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Oh, but this is great.
Wow. Oh, that's incredible. There's got to be seven or eight feet up there.
In 80 years of dust.
Oh,
look at all this height. We could put our bedroom upstairs and that'll leave
with all this space.
For what?
The thing.
Two.
Three.
And four.
You guys, it's absolutely incredible.
Thanks.
Hey, sell this tomorrow and double your money?
Carl, you're obsessed.
A little bit.
Whoa, look.
Hey, it's an Indian head penny.
$18 .98.
It's a good omen.
You're the good omen.
Oh, it's so great.
I
had
rules. You're at 3 o 'clock, 5 o 'clock, 104 o 'clock.
Gary Allen called at the end of the day yesterday and said he has to see you at
the final painting that's at the law.
3 o 'clock is the only time you can make it. Okay. You don't want to know what
the date is.
This is not brain surgery.
Pitching these Japanese guys makes me so nervous.
Sam, you're going to be great, okay?
What am I supposed to say? I mean, I can't very well tell them my Swedish pom
-pom girl joke, you know?
Those are great. Where'd you get those?
Nice, huh?
Molly, what do you think? Are they me?
Oh, man, look at that.
Pesterosa. Whoa.
Ouch. I think you ought to pay off your Mustang first.
How are you feeling?
What did the doctor say?
He, um, said that it was contagious.
It was really.
No. Yeah.
He said that I shouldn't even be coming in today.
What about the rash?
The rash?
Mm -hmm.
The rash is, um, also incredibly contagious. He said they've all been
No.
On your genitals again?
Yeah.
Yeah, right on the genitals.
Basically everywhere.
He said that I shouldn't touch anyone.
Excuse me.
You're sick.
No. Morning, Paul.
Morning, Carl. Sam. Paul.
Morning, Susan.
You are looking good. Sam.
Oh, yeah, yeah, yeah, yeah.
Oh, this is when the Kobayashi people... They're already here.
They're early.
I know.
Come here.
Oh, and Andy Dillon called me... How long have they been here? About ten
minutes. Andy Dillon called, and he says he needs $900 ,000 transferred to
Albany by ten.
By ten?
Yes.
Carl? Yeah?
Good morning. Carl, hang on one second.
Dillon needs $900 ,000 in Albany by ten. Can you transfer it to his payroll
account? Yeah, I'm going to need your MAC code.
Okay.
Aggression, right?
Got it.
You bet. I'll do it right now.
Okay. Yep.
Bill, I'm going to call you back. Okay.
Okay, let's do it.
It's mine.
Oh, man. Can you get this, man?
Where are you guys from? City Ballet.
Almost.
Oh,
shit.
You scared me to death.
How did you do that?
It's better than seeing this gorgeous body splattered all over the place.
Look out.
Look out.
Oh, oh.
Grab it.
Sam? Paul, you guys home?
Oh, my God. It's you, right?
Late labor.
Paul? What?
Jerry, help. Oh, my God.
Here's the box. I got it.
Go down. Down here? Yeah.
This right here? Yeah. Watch your toes.
I got it.
Hey, where do you want this?
In the bedroom.
Good girl.
God, this place looks great.
Yeah. You like it, huh?
Like? Like is hardly the word. I had no idea it'd be this beautiful. It's
incredible. Uh, Molly, what about her?
Well, why don't we just leave her there until we get the other stuff in? What do
you mean?
Oh, let me show you.
You want to open up the stuff?
What, here? Yeah. Oh.
Wow.
Just finished it. What do you think?
Fantastic. I love it.
Sam, what's this chair doing here?
What do you mean? I love that chair. I know you love this chair, but we
discussed this. I've had it forever.
When I watch TV, I sit in it. This chair is ugly.
So? And it doesn't go with anything.
It goes with me.
You're right, it does.
We'll paint it.
For what?
Nothing. Are you worried about the promotion?
No, not really.
Then what?
Is it moving in together?
A lot of pain.
Seems like whenever
anything good in my life happens, I'm just afraid I'm going to lose
it.
I love you.
I really love you.
Trouble was, he blew the number two engine, the one in the tail of the
It was fully loaded.
Oh, Jesus. Another one?
Oh, don't watch that.
I should cancel my L .A. trip. These things always happen in threes.
Sam, get serious.
Besides, you'll be a charmed life.
Oh, yeah, so did they.
It's amazing.
Like that.
Like that.
What are you doing?
I couldn't sleep.
Oh, yeah.
You must have passed out.
What time?
Oh, no.
I hope it wasn't a masterpiece.
Well, it's not now.
Can I help?
Yeah.
Get him away.
Now just let the clay slide between your fingers.
Thank you.
What's the matter?
A glitch. What's up?
The, um, Mark Greenberg and Larry White accounts. I can't get in. The macro
doesn't work.
Well, I changed it. You changed it? Why?
I think I just want to nose around a bit.
Is something wrong?
Can you keep it secret?
Yeah, sure.
What's up?
There's too much money in these accounts.
Too much money?
That's what's awesome about it.
This is going to take you hours. Let me do that. It already has taken me hours.
