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1
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(eerie music)
2
00:00:03,486 --> 00:00:09,498
♪
3
00:00:25,823 --> 00:00:28,327
(slow breathing)
4
00:00:28,327 --> 00:00:34,381
♪
5
00:00:55,674 --> 00:00:58,930
(eerie choir singing)
6
00:00:58,930 --> 00:01:00,266
(banging rattle)
7
00:01:00,266 --> 00:01:03,147
♪
8
00:01:03,147 --> 00:01:05,485
(radio static)
9
00:01:08,074 --> 00:01:10,621
(eerie choir singing)
10
00:01:10,621 --> 00:01:13,376
♪
11
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NEWS ANCHOR:
Our lead story...
12
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(eerie choir singing)
13
00:01:17,342 --> 00:01:19,096
(radio static)
14
00:01:19,096 --> 00:01:24,941
♪
15
00:01:26,443 --> 00:01:28,573
Our lead story today
takes us again
16
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to that hot zone‐‐ zone of
illegal, terrorist activity,
17
00:01:32,330 --> 00:01:33,583
our southern border.
18
00:01:33,583 --> 00:01:35,629
Our border crisis
continues to worsen,
19
00:01:35,629 --> 00:01:38,885
with more illegals than ever
coming into our country‐‐
20
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coming into our country...
21
00:01:40,263 --> 00:01:41,641
MALE:
She keeps asking questions
about them.
22
00:01:41,641 --> 00:01:43,519
MALE:
Maybe we could try
behavior modification.
23
00:01:43,519 --> 00:01:45,273
MALE: Do you think
we should keep 'em in?
24
00:01:45,273 --> 00:01:46,901
MALE: It doesn't stay in
the system for a week.
25
00:01:46,901 --> 00:01:48,154
MALE: Is that what we want?
NEWS ANCHOR: Coming into
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00:01:48,154 --> 00:01:50,784
our country,
claiming American jobs,
27
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draining precious resources,
28
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and committing an increasing
number of violent crimes.
29
00:01:56,796 --> 00:01:59,927
NEWS ANCHOR:
The migrant caravan
of over 5,000 Central Americans
30
00:01:59,927 --> 00:02:01,430
is full of children.
31
00:02:01,430 --> 00:02:04,019
Many of these children
are traveling alone.
32
00:02:04,019 --> 00:02:06,356
NEWS ANCHOR:
At the successful pilot immigration
33
00:02:06,356 --> 00:02:08,235
and cultural
rehabilitation center.
34
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(patriotic music)
35
00:02:09,989 --> 00:02:13,580
NEWS ANCHOR:
The ringleader of last night's
murderous terrorist assault...
36
00:02:13,580 --> 00:02:15,709
MALE: It could be because
of her hormonal circuit,
37
00:02:15,709 --> 00:02:17,337
measure to fit in.
38
00:02:17,337 --> 00:02:18,965
(mixed muttering voices)
39
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NEWS ANCHOR:
Congress members
are grappling today
40
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with the most urgent
of questions:
41
00:02:22,263 --> 00:02:24,644
when will action
finally be taken
42
00:02:24,644 --> 00:02:27,273
to end American suffering?
43
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(beeping)
44
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(choir singing)
45
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‐ Super nice.
46
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(male laughs)
47
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(soft music)
48
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MALE:
Hey.
49
00:02:56,749 --> 00:03:00,381
♪
50
00:03:03,137 --> 00:03:05,433
♪
51
00:03:07,270 --> 00:03:09,692
(music darkens)
52
00:03:16,664 --> 00:03:18,208
♪
53
00:03:18,208 --> 00:03:19,712
(female screams)
54
00:03:19,712 --> 00:03:23,720
♪
55
00:03:36,328 --> 00:03:38,040
(older female sighs)
56
00:03:41,714 --> 00:03:44,219
(mellow music)
57
00:03:44,219 --> 00:03:50,231
♪
58
00:04:12,735 --> 00:04:16,408
(wind blowing)
59
00:04:16,408 --> 00:04:22,420
♪
60
00:04:24,049 --> 00:04:26,637
(ominous flourish)
61
00:04:26,637 --> 00:04:32,440
♪
62
00:04:41,208 --> 00:04:42,711
(sighs)
63
00:04:42,711 --> 00:04:44,965
♪
64
00:04:44,965 --> 00:04:46,844
(phone rings)
65
00:04:46,844 --> 00:04:48,347
♪
66
00:04:48,347 --> 00:04:49,809
(phone rings)
67
00:04:52,044 --> 00:04:53,078
‐
Bueno.
68
00:05:10,600 --> 00:05:11,727
(phone clicks)
69
00:05:15,234 --> 00:05:17,823
(festive music)
70
00:05:17,823 --> 00:05:21,873
♪
71
00:05:21,873 --> 00:05:24,502
(Spanish singing on radio)
72
00:05:24,502 --> 00:05:30,514
♪
73
00:06:08,048 --> 00:06:10,261
♪
74
00:06:14,435 --> 00:06:17,901
♪
75
00:06:37,566 --> 00:06:41,824
♪
76
00:06:41,824 --> 00:06:42,951
(slams drink)
77
00:06:42,951 --> 00:06:44,287
Psst.
78
00:06:44,287 --> 00:06:50,299
♪
79
00:06:56,562 --> 00:06:58,440
♪
80
00:07:12,468 --> 00:07:15,474
♪
81
00:07:22,572 --> 00:07:28,584
♪
82
00:08:04,531 --> 00:08:06,869
(rumbling)
83
00:08:06,869 --> 00:08:09,415
(intense music)
84
00:08:09,415 --> 00:08:15,427
♪
85
00:08:23,276 --> 00:08:24,362
(knife clatters)
86
00:08:24,362 --> 00:08:26,867
♪
87
00:08:26,867 --> 00:08:27,869
(grunts)
88
00:08:27,869 --> 00:08:33,881
♪
89
00:08:42,273 --> 00:08:43,526
(sighs)
90
00:08:43,526 --> 00:08:44,903
♪
91
00:08:49,746 --> 00:08:51,291
(layered whispering voices)
92
00:08:51,291 --> 00:08:53,295
FEMALE: [whispering]
America.
MALE: [whispering]
America.
93
00:08:53,295 --> 00:08:54,798
MALE: [whispering]
America.
FEMALE: [whispering]
America.
94
00:08:54,798 --> 00:08:56,175
(screaming)
95
00:08:56,175 --> 00:08:58,681
(grunting)
96
00:09:00,392 --> 00:09:01,645
(panting)
97
00:09:01,645 --> 00:09:02,689
‐ Okay.
98
00:09:02,689 --> 00:09:05,402
(panting)
99
00:09:20,558 --> 00:09:23,063
(rhythmic breathing)
100
00:09:25,568 --> 00:09:28,156
(rhythmic breathing)
101
00:09:40,222 --> 00:09:41,350
Calma, cuidado.
102
00:09:43,478 --> 00:09:45,023
(church bells ringing)
103
00:09:51,327 --> 00:09:53,456
(church bells ringing)
104
00:09:57,464 --> 00:09:58,768
‐
¡Ay, mija!
105
00:10:07,944 --> 00:10:09,447
FEMALE: Marisol‐‐
106
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‐ Lupita...
107
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(soft music)
108
00:11:11,362 --> 00:11:13,784
♪
109
00:11:13,784 --> 00:11:14,744
(doorbell buzzes)
110
00:11:14,744 --> 00:11:16,038
(knock at door)
111
00:11:16,038 --> 00:11:17,667
♪
112
00:11:19,671 --> 00:11:21,675
(somber music)
113
00:11:23,511 --> 00:11:29,524
♪
114
00:11:42,842 --> 00:11:43,844
LUPITA:
Bueno.
115
00:11:47,225 --> 00:11:49,981
♪
116
00:11:54,281 --> 00:12:00,293
♪
117
00:12:28,391 --> 00:12:31,355
♪
118
00:12:33,944 --> 00:12:35,238
♪
119
00:12:35,238 --> 00:12:37,242
MARISOL:
Paola...
120
00:12:38,579 --> 00:12:39,706
♪
121
00:12:50,101 --> 00:12:52,147
♪
122
00:12:55,278 --> 00:13:01,290
♪
123
00:13:08,889 --> 00:13:09,933
♪
124
00:13:09,933 --> 00:13:11,060
MARISOL:
Gracias.
125
00:13:15,528 --> 00:13:17,865
♪
126
00:13:21,163 --> 00:13:22,415
♪
127
00:13:22,415 --> 00:13:26,048
(Lupita praying in Spanish)
128
00:13:26,048 --> 00:13:26,925
‐ Amen.
129
00:13:26,925 --> 00:13:28,302
(speaking Spanish)
130
00:13:28,302 --> 00:13:31,810
♪
131
00:13:31,810 --> 00:13:33,146
(praying in Spanish)
132
00:13:33,146 --> 00:13:36,945
(girls join)
133
00:13:36,945 --> 00:13:39,449
(prayer continues)
134
00:13:39,449 --> 00:13:45,461
♪
135
00:14:02,663 --> 00:14:05,293
(Spanish singing on radio)
136
00:14:05,293 --> 00:14:11,305
♪
137
00:14:26,502 --> 00:14:32,514
♪
138
00:14:38,694 --> 00:14:41,240
♪
139
00:14:43,077 --> 00:14:49,089
♪
140
00:14:58,232 --> 00:14:59,777
(El Zorro chuckles)
141
00:15:02,032 --> 00:15:06,290
♪
142
00:15:20,026 --> 00:15:21,153
(snaps fingers)
143
00:15:49,334 --> 00:15:50,336
(laughs)
144
00:15:57,726 --> 00:15:59,104
‐ Hey.
145
00:16:06,452 --> 00:16:07,955
(nervous laugh)
146
00:16:07,955 --> 00:16:10,460
(mellow music)
147
00:16:10,460 --> 00:16:12,548
♪
148
00:16:12,548 --> 00:16:14,969
(indistinct remarks)
149
00:16:14,969 --> 00:16:17,474
‐ (speaking Spanish)
150
00:16:17,474 --> 00:16:19,979
(indistinct chatter)
151
00:16:19,979 --> 00:16:25,991
♪
152
00:16:41,146 --> 00:16:43,735
(chimes tinkling)
153
00:16:43,735 --> 00:16:45,614
♪
154
00:16:45,614 --> 00:16:48,327
(low rumbling)
155
00:16:48,327 --> 00:16:54,005
♪
156
00:16:57,846 --> 00:16:59,015
♪
157
00:17:02,397 --> 00:17:08,409
♪
158
00:17:10,204 --> 00:17:14,087
(eerie music)
159
00:17:14,087 --> 00:17:15,298
(mellow music)
160
00:17:18,847 --> 00:17:20,601
(knock at door)
161
00:17:20,601 --> 00:17:25,527
♪
162
00:17:27,698 --> 00:17:31,288
♪
163
00:17:34,545 --> 00:17:39,847
♪
164
00:17:50,702 --> 00:17:51,829
EL ZORRO:
Ooh...
165
00:17:51,829 --> 00:17:53,248
(El Zorro laughs)
166
00:17:53,248 --> 00:17:54,125
Ooh!
167
00:17:54,125 --> 00:17:56,129
(appreciative laugh)
168
00:17:57,267 --> 00:17:58,541
Gracias.
169
00:18:00,722 --> 00:18:04,647
♪
170
00:18:10,826 --> 00:18:11,869
(El Zorro chuckles)
171
00:18:11,869 --> 00:18:15,126
♪
172
00:18:59,062 --> 00:19:00,369
(man chuckles)
173
00:19:33,950 --> 00:19:35,160
(pounds on the table)
174
00:19:35,160 --> 00:19:37,081
(singing)
175
00:19:37,081 --> 00:19:38,166
(pounds on the table)
176
00:19:38,166 --> 00:19:40,797
(riotous laughter)
177
00:20:40,625 --> 00:20:41,544
(taps table)
178
00:20:49,267 --> 00:20:50,562
(Chayan chuckles)
179
00:21:04,798 --> 00:21:05,884
(somber music)
180
00:21:09,808 --> 00:21:12,564
♪
181
00:21:16,196 --> 00:21:17,824
♪
182
00:21:22,458 --> 00:21:28,470
♪
183
00:21:35,693 --> 00:21:41,705
♪
184
00:21:46,214 --> 00:21:48,970
(Coyote singing)
185
00:21:48,970 --> 00:21:49,847
(taps beer on table)
186
00:21:49,847 --> 00:21:52,351
(tense music)
187
00:21:52,351 --> 00:21:58,363
♪
188
00:21:59,616 --> 00:22:02,246
(Coyote starts engine)
189
00:22:02,246 --> 00:22:08,258
♪
190
00:22:11,974 --> 00:22:15,147
♪
191
00:22:19,488 --> 00:22:20,617
♪
192
00:22:22,244 --> 00:22:23,455
♪
193
00:22:23,455 --> 00:22:24,838
(boy sighs)
194
00:22:27,087 --> 00:22:33,016
♪
195
00:22:34,101 --> 00:22:36,857
♪
196
00:22:50,300 --> 00:22:52,054
MARISOL: Ricky.
