WE HAVE FERRIES.
709
00:33:33,525 --> 00:33:34,400
DON'T GLOAT.
710
00:33:34,485 --> 00:33:35,694
YOU DON'T KNOW MEVERY WELL.
711
00:33:35,694 --> 00:33:37,195
I DON'T GLOAT.
712
00:33:37,278 --> 00:33:38,696
I HAVE TO SAY,YOU'RE GOOD.
713
00:33:38,738 --> 00:33:39,739
EXCUSE ME?
714
00:33:39,780 --> 00:33:40,573
I PLAY POKER,
715
00:33:40,656 --> 00:33:42,366
AND I WOULDN'T WANT TOFIND MYSELF
716
00:33:42,407 --> 00:33:44,118
ACROSS THE TABLEFROM YOU.
717
00:33:44,201 --> 00:33:45,785
WHAT ARE YOUTALKING ABOUT?
718
00:33:45,869 --> 00:33:47,371
YOU'RE BLUFFING.
719
00:33:47,412 --> 00:33:48,371
ABOUT?
720
00:33:48,412 --> 00:33:50,081
EVERYTHING.
721
00:33:50,164 --> 00:33:51,124
YOU TALK A GOOD GAME,
722
00:33:51,207 --> 00:33:52,375
AND YOU BACK IT UPWITH SKILL,
723
00:33:52,416 --> 00:33:54,710
BUT INSIDEYOU'RE SCARED.
724
00:33:54,752 --> 00:33:55,836
PLEASE. OF YOU?
725
00:33:55,919 --> 00:33:57,337
OF EVERYONE.
726
00:33:57,420 --> 00:33:58,338
I'M SCARED?
727
00:33:58,380 --> 00:34:00,131
OF WHAT, EXACTLY?
728
00:34:00,214 --> 00:34:01,633
YOU'RE AFRAID THATPEOPLE ARE GOING TO FIND OUT
729
00:34:01,716 --> 00:34:03,968
THAT YOU'RE NOT AS TOUGHAS YOU THINK YOU ARE.
730
00:34:04,051 --> 00:34:05,511
OH, I'M TOUGH.
731
00:34:05,552 --> 00:34:06,762
THEN WHYARE YOU RUNNING?
732
00:34:06,845 --> 00:34:08,639
BECAUSEYOU GOT ME FIRED.
733
00:34:08,722 --> 00:34:09,430
NO, YOU QUIT,
734
00:34:09,555 --> 00:34:10,806
AND TONY IS WILLINGTO WORK WITH YOU,
735
00:34:10,890 --> 00:34:12,558
SO WHY ARE YOURUNNING, REBECCA?
736
00:34:12,600 --> 00:34:13,559
I'M NOT.
737
00:34:13,559 --> 00:34:15,269
BUT YOU ARE.
738
00:34:15,352 --> 00:34:17,271
I DON'T NEED YOU OR THIS JOB.
739
00:34:17,354 --> 00:34:18,730
YOU'RE BLUFFING.
740
00:34:18,772 --> 00:34:19,814
REALLY?
741
00:34:19,898 --> 00:34:21,399
YOU LIKE IT HERE.
742
00:34:21,440 --> 00:34:22,400
YOU LIKE YOUR JOB.
743
00:34:22,483 --> 00:34:23,192
YOU WANT TO STAY,
744
00:34:23,317 --> 00:34:25,278
BUT YOU DON'T KNOWHOW TO SAVE FACE.
745
00:34:25,361 --> 00:34:27,279
WELL, I HAVEA FEW SUGGESTIONS,
746
00:34:27,362 --> 00:34:30,698
AND YOU KNOW WHERE TO FIND ME.
747
00:34:37,704 --> 00:34:39,415
YEAH.
748
00:34:39,456 --> 00:34:41,542
NO, IT, UH...
749
00:34:41,625 --> 00:34:43,376
OKAY.
750
00:34:43,459 --> 00:34:45,002
YEAH, GREAT.
751
00:34:45,920 --> 00:34:49,214
HEY.
752
00:35:00,891 --> 00:35:01,934
I LOVE THAT PICTURE.
753
00:35:01,975 --> 00:35:03,936
ME TOO.
