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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,516 --> 00:00:09,052 >> Announcer: LIVE FROM THE STAR‐FILLED INTERNATIONAL 2 00:00:09,052 --> 00:00:12,256 BALLROOM OF THE BEVERLY HILTON HOTEL, WELCOME TO THE 3 00:00:12,256 --> 00:00:19,096 2020 GOLDEN GLOBE AWARDS >> HONORING THE BEST IN MOVIES 4 00:00:19,096 --> 00:00:23,200 AND TELEVISION, INCLUDING SPECIAL AWARDS TO TOM HANKS AND 5 00:00:23,200 --> 00:00:27,604 ELLEN DeGENERES. NOW YOUR HOST FOR THE EVENING, 6 00:00:27,604 --> 00:00:31,575 LADIES AND GENTLEMEN, RICKY GERVAIS 7 00:00:31,575 --> 00:00:41,051 [ APPLAUSE ] >> HELLO 8 00:00:41,051 --> 00:00:44,288 THANK YOU. THANK YOU. 9 00:00:44,288 --> 00:00:48,992 HELLO AND WELCOME TO THE 77th ANNUAL GOLDEN GLOBE AWARDS, LIVE 10 00:00:48,992 --> 00:00:52,696 FROM THE BEVERLY HILTON HOTEL HERE IN LOS ANGELES. 11 00:00:52,696 --> 00:00:57,200 I'M RICKY GERVAIS. THANK YOU. 12 00:00:57,200 --> 00:01:01,271 YOU'LL BE PLEASED TO KNOW THIS IS THE LAST TIME I'M HOSTING 13 00:01:01,271 --> 00:01:03,674 THESE AWARDS SO I DON'T CARE ANYMORE. 14 00:01:03,674 --> 00:01:08,578 I'M JOKING I NEVER DID. 15 00:01:08,578 --> 00:01:13,417 NBC CLEARLY DON'T CARE EITHER, THIS TIME. 16 00:01:13,417 --> 00:01:16,286 SO, I MEAN, KEVIN HART WAS FIRED FROM THE OSCARS BECAUSE OF SOME 17 00:01:16,286 --> 00:01:18,956 OFFENSIVE TWEETS HELLO? 18 00:01:18,956 --> 00:01:24,861 LUCKY FOR ME, THE HOLLYWOOD FOREIGN PRESS CAN BARELY SPEAK 19 00:01:24,861 --> 00:01:30,467 ENGLISH AND THEY HAVE NO IDEA. SO I GOT OFFERED THIS GIG BY 20 00:01:30,467 --> 00:01:32,569 FAX. LET'S GO OUT WITH A BANG 21 00:01:32,569 --> 00:01:36,373 LET'S HAVE A LAUGH AT YOUR EXPENSE, SHALL WE? 22 00:01:36,373 --> 00:01:41,511 REMEMBER, THEY'RE JUST JOKES WE'RE ALL GOING TO DIE SOON AND 23 00:01:41,511 --> 00:01:45,315 THERE'S NO SEQUEL. SO, YEAH 24 00:01:45,315 --> 00:01:47,985 REMEMBER THAT. YOU ALL LOOK LOVELY, DOLLED UP 25 00:01:47,985 --> 00:01:53,623 YOU CAME IN YOUR LIMOS I CAME IN A LIMO TONIGHT 26 00:01:53,623 --> 00:01:58,261 AND THE LICENSE PLATE WAS FELICITY HUFFMAN 27 00:01:58,261 --> 00:02:00,998 NO, SHUSH. IT'S HER DAUGHTER I FEEL SORRY 28 00:02:00,998 --> 00:02:04,968 FOR, OKAY? THAT MUST BE THE MOST 29 00:02:04,968 --> 00:02:06,336 EMBARRASSING THING THAT'S EVER HAPPENED TO HER. 30 00:02:06,336 --> 00:02:10,640 AND HER DAD WAS IN "WILD HOGS. SO LOTS OF BIG CELEBRITIES HERE 31 00:02:10,640 --> 00:02:14,711 TONIGHT. I MEAN, LEGEND, ICONS, YEAH? 32 00:02:14,711 --> 00:02:18,815 THIS TABLE ALONE AL PACINO, ROBERT DE NIRO. 33 00:02:18,815 --> 00:02:26,390 [ APPLAUSE ] BABY YODA. 34 00:02:26,390 --> 00:02:31,828 THAT'S JOE PESCI, SORRY. I LOVE YOU, MAN, DON'T HAVE ME 35 00:02:31,828 --> 00:02:33,797 WHACKED. BUT TONIGHT ISN'T JUST ABOUT THE 36 00:02:33,797 --> 00:02:37,300 PEOPLE IN FRONT OF THE CAMERA. IN THIS ROOM ARE SOME OF THE 37 00:02:37,300 --> 00:02:40,037 MOST IMPORTANT TV AND FILM EXECUTIVES IN THE WORLD, PEOPLE 38 00:02:40,037 --> 00:02:42,506 FROM EVERY BACKGROUND. BUT THEY ALL HAVE ONE THING IN 39 00:02:42,506 --> 00:02:44,007 COMMON THEY'RE ALTER FIND OF RONAN 40 00:02:44,007 --> 00:02:47,110 FARROW HE'S COMING FOR YOU. 41 00:02:47,110 --> 00:02:56,787 HE'S COMING FOR YOU. LOOK, TALKING OF ALL YOU PERVERT 42 00:02:56,787 --> 00:03:01,091 PERVERTS, IT WAS A BIG YEAR, SURVIVING R. KELLY, LEAVING 43 00:03:01,091 --> 00:03:04,161 NEVER LAND, TWO POPES. SHUT UP, SHUT UP 44 00:03:04,161 --> 00:03:09,833 I DON'T CARE I DON'T CARE 45 00:03:09,833 --> 00:03:14,671 MANY TALENTED PEOPLE OF COLOR WERE SNUBBED IN MAJOR 46 00:03:14,671 --> 00:03:15,639 CATEGORIES UNFORTUNATELY THERE'S NOTHING WE 47 00:03:15,639 --> 00:03:18,241 CAN DO ABOUT THAT. THE HOLLYWOOD FOREIGN PRESS ARE 48 00:03:18,241 --> 00:03:25,182 ALL VERY, VERY RACIST. SO, FIFTH TIME 49 00:03:25,182 --> 00:03:29,853 WE WERE GOING TO DO AN IN MEMORIAM THIS YEAR 50 00:03:29,853 --> 00:03:33,657 WHEN I SAW THE LIST OF PEOPLE THAT DIED, IT WASN'T DIVERSE 51 00:03:33,657 --> 00:03:37,260 ENOUGH, NO IT WAS MOSTLY WHITE PEOPLE 52 00:03:37,260 --> 00:03:40,464 AND I THOUGHT, NO, NOT ON MY WATCH. 53 00:03:40,464 --> 00:03:46,570 MAYBE NEXT YEAR. LET'S SEE WHAT HAPPENS 54 00:03:46,570 --> 00:03:50,373 NO ONE CARES ABOUT MOVIES ANYMORE, NO ONE GOES TO CINEMA, 55 00:03:50,373 --> 00:03:55,345 NO ONE WATCHES NETWORK TV. EVERYONE'S WATCHING NETFLIX. 56 00:03:55,345 --> 00:04:00,150 THIS SHOW SHOULD JUST BE ME COMING OUT, YOU WIN EVERYTHING, 57 00:04:00,150 --> 00:04:03,253 NETFLIX, GOOD NIGHT. NO, WE DRAG IT OUT THREE HOURS 58 00:04:03,253 --> 00:04:06,623 YOU COULD BINGE WATCH "AFTERLIFE" INSTEAD OF WATCHING 59 00:04:06,623 --> 00:04:08,625 THIS SHOW. THAT'S A SHOW ABOUT A MAN WHO 60 00:04:08,625 --> 00:04:13,763 WANTS TO KILL HIMSELF BECAUSE HIS WIFE DICEES OF CANCER AND IT 61 00:04:13,763 --> 00:04:17,701 STILL MORE FUN THAN THIS, OKAY SPOILER ALERT, SEASON TWO IS ON 62 00:04:17,701 --> 00:04:23,507 THE WAY, SO IN THE END OBVIOUSLY HE DIDN'T KILL HIMSELF 63 00:04:23,507 --> 00:04:26,042 JUST LIKE JEFFREY EPSTEIN. SHUT UP. 64 00:04:26,042 --> 00:04:28,879 I KNOW HE'S YOUR FRIEND, BUT I DON'T CARE 65 00:04:28,879 --> 00:04:32,682 YOU HAVE TO MAKE YOUR OWN WAY HERE, YOUR OWN PLANE, DIDN'T 66 00:04:32,682 --> 00:04:35,719 YOU? BUT SERIOUSLY, MOST FILMS ARE 67 00:04:35,719 --> 00:04:38,021 AWFUL, LAZY. REMAKES, SEQUELS 68 00:04:38,021 --> 00:04:42,659 I'VE HEARD A RUMOR THERE MIGHT BE A SEQUEL TO "SOPHIE'S 69 00:04:42,659 --> 00:04:46,463 CHOICE." THAT WOULD JUST BE MERYL STREEP 70 00:04:46,463 --> 00:04:51,368 GOING, WELL, IT'S GOT TO BE THIS ONE THEN 71 00:04:51,368 --> 00:04:57,474 ALL THE BEST ACTORS HAVE JUMPED TO NETFLIX AND HBO, YOU KNOW 72 00:04:57,474 --> 00:05:04,214 THE ACTORS WHO JUST DO HOLLYWOOD MOVIES DO FANTASY ADVENTURE 73 00:05:04,214 --> 00:05:06,383 NONSENSE THEIR JOB ISN'T ACTING ANYMORE 74 00:05:06,383 --> 00:05:11,188 IT'S GOING TO THE GYM TWICE A DAY AND TAKING STEROIDS. 75 00:05:11,188 --> 00:05:13,857 REALLY DO WE HAVE AN AWARD FOR MOST 76 00:05:13,857 --> 00:05:16,960 RIPPED JUNKIE? NO POINT, WE KNOW WHO WOULD WIN 77 00:05:16,960 --> 00:05:19,863 THAT MARTIN SCORSESE, THE GREATEST 78 00:05:19,863 --> 00:05:22,632 LIVING DIRECTOR MADE THE NEWS FOR HIS CONTROVERSIAL COMMENTS 79 00:05:22,632 --> 00:05:27,103 ABOUT THE MARVEL FRANCHISE HE SAID THEY'RE NOT REAL CINEMA 80 00:05:27,103 --> 00:05:29,539 AND THEY REMIND HIM OF THEME PARKS. 81 00:05:29,539 --> 00:05:32,876 I AGREE, ALTHOUGH I DON'T KNOW WHAT HE'S DOING HANGING AROUND 82 00:05:32,876 --> 00:05:35,745 THEME PARKS. HE'S NOT BIG ENOUGH TO GO ON THE 83 00:05:35,745 --> 00:05:39,716 RIDES. TINY 84 00:05:39,716 --> 00:05:41,751 "THE IRISHMAN" WAS AMAZING IT WAS AMAZING 85 00:05:41,751 --> 00:05:45,055 [ APPLAUSE ] IT WAS 86 00:05:45,055 --> 00:05:52,996 IT WAS GREAT LONG, BUT AMAZING. 87 00:05:52,996 --> 00:06:00,570 IT WASN'T THE ONLY EPIC MOVIE. ONCE"ONCE UPON A TIME IN HOLLYW 88 00:06:00,570 --> 00:06:02,739 HOLLYWOOD," NEARLY THREE HOURS LONG 89 00:06:02,739 --> 00:06:05,442 LEONARDO DiCAPRIO ATTENDED THE PREVIEW AND BY THE END, HIS DATE 90 00:06:05,442 --> 00:06:11,681 WAS TOO OLD FOR HIM. EVEN PRINCE ANDREWS WAS LIKE, 91 00:06:11,681 --> 00:06:17,754 COME ON, LEO, MATE, YOU'RE NEARLY 50‐SOME 92 00:06:17,754 --> 00:06:25,161 THE WORLD GOT TO SEE JAMES CORDEN AS A FAT PUSSY. 93 00:06:25,161 --> 00:06:30,000 HE WAS LOOSER IN THE MOVIE "CATS" BUT NO ONE SAW THAT 94 00:06:30,000 --> 00:06:34,070 AND THE REVIEWS, OH, SHOCKING. I SAW ONE THAT SAID THIS IS THE 95 00:06:34,070 --> 00:06:40,043 WORST THING TO HAPPEN TO CATS SINCE DOGS 96 00:06:40,043 --> 00:06:43,513 BUT DAME JUDI DENCH DEFENDED THE FILM SAYING IT WAS THE ROLE SHE 97 00:06:43,513 --> 00:06:49,419 WAS BORN TO PLAY BECAUSE SHE ‐‐ I CAN'T DO THIS NEXT JOKE. 98 00:06:49,419 --> 00:06:53,156 BECAUSE SHE LOVES NOTHING BETTER THAN PLUNKING HERSELF DOWN ON 99 00:06:53,156 --> 00:07:04,701 THE CARPET, LIFTING HER LEG, AND LICKING HER [ MUTED ]. 100 00:07:04,701 --> 00:07:05,168 FUR BALL FUR BALL 101 00:07:05,168 --> 00:07:17,480 SHE'S OLD SCHOOL IT'S THE LAST TIME, WHO CARES? 102 00:07:17,480 --> 00:07:23,653 APPLE ROARED INTO THE TV GAME WITH "THE MORNING SHOW," A 103 00:07:23,653 --> 00:07:26,656 SUPERB DRAMA [ APPLAUSE ] 104 00:07:26,656 --> 00:07:29,993 A SUPERB DRAMA ABOUT THE IMPORTANCE OF DIGNITY AND DOING 105 00:07:29,993 --> 00:07:32,962 RIGHT THING MADE BY A COMPANY THAT RUNS SWEAT SHOPS IN CHINA 106 00:07:32,962 --> 00:07:35,899 YOU SAY YOU'RE WOKE BUT THE COMPANIES YOU WORK FOR, 107 00:07:35,899 --> 00:07:38,668 UNBELIEVABLE APPLE, AMAZON, DISNEY. 108 00:07:38,668 --> 00:07:41,938 IF ISIS STARTED A STREAM SERVICE, YOU WOULD CALL YOUR 109 00:07:41,938 --> 00:07:45,141 AGENT, WOULDN'T YOU? SO IF YOU DO WIN AN AWARD 110 00:07:45,141 --> 00:07:48,378 TONIGHT, DON'T USE IT AS A PLATFORM TO MAKE A POLITICAL 111 00:07:48,378 --> 00:07:51,147 SPEECH, RIGHT? YOU'RE IN NO POSITION TO LECTURE 112 00:07:51,147 --> 00:07:54,317 THE PUBLIC ABOUT ANYTHING. YOU KNOW NOTHING ABOUT THE REAL 113 00:07:54,317 --> 00:07:56,753 WORLD. MOST OF YOU SPENT LESS TIME IN 114 00:07:56,753 --> 00:08:00,590 SCHOOL THAN GRETA THUNBERG IF YOU WIN, COME UP, ACCEPT YOUR 115 00:08:00,590 --> 00:08:10,567 LITTLE AWARD, THANK YOUR AGENT AND YOUR GOD, AND [ MUTED ]. 116 00:08:10,567 --> 00:08:15,972 [ APPLAUSE ] IT'S ALREADY THREE HOURS LONG. 117 00:08:15,972 --> 00:08:17,774 RIGHT, LET'S DO THE FIRST AWARDS 118 00:08:17,774 --> 00:08:22,979 THE FIRST AWARDS THE FIRST AWARD IS FOR BEST 119 00:08:22,979 --> 00:08:27,384 ACTOR IN A TELEVISION SERIES, MUSICAL, OR COMEDY 120 00:08:27,384 --> 00:08:33,189 TO PRESENT THE AWARD THERE ARE A COUPLE OF ACTORS, JENNIFER 121 00:08:33,189 --> 00:08:54,978 ANISTON AND REESE WITHERSPOON. [ APPLAUSE ] 122 00:08:54,978 --> 00:08:57,313 >> IT'S NO PRESSURE, WHATEVER. >> GOOD MORNING. 123 00:08:57,313 --> 00:09:01,418 >> IT'S THE EVENING, I KNOW, I'M SORRY, GOOD EVENING. 124 00:09:01,418 --> 00:09:08,425 >> IT'S AN HONOR FOR US TO B HERE TO PRESENT THE FIRST TWO 125 00:09:08,425 --> 00:09:10,026 AWARDS OF THE EVENING. >> FIRST UP, THE NOMINEES FOR 126 00:09:10,026 --> 00:09:11,594 BEST ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES 127 00:09:11,594 --> 00:09:16,032 OR MOTION PICTURE MADE FOR TELEVISION 128 00:09:16,032 --> 00:09:18,134 >> MICHAEL DOUGLAS, "THE KOMINSKY METHOD. 129 00:09:18,134 --> 00:09:22,505 >> BILL HADER, "BARRY. >> BEN PLATT, "THE POLITICIAN. 130 00:09:22,505 --> 00:09:24,874 >> PAUL RUDD, "LIVING WITH YOURSELF." 131 00:09:24,874 --> 00:09:34,517 >> RAMY YOUSSEF, ""RAMY"RAM "RAM >> AND THE GOLDEN GLOBE GOES 132 00:09:34,517 --> 00:09:35,318 TO ‐‐ >> RAMY YOUSSEF. 133 00:09:35,318 --> 00:09:39,456 [ APPLAUSE ] OF. 134 00:09:39,456 --> 00:09:42,692 >> THIS IS RAMY YOUSSEF'S FIRST WIN AND FIRST NOMINATION 135 00:09:42,692 --> 00:09:50,133 HE WINS A GOLDEN GLOBE TONIGHT FOR HIS ROLE IN "RAMY. 136 00:09:50,133 --> 00:10:07,250 [ CHEERS AND APPLAUSE ♪♪ 137 00:10:07,250 --> 00:10:19,062 >> THANK YOU SO MUCH SO I WOULD LIKE TO THANK MY 138 00:10:19,062 --> 00:10:26,169 GOD,AL AGOD, AL 139 00:10:26,169 --> 00:10:26,636 ALLAHU AKBAR HULU 140 00:10:26,636 --> 00:10:28,638 I KNOW YOU GUYS HAVEN'T SEEN MY SHOW 141 00:10:28,638 --> 00:10:35,345 EVERYONE IS LIKE, IS THIS AN EDITOR 142 00:10:35,345 --> 00:10:40,483 WE MADE A VERY SPECIAL SHOW ABOUT AN ARAB MUSLIM FAMILY 143 00:10:40,483 --> 00:10:43,887 LIVING IN NEW JERSEY AND THIS MEANS A LOT, TO BE 144 00:10:43,887 --> 00:10:47,190 RECOGNIZED ON THIS LEVEL I WANT TO THANK EVERYONE WHO IS 145 00:10:47,190 --> 00:10:51,828 INVOLVED, MY CO‐CREATORS, PRODUCERS, MY FAMILY, MOM AND 146 00:10:51,828 --> 00:10:55,465 DAD. MY MOM WAS ROOTING FOR MICHAEL 147 00:10:55,465 --> 00:10:57,033 DOUGLAS. EGYPTIANS LOVE MICHAEL DOUGLAS, 148 00:10:57,033 --> 00:11:01,004 I DON'T KNOW IF YOU KNOW THIS. THIS MEANS A LOT 149 00:11:01,004 --> 00:11:03,439 THANK YOU SO MUCH, APPRECIATE IT 150 00:11:03,439 --> 00:11:19,222 [ APPLAUSE ] ♪♪ 151 00:11:19,222 --> 00:11:22,191 >> NOMINEES FOR THE BEST ACTOR IN A LIMITED SERIES OR MOTION 152 00:11:22,191 --> 00:11:27,397 PICTURE MADE FOR TELEVISION. >> FOR "CATCH‐22," CHRISTOPHER 153 00:11:27,397 --> 00:11:28,398 ABBOTT FOR "THE SPY," SACHA BARON 154 00:11:28,398 --> 00:11:35,438 COHEN. FOR "THE LOUDEST VOICE," RUSSELL 155 00:11:35,438 --> 00:11:39,976 CROWE. FOR "CHERNOBYL," JARED HARRIS. 156 00:11:39,976 --> 00:11:45,815 FOR "FOSSE/VEDON," SAM ROCKWELL. >> AND THE GOLDEN GLOBE GOES 157 00:11:45,815 --> 00:11:53,890 TO ‐‐ >> RUSSELL CROWE, "THE LOUDEST 158 00:11:53,890 --> 00:11:57,293 VOICE. [ APPLAUSE ] 159 00:11:57,293 --> 00:12:00,697 RUSSELL CROWE WOULD NOT BE HERE WITH US TONIGHT BECAUSE HE IS AT 160 00:12:00,697 --> 00:12:05,602 HOME IN AUSTRALIA PROTECTING HIS FAMILY FROM THE DEVASTATING BUSH 161 00:12:05,602 --> 00:12:08,371 FIRES. HE SENT ALONG THIS MESSAGE IN 162 00:12:08,371 --> 00:12:11,941 CASE HE WON. MAKE NO MISTAKE, THE TRAGEDY 163 00:12:11,941 --> 00:12:14,377 UNFOLDING IN AUSTRALIA IS CLIMATE CHANGE BASED 164 00:12:14,377 --> 00:12:20,316 WE NEED TO ACT BASED ON SCIENCE, MOVE OUR GLOBAL WORKFORCE TO 165 00:12:20,316 --> 00:12:23,886 RENEWABLE ENERGY AND RESPECT OUR PLANET FOR THE UNIQUE AND 166 00:12:23,886 --> 00:12:27,190 AMAZING PLACE IT IS. THAT WAY WE ALL HAVE A FUTURE. 167 00:12:27,190 --> 00:12:27,957 THANK YOU. [ CHEERS AND APPLAUSE 168 00:12:27,957 --> 00:12:33,429 ♪♪ >> LADIES AND GENTLEMEN, GOLDEN 169 00:12:33,429 --> 00:12:36,933 GLOBE WINNER AND NOMINEE TONIGHT FOR "THE REPORT," ANNETTE 170 00:12:36,933 --> 00:12:44,807 BENING >> OUR FIRST NOMINATED DRAMA IS 171 00:12:44,807 --> 00:12:50,113 SET DURING THE FIRST WORLD WAR TWO YOUNG BRITISH PRIVATES ARE 172 00:12:50,113 --> 00:12:54,350 GIVEN AN IMPOSSIBLE MISSION, TO DELIVER A MESSAGE DEEP IN ENEMY 173 00:12:54,350 --> 00:12:58,588 TERRITORY THAT WILL STOP 1,600 MEN, AND ONE OF THE 174 00:12:58,588 --> 00:13:03,359 SOLDIER'S BROTHERS, FROM WALKING STRAIGHT INTO A DEADLY TRAP. 175 00:13:03,359 --> 00:13:10,466 NOMINATED FOR THREE GOLDEN GLOBES, THIS IS "1917. 176 00:13:10,466 --> 00:13:12,368 >> I HAVE A BROTHER IN THE SECOND BATTALION 177 00:13:12,368 --> 00:13:14,203 >> YES, SIR. >> IS HE ALIVE 178 00:13:14,203 --> 00:13:17,340 >> AND WITH YOUR HELP I WOULD LIKE TO KEEP IT THAT WAY BUT 179 00:13:17,340 --> 00:13:20,076 THEY'RE WALKING INTO A TRAP. YOUR ORDERS ARE TO DELIVER A 180 00:13:20,076 --> 00:13:23,079 MESSAGE CALLING OFF TOMORROW MORNING'S ATTACK 181 00:13:23,079 --> 00:13:27,950 IF YOU DON'T, WE WILL LOSE 1,600 MEN, YOUR BROTHER AMONG THEM 182 00:13:27,950 --> 00:13:31,054 >> THERE IS ONLY ONE WAY THIS WAR ENDS 183 00:13:31,054 --> 00:13:36,092 LAST MAN STANDING. [ APPLAUSE ] 184 00:13:36,092 --> 00:13:45,134 ♪♪ >> NBC'S TELL HE CAST OF THE 185 00:13:45,134 --> 00:13:48,371 2020 GOLDEN GLOBE AWARDS IS PRESENTED IN PART BY L'ORÉAL 186 00:13:48,371 --> 00:13:52,841 PARIS, BECAUSE YOU'RE WORTH IT >>> 187 00:14:08,568 --> 00:14:10,603 >> Announcer: WELCOME BACK TO THE GOLDEN GLOBES. 188 00:14:10,603 --> 00:14:16,309 AND NOW, LADIES AND GENTLEMEN, ELTON JOHN AND BERNIE TAUPIN 189 00:14:16,309 --> 00:14:40,867 [ APPLAUSE ] >> THANK YOU 190 00:14:40,867 --> 00:14:58,418 [ CHEERS AND APPLAUSE >> THANK YOU 191 00:14:58,418 --> 00:15:01,721 THIS MOTION PICTURE IS A MUSICAL FANTASY ABOUT THE 192 00:15:01,721 --> 00:15:04,357 AMAZING BREAKTHROUGH YEARS OF THIS CHART‐TOPPING GLOBAL 193 00:15:04,357 --> 00:15:11,230 SUPERSTAR. >> IT'S ALSO THE STORY OF A 194 00:15:11,230 --> 00:15:15,068 LIFELONG FRIENDSHIP AND ‐‐ I CAN'T SEE IT ‐‐ AND 195 00:15:15,068 --> 00:15:17,704 SONGWRITING PARTNERSHIP WITH THIS GOLDEN GLOBE‐WINNING 196 00:15:17,704 --> 00:15:21,407 LEGEND NOMINATED FOR THREE GOLDEN 197 00:15:21,407 --> 00:15:25,912 GLOBES, THIS IS "ROCKETMAN." >> WHAT DID YOU SAY YOUR NAME 198 00:15:25,912 --> 00:15:28,448 WAS AGAIN? >> MY NAME IS ‐‐ 199 00:15:28,448 --> 00:15:32,452 >> REGGIE! >> REGINALD DWIGHT 200 00:15:32,452 --> 00:15:36,622 >> CAN YOU EVEN PLAY THE PIANO IN THOSE 201 00:15:36,622 --> 00:15:40,660 >> THIS IS RIDICULOUS. >> PEOPLE DON'T PAY TO SEE REG 202 00:15:40,660 --> 00:15:42,795 WHITE. THEY SAY TO SEE ELTON JOHN 203 00:15:42,795 --> 00:15:45,832 >> MAYBE ISSUE OF TRIED TO BE MORE ORDINARY. 