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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,567 --> 00:00:03,568 - PREVIOUSLY ON AWKWARD... 2 00:00:03,568 --> 00:00:04,874 - JENNA! 3 00:00:04,874 --> 00:00:07,007 THEY NEED TO KNOW THEIR SON IS HAVING SEX. 4 00:00:07,007 --> 00:00:08,791 - I FOUND THINGS. CONDOM WRAPPERS. 5 00:00:08,791 --> 00:00:10,836 - MOM... - JENNA WON'’T GET PREGNANT. 6 00:00:10,836 --> 00:00:12,621 I PUT HER ON THE PILL. 7 00:00:12,621 --> 00:00:13,970 [laughs] 8 00:00:15,406 --> 00:00:16,625 - CAN I CRASH HERE FOR THE NIGHT? 9 00:00:20,759 --> 00:00:22,457 - FOR A WEEK, MATTY HAD BEEN ON MY LIVING ROOM COUCH 10 00:00:22,457 --> 00:00:23,675 WITH FULL PARENTAL CONSENT. 11 00:00:23,675 --> 00:00:25,155 WE WERE LIVING IN SIN 12 00:00:25,155 --> 00:00:27,114 WITH CONSTANT EASY ACCESS... 13 00:00:27,114 --> 00:00:29,420 [drill whirring] - ♪ I SEE YOU EVERY TIME 14 00:00:29,420 --> 00:00:30,639 - FOR MY DAD. 15 00:00:30,639 --> 00:00:33,120 [squeals] - ♪ I CLOSE MY EYES 16 00:00:33,120 --> 00:00:34,817 ♪ THE EVENING SHADOWS 17 00:00:34,817 --> 00:00:36,079 - "WHILE LIVING UNDER A MICROSCOPE 18 00:00:36,079 --> 00:00:37,515 "WAS NOT ALWAYS IDEAL, 19 00:00:37,515 --> 00:00:39,691 "I WAS WILLING TO MAKE THE SACRIFICE 20 00:00:39,691 --> 00:00:42,346 "TO BE UP CLOSE AND PERSONAL TO THE PERFECT SPECIMEN 21 00:00:42,346 --> 00:00:45,262 "OTHERWISE KNOWN AS MY BOYFRIEND. 22 00:00:45,262 --> 00:00:48,570 HE WAS MASSIVELY HOT, WISE, AND--" 23 00:00:48,570 --> 00:00:49,919 INTRUSIVE. 24 00:00:49,919 --> 00:00:51,790 BUT, GIVEN OUR INTIMATE PROXIMITY, 25 00:00:51,790 --> 00:00:54,315 WE HAD GROWN CLOSE. 26 00:00:54,315 --> 00:00:57,013 ONE COULD ARGUE TOO CLOSE... 27 00:00:58,754 --> 00:01:00,190 FOR COMFORT. 28 00:01:06,153 --> 00:01:08,068 [alarm beeping] - [groans] 29 00:01:08,068 --> 00:01:10,635 MATTY'’S "STAYCATION" AT MY HOUSE HAD BEEN EXCITING. 30 00:01:10,635 --> 00:01:13,160 UNTIL MY LIPS STARTED TO CRACK FROM OVERUSE. 31 00:01:13,160 --> 00:01:14,857 THEIR RECOVERY REQUIRED A LITTLE EXTRA TIME 32 00:01:14,857 --> 00:01:16,293 IN THE BATHROOM. 33 00:01:16,293 --> 00:01:18,861 SO I HAD TO MAKE SURE I GOT THERE BEFORE HE DID. 34 00:01:18,861 --> 00:01:20,645 - MORNING. 35 00:01:20,645 --> 00:01:22,517 - OR I WOULD NEVER GET TO USE IT. 36 00:01:22,517 --> 00:01:23,779 [splurt] 37 00:01:25,737 --> 00:01:27,565 - ISN'’T THERE A BATHROOM YOU CAN DO THIS IN? 38 00:01:27,565 --> 00:01:30,307 - NO. MOM IS IN YOURS. MATTY IS IN MINE. 39 00:01:30,307 --> 00:01:33,093 AND THE GUEST SINK IS TOO SMALL. 