754
00:35:07,439 --> 00:35:12,318
YOU KNOW, I DIDN'T REALIZEHOW MUCH I MISSED YOU GUYS
755
00:35:12,401 --> 00:35:13,444
UNTIL I SAW YOU ON THE FERRY.
756
00:35:13,485 --> 00:35:15,821
I MEAN, SKYPEAND EVERYTHING IS FINE,
757
00:35:15,862 --> 00:35:17,405
BUT...
758
00:35:17,447 --> 00:35:19,365
IT'S NOT THE REAL THING.
759
00:35:19,449 --> 00:35:20,450
YEAH, I KNOW.
760
00:35:20,533 --> 00:35:24,619
IT CAN BEPRETTY ROUGH SOMETIMES.
761
00:35:24,619 --> 00:35:27,121
ESPECIALLY...
762
00:35:28,164 --> 00:35:29,790
AT NIGHT.
763
00:35:35,628 --> 00:35:38,005
SHELLY...
764
00:35:38,131 --> 00:35:38,840
SHELLY, COME ON,
765
00:35:38,923 --> 00:35:40,299
YOU'VE GOT TOLET ME EXPLAIN.
766
00:35:40,341 --> 00:35:41,467
IT'S REBECCA,ISN'T IT?
767
00:35:41,550 --> 00:35:42,426
SHE'S WITH WARREN.
768
00:35:42,468 --> 00:35:43,677
BUT SHE WAS WITH YOU?
769
00:35:43,719 --> 00:35:46,430
LOOK, IT'S YOU, SHELLY,IT'S ALWAYS BEEN YOU.
770
00:35:46,472 --> 00:35:48,639
I GOT LONELY,AND I SLIPPED.
771
00:35:48,682 --> 00:35:50,266
THAT WON'T HAPPEN AGAIN.
772
00:35:50,350 --> 00:35:53,853
OKAY, JUST PLEASE,PLEASE JUST LISTEN, OKAY?
773
00:35:53,936 --> 00:35:55,980
I NEED THIS.
774
00:35:56,063 --> 00:35:57,772
I NEED TO BE HER FATHER-
775
00:35:57,856 --> 00:35:58,523
ERIC--
776
00:36:00,984 --> 00:36:03,819
I KIND OF MET SOMEONE TOO.
777
00:36:12,660 --> 00:36:16,705
WELL, THEY AREA FRIENDLY BUNCH.
778
00:36:16,788 --> 00:36:18,124
AND A DRUNK BUNCH.
779
00:36:18,165 --> 00:36:21,877
SORRY ABOUT THAT.
780
00:36:22,002 --> 00:36:24,587
LOOK, JERI,
781
00:36:24,670 --> 00:36:27,089
WHAT'S YOUR END GAMEWITH ALL THIS?
782
00:36:27,172 --> 00:36:29,758
TRUTH?
783
00:36:29,841 --> 00:36:32,594
SURE, LET'S TRY THAT.
784
00:36:32,677 --> 00:36:34,095
OUR PAST ASIDE,
785
00:36:34,178 --> 00:36:36,014
YOU ARE ONE OF THE BESTNEWSPAPERMEN
786
00:36:36,097 --> 00:36:37,681
I'VE EVER WORKED WITH.
787
00:36:37,765 --> 00:36:40,392
YOU TAUGHT MEEVERYTHING I KNOW,
788
00:36:40,433 --> 00:36:41,977
AND WHETHER YOUBELIEVE ME OR NOT,
789
00:36:42,019 --> 00:36:45,272
I'M GRATEFUL FOR THAT.
790
00:36:45,355 --> 00:36:46,356
I AM.
791
00:36:46,439 --> 00:36:48,983
AND THE THOUGHTOF YOU WASTING AWAY
792
00:36:49,025 --> 00:36:51,818
IN CEDAR COVE, IT...
793
00:36:51,902 --> 00:36:54,738
IT'S JUST, YOU DESERVEA BETTER AUDIENCE AGAIN.
794
00:36:56,197 --> 00:36:58,158
NO, I DON'T.
795
00:36:58,199 --> 00:37:00,576
WHAT DO YOU MEAN?
