All language subtitles for The Killings at Parrish Station s01e03 Moorland.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,440 --> 00:00:09,620 GEORGIA: Are we entirely convinced it was Reynolds? 2 00:00:09,720 --> 00:00:10,940 CHARLIE: She's with the shrink now. 3 00:00:11,040 --> 00:00:12,820 Until we get that psych report back, 4 00:00:12,920 --> 00:00:14,260 Reynolds is off-limits. 5 00:00:14,360 --> 00:00:15,260 (HORNS HONK) 6 00:00:15,360 --> 00:00:16,460 - (TYRES SKID) - (THUDDING) 7 00:00:16,560 --> 00:00:17,980 Can we build my Christmas present? 8 00:00:18,080 --> 00:00:20,020 GEORGIA: Yes, but not right now. I'm on my way out. 9 00:00:20,120 --> 00:00:21,260 MR COLMAN: 'The Bone Gospel'. 10 00:00:21,360 --> 00:00:23,340 - Do you have a copy? - It doesn't exist. 11 00:00:23,440 --> 00:00:24,780 MICHAEL: Callum Parrish is here. 12 00:00:24,880 --> 00:00:26,460 GEORGIA: Thank you for coming in today, Dr Faine. 13 00:00:26,560 --> 00:00:28,300 We wanted to get a better understanding 14 00:00:28,400 --> 00:00:29,700 of the personnel out there. 15 00:00:29,800 --> 00:00:33,060 How many people know that story to be complete bullshit? 16 00:00:33,160 --> 00:00:34,820 He just needs to take the money. 17 00:00:34,920 --> 00:00:36,460 Or you'll ruin my career. 18 00:00:36,560 --> 00:00:38,420 I'll ruin your entire life. 19 00:00:38,520 --> 00:00:40,220 MILLIE: We've got an active serial killer. 20 00:00:40,320 --> 00:00:43,700 This is someone who was very close to the '87 investigation. 21 00:00:43,800 --> 00:00:45,620 DAMIEN: Let me out! 22 00:00:45,720 --> 00:00:47,700 Oh, fuck. No, no, no, no, no. Hey, listen! 23 00:00:47,800 --> 00:00:49,060 - (SUSPENSEFUL MUSIC) - (MAN GASPS) 24 00:00:49,160 --> 00:00:50,180 - Oh! - (MAN WAILS) 25 00:00:50,280 --> 00:00:51,660 (GUNSHOT) 26 00:00:51,760 --> 00:00:53,180 (SCREAMS) 27 00:00:53,280 --> 00:00:54,500 (SCREAM ECHOES) 28 00:00:54,600 --> 00:00:56,840 (DARK MUSIC) 29 00:01:22,440 --> 00:01:24,440 (GRUNTS) 30 00:01:32,120 --> 00:01:34,260 - (GUNSHOT) - Fuck! Oh, fuck. 31 00:01:34,360 --> 00:01:35,540 (DOG BARKS IN DISTANCE) 32 00:01:35,640 --> 00:01:36,660 (MICHAEL GRUNTS) 33 00:01:36,760 --> 00:01:39,440 (TENSE MUSIC) 34 00:01:41,000 --> 00:01:44,620 Delta 2-6, attending a domestic at 90 Swinson Road, Moorland. 35 00:01:44,720 --> 00:01:46,300 Male party armed and threatening occupants. 36 00:01:46,400 --> 00:01:47,940 Shots fired. I repeat, shots fired. 37 00:01:48,040 --> 00:01:49,740 Request urgent backup and tac team. Over. 38 00:01:49,840 --> 00:01:52,940 POLICE RADIO: Copy that. Remain in position. Do not engage... 39 00:01:53,040 --> 00:01:54,140 Brendan! 40 00:01:54,240 --> 00:01:55,300 Over. 41 00:01:55,400 --> 00:01:56,860 It's just you and me. 42 00:01:56,960 --> 00:01:58,260 Be good to talk this out, mate. 43 00:01:58,360 --> 00:01:59,860 - What do you reckon? - (GUNSHOT RICOCHETS) 44 00:01:59,960 --> 00:02:02,640 She's not taking my fucking kids. 45 00:02:04,080 --> 00:02:06,080 I understand that, Brendan. 46 00:02:07,600 --> 00:02:09,580 Uh, I...I've been there myself. 47 00:02:09,680 --> 00:02:11,680 I get it. 48 00:02:12,480 --> 00:02:14,480 (TENSE MUSIC) 49 00:02:15,720 --> 00:02:17,720 MICHAEL: I see you're a brickie. 50 00:02:18,240 --> 00:02:21,560 Got your own business. You're a provider. 51 00:02:22,560 --> 00:02:24,980 Long days, coming home, bone-tired, 52 00:02:25,080 --> 00:02:26,540 but we do it, don't we? 53 00:02:26,640 --> 00:02:27,860 - (SCOFFS) - MICHAEL: For them. 54 00:02:27,960 --> 00:02:29,060 And then what happens? 55 00:02:29,160 --> 00:02:30,460 The courts tell us we don't count. 56 00:02:30,560 --> 00:02:32,560 We're not the primary caregiver. 57 00:02:35,120 --> 00:02:37,780 But we do care. Don't we, Brendan? 58 00:02:37,880 --> 00:02:40,840 And because we care, we've got to talk this out, mate, OK? 59 00:02:42,000 --> 00:02:44,000 You and me, we've got the same job here. 60 00:02:45,040 --> 00:02:46,740 To keep everyone safe. 61 00:02:46,840 --> 00:02:49,720 (WOMAN CRIES INSIDE) 62 00:02:56,400 --> 00:02:57,860 (SIGHS) 63 00:02:57,960 --> 00:02:59,960 That's what I'm gonna do. 64 00:03:00,800 --> 00:03:02,800 (TENSE MUSIC BUILDS) 65 00:03:11,200 --> 00:03:13,200 I've put my gun away. 66 00:03:14,080 --> 00:03:16,680 I'm trusting you're gonna to do the same. 67 00:03:19,120 --> 00:03:21,480 Yeah? Can we make that deal? 68 00:03:27,520 --> 00:03:29,520 I'm gonna come in now. 69 00:03:30,320 --> 00:03:31,860 Nice and slow. 70 00:03:31,960 --> 00:03:34,040 (TENSE MUSIC) 71 00:03:53,040 --> 00:03:55,040 (DOOR CREAKS) 72 00:04:00,280 --> 00:04:02,280 Brendan? 73 00:04:03,400 --> 00:04:05,380 Mate? 74 00:04:05,480 --> 00:04:07,480 (SCREEN DOOR SLAMS) 75 00:04:11,720 --> 00:04:13,140 Brendan, I've gotta know where you are. 76 00:04:13,240 --> 00:04:14,380 (UNEASY MUSIC) 77 00:04:14,480 --> 00:04:16,480 I've gotta know everyone's safe. 78 00:04:17,360 --> 00:04:19,360 (FAINT THUDDING) 79 00:04:29,160 --> 00:04:30,300 (DOG BARKS FEROCIOUSLY) 80 00:04:30,400 --> 00:04:31,900 (DOG SCRATCHES DOOR) 81 00:04:32,000 --> 00:04:33,980 (DOG BARKS) 82 00:04:34,080 --> 00:04:36,080 (FAINT THUDDING) 83 00:04:37,360 --> 00:04:39,360 Come on, mate, talk to me. 84 00:04:42,440 --> 00:04:44,440 Tell me about those kids of yours. 