40 00:01:33,093 --> 00:01:35,356 [water running] AGH! COLD, COLD! 41 00:01:35,356 --> 00:01:36,618 OOH. 42 00:01:36,618 --> 00:01:38,620 NOW THERE IS NO HOT WATER. 43 00:01:38,620 --> 00:01:40,143 WHAT THE HELL IS HE DOING IN THERE? 44 00:01:40,143 --> 00:01:42,667 - HMM. MIXIN'’ THE CREAMER. 45 00:01:42,667 --> 00:01:44,234 BOYS HAVE NEEDS. 46 00:01:44,234 --> 00:01:46,018 YOU KNOW, FOR THEIR HYGIENE. 47 00:01:46,018 --> 00:01:48,369 - DAD...I NEED YOUR HELP. 48 00:01:48,369 --> 00:01:50,197 IT'’S BEEN FUN HAVING MATTY HERE AND ALL, 49 00:01:50,197 --> 00:01:52,895 BUT I NEED MY SPACE BACK. 50 00:01:52,895 --> 00:01:54,244 AND MY BATHROOM. 51 00:01:54,244 --> 00:01:55,680 THINK YOU COULD MAKE A SUBTLE INQUIRY 52 00:01:55,680 --> 00:01:58,248 INTO HIS TIMETABLE FOR VACATING THE PREMISES? 53 00:01:58,248 --> 00:02:00,120 - HE'’S GOING THROUGH SOME TOUGH STUFF ON THE HOME FRONT. 54 00:02:00,120 --> 00:02:00,946 WE NEED TO BE SUPPORTIVE. 55 00:02:00,946 --> 00:02:02,774 - LIKE MOM'’S BRAS? 56 00:02:02,774 --> 00:02:04,254 NOTICE SHE'’S BEEN WEARING BIGGER PUSHUPS LATELY? 57 00:02:04,254 --> 00:02:05,690 - NO. - WELL, SHE HAS, 58 00:02:05,690 --> 00:02:08,563 AND I CAN GUARANTEE THEY'’RE NOT FOR YOU. 59 00:02:08,563 --> 00:02:09,999 - GOOD MORNING! 60 00:02:11,783 --> 00:02:13,263 THANKS, BABE. 61 00:02:13,263 --> 00:02:15,004 - ARE YOU WEARING A NEW BRA? 62 00:02:15,004 --> 00:02:16,397 - WHY, YES, I AM. 63 00:02:16,397 --> 00:02:17,876 - YOU KNOW, I THINK IT'’S TIME FOR MATTY TO-- 64 00:02:17,876 --> 00:02:19,313 - TOSS MY SHEETS IN THE LAUNDRY. 65 00:02:19,313 --> 00:02:20,575 ARE YOU SURE YOUR WANT ME TO LEAVE THE COMFORTER 66 00:02:20,575 --> 00:02:22,054 FOLDED ON THE COUCH? I CAN HIDE IT. 67 00:02:22,054 --> 00:02:23,273 - DON'’T SWEAT IT, HONEY. 68 00:02:23,273 --> 00:02:24,840 THE FACT THAT YOU EVEN MADE YOUR BED 69 00:02:24,840 --> 00:02:27,973 IS MORE THAN I CAN SAY FOR... OTHER PEOPLE. 70 00:02:27,973 --> 00:02:29,758 - THE MORNING DIG. 71 00:02:29,758 --> 00:02:32,108 FOR MY MOTHER, IT WAS THE BEST PART OF WAKING UP. 72 00:02:32,108 --> 00:02:34,589 - KEVIN, THE GARAGE DOOR IS STILL STUCK. 73 00:02:34,589 --> 00:02:36,286 I HAD TO PARK ON THE STREET LAST NIGHT. 74 00:02:36,286 --> 00:02:37,809 DO YOU KNOW WHAT A DASH-AND-DRIZZLE 75 00:02:37,809 --> 00:02:39,768 DOES TO A BLOWOUT? - NOT A CLUE. 76 00:02:39,768 --> 00:02:40,986 - I COULD TAKE A LOOK AT THE GARAGE DOOR. 77 00:02:40,986 --> 00:02:42,162 MAYBE THIS WEEKEND? 78 00:02:42,162 --> 00:02:43,685 - EXCELLENT. 79 00:02:44,990 --> 00:02:46,905 - I ALMOST FORGOT. 