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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,520 --> 00:00:13,740 OLDER GEORGIA: Have a good night. 2 00:00:13,840 --> 00:00:15,380 OLDER MILLIE: This is someone who was very close... 3 00:00:15,480 --> 00:00:17,420 - (GEORGIA GASPS) Mick. - ...to the '87 investigation. 4 00:00:17,520 --> 00:00:19,020 How long you been stalking me? 5 00:00:19,120 --> 00:00:21,380 Kate Reynolds is alive. 6 00:00:21,480 --> 00:00:23,060 I believe you've met Deputy Commissioner Carrick. 7 00:00:23,160 --> 00:00:24,980 Did you assault Callum Parrish this morning? 8 00:00:25,080 --> 00:00:27,220 He was about to enter a crime scene. 9 00:00:27,320 --> 00:00:28,420 MICHAEL: You remember 'The Bone Gospel'? 10 00:00:28,520 --> 00:00:30,820 Evidence was taken from the scene. 11 00:00:30,920 --> 00:00:32,340 That book is gone. 12 00:00:32,440 --> 00:00:34,940 It's real. It's Callum's. 13 00:00:35,040 --> 00:00:37,020 CALLUM: You've seen this before? 14 00:00:37,120 --> 00:00:39,460 It's very precious, and now you're precious. 15 00:00:39,560 --> 00:00:41,060 I spoke to the hospital. 16 00:00:41,160 --> 00:00:42,900 I was clear Reynolds was off-limits 17 00:00:43,000 --> 00:00:44,420 until we got the psych report back. 18 00:00:44,520 --> 00:00:46,540 How did you know there was something inside me? 19 00:00:46,640 --> 00:00:49,100 FRANKIE: I saw it. Sometimes I can see things. 20 00:00:49,200 --> 00:00:52,580 Farah, that stuff, cut it out. 21 00:00:52,680 --> 00:00:54,460 YOUNGER GEORGIA: December 1950. 22 00:00:54,560 --> 00:00:57,460 She killed them, then herself. 23 00:00:57,560 --> 00:00:59,660 Harriet Clay, his mother. 24 00:00:59,760 --> 00:01:01,860 GEORGIA: What's that got to do with Kate Reynolds? 25 00:01:01,960 --> 00:01:05,080 I'm telling you, there's no evidence that she ever died. 26 00:01:06,760 --> 00:01:08,760 - (BLADE SLASHES) - (GURGLES) 27 00:01:09,560 --> 00:01:11,500 (MILLIE GASPS) 28 00:01:11,600 --> 00:01:12,980 I'm gonna live. 29 00:01:13,080 --> 00:01:15,080 We need to fix this, you and me. 30 00:01:16,680 --> 00:01:18,580 (FOREIGN LANGUAGE OVER RADIO) 31 00:01:18,680 --> 00:01:20,500 (RADIO STATIC) 32 00:01:20,600 --> 00:01:21,740 (SACRED SONG OVER RADIO) 33 00:01:21,840 --> 00:01:23,740 (RADIO STATIC) 34 00:01:23,840 --> 00:01:26,300 - (FOREIGN LANGUAGE OVER RADIO) - (SACRED SONG OVER RADIO) 35 00:01:26,400 --> 00:01:29,060 (FOREIGN LANGUAGE OVER RADIO) 36 00:01:29,160 --> 00:01:32,420 (MANHATTAN TRANSFER SINGS) ? Long 37 00:01:32,520 --> 00:01:35,620 ? Distance 38 00:01:35,720 --> 00:01:39,540 ? Long distance 39 00:01:39,640 --> 00:01:42,980 ? Give me 40 00:01:43,080 --> 00:01:48,800 ? Hea... 41 00:01:50,840 --> 00:01:52,020 - ? ..ven - ? Two, three 42 00:01:52,120 --> 00:01:54,420 - ? Oh, operator - ? Operator 43 00:01:54,520 --> 00:01:56,500 - ? Information - ? Information 44 00:01:56,600 --> 00:01:58,340 - ? Give me Jesus - ? Give me Jesus 45 00:01:58,440 --> 00:01:59,380 ? On the line 46 00:01:59,480 --> 00:02:02,260 - ? Oh, operator - ? Operator 47 00:02:02,360 --> 00:02:04,060 - ? Information - ? Information 48 00:02:04,160 --> 00:02:06,140 - ? I'd like to speak to - ? Let me speak to 49 00:02:06,240 --> 00:02:08,140 - ? A friend of mine - ? A friend of mine 50 00:02:08,240 --> 00:02:10,540 ? Oh, prayer is the number 51 00:02:10,640 --> 00:02:12,620 ? Faith is the exchange 52 00:02:12,720 --> 00:02:14,220 ? Heaven is the street 53 00:02:14,320 --> 00:02:16,140 ? And Jesus is his name 54 00:02:16,240 --> 00:02:18,140 - ? Oh, operator - ? Operator 55 00:02:18,240 --> 00:02:19,860 - ? Information - ? Information 56 00:02:19,960 --> 00:02:23,220 - ? Please give me Jesus - ? Give me Jesus on the line 57 00:02:23,320 --> 00:02:26,340 - ? Whoa, whoa, operator - ? Operator 58 00:02:26,440 --> 00:02:27,580 - ? Information - ? Information 59 00:02:27,680 --> 00:02:30,220 - ? Ooh! Tell my why - ? Tell me why 60 00:02:30,320 --> 00:02:32,140 - ? Whoa, yeah ? This is taking so long 61 00:02:32,240 --> 00:02:34,140 - ? Operator - ? Operator 62 00:02:34,240 --> 00:02:36,100 - ? Information - ? Information 63 00:02:36,200 --> 00:02:38,740 ? Don't try to tell me what number to call 64 00:02:38,840 --> 00:02:40,260 - ? What number to call... ? - (POOL BALLS CLACK) 65 00:02:40,360 --> 00:02:42,060 ? My mother used this number 66 00:02:42,160 --> 00:02:44,020 ? When I was really small 67 00:02:44,120 --> 00:02:45,620 ? And every time she dialled... ? 68 00:02:45,720 --> 00:02:47,700 (POOL BALLS CLACK) 69 00:02:47,800 --> 00:02:49,660 Anything? Anything at all? 70 00:02:49,760 --> 00:02:51,060 - Mm-mm. - Nothing? 71 00:02:51,160 --> 00:02:52,060 Well, not nothing, 72 00:02:52,160 --> 00:02:53,620 Found a lovely broadband signal 73 00:02:53,720 --> 00:02:55,260 from a quasar in Virgo, 3C. 74 00:02:55,360 --> 00:02:57,700 It's in the report. Faine will get a kick out of it. 75 00:02:57,800 --> 00:03:00,260 Well, he's not gonna get 'em 'cause all the comms are down. 76 00:03:00,360 --> 00:03:01,340 - All of them? - Yeah. 77 00:03:01,440 --> 00:03:02,580 Telefax, radio, 78 00:03:02,680 --> 00:03:05,540 nothing's getting out and nothing is getting in. 79 00:03:05,640 --> 00:03:08,740 I've checked the gear, there's nothing mechanically wrong. 80 00:03:08,840 --> 00:03:10,340 Besides the fact they don't work. 81 00:03:10,440 --> 00:03:11,740 Piss off. I'm fuckin'... 82 00:03:11,840 --> 00:03:14,020 No. No-one's doubting your expertise. 83 00:03:14,120 --> 00:03:15,180 This prick is, and I'm serious... 84 00:03:15,280 --> 00:03:16,580 - No, no, no, come on. - ...it's annoying me now. 85 00:03:16,680 --> 00:03:17,700 - Paul... - No, no, I'm done with it. 86 00:03:17,800 --> 00:03:20,820 ...can we please turn the air conditioning up? 87 00:03:20,920 --> 00:03:22,860 The heat is a fucking killer. 88 00:03:22,960 --> 00:03:25,980 How did the comms just stop working? 89 00:03:26,080 --> 00:03:28,860 - How does that happen? - Solar storm? 90 00:03:28,960 --> 00:03:30,020 SIMON: Happened in '72. 91 00:03:30,120 --> 00:03:31,500 Wiped out radio comms in northern Canada. 