197
00:22:56,145 --> 00:22:58,651
(crickets chirring)
198
00:23:00,530 --> 00:23:02,032
(door creaks)
199
00:23:08,044 --> 00:23:10,633
(foreboding music)
200
00:23:10,633 --> 00:23:11,927
♪
201
00:23:14,015 --> 00:23:16,185
♪
202
00:23:16,185 --> 00:23:18,691
(Marisol grunting)
203
00:23:18,691 --> 00:23:21,195
♪
204
00:23:24,953 --> 00:23:26,414
(Chayan grunts)
205
00:23:26,414 --> 00:23:28,544
♪
206
00:23:28,544 --> 00:23:29,963
(Marisol pants)
207
00:23:29,963 --> 00:23:32,719
(both grunting)
208
00:23:32,719 --> 00:23:34,973
♪
209
00:23:34,973 --> 00:23:36,602
(panting)
210
00:23:36,602 --> 00:23:42,029
♪
211
00:23:42,947 --> 00:23:44,450
(Chayan grunts in pain)
212
00:23:44,450 --> 00:23:47,081
(grunting)
213
00:23:47,081 --> 00:23:48,333
(tense music)
214
00:23:48,333 --> 00:23:49,544
(Chayan chokes)
215
00:23:49,544 --> 00:23:51,089
♪
216
00:23:55,973 --> 00:23:57,351
♪
217
00:24:04,699 --> 00:24:06,077
(door slams)
218
00:24:06,077 --> 00:24:07,956
♪
219
00:24:27,119 --> 00:24:28,622
(clock ticking)
220
00:24:46,783 --> 00:24:48,787
Amen.
221
00:24:52,795 --> 00:24:53,923
(Chayan scoffs)
222
00:25:07,032 --> 00:25:09,161
(phone buzzes)
223
00:25:22,187 --> 00:25:28,576
♪
224
00:25:28,576 --> 00:25:30,078
(Chayan grunts)
225
00:25:30,078 --> 00:25:31,414
♪
226
00:25:36,842 --> 00:25:38,721
(Chayan speaking Spanish)
227
00:25:38,721 --> 00:25:39,931
Let's go, come on!
228
00:25:41,183 --> 00:25:46,903
♪
229
00:25:46,903 --> 00:25:48,281
(grunts)
230
00:25:48,281 --> 00:25:50,502
♪
231
00:25:55,796 --> 00:25:57,592
(blows a kiss)
232
00:25:57,592 --> 00:25:58,719
(laughs)
233
00:25:58,719 --> 00:25:59,345
(taps on truck)
234
00:25:59,345 --> 00:26:00,347
(speaking Spanish)
235
00:26:00,347 --> 00:26:06,359
♪
236
00:27:05,143 --> 00:27:07,690
(whistling)
237
00:27:07,690 --> 00:27:13,660
♪
238
00:27:14,996 --> 00:27:16,040
(turns off engine)
239
00:27:16,040 --> 00:27:22,052
♪
240
00:27:38,919 --> 00:27:40,673
(door rattles)
241
00:27:46,601 --> 00:27:48,354
(dog howling)
242
00:27:48,354 --> 00:27:49,753
(speaking Spanish)
243
00:28:13,572 --> 00:28:15,116
(Coyote howls)
244
00:28:15,116 --> 00:28:17,120
(Coyote laughs)
245
00:28:30,773 --> 00:28:32,526
(makes hissing sound)
246
00:28:34,614 --> 00:28:40,626
♪
247
00:28:50,147 --> 00:28:56,159
♪
248
00:28:57,913 --> 00:29:01,378
(Marisol panting)
249
00:29:01,378 --> 00:29:07,390
♪
250
00:29:27,556 --> 00:29:29,017
♪
251
00:29:29,017 --> 00:29:30,562
(Marisol sighs)
252
00:29:30,562 --> 00:29:36,574
♪
253
00:29:49,975 --> 00:29:53,234
♪
254
00:29:54,693 --> 00:29:56,279
♪
255
00:29:59,954 --> 00:30:01,206
(makes skeptical sound)
256
00:30:03,545 --> 00:30:04,713
‐ Ah!
257
00:30:09,097 --> 00:30:11,727
(laughing)
258
00:30:23,333 --> 00:30:24,460
(distant dogs yipping)
259
00:31:10,052 --> 00:31:11,429
(eerie sound)
260
00:31:11,429 --> 00:31:12,557
(eerie music)
261
00:31:12,557 --> 00:31:14,185
OSCAR: [whispering]
Hey, Marisol.
262
00:31:14,185 --> 00:31:15,396
‐ Hm?
263
00:31:15,396 --> 00:31:17,024
‐ Marisol.
264
00:31:17,024 --> 00:31:18,193
♪
265
00:31:19,989 --> 00:31:22,034
♪
266
00:31:23,997 --> 00:31:25,040
♪
267
00:31:26,919 --> 00:31:28,046
♪
268
00:31:32,556 --> 00:31:33,641
♪
269
00:31:36,062 --> 00:31:37,189
(stammers)
270
00:31:37,189 --> 00:31:38,442
♪
271
00:31:42,951 --> 00:31:43,953
(repeats)
272
00:31:43,953 --> 00:31:44,705
(muffled whimpers)
273
00:31:44,705 --> 00:31:46,166
(Oscar repeats himself)
274
00:31:46,166 --> 00:31:50,842
(Oscar repeats himself louder)
275
00:31:50,842 --> 00:31:53,096
(screaming)
276
00:31:53,096 --> 00:31:53,848
(gasping)
277
00:32:03,576 --> 00:32:04,285
‐ Shh.
278
00:32:05,412 --> 00:32:06,707
‐ Shh.
279
00:32:06,707 --> 00:32:09,212
(hum of engine)
280
00:32:09,212 --> 00:32:11,592
(tense music)
281
00:32:11,592 --> 00:32:13,470
Shh.
282
00:32:13,470 --> 00:32:19,107
♪
283
00:32:28,125 --> 00:32:29,628
Shh, shh!
284
00:32:45,702 --> 00:32:47,998
(hum of engine)
285
00:32:47,998 --> 00:32:50,587
(vehicle radio playing)
286
00:32:53,258 --> 00:32:55,847
(engine revving)
287
00:33:01,524 --> 00:33:04,740
(engine rumbling)
288
00:33:04,740 --> 00:33:07,286
(vehicle radio playing)
289
00:33:07,286 --> 00:33:12,797
♪
290
00:33:12,797 --> 00:33:14,425
CARTEL MEMBER:
Woo!
291
00:33:17,056 --> 00:33:19,268
(riotous shouting)
292
00:33:19,268 --> 00:33:21,314
(grunting)
293
00:33:21,314 --> 00:33:22,817
(sounds of impact)
294
00:33:27,159 --> 00:33:28,161
(shouting)
295
00:33:30,667 --> 00:33:32,127
(gunshot)
296
00:33:32,127 --> 00:33:33,421
(loud gasp)
297
00:33:40,018 --> 00:33:42,816
(gunshot)
298
00:33:42,816 --> 00:33:43,818
‐ Woo!
299
00:33:48,451 --> 00:33:49,538
♪
300
00:33:49,538 --> 00:33:50,289
(thud)
301
00:33:50,289 --> 00:33:51,332
CARTEL MEMBER:
Woo!
302
00:33:51,332 --> 00:33:52,209
(gunshot)
303
00:33:54,171 --> 00:33:55,717
(starting engine)
304
00:33:58,723 --> 00:34:00,309
(riotous shouting)
305
00:34:00,309 --> 00:34:02,229
(engine revving)
306
00:34:02,229 --> 00:34:03,941
(dramatic music)
307
00:34:10,037 --> 00:34:16,049
♪
308
00:34:17,301 --> 00:34:19,055
Ricky!
309
00:34:19,055 --> 00:34:22,186
(cartel member laughing)
310
00:34:24,190 --> 00:34:30,160
♪
311
00:34:32,582 --> 00:34:34,795
(horn honking)
312
00:34:34,795 --> 00:34:37,091
(Marisol sobbing)
313
00:34:37,091 --> 00:34:38,844
(cartel member laughing)
314
00:34:38,844 --> 00:34:41,558
♪
315
00:34:41,558 --> 00:34:44,606
BORDER PATROL:
This is the United States
Border Patrol.
316
00:34:44,606 --> 00:34:45,733
Stop where you are.
317
00:34:45,733 --> 00:34:47,111
Do not move.
318
00:34:47,111 --> 00:34:53,081
♪
319
00:34:55,795 --> 00:34:58,174
(dogs barking)
320
00:34:58,174 --> 00:35:00,095
(echoing pant)
321
00:35:01,180 --> 00:35:03,351
♪
322
00:35:03,351 --> 00:35:05,940
(hum of helicopter)
323
00:35:08,069 --> 00:35:10,616
(breathing and heartbeat)
324
00:35:13,622 --> 00:35:15,752
‐ Breathe, sweetie.
325
00:35:15,752 --> 00:35:17,254
You're safe now.
326
00:35:17,254 --> 00:35:19,008
(heartbeat)
327
00:35:19,008 --> 00:35:21,597
(breathing deeply)
328
00:35:25,897 --> 00:35:27,399
Keep breathing just like that.
329
00:35:27,399 --> 00:35:28,234
(voice echoes)
330
00:35:28,234 --> 00:35:29,361
You're doing great.
331
00:35:29,361 --> 00:35:30,322
(voice echoes)
332
00:35:30,322 --> 00:35:32,744
(breathing sounds)
333
00:35:32,744 --> 00:35:34,079
(Marisol moaning)
334
00:35:34,079 --> 00:35:36,960
There you go.
335
00:35:36,960 --> 00:35:41,093
Oh, I can see it.
336
00:35:41,093 --> 00:35:43,139
Keep going.
337
00:35:43,139 --> 00:35:47,857
Just one more push!
338
00:35:47,857 --> 00:35:50,278
(Marisol screaming)
339
00:35:50,278 --> 00:35:51,990
Oh!
340
00:35:51,990 --> 00:35:53,911
(light laugh)
341
00:35:53,911 --> 00:35:57,919
It's a beautiful baby girl!
342
00:35:57,919 --> 00:36:01,008
(Marisol breathes deeply)
343
00:36:01,008 --> 00:36:02,929
MARISOL:
My sweet girl.
344
00:36:07,689 --> 00:36:09,943
(birds chirping)
345
00:36:11,655 --> 00:36:15,788
(soft music)
346
00:36:15,788 --> 00:36:21,800
♪
347
00:37:00,711 --> 00:37:03,424
(female humming
"My Country, 'Tis of Thee")
348
00:37:03,424 --> 00:37:09,436
♪
349
00:37:25,385 --> 00:37:26,137
Where am I?
350
00:37:26,137 --> 00:37:27,640
(gasps)
351
00:37:27,640 --> 00:37:28,516
Where is she?
352
00:37:28,516 --> 00:37:29,894
FEMALE:
Oh, good morning!
353
00:37:29,894 --> 00:37:32,107
The little angel is sleeping.
354
00:37:32,107 --> 00:37:33,986
Come, come eat.
355
00:37:33,986 --> 00:37:35,614
I made you some soup.
356
00:37:35,614 --> 00:37:41,626
♪
357
00:37:53,357 --> 00:37:55,111
‐ Mm.
358
00:37:55,111 --> 00:37:56,531
♪
359
00:37:56,531 --> 00:37:57,742
Mm.
360
00:37:57,742 --> 00:38:02,042
♪
361
00:38:02,042 --> 00:38:04,798
(laughing)
362
00:38:04,798 --> 00:38:06,300
‐ It's not a race, honey.
363
00:38:06,300 --> 00:38:07,804
Not anymore.
364
00:38:07,804 --> 00:38:09,306
You're in America now,
365
00:38:09,306 --> 00:38:11,268
the land of plenty.
