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>> Announcer: LIVE FROM THE
STAR‐FILLED INTERNATIONAL
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00:00:09,052 --> 00:00:12,256
BALLROOM OF THE BEVERLY HILTON
HOTEL, WELCOME TO THE
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00:00:12,256 --> 00:00:19,096
2020 GOLDEN GLOBE AWARDS
>> HONORING THE BEST IN MOVIES
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00:00:19,096 --> 00:00:23,200
AND TELEVISION, INCLUDING
SPECIAL AWARDS TO TOM HANKS AND
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00:00:23,200 --> 00:00:27,604
ELLEN DeGENERES.
NOW YOUR HOST FOR THE EVENING,
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00:00:27,604 --> 00:00:31,575
LADIES
AND GENTLEMEN, RICKY GERVAIS
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00:00:31,575 --> 00:00:41,051
[ APPLAUSE ]
>> HELLO
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00:00:41,051 --> 00:00:44,288
THANK YOU.
THANK YOU.
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00:00:44,288 --> 00:00:48,992
HELLO AND WELCOME TO THE 77th
ANNUAL GOLDEN GLOBE AWARDS, LIVE
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00:00:48,992 --> 00:00:52,696
FROM THE BEVERLY HILTON HOTEL
HERE IN LOS ANGELES.
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00:00:52,696 --> 00:00:57,200
I'M RICKY GERVAIS.
THANK YOU.
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00:00:57,200 --> 00:01:01,271
YOU'LL BE PLEASED TO KNOW THIS
IS THE LAST TIME I'M HOSTING
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00:01:01,271 --> 00:01:03,674
THESE AWARDS
SO I DON'T CARE ANYMORE.
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00:01:03,674 --> 00:01:08,578
I'M JOKING
I NEVER DID.
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00:01:08,578 --> 00:01:13,417
NBC CLEARLY DON'T CARE EITHER,
THIS TIME.
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00:01:13,417 --> 00:01:16,286
SO, I MEAN, KEVIN HART WAS FIRED
FROM THE OSCARS BECAUSE OF SOME
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00:01:16,286 --> 00:01:18,956
OFFENSIVE TWEETS
HELLO?
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00:01:18,956 --> 00:01:24,861
LUCKY FOR ME, THE HOLLYWOOD
FOREIGN PRESS CAN BARELY SPEAK
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00:01:24,861 --> 00:01:30,467
ENGLISH AND THEY HAVE NO IDEA.
SO I GOT OFFERED THIS GIG BY
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00:01:30,467 --> 00:01:32,569
FAX.
LET'S GO OUT WITH A BANG
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00:01:32,569 --> 00:01:36,373
LET'S HAVE A LAUGH AT YOUR
EXPENSE, SHALL WE?
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00:01:36,373 --> 00:01:41,511
REMEMBER, THEY'RE JUST JOKES
WE'RE ALL GOING TO DIE SOON AND
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00:01:41,511 --> 00:01:45,315
THERE'S NO SEQUEL.
SO, YEAH
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REMEMBER THAT.
YOU ALL LOOK LOVELY, DOLLED UP
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YOU CAME IN YOUR LIMOS
I CAME IN A LIMO TONIGHT
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00:01:53,623 --> 00:01:58,261
AND THE LICENSE PLATE WAS
FELICITY HUFFMAN
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NO, SHUSH.
IT'S HER DAUGHTER I FEEL SORRY
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00:02:00,998 --> 00:02:04,968
FOR, OKAY?
THAT MUST BE THE MOST
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00:02:04,968 --> 00:02:06,336
EMBARRASSING THING THAT'S EVER
HAPPENED TO HER.
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00:02:06,336 --> 00:02:10,640
AND HER DAD WAS IN "WILD HOGS.
SO LOTS OF BIG CELEBRITIES HERE
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00:02:10,640 --> 00:02:14,711
TONIGHT.
I MEAN, LEGEND, ICONS, YEAH?
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00:02:14,711 --> 00:02:18,815
THIS TABLE ALONE
AL PACINO, ROBERT DE NIRO.
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00:02:18,815 --> 00:02:26,390
[ APPLAUSE ]
BABY YODA.
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00:02:26,390 --> 00:02:31,828
THAT'S JOE PESCI, SORRY.
I LOVE YOU, MAN, DON'T HAVE ME
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00:02:31,828 --> 00:02:33,797
WHACKED.
BUT TONIGHT ISN'T JUST ABOUT THE
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00:02:33,797 --> 00:02:37,300
PEOPLE IN FRONT OF THE CAMERA.
IN THIS ROOM ARE SOME OF THE
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00:02:37,300 --> 00:02:40,037
MOST IMPORTANT TV AND FILM
EXECUTIVES IN THE WORLD, PEOPLE
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00:02:40,037 --> 00:02:42,506
FROM EVERY BACKGROUND.
BUT THEY ALL HAVE ONE THING IN
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00:02:42,506 --> 00:02:44,007
COMMON
THEY'RE ALTER FIND OF RONAN
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00:02:44,007 --> 00:02:47,110
FARROW
HE'S COMING FOR YOU.
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00:02:47,110 --> 00:02:56,787
HE'S COMING FOR YOU.
LOOK, TALKING OF ALL YOU PERVERT
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00:02:56,787 --> 00:03:01,091
PERVERTS, IT WAS A BIG YEAR,
SURVIVING R. KELLY, LEAVING
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00:03:01,091 --> 00:03:04,161
NEVER LAND, TWO POPES.
SHUT UP, SHUT UP
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00:03:04,161 --> 00:03:09,833
I DON'T CARE
I DON'T CARE
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00:03:09,833 --> 00:03:14,671
MANY TALENTED PEOPLE OF COLOR
WERE SNUBBED IN MAJOR
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00:03:14,671 --> 00:03:15,639
CATEGORIES
UNFORTUNATELY THERE'S NOTHING WE
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00:03:15,639 --> 00:03:18,241
CAN DO ABOUT THAT.
THE HOLLYWOOD FOREIGN PRESS ARE
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00:03:18,241 --> 00:03:25,182
ALL VERY, VERY RACIST.
SO, FIFTH TIME
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00:03:25,182 --> 00:03:29,853
WE WERE GOING TO DO AN IN
MEMORIAM THIS YEAR
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00:03:29,853 --> 00:03:33,657
WHEN I SAW THE LIST OF PEOPLE
THAT DIED, IT WASN'T DIVERSE
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ENOUGH, NO
IT WAS MOSTLY WHITE PEOPLE
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00:03:37,260 --> 00:03:40,464
AND I THOUGHT, NO, NOT ON MY
WATCH.
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MAYBE NEXT YEAR.
LET'S SEE WHAT HAPPENS
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00:03:46,570 --> 00:03:50,373
NO ONE CARES ABOUT MOVIES
ANYMORE, NO ONE GOES TO CINEMA,
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00:03:50,373 --> 00:03:55,345
NO ONE WATCHES NETWORK TV.
EVERYONE'S WATCHING NETFLIX.
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00:03:55,345 --> 00:04:00,150
THIS SHOW SHOULD JUST BE ME
COMING OUT, YOU WIN EVERYTHING,
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00:04:00,150 --> 00:04:03,253
NETFLIX, GOOD NIGHT.
NO, WE DRAG IT OUT THREE HOURS
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00:04:03,253 --> 00:04:06,623
YOU COULD BINGE WATCH
"AFTERLIFE" INSTEAD OF WATCHING
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00:04:06,623 --> 00:04:08,625
THIS SHOW.
THAT'S A SHOW ABOUT A MAN WHO
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00:04:08,625 --> 00:04:13,763
WANTS TO KILL HIMSELF BECAUSE
HIS WIFE DICEES OF CANCER AND IT
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00:04:13,763 --> 00:04:17,701
STILL MORE FUN THAN THIS, OKAY
SPOILER ALERT, SEASON TWO IS ON
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00:04:17,701 --> 00:04:23,507
THE WAY, SO IN THE END OBVIOUSLY
HE DIDN'T KILL HIMSELF
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00:04:23,507 --> 00:04:26,042
JUST LIKE JEFFREY EPSTEIN.
SHUT UP.
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00:04:26,042 --> 00:04:28,879
I KNOW HE'S YOUR FRIEND, BUT I
DON'T CARE
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00:04:28,879 --> 00:04:32,682
YOU HAVE TO MAKE YOUR OWN WAY
HERE, YOUR OWN PLANE, DIDN'T
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00:04:32,682 --> 00:04:35,719
YOU?
BUT SERIOUSLY, MOST FILMS ARE
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00:04:35,719 --> 00:04:38,021
AWFUL, LAZY.
REMAKES, SEQUELS
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00:04:38,021 --> 00:04:42,659
I'VE HEARD A RUMOR THERE MIGHT
BE A SEQUEL TO "SOPHIE'S
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00:04:42,659 --> 00:04:46,463
CHOICE."
THAT WOULD JUST BE MERYL STREEP
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00:04:46,463 --> 00:04:51,368
GOING, WELL, IT'S GOT TO BE THIS
ONE THEN
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00:04:51,368 --> 00:04:57,474
ALL THE BEST ACTORS HAVE JUMPED
TO NETFLIX AND HBO, YOU KNOW
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00:04:57,474 --> 00:05:04,214
THE ACTORS WHO JUST DO HOLLYWOOD
MOVIES DO FANTASY ADVENTURE
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00:05:04,214 --> 00:05:06,383
NONSENSE
THEIR JOB ISN'T ACTING ANYMORE
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00:05:06,383 --> 00:05:11,188
IT'S GOING TO THE GYM TWICE A
DAY AND TAKING STEROIDS.
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00:05:11,188 --> 00:05:13,857
REALLY
DO WE HAVE AN AWARD FOR MOST
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00:05:13,857 --> 00:05:16,960
RIPPED JUNKIE?
NO POINT, WE KNOW WHO WOULD WIN
77
00:05:16,960 --> 00:05:19,863
THAT
MARTIN SCORSESE, THE GREATEST
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00:05:19,863 --> 00:05:22,632
LIVING DIRECTOR MADE THE NEWS
FOR HIS CONTROVERSIAL COMMENTS
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00:05:22,632 --> 00:05:27,103
ABOUT THE MARVEL FRANCHISE
HE SAID THEY'RE NOT REAL CINEMA
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00:05:27,103 --> 00:05:29,539
AND THEY REMIND HIM OF THEME
PARKS.
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00:05:29,539 --> 00:05:32,876
I AGREE, ALTHOUGH I DON'T KNOW
WHAT HE'S DOING HANGING AROUND
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00:05:32,876 --> 00:05:35,745
THEME PARKS.
HE'S NOT BIG ENOUGH TO GO ON THE
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00:05:35,745 --> 00:05:39,716
RIDES.
TINY
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00:05:39,716 --> 00:05:41,751
"THE IRISHMAN" WAS AMAZING
IT WAS AMAZING
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00:05:41,751 --> 00:05:45,055
[ APPLAUSE ]
IT WAS
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00:05:45,055 --> 00:05:52,996
IT WAS GREAT
LONG, BUT AMAZING.
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00:05:52,996 --> 00:06:00,570
IT WASN'T THE ONLY EPIC MOVIE.
ONCE"ONCE UPON A TIME IN HOLLYW
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00:06:00,570 --> 00:06:02,739
HOLLYWOOD," NEARLY THREE HOURS
LONG
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00:06:02,739 --> 00:06:05,442
LEONARDO DiCAPRIO ATTENDED THE
PREVIEW AND BY THE END, HIS DATE
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00:06:05,442 --> 00:06:11,681
WAS TOO OLD FOR HIM.
EVEN PRINCE ANDREWS WAS LIKE,
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00:06:11,681 --> 00:06:17,754
COME ON, LEO, MATE, YOU'RE
NEARLY 50‐SOME
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00:06:17,754 --> 00:06:25,161
THE WORLD GOT TO SEE JAMES
CORDEN AS A FAT PUSSY.
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00:06:25,161 --> 00:06:30,000
HE WAS LOOSER IN THE MOVIE
"CATS" BUT NO ONE SAW THAT
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00:06:30,000 --> 00:06:34,070
AND THE REVIEWS, OH, SHOCKING.
I SAW ONE THAT SAID THIS IS THE
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00:06:34,070 --> 00:06:40,043
WORST THING TO HAPPEN TO CATS
SINCE DOGS
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00:06:40,043 --> 00:06:43,513
BUT DAME JUDI DENCH DEFENDED THE
FILM SAYING IT WAS THE ROLE SHE
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00:06:43,513 --> 00:06:49,419
WAS BORN TO PLAY BECAUSE SHE ‐‐
I CAN'T DO THIS NEXT JOKE.
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00:06:49,419 --> 00:06:53,156
BECAUSE SHE LOVES NOTHING BETTER
THAN PLUNKING HERSELF DOWN ON
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00:06:53,156 --> 00:07:04,701
THE CARPET, LIFTING HER LEG, AND
LICKING HER [ MUTED ].
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00:07:04,701 --> 00:07:05,168
FUR BALL
FUR BALL
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00:07:05,168 --> 00:07:17,480
SHE'S OLD SCHOOL
IT'S THE LAST TIME, WHO CARES?
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00:07:17,480 --> 00:07:23,653
APPLE ROARED INTO THE TV GAME
WITH "THE MORNING SHOW," A
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00:07:23,653 --> 00:07:26,656
SUPERB DRAMA
[ APPLAUSE ]
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00:07:26,656 --> 00:07:29,993
A SUPERB DRAMA ABOUT THE
IMPORTANCE OF DIGNITY AND DOING
105
00:07:29,993 --> 00:07:32,962
RIGHT THING MADE BY A COMPANY
THAT RUNS SWEAT SHOPS IN CHINA
106
00:07:32,962 --> 00:07:35,899
YOU SAY YOU'RE WOKE BUT THE
COMPANIES YOU WORK FOR,
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00:07:35,899 --> 00:07:38,668
UNBELIEVABLE
APPLE, AMAZON, DISNEY.
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00:07:38,668 --> 00:07:41,938
IF ISIS STARTED A STREAM
SERVICE, YOU WOULD CALL YOUR
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00:07:41,938 --> 00:07:45,141
AGENT, WOULDN'T YOU?
SO IF YOU DO WIN AN AWARD
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00:07:45,141 --> 00:07:48,378
TONIGHT, DON'T USE IT AS A
PLATFORM TO MAKE A POLITICAL
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00:07:48,378 --> 00:07:51,147
SPEECH, RIGHT?
YOU'RE IN NO POSITION TO LECTURE
112
00:07:51,147 --> 00:07:54,317
THE PUBLIC ABOUT ANYTHING.
YOU KNOW NOTHING ABOUT THE REAL
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00:07:54,317 --> 00:07:56,753
WORLD.
MOST OF YOU SPENT LESS TIME IN
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00:07:56,753 --> 00:08:00,590
SCHOOL THAN GRETA THUNBERG
IF YOU WIN, COME UP, ACCEPT YOUR
115
00:08:00,590 --> 00:08:10,567
LITTLE AWARD, THANK YOUR AGENT
AND YOUR GOD, AND [ MUTED ].
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00:08:10,567 --> 00:08:15,972
[ APPLAUSE ]
IT'S ALREADY THREE HOURS LONG.
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00:08:15,972 --> 00:08:17,774
RIGHT, LET'S DO THE FIRST
AWARDS
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00:08:17,774 --> 00:08:22,979
THE FIRST AWARDS
THE FIRST AWARD IS FOR BEST
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00:08:22,979 --> 00:08:27,384
ACTOR IN A TELEVISION SERIES,
MUSICAL, OR COMEDY
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00:08:27,384 --> 00:08:33,189
TO PRESENT THE AWARD THERE ARE A
COUPLE OF ACTORS, JENNIFER
121
00:08:33,189 --> 00:08:54,978
ANISTON AND REESE WITHERSPOON.
[ APPLAUSE ]
122
00:08:54,978 --> 00:08:57,313
>> IT'S NO PRESSURE, WHATEVER.
>> GOOD MORNING.
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00:08:57,313 --> 00:09:01,418
>> IT'S THE EVENING, I KNOW, I'M
SORRY, GOOD EVENING.
124
00:09:01,418 --> 00:09:08,425
>> IT'S AN HONOR FOR US TO B
HERE TO PRESENT THE FIRST TWO
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00:09:08,425 --> 00:09:10,026
AWARDS OF THE EVENING.
>> FIRST UP, THE NOMINEES FOR
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00:09:10,026 --> 00:09:11,594
BEST ACTRESS IN A SUPPORTING
ROLE IN A SERIES, LIMITED SERIES
127
00:09:11,594 --> 00:09:16,032
OR MOTION PICTURE MADE FOR
TELEVISION
128
00:09:16,032 --> 00:09:18,134
>> MICHAEL DOUGLAS, "THE
KOMINSKY METHOD.
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00:09:18,134 --> 00:09:22,505
>> BILL HADER, "BARRY.
>> BEN PLATT, "THE POLITICIAN.
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00:09:22,505 --> 00:09:24,874
>> PAUL RUDD, "LIVING WITH
YOURSELF."
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00:09:24,874 --> 00:09:34,517
>> RAMY YOUSSEF, ""RAMY"RAM "RAM
>> AND THE GOLDEN GLOBE GOES
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00:09:34,517 --> 00:09:35,318
TO ‐‐
>> RAMY YOUSSEF.
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00:09:35,318 --> 00:09:39,456
[ APPLAUSE ]
OF.
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00:09:39,456 --> 00:09:42,692
>> THIS IS RAMY YOUSSEF'S FIRST
WIN AND FIRST NOMINATION
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00:09:42,692 --> 00:09:50,133
HE WINS A GOLDEN GLOBE TONIGHT
FOR HIS ROLE IN "RAMY.
136
00:09:50,133 --> 00:10:07,250
[ CHEERS AND APPLAUSE
♪♪
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00:10:07,250 --> 00:10:19,062
>> THANK YOU SO MUCH
SO I WOULD LIKE TO THANK MY
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00:10:19,062 --> 00:10:26,169
GOD,AL AGOD,
AL
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00:10:26,169 --> 00:10:26,636
ALLAHU AKBAR
HULU
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00:10:26,636 --> 00:10:28,638
I KNOW YOU GUYS HAVEN'T SEEN MY
SHOW
141
00:10:28,638 --> 00:10:35,345
EVERYONE IS LIKE, IS THIS AN
EDITOR
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00:10:35,345 --> 00:10:40,483
WE MADE A VERY SPECIAL SHOW
ABOUT AN ARAB MUSLIM FAMILY
143
00:10:40,483 --> 00:10:43,887
LIVING IN NEW JERSEY
AND THIS MEANS A LOT, TO BE
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00:10:43,887 --> 00:10:47,190
RECOGNIZED ON THIS LEVEL
I WANT TO THANK EVERYONE WHO IS
145
00:10:47,190 --> 00:10:51,828
INVOLVED, MY CO‐CREATORS,
PRODUCERS, MY FAMILY, MOM AND
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00:10:51,828 --> 00:10:55,465
DAD.
MY MOM WAS ROOTING FOR MICHAEL
147
00:10:55,465 --> 00:10:57,033
DOUGLAS.
EGYPTIANS LOVE MICHAEL DOUGLAS,
148
00:10:57,033 --> 00:11:01,004
I DON'T KNOW IF YOU KNOW THIS.
THIS MEANS A LOT
149
00:11:01,004 --> 00:11:03,439
THANK YOU SO MUCH, APPRECIATE
IT
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00:11:03,439 --> 00:11:19,222
[ APPLAUSE ]
♪♪
151
00:11:19,222 --> 00:11:22,191
>> NOMINEES FOR THE BEST ACTOR
IN A LIMITED SERIES OR MOTION
152
00:11:22,191 --> 00:11:27,397
PICTURE MADE FOR TELEVISION.
>> FOR "CATCH‐22," CHRISTOPHER
153
00:11:27,397 --> 00:11:28,398
ABBOTT
FOR "THE SPY," SACHA BARON
154
00:11:28,398 --> 00:11:35,438
COHEN.
FOR "THE LOUDEST VOICE," RUSSELL
155
00:11:35,438 --> 00:11:39,976
CROWE.
FOR "CHERNOBYL," JARED HARRIS.
156
00:11:39,976 --> 00:11:45,815
FOR "FOSSE/VEDON," SAM ROCKWELL.
>> AND THE GOLDEN GLOBE GOES
157
00:11:45,815 --> 00:11:53,890
TO ‐‐
>> RUSSELL CROWE, "THE LOUDEST
158
00:11:53,890 --> 00:11:57,293
VOICE.
[ APPLAUSE ]
159
00:11:57,293 --> 00:12:00,697
RUSSELL CROWE WOULD NOT BE HERE
WITH US TONIGHT BECAUSE HE IS AT
160
00:12:00,697 --> 00:12:05,602
HOME IN AUSTRALIA PROTECTING HIS
FAMILY FROM THE DEVASTATING BUSH
161
00:12:05,602 --> 00:12:08,371
FIRES.
HE SENT ALONG THIS MESSAGE IN
162
00:12:08,371 --> 00:12:11,941
CASE HE WON.
MAKE NO MISTAKE, THE TRAGEDY
163
00:12:11,941 --> 00:12:14,377
UNFOLDING IN AUSTRALIA IS
CLIMATE CHANGE BASED
164
00:12:14,377 --> 00:12:20,316
WE NEED TO ACT BASED ON SCIENCE,
MOVE OUR GLOBAL WORKFORCE TO
165
00:12:20,316 --> 00:12:23,886
RENEWABLE ENERGY AND RESPECT OUR
PLANET FOR THE UNIQUE AND
166
00:12:23,886 --> 00:12:27,190
AMAZING PLACE IT IS.
THAT WAY WE ALL HAVE A FUTURE.
167
00:12:27,190 --> 00:12:27,957
THANK YOU.
[ CHEERS AND APPLAUSE
168
00:12:27,957 --> 00:12:33,429
♪♪
>> LADIES AND GENTLEMEN, GOLDEN
169
00:12:33,429 --> 00:12:36,933
GLOBE WINNER AND NOMINEE TONIGHT
FOR "THE REPORT," ANNETTE
170
00:12:36,933 --> 00:12:44,807
BENING
>> OUR FIRST NOMINATED DRAMA IS
171
00:12:44,807 --> 00:12:50,113
SET DURING THE FIRST WORLD WAR
TWO YOUNG BRITISH PRIVATES ARE
172
00:12:50,113 --> 00:12:54,350
GIVEN AN IMPOSSIBLE MISSION, TO
DELIVER A MESSAGE DEEP IN ENEMY
173
00:12:54,350 --> 00:12:58,588
TERRITORY THAT WILL STOP
1,600 MEN, AND ONE OF THE
174
00:12:58,588 --> 00:13:03,359
SOLDIER'S BROTHERS, FROM WALKING
STRAIGHT INTO A DEADLY TRAP.
175
00:13:03,359 --> 00:13:10,466
NOMINATED FOR THREE GOLDEN
GLOBES, THIS IS "1917.
176
00:13:10,466 --> 00:13:12,368
>> I HAVE A BROTHER IN THE
SECOND BATTALION
177
00:13:12,368 --> 00:13:14,203
>> YES, SIR.
>> IS HE ALIVE
178
00:13:14,203 --> 00:13:17,340
>> AND WITH YOUR HELP I WOULD
LIKE TO KEEP IT THAT WAY BUT
179
00:13:17,340 --> 00:13:20,076
THEY'RE WALKING INTO A TRAP.
YOUR ORDERS ARE TO DELIVER A
180
00:13:20,076 --> 00:13:23,079
MESSAGE CALLING OFF TOMORROW
MORNING'S ATTACK
181
00:13:23,079 --> 00:13:27,950
IF YOU DON'T, WE WILL LOSE 1,600
MEN, YOUR BROTHER AMONG THEM
182
00:13:27,950 --> 00:13:31,054
>> THERE IS ONLY ONE WAY THIS
WAR ENDS
183
00:13:31,054 --> 00:13:36,092
LAST MAN STANDING.
[ APPLAUSE ]
184
00:13:36,092 --> 00:13:45,134
♪♪
>> NBC'S TELL HE CAST OF THE
185
00:13:45,134 --> 00:13:48,371
2020 GOLDEN GLOBE AWARDS
IS PRESENTED IN PART BY L'ORÉAL
186
00:13:48,371 --> 00:13:52,841
PARIS, BECAUSE YOU'RE WORTH IT
>>>
187
00:14:08,568 --> 00:14:10,603
>> Announcer: WELCOME BACK TO
THE GOLDEN GLOBES.
188
00:14:10,603 --> 00:14:16,309
AND NOW, LADIES AND GENTLEMEN,
ELTON JOHN AND BERNIE TAUPIN
189
00:14:16,309 --> 00:14:40,867
[ APPLAUSE ]
>> THANK YOU
190
00:14:40,867 --> 00:14:58,418
[ CHEERS AND APPLAUSE
>> THANK YOU
191
00:14:58,418 --> 00:15:01,721
THIS MOTION PICTURE IS A
MUSICAL FANTASY ABOUT THE
192
00:15:01,721 --> 00:15:04,357
AMAZING BREAKTHROUGH YEARS OF
THIS CHART‐TOPPING GLOBAL
193
00:15:04,357 --> 00:15:11,230
SUPERSTAR.
>> IT'S ALSO THE STORY OF A
194
00:15:11,230 --> 00:15:15,068
LIFELONG FRIENDSHIP AND
‐‐ I CAN'T SEE IT ‐‐ AND
195
00:15:15,068 --> 00:15:17,704
SONGWRITING PARTNERSHIP WITH
THIS GOLDEN GLOBE‐WINNING
196
00:15:17,704 --> 00:15:21,407
LEGEND
NOMINATED FOR THREE GOLDEN
197
00:15:21,407 --> 00:15:25,912
GLOBES, THIS IS "ROCKETMAN."
>> WHAT DID YOU SAY YOUR NAME
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WAS AGAIN?
>> MY NAME IS ‐‐
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>> REGGIE!
>> REGINALD DWIGHT
200
00:15:32,452 --> 00:15:36,622
>> CAN YOU EVEN PLAY THE PIANO
IN THOSE
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>> THIS IS RIDICULOUS.
>> PEOPLE DON'T PAY TO SEE REG
202
00:15:40,660 --> 00:15:42,795
WHITE.
THEY SAY TO SEE ELTON JOHN
203
00:15:42,795 --> 00:15:45,832
>> MAYBE ISSUE OF TRIED TO BE
MORE ORDINARY.
204
00:15:45,832 --> 00:15:48,167
>> YOU WERE NEVER ORDINARY
>> SUCH A SHY LITTLE BOY YOU
205
00:15:48,167 --> 00:15:53,506
WERE
LOOK AT YOU NOW.
206
00:15:53,506 --> 00:16:01,080
[ APPLAUSE ]
>> IN A LITTLE WHILE WE'RE GOING
207
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TO SEE A SHORT CLIP FROM "THE
IRISHMAN."