85 00:04:45,400 --> 00:04:47,400 Better yet, I'd like to meet 'em. 86 00:04:50,560 --> 00:04:52,180 Why don't we all just sit down together 87 00:04:52,280 --> 00:04:53,620 and we'll figure this out. 88 00:04:53,720 --> 00:04:55,720 Yeah? 89 00:04:58,120 --> 00:05:02,580 Brendan, I've gotta know that everyone is OK, yeah? 90 00:05:02,680 --> 00:05:04,300 Then we can talk. 91 00:05:04,400 --> 00:05:06,140 - (ROBOT WHIRRS) - (GUNSHOT) 92 00:05:06,240 --> 00:05:08,060 - (BODY THUDS) - (DOG BARKS) 93 00:05:08,160 --> 00:05:10,020 (DRAMATIC MUSIC) 94 00:05:10,120 --> 00:05:11,020 No. 95 00:05:11,120 --> 00:05:12,260 (DOG BARKS) 96 00:05:12,360 --> 00:05:14,360 No, no, no, no, no. 97 00:05:14,960 --> 00:05:16,140 What have you done? 98 00:05:16,240 --> 00:05:19,040 (TENSE MUSIC) 99 00:05:20,040 --> 00:05:21,700 What the fuck have you done?! 100 00:05:21,800 --> 00:05:23,100 (TENSE MUSIC BUILDS) 101 00:05:23,200 --> 00:05:25,200 (COCKS RIFLE) 102 00:05:27,160 --> 00:05:28,420 (GUNSHOTS) 103 00:05:28,520 --> 00:05:29,580 (BODY THUDS) 104 00:05:29,680 --> 00:05:32,000 (DOG BARKS) 105 00:05:34,240 --> 00:05:37,040 (GROANS) 106 00:05:39,960 --> 00:05:42,300 (ROBOT WHIRRS) 107 00:05:42,400 --> 00:05:44,060 (GRIM MUSIC) 108 00:05:44,160 --> 00:05:46,160 (SIRENS WAIL IN DISTANCE) 109 00:05:48,560 --> 00:05:49,860 (SIRENS ECHO) 110 00:05:49,960 --> 00:05:52,040 (MYSTERIOUS MUSIC) 111 00:06:00,760 --> 00:06:02,800 {\an8}(UNEASY MUSIC) 112 00:06:17,680 --> 00:06:19,680 (DOOR OPENS) 113 00:06:28,160 --> 00:06:29,140 (SIGHS) 114 00:06:29,240 --> 00:06:30,420 (TURNS KEY) 115 00:06:30,520 --> 00:06:32,520 (ENGINE STARTS) 116 00:06:37,680 --> 00:06:39,680 (DOOR CLOSES) 117 00:06:43,760 --> 00:06:45,840 (INDISTINCT POLICE RADIO CHATTER) 118 00:06:48,160 --> 00:06:50,160 GEORGIA: Team's on the way. 119 00:06:52,160 --> 00:06:54,160 I'm done, aren't I? 120 00:06:54,760 --> 00:06:56,840 I told you not to shoot. I said that. 121 00:06:58,160 --> 00:07:00,160 I thought he was gonna kill you. 122 00:07:06,520 --> 00:07:07,620 Farah... 123 00:07:07,720 --> 00:07:10,420 I'm sorry. I'm so sorry I messed up. 124 00:07:10,520 --> 00:07:12,520 GEORGIA: Listen. 125 00:07:13,160 --> 00:07:15,460 We'll make sure you're OK after this, yeah? 126 00:07:15,560 --> 00:07:17,560 A proper debrief. 127 00:07:22,800 --> 00:07:24,800 CHARLIE OVER RADIO: Hey, Mick. 128 00:07:25,400 --> 00:07:27,400 Mick, you there? 129 00:07:33,040 --> 00:07:35,040 Yeah, Charlie, go ahead. 130 00:07:35,680 --> 00:07:36,780 I'll need you tonight, mate. 131 00:07:36,880 --> 00:07:38,960 Got a, uh, bit of a situation here. 132 00:07:42,600 --> 00:07:44,600 Yeah, Charlie, I'm not feeling so hot. 133 00:07:45,600 --> 00:07:47,820 Millie Farah's gone and shot someone in the head, 134 00:07:47,920 --> 00:07:51,120 so, mate, I need you to give her a pep talk. 135 00:07:52,120 --> 00:07:54,120 Copy. 136 00:07:56,240 --> 00:07:58,240 Shit! 137 00:07:58,680 --> 00:08:00,980 I...I don't know what I could have done different. 138 00:08:01,080 --> 00:08:04,180 I made a call. Isn't that what we're meant to do? 139 00:08:04,280 --> 00:08:06,940 It is. It is. 140 00:08:07,040 --> 00:08:09,980 - (ROCK MUSIC PLAYS) - (PATRONS CHATTER) 141 00:08:10,080 --> 00:08:13,300 Listen, Farah, if I was short with you before, I'm... 142 00:08:13,400 --> 00:08:15,580 ...I'm sorry, I... 143 00:08:15,680 --> 00:08:17,840 CHARLIE: Farah! Here's Mick. 144 00:08:18,840 --> 00:08:20,840 Mick, do you wanna... 145 00:08:21,600 --> 00:08:23,600 Huh? 146 00:08:24,280 --> 00:08:26,280 - Tell her the... - Oh. 147 00:08:27,600 --> 00:08:29,720 MICHAEL: Yeah, it's, uh... 148 00:08:31,880 --> 00:08:33,880 ...pretty fucked. 149 00:08:37,720 --> 00:08:40,140 CHARLIE: Alright, let's drink. 150 00:08:40,240 --> 00:08:42,260 This is what she was quoting. 151 00:08:42,360 --> 00:08:45,220 Reynolds. This 19th-century novel. 152 00:08:45,320 --> 00:08:48,260 'Llangnall Tower'. And you know what it's about, Charlie? 153 00:08:48,360 --> 00:08:50,940 It's about a group of religious fanatics that build a tower. 154 00:08:51,040 --> 00:08:51,940 A tower! 155 00:08:52,040 --> 00:08:54,040 How's Frankie? 156 00:08:54,600 --> 00:08:56,860 What? She's fine. I'm not talking about Frankie. 157 00:08:56,960 --> 00:08:58,540 Yeah, I'm talking about Frankie. 158 00:08:58,640 --> 00:08:59,860 How's your daughter? 159 00:08:59,960 --> 00:09:01,860 I mean, Carrick's a prick, but, you know, 160 00:09:01,960 --> 00:09:04,260 what he said about you taking some time, that might not be... 161 00:09:04,360 --> 00:09:06,360 She's fine. 162 00:09:09,280 --> 00:09:11,380 - It all happened so fast. - Uh-huh. 163 00:09:11,480 --> 00:09:12,980 Like that. (SNAPS FINGERS) 164 00:09:13,080 --> 00:09:13,980 - You know? - Mm. 165 00:09:14,080 --> 00:09:16,080 Like that. (SNAPS FINGERS) 166 00:09:16,680 --> 00:09:18,380 I...I thought I could talk to you about it 167 00:09:18,480 --> 00:09:20,180 because of, you know... 168 00:09:20,280 --> 00:09:22,280 ...'cause of Moorland. 169 00:09:22,840 --> 00:09:24,840 Ah. 170 00:09:25,680 --> 00:09:28,580 So... what did you do? 171 00:09:28,680 --> 00:09:30,900 How did you deal with it? 172 00:09:31,000 --> 00:09:33,260 'Cause I just keep playing it like a movie 173 00:09:33,360 --> 00:09:35,360 over and over in my head. 174 00:09:36,520 --> 00:09:40,160 I mean, what do I do with that? 175 00:09:41,200 --> 00:09:44,960 The thing about that movie is that you made it. 176 00:09:47,240 --> 00:09:49,340 So you can do whatever you want with it. 177 00:09:49,440 --> 00:09:51,440 Make it as good as you can. 178 00:09:52,280 --> 00:09:54,780 - It wasn't good, Mick. - So change it. It's your movie. 179 00:09:54,880 --> 00:09:56,380 I just can't pretend that... 180 00:09:56,480 --> 00:09:59,080 Find a way to tell yourself a story that you can live with. 181 00:10:00,880 --> 00:10:03,640 And then... just keep telling it. 182 00:10:07,200 --> 00:10:09,200 See you tomorrow. 183 00:10:13,560 --> 00:10:15,560 Back on the horse, yeah? 184 00:10:16,560 --> 00:10:18,560 Yeah. 185 00:10:20,080 --> 00:10:22,560 - (ENIGMATIC MUSIC) - (ENGINE REVS) 186 00:10:31,240 --> 00:10:33,240 (KEYS JANGLE) 187 00:10:46,680 --> 00:10:48,680 (KEYS CLINK) 188 00:11:02,840 --> 00:11:04,840 (WHISPERS) Hey. 189 00:11:05,200 --> 00:11:07,140 Possum. 190 00:11:07,240 --> 00:11:08,620 I'm sorry I'm late. 191 00:11:08,720 --> 00:11:10,540 Do you want to make the model? 192 00:11:10,640 --> 00:11:12,640 Yeah? 193 00:11:13,160 --> 00:11:14,220 Come on. 194 00:11:14,320 --> 00:11:15,580 Come on, sleepyhead. 195 00:11:15,680 --> 00:11:17,680 Come on. 196 00:11:19,360 --> 00:11:21,500 Do you think planets can talk to each other? 197 00:11:21,600 --> 00:11:23,420 GEORGIA: That's a good question. 198 00:11:23,520 --> 00:11:24,540 What do you think? 