92 00:03:31,600 --> 00:03:33,660 GARY: No, no, it's Tolliver, can't you see? 93 00:03:33,760 --> 00:03:35,340 He's done something. 94 00:03:35,440 --> 00:03:37,980 Everything was fine until he arrived. 95 00:03:38,080 --> 00:03:40,980 He gets dropped here a month ago, 96 00:03:41,080 --> 00:03:44,020 no warning, no explanation. 97 00:03:44,120 --> 00:03:45,780 Who is this guy? 98 00:03:45,880 --> 00:03:48,140 And why is he stacking rocks? 99 00:03:48,240 --> 00:03:50,060 There's something wrong with him. 100 00:03:50,160 --> 00:03:52,340 - RAY: I apologise. - Ah! 101 00:03:52,440 --> 00:03:54,180 (UNSETTLING MUSIC) 102 00:03:54,280 --> 00:03:55,620 Ray, we were, um, just... 103 00:03:55,720 --> 00:03:59,080 It's alright. I understand the imposition. It's not ideal. 104 00:04:01,400 --> 00:04:03,700 I'm grateful to all of you. 105 00:04:03,800 --> 00:04:05,700 - I'll be done soon. - Yep. (CLEARS THROAT) 106 00:04:05,800 --> 00:04:07,800 And then I'll be gone. 107 00:04:10,520 --> 00:04:12,880 (UNSETTLING MUSIC) 108 00:04:23,160 --> 00:04:24,300 (RADIO STATIC) 109 00:04:24,400 --> 00:04:25,780 KATE: Radio check, radio check. 110 00:04:25,880 --> 00:04:27,860 This is Parrish Research Station. Over. 111 00:04:27,960 --> 00:04:30,100 (STATIC HISSES) 112 00:04:30,200 --> 00:04:31,420 Radio check, radio check. 113 00:04:31,520 --> 00:04:33,920 This is Parrish Research Station. Over. 114 00:04:35,000 --> 00:04:37,000 (STATIC STUTTERS) 115 00:04:38,400 --> 00:04:41,580 Oh, this fuckin' piece of shit! 116 00:04:41,680 --> 00:04:44,940 - (ANTON SPEAKS RUSSIAN) - (KATE REPEATS RUSSIAN PHRASE) 117 00:04:45,040 --> 00:04:46,300 Good, Katyushka. 118 00:04:46,400 --> 00:04:49,140 Now you know how to say "this fuckin' piece of shit". 119 00:04:49,240 --> 00:04:50,660 Hmm. Handy. 120 00:04:50,760 --> 00:04:52,760 (RADIO STATIC) 121 00:05:00,920 --> 00:05:03,700 (LAUGHS) Do you want a beer? 122 00:05:03,800 --> 00:05:05,900 - Spasibo. - (ANTON GRUNTS) 123 00:05:06,000 --> 00:05:08,000 - (ANTON GRUNTS) - (BOTTLES CLINK) 124 00:05:12,120 --> 00:05:14,280 This is not a solar storm. 125 00:05:16,360 --> 00:05:17,820 Yeah, I know. 126 00:05:17,920 --> 00:05:19,920 ANTON: Then why did you say it might be? 127 00:05:22,480 --> 00:05:24,140 What happens if they panic, Anton? 128 00:05:24,240 --> 00:05:26,240 We're completely cut off. 129 00:05:27,120 --> 00:05:28,460 What happens if Boyd loses it? 130 00:05:28,560 --> 00:05:30,420 Is Edgars gonna keep him in line? 131 00:05:30,520 --> 00:05:32,660 Are you...? Me? (SCOFFS) 132 00:05:32,760 --> 00:05:34,760 (UNSETTLING MUSIC) 133 00:05:38,560 --> 00:05:41,460 (DOOR SQUEAKS AND SLAMS) 134 00:05:41,560 --> 00:05:45,700 ANTON: You know the case Tolliver carries around? 135 00:05:45,800 --> 00:05:47,800 There's a book in it. 136 00:05:49,240 --> 00:05:51,020 You've seen inside that case? 137 00:05:51,120 --> 00:05:53,900 I didn't mean to snoop. I'm not a snooper. 138 00:05:54,000 --> 00:05:56,840 But yes, yes, I...I saw it. 139 00:05:57,840 --> 00:05:59,840 Why does he have a book locked up? 140 00:06:00,760 --> 00:06:02,300 - (SWITCHES CLICK) - (EQUIPMENT POWERS UP) 141 00:06:02,400 --> 00:06:04,620 (WHITE NOISE HISSES SOFTLY) 142 00:06:04,720 --> 00:06:06,780 ANTON: And those rocks he stacks. 143 00:06:06,880 --> 00:06:09,020 I think they are markers. 144 00:06:09,120 --> 00:06:12,580 Tolliver is marking something. 145 00:06:12,680 --> 00:06:15,320 - (UNSETTLING MUSIC) - (KEYS JANGLE) 146 00:06:26,920 --> 00:06:28,380 KATE: Well, he's creeping everyone out. 147 00:06:28,480 --> 00:06:30,480 Someone should talk to him. 148 00:06:33,680 --> 00:06:35,800 It's got to be me, hasn't it? 149 00:06:37,280 --> 00:06:39,280 - Anton. - Huh? 150 00:06:40,880 --> 00:06:44,300 You know, Boyd is right, Katyushka. 151 00:06:44,400 --> 00:06:46,820 Tolliver has done something. 152 00:06:46,920 --> 00:06:49,900 There is something wrong with this place. 153 00:06:50,000 --> 00:06:52,080 (UNSETTLING MUSIC) 154 00:06:54,600 --> 00:06:56,340 KATE: Get out of the heat, Anton. 155 00:06:56,440 --> 00:06:58,440 I'll talk to Tolliver. 156 00:07:04,080 --> 00:07:06,080 (DOOR SQUEAKS) 157 00:07:08,480 --> 00:07:10,480 (DOOR SLAMS) 158 00:07:13,680 --> 00:07:15,680 - (EQUIPMENT HUMS) - (FOOTSTEPS APPROACH) 159 00:07:20,080 --> 00:07:21,980 Thought you might want a drink. 160 00:07:22,080 --> 00:07:24,080 Pretty hot. 161 00:07:24,920 --> 00:07:27,920 I mean, the beer's hot too, but it's beer, so... 162 00:07:42,320 --> 00:07:44,320 Radio's still down. 163 00:07:45,520 --> 00:07:46,700 Think Boyd might lose it 164 00:07:46,800 --> 00:07:49,380 if he can't listen to the cricket after Christmas. 165 00:07:49,480 --> 00:07:51,480 (KATE CHUCKLES) 166 00:07:56,800 --> 00:07:59,240 Hey, um, listen, Ray... 167 00:08:01,480 --> 00:08:03,740 ...I know you haven't been here long, 168 00:08:03,840 --> 00:08:06,000 but it gets easier. 169 00:08:07,240 --> 00:08:08,500 The isolation. 170 00:08:08,600 --> 00:08:11,240 - This place. - There isn't a place anymore. 171 00:08:12,600 --> 00:08:14,340 - What's that? - No place. 172 00:08:14,440 --> 00:08:16,440 No time. 173 00:08:18,320 --> 00:08:20,260 You feel it. 174 00:08:20,360 --> 00:08:21,900 Right. 175 00:08:22,000 --> 00:08:24,000 RAY: It's true. 176 00:08:25,240 --> 00:08:28,180 The barrier between this and the other 177 00:08:28,280 --> 00:08:30,440 is paper-thin here now. 178 00:08:32,760 --> 00:08:34,760 There is no here. 179 00:08:35,640 --> 00:08:37,640 There is no now. 180 00:08:40,240 --> 00:08:41,700 It's coming back. 181 00:08:41,800 --> 00:08:44,260 It's happened before and now it's coming back. 182 00:08:44,360 --> 00:08:46,720 W-what's coming back? 183 00:08:49,920 --> 00:08:52,060 "It sleepeth in the darkness, dead, 184 00:08:52,160 --> 00:08:54,640 "with hunger of unended years." 185 00:08:56,360 --> 00:08:58,360 OK. 186 00:09:00,760 --> 00:09:04,400 Listen, um, I think you should probably get some sleep. 