796
00:37:00,618 --> 00:37:06,540
I CAME HERE TO KIND OFJOG MY WRITER BRAIN
797
00:37:06,581 --> 00:37:08,582
INTO COMING UPWITH SOMETHING
798
00:37:08,624 --> 00:37:10,543
FOR THIS ARTICLETHAT I HAVE TO WRITE,
799
00:37:10,626 --> 00:37:13,295
MY FIRST OFFICIAL ONEFORTHE COURIER.
800
00:37:13,378 --> 00:37:14,546
AND?
801
00:37:14,630 --> 00:37:16,965
[SIGHING]I'VE GOT NOTHING.
802
00:37:17,049 --> 00:37:18,175
SO...
803
00:37:18,216 --> 00:37:20,885
THIS LOOKS TO BETHE SHORTEST JOB
804
00:37:20,927 --> 00:37:22,678
IN MY EMPLOYMENT HISTORY.
805
00:37:22,719 --> 00:37:23,970
JUST LOCK YOURSELFIN A ROOM
806
00:37:24,055 --> 00:37:25,222
UNTIL YOU FINISH IT.
807
00:37:26,890 --> 00:37:29,684
YOU DID THAT TO ME ONCE,IF I REMEMBER.
808
00:37:29,767 --> 00:37:31,018
I DID,
809
00:37:31,102 --> 00:37:34,730
AND I BELIEVE YOU WONA PEABODY THAT YEAR.
810
00:37:34,730 --> 00:37:38,817
IT'S TIME YOU STARTBELIEVING IN YOURSELF, JACK.
811
00:37:38,900 --> 00:37:40,569
I DO.
812
00:38:12,346 --> 00:38:14,055
HI.
813
00:38:14,472 --> 00:38:16,974
HELLO.
814
00:38:20,352 --> 00:38:22,187
SO...
815
00:38:23,188 --> 00:38:26,608
YOU WANT TO STAY HEREIN CEDAR COVE, DON'T YOU?
816
00:38:26,608 --> 00:38:28,275
YES.
817
00:38:29,651 --> 00:38:31,237
I'M SORRY, I DIDN'T HEAR YOU.
818
00:38:31,278 --> 00:38:32,779
YES.
819
00:38:32,821 --> 00:38:33,989
YES WHAT?
820
00:38:34,072 --> 00:38:36,782
YES, I WANT TO STAY HERE.
821
00:38:38,368 --> 00:38:40,202
WAS YALE THE ONLY THINGYOU LIED ABOUT?
822
00:38:40,285 --> 00:38:41,661
YES.
823
00:38:41,746 --> 00:38:42,913
ARE YOU SURE?
824
00:38:42,955 --> 00:38:44,789
100%.
825
00:38:45,915 --> 00:38:47,709
OKAY.
826
00:38:47,751 --> 00:38:49,460
HERE'S WHAT YOU NEED TO DO.
827
00:38:49,460 --> 00:38:53,797
YOU NEED TO REPORT WHAT YOU DIDTO THE LOCAL BAR ASSOCIATION.
828
00:38:53,797 --> 00:38:56,633
RESUBMIT YOUR REAL RESUME
829
00:38:56,716 --> 00:38:58,676
TO THE D.A.'S OFFICE.
830
00:38:58,718 --> 00:39:00,136
WRITE A LETTER OF APOLOGYTO YOUR BOSS,
831
00:39:00,219 --> 00:39:03,055
AND UNDERSTANDTHAT THIS WHOLE STUNT
832
00:39:03,139 --> 00:39:05,015
PUTS YOU ON PROBATION.
833
00:39:05,098 --> 00:39:06,808
FOR HOW LONG?
834
00:39:06,892 --> 00:39:08,059
WELL, THAT DEPENDS ON YOU.
835
00:39:08,101 --> 00:39:10,811
AND TONYISN'T GOING TO FIRE ME?
836
00:39:10,853 --> 00:39:11,854
NO.
837
00:39:11,896 --> 00:39:13,606
BECAUSE SOMEONEIN THE LEGAL COMMUNITY,
838
00:39:13,648 --> 00:39:15,690
A WELL-RESPECTED JUDGE,
839
00:39:15,732 --> 00:39:18,652
GUARANTEEDTHAT THIS LAPSE IN CHARACTER
840
00:39:18,735 --> 00:39:19,819
WAS NOT A CHRONIC PROBLEM.