199 00:11:24,640 --> 00:11:25,940 I think they tell lots of jokes 200 00:11:26,040 --> 00:11:27,540 so they don't get sad in the dark. 201 00:11:27,640 --> 00:11:28,820 (GEORGIA CHUCKLES SOFTLY) 202 00:11:28,920 --> 00:11:30,920 Have you got any jokes for me? 203 00:11:31,680 --> 00:11:33,380 Why did the cow want to be an astronaut? 204 00:11:33,480 --> 00:11:34,420 Why? 205 00:11:34,520 --> 00:11:36,340 So it could visit the moooon. 206 00:11:36,440 --> 00:11:37,340 (GEORGIA LAUGHS) 207 00:11:37,440 --> 00:11:39,440 Don't wake Poppy. 208 00:11:44,360 --> 00:11:48,340 Frankie, do you think about your dad very much? 209 00:11:48,440 --> 00:11:50,440 (WISTFUL MUSIC) 210 00:11:53,320 --> 00:11:55,320 You know, it's OK if you miss him. 211 00:11:56,200 --> 00:11:58,200 I miss him. 212 00:12:00,200 --> 00:12:01,100 Frank? 213 00:12:01,200 --> 00:12:03,280 TONY: It might be time for bed, eh? 214 00:12:05,760 --> 00:12:07,500 - (BRUSH CLINKS) - Poppy's right. It's bedtime. 215 00:12:07,600 --> 00:12:09,820 I think you'll find Poppy's always right. 216 00:12:09,920 --> 00:12:11,140 Easy. 217 00:12:11,240 --> 00:12:13,420 Come here. 218 00:12:13,520 --> 00:12:15,520 Goodnight, possum. 219 00:12:16,560 --> 00:12:17,900 She needs sleep. 220 00:12:18,000 --> 00:12:19,060 Hey... 221 00:12:19,160 --> 00:12:21,160 ...so do you. 222 00:12:28,120 --> 00:12:30,120 (INTRIGUING MUSIC) 223 00:12:40,120 --> 00:12:42,120 (SIGHS) 224 00:12:44,040 --> 00:12:46,800 (DARK MUSIC BUILDS) 225 00:12:49,280 --> 00:12:51,280 (DARK MUSIC INTENSIFIES) 226 00:12:56,680 --> 00:12:58,680 (DARK MUSIC FADES) 227 00:13:00,640 --> 00:13:02,640 (SIGHS) 228 00:13:04,920 --> 00:13:06,940 Oh, that was messed up. 229 00:13:07,040 --> 00:13:09,760 No wonder you threw up in the cop shop the next day. 230 00:13:11,120 --> 00:13:13,120 Don't smoke in the house. 231 00:13:13,680 --> 00:13:15,860 "Don't smoke in the car, don't smoke in the house." 232 00:13:15,960 --> 00:13:18,260 You ready to go? We might have something. 233 00:13:18,360 --> 00:13:21,720 - Young guy, missing 32 hours. - (KEYS CLINK) 234 00:13:23,320 --> 00:13:25,320 What's the connection? 235 00:13:26,920 --> 00:13:28,920 (FOOTSTEPS RECEDE) 236 00:13:30,080 --> 00:13:32,080 (SIGHS) 237 00:13:36,720 --> 00:13:41,540 And this podcast with Damien Tovey's called...'Crime Sluts'? 238 00:13:41,640 --> 00:13:42,540 Mm-hmm. 239 00:13:42,640 --> 00:13:43,820 Why? 240 00:13:43,920 --> 00:13:46,820 Well, it's sort of semi-ironic. 241 00:13:46,920 --> 00:13:49,700 I'm sorry, is this show just about the Parrish case? 242 00:13:49,800 --> 00:13:52,300 They actually do a range of true crime. 243 00:13:52,400 --> 00:13:55,960 Australian, international, and some historical ones. 244 00:13:58,120 --> 00:13:59,540 I have a long commute. 245 00:13:59,640 --> 00:14:01,660 KAYLA: Look, I told her everything. 246 00:14:01,760 --> 00:14:03,580 Is there someone out there looking for him? 247 00:14:03,680 --> 00:14:05,420 Because this is not like Damien. 248 00:14:05,520 --> 00:14:07,340 You were doing a series about the Parrish Station killings 249 00:14:07,440 --> 00:14:09,100 at the time he went missing, is that right? 250 00:14:09,200 --> 00:14:11,200 Yeah, we were. 251 00:14:11,960 --> 00:14:13,420 Holy shit. 252 00:14:13,520 --> 00:14:15,340 You're Millie Farah. 253 00:14:15,440 --> 00:14:16,940 And you... 254 00:14:17,040 --> 00:14:19,040 Are you Georgia Cooke? 255 00:14:20,040 --> 00:14:21,060 Oh, you don't understand. 256 00:14:21,160 --> 00:14:22,540 I've been trying for months 257 00:14:22,640 --> 00:14:24,340 to get someone who's actually involved on tape. 258 00:14:24,440 --> 00:14:25,500 Everyone else said no. 259 00:14:25,600 --> 00:14:27,020 Who'd you approach? 260 00:14:27,120 --> 00:14:28,660 Well, you, actually. 261 00:14:28,760 --> 00:14:32,180 Your doctor shut that down, which I totally respect. 262 00:14:32,280 --> 00:14:33,700 - Can I record? - No. 263 00:14:33,800 --> 00:14:36,420 Absolutely. Uh, but then I tried you. 264 00:14:36,520 --> 00:14:38,580 But the media department dodged my calls. 265 00:14:38,680 --> 00:14:40,580 And then there was your daughter, but that didn't go... 266 00:14:40,680 --> 00:14:41,700 You contacted my daughter? 267 00:14:41,800 --> 00:14:43,340 She was just a kid when Parrish happened. 268 00:14:43,440 --> 00:14:45,060 Uh, totally. We never spoke. 269 00:14:45,160 --> 00:14:46,980 Are we still allowed to beat people up in here? 270 00:14:47,080 --> 00:14:48,300 KAYLA: Oh, Michael Thorne. 271 00:14:48,400 --> 00:14:50,580 Oh, but that did not go so well. (CHUCKLES) 272 00:14:50,680 --> 00:14:52,540 You've spoken to Michael Thorne? When was that? 273 00:14:52,640 --> 00:14:55,300 Well, Damien did. It was, like, a month ago. 274 00:14:55,400 --> 00:14:57,620 You said it didn't go well. What happened? 275 00:14:57,720 --> 00:14:59,020 With Thorne? I don't know. 276 00:14:59,120 --> 00:15:01,900 D just said, like, he was cross at being contacted. 277 00:15:02,000 --> 00:15:03,460 He yelled at him a whole bunch. 278 00:15:03,560 --> 00:15:06,260 Oh, and he called him a bottom-feeding parasite, 279 00:15:06,360 --> 00:15:08,260 which at first I thought was, like, a slur. 280 00:15:08,360 --> 00:15:10,500 But I think it is just something that people say. 281 00:15:10,600 --> 00:15:11,980 Just, uh, give us a sec. 282 00:15:12,080 --> 00:15:14,080 (TENSE MUSIC) 283 00:15:20,520 --> 00:15:22,100 So we're looking for someone 284 00:15:22,200 --> 00:15:25,180 who was involved in the Parrish investigations in '87. 285 00:15:25,280 --> 00:15:26,660 Now we've got a missing person 286 00:15:26,760 --> 00:15:28,740 that Mick Thorne had a run-in with a month ago. 287 00:15:28,840 --> 00:15:30,460 What, do you think Mick's the killer? 288 00:15:30,560 --> 00:15:33,140 When he left the cops, he went to work for Callum Parrish. 289 00:15:33,240 --> 00:15:35,500 I mean, he was doing some pretty dodgy stuff. 290 00:15:35,600 --> 00:15:38,220 Would anyone even know where to find him? 291 00:15:38,320 --> 00:15:40,680 Callum Parrish might. 