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1
00:00:02,236 --> 00:00:03,404
- PREVIOUSLY ON AWKWARD...
2
00:00:03,404 --> 00:00:04,872
- SHE'S GOT
A PERFORMANCE TONIGHT
3
00:00:04,872 --> 00:00:05,906
WHICH SHE'S NOW SHUT ME OUT OF.
- THAT'S NOT TRUE.
4
00:00:05,906 --> 00:00:06,907
I AM SHUTTING ALL OF YOU
OUT OF IT.
5
00:00:06,907 --> 00:00:07,841
YOU KNOW
WHAT'S INTERESTING?
6
00:00:07,841 --> 00:00:09,177
- WHAT?
- YOU.
7
00:00:09,177 --> 00:00:10,511
- YOU WERE CLASSIC.
8
00:00:10,511 --> 00:00:13,181
[phone buzzing]
9
00:00:20,020 --> 00:00:21,555
- I DIDN'T KNOW
IF MATTY'S CHEESE-NASTY PLAYLIST
10
00:00:21,555 --> 00:00:24,058
WAS THROWING ME OFF
OR THE PARALYZING GUILT I FELT
11
00:00:24,058 --> 00:00:25,259
FROM HITTING
THE "IGNORE" BUTTON
12
00:00:25,259 --> 00:00:26,927
WHEN HE SHOWED UP
THE NIGHT BEFORE,
13
00:00:26,927 --> 00:00:30,364
BUT EITHER WAY, I WAS PHONING
IT IN TO MY OWN BOOTY CALL.
14
00:00:30,364 --> 00:00:32,666
- YOU OKAY?
- MM-HMM.
15
00:00:32,666 --> 00:00:34,202
- YOU SEEM DISTRACTED
BY SOMETHING.
16
00:00:34,202 --> 00:00:37,605
- UNFORTUNATELY, "SOMETHING"
HAD A NAME: COLLIN JENNINGS,
17
00:00:37,605 --> 00:00:39,173
WHO I HADN'T STOPPED
THINKING ABOUT
18
00:00:39,173 --> 00:00:41,909
SINCE WE BONDED OVER LEMON BARS
IN MY EPIC OUTING,
19
00:00:41,909 --> 00:00:43,377
BUT WITH MY MAN
IN MY BED,
20
00:00:43,377 --> 00:00:45,279
I NEEDED TO GET COLLIN
OUT OF MY HEAD.
21
00:00:45,279 --> 00:00:47,815
I HAD SUCCESSFULLY FAKED SLEEP
TO MATTY,
22
00:00:47,815 --> 00:00:51,152
BUT WOULD I BE ABLE
TO PULL OFF FAKING "IT"?
23
00:00:51,152 --> 00:00:54,155
[romantic new wave music]
24
00:00:54,155 --> 00:00:58,025
*
25
00:00:58,025 --> 00:00:59,327
- HOLD ON A SECOND.
26
00:00:59,327 --> 00:01:02,896
- * OUT IN THE LIGHT
LAST SUMMER NIGHT *
27
00:01:02,896 --> 00:01:05,399
[R&B music]
28
00:01:05,399 --> 00:01:07,701
[both moaning]
29
00:01:10,238 --> 00:01:12,940
- OH, MY GOD,
THAT WAS UNREAL.
30
00:01:12,940 --> 00:01:14,375
- AND UNFAIR.
31
00:01:14,375 --> 00:01:15,943
IN MY NAKED
AND VULNERABLE STATE,
32
00:01:15,943 --> 00:01:19,780
MY FANTASY HAD RUDELY CREEPED IN
AND MADE MY REALITY ITS BITCH.
33
00:01:19,780 --> 00:01:21,549
[keyboard clicking]
34
00:01:21,549 --> 00:01:23,217
[thud]
35
00:01:23,217 --> 00:01:24,552
AND I COULDN'T
GET INTO IT
36
00:01:24,552 --> 00:01:26,320
UNTIL FREAKIN' COLLIN
POPPED INTO MY HEAD--
37
00:01:26,320 --> 00:01:28,256
NOT ON PURPOSE.
I WAS TRYING TO FOCUS ON MATTY.
38
00:01:28,256 --> 00:01:29,957
SO THEN I TRIED
THINKING ABOUT BASEBALL,
39
00:01:29,957 --> 00:01:31,292
'CAUSE THAT'S WHAT GUYS DO,
40
00:01:31,292 --> 00:01:33,794
BUT THEN COLLIN SHOWED UP
IN A DODGERS UNIFORM.
41
00:01:33,794 --> 00:01:35,129
DAMN HIM.
42
00:01:35,129 --> 00:01:36,797
SHOULD I BE WORRIED?
I THINK I SHOULD BE WORRIED.
43
00:01:36,797 --> 00:01:38,866
- STOP BEING SO "DRAMASTIC,"
HAMILTON.
44
00:01:38,866 --> 00:01:40,334
EVERYONE HAS FANTASIES.
45
00:01:40,334 --> 00:01:41,602
- EVEN YOU?
- OF COURSE!
46
00:01:41,602 --> 00:01:43,504
- THERE'S NO WAY
YOU THOUGHT-BUBBLE
47
00:01:43,504 --> 00:01:44,938
ABOUT ANYONE
BUT JAKE ROSATI.
48
00:01:44,938 --> 00:01:46,807
- NOT TRUE.
I HAVE TWO BATH BUDDIES.
49
00:01:46,807 --> 00:01:48,276
ONE IS MY SHOWER MASSAGER,
50
00:01:48,276 --> 00:01:49,977
AND THE OTHER IS NIALL
FROM ONE DIRECTION.
51
00:01:49,977 --> 00:01:52,146
- HE'S NOT EVEN
THE CUTE ONE.
52
00:01:52,146 --> 00:01:55,516
HENRY AND I ONLY FANTASIZE
ABOUT EACH OTHER, RIGHT, HENRY?
53
00:01:58,051 --> 00:01:59,753
WHAT THE HELL WAS THAT?
54
00:01:59,753 --> 00:02:02,089
- GUESS YOU AND YOUR FAKE
BOYFRIEND ARE IN A FAKE FIGHT?
55
00:02:02,089 --> 00:02:04,692
- SOMETHING IS DEFINITELY
GOING DOWN IN CHINATOWN.
56
00:02:04,692 --> 00:02:06,026
- NOW YOU AND I
CAN FREAK OUT TOGETHER.
57
00:02:06,026 --> 00:02:07,795
- UH, MING CAN BUY A TICKET
ON THE FREAK TRAIN,
58
00:02:07,795 --> 00:02:09,697
BUT, "J", YOU HAVE NOTHING
TO WORRY ABOUT.
59
00:02:09,697 --> 00:02:11,599
HAVING FANTASIES
IS TOTES NORMAL
60
00:02:11,599 --> 00:02:13,667
AND THE KEY TO MAINTAINING
A HEALTHY RELATIONSHIP.
61
00:02:13,667 --> 00:02:15,269
- WHAT FANTASIES?
- I DON'T HAVE ANY FANTASIES,
62
00:02:15,269 --> 00:02:16,604
EVER, NOT ONE.
63
00:02:16,604 --> 00:02:18,306
WE'RE TALKING ONE-TRACK MIND
HERE, ROSATI.
64
00:02:18,306 --> 00:02:20,941
CAN YOU GIVE US A MINUTE?
WE'RE GIRL-TALKING,
65
00:02:20,941 --> 00:02:23,511
AND I CAN'T PROMISE THE SUBJECT
OF TAMPONS WON'T COME UP.
66
00:02:23,511 --> 00:02:25,446
- UH.
67
00:02:25,446 --> 00:02:29,617
- IF FANTASIES ARE TOTES NORMAL,
WHY DID YOU JUST LIE ABOUT IT?
68
00:02:29,617 --> 00:02:31,519
- HE IS A BOY,
WHICH MEANS HE IS TOO SENSITIVE
69
00:02:31,519 --> 00:02:33,521
TO HANDLE THE TRUTH,
AND THE TRUTH IS,
70
00:02:33,521 --> 00:02:35,756
I DAYDREAM
ABOUT SLIP-SLIDING NAKED
71
00:02:35,756 --> 00:02:37,558
ACROSS NIALL'S
BABY-SMOOTH CHEST.