187 00:09:08,400 --> 00:09:12,120 (UNSETTLING MUSIC) 188 00:09:22,800 --> 00:09:24,800 (UNEARTHLY SIGHING) 189 00:09:30,840 --> 00:09:33,000 (UNEARTHLY SIGHING) 190 00:09:34,280 --> 00:09:36,860 (UNSETTLING MUSIC) 191 00:09:36,960 --> 00:09:40,800 (HIGH-PITCHED TONE) 192 00:09:44,240 --> 00:09:46,560 (DEEP PULSING) 193 00:09:48,720 --> 00:09:50,720 - (MYSTERIOUS MUSIC) - (OBJECTS CLINK) 194 00:09:56,720 --> 00:09:58,720 (KATE SIGHS) 195 00:10:01,040 --> 00:10:02,700 (SOFTLY) Oh, come on, come on. 196 00:10:02,800 --> 00:10:04,800 Come on. 197 00:10:07,560 --> 00:10:09,560 (SIGHS) 198 00:10:10,200 --> 00:10:12,100 (UNEARTHLY SIGHING) 199 00:10:12,200 --> 00:10:14,180 (LIGHTS TINKLE) 200 00:10:14,280 --> 00:10:16,420 (THUDDING) 201 00:10:16,520 --> 00:10:19,360 (UNEARTHLY SIGHING) 202 00:10:21,640 --> 00:10:22,940 Anton? 203 00:10:23,040 --> 00:10:26,200 (UNEARTHLY SIGHING) 204 00:10:29,800 --> 00:10:32,400 - (UNEARTHLY SIGHING) - (THUDDING) 205 00:10:34,920 --> 00:10:36,920 Boyd? 206 00:10:43,920 --> 00:10:46,520 (UNSETTLING MUSIC) 207 00:10:50,120 --> 00:10:52,120 (BREATHES SHARPLY) 208 00:10:53,080 --> 00:10:56,460 (STATIC CRACKLES, LIGHTS TINKLE) 209 00:10:56,560 --> 00:10:59,680 (SUSPENSEFUL MUSIC) 210 00:11:07,920 --> 00:11:09,920 (GASPS) 211 00:11:11,680 --> 00:11:12,580 YOUNGER GEORGIA: Kate? 212 00:11:12,680 --> 00:11:14,700 (DISTURBING MUSIC) 213 00:11:14,800 --> 00:11:16,020 KATE: I... 214 00:11:16,120 --> 00:11:17,500 Uh... 215 00:11:17,600 --> 00:11:19,880 (BREATHES HEAVILY) 216 00:11:21,400 --> 00:11:23,960 (DISTURBING MUSIC) 217 00:11:27,720 --> 00:11:29,780 (BREATHES SHAKILY) 218 00:11:29,880 --> 00:11:31,880 (WRENCH THUDS) 219 00:11:33,680 --> 00:11:36,080 - (LIGHTER FLICKS) - (INSECTS CHIRP) 220 00:11:43,960 --> 00:11:45,260 (RADIO BEEPS) 221 00:11:45,360 --> 00:11:47,780 (STATIONS SWITCH RAPIDLY) 222 00:11:47,880 --> 00:11:50,880 (INDISTINCT SPEECH AND MUSIC CRACKLE) 223 00:11:57,240 --> 00:11:59,700 (METAL CLUNKS AND CREAKS) 224 00:11:59,800 --> 00:12:01,840 (MECHANISM WHIRRS) 225 00:12:03,800 --> 00:12:06,180 (STATIC CRACKLES) 226 00:12:06,280 --> 00:12:08,440 (ELECTRONIC BEEPING) 227 00:12:09,840 --> 00:12:12,160 (DEEP ELECTRONIC HUMMING AND PULSING) 228 00:12:13,800 --> 00:12:16,680 (UNSETTLING MUSIC) 229 00:12:31,680 --> 00:12:34,380 Ray, did you catch whatever the fuck that... 230 00:12:34,480 --> 00:12:35,620 (TAPE TICKS) 231 00:12:35,720 --> 00:12:37,140 Ray. Ray! 232 00:12:37,240 --> 00:12:38,260 Ray... Oh, my... 233 00:12:38,360 --> 00:12:40,940 Oh, uh, um, Ray. 234 00:12:41,040 --> 00:12:43,020 Ray, can you hear me? 235 00:12:43,120 --> 00:12:45,120 (BREATHES HEAVILY) 236 00:12:45,480 --> 00:12:47,800 (UNSETTLING MUSIC) 237 00:12:49,280 --> 00:12:51,380 - KATE: Put him on the couch. - SIMON: Was it heat stroke? 238 00:12:51,480 --> 00:12:53,500 - He was out there for two hours. - Just put him down here. 239 00:12:53,600 --> 00:12:55,780 ANTON: Oh, this is not a heat stroke. 240 00:12:55,880 --> 00:12:57,860 We need to take him to a doctor. 241 00:12:57,960 --> 00:12:58,980 KATE: I'll drive him. 242 00:12:59,080 --> 00:13:01,380 - Jeep doesn't work. - What's wrong with it? 243 00:13:01,480 --> 00:13:04,460 (SIGHS) As of a week ago, it won't start. 244 00:13:04,560 --> 00:13:05,980 Uh, and you knew this? 245 00:13:06,080 --> 00:13:07,980 Yeah, look, I thought it was best not to concern anyone. 246 00:13:08,080 --> 00:13:09,220 - Gee. - Concerned? 247 00:13:09,320 --> 00:13:11,140 Well, we're pretty fucking concerned now, Paul. 248 00:13:11,240 --> 00:13:12,660 - Boyd, stand back. - He's awake. 249 00:13:12,760 --> 00:13:15,220 KATE: Hey, mate. Ray, are you OK? 250 00:13:15,320 --> 00:13:16,740 - What's wrong? - It hurts... 251 00:13:16,840 --> 00:13:18,020 - What hurts? - It hurts. 252 00:13:18,120 --> 00:13:19,860 - OK, yeah, just stay calm. - It hurts. You need to... 253 00:13:19,960 --> 00:13:21,140 - Alright, what's wrong? - ...help me. 254 00:13:21,240 --> 00:13:23,180 - Yep. Just stay calm. - You really need to help me. 255 00:13:23,280 --> 00:13:24,460 - Hey, hey. - Get it out. 256 00:13:24,560 --> 00:13:25,740 - (ALL TALK AT ONCE) - RAY: Get it out! 257 00:13:25,840 --> 00:13:27,340 - Ray! - You need to get it out of me! 258 00:13:27,440 --> 00:13:29,440 You need to get it out... 259 00:13:37,840 --> 00:13:39,060 (ANTON GRUNTS) 260 00:13:39,160 --> 00:13:41,160 (SPITS) 261 00:13:42,200 --> 00:13:43,500 (SPITS) 262 00:13:43,600 --> 00:13:45,600 (MUTTERS) 263 00:13:46,200 --> 00:13:47,260 (SNIFFS) 264 00:13:47,360 --> 00:13:49,360 (INTRIGUING MUSIC) 265 00:13:51,560 --> 00:13:53,560 (SCRAPING) 266 00:13:54,600 --> 00:13:56,140 (FOOTSTEPS APPROACH) 267 00:13:56,240 --> 00:13:59,300 It's not the battery, it's not the fuel line. 268 00:13:59,400 --> 00:14:01,180 - So what is it? - ANTON: I don't know. 269 00:14:01,280 --> 00:14:02,220 It could be anything. 270 00:14:02,320 --> 00:14:03,860 It'll take me a while to work it out. 271 00:14:03,960 --> 00:14:05,780 GARY: Fuck that. Is there any way we could just walk? 272 00:14:05,880 --> 00:14:07,780 Like, we get all the water we can and we just go. 273 00:14:07,880 --> 00:14:11,740 Yeah, we just go and walk? Walk?! Walk for 300km? 274 00:14:11,840 --> 00:14:14,020 GARY: I know for a fact there's an old mining station 275 00:14:14,120 --> 00:14:15,460 about 60km south of here. 276 00:14:15,560 --> 00:14:17,420 It might have, I don't know, radios 277 00:14:17,520 --> 00:14:19,300 or vehicles or something, like, 60 kays... 278 00:14:19,400 --> 00:14:22,940 Gary, listen to me. It will kill you. You will die. 279 00:14:23,040 --> 00:14:26,300 Do you understand how fucking dangerous this situation is? 280 00:14:26,400 --> 00:14:27,900 PAUL: There's no danger. 281 00:14:28,000 --> 00:14:30,420 We're fine. We've got a man who's exhausted. 282 00:14:30,520 --> 00:14:32,520 We'll deal with it in the morning. 283 00:14:33,480 --> 00:14:35,100 Someone needs to stay up with him. 284 00:14:35,200 --> 00:14:37,060 Ah. I'll do it. 285 00:14:37,160 --> 00:14:40,660 - You need sleep. - We all need sleep. 286 00:14:40,760 --> 00:14:42,760 PAUL: Alright. We alright? 