204 00:15:45,832 --> 00:15:48,167 >> YOU WERE NEVER ORDINARY >> SUCH A SHY LITTLE BOY YOU 205 00:15:48,167 --> 00:15:53,506 WERE LOOK AT YOU NOW. 206 00:15:53,506 --> 00:16:01,080 [ APPLAUSE ] >> IN A LITTLE WHILE WE'RE GOING 207 00:16:01,080 --> 00:16:04,684 TO SEE A SHORT CLIP FROM "THE IRISHMAN." 208 00:16:04,684 --> 00:16:10,490 IT'S 88 MINUTES LONG [ LAUGHTER ] 209 00:16:10,490 --> 00:16:15,595 IN THE MEANTIME, HERE IS SOFIA VERGARA AN 210 00:16:15,595 --> 00:16:16,529 MATT BOMER [ APPLAUSE ] 211 00:16:16,529 --> 00:16:24,337 ♪♪ >> THERE WERE SO MANY REASONS TO 212 00:16:24,337 --> 00:16:27,507 WATCH TELEVISION THE PAST YEAR SOME PEOPLE WATCH TO BE 213 00:16:27,507 --> 00:16:31,544 ENTERTAINED. >> THAT WAS MINE 214 00:16:31,544 --> 00:16:33,579 GO AHEAD, I'M SORRY. >> SOME PEOPLE WATCHED TO BE 215 00:16:33,579 --> 00:16:35,314 ENTERTAINED. OTHERS TO ESCAPE FROM THE NEWS 216 00:16:35,314 --> 00:16:37,950 MOST OF US FOR A COMBINATION OF THE TWO. 217 00:16:37,950 --> 00:16:40,086 >> AND LET'S NOT FORGET FIVE OF THE BEST REASONS 218 00:16:40,086 --> 00:16:43,222 TO WATCH THE BRILLIANCE OF THESE NOMINEES FOR SUPPORTING ACTOR IN 219 00:16:43,222 --> 00:16:46,959 A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR 220 00:16:46,959 --> 00:16:50,663 TELEVISION >> Announcer: FOR "THE KOMINSKY 221 00:16:50,663 --> 00:16:58,070 METHOD," ALAN ARKIN. FOR "SUCCESSION," KIERAN CULKIN. 222 00:16:58,070 --> 00:17:03,876 FOR "FLEABAG," ANDREW SCOTT. FOR "CHERNOBYL," 223 00:17:03,876 --> 00:17:10,783 STELLAN SKARSGÅRD FOR "BARRY," HENRY WINKLER 224 00:17:10,783 --> 00:17:16,622 >> AND THE GOLDEN GLOBE GOES TO ‐ 225 00:17:16,622 --> 00:17:22,929 STELLAN SKARSGARD, "CHERNOBYL. >> THIS IS STELLAN SKARSGARD'S 226 00:17:22,929 --> 00:17:31,537 FIRST NOMINATION AND FIRST WIN HE WINS HIS GOLDEN GLOBE FOR HIS 227 00:17:31,537 --> 00:17:40,213 ROLL AS BORIS SHCHERBINA IN "CHERNOBYL." 228 00:17:40,213 --> 00:17:46,752 [ APPLAUSE ] >> I WAS SO ASSURED THAT I 229 00:17:46,752 --> 00:17:51,824 SHOULDN'T WIN, SO I ALREADY THANKED EVERYBODY. 230 00:17:51,824 --> 00:17:57,063 I THANKED THE BRILLIANT DIRECTOR, AND THE SCRIPTWRITER 231 00:17:57,063 --> 00:18:01,701 FOR HIS GREAT SCRIPT ALL THE PRODUCERS FROM HBO AND 232 00:18:01,701 --> 00:18:04,937 EVERYBODY. I SHOULD, THOUGH, THANK ONE 233 00:18:04,937 --> 00:18:11,377 PERSON AND THAT IS MILOS FOREMAN SAID TO ME A COUPLE OF YEARS 234 00:18:11,377 --> 00:18:14,814 AGO, STELLAN, I'VE SEEN SO MANY FILMS WITH YOU BUT I NEVER 235 00:18:14,814 --> 00:18:22,989 REMEMBER YOUR FACE AND I REALIZED IT WAS BECAUSE I 236 00:18:22,989 --> 00:18:24,557 DON'T HAVE ANY EYEBROWS. NOBODY COULD TELL IF I'M ANGRY 237 00:18:24,557 --> 00:18:29,896 OR SURPRISED IT'S NOT LIKE COLIN FARRELL. 238 00:18:29,896 --> 00:18:33,766 YOU CAN TELL IF HE'S ANGRY 20 MILES AWAY 239 00:18:33,766 --> 00:18:37,803 BUT FOR THIS FILM, DANIEL PARKER MADE A COUPLE OF EYEBROWS FOR 240 00:18:37,803 --> 00:18:42,208 ME AND ‐‐ 241 00:18:42,208 --> 00:18:55,054 [ CHEERS AND APPLAUSE ♪♪ 242 00:18:55,054 --> 00:19:01,260 >> HERE ARE THE NOMINEES FOR BEST TELEVISION SERIES DRAMA 243 00:19:01,260 --> 00:19:07,300 >> Announcer: "BIG LITTLE LIES." "THE CROWN." 244 00:19:07,300 --> 00:19:14,907 "KILLING EVE." "THE MORNING SHOW. 245 00:19:14,907 --> 00:19:19,612 "SUCCESSION. >> AND THE GOLDEN GLOBES GOES TO 246 00:19:19,612 --> 00:19:26,852 "SUCCESSION," HBO. [ CHEERS AND APPLAUSE 247 00:19:26,852 --> 00:19:29,255 >> Announcer: CREATOR AND EXECUTIVE PRODUCER JESSE 248 00:19:29,255 --> 00:19:31,724 ARMSTRONG, EXECUTIVE PRODUCER FRANK RICH AND EXECUTIVE 249 00:19:31,724 --> 00:19:35,895 PRODUCER AND DIRECTOR MIKE MYLAR. 250 00:19:35,895 --> 00:19:42,568 ACCEPTING THE GOLDEN GLOBE TONIGHT IS JESSE ARMSTRONG 251 00:19:42,568 --> 00:20:13,065 [ APPLAUSE ] ♪♪ 252 00:20:13,065 --> 00:20:18,671 >> THANK YOU VERY MUCH THANK YOU TO THE HOLLYWOOD 253 00:20:18,671 --> 00:20:22,975 FOREIGN PRESS ASSOCIATION. THANKS TO HBO FOR THEIR 254 00:20:22,975 --> 00:20:28,714 TREMENDOUS SUPPORT, TO FRANCESCA MORRISSEY, WHO HAS GIVEN US SUCH 255 00:20:28,714 --> 00:20:33,119 GOOD SUPPORT, AND FOR EVERYONE ELSE WHO WORKS ON THE SHOW 256 00:20:33,119 --> 00:20:38,224 YOU KNOW, IT'S A TEAM SHOW I AM HERE AS THE REPRESENTATIVE 257 00:20:38,224 --> 00:20:41,527 TO ACCEPT IT ON BEHALF OF ALL OF US 258 00:20:41,527 --> 00:20:48,200 IF YOU'VE EVER APPEARED ON THE CALL SHEET OR IN THE TITLES OF 259 00:20:48,200 --> 00:20:52,872 "SUCCESSION," CONGRATULATIONS, WE'VE WON A GOLDEN GLOBE 260 00:20:52,872 --> 00:20:58,678 [ APPLAUSE ] ♪♪ 261 00:20:58,678 --> 00:21:02,659 >> Announcer: OUR PARTY CONTINUES WITH HOLLYWOOD 262 00:21:02,659 --> 00:21:04,834 A‐LIFTERS PLUS THE AWARDS FO >>> 263 00:21:11,604 --> 00:21:15,375 WELCOME BACK ARE YOU HAVING A GOOD TIME GOOD 264 00:21:15,375 --> 00:21:19,646 AS YOU KNOW, THE MEAL TONIGHT WAS ALL VEGETABLES 265 00:21:19,646 --> 00:21:24,985 AS ARE THE MEMBERS OF THE HOLLYWOOD FOREIGN PRESS. 266 00:21:24,985 --> 00:21:29,956 PLEASE WELCOME THEIR PRESIDENT, LORENZO SORIA. 267 00:21:29,956 --> 00:21:37,864 [ APPLAUSE ] ♪♪ 268 00:21:37,864 --> 00:21:40,934 >> YOU KEEP SAYING THIS IS YOUR LAST YEAR HOSTING. 269 00:21:40,934 --> 00:21:49,409 FOR GOD'S SAKE, PLEASE PUT IT IN WRITING. 270 00:21:49,409 --> 00:21:52,312 ON BEHALF OF THE ASSOCIATION, WELCOME. 271 00:21:52,312 --> 00:21:57,384 I'M HONORED TO BE HERE TO CELEBRATE AND RECOGNIZE 272 00:21:57,384 --> 00:22:02,522 EXTRAORDINARY ARTISTS. YOU MOVE US, YOU INSPIRE US. 273 00:22:02,522 --> 00:22:09,562 YOU BRING US NEW PERSPECTIVES. AS WE ENTER A NEW ERA AND 274 00:22:09,562 --> 00:22:12,799 ENVISION WHAT OUR FUTURE HOLDS, WE KNOW THAT WE CAN DO BETTER, 275 00:22:12,799 --> 00:22:17,137 AS AN INDUSTRY, AS A COLLECTIVE, AND AS INDIVIDUALS, WE HAVE THE 276 00:22:17,137 --> 00:22:23,043 POWER TO MAKE OUR EVERY ACTION COUNT. 277 00:22:23,043 --> 00:22:25,278 TO GIVE PURPOSE TO EVERYTHING WE DO 278 00:22:25,278 --> 00:22:28,648 THANK YOU FOR JOINING US AND ENJOY THE SHOW 279 00:22:28,648 --> 00:22:31,985 [ APPLAUSE ] ♪♪ 280 00:22:31,985 --> 00:22:42,495 >> FROM "THE IRISHMAN," PLEASE WELCOME HARVEY KEITEL. 281 00:22:42,495 --> 00:22:47,067 [ APPLAUSE ] 282 00:22:47,967 --> 00:22:57,243 >> THANK YOU THIS NEXT DRAMA WAS BRILLIANTLY 283 00:22:57,243 --> 00:23:03,950 DIRECTED BY MY DEAR FRIEND SINCE HIS NYU SCHOOL FILM DAYS 284 00:23:03,950 --> 00:23:06,719 MARTIN SCORSESE. [ APPLAUSE ] 285 00:23:06,719 --> 00:23:13,526 HIS EPIC SAGA CHRONICLES THE LIFE OF HITMAN FRANK SHEEHAN AND 286 00:23:13,526 --> 00:23:19,466 THE DISAPPEARANCE OF UNION BOSS JIMMY HOFFA, CARRIED ON THE 287 00:23:19,466 --> 00:23:24,537 SHOULDERS OF AL PACINO, ROBERT DE NIRO, AND JOE PESCI 288 00:23:24,537 --> 00:23:32,645 IT'S A TALE OF FAMILY, REGRET. THE BONDS WE FORGE AND THOSE WE 289 00:23:32,645 --> 00:23:36,483 TRAGICALLY ALLOW TO UNRAVEL. THIS IS "THE IRISHMAN. 290 00:23:36,483 --> 00:23:39,385 >> I WANT YOU TO MEET MY COUSIN. >> HOW ARE YOU 291 00:23:39,385 --> 00:23:42,655 >> NICE TO MEET YOU. >> IT WAS LIKE THE ARMY. 292 00:23:42,655 --> 00:23:45,558 YOU FOLLOW ORDERS. YOU GOT REWARDED 293 00:23:45,558 --> 00:23:49,496 >> BACK THEN THERE WAS NOBODY IN THIS COUNTRY WHO DIDN'T KNOW WHO 294 00:23:49,496 --> 00:23:51,865 JIMMY HOFFA WAS. >> WOULD YOU LIKE TO BE PART OF 295 00:23:51,865 --> 00:23:54,801 HISTORY? >> I KNOW THINGS THEY DON'T EVEN 296 00:23:54,801 --> 00:23:57,470 I KNOW >> WHAT ELSE DID THEY SAY? 297 00:23:57,470 --> 00:24:05,078 >> EITHER WAY, HE'S GOING. [ APPLAUSE ] 298 00:24:05,078 --> 00:24:07,747 >> FROM "THE GOOD PLACE," TED DANSON, AND STAR AND 299 00:24:07,747 --> 00:24:10,383 EXECUTIVE PRODUCER OF THE UPCOMING SERIES "LITTLE FIRES 300 00:24:10,383 --> 00:24:14,454 EVERYWHERE," KERRY WASHINGTON. [ APPLAUSE ] 301 00:24:14,454 --> 00:24:16,890 ♪♪ 302 00:24:18,258 --> 00:24:22,295 >> GOOD EVENING. KERRY AND I ARE BOTH VERY HAPPY 303 00:24:22,295 --> 00:24:23,897 TO BE HERE >> WE ARE. 304 00:24:23,897 --> 00:24:28,735 SOME SAY THIS NEXT GROUP OF NOMINEES ARE EITHER GOD‐LIKE 305 00:24:28,735 --> 00:24:32,939 DOLLS OR A BUNCH OF FLEABAGS WHO ARE DEAD TO ME 306 00:24:32,939 --> 00:24:36,042 EITHER WAY THEY ARE ALL MARVELOUSLY TALENTED 307 00:24:36,042 --> 00:24:38,378 >> HERE ARE THE NOMINEES FOR BEST ACTRESS 308 00:24:38,378 --> 00:24:41,548 IN A TV SERIES, MUSICAL OR COMEDY ‐ 309 00:24:41,548 --> 00:24:45,251 >> Announcer: FOR "DEAD TO ME," CHRISTINA APPLEGATE. 310 00:24:45,251 --> 00:24:50,023 FOR "THE MARVELOUS MRS. MAISEL," RACHEL BROSNAHAN 311 00:24:50,023 --> 00:24:55,328 FOR "ON BECOMING A GOD IN CENTRAL FLORIDA," KIRSTEN DUNST. 312 00:24:55,328 --> 00:24:58,498 FOR "RUSSIAN DOLL," NATASHA LYONNE 313 00:24:58,498 --> 00:25:04,337 FOR "FLEABAG," PHOEBE WALLER‐BRIDGE 314 00:25:04,337 --> 00:25:12,078 >> AND THE GOLDEN GLOBE GOES TO ‐ 315 00:25:12,078 --> 00:25:21,354 PHOEBE WALLER‐BRIDGE, "FLEABAG." >> Announcer: THIS IS PHOEBE 316 00:25:21,354 --> 00:25:23,923 WALLER‐BRIDGE'S FIRST WIN TONIGHT. 317 00:25:23,923 --> 00:25:29,596 SHE WINS FOR HER ROLE AS FLEABAG IN "FLEABAG. 318 00:25:29,596 --> 00:25:53,152 ♪♪ [ APPLAUSE ] 319 00:25:53,152 --> 00:26:01,561 >> OH, MY GOD. THANK YOU SO MUCH, THIS IS 320 00:26:01,561 --> 00:26:06,799 REALLY HAPPY IN COOL THIS REALLY COMES DOWN TO ANDREW 321 00:26:06,799 --> 00:26:15,174 SCOTT, REALLY, BECAUSE THAT MAN, THERE WAS A LOT OF TALK ABOUT 322 00:26:15,174 --> 00:26:18,911 THE CHEMISTRY OF US IN THE SHOW. REALLY, HE CAN HAVE CHEMISTRY 323 00:26:18,911 --> 00:26:21,514 WITH A PEBBLE. SO I LOVED BEING ANDREW'S PEBBLE 324 00:26:21,514 --> 00:26:24,050 IN THIS. THANK YOU SO MUCH FOR BRINGING 325 00:26:24,050 --> 00:26:29,722 SO MUCH FIRE TO THIS SEASON. THANK YOU SO MUCH TO HARRY, MY 326 00:26:29,722 --> 00:26:32,725 AMAZING DIRECTOR, EVEN WHEN I WAS LIKE, THAT'S NOT HOW IT'S 327 00:26:32,725 --> 00:26:38,431 MEANT TO BE DONE, AND HE'S LIKE, DO IT MY WAY, AND THAT ANNOYS 328 00:26:38,431 --> 00:26:43,069 ME, BUT HE'S RIGHT I WOULD LIKE TO TAKE THIS 329 00:26:43,069 --> 00:26:46,572 OPPORTUNITY TO MAKE A SPECIAL THANK YOU TO OUR DIRECTOR OF 330 00:26:46,572 --> 00:26:54,847 PHOTOGRAPHY TONY MILLER WHO MADE OUR TV SHOW LOOK LIKE A MOVIE. 331 00:26:54,847 --> 00:26:59,118 HE WAS THE CAMERA OPERATOR AS WELL, HE WAS ALWAYS THE PERSON I 332 00:26:59,118 --> 00:27:01,254 LOOKED DOWN THE CAMERA TO. I WOULD LOVE TO FIND THE CAMERA 333 00:27:01,254 --> 00:27:06,159 NOW TO THANK YOU, TONY THANK YOU SO MUCH TO MY AGENT, 334 00:27:06,159 --> 00:27:10,396 AMAZON, AND BBC, FOR PICKING UP THIS LITTLE SCRAP OF A SHOW AND 335 00:27:10,396 --> 00:27:14,567 BRINGING IT ALL THE WAY HERE IT MEANS THE WORLD TO ME 336 00:27:14,567 --> 00:27:15,268 THANK YOU SO MUCH. [ APPLAUSE ] 337 00:27:15,268 --> 00:27:18,071 ♪♪ >> Announcer: PLEASE WELCOME 338 00:27:18,071 --> 00:27:20,206 GOLDEN GLOBE WINNER FOR "GAME OF THRONES," KIT HARRINGTON 339 00:27:20,206 --> 00:27:23,609 AND FROM "THE LOUDEST VOICE," SIENNA MILLER. 340 00:27:23,609 --> 00:27:29,782 [ APPLAUSE ] 341 00:27:31,084 --> 00:27:33,720 >> THE GOLDEN GLOBES HAVE A LONG HISTORY OF RECOGNIZING THE VERY 342 00:27:33,720 --> 00:27:37,957 BEST IN INTERNATIONAL MOVIES >> "A MAN AND A WOMAN", "Z", AND 343 00:27:37,957 --> 00:27:41,160 "CROUCHING TIGER HIDDEN DRAGON" ARE JUST A FEW OF THE CLASSICS 344 00:27:41,160 --> 00:27:43,796 THAT WERE NAMED AS BEST FOREIGN LANGUAGE FILM. 345 00:27:43,796 --> 00:27:50,136 HERE ARE THIS YEAR'S NOMINEES. >> Announcer: "THE FAREWELL," 346 00:27:50,136 --> 00:27:56,476 U.S.A. "LES MISERABLES," FRANCE 347 00:27:56,476 --> 00:28:07,153 "PAIN AND GLORY," SPAIN. "PORTRAIT OF A LADY ON FIRE. 348 00:28:07,153 --> 00:28:11,991 >> THE GOLDEN GLOBE GOES TO "PARASITE. 349 00:28:11,991 --> 00:28:13,059 [ CHEERS AND APPLAUSE >> Announcer: COMING TO THE 350 00:28:13,059 --> 00:28:17,096 STAGE TONIGHT AND ACCEPTING THE GOLDEN GLOBE FOR PARASITE IS 351 00:28:17,096 --> 00:28:26,606 WRITER, DIRECTOR, AND PRODUCER, BONG JOON‐HO 352 00:28:26,606 --> 00:28:45,858 [ APPLAUSE ] ♪♪ 353 00:28:45,858 --> 00:28:50,897 >> WOW, AMAZING. UNBELIEVABLE 354 00:28:50,897 --> 00:28:55,501 I'M A FOREIGN LANGUAGE FILMMAKER SO I HAVE A TRANSLATOR HERE, 355 00:28:55,501 --> 00:29:07,180 PLEASE UNDERSTAND. [ SPEAKING FOREIGN LANGUAGE 356 00:29:07,180 --> 00:29:12,118 >> Translator: ONCE YOU OVERCOME THE ONE INCH TALL BARRIER OF 357 00:29:12,118 --> 00:29:14,287 SUBTITLES, YOU WILL BE INTRODUCED TO SO MANY MORE 358 00:29:14,287 --> 00:29:32,038 AMAZING FILMS. [ CHEERS AND APPLAUSE 359 00:29:32,038 --> 00:29:35,808 JUST BEING NOMINATED ALONG WITH FELLOW AMAZING INTERNATIONAL 360 00:29:35,808 --> 00:29:41,914 FILMMAKERS WAS A HUGE HONOR. >> I THINK WE USE ONLY JUST ONE 361 00:29:41,914 --> 00:29:43,783 LANGUAGE, THE CINEMA THANK YOU. 362 00:29:43,783 --> 00:29:48,921 [ APPLAUSE ] >> Announcer: SOME OF THE 363 00:29:48,921 --> 00:29:51,757 BIGGEST STARS IN HOLLYWOOD ARE GETTING READY FOR KATE McKINNON 364 00:29:51,757 --> 00:29:54,888 AND ELLEN DeGENERES, THEY'RE >>> 365 00:30:05,216 --> 00:30:06,288 WELCOME BACK TO THE 366 00:30:06,288 --> 00:30:13,695 GOLDEN GLOBES. LADIES AND GENTLEMEN, PIERCE 367 00:30:13,695 --> 00:30:18,356 BROSNAN. [ APPLAUSE ] 368 00:30:18,356 --> 00:30:23,862 >> THIS YEAR'S GOLDEN GLOBE AMBASSADORS TWO BROTHERS WHO 369 00:30:23,862 --> 00:30:30,102 WERE CHOSE TO HIGHLIGHT THE HFPA'S 370 00:30:30,102 --> 00:30:35,173 YEAR‐ROUND PHILANTHROPIC EFFORTS. 371 00:30:35,173 --> 00:30:38,877 I AM THRILLED TO INTRODUCE MY SONS BILL AND PARIS. 372 00:30:38,877 --> 00:30:43,081 [ APPLAUSE ] >> THANK YOU, DAD. 373 00:30:43,081 --> 00:30:48,587 OUR PARENTS TAUGHT US ABOUT THE IMPORTANCE AND POWER OF GIVING 374 00:30:48,587 --> 00:30:54,292 ONE IN NINE PEOPLE AROUND THE WORLD ARE HUNGRY, MANY OF THEM 375 00:30:54,292 --> 00:30:55,861 CHILDREN THAT'S WHY OUR CAUSE IS FEED, AN 376 00:30:55,861 --> 00:30:59,297 ORGANIZATION THAT HELPS TACKLE CHILDHOOD HUNGER 377 00:30:59,297 --> 00:31:02,734 >> FEED HAS PROVIDED MEALS TO SCHOOLCHILDREN IN THE U. S. AND 378 00:31:02,734 --> 00:31:06,404 AROUND THE WORLD SINCE 2007. WE'RE LOOKING FORWARD TO RAISING 379 00:31:06,404 --> 00:31:07,539 AWARENESS. FROM THE BOTH OF US, THANK YOU 380 00:31:07,539 --> 00:31:13,612 FOR THIS HONOR [ APPLAUSE ] 381 00:31:13,612 --> 00:31:19,284 >> AND SPEAKING OF OPENING OUR HEARTS, ALL OF US AT THE GOLDEN 382 00:31:19,284 --> 00:31:24,089 GLOBES AND THE HFPA SEND OUR THOUGHTS TO THE PEOPLE AFFECTED 383 00:31:24,089 --> 00:31:27,526 BY THE BUSH FIRES IN AUSTRALIA STAY STRONG. 384 00:31:27,526 --> 00:31:28,960 WE'RE WITH YOU GOD BLESS. 385 00:31:28,960 --> 00:31:33,565 [ APPLAUSE ] >> Announcer: AND NOW FROM 386 00:31:33,565 --> 00:31:42,374 "SATURDAY NIGHT LIVE" AND "BOMBSHELL," KATE McKINNON 387 00:31:42,374 --> 00:31:44,009 [ APPLAUSE ] >> HELLO 388 00:31:44,009 --> 00:31:50,015 HOW ARE YOU GUYS THE CAROL BURNETT AWARD IS GIVEN 389 00:31:50,015 --> 00:31:54,085 TO SOMEONE WHO, LIKE ITS NAMESAKE, CAROL BURNETT, HAS 390 00:31:54,085 --> 00:31:58,990 GIVEN US DECADES OF LAUGHTER, TEARS, AND A NEW SENSE OF WHAT'S 391 00:31:58,990 --> 00:32:01,026 POSSIBLE SO I WOULD LIKE TO READ A LIST 392 00:32:01,026 --> 00:32:06,731 OF THINGS THAT TONIGHT'S RECIPIENT ELLEN DeGENERES HAS 393 00:32:06,731 --> 00:32:12,170 PERSONALLY GIVEN ME. SOME OF THESE ARE SPIRITUAL AND 394 00:32:12,170 --> 00:32:14,873 SOME OF THEM ARE PIECES OF CLOTHING I GOT TO KEEP AFTER 395 00:32:14,873 --> 00:32:17,676 DOING IMPRESSIONS OF HER ON HER TALK SHOW. 396 00:32:17,676 --> 00:32:22,547 A ROADMAP FOR A WAY TO BE FUNNY THAT IS GROUNDED IN AN 397 00:32:22,547 --> 00:32:27,886 EXPRESSION OF JOY. TWO PAIRS OF SAM SMITH SNEAKERS. 398 00:32:27,886 --> 00:32:31,056 THAT'S ONE OF THE CLOSE ONES A DESIRE TO BRING EVERYONE 399 00:32:31,056 --> 00:32:35,660 TOGETHER BY LAUGHING ABOUT THE THINGS THAT WE HAVE IN COMMON. 