Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,080 --> 00:00:02,680
if you only know Marilyn from films like gentlemen
2
00:00:02,680 --> 00:00:05,160
prefer Blondes or the Seven Year Itch
3
00:00:05,160 --> 00:00:08,260
then some of these earlier roles might surprise you
4
00:00:13,280 --> 00:00:15,280
one thing that a lot of people don't realise
5
00:00:15,280 --> 00:00:16,200
about Marilyn Monroe
6
00:00:16,200 --> 00:00:19,160
is that she was not an overnight success
7
00:00:19,160 --> 00:00:21,200
she worked for a long time
8
00:00:21,200 --> 00:00:25,140
toiling and small roles as a contract player at Fox
9
00:00:25,320 --> 00:00:27,280
that she got the chance at a small
10
00:00:27,280 --> 00:00:30,320
but influential role in The Asphalt Jungle
11
00:00:30,320 --> 00:00:33,700
directed by John Houston what I said yesterday was
12
00:00:33,920 --> 00:00:35,780
wasn't really the was it the truth
13
00:00:36,760 --> 00:00:38,080
that was also the same year
14
00:00:38,080 --> 00:00:40,600
she had a small role in all about Eve
15
00:00:40,600 --> 00:00:41,920
and in both of those roles
16
00:00:41,920 --> 00:00:43,720
she really showed what she could do
17
00:00:43,720 --> 00:00:47,220
if she just had a chance at more complex characters
18
00:00:47,520 --> 00:00:50,480
and it's especially interesting to watch her in 1950
19
00:00:50,480 --> 00:00:53,400
Two's Clash by night which was directed by Fritz Lang
20
00:00:53,400 --> 00:00:55,860
because she plays a factory worker
21
00:00:56,040 --> 00:00:57,360
very different role from the
22
00:00:57,360 --> 00:01:00,080
the glamorous Marilyn roles that we're used to seeing
23
00:01:00,080 --> 00:01:01,640
later on in her career
24
00:01:01,640 --> 00:01:04,760
she's wonderful and give such a grounded performance
25
00:01:04,760 --> 00:01:07,800
but her star making role really came in 1952
26
00:01:07,800 --> 00:01:10,400
with Niagara directed by Henry Hathaway
27
00:01:10,400 --> 00:01:13,640
who knew exactly how to play up all of her glamour
28
00:01:13,640 --> 00:01:14,540
and beauty
29
00:01:15,720 --> 00:01:18,000
get out the fire hose but again it's
30
00:01:18,000 --> 00:01:20,300
it's a very different betrayal
31
00:01:20,360 --> 00:01:22,280
than we would see her do later on
32
00:01:22,280 --> 00:01:24,400
it's it's a much more realistic performance
33
00:01:24,400 --> 00:01:27,000
and she plays a truly vicious femmetal
34
00:01:27,000 --> 00:01:29,040
got to be tomorrow do you hear me
35
00:01:29,040 --> 00:01:30,640
be at the place as soon as it opens
36
00:01:30,640 --> 00:01:33,600
I love Marilyn's performance in Niagara
37
00:01:33,600 --> 00:01:37,720
because she manages to use her persona
38
00:01:37,720 --> 00:01:39,080
you know her sexiness
39
00:01:39,080 --> 00:01:42,200
her beauty as a weapon in this film
40
00:01:42,200 --> 00:01:45,520
her character is ruthless and she's calculated
41
00:01:45,520 --> 00:01:48,340
and she's playing with fire and she knows it
42
00:01:48,560 --> 00:01:50,700
thanks for being so nice I sure appreciate
43
00:01:50,840 --> 00:01:53,720
this was the first time Marilyn was seen in colour
44
00:01:53,720 --> 00:01:55,560
and she really stands out
45
00:01:55,560 --> 00:01:56,920
particularly with the blonde hair
46
00:01:56,920 --> 00:01:59,560
with the pink dress a lot of people forget that
47
00:01:59,560 --> 00:02:00,360
Marilyn
48
00:02:00,360 --> 00:02:03,800
was really instrumental in creating her own persona
49
00:02:03,800 --> 00:02:06,820
creating the character that was Marilyn Monroe
50
00:02:07,160 --> 00:02:09,720
she was savvy when it came to publicity
51
00:02:09,720 --> 00:02:12,880
she knew exactly how to play up her image
52
00:02:12,880 --> 00:02:15,920
how to use it for characters like she did in Niagara
53
00:02:15,920 --> 00:02:18,160
and also how to appeal to audiences
54
00:02:18,160 --> 00:02:20,860
that ensured that she would go on to become an icon
55
00:02:21,040 --> 00:02:24,400