366
00:38:11,268 --> 00:38:12,312
♪
367
00:38:12,312 --> 00:38:13,941
‐ I'm sorry, it's just that
368
00:38:13,941 --> 00:38:16,406
I feel like I'm
still eating for two.
369
00:38:16,406 --> 00:38:18,160
Oh, this is delicious.
370
00:38:18,160 --> 00:38:19,121
You made this?
371
00:38:19,121 --> 00:38:19,997
FEMALE:
Someone once said
372
00:38:19,997 --> 00:38:21,543
you can judge a woman
373
00:38:21,543 --> 00:38:24,047
by the taste of
her homemade soup.
374
00:38:24,047 --> 00:38:25,299
(laughs)
375
00:38:28,055 --> 00:38:29,559
‐ Oh...
FEMALE: Oh, oh, oh.
376
00:38:29,559 --> 00:38:30,644
Take it slow.
377
00:38:30,644 --> 00:38:31,813
No need to rush.
378
00:38:31,813 --> 00:38:32,815
When you're done,
379
00:38:32,815 --> 00:38:34,192
if you're feeling up to it,
380
00:38:34,192 --> 00:38:35,821
I'll take you out for a walk.
381
00:38:37,448 --> 00:38:40,079
It's a beautiful day out today.
382
00:38:40,079 --> 00:38:42,208
A perfect day
383
00:38:42,208 --> 00:38:43,670
to see your new home.
384
00:38:43,670 --> 00:38:49,682
♪
385
00:38:53,607 --> 00:38:54,859
(Marisol laughs)
386
00:38:54,859 --> 00:38:56,696
♪
387
00:38:56,696 --> 00:38:57,865
NEIGHBOR:
Hello friend.
388
00:38:57,865 --> 00:38:59,827
‐ Hi.
NEIGHBOR: Good morning.
389
00:38:59,827 --> 00:39:01,831
♪
390
00:39:01,831 --> 00:39:03,292
NEIGHBOR: Good morning.
‐ Good morning.
391
00:39:03,292 --> 00:39:09,304
♪
392
00:39:17,863 --> 00:39:20,117
(chimes tinkling)
393
00:39:20,117 --> 00:39:22,957
♪
394
00:39:22,957 --> 00:39:25,211
MARISOL:
Wow, so many
paisanos.
395
00:39:25,211 --> 00:39:27,883
FEMALE:
Oh yes, lots of Latinos here.
396
00:39:27,883 --> 00:39:30,012
And people from
all over the world.
397
00:39:30,012 --> 00:39:31,265
Everyone's getting ready
398
00:39:31,265 --> 00:39:33,352
for our big celebration
this weekend.
399
00:39:33,352 --> 00:39:36,024
‐ Looks great, everybody.
FEMALE: Oh, Thomas?
400
00:39:36,024 --> 00:39:37,736
Thomas!
401
00:39:37,736 --> 00:39:39,239
Hello.
402
00:39:39,239 --> 00:39:41,744
Marisol, this is Thomas,
our town's mayor.
403
00:39:41,744 --> 00:39:42,997
Marisol is new here.
404
00:39:42,997 --> 00:39:43,999
THOMAS:
Oh, welcome, Marisol.
405
00:39:43,999 --> 00:39:45,126
We're so happy to have you.
406
00:39:45,126 --> 00:39:45,877
MARISOL:
Thank you.
407
00:39:45,877 --> 00:39:47,463
You have such a beautiful town.
408
00:39:47,463 --> 00:39:48,465
THOMAS:
Oh, thank you,
409
00:39:48,465 --> 00:39:49,509
but it's not just mine.
410
00:39:49,509 --> 00:39:51,639
Cape Joy is everyone's.
411
00:39:51,639 --> 00:39:52,641
It's yours too now, okay?
412
00:39:52,641 --> 00:39:53,852
‐ Oh.
THOMAS: And you let us know
413
00:39:53,852 --> 00:39:54,895
if there's anything
that any of us can do
414
00:39:54,895 --> 00:39:56,273
to make you feel at home.
415
00:39:56,273 --> 00:39:57,525
♪
416
00:39:57,525 --> 00:39:58,737
Congratulations, by the way.
417
00:39:58,737 --> 00:40:00,114
‐ Oh, thank you.
418
00:40:00,114 --> 00:40:02,911
THOMAS: Marisol, have you
ever seen fireworks?
419
00:40:02,911 --> 00:40:04,665
‐ Yeah, I mean, not often.
420
00:40:04,665 --> 00:40:06,418
‐ Okay, well,
at our Fourth of July party,
421
00:40:06,418 --> 00:40:08,548
they will absolutely
fill the sky.
422
00:40:08,548 --> 00:40:09,759
It's beautiful.
423
00:40:09,759 --> 00:40:11,261
It'll be a wonderful
experience for you.
424
00:40:11,261 --> 00:40:13,057
‐ When will that be?
MALE: Hey Thomas!
425
00:40:13,057 --> 00:40:14,560
Come take a look at this.
426
00:40:14,560 --> 00:40:16,438
‐ I'm so sorry, duty calls.
427
00:40:16,438 --> 00:40:17,816
We take the big day
very seriously here.
428
00:40:17,816 --> 00:40:19,069
It was nice to meet you,
Marisol.
429
00:40:19,069 --> 00:40:20,154
‐ Nice to meet you.
THOMAS: Hope to see you soon.
430
00:40:20,154 --> 00:40:21,824
Betty.
And if you feel like it,
431
00:40:21,824 --> 00:40:23,369
come by and help
with the preparations.
432
00:40:23,369 --> 00:40:24,412
There's nothing like chipping in
433
00:40:24,412 --> 00:40:25,791
to help feel at home
in the community.
434
00:40:25,791 --> 00:40:26,751
♪
435
00:40:26,751 --> 00:40:28,295
Looks great, guys.
436
00:40:28,295 --> 00:40:29,422
MARISOL:
He seems nice.
437
00:40:29,422 --> 00:40:32,428
BETTY:
Oh, he has been such a blessing
438
00:40:32,428 --> 00:40:33,681
for our little town.
439
00:40:33,681 --> 00:40:34,683
♪
440
00:40:34,683 --> 00:40:36,436
‐ This place is so...
441
00:40:36,436 --> 00:40:37,689
‐ Special?
442
00:40:37,689 --> 00:40:38,691
‐ Yeah!
443
00:40:38,691 --> 00:40:39,693
♪
444
00:40:39,693 --> 00:40:41,071
‐ We're very lucky.
445
00:40:41,071 --> 00:40:43,200
♪
446
00:40:43,200 --> 00:40:44,829
‐ I think I could call it home.
447
00:40:44,829 --> 00:40:46,541
♪
448
00:40:46,541 --> 00:40:47,960
‐ Well now,
449
00:40:47,960 --> 00:40:49,672
that's the spirit, darling.
450
00:40:49,672 --> 00:40:53,721
♪
451
00:40:53,721 --> 00:40:56,831
(music darkens)
452
00:40:56,831 --> 00:40:58,230
‐ Oscar?
453
00:40:58,230 --> 00:40:59,608
♪
454
00:40:59,608 --> 00:41:00,986
BETTY:
Marisol, are you all right?
455
00:41:00,986 --> 00:41:02,948
♪
456
00:41:02,948 --> 00:41:04,535
‐ Oscar!
457
00:41:04,535 --> 00:41:05,912
(Betty gasps)
458
00:41:05,912 --> 00:41:07,541
BETTY:
Marisol, wait!
459
00:41:07,541 --> 00:41:08,710
MARISOL:
I...
460
00:41:08,710 --> 00:41:10,797
I'm sorry, excuse me.
461
00:41:10,797 --> 00:41:12,175
FEMALE: Hi!
462
00:41:12,175 --> 00:41:13,845
MALE: Hi there!
463
00:41:13,845 --> 00:41:15,473
(indistinct chatter)
464
00:41:15,473 --> 00:41:17,603
THOMAS: All right, guys,
let's take these babies for a spin.
465
00:41:17,603 --> 00:41:21,485
GROUP ON LOUDSPEAKER:
♪ Oh, say can you see
466
00:41:21,485 --> 00:41:25,242
by the dawn's early light ♪
467
00:41:25,242 --> 00:41:29,334
♪ What so proudly we hailed
468
00:41:29,334 --> 00:41:33,383
at the twilight's
last gleaming?
469
00:41:33,383 --> 00:41:37,643
♪ Whose broad stripes
and bright stars
470
00:41:37,643 --> 00:41:41,734
through the perilous fight ♪
471
00:41:41,734 --> 00:41:42,903
♪ O'er the ram‐‐ ♪♪
472
00:41:42,903 --> 00:41:43,780
(screams)
473
00:41:43,780 --> 00:41:45,700
(sustained beep)
474
00:41:45,700 --> 00:41:47,621
(wind blowing)
475
00:41:51,002 --> 00:41:52,255
(gasps)
476
00:41:52,255 --> 00:41:54,760
(soft music)
477
00:41:54,760 --> 00:42:00,772
♪
478
00:42:12,546 --> 00:42:15,009
(music darkens)
479
00:42:15,009 --> 00:42:21,021
♪
480
00:42:29,370 --> 00:42:30,414
‐ Where is she?
481
00:42:30,414 --> 00:42:32,043
BETTY:
Oh!
482
00:42:32,043 --> 00:42:33,546
Feeling any better today?
483
00:42:33,546 --> 00:42:34,548
♪
484
00:42:34,548 --> 00:42:35,800
‐ Yes, thank you.
485
00:42:35,800 --> 00:42:40,434
♪
486
00:42:40,434 --> 00:42:42,063
Um, excuse me, ma'am,
487
00:42:42,063 --> 00:42:43,190
how did I get here?
488
00:42:43,190 --> 00:42:45,277
Why is it that I just
can't remember anything?
489
00:42:45,277 --> 00:42:47,323
‐ Please call me Betty.
490
00:42:47,323 --> 00:42:48,283
‐ Betty.
491
00:42:48,283 --> 00:42:50,037
‐ I'm so sorry.
492
00:42:50,037 --> 00:42:52,083
This must be very hard for you.
493
00:42:52,083 --> 00:42:54,588
You crossed the border
with your Coyote two days ago.
494
00:42:54,588 --> 00:42:56,216
Feeling any better today?
495
00:42:56,216 --> 00:42:58,596
♪
496
00:42:58,596 --> 00:43:01,351
‐ Uh, yes, thank you.
497
00:43:01,351 --> 00:43:02,436
Where are my things?
498
00:43:02,436 --> 00:43:04,232
I brought stuff with me, and‐‐
499
00:43:04,232 --> 00:43:06,069
BETTY: Oh, we can
get you all new stuff.
500
00:43:06,069 --> 00:43:08,448
Don't worry about
what you've lost;
501
00:43:08,448 --> 00:43:10,704
think instead of...
502
00:43:10,704 --> 00:43:12,582
all that you've gained.
503
00:43:12,582 --> 00:43:19,722
♪
504
00:43:19,722 --> 00:43:21,099
‐ Let me have her.
BETTY: Oh! No, no, no.
505
00:43:21,099 --> 00:43:21,934
She just ate.
506
00:43:21,934 --> 00:43:23,855
You just rest.
507
00:43:23,855 --> 00:43:24,732
‐ I'm fine.
508
00:43:24,732 --> 00:43:25,734
(chuckling)
509
00:43:25,734 --> 00:43:27,486
‐ Great, fantastic.
510
00:43:27,486 --> 00:43:28,823
♪
511
00:43:28,823 --> 00:43:31,453
I wish I could go out
and help with the decorations.
512
00:43:31,453 --> 00:43:32,581
I'm just too old now.
513
00:43:32,581 --> 00:43:35,502
I can hardly hold
a hammer steady.
514
00:43:35,502 --> 00:43:37,006
I know.
515
00:43:37,006 --> 00:43:39,260
Why don't you go out and help?
516
00:43:39,260 --> 00:43:40,638
Everyone is there.
517
00:43:40,638 --> 00:43:41,724
‐ I don't know anybody.
518
00:43:41,724 --> 00:43:43,018
BETTY:
Oh, nonsense, you know Thomas,
519
00:43:43,018 --> 00:43:44,395
and you can make
all new friends.
520
00:43:44,395 --> 00:43:47,652
Besides, Thomas can help you
get a job right away too.
521
00:43:47,652 --> 00:43:49,113
You don't want everybody else
522
00:43:49,113 --> 00:43:51,952
snatching up all
your opportunities, do you?
