All language subtitles for Top Gear (2002) S21E02 Episode 2 (1080p AMZN WEBRip x265 SDR AAC 2.0 English - DarQ)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: Eߣ�B��B��B�B�B��matroskaB��B��S�g^M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS��/M��S��T�gS��\��O�I�f@�*ױ�B@M��libebml v1.4.5 + libmatroska v1.7.1WA�mkvmerge v84.0 ('Sleeper') 64-bitD��AL4 �Da� (]j�{��s22e02s��C�9EQ���wV�<�GT�k���ׁsňE}�������������S_TEXT/UTF8"���enU��U���DC�u��=T�����JEREMY: Tonight, two swans move their heads about.�� ������]I eat a shoe.��KC�u��Wà����And James says he's not fat.�� >����� `I'm not fat.�� C�u�炂�ġ��Hello everybody. Hello, good evening, thank you so much.��G�����ENow... thank you.�� �C�u�炡�����Now, our deep and profound love on this show��G�����hfor Alfa Romeo is a triumph of hope over reality.��$C�u@��Ŀ�¡��We always pray that their new models will be brilliant,�� i�ơ�� �but we sort of know they won't be and then they never are.�� jC�u@���Ԡ����But, what about this? The new and very pretty 4C.����Ρȁ�Well, Richard Hammond has been to northern Italy, in the sunshine,���C�u��u�����to find out all about it.�� >����� >Jammy little ba...���������(BELL TOLLING)���C�u��+������(ENGINE REVVING)���C�u��N?�����Right, let's get this straight.�� (����� II'm in a mid-engined, two-seater Alfa Romeo.�� uC�u��m�����The first proper Alfa sports car for twenty years.�� �C�u��������And I'm driving it in northern Italy on a lovely day.�� ������:In theory things don't get much better.���C�u���������But predictably there are one or two problems.��tC�u��΀�ΡȁFirst of all it's going to cost around forty-five thousand pounds,���������and that's a fair bit,��KC�u@��硠����especially as you don't get a V8, or even a V6.�� Πѡˁ �What you do get is a turbo charged, reworked version of the 1.7 litre��\C�u@� �����4 cylinder engine from a Julietta hatchback.�� ������ �And under here, well I don't know what's under here�� C�u��##�����cos the bonnet is bolted shut.���C�u��70�ϡɁIt's bolted shut for the same reason this car has no power steering��C�u��MS�����and no proper climate control. To save weight.��C�u��d=�١ӁThat's why it has the same sort of carbon fibre chassis as a Formula One car.��#C�u��z������It's why there's almost no metal in the body at all.���C�u���������The upshot is the 4C weigh just 925 kilos.���C�u���������That's about half what a Mercedes weighs.��C�u��ʷ�����And on a road like this, that really pays dividends.��%�����FOh come on! Lovely.�� �C�u@��ߠ����Because it's light, it's unbelievably agile.��%�����FIt changes direction like a kitten chasing a spider.�� �C�u@��-��ݡׁAnd because there's no power steering, I can feel far more at the steering wheel,��ؠ�����I know what the wheels are doing.��)C�u��S,�����It grips...��ܠ���� k...fabulously.���C�u��my�����And it doesn't need a massive engine.��w������It's got 237 brakehorsepower and do you know what?�� vC�u���������That is enough. More than enough.�� IC�u��������0-60 takes 4 1/2 seconds.�� ������ The top speed is 160.�� 'C�u���|�ΡȁAnd yet because of the lightness, it'll do 40 miles to the gallon.��C�u��υ�����Drop the window. Sample the noise.�� ������ROhhh, lovely little crackle on the upshift.�� �C�u@���'�����Oh that's great.���������This little Alfa is growing on me�� �á���with a speed and ferocity I've never before encountered.���C�u��������It's just getting under my skin.��v�ʡā �Because it's not like anything else you have to live with it...�� JC�u��0������Oh my god! What?���C�u@��NX�����What are you doing here?�� I��߁ kAs you well know, Hammond, we receive thousands of letters every single week from viewers��"C�u@��o�����and they all say the same thing.���Сʁ4Dear Top so-called Gear. The Alfa 4C, is it better than a quad bike.��C�u@���_�����Well I can clear that one up straight away.���������Yes it is, because quad bikes are slow,�� Ϡ�����ugly, noisy, stupid and incredibly dangerous.�� �C�u@���������And I don't mean dangerous like you might fall off,�������4I mean like they want to kill you.��񠿡��FEverybody I know, pretty much, who's ever tried one,�� C�u@���$�����has been killed by it at some point.����ڡԁ�Yeah, that's as maybe. But we need to settle this, so we're gonna have a race.���C�u��٫�����-What, we're gonna race? -Yeah.��V�����x-You on that presumably. -Yeah.��ܠ���� u-Me in that. -Yeah.�� �C�u@���'�̡ƁRICHARD: Jeremy's proposal was a race from the top of Lake Como,��t�����tto a hotel terrace at the bottom.���C�u@��T�����I would take the forty-three mile lakeside route,�������1whilst he would attempt to go as the crow flies.�� �C�u��'E�����Good, you're gonna be killed and last.�������And so, at exactly 10:37am, the race began.��C�u��_Ƞ����Here we go.���C�u��v������Let me talk you through my quad.�� ����� (It's called a Gibbs quad-ski,�� (C�u@���$�����designed and engineered in Britain,�������4built just outside Detroit,�� �������and the engine is German, a 1.3 from a motorcycle.���C�u���Š����And you have 40 horsepower.��K�¡�� �Doesn't sound like much but, like the Alfa, it's light.���C�u���]�סсApparently it has the same power to weight ratio, woherrr, as a helicopter.��&C�u@���q�ҡ́He's mad. I mean he doesn't stand a chance. I know what he's thinking.�� �ɡÁHe's imagining he'll be crashing off road and cutting corners.���C�u@��d�ˡŁHe won't. He'll be bumbling through the woods on little tracks,�� _�ɡÁ _he'll get stuck, he'll fall off, he'll break a leg, maybe two.�� �C�u��/������JEREMY: Hammond was wrong.���á��)My legs were fine, but I had got into a bit of a pickle��C�u��E������trying to find a short cut.�������� vTotally lost. Literally no idea which...�� �C�u��dT�����No idea where I... I'm just in weeds.�� �C�u��yK�����Oh now which way?��J����� ^RICHARD: With Jeremy stuck in the undergrowth���C�u�����ˡŁI had time to admire one of the most beautiful places on earth.���C�u����¡��Oh, mountains, pretty village, all present and correct.��C�u���P��܁Coming through. See this scooter rider will not mind me whizzing past in my Alfa Romeo�� C�u��}�ԡ΁because I know he loves Alfa Romeo just as much, if not more, than I do.��C�u��������We have to love Alfa, it's the law.�� ?C�u��*堞���JEREMY: Meanwhile...��n������-(BIKE REVVING) -Oh god, no wait.��wC�u��?������Many nettles.�� �Ρȁ (This may have a top speed of 40 but I'm not doing that now really.���C�u��_�ءҁHappily, however, Hammond was about to discover one of the Alfa's drawbacks.��0C�u��s������It's girth.��V�����wOhh no! Oh my god, this is narrow!�� �C�u���蠻���Oh that's... That is a wide... This car is wide.��0C�u���d�����That's a problem.��W�ɡÁ 'So what were they thinking when they've got streets like this?�� C�u���������I mean ohhh!���������JEREMY: Still, could be worse.���C�u���w�����(EXCLAIMING)��@����� �Ohhh, oh no! Now look what I've done.���C�u���4�����I've accidentally crashed into Lake Como.��SC�u��ݠ����But it's ok because if I push this little button here.��RC�u��Ƞ����(WHIRRING)��������The wheels have folded up and now I'm on a jet ski.