287 00:14:54,520 --> 00:14:58,080 (UNSETTLING MUSIC) 288 00:15:29,840 --> 00:15:33,000 (ENIGMATIC SYNTH MUSIC) 289 00:16:16,000 --> 00:16:19,840 (DISTURBING MUSIC) 290 00:16:21,600 --> 00:16:25,440 (DISTURBING MUSIC INTENSIFIES) 291 00:16:34,160 --> 00:16:37,280 (DISTANT WHIRRING) 292 00:17:01,800 --> 00:17:03,800 Where's Tolliver? 293 00:17:04,520 --> 00:17:06,460 - Ray? - ANTON: Huh? 294 00:17:06,560 --> 00:17:07,460 Ray! 295 00:17:07,560 --> 00:17:09,560 (ANTON GRUNTS) 296 00:17:12,000 --> 00:17:14,040 (ANTON AND KATE GRUNT WITH EXERTION) 297 00:17:19,320 --> 00:17:21,860 Hey! Hey! 298 00:17:21,960 --> 00:17:23,960 Hey! 299 00:17:29,800 --> 00:17:30,820 They took him. 300 00:17:30,920 --> 00:17:32,580 It was a Parrish chopper. 301 00:17:32,680 --> 00:17:34,580 You were supposed to stay up with him. 302 00:17:34,680 --> 00:17:37,420 OK, OK, they're coming back for us. They must be. 303 00:17:37,520 --> 00:17:38,660 Maybe they couldn't get a plane 304 00:17:38,760 --> 00:17:40,300 so they're choppering us out one by one. 305 00:17:40,400 --> 00:17:42,400 ANTON: How did they know that Tolliver was sick? 306 00:17:45,800 --> 00:17:47,820 It's two days to Christmas, alright? 307 00:17:47,920 --> 00:17:50,460 We've got radio calls with our families scheduled. 308 00:17:50,560 --> 00:17:53,380 When we miss those, they'll contact the police in Barrawin. 309 00:17:53,480 --> 00:17:54,420 Someone will come. 310 00:17:54,520 --> 00:17:57,040 Have faith. We just need to stay calm. 311 00:17:59,320 --> 00:18:02,260 {\an8}(CHOIR SINGS) ? Ding dong, merrily on high 312 00:18:02,360 --> 00:18:05,180 {\an8}? In heav'n the bells are ringing 313 00:18:05,280 --> 00:18:08,220 {\an8}? Ding dong, verily the sky 314 00:18:08,320 --> 00:18:11,500 ? Is riv'n with angel singing 315 00:18:11,600 --> 00:18:17,320 ? Gloria 316 00:18:20,440 --> 00:18:24,540 ? Hosanna in excelsis 317 00:18:24,640 --> 00:18:30,060 ? Gloria... ? 318 00:18:30,160 --> 00:18:33,300 (UNSETTLING MUSIC) 319 00:18:33,400 --> 00:18:36,840 (FADES) ? Hosanna in excelsis... ? 320 00:18:39,760 --> 00:18:41,760 (GRUNTS) 321 00:18:44,920 --> 00:18:47,440 (UNSETTLING MUSIC CONTINUES) 322 00:18:54,400 --> 00:18:55,660 (GRUNTS) 323 00:18:55,760 --> 00:18:57,760 (MUTTERS IN RUSSIAN) 324 00:18:59,960 --> 00:19:01,940 - (STARTER MOTOR LABOURS) - (ANTON GRUNTS) 325 00:19:02,040 --> 00:19:04,040 - (MOTOR STOPS) - Oh! 326 00:19:04,480 --> 00:19:06,480 (GARY GRUNTS) 327 00:19:13,280 --> 00:19:16,840 (UNSETTLING MUSIC) 328 00:19:20,800 --> 00:19:22,800 (ANTON SIGHS AND GRUNTS) 329 00:19:24,240 --> 00:19:26,240 (GARY GRUNTS) 330 00:19:31,680 --> 00:19:33,980 (MOTOR STARTS AND STOPS) 331 00:19:34,080 --> 00:19:36,080 (MUTTERS IN RUSSIAN) 332 00:19:38,040 --> 00:19:39,180 Fuck you! 333 00:19:39,280 --> 00:19:42,700 (YELLS IN RUSSIAN) 334 00:19:42,800 --> 00:19:45,400 Whew. (BREATHES HEAVILY) 335 00:19:49,000 --> 00:19:51,000 (KNOCK AT DOOR) 336 00:19:53,560 --> 00:19:55,560 Come in. 337 00:19:57,320 --> 00:20:00,860 It must be the starter motor. 338 00:20:00,960 --> 00:20:03,020 I've tried everything else. 339 00:20:03,120 --> 00:20:05,780 - If it's not... - KATE: So... 340 00:20:05,880 --> 00:20:07,780 ...can we fix it? 341 00:20:07,880 --> 00:20:10,420 Maybe we can pull it apart, 342 00:20:10,520 --> 00:20:13,240 clean it out, then try. 343 00:20:15,520 --> 00:20:17,660 Well, that's what we do. 344 00:20:17,760 --> 00:20:19,760 Paul, what the hell are we gonna do? 345 00:20:20,520 --> 00:20:22,780 - They're coming back for us. - SIMON: They're not! 346 00:20:22,880 --> 00:20:24,880 We need to leave. 347 00:20:25,680 --> 00:20:28,480 PAUL: What we need is to keep working. 348 00:20:30,160 --> 00:20:32,020 These are the reports from Tolliver's last shift. 349 00:20:32,120 --> 00:20:34,120 PAUL: Uh-huh. 350 00:20:35,760 --> 00:20:37,760 What's this? 351 00:20:38,760 --> 00:20:40,380 Some sort of spike. 352 00:20:40,480 --> 00:20:43,100 Have you seen it? It's enormous. 353 00:20:43,200 --> 00:20:44,140 Weird. 354 00:20:44,240 --> 00:20:46,340 PAUL: Maybe he recorded it. 355 00:20:46,440 --> 00:20:48,440 SIMON: Maybe. 356 00:20:52,120 --> 00:20:54,120 (SWITCHES CLICK) 357 00:20:56,760 --> 00:21:00,000 (TAPE WHIRRS) 358 00:21:05,320 --> 00:21:08,420 (STATIC PULSES) 359 00:21:08,520 --> 00:21:10,680 (ENIGMATIC SOUNDSCAPE) 360 00:21:12,040 --> 00:21:14,040 (UNEARTHLY MOANING) 361 00:21:18,640 --> 00:21:20,540 (UNEARTHLY MOANING) 362 00:21:20,640 --> 00:21:23,620 (UNEARTHLY GROWLING) 363 00:21:23,720 --> 00:21:27,340 - (STATIC INTENSIFIES) - (ENIGMATIC SOUNDSCAPE) 364 00:21:27,440 --> 00:21:29,760 (STATIC DISTORTS) 365 00:21:30,760 --> 00:21:31,820 (ANTON SIGHS) 366 00:21:31,920 --> 00:21:34,220 There's so much sand and crap in this thing. 367 00:21:34,320 --> 00:21:36,320 This fucking place. 368 00:21:39,400 --> 00:21:40,820 Pass me that. 369 00:21:40,920 --> 00:21:43,700 (OMINOUS PULSING) 370 00:21:43,800 --> 00:21:44,780 (ANTON GRUNTS) 371 00:21:44,880 --> 00:21:48,000 (STATIC HOWLS) 372 00:21:49,880 --> 00:21:51,960 (UNEARTHLY SHRIEKING) 373 00:21:54,680 --> 00:21:56,680 (UNEARTHLY SHRIEKING) 374 00:21:58,520 --> 00:22:01,880 (INTENSE MUSIC) 375 00:22:05,040 --> 00:22:09,400 (SACRED SONG) 376 00:22:12,920 --> 00:22:14,920 (ROARS) 377 00:22:16,800 --> 00:22:18,960 (GRUNTS) 378 00:22:22,280 --> 00:22:24,860 (GRUNTS AND MUTTERS) 379 00:22:24,960 --> 00:22:26,140 Arggh! You... 380 00:22:26,240 --> 00:22:27,540 Oh! 381 00:22:27,640 --> 00:22:30,360 (UNSETTLING MUSIC) 382 00:22:34,880 --> 00:22:37,780 (GRUNTS AND MUTTERS IN RUSSIAN) 383 00:22:37,880 --> 00:22:39,780 - The wrong fucking wrench! - Hey, hey, hey. 384 00:22:39,880 --> 00:22:41,620 Ooh. 385 00:22:41,720 --> 00:22:43,720 (GRUNTS AND BREATHES HEAVILY) 386 00:22:49,080 --> 00:22:50,060 (GULPS NOISILY) 387 00:22:50,160 --> 00:22:52,160 (PAUL MURMURS INDISTINCTLY NEARBY) 388 00:22:56,600 --> 00:22:58,600 (PAUL CONTINUES INDISTINCTLY) 389 00:23:07,640 --> 00:23:09,620 (PAUL MURMURS INDISTINCTLY) 390 00:23:09,720 --> 00:23:11,780 ...of the whole world. 391 00:23:11,880 --> 00:23:13,880 (FOOTSTEPS SHUFFLE) 392 00:23:14,600 --> 00:23:16,600 Paul? 393 00:23:17,360 --> 00:23:19,500 Paul! 394 00:23:19,600 --> 00:23:21,180 We think we know how to fix the jeep. 395 00:23:21,280 --> 00:23:23,180 PAUL: Take it apart, it becomes clearer. 