523
00:43:51,952 --> 00:43:54,332
Gotta provide for
the little one, right?
524
00:43:54,332 --> 00:44:00,344
♪
525
00:44:03,266 --> 00:44:06,147
(orchestral music)
526
00:44:06,147 --> 00:44:08,109
NEIGHBOR: Hello there!
NEIGHBOR: It's gonna be great!
527
00:44:08,109 --> 00:44:14,121
♪
528
00:44:21,637 --> 00:44:22,931
MARISOL:
Hey, Ricky!
529
00:44:22,931 --> 00:44:24,768
Hi.
530
00:44:24,768 --> 00:44:25,687
TEACHER:
Come, come, children.
531
00:44:25,687 --> 00:44:26,772
(eerie music)
532
00:44:31,699 --> 00:44:32,784
MALE:
Hello.
533
00:44:36,165 --> 00:44:38,671
(indistinct conversation)
534
00:44:38,671 --> 00:44:40,007
FEMALE:
Hi.
535
00:44:40,007 --> 00:44:41,050
MARISOL:
Hi.
536
00:44:41,050 --> 00:44:42,303
THOMAS:
Marisol!
537
00:44:42,303 --> 00:44:44,892
Hey, good to see you again.
538
00:44:44,892 --> 00:44:46,394
MARISOL: Hi.
THOMAS: Hi.
539
00:44:46,394 --> 00:44:47,689
So, what do you think
540
00:44:47,689 --> 00:44:49,317
of our beautiful little
American town so far?
541
00:44:49,317 --> 00:44:51,154
MARISOL:
Um, it's, um...
542
00:44:53,199 --> 00:44:55,037
It's confusing.
543
00:44:55,037 --> 00:44:56,331
THOMAS:
Here, come have a seat.
544
00:45:02,594 --> 00:45:04,932
You weren't prepared for
such a big change, right?
545
00:45:08,063 --> 00:45:09,733
You'd be surprised
how many people
546
00:45:09,733 --> 00:45:10,693
experience that sort of thing
547
00:45:10,693 --> 00:45:11,862
when they move to a new country.
548
00:45:11,862 --> 00:45:13,574
It's perfectly normal.
549
00:45:13,574 --> 00:45:14,826
We call it culture shock.
550
00:45:14,826 --> 00:45:16,789
‐ Culture shock.
THOMAS: And everybody here
551
00:45:16,789 --> 00:45:18,709
has felt the way
that you have.
552
00:45:18,709 --> 00:45:20,087
Even me.
553
00:45:20,087 --> 00:45:21,297
‐ Really?
‐ Oh yeah.
554
00:45:21,297 --> 00:45:24,470
Yeah, I traveled to India
in grad school.
555
00:45:24,470 --> 00:45:29,313
I haven't sweat that much
since, well, ever.
556
00:45:29,313 --> 00:45:30,566
And the food.
557
00:45:30,566 --> 00:45:31,694
It was delicious,
558
00:45:31,694 --> 00:45:33,739
but I don't think
there was a single day
559
00:45:33,739 --> 00:45:36,244
where my body wasn't in crisis.
560
00:45:36,244 --> 00:45:37,371
(Marisol laughs)
561
00:45:40,210 --> 00:45:42,089
What were you hoping for
when you came here?
562
00:45:42,089 --> 00:45:43,884
When you crossed?
563
00:45:43,884 --> 00:45:45,137
‐ Um...
564
00:45:48,018 --> 00:45:49,145
It's...
565
00:45:50,105 --> 00:45:51,608
‐ I understand.
566
00:45:51,608 --> 00:45:54,030
You know, people dream
of a place like this
567
00:45:54,030 --> 00:45:56,242
because change is good.
568
00:45:56,242 --> 00:45:58,246
We dream of
having the freedom
569
00:45:58,246 --> 00:46:00,250
of waking up on
any given morning
570
00:46:00,250 --> 00:46:01,587
and starting over.
571
00:46:01,587 --> 00:46:03,256
The freedom to
choose to be happy
572
00:46:03,256 --> 00:46:06,471
instead of feeling like the
world makes that impossible.
573
00:46:06,471 --> 00:46:08,768
It's not my place
to tell you how to feel,
574
00:46:08,768 --> 00:46:13,026
but our little town
works for people.
575
00:46:14,613 --> 00:46:16,784
And you have a new
life to look out for,
576
00:46:16,784 --> 00:46:18,244
not just your own.
577
00:46:18,244 --> 00:46:22,419
If you can, try to
choose to be happy.
578
00:46:24,298 --> 00:46:25,676
What have you got to lose?
579
00:46:25,676 --> 00:46:28,306
(soft, tense music)
580
00:46:28,306 --> 00:46:28,933
♪
581
00:46:28,933 --> 00:46:30,310
‐ Right.
582
00:46:30,310 --> 00:46:31,437
♪
583
00:46:31,437 --> 00:46:32,774
Okay.
584
00:46:32,774 --> 00:46:33,692
‐ Yeah?
‐ Yeah.
585
00:46:33,692 --> 00:46:35,403
‐ Okay, great.
586
00:46:35,403 --> 00:46:37,784
And why don't you help me
organize for the big event?
587
00:46:37,784 --> 00:46:38,661
‐ Me?
‐ Yeah, yeah,
588
00:46:38,661 --> 00:46:40,038
you could do decorations.
589
00:46:40,038 --> 00:46:41,290
Get to know some of us,
590
00:46:41,290 --> 00:46:43,378
I think you'd be a natural.
591
00:46:43,378 --> 00:46:44,421
‐ I think I can
do that, yeah.
592
00:46:44,421 --> 00:46:45,550
‐ Okay, perfect.
593
00:46:45,550 --> 00:46:46,927
And then I'll see
you tomorrow, okay?
594
00:46:46,927 --> 00:46:49,641
‐ Okay.
‐ Oh, Marisol?
595
00:46:49,641 --> 00:46:51,144
Come by the
mess hall tonight.
596
00:46:51,144 --> 00:46:52,814
We're doing pizza.
‐ Looking forward to it.
597
00:46:52,814 --> 00:46:54,568
THOMAS:
Okay, I'll see you there.
598
00:46:54,568 --> 00:47:00,580
♪
599
00:47:17,614 --> 00:47:18,699
MARISOL:
Hi.
600
00:47:18,699 --> 00:47:22,916
♪
601
00:47:22,916 --> 00:47:24,711
Oh, sorry.
602
00:47:24,711 --> 00:47:27,424
♪
603
00:47:27,424 --> 00:47:28,719
‐ Marisol, hey!
604
00:47:28,719 --> 00:47:29,846
I'm glad you made it.
605
00:47:29,846 --> 00:47:31,224
Grab a seat, I want to
talk to you in a second.
606
00:47:31,224 --> 00:47:33,102
Excuse me.
MARISOL: Okay.
607
00:47:33,102 --> 00:47:37,862
♪
608
00:47:37,862 --> 00:47:39,741
‐ Oh, hey!
609
00:47:39,741 --> 00:47:44,083
♪
610
00:47:44,083 --> 00:47:45,460
‐
Cabrón.
611
00:47:45,460 --> 00:47:49,134
♪
612
00:47:49,134 --> 00:47:50,763
‐ Oh, hey.
613
00:47:50,763 --> 00:47:56,524
♪
614
00:47:57,986 --> 00:48:00,156
‐ Oh, sorry.
615
00:48:00,156 --> 00:48:05,751
♪
616
00:48:05,751 --> 00:48:07,004
Hi.
617
00:48:07,004 --> 00:48:13,016
♪
618
00:48:18,526 --> 00:48:19,779
Mm.
619
00:48:19,779 --> 00:48:25,791
♪
620
00:48:26,752 --> 00:48:29,381
(intensifying chewing sounds)
621
00:48:29,381 --> 00:48:34,433
♪
622
00:48:34,433 --> 00:48:36,938
(chaotic music)
623
00:48:36,938 --> 00:48:42,909
♪
624
00:48:45,038 --> 00:48:47,752
(fetal heartbeat)
625
00:48:47,752 --> 00:48:50,256
(panting)
626
00:48:50,256 --> 00:48:52,804
(eerie music)
627
00:48:52,804 --> 00:48:55,935
♪
628
00:48:55,935 --> 00:48:58,439
(screaming)
629
00:48:58,439 --> 00:49:03,951
♪
630
00:49:08,585 --> 00:49:09,461
(screaming)
631
00:49:09,461 --> 00:49:10,714
(gasps)
632
00:49:21,235 --> 00:49:23,824
(baby crying)
633
00:49:45,241 --> 00:49:47,830
(soft music)
634
00:49:47,830 --> 00:49:53,842
♪
635
00:50:05,991 --> 00:50:08,997
BETTY:
Hurry up, you're gonna be late.
636
00:50:08,997 --> 00:50:11,836
♪
637
00:50:11,836 --> 00:50:13,840
‐ What‐‐ what's happened?
‐ She was crying and crying
638
00:50:13,840 --> 00:50:16,345
and you wouldn't wake up.
639
00:50:16,345 --> 00:50:18,767
‐ I'm sorry.
640
00:50:18,767 --> 00:50:21,522
Give her to me‐‐
‐ No, I've got this.
641
00:50:21,522 --> 00:50:25,029
You don't want to be
late for your first day.
642
00:50:25,029 --> 00:50:25,864
Hurry up.
643
00:50:25,864 --> 00:50:31,876
♪
644
00:50:55,674 --> 00:50:57,052
MARISOL:
Ricky.
645
00:50:57,052 --> 00:50:58,805
♪
646
00:50:58,805 --> 00:51:01,435
Hey, Ricky.
647
00:51:01,435 --> 00:51:02,647
How are you?
648
00:51:02,647 --> 00:51:05,068
‐ Hello, Miss, it's a
pleasure to meet you.
649
00:51:07,531 --> 00:51:10,704
‐ It's Marisol
from Mexico.
650
00:51:10,704 --> 00:51:13,710
‐ My name's Ricky, it's
a pleasure to meet you.
651
00:51:13,710 --> 00:51:15,088
‐ We crossed the
border together.
652
00:51:15,088 --> 00:51:16,423
Remember that?
653
00:51:18,052 --> 00:51:19,722
‐ It's a pleasure to‐‐
654
00:51:19,722 --> 00:51:21,726
‐ Okay, uh...
655
00:51:25,358 --> 00:51:31,328
♪ Mexicanos,
al grito de guerra ♪
656
00:51:31,328 --> 00:51:37,340
♪ El acero aprestad
y el bridón ♪
657
00:51:37,340 --> 00:51:43,310
♪ Y retiemble en
sus centros la tierra ♪
658
00:51:43,310 --> 00:51:48,739
♪ Al sonoro
rugir del cañón ♪♪
659
00:51:48,739 --> 00:51:51,326
(eerie sounds)
660
00:51:53,497 --> 00:51:56,003
(panting)
661
00:51:59,134 --> 00:52:02,515
‐ Okay, children,
class is beginning.
662
00:52:02,515 --> 00:52:03,769
In we go.
663
00:52:05,773 --> 00:52:08,277
(eerie music)
664
00:52:08,277 --> 00:52:10,156
♪
665
00:52:12,745 --> 00:52:13,997
♪
666
00:52:20,510 --> 00:52:21,763
♪
667
00:52:25,604 --> 00:52:30,154
♪
668
00:52:31,533 --> 00:52:34,162
MARISOL:
Hey, Santo.
669
00:52:34,162 --> 00:52:36,668
‐ Well, hello
there, friend.
670
00:52:36,668 --> 00:52:38,170
‐ Are you okay?
671
00:52:38,170 --> 00:52:39,549
I saw you last
night at dinner.
672
00:52:39,549 --> 00:52:41,301
‐ Dinner was delicious.
673
00:52:41,301 --> 00:52:43,682
Best pizza in town,
wouldn't you say?
674
00:52:43,682 --> 00:52:46,186
And the barbecue tomorrow
is gonna be oh‐so‐delicious.
675
00:52:46,186 --> 00:52:47,313
‐ No, no,
listen to me, Santo.
676
00:52:47,313 --> 00:52:49,694
THOMAS:
Marisol, you made it.
677
00:52:49,694 --> 00:52:51,948
‐ Yeah, hi, I‐‐ I was
just talking to San‐‐
678
00:52:51,948 --> 00:52:54,160
‐ Santo Cristobal
at your service.
679
00:52:54,160 --> 00:52:56,415
‐ The banner looks
fabulous,
amigo.