208
00:16:04,684 --> 00:16:10,490
IT'S 88 MINUTES LONG
[ LAUGHTER ]
209
00:16:10,490 --> 00:16:15,595
IN THE MEANTIME, HERE IS SOFIA
VERGARA AN
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00:16:15,595 --> 00:16:16,529
MATT BOMER
[ APPLAUSE ]
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00:16:16,529 --> 00:16:24,337
♪♪
>> THERE WERE SO MANY REASONS TO
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00:16:24,337 --> 00:16:27,507
WATCH TELEVISION THE PAST YEAR
SOME PEOPLE WATCH TO BE
213
00:16:27,507 --> 00:16:31,544
ENTERTAINED.
>> THAT WAS MINE
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00:16:31,544 --> 00:16:33,579
GO AHEAD, I'M SORRY.
>> SOME PEOPLE WATCHED TO BE
215
00:16:33,579 --> 00:16:35,314
ENTERTAINED.
OTHERS TO ESCAPE FROM THE NEWS
216
00:16:35,314 --> 00:16:37,950
MOST OF US FOR A COMBINATION OF
THE TWO.
217
00:16:37,950 --> 00:16:40,086
>> AND LET'S NOT FORGET FIVE OF
THE BEST REASONS
218
00:16:40,086 --> 00:16:43,222
TO WATCH THE BRILLIANCE OF THESE
NOMINEES FOR SUPPORTING ACTOR IN
219
00:16:43,222 --> 00:16:46,959
A SERIES, LIMITED SERIES OR
MOTION PICTURE MADE FOR
220
00:16:46,959 --> 00:16:50,663
TELEVISION
>> Announcer: FOR "THE KOMINSKY
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00:16:50,663 --> 00:16:58,070
METHOD," ALAN ARKIN.
FOR "SUCCESSION," KIERAN CULKIN.
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00:16:58,070 --> 00:17:03,876
FOR "FLEABAG," ANDREW SCOTT.
FOR "CHERNOBYL,"
223
00:17:03,876 --> 00:17:10,783
STELLAN SKARSGÅRD
FOR "BARRY," HENRY WINKLER
224
00:17:10,783 --> 00:17:16,622
>> AND THE GOLDEN GLOBE GOES
TO ‐
225
00:17:16,622 --> 00:17:22,929
STELLAN SKARSGARD, "CHERNOBYL.
>> THIS IS STELLAN SKARSGARD'S
226
00:17:22,929 --> 00:17:31,537
FIRST NOMINATION AND FIRST WIN
HE WINS HIS GOLDEN GLOBE FOR HIS
227
00:17:31,537 --> 00:17:40,213
ROLL AS BORIS SHCHERBINA IN
"CHERNOBYL."
228
00:17:40,213 --> 00:17:46,752
[ APPLAUSE ]
>> I WAS SO ASSURED THAT I
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00:17:46,752 --> 00:17:51,824
SHOULDN'T WIN, SO I ALREADY
THANKED EVERYBODY.
230
00:17:51,824 --> 00:17:57,063
I THANKED THE BRILLIANT
DIRECTOR, AND THE SCRIPTWRITER
231
00:17:57,063 --> 00:18:01,701
FOR HIS GREAT SCRIPT
ALL THE PRODUCERS FROM HBO AND
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00:18:01,701 --> 00:18:04,937
EVERYBODY.
I SHOULD, THOUGH, THANK ONE
233
00:18:04,937 --> 00:18:11,377
PERSON AND THAT IS MILOS FOREMAN
SAID TO ME A COUPLE OF YEARS
234
00:18:11,377 --> 00:18:14,814
AGO, STELLAN, I'VE SEEN SO MANY
FILMS WITH YOU BUT I NEVER
235
00:18:14,814 --> 00:18:22,989
REMEMBER YOUR FACE
AND I REALIZED IT WAS BECAUSE I
236
00:18:22,989 --> 00:18:24,557
DON'T HAVE ANY EYEBROWS.
NOBODY COULD TELL IF I'M ANGRY
237
00:18:24,557 --> 00:18:29,896
OR SURPRISED
IT'S NOT LIKE COLIN FARRELL.
238
00:18:29,896 --> 00:18:33,766
YOU CAN TELL IF HE'S ANGRY 20
MILES AWAY
239
00:18:33,766 --> 00:18:37,803
BUT FOR THIS FILM, DANIEL PARKER
MADE A COUPLE OF EYEBROWS FOR
240
00:18:37,803 --> 00:18:42,208
ME
AND ‐‐
241
00:18:42,208 --> 00:18:55,054
[ CHEERS AND APPLAUSE
♪♪
242
00:18:55,054 --> 00:19:01,260
>> HERE ARE THE NOMINEES FOR
BEST TELEVISION SERIES DRAMA
243
00:19:01,260 --> 00:19:07,300
>> Announcer: "BIG LITTLE LIES."
"THE CROWN."
244
00:19:07,300 --> 00:19:14,907
"KILLING EVE."
"THE MORNING SHOW.
245
00:19:14,907 --> 00:19:19,612
"SUCCESSION.
>> AND THE GOLDEN GLOBES GOES TO
246
00:19:19,612 --> 00:19:26,852
"SUCCESSION," HBO.
[ CHEERS AND APPLAUSE
247
00:19:26,852 --> 00:19:29,255
>> Announcer: CREATOR AND
EXECUTIVE PRODUCER JESSE
248
00:19:29,255 --> 00:19:31,724
ARMSTRONG, EXECUTIVE PRODUCER
FRANK RICH AND EXECUTIVE
249
00:19:31,724 --> 00:19:35,895
PRODUCER AND DIRECTOR MIKE
MYLAR.
250
00:19:35,895 --> 00:19:42,568
ACCEPTING THE GOLDEN GLOBE
TONIGHT IS JESSE ARMSTRONG
251
00:19:42,568 --> 00:20:13,065
[ APPLAUSE ]
♪♪
252
00:20:13,065 --> 00:20:18,671
>> THANK YOU VERY MUCH
THANK YOU TO THE HOLLYWOOD
253
00:20:18,671 --> 00:20:22,975
FOREIGN PRESS ASSOCIATION.
THANKS TO HBO FOR THEIR
254
00:20:22,975 --> 00:20:28,714
TREMENDOUS SUPPORT, TO FRANCESCA
MORRISSEY, WHO HAS GIVEN US SUCH
255
00:20:28,714 --> 00:20:33,119
GOOD SUPPORT, AND FOR EVERYONE
ELSE WHO WORKS ON THE SHOW
256
00:20:33,119 --> 00:20:38,224
YOU KNOW, IT'S A TEAM SHOW
I AM HERE AS THE REPRESENTATIVE
257
00:20:38,224 --> 00:20:41,527
TO ACCEPT IT ON BEHALF OF ALL OF
US
258
00:20:41,527 --> 00:20:48,200
IF YOU'VE EVER APPEARED ON THE
CALL SHEET OR IN THE TITLES OF
259
00:20:48,200 --> 00:20:52,872
"SUCCESSION," CONGRATULATIONS,
WE'VE WON A GOLDEN GLOBE
260
00:20:52,872 --> 00:20:58,678
[ APPLAUSE ]
♪♪
261
00:20:58,678 --> 00:21:02,659
>> Announcer: OUR PARTY
CONTINUES WITH HOLLYWOOD
262
00:21:02,659 --> 00:21:04,834
A‐LIFTERS PLUS THE AWARDS FO
>>>
263
00:21:11,604 --> 00:21:15,375
WELCOME BACK ARE YOU HAVING A GOOD TIME
GOOD
264
00:21:15,375 --> 00:21:19,646
AS YOU KNOW, THE MEAL TONIGHT
WAS ALL VEGETABLES
265
00:21:19,646 --> 00:21:24,985
AS ARE THE MEMBERS OF THE
HOLLYWOOD FOREIGN PRESS.
266
00:21:24,985 --> 00:21:29,956
PLEASE WELCOME THEIR PRESIDENT,
LORENZO SORIA.
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00:21:29,956 --> 00:21:37,864
[ APPLAUSE ]
♪♪
268
00:21:37,864 --> 00:21:40,934
>> YOU KEEP SAYING THIS IS YOUR
LAST YEAR HOSTING.
269
00:21:40,934 --> 00:21:49,409
FOR GOD'S SAKE, PLEASE PUT IT IN
WRITING.
270
00:21:49,409 --> 00:21:52,312
ON BEHALF OF THE ASSOCIATION,
WELCOME.
271
00:21:52,312 --> 00:21:57,384
I'M HONORED TO BE HERE TO
CELEBRATE AND RECOGNIZE
272
00:21:57,384 --> 00:22:02,522
EXTRAORDINARY ARTISTS.
YOU MOVE US, YOU INSPIRE US.
273
00:22:02,522 --> 00:22:09,562
YOU BRING US NEW PERSPECTIVES.
AS WE ENTER A NEW ERA AND
274
00:22:09,562 --> 00:22:12,799
ENVISION WHAT OUR FUTURE HOLDS,
WE KNOW THAT WE CAN DO BETTER,
275
00:22:12,799 --> 00:22:17,137
AS AN INDUSTRY, AS A COLLECTIVE,
AND AS INDIVIDUALS, WE HAVE THE
276
00:22:17,137 --> 00:22:23,043
POWER TO MAKE OUR EVERY ACTION
COUNT.
277
00:22:23,043 --> 00:22:25,278
TO GIVE PURPOSE TO EVERYTHING WE
DO
278
00:22:25,278 --> 00:22:28,648
THANK YOU FOR JOINING US AND
ENJOY THE SHOW
279
00:22:28,648 --> 00:22:31,985
[ APPLAUSE ]
♪♪
280
00:22:31,985 --> 00:22:42,495
>> FROM "THE IRISHMAN," PLEASE
WELCOME HARVEY KEITEL.
281
00:22:42,495 --> 00:22:47,067
[ APPLAUSE ]
282
00:22:47,967 --> 00:22:57,243
>> THANK YOU
THIS NEXT DRAMA WAS BRILLIANTLY
283
00:22:57,243 --> 00:23:03,950
DIRECTED BY MY DEAR FRIEND SINCE
HIS NYU SCHOOL FILM DAYS
284
00:23:03,950 --> 00:23:06,719
MARTIN SCORSESE.
[ APPLAUSE ]
285
00:23:06,719 --> 00:23:13,526
HIS EPIC SAGA CHRONICLES THE
LIFE OF HITMAN FRANK SHEEHAN AND
286
00:23:13,526 --> 00:23:19,466
THE DISAPPEARANCE OF UNION BOSS
JIMMY HOFFA, CARRIED ON THE
287
00:23:19,466 --> 00:23:24,537
SHOULDERS OF AL PACINO, ROBERT
DE NIRO, AND JOE PESCI
288
00:23:24,537 --> 00:23:32,645
IT'S A TALE OF FAMILY, REGRET.
THE BONDS WE FORGE AND THOSE WE
289
00:23:32,645 --> 00:23:36,483
TRAGICALLY ALLOW TO UNRAVEL.
THIS IS "THE IRISHMAN.
290
00:23:36,483 --> 00:23:39,385
>> I WANT YOU TO MEET MY COUSIN.
>> HOW ARE YOU
291
00:23:39,385 --> 00:23:42,655
>> NICE TO MEET YOU.
>> IT WAS LIKE THE ARMY.
292
00:23:42,655 --> 00:23:45,558
YOU FOLLOW ORDERS.
YOU GOT REWARDED
293
00:23:45,558 --> 00:23:49,496
>> BACK THEN THERE WAS NOBODY IN
THIS COUNTRY WHO DIDN'T KNOW WHO
294
00:23:49,496 --> 00:23:51,865
JIMMY HOFFA WAS.
>> WOULD YOU LIKE TO BE PART OF
295
00:23:51,865 --> 00:23:54,801
HISTORY?
>> I KNOW THINGS THEY DON'T EVEN
296
00:23:54,801 --> 00:23:57,470
I KNOW
>> WHAT ELSE DID THEY SAY?
297
00:23:57,470 --> 00:24:05,078
>> EITHER WAY, HE'S GOING.
[ APPLAUSE ]
298
00:24:05,078 --> 00:24:07,747
>> FROM "THE GOOD PLACE,"
TED DANSON, AND STAR AND
299
00:24:07,747 --> 00:24:10,383
EXECUTIVE PRODUCER OF THE
UPCOMING SERIES "LITTLE FIRES
300
00:24:10,383 --> 00:24:14,454
EVERYWHERE," KERRY WASHINGTON.
[ APPLAUSE ]
301
00:24:14,454 --> 00:24:16,890
♪♪
302
00:24:18,258 --> 00:24:22,295
>> GOOD EVENING.
KERRY AND I ARE BOTH VERY HAPPY
303
00:24:22,295 --> 00:24:23,897
TO BE HERE
>> WE ARE.
304
00:24:23,897 --> 00:24:28,735
SOME SAY THIS NEXT GROUP OF
NOMINEES ARE EITHER GOD‐LIKE
305
00:24:28,735 --> 00:24:32,939
DOLLS OR A BUNCH OF FLEABAGS WHO
ARE DEAD TO ME
306
00:24:32,939 --> 00:24:36,042
EITHER WAY THEY ARE ALL
MARVELOUSLY TALENTED
307
00:24:36,042 --> 00:24:38,378
>> HERE ARE THE NOMINEES FOR
BEST ACTRESS
308
00:24:38,378 --> 00:24:41,548
IN A TV SERIES, MUSICAL OR
COMEDY ‐
309
00:24:41,548 --> 00:24:45,251
>> Announcer: FOR "DEAD TO ME,"
CHRISTINA APPLEGATE.
310
00:24:45,251 --> 00:24:50,023
FOR "THE MARVELOUS MRS. MAISEL,"
RACHEL BROSNAHAN
311
00:24:50,023 --> 00:24:55,328
FOR "ON BECOMING A GOD IN
CENTRAL FLORIDA," KIRSTEN DUNST.
312
00:24:55,328 --> 00:24:58,498
FOR "RUSSIAN DOLL,"
NATASHA LYONNE
313
00:24:58,498 --> 00:25:04,337
FOR "FLEABAG,"
PHOEBE WALLER‐BRIDGE
314
00:25:04,337 --> 00:25:12,078
>> AND THE GOLDEN GLOBE GOES
TO ‐
315
00:25:12,078 --> 00:25:21,354
PHOEBE WALLER‐BRIDGE, "FLEABAG."
>> Announcer: THIS IS PHOEBE
316
00:25:21,354 --> 00:25:23,923
WALLER‐BRIDGE'S FIRST WIN
TONIGHT.
317
00:25:23,923 --> 00:25:29,596
SHE WINS FOR HER ROLE AS FLEABAG
IN "FLEABAG.
318
00:25:29,596 --> 00:25:53,152
♪♪
[ APPLAUSE ]
319
00:25:53,152 --> 00:26:01,561
>> OH, MY GOD.
THANK YOU SO MUCH, THIS IS
320
00:26:01,561 --> 00:26:06,799
REALLY HAPPY IN COOL
THIS REALLY COMES DOWN TO ANDREW
321
00:26:06,799 --> 00:26:15,174
SCOTT, REALLY, BECAUSE THAT MAN,
THERE WAS A LOT OF TALK ABOUT
322
00:26:15,174 --> 00:26:18,911
THE CHEMISTRY OF US IN THE SHOW.
REALLY, HE CAN HAVE CHEMISTRY
323
00:26:18,911 --> 00:26:21,514
WITH A PEBBLE.
SO I LOVED BEING ANDREW'S PEBBLE
324
00:26:21,514 --> 00:26:24,050
IN THIS.
THANK YOU SO MUCH FOR BRINGING
325
00:26:24,050 --> 00:26:29,722
SO MUCH FIRE TO THIS SEASON.
THANK YOU SO MUCH TO HARRY, MY
326
00:26:29,722 --> 00:26:32,725
AMAZING DIRECTOR, EVEN WHEN I
WAS LIKE, THAT'S NOT HOW IT'S
327
00:26:32,725 --> 00:26:38,431
MEANT TO BE DONE, AND HE'S LIKE,
DO IT MY WAY, AND THAT ANNOYS
328
00:26:38,431 --> 00:26:43,069
ME, BUT HE'S RIGHT
I WOULD LIKE TO TAKE THIS
329
00:26:43,069 --> 00:26:46,572
OPPORTUNITY TO MAKE A SPECIAL
THANK YOU TO OUR DIRECTOR OF
330
00:26:46,572 --> 00:26:54,847
PHOTOGRAPHY TONY MILLER WHO MADE
OUR TV SHOW LOOK LIKE A MOVIE.
331
00:26:54,847 --> 00:26:59,118
HE WAS THE CAMERA OPERATOR AS
WELL, HE WAS ALWAYS THE PERSON I
332
00:26:59,118 --> 00:27:01,254
LOOKED DOWN THE CAMERA TO.
I WOULD LOVE TO FIND THE CAMERA
333
00:27:01,254 --> 00:27:06,159
NOW TO THANK YOU, TONY
THANK YOU SO MUCH TO MY AGENT,
334
00:27:06,159 --> 00:27:10,396
AMAZON, AND BBC, FOR PICKING UP
THIS LITTLE SCRAP OF A SHOW AND
335
00:27:10,396 --> 00:27:14,567
BRINGING IT ALL THE WAY HERE
IT MEANS THE WORLD TO ME
336
00:27:14,567 --> 00:27:15,268
THANK YOU SO MUCH.
[ APPLAUSE ]
337
00:27:15,268 --> 00:27:18,071
♪♪
>> Announcer: PLEASE WELCOME
338
00:27:18,071 --> 00:27:20,206
GOLDEN GLOBE WINNER FOR "GAME OF
THRONES," KIT HARRINGTON
339
00:27:20,206 --> 00:27:23,609
AND FROM "THE LOUDEST VOICE,"
SIENNA MILLER.
340
00:27:23,609 --> 00:27:29,782
[ APPLAUSE ]
341
00:27:31,084 --> 00:27:33,720
>> THE GOLDEN GLOBES HAVE A LONG
HISTORY OF RECOGNIZING THE VERY
342
00:27:33,720 --> 00:27:37,957
BEST IN INTERNATIONAL MOVIES
>> "A MAN AND A WOMAN", "Z", AND
343
00:27:37,957 --> 00:27:41,160
"CROUCHING TIGER HIDDEN DRAGON"
ARE JUST A FEW OF THE CLASSICS
344
00:27:41,160 --> 00:27:43,796
THAT WERE NAMED AS BEST FOREIGN
LANGUAGE FILM.
345
00:27:43,796 --> 00:27:50,136
HERE ARE THIS YEAR'S NOMINEES.
>> Announcer: "THE FAREWELL,"
346
00:27:50,136 --> 00:27:56,476
U.S.A.
"LES MISERABLES," FRANCE
347
00:27:56,476 --> 00:28:07,153
"PAIN AND GLORY," SPAIN.
"PORTRAIT OF A LADY ON FIRE.
348
00:28:07,153 --> 00:28:11,991
>> THE GOLDEN GLOBE GOES TO
"PARASITE.
349
00:28:11,991 --> 00:28:13,059
[ CHEERS AND APPLAUSE
>> Announcer: COMING TO THE
350
00:28:13,059 --> 00:28:17,096
STAGE TONIGHT AND ACCEPTING THE
GOLDEN GLOBE FOR PARASITE IS
351
00:28:17,096 --> 00:28:26,606
WRITER, DIRECTOR, AND PRODUCER,
BONG JOON‐HO
352
00:28:26,606 --> 00:28:45,858
[ APPLAUSE ]
♪♪
353
00:28:45,858 --> 00:28:50,897
>> WOW, AMAZING.
UNBELIEVABLE
354
00:28:50,897 --> 00:28:55,501
I'M A FOREIGN LANGUAGE FILMMAKER
SO I HAVE A TRANSLATOR HERE,
355
00:28:55,501 --> 00:29:07,180
PLEASE UNDERSTAND.
[ SPEAKING FOREIGN LANGUAGE
356
00:29:07,180 --> 00:29:12,118
>> Translator: ONCE YOU OVERCOME
THE ONE INCH TALL BARRIER OF
357
00:29:12,118 --> 00:29:14,287
SUBTITLES, YOU WILL BE
INTRODUCED TO SO MANY MORE
358
00:29:14,287 --> 00:29:32,038
AMAZING FILMS.
[ CHEERS AND APPLAUSE
359
00:29:32,038 --> 00:29:35,808
JUST BEING NOMINATED ALONG WITH
FELLOW AMAZING INTERNATIONAL
360
00:29:35,808 --> 00:29:41,914
FILMMAKERS WAS A HUGE HONOR.
>> I THINK WE USE ONLY JUST ONE
361
00:29:41,914 --> 00:29:43,783
LANGUAGE, THE CINEMA
THANK YOU.
362
00:29:43,783 --> 00:29:48,921
[ APPLAUSE ]
>> Announcer: SOME OF THE
363
00:29:48,921 --> 00:29:51,757
BIGGEST STARS IN HOLLYWOOD ARE
GETTING READY FOR KATE McKINNON
364
00:29:51,757 --> 00:29:54,888
AND ELLEN DeGENERES, THEY'RE
>>>
365
00:30:05,216 --> 00:30:06,288
WELCOME BACK TO THE
366
00:30:06,288 --> 00:30:13,695
GOLDEN GLOBES.
LADIES AND GENTLEMEN, PIERCE
367
00:30:13,695 --> 00:30:18,356
BROSNAN.
[ APPLAUSE ]
368
00:30:18,356 --> 00:30:23,862
>> THIS YEAR'S GOLDEN GLOBE
AMBASSADORS TWO BROTHERS WHO
369
00:30:23,862 --> 00:30:30,102
WERE CHOSE
TO HIGHLIGHT THE HFPA'S
370
00:30:30,102 --> 00:30:35,173
YEAR‐ROUND PHILANTHROPIC
EFFORTS.
371
00:30:35,173 --> 00:30:38,877
I AM THRILLED TO INTRODUCE MY
SONS BILL AND PARIS.
372
00:30:38,877 --> 00:30:43,081
[ APPLAUSE ]
>> THANK YOU, DAD.
373
00:30:43,081 --> 00:30:48,587
OUR PARENTS TAUGHT US ABOUT THE
IMPORTANCE AND POWER OF GIVING
374
00:30:48,587 --> 00:30:54,292
ONE IN NINE PEOPLE AROUND THE
WORLD ARE HUNGRY, MANY OF THEM
375
00:30:54,292 --> 00:30:55,861
CHILDREN
THAT'S WHY OUR CAUSE IS FEED, AN
376
00:30:55,861 --> 00:30:59,297
ORGANIZATION THAT HELPS TACKLE
CHILDHOOD HUNGER
377
00:30:59,297 --> 00:31:02,734
>> FEED HAS PROVIDED MEALS TO
SCHOOLCHILDREN IN THE U. S. AND
378
00:31:02,734 --> 00:31:06,404
AROUND THE WORLD SINCE 2007.
WE'RE LOOKING FORWARD TO RAISING
379
00:31:06,404 --> 00:31:07,539
AWARENESS.
FROM THE BOTH OF US, THANK YOU
380
00:31:07,539 --> 00:31:13,612
FOR THIS HONOR
[ APPLAUSE ]
381
00:31:13,612 --> 00:31:19,284
>> AND SPEAKING OF OPENING OUR
HEARTS, ALL OF US AT THE GOLDEN
382
00:31:19,284 --> 00:31:24,089
GLOBES AND THE HFPA SEND OUR
THOUGHTS TO THE PEOPLE AFFECTED
383
00:31:24,089 --> 00:31:27,526
BY THE BUSH FIRES IN AUSTRALIA
STAY STRONG.
384
00:31:27,526 --> 00:31:28,960
WE'RE WITH YOU
GOD BLESS.
385
00:31:28,960 --> 00:31:33,565
[ APPLAUSE ]
>> Announcer: AND NOW FROM
386
00:31:33,565 --> 00:31:42,374
"SATURDAY NIGHT LIVE" AND
"BOMBSHELL," KATE McKINNON
387
00:31:42,374 --> 00:31:44,009
[ APPLAUSE ]
>> HELLO
388
00:31:44,009 --> 00:31:50,015
HOW ARE YOU GUYS
THE CAROL BURNETT AWARD IS GIVEN
389
00:31:50,015 --> 00:31:54,085
TO SOMEONE WHO, LIKE ITS
NAMESAKE, CAROL BURNETT, HAS
390
00:31:54,085 --> 00:31:58,990
GIVEN US DECADES OF LAUGHTER,
TEARS, AND A NEW SENSE OF WHAT'S
391
00:31:58,990 --> 00:32:01,026
POSSIBLE
SO I WOULD LIKE TO READ A LIST
392
00:32:01,026 --> 00:32:06,731
OF THINGS THAT TONIGHT'S
RECIPIENT ELLEN DeGENERES HAS
393
00:32:06,731 --> 00:32:12,170
PERSONALLY GIVEN ME.
SOME OF THESE ARE SPIRITUAL AND
394
00:32:12,170 --> 00:32:14,873
SOME OF THEM ARE PIECES OF
CLOTHING I GOT TO KEEP AFTER
395
00:32:14,873 --> 00:32:17,676
DOING IMPRESSIONS OF HER ON HER
TALK SHOW.
396
00:32:17,676 --> 00:32:22,547
A ROADMAP FOR A WAY TO BE FUNNY
THAT IS GROUNDED IN AN
397
00:32:22,547 --> 00:32:27,886
EXPRESSION OF JOY.
TWO PAIRS OF SAM SMITH SNEAKERS.
398
00:32:27,886 --> 00:32:31,056
THAT'S ONE OF THE CLOSE ONES
A DESIRE TO BRING EVERYONE
399
00:32:31,056 --> 00:32:35,660
TOGETHER BY LAUGHING ABOUT THE
THINGS THAT WE HAVE IN COMMON.
400
00:32:35,660 --> 00:32:43,101
MY BEST COLLARED SHIRTS.
A SENSE OF SELF.
401
00:32:43,101 --> 00:32:48,173
I HAVE TO EXPLAIN THAT ONE MORE.
IN 1997, WHEN ELLEN'S SITCOM WAS
402
00:32:48,173 --> 00:32:52,944
AT THE HEIGHT OF ITS POPULARITY,
I WAS IN MY MOTHER'S BASEMENT
403
00:32:52,944 --> 00:32:57,883
LIFTING WEIGHTS IN FRONT OF THE
MIRROR AND THINKING, AM I GAY?
404
00:32:57,883 --> 00:33:02,754
AND I WAS.
AND I STILL AM
405
00:33:02,754 --> 00:33:11,496
[ CHEERS AND APPLAUSE
BUT THAT'S A VERY SCARY THING TO
406
00:33:11,496 --> 00:33:17,335
SUDDENLY KNOW ABOUT YOURSELF
IT'S SORT OF LIKE DOING 23ANDME
407
00:33:17,335 --> 00:33:19,671
AND DISCOVERING YOU HAVE ALIEN
DNA.