72
00:02:37,558 --> 00:02:39,560
WHICH DOESN'T MEAN
I LOVE JAKE ANY LESS.
73
00:02:39,560 --> 00:02:43,030
- "T" MADE A GOOD POINT, ALBEIT
A SLIGHTLY DISTURBING ONE.
74
00:02:43,030 --> 00:02:46,234
IF JAKARA WASN'T THREATENED
BY TAMARA'S MENTAL DALLIANCES,
75
00:02:46,234 --> 00:02:48,336
MAYBE MY RELATIONSHIP
WAS SAFE FROM MINE.
76
00:02:48,336 --> 00:02:49,903
[bell rings]
77
00:02:49,903 --> 00:02:53,006
- SO, INSPIRED
BY JUNIOR BLOGGER OVER THERE
78
00:02:53,006 --> 00:02:55,676
AND HER INCREDIBLY BLEAK YARN
ABOUT THE LOSS OF INNOCENCE,
79
00:02:55,676 --> 00:02:58,412
YOU'RE ALL GONNA WRITE
ABOUT FIRSTS.
80
00:02:58,412 --> 00:02:59,480
YES, ANGER MANAGEMENT?
81
00:02:59,480 --> 00:03:01,349
- FIRST WHAT?
82
00:03:01,349 --> 00:03:02,850
- HOW 'BOUT THE FIRST TIME
YOU GOT AN "A" IN MY CLASS?
83
00:03:02,850 --> 00:03:04,252
OH, WAIT,
THAT NEVER HAPPENED.
84
00:03:04,252 --> 00:03:05,553
- WHAT IF
WE HAVEN'T HAD SEX YET?
85
00:03:05,553 --> 00:03:06,754
WHAT DO WE WRITE ABOUT?
86
00:03:06,754 --> 00:03:08,322
- OPEN YOUR EARS,
AMERICAN PSYCHO.
87
00:03:08,322 --> 00:03:10,424
I DID NOT SAY YOU HAD TO WRITE
ABOUT LOSING YOUR VIRGINITY.
88
00:03:10,424 --> 00:03:12,493
NO ONE WANTS TO HEAR ABOUT YOUR
MISADVENTURES WITH MADISON.
89
00:03:12,493 --> 00:03:14,061
- WHO?
- YOUR BLOW-UP GIRLFRIEND.
90
00:03:14,061 --> 00:03:16,196
- I DON'T HAVE A--
91
00:03:16,196 --> 00:03:18,966
HER NAME IS AMY.
92
00:03:18,966 --> 00:03:20,601
- YES?
- AM I DONE WITH THE ASSIGNMENT?
93
00:03:20,601 --> 00:03:22,336
- YOU USED SOMETHING
THAT YOU WROTE A YEAR AGO.
94
00:03:22,336 --> 00:03:24,171
THAT'S NOT WRITING.
IT'S CALLED "READING."
95
00:03:24,171 --> 00:03:26,274
- SO SHOULD I EXPAND
ON MY STORY?
96
00:03:26,274 --> 00:03:27,908
- YOU COULD, IF I WASN'T
COMPLETELY OUT OF SCOTCH.
97
00:03:27,908 --> 00:03:30,210
YOU ALREADY WROTE THE GRITTY,
TENEBROUS REALITY.
98
00:03:30,210 --> 00:03:33,781
NOW WRITE WHAT YOU THOUGHT
YOUR FIRST TIME WOULD BE.
99
00:03:33,781 --> 00:03:36,384
WRITE THE FANTASY.
- NOT A PROBLEM.
100
00:03:36,384 --> 00:03:39,553
I WAS AN EXPERT
IN THAT DEPARTMENT.
101
00:03:39,553 --> 00:03:42,189
- AND THIS TIME, TRY NOT TO
DEPRESS THE [bleep] OUT OF ME.
102
00:03:43,391 --> 00:03:46,159
- TOLD YOU YOU KILLED IT.
- MM-HMM.
103
00:03:48,362 --> 00:03:51,765
[bell rings]
104
00:03:51,765 --> 00:03:54,702
- DO YOU WANT TO KNOW WHAT
I THINK ABOUT THIS ASSIGNMENT?
105
00:03:54,702 --> 00:03:56,270
- ACTUALLY, I CAN'T THINK
OF ANYTHING I WANT LESS.
106
00:03:56,270 --> 00:03:57,771
- IT'S TOTALLY
INAPPROPRIATE.
107
00:03:57,771 --> 00:03:59,473
I REFUSE TO WRITE
ABOUT SLUTTING IT UP.
108
00:03:59,473 --> 00:04:00,974
- I BELIEVE I SAID
"FIRST ANYTHING."
109
00:04:00,974 --> 00:04:03,143
- YEAH, BUT SO FAR,
YOU'VE ONLY GIVEN GOOD GRADES
110
00:04:03,143 --> 00:04:05,613
FOR PERVY PORN, WHICH
I'M PRETTY SURE IS ILLEGAL,
111
00:04:05,613 --> 00:04:07,581
SINCE WE'RE UNDERAGE.
- FIRST OFF,
112
00:04:07,581 --> 00:04:09,483
I'D RATHER PUT A HOT POKER
TO MY BALLS
113
00:04:09,483 --> 00:04:11,485
THAN READ ABOUT YOUR
PUBESCENT FUMBLINGS,
114
00:04:11,485 --> 00:04:14,988
AND SECONDLY, I HAVE
AN AMPLE SUPPLY OF PERVY PORN.
115
00:04:14,988 --> 00:04:16,256
THANK YOU.
116
00:04:16,256 --> 00:04:18,225
- YOU'RE NOT WELCOME.
- MISS SAXTON,
117
00:04:18,225 --> 00:04:20,428
I DON'T GIVE A CRAP HOW YOU LOST
YOUR PRECIOUS FLOWER.
118
00:04:20,428 --> 00:04:23,096
I JUST WANT TO KNOW
ABOUT THE FIRST TIME YOU DID
119
00:04:23,096 --> 00:04:25,599
OR FELT SOMETHING THAT MOVED YOU
OR RIPPED YOU APART.
120
00:04:25,599 --> 00:04:26,800
DON'T THINK.
121
00:04:26,800 --> 00:04:29,670
WHAT FIRST
ABSOLUTELY DESTROYED YOU?
122
00:04:29,670 --> 00:04:31,605
- THE FIRST TIME
I SHOPPED RETAIL.
123
00:04:31,605 --> 00:04:34,842
- THERE YOU GO.
THERE YOU GO.
124
00:04:38,512 --> 00:04:40,147
- I KNOW WHY YOU DIDN'T WANT ME
AT YOUR READING.
125
00:04:40,147 --> 00:04:42,483
IT'S BECAUSE YOU READ A STORY
ABOUT US DOING IT.
126
00:04:42,483 --> 00:04:43,751
- NOTHING YOU HAVEN'T
READ BEFORE.
127
00:04:43,751 --> 00:04:46,153
JUST THE BLOG ENTRY
ABOUT US IN THE CLOSET.
128
00:04:46,153 --> 00:04:48,288
- I NEVER READ YOUR BLOG.
129
00:04:48,288 --> 00:04:50,791
- WELL, THEN YOU'RE
THE ONLY ONE WHO HASN'T.
130
00:04:50,791 --> 00:04:51,792
DO YOU WANT TO READ IT?
131
00:04:51,792 --> 00:04:52,960
- I DON'T NEED TO.
132
00:04:52,960 --> 00:04:55,429
WE SHARE THAT MEMORY,
REMEMBER?
133
00:04:55,429 --> 00:04:56,697
IT'S ALREADY IN MY HEAD.
134
00:04:56,697 --> 00:04:58,131
- I HAD NO RIGHT
TO BE OFFENDED
135
00:04:58,131 --> 00:05:00,401
THAT HE HADN'T READ MY BLOG,
BUT I WAS.