400 00:32:35,660 --> 00:32:43,101 MY BEST COLLARED SHIRTS. A SENSE OF SELF. 401 00:32:43,101 --> 00:32:48,173 I HAVE TO EXPLAIN THAT ONE MORE. IN 1997, WHEN ELLEN'S SITCOM WAS 402 00:32:48,173 --> 00:32:52,944 AT THE HEIGHT OF ITS POPULARITY, I WAS IN MY MOTHER'S BASEMENT 403 00:32:52,944 --> 00:32:57,883 LIFTING WEIGHTS IN FRONT OF THE MIRROR AND THINKING, AM I GAY? 404 00:32:57,883 --> 00:33:02,754 AND I WAS. AND I STILL AM 405 00:33:02,754 --> 00:33:11,496 [ CHEERS AND APPLAUSE BUT THAT'S A VERY SCARY THING TO 406 00:33:11,496 --> 00:33:17,335 SUDDENLY KNOW ABOUT YOURSELF IT'S SORT OF LIKE DOING 23ANDME 407 00:33:17,335 --> 00:33:19,671 AND DISCOVERING YOU HAVE ALIEN DNA. 408 00:33:19,671 --> 00:33:23,875 AND THE ONLY THING THAT MADE IT LESS SCARY WAS SEEING ELLEN ON 409 00:33:23,875 --> 00:33:25,710 TV SHE RISKED HER ENTIRE LIFE AND 410 00:33:25,710 --> 00:33:28,079 HER ENTIRE CAREER IN ORDER TO TELL THE TRUTH AND SHE SUFFERED 411 00:33:28,079 --> 00:33:31,816 GREATLY FOR IT OF COURSE ATTITUDES CHANGE, BUT 412 00:33:31,816 --> 00:33:35,053 ONLY BECAUSE BRAVE PEOPLE LIKE ELLEN JUMP INTO THE FIRE TO MAKE 413 00:33:35,053 --> 00:33:38,023 THEM CHANGE. AND IF I HADN'T SEEN HER ON TV, 414 00:33:38,023 --> 00:33:42,560 I WOULD HAVE THOUGHT, I COULD NEVER BE ON TV, THEY DON'T LET 415 00:33:42,560 --> 00:33:44,963 LGBTQ PEOPLE ON TV, AND MORE THAN THAT, I WOULD HAVE GONE ON 416 00:33:44,963 --> 00:33:47,933 THINKING THAT I WAS AN ALIEN AND THAT I MAYBE DIDN'T EVEN HAVE A 417 00:33:47,933 --> 00:33:51,703 RIGHT TO BE HERE SO THANK YOU, ELLEN, FOR GIVING 418 00:33:51,703 --> 00:34:04,749 ME A SHOT. [ APPLAUSE ] 419 00:34:04,749 --> 00:34:08,153 A SHOT AT A GOOD LIFE. AND THANK YOU ALSO FOR THE 420 00:34:08,153 --> 00:34:10,655 SWEATER WITH THE PICTURES OF BABY GOAT ON IT. 421 00:34:10,655 --> 00:34:17,195 LET'S TAKE A LOOK AT HER CAREER. >> WHEN WE TRY ON SHOES, WE DO 422 00:34:17,195 --> 00:34:19,898 THINGS WE'RE NEVER GOING TO DO IN THEM. 423 00:34:19,898 --> 00:34:25,103 WE STAND UP. THESE ARE GOOD 424 00:34:25,103 --> 00:34:35,447 THESE ARE GOOD I LIKE THESE 425 00:34:35,447 --> 00:34:39,250 >> PLEASE GIVE A WARM WELCOME TO ELLEN DeGENERES. 426 00:34:39,250 --> 00:34:44,055 >> YOU HAVE TO STAY IN SHAPE MY GRANDMOTHER STARTED WALKING 427 00:34:44,055 --> 00:34:47,058 FIVE MILES A DAY WHEN SHE WAS 60 428 00:34:47,058 --> 00:34:50,195 SHE'S 90 TODAY AND WE DON'T KNOW WHERE THE HELL SHE IS. 429 00:34:50,195 --> 00:34:53,431 >> HER FIRST APPEARANCE ON NETWORK TELEVISION, ELLEN 430 00:34:53,431 --> 00:34:54,966 DeGENERES. >> PLEASE WELCOME ELLEN 431 00:34:54,966 --> 00:34:58,503 DeGENERES. ♪♪ 432 00:34:58,503 --> 00:35:01,573 >> YOU NEED TO CALM DOWN >> NOT THERE, THAT'S THE FOR 433 00:35:01,573 --> 00:35:09,614 COMPANY. ♪♪ 434 00:35:09,614 --> 00:35:13,084 >> WHAT IS WRONG WHY DO I HAVE TO BE SO ASHAMED 435 00:35:13,084 --> 00:35:21,259 WHY CAN'T I JUST SAY THE TRUTH SUSAN, I'M GAY 436 00:35:21,259 --> 00:35:24,195 >> FOR THE FIRST TIME, THE LEAD CHARACTER IN A PRIME TIME SHOW 437 00:35:24,195 --> 00:35:27,699 WILL REVEAL HERSELF TO BE GAY, OH, BOY. 438 00:35:27,699 --> 00:35:30,268 HAS THE WORLD BEEN TALKING ABOUT THAT 439 00:35:30,268 --> 00:35:33,004 >> IT WAS CALLED THE PUPPY EPISODE BECAUSE WE WANTED TO 440 00:35:33,004 --> 00:35:38,143 KEEP IT A SECRET UNTIL WE AIRED AND ELLEN THROWING HER CAREER 441 00:35:38,143 --> 00:35:42,647 AWAY SEEMED TO BE ON THE NOSE. I LOST MY SITCOM WHEN I CAME 442 00:35:42,647 --> 00:35:45,583 OUT. THE SAME PEOPLE WHO LOVED ME, 443 00:35:45,583 --> 00:35:48,620 OVERNIGHT THEY HATED ME. THERE WAS ONLY ONE PLACE TO GO 444 00:35:48,620 --> 00:35:53,425 AFTER THAT, AND THAT IS WORLD DOMINATION 445 00:35:53,425 --> 00:35:54,859 TURN OFF THE NEWS, TURN ON ELLEN. 446 00:35:54,859 --> 00:36:05,470 YOU WILL FEEL BETTER ♪♪ 447 00:36:05,470 --> 00:36:08,907 >> WE USE 10% OF OUR BRAINS. IMAGINE WHAT WE COULD ACCOMPLISH 448 00:36:08,907 --> 00:36:14,012 IF WE USED THE OTHER 60% DO YOU KNOW WHAT I'M SAYING? 449 00:36:14,012 --> 00:36:18,316 >> FOR EVERY PERSON THAT GETS DUNKED, WE WILL DONATE $10,000 450 00:36:18,316 --> 00:36:21,453 FOR BREAST CANCER RESEARCH >> FOR ME THE MOST IMPORTANT 451 00:36:21,453 --> 00:36:25,590 THING IN YOUR LIFE IS TO LIVE YOUR LIFE WITH INTEGRITY 452 00:36:25,590 --> 00:36:27,092 >> WHAT? THAT'S FUNNY 453 00:36:27,092 --> 00:36:30,895 PUT THAT IN. YES, YES 454 00:36:30,895 --> 00:36:34,866 >> THE GOAL IS TO SAVE A SPECIES ON THE BRINK OF EXTINCTION 455 00:36:34,866 --> 00:36:38,503 >> IT'S BEEN AMAZING, A DREAM COME TRUE. 456 00:36:38,503 --> 00:36:40,839 VERY EXCITING. >> THIS IS A THRILL FOR ME TO BE 457 00:36:40,839 --> 00:36:44,642 HOSTING THE GRAMMY AWARDS. >> WELCOME TO THE OSCARS 458 00:36:44,642 --> 00:36:48,346 WHAT WOULD BUG THE TALIBAN MORE THAN SEEING A GAY WOMAN IN A 459 00:36:48,346 --> 00:36:54,752 SUIT SURROUNDED BY JEWS? >> THIS IS MY HAPPY PLACE. 460 00:36:54,752 --> 00:36:58,890 >> WE WANT TO GIVE EACH ONE OF YOU A FOUR‐YEAR SCHOLARSHIP. 461 00:36:58,890 --> 00:37:13,104 ♪♪ ♪♪ 462 00:37:13,104 --> 00:37:17,175 >> ELLEN INSPIRES US TO BE BETTER, ONE JOKE, ONE DANCE AT A 463 00:37:17,175 --> 00:37:24,249 TIME >> HELLO 464 00:37:24,249 --> 00:37:28,953 ♪♪ >> I THANK YOU AND I CELEBRATE 465 00:37:28,953 --> 00:37:38,563 YOU ALL. [ CHEERS AND APPLAUSE 466 00:37:38,563 --> 00:37:42,567 >> IT'S MY HONOR TO PRESENT THE CAROL BURNETT AWARD FOR 467 00:37:42,567 --> 00:37:45,537 EXCELLENCE IN TELEVISION TO ELLEN DeGENERES. 468 00:37:45,537 --> 00:38:10,094 [ CHEERS AND APPLAUSE ♪♪ 469 00:38:10,094 --> 00:38:16,701 >> THANK YOU SO MUCH THANK YOU. 470 00:38:16,701 --> 00:38:20,738 THANK YOU SO MUCH. WOO! 471 00:38:20,738 --> 00:38:27,045 THANK YOU SO MUCH. YOU NEVER KNOW WHERE LIFE TAKES 472 00:38:27,045 --> 00:38:29,447 YOU, HUH BEFORE I SAY ANYTHING, 473 00:38:29,447 --> 00:38:32,116 AUSTRALIA, I LOVE YOU, MY HEART GOES OUT TO EVERYONE WHO IS 474 00:38:32,116 --> 00:38:37,922 SUFFERING IN AUSTRALIA, ALL THE ANIMALS THAT WERE LOST 475 00:38:37,922 --> 00:38:41,226 KATE, YOU'RE INCREDIBLE, AND THANK YOU SO MUCH. 476 00:38:41,226 --> 00:38:43,728 I HATE BEING ASKED TO DO THINGS LIKE THIS, SO THANK YOU FOR 477 00:38:43,728 --> 00:38:47,065 DOING THIS, THANK YOU FOR FLYING HERE, THANK YOU FOR WRITING 478 00:38:47,065 --> 00:38:51,603 SOMETHING, THANK YOU FOR THE AMAZING ‐‐ THE WORDS THAT YOU 479 00:38:51,603 --> 00:38:52,403 SAID, THANK YOU SO MUCH, I LOVE YOU. 480 00:38:52,403 --> 00:38:56,374 I LOVE YOU THANK YOU SO MUCH TO THE 481 00:38:56,374 --> 00:38:59,978 HOLLYWOOD FOREIGN PRESS. I FEEL HUMBLED AND HONORED TO 482 00:38:59,978 --> 00:39:02,880 RECEIVE THIS THE FIRST PERSON AFTER CAROL 483 00:39:02,880 --> 00:39:05,416 BURNETT IS QUITE AN HONOR, SO THANK YOU SO MUCH. 484 00:39:05,416 --> 00:39:10,688 IT'S A PRESTIGIOUS AWARD WHAT I LIKE MOST ABOUT IT IS I 485 00:39:10,688 --> 00:39:13,558 KNEW COMING IN THAT I WOULD WIN. I MEAN, THERE'S NOTHING WORSE 486 00:39:13,558 --> 00:39:18,763 THAN SITTING THERE LIKE MOST OF YOU, WAITING AND WONDERING IF 487 00:39:18,763 --> 00:39:24,469 YOU'RE GOING TO WIN AND POLITELY ACTING LIKE, I'M GOING TO LISTEN 488 00:39:24,469 --> 00:39:28,373 TO EVERYONE'S SPEECHES AND IT'S NICE, BECAUSE IT'S NOT, PEOPLE 489 00:39:28,373 --> 00:39:32,710 GO ON AND ON AND ON AND ON AND ON AND YOU'RE LIKE, EH 490 00:39:32,710 --> 00:39:35,280 I'M NOT GOING TO DO THAT, I'M GOING TO BE QUICK. 491 00:39:35,280 --> 00:39:39,851 ALTHOUGH OFFI DON'T HAVE TO BECA IT'S A SPECIAL AWARD AND THEY 492 00:39:39,851 --> 00:39:42,654 DON'T PLAY ME OFF, I MEAN, I DON'T HAVE TO END AT ALL BECAUSE 493 00:39:42,654 --> 00:39:46,791 IT'S A SPECIAL AWARD BUT THEY SAID THEY WERE GOING TO 494 00:39:46,791 --> 00:39:49,627 GET ME A SIGN AT 25 MINUTES BUT THAT'S FOR MY REFERENCE, JUST TO 495 00:39:49,627 --> 00:39:55,833 SEE WHERE I WAS. BUT I COULD GO ON. 496 00:39:55,833 --> 00:39:58,236 I'M NOT. I'M GOING TO KEEP IT QUICK 497 00:39:58,236 --> 00:39:59,370 I WAS BORN IN NEW ORLEANS IN 1958 498 00:39:59,370 --> 00:40:03,875 [ LAUGHTER ] JANUARY 26th 499 00:40:03,875 --> 00:40:08,846 DR. SWANSON DELIVERED ME AT 8:43 IN THE MORNING 500 00:40:08,846 --> 00:40:14,619 A RAINY, RAINY ‐‐ I MEAN, LOUISIANA, A HEAVY RAIN. 501 00:40:14,619 --> 00:40:17,655 MY PARENTS DROVE ME HOME IN A BUICK. 502 00:40:17,655 --> 00:40:19,257 I THINK IT WAS A BUICK IT COULD HAVE BEEN A FORD OR A 503 00:40:19,257 --> 00:40:23,494 CHRYSLER I THINK IT WAS A BUICK 504 00:40:23,494 --> 00:40:26,397 THE POINT IS, THEY BROUGHT ME HOME IN A CAR. 505 00:40:26,397 --> 00:40:31,736 AND BEFORE I KNEW IT, I HAD A SUCCESSFUL SITCOM AND I CAME 506 00:40:31,736 --> 00:40:34,539 OUT. AND THEN I LOST THAT SITCOM AND 507 00:40:34,539 --> 00:40:37,375 THEN I GOT ANOTHER SITCOM AND LOST THAT SITCOM TOO 508 00:40:37,375 --> 00:40:40,511 THEN I GOT TO DO SOMETHING I HAD NEVER BEEN ABLE TO DO BEFORE AND 509 00:40:40,511 --> 00:40:47,685 THAT IS MAKE MY OWN WHISKEY. AND AFTER THAT, I GOT A TALK 510 00:40:47,685 --> 00:40:50,521 SHOW AND I WAS ABLE TO BE MYSELF. 511 00:40:50,521 --> 00:40:54,025 AND THAT WAS 17 YEARS AGO. AND I FEEL LIKE YOU'VE ALL 512 00:40:54,025 --> 00:40:56,961 REALLY GOTTEN TO KNOW ME OVER THE PAST 17 YEARS. 513 00:40:56,961 --> 00:41:00,698 I AM AN OPEN BOOK. AND I COULDN'T HAVE DONE IT 514 00:41:00,698 --> 00:41:05,536 WITHOUT MY HUSBAND MARK. [ LAUGHTER ] 515 00:41:05,536 --> 00:41:10,541 MARK, YOU ARE MY ROCK. THANK YOU FOR SUPPORTING ME 516 00:41:10,541 --> 00:41:16,748 THROUGH THIS CRAZY JOURNEY I KNOW IT WASN'T EASY FOR YOU OR 517 00:41:16,748 --> 00:41:21,486 THE KIDS, RUPERT AND FIONA, GO TO BED, I LOVE YOU 518 00:41:21,486 --> 00:41:30,962 THAT'S FUNNY BECAUSE THEY'RE IN COLLEGE NOW. 519 00:41:30,962 --> 00:41:32,964 BUT THE POINT IS, YOU ALL KNOW ME 520 00:41:32,964 --> 00:41:36,134 OBVIOUSLY YOU KNOW ME OR ELSE YOU WOULDN'T HAVE LAUGHED AT ALL 521 00:41:36,134 --> 00:41:39,871 THAT I FEEL LIKE WE ALL THINK WE KNOW 522 00:41:39,871 --> 00:41:40,872 SOMEONE. THERE'S A CONNECTION WHEN WE 523 00:41:40,872 --> 00:41:44,475 WATCH SOMEONE ON TV FOR AS LONG AS WE ARE ON TV. 524 00:41:44,475 --> 00:41:48,279 AND THAT'S WHAT IT WAS LIKE FOR ME WITH CAROL BURNETT. 525 00:41:48,279 --> 00:41:51,449 I FELT LIKE I KNEW HER I FELT LIKE SHE SHOWED US WHO 526 00:41:51,449 --> 00:41:53,184 SHE WAS EVERY WEEK SHE WAS LARGER THAN LIFE 527 00:41:53,184 --> 00:42:02,360 [ CHEERS AND APPLAUSE WE COUNTED ON HER TO MAKE US 528 00:42:02,360 --> 00:42:04,595 FEEL GOOD AND SHE DELIVERED EVERY SINGLE WEEK. 529 00:42:04,595 --> 00:42:08,199 SHE NEVER LET US DOWN. SHE WAS HILARIOUS IN ALL THE 530 00:42:08,199 --> 00:42:11,869 SKETCHES SHE DID WHEN SHE DID THE Q&A WITH THE 531 00:42:11,869 --> 00:42:15,239 AUDIENCE SHE WAS JUST GENUINE AND PERSONAL AND I ALWAYS FELT 532 00:42:15,239 --> 00:42:17,775 LIKE SHE WAS SPEAKING TO ME. AT THE END OF THE SHOW, EVERY 533 00:42:17,775 --> 00:42:21,245 TIME SHE PULLED HER EAR, I KNEW SHE WAS SAYING, IT'S OKAY, I'M 534 00:42:21,245 --> 00:42:33,758 GAY TOO. [ LAUGHTER ] 535 00:42:33,758 --> 00:42:39,630 TELEVISION INSPIRESD AND INFLUENCED EVERYTHING THAT I AM 536 00:42:39,630 --> 00:42:46,237 TODAY. LUCILLE BALL, MARY TYLER MOORE, 537 00:42:46,237 --> 00:42:50,875 MARLO THOMAS, DICK VAN DYKE, BOB NEWHART, MANNIX. 538 00:42:50,875 --> 00:42:52,910 THERE IS A LITTLE BIT OF ALL OF THEM IN ME 539 00:42:52,910 --> 00:42:57,048 THAT DIDN'T SOUND RIGHT, BUT YOU KNOW WHAT I'M SAYING 540 00:42:57,048 --> 00:43:01,152 ALL I'VE EVER WANTED TO DO WAS MAKE PEOPLE FEEL GOOD AND LAUGH. 541 00:43:01,152 --> 00:43:03,955 THERE'S NO GREATER FEELING THAN WHEN SOMEONE TELLS ME THAT I'VE 542 00:43:03,955 --> 00:43:06,858 MADE THEIR DAY BETTER WITH MY SHOW OR THAT I'VE HELPED THEM 543 00:43:06,858 --> 00:43:09,961 GET THROUGH A SICKNESS OR A HARD TIME IN THEIR LIVES. 544 00:43:09,961 --> 00:43:13,931 BUT THE REAL POWER OF TELEVISION FOR ME IS THAT ‐‐ NOT THAT 545 00:43:13,931 --> 00:43:17,802 PEOPLE WATCH MY SHOW, BUT PEOPLE WATCH MY SHOW AND THEN THEY'RE 546 00:43:17,802 --> 00:43:22,106 INSPIRED TO GO OUT AND DO THE SAME THING IN THEIR OWN LIVES, 547 00:43:22,106 --> 00:43:25,309 MAKE PEOPLE LAUGH OR BE KIND OR HELP SOMEONE LESS FORTUNATE THAN 548 00:43:25,309 --> 00:43:26,577 THEMSELVES THAT IS THE POWER OF TELEVISION. 549 00:43:26,577 --> 00:43:29,046 I'M SO, SO GRATEFUL TO BE A PART OF IT. 550 00:43:29,046 --> 00:43:33,885 THANK YOU SO MUCH, EVERYBODY [ CHEERS AND APPLAUSE 551 00:43:33,885 --> 00:43:47,553 ♪♪ >> THE SPECTACULAR STARS O 552 00:43:56,293 --> 00:44:00,063 >>> HELLO. WE'RE BACK 553 00:44:00,063 --> 00:44:03,133 "KNIVES OUT" HAS THREE NOMINATIONS TONIGHT. 554 00:44:03,133 --> 00:44:06,770 [ APPLAUSE ] SEE WITH A CAN HAPPEN IF YOU 555 00:44:06,770 --> 00:44:12,909 DON'T DRESS PEOPLE UP AS CATS? IT'S THAT EASY 556 00:44:12,909 --> 00:44:18,515 HERE ARE TWO OF THE NOMINATED STARS, ANA de ARMAS AND DANIEL 557 00:44:18,515 --> 00:44:29,226 CRAIG. [ APPLAUSE ] 558 00:44:29,226 --> 00:44:33,497 >> OUR NEXT COMEDY IS A MODERN TAKE ON THE WHO DONE IT. 559 00:44:33,497 --> 00:44:42,672 WHEN A RENOWNED CRIME NOVELIST IS FOUND DEAD, A DEBONAIR 560 00:44:42,672 --> 00:44:44,174 DETECTIVE ARRIVES TO INVESTIGATE. 561 00:44:44,174 --> 00:44:51,481 >> HE MUST SIFT THROUGH LIES AND RED HERRINGS TO UNCOVER THE 562 00:44:51,481 --> 00:44:53,817 TRUTH. >> I JUST BURIED MY FATHER 563 00:44:53,817 --> 00:44:56,720 >> WHO COMMITTED SUICIDE >> WHY ARE YOU HERE? 564 00:44:56,720 --> 00:45:01,658 >> I SUSPECT FOUL PLAY >> WAS HARLAN PLANNING ON 565 00:45:01,658 --> 00:45:06,496 KILLING OFF JOANIE >> IS RICHARD HAVING AN AFFAIR 566 00:45:06,496 --> 00:45:11,468 >> THAT'S SOME HEAVY DUTY CONJECTURE 567 00:45:11,468 --> 00:45:15,572 >> I THINK YOU HAVE SOMETHING YOU WANT TO TELL ME. 568 00:45:15,572 --> 00:45:21,111 [ APPLAUSE ] >> Announcer: AND NOW GOLDEN 569 00:45:21,111 --> 00:45:30,887 GLOBE WINNER AND STAR OF "LAST MAN STANDING," TIM ALLEN AND 570 00:45:30,887 --> 00:45:35,592 LAUREN GRAHAM. >> SHOWBIZ 571 00:45:35,592 --> 00:45:37,527 LOOK AT THAT ALL I COULD SAY WHEN I LOOKED AT 572 00:45:37,527 --> 00:45:41,731 THIS ROOM IS I'M WEARING MORE MAKEUP THAN A CORPSE 573 00:45:41,731 --> 00:45:46,303 >> SO MANY GREAT ACTORS HAVE BROUGHT HOME A GOLDEN GLOBE FOR 574 00:45:46,303 --> 00:45:50,273 BEST ACTOR IN A TV DRAMA >> I WOULD HAVE LOOKED THEM UP 575 00:45:50,273 --> 00:45:54,778 IF THE WI‐FI HADN'T SUCKED BACK THERE. 576 00:45:54,778 --> 00:46:00,917 THERE WAS NO APPLE PRODUCTS. LET'S FOCUS ON THE NOMINEES. 577 00:46:00,917 --> 00:46:03,920 >> Announcer: FOR "SUCCESSION," BRYAN COX. 578 00:46:03,920 --> 00:46:08,358 FOR "GAME OF THRONES," KIT HARINGTON. 579 00:46:08,358 --> 00:46:15,565 FOR "MR. ROBOT," RAMI MALEK. FOR "THE CROWN," TOBIAS MENZIES. 580 00:46:15,565 --> 00:46:23,507 FOR "POSE," BILLY PORTER >> AND THE GOLDEN GLOBE GOES TO 581 00:46:23,507 --> 00:46:28,979 BRYAN COX FOR "SUCCESSION. [ CHEERS AND APPLAUSE 582 00:46:28,979 --> 00:46:32,415 >> Announcer: THIS IS BRYAN COX'S FIRST WIN AND SECOND 583 00:46:32,415 --> 00:46:35,252 NOMINATION HE WINS A GOLDEN GLOBE TONIGHT 584 00:46:35,252 --> 00:46:39,990 FOR HIS ROLE OF LOGAN ROY IN "SUCCESSION. 585 00:46:39,990 --> 00:47:14,324 ♪♪ >> HI. 586 00:47:14,324 --> 00:47:16,893 I'M SORRY. THIS KIND OF EVENT DOES YOUR 587 00:47:16,893 --> 00:47:19,596 HEAD IN. NO, IT REALLY DOES YOUR HEAD IN. 588 00:47:19,596 --> 00:47:24,601 FIRST OF ALL, I WANT TO APOLOGIZE TO MY FELLOW NOMINEES 589 00:47:24,601 --> 00:47:27,871 FOR WINNING THIS I MEAN, I'M SORRY. 590 00:47:27,871 --> 00:47:33,376 THAT'S ALL I CAN SAY, I'M SORRY. I NEVER EXPECTED THIS. 591 00:47:33,376 --> 00:47:36,713 AND I'VE BEEN IN THIS BUSINESS, WELL, NEXT YEAR I'LL HAVE BEEN 592 00:47:36,713 --> 00:47:43,320 IN THIS BUSINESS FOR 60 YEARS. [ APPLAUSE ] 593 00:47:43,320 --> 00:47:48,291 I MEAN, I STARTED WHEN I WAS 2 AND I JUST NEVER THOUGHT THIS 594 00:47:48,291 --> 00:47:54,931 WOULD EVER HAPPEN TO ME. I'M A WEE BIT SHOCKED. 595 00:47:54,931 --> 00:47:57,467 IT WOULDN'T HAVE HAPPENED IF I HADN'T WORKED WITH THE MOST 596 00:47:57,467 --> 00:48:01,171 EXTRAORDINARY BUNCH OF PEOPLE EVER 597 00:48:01,171 --> 00:48:05,208 THE CAST AND THE CREW OF "SUCCESSION. 