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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,880 --> 00:00:10,220 DAMIEN: So it's been 37 years since the Parrish killings. 2 00:00:10,320 --> 00:00:11,420 GEORGIA: Mick? 3 00:00:11,520 --> 00:00:12,820 This happened while he was alive. 4 00:00:12,920 --> 00:00:14,620 KAYLA: The more time you spend with it 5 00:00:14,720 --> 00:00:16,060 and the deeper you go, 6 00:00:16,160 --> 00:00:18,020 the weirder it becomes. 7 00:00:18,120 --> 00:00:19,780 And you have these two cops at the centre of it, 8 00:00:19,880 --> 00:00:21,820 Georgia Cooke and Michael Thorne. 9 00:00:21,920 --> 00:00:25,060 GEORGIA: Four dead, one survivor found. Kate Reynolds. 10 00:00:25,160 --> 00:00:27,660 - (DRAMATIC MUSIC) - Mum, don't. 11 00:00:27,760 --> 00:00:30,100 It sleepeth in the darkness dead, 12 00:00:30,200 --> 00:00:32,500 with hunger of unended years. 13 00:00:32,600 --> 00:00:35,060 MICHAEL: What's Callum Parrish doing funding a radio telescope? 14 00:00:35,160 --> 00:00:36,700 This is my facility. 15 00:00:36,800 --> 00:00:37,820 This is my crime scene. 16 00:00:37,920 --> 00:00:39,620 She's in a mental asylum, guys. 17 00:00:39,720 --> 00:00:41,140 She went fuckin' crazy 18 00:00:41,240 --> 00:00:43,740 and she's been in a mental asylum for 37 years. 19 00:00:43,840 --> 00:00:46,620 Someone's re-creating the murders out at the station, 20 00:00:46,720 --> 00:00:48,140 here in the city. 21 00:00:48,240 --> 00:00:49,940 How about you help me and I help you? 22 00:00:50,040 --> 00:00:51,380 Hey, I wasn't too harsh about 23 00:00:51,480 --> 00:00:53,140 Georgia Cooke and Kate Reynolds, was I? 24 00:00:53,240 --> 00:00:54,500 KAYLA: You were fine. 25 00:00:54,600 --> 00:00:56,820 (DARK SYNTH MUSIC) 26 00:00:56,920 --> 00:00:59,080 (GASPS) 27 00:01:00,640 --> 00:01:03,640 (DARK MUSIC) 28 00:01:18,520 --> 00:01:20,520 (EERIE SOUNDSCAPE) 29 00:01:55,720 --> 00:01:58,000 (INTRIGUING MUSIC) 30 00:02:22,840 --> 00:02:24,840 He's not, um... 31 00:02:25,760 --> 00:02:27,260 (WHISPERS) He's not gonna take notes or anything. 32 00:02:27,360 --> 00:02:29,360 And he's not gonna speak. 33 00:02:30,480 --> 00:02:32,740 - FRANKIE: What happened, Mum? - GEORGIA: Hmm? 34 00:02:32,840 --> 00:02:34,180 FRANKIE: Why is he here? 35 00:02:34,280 --> 00:02:36,280 GEORGIA: Oh, he's observing. 36 00:02:37,040 --> 00:02:39,080 Because there was another incident? 37 00:02:40,760 --> 00:02:42,660 I wanted to access some files. 38 00:02:42,760 --> 00:02:44,020 About the Parrish case? 39 00:02:44,120 --> 00:02:45,740 Yes, about the Parrish case. 40 00:02:45,840 --> 00:02:48,400 But there's no reason they should be denying me. 41 00:02:50,040 --> 00:02:52,420 You seemed to be doing better the last time I came. 42 00:02:52,520 --> 00:02:54,960 I am. I still am, Frank. 43 00:02:56,360 --> 00:02:59,560 How are you? Are you still going to your meetings with, um... 44 00:03:00,560 --> 00:03:01,540 - NA? - Mm-hm. 45 00:03:01,640 --> 00:03:03,220 Yes. It's good. 46 00:03:03,320 --> 00:03:06,900 Do you have a sponsor? I hear it's good to have a sponsor. 47 00:03:07,000 --> 00:03:09,160 Not yet. I'm looking. 48 00:03:13,040 --> 00:03:15,720 I spoke to a social worker the other day. 49 00:03:16,720 --> 00:03:19,340 And, uh, there's an option. 50 00:03:19,440 --> 00:03:21,640 (HOPEFUL MUSIC) 51 00:03:23,760 --> 00:03:25,760 If you look at this. 52 00:03:29,840 --> 00:03:32,140 Petition for Transfer of Custody? What is this? 53 00:03:32,240 --> 00:03:33,460 A magistrate would have to agree, 54 00:03:33,560 --> 00:03:34,700 but there's a chance they would, 55 00:03:34,800 --> 00:03:35,700 and then I could be, 56 00:03:35,800 --> 00:03:36,700 like the form says, transferred 57 00:03:36,800 --> 00:03:38,800 into your custody. 58 00:03:40,200 --> 00:03:42,200 What? What is it? 59 00:03:42,920 --> 00:03:44,900 (SCOFFS) 60 00:03:45,000 --> 00:03:46,940 I just thought we were gonna, you know, 61 00:03:47,040 --> 00:03:48,780 celebrate my birthday. 62 00:03:48,880 --> 00:03:50,300 Not this. 63 00:03:50,400 --> 00:03:53,220 We are. We are, Frank. 64 00:03:53,320 --> 00:03:54,900 I just thought that while you were here, 65 00:03:55,000 --> 00:03:56,060 I might just mention it. 66 00:03:56,160 --> 00:03:57,420 It's just... 67 00:03:57,520 --> 00:04:00,080 I mean, we don't have to make any decisions now. We... 68 00:04:02,200 --> 00:04:04,200 This is not great timing. 69 00:04:06,560 --> 00:04:08,340 I'm getting so close. I know I am. 70 00:04:08,440 --> 00:04:09,620 What are you talking about, Mum? 71 00:04:09,720 --> 00:04:11,780 There was more than one killer. 72 00:04:11,880 --> 00:04:12,780 I'm sure of it. 73 00:04:12,880 --> 00:04:14,380 And if I can just get access to... 74 00:04:14,480 --> 00:04:16,480 Mum. 75 00:04:20,560 --> 00:04:22,560 I... 76 00:04:23,600 --> 00:04:24,500 I can't. 77 00:04:24,600 --> 00:04:26,620 I just can't do this. 78 00:04:26,720 --> 00:04:27,900 Not anymore. 79 00:04:28,000 --> 00:04:30,080 (CHAIR SCRAPES) 80 00:04:31,080 --> 00:04:32,300 Frankie. 81 00:04:32,400 --> 00:04:33,540 Frank! 82 00:04:33,640 --> 00:04:35,340 (BUZZER BEEPS, DOOR OPENS) 83 00:04:35,440 --> 00:04:36,580 GEORGIA: Frank. 84 00:04:36,680 --> 00:04:38,940 (DRAMATIC MUSIC) 85 00:04:39,040 --> 00:04:40,420 (DOOR CREAKS) 86 00:04:40,520 --> 00:04:42,520 (DOOR CLOSES, LOCKS AND BEEPS) 87 00:04:44,200 --> 00:04:46,200 (DARK MUSIC) 88 00:04:53,680 --> 00:04:57,740 {\an8}GEORGIA: Have you seen Frankie? Where did Frankie go? 89 00:04:57,840 --> 00:05:01,300 {\an8}Is she over... here? 90 00:05:01,400 --> 00:05:02,660 - Oh! - (GEORGIA LAUGHS) 91 00:05:02,760 --> 00:05:04,620 Is she... here? 92 00:05:04,720 --> 00:05:05,780 No. 93 00:05:05,880 --> 00:05:07,180 - Hey, Poppy? - Yeah? 94 00:05:07,280 --> 00:05:08,500 Have you seen Frankie? 95 00:05:08,600 --> 00:05:10,600 No. No idea. 96 00:05:12,680 --> 00:05:14,580 You know you've got a possum on your back, though. 97 00:05:14,680 --> 00:05:16,720 GEORGIA: What? A possum? Get it off! 98 00:05:19,240 --> 00:05:20,620 You still OK to mind her today? 99 00:05:20,720 --> 00:05:21,660 Yeah. 100 00:05:21,760 --> 00:05:23,260 June and I are going out to lunch, 101 00:05:23,360 --> 00:05:25,360 but she can come with us. 102 00:05:25,920 --> 00:05:26,900 You know she gets anxious 103 00:05:27,000 --> 00:05:28,380 with people she doesn't know very well. 104 00:05:28,480 --> 00:05:29,900 Well, she's met June. 105 00:05:30,000 --> 00:05:31,420 (TV PLAYS QUIETLY NEARBY) 106 00:05:31,520 --> 00:05:33,880 OK, righto. I'll cancel. 107 00:05:35,320 --> 00:05:37,940 Hey, have you ever had anything to do with Peter Carrick? 108 00:05:38,040 --> 00:05:39,580 (CHUCKLES) Yeah. 109 00:05:39,680 --> 00:05:40,980 Piss-Your-Pants Pete. 110 00:05:41,080 --> 00:05:43,660 Worked with him in the '60s. Pissed his pants once. 111 00:05:43,760 --> 00:05:45,340 - Mum. - Oh, one second. 