408
00:33:19,671 --> 00:33:23,875
AND THE ONLY THING THAT MADE IT
LESS SCARY WAS SEEING ELLEN ON
409
00:33:23,875 --> 00:33:25,710
TV
SHE RISKED HER ENTIRE LIFE AND
410
00:33:25,710 --> 00:33:28,079
HER ENTIRE CAREER IN ORDER TO
TELL THE TRUTH AND SHE SUFFERED
411
00:33:28,079 --> 00:33:31,816
GREATLY FOR IT
OF COURSE ATTITUDES CHANGE, BUT
412
00:33:31,816 --> 00:33:35,053
ONLY BECAUSE BRAVE PEOPLE LIKE
ELLEN JUMP INTO THE FIRE TO MAKE
413
00:33:35,053 --> 00:33:38,023
THEM CHANGE.
AND IF I HADN'T SEEN HER ON TV,
414
00:33:38,023 --> 00:33:42,560
I WOULD HAVE THOUGHT, I COULD
NEVER BE ON TV, THEY DON'T LET
415
00:33:42,560 --> 00:33:44,963
LGBTQ PEOPLE ON TV, AND MORE
THAN THAT, I WOULD HAVE GONE ON
416
00:33:44,963 --> 00:33:47,933
THINKING THAT I WAS AN ALIEN AND
THAT I MAYBE DIDN'T EVEN HAVE A
417
00:33:47,933 --> 00:33:51,703
RIGHT TO BE HERE
SO THANK YOU, ELLEN, FOR GIVING
418
00:33:51,703 --> 00:34:04,749
ME A SHOT.
[ APPLAUSE ]
419
00:34:04,749 --> 00:34:08,153
A SHOT AT A GOOD LIFE.
AND THANK YOU ALSO FOR THE
420
00:34:08,153 --> 00:34:10,655
SWEATER WITH THE PICTURES OF
BABY GOAT ON IT.
421
00:34:10,655 --> 00:34:17,195
LET'S TAKE A LOOK AT HER CAREER.
>> WHEN WE TRY ON SHOES, WE DO
422
00:34:17,195 --> 00:34:19,898
THINGS WE'RE NEVER GOING TO DO
IN THEM.
423
00:34:19,898 --> 00:34:25,103
WE STAND UP.
THESE ARE GOOD
424
00:34:25,103 --> 00:34:35,447
THESE ARE GOOD
I LIKE THESE
425
00:34:35,447 --> 00:34:39,250
>> PLEASE GIVE A WARM WELCOME TO
ELLEN DeGENERES.
426
00:34:39,250 --> 00:34:44,055
>> YOU HAVE TO STAY IN SHAPE
MY GRANDMOTHER STARTED WALKING
427
00:34:44,055 --> 00:34:47,058
FIVE MILES A DAY WHEN SHE WAS
60
428
00:34:47,058 --> 00:34:50,195
SHE'S 90 TODAY AND WE DON'T KNOW
WHERE THE HELL SHE IS.
429
00:34:50,195 --> 00:34:53,431
>> HER FIRST APPEARANCE ON
NETWORK TELEVISION, ELLEN
430
00:34:53,431 --> 00:34:54,966
DeGENERES.
>> PLEASE WELCOME ELLEN
431
00:34:54,966 --> 00:34:58,503
DeGENERES.
♪♪
432
00:34:58,503 --> 00:35:01,573
>> YOU NEED TO CALM DOWN
>> NOT THERE, THAT'S THE FOR
433
00:35:01,573 --> 00:35:09,614
COMPANY.
♪♪
434
00:35:09,614 --> 00:35:13,084
>> WHAT IS WRONG
WHY DO I HAVE TO BE SO ASHAMED
435
00:35:13,084 --> 00:35:21,259
WHY CAN'T I JUST SAY THE TRUTH
SUSAN, I'M GAY
436
00:35:21,259 --> 00:35:24,195
>> FOR THE FIRST TIME, THE LEAD
CHARACTER IN A PRIME TIME SHOW
437
00:35:24,195 --> 00:35:27,699
WILL REVEAL HERSELF TO BE GAY,
OH, BOY.
438
00:35:27,699 --> 00:35:30,268
HAS THE WORLD BEEN TALKING ABOUT
THAT
439
00:35:30,268 --> 00:35:33,004
>> IT WAS CALLED THE PUPPY
EPISODE BECAUSE WE WANTED TO
440
00:35:33,004 --> 00:35:38,143
KEEP IT A SECRET UNTIL WE AIRED
AND ELLEN THROWING HER CAREER
441
00:35:38,143 --> 00:35:42,647
AWAY SEEMED TO BE ON THE NOSE.
I LOST MY SITCOM WHEN I CAME
442
00:35:42,647 --> 00:35:45,583
OUT.
THE SAME PEOPLE WHO LOVED ME,
443
00:35:45,583 --> 00:35:48,620
OVERNIGHT THEY HATED ME.
THERE WAS ONLY ONE PLACE TO GO
444
00:35:48,620 --> 00:35:53,425
AFTER THAT, AND THAT IS WORLD
DOMINATION
445
00:35:53,425 --> 00:35:54,859
TURN OFF THE NEWS, TURN ON
ELLEN.
446
00:35:54,859 --> 00:36:05,470
YOU WILL FEEL BETTER
♪♪
447
00:36:05,470 --> 00:36:08,907
>> WE USE 10% OF OUR BRAINS.
IMAGINE WHAT WE COULD ACCOMPLISH
448
00:36:08,907 --> 00:36:14,012
IF WE USED THE OTHER 60%
DO YOU KNOW WHAT I'M SAYING?
449
00:36:14,012 --> 00:36:18,316
>> FOR EVERY PERSON THAT GETS
DUNKED, WE WILL DONATE $10,000
450
00:36:18,316 --> 00:36:21,453
FOR BREAST CANCER RESEARCH
>> FOR ME THE MOST IMPORTANT
451
00:36:21,453 --> 00:36:25,590
THING IN YOUR LIFE IS TO LIVE
YOUR LIFE WITH INTEGRITY
452
00:36:25,590 --> 00:36:27,092
>> WHAT?
THAT'S FUNNY
453
00:36:27,092 --> 00:36:30,895
PUT THAT IN.
YES, YES
454
00:36:30,895 --> 00:36:34,866
>> THE GOAL IS TO SAVE A SPECIES
ON THE BRINK OF EXTINCTION
455
00:36:34,866 --> 00:36:38,503
>> IT'S BEEN AMAZING, A DREAM
COME TRUE.
456
00:36:38,503 --> 00:36:40,839
VERY EXCITING.
>> THIS IS A THRILL FOR ME TO BE
457
00:36:40,839 --> 00:36:44,642
HOSTING THE GRAMMY AWARDS.
>> WELCOME TO THE OSCARS
458
00:36:44,642 --> 00:36:48,346
WHAT WOULD BUG THE TALIBAN MORE
THAN SEEING A GAY WOMAN IN A
459
00:36:48,346 --> 00:36:54,752
SUIT SURROUNDED BY JEWS?
>> THIS IS MY HAPPY PLACE.
460
00:36:54,752 --> 00:36:58,890
>> WE WANT TO GIVE EACH ONE OF
YOU A FOUR‐YEAR SCHOLARSHIP.
461
00:36:58,890 --> 00:37:13,104
♪♪
♪♪
462
00:37:13,104 --> 00:37:17,175
>> ELLEN INSPIRES US TO BE
BETTER, ONE JOKE, ONE DANCE AT A
463
00:37:17,175 --> 00:37:24,249
TIME
>> HELLO
464
00:37:24,249 --> 00:37:28,953
♪♪
>> I THANK YOU AND I CELEBRATE
465
00:37:28,953 --> 00:37:38,563
YOU ALL.
[ CHEERS AND APPLAUSE
466
00:37:38,563 --> 00:37:42,567
>> IT'S MY HONOR TO PRESENT THE
CAROL BURNETT AWARD FOR
467
00:37:42,567 --> 00:37:45,537
EXCELLENCE IN TELEVISION TO
ELLEN DeGENERES.
468
00:37:45,537 --> 00:38:10,094
[ CHEERS AND APPLAUSE
♪♪
469
00:38:10,094 --> 00:38:16,701
>> THANK YOU SO MUCH
THANK YOU.
470
00:38:16,701 --> 00:38:20,738
THANK YOU SO MUCH.
WOO!
471
00:38:20,738 --> 00:38:27,045
THANK YOU SO MUCH.
YOU NEVER KNOW WHERE LIFE TAKES
472
00:38:27,045 --> 00:38:29,447
YOU, HUH
BEFORE I SAY ANYTHING,
473
00:38:29,447 --> 00:38:32,116
AUSTRALIA, I LOVE YOU, MY HEART
GOES OUT TO EVERYONE WHO IS
474
00:38:32,116 --> 00:38:37,922
SUFFERING IN AUSTRALIA, ALL THE
ANIMALS THAT WERE LOST
475
00:38:37,922 --> 00:38:41,226
KATE, YOU'RE INCREDIBLE, AND
THANK YOU SO MUCH.
476
00:38:41,226 --> 00:38:43,728
I HATE BEING ASKED TO DO THINGS
LIKE THIS, SO THANK YOU FOR
477
00:38:43,728 --> 00:38:47,065
DOING THIS, THANK YOU FOR FLYING
HERE, THANK YOU FOR WRITING
478
00:38:47,065 --> 00:38:51,603
SOMETHING, THANK YOU FOR THE
AMAZING ‐‐ THE WORDS THAT YOU
479
00:38:51,603 --> 00:38:52,403
SAID, THANK YOU SO MUCH, I LOVE
YOU.
480
00:38:52,403 --> 00:38:56,374
I LOVE YOU
THANK YOU SO MUCH TO THE
481
00:38:56,374 --> 00:38:59,978
HOLLYWOOD FOREIGN PRESS.
I FEEL HUMBLED AND HONORED TO
482
00:38:59,978 --> 00:39:02,880
RECEIVE THIS
THE FIRST PERSON AFTER CAROL
483
00:39:02,880 --> 00:39:05,416
BURNETT IS QUITE AN HONOR, SO
THANK YOU SO MUCH.
484
00:39:05,416 --> 00:39:10,688
IT'S A PRESTIGIOUS AWARD
WHAT I LIKE MOST ABOUT IT IS I
485
00:39:10,688 --> 00:39:13,558
KNEW COMING IN THAT I WOULD WIN.
I MEAN, THERE'S NOTHING WORSE
486
00:39:13,558 --> 00:39:18,763
THAN SITTING THERE LIKE MOST OF
YOU, WAITING AND WONDERING IF
487
00:39:18,763 --> 00:39:24,469
YOU'RE GOING TO WIN AND POLITELY
ACTING LIKE, I'M GOING TO LISTEN
488
00:39:24,469 --> 00:39:28,373
TO EVERYONE'S SPEECHES AND IT'S
NICE, BECAUSE IT'S NOT, PEOPLE
489
00:39:28,373 --> 00:39:32,710
GO ON AND ON AND ON AND ON AND
ON AND YOU'RE LIKE, EH
490
00:39:32,710 --> 00:39:35,280
I'M NOT GOING TO DO THAT, I'M
GOING TO BE QUICK.
491
00:39:35,280 --> 00:39:39,851
ALTHOUGH OFFI DON'T HAVE TO BECA
IT'S A SPECIAL AWARD AND THEY
492
00:39:39,851 --> 00:39:42,654
DON'T PLAY ME OFF, I MEAN, I
DON'T HAVE TO END AT ALL BECAUSE
493
00:39:42,654 --> 00:39:46,791
IT'S A SPECIAL AWARD
BUT THEY SAID THEY WERE GOING TO
494
00:39:46,791 --> 00:39:49,627
GET ME A SIGN AT 25 MINUTES BUT
THAT'S FOR MY REFERENCE, JUST TO
495
00:39:49,627 --> 00:39:55,833
SEE WHERE I WAS.
BUT I COULD GO ON.
496
00:39:55,833 --> 00:39:58,236
I'M NOT.
I'M GOING TO KEEP IT QUICK
497
00:39:58,236 --> 00:39:59,370
I WAS BORN IN NEW ORLEANS IN
1958
498
00:39:59,370 --> 00:40:03,875
[ LAUGHTER ]
JANUARY 26th
499
00:40:03,875 --> 00:40:08,846
DR. SWANSON DELIVERED ME AT 8:43
IN THE MORNING
500
00:40:08,846 --> 00:40:14,619
A RAINY, RAINY ‐‐ I MEAN,
LOUISIANA, A HEAVY RAIN.
501
00:40:14,619 --> 00:40:17,655
MY PARENTS DROVE ME HOME IN A
BUICK.
502
00:40:17,655 --> 00:40:19,257
I THINK IT WAS A BUICK
IT COULD HAVE BEEN A FORD OR A
503
00:40:19,257 --> 00:40:23,494
CHRYSLER
I THINK IT WAS A BUICK
504
00:40:23,494 --> 00:40:26,397
THE POINT IS, THEY BROUGHT ME
HOME IN A CAR.
505
00:40:26,397 --> 00:40:31,736
AND BEFORE I KNEW IT, I HAD A
SUCCESSFUL SITCOM AND I CAME
506
00:40:31,736 --> 00:40:34,539
OUT.
AND THEN I LOST THAT SITCOM AND
507
00:40:34,539 --> 00:40:37,375
THEN I GOT ANOTHER SITCOM AND
LOST THAT SITCOM TOO
508
00:40:37,375 --> 00:40:40,511
THEN I GOT TO DO SOMETHING I HAD
NEVER BEEN ABLE TO DO BEFORE AND
509
00:40:40,511 --> 00:40:47,685
THAT IS MAKE MY OWN WHISKEY.
AND AFTER THAT, I GOT A TALK
510
00:40:47,685 --> 00:40:50,521
SHOW
AND I WAS ABLE TO BE MYSELF.
511
00:40:50,521 --> 00:40:54,025
AND THAT WAS 17 YEARS AGO.
AND I FEEL LIKE YOU'VE ALL
512
00:40:54,025 --> 00:40:56,961
REALLY GOTTEN TO KNOW ME OVER
THE PAST 17 YEARS.
513
00:40:56,961 --> 00:41:00,698
I AM AN OPEN BOOK.
AND I COULDN'T HAVE DONE IT
514
00:41:00,698 --> 00:41:05,536
WITHOUT MY HUSBAND MARK.
[ LAUGHTER ]
515
00:41:05,536 --> 00:41:10,541
MARK, YOU ARE MY ROCK.
THANK YOU FOR SUPPORTING ME
516
00:41:10,541 --> 00:41:16,748
THROUGH THIS CRAZY JOURNEY
I KNOW IT WASN'T EASY FOR YOU OR
517
00:41:16,748 --> 00:41:21,486
THE KIDS, RUPERT AND FIONA, GO
TO BED, I LOVE YOU
518
00:41:21,486 --> 00:41:30,962
THAT'S FUNNY BECAUSE THEY'RE IN
COLLEGE NOW.
519
00:41:30,962 --> 00:41:32,964
BUT THE POINT IS, YOU ALL KNOW
ME
520
00:41:32,964 --> 00:41:36,134
OBVIOUSLY YOU KNOW ME OR ELSE
YOU WOULDN'T HAVE LAUGHED AT ALL
521
00:41:36,134 --> 00:41:39,871
THAT
I FEEL LIKE WE ALL THINK WE KNOW
522
00:41:39,871 --> 00:41:40,872
SOMEONE.
THERE'S A CONNECTION WHEN WE
523
00:41:40,872 --> 00:41:44,475
WATCH SOMEONE ON TV FOR AS LONG
AS WE ARE ON TV.
524
00:41:44,475 --> 00:41:48,279
AND THAT'S WHAT IT WAS LIKE FOR
ME WITH CAROL BURNETT.
525
00:41:48,279 --> 00:41:51,449
I FELT LIKE I KNEW HER
I FELT LIKE SHE SHOWED US WHO
526
00:41:51,449 --> 00:41:53,184
SHE WAS EVERY WEEK
SHE WAS LARGER THAN LIFE
527
00:41:53,184 --> 00:42:02,360
[ CHEERS AND APPLAUSE
WE COUNTED ON HER TO MAKE US
528
00:42:02,360 --> 00:42:04,595
FEEL GOOD AND SHE DELIVERED
EVERY SINGLE WEEK.
529
00:42:04,595 --> 00:42:08,199
SHE NEVER LET US DOWN.
SHE WAS HILARIOUS IN ALL THE
530
00:42:08,199 --> 00:42:11,869
SKETCHES SHE DID
WHEN SHE DID THE Q&A WITH THE
531
00:42:11,869 --> 00:42:15,239
AUDIENCE SHE WAS JUST GENUINE
AND PERSONAL AND I ALWAYS FELT
532
00:42:15,239 --> 00:42:17,775
LIKE SHE WAS SPEAKING TO ME.
AT THE END OF THE SHOW, EVERY
533
00:42:17,775 --> 00:42:21,245
TIME SHE PULLED HER EAR, I KNEW
SHE WAS SAYING, IT'S OKAY, I'M
534
00:42:21,245 --> 00:42:33,758
GAY TOO.
[ LAUGHTER ]
535
00:42:33,758 --> 00:42:39,630
TELEVISION INSPIRESD AND
INFLUENCED EVERYTHING THAT I AM
536
00:42:39,630 --> 00:42:46,237
TODAY.
LUCILLE BALL, MARY TYLER MOORE,
537
00:42:46,237 --> 00:42:50,875
MARLO THOMAS, DICK VAN DYKE, BOB
NEWHART, MANNIX.
538
00:42:50,875 --> 00:42:52,910
THERE IS A LITTLE BIT OF ALL OF
THEM IN ME
539
00:42:52,910 --> 00:42:57,048
THAT DIDN'T SOUND RIGHT, BUT YOU
KNOW WHAT I'M SAYING
540
00:42:57,048 --> 00:43:01,152
ALL I'VE EVER WANTED TO DO WAS
MAKE PEOPLE FEEL GOOD AND LAUGH.
541
00:43:01,152 --> 00:43:03,955
THERE'S NO GREATER FEELING THAN
WHEN SOMEONE TELLS ME THAT I'VE
542
00:43:03,955 --> 00:43:06,858
MADE THEIR DAY BETTER WITH MY
SHOW OR THAT I'VE HELPED THEM
543
00:43:06,858 --> 00:43:09,961
GET THROUGH A SICKNESS OR A HARD
TIME IN THEIR LIVES.
544
00:43:09,961 --> 00:43:13,931
BUT THE REAL POWER OF TELEVISION
FOR ME IS THAT ‐‐ NOT THAT
545
00:43:13,931 --> 00:43:17,802
PEOPLE WATCH MY SHOW, BUT PEOPLE
WATCH MY SHOW AND THEN THEY'RE
546
00:43:17,802 --> 00:43:22,106
INSPIRED TO GO OUT AND DO THE
SAME THING IN THEIR OWN LIVES,
547
00:43:22,106 --> 00:43:25,309
MAKE PEOPLE LAUGH OR BE KIND OR
HELP SOMEONE LESS FORTUNATE THAN
548
00:43:25,309 --> 00:43:26,577
THEMSELVES
THAT IS THE POWER OF TELEVISION.
549
00:43:26,577 --> 00:43:29,046
I'M SO, SO GRATEFUL TO BE A PART
OF IT.
550
00:43:29,046 --> 00:43:33,885
THANK YOU SO MUCH, EVERYBODY
[ CHEERS AND APPLAUSE
551
00:43:33,885 --> 00:43:47,553
♪♪
>> THE SPECTACULAR STARS O
552
00:43:56,293 --> 00:44:00,063
>>> HELLO.
WE'RE BACK
553
00:44:00,063 --> 00:44:03,133
"KNIVES OUT" HAS THREE
NOMINATIONS TONIGHT.
554
00:44:03,133 --> 00:44:06,770
[ APPLAUSE ]
SEE WITH A CAN HAPPEN IF YOU
555
00:44:06,770 --> 00:44:12,909
DON'T DRESS PEOPLE UP AS CATS?
IT'S THAT EASY
556
00:44:12,909 --> 00:44:18,515
HERE ARE TWO OF THE NOMINATED
STARS, ANA de ARMAS AND DANIEL
557
00:44:18,515 --> 00:44:29,226
CRAIG.
[ APPLAUSE ]
558
00:44:29,226 --> 00:44:33,497
>> OUR NEXT COMEDY IS A MODERN
TAKE ON THE WHO DONE IT.
559
00:44:33,497 --> 00:44:42,672
WHEN A RENOWNED CRIME NOVELIST
IS FOUND DEAD, A DEBONAIR
560
00:44:42,672 --> 00:44:44,174
DETECTIVE ARRIVES TO
INVESTIGATE.
561
00:44:44,174 --> 00:44:51,481
>> HE MUST SIFT THROUGH LIES AND
RED HERRINGS TO UNCOVER THE
562
00:44:51,481 --> 00:44:53,817
TRUTH.
>> I JUST BURIED MY FATHER
563
00:44:53,817 --> 00:44:56,720
>> WHO COMMITTED SUICIDE
>> WHY ARE YOU HERE?
564
00:44:56,720 --> 00:45:01,658
>> I SUSPECT FOUL PLAY
>> WAS HARLAN PLANNING ON
565
00:45:01,658 --> 00:45:06,496
KILLING OFF JOANIE
>> IS RICHARD HAVING AN AFFAIR
566
00:45:06,496 --> 00:45:11,468
>> THAT'S SOME HEAVY DUTY
CONJECTURE
567
00:45:11,468 --> 00:45:15,572
>> I THINK YOU HAVE SOMETHING
YOU WANT TO TELL ME.
568
00:45:15,572 --> 00:45:21,111
[ APPLAUSE ]
>> Announcer: AND NOW GOLDEN
569
00:45:21,111 --> 00:45:30,887
GLOBE WINNER AND STAR OF "LAST
MAN STANDING," TIM ALLEN AND
570
00:45:30,887 --> 00:45:35,592
LAUREN GRAHAM.
>> SHOWBIZ
571
00:45:35,592 --> 00:45:37,527
LOOK AT THAT
ALL I COULD SAY WHEN I LOOKED AT
572
00:45:37,527 --> 00:45:41,731
THIS ROOM IS I'M WEARING MORE
MAKEUP THAN A CORPSE
573
00:45:41,731 --> 00:45:46,303
>> SO MANY GREAT ACTORS HAVE
BROUGHT HOME A GOLDEN GLOBE FOR
574
00:45:46,303 --> 00:45:50,273
BEST ACTOR IN A TV DRAMA
>> I WOULD HAVE LOOKED THEM UP
575
00:45:50,273 --> 00:45:54,778
IF THE WI‐FI HADN'T SUCKED BACK
THERE.
576
00:45:54,778 --> 00:46:00,917
THERE WAS NO APPLE PRODUCTS.
LET'S FOCUS ON THE NOMINEES.
577
00:46:00,917 --> 00:46:03,920
>> Announcer: FOR "SUCCESSION,"
BRYAN COX.
578
00:46:03,920 --> 00:46:08,358
FOR "GAME OF THRONES," KIT
HARINGTON.
579
00:46:08,358 --> 00:46:15,565
FOR "MR. ROBOT," RAMI MALEK.
FOR "THE CROWN," TOBIAS MENZIES.
580
00:46:15,565 --> 00:46:23,507
FOR "POSE," BILLY PORTER
>> AND THE GOLDEN GLOBE GOES TO
581
00:46:23,507 --> 00:46:28,979
BRYAN COX FOR "SUCCESSION.
[ CHEERS AND APPLAUSE
582
00:46:28,979 --> 00:46:32,415
>> Announcer: THIS IS BRYAN
COX'S FIRST WIN AND SECOND
583
00:46:32,415 --> 00:46:35,252
NOMINATION
HE WINS A GOLDEN GLOBE TONIGHT
584
00:46:35,252 --> 00:46:39,990
FOR HIS ROLE OF LOGAN ROY IN
"SUCCESSION.
585
00:46:39,990 --> 00:47:14,324
♪♪
>> HI.
586
00:47:14,324 --> 00:47:16,893
I'M SORRY.
THIS KIND OF EVENT DOES YOUR
587
00:47:16,893 --> 00:47:19,596
HEAD IN.
NO, IT REALLY DOES YOUR HEAD IN.
588
00:47:19,596 --> 00:47:24,601
FIRST OF ALL, I WANT TO
APOLOGIZE TO MY FELLOW NOMINEES
589
00:47:24,601 --> 00:47:27,871
FOR WINNING THIS
I MEAN, I'M SORRY.
590
00:47:27,871 --> 00:47:33,376
THAT'S ALL I CAN SAY, I'M SORRY.
I NEVER EXPECTED THIS.
591
00:47:33,376 --> 00:47:36,713
AND I'VE BEEN IN THIS BUSINESS,
WELL, NEXT YEAR I'LL HAVE BEEN
592
00:47:36,713 --> 00:47:43,320
IN THIS BUSINESS FOR 60 YEARS.
[ APPLAUSE ]
593
00:47:43,320 --> 00:47:48,291
I MEAN, I STARTED WHEN I WAS 2
AND I JUST NEVER THOUGHT THIS
594
00:47:48,291 --> 00:47:54,931
WOULD EVER HAPPEN TO ME.
I'M A WEE BIT SHOCKED.
595
00:47:54,931 --> 00:47:57,467
IT WOULDN'T HAVE HAPPENED IF I
HADN'T WORKED WITH THE MOST
596
00:47:57,467 --> 00:48:01,171
EXTRAORDINARY BUNCH OF PEOPLE
EVER
597
00:48:01,171 --> 00:48:05,208
THE CAST AND THE CREW OF
"SUCCESSION.
598
00:48:05,208 --> 00:48:10,413
AND OUR GENIUS, JESSE ARMSTRONG,
YOU SAW HIM JUST NOW
599
00:48:10,413 --> 00:48:13,917
AN INCREDIBLY MODEST MAN, BUT
MAN, WHAT A TALENT, WHAT A GIFT.
600
00:48:13,917 --> 00:48:17,587
AND HE'S INSPIRED US TO DO THE
BEST WORK.
601
00:48:17,587 --> 00:48:20,023
AND THERE'S NOTHING LIKE IT.
THERE'S NOTHING LIKE IT WHEN
602
00:48:20,023 --> 00:48:25,261
YOU'VE GOT A SHOW RUNNER WHO
COMES ALONG AND SAYS, YOU KNOW,
603
00:48:25,261 --> 00:48:27,097
EMPOWERS YOU TO DO YOUR BEST
WORK
604
00:48:27,097 --> 00:48:30,533
SO THANK YOU, JESSE, BECAUSE IF
IT WASN'T FOR YOU, I WOULDN'T
605
00:48:30,533 --> 00:48:33,003
HAVE HAD THIS.
