All language subtitles for St.04 Ep.09 - eng

[tense music]

* *

- First, I must
apologize for my actions.

You deserve better.

But our discourse was
leading us in circles.

And I was unable to
gather my thoughts.

Shit.

Sniper must be
in the East Hills.

We got to clear these streets.

- Perhaps I can better
express myself in this form.

And cooler heads will prevail.

I had never met someone
who saw the world

quite like I did,

a like-minded peer
who knew when to make

the tough decisions if it was
in the name of good.

You shot my friend!

Big Alice isn't going anywhere.
Deal's off.

Some might suffer, yes,

but only so a vast amount more
could benefit.

It's not working.

But it's not too late.

We can still change
the course of history.

Downtrain cars are covered.

- We have people ready
at the bottleneck?

- Yeah,
besides, ain't no soldiers

getting in here anytime soon.

Shit, I might slip
into that tub.

- Not unless
you're being shot at.

I'm going to check on
the rest of the passengers.

None of us are safe with
a bloody shooter in the hills.

- You only need to see
the errors of your ways,

to have faith in my abilities
as I have in yours.

Once we have the power
of both engines

to reach the launch point,

we can send Gemini into
the atmosphere

to counteract
the effect of the CW-seven.

And the great thaw can begin.

- Call for you from
the field, sir.

Yes?

- The girl destroyed
the switch control.

- Alex broke it.
She can fix it.

What if she can't?

- She's capable of
extraordinary things.

Press her.

I'll work on a solution
on my end.

And thanks to our work,

the survivors,
the strong souls

who persevered through
the freeze,

they will witness
life of all forms

breathed back into this world.

A world that will
no longer need Snowpiercer,

876 cars long.

[dramatic theme music]

* *

[tense music]

* *

- Don't worry about me.
Help Alex now.

Go.

Heads up. You got a visitor.

Javi, get back inside.

- I need to get
in my shop, Josie.

- We can't get in the door.
Alex is in there.

One of Nima's animals is

forcing her to
flip the switch.

- I hate them all.
I'm pissed.

- He's not looking so good.
- It's just a scratch, go.

- Go!
- It's not. Come on.

We need to get him
into the clinic now.

Go, come on, man.

Javi. Find Layton.

- Tell him about Alex now.
- OK.

[tense music]

* *

- Ah, that sniper's all over
us. We gotta find a way--

- [shushes]
[broken radio chatter]

- What are you doing?
- Shh.

- You shush me again and
I'll use you as a human shield.

- The girl busted
the switching control.

- Is that the enemy?
- Yeah.

On the radio
that Roche gave me.

Nice work. Nice work, Alex.

- Just keep them pinned down
while I handle it.

- Copy that.
I've got ammo to spare.

What the hell is he doing?

Javi!

Javi, you gotta stay put, man.

- Alex is locked in my shop
with one of Nima's soldiers.

They're gonna make
her flip the switch.

- If Nima stalls the Engine,
he could blow the hills.

I can stop that.

Look, we recovered
this data plate

from one of the detonation
receivers.

I can use the frequency on it
and build a device

that can jam
the trigger signal.

- First things first,
we've gotta get to Alex.

- Keep your heads down.
- OK.

[music intensifies]

* *

- Sorry for the fishing
expedition.

- It's OK, Doctor.
You keep on fishing.

It's where I don't feel much
anymore.

That's all right.

Being immune to pain
makes us stronger.

No, no, no. It's not true.

Pain is important.

Tells us something is wrong.

I still feel it.

It's just, it's different.

Gotcha.

Ah, shit.
He has lost a lot of blood.

- Well, I'm type O.
- No, no.

Josie, I cannot ask that
of you.

Get the needle.

[sniper shot]

- It sounds like Alex
bought us some more time.

We got to find a way to
take out that sniper.

- Yeah, I'm on the wrong end
of a carnival game out there.

- That radio.
Oz, you distract him with it

while Till, you head up to
the hills, take him out.

Wait, hold on.

Shouldn't it be me to
take care of the sniper?

I know those hills
better than anyone.

- And I faced the Animal Squad.
And I know how they fight.

- Y'all can play roshambo
for it.

- I'm gonna go get Alex.
- Hey, where do you want me?

- Go to the engine with Z-Wreck
in case they attack it.

- Javi, will you please stay put?
- OK, I'll stay put.

[beeping]

[tense music]

* *

- I see my words were
of no consequence.

Take me to Alex.

That's actually why I'm here.