112 00:05:45,440 --> 00:05:47,100 I had a conversation with him yesterday. 113 00:05:47,200 --> 00:05:50,220 God, how he got to be Deputy Commissioner, God only knows. 114 00:05:50,320 --> 00:05:51,740 Can we build my Christmas present? 115 00:05:51,840 --> 00:05:53,740 Yes, but not right now. I'm on my way out. 116 00:05:53,840 --> 00:05:55,740 TONY: Hey, what were you talking to him about, love? 117 00:05:55,840 --> 00:05:58,660 Oh, I had an... altercation with Callum Parrish. 118 00:05:58,760 --> 00:06:00,700 - Callum Parrish? - When, though? 119 00:06:00,800 --> 00:06:01,900 - TONY: The son? - Maybe tonight, sweetie. 120 00:06:02,000 --> 00:06:03,180 Yeah, the son. 121 00:06:03,280 --> 00:06:04,820 Not doing anything stupid, are you, love? 122 00:06:04,920 --> 00:06:06,420 I mean, these people, they don't muck around. 123 00:06:06,520 --> 00:06:08,260 Why can't we do it now? 124 00:06:08,360 --> 00:06:09,980 Because I've got to go to work, sweetie. 125 00:06:10,080 --> 00:06:12,540 You ever dealt with the Parrishes? 126 00:06:12,640 --> 00:06:14,540 No. 127 00:06:14,640 --> 00:06:17,460 No, but, hey, just be careful whose nose you're getting up. 128 00:06:17,560 --> 00:06:18,860 - Always. - FRANKIE: Mum. 129 00:06:18,960 --> 00:06:21,220 Frankie, we're going to make that tonight. 130 00:06:21,320 --> 00:06:24,060 Are you going to talk to the lady today? 131 00:06:24,160 --> 00:06:26,140 Maybe. Is that OK? 132 00:06:26,240 --> 00:06:27,660 There's something wrong with her. 133 00:06:27,760 --> 00:06:29,380 What's wrong with her? 134 00:06:29,480 --> 00:06:31,520 - (MYSTERIOUS MUSIC) - She's got a dead thing in her. 135 00:06:33,000 --> 00:06:35,100 It's dead, but it's growing. 136 00:06:35,200 --> 00:06:37,200 (DARK MUSIC) 137 00:07:24,280 --> 00:07:27,720 Kate, I'm Dr Machen. 138 00:07:29,640 --> 00:07:31,640 If you prefer, you can call me Bob. 139 00:07:36,440 --> 00:07:37,580 Can I call you Kate, 140 00:07:37,680 --> 00:07:39,840 or... or would you prefer Dr Reynolds? 141 00:07:43,120 --> 00:07:45,120 K...Kate's fine. 142 00:07:51,840 --> 00:07:54,880 This belonged to my father. Would you like to see it? 143 00:08:02,520 --> 00:08:04,740 The police think I killed them, don't they? 144 00:08:04,840 --> 00:08:07,020 I'm not from the police. 145 00:08:07,120 --> 00:08:09,120 I'm a clinical psychologist. 146 00:08:10,560 --> 00:08:11,980 You're here to assess me? 147 00:08:12,080 --> 00:08:14,080 I'm here to talk to you. 148 00:08:16,960 --> 00:08:18,960 (PULSATING ENIGMATIC MUSIC) 149 00:08:41,040 --> 00:08:43,820 Georgia, that thing that sleeps in the darkness, 150 00:08:43,920 --> 00:08:45,980 what Kate Reynolds said, you thought it was a quote? 151 00:08:46,080 --> 00:08:48,220 I found it. I called some booksellers. 152 00:08:48,320 --> 00:08:51,700 A lot of booksellers. About 20 booksellers. 153 00:08:51,800 --> 00:08:53,900 - It's from a book? - Yeah. Old. 154 00:08:54,000 --> 00:08:56,700 'Llangnall Tower'. About 1880s or so. This guy has it. 155 00:08:56,800 --> 00:08:58,700 I'm on the task force. Did you know that? 156 00:08:58,800 --> 00:09:00,300 GEORGIA: Yeah, I put you up for it. 157 00:09:00,400 --> 00:09:01,740 Really? Thank you. 158 00:09:01,840 --> 00:09:03,940 That means a lot, both professionally and personally. 159 00:09:04,040 --> 00:09:05,100 GEORGIA: Don't make it weird. 160 00:09:05,200 --> 00:09:06,620 Until we know more, 161 00:09:06,720 --> 00:09:08,660 I don't want anyone talking to the press, yeah? 162 00:09:08,760 --> 00:09:09,980 And when I say that, 163 00:09:10,080 --> 00:09:12,660 I do worry that you haven't heard me correctly, 164 00:09:12,760 --> 00:09:15,260 so let me rephrase it - don't talk to the fucking press. 165 00:09:15,360 --> 00:09:16,700 (WHISPERS) It's from a book. 166 00:09:16,800 --> 00:09:18,820 CHARLIE: I've had already four of the major news outlets 167 00:09:18,920 --> 00:09:20,740 from around the country call me this morning. 168 00:09:20,840 --> 00:09:22,820 It's been a real who's who of who's a cock. 169 00:09:22,920 --> 00:09:24,220 What the fuck are you talking about? 170 00:09:24,320 --> 00:09:26,320 Something you want to share with the class? 171 00:09:26,920 --> 00:09:29,060 We can press on? Alright. 172 00:09:29,160 --> 00:09:31,020 Time for good news, bad news with Forensics. 173 00:09:31,120 --> 00:09:32,500 Over to you, Wendy. 174 00:09:32,600 --> 00:09:34,180 OK. Um... (CLEARS THROAT) 175 00:09:34,280 --> 00:09:36,300 So we're doing some tox screens 176 00:09:36,400 --> 00:09:38,740 to see if there's any evidence of poisoning 177 00:09:38,840 --> 00:09:40,980 from the old uranium mine tailings. 178 00:09:41,080 --> 00:09:42,620 No results yet. 179 00:09:42,720 --> 00:09:46,620 But we have located Paul Edgars's fingers. 180 00:09:46,720 --> 00:09:48,780 So that is all body parts 181 00:09:48,880 --> 00:09:51,140 of all victims accounted for. 182 00:09:51,240 --> 00:09:53,260 No applause? 183 00:09:53,360 --> 00:09:54,500 Alright. (LAUGHS) 184 00:09:54,600 --> 00:09:58,660 They were in the stomach of Simon Lim, 185 00:09:58,760 --> 00:10:00,780 our autopsied man. 186 00:10:00,880 --> 00:10:04,540 Kate Reynolds made him eat Paul Edgars's fingers? 187 00:10:04,640 --> 00:10:08,020 GEORGIA: I'm sorry, are we ruling out any other suspects? 188 00:10:08,120 --> 00:10:11,620 I mean, are we entirely convinced it was Reynolds? 189 00:10:11,720 --> 00:10:14,580 We remain suspicious of the blood-covered woman 190 00:10:14,680 --> 00:10:16,540 that attacked you with a hammer yesterday, yeah. 191 00:10:16,640 --> 00:10:19,080 Call it an old copper's hunch. 192 00:10:20,080 --> 00:10:21,420 She's with the shrink now. 193 00:10:21,520 --> 00:10:23,420 Until we get that psych report back, 194 00:10:23,520 --> 00:10:25,180 Reynolds is off-limits. 195 00:10:25,280 --> 00:10:27,020 So, meantime, I want background. 196 00:10:27,120 --> 00:10:28,780 Both parents are dead, no siblings. 197 00:10:28,880 --> 00:10:31,060 So that leaves ex-boyfriends, 198 00:10:31,160 --> 00:10:32,380 uni mates, third cousins. 199 00:10:32,480 --> 00:10:35,060 I don't care. We're building a picture of this woman. 200 00:10:35,160 --> 00:10:36,860 Now, Cooke, Mick, 201 00:10:36,960 --> 00:10:38,940 I've got the fella from the university coming out today. 202 00:10:39,040 --> 00:10:41,060 I want you two to talk to him about Reynolds. 203 00:10:41,160 --> 00:10:43,340 Just see what you can see. 204 00:10:43,440 --> 00:10:44,820 - Wend, you done? - Yep. 205 00:10:44,920 --> 00:10:46,660 Alright, you've got a lot to get on with. 206 00:10:46,760 --> 00:10:49,060 (TENSE MUSIC) 207 00:10:49,160 --> 00:10:51,360 That's me telling you to fuck off and do it. 208 00:10:55,560 --> 00:10:57,780 So yesterday, you... you had what we call a panic attack. 