SO THANK YOU
606
00:48:33,003 --> 00:48:40,477
THANK YOU, EVERYBODY
ALSO I WANT TO THANK MY FAMILY'S
607
00:48:40,477 --> 00:48:43,279
FORBEARANCE AND MY LOVELY WIFE
WHO IS HERE TONIGHT FOR PUTTING
608
00:48:43,279 --> 00:48:46,449
UP WITH ME FOR ALL THIS CRAPPY
TIME
609
00:48:46,449 --> 00:48:48,885
THANK YOU.
[ APPLAUSE ]
610
00:48:48,885 --> 00:48:51,087
♪♪
>>> PLEASE WELCOME THE STARS OF
611
00:48:51,087 --> 00:48:59,195
"BIRDS OF PREY," EWING EWINGAN M
AND A NOMINEE TONIGHT, MARKGOT
612
00:48:59,195 --> 00:49:08,905
ROBBIE
ROBBIE
613
00:49:08,905 --> 00:49:13,309
>> THIS YEAR HAD AN ABUNDANCE OF
GREAT SCRIPTS.
614
00:49:13,309 --> 00:49:17,380
>> HERE ARE THE NOMINATIONS FOR
BEST SCREENPLAY.
615
00:49:17,380 --> 00:49:26,256
>> Announcer: "MARRIAGE STORY.
"THE TWO POPES."
616
00:49:26,256 --> 00:49:27,357
"ONCE UPON A TIME IN
HOLLYWOOD.
617
00:49:27,357 --> 00:49:36,733
"THE IRISHMAN.
>> AND THE GOLDEN GLOBE GOES TO
618
00:49:36,733 --> 00:49:41,571
QUENTIN TARANTINO, "ONCE UPON A
TIME IN HOLLYWOOD."
619
00:49:41,571 --> 00:49:44,941
>> Announcer: THIS IS QUENTIN
TARANTINO'S THIRD ONE AND NINTH
620
00:49:44,941 --> 00:49:46,342
NOMINATION
"ONCE UPON A TIME IN HOLLYWOOD"
621
00:49:46,342 --> 00:49:50,613
IS NOMINATED FOR BEST MOTION
PICTURE, MUSICAL, OR COMEDY.
622
00:49:50,613 --> 00:50:03,727
[ APPLAUSE ]
♪♪
623
00:50:03,727 --> 00:50:09,199
>> I CAN'T BELIEVE I WON OVER
STEVE ZAILLIAN
624
00:50:09,199 --> 00:50:14,304
MARGOT GIVING ME THE AWARD WAS
THE MOJO PUSHING ME OVER THE
625
00:50:14,304 --> 00:50:15,538
EDGE
CONGRATULATIONS, DUDE.
626
00:50:15,538 --> 00:50:21,878
THIS IS REALLY LOVELY.
I WANT TO DEDICATE THIS AWARD TO
627
00:50:21,878 --> 00:50:29,119
THE DEAN OF SCREENWRITERS,
ROBERT BOLTON.
628
00:50:29,119 --> 00:50:34,124
AND MY FAVORITE SCREENWRITER
GROWING UP THAT MADE ME WANT TO
629
00:50:34,124 --> 00:50:43,566
BE A SCREENWRITER WAS JOHN
MILIUS AND HIS HERO WAS ROBERT
630
00:50:43,566 --> 00:50:47,203
BOLTON
NORMALLY THE THING IS WHEN I WIN
631
00:50:47,203 --> 00:50:49,272
A WRITING AWARD AND YOU DON'T
SHARE THE SCRIPT WITH SOMEBODY
632
00:50:49,272 --> 00:50:54,010
ELSE, YOU WRITE IT BY YOURSELF,
YOU KIND OF DON'T HAVE ANYBODY
633
00:50:54,010 --> 00:50:57,046
TO THANK
I DID IT
634
00:50:57,046 --> 00:51:06,623
[ LAUGHTER ]
BUT THIS TIME, MORE THAN USUALLY
635
00:51:06,623 --> 00:51:12,729
MOST, I HAD A FANTASTIC CAST
AND IT'S NOT JUST A BS FANTASTIC
636
00:51:12,729 --> 00:51:15,799
CAST
IT WAS A FANTASTIC CAST THAT
637
00:51:15,799 --> 00:51:17,967
TOOK IT FROM THE PAGE AND HAD TO
ADD A SLIGHTLY DIFFERENT LAYER
638
00:51:17,967 --> 00:51:21,805
THAN WHAT WAS JUST ON THE PAGE,
WHETHER IT WAS LEO IN THE
639
00:51:21,805 --> 00:51:31,147
TRAILER, WHETHER IT WAS BRAD
HAVING HIS ACID TRIP, OR
640
00:51:31,147 --> 00:51:35,618
MARGOT'S JUST TRULY GOODNESS,
JUST THE GOODNESS THAT COMES OUT
641
00:51:35,618 --> 00:51:40,356
OF HER THAT PUT MORE GOODNESS IN
A MOVIE THAN I'VE EVER BEEN
642
00:51:40,356 --> 00:51:42,826
INVOLVED IN.
AND THAT GOES DOWN TO EVERYBODY
643
00:51:42,826 --> 00:51:49,032
ALL THE WAY DOWN TO LITTLE JULIA
BUTTERS, GOD BLESS HER LITTLE
644
00:51:49,032 --> 00:51:51,568
HEART.
I WANT TO THANK YOU SO MUCH AND
645
00:51:51,568 --> 00:51:54,470
MY WIFE WATCHING FROM TEL AVIV,
WHO IS PREGNANT WITH MY VERY
646
00:51:54,470 --> 00:51:58,775
FIRST CHILD.
[ APPLAUSE ]
647
00:51:58,775 --> 00:52:03,179
I LOVE YOU
>> Announcer: AND NOW,
648
00:52:03,179 --> 00:52:09,919
CO‐CREATOR AND EXECUTIVE
PRODUCER OF "RUSSIAN DOLL,"
649
00:52:09,919 --> 00:52:11,921
AMY POEHLER AND THREE‐TIME
GOLDEN GLOBE NOMINEE AND STAR OF
650
00:52:11,921 --> 00:52:14,290
TH
DOCUMENTARY "TAYLOR SWIFT:
651
00:52:14,290 --> 00:52:20,063
MISS AMERICANA," TAYLOR SWIFT.
>> AMY AND I ARE EXCITED ABOUT
652
00:52:20,063 --> 00:52:23,066
THIS NEXT CATEGORY BECAUSE WE
BOTH LOVE ANIMATION.
653
00:52:23,066 --> 00:52:30,106
>> SPEAK FOR YOURSELF, TAYLOR.
[ LAUGHTER ]
654
00:52:30,106 --> 00:52:35,278
I LIKE MOVIES ABOUT PEOPLE, BY
PEOPLE
655
00:52:35,278 --> 00:52:38,314
>> WAIT.
WHO DO YOU THINK MAKES ANIMATED
656
00:52:38,314 --> 00:52:40,483
FILMS?
>> TINY MICE DURING THE NIGHT.
657
00:52:40,483 --> 00:52:50,593
DUH.
>> IT MAKES SENSE.
658
00:52:50,593 --> 00:52:52,161
>> HERE ARE THE NOMINEES FOR
BEST MOTION PICTURE, ANIMATED.
659
00:52:52,161 --> 00:52:54,797
>> Announcer: "FROZEN 2.
"HOW TO TRAIN YOUR DRAGON: THE
660
00:52:54,797 --> 00:52:56,900
HIDDEN WORLD."
"THE LION KING."
661
00:52:56,900 --> 00:53:04,340
"MISSING LINK.
"TOY STORY 4."
662
00:53:04,340 --> 00:53:10,380
>> AND THE GOLDEN GLOBE GOES
TO ‐
663
00:53:10,380 --> 00:53:16,886
>> "MISSING LINK."
[ APPLAUSE ]
664
00:53:16,886 --> 00:53:19,422
>> Announcer: COMING TO THE
STAGE AND ACCEPTING THE GOLDEN
665
00:53:19,422 --> 00:53:27,463
GLOBE TONIGHT FOR "MISSING LINK"
IS WRITER/DIRECTOR CHRIS BUTLER.
666
00:53:27,463 --> 00:53:59,796
♪♪
[ APPLAUSE ]
667
00:53:59,796 --> 00:54:08,037
>> OH, MY GOSH
>> WELL, I'M FLABBERGASTED
668
00:54:08,037 --> 00:54:13,142
SO THANK YOU TO THE HFPA
THANK YOU TO ‐‐ IT TAKES A LOT
669
00:54:13,142 --> 00:54:15,912
OF PEOPLE TO MAKE ONE OF THESE
MOVIES
670
00:54:15,912 --> 00:54:21,384
THERE WAS 450 TALENTED ARTISTS,
CRAFTSPEOPLE, TECHNICIANS,
671
00:54:21,384 --> 00:54:22,952
ENGINEERS, WHO MADE THIS MOVIE
POSSIBLE
672
00:54:22,952 --> 00:54:29,258
HUMAN BEINGS
THANK YOU TO ARIANNA SUTTON, MY
673
00:54:29,258 --> 00:54:31,394
PRODUCER
THANK YOU TO TRAVIS KNIGHT FOR
674
00:54:31,394 --> 00:54:33,429
MAKING THIS POSSIBLE
THANK YOU TO ALL OF YOU.
675
00:54:33,429 --> 00:54:35,765
I AM GENUINELY SHOCKED
>> WE LOVE YOU SO MUCH
676
00:54:35,765 --> 00:54:38,968
>> THANK YOU
[ APPLAUSE ]
677
00:54:38,968 --> 00:54:43,973
♪♪
>> Announcer: MORE THRILLING
678
00:54:43,973 --> 00:54:46,505
STARS ARE ON THE WAY
PLUS MORE RICKY TOO.
679
00:54:55,151 --> 00:54:56,910
"THE
>> Announcer: WELCOME BACK TO
680
00:54:56,910 --> 00:55:00,080
THE GOLDEN GLOBES.
NOW, THE GOLDEN GLOBE‐NOMINATED
681
00:55:00,080 --> 00:55:04,318
STARS OF "ONCE UPON A TIME IN
HOLLYWOOD," LEONARDO DiCAPRIO
682
00:55:04,318 --> 00:55:18,799
AND BRAD PITT.
[ CHEERS AND APPLAUSE
683
00:55:18,799 --> 00:55:24,638
>> THE NEXT NOMINEE FOR MOTION
PICTURE, COMEDY IS A FILM THAT
684
00:55:24,638 --> 00:55:27,808
CELEBRATES MOVIES IN A TIME OF
CHANGE
685
00:55:27,808 --> 00:55:30,777
>> SET IN 1969 LOS ANGELES, IT
IS THE STORY OF THE ENDURING
686
00:55:30,777 --> 00:55:35,115
FRIENDSHIP BETWEEN AN ACTOR AND
HIS STUNT DOUBLE
687
00:55:35,115 --> 00:55:39,853
WHEN I ASKED QUENTIN HOW HE
WANTED US TO PLAY TWO AGING
688
00:55:39,853 --> 00:55:42,656
MOVIE GUYS WHO WERE ON THEIR WAY
OUT, HE JUST SAID, BE
689
00:55:42,656 --> 00:55:47,327
YOURSELVES
NOMINATED FOR FIVE GOLDEN
690
00:55:47,327 --> 00:55:49,596
GLOBES
>> THE NINTH FILM FROM
691
00:55:49,596 --> 00:55:58,172
QUENTIN TARANTINO, THIS IS "ONCE
UPON A TIME... IN HOLLYWOOD.
692
00:55:58,172 --> 00:56:08,849
>> REACHED THE END OF THE TRAIL
CLIFF.
693
00:56:08,849 --> 00:56:13,754
♪ TAKE MY HAND IN YOURS ♪
♪ WALK WITH ME THIS DAY ♪
694
00:56:13,754 --> 00:56:18,091
♪ IN MY HEART I KNOW ♪
♪ I WILL NEVER STRAY ♪
695
00:56:18,091 --> 00:56:22,896
>> YOU'RE RICK DALTON.
DON'T YOU FORGET IT.
696
00:56:22,896 --> 00:56:24,765
♪♪
697
00:56:25,599 --> 00:56:30,671
[ APPLAUSE ]
>> Announcer: PLEASE WELCOME
698
00:56:30,671 --> 00:56:35,809
ACTRESS AND EXECUTIVE PRODUCER
OF "THE POLITICIAN," GWYNETH
699
00:56:35,809 --> 00:56:47,354
PALTROW.
[ APPLAUSE ]
700
00:56:47,354 --> 00:56:50,457
>> THEIR PERFORMANCES WERE
BRILLIANT AND EVERY MOMENT THEY
701
00:56:50,457 --> 00:56:54,194
WERE ON SCREEN WAS MESMERIZING
HERE ARE THE NOMINEES FOR BEST
702
00:56:54,194 --> 00:56:58,665
SUPPORTING ACTRESS IN A MOTION
PICTURE.
703
00:56:58,665 --> 00:57:01,535
FOR "RICHARD JEWELL," KATHY
BATES.
704
00:57:01,535 --> 00:57:04,404
FOR "THE REPORT," ANNETTE
BENING
705
00:57:04,404 --> 00:57:08,508
FOR "MARRIAGE STORY," LAURA
DERN
706
00:57:08,508 --> 00:57:18,051
FOR "HUSTLERS," JENNIFER OPEZ.
FOR "BOMBSHELL," MARGOT ROBBIE
707
00:57:18,051 --> 00:57:25,292
>> AND THE GOLDEN GLOBE GOES TO
LAURA DERN
708
00:57:25,292 --> 00:57:25,926
[ CHEERS AND APPLAUSE
♪♪
709
00:57:25,926 --> 00:57:29,129
>> Announcer: THIS IS LAURA
DERN'S FIFTH WIN AND EIGHTH
710
00:57:29,129 --> 00:57:32,199
NOMINATION
SHE WINS HER GOLDEN GLOBE
711
00:57:32,199 --> 00:57:37,571
TONIGHT FOR HER ROLE OF NORA
FANSHAW IN "MARRIAGE STORY."
712
00:57:37,571 --> 00:57:53,720
♪♪
>> THANK YOU, HOLLYWOOD FOREIGN
713
00:57:53,720 --> 00:57:55,422
PRESS.
THE FIRST TIME I WAS HERE I WAS
714
00:57:55,422 --> 00:57:57,424
14 YEARS OLD
IT'S A GREAT HONOR TO BE WITH
715
00:57:57,424 --> 00:58:00,494
YOU TONIGHT AND TO SHARE THIS
EVENING WITH EXTRAORDINARY
716
00:58:00,494 --> 00:58:03,630
FELLOW ACTORS WHO I SO ADMIRE.
THANK YOU FOR YOUR INCREDIBLE
717
00:58:03,630 --> 00:58:05,766
WORK
WE LONG TO BE OF SERVICE TO GIVE
718
00:58:05,766 --> 00:58:10,837
VOICE TO THE VOICELESS
AND THANKS TO THE BRILLIANT NOAH
719
00:58:10,837 --> 00:58:16,977
BAUMBACH, I GOT TO DO JUST THAT.
GIVE VOICE, PAY TRIBUTE, TO THE
720
00:58:16,977 --> 00:58:24,418
DIVORCE LAWYER
LONG, LONG OVERDUE
721
00:58:24,418 --> 00:58:28,889
THANK YOU, NOAH, FOR YOUR
SEAMLESS PERFECTION, YOUR
722
00:58:28,889 --> 00:58:32,959
GUIDANCE, YOUR MENTORSHIP
FOREVER.
723
00:58:32,959 --> 00:58:36,697
THANK YOU TO THE MOST AMAZING
CAST, THE DREAM CAST OF ADAM AND
724
00:58:36,697 --> 00:58:41,001
SCARLETT AND ALAN AND RAY AND
JULIE AND MERRITT AND EVERYONE
725
00:58:41,001 --> 00:58:44,071
WHO WORKED ON THIS FILM, OUR
CREW
726
00:58:44,071 --> 00:58:49,876
TO THE INCREDIBLE NETFLIX, OUR
FEARLESS LEADERS, TO SCOTT, TO
727
00:58:49,876 --> 00:58:57,417
THE EVER‐KIND‐HEARTED NOBLEMAN,
THE BRITISH TED, WHO ARE AN
728
00:58:57,417 --> 00:58:59,886
AMAZING TRIBE.
I JUST WANT TO SAY I FEEL SO
729
00:58:59,886 --> 00:59:02,856
BLESSED TO BE PART OF A FILM
THAT, YES, TELLS THE STORY OF A
730
00:59:02,856 --> 00:59:06,626
FAMILY FINDING THEIR WAY FOR
THEIR CHILD, THROUGH THE END OF
731
00:59:06,626 --> 00:59:10,464
A MARRIAGE
BUT THE GLOBAL LOOK THAT NOAH
732
00:59:10,464 --> 00:59:14,167
TAKES AT WHAT DIVISIVENESS IS
AND HOW WE MUST ALL COME
733
00:59:14,167 --> 00:59:18,205
TOGETHER AS ONE FOR THE SAKE OF
SOMETHING GREATER, PERHAPS OUR
734
00:59:18,205 --> 00:59:20,907
PLANET, EVEN
SO THANK YOU SO MUCH, NOAH, FOR
735
00:59:20,907 --> 00:59:21,975
THE MOST INCREDIBLE RIDE EVER.
ALL MY LOVE.
736
00:59:21,975 --> 00:59:25,679
THANK YOU ALL.
[ CHEERS AND APPLAUSE
737
00:59:25,679 --> 00:59:29,716
♪♪
>> Announcer: LADIES AND
738
00:59:29,716 --> 00:59:33,220
GENTLEMEN, FROM "THE WHITE
TIGER.
739
00:59:33,220 --> 00:59:43,964
GOLDEN GLOBE NOMINEE, NICK
JONAS.
740
00:59:43,964 --> 00:59:47,601
>> YOU LOOK AMAZING TONIGHT, I'M
SO GLAD WE COULD HAVE THIS
741
00:59:47,601 --> 00:59:50,103
BEAUTIFUL PARTY.
>> THIS DOES NOT COUNT AS DATE
742
00:59:50,103 --> 00:59:51,638
NIGHT, CLEARLY
>> FAIR POINT.
743
00:59:51,638 --> 00:59:58,645
HERE ARE THE NOMINEES FOR BEST
TV SERIES, MUSICAL OR COMEDY
744
00:59:58,645 --> 01:00:03,116
>> Announcer: "BARRY."
"FLEABAG."
745
01:00:03,116 --> 01:00:05,552
"THE KOMINSKY METHOD."
"THE MARVELOUS MRS. MAISEL."
746
01:00:05,552 --> 01:00:23,136
"THE POLITICIAN.
>> AND THE GOLDEN GLOBE GOES TO
747
01:00:23,136 --> 01:00:26,373
"FLEABAG."
>> Announcer: COMING TO THE
748
01:00:26,373 --> 01:00:39,920
STAGE ARE PHOEBE WALLER‐BRIDGE
♪♪
749
01:00:39,920 --> 01:00:57,404
[ APPLAUSE ]
>> THANK YOU
750
01:00:57,404 --> 01:01:02,676
OH, MAN.
THANK YOU.
751
01:01:02,676 --> 01:01:09,249
THANK YOU SO MUCH.
THE HFPA AGAIN, THANK YOU.
752
01:01:09,249 --> 01:01:11,485
THIS IS LITERALLY THE GANG THAT
MADE IT.
753
01:01:11,485 --> 01:01:15,555
A HUGE, HUGE THANK YOU TO
EVERYONE FOR SUPPORTING US SO
754
01:01:15,555 --> 01:01:18,558
MUCH
AND WE HAVE SUCH AN INCREDIBLE
755
01:01:18,558 --> 01:01:22,496
CAST AND EVERYBODY POURED SO
MUCH HEART AND LOVE INTO THE
756
01:01:22,496 --> 01:01:28,235
SHOW
WE ALL BECAME BEST FRIENDS
757
01:01:28,235 --> 01:01:34,708
WHICH IS IRONIC BECAUSE THE SHOW
IS ABOUT SUCH A LONELY LADY.
758
01:01:34,708 --> 01:01:40,113
TO ALL OF US, THANK YOU, THANK
YOU TO AMAZON AND TO THE BBC FOR
759
01:01:40,113 --> 01:01:44,818
PICKING US UP AND BRINGING US SO
FAR AND GIVING US SO MUCH SPACE
760
01:01:44,818 --> 01:01:47,587
TO CREATE SOMETHING WE REALLY,
REALLY WANTED TO CREATE AND SAY
761
01:01:47,587 --> 01:01:49,689
ALL THE THINGS THAT NO ONE ELSE
WOULD LET US SAY AND DO.
762
01:01:49,689 --> 01:01:55,562
THANK YOU FOR THAT
PERSONALLY I WOULD LIKE TO ALSO
763
01:01:55,562 --> 01:01:59,065
THANK OBAMA FOR PUTTING US ON
HIS LIST
764
01:01:59,065 --> 01:02:05,572
[ APPLAUSE ]
AS SOME OF YOU MAY KNOW, HE'S
765
01:02:05,572 --> 01:02:11,177
ALWAYS BEEN ON MINE.
AND IF YOU DON'T GET THAT JOKE,
766
01:02:11,177 --> 01:02:15,315
PLEASE WATCH SEASON ONE OF
"FLEABAG" REALLY QUICKLY
767
01:02:15,315 --> 01:02:16,950
THIS MEANS THE WORLD TO US
THANK YOU.
768
01:02:16,950 --> 01:02:22,155
GOOD NIGHT
♪♪
769
01:02:22,155 --> 01:02:24,547
>> Announcer: OUR STAR‐STUDDED
AUDIENCE IS READY FOR SOME OF
770
01:02:36,637 --> 01:02:37,732
THE BIGGES
>> Announcer: WELCOME BACK TO
771
01:02:37,732 --> 01:02:40,902
THE GOLDEN GLOBES.
AND NOW, STAR OF
772
01:02:40,902 --> 01:02:44,639
STEVEN SPIELBERG'S UPCOMING
"WEST SIDE STORY", ANSEL ELGORT.
773
01:02:44,639 --> 01:03:00,588
AND FROM "THE ALIENIST: ANGEL OF
DARKNESS," DAKOTA FANNING.
774
01:03:00,588 --> 01:03:08,229
>> OH, WOW, THAT'S IT.
♪ HERE ARE THE NOMINEES FOR BES
775
01:03:08,229 --> 01:03:22,310
ORIGINAL SONG ♪
>> Announcer: FROM CATS,
776
01:03:22,310 --> 01:03:28,716
"BEAUTIFUL GHOSTS.
FROM "ROCKETMAN," "I'M GONNA
777
01:03:28,716 --> 01:03:36,124
LOVE ME AGAIN.
FROM "FROZEN II," "INTO THE
778
01:03:36,124 --> 01:03:37,659
UNKNOWN.
>> AND THE GOLDEN GLOBE GOES
779
01:03:37,659 --> 01:03:50,004
TO ‐‐ "I'M GONNA LOVE ME AGAIN,"
"ROCKETMAN."
780
01:03:50,004 --> 01:03:51,239
[ CHEERS AND APPLAUSE
>> Announcer: THIS IS THE FIRST
781
01:03:51,239 --> 01:03:53,975
WIN AND THIRD NOMINATION FOR
THIS WRITING TEAM.
782
01:03:53,975 --> 01:03:58,313
THEY WIN THEIR GOLDEN GLOBE
TONIGHT FOR THEIR MUSIC AND
783
01:03:58,313 --> 01:04:03,151
LYRICS FOR "I'M GONNA LOVE ME
AGAIN" FROM "ROCKETMAN."
784
01:04:03,151 --> 01:04:05,887
ACCEPTING THE AWARD, ELTON JOHN.
♪♪
785
01:04:05,887 --> 01:04:20,468
[ APPLAUSE ]
>> OKAY.
786
01:04:20,468 --> 01:04:22,604
I'M GOING TO SAY SOMETHING
THANK YOU, HOLLYWOOD FOREIGN
787
01:04:22,604 --> 01:04:24,873
PRESS.
YOU KNOW, THIS IS REALLY SWEET
788
01:04:24,873 --> 01:04:28,676
BECAUSE THIS IS NOT JUST ABOUT A
SONG WE WROTE FOR A MOVIE.
789
01:04:28,676 --> 01:04:34,649
THIS IS A SONG WE WROTE FOR A
MOVIE WHICH DEALS WITH OUR
790
01:04:34,649 --> 01:04:36,951
RELATIONSHIP
AND IT'S A RELATIONSHIP THAT
791
01:04:36,951 --> 01:04:39,988
DOESN'T HAPPEN VERY MUCH IN THIS
TOWN
792
01:04:39,988 --> 01:04:42,957
IT'S A 52‐YEAR‐OLD MARRIAGE.
SO THANK YOU
793
01:04:42,957 --> 01:04:50,398
[ APPLAUSE ]
>> THANK YOU TO ALL MY FELLOW
794
01:04:50,398 --> 01:04:53,334
NOMINEES WHO ARE ALL GREAT
SONGWRITERS.
795
01:04:53,334 --> 01:04:56,938
IT'S VERY HUMBLING
TO THE HOLLYWOOD FOREIGN PRESS,
796
01:04:56,938 --> 01:05:01,276
TO EVERYBODY WHO WORKED ON
"ROCKETMAN," TO GILES MARTIN WHO
797
01:05:01,276 --> 01:05:06,447
MADE THE RECORD, TO TARON, WHO
HELPED ME SING IT, TO EVERYONE
798
01:05:06,447 --> 01:05:12,053
INVOLVED, DAVID, MATTHEW, TO OUR
DIRECTOR, TO PARAMOUNT
799
01:05:12,053 --> 01:05:16,190
EVERYONE INVOLVED IN THIS FILM,
IT MADE ‐‐ IT WAS ONE OF THE
800
01:05:16,190 --> 01:05:18,026
MOST EMOTIONAL MOMENTS OF MY
LIFE
801
01:05:18,026 --> 01:05:21,596
TO WIN THIS, THE FIRST TIME I'VE
EVER WON AN AWARD WITH HIM,
802
01:05:21,596 --> 01:05:25,600
EVER
[ APPLAUSE ]
803
01:05:25,600 --> 01:05:29,270
WE NEVER WON A GRAMMY, WE NEVER
DID ANYTHING TOGETHER EXCEPT FOR
804
01:05:29,270 --> 01:05:34,208
THIS AND I'M SO HAPPY.
THANK YOU VERY MUCH.
805
01:05:34,208 --> 01:05:36,077
[ APPLAUSE ]
>> Announcer: PLEASE WELCOME
806
01:05:36,077 --> 01:05:49,123
GOLDEN GLOBE WINNER AND STAR OF
"THE SPA," SACHA BARON COHEN
807
01:05:49,123 --> 01:05:58,132
>> THEHERO OF THIS NEXT MOVIE
IS A NAIVE, MISGUIDED CHILD WHO
808
01:05:58,132 --> 01:06:02,537
SPREADS NAUGHTY PROPAGANDA AND
ONLY HAS IMAGINARY FRIENDS
809
01:06:02,537 --> 01:06:07,275
HIS NAME IS MARK ZUCKERBERG.