396 00:23:23,280 --> 00:23:24,860 Yeah, that's true. 397 00:23:24,960 --> 00:23:27,940 Parts pretending to be whole, that's all it is. 398 00:23:28,040 --> 00:23:29,500 (SUSPENSEFUL MUSIC) 399 00:23:29,600 --> 00:23:31,540 PAUL: It feels better to see it clearly. 400 00:23:31,640 --> 00:23:33,460 - Paul? - As it is. 401 00:23:33,560 --> 00:23:35,700 - (BONES CRUNCH) - (ANTON GASPS) 402 00:23:35,800 --> 00:23:37,820 - (KATE EXCLAIMS) - (SACRED SONG) 403 00:23:37,920 --> 00:23:39,920 (CALMLY) May I show you? 404 00:23:43,280 --> 00:23:46,080 You have to see. You have to understand. 405 00:23:47,160 --> 00:23:49,060 Your... your room, now. 406 00:23:49,160 --> 00:23:51,980 (DISTURBING MUSIC) 407 00:23:52,080 --> 00:23:53,260 - GARY: Edgars! - (DOOR SLAMS) 408 00:23:53,360 --> 00:23:55,380 I'm done, man. I'm out! 409 00:23:55,480 --> 00:23:56,380 We're done! 410 00:23:56,480 --> 00:23:58,100 I'm done. I'm gone. I'm gone. 411 00:23:58,200 --> 00:23:59,580 Where's Edgars? 412 00:23:59,680 --> 00:24:03,480 (DISTURBING MUSIC) 413 00:24:04,640 --> 00:24:05,540 (LOCKS DOOR) 414 00:24:05,640 --> 00:24:07,100 The bed. The bed, the bed, the bed. 415 00:24:07,200 --> 00:24:08,700 (BOTH GRUNT) 416 00:24:08,800 --> 00:24:10,800 (METAL THUDS) 417 00:24:16,000 --> 00:24:18,620 (BOTH BREATHE HEAVILY) 418 00:24:18,720 --> 00:24:20,720 (LOUD THUD) 419 00:24:25,960 --> 00:24:27,060 (DOOR RATTLES) 420 00:24:27,160 --> 00:24:29,140 (SUSPENSEFUL MUSIC) 421 00:24:29,240 --> 00:24:31,420 (DOOR RATTLES) 422 00:24:31,520 --> 00:24:35,240 (PAUL INTONES INDISTINCTLY) 423 00:24:40,720 --> 00:24:42,140 - (LOUD THUD) - (KATE SHRIEKS) 424 00:24:42,240 --> 00:24:46,400 (PAUL YELLS AND POUNDS ON THE DOOR) 425 00:24:47,840 --> 00:24:50,500 (PAUL YELLS) 426 00:24:50,600 --> 00:24:53,880 (INTENSE MUSIC) 427 00:24:59,200 --> 00:25:00,340 (BREATHES HEAVILY) 428 00:25:00,440 --> 00:25:03,140 (STATIC DISTORTS) 429 00:25:03,240 --> 00:25:06,840 (SACRED SONG ECHOES) 430 00:25:11,880 --> 00:25:12,780 (CLOTHES HOIST CREAKS) 431 00:25:12,880 --> 00:25:16,460 (CROW CAWS IN DISTANCE) 432 00:25:16,560 --> 00:25:18,560 (DISTANT THUD) 433 00:25:20,400 --> 00:25:22,400 What's he doing out there? 434 00:25:25,160 --> 00:25:26,540 - Anton? - He... 435 00:25:26,640 --> 00:25:29,880 He's shut the air conditioning off. 436 00:25:35,120 --> 00:25:36,380 We're getting out of here. 437 00:25:36,480 --> 00:25:38,660 (SPEAKS RUSSIAN) 438 00:25:38,760 --> 00:25:42,380 Frying pans and fires, Katyushka. 439 00:25:42,480 --> 00:25:44,700 (GRUNTS) OK. 440 00:25:44,800 --> 00:25:45,700 Will this work? 441 00:25:45,800 --> 00:25:46,940 (ANTON GASPS) 442 00:25:47,040 --> 00:25:47,940 Anton. 443 00:25:48,040 --> 00:25:48,940 Anton? 444 00:25:49,040 --> 00:25:51,040 ANTON: Uh... 445 00:25:51,880 --> 00:25:54,300 I-I need my pills. 446 00:25:54,400 --> 00:25:56,940 - Where are they? - (CHUCKLES) 447 00:25:57,040 --> 00:25:59,640 - In the... in the kitchen. - (KATE CHUCKLES BLEAKLY) 448 00:26:05,520 --> 00:26:08,040 (UNEASY MUSIC) 449 00:26:23,040 --> 00:26:25,040 (KATE WHISPERS) No, no. 450 00:26:29,480 --> 00:26:31,480 (HIGH-PITCHED TONE) 451 00:26:34,600 --> 00:26:36,220 (DISTURBING MUSIC) 452 00:26:36,320 --> 00:26:37,340 (SACRED SONG) 453 00:26:37,440 --> 00:26:38,620 Run! 454 00:26:38,720 --> 00:26:41,600 (INTENSE MUSIC) 455 00:26:43,880 --> 00:26:46,220 (ANTON BREATHES HEAVILY) 456 00:26:46,320 --> 00:26:48,780 - Arggh! God! - (ANTON BREATHES HEAVILY) 457 00:26:48,880 --> 00:26:50,100 KATE: Go, go, go, go, go! 458 00:26:50,200 --> 00:26:51,540 (ANTON BREATHES HEAVILY) 459 00:26:51,640 --> 00:26:53,420 (KATE GRUNTS) 460 00:26:53,520 --> 00:26:55,780 - (KATE CRIES OUT IN PAIN) - ANTON: Come on, get in! 461 00:26:55,880 --> 00:26:57,880 Get in! 462 00:27:01,400 --> 00:27:03,480 (KATE GROANS) 463 00:27:04,720 --> 00:27:08,000 - Anton! - Almost! Almost! 464 00:27:11,960 --> 00:27:13,960 - Now! - (KATE WHIMPERS) 465 00:27:14,520 --> 00:27:16,600 (STARTER MOTOR LABOURS) 466 00:27:17,600 --> 00:27:18,580 Oh! 467 00:27:18,680 --> 00:27:20,680 (STARTER MOTOR LABOURS) 468 00:27:22,760 --> 00:27:23,940 - (ENGINE RUNS) - Ah! 469 00:27:24,040 --> 00:27:25,060 Ahhh! (LAUGHS) 470 00:27:25,160 --> 00:27:26,660 - (ENGINE REVS) - (LAUGHS) 471 00:27:26,760 --> 00:27:27,820 (ANTON LAUGHS) 472 00:27:27,920 --> 00:27:29,920 (KATE LAUGHS) 473 00:27:30,680 --> 00:27:32,260 - GARY: Ahhh! - (ANTON GASPS) 474 00:27:32,360 --> 00:27:34,360 (KATE SCREAMS) 475 00:27:35,280 --> 00:27:37,280 - (ELECTRICAL BUZZING) - (KATE SCREAMS) 476 00:27:38,040 --> 00:27:40,340 - (KATE WHIMPERS) - ANTON: Gary. Gary. 477 00:27:40,440 --> 00:27:42,260 - You need to help me. - ANTON: Gary... 478 00:27:42,360 --> 00:27:43,780 - Gary. - GARY: You have to see. 479 00:27:43,880 --> 00:27:45,820 - Look. Look. - ANTON: Gary. 480 00:27:45,920 --> 00:27:47,920 Oh, Jesus! 481 00:27:49,840 --> 00:27:51,220 Gary, what are you doing? 482 00:27:51,320 --> 00:27:52,820 Don't leave me with this! 483 00:27:52,920 --> 00:27:54,740 - Don't leave me with this. - What are you doing? 484 00:27:54,840 --> 00:27:56,840 Gary. 485 00:27:57,280 --> 00:27:59,140 (GARY SOBS) 486 00:27:59,240 --> 00:28:01,660 You... (LAUGHS) 487 00:28:01,760 --> 00:28:03,260 You have to hear. 488 00:28:03,360 --> 00:28:05,840 You have to hear this. You have to hear this. 489 00:28:06,880 --> 00:28:09,380 - (KATE WHIMPERS) - I can't be here! 490 00:28:09,480 --> 00:28:11,820 I can't! I can't! 491 00:28:11,920 --> 00:28:13,340 - (KATE GASPS) - (GARY GURGLES) 492 00:28:13,440 --> 00:28:14,500 (HORRIFYING MUSIC) 493 00:28:14,600 --> 00:28:16,600 (LAUGHS) 494 00:28:21,040 --> 00:28:22,900 - (KATE GASPS) - (BODY THUDS) 495 00:28:23,000 --> 00:28:25,000 (GARY GURGLES) 496 00:28:26,600 --> 00:28:28,860 - (KATE WHIMPERS) - (GARY GURGLES) 497 00:28:28,960 --> 00:28:31,660 Ohhh! 498 00:28:31,760 --> 00:28:34,180 (KATE WHIMPERS) 499 00:28:34,280 --> 00:28:36,300 - What the... - ANTON: L-listen. 500 00:28:36,400 --> 00:28:39,820 He said there's a... a mining camp to the south. 