She's been relocated
to New Eden

and could use a little
parenting right about now.

[sniper shot]

[tense music]

* *

[sniper shot]

[sniper shot]

[music intensifies]

* *

[sniper shot]

They're mobilizing on you.

Rat, move in.

Hurry up already!

[groans]

Take cover.

[grunts]

We got to go. Come on.

- Where are we going?
- Town Hall. Go, let's go.

[sniper shot]

Cut across.

Right through there. Ready, go.

* *

[groans]

Last bit, you got it?

Go!

- To get Snowpiercer
to the launch point,

you'll have to
finish retrofitting

- the Big Alice engine.
- It's not happening.

- If what Alex did to the track
switch is irreversible,

then, then it's our
only solution.

- On your timeline,
I don't think that even works.

And New Eden won't
just stand by

and let you steal their engine
for the second time.

They're already standing by.

Layton and his people are
pinned down under sniper fire

and will stay that way
until we're through.

Luckily, Alex, uh, found a way
to streamline the final steps

in the caterpillar system.

Like mother, like daughter--
always elevating her thinking.

And, and, and now we can finish
what we started.

- No, no, we're not working
together anymore.

You are on your own here.

- Based on our current distance
from the launch point

and your climate models,
there isn't much time

until Snowpiercer and Big Alice
must depart New Eden together.

We need them both.

I think my position's clear.

- If you don't help me,
I'll have no reason

to continue holding
the town and Big Alice hostage.

You'll be leaving me no choice
but to bury them.

* *

[sniper shot]

OK.

[grunting softly]

- [sighs]
- Yes.

- [grunting softly]
- Yep.

[groans]

[grunts softly]

- Yes, yes!
- Ah! Damn it.

- You'll be needing this.
- Yeah.

All right,
so how you gonna stop

the sniper from spotting you?

- Well, well, well,
my little New Eden tourist.

[exhales]
Sniper's here, right?

- Uh-huh.

- You head out from
the East End

'cause it's flatter
and more shielded

from the sniper's
vantage point.

After about 50 meters,

it curves round to
the back side of the hill,

where I can sneak up on him
from behind.

There's this little cluster of
rocks blocking his view

so the little piss-ant
won't know what--

[suspenseful music]

* *

[sighs]

Shit!

[bullet ricochets]

- They won't shoot me.
They need me.

You sure?

They seem pretty pissed off.

- Well, it seems like
we're both good at that.

So I know you got Liana, but
how did you escape the Silo?

Just kept going up.

Was Wilford with you?

- Hey, uh, any patrols
out there,

I need you over to the East
Side to cover Till and Oz.

- I mean, I know that
he was with you and Melanie,

but I don't know if
he made it onto Snowpiercer.

- Yes. Wilford did make it
onto Snowpiercer.

And that is where he died.

Huh?

Oh, uh--

[stammers]

Did you--did you kill him?

I wouldn't blame you
if you did. I mean,

after everything
with Liana and Zarah,

I--I tried to kill him,
too, once, you know.

I didn't cut deep enough.

He did it to himself.

- 'Cause he was never gonna
make it out alive, was he?

[breathes deeply]

- What--
somehow she found a way

to streamline the retrofit

by merging
the hydraulic systems.

Alex's mind, it's, it's--
it's fascinating to watch,

unconventional, but ingenious.

You know, working and working
and working a problem

until there just isn't one.

- Do you remember
when you wouldn't work

for an energy company
that was dumping chemicals

into the Atlantic?

Do you?

Because I do.

And now you've made
this poison.

And you want to launch it
into the atmosphere.

- A poison that created
New Eden.

At what cost?

And how do you know
it'll work any different

than it did with CW-seven?

You weren't working on Gemini
15 years ago.

That was CW-seven.

- That was you.
- My team.

It wasn't just me.
It was my team.

It was 100 voices, small minds,
incapable of seeing--

but now it's up to me
to fix their mistake--us.

You're wrong, Mel.

You hear me?
You're--you're wrong.

I'm--I'm nothing like
those polluters

who only concern themselves
with their bottom line.

That's not me.

And it's not poison
we're launching into the sky,

it's hope.

It's hope.

You'll realize it soon enough.

Gather whatever you need
to finish the retrofit.

We'll be leaving soon.

[soft tense music]

* *

- Your symptoms have
progressed quite rapidly.

What have you done to me?

[grunts]

[screams]

* *

[sniper shot]

Oi. You up there.

You swap those rifles out
for a BB gun

because you couldn't hit
a red elephant's ass.