136
00:05:00,401 --> 00:05:03,136
WHILE MATTY HAD NEVER SHOWN
ANY INTEREST IN MY WRITING,
137
00:05:03,136 --> 00:05:04,972
COLLIN--
A VIRTUAL STRANGER--
138
00:05:04,972 --> 00:05:09,109
HAD GONE OUT OF HIS WAY
TO HEAR THE UNPLUGGED VERSION.
139
00:05:09,109 --> 00:05:11,945
- HENRY!
STOP RUNNING AWAY FROM ME!
140
00:05:11,945 --> 00:05:14,682
WHAT IS YOUR DEAL?
UGH--WHOA!
141
00:05:14,682 --> 00:05:16,817
JEEZ,
WHERE DID YOU COME FROM?
142
00:05:16,817 --> 00:05:18,218
- THE WHERE IS NOT AS IMPORTANT
AS THE WHO.
143
00:05:18,218 --> 00:05:19,953
- OKAY, THEN WHO?
144
00:05:19,953 --> 00:05:21,221
- FRED WU.
- FRED WHO?
145
00:05:21,221 --> 00:05:23,791
- FRED WU.
- OH, FRED WU.
146
00:05:23,791 --> 00:05:26,093
DOESN'T RING A BELL.
- LET ME RING IT FOR YOU.
147
00:05:26,093 --> 00:05:28,362
YOUR BEARD HAS BEEN SHAVED.
148
00:05:28,362 --> 00:05:30,163
DING DING.
149
00:05:30,163 --> 00:05:33,434
I KNEW IT WAS YOU.
MING FEI YEN HUANG.
150
00:05:39,907 --> 00:05:42,075
- WHAT THE HELL WAS THAT?
151
00:05:42,075 --> 00:05:44,211
- THE KISS OF DEATH!
- [gasps]
152
00:05:44,211 --> 00:05:46,079
BECCA FOUND OUT
YOU'VE BEEN SEEING FRED?
153
00:05:46,079 --> 00:05:48,048
- I DON'T KNOW WHEN
I'LL EVER SEE YOU AGAIN,
154
00:05:48,048 --> 00:05:50,984
SO IF I DON'T,
JUST KNOW I LOVE YOU.
155
00:05:53,153 --> 00:05:55,556
I'M SO DEAD.
156
00:05:55,556 --> 00:05:57,157
- AND SO WAS MY MUSE,
157
00:05:57,157 --> 00:05:59,226
OR AT LEAST SHE WAS
TAKING THE NIGHT OFF.
158
00:05:59,226 --> 00:06:01,462
WHILE THE REAL VERSION
OF MY FIRST TIME WITH MATTY
159
00:06:01,462 --> 00:06:03,130
HAD ALMOST WRITTEN ITSELF,
160
00:06:03,130 --> 00:06:07,367
THE FANTASY VERSION
WAS PLAYING HARD TO GET.
161
00:06:07,367 --> 00:06:09,002
"THERE WERE A LOT OF THINGS
I WANTED TO FORGET
162
00:06:09,002 --> 00:06:11,271
"ABOUT MY 15th YEAR
ON THE PLANET,
163
00:06:11,271 --> 00:06:14,575
"BUT MY SUMMER AT CAMP POOKAH
WASN'T ONE OF THEM.
164
00:06:14,575 --> 00:06:15,976
[romantic pop music]
165
00:06:15,976 --> 00:06:18,912
"THE FIRST TIME I WAS ALONE
WITH MATTY MCKIBBEN,
166
00:06:18,912 --> 00:06:22,783
A GOD AMONG BOYS,
HE TOOK MY BREATH AWAY."
167
00:06:22,783 --> 00:06:25,419
*
168
00:06:25,419 --> 00:06:29,423
- * I CAN'T TAKE ANO-- *
169
00:06:29,423 --> 00:06:31,358
[music stops]
170
00:06:37,431 --> 00:06:40,233
"COLLIN HAD NOT ONLY
INFILTRATED MY SEX LIFE,
171
00:06:40,233 --> 00:06:43,771
"HE WAS MAKING GUEST APPEARANCES
IN MY LITERARY ONE AS WELL.
172
00:06:43,771 --> 00:06:46,239
"BUT THERE WAS NO WAY THAT DUDE
WAS GONNA PLAY MY MUSE
173
00:06:46,239 --> 00:06:49,142
"WHEN I HAD A PERFECTLY HOT
BOYFRIEND TO GET THE JOB DONE.
174
00:06:49,142 --> 00:06:51,945
"SO WHY WASN'T HE HOLDING UP
HIS END OF THE BARGAIN?
175
00:06:51,945 --> 00:06:53,747
"I HAD SPENT EVERY MINUTE
OF THAT SUMMER
176
00:06:53,747 --> 00:06:55,215
"DAYDREAMING ABOUT MATTY
177
00:06:55,215 --> 00:06:57,785
BUT COULDN'T CONJURE UP
A SINGLE FREAKIN' FANTASY."
178
00:06:57,785 --> 00:06:59,252
*
179
00:06:59,252 --> 00:07:02,289
- * OF BROKEN PLANS
TO START A CRAZE *
180
00:07:02,289 --> 00:07:03,957
* ALL THESE
HALF-HEARTED ESSAYS *
181
00:07:03,957 --> 00:07:06,460
- "THIS ASSIGNMENT BLOWS."
182
00:07:06,460 --> 00:07:09,663
- * TIRED LINES
THAT DON'T WORK OUT *
183
00:07:09,663 --> 00:07:11,364
- THERE WAS ONLY
ONE SUREFIRE WAY
184
00:07:11,364 --> 00:07:13,433
TO COMBAT WRITER'S BLOCK:
185
00:07:13,433 --> 00:07:15,268
IGNORE IT,
TRUSTING THAT DAYLIGHT
186
00:07:15,268 --> 00:07:18,205
WAS GOING TO BRING
INSPIRATION.
187
00:07:20,340 --> 00:07:23,276
- * STILL GLUED
TO THE BACK NOW *
188
00:07:25,813 --> 00:07:27,314
- YOU STILL WRITING
THAT PAPER?
189
00:07:27,314 --> 00:07:29,116
- "STILL WRITING" WOULD IMPLY
THAT I'VE STARTED.
190
00:07:29,116 --> 00:07:30,317
- SO TAKE A BREAK.
191
00:07:30,317 --> 00:07:33,320
- I CAN'T UNTIL I START
THIS DAMN THING.
192
00:07:33,320 --> 00:07:34,888
- OH, I BET
WE CAN GET IT STARTED.
193
00:07:34,888 --> 00:07:36,023
HUH?
194
00:07:36,023 --> 00:07:37,658
I CAN GIVE YOU SOMETHING
TO WRITE ABOUT.
195
00:07:37,658 --> 00:07:40,427
- I WON'T BE ABLE TO CONCENTRATE
UNTIL I GET SOME WRITING DONE.
196
00:07:40,427 --> 00:07:43,363
- YOU CALL ME
IF YOU NEED INSPIRATION.
197
00:07:46,567 --> 00:07:50,771
- I SEE
YOU'RE ON THE WRITER'S DIET.
198
00:07:50,771 --> 00:07:52,205
WHEN HE WROTE,
199
00:07:52,205 --> 00:07:54,174
F. SCOTT FITZGERALD
TOOK FUDGE AND COFFEE BREAKS.
200
00:07:54,174 --> 00:07:55,208
- WELL, THEN THAT'S
THE ONLY THING
201
00:07:55,208 --> 00:07:56,810
FITZGERALD AND I
HAVE IN COMMON,
202
00:07:56,810 --> 00:07:58,646
BECAUSE I'VE BEEN STARING
AT A BLANK PAGE FOR TWO DAYS.
203
00:07:58,646 --> 00:08:00,013
- YOU WERE ON FIRE
AT THE READING.
204
00:08:00,013 --> 00:08:02,916
JUST TAKE WHAT YOU WROTE
AND MAKE IT SEXY.