501 00:28:39,920 --> 00:28:40,980 Can you walk? 502 00:28:41,080 --> 00:28:42,060 No. 503 00:28:42,160 --> 00:28:44,740 OK, go find a place to hide. 504 00:28:44,840 --> 00:28:46,700 - No. - I'll go and look for help. 505 00:28:46,800 --> 00:28:48,580 Wait! Here. 506 00:28:48,680 --> 00:28:50,060 No, no, no, no, please, please! 507 00:28:50,160 --> 00:28:52,580 - You'll be alright, yes. - Please, no. 508 00:28:52,680 --> 00:28:54,740 - Yes. Take it! - Please! (WHIMPERS) 509 00:28:54,840 --> 00:28:56,020 ANTON: I'll be back. 510 00:28:56,120 --> 00:28:58,120 I'll be back! 511 00:28:58,680 --> 00:29:01,060 (KATE SOBS) 512 00:29:01,160 --> 00:29:03,980 (INTENSE MUSIC) 513 00:29:04,080 --> 00:29:06,260 Oh, my God! 514 00:29:06,360 --> 00:29:09,440 (CRIES AND GROANS) 515 00:29:17,480 --> 00:29:19,480 (GROANS) 516 00:29:25,600 --> 00:29:29,140 (INTENSE MUSIC) 517 00:29:29,240 --> 00:29:31,340 (MUSIC FADES) 518 00:29:31,440 --> 00:29:34,040 - (INSECTS CHIRP) - (ANTON BREATHES HEAVILY) 519 00:29:39,200 --> 00:29:41,920 (UNSETTLING MUSIC) 520 00:29:48,920 --> 00:29:50,920 (GROANS) 521 00:29:53,680 --> 00:29:56,360 (GROANS) 522 00:30:00,680 --> 00:30:02,680 (ANTON GRUNTS) 523 00:30:05,280 --> 00:30:08,520 (ELECTRICAL PULSING) 524 00:30:18,920 --> 00:30:20,920 PAUL: I know why now. 525 00:30:22,720 --> 00:30:24,460 Why it was built. 526 00:30:24,560 --> 00:30:25,620 (SWITCH CLICKS) 527 00:30:25,720 --> 00:30:27,060 Why we're here. 528 00:30:27,160 --> 00:30:29,700 Genesis - "Come, let us build a city 529 00:30:29,800 --> 00:30:33,120 "with a tower that reaches for the heavens..." 530 00:30:35,400 --> 00:30:37,940 "..that we make a name for ourselves." 531 00:30:38,040 --> 00:30:42,680 (HIGH-PITCHED TONES) 532 00:30:47,400 --> 00:30:49,400 You'll see. 533 00:30:49,760 --> 00:30:51,760 You'll hear. 534 00:30:53,840 --> 00:30:55,920 And once you've heard... 535 00:30:57,160 --> 00:31:00,120 (UNEARTHLY VOCALISATIONS) 536 00:31:01,360 --> 00:31:03,360 (SOFTLY) It is in me. 537 00:31:04,080 --> 00:31:05,980 (UNEARTHLY SIGHING) 538 00:31:06,080 --> 00:31:09,140 (SACRED SONG) 539 00:31:09,240 --> 00:31:11,240 It is in me. 540 00:31:13,640 --> 00:31:16,400 Do you understand? I can feel it. 541 00:31:19,560 --> 00:31:23,260 For that is the sacrifice to see God. 542 00:31:23,360 --> 00:31:26,180 (UNSETTLING MUSIC) 543 00:31:26,280 --> 00:31:28,180 To know God. 544 00:31:28,280 --> 00:31:31,360 (SACRED SONG) 545 00:31:38,680 --> 00:31:43,480 Judges 13:22. 546 00:31:47,120 --> 00:31:49,020 "'We must surely die,' 547 00:31:49,120 --> 00:31:52,540 "said Manoah to his wife, 548 00:31:52,640 --> 00:31:55,660 "'for we have seen GOD!'" 549 00:31:55,760 --> 00:31:57,960 (TERRIFYING MUSIC) 550 00:32:02,360 --> 00:32:05,040 (KATE GRUNTS REPEATEDLY) 551 00:32:10,960 --> 00:32:13,400 - (SACRED SONG) - (KATE GRUNTS) 552 00:32:33,160 --> 00:32:36,400 - (SACRED SONG CONTINUES) - (STATIC THRUMS) 553 00:32:43,400 --> 00:32:45,180 (INTENSE MUSIC) 554 00:32:45,280 --> 00:32:48,780 (MUSIC FADES) 555 00:32:48,880 --> 00:32:52,020 (DISORIENTING SOUNDSCAPE) 556 00:32:52,120 --> 00:32:53,460 (KATE CRIES OUT) 557 00:32:53,560 --> 00:32:54,980 (MILLIE CHOKES) 558 00:32:55,080 --> 00:32:57,480 (FRIGHTENING MUSIC) 559 00:33:00,880 --> 00:33:03,800 (KATE BREATHES HEAVILY) 560 00:33:06,040 --> 00:33:08,460 (LAUGHS) I'm sorry. 561 00:33:08,560 --> 00:33:10,700 (MILLIE CHOKES) 562 00:33:10,800 --> 00:33:13,700 (KATE LAUGHS) Do you understand? 563 00:33:13,800 --> 00:33:15,140 I'm gonna live. 564 00:33:15,240 --> 00:33:17,400 (BREATHES HEAVILY) 565 00:33:25,840 --> 00:33:27,840 (CRIES OUT) 566 00:33:33,960 --> 00:33:36,440 I didn't want any of this. 567 00:33:37,840 --> 00:33:39,840 Sorry. I'm sorry. 568 00:33:43,200 --> 00:33:45,640 (WHIMPERS AND CHOKES) 569 00:33:58,680 --> 00:34:00,680 (WHIMPERS AND CHOKES) 570 00:34:03,280 --> 00:34:04,660 Ready to go home, sweetie? 571 00:34:04,760 --> 00:34:06,220 - Mm-hm. - (ALARM BEEPS) 572 00:34:06,320 --> 00:34:09,740 ANNOUNCEMENT: Code orange. All trauma staff to room 301. 573 00:34:09,840 --> 00:34:11,020 What... what's going on? 574 00:34:11,120 --> 00:34:12,940 Dad, stay with her. 575 00:34:13,040 --> 00:34:15,500 This is a code orange. 576 00:34:15,600 --> 00:34:17,260 MAN: Let's clear the hallways, ladies and gentlemen. 577 00:34:17,360 --> 00:34:20,340 - It's a code orange. - (ALARM BEEPS) 578 00:34:20,440 --> 00:34:22,180 MAN: Out of the way, everybody. This is an emergency. 579 00:34:22,280 --> 00:34:23,620 It's a code orange. Clear the hallways. 580 00:34:23,720 --> 00:34:25,420 - Excuse me, coming through. - MAN: Yep, Michelle, let's go. 581 00:34:25,520 --> 00:34:27,520 Yeah, let's keep moving. 582 00:34:30,480 --> 00:34:32,620 (GEORGIA GASPS) 583 00:34:32,720 --> 00:34:36,180 (MILLIE CHOKES) 584 00:34:36,280 --> 00:34:39,680 (BUTTONS BEEP) 585 00:34:40,960 --> 00:34:41,980 ELLE: Uh-huh, she's missing. 586 00:34:42,080 --> 00:34:44,400 My boss. Detective Inspector Millie Farah. 587 00:34:45,600 --> 00:34:47,420 Yes, that one. 588 00:34:47,520 --> 00:34:50,380 She went for a smoke outside the Fox and Lion pub. 589 00:34:50,480 --> 00:34:51,500 Copier's busted. 590 00:34:51,600 --> 00:34:53,060 You need a code. 591 00:34:53,160 --> 00:34:55,300 No, listen, she hasn't gone home. 592 00:34:55,400 --> 00:34:56,740 We've checked. 593 00:34:56,840 --> 00:34:57,820 I need a fuckin' what? 594 00:34:57,920 --> 00:35:00,300 We need as many units as you can manage. 595 00:35:00,400 --> 00:35:01,780 Did you know about this? 596 00:35:01,880 --> 00:35:04,420 Photocopiers need codes now. 597 00:35:04,520 --> 00:35:07,140 I do appreciate it's a difficult time of year, 598 00:35:07,240 --> 00:35:10,180 but can you just send some uniforms to do a canvass? 599 00:35:10,280 --> 00:35:12,780 Better than nothing. Thanks. 600 00:35:12,880 --> 00:35:15,300 {\an8}- We need to circulate this. - She'll be older. 601 00:35:15,400 --> 00:35:17,540 Oh, that's very astute of you. It's a reference. 602 00:35:17,640 --> 00:35:20,500 Just, OK, listen, cool it on the Kate Reynolds stuff for a sec. 603 00:35:20,600 --> 00:35:21,500 Why? 604 00:35:21,600 --> 00:35:22,540 ELLE: Because it's slim. 605 00:35:22,640 --> 00:35:24,660 It's a hunch. 