Well, let me take it back and figure it out for you.
No, no, that's okay. It's like a vendetta now.
Thank you. I appreciate it. Okay.
You just have to go blind. Just give it a shot.
Okay. Adios.
Listen, um, I was wondering, what are you and Mom doing tonight?
We're going to the theater. She wants to see Macbeth.
I think she likes the guys in tights, personally.
You want to go? No, thanks.
I want a full report, though.
Later. Yeah.
Well, I loved it.
I was spellbound the whole time.
I could tell. Look at the rest of the audience with that resonating snore of
yours.
Yeah, about six times.
It wasn't six times. I couldn't be so blasรฉ about that.
Okay. This is really important. I'm going to have two pieces in her gallery.
The New York Times.
Molly,
the New York Times is just some frustrated little critic with temples on
who flunked out of art school, so who cares what they think?
Eight million readers, that's it.
Yeah, they're just reading the sports page.
Your work is really beautiful.
Hallelujah. And it couldn't matter what anyone else thinks, just what I think.
I want to marry you.
What?
What? Yep.
I've been thinking about it.
I've been thinking about it a lot.
And I think we should just do it.
Here.
What's that look for?
You never wanted to talk about it.
Do you love me, Sam?
What do you think?
What do you mean? Why don't I ever say it? I say it all the time. No, you
You say ditto, and that's not the thing.
People say I love you all the time, and it doesn't mean anything.
Sometimes you need to hear it.
What do you want?
Give it!
Sam, just... Just give it to him.
Okay. Just take the money.
Just leave it.
Get out of the hotel!
You son of a bitch!
Sam!
No!
Somebody, somebody, somebody help us.
Oh, my God.
Oh, Sam, come on.
Hold on, baby.
Hold on, hold on baby, hold on.
Sam, don't you leave me! Sam, hold on!
So, what happened to you?
What?
You're new, huh? I can tell.
Are you talking to me? Hey, relax.
It ain't like before, you know. It's a whole new ball of wax.
Who are you?
Oh, I'm waiting for my wife. She's in 4C, cardiac wing. She's fighting it.
Shot, huh?
That'll do it every time.
Poor bastard.
Hey, you may as well get used to it.
He could be here for a long while.
Yeah, I'll tell you a secret.
Doors ain't as bad as you think.
Zips up. He ain't nothing at all. You'll see. You'll catch on.
He ain't gonna make it.
I've seen him a million times.
He's a goner.
You see?
Here they come.
Lucky bastard.
Could have been the other one.
You never know.
Who are you?
No!
Help me.
God, help me.
where there is no foothold.
I have reaped the watery depth.
The flood overwhelms me.
I am wearied with calling.
As we say farewell to our friend, Sam Wheat, we are reminded of his kindness,
his generosity, his buoyancy of spirit.
All that we treasure are loved ones
Our friends, our body, our mind, are but on
loan to us.
We must surrender them all.
We are all travelers on the same road, which leads to the same end.
As our loved one enters eternal life, let us remember that love, too, is
eternal.
But although we will miss him, our love will light the boy.
up your shirts today.
I don't know why.
Mr. Reynolds told me to tell you hello.
I broke into tears.
It's like I think about you every minute.
It's like I can still feel you.
Your mom.
What's the matter, Kitty?
What's the matter?
I love this picture.
Great.
I want to see that.
It's, um... And the dress. Right.
Dave Brubeck, Newport 88.
Is that awesome? No.
No, Molly, we hated that concert.
Oh. You wanted to say this?
Roll eight.
Molly, what are you doing?
I just miss him, Carl.
Me too.
Carl? Yeah?
Wait a minute. Wait.
What? Not that one.
Oh,
I'm sorry. I didn't mean to put that on there.
That's okay.
Hey, Molly.
Why don't you come?
It's like summer outside.
No, I really don't.
I'm not up for it. Come on, Molly. Just for a walk. It'd be good for you to get
out. I don't want to.
Molly, you can't stay in here all day. It's not healthy for you. Look, Carl, I
can't do it.
You're not the one who died.
I'm sorry. Don't apologize.
Shit.
Maybe you're right.
Maybe it's the shark. Not a girl.
I'm sorry.
Don't worry about it. Molly?
What are you doing?
You son of a... What do you want?
Hi Kitty!
Hey, let go!
Me couldn't get it she came home a Couple of days man. I'll go back
Relax I'll get it It was
Who are you what do you want from us?
Stay away from her
Do you hear me?
Stay away from her!
Rosa Santiago?
Please let me in.
Our sister will be with us soon.
Mr. Odomay, grant us the gift of your all -seeing presence.
Appear before us now.
Santiago?
Buenos dias.
I'm Odomay Brown.
I understand you wish to contact your husband.
Si. I believe he'll be with us today.
Thank you.
But you know, Mr. Santiago, there's no telling about that other world.
So you've got to be a believer, Mr. Santiago. Are you a believer?
Yes, I believe.
I believe.
Let us begin.
It's too difficult.
I just can't seem to make contact. I don't feel it. No, wait.