209 00:10:57,880 --> 00:11:00,540 - Is that right? - It wasn't a panic attack. 210 00:11:00,640 --> 00:11:03,000 Y-yes, I was panicked, but that's because I... 211 00:11:06,640 --> 00:11:08,740 I feel better now. 212 00:11:08,840 --> 00:11:10,840 Hmm. 213 00:11:11,760 --> 00:11:14,840 I'm gonna say something that might sound obvious. Um... 214 00:11:16,600 --> 00:11:21,220 Our brains are very good at alerting us to danger. 215 00:11:21,320 --> 00:11:23,420 What they're not so great at is 216 00:11:23,520 --> 00:11:25,940 knowing when the danger has passed. 217 00:11:26,040 --> 00:11:28,760 (STAMMERS) It lingers, that feeling. 218 00:11:30,120 --> 00:11:35,240 So what I want to say to you is, you're safe now. 219 00:11:36,240 --> 00:11:37,740 This place is safe. 220 00:11:37,840 --> 00:11:39,420 It's just you and me, 221 00:11:39,520 --> 00:11:41,640 four walls and a door. 222 00:11:50,640 --> 00:11:52,500 No, it's not safe here? 223 00:11:52,600 --> 00:11:55,160 It's not just you and me here. 224 00:11:56,360 --> 00:11:58,360 (DARK MUSIC) 225 00:12:09,720 --> 00:12:11,720 (DARK MUSIC INTENSIFIES) 226 00:12:15,840 --> 00:12:17,140 {\an8}So what I want to know is 227 00:12:17,240 --> 00:12:18,860 {\an8}if there's an order to these deaths. 228 00:12:18,960 --> 00:12:21,100 {\an8}We've got Clayton Wallace, 229 00:12:21,200 --> 00:12:23,840 {\an8}throat gouged, teeth removed. 230 00:12:24,920 --> 00:12:26,920 That's our Gary Boyd. 231 00:12:28,000 --> 00:12:31,140 And then Todd Finch, face smashed, fingers cut off. 232 00:12:31,240 --> 00:12:33,180 That's our Paul Edgars. 233 00:12:33,280 --> 00:12:37,420 But do these new murders match the order of deaths in '87? 234 00:12:37,520 --> 00:12:40,180 I mean, there's nothing in the Parrish case files 235 00:12:40,280 --> 00:12:41,780 about the time of death. 236 00:12:41,880 --> 00:12:45,780 I just realised I haven't prepared a meal for myself 237 00:12:45,880 --> 00:12:47,580 in 37 years. 238 00:12:47,680 --> 00:12:49,680 Hmm. 239 00:12:51,320 --> 00:12:53,460 Would you like me to make you some toast? 240 00:12:53,560 --> 00:12:57,220 No, that's OK. Sorry, what were you saying? 241 00:12:57,320 --> 00:12:59,380 The order of deaths in '87. 242 00:12:59,480 --> 00:13:03,380 Oh, I don't know. I don't think Forensics ever nailed it down. 243 00:13:03,480 --> 00:13:06,540 You know this is, um, quite important for me, yeah? 244 00:13:06,640 --> 00:13:09,000 We've got an active serial killer. 245 00:13:10,240 --> 00:13:11,660 I want to see Frankie. 246 00:13:11,760 --> 00:13:13,140 I know. 247 00:13:13,240 --> 00:13:14,660 Now. 248 00:13:14,760 --> 00:13:17,360 (SCOFFS) You don't want to maybe work up to that? 249 00:13:18,400 --> 00:13:19,700 Why? 250 00:13:19,800 --> 00:13:21,220 Oh, I don't know. 251 00:13:21,320 --> 00:13:23,260 You haven't seen each other in nearly two decades. 252 00:13:23,360 --> 00:13:26,480 Have you... you worked out what you're gonna say? 253 00:13:27,680 --> 00:13:29,180 Have you found her or not? 254 00:13:29,280 --> 00:13:31,660 Yes, I know where she is. 255 00:13:31,760 --> 00:13:34,020 You're going to love this. 256 00:13:34,120 --> 00:13:36,120 (BIRDSONG) 257 00:13:39,160 --> 00:13:44,060 "For now we see through a glass darkly, but then face to face. 258 00:13:44,160 --> 00:13:48,720 "Now I know in part, but then shall I know. 259 00:13:49,960 --> 00:13:54,200 "Even as also I am known." 260 00:13:56,080 --> 00:13:57,540 I don't mind telling you that 261 00:13:57,640 --> 00:14:01,420 I have always struggled with this one. 262 00:14:01,520 --> 00:14:04,340 The Apostle Paul is saying here, 263 00:14:04,440 --> 00:14:06,900 we can never really know God. 264 00:14:07,000 --> 00:14:10,660 And there are days where I feel that divine distance. 265 00:14:10,760 --> 00:14:14,640 And to be honest with you, it terrifies me. 266 00:14:18,000 --> 00:14:20,900 MARGARET: It's a free service, not a free-for-all. 267 00:14:21,000 --> 00:14:23,260 - MAN: Can I take one of these? - Oh, yes, here. 268 00:14:23,360 --> 00:14:25,360 There you are. 269 00:14:25,800 --> 00:14:27,500 Now, one dessert. 270 00:14:27,600 --> 00:14:30,020 You get one dessert, then there's enough for everyone. 271 00:14:30,120 --> 00:14:33,500 ROSIE: You're the devil. The devil! 272 00:14:33,600 --> 00:14:35,820 You've come to me as a scarecrow in the night, 273 00:14:35,920 --> 00:14:37,820 but I know who you are, you're the devil. 274 00:14:37,920 --> 00:14:39,180 It's very good to know, Rosie. 275 00:14:39,280 --> 00:14:41,260 Would you like the pasta salad or the potato? 276 00:14:41,360 --> 00:14:42,780 ROSIE: Give us a bit of both. 277 00:14:42,880 --> 00:14:44,540 - MARGARET: Put that back. - ROSIE: Oh... 278 00:14:44,640 --> 00:14:46,140 You waiting for something? 279 00:14:46,240 --> 00:14:47,540 Oh, this is a fucking terrible idea. 280 00:14:47,640 --> 00:14:48,940 Georgia, we're here. 281 00:14:49,040 --> 00:14:50,340 - No, I'm going. - MARGARET: Excuse me? 282 00:14:50,440 --> 00:14:52,720 Excuse me. The line starts over here. 283 00:14:54,080 --> 00:14:55,260 Mum? 284 00:14:55,360 --> 00:14:56,740 (TENDER MUSIC) 285 00:14:56,840 --> 00:14:58,840 Hey, poss. 286 00:15:01,120 --> 00:15:02,340 Millie? 287 00:15:02,440 --> 00:15:04,440 Mum, what are you doing here? 288 00:15:05,400 --> 00:15:07,600 (WHISPERS) Give me the keys. Give me the fucking keys now! 289 00:15:15,480 --> 00:15:16,620 G'day, Frankie. 290 00:15:16,720 --> 00:15:18,620 Millie, what is she doing here? 291 00:15:18,720 --> 00:15:20,940 She's helping me with something. 292 00:15:21,040 --> 00:15:22,900 What do you mean helping you with something? 293 00:15:23,000 --> 00:15:24,700 What can she be helping you with? 294 00:15:24,800 --> 00:15:27,860 It's a case. Don't worry about it. It'll be good for her. 295 00:15:27,960 --> 00:15:29,960 Good for her? 296 00:15:30,520 --> 00:15:32,020 Millie, she can't cope with this. 297 00:15:32,120 --> 00:15:34,120 I don't know about that. 298 00:15:34,840 --> 00:15:36,840 I guess we'll find out. 299 00:15:37,440 --> 00:15:39,440 Hey. Oi! 300 00:15:44,320 --> 00:15:46,320 (POTATO CHIPS CRUNCH) 301 00:15:51,960 --> 00:15:54,240 Would you say that went to plan or no? 302 00:15:57,320 --> 00:15:58,340 So, listen. 303 00:15:58,440 --> 00:15:59,900 We're still looking for connections 304 00:16:00,000 --> 00:16:01,420 between the victims. 305 00:16:01,520 --> 00:16:02,940 And something will connect them. 306 00:16:03,040 --> 00:16:05,040 I'm done. Take me back. 307 00:16:05,600 --> 00:16:07,140 No. No, no. 308 00:16:07,240 --> 00:16:08,940 That... that's not what we agreed. 309 00:16:09,040 --> 00:16:11,880 I don't care what we agreed. Take me back to Havenbrook now. 310 00:16:13,600 --> 00:16:15,600 I pulled your record. 