[sniper shot]

[grunts]

You animal blokes like
finger painting, right?

Maybe if I put a bullseye
on my face, it'll help you.

Ignore him, Ace.

Stay on task and
maintain your position.

Do I know you?

Why were you talking to me
in the hills?

- I wasn't.
Who the hell is this?

- All this time
I thought I was going mad

because my psycho ex-wife was
taunting me.

Turns out it's just
some Irish mercenary.

- I'm not a mercenary.
I'm a bloody engineer.

Ace, how'd this wean
get a radio?

I gotta go help Till and Oz.

[sniper shot]

You OK?

Yeah, I'm OK.

Um, just do
what you need to do, Layton.

[intense music]

* *

Layton,

if you can hear me,
get out of there, man.

* *

Layton!

* *

- You're gonna run across
through the catwalk exit.

I'm gonna make sure
he doesn't fire at you.

He has an automatic weapon.

Unless you can punch through
bullets, we're screwed.

Go.

[dramatic music]

* *

It's locked.

Layton!

* *

[both grunting]

- [screams]
- [grunts]

[both grunting]

* *

[shouts]

[sniper shot]

[breathing heavily]

[sighs]

Hey.

Still got pretty good aim.

- Yeah, and a whole lot
of freaking luck.

There was only one round
left in the chamber.

- Send a sniper and we'll
counter with a Bess Till.

[chuckles]

Is everyone all right, then?

- Uh, Boki got a souvenir
in the gut,

but it's not gonna
slow him down.

- Javi's in his shop,
working on the jammer

so the bombs won't go off.

- But we're good, though,
right?

'Cause they'd have to get to
Big Alice first.

And she's locked off
in a vault with no keys.

Which also means our plan

to use the engine to escape
is off the table.

- Well, we know
that they're gonna

come back with heavier forces.

- It's all right.
The plan still works.

Lead 'em down Main Street,
start an ambush.

- Well, Nima's countermove
won't be what you think.

He's determined to launch
that rocket at all costs.

And if he succeeds
and Gemini does launch

into the stratosphere,

it'll eventually spread
across the globe,

including over New Eden.

It'll erode the atmosphere.
We will all get poisoned.

We will lose oxygen
until we can't breathe,

and that's just before the
blood boils out of our bodies.

So, yeah.

[clears throat] Right.

- Holy shit.
- That's a lot.

- What I did to
the track switch

will only hold Nima off
for so long.

And if he takes the engine,
he'll eventually get past it.

[clears throat uncomfortably]

But how can he get
the engine past a locked switch

without derailing it?

- Well, you just answered
your own question.

That right there,

that's what we've all been
scratching and clawing for.

The bridge back to
the lives we once knew.

[breathing heavily]

- Are we ready to bring
Melanie through town?

There's been a complication.

OK, come on.

[chiming]

[grunts]

Vamos.

We're ready to head out.

- The best approach is gonna be
to back Snowpiercer into town.

And leave it vulnerable?

No, we'll be escorting you
into town on foot.

- The engine will freeze
if's it left idle for too long.

- It has extended time
in this warm pocket.

But I'm sure you already know
that.

- You know the retrofit
won't be complete

until the engines
are connected.

My way is faster and
more efficient, Nima.

- Bringing Snowpiercer
into New Eden

won't be a problem
once we've cleared the town.

- I thought there were
no more weapons.

- Milius saved some
for a rainy day.

- Don't be this person, Nima.
Don't do this.

They've given us no choice.

There's another way.

Yeah, Alex said the same.

And now my sniper is dead
in their hills.

I've avoided using the stick

that the Admiral so proudly
wielded.

But desperate times,
they--they--

they seem to require more
than just a carrot.

Just hear me out.

- No one make a move
until I say so.

Why has he sent her?

To make a deal?

- He's not interested
in a deal.

Run.

Run!

[gas canisters hissing]

Everybody get back!

Find shelter, now!

Get inside!

- Mom!
Mom, what's going on?

Put this on.

[tense music]

* *

[coughing]

Come on.

[grunts]

Oz.

- Come on.
- Come on.

- Oz.
- [groans]

[alarm blaring]

[soft tense music]

* *

- [crossbow fires]
- [grunts]

Down, down!

[gas canister hissing]

[coughing]

[respirator hissing]

- Look what we accomplish
when we put our minds together.

- Let's vent these cars
and get on with it.

By all means.

Only a few hours to
stay on schedule.