680
00:52:56,415 --> 00:52:57,793
Marisol, walk with me.
681
00:52:57,793 --> 00:52:59,129
Gotta work on
some bulletins.
682
00:52:59,129 --> 00:53:00,799
Very important
bulletins, come on.
683
00:53:00,799 --> 00:53:03,012
Go over here, help
everybody out, okay?
684
00:53:03,012 --> 00:53:05,182
Hey, guys,
we have a new helper.
685
00:53:05,182 --> 00:53:06,686
Okay, so we just need
to spread these balloons
686
00:53:06,686 --> 00:53:09,065
all over, uh,
well, the gazebo.
687
00:53:09,065 --> 00:53:11,654
(tense music)
688
00:53:11,654 --> 00:53:17,833
♪
689
00:53:17,833 --> 00:53:20,839
‐ Well, hello there, friend.
‐ Santo Cristobal, remember me?
690
00:53:23,218 --> 00:53:26,684
We crossed the border
together with Ricky.
691
00:53:26,684 --> 00:53:30,232
Do you remember
El Zorro? Chayan?
692
00:53:30,232 --> 00:53:31,611
Do you...
693
00:53:31,611 --> 00:53:34,115
(eerie music)
694
00:53:34,115 --> 00:53:36,704
♪
695
00:53:36,704 --> 00:53:39,292
(praying in Spanish)
696
00:53:52,485 --> 00:53:53,947
Amen.
697
00:53:53,947 --> 00:53:57,871
♪
698
00:53:57,871 --> 00:54:00,501
(labored breathing)
699
00:54:00,501 --> 00:54:03,132
♪
700
00:54:04,760 --> 00:54:07,223
(speaking in Spanish)
701
00:54:07,223 --> 00:54:09,269
‐ Okay.
702
00:54:09,269 --> 00:54:11,273
‐ He sold us out.
703
00:54:11,273 --> 00:54:12,275
‐ He did?
704
00:54:12,275 --> 00:54:13,778
♪
705
00:54:13,778 --> 00:54:16,283
SANTO: I remember being
connected to something.
706
00:54:16,283 --> 00:54:18,245
It was hooked
to my head.
707
00:54:18,245 --> 00:54:19,874
Why the fuck am I
talking English?
708
00:54:19,874 --> 00:54:21,878
MARISOL: Please, Santo,
Santo, calm down.
709
00:54:21,878 --> 00:54:24,132
‐ Don't fucking
touch me, bitch.
710
00:54:24,132 --> 00:54:25,844
‐ Okay, okay.
711
00:54:25,844 --> 00:54:28,140
Santo,
look at me.
712
00:54:28,140 --> 00:54:29,894
SANTO:
My tattoos!
713
00:54:29,894 --> 00:54:32,398
Where are my tattoos?
714
00:54:32,398 --> 00:54:34,110
(swearing in Spanish)
715
00:54:34,110 --> 00:54:35,529
(shrieks)
716
00:54:35,529 --> 00:54:38,118
(Santo grunting, groaning)
717
00:54:38,118 --> 00:54:39,872
♪
718
00:54:39,872 --> 00:54:40,665
Fuck.
719
00:54:40,665 --> 00:54:43,295
(Santo grunting, groaning)
720
00:54:43,295 --> 00:54:49,307
♪
721
00:54:51,687 --> 00:54:53,524
‐ Stop it!
722
00:54:59,537 --> 00:55:00,287
(gasps)
723
00:55:00,287 --> 00:55:02,375
(panting)
724
00:55:04,504 --> 00:55:06,884
Oh, no, no, no.
725
00:55:06,884 --> 00:55:09,430
(sniffling)
726
00:55:10,642 --> 00:55:12,436
‐ Okay.
BETTY: Rise and shine.
727
00:55:12,436 --> 00:55:16,319
The park looks
absolutely gorgeous today.
728
00:55:23,835 --> 00:55:26,924
TEACHER: Marisol,
nice to see you again.
729
00:55:31,601 --> 00:55:34,105
‐
Oye, Santo.
‐ Marisol.
730
00:55:34,105 --> 00:55:47,173
(praying in Spanish)
731
00:55:47,173 --> 00:55:48,300
Amen.
732
00:55:52,475 --> 00:55:54,479
‐ Marisol.
‐ Yes.
733
00:55:54,479 --> 00:55:57,235
Hey, hey, hey, don't
freak out on me, man.
734
00:55:57,235 --> 00:55:59,489
♪
735
00:55:59,489 --> 00:56:00,617
‐ How did we get here?
736
00:56:00,617 --> 00:56:02,621
♪
737
00:56:02,621 --> 00:56:04,332
‐ I don't know.
738
00:56:04,332 --> 00:56:05,752
We were in
a desert, right?
739
00:56:05,752 --> 00:56:08,716
And then I
woke up here
740
00:56:08,716 --> 00:56:10,135
in this
fucking place.
741
00:56:10,135 --> 00:56:12,891
♪
742
00:56:12,891 --> 00:56:15,855
SANTO:
Yeah, this fucking place.
743
00:56:15,855 --> 00:56:18,653
♪
744
00:56:18,653 --> 00:56:19,905
‐ What about you?
What do you remember?
745
00:56:19,905 --> 00:56:21,993
‐ I‐‐ I remember
running...
746
00:56:21,993 --> 00:56:24,247
♪
747
00:56:24,247 --> 00:56:25,249
...and a truck.
748
00:56:25,249 --> 00:56:26,251
‐ Mm‐hm.
SANTO: Fucking narcos
749
00:56:26,251 --> 00:56:28,005
were chasing us.
750
00:56:28,005 --> 00:56:29,883
But then nothing.
751
00:56:29,883 --> 00:56:31,511
♪
752
00:56:31,511 --> 00:56:33,850
Doesn't make any sense.
753
00:56:33,850 --> 00:56:36,271
‐ That's 'cause nothing
in this place makes sense.
754
00:56:36,271 --> 00:56:37,523
♪
755
00:56:37,523 --> 00:56:41,741
Look at it, nobody ever
leaves, there's no cars.
756
00:56:41,741 --> 00:56:44,037
And then there's
no sense of time.
757
00:56:44,037 --> 00:56:45,039
♪
758
00:56:45,039 --> 00:56:47,293
‐ I feel like
I'm being watched.
759
00:56:47,293 --> 00:56:53,305
♪
760
00:57:12,761 --> 00:57:14,681
‐ Don't trust
anybody, Santo.
761
00:57:14,681 --> 00:57:16,309
♪
762
00:57:16,309 --> 00:57:18,063
We gotta get
out of here.
763
00:57:18,063 --> 00:57:23,783
♪
764
00:57:34,596 --> 00:57:36,976
(mellow music)
765
00:57:36,976 --> 00:57:42,988
♪
766
00:57:52,549 --> 00:57:54,678
THOMAS: This looks
stunning, everybody.
767
00:57:54,678 --> 00:57:56,849
This could be
our best one yet.
768
00:57:56,849 --> 00:57:59,228
No, you know what, this is
definitely our best one yet.
769
00:57:59,228 --> 00:58:00,940
And you,
terrific work.
770
00:58:00,940 --> 00:58:03,320
I mean, really,
above and beyond.
771
00:58:03,320 --> 00:58:04,865
‐ Why thank you, Thomas.
772
00:58:04,865 --> 00:58:06,201
I'm really happy
you like it.
773
00:58:06,201 --> 00:58:08,581
I really like
to help, you know.
774
00:58:08,581 --> 00:58:11,252
(intensifying shouting
in Spanish)
775
00:58:18,016 --> 00:58:19,143
THOMAS:
Keep up the good work.
776
00:58:19,143 --> 00:58:20,103
‐ Thank you.
777
00:58:20,103 --> 00:58:26,115
♪
778
00:58:34,131 --> 00:58:35,760
Beautiful day, right?
779
00:58:35,760 --> 00:58:37,346
♪
780
00:58:37,346 --> 00:58:38,641
(Oscar laughs)
781
00:58:38,641 --> 00:58:44,653
♪
782
00:58:51,374 --> 00:58:53,879
(intense music)
783
00:58:53,879 --> 00:58:59,891
♪
784
00:59:22,812 --> 00:59:25,150
‐ Shit, he's getting away.
785
00:59:25,150 --> 00:59:31,162
♪
786
01:00:01,180 --> 01:00:07,192
♪
787
01:00:35,958 --> 01:00:37,002
(Marisol gasps)
788
01:00:37,002 --> 01:00:39,507
(eerie music)
789
01:00:39,507 --> 01:00:45,519
♪
790
01:00:54,036 --> 01:00:56,542
(panting)
791
01:00:56,542 --> 01:00:58,419
♪
792
01:00:58,419 --> 01:01:01,008
(whimpering)
793
01:01:01,008 --> 01:01:07,020
♪
794
01:01:12,782 --> 01:01:15,287
(whimpering)
795
01:01:15,287 --> 01:01:21,299
♪
796
01:01:37,832 --> 01:01:40,337
(clanging)
797
01:01:40,337 --> 01:01:42,215
♪
798
01:01:42,215 --> 01:01:44,721
(hyperventilating)
799
01:01:44,721 --> 01:01:50,733
♪
800
01:01:55,952 --> 01:01:58,456
(Marisol whimpering)
801
01:01:58,456 --> 01:02:02,339
♪
802
01:02:02,339 --> 01:02:04,343
THOMAS:
Marisol, did you follow?
803
01:02:04,343 --> 01:02:05,345
♪
804
01:02:05,345 --> 01:02:07,224
‐ Shh!
GEORGE: Thomas?
805
01:02:07,224 --> 01:02:08,476
THOMAS:
Yes, sir?
806
01:02:08,476 --> 01:02:10,731
♪
807
01:02:10,731 --> 01:02:12,568
GEORGE:
How's everyone faring?
808
01:02:12,568 --> 01:02:14,113
How's the little guy?
809
01:02:14,113 --> 01:02:15,616
Any better?
810
01:02:15,616 --> 01:02:18,580
♪
811
01:02:18,580 --> 01:02:20,083
THOMAS:
Worse.
812
01:02:20,083 --> 01:02:21,127
He hasn't
made it a day,
813
01:02:21,127 --> 01:02:22,379
I don't think it's
realistic to think
814
01:02:22,379 --> 01:02:24,008
that he'll make it
through a full week.
815
01:02:24,008 --> 01:02:24,884
GEORGE:
Oh.
816
01:02:24,884 --> 01:02:29,268
♪
817
01:02:29,268 --> 01:02:32,024
Kids, they always
insist on dying.
818
01:02:32,024 --> 01:02:33,610
♪
819
01:02:33,610 --> 01:02:35,781
‐ Their immune systems
can't handle the tranquilizers
820
01:02:35,781 --> 01:02:37,367
the ways
an adult can.
821
01:02:37,367 --> 01:02:39,622
♪
822
01:02:39,622 --> 01:02:41,877
If we could take 'em out
and get a control test
823
01:02:41,877 --> 01:02:43,087
to safe dosage‐‐
824
01:02:43,087 --> 01:02:44,758
GEORGE:
We don't have time
for a control test, Tom.
825
01:02:44,758 --> 01:02:46,260
It's not gonna work
in the big picture
826
01:02:46,260 --> 01:02:49,516
of every single guest
needs a bespoke experience.
827
01:02:49,516 --> 01:02:50,770
We need to know
they'll be safe
828
01:02:50,770 --> 01:02:52,522
at least for
the entire duration
829
01:02:52,522 --> 01:02:56,363
of the week sequence on
a standard entry dose without fail.
830
01:02:56,363 --> 01:02:57,867
Now, that's
how the numbers add up.
831
01:02:57,867 --> 01:03:00,790
You understand
that, right?
832
01:03:00,790 --> 01:03:01,666
‐ Yes.
GEORGE: Good.
833
01:03:01,666 --> 01:03:02,752
Now speaking
of stability,
834
01:03:02,752 --> 01:03:04,798
how's our VIP
doing here?
835
01:03:04,798 --> 01:03:06,425
‐ Better.
836
01:03:06,425 --> 01:03:07,887
Still not settling
with degree
837
01:03:07,887 --> 01:03:09,431
of predictability
that we'd like.
838
01:03:09,431 --> 01:03:11,435
‐ We have the midwife
on vigilant surveillance, yes?
839
01:03:11,435 --> 01:03:15,068
‐ Yes, sir, I recoded the
firewall bot myself yesterday.