205
00:08:02,916 --> 00:08:04,818
- I'M TRYING TO, BUT I CAN
ONLY REMEMBER THE REAL THING.
206
00:08:04,818 --> 00:08:06,720
THAT'S THE IMAGE
THAT'S STUCK IN MY HEAD.
207
00:08:06,720 --> 00:08:08,689
- SO LET IT GO.
208
00:08:08,689 --> 00:08:10,991
CLOSE YOUR EYES.
209
00:08:10,991 --> 00:08:13,493
OR DON'T.
210
00:08:13,493 --> 00:08:16,530
THINK BACK TO WHAT IT WAS LIKE
BEFORE MATTY KISSED YOU,
211
00:08:16,530 --> 00:08:19,132
OR THE FIRST TIME
HE TOUCHED YOU.
212
00:08:19,132 --> 00:08:20,267
[dreamy music]
213
00:08:20,267 --> 00:08:21,702
BEFORE YOU KNEW
ANYTHING ABOUT HIM,
214
00:08:21,702 --> 00:08:25,906
YOU HAD MEMORIZED HIS SMILE,
THE COLOR OF HIS EYES,
215
00:08:25,906 --> 00:08:29,376
HOW HE ALWAYS SMELLED
OF CHLORINE AND SUNSCREEN--
216
00:08:29,376 --> 00:08:33,814
OF SUMMER--AND WHEN
HE FINALLY LOOKED AT YOU,
217
00:08:33,814 --> 00:08:36,717
YOU COULD LIVE
OFF THAT SMILE FOR A WEEK.
218
00:08:36,717 --> 00:08:38,686
BUT NOTHING
COULD COMPARE
219
00:08:38,686 --> 00:08:41,388
TO THE FIRST TIME
HE TOUCHED YOU.
220
00:08:41,388 --> 00:08:44,057
IT WAS LIKE YOU WERE
THE ONLY TWO PEOPLE ON EARTH,
221
00:08:44,057 --> 00:08:45,726
AND YOU COULDN'T STAND
THE THOUGHT
222
00:08:45,726 --> 00:08:50,197
OF EVER BEING AWAY
FROM HIM AGAIN.
223
00:08:50,197 --> 00:08:51,198
SEE?
224
00:08:51,198 --> 00:08:52,499
[music stops abruptly]
225
00:08:52,499 --> 00:08:54,668
YOU GOT THIS.
[chuckles]
226
00:08:59,406 --> 00:09:01,809
[dreamy music starts]
227
00:09:01,809 --> 00:09:03,844
- "THE ESPRESSO MACHINE
WHIRRED UNDER HIS VOICE,
228
00:09:03,844 --> 00:09:05,746
"MAKING IT HARD TO HEAR
WHAT COLLIN--
229
00:09:05,746 --> 00:09:07,014
[music restarts]
230
00:09:07,014 --> 00:09:09,650
"MAKING IT HARD TO HEAR
WHAT HE WAS SAYING,
231
00:09:09,650 --> 00:09:13,453
BUT THE WORDS DIDN'T MATTER,
BECAUSE THEY WERE MEANT FOR ME."
232
00:09:17,524 --> 00:09:18,525
- HEY.
233
00:09:18,525 --> 00:09:19,793
HOW'S THE PAPER COMING?
234
00:09:19,793 --> 00:09:21,528
- ALL DONE.
TURNED IT IN YESTERDAY.
235
00:09:21,528 --> 00:09:23,230
- AWESOME.
- AND I'M GUESSING
236
00:09:23,230 --> 00:09:24,732
YOU DON'T WANT TO READ
THE NEW VERSION EITHER?
237
00:09:24,732 --> 00:09:27,567
MATTY SAID HE WASN'T INTERESTED,
SO WHY DID I HAVE
238
00:09:27,567 --> 00:09:29,502
THIS OVERWHELMING URGE
TO CONFESS?
239
00:09:29,502 --> 00:09:31,071
AND WHAT WOULD I CONFESS?
240
00:09:31,071 --> 00:09:33,774
I HAD A ONE-NIGHT STAND
WITH THE PAGE?
241
00:09:35,108 --> 00:09:36,509
- [whispering] MING.
242
00:09:36,509 --> 00:09:38,679
- WE SHOULDN'T BE MEETING
ON SCHOOL GROUNDS.
243
00:09:38,679 --> 00:09:40,580
HELLO KITTY MIGHT SEE US.
- WE'RE SAFE HERE.
244
00:09:40,580 --> 00:09:43,216
THIS SANCTUARY'S TOO DIRTY
FOR BECCA'S PORCELAIN SKIN.
245
00:09:43,216 --> 00:09:45,753
- DOESN'T MATTER ANYWAY.
SHE KNOWS ABOUT US.
246
00:09:45,753 --> 00:09:47,054
- IT'S THE LAST PIECE
OF THE PUZZLE.
247
00:09:47,054 --> 00:09:48,555
I KNEW THE BITCH
HAD POWER.
248
00:09:48,555 --> 00:09:49,890
I JUST DIDN'T KNOW
IT WAS SO FAR-REACHING.
249
00:09:49,890 --> 00:09:51,291
- NOW WHAT DID SHE DO?
250
00:09:51,291 --> 00:09:53,160
- THERE WAS A CHEATING SCANDAL
AT MY NEW SCHOOL.
251
00:09:53,160 --> 00:09:54,527
GUESS WHO WAS FRAMED FOR IT.
252
00:09:54,527 --> 00:09:56,063
- BITCH!
253
00:09:56,063 --> 00:09:57,197
- I'M BEING SENT TO IDAHO.
254
00:09:57,197 --> 00:09:58,866
- IDAHO? NO!
255
00:09:58,866 --> 00:10:00,400
- YES.
- WHAT'S IN IDAHO?
256
00:10:00,400 --> 00:10:02,703
- I DON'T KNOW, MING.
I DON'T KNOW!
257
00:10:02,703 --> 00:10:05,072
ACTUALLY, SOME COUSINS.
258
00:10:05,072 --> 00:10:06,940
PROMISE ME
YOU'LL BE CAREFUL.
259
00:10:06,940 --> 00:10:11,578
- IT'S TOO LATE FOR ME TOO.
BECCA GAVE ME THE JUDAS KISS.
260
00:10:11,578 --> 00:10:13,046
- DAMN THAT BECCA.
DAMN HER TO HELL!
261
00:10:13,046 --> 00:10:14,547
- [whimpers]
262
00:10:18,886 --> 00:10:21,288
- COME WITH ME.
263
00:10:21,288 --> 00:10:25,258
- I'D RATHER TAKE MY CHANCES
WITH BECCA THAN MOVE TO IDAHO.
264
00:10:25,258 --> 00:10:27,961
- I'M A TRUANT, MING,
A FELON,
265
00:10:27,961 --> 00:10:30,864
LIVING OUTSIDE THE LAW.
266
00:10:30,864 --> 00:10:34,134
IF I NEVER SEE YOU AGAIN,
YOU SHOULD KNOW...
267
00:10:34,134 --> 00:10:35,368
I LOVE YOU.
268
00:10:35,368 --> 00:10:37,604
- I LOVE YOU TOO.
269
00:10:37,604 --> 00:10:41,008
- * WE WOULD FALL
270
00:10:41,008 --> 00:10:45,612
* BUT NOT IN LOVE
271
00:10:45,612 --> 00:10:49,116
*
272
00:10:49,116 --> 00:10:51,184
- EVERYTHING WAS
STATUS QUO.
273
00:10:51,184 --> 00:10:54,554
MY PAPER WAS DONE, AND
SO WAS MY LITERARY OBSESSION.
274
00:10:54,554 --> 00:10:56,289
SOME WRITERS HAD TO DRINK
OR DO DRUGS
275
00:10:56,289 --> 00:10:58,025
TO GET THE JUICES FLOWING.
276
00:10:58,025 --> 00:11:00,627
I GOT INSPIRATION
FROM ANOTHER SOURCE.
277
00:11:00,627 --> 00:11:02,495
- THE FIRST TIME
YOU GOT PROBED BY ALIENS.