311 00:16:15,920 --> 00:16:17,460 You've petitioned to get out of that place 312 00:16:17,560 --> 00:16:18,660 six times in the past decade. 313 00:16:18,760 --> 00:16:20,300 The board has knocked you back every time. 314 00:16:20,400 --> 00:16:22,500 I worked my arse off to get you out of there. 315 00:16:22,600 --> 00:16:24,800 Now you're telling me you wanna go back. Is that right? 316 00:16:28,280 --> 00:16:30,600 - Can I see those for a minute? - No. 317 00:16:36,760 --> 00:16:40,200 Just give me a day. One day, then decide. 318 00:16:41,480 --> 00:16:42,860 There's something I haven't told you about. 319 00:16:42,960 --> 00:16:44,060 - Something I think... - Oh, well... 320 00:16:44,160 --> 00:16:45,260 Something I think you should know. 321 00:16:45,360 --> 00:16:46,500 Go on. Tell me now. 322 00:16:46,600 --> 00:16:48,460 Look, it's much better with slides and all that. 323 00:16:48,560 --> 00:16:51,540 - Oh! - Just come to the station. 324 00:16:51,640 --> 00:16:53,640 Hear me out. 325 00:16:54,200 --> 00:16:57,720 Then you can go back to licking the windows at the funny farm. 326 00:17:03,040 --> 00:17:04,380 You used to be nice. 327 00:17:04,480 --> 00:17:05,660 Yeah? 328 00:17:05,760 --> 00:17:07,760 You never were. 329 00:17:13,800 --> 00:17:15,800 (DARK MUSIC) 330 00:17:18,080 --> 00:17:20,080 - (SOFT CREAKING) - (SNIFFS) 331 00:17:24,760 --> 00:17:26,760 What the fuck? 332 00:17:27,520 --> 00:17:28,500 Hello? 333 00:17:28,600 --> 00:17:30,600 (DARK MUSIC) 334 00:17:32,760 --> 00:17:34,760 (WHISPERS) Fucking hell. 335 00:17:35,200 --> 00:17:37,300 (SNIFFS) Oh. 336 00:17:37,400 --> 00:17:39,400 Hello? 337 00:17:40,320 --> 00:17:42,320 What the hell? 338 00:17:49,680 --> 00:17:51,680 (CLEARS THROAT) 339 00:17:53,080 --> 00:17:55,100 Hey. (BANGS ON DOOR) 340 00:17:55,200 --> 00:17:57,340 Hey! 341 00:17:57,440 --> 00:17:58,820 Why am I here? 342 00:17:58,920 --> 00:17:59,860 (POUNDS ON DOOR) 343 00:17:59,960 --> 00:18:01,960 Hey! 344 00:18:02,600 --> 00:18:04,600 Fuck! 345 00:18:05,160 --> 00:18:07,420 I'm not anybody. I'm nobody. 346 00:18:07,520 --> 00:18:10,180 I am a fucking podcaster. 347 00:18:10,280 --> 00:18:13,780 That's one rung below cruise ship magician. 348 00:18:13,880 --> 00:18:15,880 I'm nothing. 349 00:18:18,520 --> 00:18:21,000 (PANTS) 350 00:18:22,200 --> 00:18:23,940 What the fuck is... 351 00:18:24,040 --> 00:18:26,040 (DARK MUSIC) 352 00:18:33,040 --> 00:18:35,040 Your colleague called ahead. 353 00:18:37,920 --> 00:18:41,620 May I ask why the police are interested 354 00:18:41,720 --> 00:18:44,980 in a Welsh novel from the 1880s? 355 00:18:45,080 --> 00:18:46,540 No. 356 00:18:46,640 --> 00:18:48,640 Hmm. (CHUCKLES) 357 00:18:55,440 --> 00:18:57,660 (DESK DRAWER OPENS) 358 00:18:57,760 --> 00:19:00,140 'Llangnall Tower'. 359 00:19:00,240 --> 00:19:02,060 (DESK DRAWER CLOSES) 360 00:19:02,160 --> 00:19:04,400 The quote she mentioned. 361 00:19:10,040 --> 00:19:12,100 "Blackthorne read it himself, 362 00:19:12,200 --> 00:19:14,220 "and I was reminded of a man 363 00:19:14,320 --> 00:19:17,120 "preparing to leap into a frozen lake. 364 00:19:18,560 --> 00:19:23,780 "Then, eyes still fixed on the fire, he began to quote. 365 00:19:23,880 --> 00:19:28,120 "'It sleepeth in the darkness, dead. 366 00:19:29,120 --> 00:19:31,660 "'With hunger of unended years, 367 00:19:31,760 --> 00:19:34,860 "'it bideth those who dare to hear, 368 00:19:34,960 --> 00:19:38,200 "'and in this world be born as flesh.'" 369 00:19:40,800 --> 00:19:42,060 Does that sound right? 370 00:19:42,160 --> 00:19:44,340 Yes. 371 00:19:44,440 --> 00:19:47,580 Now, Blackthorne, in this section, 372 00:19:47,680 --> 00:19:50,720 is of course quoting from another book. 373 00:19:53,520 --> 00:19:55,520 'The Bone Gospel'. 374 00:19:56,000 --> 00:19:58,100 'The Bone Gospel'? 375 00:19:58,200 --> 00:20:00,200 Maybe you've heard of it? 376 00:20:01,160 --> 00:20:03,160 No. Do you have a copy? 377 00:20:03,760 --> 00:20:04,740 It doesn't exist. 378 00:20:04,840 --> 00:20:07,120 But it's quoted in this book. 379 00:20:08,280 --> 00:20:10,980 Writers like to pretend it exists. 380 00:20:11,080 --> 00:20:13,500 A mythic artefact, 381 00:20:13,600 --> 00:20:16,740 scribed by a mad monk in the 15th century. 382 00:20:16,840 --> 00:20:19,860 He prayed to God for divine inspiration. 383 00:20:19,960 --> 00:20:21,940 Something else answers. 384 00:20:22,040 --> 00:20:24,040 (OMINOUS MUSIC) 385 00:20:24,840 --> 00:20:26,840 Spooky. (CHUCKLES) 386 00:20:28,600 --> 00:20:30,600 It's a literary game. 387 00:20:31,000 --> 00:20:32,900 Poe, Chambers, Bierce. 388 00:20:33,000 --> 00:20:35,500 They all ascribe quotes to it. 389 00:20:35,600 --> 00:20:37,020 They make them up. 390 00:20:37,120 --> 00:20:41,620 But it is interesting where the idea sticks around. 391 00:20:41,720 --> 00:20:45,060 Every now and again, a rumour crops up that it's surfaced. 392 00:20:45,160 --> 00:20:50,040 Found in a farmhouse in Lyon. Bottom of a well in Baghdad. 393 00:20:51,360 --> 00:20:53,360 It's all a fiction. 394 00:20:54,160 --> 00:20:55,340 I'd like to take that. 395 00:20:55,440 --> 00:20:57,380 Do you have $800? 396 00:20:57,480 --> 00:20:59,760 It is a first edition. 397 00:21:00,840 --> 00:21:02,920 I can come back with an order from a magistrate. 398 00:21:04,080 --> 00:21:06,080 You're welcome to do that. 399 00:21:07,400 --> 00:21:08,740 Thank you for your time. 400 00:21:08,840 --> 00:21:12,540 Judges 13:22. What's that all about? 401 00:21:12,640 --> 00:21:13,820 Excuse me? 402 00:21:13,920 --> 00:21:16,100 You have an Old Testament verse 403 00:21:16,200 --> 00:21:17,580 written in your notebook. 404 00:21:17,680 --> 00:21:19,700 (GASPS) 405 00:21:19,800 --> 00:21:23,680 "We are doomed to die," Manoah said to his wife. 406 00:21:24,760 --> 00:21:27,120 "For we have seen God." 407 00:21:29,000 --> 00:21:31,000 (DARK MUSIC) 408 00:21:48,200 --> 00:21:49,540 Can you explain what you mentioned earlier 409 00:21:49,640 --> 00:21:51,220 when you said that we're not alone here? 410 00:21:51,320 --> 00:21:53,320 No. 411 00:21:53,960 --> 00:21:55,960 Can't explain it. 412 00:21:56,560 --> 00:21:58,560 DR MACHEN: Mm. 413 00:22:02,160 --> 00:22:03,180 What are you writing? 414 00:22:03,280 --> 00:22:05,280 (CHUCKLES) 415 00:22:08,680 --> 00:22:10,680 You think I'm crazy. 416 00:22:11,360 --> 00:22:13,100 What would that look like? What would that... 417 00:22:13,200 --> 00:22:15,200 (TENSE MUSIC) 418 00:22:17,240 --> 00:22:18,380 What would you know? 419 00:22:18,480 --> 00:22:20,480 (PEN CLICKS) 420 00:22:22,640 --> 00:22:24,300 I don't think you're crazy, Kate. 421 00:22:24,400 --> 00:22:27,900 I think you're a very intelligent woman, 422 00:22:28,000 --> 00:22:30,720 who's experienced something traumatic. 