840
01:03:15,068 --> 01:03:18,074
GEORGE:
Oh, god.
841
01:03:18,074 --> 01:03:19,869
She...
842
01:03:19,869 --> 01:03:25,631
They... are the
most precious guests
843
01:03:25,631 --> 01:03:27,425
we've got in here.
844
01:03:27,425 --> 01:03:28,554
♪
845
01:03:28,554 --> 01:03:30,306
‐ I know, sir,
but I'm not sure
846
01:03:30,306 --> 01:03:32,562
how the meds are
affecting the baby.
847
01:03:32,562 --> 01:03:35,568
Could be a stillbirth
or birth defects.
848
01:03:35,568 --> 01:03:37,070
GEORGE:
How likely is that?
849
01:03:37,070 --> 01:03:38,949
‐ This will literally
be the first time
850
01:03:38,949 --> 01:03:42,205
that a birth happens under
these conditions, ever.
851
01:03:42,205 --> 01:03:44,711
I can't project,
but it's likely.
852
01:03:44,711 --> 01:03:46,715
Trauma and drugs usually
aren't a great thing
853
01:03:46,715 --> 01:03:48,969
for a pregnant woman.
854
01:03:48,969 --> 01:03:50,346
‐ All right,
when's she due?
855
01:03:50,346 --> 01:03:52,560
♪
856
01:03:52,560 --> 01:03:55,106
‐ Any day now.
857
01:03:55,106 --> 01:03:56,442
‐ Oh.
858
01:03:56,442 --> 01:03:57,945
♪
859
01:03:57,945 --> 01:04:00,868
It's amazing what the
human body can accomplish
860
01:04:00,868 --> 01:04:02,830
given no
other choice.
861
01:04:02,830 --> 01:04:08,842
♪
862
01:04:14,562 --> 01:04:15,814
(gasps)
863
01:04:20,950 --> 01:04:25,584
‐ Shh, you're
having a bad dream.
864
01:04:25,584 --> 01:04:27,880
‐ Give her to me.
‐ Oh, you poor thing.
865
01:04:27,880 --> 01:04:29,383
‐ No, fucking
give her to me now.
866
01:04:29,383 --> 01:04:31,387
Give her to me,
give her to me.
867
01:04:31,387 --> 01:04:33,224
(eerie sound)
868
01:04:33,224 --> 01:04:35,854
BETTY: Your attitude
is not healthy
869
01:04:35,854 --> 01:04:37,482
for the baby
to be around.
870
01:04:38,484 --> 01:04:40,656
(eerie sounds)
871
01:04:40,656 --> 01:04:44,998
♪
872
01:04:44,998 --> 01:04:46,125
MARISOL: Wait,
where are you going?
873
01:04:46,125 --> 01:04:49,006
♪
874
01:04:49,006 --> 01:04:50,634
(banging)
875
01:04:50,634 --> 01:04:52,012
Betty?
876
01:04:52,012 --> 01:04:53,640
♪
877
01:04:53,640 --> 01:04:55,018
Betty?
878
01:04:55,018 --> 01:04:58,900
♪
879
01:04:58,900 --> 01:05:01,405
("Betty" echoes)
880
01:05:01,405 --> 01:05:04,912
♪
881
01:05:04,912 --> 01:05:07,793
(eerie sounds, laughter)
882
01:05:07,793 --> 01:05:09,547
DISTORTED VOICE:
Marisol!
883
01:05:09,547 --> 01:05:12,803
♪
884
01:05:15,433 --> 01:05:16,811
(eerie music jab)
885
01:05:20,068 --> 01:05:22,698
(dramatic eerie music)
886
01:05:22,698 --> 01:05:27,415
♪
887
01:05:36,935 --> 01:05:39,690
(gasps, pants)
888
01:05:39,690 --> 01:05:40,901
(eerie music)
889
01:05:40,901 --> 01:05:42,445
(metal clangs)
890
01:05:42,445 --> 01:05:44,951
(panting)
891
01:05:44,951 --> 01:05:46,286
♪
892
01:05:46,286 --> 01:05:48,959
(disembodied voices
speaking Spanish)
893
01:06:05,241 --> 01:06:07,287
‐ Get me out of here.
894
01:06:08,456 --> 01:06:11,086
Get me out of here,
get me out of here.
895
01:06:11,086 --> 01:06:13,800
Get me out of here!
896
01:06:14,802 --> 01:06:18,184
Get me out of here!
897
01:06:18,184 --> 01:06:21,816
♪
898
01:06:21,816 --> 01:06:23,486
GEORGE: She bounced
from the system.
899
01:06:23,486 --> 01:06:25,072
How is that
even possible?
900
01:06:25,072 --> 01:06:26,366
♪
901
01:06:26,366 --> 01:06:27,745
‐ She must have
found the gate.
902
01:06:27,745 --> 01:06:29,206
GEORGE: Come on,
can't you make this thing better
903
01:06:29,206 --> 01:06:30,500
so they don't
find their way out.
904
01:06:30,500 --> 01:06:32,003
THOMAS: I flagged her
as a flight risk,
905
01:06:32,003 --> 01:06:33,506
so if she goes
through the gate again
906
01:06:33,506 --> 01:06:34,842
she'll end up
in this escape loop.
907
01:06:34,842 --> 01:06:36,512
‐ And you've never
noticed this type of behavior
908
01:06:36,512 --> 01:06:39,017
from her before?
‐ No, sir.
909
01:06:39,017 --> 01:06:40,646
First time.
910
01:06:40,646 --> 01:06:43,652
‐ Hm, all right,
well, put her back
911
01:06:43,652 --> 01:06:46,281
in that loop of
yours for an hour.
912
01:06:46,281 --> 01:06:47,408
She'll tire
herself out.
913
01:06:47,408 --> 01:06:49,622
Then merge her and the
baby back in the system.
914
01:06:49,622 --> 01:06:50,874
‐ Okay.
915
01:06:50,874 --> 01:06:54,632
♪
916
01:06:54,632 --> 01:06:57,011
GEORGE: You know what
I did before I did this, Tom?
917
01:06:57,011 --> 01:07:01,646
I served on a board of a
private corrections company.
918
01:07:01,646 --> 01:07:04,860
Private prisons,
in layman's terms.
919
01:07:04,860 --> 01:07:08,618
A lot of people don't know
that private prisons work.
920
01:07:08,618 --> 01:07:10,622
People willing to work
at these facilities
921
01:07:10,622 --> 01:07:15,381
make a profit and the
taxpayers make a savings.
922
01:07:15,381 --> 01:07:18,137
We solved an urgent
nationwide problem
923
01:07:18,137 --> 01:07:22,520
in a safe, humane,
and discreet way.
924
01:07:22,520 --> 01:07:25,067
You know what that
taught me, Tom?
925
01:07:25,067 --> 01:07:27,155
It taught me you gotta
focus on the big picture,
926
01:07:27,155 --> 01:07:28,658
the bottom line.
927
01:07:28,658 --> 01:07:31,288
I know this is all
difficult to bear,
928
01:07:31,288 --> 01:07:34,629
it's upsetting, but
you must not let it
929
01:07:34,629 --> 01:07:36,799
distract you from
the big picture.
930
01:07:36,799 --> 01:07:38,637
‐ There has got
to be a better version
931
01:07:38,637 --> 01:07:40,641
of the big picture
than this.
932
01:07:40,641 --> 01:07:44,439
‐ Nobody gives a fuck
about these people, Tom.
933
01:07:44,439 --> 01:07:47,195
Look, this way they're not
crowding up the prisons,
934
01:07:47,195 --> 01:07:49,324
they're not being
separated from their kids,
935
01:07:49,324 --> 01:07:50,911
they're not being
physically mistreated.
936
01:07:50,911 --> 01:07:54,960
Tax money is saved to be
used long‐term for good.
937
01:07:54,960 --> 01:07:58,593
Now that is a small cost to
pay for all this, isn't it?
938
01:07:58,593 --> 01:07:59,845
♪
939
01:07:59,845 --> 01:08:01,473
‐ Yes.
‐ Good.
940
01:08:01,473 --> 01:08:02,851
'Cause if the
Pentagon finds out
941
01:08:02,851 --> 01:08:04,479
about security
breaches like this,
942
01:08:04,479 --> 01:08:06,734
they're gonna buy
somebody else's solution.
943
01:08:06,734 --> 01:08:08,613
♪
944
01:08:08,613 --> 01:08:10,449
THOMAS: Sir, we didn't
win this contract
945
01:08:10,449 --> 01:08:12,913
because we could build
a virtual holding cell.
946
01:08:12,913 --> 01:08:15,167
We won it because we
promised these people
947
01:08:15,167 --> 01:08:18,298
a humane,
happy transition.
948
01:08:18,298 --> 01:08:20,094
♪
949
01:08:20,094 --> 01:08:24,227
‐ I'm not paying you to give
them the American Dream, Tom.
950
01:08:24,227 --> 01:08:27,150
♪
951
01:08:27,150 --> 01:08:29,279
We're paid to keep
them out of it.
952
01:08:29,279 --> 01:08:34,414
♪
953
01:08:34,414 --> 01:08:35,499
(gasps)
954
01:08:36,501 --> 01:08:39,048
(grunts in pain)
955
01:08:44,935 --> 01:08:46,188
(baby cooing)
956
01:08:46,188 --> 01:08:48,777
(eerie music)
957
01:08:48,777 --> 01:08:53,953
♪
958
01:08:53,953 --> 01:08:56,166
(bones cracking)
959
01:08:56,166 --> 01:08:57,418
‐ What‐‐
960
01:08:57,418 --> 01:08:59,005
THOMAS'S DISTORTED VOICE:
It's okay, Marisol.
961
01:08:59,005 --> 01:09:00,382
It's me, Thomas.
962
01:09:00,382 --> 01:09:01,510
(whimpering)
963
01:09:01,510 --> 01:09:04,140
I know you must be
very confused right now.
964
01:09:04,140 --> 01:09:05,811
Do you remember where
you woke up earlier,
965
01:09:05,811 --> 01:09:08,650
before you
woke up here?
966
01:09:08,650 --> 01:09:09,652
‐ Yeah.
967
01:09:09,652 --> 01:09:11,321
Yeah, yeah, yeah,
you were there,
968
01:09:11,321 --> 01:09:13,033
and there was‐‐
there was this other man.
969
01:09:13,033 --> 01:09:16,791
THOMAS'S DISTORTED VOICE:
His name is George Atwood.
970
01:09:16,791 --> 01:09:18,168
He's the man who
built this place.
971
01:09:18,168 --> 01:09:19,337
MARISOL:
What is this place?
972
01:09:19,337 --> 01:09:21,341
Why are you
keeping me here?
973
01:09:21,341 --> 01:09:23,345
What is this place?
974
01:09:23,345 --> 01:09:24,598
‐ I wanted to be
a part of something
975
01:09:24,598 --> 01:09:25,851
that would change
the world.
976
01:09:25,851 --> 01:09:27,855
(grunts in pain)
977
01:09:27,855 --> 01:09:29,733
Offer people like
you some respite,
978
01:09:29,733 --> 01:09:33,365
a taste of what
you came here for
979
01:09:33,365 --> 01:09:34,869
but might never find.
980
01:09:34,869 --> 01:09:36,204
(door opens)
981
01:09:36,204 --> 01:09:37,456
Marisol, I'm sorry,
I don't have time
982
01:09:37,456 --> 01:09:39,085
to explain this
to you right now.
983
01:09:39,085 --> 01:09:41,966
‐ No, no, I have a
child inside of me.
984
01:09:41,966 --> 01:09:43,928
Please, please, please.
985
01:09:43,928 --> 01:09:44,972
‐ Look, listen to me,
986
01:09:44,972 --> 01:09:46,851
because you
found the gateway,
987
01:09:46,851 --> 01:09:48,353
I had to mark you as
a potential deserter.
988
01:09:48,353 --> 01:09:49,857
That means if you go
through the gateway again,
989
01:09:49,857 --> 01:09:51,359
you'll get tossed
back into the lab,
990
01:09:51,359 --> 01:09:53,447
it's a closed
repetitious loop.
991
01:09:53,447 --> 01:09:55,994
(dog barking)
992
01:09:55,994 --> 01:09:57,371
♪
993
01:09:57,371 --> 01:09:58,206
Do you hear that?
994
01:09:58,206 --> 01:10:00,252
(dog barking)
995
01:10:00,252 --> 01:10:01,756
The dogs.