80 00:02:52,128 --> 00:02:54,478 - LUNCH? YOU HAVEN'’T MADE ME LUNCH SINCE KINDERGARTEN. 81 00:02:54,478 --> 00:02:57,133 - AND I FEEL REALLY BAD ABOUT THAT. 82 00:02:57,133 --> 00:02:58,700 SO I'’M MAKING UP FOR LOST TIME. 83 00:03:00,092 --> 00:03:01,311 - HE MAY NEVER LEAVE. 84 00:03:01,311 --> 00:03:03,052 MATTY GETS THE COW, THE MILK, 85 00:03:03,052 --> 00:03:04,488 AND TO LIVE IN THE BARN FOR FREE. 86 00:03:04,488 --> 00:03:06,751 AND YOU NEED TO DO A BETTER JOB WITH YOUR WAKEUP MAKEUP. 87 00:03:06,751 --> 00:03:08,318 - I'’M NOT WEARING ANY MAKEUP. 88 00:03:08,318 --> 00:03:10,059 - MAYBE YOU SHOULD. YOU'’RE STARTING TO LOOK OLD. 89 00:03:10,059 --> 00:03:12,061 YOU COULD EASILY PASS FOR 25. - THANKS. 90 00:03:12,061 --> 00:03:13,628 - AND WHAT'’S UP WITH THE ANGEL HAIR? 91 00:03:13,628 --> 00:03:15,238 - OH, IT'’S FRIZZY FROM MY WHORE BATH. 92 00:03:15,238 --> 00:03:17,022 - NO, I MEAN... 93 00:03:17,022 --> 00:03:19,416 THE ANGEL HAIR. 94 00:03:19,416 --> 00:03:20,896 - PASTA. MATTY'’S FAVORITE. 95 00:03:20,896 --> 00:03:22,854 WE HAVE HAD IT EVERY NIGHT. 96 00:03:22,854 --> 00:03:24,073 - WHY SHOULD YOU BE FORCED TO CARBO LOAD 97 00:03:24,073 --> 00:03:25,596 BECAUSE HE RAN AWAY FROM HOME? 98 00:03:25,596 --> 00:03:26,945 DOES HE KNOW HOW CRAMPED YOU FEEL? 99 00:03:26,945 --> 00:03:29,121 - I'’M TRYING TO HIDE IT. BUT HOW CAN HE BE SO OBLIVIOUS? 100 00:03:29,121 --> 00:03:31,341 - IT IS LIKE LIVING AT A RESORT 101 00:03:31,341 --> 00:03:34,301 THAT SERVES SEX, SPAGHETTI, AND SPORTS CENTER. 102 00:03:34,301 --> 00:03:35,954 I DON'’T EVEN MISS HOME. - REALLY? 103 00:03:35,954 --> 00:03:37,739 - NOPE, NOT AT ALL. I AM MORE THAN COMFORTABLE. 104 00:03:37,739 --> 00:03:39,044 - YOU HAVEN'’T WORN OUT YOUR WELCOME? 105 00:03:39,044 --> 00:03:40,568 - PSH, NAH. JENNA'’S COOL WITH IT. 106 00:03:40,568 --> 00:03:41,917 - I AM SO NOT COOL WITH IT. 107 00:03:41,917 --> 00:03:44,746 - WE SHARE EVERYTHING-- HER BATHROOM, DEODORANT. 108 00:03:44,746 --> 00:03:46,182 - I THINK HE'’S BEEN USING MY TOOTHBRUSH. 109 00:03:46,182 --> 00:03:49,229 - UCK! - SHE LETS ME WATCH SPORTS 24/7. 110 00:03:49,229 --> 00:03:51,143 - HE CLEARED MY TiVo FOR ESPN. 111 00:03:51,143 --> 00:03:52,884 - WHAT ABOUT THE REAL HOUSEWIVES? 112 00:03:52,884 --> 00:03:54,756 - IT'’S AS IF THEY WERE NEVER REAL AT ALL. 113 00:03:54,756 --> 00:03:55,844 - ARE YOU GETTING ANY ACTION? 114 00:03:55,844 --> 00:03:56,888 - NIGHTLY. 115 00:03:56,888 --> 00:03:58,542 - EVERY...NIGHT. 