278
00:11:02,495 --> 00:11:04,197
- WHAT?
IT TOTALLY HAPPENED.
279
00:11:04,197 --> 00:11:05,665
- OH, I HAVE NO DOUBT.
WHAT I DON'T KNOW
280
00:11:05,665 --> 00:11:07,467
IS WHAT TRANSPIRED FROM THE TIME
THAT YOU SAW THE LIGHT
281
00:11:07,467 --> 00:11:10,503
UNTIL AFTER YOU GOT PROBED.
282
00:11:10,503 --> 00:11:12,639
EQUATING SHOPPING RETAIL
TO PRISON RAPE.
283
00:11:12,639 --> 00:11:13,907
WOW, THAT WAS
A BIT MUCH,
284
00:11:13,907 --> 00:11:15,675
BUT A MARKED IMPROVEMENT
OVER YOUR OTHER PAPERS.
285
00:11:15,675 --> 00:11:18,311
KEEP UP THE GOOD WORK,
SADIE.
286
00:11:18,311 --> 00:11:20,413
OH, THIS IS GOOD.
287
00:11:20,413 --> 00:11:22,249
"WHEN I CARELESSLY COVERED
MY LIPS,
288
00:11:22,249 --> 00:11:24,651
"BURNED RAW
FROM THE SCALDING TEA,
289
00:11:24,651 --> 00:11:26,920
"HE REACHED
INTO HIS ICED MOCHA
290
00:11:26,920 --> 00:11:29,322
"AND FISHED OUT
A FEW PATHETIC CUBES,
291
00:11:29,322 --> 00:11:32,559
"BUT IT WASN'T THE ICE HE USED
TO NUMB MY PAIN.
292
00:11:32,559 --> 00:11:34,061
"IT WAS HIS KISS.
293
00:11:34,061 --> 00:11:36,063
THE FIRST KISS--"
294
00:11:36,063 --> 00:11:38,899
I'D READ ON, BUT I DON'T WANT
KYLE'S HEAD TO EXPLODE HERE.
295
00:11:38,899 --> 00:11:41,334
MISS HAMILTON, YOU WERE
SUPPOSED TO WRITE THE FANTASY.
296
00:11:41,334 --> 00:11:42,569
- IT WAS MY TURN
TO GET CALLED OUT.
297
00:11:42,569 --> 00:11:44,704
MR. HART HAD
A BUILT-IN B.S. DETECTOR.
298
00:11:44,704 --> 00:11:46,840
HE KNEW IT WASN'T
A REDO OF THE ORIGINAL.
299
00:11:46,840 --> 00:11:48,508
- BUT THIS FEELS REAL.
300
00:11:48,508 --> 00:11:50,343
MAYBE THE STORY WASN'T REAL,
BUT THE CHEMISTRY YOU CREATED
301
00:11:50,343 --> 00:11:52,846
BETWEEN THOSE TWO
ARGUABLY PRECIOUS CHARACTERS
302
00:11:52,846 --> 00:11:54,714
WAS PALPABLE.
303
00:11:54,714 --> 00:11:56,649
- I WAS CONVINCED
MY COLLIN OBSESSION
304
00:11:56,649 --> 00:11:59,719
WASN'T A THREAT
TO MY RELATIONSHIP,
305
00:11:59,719 --> 00:12:02,823
BUT IF IT FELT REAL ON PAPER,
MAYBE IT WAS REAL OFF OF IT.
306
00:12:02,823 --> 00:12:05,192
- YOU'RE MAKING THE REST OF US
LOOK BAD.
307
00:12:05,192 --> 00:12:10,030
OH, YOU GOT AN EYELASH.
308
00:12:10,030 --> 00:12:11,264
MAKE A WISH.
309
00:12:11,264 --> 00:12:13,133
- I WISHED WHAT WAS HAPPENING
WASN'T.
310
00:12:13,133 --> 00:12:15,602
I HAD TAKEN ALL THE BLAME
FOR THE SEXY MOVIES IN MY HEAD,
311
00:12:15,602 --> 00:12:18,371
BUT IT TURNS OUT MY FANTASIES
WEREN'T JUST ONE-SIDED.
312
00:12:18,371 --> 00:12:20,540
COLLIN WAS EGGING IT ON.
313
00:12:20,540 --> 00:12:23,410
HE WAS THE ONE WHO HAD
OPENED UP PANDORA'S BOX, NOT ME.
314
00:12:23,410 --> 00:12:25,112
I HAD NO IDEA
WHO PANDORA WAS,
315
00:12:25,112 --> 00:12:26,880
BUT HER BOX
NEEDED TO STAY CLOSED
316
00:12:26,880 --> 00:12:28,581
SO NOBODY ELSE'S BOX
WOULD OPEN.
317
00:12:28,581 --> 00:12:29,582
[bell ringing]
318
00:12:29,582 --> 00:12:31,718
- WHAT'D YOU WISH FOR?
319
00:12:31,718 --> 00:12:32,920
- I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
320
00:12:32,920 --> 00:12:34,554
- I THINK YOU DO.
- NOPE.
321
00:12:34,554 --> 00:12:36,156
- I'M TALKING ABOUT YOUR STORY
THAT OBVIOUSLY TOOK PLACE
322
00:12:36,156 --> 00:12:37,257
AT THE COFFEEHOUSE,
323
00:12:37,257 --> 00:12:38,926
THE LUST,
THE EYELASH BLOWING.
324
00:12:38,926 --> 00:12:41,394
THAT PAPER WASN'T ABOUT YOUR
FIRST TIME WITH MATTY.
325
00:12:41,394 --> 00:12:44,231
IT WAS ABOUT WHAT YOU WANT YOUR
FIRST TIME WITH COLLIN TO BE.
326
00:12:44,231 --> 00:12:45,799
- IT'S FICTION.
I DIDN'T DO ANYTHING.
327
00:12:45,799 --> 00:12:46,867
- I NEVER SAID YOU DID.
328
00:12:46,867 --> 00:12:50,337
BUT NOW I KNOW
YOU WANTED TO.
329
00:12:50,337 --> 00:12:51,704
AND I'M GOING TO TELL.
330
00:12:51,704 --> 00:12:54,274
- WHO ARE YOU GONNA TELL?
- WHO DO YOU THINK?
331
00:12:54,274 --> 00:12:56,476
- DON'T TELL.
- OH, I'M GOING TO.
332
00:12:56,476 --> 00:12:57,744
- I'M GONNA GET THERE FIRST.
- I DOUBT IT.
333
00:12:57,744 --> 00:12:59,446
I HAVE LONGER LEGS.
334
00:12:59,446 --> 00:13:01,148
- WHAT IS GOING ON?
335
00:13:01,148 --> 00:13:02,482
- JENNA HAS SOMETHING
TO TELL YOU.
336
00:13:02,482 --> 00:13:05,352
- WHAT IS IT?
- I, UH...
337
00:13:05,352 --> 00:13:06,753
GOT AN "A" ON MY PAPER.
338
00:13:06,753 --> 00:13:08,521
MM!
339
00:13:08,521 --> 00:13:10,690
YEAH!
340
00:13:10,690 --> 00:13:12,525
- WEIRD.
341
00:13:12,525 --> 00:13:13,760
- I'M WORRIED THIS COLLIN THING
MIGHT BE MORE
342
00:13:13,760 --> 00:13:15,495
THAN JUST A FANTASY.
343
00:13:15,495 --> 00:13:17,164
I THINK I MIGHT HAVE
ACTUAL FEELINGS FOR HIM.
344
00:13:17,164 --> 00:13:19,066
- DON'T PUT THOSE THOUGHTS
OUT IN THE UNIVERSE.
345
00:13:19,066 --> 00:13:21,201
LAST TIME I DID THAT,
A GUY ENDED UP DEAD.
346
00:13:21,201 --> 00:13:23,470
WAIT, YOU DON'T WANT TO ACT
ON THOSE FEELINGS, DO YOU?
347
00:13:23,470 --> 00:13:24,604
PLEASE SAY NO.