996
01:10:01,756 --> 01:10:02,716
When the dogs
bark like that,
997
01:10:02,716 --> 01:10:04,510
it means the
system is down
998
01:10:04,510 --> 01:10:05,889
for maintenance.
999
01:10:05,889 --> 01:10:07,851
♪
1000
01:10:07,851 --> 01:10:09,647
You did that.
1001
01:10:09,647 --> 01:10:12,526
Something about you,
about your condition
1002
01:10:12,526 --> 01:10:15,407
is fighting the
assimilation protocol.
1003
01:10:15,407 --> 01:10:18,372
You are a strong
one, Marisol,
1004
01:10:18,372 --> 01:10:19,625
and I need you
to stay like that
1005
01:10:19,625 --> 01:10:23,131
for all three
of our sakes.
1006
01:10:23,131 --> 01:10:24,843
‐ And I need you to
get me out of here.
1007
01:10:24,843 --> 01:10:28,016
THOMAS'S DISTORTED VOICE:
Yes, not just you, everybody.
1008
01:10:28,016 --> 01:10:32,149
But I need time
to do it right.
1009
01:10:32,149 --> 01:10:33,736
Do you trust me, Marisol?
1010
01:10:33,736 --> 01:10:34,989
‐ No, no, I don't trust you.
1011
01:10:34,989 --> 01:10:36,032
Why the fuck should I?
1012
01:10:36,032 --> 01:10:37,786
‐ Because you
don't have a choice.
1013
01:10:37,786 --> 01:10:38,913
♪
1014
01:10:38,913 --> 01:10:40,667
I get why you don't,
I understand that.
1015
01:10:40,667 --> 01:10:42,294
I thought that I could
make things better,
1016
01:10:42,294 --> 01:10:44,007
but I trusted
the wrong people.
1017
01:10:44,007 --> 01:10:46,762
♪
1018
01:10:46,762 --> 01:10:49,308
I need you to
blend in, Marisol.
1019
01:10:49,308 --> 01:10:51,396
Your life might
depend on it.
1020
01:10:51,396 --> 01:10:53,525
‐ What? What do
you mean blend in?
1021
01:10:53,525 --> 01:10:55,320
♪
1022
01:10:55,320 --> 01:10:56,448
What do you mean blend
in? What do you mean?
1023
01:10:56,448 --> 01:10:58,578
Answer me!
1024
01:10:58,578 --> 01:11:00,665
‐ Oh, did you have
another bad dream.
1025
01:11:00,665 --> 01:11:02,418
‐ Agh!
BETTY: Poor girl.
1026
01:11:02,418 --> 01:11:03,671
I think you should
get some rest.
1027
01:11:03,671 --> 01:11:06,635
MARISOL:
No, no, no, no, no, no!
1028
01:11:06,635 --> 01:11:07,554
Fuck you!
1029
01:11:07,554 --> 01:11:08,890
(grunts in pain)
1030
01:11:15,570 --> 01:11:18,158
(eerie music)
1031
01:11:18,158 --> 01:11:21,832
♪
1032
01:11:21,832 --> 01:11:24,713
(soft, tense music)
1033
01:11:24,713 --> 01:11:28,345
♪
1034
01:11:28,345 --> 01:11:30,600
(applause)
1035
01:11:30,600 --> 01:11:36,612
♪
1036
01:11:47,968 --> 01:11:49,555
‐ Okay, everybody,
1037
01:11:49,555 --> 01:11:50,974
I just want to
thank you all
1038
01:11:50,974 --> 01:11:52,101
for your hard work.
1039
01:11:52,101 --> 01:11:53,729
Tonight's
gonna be fabulous.
1040
01:11:53,729 --> 01:11:54,606
Now, who's hungry?
1041
01:11:54,606 --> 01:11:55,440
(cheering)
1042
01:11:55,440 --> 01:11:56,986
All right,
let's eat.
1043
01:11:56,986 --> 01:11:58,573
♪
1044
01:11:58,573 --> 01:11:59,992
MARISOL:
Oye, Santo.
1045
01:11:59,992 --> 01:12:01,119
‐ Yeah?
1046
01:12:01,119 --> 01:12:04,125
‐ I need you to listen
to me very careful.
1047
01:12:04,125 --> 01:12:10,137
♪
1048
01:12:17,526 --> 01:12:20,032
(lively patriotic music)
1049
01:12:20,032 --> 01:12:26,002
♪
1050
01:12:47,419 --> 01:12:48,296
‐ Thanks.
1051
01:12:48,296 --> 01:12:49,675
♪
1052
01:12:49,675 --> 01:12:52,179
(intense chewing sounds)
1053
01:12:52,179 --> 01:12:53,139
♪
1054
01:12:53,139 --> 01:12:55,687
(gurgling machinery)
1055
01:13:08,503 --> 01:13:11,760
♪
1056
01:13:15,560 --> 01:13:21,572
♪
1057
01:13:27,333 --> 01:13:28,209
WAITRESS:
Ready for dessert?
1058
01:13:28,209 --> 01:13:30,088
Ice cream or
apple pie, Miss?
1059
01:13:30,088 --> 01:13:31,842
‐ No thanks.
1060
01:13:31,842 --> 01:13:34,221
‐ Cape Joy makes the
best homemade apple pie.
1061
01:13:34,221 --> 01:13:35,223
Would you like
ice cream with that?
1062
01:13:35,223 --> 01:13:38,229
MARISOL:
No, I want nothing.
1063
01:13:38,229 --> 01:13:40,108
‐ I'm sorry, ma'am,
we're out of that.
1064
01:13:40,108 --> 01:13:41,820
‐ Would you like ‐‐
MARISOL: Out of what?
1065
01:13:41,820 --> 01:13:44,116
WAITRESS: I'm sorry, ma'am,
we're out of that.
1066
01:13:44,116 --> 01:13:45,452
‐ What do you mean?
1067
01:13:45,452 --> 01:13:47,832
Oh, oh, you
don't get it.
1068
01:13:47,832 --> 01:13:51,089
Yo no quiero postre.
1069
01:13:51,089 --> 01:13:52,967
‐ Ma'am, if you don't
want any dessert..
1070
01:13:52,967 --> 01:13:54,095
(dogs barking)
1071
01:13:54,095 --> 01:13:55,222
Is there a problem
with your dessert?
1072
01:13:55,222 --> 01:13:56,474
MARISOL: Yes, there's
a fucking problem.
1073
01:13:56,474 --> 01:13:58,687
I don't want apple pie,
I don't want fucking ice cream.
1074
01:13:58,687 --> 01:14:01,442
I want
arroz con leche,
do you have that?
1075
01:14:01,442 --> 01:14:02,987
What about
pan dulce,
do you have that?
1076
01:14:02,987 --> 01:14:05,743
Que tal un pinche flan,
do you have that?
1077
01:14:05,743 --> 01:14:08,624
(dogs barking)
1078
01:14:08,624 --> 01:14:10,628
Of course you don't.
1079
01:14:10,628 --> 01:14:11,880
Pinche robot.
1080
01:14:11,880 --> 01:14:14,385
(dogs barking)
1081
01:14:16,013 --> 01:14:21,274
♪ Mexicanos,
al grito de guerra ♪
1082
01:14:21,274 --> 01:14:26,117
♪ El acero aprestad
y el bridón ♪
1083
01:14:26,117 --> 01:14:30,877
♪ Y retiemble en sus
centros la tierra ♪
1084
01:14:30,877 --> 01:14:33,966
♪ Al sonoro
rugir del cañón ♪♪
1085
01:14:33,966 --> 01:14:37,264
GEORGE: Ladies
and gentlemen, my friends,
1086
01:14:37,264 --> 01:14:39,477
the moment you have
been waiting for
1087
01:14:39,477 --> 01:14:40,771
has finally arrived.
1088
01:14:40,771 --> 01:14:44,988
As your governor, I am
honored to officially declare
1089
01:14:44,988 --> 01:14:49,664
this year's Fourth of
July celebrations have,
1090
01:14:49,664 --> 01:14:52,503
wait for it, begun!
1091
01:14:52,503 --> 01:14:53,797
(cheering)
1092
01:14:53,797 --> 01:14:58,557
Join me outside for a very
special fireworks display.
1093
01:14:58,557 --> 01:15:00,645
Thank you.
How are you?
1094
01:15:00,645 --> 01:15:02,774
Good, good, good,
good, good, good.
1095
01:15:02,774 --> 01:15:07,324
♪
1096
01:15:07,324 --> 01:15:09,788
(fireworks exploding)
1097
01:15:09,788 --> 01:15:12,376
(cheering)
1098
01:15:18,681 --> 01:15:22,062
That was quite a stunt
you played the other night.
1099
01:15:22,062 --> 01:15:26,195
No one ever found the
end of Main Street before.
1100
01:15:26,195 --> 01:15:28,283
‐ It's a pleasure to
meet you, Governor.
1101
01:15:28,283 --> 01:15:29,703
I'm Marisol.
1102
01:15:29,703 --> 01:15:32,207
‐ George, George Atwood.
1103
01:15:32,207 --> 01:15:34,336
It's a pleasure, Marisol.
1104
01:15:37,467 --> 01:15:39,346
How's your baby?
1105
01:15:41,560 --> 01:15:42,477
(George laughs)
1106
01:15:42,477 --> 01:15:43,606
Look at this.
1107
01:15:43,606 --> 01:15:44,608
Ah.
1108
01:15:44,608 --> 01:15:47,237
(fireworks exploding)
1109
01:15:52,957 --> 01:15:54,209
‐ Mm.
1110
01:15:54,209 --> 01:15:55,713
(fireworks exploding)
1111
01:15:55,713 --> 01:15:59,345
Oof.
GEORGE: What's the matter?
1112
01:15:59,345 --> 01:16:02,602
(Marisol grunting)
1113
01:16:02,602 --> 01:16:03,854
Okay, get up.
1114
01:16:03,854 --> 01:16:04,856
(fireworks exploding)
1115
01:16:04,856 --> 01:16:06,067
What are you doing?
1116
01:16:06,067 --> 01:16:07,069
Marisol, get up.
1117
01:16:07,069 --> 01:16:08,237
(Marisol screams)
1118
01:16:08,237 --> 01:16:09,574
What the fuck is going on?
1119
01:16:09,574 --> 01:16:14,249
(beeping)
1120
01:16:14,249 --> 01:16:16,253
(Marisol screams)
1121
01:16:16,253 --> 01:16:17,882
Oh, Santo, hurry up.
1122
01:16:17,882 --> 01:16:20,387
(dogs barking)
1123
01:16:20,387 --> 01:16:23,142
(dramatic music)
1124
01:16:23,142 --> 01:16:25,773
(beeping intensifies)
1125
01:16:25,773 --> 01:16:29,989
♪
1126
01:16:29,989 --> 01:16:32,537
(alarm blares)
1127
01:16:32,537 --> 01:16:34,874
♪
1128
01:16:34,874 --> 01:16:36,252
‐ Shit, Marisol.
1129
01:16:36,252 --> 01:16:38,882
(Marisol screaming)
1130
01:16:38,882 --> 01:16:44,894
♪
1131
01:16:46,522 --> 01:16:49,153
(Marisol screaming)
1132
01:16:49,153 --> 01:16:51,742
GEORGE:
What the fuck is going on?
1133
01:16:51,742 --> 01:16:54,622
Stop it, stop it, stop it!
1134
01:16:54,622 --> 01:16:56,167
Get the fuck off!
1135
01:16:56,167 --> 01:16:58,254
(commotion)
1136
01:16:58,254 --> 01:17:02,680
(Marisol panting)
1137
01:17:02,680 --> 01:17:03,807
(Marisol coughing)
1138
01:17:03,807 --> 01:17:07,314
(gasping)
1139
01:17:10,821 --> 01:17:11,823
‐ No, no.
1140
01:17:16,290 --> 01:17:18,796
(eerie music)
1141
01:17:18,796 --> 01:17:20,173
♪
1142
01:17:25,183 --> 01:17:27,688
(soft music)
1143
01:17:27,688 --> 01:17:32,698
♪
1144
01:17:34,159 --> 01:17:35,411
No, no.
1145
01:17:35,411 --> 01:17:37,959
(whimpering)
1146
01:17:37,959 --> 01:17:40,088
♪
1147
01:17:40,088 --> 01:17:42,467
Santo, Santo, Santo.
1148
01:18:04,428 --> 01:18:05,848
Sí, seguro.
1149
01:18:05,848 --> 01:18:07,685
Okay, okay.