SORRY.
810
01:06:07,275 --> 01:06:10,278
SORRY.
THIS IS AN OLD INTRO FOR "THE
811
01:06:10,278 --> 01:06:16,417
SOCIAL NETWORK."
I'M ACTUALLY TALKING ABOUT
812
01:06:16,417 --> 01:06:18,653
""JOJO RABBIT.
IT'S NOMINATED FOR TWO GOLDEN
813
01:06:18,653 --> 01:06:21,656
GLOBES AND DIRECTED BY ITS STAR,
THE BRILLIANT AND GROUNDBREAKING
814
01:06:21,656 --> 01:06:24,892
TAIKA WAITITI.
HERE IT IS
815
01:06:24,892 --> 01:06:27,829
>> TODAY YOU BOYS WILL BE
INVOLVED IN SUCH ACTIVITIES AS
816
01:06:27,829 --> 01:06:31,132
BALL GAMES
>> I DON'T THINK I CAN DO THIS
817
01:06:31,132 --> 01:06:42,443
>> OF COURSE YOU CAN
>> SAY IT.
818
01:06:42,443 --> 01:06:47,882
>> YOU'RE A 10‐YEAR‐OLD KID.
>> NOTHING MAKES SENSE ANYMORE
819
01:06:47,882 --> 01:06:49,317
>> I KNOW.
THIS IS NOT A GOOD TIME TO BE A
820
01:06:49,317 --> 01:06:56,424
NAZI
[ APPLAUSE ]
821
01:06:56,424 --> 01:07:00,499
♪♪
>> Announcer: NEXT, THE STAR
822
01:07:00,499 --> 01:07:02,583
FROM "STEVE," JASON MOMO
>>> HELLO.
823
01:07:14,808 --> 01:07:19,677
WELCOME BACK
I'VE GOT NOTHING NEGATIVE TO SAY
824
01:07:19,677 --> 01:07:23,281
ABOUT THESE NEXT TWO PRESENTERS
BECAUSE THE BIG ONE COULD SNAP
825
01:07:23,281 --> 01:07:27,919
ME IN HALF
SO PLEASE WELCOME ZOE KRAVITZ
826
01:07:27,919 --> 01:07:39,397
AND JASON MOMOA.
[ APPLAUSE ]
827
01:07:39,397 --> 01:07:42,533
>> THE NOMINEES IN THIS CATEGORY
ARE AMONG THE GREATEST TALENTS
828
01:07:42,533 --> 01:07:44,869
IN THIS GENERATION
>> OR ANY GENERATION
829
01:07:44,869 --> 01:07:49,774
THEY'RE THE NOMINEES FOR BEST
ACTRESS IN A SUPPORTING ROLE IN
830
01:07:49,774 --> 01:07:53,177
A SERIES, LIMITED SERIES, OR
MOTION PICTURE MADE FOR
831
01:07:53,177 --> 01:07:55,647
TELEVISION
>> Announcer: FOR "THE ACT,"
832
01:07:55,647 --> 01:07:56,748
PATRICIA ARQUETTE.
FOR "THE CROWN," HELENA BONHAM
833
01:07:56,748 --> 01:08:04,589
CARTER
FOR "UNBELIEVABLE," TONI
834
01:08:04,589 --> 01:08:08,559
COLLETTE
FOR "BIG LITTLE LIES," MERYL
835
01:08:08,559 --> 01:08:14,465
STREEP
FOR "CHERNOBYL," EMILY WATSON.
836
01:08:14,465 --> 01:08:19,470
>> AND THE GOLDEN GLOBE GOES
TO ‐‐
837
01:08:19,470 --> 01:08:25,543
>> PATRICIA ARQUETTE
"THE ACT."
838
01:08:25,543 --> 01:08:28,346
[ APPLAUSE ]
>> Announcer: THIS IS PATRICIA
839
01:08:28,346 --> 01:08:30,982
ARQUETTE'S SIXTH NOMINATION AND
THIRD WIN.
840
01:08:30,982 --> 01:08:36,854
SHE WINS TONIGHT FOR HER ROLE AS
DEE DEE BLANCHARD IN "THE ACT.
841
01:08:36,854 --> 01:09:06,384
♪♪
[ APPLAUSE ]
842
01:09:06,384 --> 01:09:09,187
>> THANK YOU SO MUCH, A
WONDERFUL SURPRISE
843
01:09:09,187 --> 01:09:12,156
THANK YOU FOR MY FELLOW
NOMINEES, THE HOLLYWOOD FOREIGN
844
01:09:12,156 --> 01:09:19,330
PRESS, AND TO UCP AND TO HULU.
TO JOEY KING, MY PHENOMENAL
845
01:09:19,330 --> 01:09:20,698
CO‐STAR, I LOVE YOU SO MUCH,
YOU'RE A GIFT.
846
01:09:20,698 --> 01:09:24,902
INCREDIBLE TALENT.
TO MY KIDS
847
01:09:24,902 --> 01:09:31,009
TO MY AGENT AND MANAGER.
AND I'M SO GRATEFUL TO BE HERE
848
01:09:31,009 --> 01:09:36,347
AND CELEBRATE THIS BUT ALSO I
KNOW TONIGHT, JANUARY 5th, 2020,
849
01:09:36,347 --> 01:09:40,852
WE'RE NOT GOING TO LOOK BACK ON
THIS NIGHT IN THE HISTORY BOOKS.
850
01:09:40,852 --> 01:09:44,689
WE WILL SEE A COUNTRY ON THE
BRINK OF WAR, THE UNITED STATES
851
01:09:44,689 --> 01:09:50,862
OF AMERICA, A PRESIDENT TWEETING
OUT A THREAT OF 52 BOMBS
852
01:09:50,862 --> 01:09:55,433
INCLUDING CULTURAL SITES
YOUNG PEOPLE RISKING THEIR LIVES
853
01:09:55,433 --> 01:09:57,702
TRAVELING ACROSS THE WORLD,
PEOPLE NOT KNOWING IF BOMBS ARE
854
01:09:57,702 --> 01:10:00,138
GOING TO DROP ON THEIR KIDS'
HEADS.
855
01:10:00,138 --> 01:10:02,774
AND THE CONTINENT OF AUSTRALIA
ON FIRE.
856
01:10:02,774 --> 01:10:09,580
SO WHILE I LOVE MY KIDS SO MUCH,
I BEG OF US ALL TO GIVE THEM A
857
01:10:09,580 --> 01:10:12,216
BETTER WORLD
FOR OUR KIDS AND THEIR KIDS.
858
01:10:12,216 --> 01:10:18,856
WE HAVE TO VOTE IN 2020.
AND WE HAVE TO GET, BEG, AND
859
01:10:18,856 --> 01:10:22,493
PLEAD FOR EVERYONE WE KNOW TO
VOTE IN 2020
860
01:10:22,493 --> 01:10:23,361
THANK YOU.
[ APPLAUSE ]
861
01:10:23,361 --> 01:10:33,671
♪♪
>> AND NOW HERE ARE THE NOMINEES
862
01:10:33,671 --> 01:10:37,208
FOR BEST ACTRESS IN A TV SERIES
DRAMA.
863
01:10:37,208 --> 01:10:41,079
>> Announcer: FOR "THE MORNING
SHOW," JENNIFER ANISTON.
864
01:10:41,079 --> 01:10:47,418
FOR "THE CROWN," OLIVIA COLMAN
FOR "KILLING EVE," JODIE COMB OF
865
01:10:47,418 --> 01:10:50,388
HER FOR "BIG LITTLE LIES,"
NICOLE KIDMAN.
866
01:10:50,388 --> 01:10:59,831
FOR "THE MORNING SHOW," REESE
WITHERSPOON.
867
01:10:59,831 --> 01:11:09,207
>> AND THE GOLDEN GLOBE GOES TO
OLIVIA COLMAN, "THE CROWN.
868
01:11:09,207 --> 01:11:12,743
[ APPLAUSE ]
>> Announcer: THIS IS OLIVIA
869
01:11:12,743 --> 01:11:15,613
COLMAN'S THIRD NOMINATION AND
THIRD WIN.
870
01:11:15,613 --> 01:11:25,623
SHE WINS TONIGHT FOR PLAYING
QUEEN ELIZABETH II IN "THE
871
01:11:25,623 --> 01:11:26,124
CROWN.
[ APPLAUSE ]
872
01:11:26,124 --> 01:11:33,397
♪♪
873
01:11:37,635 --> 01:11:44,275
>> HELLO
THANK YOU SO MUCH.
874
01:11:44,275 --> 01:11:46,410
I HAD MONEY ON THIS NOT
HAPPENING.
875
01:11:46,410 --> 01:11:49,814
AFTER THE LAST YEAR I FEEL LIKE
I'VE BEEN LIVING SOMEONE ELSE'S
876
01:11:49,814 --> 01:11:53,284
LIFE AND NOW I DEFINITELY FEEL
LIKE I WON SOMEONE ELSE'S AWARD.
877
01:11:53,284 --> 01:11:59,423
THANK YOU SO MUCH, HFPA,
NETFLIX, LEFT BANK
878
01:11:59,423 --> 01:12:03,628
I'VE HAD THE LOVELIEST TIME
DOING THIS AND ALL MY FELLOW
879
01:12:03,628 --> 01:12:06,564
NOMINEES WHO ARE ALL JUST
MARVELOUS.
880
01:12:06,564 --> 01:12:12,203
I DON'T KNOW WHAT TO SAY BECAUSE
I GENUINELY GOT A LITTLE BIT
881
01:12:12,203 --> 01:12:16,641
BOOZY BECAUSE I THOUGHT THIS
WASN'T GOING TO HAPPEN
882
01:12:16,641 --> 01:12:26,217
SO THANK YOU
I'M COMPLETELY STUMPED
883
01:12:26,217 --> 01:12:31,589
EVERYONE HERE, HONESTLY,
WATCHING EVERYBODY IS SO
884
01:12:31,589 --> 01:12:33,958
EXCITING
WE'VE GONE, LOOK WHO IT IS, LOOK
885
01:12:33,958 --> 01:12:35,693
WHO'S THERE.
THANK YOU FOR HAVING US, THANK
886
01:12:35,693 --> 01:12:38,229
YOU FOR HAVING ME, I'VE HAD SUCH
A LOVELY TIME.
887
01:12:38,229 --> 01:12:39,297
THANK YOU VERY MUCH.
[ APPLAUSE ]
888
01:12:39,297 --> 01:12:49,030
♪♪
>> Announcer: NBC'S TELL
889
01:14:12,281 --> 01:14:16,564
HE PRESENTS A VISION OF WHO WE
COULD BE
890
01:14:16,564 --> 01:14:19,768
TOM GAVE ME ONE OF MY FAVORITE
ROLES WHEN HE DIRECTED THAT
891
01:14:19,768 --> 01:14:22,837
THING YOU DO
I REMEMBER MY AUDITION AFTER MY
892
01:14:22,837 --> 01:14:25,640
FIRST READ, I THOUGHT I
COMPLETELY BLEW IT
893
01:14:25,640 --> 01:14:28,576
I DIDN'T KNOW WHERE I WAS OR WHO
I WAS.
894
01:14:28,576 --> 01:14:31,513
AND I HAD SOMEHOW FORGOT TONE
BREATHE.
895
01:14:31,513 --> 01:14:37,385
AND TOM JUST KINDLY LOOKED AT
ME, TOOK A BEAT, AND TED, I'M SO
896
01:14:37,385 --> 01:14:40,121
SORRY, SHAR LEASE, DO YOU MIND
JUST GIVING ME FIVE MINUTES.
897
01:14:40,121 --> 01:14:42,290
I HAVE TO STEP OUT
I'LL BE RIGHT BACK AND THEN
898
01:14:42,290 --> 01:14:49,964
WE'LL DO THAT SCENE.
TOM DIDN'T NEED FIVE MINUTES
899
01:14:49,964 --> 01:14:51,933
I NEEDED FIVE MINUTES.
THE FIVE MINUTES WERE A GIFT TO
900
01:14:51,933 --> 01:14:58,406
ME BECAUSE HE SAW A NERVOUS,
SWEATY YOUNG ACTRESS FAILING TO
901
01:14:58,406 --> 01:15:02,210
MASK A PANIC ATTACK AND THAT'S
THE KIND OF MAN HE IS.
902
01:15:02,210 --> 01:15:15,123
THIS IS WHY WE LOVE TOM.
HE STAPDZ FOR ALL THE QUALITIES
903
01:15:15,123 --> 01:15:17,992
WE ASPIRE TO BOTH ON SCREEN AND
OFF.
904
01:15:17,992 --> 01:15:21,863
HE GIVES US ENOUGH LAUGHTER TO
WEATHER OUR STORMS
905
01:15:21,863 --> 01:15:27,335
AND WHILE THERE MAY BE NO CRYING
IN BASEBALL, HE HAS MADE EASY
906
01:15:27,335 --> 01:15:32,006
WORK OF BREAKING OUR HEARTS AND
STEALING OUR TEARS
907
01:15:32,006 --> 01:15:37,278
THE MOST UNDENIABLE THING THAT
CAN BE SAID ABOUT TOM HANKS IS
908
01:15:37,278 --> 01:15:42,717
BOTH DECEPTIVELY SIMPLE AND YET
OVERWHELMINGLY TRUE.
909
01:15:42,717 --> 01:15:48,223
HE JUST MAKES THE WORLD A BETTER
PLACE.
910
01:15:48,223 --> 01:15:52,327
♪ LOVE ♪
>> IT'S ME
911
01:15:52,327 --> 01:15:54,796
IT'S JOSH.
>> YOU CAN'T IMAGINE HOW EXCITED
912
01:15:54,796 --> 01:16:01,035
I AM TO FINALLY MEET YOU
I'M FOREST GUMP.
913
01:16:01,035 --> 01:16:03,705
>> I WASN'T ALWAYS THIS WAY TO
BE SURE.
914
01:16:03,705 --> 01:16:08,009
I USED TO BE THE WAY I USED TO
BE BEFORE.
915
01:16:08,009 --> 01:16:12,013
>> MY MOMMA ALWAYS SAID YOU HAVE
TO PUT THE PAST BEHIND YOU
916
01:16:12,013 --> 01:16:18,553
BEFORE YOU CAN MOVE ON
WHAT'S MY DESTINY, MOMMA
917
01:16:18,553 --> 01:16:21,289
>> YOU'RE GOING TO HAVE TO
FIGURE THAT OUT FOR YOURSELF.
918
01:16:21,289 --> 01:16:24,492
>> HOW DO WE SIFT TRUTH FROM
BELIEF
919
01:16:24,492 --> 01:16:26,728
HOW DO WE WRITE OUR OWN
HISTORIES?
920
01:16:26,728 --> 01:16:31,332
>> TONIGHT THIS WILL BE OUR
QUEST.
921
01:16:31,332 --> 01:16:35,103
>> HELLO
ALL MY LIFE I'VE BEEN WAITING
922
01:16:35,103 --> 01:16:39,574
FOR SOMEONE AND WHEN I FIND HER,
SHE'S A FISH
923
01:16:39,574 --> 01:16:43,211
>> MAGGIE, MY WIFE, SHE MADE
EVERYTHING BEAUTIFUL.
924
01:16:43,211 --> 01:16:47,148
>> IT COULD THAN YOU NEED
SOMEONE JUST AS MUCH AS JONAH
925
01:16:47,148 --> 01:16:56,825
DOES
>> SHALL WE?
926
01:16:56,825 --> 01:16:58,827
>> YOU ARE CRYING?
>> NO.
927
01:16:58,827 --> 01:17:03,164
>> THERE'S NO CRYING
THERE'S NO CRYING IN BASEBALL!
928
01:17:03,164 --> 01:17:06,801
>> GET READY FOR A LITTLE JUMP,
FELLOWS.
929
01:17:06,801 --> 01:17:12,974
>> HOUSTON, WE HAVE A PROBLEM.
>> WELL THEN, WE'VE GOT TO DO
930
01:17:12,974 --> 01:17:16,144
SOMETHING.
YOU GO AHEAD
931
01:17:16,144 --> 01:17:20,515
IT'S A SCARY LASER
YOU'RE GOING TO GET CAUGHT
932
01:17:20,515 --> 01:17:34,896
>> YOU'RE GOING TO GO TO BRINGS.
WHERE DO YOU THINK THIS WAS GAG.
933
01:17:34,896 --> 01:17:41,503
>> WE NEED TO GET OUT THERE.
>> CAN YOU SHOW ME THE
934
01:17:41,503 --> 01:17:42,971
LACERATION
>> IT'S OKAY
935
01:17:42,971 --> 01:17:47,008
>> OKAY.
OKAY
936
01:17:47,008 --> 01:17:49,744
>> WON'T BE YOU MORE COMFORTABLE
IN THE RESEARCH ROOM
937
01:17:49,744 --> 01:17:52,213
>> NO.
WOULD IT MAKE YOU MORE
938
01:17:52,213 --> 01:17:55,016
COMFORTABLE?
>> EVERY NOW AND AGAIN YOU GET
939
01:17:55,016 --> 01:18:02,824
TO BE PART OF JUSTICE.
>> THEY RATIONALIZE ON MAKING
940
01:18:02,824 --> 01:18:10,164
THE CHOICE BETWEEN THE MISSION &
THE ‐‐ WHAT MAKES US BOTH
941
01:18:10,164 --> 01:18:12,534
AMERICANS?
>> JUST ONE THING.
942
01:18:12,534 --> 01:18:15,336
>> ONE FOR ONE
THE RULE BOOK.
943
01:18:15,336 --> 01:18:17,972
WE CALL IT A CONSTITUTION AND WE
AGREE TO THE RULES AND THAT'S
944
01:18:17,972 --> 01:18:22,243
WHAT MAKES US AMERICANS.
>> CAN YOU HONESTLY TELL ME THIS
945
01:18:22,243 --> 01:18:24,779
WILL DO NO DAMAGE TO THE UNITED
STATES IF YOU PUBLISH?
946
01:18:24,779 --> 01:18:26,714
>> YES
>> ARE YOU SURE ABOUT THAT
947
01:18:26,714 --> 01:18:57,946
>> NO!
THAT'S WHY I CALLED YOGUYS
948
01:18:57,946 --> 01:19:06,754
>> HELP
HELLO, NEIGHBOR.
949
01:19:06,754 --> 01:19:08,289
[ APPLAUSE ]
>> LADIES AND GENTLEMEN, TOM
950
01:19:08,289 --> 01:19:44,058
HANKS!
♪
951
01:19:44,058 --> 01:19:47,328
>>> THANK YOU.
THANK YOU VERY MUCH.
952
01:19:47,328 --> 01:19:50,431
THANK YOU.
THANKS, EVERYBODY.
953
01:19:50,431 --> 01:19:56,571
THANK YOU.
>> MOST OF THE PEOPLE IN THIS
954
01:19:56,571 --> 01:20:00,208
ROOM, I WOULD PAY TO SEE THEM
GET THEIR CARS WASHED.
955
01:20:00,208 --> 01:20:05,747
SO TO BE UP HERE ‐‐ CAN I JUST
SAY HONEST LIVE, REALLY, REALLY?
956
01:20:05,747 --> 01:20:09,817
CAN I JUST ‐‐ TELL THE TRUTH
NOW, CAN I JUST SEE A SHOW OF
957
01:20:09,817 --> 01:20:13,888
HANDS, HOW MANY PEOPLE IN THIS
ROOM HAVE A CLIP PACKAGE THAT
958
01:20:13,888 --> 01:20:22,497
INCLUDES THE LOVE BOAT
ANYBODY?
959
01:20:22,497 --> 01:20:27,301
WELL, YOU ‐‐ CHARLISE.
WHAT DO WE HAVE?
960
01:20:27,301 --> 01:20:51,926
LOVE, EXCITING AND NEW
I HAVE A COLD.
961
01:20:51,926 --> 01:20:54,128
FORGIVE ME, I'M A LITTLE
JITTERY.
962
01:20:54,128 --> 01:21:01,769
A MAN IS ‐‐ SORRY.
A MAN IS BLESSED WITH FAMILY
963
01:21:01,769 --> 01:21:04,539
SITTING DOWN IN FRONT LIKE
THAT A WIFE THAT IS FANTASTIC IN
964
01:21:04,539 --> 01:21:08,209
EVERY WAY, THAT TAUGHT ME WHAT
LOVE, IS FIVE KIDS THAT ARE
965
01:21:08,209 --> 01:21:11,813
BRAVER AND STRONGER AND WISER
THAN THEIR OLD MAN IS.
966
01:21:11,813 --> 01:21:15,717
AND A LOVING GROUP OF PEOPLE WHO
HAVE PUT AWAY WITH ME BEING AWAY
967
01:21:15,717 --> 01:21:18,753
MONTHS AND MONTHS AND MONTHS AT
A TIME, OF COURSE, OTHERWISE I
968
01:21:18,753 --> 01:21:21,756
WOULDN'T BE STANDING HERE IF
THEY DIDN'T HAVE TO PUT UP WITH
969
01:21:21,756 --> 01:21:22,890
THAT
I CAN'T TELL YOU HOW MUCH YOUR
970
01:21:22,890 --> 01:21:34,702
LOVE MEANS TO ME
SO THAT'S THE WIFE AND KIDS.
971
01:21:34,702 --> 01:21:38,005
YOU KNOW, YOU'RE A DOPE IF YOU
DON'T STEAL FROM EVERYBODY YOU
972
01:21:38,005 --> 01:21:42,810
EVER WORKED WITH
AND I HAVE STOLEN FROM THE LIKES
973
01:21:42,810 --> 01:21:47,315
OF THE PEOPLE THAT ONLY NEED ONE
NAME, YOU KNOW
974
01:21:47,315 --> 01:21:56,724
LIKE MERYL STREEP, LIKE DENZEL,
LIKE ANTONIO, LIKE MEG, JULIA,
975
01:21:56,724 --> 01:22:01,763
SALLY FIELD, BUT I HAVE ALSO
BEEN MADE BETTER BY WATCHING THE
976
01:22:01,763 --> 01:22:06,734
EXAMPLES OF SOME OF THE GREATEST
ACTORS THAT HAVE EVER WALKED THE
977
01:22:06,734 --> 01:22:13,841
STAGE, PETER SCALARI AND HOLLAND
TAYLOR, A MILLION YEARS AGO.
978
01:22:13,841 --> 01:22:19,180
ROBIN WRIGHT, BARKOB ABDI THAT
WAS SO MUCH VERY MANY E. VERY
979
01:22:19,180 --> 01:22:25,520
MUCH IN AUGUST, THERE IS NO
DOUBT ABOUT IT
980
01:22:25,520 --> 01:22:28,489
AND CHARLIZE THERON WHO IS ONE
OF THOSE ONE WORD NAMES.
981
01:22:28,489 --> 01:22:30,625
THE REASON I HAD TO LEAVE THE
ROOM, THE REASON I HAD TO LEAVE
982
01:22:30,625 --> 01:22:33,895
THE ROOM FOR FIVE MINUTES IS TO
GO AND TELL ALL THE OTHER
983
01:22:33,895 --> 01:22:36,631
PRODUCERS THAT THIS WOMAN THAT
I'M AUDITIONING RIGHT NOW IS
984
01:22:36,631 --> 01:22:38,900
GOING TO BE IN THIS MOVIE
SOMEHOW SO WE HAVE TO FIGURE OUT
985
01:22:38,900 --> 01:22:43,271
HOW IT'S GOING TO WORK
AND SHE WAS.
986
01:22:43,271 --> 01:22:50,311
I HAVE NEVER NOT BEEN CHALLENGED
OR LOST SLEEP BECAUSE OF THE
987
01:22:50,311 --> 01:22:54,315
WORK THAT I WAS ASKED OF ME BY
THE DIRECTORS THAT I'VE WORKED
988
01:22:54,315 --> 01:22:56,984
WITH, EVERY SINGLE ONE OF THEM,
THE SCREEN WRITERS I WORKED
989
01:22:56,984 --> 01:23:00,888
WITH, EVERY SINGLE ONE OF THEM
THERE IS NORA AND PENNY, MARCHY
990
01:23:00,888 --> 01:23:06,160
OF LATE, STEPHEN AND RON, PAUL,
BOB, THE LIST GOES ON, CLINT,
991
01:23:06,160 --> 01:23:09,297
THE LIST GOES ON AND ON.
EVERY ONE OF THOSE, EVERY ONE OF
992
01:23:09,297 --> 01:23:12,099
THOSE GUYS AT SOME POINT OR
ANOTHER CAME UP TO ME IN THE
993
01:23:12,099 --> 01:23:16,037
COURSE OF A DAY AND SAID
TOMORROW IF YOU DON'T DO YOUR
994
01:23:16,037 --> 01:23:19,173
JOB REALLY WELL, WE DON'T HAVE A
MOVIE.
995
01:23:19,173 --> 01:23:24,478
AND THIS IS A THING THAT YOU ‐‐
THAT HAPPENS WITH ACTORS AT SOME
996
01:23:24,478 --> 01:23:29,350
POINT ON A MOVIE ‐‐ A MOVIE IS
MADE SHOT BY SHOT, EVERYBODY
997
01:23:29,350 --> 01:23:33,254
KNOWS THAT
MARTY SCORE XAZ YES KNOWS IT,
998
01:23:33,254 --> 01:23:36,023
JACKIE CHAN KNOWS A MOVIE IS
MADE SHOT BY SHOT.
999
01:23:36,023 --> 01:23:39,160
AT THAT MOMENT WHAT IS REQUIRED
IS EVERYBODY HAS TO DO THEIR JOB
1000
01:23:39,160 --> 01:23:42,530
TO THEIR PERFECTION.