598 00:48:05,208 --> 00:48:10,413 AND OUR GENIUS, JESSE ARMSTRONG, YOU SAW HIM JUST NOW 599 00:48:10,413 --> 00:48:13,917 AN INCREDIBLY MODEST MAN, BUT MAN, WHAT A TALENT, WHAT A GIFT. 600 00:48:13,917 --> 00:48:17,587 AND HE'S INSPIRED US TO DO THE BEST WORK. 601 00:48:17,587 --> 00:48:20,023 AND THERE'S NOTHING LIKE IT. THERE'S NOTHING LIKE IT WHEN 602 00:48:20,023 --> 00:48:25,261 YOU'VE GOT A SHOW RUNNER WHO COMES ALONG AND SAYS, YOU KNOW, 603 00:48:25,261 --> 00:48:27,097 EMPOWERS YOU TO DO YOUR BEST WORK 604 00:48:27,097 --> 00:48:30,533 SO THANK YOU, JESSE, BECAUSE IF IT WASN'T FOR YOU, I WOULDN'T 605 00:48:30,533 --> 00:48:33,003 HAVE HAD THIS. SO THANK YOU 606 00:48:33,003 --> 00:48:40,477 THANK YOU, EVERYBODY ALSO I WANT TO THANK MY FAMILY'S 607 00:48:40,477 --> 00:48:43,279 FORBEARANCE AND MY LOVELY WIFE WHO IS HERE TONIGHT FOR PUTTING 608 00:48:43,279 --> 00:48:46,449 UP WITH ME FOR ALL THIS CRAPPY TIME 609 00:48:46,449 --> 00:48:48,885 THANK YOU. [ APPLAUSE ] 610 00:48:48,885 --> 00:48:51,087 ♪♪ >>> PLEASE WELCOME THE STARS OF 611 00:48:51,087 --> 00:48:59,195 "BIRDS OF PREY," EWING EWINGAN M AND A NOMINEE TONIGHT, MARKGOT 612 00:48:59,195 --> 00:49:08,905 ROBBIE ROBBIE 613 00:49:08,905 --> 00:49:13,309 >> THIS YEAR HAD AN ABUNDANCE OF GREAT SCRIPTS. 614 00:49:13,309 --> 00:49:17,380 >> HERE ARE THE NOMINATIONS FOR BEST SCREENPLAY. 615 00:49:17,380 --> 00:49:26,256 >> Announcer: "MARRIAGE STORY. "THE TWO POPES." 616 00:49:26,256 --> 00:49:27,357 "ONCE UPON A TIME IN HOLLYWOOD. 617 00:49:27,357 --> 00:49:36,733 "THE IRISHMAN. >> AND THE GOLDEN GLOBE GOES TO 618 00:49:36,733 --> 00:49:41,571 QUENTIN TARANTINO, "ONCE UPON A TIME IN HOLLYWOOD." 619 00:49:41,571 --> 00:49:44,941 >> Announcer: THIS IS QUENTIN TARANTINO'S THIRD ONE AND NINTH 620 00:49:44,941 --> 00:49:46,342 NOMINATION "ONCE UPON A TIME IN HOLLYWOOD" 621 00:49:46,342 --> 00:49:50,613 IS NOMINATED FOR BEST MOTION PICTURE, MUSICAL, OR COMEDY. 622 00:49:50,613 --> 00:50:03,727 [ APPLAUSE ] ♪♪ 623 00:50:03,727 --> 00:50:09,199 >> I CAN'T BELIEVE I WON OVER STEVE ZAILLIAN 624 00:50:09,199 --> 00:50:14,304 MARGOT GIVING ME THE AWARD WAS THE MOJO PUSHING ME OVER THE 625 00:50:14,304 --> 00:50:15,538 EDGE CONGRATULATIONS, DUDE. 626 00:50:15,538 --> 00:50:21,878 THIS IS REALLY LOVELY. I WANT TO DEDICATE THIS AWARD TO 627 00:50:21,878 --> 00:50:29,119 THE DEAN OF SCREENWRITERS, ROBERT BOLTON. 628 00:50:29,119 --> 00:50:34,124 AND MY FAVORITE SCREENWRITER GROWING UP THAT MADE ME WANT TO 629 00:50:34,124 --> 00:50:43,566 BE A SCREENWRITER WAS JOHN MILIUS AND HIS HERO WAS ROBERT 630 00:50:43,566 --> 00:50:47,203 BOLTON NORMALLY THE THING IS WHEN I WIN 631 00:50:47,203 --> 00:50:49,272 A WRITING AWARD AND YOU DON'T SHARE THE SCRIPT WITH SOMEBODY 632 00:50:49,272 --> 00:50:54,010 ELSE, YOU WRITE IT BY YOURSELF, YOU KIND OF DON'T HAVE ANYBODY 633 00:50:54,010 --> 00:50:57,046 TO THANK I DID IT 634 00:50:57,046 --> 00:51:06,623 [ LAUGHTER ] BUT THIS TIME, MORE THAN USUALLY 635 00:51:06,623 --> 00:51:12,729 MOST, I HAD A FANTASTIC CAST AND IT'S NOT JUST A BS FANTASTIC 636 00:51:12,729 --> 00:51:15,799 CAST IT WAS A FANTASTIC CAST THAT 637 00:51:15,799 --> 00:51:17,967 TOOK IT FROM THE PAGE AND HAD TO ADD A SLIGHTLY DIFFERENT LAYER 638 00:51:17,967 --> 00:51:21,805 THAN WHAT WAS JUST ON THE PAGE, WHETHER IT WAS LEO IN THE 639 00:51:21,805 --> 00:51:31,147 TRAILER, WHETHER IT WAS BRAD HAVING HIS ACID TRIP, OR 640 00:51:31,147 --> 00:51:35,618 MARGOT'S JUST TRULY GOODNESS, JUST THE GOODNESS THAT COMES OUT 641 00:51:35,618 --> 00:51:40,356 OF HER THAT PUT MORE GOODNESS IN A MOVIE THAN I'VE EVER BEEN 642 00:51:40,356 --> 00:51:42,826 INVOLVED IN. AND THAT GOES DOWN TO EVERYBODY 643 00:51:42,826 --> 00:51:49,032 ALL THE WAY DOWN TO LITTLE JULIA BUTTERS, GOD BLESS HER LITTLE 644 00:51:49,032 --> 00:51:51,568 HEART. I WANT TO THANK YOU SO MUCH AND 645 00:51:51,568 --> 00:51:54,470 MY WIFE WATCHING FROM TEL AVIV, WHO IS PREGNANT WITH MY VERY 646 00:51:54,470 --> 00:51:58,775 FIRST CHILD. [ APPLAUSE ] 647 00:51:58,775 --> 00:52:03,179 I LOVE YOU >> Announcer: AND NOW, 648 00:52:03,179 --> 00:52:09,919 CO‐CREATOR AND EXECUTIVE PRODUCER OF "RUSSIAN DOLL," 649 00:52:09,919 --> 00:52:11,921 AMY POEHLER AND THREE‐TIME GOLDEN GLOBE NOMINEE AND STAR OF 650 00:52:11,921 --> 00:52:14,290 TH DOCUMENTARY "TAYLOR SWIFT: 651 00:52:14,290 --> 00:52:20,063 MISS AMERICANA," TAYLOR SWIFT. >> AMY AND I ARE EXCITED ABOUT 652 00:52:20,063 --> 00:52:23,066 THIS NEXT CATEGORY BECAUSE WE BOTH LOVE ANIMATION. 653 00:52:23,066 --> 00:52:30,106 >> SPEAK FOR YOURSELF, TAYLOR. [ LAUGHTER ] 654 00:52:30,106 --> 00:52:35,278 I LIKE MOVIES ABOUT PEOPLE, BY PEOPLE 655 00:52:35,278 --> 00:52:38,314 >> WAIT. WHO DO YOU THINK MAKES ANIMATED 656 00:52:38,314 --> 00:52:40,483 FILMS? >> TINY MICE DURING THE NIGHT. 657 00:52:40,483 --> 00:52:50,593 DUH. >> IT MAKES SENSE. 658 00:52:50,593 --> 00:52:52,161 >> HERE ARE THE NOMINEES FOR BEST MOTION PICTURE, ANIMATED. 659 00:52:52,161 --> 00:52:54,797 >> Announcer: "FROZEN 2. "HOW TO TRAIN YOUR DRAGON: THE 660 00:52:54,797 --> 00:52:56,900 HIDDEN WORLD." "THE LION KING." 661 00:52:56,900 --> 00:53:04,340 "MISSING LINK. "TOY STORY 4." 662 00:53:04,340 --> 00:53:10,380 >> AND THE GOLDEN GLOBE GOES TO ‐ 663 00:53:10,380 --> 00:53:16,886 >> "MISSING LINK." [ APPLAUSE ] 664 00:53:16,886 --> 00:53:19,422 >> Announcer: COMING TO THE STAGE AND ACCEPTING THE GOLDEN 665 00:53:19,422 --> 00:53:27,463 GLOBE TONIGHT FOR "MISSING LINK" IS WRITER/DIRECTOR CHRIS BUTLER. 666 00:53:27,463 --> 00:53:59,796 ♪♪ [ APPLAUSE ] 667 00:53:59,796 --> 00:54:08,037 >> OH, MY GOSH >> WELL, I'M FLABBERGASTED 668 00:54:08,037 --> 00:54:13,142 SO THANK YOU TO THE HFPA THANK YOU TO ‐‐ IT TAKES A LOT 669 00:54:13,142 --> 00:54:15,912 OF PEOPLE TO MAKE ONE OF THESE MOVIES 670 00:54:15,912 --> 00:54:21,384 THERE WAS 450 TALENTED ARTISTS, CRAFTSPEOPLE, TECHNICIANS, 671 00:54:21,384 --> 00:54:22,952 ENGINEERS, WHO MADE THIS MOVIE POSSIBLE 672 00:54:22,952 --> 00:54:29,258 HUMAN BEINGS THANK YOU TO ARIANNA SUTTON, MY 673 00:54:29,258 --> 00:54:31,394 PRODUCER THANK YOU TO TRAVIS KNIGHT FOR 674 00:54:31,394 --> 00:54:33,429 MAKING THIS POSSIBLE THANK YOU TO ALL OF YOU. 675 00:54:33,429 --> 00:54:35,765 I AM GENUINELY SHOCKED >> WE LOVE YOU SO MUCH 676 00:54:35,765 --> 00:54:38,968 >> THANK YOU [ APPLAUSE ] 677 00:54:38,968 --> 00:54:43,973 ♪♪ >> Announcer: MORE THRILLING 678 00:54:43,973 --> 00:54:46,505 STARS ARE ON THE WAY PLUS MORE RICKY TOO. 679 00:54:55,151 --> 00:54:56,910 "THE >> Announcer: WELCOME BACK TO 680 00:54:56,910 --> 00:55:00,080 THE GOLDEN GLOBES. NOW, THE GOLDEN GLOBE‐NOMINATED 681 00:55:00,080 --> 00:55:04,318 STARS OF "ONCE UPON A TIME IN HOLLYWOOD," LEONARDO DiCAPRIO 682 00:55:04,318 --> 00:55:18,799 AND BRAD PITT. [ CHEERS AND APPLAUSE 683 00:55:18,799 --> 00:55:24,638 >> THE NEXT NOMINEE FOR MOTION PICTURE, COMEDY IS A FILM THAT 684 00:55:24,638 --> 00:55:27,808 CELEBRATES MOVIES IN A TIME OF CHANGE 685 00:55:27,808 --> 00:55:30,777 >> SET IN 1969 LOS ANGELES, IT IS THE STORY OF THE ENDURING 686 00:55:30,777 --> 00:55:35,115 FRIENDSHIP BETWEEN AN ACTOR AND HIS STUNT DOUBLE 687 00:55:35,115 --> 00:55:39,853 WHEN I ASKED QUENTIN HOW HE WANTED US TO PLAY TWO AGING 688 00:55:39,853 --> 00:55:42,656 MOVIE GUYS WHO WERE ON THEIR WAY OUT, HE JUST SAID, BE 689 00:55:42,656 --> 00:55:47,327 YOURSELVES NOMINATED FOR FIVE GOLDEN 690 00:55:47,327 --> 00:55:49,596 GLOBES >> THE NINTH FILM FROM 691 00:55:49,596 --> 00:55:58,172 QUENTIN TARANTINO, THIS IS "ONCE UPON A TIME... IN HOLLYWOOD. 692 00:55:58,172 --> 00:56:08,849 >> REACHED THE END OF THE TRAIL CLIFF. 693 00:56:08,849 --> 00:56:13,754 ♪ TAKE MY HAND IN YOURS ♪ ♪ WALK WITH ME THIS DAY ♪ 694 00:56:13,754 --> 00:56:18,091 ♪ IN MY HEART I KNOW ♪ ♪ I WILL NEVER STRAY ♪ 695 00:56:18,091 --> 00:56:22,896 >> YOU'RE RICK DALTON. DON'T YOU FORGET IT. 696 00:56:22,896 --> 00:56:24,765 ♪♪ 697 00:56:25,599 --> 00:56:30,671 [ APPLAUSE ] >> Announcer: PLEASE WELCOME 698 00:56:30,671 --> 00:56:35,809 ACTRESS AND EXECUTIVE PRODUCER OF "THE POLITICIAN," GWYNETH 699 00:56:35,809 --> 00:56:47,354 PALTROW. [ APPLAUSE ] 700 00:56:47,354 --> 00:56:50,457 >> THEIR PERFORMANCES WERE BRILLIANT AND EVERY MOMENT THEY 701 00:56:50,457 --> 00:56:54,194 WERE ON SCREEN WAS MESMERIZING HERE ARE THE NOMINEES FOR BEST 702 00:56:54,194 --> 00:56:58,665 SUPPORTING ACTRESS IN A MOTION PICTURE. 703 00:56:58,665 --> 00:57:01,535 FOR "RICHARD JEWELL," KATHY BATES. 704 00:57:01,535 --> 00:57:04,404 FOR "THE REPORT," ANNETTE BENING 705 00:57:04,404 --> 00:57:08,508 FOR "MARRIAGE STORY," LAURA DERN 706 00:57:08,508 --> 00:57:18,051 FOR "HUSTLERS," JENNIFER OPEZ. FOR "BOMBSHELL," MARGOT ROBBIE 707 00:57:18,051 --> 00:57:25,292 >> AND THE GOLDEN GLOBE GOES TO LAURA DERN 708 00:57:25,292 --> 00:57:25,926 [ CHEERS AND APPLAUSE ♪♪ 709 00:57:25,926 --> 00:57:29,129 >> Announcer: THIS IS LAURA DERN'S FIFTH WIN AND EIGHTH 710 00:57:29,129 --> 00:57:32,199 NOMINATION SHE WINS HER GOLDEN GLOBE 711 00:57:32,199 --> 00:57:37,571 TONIGHT FOR HER ROLE OF NORA FANSHAW IN "MARRIAGE STORY." 712 00:57:37,571 --> 00:57:53,720 ♪♪ >> THANK YOU, HOLLYWOOD FOREIGN 713 00:57:53,720 --> 00:57:55,422 PRESS. THE FIRST TIME I WAS HERE I WAS 714 00:57:55,422 --> 00:57:57,424 14 YEARS OLD IT'S A GREAT HONOR TO BE WITH 715 00:57:57,424 --> 00:58:00,494 YOU TONIGHT AND TO SHARE THIS EVENING WITH EXTRAORDINARY 716 00:58:00,494 --> 00:58:03,630 FELLOW ACTORS WHO I SO ADMIRE. THANK YOU FOR YOUR INCREDIBLE 717 00:58:03,630 --> 00:58:05,766 WORK WE LONG TO BE OF SERVICE TO GIVE 718 00:58:05,766 --> 00:58:10,837 VOICE TO THE VOICELESS AND THANKS TO THE BRILLIANT NOAH 719 00:58:10,837 --> 00:58:16,977 BAUMBACH, I GOT TO DO JUST THAT. GIVE VOICE, PAY TRIBUTE, TO THE 720 00:58:16,977 --> 00:58:24,418 DIVORCE LAWYER LONG, LONG OVERDUE 721 00:58:24,418 --> 00:58:28,889 THANK YOU, NOAH, FOR YOUR SEAMLESS PERFECTION, YOUR 722 00:58:28,889 --> 00:58:32,959 GUIDANCE, YOUR MENTORSHIP FOREVER. 723 00:58:32,959 --> 00:58:36,697 THANK YOU TO THE MOST AMAZING CAST, THE DREAM CAST OF ADAM AND 724 00:58:36,697 --> 00:58:41,001 SCARLETT AND ALAN AND RAY AND JULIE AND MERRITT AND EVERYONE 725 00:58:41,001 --> 00:58:44,071 WHO WORKED ON THIS FILM, OUR CREW 726 00:58:44,071 --> 00:58:49,876 TO THE INCREDIBLE NETFLIX, OUR FEARLESS LEADERS, TO SCOTT, TO 727 00:58:49,876 --> 00:58:57,417 THE EVER‐KIND‐HEARTED NOBLEMAN, THE BRITISH TED, WHO ARE AN 728 00:58:57,417 --> 00:58:59,886 AMAZING TRIBE. I JUST WANT TO SAY I FEEL SO 729 00:58:59,886 --> 00:59:02,856 BLESSED TO BE PART OF A FILM THAT, YES, TELLS THE STORY OF A 730 00:59:02,856 --> 00:59:06,626 FAMILY FINDING THEIR WAY FOR THEIR CHILD, THROUGH THE END OF 731 00:59:06,626 --> 00:59:10,464 A MARRIAGE BUT THE GLOBAL LOOK THAT NOAH 732 00:59:10,464 --> 00:59:14,167 TAKES AT WHAT DIVISIVENESS IS AND HOW WE MUST ALL COME 733 00:59:14,167 --> 00:59:18,205 TOGETHER AS ONE FOR THE SAKE OF SOMETHING GREATER, PERHAPS OUR 734 00:59:18,205 --> 00:59:20,907 PLANET, EVEN SO THANK YOU SO MUCH, NOAH, FOR 735 00:59:20,907 --> 00:59:21,975 THE MOST INCREDIBLE RIDE EVER. ALL MY LOVE. 736 00:59:21,975 --> 00:59:25,679 THANK YOU ALL. [ CHEERS AND APPLAUSE 737 00:59:25,679 --> 00:59:29,716 ♪♪ >> Announcer: LADIES AND 738 00:59:29,716 --> 00:59:33,220 GENTLEMEN, FROM "THE WHITE TIGER. 739 00:59:33,220 --> 00:59:43,964 GOLDEN GLOBE NOMINEE, NICK JONAS. 740 00:59:43,964 --> 00:59:47,601 >> YOU LOOK AMAZING TONIGHT, I'M SO GLAD WE COULD HAVE THIS 741 00:59:47,601 --> 00:59:50,103 BEAUTIFUL PARTY. >> THIS DOES NOT COUNT AS DATE 742 00:59:50,103 --> 00:59:51,638 NIGHT, CLEARLY >> FAIR POINT. 743 00:59:51,638 --> 00:59:58,645 HERE ARE THE NOMINEES FOR BEST TV SERIES, MUSICAL OR COMEDY 744 00:59:58,645 --> 01:00:03,116 >> Announcer: "BARRY." "FLEABAG." 745 01:00:03,116 --> 01:00:05,552 "THE KOMINSKY METHOD." "THE MARVELOUS MRS. MAISEL." 746 01:00:05,552 --> 01:00:23,136 "THE POLITICIAN. >> AND THE GOLDEN GLOBE GOES TO 747 01:00:23,136 --> 01:00:26,373 "FLEABAG." >> Announcer: COMING TO THE 748 01:00:26,373 --> 01:00:39,920 STAGE ARE PHOEBE WALLER‐BRIDGE ♪♪ 749 01:00:39,920 --> 01:00:57,404 [ APPLAUSE ] >> THANK YOU 750 01:00:57,404 --> 01:01:02,676 OH, MAN. THANK YOU. 751 01:01:02,676 --> 01:01:09,249 THANK YOU SO MUCH. THE HFPA AGAIN, THANK YOU. 752 01:01:09,249 --> 01:01:11,485 THIS IS LITERALLY THE GANG THAT MADE IT. 753 01:01:11,485 --> 01:01:15,555 A HUGE, HUGE THANK YOU TO EVERYONE FOR SUPPORTING US SO 754 01:01:15,555 --> 01:01:18,558 MUCH AND WE HAVE SUCH AN INCREDIBLE 755 01:01:18,558 --> 01:01:22,496 CAST AND EVERYBODY POURED SO MUCH HEART AND LOVE INTO THE 756 01:01:22,496 --> 01:01:28,235 SHOW WE ALL BECAME BEST FRIENDS 757 01:01:28,235 --> 01:01:34,708 WHICH IS IRONIC BECAUSE THE SHOW IS ABOUT SUCH A LONELY LADY. 758 01:01:34,708 --> 01:01:40,113 TO ALL OF US, THANK YOU, THANK YOU TO AMAZON AND TO THE BBC FOR 759 01:01:40,113 --> 01:01:44,818 PICKING US UP AND BRINGING US SO FAR AND GIVING US SO MUCH SPACE 760 01:01:44,818 --> 01:01:47,587 TO CREATE SOMETHING WE REALLY, REALLY WANTED TO CREATE AND SAY 761 01:01:47,587 --> 01:01:49,689 ALL THE THINGS THAT NO ONE ELSE WOULD LET US SAY AND DO. 762 01:01:49,689 --> 01:01:55,562 THANK YOU FOR THAT PERSONALLY I WOULD LIKE TO ALSO 763 01:01:55,562 --> 01:01:59,065 THANK OBAMA FOR PUTTING US ON HIS LIST 764 01:01:59,065 --> 01:02:05,572 [ APPLAUSE ] AS SOME OF YOU MAY KNOW, HE'S 765 01:02:05,572 --> 01:02:11,177 ALWAYS BEEN ON MINE. AND IF YOU DON'T GET THAT JOKE, 766 01:02:11,177 --> 01:02:15,315 PLEASE WATCH SEASON ONE OF "FLEABAG" REALLY QUICKLY 767 01:02:15,315 --> 01:02:16,950 THIS MEANS THE WORLD TO US THANK YOU. 768 01:02:16,950 --> 01:02:22,155 GOOD NIGHT ♪♪ 769 01:02:22,155 --> 01:02:24,547 >> Announcer: OUR STAR‐STUDDED AUDIENCE IS READY FOR SOME OF 770 01:02:36,637 --> 01:02:37,732 THE BIGGES >> Announcer: WELCOME BACK TO 771 01:02:37,732 --> 01:02:40,902 THE GOLDEN GLOBES. AND NOW, STAR OF 772 01:02:40,902 --> 01:02:44,639 STEVEN SPIELBERG'S UPCOMING "WEST SIDE STORY", ANSEL ELGORT. 773 01:02:44,639 --> 01:03:00,588 AND FROM "THE ALIENIST: ANGEL OF DARKNESS," DAKOTA FANNING. 774 01:03:00,588 --> 01:03:08,229 >> OH, WOW, THAT'S IT. ♪ HERE ARE THE NOMINEES FOR BES 775 01:03:08,229 --> 01:03:22,310 ORIGINAL SONG ♪ >> Announcer: FROM CATS, 776 01:03:22,310 --> 01:03:28,716 "BEAUTIFUL GHOSTS. FROM "ROCKETMAN," "I'M GONNA 777 01:03:28,716 --> 01:03:36,124 LOVE ME AGAIN. FROM "FROZEN II," "INTO THE 778 01:03:36,124 --> 01:03:37,659 UNKNOWN. >> AND THE GOLDEN GLOBE GOES 779 01:03:37,659 --> 01:03:50,004 TO ‐‐ "I'M GONNA LOVE ME AGAIN," "ROCKETMAN." 780 01:03:50,004 --> 01:03:51,239 [ CHEERS AND APPLAUSE >> Announcer: THIS IS THE FIRST 781 01:03:51,239 --> 01:03:53,975 WIN AND THIRD NOMINATION FOR THIS WRITING TEAM. 782 01:03:53,975 --> 01:03:58,313 THEY WIN THEIR GOLDEN GLOBE TONIGHT FOR THEIR MUSIC AND 783 01:03:58,313 --> 01:04:03,151 LYRICS FOR "I'M GONNA LOVE ME AGAIN" FROM "ROCKETMAN." 784 01:04:03,151 --> 01:04:05,887 ACCEPTING THE AWARD, ELTON JOHN. ♪♪ 785 01:04:05,887 --> 01:04:20,468 [ APPLAUSE ] >> OKAY. 786 01:04:20,468 --> 01:04:22,604 I'M GOING TO SAY SOMETHING THANK YOU, HOLLYWOOD FOREIGN 787 01:04:22,604 --> 01:04:24,873 PRESS. YOU KNOW, THIS IS REALLY SWEET 788 01:04:24,873 --> 01:04:28,676 BECAUSE THIS IS NOT JUST ABOUT A SONG WE WROTE FOR A MOVIE. 789 01:04:28,676 --> 01:04:34,649 THIS IS A SONG WE WROTE FOR A MOVIE WHICH DEALS WITH OUR 790 01:04:34,649 --> 01:04:36,951 RELATIONSHIP AND IT'S A RELATIONSHIP THAT 791 01:04:36,951 --> 01:04:39,988 DOESN'T HAPPEN VERY MUCH IN THIS TOWN 792 01:04:39,988 --> 01:04:42,957 IT'S A 52‐YEAR‐OLD MARRIAGE. SO THANK YOU 793 01:04:42,957 --> 01:04:50,398 [ APPLAUSE ] >> THANK YOU TO ALL MY FELLOW 794 01:04:50,398 --> 01:04:53,334 NOMINEES WHO ARE ALL GREAT SONGWRITERS. 795 01:04:53,334 --> 01:04:56,938 IT'S VERY HUMBLING TO THE HOLLYWOOD FOREIGN PRESS, 796 01:04:56,938 --> 01:05:01,276 TO EVERYBODY WHO WORKED ON "ROCKETMAN," TO GILES MARTIN WHO 797 01:05:01,276 --> 01:05:06,447 MADE THE RECORD, TO TARON, WHO HELPED ME SING IT, TO EVERYONE 798 01:05:06,447 --> 01:05:12,053 INVOLVED, DAVID, MATTHEW, TO OUR DIRECTOR, TO PARAMOUNT 799 01:05:12,053 --> 01:05:16,190 EVERYONE INVOLVED IN THIS FILM, IT MADE ‐‐ IT WAS ONE OF THE 800 01:05:16,190 --> 01:05:18,026 MOST EMOTIONAL MOMENTS OF MY LIFE 801 01:05:18,026 --> 01:05:21,596 TO WIN THIS, THE FIRST TIME I'VE EVER WON AN AWARD WITH HIM, 802 01:05:21,596 --> 01:05:25,600 EVER [ APPLAUSE ] 803 01:05:25,600 --> 01:05:29,270 WE NEVER WON A GRAMMY, WE NEVER DID ANYTHING TOGETHER EXCEPT FOR 804 01:05:29,270 --> 01:05:34,208 THIS AND I'M SO HAPPY. THANK YOU VERY MUCH. 805 01:05:34,208 --> 01:05:36,077 [ APPLAUSE ] >> Announcer: PLEASE WELCOME 806 01:05:36,077 --> 01:05:49,123 GOLDEN GLOBE WINNER AND STAR OF "THE SPA," SACHA BARON COHEN 807 01:05:49,123 --> 01:05:58,132 >> THEHERO OF THIS NEXT MOVIE IS A NAIVE, MISGUIDED CHILD WHO 808 01:05:58,132 --> 01:06:02,537 SPREADS NAUGHTY PROPAGANDA AND ONLY HAS IMAGINARY FRIENDS 809 01:06:02,537 --> 01:06:07,275 HIS NAME IS MARK ZUCKERBERG. SORRY. 