this was before she started doing all the affectations
56
00:02:24,400 --> 00:02:25,880
that she would become famous for
57
00:02:25,880 --> 00:02:28,240
the over anunciation of syllables
58
00:02:28,240 --> 00:02:31,600
the breathy voice she uses her real voice
59
00:02:31,600 --> 00:02:34,480
her grounded voice and shows real acting talent
60
00:02:34,480 --> 00:02:36,800
and I think that's a surprise to some people
61
00:02:36,800 --> 00:02:39,640
who equipped to write her off as just a simple
62
00:02:39,640 --> 00:02:42,520
blonde bombshell haven't you bothered me enough
63
00:02:42,520 --> 00:02:45,040
your big banana head in the Asphalt Jungle
64
00:02:45,040 --> 00:02:47,360
and also flash by night
65
00:02:47,360 --> 00:02:49,320
Marilyn was really holding her own
66
00:02:49,320 --> 00:02:51,880
with all of these powerhouse actors
67
00:02:51,880 --> 00:02:53,800
especially from the world of film noir
68
00:02:53,800 --> 00:02:58,380
like Louis Calhern and Barbara Stanwyck and Robert Ryan
69
00:02:58,480 --> 00:03:01,600
and she really fits into all of the ensemble
70
00:03:01,600 --> 00:03:04,880
she doesn't stand out she really fits her roles
71
00:03:04,880 --> 00:03:06,840
and she is just as pivotal
72
00:03:06,840 --> 00:03:08,880
and important as those other actors are
73
00:03:08,880 --> 00:03:10,960
in the film Joe wants me to marry
74
00:03:10,960 --> 00:03:13,700
I gathered that but I hate people bossing me
75
00:03:13,720 --> 00:03:16,360
you marry a phone the first thing he does is boss you
76
00:03:16,360 --> 00:03:16,680
Barbara
77
00:03:16,680 --> 00:03:20,840
Sandwich said that she saw the magic that Marilyn had
78
00:03:20,840 --> 00:03:22,640
that she really had something special
79
00:03:22,640 --> 00:03:24,440
when she stepped in front of the camera
80
00:03:24,440 --> 00:03:25,480
that it was just a shame
81
00:03:25,480 --> 00:03:27,640
that she couldn't get out of her own way
82
00:03:27,640 --> 00:03:29,060
she was so nervous
83
00:03:29,120 --> 00:03:32,520
she was always very insecure about her performances
84
00:03:32,520 --> 00:03:34,600
particularly on clash by night with Fritz Lang
85
00:03:34,600 --> 00:03:36,580
who was a very very tough director
86
00:03:36,640 --> 00:03:39,720
but regardless she gave these wonderful performances
87
00:03:39,720 --> 00:03:42,000
that are so three dimensional
88
00:03:42,000 --> 00:03:43,800
and realistic you know
89
00:03:43,800 --> 00:03:46,100
you're a girl with a lot of variations
90
00:03:46,320 --> 00:03:48,680
if you go and none of it can be true
91
00:03:48,680 --> 00:03:50,540
it's interesting to consider
92
00:03:50,560 --> 00:03:52,680
what kind of career Marilyn might have had
93
00:03:52,680 --> 00:03:54,560
if she didn't go into the world of comedy
94
00:03:54,560 --> 00:03:56,760
I love her comedies and definitely
95
00:03:56,760 --> 00:03:58,800
all of the affectations she took on
96
00:03:58,800 --> 00:04:00,920
made her into this singular star
97
00:04:00,920 --> 00:04:03,960
this iconic image that we all remember today
98
00:04:03,960 --> 00:04:06,880
but she stayed within the noir genre honestly
99
00:04:06,880 --> 00:04:10,080
I could imagine her being someone like Gloria Graham
100
00:04:10,080 --> 00:04:12,520
being able to play these ruthless
101
00:04:12,520 --> 00:04:15,120
glamorous characters and vulnerable
102
00:04:15,120 --> 00:04:16,960
broken abused women
103
00:04:16,960 --> 00:04:18,240
I think Marilyn really had
104
00:04:18,240 --> 00:04:20,160
that vulnerability to her character
105
00:04:20,160 --> 00:04:21,880
and she was able to portray that
106
00:04:21,880 --> 00:04:24,480
in the couple of noir films that she made
107
00:04:24,480 --> 00:04:25,800
but I would have loved personally
108
00:04:25,800 --> 00:04:27,440
to see her continue noir
109
00:04:27,440 --> 00:04:30,020
although I'm a fan of all of her work
7949
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.