I'm feeling something.
Did he know someone by the name of Anna?
Consuelo?
Lucita?
Julieta? Josefina? Linda?
Maria? Yes!
Praise God, I knew he was with his mother.
Oh, my God.
It's too difficult. It's two of them. I'm not sure I can do that. It's so
trying. Oh, I'd pay more.
How much? How much?
Twenty dollars.
Oh, way to go. Milker for every penny.
Believe we can start again Thank
you
Welcome, Mr. Santiago.
You're fortunate today the spirits are churning. My husband?
Oh, yeah, where?
this kingdom.
Julio.
Julio's coming towards us. I see him.
He's coming.
He's there.
He's dressed in a black suit.
That suit could be blue.
What a crock of shit.
Who is that?
Where are you?
Julio? Julio? Do you hear it?
Where are you?
Julio?
Who are you? Who?
Julio?
Julio? You can hear me?
What's that? Don't you hear him? I don't believe it.
Hey, you. Julio? Hey, you. My name is Sam Wheat.
Can you hear me? Sam Wheat. Say my name. Say it. Leave me alone.
Say it. Say it. Say it. Say it.
Say it. Say it. Say it.
Talk to me, old maid. Say something.
Julio? Sam Wheat.
Jesus. Family?
I swear no more cheating.
I promise.
I'll do anything. I'll do penance, give me penance, but make that guy go away.
No way.
My mother had it. And my mother's mother had it. They both had the gift.
And they always said I had it, but I never did. I never had it.
They told me what it was like. They told me all about it. But now that I've got
it, I don't think I want it. So do me a favor. Just go away. Find somebody else.
Somebody else? You're out of your mind.
I'm getting their fact.
Well, I think she hit her head harder than we think.
She was talking to nobody that wasn't there before she even hit her head.
I know she is, but you know, people can do that. Where exactly are you?
I'm standing right beside you.
Oh, you're standing right beside me?
Well, honey, we're right here.
Are you white?
What? White. You're white, aren't you?
Oh, you know what I think? Yes, I'm going to call the doctor right now.
I knew it. He's a white guy. Why me? Listen, damn it.
You are going to help me.
There's a woman. Her name is Molly Jensen, and she's in terrible danger.
The man who killed me broke into our apartment, and he's going to go back. So
you've got to warn her.
What makes you think she's going to listen to me? It's just a phone call.
Look.
You're all I've got.
Now, I'm not leaving until you help me.
I don't care how long it takes, because I can talk forever.
Hello? Uh, hi.
Is this Molly Jensen?
Yes. Well, my name is Otome Brown. I'm a spiritual reader and advisor, and a
friend of yours gave me a message for you.
Now, I know this might sound a little crazy, but it's not. You've got to
believe. Just don't be afraid.
Who is this?
I get a message from Sam.
What? Sam Wheat. He asked me to call.
I told you.
You've got to go there.
Forget it. I'm not going anywhere. I don't care what you do.
Second verse, same as the first.
I, Henry VIII, I am.
Henry VIII, I am, I am. I got married to the widow next door. She's been married
seven times before.
She's probably not even there.
Where are you?
Oh.
Which building is it?
See?
Nobody's there. She's there. Just wait. No, I came down here. I did everything I
said I was going to do. I pressed the button. She's not there. I'm going.
Goodbye. Just wait one minute. I'm sorry.
All right.
Don't sing. All right. All right. All right.
She can't hear you. Hi, I'm older than me. You know, I called you last night
about your friend Sam Wheat.
I told you.
And the closet is too big.
What do you mean, Brown?
I don't know you. I don't know this guy Sam, but let me tell you what he did to
me. He kept me up all night singing, I'm Henry VIII, I am.
That's how he got me to go out with him.
Look, I'm sorry. I just... I just don't believe in this life that I've been
dancing with.
Don't tell her she's wrong.
Says you're wrong.
I'm talking to him right now.
Yeah, he just asked me to tell you that you were wrong.
So where is he?
I can't see him. I can only hear him.
I'm right here.
That doesn't help, Sam.
I'm holding your hand.
Let me call him again.
What are you doing?
What do you think you're doing to me?
Hey, look, if you think I'd come all the way down here for my help, you're out
of your mind.
Sam's dead, okay? He's dead.
Tell her I love her. He says he loves you.
Sam would never say that.
Ditto. Tell her ditto.
Tell us ditto.
Ditto.
Yeah, to tell you the truth, I don't know how I'm doing this. You know,
confidentially, nothing like this has ever happened to me before. I mean,
nothing.
Now I can't turn it off.
Is it him? Is it him?
Yeah. Yeah.
Cute.
White, but cute.
What I don't understand is, why did he come back?
I don't know.
Why is he still here?
He's stuck. That's what it is. He's in between worlds.
You know what happens sometimes?
The spirit gets yanked out so quick that the essence still feels like it has
work to do here.
Would you stop rambling?
I don't think I'm rambling. I'm just answering a question.
He's got an attitude now. I don't have an attitude.
Yes, you do have an attitude.
We're having a little discussion.