810 01:06:07,275 --> 01:06:10,278 SORRY. THIS IS AN OLD INTRO FOR "THE 811 01:06:10,278 --> 01:06:16,417 SOCIAL NETWORK." I'M ACTUALLY TALKING ABOUT 812 01:06:16,417 --> 01:06:18,653 ""JOJO RABBIT. IT'S NOMINATED FOR TWO GOLDEN 813 01:06:18,653 --> 01:06:21,656 GLOBES AND DIRECTED BY ITS STAR, THE BRILLIANT AND GROUNDBREAKING 814 01:06:21,656 --> 01:06:24,892 TAIKA WAITITI. HERE IT IS 815 01:06:24,892 --> 01:06:27,829 >> TODAY YOU BOYS WILL BE INVOLVED IN SUCH ACTIVITIES AS 816 01:06:27,829 --> 01:06:31,132 BALL GAMES >> I DON'T THINK I CAN DO THIS 817 01:06:31,132 --> 01:06:42,443 >> OF COURSE YOU CAN >> SAY IT. 818 01:06:42,443 --> 01:06:47,882 >> YOU'RE A 10‐YEAR‐OLD KID. >> NOTHING MAKES SENSE ANYMORE 819 01:06:47,882 --> 01:06:49,317 >> I KNOW. THIS IS NOT A GOOD TIME TO BE A 820 01:06:49,317 --> 01:06:56,424 NAZI [ APPLAUSE ] 821 01:06:56,424 --> 01:07:00,499 ♪♪ >> Announcer: NEXT, THE STAR 822 01:07:00,499 --> 01:07:02,583 FROM "STEVE," JASON MOMO >>> HELLO. 823 01:07:14,808 --> 01:07:19,677 WELCOME BACK I'VE GOT NOTHING NEGATIVE TO SAY 824 01:07:19,677 --> 01:07:23,281 ABOUT THESE NEXT TWO PRESENTERS BECAUSE THE BIG ONE COULD SNAP 825 01:07:23,281 --> 01:07:27,919 ME IN HALF SO PLEASE WELCOME ZOE KRAVITZ 826 01:07:27,919 --> 01:07:39,397 AND JASON MOMOA. [ APPLAUSE ] 827 01:07:39,397 --> 01:07:42,533 >> THE NOMINEES IN THIS CATEGORY ARE AMONG THE GREATEST TALENTS 828 01:07:42,533 --> 01:07:44,869 IN THIS GENERATION >> OR ANY GENERATION 829 01:07:44,869 --> 01:07:49,774 THEY'RE THE NOMINEES FOR BEST ACTRESS IN A SUPPORTING ROLE IN 830 01:07:49,774 --> 01:07:53,177 A SERIES, LIMITED SERIES, OR MOTION PICTURE MADE FOR 831 01:07:53,177 --> 01:07:55,647 TELEVISION >> Announcer: FOR "THE ACT," 832 01:07:55,647 --> 01:07:56,748 PATRICIA ARQUETTE. FOR "THE CROWN," HELENA BONHAM 833 01:07:56,748 --> 01:08:04,589 CARTER FOR "UNBELIEVABLE," TONI 834 01:08:04,589 --> 01:08:08,559 COLLETTE FOR "BIG LITTLE LIES," MERYL 835 01:08:08,559 --> 01:08:14,465 STREEP FOR "CHERNOBYL," EMILY WATSON. 836 01:08:14,465 --> 01:08:19,470 >> AND THE GOLDEN GLOBE GOES TO ‐‐ 837 01:08:19,470 --> 01:08:25,543 >> PATRICIA ARQUETTE "THE ACT." 838 01:08:25,543 --> 01:08:28,346 [ APPLAUSE ] >> Announcer: THIS IS PATRICIA 839 01:08:28,346 --> 01:08:30,982 ARQUETTE'S SIXTH NOMINATION AND THIRD WIN. 840 01:08:30,982 --> 01:08:36,854 SHE WINS TONIGHT FOR HER ROLE AS DEE DEE BLANCHARD IN "THE ACT. 841 01:08:36,854 --> 01:09:06,384 ♪♪ [ APPLAUSE ] 842 01:09:06,384 --> 01:09:09,187 >> THANK YOU SO MUCH, A WONDERFUL SURPRISE 843 01:09:09,187 --> 01:09:12,156 THANK YOU FOR MY FELLOW NOMINEES, THE HOLLYWOOD FOREIGN 844 01:09:12,156 --> 01:09:19,330 PRESS, AND TO UCP AND TO HULU. TO JOEY KING, MY PHENOMENAL 845 01:09:19,330 --> 01:09:20,698 CO‐STAR, I LOVE YOU SO MUCH, YOU'RE A GIFT. 846 01:09:20,698 --> 01:09:24,902 INCREDIBLE TALENT. TO MY KIDS 847 01:09:24,902 --> 01:09:31,009 TO MY AGENT AND MANAGER. AND I'M SO GRATEFUL TO BE HERE 848 01:09:31,009 --> 01:09:36,347 AND CELEBRATE THIS BUT ALSO I KNOW TONIGHT, JANUARY 5th, 2020, 849 01:09:36,347 --> 01:09:40,852 WE'RE NOT GOING TO LOOK BACK ON THIS NIGHT IN THE HISTORY BOOKS. 850 01:09:40,852 --> 01:09:44,689 WE WILL SEE A COUNTRY ON THE BRINK OF WAR, THE UNITED STATES 851 01:09:44,689 --> 01:09:50,862 OF AMERICA, A PRESIDENT TWEETING OUT A THREAT OF 52 BOMBS 852 01:09:50,862 --> 01:09:55,433 INCLUDING CULTURAL SITES YOUNG PEOPLE RISKING THEIR LIVES 853 01:09:55,433 --> 01:09:57,702 TRAVELING ACROSS THE WORLD, PEOPLE NOT KNOWING IF BOMBS ARE 854 01:09:57,702 --> 01:10:00,138 GOING TO DROP ON THEIR KIDS' HEADS. 855 01:10:00,138 --> 01:10:02,774 AND THE CONTINENT OF AUSTRALIA ON FIRE. 856 01:10:02,774 --> 01:10:09,580 SO WHILE I LOVE MY KIDS SO MUCH, I BEG OF US ALL TO GIVE THEM A 857 01:10:09,580 --> 01:10:12,216 BETTER WORLD FOR OUR KIDS AND THEIR KIDS. 858 01:10:12,216 --> 01:10:18,856 WE HAVE TO VOTE IN 2020. AND WE HAVE TO GET, BEG, AND 859 01:10:18,856 --> 01:10:22,493 PLEAD FOR EVERYONE WE KNOW TO VOTE IN 2020 860 01:10:22,493 --> 01:10:23,361 THANK YOU. [ APPLAUSE ] 861 01:10:23,361 --> 01:10:33,671 ♪♪ >> AND NOW HERE ARE THE NOMINEES 862 01:10:33,671 --> 01:10:37,208 FOR BEST ACTRESS IN A TV SERIES DRAMA. 863 01:10:37,208 --> 01:10:41,079 >> Announcer: FOR "THE MORNING SHOW," JENNIFER ANISTON. 864 01:10:41,079 --> 01:10:47,418 FOR "THE CROWN," OLIVIA COLMAN FOR "KILLING EVE," JODIE COMB OF 865 01:10:47,418 --> 01:10:50,388 HER FOR "BIG LITTLE LIES," NICOLE KIDMAN. 866 01:10:50,388 --> 01:10:59,831 FOR "THE MORNING SHOW," REESE WITHERSPOON. 867 01:10:59,831 --> 01:11:09,207 >> AND THE GOLDEN GLOBE GOES TO OLIVIA COLMAN, "THE CROWN. 868 01:11:09,207 --> 01:11:12,743 [ APPLAUSE ] >> Announcer: THIS IS OLIVIA 869 01:11:12,743 --> 01:11:15,613 COLMAN'S THIRD NOMINATION AND THIRD WIN. 870 01:11:15,613 --> 01:11:25,623 SHE WINS TONIGHT FOR PLAYING QUEEN ELIZABETH II IN "THE 871 01:11:25,623 --> 01:11:26,124 CROWN. [ APPLAUSE ] 872 01:11:26,124 --> 01:11:33,397 ♪♪ 873 01:11:37,635 --> 01:11:44,275 >> HELLO THANK YOU SO MUCH. 874 01:11:44,275 --> 01:11:46,410 I HAD MONEY ON THIS NOT HAPPENING. 875 01:11:46,410 --> 01:11:49,814 AFTER THE LAST YEAR I FEEL LIKE I'VE BEEN LIVING SOMEONE ELSE'S 876 01:11:49,814 --> 01:11:53,284 LIFE AND NOW I DEFINITELY FEEL LIKE I WON SOMEONE ELSE'S AWARD. 877 01:11:53,284 --> 01:11:59,423 THANK YOU SO MUCH, HFPA, NETFLIX, LEFT BANK 878 01:11:59,423 --> 01:12:03,628 I'VE HAD THE LOVELIEST TIME DOING THIS AND ALL MY FELLOW 879 01:12:03,628 --> 01:12:06,564 NOMINEES WHO ARE ALL JUST MARVELOUS. 880 01:12:06,564 --> 01:12:12,203 I DON'T KNOW WHAT TO SAY BECAUSE I GENUINELY GOT A LITTLE BIT 881 01:12:12,203 --> 01:12:16,641 BOOZY BECAUSE I THOUGHT THIS WASN'T GOING TO HAPPEN 882 01:12:16,641 --> 01:12:26,217 SO THANK YOU I'M COMPLETELY STUMPED 883 01:12:26,217 --> 01:12:31,589 EVERYONE HERE, HONESTLY, WATCHING EVERYBODY IS SO 884 01:12:31,589 --> 01:12:33,958 EXCITING WE'VE GONE, LOOK WHO IT IS, LOOK 885 01:12:33,958 --> 01:12:35,693 WHO'S THERE. THANK YOU FOR HAVING US, THANK 886 01:12:35,693 --> 01:12:38,229 YOU FOR HAVING ME, I'VE HAD SUCH A LOVELY TIME. 887 01:12:38,229 --> 01:12:39,297 THANK YOU VERY MUCH. [ APPLAUSE ] 888 01:12:39,297 --> 01:12:49,030 ♪♪ >> Announcer: NBC'S TELL 889 01:14:12,281 --> 01:14:16,564 HE PRESENTS A VISION OF WHO WE COULD BE 890 01:14:16,564 --> 01:14:19,768 TOM GAVE ME ONE OF MY FAVORITE ROLES WHEN HE DIRECTED THAT 891 01:14:19,768 --> 01:14:22,837 THING YOU DO I REMEMBER MY AUDITION AFTER MY 892 01:14:22,837 --> 01:14:25,640 FIRST READ, I THOUGHT I COMPLETELY BLEW IT 893 01:14:25,640 --> 01:14:28,576 I DIDN'T KNOW WHERE I WAS OR WHO I WAS. 894 01:14:28,576 --> 01:14:31,513 AND I HAD SOMEHOW FORGOT TONE BREATHE. 895 01:14:31,513 --> 01:14:37,385 AND TOM JUST KINDLY LOOKED AT ME, TOOK A BEAT, AND TED, I'M SO 896 01:14:37,385 --> 01:14:40,121 SORRY, SHAR LEASE, DO YOU MIND JUST GIVING ME FIVE MINUTES. 897 01:14:40,121 --> 01:14:42,290 I HAVE TO STEP OUT I'LL BE RIGHT BACK AND THEN 898 01:14:42,290 --> 01:14:49,964 WE'LL DO THAT SCENE. TOM DIDN'T NEED FIVE MINUTES 899 01:14:49,964 --> 01:14:51,933 I NEEDED FIVE MINUTES. THE FIVE MINUTES WERE A GIFT TO 900 01:14:51,933 --> 01:14:58,406 ME BECAUSE HE SAW A NERVOUS, SWEATY YOUNG ACTRESS FAILING TO 901 01:14:58,406 --> 01:15:02,210 MASK A PANIC ATTACK AND THAT'S THE KIND OF MAN HE IS. 902 01:15:02,210 --> 01:15:15,123 THIS IS WHY WE LOVE TOM. HE STAPDZ FOR ALL THE QUALITIES 903 01:15:15,123 --> 01:15:17,992 WE ASPIRE TO BOTH ON SCREEN AND OFF. 904 01:15:17,992 --> 01:15:21,863 HE GIVES US ENOUGH LAUGHTER TO WEATHER OUR STORMS 905 01:15:21,863 --> 01:15:27,335 AND WHILE THERE MAY BE NO CRYING IN BASEBALL, HE HAS MADE EASY 906 01:15:27,335 --> 01:15:32,006 WORK OF BREAKING OUR HEARTS AND STEALING OUR TEARS 907 01:15:32,006 --> 01:15:37,278 THE MOST UNDENIABLE THING THAT CAN BE SAID ABOUT TOM HANKS IS 908 01:15:37,278 --> 01:15:42,717 BOTH DECEPTIVELY SIMPLE AND YET OVERWHELMINGLY TRUE. 909 01:15:42,717 --> 01:15:48,223 HE JUST MAKES THE WORLD A BETTER PLACE. 910 01:15:48,223 --> 01:15:52,327 ♪ LOVE ♪ >> IT'S ME 911 01:15:52,327 --> 01:15:54,796 IT'S JOSH. >> YOU CAN'T IMAGINE HOW EXCITED 912 01:15:54,796 --> 01:16:01,035 I AM TO FINALLY MEET YOU I'M FOREST GUMP. 913 01:16:01,035 --> 01:16:03,705 >> I WASN'T ALWAYS THIS WAY TO BE SURE. 914 01:16:03,705 --> 01:16:08,009 I USED TO BE THE WAY I USED TO BE BEFORE. 915 01:16:08,009 --> 01:16:12,013 >> MY MOMMA ALWAYS SAID YOU HAVE TO PUT THE PAST BEHIND YOU 916 01:16:12,013 --> 01:16:18,553 BEFORE YOU CAN MOVE ON WHAT'S MY DESTINY, MOMMA 917 01:16:18,553 --> 01:16:21,289 >> YOU'RE GOING TO HAVE TO FIGURE THAT OUT FOR YOURSELF. 918 01:16:21,289 --> 01:16:24,492 >> HOW DO WE SIFT TRUTH FROM BELIEF 919 01:16:24,492 --> 01:16:26,728 HOW DO WE WRITE OUR OWN HISTORIES? 920 01:16:26,728 --> 01:16:31,332 >> TONIGHT THIS WILL BE OUR QUEST. 921 01:16:31,332 --> 01:16:35,103 >> HELLO ALL MY LIFE I'VE BEEN WAITING 922 01:16:35,103 --> 01:16:39,574 FOR SOMEONE AND WHEN I FIND HER, SHE'S A FISH 923 01:16:39,574 --> 01:16:43,211 >> MAGGIE, MY WIFE, SHE MADE EVERYTHING BEAUTIFUL. 924 01:16:43,211 --> 01:16:47,148 >> IT COULD THAN YOU NEED SOMEONE JUST AS MUCH AS JONAH 925 01:16:47,148 --> 01:16:56,825 DOES >> SHALL WE? 926 01:16:56,825 --> 01:16:58,827 >> YOU ARE CRYING? >> NO. 927 01:16:58,827 --> 01:17:03,164 >> THERE'S NO CRYING THERE'S NO CRYING IN BASEBALL! 928 01:17:03,164 --> 01:17:06,801 >> GET READY FOR A LITTLE JUMP, FELLOWS. 929 01:17:06,801 --> 01:17:12,974 >> HOUSTON, WE HAVE A PROBLEM. >> WELL THEN, WE'VE GOT TO DO 930 01:17:12,974 --> 01:17:16,144 SOMETHING. YOU GO AHEAD 931 01:17:16,144 --> 01:17:20,515 IT'S A SCARY LASER YOU'RE GOING TO GET CAUGHT 932 01:17:20,515 --> 01:17:34,896 >> YOU'RE GOING TO GO TO BRINGS. WHERE DO YOU THINK THIS WAS GAG. 933 01:17:34,896 --> 01:17:41,503 >> WE NEED TO GET OUT THERE. >> CAN YOU SHOW ME THE 934 01:17:41,503 --> 01:17:42,971 LACERATION >> IT'S OKAY 935 01:17:42,971 --> 01:17:47,008 >> OKAY. OKAY 936 01:17:47,008 --> 01:17:49,744 >> WON'T BE YOU MORE COMFORTABLE IN THE RESEARCH ROOM 937 01:17:49,744 --> 01:17:52,213 >> NO. WOULD IT MAKE YOU MORE 938 01:17:52,213 --> 01:17:55,016 COMFORTABLE? >> EVERY NOW AND AGAIN YOU GET 939 01:17:55,016 --> 01:18:02,824 TO BE PART OF JUSTICE. >> THEY RATIONALIZE ON MAKING 940 01:18:02,824 --> 01:18:10,164 THE CHOICE BETWEEN THE MISSION & THE ‐‐ WHAT MAKES US BOTH 941 01:18:10,164 --> 01:18:12,534 AMERICANS? >> JUST ONE THING. 942 01:18:12,534 --> 01:18:15,336 >> ONE FOR ONE THE RULE BOOK. 943 01:18:15,336 --> 01:18:17,972 WE CALL IT A CONSTITUTION AND WE AGREE TO THE RULES AND THAT'S 944 01:18:17,972 --> 01:18:22,243 WHAT MAKES US AMERICANS. >> CAN YOU HONESTLY TELL ME THIS 945 01:18:22,243 --> 01:18:24,779 WILL DO NO DAMAGE TO THE UNITED STATES IF YOU PUBLISH? 946 01:18:24,779 --> 01:18:26,714 >> YES >> ARE YOU SURE ABOUT THAT 947 01:18:26,714 --> 01:18:57,946 >> NO! THAT'S WHY I CALLED YOGUYS 948 01:18:57,946 --> 01:19:06,754 >> HELP HELLO, NEIGHBOR. 949 01:19:06,754 --> 01:19:08,289 [ APPLAUSE ] >> LADIES AND GENTLEMEN, TOM 950 01:19:08,289 --> 01:19:44,058 HANKS! ♪ 951 01:19:44,058 --> 01:19:47,328 >>> THANK YOU. THANK YOU VERY MUCH. 952 01:19:47,328 --> 01:19:50,431 THANK YOU. THANKS, EVERYBODY. 953 01:19:50,431 --> 01:19:56,571 THANK YOU. >> MOST OF THE PEOPLE IN THIS 954 01:19:56,571 --> 01:20:00,208 ROOM, I WOULD PAY TO SEE THEM GET THEIR CARS WASHED. 955 01:20:00,208 --> 01:20:05,747 SO TO BE UP HERE ‐‐ CAN I JUST SAY HONEST LIVE, REALLY, REALLY? 956 01:20:05,747 --> 01:20:09,817 CAN I JUST ‐‐ TELL THE TRUTH NOW, CAN I JUST SEE A SHOW OF 957 01:20:09,817 --> 01:20:13,888 HANDS, HOW MANY PEOPLE IN THIS ROOM HAVE A CLIP PACKAGE THAT 958 01:20:13,888 --> 01:20:22,497 INCLUDES THE LOVE BOAT ANYBODY? 959 01:20:22,497 --> 01:20:27,301 WELL, YOU ‐‐ CHARLISE. WHAT DO WE HAVE? 960 01:20:27,301 --> 01:20:51,926 LOVE, EXCITING AND NEW I HAVE A COLD. 961 01:20:51,926 --> 01:20:54,128 FORGIVE ME, I'M A LITTLE JITTERY. 962 01:20:54,128 --> 01:21:01,769 A MAN IS ‐‐ SORRY. A MAN IS BLESSED WITH FAMILY 963 01:21:01,769 --> 01:21:04,539 SITTING DOWN IN FRONT LIKE THAT A WIFE THAT IS FANTASTIC IN 964 01:21:04,539 --> 01:21:08,209 EVERY WAY, THAT TAUGHT ME WHAT LOVE, IS FIVE KIDS THAT ARE 965 01:21:08,209 --> 01:21:11,813 BRAVER AND STRONGER AND WISER THAN THEIR OLD MAN IS. 966 01:21:11,813 --> 01:21:15,717 AND A LOVING GROUP OF PEOPLE WHO HAVE PUT AWAY WITH ME BEING AWAY 967 01:21:15,717 --> 01:21:18,753 MONTHS AND MONTHS AND MONTHS AT A TIME, OF COURSE, OTHERWISE I 968 01:21:18,753 --> 01:21:21,756 WOULDN'T BE STANDING HERE IF THEY DIDN'T HAVE TO PUT UP WITH 969 01:21:21,756 --> 01:21:22,890 THAT I CAN'T TELL YOU HOW MUCH YOUR 970 01:21:22,890 --> 01:21:34,702 LOVE MEANS TO ME SO THAT'S THE WIFE AND KIDS. 971 01:21:34,702 --> 01:21:38,005 YOU KNOW, YOU'RE A DOPE IF YOU DON'T STEAL FROM EVERYBODY YOU 972 01:21:38,005 --> 01:21:42,810 EVER WORKED WITH AND I HAVE STOLEN FROM THE LIKES 973 01:21:42,810 --> 01:21:47,315 OF THE PEOPLE THAT ONLY NEED ONE NAME, YOU KNOW 974 01:21:47,315 --> 01:21:56,724 LIKE MERYL STREEP, LIKE DENZEL, LIKE ANTONIO, LIKE MEG, JULIA, 975 01:21:56,724 --> 01:22:01,763 SALLY FIELD, BUT I HAVE ALSO BEEN MADE BETTER BY WATCHING THE 976 01:22:01,763 --> 01:22:06,734 EXAMPLES OF SOME OF THE GREATEST ACTORS THAT HAVE EVER WALKED THE 977 01:22:06,734 --> 01:22:13,841 STAGE, PETER SCALARI AND HOLLAND TAYLOR, A MILLION YEARS AGO. 978 01:22:13,841 --> 01:22:19,180 ROBIN WRIGHT, BARKOB ABDI THAT WAS SO MUCH VERY MANY E. VERY 979 01:22:19,180 --> 01:22:25,520 MUCH IN AUGUST, THERE IS NO DOUBT ABOUT IT 980 01:22:25,520 --> 01:22:28,489 AND CHARLIZE THERON WHO IS ONE OF THOSE ONE WORD NAMES. 981 01:22:28,489 --> 01:22:30,625 THE REASON I HAD TO LEAVE THE ROOM, THE REASON I HAD TO LEAVE 982 01:22:30,625 --> 01:22:33,895 THE ROOM FOR FIVE MINUTES IS TO GO AND TELL ALL THE OTHER 983 01:22:33,895 --> 01:22:36,631 PRODUCERS THAT THIS WOMAN THAT I'M AUDITIONING RIGHT NOW IS 984 01:22:36,631 --> 01:22:38,900 GOING TO BE IN THIS MOVIE SOMEHOW SO WE HAVE TO FIGURE OUT 985 01:22:38,900 --> 01:22:43,271 HOW IT'S GOING TO WORK AND SHE WAS. 986 01:22:43,271 --> 01:22:50,311 I HAVE NEVER NOT BEEN CHALLENGED OR LOST SLEEP BECAUSE OF THE 987 01:22:50,311 --> 01:22:54,315 WORK THAT I WAS ASKED OF ME BY THE DIRECTORS THAT I'VE WORKED 988 01:22:54,315 --> 01:22:56,984 WITH, EVERY SINGLE ONE OF THEM, THE SCREEN WRITERS I WORKED 989 01:22:56,984 --> 01:23:00,888 WITH, EVERY SINGLE ONE OF THEM THERE IS NORA AND PENNY, MARCHY 990 01:23:00,888 --> 01:23:06,160 OF LATE, STEPHEN AND RON, PAUL, BOB, THE LIST GOES ON, CLINT, 991 01:23:06,160 --> 01:23:09,297 THE LIST GOES ON AND ON. EVERY ONE OF THOSE, EVERY ONE OF 992 01:23:09,297 --> 01:23:12,099 THOSE GUYS AT SOME POINT OR ANOTHER CAME UP TO ME IN THE 993 01:23:12,099 --> 01:23:16,037 COURSE OF A DAY AND SAID TOMORROW IF YOU DON'T DO YOUR 994 01:23:16,037 --> 01:23:19,173 JOB REALLY WELL, WE DON'T HAVE A MOVIE. 