348
00:13:24,604 --> 00:13:26,106
- NO?
349
00:13:26,106 --> 00:13:27,307
- YOU HAVE EVERYTHING
YOU EVER WANTED.
350
00:13:27,307 --> 00:13:28,708
WHY ARE YOU TRYING
TO SABOTAGE IT?
351
00:13:28,708 --> 00:13:30,443
- I DON'T KNOW.
352
00:13:30,443 --> 00:13:32,145
- A FANTASY IS JUST THAT.
353
00:13:32,145 --> 00:13:33,713
AND IT'S NEVER AS GOOD
AS THE REALITY.
354
00:13:33,713 --> 00:13:35,983
NIALL FROM ONE DIRECTION AND I
ARE SOUL MATES,
355
00:13:35,983 --> 00:13:37,384
AND HE DOESN'T EVEN
KNOW ME.
356
00:13:37,384 --> 00:13:38,818
MY AUTOGRAPHED PIC OF HIM,
357
00:13:38,818 --> 00:13:40,520
THE ONE OF HIM STANDING
ON THE DIVING BOARD IN A TUX,
358
00:13:40,520 --> 00:13:42,022
I BET HE DIDN'T EVEN SIGN IT.
359
00:13:42,022 --> 00:13:43,823
MY POINT IS, YOU NEED TO END
THIS FLIRTATIONSHIP
360
00:13:43,823 --> 00:13:45,558
Y'ASAP.
361
00:13:45,558 --> 00:13:46,826
"YESTERDAY AS SOON AS POSSIBLE."
362
00:13:46,826 --> 00:13:48,862
JENNA, YOUR RELATIONSHIP
IS A HOUSE OF CARDS.
363
00:13:48,862 --> 00:13:50,497
DON'T OPEN THE DOOR
FOR A BREEZE.
364
00:13:50,497 --> 00:13:52,165
- I AM NOT THE ONE
OPENING THE DOOR.
365
00:13:52,165 --> 00:13:53,867
COLLIN IS.
HE'S THE ONE SQUEEZING MY ARM
366
00:13:53,867 --> 00:13:55,535
AND PULLING EYELASHES
OFF OF MY FACE.
367
00:13:55,535 --> 00:13:56,703
- YOU HAVE TO TALK TO HIM.
368
00:13:56,703 --> 00:13:58,738
- MATTY?
- NO, COLLIN.
369
00:13:58,738 --> 00:14:01,074
- HE IS NOT A CHEATER.
370
00:14:01,074 --> 00:14:02,375
- WHO?
- MATTY.
371
00:14:02,375 --> 00:14:03,843
- NO, FRED.
- FRED WHO?
372
00:14:03,843 --> 00:14:05,212
- FRED WU.
373
00:14:05,212 --> 00:14:07,714
HE'S GOING AWAY FOR GOOD,
THANKS TO BECCA.
374
00:14:07,714 --> 00:14:10,150
IF IT TAKES
THE REST OF MY LIFE,
375
00:14:10,150 --> 00:14:12,986
I AM GOING TO TAKE
THAT [bleep] DOWN.
376
00:14:12,986 --> 00:14:15,622
[dramatic music]
377
00:14:15,622 --> 00:14:16,789
[growls]
378
00:14:16,789 --> 00:14:19,659
*
379
00:14:19,659 --> 00:14:20,994
I KNOW WHAT YOU DID,
380
00:14:20,994 --> 00:14:22,629
AND YOU'RE NOT GOING
TO GET AWAY WITH IT.
381
00:14:22,629 --> 00:14:24,364
- WHAT'S WRONG, MING MING?
382
00:14:24,364 --> 00:14:26,266
- YOU HAD FRED'S HOUSE
REDISTRICTED
383
00:14:26,266 --> 00:14:27,634
SO HE HAD TO TRANSFER SCHOOLS,
384
00:14:27,634 --> 00:14:28,868
AND THEN YOU FRAMED HIM
385
00:14:28,868 --> 00:14:30,570
SO HE HAS TO LEAVE
THE STATE!
386
00:14:30,570 --> 00:14:33,506
- IF THIS WAS A CHESS GAME,
AND IT IS,
387
00:14:33,506 --> 00:14:34,874
I'M THE GRANDMASTER,
388
00:14:34,874 --> 00:14:37,377
AND I JUST OPENED
WITH A SVESHNIKOV SICILIAN.
389
00:14:37,377 --> 00:14:40,480
REALITY IS,
MING FEI YEN HUANG,
390
00:14:40,480 --> 00:14:42,449
I WILL ALWAYS BE
FIVE MOVES AHEAD OF YOU,
391
00:14:42,449 --> 00:14:45,218
AND YOU WILL ALWAYS
GET CRUSHED.
392
00:14:45,218 --> 00:14:47,654
- YOU KNOW WHAT?
YOU'RE PROBABLY RIGHT.
393
00:14:47,654 --> 00:14:50,924
IN FACT, YOU'VE BEEN RIGHT
ABOUT ME ALL ALONG.
394
00:14:50,924 --> 00:14:53,660
I'M NOT ASIAN.
I'M WHITE.
395
00:14:53,660 --> 00:14:56,596
AND YOU KNOW HOW A WHITE BITCH
DEALS WITH AN ASIAN BITCH?
396
00:14:56,596 --> 00:14:58,831
SHE GETS IN HER FACE.
397
00:14:58,831 --> 00:15:00,033
- OOF!
398
00:15:00,033 --> 00:15:03,003
[crowd gasps]
399
00:15:03,003 --> 00:15:05,973
- GOOD-BYE, KITTY!
400
00:15:05,973 --> 00:15:07,307
- PUSHED TO HER LIMIT,
401
00:15:07,307 --> 00:15:09,342
MING HAD FINALLY GONE
FULL-ON BANANA PANTS.
402
00:15:09,342 --> 00:15:11,311
AND IT WAS INSPIRING.
403
00:15:11,311 --> 00:15:13,146
MAYBE I NEEDED TO HANDLE
MY PROBLEMS
404
00:15:13,146 --> 00:15:14,347
LIKE A WHITE BITCH TOO.
405
00:15:14,347 --> 00:15:16,049
IT'S NOT THAT I PLANNED
TO PUNCH COLLIN.
406
00:15:16,049 --> 00:15:17,384
I JUST WANTED TO GIVE
HIS CRUSH
407
00:15:17,384 --> 00:15:18,585
A SERIOUS BEAT-DOWN.
408
00:15:18,585 --> 00:15:20,220
AND NO MATTER HOW MUCH
HE PROTESTED,
409
00:15:20,220 --> 00:15:22,489
I WAS GOING TO PUT AN END
TO THE FLIRTATIONSHIP
410
00:15:22,489 --> 00:15:23,590
ONCE AND FOR ALL.
411
00:15:23,590 --> 00:15:26,459
[pop music]
412
00:15:26,459 --> 00:15:29,762
- * AS I LAY IN THERE
413
00:15:29,762 --> 00:15:31,131
* IN THE SHADOWS
414
00:15:31,131 --> 00:15:32,966
- WHICH TURNED OUT TO BE
MUCH EASIER THAN I THOUGHT
415
00:15:32,966 --> 00:15:35,202
BECAUSE IT WAS
ALL IN MY HEAD.
416
00:15:39,606 --> 00:15:40,907
- "WHILE GUILT HAD BEEN
THE FRONTRUNNER OF MY EMOTIONS,
417
00:15:40,907 --> 00:15:43,343
"IT WAS FORCED TO TAKE
A BACKSEAT TO REJECTION,
418
00:15:43,343 --> 00:15:45,378
"WITH ANGER IN HOT PURSUIT.
419
00:15:45,378 --> 00:15:47,047
"I WAS MAD AT MYSELF
FOR FEELING REJECTED,
420
00:15:47,047 --> 00:15:48,581
"WHICH BROUGHT ME
RIGHT BACK TO GUILT
421
00:15:48,581 --> 00:15:50,383
FOR HAVING THOSE FEELINGS
IN THE FIRST PLACE."