���C�u��Es�ơ��Oh and it gets better because on land it has 40 horsepower,���C�u��Y�����but here on water it has 140.��1C�u��}������I know exactly what music we have to play now.��������(SLOW MUSIC PLAYING)��)C�u���[�����No, not that! Cue the Bond!�� 2����� (BOND MUSIC PLAYING)���C�u���k�����Here we go, 45 miles an hour.�� ��ʡā �Hammond, you've had it, wherever you are! You can't beat this.���C�u@���蠲���Narrow, really narrow, really wide car.�� �š��%I'd like to be driving something narrower now, like a bus.�� �C�u�� '������Right, clear of the town, press on.��wC�u�� L��ݡׁSo let's just get this straight. I'm wearing a wet white shirt and I'm in a lake.�� C�u�� c������I'm Mr Darcy! Come on!�� `C�u�� �������There is Richard Hammond.�� C�u�� �������Aha, ha ha ha!��񠟡�� �I'll slow down a bit.��lC�u�� ������Hammond. Hello.�� 堢��� Er hello, where are you?���������Er to your left mate, to your left.���C�u@�� ��ΡȁYou can't be to my left, there's... How can you be to my l...what?�� �ǡ�� 2Ha ha ha ha! Have you ever seen a cooler machine than this?���C�u@� �/�����What are you on? Is that the same quad?��1�ġ��RIt's certainly is. And I'm afraid I must now say goodbye.���C�u�� ������Cheerio, see you soon.��)������Cheating sod! He's...��aC�u@�� 61�����He can just go straight across the lake now.���֡Ё4I've gotta go all the way down the bottom here and back up the other side.��C�u�� P�ȡI'm gonna lose this. And he's gonna do his stupid smug face.���C�u�� mˠ����Spurred on by the horror of his face...�� 2C�u�� �������I put the hammer down.��@C�u�� ������Come on little Alfa.���C�u�� ���֡ЁWe were neck and neck, but then Jeremy got distracted by an Italian ferry.��:C�u�� ������Look at that.��ܠ�����What a machine.���C�u�� �m�����Oh I'm sorry, I'm hearing the Bond music again now.�� à���� �(BOND MUSIC PLAYING)���C�u�� C�����Do you want a race? I'll give you a race.�� �C�u�� ;d�����(ENGINE REVVING)���C�u�� V������Oh come on, I can't lose this!��UC�u@�� zi�͡ǁJEREMY: By this stage I'd disentangled myself from the hydrofoil,��&�����Gbut had run into another problem,��4C�u�� ������Lake Como's weird winds.�� C�u�� �������Argh, argh, argh, argh, argh, argh, argh!�� 堟���Really got some chop.��aC�u�� �������Whoa! Whoa no!�� v������I've lost ten miles an hour. Oh.�� C�u�� ݡ�����Oh, my back bottom!��l����� �Whoa no, wow! They slow you down a bit.���C�u�� -�����Oh my god that's a big one.�� ������ >I'm now down to�� `C�u@�� �ɡÁfifteen miles an hour and I can't realistically go any faster�� T����� ucos I can't see where I'm bloody going.�� �C�u�� 0P�����The vicious chop had put Hammond back in the lead.�� =C�u�� O������We have to beat him.��bC�u�� l�����JEREMY: Thankfully on the lake I'd found calmer water.��ؠ�����45 miles an hour.�� C�u�� �䠣���We are back in this race!���C�u�� �������There he is. There is Richard Hammond.�� ����� &Oh no, oh no, oh no, oh no, oh no, oh no!���C�u�� ָ�����Right, goodbye Hammond. He is history.��SC�u�� ���ԡ΁It certainly seemed that way because pretty soon the hotel was in sight.���C�u�� h�����There it is, there's the finishing line.�� C�u�� $t�����So I was definitely going to win this.�� i����� �But then I realised the victory would be a bit hollow.��<C�u�� Ee�����Obviously I want to beat Hammond, of course I do.�� �C�u�� Zᠱ���But I don't wanna beat that Alfa Romeo�� Ġ���� �because to me Alfas are special,�� �C�u�� r������they're really special��w�ѡˁ�This is a bit like having a running race with your four-year-old son.�� �C�u�� ������Yes, of course you can win��ؠ�����but you don't really want to.���C�u�� �������It's not far now.�������� �Little Alfa, I think we have to accept the inevitable.�� �C�u�� �4�����He's not there, is he?����ġ���In a few minutes Hammond would arrive and see my quad ski�� �C�u�� �������moored alongside the hotel's jetty.�� >������Damn and blast, I'm gonna win this.�� �C�u��Ϡ����Nothing I can do.�������� But then I spotted a hidey hole.�� =C�u��I�����Yesssss!�� ����� Sometimes I stagger even myself with my genius.��C�u��= �����Oh no, oh no, I'm so sorry.�� >C�u��q렝���Right, where is he?��JC�u���S�����This is the terrace.��ܠ�����Up here maybe.��aC�u��淠����Do you know what?��5������He no here. I don't know how.�� �C�u@��렠���What I've done is win.�������� �-In that little Alfa. -JEREMY: Hammond.��񠪡���Mate. I don't know what to say.��C�u�� 렲���Well done, you beat me fair and square.�� 2����� T-I did! In the Alfa. -Unbeliev...�� �C�u��6$�ġ��Do you know I could have... I'd have bet a million pounds�� ������ �when I overtook you I was gonna win.�� vC�u��N\�����(CHEERING)��)C�u��bH�����So there we are. Your question is answered.���������The Alfa 4C is better than the quad bike.��$C�u@���C�����Yeah, but we saw you lose on purpose.�������� `A bit, just a bit.��������Did you not like the jet ski quad ski thing?���C�u@���ߠۡՁOh yes, it's brilliant. Do you know the best thing about it is its reliability?��<�����]It performed faultlessly all day.�� �C�u���A�����And then it performed faultlessly all the next day�� ������ when we had to re-run the rac���C�u���-�١Ӂbecause an American knocked the camera with all the film in it into the lake.��F�����gReally?��C�u@���ɠ����Mmm. I was on this thing for two days, two days.�� ��ˡŁ �By the time we finished my sausage looked like a beaver's tail.��$C�u�� ������Umumumumum.��ڠ�����Right. Um, is it expensive?�� ^C�u@��7�����What my sausage?��L�����mNo, the...the thing.�� ?����� �Oh the thing. Yes, it's twenty-six thousand pounds.�� �C�u��6頯���But no, hang on, you do get a lot of�� j����� �health and safety warning notices for that.�� ?C�u@��MԠ����This is my favourite down here. It's wa...��)�ԡ΁K...warning about what you have to wear and it says, hang on, er hang on.���C�u@��i �����"Normal swimwear does not adequately protect�������"against forceful water entry into rectum or vagina."���C�u��������(AUDIENCE LAUGHING)���C�u@���I�ۡՁHe's not making that up! It is actually, it says... It says vagina on it and...��g�ӡ́�Um, um, excuse me, does anyone mind if we talk about the car for a bit?���C�u@��ƈ�����-Yes, good idea. -It's a car show and everything.���������-Cos I've got some questions about this. -What?��)����� �How wide is it?��L�����\It's wider than a Range Rover.��@C�u@���E�����-Is it, seriously? -It is very wide.��ܠʡā�And let me just get this straight, Alfa Romeo is selling a car���C�u��������where you can't open the bonnet.��U�����vYeah, I know.��Ҡ���� �-Ballsy. -Yeah.��m�����:Ballsy.���C�u@��%�š��It is, yes, but that's not the interesting thing about it.��Р�����What is the interesting thing?��@�ҡ́SWell it costs forty-seven thousand pounds yeah, but when you get in it�� C�u@��(��͡ǁeverything just feels a bit sort of cheap and plasticky and un...��נ�����Look at this handbrake, it's just it...�� �C�u@��G������It's like something that came out of a cracker.�� `�ߡف �Do you know, if I got a handbrake in a Christmas cracker I'd be a bit disappointed.