995 01:23:19,173 --> 01:23:24,478 AND THIS IS A THING THAT YOU ‐‐ THAT HAPPENS WITH ACTORS AT SOME 996 01:23:24,478 --> 01:23:29,350 POINT ON A MOVIE ‐‐ A MOVIE IS MADE SHOT BY SHOT, EVERYBODY 997 01:23:29,350 --> 01:23:33,254 KNOWS THAT MARTY SCORE XAZ YES KNOWS IT, 998 01:23:33,254 --> 01:23:36,023 JACKIE CHAN KNOWS A MOVIE IS MADE SHOT BY SHOT. 999 01:23:36,023 --> 01:23:39,160 AT THAT MOMENT WHAT IS REQUIRED IS EVERYBODY HAS TO DO THEIR JOB 1000 01:23:39,160 --> 01:23:42,530 TO THEIR PERFECTION. THEY HAVE TO HIT A MARK AND THEY 1001 01:23:42,530 --> 01:23:48,002 HAVE TO GO THERE SOMETIMES THE MOVIE RESTS ON THE 1002 01:23:48,002 --> 01:23:53,307 SHOULDERS OF THE MAKEUP ARTIST WHO PUT ON STELLA'S EYEBROWS 1003 01:23:53,307 --> 01:23:58,179 SOMETIMES IT'S THE FOCUS PULLER THAT IF IT'S NOT SHARP, IT SHOWS 1004 01:23:58,179 --> 01:24:01,349 UP AND YOU HAVE TO DO IT ALL OVER AGAIN 1005 01:24:01,349 --> 01:24:06,721 BUT IT'S THOSE MOMENTS ASSEN AN ACTOR WHERE EVERYBODY I WORKED 1006 01:24:06,721 --> 01:24:09,123 WITH HELPED ME GET TO THAT PLACE, SOMETIMES IT'S 3:00 IN 1007 01:24:09,123 --> 01:24:15,329 THE MORNING, AND SOMETIMES IT'S 11:00 AT NIGHT IN WHICH YOU JUST 1008 01:24:15,329 --> 01:24:20,868 HAVE TO SOMEHOW PUT IT ALL TOGETHER, HAVE FAITH IN THE 1009 01:24:20,868 --> 01:24:26,540 PROCESS AND GO THERE 1,000 YEARS AGO IN 1977, WHEN I 1010 01:24:26,540 --> 01:24:31,679 WAS AN IPNTERN AT MY FIRST PROFESSIONAL JOB, WE ALL GOT 1011 01:24:31,679 --> 01:24:33,781 YELLED AT BY DAN SULLIVAN, THE DIRECTOR 1012 01:24:33,781 --> 01:24:37,285 WE PARTIED A LITTLE BIT TOO MUCH THE NIGHT BEFORE 1013 01:24:37,285 --> 01:24:40,154 WE WERE SHOWING UP FOR REHEARSALS AND HE SCREAMED AT 1014 01:24:40,154 --> 01:24:43,824 US, WELL, DID HE SCREAM AT US. HE SAID, LOOK, YOU GUYS, YOU 1015 01:24:43,824 --> 01:24:47,228 GUYS, YOU ACTORS, YOU KNOW WHAT YOUR JOB IS? 1016 01:24:47,228 --> 01:24:49,931 YOU KNOW WHAT YOUR JOB IS? SHOW UP ON TIME AND YOU HAVE TO 1017 01:24:49,931 --> 01:24:52,967 KNOW THE TEXT AND YOU HAVE TO HAVE A HEADFUL OF IDEAS. 1018 01:24:52,967 --> 01:24:56,671 THE OTHERWISE I CAN'T DO MY JOB! THAT WAS THE GREATEST LESSON A 1019 01:24:56,671 --> 01:24:59,607 YOUNG ACTOR COULD POSSIBLY HAVE EVER GET 1020 01:24:59,607 --> 01:25:01,976 FIRST OF ALL, THE HEAD FULL OF IDEAS. 1021 01:25:01,976 --> 01:25:03,477 BRING ANYTHING TRY ANYTHING 1022 01:25:03,477 --> 01:25:06,180 THEY MIGHT NOT USE IT. IF IT STINKS, TWHOENLT USE IT. 1023 01:25:06,180 --> 01:25:10,518 AM I RIGHT, MARTY SCORSESE IF IT'S NOT GOOD, LET'S SEE THE 1024 01:25:10,518 --> 01:25:18,759 OUTTAKES FROM THAT MOVIE, BY THE WAY. 1025 01:25:18,759 --> 01:25:21,562 KNOWING THE TEXT AND IT'S NOT JUST YOUR LINES, IT'S THE WHOLE 1026 01:25:21,562 --> 01:25:23,197 THING. IT'S THE RED DOT 1027 01:25:23,197 --> 01:25:26,267 IT'S THE THEME OF THE MOVIE. YOU HAVE TO KNOW IT. 1028 01:25:26,267 --> 01:25:28,336 YOU MIGHT NOT BE RIGHT IN WHAT THE OPINION YOU BRING TO UT. 1029 01:25:28,336 --> 01:25:30,805 BUT YOU HAVE TO COME AT IT WITH SOME DIRECTION 1030 01:25:30,805 --> 01:25:34,475 AND AS CHARLIZE THERON MIGHTEN INTO THE OTHER PEOPLE THAT MAY 1031 01:25:34,475 --> 01:25:38,112 HAVE WORKED WITH US THROUGH THE GALAXY OF STARS, SHOWING UP ON 1032 01:25:38,112 --> 01:25:42,283 TIME IS ONE OF THE GREATEST LIBERATING ACTS CAN YOU GIVE 1033 01:25:42,283 --> 01:25:49,323 YOUR SELF IN A MOVIE THAT MEANS THOSE PEOPLE WITH 1034 01:25:49,323 --> 01:25:52,226 RADIOS IN THE EARS DON'T NEED TO KNOCK ON YOUR DOOR AND SAY 1035 01:25:52,226 --> 01:25:54,829 THEY'RE READY FOR YOU. YOU'RE ACTUALLY ALREADY READY 1036 01:25:54,829 --> 01:25:58,699 AND YOU HAVE THE LIBERTY AND YOU HAVE THE FREEDOM OF BEING THERE 1037 01:25:58,699 --> 01:26:01,836 EARLY ENOUGH TO SETTLE DOWN BECAUSE WHEN THE TIME COMES, YOU 1038 01:26:01,836 --> 01:26:07,074 HAVE TO HIT THE MARKS. AND YOU HAVE TO GO THERE 1039 01:26:07,074 --> 01:26:12,146 THERE IS A SAYING IN MOTION PICTURES BACK WHEN IT WAS SHOT 1040 01:26:12,146 --> 01:26:17,418 ON FILM, YOU COULD NOT MOVE ON TO THE NEXT SCENE UNTIL THE GATE 1041 01:26:17,418 --> 01:26:20,421 WAS GOOD THE FILM WENT THROUGH THE 1042 01:26:20,421 --> 01:26:23,824 LITTLE ‐‐ LET ME EXPLAIN IT TO THE KIDS AT HOME 1043 01:26:23,824 --> 01:26:26,894 THE FILM WENT THROUGH A SHUT EASTERN HAD TO GO THROUGH THE 1044 01:26:26,894 --> 01:26:31,899 GATE AND SOMETIME A PIECE OF FILM 1045 01:26:31,899 --> 01:26:34,402 WOULD FALL OFF AND THE SHOT WOULD BE RUINED. 1046 01:26:34,402 --> 01:26:36,570 YOU COULDN'T SAVE IT IN THE LAB. THE GATE HAD TO BE GOOD BEFORE 1047 01:26:36,570 --> 01:26:42,643 YOU COULD MOVE ON. SO UP IN THAT VOICE OF GOD ‐‐ 1048 01:26:42,643 --> 01:26:45,913 ALL RIGHT. THAT'S WONDERFUL 1049 01:26:45,913 --> 01:26:47,181 CUT! SHUT THE GATE. 1050 01:26:47,181 --> 01:26:50,851 HE'D SAY SOMETHING LIKE THAT AND THEN THEY WOULD SHUT THE 1051 01:26:50,851 --> 01:26:54,755 GATE IF THE GATE WAS GOOD, THEN YOU 1052 01:26:54,755 --> 01:26:56,991 MOVED ON LADIES AND GENTLEMEN, I'M SUCH 1053 01:26:56,991 --> 01:27:00,194 A ‐‐ IT'S THE COLD THAT IS MAKING THIS HAPPEN 1054 01:27:00,194 --> 01:27:04,532 SORT OF ‐‐ I'M NOT NEARLY THIS EMOTIONAL AT HOME. 1055 01:27:04,532 --> 01:27:05,966 WELL, THANK YOU. THANK YOU ALL HERE 1056 01:27:05,966 --> 01:27:08,135 THANK YOU ALL FOR ALL YOUR INSPIRATION. 1057 01:27:08,135 --> 01:27:12,239 AND ALL OF YOUR WORK AND ALL OF THIS STRUGGLE THAT YOU GUYS ALL 1058 01:27:12,239 --> 01:27:14,508 GO THROUGH IN ORDER TO HIT THE MARKS AND TELL THE TRUTH 1059 01:27:14,508 --> 01:27:16,911 I HAVE CHECKED THE GATE. GATE IS GOOD 1060 01:27:16,911 --> 01:27:45,106 THANK YOU. ♪♪ 1061 01:27:45,106 --> 01:27:53,380 >> AMAZING OUR NEXT CATEGORY, NO FEMALE 1062 01:27:53,380 --> 01:27:57,751 DIRECTORS WERE NOMINATED THIS YEAR 1063 01:27:57,751 --> 01:28:01,589 NOT ONE. I HAVE GENUINE ‐‐ I HAVE A WORD 1064 01:28:01,589 --> 01:28:09,597 WITH A HOLLYWOOD FOREIGN PRESS AND NECESSITY 1065 01:28:09,597 --> 01:28:10,664 AND THEY GUARANTEE THAT WILL NEVER HAPPEN AGAIN 1066 01:28:10,664 --> 01:28:14,168 WORKING WITH THE MAJOR STUDIOS, THEY DECIDED TO GO BACK A FEW 1067 01:28:14,168 --> 01:28:19,273 WAYS BEFORE WHEN THEY DIDN'T EVEN HIRE WOMEN DIRECTORS AND 1068 01:28:19,273 --> 01:28:25,312 THAT WILL SOLVE THE PROBLEM. YOU'RE WELCOME 1069 01:28:25,312 --> 01:28:32,620 AND NOW PLEASE WELCOME TWO NOMINEES TONIGHT, HELEN MERIN 1070 01:28:32,620 --> 01:28:43,831 AND FROM "PAIN & GLORY," ANTONIO BANDERAS 1071 01:28:43,831 --> 01:28:49,136 >> A LEGEND. >> A MASTER OF TWO GENRES. 1072 01:28:49,136 --> 01:28:53,274 >> AND NEW VOICE ZBLAEN 1073 01:28:53,274 --> 01:28:56,810 AND A BOLD RISK DIRECTOR ALL MAGNIFICENT STORY TELLERS 1074 01:28:56,810 --> 01:29:00,147 AND EACH WILL INFLUENCE FILMMAKERS FOR GENERATIONS TO 1075 01:29:00,147 --> 01:29:02,750 COME >> THEY ARE THE NOMINEES FOR 1076 01:29:02,750 --> 01:29:12,860 BEST DIRECTOR. >> FOR PARASITE, BONG JOON HO, 1077 01:29:12,860 --> 01:29:17,264 SAM MEDES, FOR JOKER, TODD PHILLIPS 1078 01:29:17,264 --> 01:29:21,068 FOR THE IRISHMAN, MARTIN SCORSESE, FOR ONCE UPON A TIME 1079 01:29:21,068 --> 01:29:24,205 IN HOLLYWOOD, QUINT CONSEQUENT INTARANTINO. 1080 01:29:24,205 --> 01:29:36,617 >> AND THE GOLDEN GLOBE GOES TO SAM MENDES FOR "1917." 1081 01:29:36,617 --> 01:29:57,972 >> THIS IS SAM MENDES' SECOND WIN AND THIRNOMINATION 1082 01:29:57,972 --> 01:30:01,642 >> THANK YOU THAT IS A BIG SURPRISE, THANK 1083 01:30:01,642 --> 01:30:04,044 YOU VERY MUCH. CAN I JUST SAY THERE'S NOT ONE 1084 01:30:04,044 --> 01:30:08,382 DIRECTOR IN THIS ROOM, NOT ONE DIRECTOR IN THE WORLD THAT IS 1085 01:30:08,382 --> 01:30:10,818 NOT IN THE SHADOW OF MARTIN SCORSESE 1086 01:30:10,818 --> 01:30:19,260 I JUST HAVE TO SAY THAT. TOO MANY PEOPLE TO THANK 1087 01:30:19,260 --> 01:30:24,898 EVERYONE AT UNIVERSAL, EVERYONE AT NEW REPUBLIC. 1088 01:30:24,898 --> 01:30:28,636 THREE EXTRAORDINARY PRODUCERS, TWO EXTRAORDINARY YOUNG ACTORS, 1089 01:30:28,636 --> 01:30:32,539 GEORGE AND DEE WHO WERE THERE. WE BUILT THIS MOVIE AROUND YOU, 1090 01:30:32,539 --> 01:30:36,010 THANK YOU. AND INCREDIBLE CAST AND CREW 1091 01:30:36,010 --> 01:30:39,813 DENNIS AND THE PRODUCTION DESIGNER, LEE SMITH, AND, OF 1092 01:30:39,813 --> 01:30:43,550 COURSE, THE GREAT ROGER D. WITHOUT HIM, WE COULDN'T HAVE 1093 01:30:43,550 --> 01:30:48,989 POSSIBLY MADE THIS FILM. I ALSO WANT TO TAKE A LEAF OUT 1094 01:30:48,989 --> 01:30:53,327 OF TOM HANKS BOOK AND SAY THANK YOU TO MY WIVALLY FOR HER LOVE 1095 01:30:53,327 --> 01:30:56,230 AND SUPPORT WITHOUT WHOM I WOULD HAVE NEVER SAT DOWN TO WRITE 1096 01:30:56,230 --> 01:30:58,332 THIS I WOULD LIKE TO DEDICATE THIS TO 1097 01:30:58,332 --> 01:31:03,270 MY GRANDFATHER, ALFRED MENDES WHO INSPIRED THIS FILM 1098 01:31:03,270 --> 01:31:06,040 HE WAS AGE 17 WHEN HE SIGNED UP FOR THE FIRST WORLD WAR. 1099 01:31:06,040 --> 01:31:09,009 I HOPE HE IS LOOKING DOWN ON US. I HOPE IT NEVER, EVER HAPPENS 1100 01:31:09,009 --> 01:31:18,381 AGAIN. >> TIFFANY HADDISH, JENNIFER 1101 01:31:18,381 --> 01:31:20,783 LOPEZ AND PAUL RUUD AND MORE STARS. 1102 01:31:20,783 --> 01:31:23,106 THEY'RE COMING UP HERE ON THE GOLDEN GLOBES. 1103 01:31:40,120 --> 01:31:42,122 >> Announcer: WELCOME BACK TO THE GOLDEN GLOBES. 1104 01:31:42,122 --> 01:31:45,792 AND NOW, PLEASE WELCOME THE STAR AND PRODUCER OF THE UPCOMING 1105 01:31:45,792 --> 01:31:51,665 "MRS. AMERICA," CATE BLANCHETT [ APPLAUSE ] 1106 01:31:51,665 --> 01:31:59,840 >> THANK YOU THERE ARE A LOT OF AUSTRALIANS 1107 01:31:59,840 --> 01:32:02,976 IN THE ROOM TONIGHT. I KNOW WE'RE ALL VERY GRATEFUL 1108 01:32:02,976 --> 01:32:07,681 TO THE CALLOUTS TO OUR FELLOW COMPATRIOTS SUFFERING UNDER THE 1109 01:32:07,681 --> 01:32:09,082 BUSH FIRES SO THANK YOU 1110 01:32:09,082 --> 01:32:12,886 I WOULD JUST LIKE TO AMPLIFY THAT BY SAYING I WANTED TO DO A 1111 01:32:12,886 --> 01:32:19,259 SPECIAL CALLOUT TO THE VOLUNTEER FIREFIGHTERS WHO HAVE BEEN AT 1112 01:32:19,259 --> 01:32:24,131 THE CENTER OF BATTLING THE CLIMATE DISASTER THAT IS FACING 1113 01:32:24,131 --> 01:32:24,998 AUSTRALIA. [ APPLAUSE ] 1114 01:32:24,998 --> 01:32:29,069 OF COURSE WHEN ONE COUNTRY FACES A CLIMATE DISASTER, WE ALL FACE 1115 01:32:29,069 --> 01:32:31,538 A CLIMATE DISASTER SO WE'RE IN IT TOGETHER. 1116 01:32:31,538 --> 01:32:36,710 SO THANK YOU VERY MUCH [ APPLAUSE ] 1117 01:32:36,710 --> 01:32:42,015 >> OUR NEXT MOTION PICTURE, DRAMA IS A GRITTY AND ORIGINAL 1118 01:32:42,015 --> 01:32:47,821 CHARACTER STUDY THAT HOLDS A MIRROR UP TO OUR SOCIETY AND 1119 01:32:47,821 --> 01:32:53,827 DISTURBINGLY REFLECTS ON OUR TIMES. 1120 01:32:53,827 --> 01:32:57,097 DIRECT BY TODD PHILLIPS, IT STARS JOAQUIN PHOENIX IN A 1121 01:32:57,097 --> 01:33:02,903 MESMERIZING PERFORMANCE AS A MAN STRUGGLING IN A WORLD LACKING 1122 01:33:02,903 --> 01:33:09,276 EMPATHY AND HUMANITY NOMINATED FOR FOUR 1123 01:33:09,276 --> 01:33:17,618 GOLDEN GLOBES, THIS IS "JOKER. >> WHAT'S YOUR NAME? 1124 01:33:17,618 --> 01:33:19,886 >> ARTHUR. >> THERE'S SOMETHING SPECIAL 1125 01:33:19,886 --> 01:33:25,892 ABOUT YOU, ARTHUR, I CAN TELL. >> FOR MY WHOLE LIFE, I DIDN'T 1126 01:33:25,892 --> 01:33:35,402 KNOW IF I EVEN REALLY EXISTED. BUT I DO 1127 01:33:35,402 --> 01:33:44,811 PEOPLE ARE STARTING TO NOTICE. >> Announcer: PLEASE WELCOME THE 1128 01:33:44,811 --> 01:33:46,813 STARS OF "LIKE A BOSS," TIFFANY HADDISH AND 1129 01:33:46,813 --> 01:33:50,450 SALMA HAYEK PINAULT. [ APPLAUSE ] 1130 01:33:50,450 --> 01:33:57,491 ♪♪ >> SALMA AND I LEARNED SOMETHING 1131 01:33:57,491 --> 01:33:59,092 WHILE SHOOTING OUT NEW MOVIE TOGETHER 1132 01:33:59,092 --> 01:34:02,796 >> YES WE FOUND THAT SOME PEOPLE FIND 1133 01:34:02,796 --> 01:34:05,966 ONE OF OUR ACCENTS HARD TO UNDERSTAND 1134 01:34:05,966 --> 01:34:09,703 >> BUT I AM REALLY WORKING ON IT 1135 01:34:09,703 --> 01:34:14,474 HERE ARE THE NOMINEES FOR BEST ACTRESS IN A LIMITED SERIES OR 1136 01:34:14,474 --> 01:34:19,212 MOTION PICTURE MADE FOR TV >> Announcer: FOR 1137 01:34:19,212 --> 01:34:23,984 "UNBELIEVABLE," KAITLYN DEVER. FOR "THE ACT," JOEY KING 1138 01:34:23,984 --> 01:34:28,221 FOR "CATHERINE THE GREAT," HELEN MIRREN 1139 01:34:28,221 --> 01:34:32,993 FOR "UNBELIEVABLE," MERRITT WEVER. 1140 01:34:32,993 --> 01:34:38,298 FOR "FOSSE/VERDON," MICHELLE WILLIAMS 1141 01:34:38,298 --> 01:34:45,472 >> AND THE GOLDEN GLOBE GOES TO ‐ 1142 01:34:45,472 --> 01:34:48,008 MICHELLE WILLIAMS. >> WOO 1143 01:34:48,008 --> 01:34:51,778 [ APPLAUSE ] ♪♪ 1144 01:34:51,778 --> 01:34:54,481 >> Announcer: THIS IS MICHELLE WILLIAMS' SIXTH NOMINATION AND 1145 01:34:54,481 --> 01:34:58,985 SECOND WIN SHE BRINGS HOME HER GOLDEN GLOBE 1146 01:34:58,985 --> 01:35:04,691 TONIGHT FOR HER ROLE AS GWEN VERDON IN "FOSSE/VEDON." 1147 01:35:04,691 --> 01:35:21,041 [ APPLAUSE ] ♪♪ 1148 01:35:21,041 --> 01:35:29,049 >> THANK YOU SO MUCH FIRST OF ALL, TO MY 1149 01:35:29,049 --> 01:35:31,685 "FOSSE/VERDON" FAMILY AND THE HOLLYWOOD PRESS ASSOCIATION. 1150 01:35:31,685 --> 01:35:37,457 WHEN YOU PUT THIS IN SOMEONE'S HANDS, YOU ACKNOWLEDGING THE 1151 01:35:37,457 --> 01:35:41,495 CHOICES MADE BY THE ACTOR BUT ALSO THE CHOICES THEY MADE AS A 1152 01:35:41,495 --> 01:35:43,964 PERSON, THE TRAINING THEY SOUGHT, THE HOURS THEY PUT IN. 1153 01:35:43,964 --> 01:35:46,032 I'M GRATEFUL FOR THE ACKNOWLEDGEMENT OF THE CHOICES 1154 01:35:46,032 --> 01:35:50,003 I'VE MADE AND I'M ALSO GRATEFUL TO HAVE LIVED IN A MOMENT IN OUR 1155 01:35:50,003 --> 01:35:55,142 SOCIETY WHERE CHOICE EXISTS, BECAUSE AS WOMEN AND AS GIRLS, 1156 01:35:55,142 --> 01:35:59,846 THINGS CAN HAPPEN TO OUR BODIES THAT ARE NOT OUR CHOICE. 1157 01:35:59,846 --> 01:36:04,084 I'VE TRIED MY VERY BEST TO LIVE A LIFE OF MY OWN MAKING, NOT 1158 01:36:04,084 --> 01:36:07,053 JUST A SERIES OF EVENTS THAT HAPPENED TO ME BUT ONE THAT I 1159 01:36:07,053 --> 01:36:10,824 COULD STAND BACK AND LOOK AT AND RECOGNIZE MY HANDWRITING ALL 1160 01:36:10,824 --> 01:36:15,562 OVER, SOMETIMES MESSY AND SCRAWLING, SOMETIMES CAREFUL AND 1161 01:36:15,562 --> 01:36:17,798 PRECISE, BUT ONE THAT I CARVED WITH MY OWN HAND 1162 01:36:17,798 --> 01:36:20,834 I WOULDN'T HAVE BEEN ABLE TO DO THIS WITHOUT EMPLOYING A WOMAN'S 1163 01:36:20,834 --> 01:36:33,246 RIGHT TO CHOOSE. [ CHEERS AND APPLAUSE 1164 01:36:33,246 --> 01:36:36,917 TO CHOOSE WHEN TO HAVE MY CHILDREN, AND WITH WHOM. 1165 01:36:36,917 --> 01:36:41,254 WHEN I FELT SUPPORTED AND ABLE TO BALANCE OUR LIVES KNOWING AS 1166 01:36:41,254 --> 01:36:44,658 ALL MOTHERS KNOW THAT THE SCALES MUST AND WILL TIP TOWARDS OUR 1167 01:36:44,658 --> 01:36:47,794 CHILDREN NOW, I KNOW MY CHOICES MIGHT 1168 01:36:47,794 --> 01:36:51,164 LOOK DIFFERENT THAN YOURS. BUT THANK GOD OR WHOMEVER YOU 1169 01:36:51,164 --> 01:36:55,335 PRAY TO THAT WE LIVE IN A COUNTRY FOUNDED ON THE PRINCIPLE 1170 01:36:55,335 --> 01:36:59,706 THAT I AM FREE TO LIVE BY MY FAITH AND YOU ARE FREE TO LIVE 1171 01:36:59,706 --> 01:37:04,177 BY YOURS SO, WOMEN, 18 TO 118, WHEN IT IS 1172 01:37:04,177 --> 01:37:09,216 TIME TO VOTER PLEASE DO SO IN YOUR OWN SELF‐INTEREST 1173 01:37:09,216 --> 01:37:11,651 IT'S WHAT MEN HAVE BEEN DOING FOR YEARS. 1174 01:37:11,651 --> 01:37:22,629 [ CHEERS AND APPLAUSE IT'S WHAT MEN HAVE BEEN DOING 1175 01:37:22,629 --> 01:37:26,333 FOR YEARS, WHICH IS WHY THE WORLD LOOKS SO MUCH LIKE THEM. 1176 01:37:26,333 --> 01:37:29,970 BUT DON'T FORGET, WE ARE THE LARGEST VOTING BODY IN THIS 1177 01:37:29,970 --> 01:37:34,307 COUNTRY. LET'S MAKE IT LOOK MORE LIKE US. 1178 01:37:34,307 --> 01:37:39,212 I CAN'T WAIT TO COME HOME TO YOU. 1179 01:37:39,212 --> 01:37:49,523 [ APPLAUSE ] ♪♪ 1180 01:37:49,523 --> 01:37:56,396 >> HOW ABOUT THAT WOMEN'S CHOICE 1181 01:37:56,396 --> 01:38:05,038 MM‐HMM >> AND NOW HERE ARE THE NOMINEES 1182 01:38:05,038 --> 01:38:12,112 FOR BEST LIMITED SERIES OR MOTION PICTURE MADE FOR TV 1183 01:38:12,112 --> 01:38:16,116 >> MUY BUENO, I UNDERSTOOD EVERYTHING YOU SAID. 1184 01:38:16,116 --> 01:38:20,921 >> Announcer: "CATCH‐22. "CHERNOBYL." 1185 01:38:20,921 --> 01:38:24,591 "FOSSE/VERDON. "THE LOUDEST VOICE." 1186 01:38:24,591 --> 01:38:33,066 "UNBELIEVABLE. >> AND THE GOLDEN GLOBE GOES 1187 01:38:33,066 --> 01:38:39,839 TO ‐ "CHERNOBYL." 1188 01:38:39,839 --> 01:38:42,776 [ APPLAUSE ] ♪♪ 1189 01:38:42,776 --> 01:38:46,913 >> Announcer: COMING TO THE STAGE TONIGHT FOR "CHERNOBYL" 1190 01:38:46,913 --> 01:38:54,621 ARE EXECUTIVE PRODUCER JANE FEATHERSTONE, CREATOR CRAIG 1191 01:38:54,621 --> 01:38:58,124 MAVEN. ACCEPTING THE GOLDEN GLOBE IS 1192 01:38:58,124 --> 01:39:01,227 JANE FEATHERSTONE. [ APPLAUSE ] 1193 01:39:01,227 --> 01:39:30,757 ♪♪ >> I'M JANE FEATHERSTONE 1194 01:39:30,757 --> 01:39:36,062 THANK YOU, HFPA. THANK YOU TO HBO 1195 01:39:36,062 --> 01:39:39,733 SEE, RICKY, IT'S NOT ALL ABOUT NETFLIX. 1196 01:39:39,733 --> 01:39:45,271 SORRY, NETFLIX THANK YOU TO SKY ATLANTIC. 