423 00:22:31,760 --> 00:22:33,760 And not for the first time. 424 00:22:38,520 --> 00:22:41,740 I saw in your files that you had a near-death experience 425 00:22:41,840 --> 00:22:43,660 when... when you were younger. 426 00:22:43,760 --> 00:22:46,660 So you'll know already that when we suffer trauma, 427 00:22:46,760 --> 00:22:50,220 uh, things can feel, um... 428 00:22:50,320 --> 00:22:52,180 (PEN CLICKS) 429 00:22:52,280 --> 00:22:53,180 ...inexplicable. 430 00:22:53,280 --> 00:22:55,280 (PEN CLICKS) 431 00:22:57,160 --> 00:22:59,320 This is inexplicable. 432 00:23:15,280 --> 00:23:17,220 Why don't you try to explain? 433 00:23:17,320 --> 00:23:19,260 There are things beneath. 434 00:23:19,360 --> 00:23:21,360 Beneath what? 435 00:23:21,840 --> 00:23:23,840 Everything. 436 00:23:24,440 --> 00:23:26,640 And that's how you feel? 437 00:23:27,680 --> 00:23:28,780 That's what I know. 438 00:23:28,880 --> 00:23:29,900 I know that now. 439 00:23:30,000 --> 00:23:32,000 Alright. 440 00:23:34,440 --> 00:23:36,260 And I'm changing. 441 00:23:36,360 --> 00:23:38,360 I can feel it. 442 00:23:41,120 --> 00:23:43,740 Sorry, sorry, I know. The uni guy, he still here? 443 00:23:43,840 --> 00:23:44,980 - MICHAEL: Yeah, but listen. - (DOOR CLOSES) 444 00:23:45,080 --> 00:23:46,580 Just got back from the book dealer. 445 00:23:46,680 --> 00:23:47,620 Fucking kook. 446 00:23:47,720 --> 00:23:48,820 Did you find the quote? 447 00:23:48,920 --> 00:23:50,300 I don't know, maybe. It's complicated. 448 00:23:50,400 --> 00:23:54,380 But this is a Bible verse about dying because you saw God? 449 00:23:54,480 --> 00:23:57,380 What the fuck is that doing in a logbook at a research station? 450 00:23:57,480 --> 00:23:58,660 MICHAEL: Listen, 451 00:23:58,760 --> 00:24:00,260 there's something that's gonna piss you right off. 452 00:24:00,360 --> 00:24:02,360 I just wanna get ahead of it. 453 00:24:04,760 --> 00:24:06,760 Callum Parrish is here. 454 00:24:08,200 --> 00:24:09,100 (GEORGIA HUFFS) 455 00:24:09,200 --> 00:24:11,200 (DOOR OPENS AND CLOSES) 456 00:24:17,360 --> 00:24:19,100 Owen here is utterly brilliant, 457 00:24:19,200 --> 00:24:21,640 but I thought I might be able to fill in some gaps. 458 00:24:23,800 --> 00:24:24,860 (SWITCH CLICKS) 459 00:24:24,960 --> 00:24:26,960 (TAPE RECORDER CLICKS) 460 00:24:27,800 --> 00:24:29,820 Thank you for coming in today, Dr Faine. 461 00:24:29,920 --> 00:24:31,820 We understand that you run the research project 462 00:24:31,920 --> 00:24:33,020 from here in the city. 463 00:24:33,120 --> 00:24:35,540 We wanted to get a better understanding 464 00:24:35,640 --> 00:24:37,380 of the personnel out there. 465 00:24:37,480 --> 00:24:39,960 Specifically Kate Reynolds. 466 00:24:41,000 --> 00:24:42,700 And we wanted to get an understanding 467 00:24:42,800 --> 00:24:44,460 of what it was they were researching. 468 00:24:44,560 --> 00:24:47,280 Do you have a scientific background, Miss Cooke? 469 00:24:48,480 --> 00:24:49,780 I don't. 470 00:24:49,880 --> 00:24:52,600 Do you have a law enforcement background, Mr Parrish? 471 00:24:55,440 --> 00:24:57,440 OWEN: Pulsars. 472 00:24:57,800 --> 00:24:58,980 And what are they? 473 00:24:59,080 --> 00:25:01,820 Uh, they're rotating neutron stars. 474 00:25:01,920 --> 00:25:04,940 Sort of, if you like, cosmic lighthouses. 475 00:25:05,040 --> 00:25:07,040 (ENIGMATIC MUSIC) 476 00:25:11,000 --> 00:25:14,580 Does this symbol mean something to you, Callum? 477 00:25:14,680 --> 00:25:15,700 CALLUM: I beg your pardon? 478 00:25:15,800 --> 00:25:17,060 I saw you looking at it just now 479 00:25:17,160 --> 00:25:19,060 and I was wondering if it means something to you. 480 00:25:19,160 --> 00:25:20,140 (KNOCK AT DOOR) 481 00:25:20,240 --> 00:25:21,540 (DOOR OPENS) 482 00:25:21,640 --> 00:25:23,640 Can it wait, Farah? 483 00:25:32,120 --> 00:25:34,260 What is it? 484 00:25:34,360 --> 00:25:36,360 I think I found something. 485 00:25:37,280 --> 00:25:39,280 CALLUM: I've placed you. 486 00:25:39,680 --> 00:25:41,680 You're Mick Thorne. 487 00:25:42,200 --> 00:25:44,240 The cop from the business out at Moorland. 488 00:25:45,240 --> 00:25:46,620 Yeah, that's right. 489 00:25:46,720 --> 00:25:49,220 Well... Well, how about that, Owen? 490 00:25:49,320 --> 00:25:51,560 We're in the presence of a celebrity. 491 00:25:52,560 --> 00:25:53,980 (CHUCKLES QUIETLY) 492 00:25:54,080 --> 00:25:55,580 Listen. 493 00:25:55,680 --> 00:25:57,660 I understand that I've upset your partner, 494 00:25:57,760 --> 00:25:59,420 but this doesn't feel particularly productive, 495 00:25:59,520 --> 00:26:00,700 does it? 496 00:26:00,800 --> 00:26:03,120 Seems to me like we're not really getting anywhere. 497 00:26:04,600 --> 00:26:05,820 (SIGHS) 498 00:26:05,920 --> 00:26:07,920 I think she's... 499 00:26:08,400 --> 00:26:10,400 We're in early stages, just... 500 00:26:11,200 --> 00:26:13,200 ...getting a lay of the land. 501 00:26:13,800 --> 00:26:15,100 CALLUM: Mm. 502 00:26:15,200 --> 00:26:16,780 Do you like Scotch? 503 00:26:16,880 --> 00:26:18,880 Good Scotch, I mean. 504 00:26:20,640 --> 00:26:22,640 Uh... 505 00:26:23,120 --> 00:26:25,620 - Sure. - Well, we should have a drink. 506 00:26:25,720 --> 00:26:27,880 And a chat. About Kate Reynolds. 507 00:26:29,040 --> 00:26:30,940 Why don't you come to the house tonight? 508 00:26:31,040 --> 00:26:33,280 How about we just talk about it now? 509 00:26:34,320 --> 00:26:36,320 (DOOR OPENS) 510 00:26:40,360 --> 00:26:42,360 Show them what you showed me. 511 00:26:56,040 --> 00:26:57,740 MILLIE: So these are, um... 512 00:26:57,840 --> 00:26:59,740 OWEN: Reports from the station. 513 00:26:59,840 --> 00:27:02,720 MILLIE: That's right. The ones you sent over yesterday. 514 00:27:04,360 --> 00:27:06,980 There's a lot of, you know, science stuff 515 00:27:07,080 --> 00:27:08,540 that I don't understand. 516 00:27:08,640 --> 00:27:11,380 But you see here, in this column? 517 00:27:11,480 --> 00:27:13,380 That's the transmission code. 518 00:27:13,480 --> 00:27:16,020 And the letters are the initials. 519 00:27:16,120 --> 00:27:19,860 See? KR, PE, AS. 520 00:27:19,960 --> 00:27:23,420 Kate Reynolds, Paul Edgars, Anton Surkov. 521 00:27:23,520 --> 00:27:26,420 But then there's 'RT' on about a half a dozen of these 522 00:27:26,520 --> 00:27:28,620 that doesn't match any of the names. 523 00:27:28,720 --> 00:27:30,720 So who's RT? 524 00:27:31,160 --> 00:27:32,940 (TENSE MUSIC) 525 00:27:33,040 --> 00:27:36,660 That would be Ray Tolliver. 526 00:27:36,760 --> 00:27:38,700 Who's Ray Tolliver? 527 00:27:38,800 --> 00:27:40,820 He's, uh... 528 00:27:40,920 --> 00:27:42,500 He's... Uh... 529 00:27:42,600 --> 00:27:44,600 I'm asking him. 530 00:27:48,200 --> 00:27:51,900 Ray Tolliver is an independent researcher in the field. 531 00:27:52,000 --> 00:27:53,860 He reached out to the Trust, 532 00:27:53,960 --> 00:27:57,140 asking if he could use the telescope, just for a month. 