THEY HAVE TO HIT A MARK AND THEY
1001
01:23:42,530 --> 01:23:48,002
HAVE TO GO THERE
SOMETIMES THE MOVIE RESTS ON THE
1002
01:23:48,002 --> 01:23:53,307
SHOULDERS OF THE MAKEUP ARTIST
WHO PUT ON STELLA'S EYEBROWS
1003
01:23:53,307 --> 01:23:58,179
SOMETIMES IT'S THE FOCUS PULLER
THAT IF IT'S NOT SHARP, IT SHOWS
1004
01:23:58,179 --> 01:24:01,349
UP AND YOU HAVE TO DO IT ALL
OVER AGAIN
1005
01:24:01,349 --> 01:24:06,721
BUT IT'S THOSE MOMENTS ASSEN AN
ACTOR WHERE EVERYBODY I WORKED
1006
01:24:06,721 --> 01:24:09,123
WITH HELPED ME GET TO THAT
PLACE, SOMETIMES IT'S 3:00 IN
1007
01:24:09,123 --> 01:24:15,329
THE MORNING, AND SOMETIMES IT'S
11:00 AT NIGHT IN WHICH YOU JUST
1008
01:24:15,329 --> 01:24:20,868
HAVE TO SOMEHOW PUT IT ALL
TOGETHER, HAVE FAITH IN THE
1009
01:24:20,868 --> 01:24:26,540
PROCESS AND GO THERE
1,000 YEARS AGO IN 1977, WHEN I
1010
01:24:26,540 --> 01:24:31,679
WAS AN IPNTERN AT MY FIRST
PROFESSIONAL JOB, WE ALL GOT
1011
01:24:31,679 --> 01:24:33,781
YELLED AT BY DAN SULLIVAN, THE
DIRECTOR
1012
01:24:33,781 --> 01:24:37,285
WE PARTIED A LITTLE BIT TOO MUCH
THE NIGHT BEFORE
1013
01:24:37,285 --> 01:24:40,154
WE WERE SHOWING UP FOR
REHEARSALS AND HE SCREAMED AT
1014
01:24:40,154 --> 01:24:43,824
US, WELL, DID HE SCREAM AT US.
HE SAID, LOOK, YOU GUYS, YOU
1015
01:24:43,824 --> 01:24:47,228
GUYS, YOU ACTORS, YOU KNOW WHAT
YOUR JOB IS?
1016
01:24:47,228 --> 01:24:49,931
YOU KNOW WHAT YOUR JOB IS?
SHOW UP ON TIME AND YOU HAVE TO
1017
01:24:49,931 --> 01:24:52,967
KNOW THE TEXT AND YOU HAVE TO
HAVE A HEADFUL OF IDEAS.
1018
01:24:52,967 --> 01:24:56,671
THE OTHERWISE I CAN'T DO MY JOB!
THAT WAS THE GREATEST LESSON A
1019
01:24:56,671 --> 01:24:59,607
YOUNG ACTOR COULD POSSIBLY HAVE
EVER GET
1020
01:24:59,607 --> 01:25:01,976
FIRST OF ALL, THE HEAD FULL OF
IDEAS.
1021
01:25:01,976 --> 01:25:03,477
BRING ANYTHING
TRY ANYTHING
1022
01:25:03,477 --> 01:25:06,180
THEY MIGHT NOT USE IT.
IF IT STINKS, TWHOENLT USE IT.
1023
01:25:06,180 --> 01:25:10,518
AM I RIGHT, MARTY SCORSESE
IF IT'S NOT GOOD, LET'S SEE THE
1024
01:25:10,518 --> 01:25:18,759
OUTTAKES FROM THAT MOVIE, BY THE
WAY.
1025
01:25:18,759 --> 01:25:21,562
KNOWING THE TEXT AND IT'S NOT
JUST YOUR LINES, IT'S THE WHOLE
1026
01:25:21,562 --> 01:25:23,197
THING.
IT'S THE RED DOT
1027
01:25:23,197 --> 01:25:26,267
IT'S THE THEME OF THE MOVIE.
YOU HAVE TO KNOW IT.
1028
01:25:26,267 --> 01:25:28,336
YOU MIGHT NOT BE RIGHT IN WHAT
THE OPINION YOU BRING TO UT.
1029
01:25:28,336 --> 01:25:30,805
BUT YOU HAVE TO COME AT IT WITH
SOME DIRECTION
1030
01:25:30,805 --> 01:25:34,475
AND AS CHARLIZE THERON MIGHTEN
INTO THE OTHER PEOPLE THAT MAY
1031
01:25:34,475 --> 01:25:38,112
HAVE WORKED WITH US THROUGH THE
GALAXY OF STARS, SHOWING UP ON
1032
01:25:38,112 --> 01:25:42,283
TIME IS ONE OF THE GREATEST
LIBERATING ACTS CAN YOU GIVE
1033
01:25:42,283 --> 01:25:49,323
YOUR SELF IN A MOVIE
THAT MEANS THOSE PEOPLE WITH
1034
01:25:49,323 --> 01:25:52,226
RADIOS IN THE EARS DON'T NEED TO
KNOCK ON YOUR DOOR AND SAY
1035
01:25:52,226 --> 01:25:54,829
THEY'RE READY FOR YOU.
YOU'RE ACTUALLY ALREADY READY
1036
01:25:54,829 --> 01:25:58,699
AND YOU HAVE THE LIBERTY AND YOU
HAVE THE FREEDOM OF BEING THERE
1037
01:25:58,699 --> 01:26:01,836
EARLY ENOUGH TO SETTLE DOWN
BECAUSE WHEN THE TIME COMES, YOU
1038
01:26:01,836 --> 01:26:07,074
HAVE TO HIT THE MARKS.
AND YOU HAVE TO GO THERE
1039
01:26:07,074 --> 01:26:12,146
THERE IS A SAYING IN MOTION
PICTURES BACK WHEN IT WAS SHOT
1040
01:26:12,146 --> 01:26:17,418
ON FILM, YOU COULD NOT MOVE ON
TO THE NEXT SCENE UNTIL THE GATE
1041
01:26:17,418 --> 01:26:20,421
WAS GOOD
THE FILM WENT THROUGH THE
1042
01:26:20,421 --> 01:26:23,824
LITTLE ‐‐ LET ME EXPLAIN IT TO
THE KIDS AT HOME
1043
01:26:23,824 --> 01:26:26,894
THE FILM WENT THROUGH A SHUT
EASTERN HAD TO GO THROUGH THE
1044
01:26:26,894 --> 01:26:31,899
GATE
AND SOMETIME A PIECE OF FILM
1045
01:26:31,899 --> 01:26:34,402
WOULD FALL OFF AND THE SHOT
WOULD BE RUINED.
1046
01:26:34,402 --> 01:26:36,570
YOU COULDN'T SAVE IT IN THE LAB.
THE GATE HAD TO BE GOOD BEFORE
1047
01:26:36,570 --> 01:26:42,643
YOU COULD MOVE ON.
SO UP IN THAT VOICE OF GOD ‐‐
1048
01:26:42,643 --> 01:26:45,913
ALL RIGHT.
THAT'S WONDERFUL
1049
01:26:45,913 --> 01:26:47,181
CUT!
SHUT THE GATE.
1050
01:26:47,181 --> 01:26:50,851
HE'D SAY SOMETHING LIKE THAT
AND THEN THEY WOULD SHUT THE
1051
01:26:50,851 --> 01:26:54,755
GATE
IF THE GATE WAS GOOD, THEN YOU
1052
01:26:54,755 --> 01:26:56,991
MOVED ON
LADIES AND GENTLEMEN, I'M SUCH
1053
01:26:56,991 --> 01:27:00,194
A ‐‐ IT'S THE COLD THAT IS
MAKING THIS HAPPEN
1054
01:27:00,194 --> 01:27:04,532
SORT OF ‐‐ I'M NOT NEARLY THIS
EMOTIONAL AT HOME.
1055
01:27:04,532 --> 01:27:05,966
WELL, THANK YOU.
THANK YOU ALL HERE
1056
01:27:05,966 --> 01:27:08,135
THANK YOU ALL FOR ALL YOUR
INSPIRATION.
1057
01:27:08,135 --> 01:27:12,239
AND ALL OF YOUR WORK AND ALL OF
THIS STRUGGLE THAT YOU GUYS ALL
1058
01:27:12,239 --> 01:27:14,508
GO THROUGH IN ORDER TO HIT THE
MARKS AND TELL THE TRUTH
1059
01:27:14,508 --> 01:27:16,911
I HAVE CHECKED THE GATE.
GATE IS GOOD
1060
01:27:16,911 --> 01:27:45,106
THANK YOU.
♪♪
1061
01:27:45,106 --> 01:27:53,380
>> AMAZING
OUR NEXT CATEGORY, NO FEMALE
1062
01:27:53,380 --> 01:27:57,751
DIRECTORS WERE NOMINATED THIS
YEAR
1063
01:27:57,751 --> 01:28:01,589
NOT ONE.
I HAVE GENUINE ‐‐ I HAVE A WORD
1064
01:28:01,589 --> 01:28:09,597
WITH A HOLLYWOOD FOREIGN PRESS
AND NECESSITY
1065
01:28:09,597 --> 01:28:10,664
AND THEY GUARANTEE THAT WILL
NEVER HAPPEN AGAIN
1066
01:28:10,664 --> 01:28:14,168
WORKING WITH THE MAJOR STUDIOS,
THEY DECIDED TO GO BACK A FEW
1067
01:28:14,168 --> 01:28:19,273
WAYS BEFORE WHEN THEY DIDN'T
EVEN HIRE WOMEN DIRECTORS AND
1068
01:28:19,273 --> 01:28:25,312
THAT WILL SOLVE THE PROBLEM.
YOU'RE WELCOME
1069
01:28:25,312 --> 01:28:32,620
AND NOW PLEASE WELCOME TWO
NOMINEES TONIGHT, HELEN MERIN
1070
01:28:32,620 --> 01:28:43,831
AND FROM "PAIN & GLORY," ANTONIO
BANDERAS
1071
01:28:43,831 --> 01:28:49,136
>> A LEGEND.
>> A MASTER OF TWO GENRES.
1072
01:28:49,136 --> 01:28:53,274
>> AND NEW VOICE
ZBLAEN
1073
01:28:53,274 --> 01:28:56,810
AND A BOLD RISK DIRECTOR
ALL MAGNIFICENT STORY TELLERS
1074
01:28:56,810 --> 01:29:00,147
AND EACH WILL INFLUENCE
FILMMAKERS FOR GENERATIONS TO
1075
01:29:00,147 --> 01:29:02,750
COME
>> THEY ARE THE NOMINEES FOR
1076
01:29:02,750 --> 01:29:12,860
BEST DIRECTOR.
>> FOR PARASITE, BONG JOON HO,
1077
01:29:12,860 --> 01:29:17,264
SAM MEDES, FOR JOKER, TODD
PHILLIPS
1078
01:29:17,264 --> 01:29:21,068
FOR THE IRISHMAN, MARTIN
SCORSESE, FOR ONCE UPON A TIME
1079
01:29:21,068 --> 01:29:24,205
IN HOLLYWOOD, QUINT CONSEQUENT
INTARANTINO.
1080
01:29:24,205 --> 01:29:36,617
>> AND THE GOLDEN GLOBE GOES TO
SAM MENDES FOR "1917."
1081
01:29:36,617 --> 01:29:57,972
>> THIS IS SAM MENDES' SECOND
WIN AND THIRNOMINATION
1082
01:29:57,972 --> 01:30:01,642
>> THANK YOU
THAT IS A BIG SURPRISE, THANK
1083
01:30:01,642 --> 01:30:04,044
YOU VERY MUCH.
CAN I JUST SAY THERE'S NOT ONE
1084
01:30:04,044 --> 01:30:08,382
DIRECTOR IN THIS ROOM, NOT ONE
DIRECTOR IN THE WORLD THAT IS
1085
01:30:08,382 --> 01:30:10,818
NOT IN THE SHADOW OF MARTIN
SCORSESE
1086
01:30:10,818 --> 01:30:19,260
I JUST HAVE TO SAY THAT.
TOO MANY PEOPLE TO THANK
1087
01:30:19,260 --> 01:30:24,898
EVERYONE AT UNIVERSAL, EVERYONE
AT NEW REPUBLIC.
1088
01:30:24,898 --> 01:30:28,636
THREE EXTRAORDINARY PRODUCERS,
TWO EXTRAORDINARY YOUNG ACTORS,
1089
01:30:28,636 --> 01:30:32,539
GEORGE AND DEE WHO WERE THERE.
WE BUILT THIS MOVIE AROUND YOU,
1090
01:30:32,539 --> 01:30:36,010
THANK YOU.
AND INCREDIBLE CAST AND CREW
1091
01:30:36,010 --> 01:30:39,813
DENNIS AND THE PRODUCTION
DESIGNER, LEE SMITH, AND, OF
1092
01:30:39,813 --> 01:30:43,550
COURSE, THE GREAT ROGER D.
WITHOUT HIM, WE COULDN'T HAVE
1093
01:30:43,550 --> 01:30:48,989
POSSIBLY MADE THIS FILM.
I ALSO WANT TO TAKE A LEAF OUT
1094
01:30:48,989 --> 01:30:53,327
OF TOM HANKS BOOK AND SAY THANK
YOU TO MY WIVALLY FOR HER LOVE
1095
01:30:53,327 --> 01:30:56,230
AND SUPPORT WITHOUT WHOM I WOULD
HAVE NEVER SAT DOWN TO WRITE
1096
01:30:56,230 --> 01:30:58,332
THIS
I WOULD LIKE TO DEDICATE THIS TO
1097
01:30:58,332 --> 01:31:03,270
MY GRANDFATHER, ALFRED MENDES
WHO INSPIRED THIS FILM
1098
01:31:03,270 --> 01:31:06,040
HE WAS AGE 17 WHEN HE SIGNED UP
FOR THE FIRST WORLD WAR.
1099
01:31:06,040 --> 01:31:09,009
I HOPE HE IS LOOKING DOWN ON US.
I HOPE IT NEVER, EVER HAPPENS
1100
01:31:09,009 --> 01:31:18,381
AGAIN.
>> TIFFANY HADDISH, JENNIFER
1101
01:31:18,381 --> 01:31:20,783
LOPEZ AND PAUL RUUD AND MORE
STARS.
1102
01:31:20,783 --> 01:31:23,106
THEY'RE COMING UP HERE ON THE
GOLDEN GLOBES.
1103
01:31:40,120 --> 01:31:42,122
>> Announcer: WELCOME BACK TO
THE GOLDEN GLOBES.
1104
01:31:42,122 --> 01:31:45,792
AND NOW, PLEASE WELCOME THE STAR
AND PRODUCER OF THE UPCOMING
1105
01:31:45,792 --> 01:31:51,665
"MRS. AMERICA," CATE BLANCHETT
[ APPLAUSE ]
1106
01:31:51,665 --> 01:31:59,840
>> THANK YOU
THERE ARE A LOT OF AUSTRALIANS
1107
01:31:59,840 --> 01:32:02,976
IN THE ROOM TONIGHT.
I KNOW WE'RE ALL VERY GRATEFUL
1108
01:32:02,976 --> 01:32:07,681
TO THE CALLOUTS TO OUR FELLOW
COMPATRIOTS SUFFERING UNDER THE
1109
01:32:07,681 --> 01:32:09,082
BUSH FIRES
SO THANK YOU
1110
01:32:09,082 --> 01:32:12,886
I WOULD JUST LIKE TO AMPLIFY
THAT BY SAYING I WANTED TO DO A
1111
01:32:12,886 --> 01:32:19,259
SPECIAL CALLOUT TO THE VOLUNTEER
FIREFIGHTERS WHO HAVE BEEN AT
1112
01:32:19,259 --> 01:32:24,131
THE CENTER OF BATTLING THE
CLIMATE DISASTER THAT IS FACING
1113
01:32:24,131 --> 01:32:24,998
AUSTRALIA.
[ APPLAUSE ]
1114
01:32:24,998 --> 01:32:29,069
OF COURSE WHEN ONE COUNTRY FACES
A CLIMATE DISASTER, WE ALL FACE
1115
01:32:29,069 --> 01:32:31,538
A CLIMATE DISASTER
SO WE'RE IN IT TOGETHER.
1116
01:32:31,538 --> 01:32:36,710
SO THANK YOU VERY MUCH
[ APPLAUSE ]
1117
01:32:36,710 --> 01:32:42,015
>> OUR NEXT MOTION PICTURE,
DRAMA IS A GRITTY AND ORIGINAL
1118
01:32:42,015 --> 01:32:47,821
CHARACTER STUDY THAT HOLDS A
MIRROR UP TO OUR SOCIETY AND
1119
01:32:47,821 --> 01:32:53,827
DISTURBINGLY
REFLECTS ON OUR TIMES.
1120
01:32:53,827 --> 01:32:57,097
DIRECT BY TODD PHILLIPS,
IT STARS JOAQUIN PHOENIX IN A
1121
01:32:57,097 --> 01:33:02,903
MESMERIZING PERFORMANCE AS A MAN
STRUGGLING IN A WORLD LACKING
1122
01:33:02,903 --> 01:33:09,276
EMPATHY AND HUMANITY
NOMINATED FOR FOUR
1123
01:33:09,276 --> 01:33:17,618
GOLDEN GLOBES, THIS IS "JOKER.
>> WHAT'S YOUR NAME?
1124
01:33:17,618 --> 01:33:19,886
>> ARTHUR.
>> THERE'S SOMETHING SPECIAL
1125
01:33:19,886 --> 01:33:25,892
ABOUT YOU, ARTHUR, I CAN TELL.
>> FOR MY WHOLE LIFE, I DIDN'T
1126
01:33:25,892 --> 01:33:35,402
KNOW IF I EVEN REALLY EXISTED.
BUT I DO
1127
01:33:35,402 --> 01:33:44,811
PEOPLE ARE STARTING TO NOTICE.
>> Announcer: PLEASE WELCOME THE
1128
01:33:44,811 --> 01:33:46,813
STARS OF "LIKE A BOSS,"
TIFFANY HADDISH AND
1129
01:33:46,813 --> 01:33:50,450
SALMA HAYEK PINAULT.
[ APPLAUSE ]
1130
01:33:50,450 --> 01:33:57,491
♪♪
>> SALMA AND I LEARNED SOMETHING
1131
01:33:57,491 --> 01:33:59,092
WHILE SHOOTING OUT NEW MOVIE
TOGETHER
1132
01:33:59,092 --> 01:34:02,796
>> YES
WE FOUND THAT SOME PEOPLE FIND
1133
01:34:02,796 --> 01:34:05,966
ONE OF OUR ACCENTS HARD TO
UNDERSTAND
1134
01:34:05,966 --> 01:34:09,703
>> BUT I AM REALLY WORKING ON
IT
1135
01:34:09,703 --> 01:34:14,474
HERE ARE THE NOMINEES FOR BEST
ACTRESS IN A LIMITED SERIES OR
1136
01:34:14,474 --> 01:34:19,212
MOTION PICTURE MADE FOR TV
>> Announcer: FOR
1137
01:34:19,212 --> 01:34:23,984
"UNBELIEVABLE," KAITLYN DEVER.
FOR "THE ACT," JOEY KING
1138
01:34:23,984 --> 01:34:28,221
FOR "CATHERINE THE GREAT,"
HELEN MIRREN
1139
01:34:28,221 --> 01:34:32,993
FOR "UNBELIEVABLE,"
MERRITT WEVER.
1140
01:34:32,993 --> 01:34:38,298
FOR "FOSSE/VERDON," MICHELLE
WILLIAMS
1141
01:34:38,298 --> 01:34:45,472
>> AND THE GOLDEN GLOBE GOES
TO ‐
1142
01:34:45,472 --> 01:34:48,008
MICHELLE WILLIAMS.
>> WOO
1143
01:34:48,008 --> 01:34:51,778
[ APPLAUSE ]
♪♪
1144
01:34:51,778 --> 01:34:54,481
>> Announcer: THIS IS MICHELLE
WILLIAMS' SIXTH NOMINATION AND
1145
01:34:54,481 --> 01:34:58,985
SECOND WIN
SHE BRINGS HOME HER GOLDEN GLOBE
1146
01:34:58,985 --> 01:35:04,691
TONIGHT FOR HER ROLE AS GWEN
VERDON IN "FOSSE/VEDON."
1147
01:35:04,691 --> 01:35:21,041
[ APPLAUSE ]
♪♪
1148
01:35:21,041 --> 01:35:29,049
>> THANK YOU SO MUCH
FIRST OF ALL, TO MY
1149
01:35:29,049 --> 01:35:31,685
"FOSSE/VERDON" FAMILY AND THE
HOLLYWOOD PRESS ASSOCIATION.
1150
01:35:31,685 --> 01:35:37,457
WHEN YOU PUT THIS IN SOMEONE'S
HANDS, YOU ACKNOWLEDGING THE
1151
01:35:37,457 --> 01:35:41,495
CHOICES MADE BY THE ACTOR BUT
ALSO THE CHOICES THEY MADE AS A
1152
01:35:41,495 --> 01:35:43,964
PERSON, THE TRAINING THEY
SOUGHT, THE HOURS THEY PUT IN.
1153
01:35:43,964 --> 01:35:46,032
I'M GRATEFUL FOR THE
ACKNOWLEDGEMENT OF THE CHOICES
1154
01:35:46,032 --> 01:35:50,003
I'VE MADE AND I'M ALSO GRATEFUL
TO HAVE LIVED IN A MOMENT IN OUR
1155
01:35:50,003 --> 01:35:55,142
SOCIETY WHERE CHOICE EXISTS,
BECAUSE AS WOMEN AND AS GIRLS,
1156
01:35:55,142 --> 01:35:59,846
THINGS CAN HAPPEN TO OUR BODIES
THAT ARE NOT OUR CHOICE.
1157
01:35:59,846 --> 01:36:04,084
I'VE TRIED MY VERY BEST TO LIVE
A LIFE OF MY OWN MAKING, NOT
1158
01:36:04,084 --> 01:36:07,053
JUST A SERIES OF EVENTS THAT
HAPPENED TO ME BUT ONE THAT I
1159
01:36:07,053 --> 01:36:10,824
COULD STAND BACK AND LOOK AT AND
RECOGNIZE MY HANDWRITING ALL
1160
01:36:10,824 --> 01:36:15,562
OVER, SOMETIMES MESSY AND
SCRAWLING, SOMETIMES CAREFUL AND
1161
01:36:15,562 --> 01:36:17,798
PRECISE, BUT ONE THAT I CARVED
WITH MY OWN HAND
1162
01:36:17,798 --> 01:36:20,834
I WOULDN'T HAVE BEEN ABLE TO DO
THIS WITHOUT EMPLOYING A WOMAN'S
1163
01:36:20,834 --> 01:36:33,246
RIGHT TO CHOOSE.
[ CHEERS AND APPLAUSE
1164
01:36:33,246 --> 01:36:36,917
TO CHOOSE WHEN TO HAVE MY
CHILDREN, AND WITH WHOM.
1165
01:36:36,917 --> 01:36:41,254
WHEN I FELT SUPPORTED AND ABLE
TO BALANCE OUR LIVES KNOWING AS
1166
01:36:41,254 --> 01:36:44,658
ALL MOTHERS KNOW THAT THE SCALES
MUST AND WILL TIP TOWARDS OUR
1167
01:36:44,658 --> 01:36:47,794
CHILDREN
NOW, I KNOW MY CHOICES MIGHT
1168
01:36:47,794 --> 01:36:51,164
LOOK DIFFERENT THAN YOURS.
BUT THANK GOD OR WHOMEVER YOU
1169
01:36:51,164 --> 01:36:55,335
PRAY TO THAT WE LIVE IN A
COUNTRY FOUNDED ON THE PRINCIPLE
1170
01:36:55,335 --> 01:36:59,706
THAT I AM FREE TO LIVE BY MY
FAITH AND YOU ARE FREE TO LIVE
1171
01:36:59,706 --> 01:37:04,177
BY YOURS
SO, WOMEN, 18 TO 118, WHEN IT IS
1172
01:37:04,177 --> 01:37:09,216
TIME TO VOTER PLEASE DO SO IN
YOUR OWN SELF‐INTEREST
1173
01:37:09,216 --> 01:37:11,651
IT'S WHAT MEN HAVE BEEN DOING
FOR YEARS.
1174
01:37:11,651 --> 01:37:22,629
[ CHEERS AND APPLAUSE
IT'S WHAT MEN HAVE BEEN DOING
1175
01:37:22,629 --> 01:37:26,333
FOR YEARS, WHICH IS WHY THE
WORLD LOOKS SO MUCH LIKE THEM.
1176
01:37:26,333 --> 01:37:29,970
BUT DON'T FORGET, WE ARE THE
LARGEST VOTING BODY IN THIS
1177
01:37:29,970 --> 01:37:34,307
COUNTRY.
LET'S MAKE IT LOOK MORE LIKE US.
1178
01:37:34,307 --> 01:37:39,212
I CAN'T WAIT TO COME HOME TO
YOU.
1179
01:37:39,212 --> 01:37:49,523
[ APPLAUSE ]
♪♪
1180
01:37:49,523 --> 01:37:56,396
>> HOW ABOUT THAT WOMEN'S
CHOICE
1181
01:37:56,396 --> 01:38:05,038
MM‐HMM
>> AND NOW HERE ARE THE NOMINEES
1182
01:38:05,038 --> 01:38:12,112
FOR BEST LIMITED SERIES OR
MOTION PICTURE MADE FOR TV
1183
01:38:12,112 --> 01:38:16,116
>> MUY BUENO, I UNDERSTOOD
EVERYTHING YOU SAID.
1184
01:38:16,116 --> 01:38:20,921
>> Announcer: "CATCH‐22.
"CHERNOBYL."
1185
01:38:20,921 --> 01:38:24,591
"FOSSE/VERDON.
"THE LOUDEST VOICE."
1186
01:38:24,591 --> 01:38:33,066
"UNBELIEVABLE.
>> AND THE GOLDEN GLOBE GOES
1187
01:38:33,066 --> 01:38:39,839
TO ‐
"CHERNOBYL."
1188
01:38:39,839 --> 01:38:42,776
[ APPLAUSE ]
♪♪
1189
01:38:42,776 --> 01:38:46,913
>> Announcer: COMING TO THE
STAGE TONIGHT FOR "CHERNOBYL"
1190
01:38:46,913 --> 01:38:54,621
ARE EXECUTIVE PRODUCER JANE
FEATHERSTONE, CREATOR CRAIG
1191
01:38:54,621 --> 01:38:58,124
MAVEN.
ACCEPTING THE GOLDEN GLOBE IS
1192
01:38:58,124 --> 01:39:01,227
JANE FEATHERSTONE.
[ APPLAUSE ]
1193
01:39:01,227 --> 01:39:30,757
♪♪
>> I'M JANE FEATHERSTONE
1194
01:39:30,757 --> 01:39:36,062
THANK YOU, HFPA.
THANK YOU TO HBO
1195
01:39:36,062 --> 01:39:39,733
SEE, RICKY, IT'S NOT ALL ABOUT
NETFLIX.
1196
01:39:39,733 --> 01:39:45,271
SORRY, NETFLIX
THANK YOU TO SKY ATLANTIC.
1197
01:39:45,271 --> 01:39:52,145
THANK YOU TO THE CITIES OF
VILNIUS AND KIEV FOR BEING SO
1198
01:39:52,145 --> 01:39:54,848
HOSPITABLE
THANK YOU TO OUR UKRAINIAN
1199
01:39:54,848 --> 01:39:59,653
CREWS, OUR LITHUANIAN CREWS, OUR
SWEDISH CREWS, OUR FRENCH CREWS,
1200
01:39:59,653 --> 01:40:03,790
OUR ENGLISH CREWS.