If you didn't have an attitude, you would not have raised your voice to me,
would you?
Don't you take the Lord's name in vain with me. You understand?
I don't take that name. No, you relax. You're the dead guy. You want me to help
you, you better apologize.
I'm leaving.
Nobody talks to me like that. You understand me?
Now you better apologize.
I'm sorry.
I apologize.
Okay?
Now would you sit down?
Please? Please apologize.
I need you to tell Molly what I'm saying, but you have to tell her word
word, all right?
Word for word.
He wants me to tell you what he's saying word for word.
Molly, you're in danger. You can't just blurt it out like that and quit moving
around, will you? Because you're starting to make me dizzy. I'll just
in my own way.
Molly, you're in danger, girl.
What are you talking about?
I know the man who killed me. He knows the man who killed him. His name is
Willie Lopez, and I know where he lives.
His name is Willie Lopez. He's Puerto Rican. He knows where he lives. Write it
down. He wants you to write it down. You write it down. I ain't no damn
secretary. Just do it.
You're so testy.
What is it you want me to write?
303 Prospect Place, apartment 4D.
303 Prospect Place?
Yeah.
It's my neighborhood.
Molly, he's got my wallet, he's got my key, and he was in here.
He's got his wallet and his key, and he was in here. Yesterday, when you came
back from your walk with Carl, you went upstairs, you talked to Floyd, you went
in, took off your clothes. All right, all right, all right. When you came in
yesterday from your walk with Carl, he was here. You took your clothes off, he
saw everything.
Molly, you got to go to the police. It was a setup.
I was murdered.
Once you go to police, he said it was a setup. He was murdered.
There's somebody else involved. I don't know who, but... I don't want no more to
do with us, okay? Wait.
Where are you going? What do you mean, where am I going? I'm leaving. I did
everything I said I was going to do, and don't be following me, because I'm
finished, and I mean it. Have a nice life. Have a nice death. Goodbye.
Molly, there is no one on Earth besides you who'd want this to be true more than
me. But you've got to be rational about this.
I mean, Sam is no more in this room than...
I understand the need to hang on to him. I really do.
But it's absurd.
I know this seems absurd.
But it had to be real.
How could you believe some fortune teller from Brooklyn who just shows up
your door?
I sat there and watched her have a conversation with him.
Oh, bye, Mom.
Not for a minute.
What about the things she knew?
What things?
Uh, the photo that Sam took of me on our trip to Reno.
Carl, we were alone.
And the green underwear that I wrote my name in.
But Sam knew who killed him.
Yeah.
But he was fed up.
Kevin Durant, we're going off the deep end here.
She had a name and an address.
Good, Molly, good. Willie Lopez, 303 Prospect Place, apartment 4D.
Oh, Carl.
Molly, I don't understand how you could swallow this crap. I mean,
this guy may not even exist. This woman, maybe she's just trying to use you to
set someone up.
You're right.
You're absolutely right.
That's what I've got to find out.
What are you going to find out? How are you going to do that?
She said Sam wants me to go to the police.
Sam wants you to go to the police.
Are you out of your mind? I mean, what are you going to tell the police? Are
going to tell them that some storefront psychic lady's been communing with the
dead? I mean, do you have any idea what that sounds like? You're talking ghosts
here, for Christ's sake.
I'm sorry.
This stuff just really gets to me.
make you feel any better i'll go check this out okay i want you to sleep okay
all right i'll call you
What the hell are you doing here?
Who you been talking to, Willie?
Talking to?
The hell do you mean? Some woman knows all about you. Everything.
And where's she getting it from, huh?
I haven't said a word to anybody. She knows your name, God damn it. She knows
where you live.
How do women know where I live?
This is not a joke.
She knows about the murder.
And I want you to find this bitch.
Whoever she is.
And I want you to...
Get rid of it, okay?
I've got $4 million stuck in a goddamn computer.
If I don't get those codes, if that money is not transferred soon,
I'm dead.
We are both dead.
Why'd you tell him you only loaned your money first of the month?
What the hell is wrong with you, huh?
Is everything a joke?
You killed a man. You're supposed to... Let me
have
the key to Sam's apartment. I'll get the address for you.
Look I don't even believe in this stuff myself, but she was real
What, you think I'd come down here if it wasn't real?
You know, you told me if I had any new information that I should come.
So here I am.
I know how this sounds.
I mean, I hear myself saying it, and I want to cringe.
But this woman knew things she couldn't have known.
Things they only said to me.
Okay, according to the... Psychic lady, there are ghosts and spirits all over
the place watching us all the time. Huh?
Hell, I'm never going to get undressed again.
Excuse me. I've got more important things to do.
The guy's name is Willie Lopez.
All I'm asking you to do is check it out.
Okay.
You just wait here. Let me see if the guy's got a record, all right?
What are you doing?
What is the file on Willie Lopez? There's no file for Willie Lopez. He was
probably some old boyfriend he was trying to get even with.
This psychic woman's got a record that goes back a long way.
1967, Shreveport.
Forgery, selling false.
I .D. served one year, 1971.