��GC�u��a������You know, you know what I mean.����ȡ�Yeah, I do actually. It's just that there are a lot of rules�� �C�u@��w[�ȡcoming very soon on fuel efficiency and emissions and so on,�� H����� Hand the only way that cars can meet them�� �C�u@���������is if they get very, very light.�� ��ځ Yeah. And pretty soon all cars will have to be made like this, but do you know what?���C�u@���9�����I don't think that's necessarily a bad thing.��w�ȡ�Yes, you get a shonky handbrake, but your car is more nimble.��C�u��� �����It's faster and it's more economical.���������Yeah, and for the ultimate expression of that art,�� HC�u���Q�����later in the show we have a review of this,�� ������ the new McLaren P1, which is astonishing.��C�u�����ѡˁWell I am very much looking forward to that, but first it's the news.���C�u�� ࠐ���Yesss.��5�š��WNow Kia is working on something called um gesture control.�� C�u@��*d��ށIt's very interesting this. Instead of having buttons all over the dashboard of your car�� ��١Ӂ �you would just sort of wave your hand around a bit and the car will do stuff.��:C�u��I������-Very futuristic. -Yeah.��)�����JBut I only make three gestures when I'm driving a car.�� kC�u@��cl�����-What? -One of them is��@�ơ��aoh, which means I'm really sorry I didn't mean to do that,�� ������and then there's hi, to a friend.�� �C�u��������-And... -Call Jeremy Clarkson.�������ROr navigate to James May's house.�� �C�u���������Oh now, now you know those um motorway gantries�������1that are supposed to be used to tell you about�� `C�u@���q�����-stationary traffic ahead or ice? -Yes.���աρ4But they're actually used for telling you stuff that just doesn't matter.�� >C�u@����ġ��We've got a picture of one here. "Check your fuel level."�� ٠���� �What, really.����͡ǁ�It might as well say wash your hands after going to the lavatory.�� uC�u@���[�����Brush your hair.���ҡ́)Yeah, well the committee that decides on what messages are flashed up,��۠����%and it is a committee, we checked,��lC�u@� �����has been told to stop doing that sort of thing, ok,�� ������ �because the government says it's distracting.�� �C�u@�������But it isn't distracting, it's irritating.����ӡ́�Scarlett Johansen in a short skirt on a windy day on a motorway bridge,�� �C�u@��0䠞���that is distracting.��@�����a-That would be. -That's distracting.�� `������Yeah, it's distracting me now.��xC�u@��F`�����I think what would be distracting would be�������@if you painted the surface of the motorway���֡Ёtso that it looked like the opening sequences of Dr Who as you drove along.��SC�u@��cH�����That would be really distracting.��Рߡف�I think they should use those signs to put up pub quiz questions as you drive past.���C�u@��|���Just ask you, come on��Рߡف�That's a really good idea. What and then you have the answer on the next one along.�� �C�u@���������Yeah, journey's would just fly by.����͡ǁ�-Oh I don't know, and then you get the answer. -That's brilliant.�� �������Yes, thank you.��mC�u@���)�����Not if my little sister set the questions.��l�ءҁ�Cos you'd get...you'd get the question on one and then the next one would go�� `�����oh come on, you must know that.��4C�u���������Please can we move on. I'd like to talk about this.�� >����� _It's the new Corvette Z06.��)C�u���7�ġ��Oh yeah, supercharged V8 6.2 litre, 625 brake horsepower.��%�����FIt's got magnetic ride control,��*C�u@���Ƞ����electronic dif, carbon fibre,�� ��աρ �all the high tech stuff you get on a European sports car, but you have...�� ��աρgYeah, it doesn't really have the European self-restraint though, does it?�� C�u@�� U�����That's a bit more shock and awe than stiff upper lip.�� ����� (Yeah, but look at it, it's really good.��@������No, Hammond, you can't drive a Corvette in England.�� C�u@��(�����It's like talking in a lift.���ġ��@You can do that in America, you can't do that in Britain.�� �ϡɁ}In fact we should have signs at Heathrow, telling American visitors�� TC�u@��E������please drive on the left and don't talk in lifts.�� J�ҡ́ kYes, yes, whatever. But I think that looks stupendous. It looks great.���C�u��`h�����Yes, yes, it would look stupendous in Texas,�� ������ �but it would look ridiculous in Tewksbury.�� �C�u@��u�����It would!����ϡɁHammond, if you bought one of those and drove it around in England,��v�ޡ؁�the next thing you'd do would be hanging up a Confederate flag outside your house.��C�u@������ہI did paint a Confederate flag on the roof of my Toyota Corolla when I was seventeen.���������-Where were you? -Ripon, North Yorkshire.�� `C�u@���Q�����What, looked brilliant.��@�ʡābLet me just get this straight, you drove around North Yorkshire�� T������in a crappy little Japanese hatchback�� TC�u��ɝ�����with a Confederate flag on the roof.�� ������ �Yeah. Yeah.��@�����A symbol of slavery.��*C�u��샠����Ladies and Gentlemen, twelve years o' Hammond.�� 䠻��� I didn't realise. I just thought it looked nice.���C�u@��y�����-The base model of this? -Yes.���ϡɁ-Not the Z06, the normal one, sixty grand, there... -Sixty-two yes.�� J�ޡ؁sWell for about the same sort of money you can have this, which is the new Jag, ok.���C�u@��!堣���This is the F-type Coupe.��۠ۡՁ�That's around the same sort of money and I put it to you that what we have here��SC�u@��9U�š��is a lovely piece of double Gloucester on a water biscuit.��\�ʡā~Your Corvette is six hundred kilos of Monterey Jack on a taco.��0C�u@��]�����Yeah I know. I'd rather have that.��@�ơ��a-You'd rather have the Monterey Jack, wouldn't you? -Yeah.��������1Hang on a minute.��aC�u@��q��ȡSurely it's six hundred kilograms of Monterey Jack on a taco�� ������ �-with a strawberry on top? -Strawberry.����֡Ё\Cos there's always a strawberry on top of... Are there any Americans here?�� >C�u@���s�á��-Are there any Americans... Yeah, no. -WOMAN: Wooooooo.��)�����J-You are? -Oh god.��Ơ����Hey. We've wondered about this for years.���C�u@�����ѡˁ-Why do you put strawberries on everything? -Because they taste good.��4������Yeah, but not on a shepherd's pie.���C�u@�����¡��This is not an exaggeration. I stayed in a hotel in LA,�� �աρ 3I had to have some dry cleaning done and when it came back in the morning�� �C�u@���ܠ¡��it was all wrapped up and there was a strawberry on it?�������4-What on your dry cleaning? -On my dry cleaning.�� �����gNow this isn't news, it's a question.���C�u�����סсWhy is the world still incapable of working out a way of dispensing petrol?��qC�u@���������Anyone been to America?����͡ǁ�Well you must have all been to America, I suppose, at some point.�������tYou go into a petrol station, you have to pay for the fuel before you've filled your tank.��QC�u@��u�����Well you don't know how much you want.���������Or how much it's gonna take.�������� �Yes, but I hate those European stations���ǡ���where they have those automatic credit card ones, you know.�� �C�u@��91�����-Don't work. -No they never, ever work.��������bNever work.����ѡˁ 'The other...the other one that doesn't work, and especially in France��)C�u@��M��ҡ́are those ones where you're supposed to put Euro notes in little slot.