292 00:15:44,080 --> 00:15:46,480 (MYSTERIOUS MUSIC) 293 00:16:02,920 --> 00:16:04,920 MILLIE: Where is he? 294 00:16:16,280 --> 00:16:18,280 (MILLIE SIGHS) 295 00:16:23,360 --> 00:16:24,540 You OK? 296 00:16:24,640 --> 00:16:26,640 Yeah, I'm fine. 297 00:16:27,600 --> 00:16:28,500 (CANE THUDS) 298 00:16:28,600 --> 00:16:31,040 (UNEASY MUSIC) 299 00:16:39,920 --> 00:16:42,280 (CANE THUDS) 300 00:16:46,520 --> 00:16:47,940 Hello, Callum. 301 00:16:48,040 --> 00:16:50,040 Mr Parrish. 302 00:16:51,320 --> 00:16:52,620 (CALLUM SCOFFS LIGHTLY) 303 00:16:52,720 --> 00:16:55,060 Let's deal with the elephant in the room, shall we? 304 00:16:55,160 --> 00:16:58,160 Georgia, I forgive you. 305 00:16:59,200 --> 00:17:01,200 And I'm sorry. 306 00:17:02,360 --> 00:17:03,700 For what exactly? 307 00:17:03,800 --> 00:17:06,180 You don't think we could have acquitted ourselves better 308 00:17:06,280 --> 00:17:08,280 back then? 309 00:17:08,640 --> 00:17:13,140 That's probably true. Maybe we've both mellowed since then. 310 00:17:13,240 --> 00:17:14,380 (CHUCKLES) Yeah. 311 00:17:14,480 --> 00:17:17,320 You've certainly fared far better than I have. 312 00:17:18,440 --> 00:17:20,440 So, to business. 313 00:17:23,800 --> 00:17:25,940 You want to talk about Michael Thorne. 314 00:17:26,040 --> 00:17:27,060 (PEN CLICKS) 315 00:17:27,160 --> 00:17:29,980 Does, uh... Does he still work for you? 316 00:17:30,080 --> 00:17:33,220 No, no, no. We parted ways years ago. 317 00:17:33,320 --> 00:17:35,420 2018, I think. 318 00:17:35,520 --> 00:17:37,460 He worked for you for 30 years? 319 00:17:37,560 --> 00:17:40,220 CALLUM: He did. And he was mostly happy. 320 00:17:40,320 --> 00:17:43,700 He had a purpose, and purpose is good. 321 00:17:43,800 --> 00:17:45,060 Why did he leave? 322 00:17:45,160 --> 00:17:47,940 Well, it wasn't really his choice. 323 00:17:48,040 --> 00:17:51,260 He drank, which I don't have a problem with, broadly, 324 00:17:51,360 --> 00:17:53,180 but it became excessive. 325 00:17:53,280 --> 00:17:55,280 He became unstable. 326 00:17:58,240 --> 00:18:00,780 May I ask why the interest? 327 00:18:00,880 --> 00:18:03,620 (UNSETTLING MUSIC) 328 00:18:03,720 --> 00:18:06,300 We have some questions in relation to... (VOICE FADES) 329 00:18:06,400 --> 00:18:08,400 (DISTURBING MUSIC) 330 00:18:15,760 --> 00:18:17,540 - Mum? - WOMAN: You have to kill me! 331 00:18:17,640 --> 00:18:19,660 How's your daughter, Georgia? 332 00:18:19,760 --> 00:18:20,860 (DISTURBING MUSIC FADES) 333 00:18:20,960 --> 00:18:22,960 Georgia, you OK? 334 00:18:25,040 --> 00:18:27,040 Georgia? 335 00:18:29,040 --> 00:18:31,040 Oh, I've got to go. 336 00:18:31,400 --> 00:18:33,400 (UNSETTLING MUSIC) 337 00:18:41,240 --> 00:18:43,240 (UNSETTLING MUSIC CONTINUES) 338 00:18:58,640 --> 00:19:00,780 (FLESH SQUELCHES) 339 00:19:00,880 --> 00:19:02,880 (FLESH SQUELCHES) 340 00:19:16,520 --> 00:19:18,940 Excuse me. I'm looking for Kate Reynolds. 341 00:19:19,040 --> 00:19:21,040 She's in the room down there. 342 00:19:21,960 --> 00:19:23,700 But no-one's meant to be in there. 343 00:19:23,800 --> 00:19:24,700 (KNOCK AT DOOR) 344 00:19:24,800 --> 00:19:26,800 (DOOR OPENS) 345 00:19:27,480 --> 00:19:29,760 Morning, Kate. You alright? 346 00:19:31,560 --> 00:19:33,220 Remember me? We spoke the other day. 347 00:19:33,320 --> 00:19:35,320 (DOOR CLOSES) 348 00:19:37,600 --> 00:19:39,720 I wanted to ask you about Ray Tolliver. 349 00:19:40,840 --> 00:19:42,780 He's dead. 350 00:19:42,880 --> 00:19:45,440 How did you know that? Did someone tell you? 351 00:19:48,640 --> 00:19:50,640 Will you sit with me a while? 352 00:19:51,960 --> 00:19:53,960 Sure. 353 00:19:58,640 --> 00:20:00,680 Did Ray Tolliver kill those people? 354 00:20:01,880 --> 00:20:03,880 He wasn't there. He left. 355 00:20:07,360 --> 00:20:10,580 I found this book at Tolliver's house yesterday. 356 00:20:10,680 --> 00:20:12,680 'Llangnall Tower'. 357 00:20:14,080 --> 00:20:16,080 You quoted from it. 358 00:20:17,200 --> 00:20:19,260 I read it. 359 00:20:19,360 --> 00:20:21,360 You know what it's about? 360 00:20:22,320 --> 00:20:24,540 It's about a group of people who put piles of rocks 361 00:20:24,640 --> 00:20:27,020 around a tower to receive a signal from the heavens. 362 00:20:27,120 --> 00:20:29,120 Does that sound familiar? 363 00:20:30,280 --> 00:20:32,280 (DISTURBING MUSIC) 364 00:20:36,960 --> 00:20:39,860 It wasn't this book. 365 00:20:39,960 --> 00:20:42,780 But there was a book out there, right? 366 00:20:42,880 --> 00:20:44,700 And was it Tolliver's? 367 00:20:44,800 --> 00:20:45,780 KATE: Um... 368 00:20:45,880 --> 00:20:47,820 What'd he say about it? 369 00:20:47,920 --> 00:20:49,220 He said, um... 370 00:20:49,320 --> 00:20:50,820 (FLICKS PAGES) 371 00:20:50,920 --> 00:20:53,000 He... he said it had happened before. 372 00:20:54,600 --> 00:20:56,600 What had happened before? 373 00:21:04,200 --> 00:21:06,200 It was this book. 374 00:21:09,240 --> 00:21:11,880 'The Bone Gospel'? But that book doesn't exist. 375 00:21:13,240 --> 00:21:14,420 Where was it? 376 00:21:14,520 --> 00:21:16,520 Was it in the tower? 377 00:21:18,320 --> 00:21:21,180 - Kate, where was the book? - (DOOR OPENS) 378 00:21:21,280 --> 00:21:22,700 - What are you doing? - One second. 379 00:21:22,800 --> 00:21:25,300 Kate, was it in the bedrooms? 380 00:21:25,400 --> 00:21:28,360 DR KAHN: You're not allowed in here. Out. 381 00:21:29,920 --> 00:21:31,920 (UNSETTLING MUSIC) 382 00:21:38,600 --> 00:21:40,600 She has these holes on her skin. 383 00:21:41,480 --> 00:21:42,980 Hey, how many of those you had? 384 00:21:43,080 --> 00:21:44,780 What are you, the spring roll police? 385 00:21:44,880 --> 00:21:45,980 I'm the regular police. 386 00:21:46,080 --> 00:21:48,080 I'd like you to stop hogging the spring rolls. 387 00:21:49,520 --> 00:21:51,520 Book's not in the control room. 388 00:21:52,680 --> 00:21:55,100 Reynolds said it would be there. Check the bedrooms. 389 00:21:55,200 --> 00:21:57,200 (PHONE RINGS NEARBY) 390 00:21:58,640 --> 00:21:59,660 You OK, Farah? 