[grunting]

[tense music]

* *

- Hey, hey.
Head up, drink up.

[coughs]

- It's the same stuff
I got gassed with

back on Snowpiercer.

It isn't deadly, but they'll be
out of it for a while.

[groaning, coughing]

Alex, she's not here.

- Anyone see her in the chaos?
- They must have grabbed her.

- Or maybe Melanie wanted
to save her daughter

before she launched the attack.

- We don't know that
she was behind that.

- I mean, it is kind of
on brand for her.

She might have been coerced.

- Melanie and Nima have control
of both of the engines, again,

and the town.
Their soldiers are outside.

What, we're just gonna
stay in here like prisoners?

[coughs]

- Whatever side Melanie's on,
Alex is on ours.

[indistinct chatter]

- Secure that tread
to the chassis

and back onto itself.

- You're not actually
handing over

the tricked-out engine
over to Nima, right?

Especially after
he gassed New Eden?

- Gassing town was
actually my idea.

Believe me, it was better
than the alternative.

- Well, I'm sure
after my little stunt,

Nima was ready
to go full force.

- Good news is,
he gassed me, you know,

so I knew he had
a safer weapon.

- He gassed you?
- Yeah.

So, uh,

no, we're not giving him
what he wants.

What happened in the engine?

- Just worked on
the blueprint with him

and tried to gain his trust.

Thought he would tell me
where you were.

Did he tell you anything?

- He reminded me
that he's smart.

Right.

[wind blowing]

Your first taste of New Eden.

[giggles]

- I suppose you're used to it
by now.

Oh, it's a marvel.

One that exists because of you.

Because of you,
this life can flourish.

My husband also
pushed boundaries

for the betterment
of humankind.

I just wish he was here
to see all this.

- Sounds like we would've
gotten along.

- Uh-huh.

You know, the people here,

they want to enjoy
this miracle,

and yet they want to deprive
the rest of the world of it.

How is that fair?

Here lies another injustice.

When I found out we lost
a valuable asset in the field,

I wondered,
with your experience,

if...you might have
any thoughts?

[dark music]

* *

Hmm.

Anyone who is lost...
can be found.

[chatter]

- Hey.
- [gasps]

Sorry.

Didn't mean to startle you.

We just wondered
where you slipped off to.

Look at them.

Strolling around our town,
eating our food.

Their heads should be
on spikes at the gate.

- Well, I certainly understand
the sentiment.

Those people out there have
tortured us all

in one way or another.

You've had the brunt of it,
haven't you?

It's not about me.

You know,
sometimes I just feel like

people around here
want to minimize

the harm that we've suffered.

We should be using it
as a measure.

For what?

- For the harm that
we inflict back.

- We may take the high road
attitude at times,

but surely
there's a stark difference

between justice and vengeance,
isn't there?

I'm fine, Ruth.

No, you're not.

None of us are.

- How do we get in touch
with Layton?

There's a radio in Town Hall.

If he went there after
the attack, we can call to it.

- We can call up
the antenna cable

that runs up to
Big Alice's control cab.

Just act like
we're working on the retrofit.

Walkies are closed loop,

but if we patch into the comms,

we might be able to reach
Town Hall.

- Well, the only problem is,
Nima never gave us a walkie.

Helped myself.

Huh.

- OK, we'll need to
distract Nima.

If he's at the helm, he might
notice the comms are active.

- Well, we could
convince him that

there's a hitch
in the retrofit.

- Mm, not sure we want him
poking around down here.

- Then why don't I go to
the Engine

and lure him out of
the cockpit?

- No.
- Why not?

[sighs]

First of all,
I don't trust him.

- Well, he thinks of me
like a protégé,

studies me like
a science experiment.

Yeah, I bet.

- You don't have to worry.
I can handle myself.

Alex.

Um...

He's the donor.

The donor?

* *

He's my biological father?

* *

- He was different back then.
And we worked together

on an environmental engineering
competition at MIT.

He was passionate about it.

He was a good person.

- Then what happened
after grad school?

We went our separate ways.

- Not before making
one hell of an arrangement.

- Well, we have different
priorities in life.

We were never in
a relationship.

It was only work between us.
But I respected him.

I was ready to be a mother.

- So you wanted to
raise me alone.

He wanted that, too.

It had to be anonymous.
I understand all of that.

But why would you tell me now?

- I didn't think Nima and I
would ever cross paths again.

Here we are.
[chuckles softly]

The admission was starting
to feel like a lie.

I don't want that between us.

- So my father is the one who
is trying to destroy the world.