116 00:03:58,542 --> 00:03:59,891 - HOW DO YOU POOP WHEN HE'’S ALWAYS 117 00:03:59,891 --> 00:04:01,328 HIJACKING YOUR SAFE SPACE? - I DON'’T. 118 00:04:01,328 --> 00:04:02,894 - WHAT? HE'’S BEEN AT YOUR HOUSE FOR OVER A WEEK. 119 00:04:02,894 --> 00:04:04,983 - I KNOW. - JENNA, A BACKUP LIKE THAT 120 00:04:04,983 --> 00:04:06,898 COULD EASILY BECOME A BLOWUP. HE HAS TO MOVE OUT. 121 00:04:06,898 --> 00:04:08,378 - YOU CAN NEVER LEAVE. 122 00:04:08,378 --> 00:04:09,553 - OH, HEY. 123 00:04:09,553 --> 00:04:11,903 - HEY. - JENNA, HOW YOU DOING? 124 00:04:11,903 --> 00:04:13,470 - HI. 125 00:04:13,470 --> 00:04:15,559 - OH. UM... 126 00:04:15,559 --> 00:04:17,387 I SHOULD GET TO CLASS. 127 00:04:17,387 --> 00:04:20,347 - DON'’T FORGET TO TAKE YOUR PILL. 128 00:04:20,347 --> 00:04:21,739 YOUR MOM TOLD ME TO REMIND YOU. 129 00:04:24,394 --> 00:04:26,701 - HEY! I WANTED TO MAKE SURE 130 00:04:26,701 --> 00:04:28,137 YOU'’RE BRINGING ALCOHOL TONIGHT. 131 00:04:28,137 --> 00:04:29,269 - I'’M ALWAYS DOWN FOR A BOOZE SCHMOOZE. 132 00:04:29,269 --> 00:04:31,009 WHAT ARE WE DOING? 133 00:04:31,009 --> 00:04:32,402 - THE ANNUAL CHEER SLEEPOVER AT SADIE'’S. 134 00:04:32,402 --> 00:04:33,142 DIDN'’T YOU GET THE EMAIL? 135 00:04:33,142 --> 00:04:34,448 - NO. 136 00:04:34,448 --> 00:04:36,232 - MAYBE IT WENT TO SPAM. - MAYBE. 137 00:04:36,232 --> 00:04:37,189 DID YOU GET THE ONE ABOUT POM-POM HYGIENE? 138 00:04:37,189 --> 00:04:38,713 - PURELLED AND POLISHED. 139 00:04:38,713 --> 00:04:39,757 - THE NEW DANCE PANTS? - HIGH CUT. 140 00:04:39,757 --> 00:04:41,281 - AND I WONDER WHAT KIND OF... 141 00:04:43,152 --> 00:04:44,327 I'’LL BE RIGHT BACK. 142 00:04:53,423 --> 00:04:56,600 ACTUALLY, THERE'’S NOT GONNA BE A SLEEPOVER THIS YEAR. 143 00:04:56,600 --> 00:04:58,994 I GOT CONFUSED. IT HAPPENS. 144 00:04:58,994 --> 00:05:01,083 BYE! 145 00:05:01,083 --> 00:05:03,259 - SHE JUST FROZE ME OUT. 146 00:05:03,259 --> 00:05:04,739 - WHY WOULD YOU WANT TO SPEND A NIGHT AT SADIE'’S ANYWAY? 147 00:05:04,739 --> 00:05:07,437 - BECAUSE SHE IS STILL TREATING ME LIKE I'’M THE CHEER ALTERNATE 148 00:05:07,437 --> 00:05:09,221 WHEN I AM THE CHEER ULTIMATE. 149 00:05:09,221 --> 00:05:10,745 I'’M GOING TO THAT PARTY. - ARE YOU SURE? 150 00:05:10,745 --> 00:05:12,529 - YES! SLEEPOVERS ARE GAME CHANGERS. 151 00:05:12,529 --> 00:05:14,836 AND I GIVE PROFESSIONAL SLEEPOVER. 152 00:05:14,836 --> 00:05:17,752 THE KEY IS NOT TO SLEEP UNTIL IT'’S OVER. 153 00:05:17,752 --> 00:05:19,884 - AND THEN WE HIKED OUT OF THE CANYON 154 00:05:19,884 --> 00:05:21,495 AND BACK INTO REALITY. 155 00:05:23,671 --> 00:05:26,500 MY GUIDE WAS GONE, AND SUDDENLY... 