391 00:21:59,760 --> 00:22:01,180 You don't look so good. 392 00:22:01,280 --> 00:22:02,660 I'm good. (SIGHS) 393 00:22:02,760 --> 00:22:04,660 GEORGIA: What about the uranium mine angle? 394 00:22:04,760 --> 00:22:06,300 Heavy metal poisoning? 395 00:22:06,400 --> 00:22:07,580 Wouldn't that explain it? 396 00:22:07,680 --> 00:22:09,460 I mean, people get disoriented, violent. 397 00:22:09,560 --> 00:22:12,280 You're reaching. Oh, this book has pictures. 398 00:22:13,360 --> 00:22:14,420 I like pictures. 399 00:22:14,520 --> 00:22:16,520 You're getting sauce on it. It's evidence. 400 00:22:17,280 --> 00:22:19,380 Evidence of what? 401 00:22:19,480 --> 00:22:22,100 Come on. You don't think it's weird? 402 00:22:22,200 --> 00:22:25,180 Reynolds quotes this book and then we find it at Tolliver's. 403 00:22:25,280 --> 00:22:27,180 So they read the same book. People read books. 404 00:22:27,280 --> 00:22:30,680 I mean, not me, but I assume people do. 405 00:22:31,840 --> 00:22:33,840 Wait. 406 00:22:36,720 --> 00:22:37,780 GEORGIA: 'The Bone Gospel'. 407 00:22:37,880 --> 00:22:40,060 This book exists. 408 00:22:40,160 --> 00:22:42,260 We need to get back out to the station. 409 00:22:42,360 --> 00:22:44,360 - Charlie, we... - We need to have a chat. 410 00:22:51,440 --> 00:22:52,540 We missed something at Parrish... 411 00:22:52,640 --> 00:22:54,640 Shut the door. 412 00:23:01,480 --> 00:23:03,420 I spoke to the hospital. 413 00:23:03,520 --> 00:23:05,460 I was clear Reynolds was off-limits 414 00:23:05,560 --> 00:23:06,860 until we got the psych report back. 415 00:23:06,960 --> 00:23:08,340 I was clear. 416 00:23:08,440 --> 00:23:10,700 And now you've jeopardised our entire case. 417 00:23:10,800 --> 00:23:12,340 Any defence in the world's gonna eat up 418 00:23:12,440 --> 00:23:13,500 what you've given them. 419 00:23:13,600 --> 00:23:15,060 We've got nothing on her. 420 00:23:15,160 --> 00:23:17,140 We've got her fingerprints 421 00:23:17,240 --> 00:23:19,240 on the hammer that killed Edgars. 422 00:23:20,680 --> 00:23:22,300 She left them there in his blood, 423 00:23:22,400 --> 00:23:24,380 which you would have known 424 00:23:24,480 --> 00:23:28,300 if you hadn't spent the morning fucking with our prime suspect. 425 00:23:28,400 --> 00:23:29,740 Have you seen her skin? 426 00:23:29,840 --> 00:23:31,740 She's got these holes, like Tolliver. 427 00:23:31,840 --> 00:23:33,020 No, the tox screens show nothing 428 00:23:33,120 --> 00:23:34,620 in the blood of any of the corpses. 429 00:23:34,720 --> 00:23:35,780 The uranium mining bullshit 430 00:23:35,880 --> 00:23:38,220 has nothing to do with what she did, OK? 431 00:23:38,320 --> 00:23:40,320 What about her psych report? 432 00:23:40,800 --> 00:23:41,700 (CHARLIE SIGHS) 433 00:23:41,800 --> 00:23:43,180 Oh, there's, uh, gonna be a delay 434 00:23:43,280 --> 00:23:44,460 on the psych report. 435 00:23:44,560 --> 00:23:46,500 There was a traffic accident last night. 436 00:23:46,600 --> 00:23:48,740 The shrink is dead. 437 00:23:48,840 --> 00:23:50,840 George... 438 00:23:51,280 --> 00:23:52,780 ...this is noise. 439 00:23:52,880 --> 00:23:54,300 (GRIM MUSIC) 440 00:23:54,400 --> 00:23:56,740 If you focus on the noise, that's all you'll hear. 441 00:23:56,840 --> 00:23:58,900 Focus on Reynolds. Follow Mick's lead. 442 00:23:59,000 --> 00:24:02,300 Start shoring up a charge on Reynolds. 443 00:24:02,400 --> 00:24:04,400 She's dangerous. 444 00:24:08,120 --> 00:24:10,180 MICHAEL: All good? 445 00:24:10,280 --> 00:24:12,280 Farah, I need your help. 446 00:24:12,960 --> 00:24:14,960 (MILLIE CLEARS THROAT) 447 00:24:19,240 --> 00:24:21,020 Reynolds said this had happened before. 448 00:24:21,120 --> 00:24:22,020 What's 'this'? 449 00:24:22,120 --> 00:24:23,420 OK, check the archives. 450 00:24:23,520 --> 00:24:24,540 Look for mass killings, 451 00:24:24,640 --> 00:24:26,620 mutilations on bodies, remote locations. 452 00:24:26,720 --> 00:24:28,660 (PHONE RINGS) 453 00:24:28,760 --> 00:24:30,180 OK, is this a Charlie request, or a... 454 00:24:30,280 --> 00:24:32,280 Are we good? 455 00:24:32,600 --> 00:24:34,600 Cooke. 456 00:24:35,600 --> 00:24:37,600 Tell her to get out. 457 00:24:40,880 --> 00:24:42,880 Yeah, I've got a bit going on. 458 00:24:51,960 --> 00:24:54,260 TONY: I'm sorry, love, but she won't talk to me. 459 00:24:54,360 --> 00:24:55,820 She says she'll only talk to you. 460 00:24:55,920 --> 00:24:57,020 - About what? - I don't know. 461 00:24:57,120 --> 00:24:58,740 - She won't tell me. - (GEORGIA KNOCKS) 462 00:24:58,840 --> 00:24:59,740 (DOORKNOB RATTLES) 463 00:24:59,840 --> 00:25:01,860 Frankie? It's Mum. 464 00:25:01,960 --> 00:25:03,820 (DOORKNOB RATTLES) 465 00:25:03,920 --> 00:25:05,140 Come on, open up. 466 00:25:05,240 --> 00:25:07,380 (KNOCKS) 467 00:25:07,480 --> 00:25:08,580 Now, please. 468 00:25:08,680 --> 00:25:10,060 FRANKIE: I told you. 469 00:25:10,160 --> 00:25:11,380 Told me what? 470 00:25:11,480 --> 00:25:13,480 Not to talk to that lady. 471 00:25:14,160 --> 00:25:16,340 It's my job to talk to her, Frank. 472 00:25:16,440 --> 00:25:19,280 Because she's scared and she needed my help, remember? 473 00:25:20,360 --> 00:25:22,380 Listen, I don't have to talk to her anymore. 474 00:25:22,480 --> 00:25:25,140 Come out of there and you and I can have a little talk. 475 00:25:25,240 --> 00:25:26,940 FRANKIE: You saw her this morning. 476 00:25:27,040 --> 00:25:29,040 (UNEASY MUSIC) 477 00:25:30,320 --> 00:25:32,300 - How did you know that? - TONY: Hey, come on, chicken. 478 00:25:32,400 --> 00:25:34,300 We'll go down to the park and have a play. 479 00:25:34,400 --> 00:25:36,260 Frankie! (KNOCKS FIRMLY) 480 00:25:36,360 --> 00:25:37,500 Just snap out of it. 481 00:25:37,600 --> 00:25:38,740 - Hey, Georgie, come on. - Hey. 482 00:25:38,840 --> 00:25:40,380 You're the one that couldn't coax a kid 483 00:25:40,480 --> 00:25:42,480 out of a bathroom. 484 00:25:42,960 --> 00:25:44,740 - (THUDDING) - FRANKIE: Don't go out there! 485 00:25:44,840 --> 00:25:45,980 Go where? 