�������� `-No, they don't -No.��������You put it in and it goes ererer. Ererer. Oh.���C�u@��d��ʡāThere's a lot of people doing that and they go ererer. Ererer.��E�̡ƁfI'll give you the worst scenario James, worst scenario is ererer,��C�u@���P�����yeah, there we go, get the pump out. Errrr.��t�աρ�But the worst country in the world for filling up with petrol is Britain,���C�u@�����¡��because petrol stations here now are also supermarkets,��R�����swhich means that people pull up at the pump���C�u@���ߠ����and then go and do their shopping.���ơ��@No, no, no, but that's exactly why I was late this morning,�������� �cos I pulled up behind the car that was at the pump,�� �C�u@��ؑ�����ready for my turn,��@�š��band I knew who it was through the window, it was a woman,��l����� �she was doing the whole weekly grocery shop.��KC�u@����ɡÁAnd it was... And she came out with four massive carrier bags.�� T�סс uI thought well that's finally it now, and then she went to the cash machine��2C�u@����աρand sorted out Greece's national debt with her card and a lot of numbers.����ơ���I mean I am a patient man but I mean even I, I was thinking�� �C�u@�� q�����I want to put your head in a brown paper bag���¡��*and bludgeon you to death with the blunt end of an axe.��񠬡��<And that's...that's it, isn't it?��4C�u@��8�����It's quite bad.��Šڡԁ�Do you know the... My question in petrol stations, and we could ask this here,�� �������and it's, it's mostly women,��4C�u��S�ߡفwhat do you do in the fifteen minutes between getting into the car and driving off?��8C�u@��kq�ơ��No. I know what it is. I know what it is cos I watched it.�� ������ �What?���ӡ́�She turned round and she put her handbag on the back seat, fair enough,�� C�u@���������but then interfered with it for about ten minutes.�� 堜��� Doing what though?���ޡ؁No well I sus... I suspect women try to make sure their handbag doesn't fall over,�� �C�u@���Y�����which I don't understand,����܁because women's handbags are not well organised so it doesn't matter if it falls over.���C�u@���-�ʡāI mean I reckon I could put a house brick in a woman's handbag�������<and she would not know it was in there ever.�� C�u@��ԧ�����-Have you got a handbag with you? -No.��Š�����-You haven't? Anyone got a handbag? -It's in the car.��4�����<Cos well that's a shame cos I was gonna do this game.��vC�u@���{�ӡ́I was gonna put my car keys, and it's a Jag this week, in your handbag,��h�¡��hand then if you could find them by the end of the show���C�u@��ߠ����you could have the car.��@������You wouldn't be able to.��5����� �Two angry old men rampaging on about petrol stations.���C�u@�� ������Him in his cardigan, him, just him.����סсNow, as I'm sure you know, after thirteen years the British military forces���C�u@��>������are pulling out of Afghanistan.����ءҁ�What you may not know is that that operation has been the biggest deployment��C�u��T������of British military vehicles since World War II.��S�����tNow bringing that lot home is quite a big job.�� >C�u��ox�ˡŁSo I packed my tin helmet and went out there to get in the way.��QC�u���נ����If you want to get a sense of just how big�� >����� `the British involvement in Afghanistan has become�� �C�u���������you just have to look at the size of its main base.�� ?����� iCamp Bastion.���C�u���a�����In 2006, when British forces arrived here,�� ������ �it was just a scrap of desert with a few tents in it.�� &C�u���K�����But now look. It's the size of Reading!���C�u@���ʡāAnd inside its twenty-five miles of blast-proof perimeter wall,��:�֡Ё\alongside the few comforts of home, you'll find a vast armada of vehicles.���C�u��\s�����At its peak, the number was five thousand.���C�u@��u0�����We've got a few of them here.���������The names will be dimly familiar from news reports.���������That is a Ridgeback. That is a Mastiff,�� �C�u@�����š��then you have a Foxhound, the pale coloured one is a Husky�� _�ڡԁ �and that weird looking thing with the tracks on over there, that is a Warthog.��1C�u�����á��Don't expect cute and cuddly names like Panda or Fiesta.�������<Everything here is named after a dog.�� �C�u���p�����Except the Warthog, which is named after a warthog.�� �C�u@��۩�ѡˁTo keep the wheels turning the army has built this enormous workshop,���ѡˁ&which, at full strength, carries sixty million pounds worth of spares���C�u���ݠ����and employs a hundred and fifty mechanics.�� (C�u@��+�ɡÁBastion even has its own purpose built driver training ground,��h������approved by a squad of driving instructors.�� �C�u��=������The sheer size of this operation is truly impressive,�� ���but equally fascinating��*C�u��S�աρis what the Afghanistan campaign has done to Britain's military vehicles.���C�u��l1�á��It has brought about the biggest change in a generation.���������When the British first arrived here,��*C�u���T�����their staple patrol vehicle, the snatch Landrover,�� ������ �offered woeful protection against IED's.�� �C�u���������In 2009 alone,�� ?����� `seventy-nine soldiers fell victim to such devices.�� iC�u�����ʡāThe twenty-nine ton American-made Mastiff offered a quick fix,��]�����but in Leamington Spa���C�u���@�Ρȁa small British firm devised a more twenty-first century solution.���C�u��������This is a Foxhound.�� Ϡʡā �And it's very clever because it's actually made out of armour.�� �C�u@��<�ˡŁIt's not a normal vehicle to which armour plate has been added.�� ������ �It's a sort of a armour monocoque, if you like.���C�u@��>8�ȡThe Foxhound also has a V-shaped hull to deflect mine blasts,��G�����hand thanks to its state-of-the-art armour�� �C�u��XC�����it weighs just seven and a half tons,�� j����� �which makes it a featherweight around these parts.�� >C�u��vW�����To drive it's pretty much like an off-road car.�� �C�u���W�����It's a positive mountain goat this thing.��������<Now, history will record the government bureaucrats�� (C�u@���ܠСʁdragged their heels over the military vehicle crisis in Afghanistan.����ȡBut, the Boffins who developed the Foxhound certainly didn't.��tC�u@��ƌ�����This machine was designed, engineered, tested,�� u�ӡ́ �proved and got on the ground in large numbers in just over three years.��rC�u���ՠ����Try doing that with a small hatchback or something.�� 3C�u@��D�����Alongside the Foxhound...��)�ءҁThe military drew on a policy called Urgent Operational Requirement, or UOR,���C�u@��*�����which saw them combine operational demands���ѡˁand the best vehicle-related suggestions from soldiers on the ground.���C�u��M/�á��Here's a very simple example of UOR. This is a Mastiff.�� �C�u@��b������It's got cameras mounted on the sides.���ʡāEr Commander Buzz here can look at the pictures on his screen.�� �������Now on the early ones they were rigidly mounted.��vC�u@��~�ǡ��When you went through things like villages they got smashed.�� �ˡŁ So somebody said well why not put them on a hinge? So they did.