Baton Rouge, arrested for fraud.
Members racketeering, served 10 months, 19...
74. This is impossible.
It goes on and on.
She knew things, private things.
Now, how could she have known all that? A lot of times they read the old bits.
All she had to do was see the word bank. Boom.
Hell, they even go through garbage to find things they can use.
Letters, old papers.
Doesn't take much.
No.
It was real.
She knew about a sweater I knitted.
And songs we sang.
Except for my scope.
I'm sorry.
I know this is hard.
People want so much to believe. They're grieving. They're vulnerable.
And they will give anything.
For one last moment.
Believe me, these people know what they're doing.
I know how you must feel, but you know you can prep charges.
Hello?
Eddie? It's Carl Bruner. What's up? I'm fine.
Yeah, everything's fine. Just we're all set. Good. Just let me know what you
want me to do.
Okay. I want you to transfer the money from the 12 separate accounts into a
single account under the name Rita Miller.
Okay.
Tomorrow at 5 minutes before closing, 3 .55 p .m., transfer the full account to
the First Highland Bank of Nassau, registry number 4869580.
Call us when it's done.
Okay, I've got it.
Um, just, uh, tell Mr. Balistrier that there won't be any more problems, okay?
Yeah, I'll do that. Thank you.
Why can't you hear me?
I need you.
Who is it?
Carl, Molly.
No, don't open the door. Don't open the goddamn door. He's a murderer.
Listen, sorry, I know it's... I'm sorry to disturb you.
I just, uh...
I've been thinking about you all day, and I feel really lousy about what
happened last night.
This supernatural thing just really... Listen, don't worry about it, really.
It's okay.
No, it's not. You needed me to hear you, and I didn't.
I wasn't there for you, and that was... That was wrong.
It's just, I... I just... I want you to know that I'm your friend, Mom.
Thanks, Carl. You were never our friend.
That really means a lot to me.
Me too.
I bought you some Japanese apple pears. I know you like them.
All right, could we... Could I come in for a second?
I won't stay long. Just for one of those days. You know, maybe a cup of coffee
or something? Yeah.
Come on in. Oh, Molly.
You seem a little tense.
Are you okay?
No, I'm fine. It's just... What can I tell you? It's been tough.
I mean, you know.
It just still hurts so much. You lying snake.
And then on top of it, it's stuff at work.
They've given me my own account, which is good.
But I just haven't really had time to adjust.
Kind of absorb everything.
Can I have just a little more cream?
Yeah.
Oh, shit.
Jesus. I can't believe I did that. Are you all right? Yeah, I'm fine.
Oh.
Oh, God.
Here, let me throw that in the washer. No, don't worry about it. It's okay.
just... Do you want me to get you another shirt?
No, it's fine. You'll die.
It'll just take a minute.
Oh, yeah.
So where were you today? I thought you were gonna...
Come into the bank and sign those papers.
Well, I was supposed to, but I didn't have time.
I went to the police.
You did?
Wow, what did you tell them? What did they say?
It was awful.
I felt really stupid.
They brought out a file on this woman.
At least ten inches thick.
A rip -off artist, huh?
No, Molly.
You know, the sad thing... is that I believed her.
Molly.
Sometimes we need to believe.
Why? What's the point?
Molly, it is not easy to face the realities of life sometimes. You've got
give yourself that.
What you've got to remember is the love that you guys felt. I mean, that's
what's real.
You've got to remember how... good Sam was. How much he loved you.
You were everything, Sam. You were his love.
You're not alone, okay?
You get your work, you're incredibly talented. You're young.
You're fantastically gorgeous.
I don't know what's real anymore.
turns on a dime.
No.
I mean, people think that they're forever, that there's always going to be
tomorrow, but that's bullshit.
Sam taught us that.
You have to live for now.
I'm sorry. It's okay. I can't do it too soon.
It's okay.
You've been great, Carl.
But I need you to leave. It's okay. I understand.
Don't.
Please.
Could we just have dinner tomorrow night? Just talk.
Can I understand that?
Hey! Get off my train!
No.
Get off!
Get off! Get off!
Get off! Get off!
Get out of here!
Get off! No.
Tell me how you do that.
I want to learn and I'm not leaving until you teach me. Get off!
No. Get off!
Number an asshole.
What are you doing?
What the hell are you doing?
You're trying to move it with your finger.
You can't push it with your finger. You're dead.
It's all in your mind.
The problem with you is you still think you're real.
You think you're wearing those clothes?
You think you're crouched on that floor?
Bullshit. You ain't got a body no more, son.
It's all up here now.
You want to move something, you got to move it with your mind.
You got to focus. You hear what I'm saying?
How? How do you focus?
I don't know how you focus.
You just focus.
How did you do that? You got to take all your emotions, all your anger, all your
love, all your hate, and push it. Wait.
And then let it be.
Did I did it way to go
From
your gut like I told you
Give it time.
What else have you got?
How long have you been here?
Since they pushed me.
Someone pushed you?
Yeah, someone pushed me.
Who? What, you don't believe me?
You think I fell?