486 00:25:46,080 --> 00:25:48,560 FRANKIE: Back out to the desert. Don't go! 487 00:25:49,680 --> 00:25:51,460 Frankie, if you don't get out of there 488 00:25:51,560 --> 00:25:53,780 in the next three seconds, I will break this door down. 489 00:25:53,880 --> 00:25:54,900 I mean it. 490 00:25:55,000 --> 00:25:57,900 Three, two, one. 491 00:25:58,000 --> 00:26:00,000 (DOOR OPENS) 492 00:26:00,760 --> 00:26:02,760 There you are. Are you OK? 493 00:26:03,880 --> 00:26:05,880 Please don't go out there. 494 00:26:06,960 --> 00:26:08,960 It's my job, sweetie. 495 00:26:17,440 --> 00:26:18,780 Don't hate me, baby. 496 00:26:18,880 --> 00:26:20,880 (UNSETTLING MUSIC) 497 00:26:26,040 --> 00:26:28,040 (UNSETTLING MUSIC CONTINUES) 498 00:26:33,240 --> 00:26:36,740 Mick, Owen Faine is here. The guy from the university. 499 00:26:36,840 --> 00:26:38,820 He wants to make a statement. I can do it. 500 00:26:38,920 --> 00:26:40,820 No, no, I got him. Where is he? 501 00:26:40,920 --> 00:26:42,920 - Interview room. - Uh-huh. 502 00:26:44,360 --> 00:26:46,360 (DOOR OPENS) 503 00:26:49,280 --> 00:26:50,940 Owen, what's up? 504 00:26:51,040 --> 00:26:52,340 (CRUMPLES PAPER) 505 00:26:52,440 --> 00:26:54,440 (TOSSES PAPER) 506 00:26:59,000 --> 00:27:01,000 Uh... uh, no. 507 00:27:06,160 --> 00:27:07,340 You're not gonna turn that on? 508 00:27:07,440 --> 00:27:09,440 You wanted to tell me something? 509 00:27:11,800 --> 00:27:14,660 Do you know what Ray Tolliver was doing out there... 510 00:27:14,760 --> 00:27:15,820 Ray Tolliver is dead. 511 00:27:15,920 --> 00:27:18,340 I...I...I know. I...I heard. 512 00:27:18,440 --> 00:27:19,340 But... 513 00:27:19,440 --> 00:27:21,440 I'm just sort of confused, Owen. 514 00:27:22,400 --> 00:27:23,780 We got papers today 515 00:27:23,880 --> 00:27:26,220 showing that he wasn't out there at the time of the killings. 516 00:27:26,320 --> 00:27:27,820 Yeah, I know. And... and he wasn't. 517 00:27:27,920 --> 00:27:30,080 So why the fuck are we having this conversation? 518 00:27:37,600 --> 00:27:40,980 I understand there's been some kind of dispute 519 00:27:41,080 --> 00:27:44,000 between you and Callum Parrish. 520 00:27:46,160 --> 00:27:47,060 Something over money. 521 00:27:47,160 --> 00:27:49,460 No. This... this isn't about... 522 00:27:49,560 --> 00:27:52,280 He offered you some money for a research grant. 523 00:27:53,280 --> 00:27:55,280 So, now... 524 00:27:56,080 --> 00:27:57,980 ...what is this? 525 00:27:58,080 --> 00:27:58,980 You want more? 526 00:27:59,080 --> 00:28:01,900 What he offered me was a bribe. 527 00:28:02,000 --> 00:28:03,100 (UNEASY MUSIC) 528 00:28:03,200 --> 00:28:05,200 I don't know about that. 529 00:28:09,840 --> 00:28:11,840 Don't complicate this. 530 00:28:16,880 --> 00:28:19,680 How do you think this ends? 531 00:28:20,880 --> 00:28:22,880 For you? 532 00:28:24,400 --> 00:28:26,400 I think you take the money... 533 00:28:28,200 --> 00:28:30,320 ...and you stop wasting police time. 534 00:28:32,720 --> 00:28:35,080 I need to hear you say it, Owen. 535 00:28:36,440 --> 00:28:40,140 I need to hear you say that you'll stop wasting police time. 536 00:28:40,240 --> 00:28:42,240 (UNEASY MUSIC CONTINUES) 537 00:28:45,360 --> 00:28:49,780 I'll stop wasting police time. 538 00:28:49,880 --> 00:28:51,880 (PATS SHOULDER) I'm thrilled to hear that. 539 00:29:12,640 --> 00:29:14,720 (INTRIGUING MUSIC) 540 00:29:28,720 --> 00:29:31,480 (PEOPLE HUM) 541 00:29:39,400 --> 00:29:41,220 (HUMMING CONTINUES) 542 00:29:41,320 --> 00:29:42,420 (CALLUM INHALES DEEPLY) 543 00:29:42,520 --> 00:29:43,540 (HUMMING STOPS) 544 00:29:43,640 --> 00:29:45,640 (EXHALES) 545 00:29:47,440 --> 00:29:49,440 CALLUM: Do you feel that? 546 00:29:50,040 --> 00:29:52,040 That presence? 547 00:29:54,960 --> 00:29:58,040 Michael, what's news? 548 00:30:13,720 --> 00:30:15,720 Faine came to see me today. 549 00:30:16,720 --> 00:30:17,740 CALLUM: Uh-huh. 550 00:30:17,840 --> 00:30:19,840 It's done. It's sorted. 551 00:30:21,160 --> 00:30:23,880 - And did you... - I'm telling you, it's sorted. 552 00:30:25,120 --> 00:30:27,020 OK. 553 00:30:27,120 --> 00:30:29,180 Good. 554 00:30:29,280 --> 00:30:31,720 They'll charge Reynolds and it'll be over. 555 00:30:32,720 --> 00:30:35,120 I don't know if it'll stick. She's clearly insane. 556 00:30:36,320 --> 00:30:37,420 (SUSPENSEFUL MUSIC) 557 00:30:37,520 --> 00:30:39,520 What kind of insane? 558 00:30:41,000 --> 00:30:43,000 Just garden variety. 559 00:30:44,840 --> 00:30:47,760 And she's got fucking holes in her skin or some shit. 560 00:30:49,560 --> 00:30:51,500 I'd like to see her. 561 00:30:51,600 --> 00:30:53,500 (SCOFFS) 562 00:30:53,600 --> 00:30:55,600 Well, you can't. 563 00:30:56,040 --> 00:30:58,040 She's not taking visitors presently. 564 00:30:59,040 --> 00:31:01,080 Well, that shouldn't be a problem for you. 565 00:31:02,840 --> 00:31:05,240 Mate, are you listening? We're done. 566 00:31:07,720 --> 00:31:09,420 Look, I don't know what you think this is... 567 00:31:09,520 --> 00:31:11,740 I think it's what I say it is. 568 00:31:11,840 --> 00:31:13,920 (TROUBLING MUSIC) 569 00:31:21,440 --> 00:31:23,640 (TROUBLING MUSIC CONTINUES) 570 00:31:26,640 --> 00:31:27,620 - You OK? - Yeah. 571 00:31:27,720 --> 00:31:28,900 What happened back there at Callum's? 572 00:31:29,000 --> 00:31:31,000 Oh, I just panicked. I'm fine. 573 00:31:33,520 --> 00:31:35,660 I'll... I'll take you back to Havenbrook, OK? 574 00:31:35,760 --> 00:31:36,900 - Yep. - If that's what you want. 575 00:31:37,000 --> 00:31:38,260 Yep, that's what I want. 576 00:31:38,360 --> 00:31:40,380 And I want to see Frankie before I go back. 577 00:31:40,480 --> 00:31:42,180 Georgia, do you really think that's a good idea? 578 00:31:42,280 --> 00:31:44,740 Yeah, well, this time it'll be different. Yeah. 579 00:31:44,840 --> 00:31:46,840 ELLE ON RADIO: Millie, it's Elle. You copy? 580 00:31:48,280 --> 00:31:49,620 I'm here. What's up? 581 00:31:49,720 --> 00:31:52,700 We've got another body. It's the missing podcaster. 