��2C�u@����СʁSoldiers also needed their vehicles to be more stealthy in the dark,�������<so a night vision system was developed��UC�u@���������that would allow them to switch off their headlights.�� Π�ہ �I'm now driving the Mastiff completely blacked out but using the night vision system,���C�u@���|�ġ��suspended in front of my face, and this is quite amazing.�� k�ءҁ �This is actually my eyes. I can't see a single thing through the windscreen.�� �C�u@�� �١ӁThese lamps on the outside are infra-red and illuminate the surrounding area.��;�����\Our camera can see the light they emit,�� �C�u@��&=�����but it's invisible to the naked eye.�� v��݁ �We ought to point out that normally we wouldn't even have these red interior lights on.�� iC�u@��?_�ġ��Those are there so that our cameras are working properly.�� (����� IBut actually you could drive this,���������we could be completely black in here, couldn't we?��JC�u@��W������Yeah, could be completely black out, yeah.�� �סс Right so I've missed those... What are those, are they rocks or are they...�� C�u@��m۠����Yeah, they just mark the zone in front of you.�������� IStraightening up, sir.��������-You see that compound ahead of us. -Yeah.���C�u����ơ��Yeah, you wanna be going sort of round to the left of that.�� ����� (I can see that as clear as day.�� 2C�u@�����ɡÁ-It's a good piece of gear, innit? -It's brilliant, isn't it?�� 2����� TNow, on a machine as heavily armoured as a Mastiff,�� C�u@��� �����the protection against roadside bombs is good.�� ��ǡ�� �But Afghanistan threw up another issue that needed sorting.��sC�u@��`�ɡÁWhat if the vehicle is blown over? How do you train for that?��̠�����Brace, brace, brace, brace, brace.�� ?C�u��쭠����Well what you do is you build one of these.�� ������ �It's a Roll Over Egress Trainer.��;C�u��{�����Oh. I think we're upside down.���C�u��-d�ܡցAll these improvements have had a dramatic effect on military motoring out here.���C�u��B|�����Since the new generation of PMVs was introduced,�� i����� �that's Protected Military Vehicles,��)C�u��WQ�Сʁthe Mastiff, the Foxhound, the Husky, the Warthog, all those things,���C�u��lH�ӡ́there have been over one thousand survivors of IED strikes on vehicles.���C�u@���H�ġ��And a senior British officer admitted to me the other day�����߁�that in the old days, when we had the soft skin vehicles, the snatch Landrover and so on,���C�u���ՠǡ��that might have been more like three casualties per vehicle.��&C�u@���<�ءҁWith our troops now coming home, this stuff is too valuable to leave behind.��\�ˡŁ}So a massive operation is underway to bring it back to Britain.���C�u@���d�����At forward bases like this one,����ܡց�all the vehicles and spares are being gathered up for the drive back to Bastion.���C�u��@�����Which meant that in the middle of the night��U�����wI found myself in a convoy of returning vehicles�� �C�u��)y�����in full Ross Kemp mode.�� �ȡ ?We're in a Mastiff, we're in a convoy of thirty-one vehicles.�� kC�u@��=D�����These legs belong to Sue,��U�����wwho's up the top on the gun keeping look out. Hello.�� ������E-Morning. -Morning ma'am.���C�u@��V��ˡŁ-Is there room for two of us up there? -Um we can give it a go.�� ������ �-Hang on, I'll move this way a bit. -Up we go.��JC�u��k������Ow.��5�����VI don't think we're going to fit, are we?��砨��� ^I've pulled something off. Oh.���C�u���������-Well... -I'm not fat.��4�����gWhat's to stop somebody out,�� ?C�u@���������cos I mean we can't really see very much out there,��a�ǡ���what's to stop somebody out there just taking a shot at you?�� Ϡ����rEr absolutely nothing at the moment.�� �C�u@���������So they're out there somewhere.��V�����xThey are. They're not that far away.�� ��١Ӂ0And when was the last time a roadside bomb went off on this bit, do you know?��RC�u���p�����Very, er, very recent.�� ����� k-Very recent. -Very recent.���C�u@�� �����Daylight found us still in one piece�� ڠաρ �and back within the walls of Bastion, the packing up process could begin.��EC�u�� 4g�ߡفAlongside a strip down service, each vehicle gets a twenty-four hour long jet wash,�� C�u�� N��Сʁa biological decontamination and, at the very end, its own passport.��C�u�� j������And look at the size of it.��b�ɡÁ�All these pages, all these signatures, everything signed off.���C�u@�� �X�ȡEvery single vehicle and piece of equipment has one of those�� ����� and there are over three and a half thousand of them.�� vC�u�� ��ȡSo don't complain next time you have to tax and MOT your car.�� �C�u�� �à����For some poor souls the new machinery came too late.��0C�u�� ���͡ǁBut the military has responded to the brutality of this conflict.��RC�u@��!<�����And the vehicles we're bringing home from Afghanistan�� ����� (are much better than the ones we went out with.�� �C�u��!!�����(AUDIENCE APPLAUDING)��l����� HAnd there it is.�� C�u��!�������The big military Foxhound.�� (����� JOr, since the army loves an acronym, the big MF.���C�u@��!������Anyway it's, er, it's now time to put an S in our RPC.���á���Er, Britain has produced many great Toms over the years,���C�u@�!Ӂ�����Daley, Jones, and of course, Mas the Tank Engine.�� ������ �But, tonight our Tom is the newest of them all.���C�u��!������He's from Thor, and Avengers Assemble, and War Horse.�� ڠ���� �Ladies and gentlemen, Tom Hiddleston.�� C�u��"?�����(CHEERING)��������%-How are you? -How are you?���C�u��"U�����-Are you well? -Very well thank you.���������-Look. -Thank you.�� J�����;-Have a seat. -Thank you.��lC�u@��"E��͡ǁI was half expecting you to ask the audience to kneel before you.���������Not here. I haven't got my horns with me.��KC�u@��"]ɠǡ��-So let's get onto your car history, if I may. -Yeah, sure.�� T����� vYour first car then, what was it?��������So it was a Peugeot 106.���C�u��"y������-Er one... -Mmmmmm.�������� HYeah. It's quite adventurous. Um 1 point 1.�� �C�u��"�蠎���Wow.��Šǡ���It was really, phwoar, when you floored it, you felt it. Um.�� &C�u��"������It was a 1 point 1 what? They always had silly names.�� ������ �-Zest. -Yeah, there you go.���C�u@��"�[�����Sounds like a washing powder.��򠷡��It's was incr... It sounds like lemon juice.��U����� �It does.��n�����I bought it with my first um paycheck�� C�u@��"۳�����for some er work that I got while I was at university,�� H����� i-and I kept that for ten years. -Ten years?�� C�u@��"�[�¡��Ten whole years, all the way through my twenties, yeah.��ڠ�܁�But I presume that obviously now, as a result of you being Loki in the Thor franchise.��|C�u��#Ӡ����Indeed yeah.��V�ȡxThere's no need now to drive around in cars with zesty names.���C�u@��#%�����Well I'm very er fortunate to drive a Jaguar�� _��ށ �and um, as you probably know, I'm...I'm part of a campaign that they have recently done.��sC�u@��#C�š��And they are, weirdly, Jaguar's been like part of my life�� >��݁ _for the last couple of years cos I keep playing characters in films that drive Jaguars.�� iC�u��#\������Well does Loki drive a Jag?��ܠ���� �I think Loki drives a spaceship.