606 00:35:24,760 --> 00:35:27,020 And because I'm trying to get people to take this seriously, 607 00:35:27,120 --> 00:35:28,580 and claiming that Millie's been taken 608 00:35:28,680 --> 00:35:31,660 by a woman everyone knows is dead is not gonna help. 609 00:35:31,760 --> 00:35:34,060 Kate Reynolds is alive. 610 00:35:34,160 --> 00:35:35,900 With the utmost of respect 611 00:35:36,000 --> 00:35:37,700 to both of your disgraced careers, 612 00:35:37,800 --> 00:35:40,580 you were institutionalised and you should be. 613 00:35:40,680 --> 00:35:42,620 There's no evidence that she's dead. 614 00:35:42,720 --> 00:35:45,060 Just because you can't prove that someone is dead 615 00:35:45,160 --> 00:35:46,540 doesn't make them alive. 616 00:35:46,640 --> 00:35:48,640 (ELLE SIGHS) 617 00:35:49,880 --> 00:35:51,100 (ELLE SIGHS) 618 00:35:51,200 --> 00:35:53,500 Hey, you can't fucking smoke in here! 619 00:35:53,600 --> 00:35:54,839 - GEORGIA: Oh, my God. - MAN: This just came through. 620 00:35:54,840 --> 00:35:55,740 ELLE: Thanks. 621 00:35:55,840 --> 00:35:58,680 I'm gonna look at the CCTV footage. 622 00:36:00,360 --> 00:36:03,700 God. It's like babysitting enormous toddlers. 623 00:36:03,800 --> 00:36:04,700 (FOOTSTEPS APPROACH) 624 00:36:04,800 --> 00:36:06,800 You OK, sweetie? 625 00:36:08,320 --> 00:36:10,940 - Where have you been? - How is she? 626 00:36:11,040 --> 00:36:13,120 She's in theatre. We haven't heard anything yet. 627 00:36:14,120 --> 00:36:16,120 Listen, I need to tell you something. 628 00:36:17,680 --> 00:36:21,240 In 1950, there was a ritual murder-suicide. 629 00:36:24,440 --> 00:36:26,560 CHARLIE: Uh, it's... not pretty. 630 00:36:27,560 --> 00:36:29,560 We'll know more soon. 631 00:36:30,040 --> 00:36:31,500 Right now, we've got all resources 632 00:36:31,600 --> 00:36:33,180 out looking for Kate Reynolds. 633 00:36:33,280 --> 00:36:34,740 She's covered in blood. She's alone. 634 00:36:34,840 --> 00:36:38,280 So, you know, we'll... uh, we'll find her. 635 00:36:42,640 --> 00:36:45,520 I just wanna know how the fuck this happened. 636 00:36:47,880 --> 00:36:49,880 Reynolds had help. 637 00:36:53,960 --> 00:36:55,980 This isn't one person, this is a group. 638 00:36:56,080 --> 00:36:59,160 - What are you talking about? - This is a occult group. 639 00:37:00,160 --> 00:37:03,340 In 1950, there was a woman named Harriet Clay, 640 00:37:03,440 --> 00:37:06,060 a ritual murder-suicide. 641 00:37:06,160 --> 00:37:07,900 It was the same thing as out at Parrish Station. 642 00:37:08,000 --> 00:37:08,980 The piles of stone. 643 00:37:09,080 --> 00:37:11,260 - 'The Bone Gospel'. - 'The Bone Gospel'?! 644 00:37:11,360 --> 00:37:13,340 I don't know what the connection is, but there will be one. 645 00:37:13,440 --> 00:37:14,780 (CHARLIE YELLS) Fuckin' hell! 646 00:37:14,880 --> 00:37:17,580 Farah might die. Do you understand that?! 647 00:37:17,680 --> 00:37:21,120 The kid might die and you're still on about this shit. 648 00:37:22,160 --> 00:37:23,940 And she's been slit from ear to ear 649 00:37:24,040 --> 00:37:25,380 by the woman you were so sure 650 00:37:25,480 --> 00:37:27,460 was just a victim of circumstance. 651 00:37:27,560 --> 00:37:28,940 And only you could see that, right? 652 00:37:29,040 --> 00:37:32,420 'Cause everyone else around you, all of us, we were too stupid. 653 00:37:32,520 --> 00:37:33,780 Is that right? 654 00:37:33,880 --> 00:37:35,880 Oh, the fuckin' arrogance on you. 655 00:37:40,440 --> 00:37:42,680 - If you want to find her... - What I want! 656 00:37:46,960 --> 00:37:48,960 I want you gone. 657 00:37:50,840 --> 00:37:52,840 Tony? 658 00:37:56,640 --> 00:37:58,640 I want you gone. 659 00:37:59,320 --> 00:38:00,500 Alright, you take Frankie 660 00:38:00,600 --> 00:38:02,740 and fuck off. 661 00:38:02,840 --> 00:38:04,340 (FOOTSTEPS RECEDE) 662 00:38:04,440 --> 00:38:06,440 TONY: Come on, love. Come on. 663 00:38:13,800 --> 00:38:15,300 So she takes the podcaster 664 00:38:15,400 --> 00:38:17,140 because he's spouting all this shit about her. 665 00:38:17,240 --> 00:38:19,100 ELLE: Bit of an overreaction, don't you think? 666 00:38:19,200 --> 00:38:20,860 He spouts shit about you on that podcast. 667 00:38:20,960 --> 00:38:22,980 Do you see yourself gutting him for that? 668 00:38:23,080 --> 00:38:24,820 No, but I'm not insane. 669 00:38:24,920 --> 00:38:27,580 Nine out of 10 doctors disagree. 670 00:38:27,680 --> 00:38:28,900 But why Finch and Wallace? 671 00:38:29,000 --> 00:38:32,580 I mean, why does she take a uni student 672 00:38:32,680 --> 00:38:34,880 and a 50-year-old con man? 673 00:38:36,080 --> 00:38:38,080 It's not her. 674 00:38:39,040 --> 00:38:42,660 Maybe there's some connection from her new life. 675 00:38:42,760 --> 00:38:44,780 She's gotta be doing something the last 37 years, right? 676 00:38:44,880 --> 00:38:46,880 GEORGIA: Yeah. 677 00:38:49,600 --> 00:38:52,200 Oh. You're over here now. 678 00:38:53,240 --> 00:38:55,240 Nice. 679 00:38:55,760 --> 00:38:57,300 Ooh. Wait there. 680 00:38:57,400 --> 00:38:59,400 - Just rewind that. - (MOUSE CLICKS) 681 00:39:00,280 --> 00:39:02,280 - Stop. - (MOUSE CLICKS) 682 00:39:03,640 --> 00:39:05,540 That van. 683 00:39:05,640 --> 00:39:07,140 You think Reynolds could have been using a van 684 00:39:07,240 --> 00:39:09,140 to move those people round? 685 00:39:09,240 --> 00:39:10,900 The time's correct. 686 00:39:11,000 --> 00:39:12,980 What's that on the side of the van? 687 00:39:13,080 --> 00:39:15,460 (UNSETTLING MUSIC) 688 00:39:15,560 --> 00:39:17,460 That's a street kitchen van from the church. 689 00:39:17,560 --> 00:39:19,260 I've been in it. 690 00:39:19,360 --> 00:39:21,580 I know who Kate Reynolds became. 691 00:39:21,680 --> 00:39:24,040 (SUSPENSEFUL MUSIC) 692 00:39:29,480 --> 00:39:31,720 (SUSPENSEFUL MUSIC CONTINUES) 693 00:39:35,840 --> 00:39:38,180 (FOOTSTEPS APPROACH) 694 00:39:38,280 --> 00:39:40,220 TONY: She's just gonna read one last chapter, love, 695 00:39:40,320 --> 00:39:42,320 but she's nearly down. 696 00:39:43,280 --> 00:39:46,260 Hey, I thought I might, uh, pop over to June's tonight. 