1197 01:39:45,271 --> 01:39:52,145 THANK YOU TO THE CITIES OF VILNIUS AND KIEV FOR BEING SO 1198 01:39:52,145 --> 01:39:54,848 HOSPITABLE THANK YOU TO OUR UKRAINIAN 1199 01:39:54,848 --> 01:39:59,653 CREWS, OUR LITHUANIAN CREWS, OUR SWEDISH CREWS, OUR FRENCH CREWS, 1200 01:39:59,653 --> 01:40:03,790 OUR ENGLISH CREWS. CRAIG, YOUR SCRIPT POSED THE 1201 01:40:03,790 --> 01:40:07,827 QUESTION WHAT IS THE COST OF LYING. 1202 01:40:07,827 --> 01:40:11,064 AND THAT QUESTION BECOMES MORE RELEVANT WITH EACH PASSING DAY'S 1203 01:40:11,064 --> 01:40:21,875 NEWS CYCLE THE PEOPLE OF THE UKRAINE BORE 1204 01:40:21,875 --> 01:40:26,579 THE BRUNT OF THIS CATASTROPHE AND SHIELDED MILLIONS OF PEOPLE 1205 01:40:26,579 --> 01:40:30,583 FROM ITS WORST EFFECTS AT THE COST OF THEIR OWN LIVES. 1206 01:40:30,583 --> 01:40:33,520 "CHERNOBYL" IS DEDICATED TO THEIR CURRENTLY AND SACRIFICE. 1207 01:40:33,520 --> 01:40:39,759 [ APPLAUSE ] ♪♪ 1208 01:40:39,759 --> 01:40:43,063 >> Announcer: MORE HOLLYWOOD STARS ARE PREPARING FOR THE BIG 1209 01:40:43,063 --> 01:40:43,724 AWARDS 1210 01:40:51,603 --> 01:40:54,172 >> Announcer: WELCOME BACK TO THE GOLDEN GLOBES. 1211 01:40:54,172 --> 01:40:57,342 AND NOW, FROM "DOLEMITE IS MY NAME," DA'VINE JOY RANDOLPH AND 1212 01:40:57,342 --> 01:41:08,286 WESLEY SNIPES. [ APPLAUSE ] 1213 01:41:08,286 --> 01:41:11,423 >> THE NEXT NOMINATED MOTION PICTURE COMEDY IS THE REAL‐LIFE 1214 01:41:11,423 --> 01:41:14,059 STORY OF RUDY RAY MOORE, A COMEDY LEGEND AND PIONEER OF 1215 01:41:14,059 --> 01:41:21,966 RAP. >> HE PROVED NAYSAYERS WRONG 1216 01:41:21,966 --> 01:41:26,971 WITH HIS HILARIOUS, RAUNCH KUNG‐FU FIGHTING ALTER EGO, 1217 01:41:26,971 --> 01:41:28,873 DOLEMITE, BECAME A 1970s RECORDING SENSATION AND 1218 01:41:28,873 --> 01:41:34,312 BLAXPLOITATION PHENOMENON. >> NOMINATED FOR TWO GOLDEN 1219 01:41:34,312 --> 01:41:43,088 GLOBES, HERE IS EDDIE MURPHY AND THE ALL STAR CAST OF DOLL"DOLEMI 1220 01:41:43,088 --> 01:41:47,625 IS MY NAME." >> LET'S BRING DOLEMITE TO THE 1221 01:41:47,625 --> 01:41:49,894 SCREEN >> WHAT PLANET IS THIS CAT ON? 1222 01:41:49,894 --> 01:41:52,297 >> THIS THING FLOPS, YOU'RE GOING TO BE WORKING FOR FREE FOR 1223 01:41:52,297 --> 01:41:55,834 THE REST OF YOUR LIFE. >> I'M SO GRATEFUL FOR WHAT YOU 1224 01:41:55,834 --> 01:41:58,603 DID FOR ME BECAUSE I NEVER SEEN NOBODY THAT LOOKS LIKE ME UP 1225 01:41:58,603 --> 01:42:05,777 THERE ON THAT BIG SCREEN >> YOU CAN LIVE THE LIFE THAT 1226 01:42:05,777 --> 01:42:13,251 YOU LOVE AND LOVE THE LIFE THAT YOU LIVE 1227 01:42:13,251 --> 01:42:14,219 [ APPLAUSE ] >> Announcer: PLEASE WELCOME THE 1228 01:42:14,219 --> 01:42:15,420 STAR OF "HUSTLERS," JENNIFER LOPEZ AND THE STAR 1229 01:42:15,420 --> 01:42:24,095 "LIVING WITH YOURSELF," PAUL RUDD. 1230 01:42:24,095 --> 01:42:26,931 [ APPLAUSE ] >> THESE NOMINATED COMPOSERS 1231 01:42:26,931 --> 01:42:28,433 ARE AN INTERNATIONAL ARRAY, HAILING 1232 01:42:28,433 --> 01:42:38,376 FROM THE U. S FRANCE, THE UK, AND ICELAND. 1233 01:42:38,376 --> 01:42:41,012 HERE ARE THE NOMINEES FOR BEST ORIGINAL SCORE ‐ 1234 01:42:41,012 --> 01:42:43,148 >> Announcer: "LITTLE WOMEN," ALEXANDRE DESPLAT. 1235 01:42:43,148 --> 01:42:46,317 "JOKER," HILDUR GUDNADOTTIR. "MARRIAGE STORY," RANDY NEWMAN 1236 01:42:46,317 --> 01:42:48,987 "1917," THOMAS NEWMAN. "MOTHERLESS BROOKLYN," DANIEL 1237 01:42:48,987 --> 01:42:54,259 PEMBERTON. >> AND THE GOLDEN GLOBE GOES 1238 01:42:54,259 --> 01:43:04,602 TO ‐ HILDUR GUONADOTTIR FOR "JOKER. 1239 01:43:04,602 --> 01:43:10,008 [ CHEERS AND APPLAUSE >> Announcer: THIS IS HILDUR 1240 01:43:10,008 --> 01:43:13,611 GUONADOTTIR'S FIRST ONE AND FIRST NOMINATION 1241 01:43:13,611 --> 01:43:17,048 HER CREDITS ALSO INCLUDE "CHERNOBYL." 1242 01:43:17,048 --> 01:43:41,406 [ APPLAUSE ] ♪♪ 1243 01:43:41,406 --> 01:43:54,219 >> WOW I THOUGHT THEY FORGOT THE MUSIC. 1244 01:43:54,219 --> 01:44:00,191 THIS IS TRULY ‐‐ I'M SPEECHLESS. THIS IS UNBELIEVABLE 1245 01:44:00,191 --> 01:44:02,927 THANK YOU, HOLLYWOOD FOREIGN PRESS, THANK YOU, TODD, FOR 1246 01:44:02,927 --> 01:44:07,198 INVITING ME ON A JOURNEY OF A LIFETIME, FOR ALL THE TRUST AND 1247 01:44:07,198 --> 01:44:11,402 FAITH AND YOU'RE OPENNESS. THANK YOU, JOAQUIN, FOR MAKING 1248 01:44:11,402 --> 01:44:17,008 MY JOB REALLY EASY WITH A SPECTACULAR, UNBELIEVABLE 1249 01:44:17,008 --> 01:44:22,113 PERFORMANCE. IT'S MIND‐BLOWING. 1250 01:44:22,113 --> 01:44:27,785 THANK YOU, JASON RUTTER, MUSIC EDITOR, FOR YOUR FACEBOOK JOB, 1251 01:44:27,785 --> 01:44:34,792 TRULY INCREDIBLE THE CONDUCTOR, MY BROTHERS, MY 1252 01:44:34,792 --> 01:44:42,834 AGENT PATTY, OF COURSE MY INCREDIBLE FAMILY AND MY 1253 01:44:42,834 --> 01:44:47,905 MOTHER, MY HUSBAND, MY BEAUTIFUL SON. 1254 01:44:47,905 --> 01:44:50,942 [ SPEAKING FOREIGN LANGUAGE [ APPLAUSE ] 1255 01:44:50,942 --> 01:45:01,386 ♪♪ >> HERE ARE THE NOMINEES FOR 1256 01:45:01,386 --> 01:45:05,757 SUPPORTING ACTOR IN A MOTION PICTURE. 1257 01:45:05,757 --> 01:45:09,093 >> FOR "A BEAUTIFUL DAY IN THE NEIGHBORHOOD," TOM HANKS 1258 01:45:09,093 --> 01:45:12,096 FOR "THE TWO POPES," ANTHONY HOPKINS. 1259 01:45:12,096 --> 01:45:20,438 FOR "THE IRISHMAN," AL PACINO. FOR "THE IRISHMAN," JOE PESCI. 1260 01:45:20,438 --> 01:45:28,846 FOR "ONCE UPON A TIME IN HOLLYWOOD," BRAD PITT. 1261 01:45:28,846 --> 01:45:34,919 >> AND THE GOLDEN GLOBE GOES TO BRAD PITT, "ONCE UPON A TIME IN 1262 01:45:34,919 --> 01:45:35,653 HOLLYWOOD. [ CHEERS AND APPLAUSE 1263 01:45:35,653 --> 01:45:39,691 ♪♪ >> Announcer: THIS IS BRAD 1264 01:45:39,691 --> 01:45:42,760 PITT'S SEVENTH NOMINATION AND HIS SECOND WIN 1265 01:45:42,760 --> 01:45:58,543 BRAD WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE INAS CLIFF 1266 01:45:58,543 --> 01:45:59,877 BOOTH IN"ONCE UPON A TIME IN HOLLYWOOD. 1267 01:45:59,877 --> 01:46:06,484 >> HOLY MOLY THANK YOU SO MUCH. 1268 01:46:06,484 --> 01:46:12,590 THANK YOU TO THE ECLECTIC AND EVER‐RAUCOUS HOLLYWOOD FOREIGN 1269 01:46:12,590 --> 01:46:15,126 PRESS ASSOCIATION. WHEN I WAS STARTING OUT, THESE 1270 01:46:15,126 --> 01:46:23,601 NAMES THAT WERE JUST LISTED, PACINO, PESCI, HANKS, MY DE 1271 01:46:23,601 --> 01:46:29,674 FACTO MENTOR FROM AFAR, SIR TONY HOPKINS, WHEREVER YOU ARE, TONY, 1272 01:46:29,674 --> 01:46:34,212 YOU KNOW I LOVE YOU, THEY WERE LIKE GODS TO ME. 1273 01:46:34,212 --> 01:46:40,385 ALL MY RESPECT, SINCERELY. I HAVE TO START BY THANKING THE 1274 01:46:40,385 --> 01:46:42,653 MAN HIMSELF, MR. QUENTIN TARANTINO. 1275 01:46:42,653 --> 01:46:48,593 [ APPLAUSE ] THE MAN, THE MYTH, THE LEGEND, 1276 01:46:48,593 --> 01:46:52,630 FOR THIS EXPERIENCE, FOR THE FILM, ONE I'LL NEVER FORGET. 1277 01:46:52,630 --> 01:46:54,999 THANK YOU, MY BROTHER, I REALLY APPRECIATE IT. 1278 01:46:54,999 --> 01:46:58,903 I ALSO HAVE TO THANK MY PARTNER IN CRIME, LDC. 1279 01:46:58,903 --> 01:47:05,877 [ APPLAUSE ] BEFORE "THE REVENANT," I USED TO 1280 01:47:05,877 --> 01:47:08,813 WATCH YEAR AFTER YEAR HIS CO‐STARS ACCEPT AWARDS AND GET 1281 01:47:08,813 --> 01:47:11,949 UP AND THANK HIM PROFUSELY I KNOW WHY 1282 01:47:11,949 --> 01:47:18,489 HE'S AN ALL STAR, HE'S A GENT. I WOULDN'T BE HERE WITHOUT YOU, 1283 01:47:18,489 --> 01:47:22,693 MAN, I THANK YOU STILL, I WOULD HAVE SHARED THE 1284 01:47:22,693 --> 01:47:29,634 RAFT OH, MAN. 1285 01:47:29,634 --> 01:47:33,538 THERE'S SO MANY NAMES, SO MANY PEOPLE I WANT TO THANK FROM THIS 1286 01:47:33,538 --> 01:47:35,840 FILM WHO ALL GAVE THEIR VERY BEST 1287 01:47:35,840 --> 01:47:39,243 I'M GOING TO SAY THANK YOU, I'M GOING TO SQUEEZE IT DOWN TO OUR 1288 01:47:39,243 --> 01:47:43,047 PRODUCERS, SHANA MACINTOSH, DAVID HAYMAN 1289 01:47:43,047 --> 01:47:46,784 TOM ROTHMAN FOR HIS BIG BALLS, TAKING ON THIS FILM. 1290 01:47:46,784 --> 01:47:49,787 I HAVE SOME PEOPLE I LOVE WHO HAVE BEEN MY FRIENDS FOR 1291 01:47:49,787 --> 01:47:54,058 DECADES. CYNTHIA PET, GENIE BLACK, JOHN 1292 01:47:54,058 --> 01:47:57,662 LEIBMAN WHO IS NOT HERE. AND I WANT TO SAY HI TO MY FOLKS 1293 01:47:57,662 --> 01:48:02,700 BECAUSE, HEY THEY'RE BACK IN THE OZARKS 1294 01:48:02,700 --> 01:48:06,304 I WANTED TO BRING MY MOM BUT I COULDN'T BECAUSE ANY WOMAN I 1295 01:48:06,304 --> 01:48:10,641 STAND NEXT TO, THEY SAY I'M DATING 1296 01:48:10,641 --> 01:48:14,712 IT WOULD JUST BE AWKWARD ALL RIGHT. 1297 01:48:14,712 --> 01:48:17,915 THANK YOU. HEY, IF YOU SEE A CHANCE TO BE 1298 01:48:17,915 --> 01:48:23,921 KIND TO SOMEONE TOMORROW, TAKE IT, I THINK WE NEED IT 1299 01:48:23,921 --> 01:48:29,193 [ APPLAUSE ] ♪♪ 1300 01:48:29,193 --> 01:48:32,163 >> Announcer: WHO WILL WIN BEST ACTOR IN A MOTION PICTURE 1301 01:48:32,163 --> 01:48:33,501 MUSICAL OR COMEDY? ONLY ANDY 1302 01:48:43,101 --> 01:48:45,510 >> Announcer: WELCOME BACK TO THE "GOLDEN GLOBES." 1303 01:48:45,510 --> 01:48:57,622 PLEASE WELCOME CHRIS EVANS AND SCARLETT JOHANSSON 1304 01:48:57,622 --> 01:49:03,264 >> J. EDGAR HOOVER >> ELTON JOHN. 1305 01:49:03,264 --> 01:49:09,136 >> WHAT DO THESE HAVE IN COMMON? >> THEY WORE HALLOWEEN COSTUMES 1306 01:49:09,136 --> 01:49:13,007 WORN BY GRIFFIN DAVIS. >> HERE ARE THE NOMINEES FOR 1307 01:49:13,007 --> 01:49:15,910 BEST ACTOR IN A MOTION PICTURE, MUSICAL OR COMEDY. 1308 01:49:15,910 --> 01:49:20,247 >> Announcer: FOR "KNIVES OUT," DANIEL CRAIG 1309 01:49:20,247 --> 01:49:23,250 FOR "JOJO RABBIT," ROMAN GRIFFIN DAVIS. 1310 01:49:23,250 --> 01:49:27,088 FOR "ONCE UPON A TIME IN HOLLYWOOD," LEONARDO DiCAPRIO. 1311 01:49:27,088 --> 01:49:33,794 FOR "ROCKETMAN," TARON EGERTON FOR "DOLEMITE IS MY NAME," EDDIE 1312 01:49:33,794 --> 01:49:37,565 MURPHY >> AND THE GOLDEN GLOBE GOES 1313 01:49:37,565 --> 01:49:42,136 TO ‐‐ TARON EGERTON, "ROCKETMAN." 1314 01:49:42,136 --> 01:49:47,174 [ CHEERS AND APPLAUSE >> Announcer: THIS IS TARON 1315 01:49:47,174 --> 01:49:48,909 EGERTON'S FIRST NOMINATION AND FIRST WIN. 1316 01:49:48,909 --> 01:49:52,780 HE WINS HIS GOLDEN GLOBE TONIGHT FOR HIS ROLE AS ELTON JOHN IN 1317 01:49:52,780 --> 01:49:56,650 "ROCKETMAN." [ APPLAUSE ] 1318 01:49:56,650 --> 01:50:24,612 ♪♪ >> I REALLY WISH I HAD WRITTEN 1319 01:50:24,612 --> 01:50:26,447 SOMETHING. OKAY 1320 01:50:26,447 --> 01:50:33,554 I'M SO HONORED TO BE NOMINATED ALONGSIDE A BUNCH OF LEGITIMATE 1321 01:50:33,554 --> 01:50:39,460 ICONS AND ALSO ROMAN WHO IS THE SWEETEST KID AND IT WAS AN 1322 01:50:39,460 --> 01:50:44,698 INCREDIBLE PERFORMANCE IN "JOJO," AND I'M HONORED TO BE 1323 01:50:44,698 --> 01:50:47,268 NOMINATED ALONGSIDE YOU. [ APPLAUSE ] 1324 01:50:47,268 --> 01:50:49,703 THIS ROLE HAS CHANGED MY LIFE, IT'S BEEN THE BEST EXPERIENCE OF 1325 01:50:49,703 --> 01:50:52,139 MY LIFE. I AM SO PROUD OF THIS FILM 1326 01:50:52,139 --> 01:50:55,843 EVERYONE STANDING UP FOR ELTON AND BERNIE EARLIER IS SUCH A 1327 01:50:55,843 --> 01:50:58,179 JOYOUS THING, WE'VE LOVED EVERY SECOND 1328 01:50:58,179 --> 01:51:02,950 I'VE GOT A FEW THANK YOUS, TO MY FRIEND DEXTER FLETCHER FOR 1329 01:51:02,950 --> 01:51:06,720 MAKING A MOVIE THAT I WILL BE PROUD OF FOR THE REST OF MY 1330 01:51:06,720 --> 01:51:10,958 LIFE, I LOVE YOU LIKE A BROTHER. MATTHEW VAUGHN FOR CONSISTENTLY 1331 01:51:10,958 --> 01:51:13,527 GIVING ME OPPORTUNITY AFTER OPPORTUNITY AND FOR ALWAYS 1332 01:51:13,527 --> 01:51:17,565 CHAMPIONING ME IN MY CAREER. ADAM BOLLING FOR BEING THE BUT 1333 01:51:17,565 --> 01:51:20,334 YOU THAT HELD THIS PRODUCTION TOGETHER 1334 01:51:20,334 --> 01:51:25,172 MY INCREDIBLE TEAM, LINDSEY MAGUIRE, ROBIN BAUM, JASON 1335 01:51:25,172 --> 01:51:29,310 SLOAN, LINDY KING WHO IS ALSO HERE, THANK YOU. 1336 01:51:29,310 --> 01:51:33,481 OKAY, HANG ON. RICHARD MANN AND JAMIE BELL, THE 1337 01:51:33,481 --> 01:51:40,221 BEST WING MEN YOU COULD EVER HOPE FOR 1338 01:51:40,221 --> 01:51:43,257 THANK YOU FOR ALLOWING ME TO PLAY THE MAN WHO IS YOUR 1339 01:51:43,257 --> 01:51:46,060 HUSBAND. BERNIE TAUPIN, FOR BEING AS 1340 01:51:46,060 --> 01:51:49,530 LOVELY A MAN AS YOU ARE, A LEGEND, CHARLES MARTIN FOR 1341 01:51:49,530 --> 01:51:56,504 MAKING ME BELIEVE I COULD SING ALL THIS, WITT GOTTFRIED, 1342 01:51:56,504 --> 01:51:58,939 EVERYONE AT PARAMOUNT, ESPECIALLY THE MARKETING TEAM, 1343 01:51:58,939 --> 01:52:03,310 AND FINALLY, TO ELTON JOHN, THANK YOU FOR THE MUSIC, THANK 1344 01:52:03,310 --> 01:52:07,314 YOU FOR LIVING A LIFE LESS ORDINARY, AND THANK YOU FOR 1345 01:52:07,314 --> 01:52:12,153 BEING MY FRIEND. FINALLY, OH, YEAH, MY MOTHER IS 1346 01:52:12,153 --> 01:52:17,825 IN HERE SOMEWHERE, THIS ONE IS FOR YOU, MAM 1347 01:52:17,825 --> 01:52:26,200 [ APPLAUSE ] ♪♪ 1348 01:52:26,200 --> 01:52:29,603 >> AND NOW, HERE ARE THE NOMINEES FOR BEST ACTRESS IN A 1349 01:52:29,603 --> 01:52:32,773 MOTION PICTURE, MUSICAL, OR COMEDY 1350 01:52:32,773 --> 01:52:37,411 >> FOR "KNIVES OUT," ANA de ARMAS. 1351 01:52:37,411 --> 01:52:43,417 FOR "THE FAREWELL," AWKWAFINA. FOR "WHERE'D YOU GO, 1352 01:52:43,417 --> 01:52:48,789 BERNADETTE," CATE BLANCHETT. FOR "BOOKSMART," BEANIE 1353 01:52:48,789 --> 01:52:53,060 FELDSTEIN. FOR "LATE NIGHT," EMMA THOMPSON. 1354 01:52:53,060 --> 01:53:00,501 >> AND THE GOLDEN GLOBE GOES TO ‐‐ AWKWAFINA. 1355 01:53:00,501 --> 01:53:03,137 [ CHEERS AND APPLAUSE ♪♪ 1356 01:53:03,137 --> 01:53:06,640 >> Announcer: THIS IS AWKWAFINA'S FIRST WIN AND FIRST 1357 01:53:06,640 --> 01:53:09,777 NOMINATION SHE WINS HER GOLDEN GLOBE 1358 01:53:09,777 --> 01:53:16,784 TONIGHT FOR HER ROLE AS BILLI WANG IN "THE FAREWELL. 1359 01:53:16,784 --> 01:53:45,346 [ APPLAUSE ] ♪♪ 1360 01:53:45,346 --> 01:53:48,082 >> THIS IS GREAT THANK YOU. 1361 01:53:48,082 --> 01:53:53,621 IF I FALL UPON HARD TIMES, I CAN SELL THIS, SO THAT'S GOOD. 1362 01:53:53,621 --> 01:53:56,890 FIRST OF ALL, THANK YOU SO MUCH TO THE HOLLYWOODFOREIGN PRESS. 1363 01:53:56,890 --> 01:54:00,728 I'VE NEVER BEEN TO THE GOLDEN GLOBES, I'M HERE NOW AND IT'S 1364 01:54:00,728 --> 01:54:04,465 GREAT. I WOULD LIKE TO THANK EVERYONE 1365 01:54:04,465 --> 01:54:10,237 AT A‐24. YES. 1366 01:54:10,237 --> 01:54:18,979 PETER SERAS, ANDREW MILANO I WOULD LIKE TO THANK THE WOMAN 1367 01:54:18,979 --> 01:54:24,952 WHO PLAYS MY GRANDMA [ APPLAUSE ] 1368 01:54:24,952 --> 01:54:30,991 THANK YOU. AND MOST IMPORTANTLY TO LU LU 1369 01:54:30,991 --> 01:54:34,094 WONG, OUR INCREDIBLE DIRECTOR. YOU GAVE ME THIS CHANCE, THE 1370 01:54:34,094 --> 01:54:38,499 CHANCE OF A LIFETIME AND YOU TAUGHT ME SO MUCH. 1371 01:54:38,499 --> 01:54:41,869 AND JUST FILMING THE STORY, BEING WITH YOU, IS KRBL. 1372 01:54:41,869 --> 01:54:45,973 I WOULD LIKE TO DEDICATE THIS TO MY DAD WALLY, I TOLD YOU I WOULD 1373 01:54:45,973 --> 01:54:51,645 GET A JOB, DAD AND TO MY GRANDMA, MY BEST 1374 01:54:51,645 --> 01:54:56,617 FRIEND, THE WOMAN WHO RAISED ME. AND TO MY MOTHER, TIA, WHO I 1375 01:54:56,617 --> 01:54:59,653 ALWAYS HOPED WAS WATCHING FROM SOMEWHERE ABOVE, AND I HOPE THAT 1376 01:54:59,653 --> 01:55:02,790 SHE'S WATCHING NOW THANK YOU ALL. 1377 01:55:02,790 --> 01:55:04,925 THANK YOU. >> Announcer: AND NOW FROM "THE 1378 01:55:04,925 --> 01:55:10,030 LOUDEST VOICE," NAOMI WATTS, AND DIRECTOR OF "THE OUTSIDERS," 1379 01:55:10,030 --> 01:55:22,643 JASON BATEMAN. >> IN OUR NEXT MOTION PICTURE 1380 01:55:22,643 --> 01:55:25,913 DRAMA, A STAGE DIRECTOR AND HIS ACTOR WIFE STRUGGLE THROUGH A 1381 01:55:25,913 --> 01:55:28,649 GRUELING COAST‐TO‐COAST DIVORCE THAT PUSHES THEM TO THEIR 1382 01:55:28,649 --> 01:55:32,419 PERSONAL EXTREMES. >> IT'S A BEAUTIFUL LOOK AT A 1383 01:55:32,419 --> 01:55:36,724 MARRIAGE COMING APART AND A FAMILY STAYING TOGETHER. 1384 01:55:36,724 --> 01:55:42,596 NOMINATED FOR SIX GOLDEN GLOBES, THIS IS "MARRIAGE STORY. 1385 01:55:42,596 --> 01:55:45,032 >> TONY AND I ARE GETTING A DIVORCE. 1386 01:55:45,032 --> 01:55:48,235 >> YOU CAN'T BE FRIENDS WITH HIM ANYMORE. 1387 01:55:48,235 --> 01:55:50,871 >> WOO >> MOM 1388 01:55:50,871 --> 01:55:57,077 >> HOW ARE YOU DOING >> I REALIZE I NEVER REALLY CAME 1389 01:55:57,077 --> 01:56:00,447 ALIVE FOR MYSELF >> I'LL NEVER BE HIS PARENT 1390 01:56:00,447 --> 01:56:02,616 AGAIN. >> IT'S ABOUT AS SIMPLE AS NOT 1391 01:56:02,616 --> 01:56:05,452 BEING IN LOVE ANYMORE. >> ACTUALLY IT WILL BE THE TWO 1392 01:56:05,452 --> 01:56:08,155 OF YOU HAVING TO FIGURE THIS OUT TOGETHER 1393 01:56:08,155 --> 01:56:14,202 [ APPLAUSE ] >> Announcer: FOLLOW US ON 1394 01:56:14,202 --> 01:56:17,507 TWITTER AND GO BEHIN >> 1395 01:56:28,163 --> 01:56:28,935 Announcer: WELCOME BACK TO 1396 01:56:28,935 --> 01:56:42,415 THE "GOLDEN GLOBES." AND NOW, GOLDEN GLOBE WINNER 1397 01:56:42,415 --> 01:56:48,421 RACHEL WEISZ >> GOOD EVENING. 