422
00:15:50,383 --> 00:15:51,551
[knock at door]
423
00:15:51,551 --> 00:15:53,253
- WHY WAS THIS PAPER
IN THE TRASH?
424
00:15:53,253 --> 00:15:56,023
AND WHY ARE YOU IN BED
AT 7:00?
425
00:15:56,023 --> 00:16:00,627
- BECAUSE I'M TIRED.
426
00:16:00,627 --> 00:16:01,995
- ARE WE HAVING
A FAMILY MEETING?
427
00:16:01,995 --> 00:16:04,097
- NO.
- OH, IT'S OKAY, JENNA.
428
00:16:04,097 --> 00:16:06,199
WE CAN HAVE ONE
WITHOUT YOU.
429
00:16:06,199 --> 00:16:09,069
LACE, I AM SO PROUD
OF OUR DAUGHTER.
430
00:16:09,069 --> 00:16:10,403
HAVE YOU SEEN THIS?
431
00:16:10,403 --> 00:16:13,140
- NOT ONLY HAVE I SEEN IT,
I'VE READ IT.
432
00:16:13,140 --> 00:16:14,774
I DUG IT
OUT OF THE TRASH,
433
00:16:14,774 --> 00:16:16,643
AND YOUR PAPER IS AWESOME.
434
00:16:16,643 --> 00:16:17,810
- NO, IT'S NOT.
435
00:16:17,810 --> 00:16:19,412
IT'S DISGUSTING
AND DESPICABLE
436
00:16:19,412 --> 00:16:20,980
AND ALMOST RUINED MY LIFE.
437
00:16:20,980 --> 00:16:23,016
- BUT YOU GOT AN "A."
- I DESERVED AN "F."
438
00:16:23,016 --> 00:16:25,252
THE PAPER WAS SUPPOSED TO BE
ABOUT MATTY, BUT IT--
439
00:16:25,252 --> 00:16:27,454
IT WAS ABOUT SOMEONE ELSE.
440
00:16:27,454 --> 00:16:28,455
- COLLIN?
- MOM!
441
00:16:28,455 --> 00:16:29,556
- WHO'S THAT?
442
00:16:29,556 --> 00:16:30,557
- THIS BOY SHE HAS
A CRUSH ON.
443
00:16:30,557 --> 00:16:31,558
- THERE'S NO CRIME
444
00:16:31,558 --> 00:16:33,026
IN HAVING A CRUSH, JENNA.
445
00:16:33,026 --> 00:16:34,261
- HE'S RIGHT.
446
00:16:34,261 --> 00:16:35,662
THE FANTASY HELPS SUSTAIN
THE REALITY.
447
00:16:35,662 --> 00:16:37,030
I DON'T KNOW WHERE
YOUR FATHER AND I WOULD BE
448
00:16:37,030 --> 00:16:38,465
WITHOUT OUR CELEBRITY
SANDWICHES.
449
00:16:38,465 --> 00:16:39,966
- YOUR WHAT?
- THE TOP TWO FAMOUS PEOPLE
450
00:16:39,966 --> 00:16:41,201
WE'D LIKE TO BE
IN THE MIDDLE OF.
451
00:16:41,201 --> 00:16:44,304
- MY BREAD IS CLIVE OWEN
AND RYAN GOSLING,
452
00:16:44,304 --> 00:16:46,073
AND YOUR FATHER'S
IS CHARLIZE THERON
453
00:16:46,073 --> 00:16:47,840
AND KRISTIN SCOTT THOMAS,
454
00:16:47,840 --> 00:16:49,209
WHO YOU MIGHT WANT
TO TRADE IN.
455
00:16:49,209 --> 00:16:50,777
SHE'S GETTING UP THERE.
456
00:16:50,777 --> 00:16:52,912
- WOULD YOU RATHER ME BEING
INTO SOMEONE JENNA'S AGE?
457
00:16:52,912 --> 00:16:54,814
- GOOD POINT.
- MM.
458
00:16:54,814 --> 00:16:55,948
- DOES THAT MEAN
YOU'LL STILL BE INTO ME
459
00:16:55,948 --> 00:16:57,384
WHEN MY BOOBS HIT THE FLOOR?
460
00:16:57,384 --> 00:16:58,985
- THOSE THINGS
AREN'T GOING ANYWHERE.
461
00:16:58,985 --> 00:17:01,588
AND I'LL ALWAYS BE
INTO YOU, WOMAN.
462
00:17:01,588 --> 00:17:03,556
MM.
- OKAY.
463
00:17:03,556 --> 00:17:04,891
FAMILY MEETING OVER.
NOT IN MY BED.
464
00:17:04,891 --> 00:17:06,893
NOT IN MY BED.
NOT IN MY BED. NO.
465
00:17:06,893 --> 00:17:09,229
- [giggling]
466
00:17:11,531 --> 00:17:13,032
- "APART FROM THE TRAUMA
OF BEING EXPOSED
467
00:17:13,032 --> 00:17:15,402
"TO MY PARENTS' MAKE-OUT SESH
AND CELEBRITY SUBS,
468
00:17:15,402 --> 00:17:17,837
"I HAD TO ADMIT,
I FELT RELIEVED.
469
00:17:17,837 --> 00:17:18,905
"AND NORMAL.
470
00:17:18,905 --> 00:17:20,407
"EVEN WITH OLD MARRIED COUPLES,
471
00:17:20,407 --> 00:17:23,343
HAVING FANTASIES
WAS A GIVEN."
472
00:17:23,343 --> 00:17:25,345
- SO I THOUGHT THAT WE
COULD GO OUT TONIGHT,
473
00:17:25,345 --> 00:17:26,379
NOW THAT YOU'RE
ALL DONE WRITING.
474
00:17:26,379 --> 00:17:28,047
- I HAD EXONERATED MYSELF,
475
00:17:28,047 --> 00:17:30,750
CLEARED MY NAME OF ANY CRIMES
OF MENTAL PASSION.
476
00:17:30,750 --> 00:17:34,020
BUT IT DIDN'T MEAN
SADIE WOULD.
477
00:17:34,020 --> 00:17:35,322
- WHAT'S GOING ON?
478
00:17:35,322 --> 00:17:37,590
- UH, IT'S GIRL SIGNAL
479
00:17:37,590 --> 00:17:39,959
FOR "YOUR MASCARA'S RUNNING."
480
00:17:39,959 --> 00:17:43,896
OH, GOTTA GO.
BETTER FIX IT. BYE.
481
00:17:43,896 --> 00:17:45,232
- ARE YOU TERRORIZING
MY GIRLFRIEND?
482
00:17:45,232 --> 00:17:48,568
- NO, JUST SAVORING
THE EROTIC WRITTEN WORD.
483
00:17:48,568 --> 00:17:50,603
YOU'VE READ
JENNA'S PAPER, RIGHT?
484
00:17:50,603 --> 00:17:52,405
- NO.
- INTERESTING!
485
00:17:52,405 --> 00:17:55,208
I WONDER WHY THAT IS.
486
00:17:55,208 --> 00:17:56,676
- I DON'T KNOW WHAT YOU'RE
TRYING TO START HERE, SADE,
487
00:17:56,676 --> 00:17:58,111
BUT LEAVE JENNA ALONE, OKAY?
488
00:17:58,111 --> 00:17:59,646
- IF YOU HAD READ THE PAPER,
YOU WOULD KNOW
489
00:17:59,646 --> 00:18:03,416
THAT I'M NOT THE ONE
YOU SHOULD BE LASHING OUT AT.
490
00:18:03,416 --> 00:18:04,884
- THE RUMORS
HAVE BEEN SWIRLING
491
00:18:04,884 --> 00:18:06,219
ABOUT YESTERDAY'S FIGHT,
492
00:18:06,219 --> 00:18:08,555
BUT I WANTED TO HEAR IT
FROM THE HORSE'S MOUTH.
493
00:18:08,555 --> 00:18:10,123
IN DETAIL.
494
00:18:10,123 --> 00:18:11,824
IT'S BEEN A WHILE SINCE WE'VE
HAD A GOOD BITCH BRAWL.