You think I jumped?
Well, fuck you!
It wasn't my time!
I wasn't supposed to go!
I'm not supposed to be here!
Give anything for a drag.
Just one drag.
Are you all right?
Who are you?
Why are you hounding me?
Who sent you?
Who sent you?
Leave me alone.
So you need to concentrate, because if you concentrate, it will probably rouse.
What's his name again?
Orlando. Orlando.
Orlando.
Is there an Orlando here?
I'm here.
He's here.
What do you mean?
Sam! What the hell? Excuse me, I'm Orlando. The lion's over there.
What do you mean? Where'd all these ghosts come from?
You can hear them, too? Hear them? Can I hear them? I hear them in the morning.
I hear them in the evening. They're coming into the shower.
Sam, what the hell did you do to me? Did you tell every spook in the world you
met about me? I got spooks from Jersey coming in here. Jesus. There's stuff
going on you wouldn't believe. I don't even believe it. It's amazing. You're
really doing it. Yes, I know.
How do you like that? Hey, would you please hurry this up? Oh, chill out.
out.
Listen, I need your help again, Otome. There's something we need to do. No, I'm
not doing anything else with you, Sam. Look, you're holding on to a life that
doesn't want you anymore.
It doesn't want you. Give up the ghost.
Are you speaking to me?
Does it look like I'm speaking to you?
You'll know what I'm talking to you. You're supposed to be concentrating,
you? Now, you want to try it?
Thank you very much.
Now, Sam, are you going to get out of here? Because I got work to do.
Fine, then stay there.
Excuse me. Excuse me.
You ready now?
Let's do it.
Otome, listen. I got to talk to you now. I've got a plan.
You see, I figured this thing out. There's something we can do. All we got
is...
Oh, to me.
Oh, Tisha.
Orlando, is that you? Tisha, where you at? I can't hardly see.
Here. She's here.
In front of you. I'm right here.
Damn, baby, what you do to your hair?
Orlando, you like it?
It's autumn sunrise.
Did you ever do that to me again?
Orlando?
I can barely move.
Now you should know better than that.
Jumping in the bodies wipes you out.
Everybody out.
What happened to Orlando?
Where's the insurance policy?
Are you deaf?
I said everybody out.
Everybody out. Get out, get out, get out. Everybody get out.
fortune teller who are you that's an interesting question won't you tell me
willie willie cosmic place willie get out of here fast
All right.
Little May, we're in trouble, so you've got to help me.
Hey, we?
Who's we?
You're already dead.
Don't you understand? These people are trying to kill me. Yeah, you're right,
and they'll be back.
Why don't you just find a house to haunt, you know?
Get some chains and rattle them. Will you listen to me? I have a plan, and it
will work. But you've got to get some of your fake IDs.
Forget it. If you do this, they'll never bother you again, I promise.
What exactly do I have to do?
You got a nice dress?
I don't see what's wrong with what I'm wearing. Sorry, I made a joke. I love
your shoes. No, I don't think you do. You know, I think I'm going to go home.
I'm going home. I don't know anything about banking. I don't know that this is
going to work.
Listen, I'm nervous.
I know you're nervous, but I don't hate you. Thank you. A fake driver's license
is great. Oh, Sam, I don't think I can do this.
Uh -huh.
Stare at me. It says new account. That's where we go. I'm giving him no money.
Just do what I say. Don't talk.
Okay.
Tell her you're here to fill out a signature card for a new account. Can I
you? Yes, I'm here to fill out a signature card for a new account.
And do you know your account number?
926 -31043.
926 -31043.
31043.
Rita Miller.
Who? What?
Tell her Rita Miller.
Rita Miller.
Didn't they have you sign a card when you opened the account?
Tell her Carl Bruner opened it for you by phone and asked you to come in today.
Mr. Carl Bruner, he opened it for me by phone, that accountant, and now he's
asked me to come in today.
Hi.
Just sign this card on the bottom line, please.
May I use your pen?
Thank you so much.
Rita Miller.
I'm so sorry.
You know, I need to know the one. I signed the wrong name.
Now, tell her to make sure it goes straight up to the third floor file
you have a transaction to make. Please make sure this goes right up to the
floor file because I have a transfusion to make. A what?
Let's go.
You know what I mean.
Can I keep this pen?
Yeah, sure.
Thank you so much.
Bye -bye. I love these pigs. Are you always making me worry?
Carl Brenner speaking.
Hi, Carl.
Mr. Balistreri.
Balistreri? Carl, it's me, John.
John, John, sorry.
What's up?
I've got the info on the Bradley portfolio.
Oh, right. Okay, look, I'll just... I'll pick it up later, all right? All right,
I'll be here till six.
Good.
This is it.
I don't suppose I could talk you into losing the hat.
If you mess with me, you'll be here by yourself.
I'll tell the guard you're here to see Lyle Ferguson.
Hi,
I'm here to see Lyle Ferguson, please.
Do you have an appointment?
No, I'm here for my health.
Don't say that. Tell him Rita Miller's here. You just tell him Rita Miller's
here. Just one moment, please.