���C�u@��#r������Yes he does, is it a Jag spaceship?���Сʁ4-Is it a Jag. I'm sure... -Does he get to the petrol station and go,�� ?�ġ���oh dear, my dear, I seem to have left my wallet at home.�� �C�u@��#������-Most embarrassing. -Yes, probably he would approve.�� _����� _-A sort of caddish, caddish spaceship. -Yeah.����ءҁUm no this, this Jag commercial actually, I don't know if anybody's seen it.�� (C�u��#�`�����Let's just have a look at this.�� `�ʡā �Have you ever noticed how in Hollywood movies all the villains�� �C�u@�#Ù�����are played by the Brits.���������-Maybe we just sound right. -Good evening sir.�������� jThank you Mary.���C�u��#�3�����We're more focused.��x����� �More precise.��5�����We're always one step ahead.���C�u��#������With a certain style, an eye for detail.�� �����FAnd we're obsessed by power.�� �C�u��$9O�����Stiff upper lip is key.�������� �And we all drive Jaguars.��KC�u��$M;�����Oh yes. It's good to be bad.�� ������ �(AUDIENCE CHEERING)���C�u@��$rܠǡ��I have to say the line I like most in that is Mark Strong's,�� ������ �-"cos he goes and we all drive Jaguars." -Yeah.���C�u��$�������What it should be is we all drive Jaguars, now.�� ������ �Right. .��C�u@��$�������As a result of this.���������Yeah, or indeed a helicopter.����̡Ɓ �-Was that really filmed in London? -It was all filmed in London.��wC�u@��$���š��It was one of the most extraordinary evenings of my life.�����ځ�I...I um, we were allowed to go over um over Central London about five hundred feet,��$C�u@��$н�����and er the door of the helicopter was open�� ��ʡā �and um Tom Hooper, who directed, was sitting behind the camera.��SC�u@��$�������And we were up sort of banking right,����̡Ɓ�and I was leaning out the window, and at a certain point he said�� Ġݡׁ�"I'm afraid we have to cut, we have to change the... We have to change the roll."�� C�u@��%������I said ok, good, that's completely fine.���������Cut. Ahhhhhhh!�� `�����]It's really high! You know what I mean? So like it...�� �C�u@��%"�ҡ́-You were holding -When the camera was rolling, I was like I got this,�� >�ϡɁ `bit more focus, more precise, and as soon as it was cut, I was like�� ������"Ohh god, the window's open.���C�u@��%=U�����"Someone sh... Someone shut the door."���ҡ́*It is a good point though, I mean it's a very good business, isn't it,��������that is raised in that commercial,��C�u��%S������about the number of Brits who are baddies.��򠼡��I mean obviously Rickman and then Hopkins and...�� _C�u@��%h,�ߡفAlan Rickman, Anthony Hopkins. I guess it started with James Mason back in the day.��������I thought you were gonna say James May!��C�u��%�A�����The world's longest and most boring film. Uh.�� Π����2The undiscovered British villain, James May.�� �C�u@��%���ځYes. But what...what is it that you think that the Brits bring to a Hollywood movie?���ءҁ�I genuinely think it's because Americans think we're inherently distrustful.��SC�u@��%�������They think oh my god, your accent, you're so sneaky.�� T�ʡā�Er or something. I mean it's a... It's er illusion, of course.���C�u@��%� �͡ǁ-They like seeing us fail, I think that's what it is. -That's it.��۠�����Shooting the White House, I think that's what it is,��*�ơ��&-cos you have to fail obviously, you're the baddie. -Yeah.��lC�u��%������That's probably what it is.��V�ɡÁxNow um your career began, I believe, at Slough Comprehensive.��C�u@��& ��š��-It certainly did yeah. -As the front leg of an elephant?�� >�Сʁ `I was... I was the front leg of an elephant carrying Eddie Redmayne.���C�u@��&)ˠġ��He was grand enough to be the passenger of the elephant.�������)-Really? -Yeah.������� ^I was the arse of a donkey once.���C�u@��&?%�����I suppose I ended up here as a result of that�� ������ �but and then you did the obligatory...��V�����&The greatest arse of a donkey in the world.�� jC�u��&e������That was very good.�������tSorry, couldn't help it.���C�u@��&{ӠۡՁNo that was good, that was deep, deep, cos somebody said you were a good mimic.�� ����� 2-Is that something? -I mean it's... I...��*�¡��}It's something I've done... I've done it my whole life.���C�u@��&�+�̡ƁI remember when I was a child we used to have a double tape deck�� ��ۡՁ �and I would...I would record my own radio show with all these different voices,���C�u@��&��סсand they were basically voices of people I'd heard off the telly, you know.��̠����$Um Philip Schofield and...���C�u@��&�۠����Could you still do Philip Schofield?�������)I don't know, I don't even know if I've um...����ȡ �Actually don't bother, I wouldn't know what he sounded like.��VC�u@��&�@�����Throw me... Throw me an... Throw me another one.��K�����lAnthony Hopkins.�������� =(MIMICS ANTHONY HOPKINS) Oh er Tony Hopkins, yeah.���C�u@��&�ӠסсHave you had him on the show, Top Gear? Oh yes, I'd love to be on the show.�������4I'd like to drive fast around the track,��l�ߡف�being taught to drive by the Stig. Stig, great man, great man, I'd love to do that.�� �C�u��'$������Let's think of some more names.�� ��ȡ �Anyone got any more names we can fire, try to make them men.�� �C�u@��':s�����-Is that probably easier? -Yeah.�������4What, Arnold Schwarzenegger?��V����� �-Arnold Schwarzenegger. -Paul O'Grady.���������-What was that? -Paul O'Grady.��)C�u@��'UE�ʡāI don't know. I think I'd go for Schwarzenegger, what's his...��4����� �I'm trying to think of something he says.���C�u@��'l0�����(MIMICS ARNOLD) Um I know how why you cry.����ˡŁsThat sounded a little bit like Peter O'Toole. Sorry about that.�� >C�u��'������I know now why you cry.�� ������-No that's a... That is quite a skill. -Yeah.��vC�u@��'�������And what are you doing now, anything exciting?�� `��ہ �I'm just finishing a run of um Coriolanus in the West End, which I've enjoyed hugely,���C�u��'�#�����and I'm about to go to er Toronto�� H����� ito make a horror film with Guillermo Del Toro,�� uC�uA�'�#�ϡɁdunno if you know, a Mexican director who directed Pan's Labyrinth.�� Πá�� �Did you do one with Tilda Swinton as well just recently?�����That's correct. There's a film called Only Love is Left Alive, which is coming out in the UK in���C�u@��'�۠����I think on the 21st of February.���������And it's...it's basically a love story, it's...��������rTilda and I play a couple who are vampires, so...���C�u@��(h�����-Oh it's a vampire film? -It's a vampire film,��������but we're vegetarians, we don't bite.��4�����tVegetarian vampires. Vegetarian vampires.���C�u��(0������This I need to see.��J�ѡˁlWe're much...much too classy for all that fifteenth century nonsense.�� iC�u��(E��ϡɁNow I'm conscious of the time cos I know you are appearing on stage�� 3����� Tthis evening in Coriolanus.��VC�u@��(YL�����In Coriolanus, yeah.�������Which calls for you at the end, I understand, to be strung upside down, bleeding profusely.��C�u@��(r+�����That's how it goes down. Yeah. Spoiler.�� ������ �Yeah.��J�͡ǁ$It is a four hundred and fifty year old text, so I think it's ok.