533 00:27:57,240 --> 00:28:01,140 We assessed him as a serious person and made arrangements. 534 00:28:01,240 --> 00:28:02,700 And when was that? 535 00:28:02,800 --> 00:28:04,420 Oh, it has no bearing on this case. 536 00:28:04,520 --> 00:28:05,700 He was extracted a week ago. 537 00:28:05,800 --> 00:28:07,500 Why was he extracted? 538 00:28:07,600 --> 00:28:10,300 Reading between the lines... (SIGHS) 539 00:28:10,400 --> 00:28:13,140 ...I'd say he wasn't handling the isolation very well. 540 00:28:13,240 --> 00:28:16,060 It's not for everyone, is it? 541 00:28:16,160 --> 00:28:17,940 Evidently. 542 00:28:18,040 --> 00:28:19,780 Can you prove that he wasn't there? 543 00:28:19,880 --> 00:28:21,300 CALLUM: Oh, yeah. 544 00:28:21,400 --> 00:28:23,620 We'd have flight logs, wouldn't we, Owen? 545 00:28:23,720 --> 00:28:24,780 Yes. 546 00:28:24,880 --> 00:28:25,980 Of course. 547 00:28:26,080 --> 00:28:28,480 Well, there we are. 548 00:28:29,680 --> 00:28:30,780 There we are. 549 00:28:30,880 --> 00:28:32,020 (TENSE MUSIC) 550 00:28:32,120 --> 00:28:34,420 GEORGIA: This is bullshit, is what it is. 551 00:28:34,520 --> 00:28:35,940 They covered it up. 552 00:28:36,040 --> 00:28:37,900 They didn't mention it. It's not the same thing. 553 00:28:38,000 --> 00:28:40,020 There was a sixth scientist out there, Mick. 554 00:28:40,120 --> 00:28:41,580 - Does that mean nothing? - (DOOR OPENS) 555 00:28:41,680 --> 00:28:43,580 It's not nothing, but we don't even have an address 556 00:28:43,680 --> 00:28:44,820 for this Tolliver guy, George. 557 00:28:44,920 --> 00:28:46,920 MILLIE: That's not true. 558 00:28:47,360 --> 00:28:48,740 What's not true? 559 00:28:48,840 --> 00:28:51,320 We have an address. He's in the system. 560 00:28:52,680 --> 00:28:56,500 Possession of a controlled substance in 1981. 561 00:28:56,600 --> 00:28:59,220 Can't be too many Raymond Tollivers. 562 00:28:59,320 --> 00:29:02,140 Then we go and see Tolliver. Now. 563 00:29:02,240 --> 00:29:04,260 (SCOFFS) 564 00:29:04,360 --> 00:29:06,100 You got somewhere else to be? 565 00:29:06,200 --> 00:29:07,300 I do, actually, yeah. 566 00:29:07,400 --> 00:29:09,100 I've gotta follow up a lead on Kate Reynolds. 567 00:29:09,200 --> 00:29:11,260 Remember her? The woman who almost killed you? 568 00:29:11,360 --> 00:29:12,420 Our prime suspect? 569 00:29:12,520 --> 00:29:14,060 GEORGIA: Your prime suspect. 570 00:29:14,160 --> 00:29:16,160 You coming? 571 00:29:21,320 --> 00:29:23,320 (TENSE MUSIC) 572 00:29:28,000 --> 00:29:31,100 DR MACHEN: Why do you do that? Uh, with the pen. 573 00:29:31,200 --> 00:29:33,700 I...I noticed you also did that with your breakfast. 574 00:29:33,800 --> 00:29:37,520 You pull things apart. Is that new? 575 00:29:42,000 --> 00:29:43,300 Makes a kind of sense. 576 00:29:43,400 --> 00:29:46,840 To see things this way. In parts. 577 00:29:47,840 --> 00:29:49,840 It's all anything really is. 578 00:29:51,440 --> 00:29:53,440 Just parts. 579 00:29:54,160 --> 00:29:56,160 Pretending to be whole. 580 00:29:57,200 --> 00:29:59,840 Look, I...I...I don't know if you can appreciate... 581 00:30:00,880 --> 00:30:03,260 ...I am trying, uh, to help you, 582 00:30:03,360 --> 00:30:05,700 but I can't do that if I don't understand. 583 00:30:05,800 --> 00:30:08,020 Here. I think I can show you. 584 00:30:08,120 --> 00:30:10,840 (MYSTERIOUS MUSIC) 585 00:30:14,960 --> 00:30:16,960 Can you see? 586 00:30:17,760 --> 00:30:20,400 (DARK MUSIC BUILDS) 587 00:30:28,040 --> 00:30:30,580 (ELECTRICAL CLINKING) 588 00:30:30,680 --> 00:30:32,740 (DARK MUSIC INTENSIFIES) 589 00:30:32,840 --> 00:30:36,420 (ELECTRICAL FIZZING) 590 00:30:36,520 --> 00:30:37,660 Oh! 591 00:30:37,760 --> 00:30:39,800 (PANTS) 592 00:30:40,800 --> 00:30:43,280 (WHEEZES, BREATHES HEAVILY) 593 00:30:45,600 --> 00:30:48,340 (DAMIEN BREATHES HEAVILY) 594 00:30:48,440 --> 00:30:50,420 I've got money. I've got, um... 595 00:30:50,520 --> 00:30:52,460 I've got c... I've got cash. 596 00:30:52,560 --> 00:30:54,560 (SUSPENSEFUL MUSIC) 597 00:30:56,720 --> 00:30:57,980 I can get you money. 598 00:30:58,080 --> 00:31:00,120 I can get you, um, 599 00:31:01,360 --> 00:31:03,220 ...a hundred... a hundred grand. 600 00:31:03,320 --> 00:31:04,580 Fuck. 601 00:31:04,680 --> 00:31:05,660 200... 602 00:31:05,760 --> 00:31:07,380 $200,000. 603 00:31:07,480 --> 00:31:09,540 I can get you $200,000. 604 00:31:09,640 --> 00:31:11,640 I just, um... 605 00:31:12,080 --> 00:31:15,740 I just need a computer and 24 hours 606 00:31:15,840 --> 00:31:19,820 and I can crowdfund for you $200,000 607 00:31:19,920 --> 00:31:22,500 any bank account you want, huh? 608 00:31:22,600 --> 00:31:25,640 (SNIFFS) 250 as a stretch goal. What do you think? 609 00:31:26,800 --> 00:31:27,740 (LIGHT GLOBE BUZZES) 610 00:31:27,840 --> 00:31:30,400 Please. Just let me out. 611 00:31:31,400 --> 00:31:33,500 (BANGS DOOR) Just... let me... out! 612 00:31:33,600 --> 00:31:35,600 Please! 613 00:31:36,440 --> 00:31:37,340 Oh, fuck. 614 00:31:37,440 --> 00:31:38,380 (CHILLING MUSIC) 615 00:31:38,480 --> 00:31:40,980 Oh, fuck. Oh, fuck. Oh, fuck! 616 00:31:41,080 --> 00:31:42,180 Oh, fuck. 617 00:31:42,280 --> 00:31:44,280 No, no, no, no. Hey, listen! 618 00:31:47,520 --> 00:31:49,520 (SUSPENSEFUL MUSIC) 619 00:31:50,000 --> 00:31:52,000 (SENSOR BEEPS, LATCH CLICKS) 620 00:31:53,360 --> 00:31:54,940 (DOOR OPENS) 621 00:31:55,040 --> 00:31:56,700 - MILLIE: Alright, so, uh... - (DOOR CLOSES) 622 00:31:56,800 --> 00:31:58,340 MILLIE: ..layout's basically the same. 623 00:31:58,440 --> 00:32:01,340 Break room's through there. Toilet's that way. 624 00:32:01,440 --> 00:32:03,340 I mean, they still clog up if you punish them. 625 00:32:03,440 --> 00:32:04,780 Word to the wise. 626 00:32:04,880 --> 00:32:06,860 Anyway, through here. 627 00:32:06,960 --> 00:32:08,260 Ahh! 628 00:32:08,360 --> 00:32:11,700 Georgia, this is Detective Senior Constable Elle Hardy. 629 00:32:11,800 --> 00:32:13,980 Elle, this is Georgia Cooke. 630 00:32:14,080 --> 00:32:15,260 ELLE: For the record, 631 00:32:15,360 --> 00:32:17,020 I don't think you should be here. 632 00:32:17,120 --> 00:32:18,860 Hey, we both agree on that. 633 00:32:18,960 --> 00:32:20,960 Off you go. 634 00:32:21,560 --> 00:32:24,900 Alright. Tox screens came back on Clayton Wallace. 635 00:32:25,000 --> 00:32:27,700 Same as the first victim - propofol and siloxane. 636 00:32:27,800 --> 00:32:28,980 Propofol? 637 00:32:29,080 --> 00:32:30,460 - Propofol is an... - Anaesthetic. 638 00:32:30,560 --> 00:32:32,100 Siloxane's a paralytic. 639 00:32:32,200 --> 00:32:33,500 Why both? 640 00:32:33,600 --> 00:32:35,020 Why paralysed and numbed? 641 00:32:35,120 --> 00:32:37,180 Easier. Simpler. 642 00:32:37,280 --> 00:32:38,940 The fingers, the teeth, 643 00:32:39,040 --> 00:32:40,900 you wouldn't need to restrain the victims. 