Don't embellish. Excuse me?
Now, listen.
This guy Ferguson's a real jerk.
I've known him five years, and he still thinks my name is... Why are you
whispering?
Just be quiet and listen.
He's a social moron, so you don't have anything to worry about. Just tell the
guard Ferguson knows you.
We spent time with him and his wife, Shirley, at the Brewster's Christmas
last year. What is this in regards to?
What? He doesn't remember me? Oh, we spent all that time at the Brewster's
Christmas party last year, he and his lovely wife, Shirley. It was beautiful.
A big old tree and thousands of presents everywhere.
Gas.
I get a little gas from time to time.
Well, don't overdo it.
It'll be easy. Ferguson was so drunk at that party, he could have had a
conversation with Tina Turner and he wouldn't remember.
Here we go.
Hello. Hello. Yes.
Of course, yes. Well, it's been a long time.
Oh, a long time. That's got Bobby and Snooki here doing it. By the way, how
Bobby and Snooki doing?
Fine.
Fine. Thank you. Thank you for asking.
And how is your family?
Oh, couldn't be better.
Well, wonderful.
Tell them you've been wondering how they did on the Gibraltar securities.
I was just wondering, how did you do on the Gibraltar securities?
The Gibraltar securities?
Well, it looks like we topped out on that one, huh?
We sure did. We sure did.
That was a very useful tip.
Good old Randy. Good old Randy. Got a good old head on his shoulders. Her
shoulders. Her shoulders.
Her shoulders.
Randy. Yeah.
So what, um, what brings you here today?
You're closing an account.
I'm closing an account.
Oh, wonderful.
You have your account number?
Yeah. Yes. Yeah.
92631043. 926.
3 -1 -0 -4 -3. Is that right? Yes. Good.
Well, Rita, it looks like you'll be withdrawing $4 million from us today. $4
million? Say yes. Say yes.
Is that correct?
Yes.
10th and 20th. Pardon?
Cashier's check. Tell him a cashier's check. I think that a cashier's check. A
cashier's check, yes.
Fine. Well, of course, you know we require identification. Oh.
Everyone's just a cathedral.
Thank
you.
Well, I'll...
I'll be right back.
One million dollars?
Yeah,
give me the First Island Bank of Nashville. It's on the roll with it.
We have some things for you to sign here.
Officially closes the account.
And, uh, here you are.
Signed, Rita Miller.
Uh -huh.
Uh, Miller.
That's my name.
My name, Rita Miller.
My name.
My name.
Go to me. I'll be right back.
Just anywhere?
Uh, right here.
Mama took the money that she made in the oil well, and she sunk it into gas
pumps. You know how they have at the gas station. And those gas stations have
five or six of those things, so it's very, very lucrative.
It really adds up. We've got to go. Say goodbye. Well, got to go now. It's been
a pleasure doing business with you. A real pleasure. Now, may I... Say
to Bobby and Silky for me. I'll see you.
Bye -bye.
What is wrong?
Excuse me, Lyle? Oh, yes, uh... Molly. Molly. Jensen.
The woman you were just doing business with.
Yeah? What did she want?
I mean, did it have anything to do with me or with Sam?
Sam? Well, no.
That was Otome Brown, right? No, her name was Rita Miller, and she was
an account.
Is there a problem?
No.
Is somebody playing with the computers?
What?
Well, my account is closed.
What's wrong?
You want me to call someone?
No, it's okay. I can do it.
I got it.
$4 million.
Oh, my God. What am I going to do with this money? You know, I'm going to buy
the building. No, no, wait. I'm going to buy the block.
I'm going to make my sister go to a pet farm because, you know, she's way too
big. Whoa.
Take the check out of your purse.
Oh, you're right. You're right. I should take it out. I should put it where
nobody can get it.
No, no.
Endorse it.
No, if I endorse it, then if I drop it, somebody will get it. No, I just... It's
not your money.
I never said you were going to get the money.
This is blood money. I was killed for this money. Now endorse the check.
I don't understand what you're going to do with it.
Look over there.
I'm giving this $4 million to a bunch of nuns. Otome, if you don't do it, they
will track you down. Your only protection is to get rid of it.
Oh, Sam, come on. You're killing me. It's $4 million.
Just think of it this way.
You go to heaven.
I want to go to heaven. I want to go to the bank and get the goddamn check.
Hello?
Yeah. You'll check me later. How you doing?
I endorse it, Rita Miller.
No.
Make it happen to me and Joseph, Joe.
Believe me, I can do that.
Give it to her.
I will, I will. I just want to feel it one more time in my finger. Give the
the chicken.
Bless you, child.
Bless you.
I think you're wonderful, Otome.
Go ahead and search. You'll never find it.
They're going to kill you, Carl.
You and Willie.
You're going to be fertilized.
They're going to bury you right next to Jimmy Hopper.
Who's doing that?
Who's doing that?
Where were you?
I thought we were having dinner.
I know, Mom.
I'm sorry. I think you're a little crazy. I forgot.
Yeah, Helen's over at the bank.
I forgot.