�� �C�u@��(�`��ށDid it occur to you, when you were driving around the track, that if you had an accident�� H����� iyou could save the make up?���C�u@��(�K�����-That if I just roll the car, -Yeah.�������4-Crash it. -You could turn up going look...���������Turn up and say I have my twenty-seven wounds upon me.�� TC�u@��(�۠ԡ΁Yes, twenty-seven wounds, blood gouting from up there. So did you crash?��:�����\I didn't crash per se. Um...�� �C�u@��(�=�����Because well shall we c... Shall we have a look?���ˡŁLet's have a look. I'm very nervous. It was very wet out there.��U������Who would like to see the lap?��vC�u��(�_�����AUDIENCE: Yes.��V�����xLet's have a look. Play the tape.��5C�u��)(�����Oh I've stalled it!�������� No way!��LC�u@��)-G�����Oh the shame.��J�ӡ́lYeah, you got a double first from Cambridge, have you not, in classics?�� ������EI did, I did.���C�u@��)E]�����But you can't set off in a Vauxhall Astra.������� JOh dear.����݁~Anyway, let's see the finished product shall we, when you actually set off. Here we go.�� �C�u��)ol�����Oh that's a lot of clutch slip.��)����� �Come on, come on! Come on.�� C�u��)������JEREMY: God almighty, that's wet.��lC�u��)������Doing well though.����ϡɁ�Just go, go. Take the bend hard, take the bend hard. Use the track.��:C�u��)�L�����JEREMY: Yeah, use the track. Better.�� 𠶡�� God you've actually got that thing sliding.���C�u@��)������Normally it's got very good grip.�� T�͡ǁ uLook for the bend, look for the bend, and brake, there's puddles!���C�u@��*��ġ��JEREMY: Right, could you see the lines at the hammerhead?��K�ԡ΁l-TOM: Yeah, just about, it was very tight. -Cos it looks very difficult.�� Ġ����QYeah.���C�u@��*Ǡ����No er Hugh Bonneville was here last week,�� �á�� (he said he couldn't see the lines because it was so wet.�� jC�u��*/{�����It's weird in England to have two wet days.��񠥡��Yeah, it's a... It looks...��6C�u@��*H{�����Floor it.����ȡ�JEREMY: You're not doing it flat you're not... TOM: Come on!�������� �JEREMY: You are... No you're not, you...��C�u��*d7�����I was gonna say that's ballsy on a day like today.�������1Stupid but ballsy. Right.�� (C�u@��*|��ȡOh the tail coming out there, you are very committed to this.��h�ɡÁ�There you go, second to last corner, that's very nicely done.�� C�u@��*�x�����Gambon. More understeer.�� ����� (-A bit, a bit safe, a bit safe. -No, I disagree.��K������That was understeer, there we are, across the line.�� �C�u@��*�Р֡ЁNo, we've only ever had one wet lap, which was last week, Hugh Bonneville.���ġ��So where do you think you've come, bearing that in mind?���C�u@��*夠����Oh I...I w... I'm a bit worried I haven't beaten Hugh.�� 𠮡�� It would be nice to be somewhere...��砬���Somewhere around that, that area.��VC�u@��+�����Right, somewhere around that.����͡ǁThere's Ron Howard look, he directed Rush. It would be nice to...�������RHe did. Ron Howard one for... That was dry,��VC�u��+ܠ����he was just basically hopeless.��Р�����Um Hugh was one fifty point one.�� �C�u��++ �����You, Tom Hiddleston, one...�� ������-It's good. -It's good ok.��4C�u��+Kw�����-Forty. -AUDIENCE: Ooooh.�� ������ �But only just.���C�u��+aܠ����Nine point nine.�������)Ohhh there you go.���C�u��+w������So. Well.��*������Oh wait.��*�����%Oh right, thank you. In the wet.��C�u@��+�񠓡��Very wet.��Ҡ�����Thank you, I got a V, yeah.�������� Special very wet lap.��l�ءҁ�Well I must let you go, which is a shame, cos I'm much enjoying all of this.�� �C�u��+�������Ladies and gentlemen, Tom Hiddleston.��l������Thank you.��Ҡ�����Thank you very much.���C�u��+�Ѡ����Now.�������� JThis is the brand new�� (C�u��+�C�����eight hundred and sixty-six thousand pound McLaren P1.���C�u@��,�ԡ΁Probably the most advanced and jaw-dropping car the world has ever seen.���ơ��$Mm, the attention to detail in this thing boggles the mind.���C�u��,)5�����It is...it's almost science fiction.�� ������ And so there was only one place on Earth�� jC�u��,Bܠ����where I could test it properly.�� `����� �Belgium.��LC�u��,�������JEREMY: This is Bruges.��KC�u��,�������It's a quiet, friendly, cobbled sort of place.��������And it's just a stone's throw from Brussels,���C�u@��,�������home to all the environmental EU lawmakers.��h�ڡԁ�All of which makes it an ideal starting point for our test of the new McLaren.���C�u��,����Because behind the front seats����ˡŁ�there are three hundred and twenty four laptop style batteries,���C�u��-c�ơ��which power a silent, polar bear friendly, electric motor.���C�u@��-"��ȡThis means that even the most frizzy-haired sandal enthusiast���������would welcome this car into their city centre.���C�u��-B��š��It's like that other two seater electric car, the G Whizz.��ؠ�����It's Al Gore with a windscreen wiper.�� TC�u��-h��ҡ́Do not think, however, that it has the get up and go of Jabba the Hut.���C�u��-~������Because the electric motor in this produces�� ����� &a whopping hundred and seventy-six horsepower.���C�u��-�+�����And that's about what you get from a Volkswagen GTI.�������1So it's pretty nippy.��C�u��-�져���The only problem is that after just six miles�� i����� �the batteries will be flat.���C�u@��-�0�����So you'll need to plug your car into the mains�� ����� ?and sit about eating a chocolate shoe for two hours,���C�u��-�%�����until they're charged up again.��VC�u��.������Or if this doesn't appeal, there is an alternative.�� �C�u��.&S��݁Because you see the P1 is fitted as standard with an on-board petrol-powered generator.��dC�u@��.D�����And it is quite a big one.�������@In fact it's a 3.8 litre,�� 2������twin turbo charged, 722 horsepower V8.��}C�u@��.k�����You push this button,�� u����� �-there it is, firing up. (ENGINE REVVING)��l�ǡ��$And the great thing is it's not just charging the batteries,��<C�u��.�������it's also working alongside the electric motor��������to power the wheels.���C�u��.�-�á��So the P1 then is not like a G Whizz at all, in any way.��fC�u��.´�̡ƁThanks to that generator you can take this out of a city centre,��;�����\and onto the open road.���C�u��/������And that's another reason I've come to Belgium.�� 𠺡��]Because there are so many roads to choose from.�� �C�u��/%$�����Belgium has three times as many roads�� Ġ���� �and fifty percent more cars per square mile��2C�u��/=\�����than we do in Britain.�� ��ˡŁ �And the stats from this remarkable country just keep on coming.���C�u@��/]d�����There are so many miles of street-lit motorway here�� ��š�� �that Belgium is officially the brightest country on Earth.���C�u��/��¡��It's a little known fact that Buzz Aldrin's first words�� v����� �when he set foot on the moon were,���C�u��/�+�����"Good God! you can see Belgium from up here."�� �������Made that up.���C�u��/�a�����On the road I chose there was rain.�� 栝���FThere was sunshine.��C�u��/�=�����There were clear stretches��Р���� vand there were traffic jams.�� �C�u��/���ġ��And the McLaren was quiet and comfortable through it all.�� �C�u��0T�����But, it was not what you'd call luxurious.�� _C�u��0+@�̡ƁIt is, frankly, as well equipped as a pair of monk's underpants.