582 00:31:52,800 --> 00:31:54,880 Lamb Street, Aston Park. 583 00:31:56,280 --> 00:31:57,780 Any details? 584 00:31:57,880 --> 00:31:59,300 He's our autopsy man. 585 00:31:59,400 --> 00:32:01,400 (DISTURBING MUSIC) 586 00:32:02,160 --> 00:32:03,820 I'm on my way. 587 00:32:03,920 --> 00:32:05,920 (DROPS RECEIVER) 588 00:32:10,360 --> 00:32:12,360 Just drop me at the church. 589 00:32:13,120 --> 00:32:15,120 I'll get a cab back to your place from there. 590 00:32:20,800 --> 00:32:21,700 (DARK MUSIC) 591 00:32:21,800 --> 00:32:22,820 Uh... 592 00:32:22,920 --> 00:32:24,920 (BREATHES SHAKILY) 593 00:32:27,720 --> 00:32:29,860 MICHAEL: Hey, mate. 594 00:32:29,960 --> 00:32:31,220 Take a break. 595 00:32:31,320 --> 00:32:33,780 Stretch your legs, grab yourself a coffee. 596 00:32:33,880 --> 00:32:35,880 Go on, I've got it. 597 00:32:38,800 --> 00:32:40,800 (SIGHS) 598 00:32:48,000 --> 00:32:50,000 (BANGS DOOR OPEN) 599 00:32:56,400 --> 00:32:58,400 You've got five minutes. 600 00:33:05,760 --> 00:33:07,100 Do you know who I am? 601 00:33:07,200 --> 00:33:08,300 (KATE BREATHES SHAKILY) 602 00:33:08,400 --> 00:33:10,400 I'm dying. 603 00:33:10,840 --> 00:33:12,340 CALLUM: No, no. 604 00:33:12,440 --> 00:33:14,560 You're nurturing. 605 00:33:15,680 --> 00:33:17,680 What am I nurturing? 606 00:33:24,280 --> 00:33:26,280 (MICHAEL SIGHS) 607 00:33:27,840 --> 00:33:29,840 (DARK MUSIC) 608 00:33:37,440 --> 00:33:39,680 - You've seen this before? - Yeah. 609 00:33:41,000 --> 00:33:42,740 It's very precious. 610 00:33:42,840 --> 00:33:44,840 And now you're precious. 611 00:33:46,600 --> 00:33:48,880 What is happening to me? 612 00:33:51,040 --> 00:33:53,040 It's a test. 613 00:33:53,360 --> 00:33:54,380 A trial. 614 00:33:54,480 --> 00:33:56,480 (BREATHES SHAKILY) 615 00:33:57,160 --> 00:33:59,160 You need to be strong. 616 00:34:01,640 --> 00:34:03,640 Tolliver... 617 00:34:05,000 --> 00:34:07,000 ...he wasn't worthy. 618 00:34:07,600 --> 00:34:09,600 (SIGHS) 619 00:34:14,200 --> 00:34:16,700 You are worthy. 620 00:34:16,800 --> 00:34:19,160 (BREATHES SHAKILY) I... 621 00:34:20,400 --> 00:34:22,400 I can show you. 622 00:34:23,560 --> 00:34:25,500 Do you want... want to see? 623 00:34:25,600 --> 00:34:28,160 No, no, no, no. I don't need to see. 624 00:34:29,160 --> 00:34:30,500 OK. 625 00:34:30,600 --> 00:34:33,100 (BREATHES SHAKILY) OK. OK. 626 00:34:33,200 --> 00:34:35,560 Can... can you fix me? 627 00:34:36,560 --> 00:34:41,100 When you get better, and you will, you can come see me, 628 00:34:41,200 --> 00:34:42,900 and I'll take it all away. 629 00:34:43,000 --> 00:34:44,860 Can you take me away from here? 630 00:34:44,960 --> 00:34:48,560 That would be too big a risk. 631 00:34:50,280 --> 00:34:51,860 But you can find your way to me. 632 00:34:51,960 --> 00:34:54,380 Uh... how? 633 00:34:54,480 --> 00:34:56,480 You're a smart girl, Kate. 634 00:34:57,880 --> 00:34:59,880 And you want to live. 635 00:35:01,080 --> 00:35:03,080 Yes. 636 00:35:06,960 --> 00:35:08,960 Well... 637 00:35:10,600 --> 00:35:12,660 ...you'll figure something out. 638 00:35:12,760 --> 00:35:14,620 (SUSPENSEFUL MUSIC) 639 00:35:14,720 --> 00:35:16,060 (MICHAEL SIGHS) 640 00:35:16,160 --> 00:35:18,160 (DOOR THUDS IN DISTANCE) 641 00:35:24,200 --> 00:35:26,200 (DOOR OPENS) 642 00:35:28,240 --> 00:35:30,240 (DOOR CLOSES) 643 00:35:44,600 --> 00:35:46,600 GEORGIA: Can we try this again? 644 00:35:50,200 --> 00:35:51,740 Margaret, would you mind? 645 00:35:51,840 --> 00:35:53,220 Francesca. 646 00:35:53,320 --> 00:35:55,760 I won't leg it this time, I promise. 647 00:35:57,360 --> 00:35:59,360 (ETHEREAL MUSIC) 648 00:36:13,040 --> 00:36:15,040 I'm not well. 649 00:36:15,640 --> 00:36:17,180 And I know you know that, 650 00:36:17,280 --> 00:36:18,860 but that's not something I've been willing to actually... 651 00:36:18,960 --> 00:36:20,420 - Mum, it doesn't... - No, no, please don't talk. 652 00:36:20,520 --> 00:36:22,420 Because if you talk, I won't be able to, and I need to. 653 00:36:22,520 --> 00:36:24,520 Do you understand? 654 00:36:25,680 --> 00:36:27,460 Well, you can say yes, but that's it. 655 00:36:27,560 --> 00:36:29,560 Yes. 656 00:36:30,280 --> 00:36:32,840 I know I'm not well. 657 00:36:33,840 --> 00:36:36,300 And I'm not sure if that was something 658 00:36:36,400 --> 00:36:38,400 you needed to hear me say. 659 00:36:39,040 --> 00:36:41,040 So there it is. 660 00:36:41,560 --> 00:36:43,560 I'm going back to Havenbrook... 661 00:36:44,600 --> 00:36:47,140 ...but before I go back, I just wanted to tell you 662 00:36:47,240 --> 00:36:50,580 how proud I am of you and of who you've become. 663 00:36:50,680 --> 00:36:52,340 I've spent a lot of time worrying, 664 00:36:52,440 --> 00:36:54,220 worrying about how you'd turn out, 665 00:36:54,320 --> 00:36:57,340 and I just wanted to be sure that you understood... 666 00:36:57,440 --> 00:36:59,440 FRANKIE: Mum! 667 00:37:07,560 --> 00:37:09,560 (SNIFFLES) Hmm. 668 00:37:11,400 --> 00:37:13,400 Would you like a cup of tea? 669 00:37:15,680 --> 00:37:17,680 I'd really like that. 670 00:37:23,880 --> 00:37:26,180 Your granddad would shit a brick if he saw you like this. 671 00:37:26,280 --> 00:37:28,740 You know, the Church and the robes and... 672 00:37:28,840 --> 00:37:31,480 In a good way. He'd shit a brick in a good way. 673 00:37:35,360 --> 00:37:37,600 (MYSTERIOUS MUSIC) 674 00:37:42,800 --> 00:37:44,800 (POLICE RADIO CHATTER) 675 00:37:47,920 --> 00:37:50,220 Hey, mate, do us a favour. 676 00:37:50,320 --> 00:37:53,320 You tell these idiots to go home. 677 00:37:58,600 --> 00:38:00,500 Leeches. 678 00:38:00,600 --> 00:38:02,540 - They're just curious. - (CAMERA CLICKS) 679 00:38:02,640 --> 00:38:04,640 MILLIE: Fucked in the head is what they are. 680 00:38:11,000 --> 00:38:13,240 Oh, Jesus. (SIGHS) 681 00:38:22,160 --> 00:38:25,640 Well, one more to go. 682 00:38:28,560 --> 00:38:29,700 What was it? 683 00:38:29,800 --> 00:38:31,180 GEORGIA: What was what? 684 00:38:31,280 --> 00:38:33,880 What was it that you were helping Millie with? 685 00:38:34,880 --> 00:38:38,840 Oh, done with that. Bad idea. 686 00:38:45,240 --> 00:38:47,060 Oh, that look. 687 00:38:47,160 --> 00:38:49,160 That fucking look. 688 00:38:51,080 --> 00:38:52,820 There have been some killings 689 00:38:52,920 --> 00:38:56,720 that look similar to the Parrish case. 690 00:38:57,840 --> 00:38:59,840 Similar how? 691 00:39:00,600 --> 00:39:02,600 GEORGIA: I don't know, Frank. 