1398 01:56:48,421 --> 01:56:51,357 THE NEXT TRAMDRAMA FOLLOWS ONE O THE MOST INTENSE POWER 1399 01:56:51,357 --> 01:56:55,528 TRANSITIONS IN THE LAST 2,000 YEARS. 1400 01:56:55,528 --> 01:57:02,168 TRADITIONALIST POPE BENEDICT AND REFORMIST POPE FRANCIS CONFRONT 1401 01:57:02,168 --> 01:57:05,838 THEIR PAFTSSTS AND FIND COMMON GROUND 1402 01:57:05,838 --> 01:57:10,910 NOMINATED FOR FOUR GOLDEN GLOBES, THIS IS "THE TWO POPES." 1403 01:57:10,910 --> 01:57:13,713 >> POPES CAN'T RESIGN. >> IF YOU DO THIS, YOU WILL 1404 01:57:13,713 --> 01:57:18,718 DAMAGE THE PAPACY FOREVER. >> I CAN NO LONGER SIT IN THE 1405 01:57:18,718 --> 01:57:21,721 CHAIR OF ST. PETE OF HER. >> YOU ARE MISTAKEN. 1406 01:57:21,721 --> 01:57:24,123 >> SILENCE I CANNOT PLAY THIS ROLE ANYMORE. 1407 01:57:24,123 --> 01:57:28,227 >> YOU'RE THE RIGHT PERSON YOU COULD BE THE CHANGE. 1408 01:57:28,227 --> 01:57:31,797 >> IT COULD NEVER BE ME. >> YOU MUST REMEMBER YOU ARE NOT 1409 01:57:31,797 --> 01:57:38,738 GOD. YOU'RE ONLY HUMAN. 1410 01:57:38,738 --> 01:57:44,176 >> Announcer: PLEASE WELCOME THE STARS OF THE UPCOMING "EURO 1411 01:57:44,176 --> 01:57:55,955 VISION," PIERCE BROSNAN AND WILL FERRELL. 1412 01:57:55,955 --> 01:58:00,059 >> WE ARE HERE TO PRESENT THE NOMINEES FOR BEST MOTION 1413 01:58:00,059 --> 01:58:04,330 PICTURE, MUSICAL OR COMEDY >> MY GOD, YOU ARE GOOD LOOKING. 1414 01:58:04,330 --> 01:58:06,332 IT'S REALLY SOMETHING. I LOVE EVERYTHING THAT'S GOING 1415 01:58:06,332 --> 01:58:07,133 ON HERE. >> THANK YOU 1416 01:58:07,133 --> 01:58:12,939 >> THE HAIR, THE BEARD >> THANK YOU 1417 01:58:12,939 --> 01:58:17,877 >> IT'S A REAL PRIVILEGE >> THANK YOU, WILL 1418 01:58:17,877 --> 01:58:21,414 CAN I KEEP GOING >> IT WOULD BE A REAL SHAME IF 1419 01:58:21,414 --> 01:58:24,016 YOU DIDN'T CONTINUE. >> HERE ARE THE NOMINEES FOR 1420 01:58:24,016 --> 01:58:27,386 BEST MOTION PICTURE, MUSICAL, OR COMEDY 1421 01:58:27,386 --> 01:58:34,293 >> Announcer: "DOLEMITE IS MY NAME." 1422 01:58:34,293 --> 01:58:35,728 "JOJO RABBIT." "KNIVES OUT. 1423 01:58:35,728 --> 01:58:36,462 "ONCE UPON A TIME IN HOLLYWOOD. 1424 01:58:36,462 --> 01:58:45,938 "ROCKETMAN." >> YOU SMELL AMAZING, BY THE 1425 01:58:45,938 --> 01:58:47,573 WAY. IT'S NOT COLOGNE, YOU JUST SMELL 1426 01:58:47,573 --> 01:58:51,143 GOOD >> THANK YOU SO MUCH 1427 01:58:51,143 --> 01:58:59,952 AND THE GOLDEN GLOBE GOES TO ‐‐ "ONCE UPON A TIME IN 1428 01:58:59,952 --> 01:59:00,686 HOLLYWOOD. [ CHEERS AND APPLAUSE 1429 01:59:00,686 --> 01:59:05,257 ♪♪ >> Announcer: COMING TO THE 1430 01:59:05,257 --> 01:59:08,394 STAGE FOR "ONCE UPON A TIME IN HOLLYWOOD" ARE PRODUCERS DAVID 1431 01:59:08,394 --> 01:59:12,865 HAYMAN AND SHANNON MACINTOSH ACCEPTING THE GOLDEN GLOBE IS 1432 01:59:12,865 --> 01:59:19,872 THE FILM'S DIRECTOR, WRITER, AND PRODUCER, QUENTIN TARANTINO. 1433 01:59:19,872 --> 01:59:38,824 [ APPLAUSE ] ♪♪ 1434 01:59:38,824 --> 01:59:42,695 >> QUENTIN IS NOTHING BUT UNPREDICTABLE. 1435 01:59:42,695 --> 01:59:46,032 A FEW SECONDS AGO HE TOLD ME I WAS GOING TO SPEAK 1436 01:59:46,032 --> 01:59:50,669 SO A MILLION THANKS TO EVERYBODY WHO WORKED ON THE FILM IN FRONT 1437 01:59:50,669 --> 01:59:55,341 OF AND BEHIND THE CAMERA A BIG THANKS TO OUR PATRON, TOM 1438 01:59:55,341 --> 02:00:05,051 ROTHMAN. [ APPLAUSE ] 1439 02:00:05,051 --> 02:00:11,424 A BIG THANKS TO MAESTRO MR. QUENTIN TARANTINO. 1440 02:00:11,424 --> 02:00:15,694 [ APPLAUSE ] QUENTIN SAID, BEFORE I STARTED 1441 02:00:15,694 --> 02:00:19,498 THE FILM, HE SAID I WANT YOU TO HAVE SUCH A GOOD TIME ON THIS 1442 02:00:19,498 --> 02:00:21,934 FILM THAT THE NEXT FILM IS GOING TO BE MISERABLE. 1443 02:00:21,934 --> 02:00:23,402 HE WASN'T WRONG. THANK YOU, QUENTIN 1444 02:00:23,402 --> 02:00:46,048 [ APPLAUSE ] ♪♪ 1445 02:00:49,533 --> 02:00:51,961 >> Announcer: WELCOME BACK TO "THE GOLDEN GLOBES." 1446 02:00:51,961 --> 02:01:02,705 STAR OF THE UPCOMING "HILLBILLY ELEGY," GLENN CLOSE. 1447 02:01:02,705 --> 02:01:04,974 [ APPLAUSE ] >> I AM SO DEEPLY HONORED TO BE 1448 02:01:04,974 --> 02:01:07,443 HERE TONIGHT HERE ARE THE NOMINEES FOR THE 1449 02:01:07,443 --> 02:01:11,314 BEST ACTOR IN A MOTION PICTURE DRAMA. 1450 02:01:11,314 --> 02:01:15,652 >> Announcer: FOR "FORD V FERRARI," CHRISTIAN BALE 1451 02:01:15,652 --> 02:01:19,822 FOR "PAIN AND GLORY, ANTONIO BANDERAS 1452 02:01:19,822 --> 02:01:24,627 FOR "MARRIAGE STORY," ADAM DRIVER 1453 02:01:24,627 --> 02:01:29,799 FOR "JOKER," JOAQUIN PHOENIX FOR "THE TWO POPES," JONATHAN 1454 02:01:29,799 --> 02:01:36,873 PRYCE. >> AND THE GOLDEN GLOBE GOES TO 1455 02:01:36,873 --> 02:01:41,945 JOAQUIN PHOENIX. [ CHEERS AND APPLAUSE 1456 02:01:41,945 --> 02:01:46,582 >> Announcer: THIS IS JOAQUIN PHOENIX'S SECOND WIN AND SIXTH 1457 02:01:46,582 --> 02:01:50,386 NOMINATION HE WINS HIS GOLDEN GLOBE TONIGHT 1458 02:01:50,386 --> 02:01:55,091 FOR HIS ROLE AS ARTHUR FLECK IN "JOKER." 1459 02:01:55,091 --> 02:02:07,103 [ APPLAUSE ] ♪♪ 1460 02:02:07,103 --> 02:02:17,847 >> HI. UMM, FIRST I WOULD LIKE TO THANK 1461 02:02:17,847 --> 02:02:24,153 THE HOLLYWOOD FOREIGN PRESS FOR RECOGNIZING AND ACKNOWLEDGING 1462 02:02:24,153 --> 02:02:29,592 THE LINK BETWEEN ANIMAL AGRICULTURE AND CLIMATE CHANGE, 1463 02:02:29,592 --> 02:02:34,130 IT'S A VERY BOLD MOVE, MAKING TONIGHT PLANT‐BASED. 1464 02:02:34,130 --> 02:02:38,601 IT REALLY SENDS A POWERFUL MESSAGE. 1465 02:02:38,601 --> 02:02:47,043 TO MY FELLOW NOMINEES, WE ALL KNOW THERE'S NO [ MUTED ]. 1466 02:02:47,043 --> 02:02:51,247 IT'S LIKE THIS THING THAT IS CREATED TO SELL ADVERTISEMENTS 1467 02:02:51,247 --> 02:02:57,020 FOR THE TV SHOW. I'M INSPIRED BY YOU. 1468 02:02:57,020 --> 02:03:04,660 [ MUTED ]. I ‐‐ I ‐‐ I CAN'T BELIEVE THE 1469 02:03:04,660 --> 02:03:08,931 BEAUTIFUL MESMERIZING UNIQUE WORK THAT YOU'VE ALL DONE THIS 1470 02:03:08,931 --> 02:03:13,636 YEAR AND, UMM, I KNOW PEOPLE SAY THIS 1471 02:03:13,636 --> 02:03:19,575 BUT I REALLY DO FEEL HONORED TO BE MENTIONED WITH YOU. 1472 02:03:19,575 --> 02:03:23,679 SOME OF YOU I REACHED OUT TO PERSONALLY 1473 02:03:23,679 --> 02:03:28,818 SOME, I'M STILL TOO INTIMIDATED BY EVEN THOUGH WE SHARE THE SAME 1474 02:03:28,818 --> 02:03:38,361 AGENT, HI, CHRISTIAN YOU'RE NOT HERE, BUT ‐‐ AND, 1475 02:03:38,361 --> 02:03:45,368 UMM, TODD, YOU WERE SUCH AN AMAZING FRIEND AND COLLABORATOR. 1476 02:03:45,368 --> 02:03:51,174 AND YOU CONVINCED ME TO DO THIS MOVIE AND YOU ENCOURAGED ME TO 1477 02:03:51,174 --> 02:03:55,244 GIVE EVERYTHING AND TO BE SINCERE. 1478 02:03:55,244 --> 02:03:58,915 AND I'M SUCH A PAIN IN THE ASS, I CANNOT BELIEVE YOU PUT UP WITH 1479 02:03:58,915 --> 02:04:07,557 ME I'M SO INDEBTED TO YOU 1480 02:04:07,557 --> 02:04:14,697 I LOVE YOU CONTRARY TO POPULAR BELIEF, I 1481 02:04:14,697 --> 02:04:25,408 DON'T WANT TO ROCK THE BOAT. BUT THE BOAT [ MUTED ] 1482 02:04:25,408 --> 02:04:30,213 THERE ARE ‐‐ IT'S REALLY NICE THAT SO MANY PEOPLE COME UP AND 1483 02:04:30,213 --> 02:04:33,716 SENT THEIR WELL‐WISHES TO AUSTRALIA. 1484 02:04:33,716 --> 02:04:36,486 BUT WE HAVE TO DO MORE THAN THAT, RIGHT? 1485 02:04:36,486 --> 02:04:42,725 SUCH A BEAUTIFUL GESTURE AND I AM A, UH, I HAVE NOT 1486 02:04:42,725 --> 02:04:50,032 ALWAYS BEEN A VIRTUEOUS MAN. I'M LEARNING SO MUCH 1487 02:04:50,032 --> 02:04:53,202 SO MANY OF YOU IN THIS ROOM HAVE GIVEN ME MULTIPLE OPPORTUNITIES 1488 02:04:53,202 --> 02:04:55,671 TO GET IT RIGHT. I'M DEEPLY GRATEFUL. 1489 02:04:55,671 --> 02:04:59,575 TOGETHER HOPEFULLY WE CAN BE UNIFIED AND ACTUALLY MAKE SOME 1490 02:04:59,575 --> 02:05:01,611 CHANGES. IT'S GREAT TO VOTE 1491 02:05:01,611 --> 02:05:05,114 BUT SOMETIMES WE HAVE TO TAKE THAT RESPONSIBILITY ON OURSELVES 1492 02:05:05,114 --> 02:05:08,951 AND MAKE CHANGES AND SACRIFICES IN OUR OWN LIVES AND I HOPE THAT 1493 02:05:08,951 --> 02:05:13,422 WE CAN DO THAT WE DON'T HAVE TO TAKE PRIVATE 1494 02:05:13,422 --> 02:05:16,659 JETS TO PALM SPRINGS SOMETIMES OR BACK, PLEASE. 1495 02:05:16,659 --> 02:05:19,328 I'LL TRY TO DO BETTER AND I HOPE YOU WILL TOO 1496 02:05:19,328 --> 02:05:21,297 THANK YOU SO MUCH FOR PUTTING UP WITH ME. 1497 02:05:21,297 --> 02:05:23,032 I'M SO GRATEFUL FOR THIS NIGHT AND ALL OF YOU 1498 02:05:23,032 --> 02:05:24,867 THANK YOU. [ APPLAUSE ] 1499 02:05:24,867 --> 02:05:31,007 ♪♪ >> Announcer: THE WINNER OF BEST 1500 02:05:31,007 --> 02:05:36,242 MOTION PICTURE DRAMA IS NEXT "THE GOLDEN GLOBE" 1501 02:05:43,738 --> 02:05:46,086 >>> WELCOME BACK TO "THE GOLDEN GLOBES." 1502 02:05:46,086 --> 02:05:52,959 NOW, STAR OF "NO TIME TO DIE," RAMI MALEK 1503 02:05:52,959 --> 02:06:02,001 [ APPLAUSE ] >> EACH OF THE NOMINEES IN THIS 1504 02:06:02,001 --> 02:06:07,273 NEXT CATEGORY GAVE US POWERFUL AND TRULY MEMORABLE 1505 02:06:07,273 --> 02:06:08,541 PERFORMANCES HERE ARE THE NOMINEES FOR BEST 1506 02:06:08,541 --> 02:06:17,250 ACTRESS IN A MOTION PICTURE. >> Narrator: FOR "HARRIET," 1507 02:06:17,250 --> 02:06:22,555 CYNTHIA ERIVO. FOR "MARRIAGE STORY," SCARLETT 1508 02:06:22,555 --> 02:06:26,126 JOHANSSON. FOR "LITTLE WOMEN," SAOIRSE 1509 02:06:26,126 --> 02:06:29,662 RONAN. FOR "BOMBSHELL," CHARLIZE 1510 02:06:29,662 --> 02:06:34,934 THERON FOR "JUDY," RENEE ZELLWEGER. 1511 02:06:34,934 --> 02:06:40,607 >> AND THE GOLDEN GLOBE GOES TO RENEE ZELLWEGER. 1512 02:06:40,607 --> 02:06:45,111 [ CHEERS AND APPLAUSE ♪♪ 1513 02:06:45,111 --> 02:06:48,748 >> Announcer: THIS IS RENEE ZELLWEGER'S FOURTH WIN AND 1514 02:06:48,748 --> 02:06:51,951 SEVENTH NOMINATION SHE WINS HER GOLDEN GLOBE 1515 02:06:51,951 --> 02:06:57,724 TONIGHT FOR HER ROLE OF JUDY GARLAND IN "JUDY." 1516 02:06:57,724 --> 02:07:04,764 [ APPLAUSE ] ♪♪ 1517 02:07:04,764 --> 02:07:13,840 >> THANK YOU MY, I REALLY AM UP HERE. 1518 02:07:13,840 --> 02:07:17,377 HI, EVERYBODY, IT'S NICE TO SEE YOU. 1519 02:07:17,377 --> 02:07:24,818 Y'ALL LOOK PRETTY GOOD, 17 YEARS LATER. 1520 02:07:24,818 --> 02:07:29,088 THANK YOU TO THE HFPA FOR INVITING ME BACK TO THE FAMILY 1521 02:07:29,088 --> 02:07:32,292 REUNION, ESPECIALLY WITH ALL THESE EXTRAORDINARY LADIES THIS 1522 02:07:32,292 --> 02:07:34,527 YEAR I MEAN IT, YOUR WORK MOVES ME. 1523 02:07:34,527 --> 02:07:37,664 IT MOVES ME. AND I'VE BEEN CHEERING FOR Y'ALL 1524 02:07:37,664 --> 02:07:39,666 FROM THEATER SEATS FOR A LONG TIME 1525 02:07:39,666 --> 02:07:46,706 BEING ON A LIST WITH YOU IS COOL 1526 02:07:46,706 --> 02:07:48,975 WHO THANKS THEIR AGENT FIRST ME 1527 02:07:48,975 --> 02:08:02,722 KEVIN HUVANE, BRIAN LORD, PETER LEVINE, DONNA PELL, MY PARTNERS 1528 02:08:02,722 --> 02:08:06,226 IN CRIME I JUST HAVE TOTHANK YOU FOR 1529 02:08:06,226 --> 02:08:12,365 ALWAYS REMINDING ME THAT THE TOP DOESN'T MATTER 1530 02:08:12,365 --> 02:08:20,573 IT'S THE JOURNEY THAT MATTERS. AND THE WORK THAT MATTERS. 1531 02:08:20,573 --> 02:08:23,209 THANK YOU FOR ALWAYS SAYING, JUST DO THE WORK, RENEE, JUST DO 1532 02:08:23,209 --> 02:08:28,615 THE WORK THANK YOU. 1533 02:08:28,615 --> 02:08:32,986 [ APPLAUSE ] AND THIS FILM, MY GOODNESS 1534 02:08:32,986 --> 02:08:35,421 ROBERT GOULD, BRILLIANT DIRECTOR, THANK YOU. 1535 02:08:35,421 --> 02:08:38,091 THANK YOU TO DAVID LIVINGSTONE FOR THAT FIRST CALL. 1536 02:08:38,091 --> 02:08:40,260 CAMERA RON A LOT OF PEOPLE I'M GOING TO TRY 1537 02:08:40,260 --> 02:08:43,329 AND SQUEEZE IN BBC FILMS FOR MAKING IT. 1538 02:08:43,329 --> 02:08:47,600 GOSH, JEREMY FOR ALL THOSE PROSTHETICS, YOU WERE JUST 1539 02:08:47,600 --> 02:08:50,236 INCREDIBLE MATT DINKLY, MAESTRO 1540 02:08:50,236 --> 02:08:56,342 ERIC VISTRO, JEFF FOSTER PAUL, YOU GUYS KICKING ME IN THE 1541 02:08:56,342 --> 02:09:00,380 PANTS, MAKING ME TRY A LITTLE BIT HARDER 1542 02:09:00,380 --> 02:09:07,854 JESSE BUCKLEY, FINN WHITROCK AND RUFUS CELEBRATING ONE OF THE 1543 02:09:07,854 --> 02:09:13,993 GREAT ICONS OF ALL TIME WITH YOU HAS BEEN ONE OF MY LIFE 1544 02:09:13,993 --> 02:09:16,763 BLESSINGS AND THE PEOPLE WHO WANT TO EXPRESS THEIR LOVE FOR 1545 02:09:16,763 --> 02:09:21,701 JUDY GARLAND AND TELL ABOUT THE GREAT PERSONAL SIGNIFICANCE OF 1546 02:09:21,701 --> 02:09:28,942 HER LEGACY AND HER HUMANITY, HAS BEEN A GREAT REMINDER THAT THE 1547 02:09:28,942 --> 02:09:32,345 CHOICES THAT WE MAKE MATTERS WHAT WE MAKE MATTERS 1548 02:09:32,345 --> 02:09:37,383 AND HOW WE CHOOSE TO HONOR EACH OTHER IN OUR LIFETIMES CAN 1549 02:09:37,383 --> 02:09:40,653 MATTER A GREAT DEAL DOWN THE ROAD 1550 02:09:40,653 --> 02:09:43,890 THANK YOU SO MUCH, EVERYBODY IT'S NICE TO SEE YOU 1551 02:09:43,890 --> 02:09:44,791 I'M HONORED. THANK YOU. 1552 02:09:44,791 --> 02:09:53,566 [ CHEERS AND APPLAUSE ♪♪ 1553 02:09:53,566 --> 02:10:01,007 >> KILL ME WE'RE NEARLY DONE. 1554 02:10:01,007 --> 02:10:08,481 RIGHT. LAST ONE, LAST ONE, COME ON, 1555 02:10:08,481 --> 02:10:10,950 GUYS OUR NEXT PRESENTER STARRED IN 1556 02:10:10,950 --> 02:10:15,955 NETFLIX'S "BIRD BOX," A MOVIE WHERE PEOPLE SURVIVE BY ACTING 1557 02:10:15,955 --> 02:10:19,092 LIKE THEY DON'T SEE A THING. SORT OF LIKE WORKING FOR HARVEY 1558 02:10:19,092 --> 02:10:22,628 WEINSTEIN. YOU DID IT, I DIDN'T, YOU DID 1559 02:10:22,628 --> 02:10:23,796 IT [ MUTED ]. 1560 02:10:23,796 --> 02:10:26,232 PLEASE WELCOME SANDRA BULLOCK. [ APPLAUSE ] 1561 02:10:26,232 --> 02:10:36,242 ♪♪ >> THIS EVENING WE'VE SEEN 1562 02:10:36,242 --> 02:10:39,579 HIGHLIGHTS FROM THE FIVE TRULY GREAT FILMS NOMINATED FOR BEST 1563 02:10:39,579 --> 02:10:44,951 MOTION PICTURE DRAMA ONCE AGAIN, HERE ARE THE 1564 02:10:44,951 --> 02:10:47,653 NOMINEES >> Announcer: "1917. 1565 02:10:47,653 --> 02:10:53,059 "THE IRISHMAN. "JOKER." 1566 02:10:53,059 --> 02:10:57,330 "MARRIAGE STORY. "THE TWO POPES." 1567 02:10:57,330 --> 02:11:04,637 >> AND THE GOLDEN GLOBE GOES TO ‐‐ "1917. 1568 02:11:04,637 --> 02:11:11,677 [ CHEERS AND APPLAUSE ♪♪ 1569 02:11:11,677 --> 02:11:14,781 >> Announcer: COMING TO THE STAGE TONIGHT FOR "1917" ARE 1570 02:11:14,781 --> 02:11:24,023 DIRECTOR, WRITER, AND PRODUCER SAM MENDES AND PRODUCER STEPHAN 1571 02:11:24,023 --> 02:11:24,557 HAIR HARRIS 1572 02:11:24,557 --> 02:11:33,900 ACCEPTING THE GOLDEN GLOBE TONIGHT FOR "1917," SAM MENDES 1573 02:11:33,900 --> 02:11:40,740 >> THANK YOU VERY, VERY MUCH THANK YOU SO MUCH. 1574 02:11:40,740 --> 02:11:44,544 THIS IS A HUGE, HUGE THING THIS IS A HUGE THING FOR THIS 1575 02:11:44,544 --> 02:11:47,513 AMAZE. IT OPENS IN A WEEK 1576 02:11:47,513 --> 02:11:50,616 IT'S DIFFICULT TO MAKE MOVIES WITHOUT BIG MOVIE STARS IN THE 1577 02:11:50,616 --> 02:11:53,753 LEAD AND GET PEOPLE TO COME AND SEE IT IN A CINEMA 1578 02:11:53,753 --> 02:11:57,590 I REALLY HOPE THIS MEANS THAT PEOPLE WILL TURN UP AND SEE IT 1579 02:11:57,590 --> 02:12:00,560 ON A BIG SCREEN FOR WHICH IT WAS INTENDED 1580 02:12:00,560 --> 02:12:05,531 I WANT TO SAY THANK YOU TO MY CO‐WRITER, TOM NEWMAN FOR HIS 1581 02:12:05,531 --> 02:12:07,567 INCREDIBLE SCORE, THREE EXTRAORDINARY PRODUCERS. 1582 02:12:07,567 --> 02:12:12,605 TO THE HFPA FOR THIS AND WHAT YOU'VE GIVEN TO THIS MOVIE, 1583 02:12:12,605 --> 02:12:13,906 THANK YOU SO VERY, VERY MUCH [ APPLAUSE ] 1584 02:12:13,906 --> 02:12:20,613 ♪♪ >> THAT'S IT 1585 02:12:20,613 --> 02:12:22,115 GOOD NIGHT THANK YOU. 1586 02:12:22,115 --> 02:12:24,450 PLEASE DONATE TO AUSTRALIA HAVE A GREAT TIME. 1587 02:12:24,450 --> 02:12:25,718 GET DRUNK. TAKE YOUR DRUGS. 1588 02:12:25,718 --> 02:12:28,354 [ MUTED ]. 1589 02:12:29,088 --> 02:12:38,231 ♪♪ 1590 02:12:50,543 --> 02:12:53,813 >> Announcer: THE NOMINATIONS WERE MAILED TO ALL ELIGIBLE 1591 02:12:53,813 --> 02:12:56,883 MEMBERS OF THE HOLLYWOOD FOREIGN PRESS ASSOCIATION WHO CHOOSE UP 1592 02:12:56,883 --> 02:12:59,585 TO FIVE NOMINEES IN EACH CATEGORY 1593 02:12:59,585 --> 02:13:03,156 INFORMATION CONCERNING THE FINAL RESULTS IS KNOWN ONLY TO THE 1594 02:13:03,156 --> 02:13:07,460 ACCOUNTING FIRM OF ERNST AND YOUNG LLP PRIOR TO TONIGHT'S AGO 1595 02:13:07,460 --> 02:13:12,465 OF THE SEALED ENVELOPES. >> FOR THE 2020 GOLDEN GLOBE 1596 02:13:12,465 --> 02:13:12,565 AWARDS 133080

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