CRAIG, YOUR SCRIPT POSED THE
1201
01:40:03,790 --> 01:40:07,827
QUESTION WHAT IS THE COST OF
LYING.
1202
01:40:07,827 --> 01:40:11,064
AND THAT QUESTION BECOMES MORE
RELEVANT WITH EACH PASSING DAY'S
1203
01:40:11,064 --> 01:40:21,875
NEWS CYCLE
THE PEOPLE OF THE UKRAINE BORE
1204
01:40:21,875 --> 01:40:26,579
THE BRUNT OF THIS CATASTROPHE
AND SHIELDED MILLIONS OF PEOPLE
1205
01:40:26,579 --> 01:40:30,583
FROM ITS WORST EFFECTS AT THE
COST OF THEIR OWN LIVES.
1206
01:40:30,583 --> 01:40:33,520
"CHERNOBYL" IS DEDICATED TO
THEIR CURRENTLY AND SACRIFICE.
1207
01:40:33,520 --> 01:40:39,759
[ APPLAUSE ]
♪♪
1208
01:40:39,759 --> 01:40:43,063
>> Announcer: MORE HOLLYWOOD
STARS ARE PREPARING FOR THE BIG
1209
01:40:43,063 --> 01:40:43,724
AWARDS
1210
01:40:51,603 --> 01:40:54,172
>> Announcer: WELCOME BACK TO
THE GOLDEN GLOBES.
1211
01:40:54,172 --> 01:40:57,342
AND NOW, FROM "DOLEMITE IS MY
NAME," DA'VINE JOY RANDOLPH AND
1212
01:40:57,342 --> 01:41:08,286
WESLEY SNIPES.
[ APPLAUSE ]
1213
01:41:08,286 --> 01:41:11,423
>> THE NEXT NOMINATED MOTION
PICTURE COMEDY IS THE REAL‐LIFE
1214
01:41:11,423 --> 01:41:14,059
STORY OF RUDY RAY MOORE, A
COMEDY LEGEND AND PIONEER OF
1215
01:41:14,059 --> 01:41:21,966
RAP.
>> HE PROVED NAYSAYERS WRONG
1216
01:41:21,966 --> 01:41:26,971
WITH HIS HILARIOUS, RAUNCH
KUNG‐FU FIGHTING ALTER EGO,
1217
01:41:26,971 --> 01:41:28,873
DOLEMITE, BECAME A 1970s
RECORDING SENSATION AND
1218
01:41:28,873 --> 01:41:34,312
BLAXPLOITATION PHENOMENON.
>> NOMINATED FOR TWO GOLDEN
1219
01:41:34,312 --> 01:41:43,088
GLOBES, HERE IS EDDIE MURPHY AND
THE ALL STAR CAST OF DOLL"DOLEMI
1220
01:41:43,088 --> 01:41:47,625
IS MY NAME."
>> LET'S BRING DOLEMITE TO THE
1221
01:41:47,625 --> 01:41:49,894
SCREEN
>> WHAT PLANET IS THIS CAT ON?
1222
01:41:49,894 --> 01:41:52,297
>> THIS THING FLOPS, YOU'RE
GOING TO BE WORKING FOR FREE FOR
1223
01:41:52,297 --> 01:41:55,834
THE REST OF YOUR LIFE.
>> I'M SO GRATEFUL FOR WHAT YOU
1224
01:41:55,834 --> 01:41:58,603
DID FOR ME BECAUSE I NEVER SEEN
NOBODY THAT LOOKS LIKE ME UP
1225
01:41:58,603 --> 01:42:05,777
THERE ON THAT BIG SCREEN
>> YOU CAN LIVE THE LIFE THAT
1226
01:42:05,777 --> 01:42:13,251
YOU LOVE AND LOVE THE LIFE THAT
YOU LIVE
1227
01:42:13,251 --> 01:42:14,219
[ APPLAUSE ]
>> Announcer: PLEASE WELCOME THE
1228
01:42:14,219 --> 01:42:15,420
STAR OF "HUSTLERS,"
JENNIFER LOPEZ AND THE STAR
1229
01:42:15,420 --> 01:42:24,095
"LIVING WITH YOURSELF,"
PAUL RUDD.
1230
01:42:24,095 --> 01:42:26,931
[ APPLAUSE ]
>> THESE NOMINATED COMPOSERS
1231
01:42:26,931 --> 01:42:28,433
ARE
AN INTERNATIONAL ARRAY, HAILING
1232
01:42:28,433 --> 01:42:38,376
FROM THE U. S
FRANCE, THE UK, AND ICELAND.
1233
01:42:38,376 --> 01:42:41,012
HERE ARE THE NOMINEES FOR BEST
ORIGINAL SCORE ‐
1234
01:42:41,012 --> 01:42:43,148
>> Announcer: "LITTLE WOMEN,"
ALEXANDRE DESPLAT.
1235
01:42:43,148 --> 01:42:46,317
"JOKER," HILDUR GUDNADOTTIR.
"MARRIAGE STORY," RANDY NEWMAN
1236
01:42:46,317 --> 01:42:48,987
"1917," THOMAS NEWMAN.
"MOTHERLESS BROOKLYN," DANIEL
1237
01:42:48,987 --> 01:42:54,259
PEMBERTON.
>> AND THE GOLDEN GLOBE GOES
1238
01:42:54,259 --> 01:43:04,602
TO ‐
HILDUR GUONADOTTIR FOR "JOKER.
1239
01:43:04,602 --> 01:43:10,008
[ CHEERS AND APPLAUSE
>> Announcer: THIS IS HILDUR
1240
01:43:10,008 --> 01:43:13,611
GUONADOTTIR'S FIRST ONE AND
FIRST NOMINATION
1241
01:43:13,611 --> 01:43:17,048
HER CREDITS ALSO INCLUDE
"CHERNOBYL."
1242
01:43:17,048 --> 01:43:41,406
[ APPLAUSE ]
♪♪
1243
01:43:41,406 --> 01:43:54,219
>> WOW
I THOUGHT THEY FORGOT THE MUSIC.
1244
01:43:54,219 --> 01:44:00,191
THIS IS TRULY ‐‐ I'M SPEECHLESS.
THIS IS UNBELIEVABLE
1245
01:44:00,191 --> 01:44:02,927
THANK YOU, HOLLYWOOD FOREIGN
PRESS, THANK YOU, TODD, FOR
1246
01:44:02,927 --> 01:44:07,198
INVITING ME ON A JOURNEY OF A
LIFETIME, FOR ALL THE TRUST AND
1247
01:44:07,198 --> 01:44:11,402
FAITH AND YOU'RE OPENNESS.
THANK YOU, JOAQUIN, FOR MAKING
1248
01:44:11,402 --> 01:44:17,008
MY JOB REALLY EASY WITH A
SPECTACULAR, UNBELIEVABLE
1249
01:44:17,008 --> 01:44:22,113
PERFORMANCE.
IT'S MIND‐BLOWING.
1250
01:44:22,113 --> 01:44:27,785
THANK YOU, JASON RUTTER, MUSIC
EDITOR, FOR YOUR FACEBOOK JOB,
1251
01:44:27,785 --> 01:44:34,792
TRULY INCREDIBLE
THE CONDUCTOR, MY BROTHERS, MY
1252
01:44:34,792 --> 01:44:42,834
AGENT PATTY, OF COURSE
MY INCREDIBLE FAMILY AND MY
1253
01:44:42,834 --> 01:44:47,905
MOTHER, MY HUSBAND, MY BEAUTIFUL
SON.
1254
01:44:47,905 --> 01:44:50,942
[ SPEAKING FOREIGN LANGUAGE
[ APPLAUSE ]
1255
01:44:50,942 --> 01:45:01,386
♪♪
>> HERE ARE THE NOMINEES FOR
1256
01:45:01,386 --> 01:45:05,757
SUPPORTING ACTOR IN A MOTION
PICTURE.
1257
01:45:05,757 --> 01:45:09,093
>> FOR "A BEAUTIFUL DAY IN THE
NEIGHBORHOOD," TOM HANKS
1258
01:45:09,093 --> 01:45:12,096
FOR "THE TWO POPES," ANTHONY
HOPKINS.
1259
01:45:12,096 --> 01:45:20,438
FOR "THE IRISHMAN," AL PACINO.
FOR "THE IRISHMAN," JOE PESCI.
1260
01:45:20,438 --> 01:45:28,846
FOR "ONCE UPON A TIME IN
HOLLYWOOD," BRAD PITT.
1261
01:45:28,846 --> 01:45:34,919
>> AND THE GOLDEN GLOBE GOES TO
BRAD PITT, "ONCE UPON A TIME IN
1262
01:45:34,919 --> 01:45:35,653
HOLLYWOOD.
[ CHEERS AND APPLAUSE
1263
01:45:35,653 --> 01:45:39,691
♪♪
>> Announcer: THIS IS BRAD
1264
01:45:39,691 --> 01:45:42,760
PITT'S SEVENTH NOMINATION AND
HIS SECOND WIN
1265
01:45:42,760 --> 01:45:58,543
BRAD WINS HIS GOLDEN GLOBE
TONIGHT FOR HIS ROLE INAS CLIFF
1266
01:45:58,543 --> 01:45:59,877
BOOTH IN"ONCE UPON A TIME IN
HOLLYWOOD.
1267
01:45:59,877 --> 01:46:06,484
>> HOLY MOLY
THANK YOU SO MUCH.
1268
01:46:06,484 --> 01:46:12,590
THANK YOU TO THE ECLECTIC AND
EVER‐RAUCOUS HOLLYWOOD FOREIGN
1269
01:46:12,590 --> 01:46:15,126
PRESS ASSOCIATION.
WHEN I WAS STARTING OUT, THESE
1270
01:46:15,126 --> 01:46:23,601
NAMES THAT WERE JUST LISTED,
PACINO, PESCI, HANKS, MY DE
1271
01:46:23,601 --> 01:46:29,674
FACTO MENTOR FROM AFAR, SIR TONY
HOPKINS, WHEREVER YOU ARE, TONY,
1272
01:46:29,674 --> 01:46:34,212
YOU KNOW I LOVE YOU, THEY WERE
LIKE GODS TO ME.
1273
01:46:34,212 --> 01:46:40,385
ALL MY RESPECT, SINCERELY.
I HAVE TO START BY THANKING THE
1274
01:46:40,385 --> 01:46:42,653
MAN HIMSELF, MR. QUENTIN
TARANTINO.
1275
01:46:42,653 --> 01:46:48,593
[ APPLAUSE ]
THE MAN, THE MYTH, THE LEGEND,
1276
01:46:48,593 --> 01:46:52,630
FOR THIS EXPERIENCE, FOR THE
FILM, ONE I'LL NEVER FORGET.
1277
01:46:52,630 --> 01:46:54,999
THANK YOU, MY BROTHER, I REALLY
APPRECIATE IT.
1278
01:46:54,999 --> 01:46:58,903
I ALSO HAVE TO THANK MY PARTNER
IN CRIME, LDC.
1279
01:46:58,903 --> 01:47:05,877
[ APPLAUSE ]
BEFORE "THE REVENANT," I USED TO
1280
01:47:05,877 --> 01:47:08,813
WATCH YEAR AFTER YEAR HIS
CO‐STARS ACCEPT AWARDS AND GET
1281
01:47:08,813 --> 01:47:11,949
UP AND THANK HIM PROFUSELY
I KNOW WHY
1282
01:47:11,949 --> 01:47:18,489
HE'S AN ALL STAR, HE'S A GENT.
I WOULDN'T BE HERE WITHOUT YOU,
1283
01:47:18,489 --> 01:47:22,693
MAN, I THANK YOU
STILL, I WOULD HAVE SHARED THE
1284
01:47:22,693 --> 01:47:29,634
RAFT
OH, MAN.
1285
01:47:29,634 --> 01:47:33,538
THERE'S SO MANY NAMES, SO MANY
PEOPLE I WANT TO THANK FROM THIS
1286
01:47:33,538 --> 01:47:35,840
FILM WHO ALL GAVE THEIR VERY
BEST
1287
01:47:35,840 --> 01:47:39,243
I'M GOING TO SAY THANK YOU, I'M
GOING TO SQUEEZE IT DOWN TO OUR
1288
01:47:39,243 --> 01:47:43,047
PRODUCERS, SHANA MACINTOSH,
DAVID HAYMAN
1289
01:47:43,047 --> 01:47:46,784
TOM ROTHMAN FOR HIS BIG BALLS,
TAKING ON THIS FILM.
1290
01:47:46,784 --> 01:47:49,787
I HAVE SOME PEOPLE I LOVE WHO
HAVE BEEN MY FRIENDS FOR
1291
01:47:49,787 --> 01:47:54,058
DECADES.
CYNTHIA PET, GENIE BLACK, JOHN
1292
01:47:54,058 --> 01:47:57,662
LEIBMAN WHO IS NOT HERE.
AND I WANT TO SAY HI TO MY FOLKS
1293
01:47:57,662 --> 01:48:02,700
BECAUSE, HEY
THEY'RE BACK IN THE OZARKS
1294
01:48:02,700 --> 01:48:06,304
I WANTED TO BRING MY MOM BUT I
COULDN'T BECAUSE ANY WOMAN I
1295
01:48:06,304 --> 01:48:10,641
STAND NEXT TO, THEY SAY I'M
DATING
1296
01:48:10,641 --> 01:48:14,712
IT WOULD JUST BE AWKWARD
ALL RIGHT.
1297
01:48:14,712 --> 01:48:17,915
THANK YOU.
HEY, IF YOU SEE A CHANCE TO BE
1298
01:48:17,915 --> 01:48:23,921
KIND TO SOMEONE TOMORROW, TAKE
IT, I THINK WE NEED IT
1299
01:48:23,921 --> 01:48:29,193
[ APPLAUSE ]
♪♪
1300
01:48:29,193 --> 01:48:32,163
>> Announcer: WHO WILL WIN BEST
ACTOR IN A MOTION PICTURE
1301
01:48:32,163 --> 01:48:33,501
MUSICAL OR COMEDY?
ONLY ANDY
1302
01:48:43,101 --> 01:48:45,510
>> Announcer: WELCOME BACK TO
THE "GOLDEN GLOBES."
1303
01:48:45,510 --> 01:48:57,622
PLEASE WELCOME CHRIS EVANS AND
SCARLETT JOHANSSON
1304
01:48:57,622 --> 01:49:03,264
>> J. EDGAR HOOVER
>> ELTON JOHN.
1305
01:49:03,264 --> 01:49:09,136
>> WHAT DO THESE HAVE IN COMMON?
>> THEY WORE HALLOWEEN COSTUMES
1306
01:49:09,136 --> 01:49:13,007
WORN BY GRIFFIN DAVIS.
>> HERE ARE THE NOMINEES FOR
1307
01:49:13,007 --> 01:49:15,910
BEST ACTOR IN A MOTION PICTURE,
MUSICAL OR COMEDY.
1308
01:49:15,910 --> 01:49:20,247
>> Announcer: FOR "KNIVES OUT,"
DANIEL CRAIG
1309
01:49:20,247 --> 01:49:23,250
FOR "JOJO RABBIT," ROMAN GRIFFIN
DAVIS.
1310
01:49:23,250 --> 01:49:27,088
FOR "ONCE UPON A TIME IN
HOLLYWOOD," LEONARDO DiCAPRIO.
1311
01:49:27,088 --> 01:49:33,794
FOR "ROCKETMAN," TARON EGERTON
FOR "DOLEMITE IS MY NAME," EDDIE
1312
01:49:33,794 --> 01:49:37,565
MURPHY
>> AND THE GOLDEN GLOBE GOES
1313
01:49:37,565 --> 01:49:42,136
TO ‐‐ TARON EGERTON,
"ROCKETMAN."
1314
01:49:42,136 --> 01:49:47,174
[ CHEERS AND APPLAUSE
>> Announcer: THIS IS TARON
1315
01:49:47,174 --> 01:49:48,909
EGERTON'S FIRST NOMINATION AND
FIRST WIN.
1316
01:49:48,909 --> 01:49:52,780
HE WINS HIS GOLDEN GLOBE TONIGHT
FOR HIS ROLE AS ELTON JOHN IN
1317
01:49:52,780 --> 01:49:56,650
"ROCKETMAN."
[ APPLAUSE ]
1318
01:49:56,650 --> 01:50:24,612
♪♪
>> I REALLY WISH I HAD WRITTEN
1319
01:50:24,612 --> 01:50:26,447
SOMETHING.
OKAY
1320
01:50:26,447 --> 01:50:33,554
I'M SO HONORED TO BE NOMINATED
ALONGSIDE A BUNCH OF LEGITIMATE
1321
01:50:33,554 --> 01:50:39,460
ICONS AND ALSO ROMAN WHO IS THE
SWEETEST KID AND IT WAS AN
1322
01:50:39,460 --> 01:50:44,698
INCREDIBLE PERFORMANCE IN
"JOJO," AND I'M HONORED TO BE
1323
01:50:44,698 --> 01:50:47,268
NOMINATED ALONGSIDE YOU.
[ APPLAUSE ]
1324
01:50:47,268 --> 01:50:49,703
THIS ROLE HAS CHANGED MY LIFE,
IT'S BEEN THE BEST EXPERIENCE OF
1325
01:50:49,703 --> 01:50:52,139
MY LIFE.
I AM SO PROUD OF THIS FILM
1326
01:50:52,139 --> 01:50:55,843
EVERYONE STANDING UP FOR ELTON
AND BERNIE EARLIER IS SUCH A
1327
01:50:55,843 --> 01:50:58,179
JOYOUS THING, WE'VE LOVED EVERY
SECOND
1328
01:50:58,179 --> 01:51:02,950
I'VE GOT A FEW THANK YOUS, TO MY
FRIEND DEXTER FLETCHER FOR
1329
01:51:02,950 --> 01:51:06,720
MAKING A MOVIE THAT I WILL BE
PROUD OF FOR THE REST OF MY
1330
01:51:06,720 --> 01:51:10,958
LIFE, I LOVE YOU LIKE A BROTHER.
MATTHEW VAUGHN FOR CONSISTENTLY
1331
01:51:10,958 --> 01:51:13,527
GIVING ME OPPORTUNITY AFTER
OPPORTUNITY AND FOR ALWAYS
1332
01:51:13,527 --> 01:51:17,565
CHAMPIONING ME IN MY CAREER.
ADAM BOLLING FOR BEING THE BUT
1333
01:51:17,565 --> 01:51:20,334
YOU THAT HELD THIS PRODUCTION
TOGETHER
1334
01:51:20,334 --> 01:51:25,172
MY INCREDIBLE TEAM, LINDSEY
MAGUIRE, ROBIN BAUM, JASON
1335
01:51:25,172 --> 01:51:29,310
SLOAN, LINDY KING WHO IS ALSO
HERE, THANK YOU.
1336
01:51:29,310 --> 01:51:33,481
OKAY, HANG ON.
RICHARD MANN AND JAMIE BELL, THE
1337
01:51:33,481 --> 01:51:40,221
BEST WING MEN YOU COULD EVER
HOPE FOR
1338
01:51:40,221 --> 01:51:43,257
THANK YOU FOR ALLOWING ME TO
PLAY THE MAN WHO IS YOUR
1339
01:51:43,257 --> 01:51:46,060
HUSBAND.
BERNIE TAUPIN, FOR BEING AS
1340
01:51:46,060 --> 01:51:49,530
LOVELY A MAN AS YOU ARE, A
LEGEND, CHARLES MARTIN FOR
1341
01:51:49,530 --> 01:51:56,504
MAKING ME BELIEVE I COULD SING
ALL THIS, WITT GOTTFRIED,
1342
01:51:56,504 --> 01:51:58,939
EVERYONE AT PARAMOUNT,
ESPECIALLY THE MARKETING TEAM,
1343
01:51:58,939 --> 01:52:03,310
AND FINALLY, TO ELTON JOHN,
THANK YOU FOR THE MUSIC, THANK
1344
01:52:03,310 --> 01:52:07,314
YOU FOR LIVING A LIFE LESS
ORDINARY, AND THANK YOU FOR
1345
01:52:07,314 --> 01:52:12,153
BEING MY FRIEND.
FINALLY, OH, YEAH, MY MOTHER IS
1346
01:52:12,153 --> 01:52:17,825
IN HERE SOMEWHERE, THIS ONE IS
FOR YOU, MAM
1347
01:52:17,825 --> 01:52:26,200
[ APPLAUSE ]
♪♪
1348
01:52:26,200 --> 01:52:29,603
>> AND NOW, HERE ARE THE
NOMINEES FOR BEST ACTRESS IN A
1349
01:52:29,603 --> 01:52:32,773
MOTION PICTURE, MUSICAL, OR
COMEDY
1350
01:52:32,773 --> 01:52:37,411
>> FOR "KNIVES OUT," ANA de
ARMAS.
1351
01:52:37,411 --> 01:52:43,417
FOR "THE FAREWELL," AWKWAFINA.
FOR "WHERE'D YOU GO,
1352
01:52:43,417 --> 01:52:48,789
BERNADETTE," CATE BLANCHETT.
FOR "BOOKSMART," BEANIE
1353
01:52:48,789 --> 01:52:53,060
FELDSTEIN.
FOR "LATE NIGHT," EMMA THOMPSON.
1354
01:52:53,060 --> 01:53:00,501
>> AND THE GOLDEN GLOBE GOES
TO ‐‐ AWKWAFINA.
1355
01:53:00,501 --> 01:53:03,137
[ CHEERS AND APPLAUSE
♪♪
1356
01:53:03,137 --> 01:53:06,640
>> Announcer: THIS IS
AWKWAFINA'S FIRST WIN AND FIRST
1357
01:53:06,640 --> 01:53:09,777
NOMINATION
SHE WINS HER GOLDEN GLOBE
1358
01:53:09,777 --> 01:53:16,784
TONIGHT FOR HER ROLE AS BILLI
WANG IN "THE FAREWELL.
1359
01:53:16,784 --> 01:53:45,346
[ APPLAUSE ]
♪♪
1360
01:53:45,346 --> 01:53:48,082
>> THIS IS GREAT
THANK YOU.
1361
01:53:48,082 --> 01:53:53,621
IF I FALL UPON HARD TIMES, I CAN
SELL THIS, SO THAT'S GOOD.
1362
01:53:53,621 --> 01:53:56,890
FIRST OF ALL, THANK YOU SO MUCH
TO THE HOLLYWOODFOREIGN PRESS.
1363
01:53:56,890 --> 01:54:00,728
I'VE NEVER BEEN TO THE GOLDEN
GLOBES, I'M HERE NOW AND IT'S
1364
01:54:00,728 --> 01:54:04,465
GREAT.
I WOULD LIKE TO THANK EVERYONE
1365
01:54:04,465 --> 01:54:10,237
AT A‐24.
YES.
1366
01:54:10,237 --> 01:54:18,979
PETER SERAS, ANDREW MILANO
I WOULD LIKE TO THANK THE WOMAN
1367
01:54:18,979 --> 01:54:24,952
WHO PLAYS MY GRANDMA
[ APPLAUSE ]
1368
01:54:24,952 --> 01:54:30,991
THANK YOU.
AND MOST IMPORTANTLY TO LU LU
1369
01:54:30,991 --> 01:54:34,094
WONG, OUR INCREDIBLE DIRECTOR.
YOU GAVE ME THIS CHANCE, THE
1370
01:54:34,094 --> 01:54:38,499
CHANCE OF A LIFETIME
AND YOU TAUGHT ME SO MUCH.
1371
01:54:38,499 --> 01:54:41,869
AND JUST FILMING THE STORY,
BEING WITH YOU, IS KRBL.
1372
01:54:41,869 --> 01:54:45,973
I WOULD LIKE TO DEDICATE THIS TO
MY DAD WALLY, I TOLD YOU I WOULD
1373
01:54:45,973 --> 01:54:51,645
GET A JOB, DAD
AND TO MY GRANDMA, MY BEST
1374
01:54:51,645 --> 01:54:56,617
FRIEND, THE WOMAN WHO RAISED ME.
AND TO MY MOTHER, TIA, WHO I
1375
01:54:56,617 --> 01:54:59,653
ALWAYS HOPED WAS WATCHING FROM
SOMEWHERE ABOVE, AND I HOPE THAT
1376
01:54:59,653 --> 01:55:02,790
SHE'S WATCHING NOW
THANK YOU ALL.
1377
01:55:02,790 --> 01:55:04,925
THANK YOU.
>> Announcer: AND NOW FROM "THE
1378
01:55:04,925 --> 01:55:10,030
LOUDEST VOICE," NAOMI WATTS, AND
DIRECTOR OF "THE OUTSIDERS,"
1379
01:55:10,030 --> 01:55:22,643
JASON BATEMAN.
>> IN OUR NEXT MOTION PICTURE
1380
01:55:22,643 --> 01:55:25,913
DRAMA, A STAGE DIRECTOR AND HIS
ACTOR WIFE STRUGGLE THROUGH A
1381
01:55:25,913 --> 01:55:28,649
GRUELING COAST‐TO‐COAST DIVORCE
THAT PUSHES THEM TO THEIR
1382
01:55:28,649 --> 01:55:32,419
PERSONAL EXTREMES.
>> IT'S A BEAUTIFUL LOOK AT A
1383
01:55:32,419 --> 01:55:36,724
MARRIAGE COMING APART AND A
FAMILY STAYING TOGETHER.
1384
01:55:36,724 --> 01:55:42,596
NOMINATED FOR SIX GOLDEN GLOBES,
THIS IS "MARRIAGE STORY.
1385
01:55:42,596 --> 01:55:45,032
>> TONY AND I ARE GETTING A
DIVORCE.
1386
01:55:45,032 --> 01:55:48,235
>> YOU CAN'T BE FRIENDS WITH HIM
ANYMORE.
1387
01:55:48,235 --> 01:55:50,871
>> WOO
>> MOM
1388
01:55:50,871 --> 01:55:57,077
>> HOW ARE YOU DOING
>> I REALIZE I NEVER REALLY CAME
1389
01:55:57,077 --> 01:56:00,447
ALIVE FOR MYSELF
>> I'LL NEVER BE HIS PARENT
1390
01:56:00,447 --> 01:56:02,616
AGAIN.
>> IT'S ABOUT AS SIMPLE AS NOT
1391
01:56:02,616 --> 01:56:05,452
BEING IN LOVE ANYMORE.
>> ACTUALLY IT WILL BE THE TWO
1392
01:56:05,452 --> 01:56:08,155
OF YOU HAVING TO FIGURE THIS OUT
TOGETHER
1393
01:56:08,155 --> 01:56:14,202
[ APPLAUSE ]
>> Announcer: FOLLOW US ON
1394
01:56:14,202 --> 01:56:17,507
TWITTER AND GO BEHIN
>>
1395
01:56:28,163 --> 01:56:28,935
Announcer: WELCOME BACK TO
1396
01:56:28,935 --> 01:56:42,415
THE "GOLDEN GLOBES."