841
00:39:19,903 --> 00:39:21,988
IT WAS A MISTAKE,
842
00:39:22,071 --> 00:39:23,364
NOT TO BE REPEATED.
843
00:39:23,406 --> 00:39:25,115
EVER.
844
00:39:26,784 --> 00:39:30,870
SO, I HAVE TO ASK,WHY DID YOU LIE?
845
00:39:31,996 --> 00:39:35,582
I FELT I HAD TO.
846
00:39:35,666 --> 00:39:37,626
WHY DID YOU HELP ME?
847
00:39:38,794 --> 00:39:40,295
I FELT I HAD TO.
848
00:39:44,174 --> 00:39:46,634
GOOD NIGHT, MISS JENNINGS.
849
00:39:51,888 --> 00:39:53,222
YOU NUT...
850
00:39:54,974 --> 00:39:57,518
OH, I FORGOT TO TELL YOU.
851
00:39:57,601 --> 00:39:58,268
HMM?
852
00:39:58,352 --> 00:40:00,103
GUESS WHO IS MOVING BACK?
853
00:40:00,187 --> 00:40:00,938
WHO?
854
00:40:01,021 --> 00:40:02,189
COLIN MCFADDEN.
855
00:40:04,399 --> 00:40:05,942
WHOA!
856
00:40:06,025 --> 00:40:07,276
YOU OKAY?
857
00:40:07,359 --> 00:40:08,777
YEAH.
858
00:40:08,860 --> 00:40:09,986
OH...
859
00:40:22,039 --> 00:40:22,956
HELLO.
860
00:40:23,040 --> 00:40:23,873
JACK...
861
00:40:23,873 --> 00:40:25,542
HEY, I WAS JUSTABOUT TO CALL YOU.
862
00:40:25,584 --> 00:40:27,376
AS SOON AS I GOT BACKFROM SEATTLE,
863
00:40:27,460 --> 00:40:28,544
I STARTED WRITING NONSTOP.
864
00:40:28,669 --> 00:40:31,839
YOU WERE WORRIED FOR NOTHING.SEE? IT ALL WORKED OUT.
865
00:40:31,880 --> 00:40:33,799
YES, IT DID.
866
00:40:33,882 --> 00:40:35,925
PLEASE, JUST BE SURE
867
00:40:36,009 --> 00:40:36,843
TO GIVE YOURSELF A BREAK.
868
00:40:36,968 --> 00:40:38,052
LIKE YOU SAID,IT'S A LOT OF PRESSURE
869
00:40:38,135 --> 00:40:39,554
TO WORK FOR A BIG PAPER.
870
00:40:39,596 --> 00:40:40,930
MORE PEOPLE, MORE READERS...
871
00:40:41,013 --> 00:40:42,514
I CAN HANDLE IT ALL.
872
00:40:42,556 --> 00:40:43,557
I KNEW YOU COULD,
873
00:40:43,599 --> 00:40:46,017
I'M JUST GLADTHAT YOU KNOW IT NOW.
874
00:40:46,059 --> 00:40:47,978
HOW ABOUT I BRING OVER
875
00:40:48,061 --> 00:40:50,605
SOME CELEBRATORYKUNG PAO CHICKEN?
876
00:40:50,646 --> 00:40:53,565
UH...
877
00:40:53,649 --> 00:40:54,817
CAN I TAKE A RAIN CHECK?
878
00:40:54,900 --> 00:40:59,195
I'M SO BEATI CAN BARELY SEE STRAIGHT.
879
00:40:59,278 --> 00:41:00,905
SURE.
880
00:41:03,199 --> 00:41:05,117
HEY...
881
00:41:05,200 --> 00:41:07,035
I LOVE YOU.
882
00:41:09,079 --> 00:41:10,580
LOVE YOU, TOO.
883
00:41:10,580 --> 00:41:11,664
GOOD NIGHT.
884
00:41:11,748 --> 00:41:14,500
SLEEP TIGHT.
55723
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