Donor.

Yes.

But not if we stop him.

- Well, I am going to
go to the engine

because that seems like
the best strategy.

[soft tense music]

* *

Melanie's just crossing the T's
and dotting the whatever,

so the retrofit
will be done soon.

Thank you for the update.

You're welcome.

I also thought that
we could discuss

the whole that you are my dad.

[soft tense music]

* *

- Melanie wouldn't use
that term.

- Well, neither would you,
apparently.

Well, we have a few minutes.

* *

[soft beep]

- [softly]
Layton, do you copy?

* *

Yeah, Melanie.

I'm here. So is Ruth.

- And there's
a few people downstairs

wouldn't want us
talking to you.

Sorry about the gas.

Um, from the arsenal I saw,

it seemed like
the lesser evil.

OK what's your play?

Stop Nima.

I'm bringing Snowpiercer
into town,

need you to board the train
and help us put up a fight.

- Yeah, how exactly
we supposed to do that?

- Saw you rush the train
once before.

I have faith
you can do it again.

Then we take the trains back.

First, we all board

and figure out how to stop
that rocket from launching.

* *

- I want to hear both sides
of the story,

so this is your chance
to tell me yours.

- I'm sure it lines up
with your mother's.

OK, then.

Then why did you do it?

- Melanie was a friend
and she asked.

- So it was a transaction?
- Don't be so reductive.

You know you're more than that.

Look. [sighs]

The conditions in which
we're raised

play an important role
in shaping us.

But the influence of
our genetics

holds the stronger sway.

You've had fatherly influences
on both sides.

The nurture part, that you got
from Joseph Wilford,

but the nature--

that, you inherited from me.

- Both such sane people.
- [scoffs softly]

You know the difference between
dominant and recessive genes?

- One overrules the other.
- Mm-hmm.

Whether advantageous
or detrimental,

and the other gene
can't compensate for it.

- Is this your weird way of
telling me

that I have your eyes?

- It's my way of
telling you that

you need to stop explaining
yourself to lesser people

when standing right across from
you

is a partner who will
never know you better.

- We've had like
five conversations.

So how do you really know me?

- Because even if
it's through sheer genetics,

I am irrefutably your father,

and unlike the twisted
nurturing influences

of Joseph Wilford,

you can never overcome
your own blood.

* *

There has to be a way.

This is our town,

and we will get the hell
out of it if we want to.

- As soon as we charge
out that door,

Nima's soldiers
will shoot us down.

We need to thin
the herd somehow,

but we can't do it
from in here.

- Then it's a good thing
not all of us are.

* *

Javi, do you copy?

- Yeah, I'm here.
You guys all right?

Is the jammer functioning?

We won't know for sure

unless they try to
blow up the hillside.

Well, that's encouraging.

We have a small favor to ask,
since you're already there.

We need you to move a bomb.

* *

- That didn't go so well
last time.

But I did learn a bit
from almost blowing up.

- We're actually doing this,
huh?

- Yeah, if we can get out
of the engine undetected.

There's always the side door.

How'd that go?

- You're right.
He is not my dad.

* *

- You can give your driver
the word.

* *

[engine rumbling]

So much for the track switch.

Snowpiercer's coming.

- We just need Javi
to punch our ticket.

[tense music]

* *

[shouting]

- Now!
[all shouting]

Move, let's go!

Ruth.

- Ah!
[panting]

- They're coming!
- Move!

- What, haven't got it in you?
- [grunts]

Ah!

Hey!

They haven't got any bullets.

[grunts]

[rumbling]

- The train didn't bypass
the track switch.

It went over it.

[rumbling and grinding]

[tense music]

* *

Ready to connect the trains.

Coupling sequence initiated.

[gears clank]

Coupling complete.

Ceding system controls

and engaging
caterpillar system.

[tense music]

* *

Well done, Melanie.

You just helped
change the course of history.

* *

This is our chance.

All right, form up.

Crossbows!
[bolts whizzing]

[soldiers grunting]

Get on the train!

[shouts]

[grunting, groaning]

- [roars]
- [grunts]

- Layton and the others
boarded the train.

Pull out of the town now.

Stop Layton
and secure the subtrain.

We'll wrap up things here
and follow.

Are we out of the blast radius?

We are.

Blow the hills.

[tense music]

* *

[wind howling]

What's wrong?

- He must have jammed
the signals.

No.

No, no, no, no, no, no, no, no.

You orchestrated
this whole thing, didn't you?

* *