AND NOW, GOLDEN GLOBE WINNER
1397
01:56:42,415 --> 01:56:48,421
RACHEL WEISZ
>> GOOD EVENING.
1398
01:56:48,421 --> 01:56:51,357
THE NEXT TRAMDRAMA FOLLOWS ONE O
THE MOST INTENSE POWER
1399
01:56:51,357 --> 01:56:55,528
TRANSITIONS IN THE LAST 2,000
YEARS.
1400
01:56:55,528 --> 01:57:02,168
TRADITIONALIST POPE BENEDICT AND
REFORMIST POPE FRANCIS CONFRONT
1401
01:57:02,168 --> 01:57:05,838
THEIR PAFTSSTS AND FIND COMMON
GROUND
1402
01:57:05,838 --> 01:57:10,910
NOMINATED FOR FOUR GOLDEN
GLOBES, THIS IS "THE TWO POPES."
1403
01:57:10,910 --> 01:57:13,713
>> POPES CAN'T RESIGN.
>> IF YOU DO THIS, YOU WILL
1404
01:57:13,713 --> 01:57:18,718
DAMAGE THE PAPACY FOREVER.
>> I CAN NO LONGER SIT IN THE
1405
01:57:18,718 --> 01:57:21,721
CHAIR OF ST. PETE OF HER.
>> YOU ARE MISTAKEN.
1406
01:57:21,721 --> 01:57:24,123
>> SILENCE
I CANNOT PLAY THIS ROLE ANYMORE.
1407
01:57:24,123 --> 01:57:28,227
>> YOU'RE THE RIGHT PERSON
YOU COULD BE THE CHANGE.
1408
01:57:28,227 --> 01:57:31,797
>> IT COULD NEVER BE ME.
>> YOU MUST REMEMBER YOU ARE NOT
1409
01:57:31,797 --> 01:57:38,738
GOD.
YOU'RE ONLY HUMAN.
1410
01:57:38,738 --> 01:57:44,176
>> Announcer: PLEASE WELCOME THE
STARS OF THE UPCOMING "EURO
1411
01:57:44,176 --> 01:57:55,955
VISION," PIERCE BROSNAN AND WILL
FERRELL.
1412
01:57:55,955 --> 01:58:00,059
>> WE ARE HERE TO PRESENT THE
NOMINEES FOR BEST MOTION
1413
01:58:00,059 --> 01:58:04,330
PICTURE, MUSICAL OR COMEDY
>> MY GOD, YOU ARE GOOD LOOKING.
1414
01:58:04,330 --> 01:58:06,332
IT'S REALLY SOMETHING.
I LOVE EVERYTHING THAT'S GOING
1415
01:58:06,332 --> 01:58:07,133
ON HERE.
>> THANK YOU
1416
01:58:07,133 --> 01:58:12,939
>> THE HAIR, THE BEARD
>> THANK YOU
1417
01:58:12,939 --> 01:58:17,877
>> IT'S A REAL PRIVILEGE
>> THANK YOU, WILL
1418
01:58:17,877 --> 01:58:21,414
CAN I KEEP GOING
>> IT WOULD BE A REAL SHAME IF
1419
01:58:21,414 --> 01:58:24,016
YOU DIDN'T CONTINUE.
>> HERE ARE THE NOMINEES FOR
1420
01:58:24,016 --> 01:58:27,386
BEST MOTION PICTURE, MUSICAL, OR
COMEDY
1421
01:58:27,386 --> 01:58:34,293
>> Announcer: "DOLEMITE IS MY
NAME."
1422
01:58:34,293 --> 01:58:35,728
"JOJO RABBIT."
"KNIVES OUT.
1423
01:58:35,728 --> 01:58:36,462
"ONCE UPON A TIME IN
HOLLYWOOD.
1424
01:58:36,462 --> 01:58:45,938
"ROCKETMAN."
>> YOU SMELL AMAZING, BY THE
1425
01:58:45,938 --> 01:58:47,573
WAY.
IT'S NOT COLOGNE, YOU JUST SMELL
1426
01:58:47,573 --> 01:58:51,143
GOOD
>> THANK YOU SO MUCH
1427
01:58:51,143 --> 01:58:59,952
AND THE GOLDEN GLOBE GOES TO ‐‐
"ONCE UPON A TIME IN
1428
01:58:59,952 --> 01:59:00,686
HOLLYWOOD.
[ CHEERS AND APPLAUSE
1429
01:59:00,686 --> 01:59:05,257
♪♪
>> Announcer: COMING TO THE
1430
01:59:05,257 --> 01:59:08,394
STAGE FOR "ONCE UPON A TIME IN
HOLLYWOOD" ARE PRODUCERS DAVID
1431
01:59:08,394 --> 01:59:12,865
HAYMAN AND SHANNON MACINTOSH
ACCEPTING THE GOLDEN GLOBE IS
1432
01:59:12,865 --> 01:59:19,872
THE FILM'S DIRECTOR, WRITER, AND
PRODUCER, QUENTIN TARANTINO.
1433
01:59:19,872 --> 01:59:38,824
[ APPLAUSE ]
♪♪
1434
01:59:38,824 --> 01:59:42,695
>> QUENTIN IS NOTHING BUT
UNPREDICTABLE.
1435
01:59:42,695 --> 01:59:46,032
A FEW SECONDS AGO HE TOLD ME I
WAS GOING TO SPEAK
1436
01:59:46,032 --> 01:59:50,669
SO A MILLION THANKS TO EVERYBODY
WHO WORKED ON THE FILM IN FRONT
1437
01:59:50,669 --> 01:59:55,341
OF AND BEHIND THE CAMERA
A BIG THANKS TO OUR PATRON, TOM
1438
01:59:55,341 --> 02:00:05,051
ROTHMAN.
[ APPLAUSE ]
1439
02:00:05,051 --> 02:00:11,424
A BIG THANKS TO MAESTRO MR.
QUENTIN TARANTINO.
1440
02:00:11,424 --> 02:00:15,694
[ APPLAUSE ]
QUENTIN SAID, BEFORE I STARTED
1441
02:00:15,694 --> 02:00:19,498
THE FILM, HE SAID I WANT YOU TO
HAVE SUCH A GOOD TIME ON THIS
1442
02:00:19,498 --> 02:00:21,934
FILM THAT THE NEXT FILM IS GOING
TO BE MISERABLE.
1443
02:00:21,934 --> 02:00:23,402
HE WASN'T WRONG.
THANK YOU, QUENTIN
1444
02:00:23,402 --> 02:00:46,048
[ APPLAUSE ]
♪♪
1445
02:00:49,533 --> 02:00:51,961
>> Announcer: WELCOME BACK TO
"THE GOLDEN GLOBES."
1446
02:00:51,961 --> 02:01:02,705
STAR OF THE UPCOMING "HILLBILLY
ELEGY," GLENN CLOSE.
1447
02:01:02,705 --> 02:01:04,974
[ APPLAUSE ]
>> I AM SO DEEPLY HONORED TO BE
1448
02:01:04,974 --> 02:01:07,443
HERE TONIGHT
HERE ARE THE NOMINEES FOR THE
1449
02:01:07,443 --> 02:01:11,314
BEST ACTOR IN A MOTION PICTURE
DRAMA.
1450
02:01:11,314 --> 02:01:15,652
>> Announcer: FOR "FORD V
FERRARI," CHRISTIAN BALE
1451
02:01:15,652 --> 02:01:19,822
FOR "PAIN AND GLORY, ANTONIO
BANDERAS
1452
02:01:19,822 --> 02:01:24,627
FOR "MARRIAGE STORY," ADAM
DRIVER
1453
02:01:24,627 --> 02:01:29,799
FOR "JOKER," JOAQUIN PHOENIX
FOR "THE TWO POPES," JONATHAN
1454
02:01:29,799 --> 02:01:36,873
PRYCE.
>> AND THE GOLDEN GLOBE GOES TO
1455
02:01:36,873 --> 02:01:41,945
JOAQUIN PHOENIX.
[ CHEERS AND APPLAUSE
1456
02:01:41,945 --> 02:01:46,582
>> Announcer: THIS IS JOAQUIN
PHOENIX'S SECOND WIN AND SIXTH
1457
02:01:46,582 --> 02:01:50,386
NOMINATION
HE WINS HIS GOLDEN GLOBE TONIGHT
1458
02:01:50,386 --> 02:01:55,091
FOR HIS ROLE AS ARTHUR FLECK IN
"JOKER."
1459
02:01:55,091 --> 02:02:07,103
[ APPLAUSE ]
♪♪
1460
02:02:07,103 --> 02:02:17,847
>> HI.
UMM, FIRST I WOULD LIKE TO THANK
1461
02:02:17,847 --> 02:02:24,153
THE HOLLYWOOD FOREIGN PRESS FOR
RECOGNIZING AND ACKNOWLEDGING
1462
02:02:24,153 --> 02:02:29,592
THE LINK BETWEEN ANIMAL
AGRICULTURE AND CLIMATE CHANGE,
1463
02:02:29,592 --> 02:02:34,130
IT'S A VERY BOLD MOVE, MAKING
TONIGHT PLANT‐BASED.
1464
02:02:34,130 --> 02:02:38,601
IT REALLY SENDS A POWERFUL
MESSAGE.
1465
02:02:38,601 --> 02:02:47,043
TO MY FELLOW NOMINEES, WE ALL
KNOW THERE'S NO [ MUTED ].
1466
02:02:47,043 --> 02:02:51,247
IT'S LIKE THIS THING THAT IS
CREATED TO SELL ADVERTISEMENTS
1467
02:02:51,247 --> 02:02:57,020
FOR THE TV SHOW.
I'M INSPIRED BY YOU.
1468
02:02:57,020 --> 02:03:04,660
[ MUTED ].
I ‐‐ I ‐‐ I CAN'T BELIEVE THE
1469
02:03:04,660 --> 02:03:08,931
BEAUTIFUL MESMERIZING UNIQUE
WORK THAT YOU'VE ALL DONE THIS
1470
02:03:08,931 --> 02:03:13,636
YEAR
AND, UMM, I KNOW PEOPLE SAY THIS
1471
02:03:13,636 --> 02:03:19,575
BUT I REALLY DO FEEL HONORED TO
BE MENTIONED WITH YOU.
1472
02:03:19,575 --> 02:03:23,679
SOME OF YOU I REACHED OUT TO
PERSONALLY
1473
02:03:23,679 --> 02:03:28,818
SOME, I'M STILL TOO INTIMIDATED
BY EVEN THOUGH WE SHARE THE SAME
1474
02:03:28,818 --> 02:03:38,361
AGENT, HI, CHRISTIAN
YOU'RE NOT HERE, BUT ‐‐ AND,
1475
02:03:38,361 --> 02:03:45,368
UMM, TODD, YOU WERE SUCH AN
AMAZING FRIEND AND COLLABORATOR.
1476
02:03:45,368 --> 02:03:51,174
AND YOU CONVINCED ME TO DO THIS
MOVIE AND YOU ENCOURAGED ME TO
1477
02:03:51,174 --> 02:03:55,244
GIVE EVERYTHING AND TO BE
SINCERE.
1478
02:03:55,244 --> 02:03:58,915
AND I'M SUCH A PAIN IN THE ASS,
I CANNOT BELIEVE YOU PUT UP WITH
1479
02:03:58,915 --> 02:04:07,557
ME
I'M SO INDEBTED TO YOU
1480
02:04:07,557 --> 02:04:14,697
I LOVE YOU
CONTRARY TO POPULAR BELIEF, I
1481
02:04:14,697 --> 02:04:25,408
DON'T WANT TO ROCK THE BOAT.
BUT THE BOAT [ MUTED ]
1482
02:04:25,408 --> 02:04:30,213
THERE ARE ‐‐ IT'S REALLY NICE
THAT SO MANY PEOPLE COME UP AND
1483
02:04:30,213 --> 02:04:33,716
SENT THEIR WELL‐WISHES TO
AUSTRALIA.
1484
02:04:33,716 --> 02:04:36,486
BUT WE HAVE TO DO MORE THAN
THAT, RIGHT?
1485
02:04:36,486 --> 02:04:42,725
SUCH A BEAUTIFUL GESTURE
AND I AM A, UH, I HAVE NOT
1486
02:04:42,725 --> 02:04:50,032
ALWAYS BEEN A VIRTUEOUS MAN.
I'M LEARNING SO MUCH
1487
02:04:50,032 --> 02:04:53,202
SO MANY OF YOU IN THIS ROOM HAVE
GIVEN ME MULTIPLE OPPORTUNITIES
1488
02:04:53,202 --> 02:04:55,671
TO GET IT RIGHT.
I'M DEEPLY GRATEFUL.
1489
02:04:55,671 --> 02:04:59,575
TOGETHER HOPEFULLY WE CAN BE
UNIFIED AND ACTUALLY MAKE SOME
1490
02:04:59,575 --> 02:05:01,611
CHANGES.
IT'S GREAT TO VOTE
1491
02:05:01,611 --> 02:05:05,114
BUT SOMETIMES WE HAVE TO TAKE
THAT RESPONSIBILITY ON OURSELVES
1492
02:05:05,114 --> 02:05:08,951
AND MAKE CHANGES AND SACRIFICES
IN OUR OWN LIVES AND I HOPE THAT
1493
02:05:08,951 --> 02:05:13,422
WE CAN DO THAT
WE DON'T HAVE TO TAKE PRIVATE
1494
02:05:13,422 --> 02:05:16,659
JETS TO PALM SPRINGS SOMETIMES
OR BACK, PLEASE.
1495
02:05:16,659 --> 02:05:19,328
I'LL TRY TO DO BETTER AND I HOPE
YOU WILL TOO
1496
02:05:19,328 --> 02:05:21,297
THANK YOU SO MUCH FOR PUTTING UP
WITH ME.
1497
02:05:21,297 --> 02:05:23,032
I'M SO GRATEFUL FOR THIS NIGHT
AND ALL OF YOU
1498
02:05:23,032 --> 02:05:24,867
THANK YOU.
[ APPLAUSE ]
1499
02:05:24,867 --> 02:05:31,007
♪♪
>> Announcer: THE WINNER OF BEST
1500
02:05:31,007 --> 02:05:36,242
MOTION PICTURE DRAMA IS NEXT
"THE GOLDEN GLOBE"
1501
02:05:43,738 --> 02:05:46,086
>>> WELCOME BACK TO "THE GOLDEN
GLOBES."
1502
02:05:46,086 --> 02:05:52,959
NOW, STAR OF "NO TIME TO DIE,"
RAMI MALEK
1503
02:05:52,959 --> 02:06:02,001
[ APPLAUSE ]
>> EACH OF THE NOMINEES IN THIS
1504
02:06:02,001 --> 02:06:07,273
NEXT CATEGORY GAVE US POWERFUL
AND TRULY MEMORABLE
1505
02:06:07,273 --> 02:06:08,541
PERFORMANCES
HERE ARE THE NOMINEES FOR BEST
1506
02:06:08,541 --> 02:06:17,250
ACTRESS IN A MOTION PICTURE.
>> Narrator: FOR "HARRIET,"
1507
02:06:17,250 --> 02:06:22,555
CYNTHIA ERIVO.
FOR "MARRIAGE STORY," SCARLETT
1508
02:06:22,555 --> 02:06:26,126
JOHANSSON.
FOR "LITTLE WOMEN," SAOIRSE
1509
02:06:26,126 --> 02:06:29,662
RONAN.
FOR "BOMBSHELL," CHARLIZE
1510
02:06:29,662 --> 02:06:34,934
THERON
FOR "JUDY," RENEE ZELLWEGER.
1511
02:06:34,934 --> 02:06:40,607
>> AND THE GOLDEN GLOBE GOES TO
RENEE ZELLWEGER.
1512
02:06:40,607 --> 02:06:45,111
[ CHEERS AND APPLAUSE
♪♪
1513
02:06:45,111 --> 02:06:48,748
>> Announcer: THIS IS RENEE
ZELLWEGER'S FOURTH WIN AND
1514
02:06:48,748 --> 02:06:51,951
SEVENTH NOMINATION
SHE WINS HER GOLDEN GLOBE
1515
02:06:51,951 --> 02:06:57,724
TONIGHT FOR HER ROLE OF JUDY
GARLAND IN "JUDY."
1516
02:06:57,724 --> 02:07:04,764
[ APPLAUSE ]
♪♪
1517
02:07:04,764 --> 02:07:13,840
>> THANK YOU
MY, I REALLY AM UP HERE.
1518
02:07:13,840 --> 02:07:17,377
HI, EVERYBODY, IT'S NICE TO SEE
YOU.
1519
02:07:17,377 --> 02:07:24,818
Y'ALL LOOK PRETTY GOOD, 17 YEARS
LATER.
1520
02:07:24,818 --> 02:07:29,088
THANK YOU TO THE HFPA FOR
INVITING ME BACK TO THE FAMILY
1521
02:07:29,088 --> 02:07:32,292
REUNION, ESPECIALLY WITH ALL
THESE EXTRAORDINARY LADIES THIS
1522
02:07:32,292 --> 02:07:34,527
YEAR
I MEAN IT, YOUR WORK MOVES ME.
1523
02:07:34,527 --> 02:07:37,664
IT MOVES ME.
AND I'VE BEEN CHEERING FOR Y'ALL
1524
02:07:37,664 --> 02:07:39,666
FROM THEATER SEATS FOR A LONG
TIME
1525
02:07:39,666 --> 02:07:46,706
BEING ON A LIST WITH YOU IS
COOL
1526
02:07:46,706 --> 02:07:48,975
WHO THANKS THEIR AGENT FIRST
ME
1527
02:07:48,975 --> 02:08:02,722
KEVIN HUVANE, BRIAN LORD, PETER
LEVINE, DONNA PELL, MY PARTNERS
1528
02:08:02,722 --> 02:08:06,226
IN CRIME
I JUST HAVE TOTHANK YOU FOR
1529
02:08:06,226 --> 02:08:12,365
ALWAYS REMINDING ME THAT THE TOP
DOESN'T MATTER
1530
02:08:12,365 --> 02:08:20,573
IT'S THE JOURNEY THAT MATTERS.
AND THE WORK THAT MATTERS.
1531
02:08:20,573 --> 02:08:23,209
THANK YOU FOR ALWAYS SAYING,
JUST DO THE WORK, RENEE, JUST DO
1532
02:08:23,209 --> 02:08:28,615
THE WORK
THANK YOU.
1533
02:08:28,615 --> 02:08:32,986
[ APPLAUSE ]
AND THIS FILM, MY GOODNESS
1534
02:08:32,986 --> 02:08:35,421
ROBERT GOULD, BRILLIANT
DIRECTOR, THANK YOU.
1535
02:08:35,421 --> 02:08:38,091
THANK YOU TO DAVID LIVINGSTONE
FOR THAT FIRST CALL.
1536
02:08:38,091 --> 02:08:40,260
CAMERA RON
A LOT OF PEOPLE I'M GOING TO TRY
1537
02:08:40,260 --> 02:08:43,329
AND SQUEEZE IN
BBC FILMS FOR MAKING IT.
1538
02:08:43,329 --> 02:08:47,600
GOSH, JEREMY FOR ALL THOSE
PROSTHETICS, YOU WERE JUST
1539
02:08:47,600 --> 02:08:50,236
INCREDIBLE
MATT DINKLY, MAESTRO
1540
02:08:50,236 --> 02:08:56,342
ERIC VISTRO, JEFF FOSTER PAUL,
YOU GUYS KICKING ME IN THE
1541
02:08:56,342 --> 02:09:00,380
PANTS, MAKING ME TRY A LITTLE
BIT HARDER
1542
02:09:00,380 --> 02:09:07,854
JESSE BUCKLEY, FINN WHITROCK AND
RUFUS CELEBRATING ONE OF THE
1543
02:09:07,854 --> 02:09:13,993
GREAT ICONS OF ALL TIME WITH YOU
HAS BEEN ONE OF MY LIFE
1544
02:09:13,993 --> 02:09:16,763
BLESSINGS AND THE PEOPLE WHO
WANT TO EXPRESS THEIR LOVE FOR
1545
02:09:16,763 --> 02:09:21,701
JUDY GARLAND AND TELL ABOUT THE
GREAT PERSONAL SIGNIFICANCE OF
1546
02:09:21,701 --> 02:09:28,942
HER LEGACY AND HER HUMANITY, HAS
BEEN A GREAT REMINDER THAT THE
1547
02:09:28,942 --> 02:09:32,345
CHOICES THAT WE MAKE MATTERS
WHAT WE MAKE MATTERS
1548
02:09:32,345 --> 02:09:37,383
AND HOW WE CHOOSE TO HONOR EACH
OTHER IN OUR LIFETIMES CAN
1549
02:09:37,383 --> 02:09:40,653
MATTER A GREAT DEAL DOWN THE
ROAD
1550
02:09:40,653 --> 02:09:43,890
THANK YOU SO MUCH, EVERYBODY
IT'S NICE TO SEE YOU
1551
02:09:43,890 --> 02:09:44,791
I'M HONORED.
THANK YOU.
1552
02:09:44,791 --> 02:09:53,566
[ CHEERS AND APPLAUSE
♪♪
1553
02:09:53,566 --> 02:10:01,007
>> KILL ME
WE'RE NEARLY DONE.
1554
02:10:01,007 --> 02:10:08,481
RIGHT.
LAST ONE, LAST ONE, COME ON,
1555
02:10:08,481 --> 02:10:10,950
GUYS
OUR NEXT PRESENTER STARRED IN
1556
02:10:10,950 --> 02:10:15,955
NETFLIX'S "BIRD BOX," A MOVIE
WHERE PEOPLE SURVIVE BY ACTING
1557
02:10:15,955 --> 02:10:19,092
LIKE THEY DON'T SEE A THING.
SORT OF LIKE WORKING FOR HARVEY
1558
02:10:19,092 --> 02:10:22,628
WEINSTEIN.
YOU DID IT, I DIDN'T, YOU DID
1559
02:10:22,628 --> 02:10:23,796
IT
[ MUTED ].
1560
02:10:23,796 --> 02:10:26,232
PLEASE WELCOME SANDRA BULLOCK.
[ APPLAUSE ]
1561
02:10:26,232 --> 02:10:36,242
♪♪
>> THIS EVENING WE'VE SEEN
1562
02:10:36,242 --> 02:10:39,579
HIGHLIGHTS FROM THE FIVE TRULY
GREAT FILMS NOMINATED FOR BEST
1563
02:10:39,579 --> 02:10:44,951
MOTION PICTURE DRAMA
ONCE AGAIN, HERE ARE THE
1564
02:10:44,951 --> 02:10:47,653
NOMINEES
>> Announcer: "1917.
1565
02:10:47,653 --> 02:10:53,059
"THE IRISHMAN.
"JOKER."
1566
02:10:53,059 --> 02:10:57,330
"MARRIAGE STORY.
"THE TWO POPES."
1567
02:10:57,330 --> 02:11:04,637
>> AND THE GOLDEN GLOBE GOES
TO ‐‐ "1917.
1568
02:11:04,637 --> 02:11:11,677
[ CHEERS AND APPLAUSE
♪♪
1569
02:11:11,677 --> 02:11:14,781
>> Announcer: COMING TO THE
STAGE TONIGHT FOR "1917" ARE
1570
02:11:14,781 --> 02:11:24,023
DIRECTOR, WRITER, AND PRODUCER
SAM MENDES AND PRODUCER STEPHAN
1571
02:11:24,023 --> 02:11:24,557
HAIR
HARRIS
1572
02:11:24,557 --> 02:11:33,900
ACCEPTING THE GOLDEN GLOBE
TONIGHT FOR "1917," SAM MENDES
1573
02:11:33,900 --> 02:11:40,740
>> THANK YOU VERY, VERY MUCH
THANK YOU SO MUCH.
1574
02:11:40,740 --> 02:11:44,544
THIS IS A HUGE, HUGE THING
THIS IS A HUGE THING FOR THIS
1575
02:11:44,544 --> 02:11:47,513
AMAZE.
IT OPENS IN A WEEK
1576
02:11:47,513 --> 02:11:50,616
IT'S DIFFICULT TO MAKE MOVIES
WITHOUT BIG MOVIE STARS IN THE
1577
02:11:50,616 --> 02:11:53,753
LEAD AND GET PEOPLE TO COME AND
SEE IT IN A CINEMA
1578
02:11:53,753 --> 02:11:57,590
I REALLY HOPE THIS MEANS THAT
PEOPLE WILL TURN UP AND SEE IT
1579
02:11:57,590 --> 02:12:00,560
ON A BIG SCREEN FOR WHICH IT WAS
INTENDED
1580
02:12:00,560 --> 02:12:05,531
I WANT TO SAY THANK YOU TO MY
CO‐WRITER, TOM NEWMAN FOR HIS
1581
02:12:05,531 --> 02:12:07,567
INCREDIBLE SCORE, THREE
EXTRAORDINARY PRODUCERS.
1582
02:12:07,567 --> 02:12:12,605
TO THE HFPA FOR THIS AND WHAT
YOU'VE GIVEN TO THIS MOVIE,
1583
02:12:12,605 --> 02:12:13,906
THANK YOU SO VERY, VERY MUCH
[ APPLAUSE ]
1584
02:12:13,906 --> 02:12:20,613
♪♪
>> THAT'S IT
1585
02:12:20,613 --> 02:12:22,115
GOOD NIGHT
THANK YOU.
1586
02:12:22,115 --> 02:12:24,450
PLEASE DONATE TO AUSTRALIA
HAVE A GREAT TIME.
1587
02:12:24,450 --> 02:12:25,718
GET DRUNK.
TAKE YOUR DRUGS.
1588
02:12:25,718 --> 02:12:28,354
[ MUTED ].
1589
02:12:29,088 --> 02:12:38,231
♪♪
1590
02:12:50,543 --> 02:12:53,813
>> Announcer: THE NOMINATIONS
WERE MAILED TO ALL ELIGIBLE
1591
02:12:53,813 --> 02:12:56,883
MEMBERS OF THE HOLLYWOOD FOREIGN
PRESS ASSOCIATION WHO CHOOSE UP
1592
02:12:56,883 --> 02:12:59,585
TO FIVE NOMINEES IN EACH
CATEGORY
1593
02:12:59,585 --> 02:13:03,156
INFORMATION CONCERNING THE FINAL
RESULTS IS KNOWN ONLY TO THE
1594
02:13:03,156 --> 02:13:07,460
ACCOUNTING FIRM OF ERNST AND
YOUNG LLP PRIOR TO TONIGHT'S AGO
1595
02:13:07,460 --> 02:13:12,465
OF THE SEALED ENVELOPES.
>> FOR THE 2020 GOLDEN GLOBE
1596
02:13:12,465 --> 02:13:12,565
AWARDS
133080
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