644 00:32:41,000 --> 00:32:42,940 Well, just paralyse them. Why numb them as well? 645 00:32:43,040 --> 00:32:45,500 It takes a bit of the fun out of it, doesn't it? 646 00:32:45,600 --> 00:32:49,620 No. Feels rote. Feels ritual. 647 00:32:49,720 --> 00:32:51,940 Reluctant, maybe. 648 00:32:52,040 --> 00:32:53,780 What were you gonna show me? 649 00:32:53,880 --> 00:32:55,880 You want to do the honours? 650 00:32:56,720 --> 00:32:59,180 MILLIE: Right, this is Gary Boyd's mouth, 1987. 651 00:32:59,280 --> 00:33:00,660 One tooth left. 652 00:33:00,760 --> 00:33:03,620 (CLICKS KEY) And this is Clayton Wallace. 653 00:33:03,720 --> 00:33:05,140 Three days ago. 654 00:33:05,240 --> 00:33:08,580 All teeth removed, except a third upper-right-hand molar. 655 00:33:08,680 --> 00:33:09,620 Same as '87. 656 00:33:09,720 --> 00:33:11,100 Yeah, well, I know what this is. 657 00:33:11,200 --> 00:33:12,860 It's a copycat. That's what copycats do. 658 00:33:12,960 --> 00:33:15,960 You know how much publicly available information... 659 00:33:17,840 --> 00:33:19,840 Go on. 660 00:33:20,280 --> 00:33:21,620 This wasn't made public, was it? 661 00:33:21,720 --> 00:33:22,900 The one tooth. 662 00:33:23,000 --> 00:33:24,420 Never made it to press. 663 00:33:24,520 --> 00:33:26,520 - GEORGIA: Are you sure? - Yeah. 664 00:33:27,160 --> 00:33:29,260 So it's only in our internal docs, yeah? 665 00:33:29,360 --> 00:33:30,820 Which is why I wanted to show you. 666 00:33:30,920 --> 00:33:33,060 This isn't just anyone. 667 00:33:33,160 --> 00:33:37,020 This is someone who was very close to the '87 investigation. 668 00:33:37,120 --> 00:33:39,120 (SUSPENSEFUL MUSIC) 669 00:33:41,320 --> 00:33:42,460 - (OBJECT THUDS) - DAMIEN: What? 670 00:33:42,560 --> 00:33:44,560 (TENSE MUSIC) 671 00:33:45,800 --> 00:33:47,800 (DAMIEN PANTS) 672 00:33:48,960 --> 00:33:51,140 What? 673 00:33:51,240 --> 00:33:53,240 What?! (PANTS) 674 00:33:56,320 --> 00:33:58,880 You want me to open this box? 675 00:34:02,760 --> 00:34:03,900 OK. 676 00:34:04,000 --> 00:34:05,460 (BREATHES HEAVILY) 677 00:34:05,560 --> 00:34:06,580 Just... 678 00:34:06,680 --> 00:34:08,920 (DARK MUSIC) 679 00:34:11,120 --> 00:34:12,620 Uh... 680 00:34:12,720 --> 00:34:14,180 (SNIFFLES) Oh. 681 00:34:14,280 --> 00:34:15,620 (GAGS) Oh. 682 00:34:15,720 --> 00:34:17,720 (DARK MUSIC INTENSIFIES) 683 00:34:21,440 --> 00:34:22,940 (INTRIGUING MUSIC) 684 00:34:23,040 --> 00:34:25,040 (BIRDSONG) 685 00:34:36,440 --> 00:34:38,300 (HANDBRAKE ENGAGES) 686 00:34:38,400 --> 00:34:39,900 (ENGINE STOPS) 687 00:34:40,000 --> 00:34:42,440 (INTRIGUING MUSIC CONTINUES) 688 00:34:43,680 --> 00:34:44,820 (LATCH CLICKS) 689 00:34:44,920 --> 00:34:46,920 (DOOR CREAKS) 690 00:34:49,240 --> 00:34:52,520 Uh, Mick Thorne to see Callum... 691 00:34:54,320 --> 00:34:56,320 ...Parrish. 692 00:34:57,360 --> 00:34:59,360 Michael Thorne. 693 00:35:02,680 --> 00:35:04,680 Is he, uh... 694 00:35:11,440 --> 00:35:14,560 (INTRIGUING MUSIC) 695 00:35:23,680 --> 00:35:26,120 (PEOPLE HUM) 696 00:35:37,800 --> 00:35:39,800 (WOMAN KNOCKS) 697 00:36:00,680 --> 00:36:04,000 MILLIE: OK, we keep going for another 30 k's and take a left. 698 00:36:05,000 --> 00:36:07,960 (PACKET CRINKLES) 699 00:36:10,280 --> 00:36:12,280 I brought snacks. 700 00:36:12,920 --> 00:36:14,620 You brought snacks? 701 00:36:14,720 --> 00:36:16,900 Well, yeah. Do you want a chip? 702 00:36:17,000 --> 00:36:18,860 No, thanks, Farah. 703 00:36:18,960 --> 00:36:20,960 (CHIP CRUNCHES) 704 00:36:27,080 --> 00:36:29,080 Actually, can I see those for a sec? 705 00:36:31,960 --> 00:36:34,080 (WINDOW WINDER SQUEAKS) 706 00:36:39,600 --> 00:36:40,820 (CLEARS THROAT) 707 00:36:40,920 --> 00:36:43,020 I, uh, thought if we went through one bottle, 708 00:36:43,120 --> 00:36:45,120 couldn't hurt to have another. 709 00:36:45,800 --> 00:36:46,860 I don't drink. 710 00:36:46,960 --> 00:36:49,560 But I'm sure Brandy can find you a glass. 711 00:36:52,680 --> 00:36:54,680 Nah, all good. 712 00:36:55,880 --> 00:36:57,880 All good. 713 00:36:59,560 --> 00:37:01,560 So, Brandy... 714 00:37:02,080 --> 00:37:04,080 ...can she speak or what? 715 00:37:05,200 --> 00:37:06,940 You know, it's never come up. 716 00:37:07,040 --> 00:37:09,040 Don't sit down. 717 00:37:18,800 --> 00:37:21,600 You wanted to tell me something about Kate Reynolds? 718 00:37:22,680 --> 00:37:23,820 (PEN THUDS) 719 00:37:23,920 --> 00:37:26,060 No. 720 00:37:26,160 --> 00:37:28,160 I'm troubled, Michael. 721 00:37:29,320 --> 00:37:32,580 This whole thing, this horrible business. 722 00:37:32,680 --> 00:37:35,080 I think Owen is troubled as well. 723 00:37:36,800 --> 00:37:39,320 Owen Faine. You met him today. 724 00:37:42,200 --> 00:37:44,100 OK. 725 00:37:44,200 --> 00:37:47,180 The fact of it is he's got a grudge. 726 00:37:47,280 --> 00:37:48,460 (INTRIGUING MUSIC) 727 00:37:48,560 --> 00:37:50,940 And I think he wants to hurt me. 728 00:37:51,040 --> 00:37:53,100 I've offered him money for a research grant, 729 00:37:53,200 --> 00:37:56,940 but I got the sense today that he's unsteady. 730 00:37:57,040 --> 00:37:59,380 Unstable, maybe. 731 00:37:59,480 --> 00:38:01,640 And I need you to set him straight. 732 00:38:03,080 --> 00:38:05,080 (CROW CAWS) 733 00:38:05,760 --> 00:38:07,460 Frankie's a cute kid. 734 00:38:07,560 --> 00:38:09,860 You know, if Charlie does end up getting the shits about this, 735 00:38:09,960 --> 00:38:11,960 you can always say I made you come, yeah? 736 00:38:13,040 --> 00:38:14,300 I wanted to come. 737 00:38:14,400 --> 00:38:16,340 Yeah, well, you've got more stones than Mick. 738 00:38:16,440 --> 00:38:18,440 What the fuck was he playing at? 739 00:38:20,880 --> 00:38:22,880 (MILLIE CHUCKLES) 740 00:38:24,880 --> 00:38:26,820 My private line is on here. 741 00:38:26,920 --> 00:38:28,920 Do you have a pager? 742 00:38:30,440 --> 00:38:32,440 I'll need the number. 743 00:38:39,040 --> 00:38:41,100 (CHUCKLES) 744 00:38:41,200 --> 00:38:43,200 (INHALES SHARPLY) 745 00:38:45,280 --> 00:38:47,280 You know... 746 00:38:47,960 --> 00:38:50,580 ...I gotta admit, Callum, 747 00:38:50,680 --> 00:38:53,240 this is all a little strange. 748 00:38:54,640 --> 00:38:56,380 You invite me out here for a Scotch, 749 00:38:56,480 --> 00:38:58,260 then you tell me you don't drink. 750 00:38:58,360 --> 00:39:00,400 Now you're talking to me like I work for you. 751 00:39:01,560 --> 00:39:04,740 I think what we may have here, as they say in the pictures, 752 00:39:04,840 --> 00:39:06,840 is a failure to communicate. 753 00:39:08,600 --> 00:39:10,600 (CHUCKLES SOFTLY) 754 00:39:11,400 --> 00:39:12,620 I don't work for you. 755 00:39:12,720 --> 00:39:14,460 Now, 756 00:39:14,560 --> 00:39:16,100 I don't know how you got that impression... 