495
00:18:11,824 --> 00:18:13,160
- EVEN THOUGHT FIGHTING
ON SCHOOL GROUNDS
496
00:18:13,160 --> 00:18:14,261
IS PUNISHABLE BY EXPULSION
497
00:18:14,261 --> 00:18:15,662
AND A LONG STINT
IN JUVEY,
498
00:18:15,662 --> 00:18:18,165
SHE CHOSE TO PUNCH ME
IN THE FACE,
499
00:18:18,165 --> 00:18:20,233
UNPROVOKED.
500
00:18:20,233 --> 00:18:23,936
MY DOCTOR SAYS I HAVE
A DETACHED RETINA.
501
00:18:23,936 --> 00:18:25,938
WOULD YOU LIKE TO SEE
A NOTE, MS. MARKS?
502
00:18:25,938 --> 00:18:27,274
- NAH, I ONLY READ
ON MY KINDLE NOW.
503
00:18:27,274 --> 00:18:29,108
- SHE'S LYING.
504
00:18:29,108 --> 00:18:30,243
FOR THE PAST SEVERAL MONTHS,
505
00:18:30,243 --> 00:18:31,711
SHE HAS MADE IT
HER PERSONAL MISSION
506
00:18:31,711 --> 00:18:33,513
TO RUIN MY LIFE.
507
00:18:33,513 --> 00:18:35,682
- POOR THING'S SUFFERING
FROM DEMENTIA.
508
00:18:35,682 --> 00:18:38,418
I'M A QUIET GIRL
FROM A NICE ASIAN FAMILY.
509
00:18:38,418 --> 00:18:40,487
I DON'T EVEN OWN
A PAIR OF HIGH HEELS
510
00:18:40,487 --> 00:18:41,654
OR A CELLULAR PHONE.
511
00:18:41,654 --> 00:18:43,323
- CELL.
NO ONE SAYS "CELLULAR".
512
00:18:43,323 --> 00:18:46,025
- SHE DOESN'T NEED
A CELL PHONE.
513
00:18:46,025 --> 00:18:48,027
SHE HAS TELEPATHIC POWERS.
514
00:18:48,027 --> 00:18:50,129
- SOUNDS LIKE YOU THINK
BECCA'S MAGIC.
515
00:18:50,129 --> 00:18:51,464
YOU CALLING HER A WITCH?
516
00:18:51,464 --> 00:18:53,733
- AMONG OTHER THINGS.
- [whimpers]
517
00:18:53,733 --> 00:18:55,835
THAT HURTS MY HEART.
[sniffles]
518
00:18:55,835 --> 00:18:57,136
- JUST GO AHEAD AND EXPEL ME.
519
00:18:57,136 --> 00:18:59,005
BUST OUT THE PAPERWORK.
I'LL SIGN IT.
520
00:18:59,005 --> 00:19:01,374
- WHY? I HAVE 32
NOTARIZED AFFIDAVITS
521
00:19:01,374 --> 00:19:03,109
SWEARING BECCA WALKED
INTO A DOOR.
522
00:19:03,109 --> 00:19:06,479
[dramatic drum roll]
523
00:19:06,479 --> 00:19:09,482
[heroic music]
524
00:19:09,482 --> 00:19:17,424
*
525
00:19:20,860 --> 00:19:24,631
- [screams]
526
00:19:24,631 --> 00:19:27,066
- I THOUGHT YOU'D BE THE ONE
WHO WAS IN TROUBLE, MING.
527
00:19:27,066 --> 00:19:28,535
- SO DID I!
528
00:19:28,535 --> 00:19:30,637
- MING DIDN'T HAVE TO LOOK
OVER HER SHOULDER ANYMORE,
529
00:19:30,637 --> 00:19:33,573
AND I DIDN'T WANT TO HAVE
TO LOOK OVER MINE.
530
00:19:35,775 --> 00:19:39,279
YOU NEED TO READ THIS.
531
00:19:39,279 --> 00:19:41,180
- YOU SURE?
- "I WAS RELIEVED.
532
00:19:41,180 --> 00:19:42,715
"FOR ABOUT 30 MINUTES.
533
00:19:42,715 --> 00:19:45,318
"AND IT HAD BEEN THREE HOURS
SINCE I GAVE MATTY MY PAPER.
534
00:19:45,318 --> 00:19:47,487
"SURE, HE WAS A SLOW READER,
BUT NOT THAT SLOW.
535
00:19:47,487 --> 00:19:48,688
"IT WAS FINE.
536
00:19:48,688 --> 00:19:50,423
"THERE WERE NO NAMES,
NO SPECIFICS,
537
00:19:50,423 --> 00:19:51,858
"AND NO WAY ANYONE
COULD FIGURE OUT
538
00:19:51,858 --> 00:19:53,693
"IT WAS ABOUT COLLIN.
539
00:19:53,693 --> 00:19:57,230
MATTY WOULD NEVER KNOW."
[phone vibrates]
540
00:19:57,230 --> 00:19:58,398
[beep]
HI.
541
00:19:58,398 --> 00:20:00,166
- I READ YOUR PAPER.
542
00:20:00,166 --> 00:20:03,536
YOU NEED TO COME OVER.
NOW.
543
00:20:03,536 --> 00:20:04,904
- HE KNOWS.
544
00:20:04,904 --> 00:20:06,806
[ominous music]
545
00:20:11,110 --> 00:20:12,479
- YOUR PAPER.
- I KNOW IT WAS UNSETTLING,
546
00:20:12,479 --> 00:20:13,780
BUT IT WASN'T REAL.
547
00:20:13,780 --> 00:20:15,948
IT WAS JUST A MOMENTARY...
548
00:20:15,948 --> 00:20:17,617
LAPSE IN JUDGMENT.
549
00:20:17,617 --> 00:20:19,419
- IT WAS HOT.
550
00:20:19,419 --> 00:20:22,489
I KNOW IT DIDN'T
REALLY HAPPEN THAT WAY.
551
00:20:22,489 --> 00:20:24,557
BUT IT CAN.
552
00:20:24,557 --> 00:20:26,959
- IT DIDN'T MATTER THAT MY STORY
WAS ABOUT SOMEONE ELSE
553
00:20:26,959 --> 00:20:29,729
BECAUSE MY FANTASY
HAD JUMPED OFF THE PAGE.
554
00:20:29,729 --> 00:20:32,532
MATTY MCKIBBEN
WAS THE REAL DEAL.
555
00:20:32,532 --> 00:20:36,469
AND FINALLY, I COULD GET BACK
TO MY BASICS...
556
00:20:36,469 --> 00:20:38,571
AND ONLY IMAGINE HIM.
557
00:20:43,643 --> 00:20:44,977
- NEXT ON AWKWARD...
COLLIN INVITED US
558
00:20:44,977 --> 00:20:46,346
TO A PARTY
FOR THAT PHOTOGRAPHER WE LIKED
559
00:20:46,346 --> 00:20:47,914
AT HIS GIRLFRIEND'S HOUSE.
560
00:20:47,914 --> 00:20:49,716
- BUT FRIDAY'S THE JULIES'
ANNUAL BLACK FRIDAY PARTY.
561
00:20:49,716 --> 00:20:51,284
- YOU'RE THROWING A PARTY
WITH THE JULIES?
562
00:20:51,284 --> 00:20:53,920
I'M SORRY. YOU'RE RIGHT.
I'M BEING SELFISH.
563
00:20:53,920 --> 00:20:55,388
- YOU'RE 16.
564
00:20:55,388 --> 00:20:57,957
IF THERE'S EVER A TIME
TO BE SELFISH, IT'S NOW.
565
00:20:57,957 --> 00:20:59,426
- WHERE'S JENNA?
- GOOD QUESTION.
566
00:20:59,426 --> 00:21:00,427
- PLEASE TELL ME
YOU'RE NOT GONNA LEAVE.
567
00:21:00,427 --> 00:21:01,361
- I'M NOT GOING ANYWHERE.
41628
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