692 00:39:03,200 --> 00:39:05,220 It'll be in the papers after tonight, though. 693 00:39:05,320 --> 00:39:06,900 (TEAPOT RATTLES) 694 00:39:07,000 --> 00:39:09,020 Can I top either of you up? 695 00:39:09,120 --> 00:39:11,280 Look, I'd better take off. 696 00:39:13,000 --> 00:39:14,460 Thank you, Frankie. 697 00:39:14,560 --> 00:39:16,100 I'll get a cab back to Millie's. 698 00:39:16,200 --> 00:39:17,940 - I can drop you. - Oh, no, no. 699 00:39:18,040 --> 00:39:19,140 You don't have to do that. 700 00:39:19,240 --> 00:39:21,240 MARGARET: Of course I will. 701 00:39:21,640 --> 00:39:23,640 That's that. 702 00:39:26,720 --> 00:39:29,560 If you ever feel like a visit, the coffee's not bad. 703 00:39:30,600 --> 00:39:31,700 Well, actually, it's terrible, 704 00:39:31,800 --> 00:39:34,960 but... I'd really like to see you. 705 00:39:37,360 --> 00:39:39,360 FRANKIE: Hm. 706 00:39:41,280 --> 00:39:43,280 FRANKIE: Hm. 707 00:39:43,840 --> 00:39:45,840 (LIGHT AIRPLANE DRONES) 708 00:39:49,680 --> 00:39:51,680 (METALLIC CLINKING) 709 00:40:11,560 --> 00:40:13,800 (BIRD CAWS) 710 00:40:23,400 --> 00:40:25,440 (UNEASY MUSIC) 711 00:40:27,040 --> 00:40:29,280 Crime scene tape's been disturbed. 712 00:40:33,320 --> 00:40:34,220 (LOCK OPENS) 713 00:40:34,320 --> 00:40:36,320 (DOOR SQUEAKS) 714 00:40:58,240 --> 00:41:00,240 (TORCH BUTTON CLICKS) 715 00:41:02,200 --> 00:41:04,360 (UNEASY MUSIC CONTINUES) 716 00:41:26,440 --> 00:41:27,980 (METALLIC CLANG) 717 00:41:28,080 --> 00:41:29,900 (RUNNING FOOTSTEPS) 718 00:41:30,000 --> 00:41:32,000 GEORGIA: Hello? 719 00:41:33,280 --> 00:41:34,340 Hello? 720 00:41:34,440 --> 00:41:36,440 (UNEASY MUSIC BUILDS) 721 00:41:42,280 --> 00:41:44,280 (RUNNING FOOTSTEPS) 722 00:41:46,680 --> 00:41:47,740 Hello? 723 00:41:47,840 --> 00:41:50,580 (LIGHT GLOBE CLINKS) 724 00:41:50,680 --> 00:41:52,920 (THUDDING NEARBY) 725 00:41:57,440 --> 00:41:58,620 (GUN COCKS) 726 00:41:58,720 --> 00:42:00,720 (UNSETTLING MUSIC BUILDS) 727 00:42:08,880 --> 00:42:10,020 (GASPS) 728 00:42:10,120 --> 00:42:11,460 (DISTURBING MUSIC) 729 00:42:11,560 --> 00:42:13,560 (ELECTRICITY CRACKLES) 730 00:42:14,480 --> 00:42:16,480 Kate? 731 00:42:19,000 --> 00:42:21,420 - (THUDDING NEARBY) - (GASPS) 732 00:42:21,520 --> 00:42:24,040 (INTENSE MUSIC) 733 00:42:30,040 --> 00:42:31,660 (LOCK CLICKS) 734 00:42:31,760 --> 00:42:33,100 (DOOR SLAMS) 735 00:42:33,200 --> 00:42:35,200 (GEORGIA PANTS) 736 00:42:37,320 --> 00:42:39,640 (WIND WHISTLES) 737 00:42:45,520 --> 00:42:48,220 (UNEASY MUSIC) 738 00:42:48,320 --> 00:42:50,320 (INSECTS BUZZ) 739 00:43:02,760 --> 00:43:04,880 (UNEASY MUSIC CONTINUES) 740 00:43:16,360 --> 00:43:18,520 (MYSTERIOUS MUSIC) 741 00:43:30,440 --> 00:43:31,860 It's curious, isn't it, 742 00:43:31,960 --> 00:43:34,460 that you never had Francesca baptised. 743 00:43:34,560 --> 00:43:37,300 She arranged it herself, of course, as I'm sure you know, 744 00:43:37,400 --> 00:43:39,300 but as a mother, I must say I was surprised. 745 00:43:39,400 --> 00:43:40,540 Oh, you have children, Margaret? 746 00:43:40,640 --> 00:43:41,540 No. 747 00:43:41,640 --> 00:43:43,060 Ah. 748 00:43:43,160 --> 00:43:45,100 I'm sorry, I thought you said as a mother... 749 00:43:45,200 --> 00:43:48,940 I meant for you, as her mother, to make that choice. 750 00:43:49,040 --> 00:43:50,580 Well, I've never been very religious. 751 00:43:50,680 --> 00:43:53,020 Yes, I know. I'm aware her childhood was difficult. 752 00:43:53,120 --> 00:43:54,620 Have you got something to say, Margaret? 753 00:43:54,720 --> 00:43:56,720 No. 754 00:43:57,320 --> 00:43:59,520 (MYSTERIOUS MUSIC) 755 00:44:13,120 --> 00:44:15,120 (MYSTERIOUS MUSIC CONTINUES) 756 00:44:25,640 --> 00:44:28,200 (UNEASY MUSIC) 757 00:44:38,440 --> 00:44:41,760 (UNEASY MUSIC INTENSIFIES) 758 00:45:17,080 --> 00:45:19,080 Thanks for the lift. 759 00:45:20,200 --> 00:45:21,740 MARGARET: You should consider 760 00:45:21,840 --> 00:45:25,140 whether it's in Francesca's best interests 761 00:45:25,240 --> 00:45:27,240 to start seeing you again. 762 00:45:28,560 --> 00:45:31,380 I'll consider that, thank you. 763 00:45:31,480 --> 00:45:34,100 In the meantime, you might want to consider 764 00:45:34,200 --> 00:45:37,340 whether it's wise to come between a medically insane woman 765 00:45:37,440 --> 00:45:38,940 and her daughter. 766 00:45:39,040 --> 00:45:41,040 Have a good night. 767 00:45:42,560 --> 00:45:44,560 (ENGINE STARTS) 768 00:45:45,760 --> 00:45:47,760 (GATE CLANGS) 769 00:45:48,800 --> 00:45:50,820 (DISTURBING MUSIC) 770 00:45:50,920 --> 00:45:52,920 (CIGARETTE SIZZLES) 771 00:45:54,040 --> 00:45:56,040 (SUSPENSEFUL MUSIC) 772 00:45:58,080 --> 00:45:59,140 (CRACKLING) 773 00:45:59,240 --> 00:46:02,000 (DISTURBING MUSIC) 774 00:46:10,920 --> 00:46:12,920 (LIGHTER FLICKS) 775 00:46:14,440 --> 00:46:16,480 (DISTURBING MUSIC CONTINUES) 776 00:46:22,240 --> 00:46:24,240 (DISTURBING MUSIC CONTINUES) 777 00:46:25,920 --> 00:46:27,920 (DISTURBING MUSIC CONTINUES) 778 00:46:30,040 --> 00:46:32,040 (DISTURBING MUSIC CONTINUES) 779 00:46:34,320 --> 00:46:35,460 (DISTURBING MUSIC INTENSIFIES) 780 00:46:35,560 --> 00:46:37,560 - (WAILS) - (GEORGIA GASPS) 781 00:46:38,120 --> 00:46:39,460 Ooh! 782 00:46:39,560 --> 00:46:42,020 (DISTURBING MUSIC CRESCENDOS) 783 00:46:42,120 --> 00:46:44,120 Oh! 784 00:46:45,720 --> 00:46:46,940 Mick? 785 00:46:47,040 --> 00:46:48,780 Get in the car. 786 00:46:48,880 --> 00:46:51,240 (UNEASY MUSIC) 787 00:46:55,280 --> 00:46:58,040 (ENIGMATIC MUSIC) 788 00:46:58,090 --> 00:47:02,640 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 52614

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