757 00:39:16,200 --> 00:39:17,940 You know, I have a confession to make. 758 00:39:18,040 --> 00:39:19,140 (UNEASY MUSIC) 759 00:39:19,240 --> 00:39:21,860 I told a fib earlier today 760 00:39:21,960 --> 00:39:24,680 when I said I'd only just recognised you from Moorland. 761 00:39:26,760 --> 00:39:27,860 Uh-huh? 762 00:39:27,960 --> 00:39:30,760 Truth is I knew who you were before that. 763 00:39:31,920 --> 00:39:34,660 I mean, it's such an incredible story, 764 00:39:34,760 --> 00:39:36,700 I expect you're sick of telling it. 765 00:39:36,800 --> 00:39:38,800 So do you mind if I do? 766 00:39:40,400 --> 00:39:41,900 (MURMURS) 767 00:39:42,000 --> 00:39:44,000 Go ahead. 768 00:39:44,600 --> 00:39:46,260 A domestic abuse situation 769 00:39:46,360 --> 00:39:48,640 escalates into a hostage crisis. 770 00:39:49,840 --> 00:39:52,400 Michael Thorne, the only one on the scene. 771 00:39:53,440 --> 00:39:56,340 The man has a rifle. Things go sour. 772 00:39:56,440 --> 00:39:59,200 You charge in under fire and shoot him. 773 00:40:00,200 --> 00:40:02,200 But not before he shoots you. 774 00:40:05,800 --> 00:40:07,540 Did you have a question? 775 00:40:07,640 --> 00:40:09,980 Well, I do, Michael. 776 00:40:10,080 --> 00:40:11,980 I do. 777 00:40:12,080 --> 00:40:15,220 How many people, besides you and I, 778 00:40:15,320 --> 00:40:17,840 know that story to be complete bullshit? 779 00:40:19,800 --> 00:40:21,800 (TENSE MUSIC) 780 00:40:25,400 --> 00:40:27,400 (UNEASY MUSIC) 781 00:40:30,960 --> 00:40:32,960 (FROGS AND INSECTS CHIRP) 782 00:40:36,480 --> 00:40:38,480 - (ENGINE STOPS) - (HANDBRAKE ENGAGES) 783 00:40:49,120 --> 00:40:50,740 (ANIMAL SCREECHES IN DISTANCE) 784 00:40:50,840 --> 00:40:52,840 (UNEASY MUSIC CONTINUES) 785 00:41:20,000 --> 00:41:21,100 (GEORGIA KNOCKS) 786 00:41:21,200 --> 00:41:22,180 (DOOR CREAKS) 787 00:41:22,280 --> 00:41:24,280 MILLIE: Shouldn't we call for backup? 788 00:41:28,160 --> 00:41:30,160 Mr Tolliver? 789 00:41:32,880 --> 00:41:34,880 Ray? 790 00:41:36,080 --> 00:41:37,740 It's the police. 791 00:41:37,840 --> 00:41:40,360 (ELECTRONIC BUZZING) 792 00:41:44,160 --> 00:41:47,040 CALLUM: All I'm asking you to do is speak to Owen Faine. 793 00:41:48,120 --> 00:41:50,240 The offer I made him is generous. 794 00:41:52,640 --> 00:41:54,640 What's he got on you? 795 00:41:55,400 --> 00:41:57,880 I don't see how that's any of your concern. 796 00:42:00,080 --> 00:42:02,080 Is it to do with the killings? 797 00:42:03,800 --> 00:42:05,800 He just needs to take the money. 798 00:42:08,240 --> 00:42:10,520 Or you'll ruin my career. 799 00:42:16,920 --> 00:42:18,920 Michael... 800 00:42:19,440 --> 00:42:21,440 ...I won't ruin your career. 801 00:42:22,720 --> 00:42:24,980 I'll ruin your entire life. 802 00:42:25,080 --> 00:42:28,300 Do you understand how small you are? 803 00:42:28,400 --> 00:42:31,680 Can you even comprehend your place in all this? 804 00:42:33,600 --> 00:42:35,600 I don't think you can. 805 00:42:36,200 --> 00:42:39,560 'Cause if you could, you'd go insane. 806 00:42:43,080 --> 00:42:46,000 What I'm asking is not a lot. 807 00:42:47,360 --> 00:42:51,120 But if even that's too much for you to do, just let me know. 808 00:42:52,120 --> 00:42:53,220 And I'll get on with 809 00:42:53,320 --> 00:42:55,460 the business of burning your life to the ground. 810 00:42:55,560 --> 00:42:57,560 (DARK MUSIC) 811 00:43:01,240 --> 00:43:02,740 (TENSE MUSIC) 812 00:43:02,840 --> 00:43:04,540 (FAINT SPEECH) 813 00:43:04,640 --> 00:43:06,100 Mr Tolliver? 814 00:43:06,200 --> 00:43:07,220 (FAINT RADIO STATIC) 815 00:43:07,320 --> 00:43:10,380 (MAN SPEAKS DIFFERENT LANGUAGE OVER RADIO) 816 00:43:10,480 --> 00:43:12,460 (MUSIC PLAYS BRIEFLY OVER RADIO) 817 00:43:12,560 --> 00:43:13,660 (RADIO STATIC) 818 00:43:13,760 --> 00:43:15,660 (DISTORTED SPEECH OVER RADIO) 819 00:43:15,760 --> 00:43:18,580 (BURSTS OF STATIC, INDISTINCT SPEECH AND MUSIC OVER RADIO) 820 00:43:18,680 --> 00:43:20,960 - (RADIO STATIC WHINES) - (INDISTINCT SPEECH) 821 00:43:24,240 --> 00:43:27,060 - (MUSIC PLAYS BRIEFLY) - (ELECTRICITY CRACKLES) 822 00:43:27,160 --> 00:43:28,780 (PEOPLE SPEAK DIFFERENT LANGUAGES OVER RADIO) 823 00:43:28,880 --> 00:43:30,460 (ELECTRICITY CRACKLES) 824 00:43:30,560 --> 00:43:33,600 (PEOPLE SPEAK DIFFERENT LANGUAGES OVER RADIO) 825 00:43:35,800 --> 00:43:38,280 (OMINOUS MUSIC) 826 00:43:53,760 --> 00:43:55,380 (TV STATIC) 827 00:43:55,480 --> 00:43:57,760 (ELECTRONIC CHIRPING) 828 00:44:04,120 --> 00:44:06,120 (UNEASY MUSIC) 829 00:44:10,280 --> 00:44:13,040 (HYPNOTIC MUSIC) 830 00:44:16,280 --> 00:44:18,580 (ELECTRICAL CRACKLING) 831 00:44:18,680 --> 00:44:20,680 (ELECTRICAL CRACKLING STOPS) 832 00:44:21,080 --> 00:44:23,320 Dr Machen, I thought you were gone. 833 00:44:28,320 --> 00:44:30,960 (HYPNOTIC MUSIC CONTINUES) 834 00:44:41,360 --> 00:44:43,720 (FROGS AND INSECTS CHIRP) 835 00:44:48,000 --> 00:44:49,660 (INDISTINCT SPEECH OVER RADIO) 836 00:44:49,760 --> 00:44:51,760 - (RADIO STATIC) - (MUSIC PLAYS BRIEFLY) 837 00:44:52,640 --> 00:44:55,060 (INTENSE PULSATING MUSIC) 838 00:44:55,160 --> 00:44:57,140 (MUSIC STOPS) 839 00:44:57,240 --> 00:44:59,240 (RADIO STATIC) 840 00:45:00,480 --> 00:45:05,280 (PEOPLE SPEAK DIFFERENT LANGUAGES OVER RADIO) 841 00:45:08,160 --> 00:45:11,740 GEORGIA: You've got to be shitting me. 'Llangnall Tower'. 842 00:45:11,840 --> 00:45:14,160 (UNEASY MUSIC) 843 00:45:26,680 --> 00:45:27,660 Georgia? 844 00:45:27,760 --> 00:45:29,760 (RADIO STATIC) 845 00:45:31,520 --> 00:45:33,520 (ELECTRICAL CRACKLING) 846 00:45:37,160 --> 00:45:39,160 (SUSPENSEFUL MUSIC) 847 00:45:54,360 --> 00:45:55,780 (DOOR CREAKS) 848 00:45:55,880 --> 00:45:58,560 (SUSPENSEFUL MUSIC CONTINUES) 849 00:46:14,840 --> 00:46:16,220 Millie? 850 00:46:16,320 --> 00:46:19,160 (SUSPENSEFUL MUSIC) 851 00:46:21,800 --> 00:46:24,380 (TRAFFIC DRONES) 852 00:46:24,480 --> 00:46:26,840 (SUSPENSEFUL MUSIC) 853 00:46:31,640 --> 00:46:34,020 (HORNS HONK) 854 00:46:34,120 --> 00:46:36,520 - (TYRES SCREECH) - (LOUD THUDDING) 855 00:46:38,880 --> 00:46:40,820 (SUSPENSEFUL MUSIC) 856 00:46:40,920 --> 00:46:43,600 (TV STATIC) 857 00:46:54,280 --> 00:46:57,340 (MAN MOANS) 858 00:46:57,440 --> 00:46:58,540 - MILLIE: Let her go! - Fuck! 859 00:46:58,640 --> 00:47:00,100 - MILLIE: Let her go! - (MAN GROANS) 860 00:47:00,200 --> 00:47:01,980 - Millie, don't! - (MAN WAILS) 861 00:47:02,080 --> 00:47:04,060 MILLIE: Let her go! 862 00:47:04,160 --> 00:47:05,380 (WAILS) 863 00:47:05,480 --> 00:47:06,540 (SCREAMS) 864 00:47:06,640 --> 00:47:08,760 (CRIES OUT) 865 00:47:12,800 --> 00:47:14,260 (SCREAMS) 866 00:47:14,360 --> 00:47:15,260 (SCREAM ECHOES) 867 00:47:15,360 --> 00:47:16,880 (ENIGMATIC MUSIC) 868 00:47:16,930 --> 00:47:21,480 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 59269

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