697 00:39:46,360 --> 00:39:48,340 I don't have to if you need help with Frank or company... 698 00:39:48,440 --> 00:39:50,540 It's fine, go. 699 00:39:50,640 --> 00:39:53,780 Alright, well, just make sure you get some rest, eh? 700 00:39:53,880 --> 00:39:55,100 - Yeah. - Yeah? 701 00:39:55,200 --> 00:39:57,200 'Cause you're looking pretty wrecked, love. 702 00:39:59,600 --> 00:40:03,180 Hey, what Lockwood said at the hospital, I mean... 703 00:40:03,280 --> 00:40:04,540 - Dad. Dad! - He was angry. 704 00:40:04,640 --> 00:40:06,640 I'm fine. 705 00:40:10,080 --> 00:40:12,080 Yeah, righto, OK. 706 00:40:15,600 --> 00:40:17,600 (WHISPERS) Love you. 707 00:40:30,640 --> 00:40:32,640 (DOOR OPENS) 708 00:40:42,760 --> 00:40:44,760 GEORGIA: Hey. 709 00:40:45,280 --> 00:40:47,660 I'm sorry, Mum. 710 00:40:47,760 --> 00:40:49,760 Baby, what are you sorry about? 711 00:40:50,600 --> 00:40:52,780 Hey, you know that nothing that happened today - 712 00:40:52,880 --> 00:40:54,660 absolutely nothing of that - 713 00:40:54,760 --> 00:40:56,180 was your fault. 714 00:40:56,280 --> 00:40:58,280 I spoke to her. 715 00:40:58,840 --> 00:40:59,860 You spoke to who? 716 00:40:59,960 --> 00:41:02,160 The lady in the hospital. 717 00:41:03,800 --> 00:41:06,740 The lady... The lady that hurt Millie? 718 00:41:06,840 --> 00:41:09,220 (UNSETTLING MUSIC) 719 00:41:09,320 --> 00:41:11,460 Frankie? 720 00:41:11,560 --> 00:41:13,940 - Was it that lady? - I'm sorry. 721 00:41:14,040 --> 00:41:16,040 No, no, no, it's OK, you're not in trouble, but... 722 00:41:17,080 --> 00:41:19,080 Hey, this is important. 723 00:41:19,880 --> 00:41:21,880 What did you speak about? 724 00:41:25,840 --> 00:41:28,300 Frankie, what did you speak about? 725 00:41:28,400 --> 00:41:30,440 FRANKIE: She said she was going to be OK. 726 00:41:32,360 --> 00:41:34,500 Why was she gonna be OK? 727 00:41:34,600 --> 00:41:36,940 'Cause it... he was going to make her OK. 728 00:41:37,040 --> 00:41:39,980 He was going to fix her. She just had to get it out. 729 00:41:40,080 --> 00:41:41,620 Who was gonna fix her? 730 00:41:41,720 --> 00:41:43,820 The man with the special book. 731 00:41:43,920 --> 00:41:47,080 (SUSPENSEFUL MUSIC) 732 00:41:53,480 --> 00:41:55,480 Where are we going? 733 00:41:59,600 --> 00:42:01,600 Are we going to see the lady? 734 00:42:04,240 --> 00:42:06,260 I don't want to see the lady. 735 00:42:06,360 --> 00:42:08,360 She's wrong. 736 00:42:09,920 --> 00:42:11,920 Yeah, why is that, poss? 737 00:42:24,960 --> 00:42:26,700 (ENGINE STOPS) 738 00:42:26,800 --> 00:42:28,180 (HANDBRAKE ENGAGES) 739 00:42:28,280 --> 00:42:30,060 (KEYS JANGLE) 740 00:42:30,160 --> 00:42:32,160 You're gonna stay in the car, OK? 741 00:42:33,640 --> 00:42:35,640 Promise me. 742 00:42:37,040 --> 00:42:42,680 OK, I've got 11:29 and 34, 35, 36. 743 00:42:43,720 --> 00:42:46,240 You got that? OK. 744 00:42:51,240 --> 00:42:52,460 (CAR DOOR THUDS) 745 00:42:52,560 --> 00:42:55,680 (UNSETTLING MUSIC) 746 00:43:01,480 --> 00:43:02,700 (DOORBELL CHIMES) 747 00:43:02,800 --> 00:43:04,800 (KNOCKS) 748 00:43:13,080 --> 00:43:15,840 (UNSETTLING MUSIC) 749 00:43:31,960 --> 00:43:35,200 (INDISTINCT VOICES IN DISTANCE) 750 00:43:39,640 --> 00:43:43,100 (WOMAN WAILS) 751 00:43:43,200 --> 00:43:46,960 (MAN INTONES) 752 00:43:48,840 --> 00:43:52,440 - (OTHERS JOIN IN CHANT) - (WOMAN SOBS) 753 00:43:53,760 --> 00:43:58,160 - (CHANT CONTINUES) - (WOMAN WAILS) 754 00:43:59,880 --> 00:44:02,640 - (CHANT CONTINUES) - (WOMAN WAILS) 755 00:44:05,360 --> 00:44:07,360 (KATE WAILS) 756 00:44:08,720 --> 00:44:11,440 - (CHANT CONTINUES) - (KATE WAILS) 757 00:44:13,600 --> 00:44:14,980 Let her go! 758 00:44:15,080 --> 00:44:19,020 (CHANT CONTINUES) 759 00:44:19,120 --> 00:44:20,300 Let her go! 760 00:44:20,400 --> 00:44:21,420 KATE: Kill me! 761 00:44:21,520 --> 00:44:24,500 (SOBS) You have to kill me! 762 00:44:24,600 --> 00:44:27,340 - (KATE WAILS) - Let her go! 763 00:44:27,440 --> 00:44:29,920 (CHANT CONTINUES) 764 00:44:31,440 --> 00:44:35,020 - (KATE SCREAMS) - (CHANT CONTINUES) 765 00:44:35,120 --> 00:44:36,700 - (GUNSHOT) - (CHANTS STOP) 766 00:44:36,800 --> 00:44:39,280 (KATE WAILS) 767 00:44:42,520 --> 00:44:44,420 (KATE SCREAMS) 768 00:44:44,520 --> 00:44:48,540 (CALLUM INTONES) 769 00:44:48,640 --> 00:44:50,140 Go home, Cooke. 770 00:44:50,240 --> 00:44:52,240 This is not for you. 771 00:44:53,000 --> 00:44:54,020 Go home. 772 00:44:54,120 --> 00:44:58,440 Arggh! 773 00:45:00,680 --> 00:45:02,700 (FIRES TWO SHOTS) 774 00:45:02,800 --> 00:45:03,700 (CALLUM GROANS) 775 00:45:03,800 --> 00:45:06,120 (KATE WAILS) 776 00:45:07,480 --> 00:45:08,740 FRANKIE: Mum? 777 00:45:08,840 --> 00:45:09,940 (GEORGIA GASPS) 778 00:45:10,040 --> 00:45:12,380 (DISTURBING MUSIC) 779 00:45:12,480 --> 00:45:14,100 - Ugh! - Mum! 780 00:45:14,200 --> 00:45:15,900 Get the child! 781 00:45:16,000 --> 00:45:18,640 Bring me the child! 782 00:45:34,760 --> 00:45:37,520 (DISTURBING MUSIC) 783 00:45:51,760 --> 00:45:54,200 (ANTON GASPS AND GROANS) 784 00:45:56,400 --> 00:45:58,440 (CHOKES) 785 00:46:01,320 --> 00:46:03,460 (GRUNTS) 786 00:46:03,560 --> 00:46:05,560 (GRUNTS) 787 00:46:08,440 --> 00:46:10,920 (GASPS) 788 00:46:17,360 --> 00:46:19,760 (UNSETTLING MUSIC) 789 00:46:26,960 --> 00:46:29,100 (COUGHS WEAKLY) 790 00:46:29,200 --> 00:46:32,360 (DISTURBING MUSIC) 791 00:46:47,280 --> 00:46:49,280 (GRUNTS) 792 00:46:52,760 --> 00:46:56,560 Arggh! 793 00:46:58,320 --> 00:47:02,240 (CRIES OUT) 794 00:47:04,520 --> 00:47:07,840 (MILLIE WHEEZES AND GROANS) 795 00:47:13,360 --> 00:47:16,140 (GROANS) 796 00:47:16,240 --> 00:47:19,740 (YELLS) 797 00:47:19,840 --> 00:47:21,840 (MILLIE'S YELL ECHOES) 798 00:47:23,720 --> 00:47:26,440 (ENIGMATIC MUSIC) 799 00:47:51,960 --> 00:47:54,320 (UNSETTLING MUSIC) 800 00:48:28,600 --> 00:48:29,520 (DISTURBING MUSIC) 801 00:48:29,570 --> 00:48:34,120 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 53053

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