��C�u@�0U������And that's because, like the Alfa we saw earlier,�� 3����� Tthis car was designed to be as fat as Iggy Pop.��C�u@�0w������Inside there's no glove box and no carpets.�� �������The glass is just three and a half millimetres thick,�� �C�u@��0�'�͡ǁone and a half millimetres thinner than the glass in normal cars,��<�š��]except in the back windows, where there's no glass at all.���C�u��0�p�ڡԁNo lacquer is added to the carbon fibre trim to save one and a half kilograms.��9C�u��0�ˠ����The whole chassis weighs less than James May.���C�u��0�<�ҡ́The trimmings are Titanium and the body is made from just five panels,���C�u��0��աρwhich means less glue and fewer bolts are needed to hold it all together.���C�u@��1(�����All of this means that despite the bank of batteries��t�ءҁ�and the fact it has two engines, this car weighs less than a Vauxhall Astra.��.C�u��1=������That, of course, makes it economical. And fast.�� i������Really fast.���C�u��1YU�����Mind-blowingly fast.��wC�u��1�,�����Oh my god!�������%Ooooooh, ha ha!��wC�u@��1�������The speed in fact is the main reason�� Ġ���� �I've brought this car to Belgium,��ڠ�����because Belgium is home to this place.�� iC�u��1��á��Spa. The longest, wildest racetrack on the F1 calendar.���C�u��2p�����How have they made something go this fast?�� 3C�u��20p�����Ok, ok, let me just slow it down�� I����� kwhile I explain what's going on here.�� �C�u��2Eˠ̡ƁThe electric motor and the big V8 generator are working together��:C�u��2Z㠩���so that I have, at my disposal,�� ������ �903 brake horsepower.�� =C�u��2�c�����Ohhhh!��x�ӡ́Obviously I've... I've driven a Bugatti Veyron that has more than that.���C�u@�2�������But a...a Bugatti Veyron...�� �ѡˁ0Oh... It has four wheel drive and it weighs more than most mountains.�� C�u@��2������This is rear wheel drive�� ?�աρ `and the only significant weight comes from the air passing over the body.��C�u��2�i�����Right, oh.�������� 'Flat in a Formula 1 car, not flat in this.�� �C�u��3렻���Oh they should have called this the widow maker!�� ^C�u��3* �����The throttle is a hyperspace button.�� (����� Step on it and you're gone.�� C�u@��3P�����And yet somehow, even in this appalling weather,�� Π���� �it got round all of the corners without crashing once.�� �C�u��3p������So how?��xC�u��3�ՠɡÁWell that's partly because it's made of stuff from the future.��2C�u��3�������And partly because it's clever.�� `�����It adapts. It moves around to suit its environment.��sC�u��3������As the speed climbs the rear wing rises,�� H����� ito generate more down force.��C�u��3뫠����But as you go past 156 miles an hour�� H����� Hit starts to go back down a little bit.��vC�u@��4��СʁOtherwise the weight of the air passing over it would be so enormous��$�����Eit would break the suspension.��KC�u@��4<�ɡÁThen you have the exhaust, which works with the rear diffuser��������to generate an area of low pressure,�� �C�u��46������into which the back of the car is sucked.�� ������ �The wheels are made from military grade aluminium.��tC�u��4Rˠ����The brake discs from a material����š���that's only ever been used in the Arianne Space Programme.�� TC�u@��4f��š��And they're coated with something called silicon carbide.���������Apparently it's the hardest substance known to man,�� �C�u��4�̠����apart from dried Weetabix obviously.�� ������ �And then the whole thing sits�� �C�u��4�������on four tyres that were designed and made by Pirelli.��C�u��4���ˡŁAll of this means you really have the confidence to open it up.���C�u��4ܯ�����This thing goes from 0-160 miles an hour���������faster than a Golf goes from 0-60.�� �C�u��4�G�����One thirty, one forty, one fifty, one sixty,�� ����� &one seventy, one eighty, one ninety. Bloody fire!���C�u@��5)��¡��And as you hurtle round in a puddle of your own faeces,��<�ԡ΁�gurning like an infant, the car is working on ways of going even faster.��ZC�u��5d������Let me give you an example.��������The electric motor is used to fill in the little gaps���C�u��5�Ǡ����when the petrol engine isn't working at its best,�� ������ �like for example, during gear changes�� 3C�u��5�������or while the massive turbos are spooling up.��C�u��5������And what I find hysterical about that is that McLaren���������has taken this hybrid technology,���C�u��5������which is designed to reduce the impact�� T����� uof the internal combustion engine�� �C�u��5�[�����and is using it to increase the impact.�� ������]That's like weaponising a wind farm.�� �C�u��6��̡ƁOr buying the Rainbow Warrior and turning it into an oil tanker.��0C�u��6/[�ԡ΁For years, cars have all been basically the same, but this really isn't.��qC�u��6C��ԡ΁It's a game changer, a genuinely new chapter in the history of motoring.���C�u��6c-�����In a town it's as eco-friendly as health food shop.�� '����� HOn a motorway it's comfortable and produces�� �C�u��6z9�����no more carbon dioxide than a family saloon.�� ����� >And on a track it can rip a hole through time.���C�u@��6�A�ءҁAnd it's all been achieved using something that's been around for centuries.��������Brilliant British engineering.�� �C�u��6�������You could argue that it doesn't have the�� u����� �passion or the flair of a Ferrari�� �C�u@��6�k�����and I'd probably agree with you.�� >����� �But look at it this way.����ɡÁ}It was passion and flair that built the Leaning Tower of Pisa��\C�u��6�e�����and it was British engineering that built�� 栵��� the plumb-dead-straight Westminster Abbey.��1C�u��7sՠ����(AUDIENCE CHEERING)���C�u@��7�������Hair on end.���ѡˁ)Yeah, great, but weren't we supposed to test that against the hybrids�� ?������that Porsche and Ferrari are developing?��C�u@��7���ʡā-Yeah, but the Ferrari isn't ready. -Yeah, but the Porsche is.���������Yeah, but it wasn't when I filmed that.�������-But it is now. -Yes.��xC�u@��7�X�ơ��And I shall be driving it on the show in a few weeks' time.�������� Yes, and after you've done that���������we're going to put the Stig in both of them�� kC�u��7ߥ�����and do some timed laps around our track.�� ����� Now that should be quite something, I think.�� C�u@��7�頣���I don't think it will be.��󠖡��Eh, why not?����ġ�� 3-Well because were you not listening to the film? -Yeah.�� �C�u@��8 -��ށThe speed of this is beyond anything I've ever experienced, it's...it's animal savagery,�� �����it's beyond belief.��KC�u@��8#[�����Yes, yes, yes, yes, but the Porsche might be faster.�� 堵��� -Well it won't be. -Yeah, but it might be.�� ������No, but it won't be.�� C�u@��8; �����But it might be.��Р�����-I guarantee it won't be. -But it might be.�� >�����RHammond, I'll do you a deal.�� �C�u@��8Wp�����If the Porsche is faster round our track than this,��%�����GI will change my name, by deed poll, to Jennifer.���C�u��8�㠙���-Really? -Yes.��L�����m-Promise? -Yes.��W����� �And on that potential bombshell, it is time to end.�� �C�u��8�������Thank you so much for watching.��ܠ�����See you next week. 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