You know, I wish you would have called me because I've been really worried.
Listen to me, Molly. I've got to ask you about something.
Yeah. He needs to borrow $4 million.
When you said that you thought that Sam was here, that he was talking to you,
what did you feel? What did he say to you?
Why? What does that have to do with anything?
Just listen to me for a second.
This psychic lady, I want to know what she told you. I want to know exactly
she said. Let me go.
Stop this.
It doesn't matter.
It wasn't real.
What the hell happened to you tonight?
Does this have anything to do with her being at the bank today?
Bank?
Ferguson said she closed an account.
Her name isn't even Otome Brown. It's Rita Miller or something.
My stomach.
Jesus.
Do you have any, like, that's a bit more or something?
Fine -eyed. Yeah, it's up there. Why don't you sit down and I'll get it.
What's wrong, little girl? How much do you need?
I don't know.
Do you believe in ghosts?
Let the place fire, I swear to God.
Cut her throat, Carl.
I swear to God.
Cut her throat.
I need that money and I want it tonight at 11 o 'clock.
That psychic lady does not bring it here.
Molly is dead, okay?
Carl, who are you talking to?
Nothing. Now, Molly, listen to me. I have to go, okay?
I can't explain this now, but there is a problem, okay? Something going on at
the bank. Carl, you're really scaring me. I'm sorry, Molly. Look, I don't have
time to talk now, but I'll come back about 11 o 'clock. Why? Why not now?
I can't talk now, Molly. Look, I'll come back. What do you say? 11 o 'clock,
okay?
I'm sorry to do this to you, Molly, but it's really important. I've got to go,
okay? 11 for the bank.
with just your television, I'm black.
I want to watch Love Connection. I love Love Connection. Look at that man on
there. Look at that. That's Sparta Forcenio. So?
What do you mean, so?
You love Love Connection. You ought to send your picture in there. She did
already. They just haven't answered yet.
Little May.
Sam? Oh, no, not again. Little May, we're in trouble. They want the check,
they're coming for you, so you've got to get out of here. What do you mean, they
want the check? The check you said they would never know about?
They're here. They're here. Get out of here now. Go.
Go.
Come on. Come on.
Knock on
the door.
Help.
Help.
Emergency. You've got to let us in. Who are you kidding?
I'll check downstairs.
uh
You're dead, Willie.
Tell the driver to hurry.
Yo, man, you want to step on it, please?
I'm driving as fast as I can.
Bravo?
Bravo?
What about you?
That's me automatically.
Molly, I know what you think of me. I know what you think of me. But look,
you've got to talk to me. You are in serious danger.
I've got Sam here with me. We've got to come in and talk to you. Get the hell
out of here.
I'm calling the police.
Good. Tell her to do it.
Fine. That's all we want you to do. We want you to call the police.
But you've got to let us in.
No.
Don't you get it?
Sam was not just accidentally killed. He was murdered.
He found out the car was laundering money at the bank.
Now, this guy Carl is dangerous. I'm telling you, he tried to kill me. He's
going to try to kill you, too.
You are in deep, deep trouble.
Why are you doing this to me?
Why are you doing this to me?
Do you hear me? Why are you doing this to me?
I can't.
I just can't. What do you mean?
What do you mean? Tell her.
Tell her she's wearing a shirt that I built the margarita on and the earrings
gave her for Christmas.
Molly, Sam says to tell you you're wearing the shirt that he spilled the
margarita on and the earrings he gave you for Christmas.
Don't you see I'm not a fake?
Not about this.
Give me a penny quick.
What? Push a penny under the door now.
I'm not talking about push a penny under the door. Just do it.
Tell her it's for love.
Sam says it's for love.
Between Green and Mercer on Prince.
It's the gray building right across from the post office.
Thanks, Sergeant. Please hurry.
We'll be waiting.
All right, they're on their way.
Good.
So, what do we do now?
Just wait.
Sam here?
Sam? I'm sitting beside her.
Sitting right beside you.
Sam, can you feel me?
With all my heart.
As with all his heart.
I'd give anything if I could just touch you once more.
He says he wishes he was alive and so he could touch you.
Okay, okay. Look, you can use me.
Use you?
Use my body.
Use your body? Just do it quick before I change my mind.
And time.
Happy New Year.
A liar.
You've got to listen to me. This woman's a thief.
She's a con artist. Why? Why are you doing this? Don't listen to her, Molly.
Stop.
Just get away from us, Carl.
I call the police.
We're in a fear, Molly. She's a thief!
All right, Jack.
Just give me the check. Oh, no!
Out of this, Molly!
Jack! Get out of this, Molly!
Jack!
Get off of me!
Where is it?
Where is it? Where is it, goddammit?
Give it away.
You're lying to me.
Don't.
I'll miss you. I'll let her go.
Are you two all right?
Sam? They're waiting for you, Sam.
I'll miss you.
Your mother'd be proud.
I'm gonna miss you too, Sam.
You're all right.
Bye, Otome.
I love you Molly.
I've always loved you.
It's amazing, Bob.
The love inside.
Take it with you.
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