1150
01:18:07,685 --> 01:18:09,856
(deep breathing)
1151
01:18:10,858 --> 01:18:13,446
(deep breathing)
1152
01:18:13,446 --> 01:18:15,576
♪
1153
01:18:15,576 --> 01:18:18,372
(screaming)
1154
01:18:19,709 --> 01:18:23,007
(screaming)
1155
01:18:25,511 --> 01:18:28,017
(screaming)
1156
01:18:28,017 --> 01:18:33,862
♪
1157
01:18:40,249 --> 01:18:42,128
♪
1158
01:18:42,128 --> 01:18:43,590
(screaming)
1159
01:18:43,590 --> 01:18:46,136
♪
1160
01:18:49,017 --> 01:18:50,896
(screaming)
1161
01:18:50,896 --> 01:18:56,908
♪
1162
01:19:03,880 --> 01:19:06,427
(baby crying)
1163
01:19:06,427 --> 01:19:08,932
♪
1164
01:19:10,268 --> 01:19:16,280
♪
1165
01:19:25,423 --> 01:19:28,638
‐ Oh,
gracias, gracias,
gracias, gracias.
1166
01:19:28,638 --> 01:19:31,518
♪
1167
01:19:31,518 --> 01:19:34,066
(alarm blares)
1168
01:19:34,066 --> 01:19:40,078
♪
1169
01:19:47,175 --> 01:19:49,722
(dramatic music)
1170
01:19:49,722 --> 01:19:53,062
♪
1171
01:19:53,062 --> 01:19:54,439
(coughing)
1172
01:19:54,439 --> 01:20:00,451
♪
1173
01:20:08,552 --> 01:20:10,096
GEORGE: How the fuck
did this happen, Tom?
1174
01:20:10,096 --> 01:20:12,225
She disappeared right in front
of my fuckin' eyes.
1175
01:20:12,225 --> 01:20:13,477
‐ [stuttering] I think
she went into labor.
1176
01:20:13,477 --> 01:20:14,981
I'm seeing a massive
spike in her adrenaline
1177
01:20:14,981 --> 01:20:16,441
that must have caused
the system to short.
1178
01:20:16,441 --> 01:20:17,611
GEORGE:
Oh, god dammit.
1179
01:20:17,611 --> 01:20:18,989
10‐45, all
security units,
1180
01:20:18,989 --> 01:20:21,578
we have a critical breach
on the physical facility.
1181
01:20:21,578 --> 01:20:22,621
Do not let
anyone out alive.
1182
01:20:22,621 --> 01:20:24,584
I repeat, nobody
gets out alive.
1183
01:20:24,584 --> 01:20:26,086
SECURITY:
We should open fire, sir.
1184
01:20:26,086 --> 01:20:27,130
‐ Yes, fucking fire.
1185
01:20:27,130 --> 01:20:29,134
Choke 'em out, bash
their fucking skulls in.
1186
01:20:29,134 --> 01:20:31,764
I don't care,
nobody gets out.
1187
01:20:31,764 --> 01:20:34,770
I'll have us extracted at the
emergency exit in two minutes.
1188
01:20:34,770 --> 01:20:36,148
Now shut this thing down.
1189
01:20:36,148 --> 01:20:38,277
Counting on you
to do the right thing.
1190
01:20:38,277 --> 01:20:42,995
♪
1191
01:20:42,995 --> 01:20:44,122
(gun cocks)
1192
01:20:44,122 --> 01:20:49,132
♪
1193
01:20:50,384 --> 01:20:53,850
‐ I'm thinking about the
bigger picture, George.
1194
01:20:53,850 --> 01:20:55,144
(gunshot)
1195
01:20:56,521 --> 01:20:59,027
(soft, eerie music)
1196
01:20:59,027 --> 01:21:05,039
♪
1197
01:21:15,434 --> 01:21:17,940
(alarm blaring)
1198
01:21:17,940 --> 01:21:22,533
♪
1199
01:21:22,533 --> 01:21:24,327
(alarm ringing)
1200
01:21:25,162 --> 01:21:27,751
(dramatic music)
1201
01:21:27,751 --> 01:21:29,755
♪
1202
01:21:31,425 --> 01:21:37,437
♪
1203
01:21:41,571 --> 01:21:42,823
(gasps)
1204
01:21:42,823 --> 01:21:48,835
♪
1205
01:21:52,091 --> 01:21:54,597
(grunting)
1206
01:21:54,597 --> 01:22:00,609
♪
1207
01:22:10,712 --> 01:22:11,964
SECURITY:
You're fucking dead.
1208
01:22:11,964 --> 01:22:17,976
♪
1209
01:22:20,064 --> 01:22:21,483
OSCAR:
Marisol?
1210
01:22:21,483 --> 01:22:24,322
♪
1211
01:22:25,992 --> 01:22:29,499
♪
1212
01:22:29,499 --> 01:22:32,088
(grunting)
1213
01:22:32,088 --> 01:22:38,100
♪
1214
01:22:59,017 --> 01:23:01,146
♪
1215
01:23:05,655 --> 01:23:07,910
♪
1216
01:23:09,788 --> 01:23:13,922
♪
1217
01:23:16,384 --> 01:23:18,806
♪
1218
01:23:21,436 --> 01:23:23,190
♪
1219
01:23:24,568 --> 01:23:29,285
♪
1220
01:24:27,611 --> 01:24:28,863
(Oscar chokes)
1221
01:24:28,863 --> 01:24:31,744
♪
1222
01:24:42,390 --> 01:24:43,601
♪
1223
01:24:46,356 --> 01:24:52,368
♪
1224
01:24:57,350 --> 01:24:58,380
‐ Marisol.
1225
01:24:58,380 --> 01:25:03,390
♪
1226
01:25:04,643 --> 01:25:07,273
♪
1227
01:25:09,026 --> 01:25:10,112
Vámonos.
1228
01:25:10,112 --> 01:25:15,414
♪
1229
01:25:15,414 --> 01:25:17,919
(shouting in Spanish)
1230
01:25:17,919 --> 01:25:23,931
♪
1231
01:25:27,438 --> 01:25:28,649
ANNOUNCER:
Attention.
1232
01:25:28,649 --> 01:25:30,068
Please return to
your designated...
1233
01:25:33,951 --> 01:25:35,162
ANNOUNCER:
...your own seat.
1234
01:25:35,162 --> 01:25:36,372
Attention.
1235
01:25:36,372 --> 01:25:38,418
Please return to
your designated room.
1236
01:25:38,418 --> 01:25:40,673
There has been
a security breach.
1237
01:25:40,673 --> 01:25:42,803
This is for
your own safety.
1238
01:25:42,803 --> 01:25:44,013
Attention.
1239
01:25:44,013 --> 01:25:46,267
Please return to your
designated room.
1240
01:25:46,267 --> 01:25:48,313
There has been
a security breach.
1241
01:25:48,313 --> 01:25:50,317
This is for
your own safely.
1242
01:25:52,154 --> 01:25:56,914
Uno, dos, tres!
1243
01:25:56,914 --> 01:25:59,043
(grunting)
1244
01:25:59,043 --> 01:26:01,590
(mellow music)
1245
01:26:01,590 --> 01:26:07,602
♪
1246
01:26:39,583 --> 01:26:42,379
♪
1247
01:26:43,758 --> 01:26:49,770
♪
1248
01:26:51,022 --> 01:26:53,611
(fireworks exploding)
1249
01:26:53,611 --> 01:26:59,581
♪
1250
01:27:11,897 --> 01:27:15,487
♪
1251
01:27:15,487 --> 01:27:17,116
SANTO:
Marisol.
1252
01:27:18,786 --> 01:27:20,790
♪
1253
01:27:20,790 --> 01:27:22,669
‐ No.
1254
01:27:24,923 --> 01:27:28,304
♪
1255
01:27:32,021 --> 01:27:33,566
♪
1256
01:27:36,279 --> 01:27:40,412
♪
1257
01:27:43,544 --> 01:27:49,055
♪
1258
01:27:50,515 --> 01:27:52,144
♪
1259
01:27:52,144 --> 01:27:55,818
VOCALIST: (singing in Spanish)
1260
01:27:55,818 --> 01:27:57,029
MARISOL:
Santo?
1261
01:27:57,029 --> 01:28:00,452
VOCALIST: (singing in Spanish)
1262
01:28:16,359 --> 01:28:20,868
♪
1263
01:28:31,598 --> 01:28:35,606
(fireworks exploding)
1264
01:28:35,606 --> 01:28:41,618
♪
1265
01:29:01,365 --> 01:29:03,036
ANCHOR:
We're continuing
our coverage today
1266
01:29:03,036 --> 01:29:05,625
of the recent and
tragic situation
1267
01:29:05,625 --> 01:29:07,002
at the successful pilot
1268
01:29:07,002 --> 01:29:10,008
Immigration and Cultural
Rehabilitation Center.
1269
01:29:10,008 --> 01:29:12,262
CHRISTINE:
Greg, over to you.
GREG:
Thank you, Christine.
1270
01:29:12,262 --> 01:29:15,645
We're here about 30
miles south of our border
1271
01:29:15,645 --> 01:29:18,274
at what the illegal
immigrant community
1272
01:29:18,274 --> 01:29:22,533
crossing into America
calls a stash house.
1273
01:29:22,533 --> 01:29:25,038
It's believed
that the ringleader
1274
01:29:25,038 --> 01:29:29,171
of last night's terrorist
murderous assault stayed here.
1275
01:29:29,171 --> 01:29:30,423
(knocks)
1276
01:29:30,423 --> 01:29:31,425
It's open, it's open.
Come in, come in.
1277
01:29:31,425 --> 01:29:32,929
Oh, hello, hello, sir.
1278
01:29:32,929 --> 01:29:34,891
Hi, come in here‐‐ come in here,
get this, get this, get this.
1279
01:29:34,891 --> 01:29:37,437
(commotion)
1280
01:29:41,905 --> 01:29:44,410
[poor Spanish attempt]
Senores, ho‐la.
1281
01:29:44,410 --> 01:29:47,291
Can you confirm
Marisol Ramirez
1282
01:29:47,291 --> 01:29:49,546
recently stayed here?
1283
01:29:49,546 --> 01:29:52,175
‐
Uh...
1284
01:29:52,175 --> 01:29:54,889
GREG:
Did Marisol Ramirez‐‐
1285
01:29:54,889 --> 01:30:00,066
COYOTE:
(speaking Spanish)
1286
01:30:00,066 --> 01:30:01,193
‐
Sí, sí, sí.
1287
01:30:01,193 --> 01:30:02,947
This is my beautiful home.
1288
01:30:02,947 --> 01:30:05,536
(speaking Spanish)
1289
01:30:18,979 --> 01:30:23,614
GREG:
Innocent Americans just
trying to help the migrants
1290
01:30:23,614 --> 01:30:25,743
while solving
our border crisis
1291
01:30:25,743 --> 01:30:28,206
lost their lives.
1292
01:30:28,206 --> 01:30:30,210
We're sending our
thoughts and prayers
1293
01:30:30,210 --> 01:30:31,671
to their families.
1294
01:30:31,671 --> 01:30:34,093
GREG:
Back to you, Christine.
CHRISTINE:
This just in.
1295
01:30:34,093 --> 01:30:36,556
The President's
25th tweet of today
1296
01:30:36,556 --> 01:30:40,355
once again reiterates his
firm wish for the wall.
1297
01:30:40,355 --> 01:30:43,444
Quote, "Need funding
for the Wall NOW.
1298
01:30:43,444 --> 01:30:48,371
'Dear illegals, remember as
you sew, so shall you reep.
1299
01:30:48,371 --> 01:30:49,833
SO TRU!!!"
1300
01:30:49,833 --> 01:30:53,757
Moving on, the pyrotechnics
of last night's July 4th
1301
01:30:53,757 --> 01:30:56,638
literally blew us away,
pun intended.
1302
01:30:56,638 --> 01:30:59,268
Across the country,
our beloved celebration
1303
01:30:59,268 --> 01:31:01,355
was bigger and
brighter than ever.
1304
01:31:01,355 --> 01:31:03,777
Jeremy will be here with
the best videos of the night
1305
01:31:03,777 --> 01:31:06,240
sent in by viewers
right after the break.
1306
01:31:06,240 --> 01:31:08,787
(lively patriotic music)
1307
01:31:08,787 --> 01:31:10,958
♪
1308
01:31:14,632 --> 01:31:17,387
(soft music)
80383