156 00:05:26,500 --> 00:05:29,894 MY LIFE MADE SENSE. 157 00:05:32,462 --> 00:05:35,683 - ARE YOU DONE? I COULDN'’T TELL. 158 00:05:35,683 --> 00:05:38,120 HAMILTON, WHAT'’D YOU THINK? 159 00:05:38,120 --> 00:05:39,861 - [clears throat] 160 00:05:39,861 --> 00:05:43,125 I THOUGHT IT WAS... 161 00:05:43,125 --> 00:05:45,562 A LITTLE PRETENTIOUS. 162 00:05:45,562 --> 00:05:47,303 - REALLY? - YEAH. 163 00:05:47,303 --> 00:05:49,349 TAKING ACID IN THE DESERT, QUOTING HUNTER S. THOMPSON, 164 00:05:49,349 --> 00:05:51,481 AND WRITING ABOUT A HALF-PEYOTE SHAMAN 165 00:05:51,481 --> 00:05:53,222 THAT YOU HALLUCINATED-- IT'’S CLICHE 166 00:05:53,222 --> 00:05:54,963 AND OBVIOUS. 167 00:05:54,963 --> 00:05:56,617 - EASY, HAMILTON, YOU'’RE DESCRIBING MY EARLY 20s. 168 00:05:56,617 --> 00:05:58,532 [laughter] 169 00:05:58,532 --> 00:06:00,403 THEN AGAIN, I WAS A STUPID KID. 170 00:06:00,403 --> 00:06:03,145 I DIDN'’T UNDERSTAND LIFE. 171 00:06:03,145 --> 00:06:05,843 OR PAIN. OR LOVE. 172 00:06:05,843 --> 00:06:07,758 OR HOW TO WRITE A DAMN THING... 173 00:06:07,758 --> 00:06:10,413 THAT WASN'’T AN ATTEMPT TO SEEM COOL. 174 00:06:14,199 --> 00:06:15,897 HUMILITY, MR. JENNINGS. 175 00:06:15,897 --> 00:06:18,769 IT'’S A VERY IMPORTANT PART OF THE PROCESS. 176 00:06:18,769 --> 00:06:21,598 AND, ALTHOUGH I DON'’T AGREE WITH "HAMBIEN" OVER HERE, 177 00:06:21,598 --> 00:06:23,905 SHE DOES MAKE A GOOD POINT. 178 00:06:23,905 --> 00:06:25,950 IT'’S EASY TO GO WHERE EXPECTED, GUYS. 179 00:06:25,950 --> 00:06:28,039 DON'’T GO THERE. 180 00:06:28,039 --> 00:06:29,824 NOW... 181 00:06:29,824 --> 00:06:30,912 MS. HAMILTON. 182 00:06:40,617 --> 00:06:43,881 - OOH! SORRY. SORRY. [laughter] 183 00:06:43,881 --> 00:06:45,230 - YOU OKAY? - YEAH, I-- 184 00:06:45,230 --> 00:06:48,103 JUST A LITTLE SLEEP DEPRIVATION AT HOME. 185 00:06:48,103 --> 00:06:50,148 - MY SUGGESTION: GRAB A NICE GLASS OF WARM MILK 186 00:06:50,148 --> 00:06:51,149 WITH ONE OF YOUR ESSAYS. 187 00:06:51,149 --> 00:06:52,324 IF YOU'’RE ANYTHING LIKE ME, 188 00:06:52,324 --> 00:06:53,630 IT'’LL KNOCK YOU RIGHT OUT. 189 00:06:53,630 --> 00:06:56,111 [school bell rings] 190 00:06:56,111 --> 00:06:58,069 - ALL RIGHT, THAT'’S IT, TURDS. SEE YOU GUYS LATER. 191 00:06:59,941 --> 00:07:02,117 - JENNA. 192 00:07:02,117 --> 00:07:04,380 I JUST WANTED TO THANK YOU. 193 00:07:04,380 --> 00:07:06,121 - FOR WHAT? - YOUR CANDOR IN CLASS. 194 00:07:06,121 --> 00:07:08,210 - LISTEN, I AM TIRED AND OUT OF IT. 195 00:07:08,210 --> 00:07:09,951 I DON'’T HAVE PATIENCE FOR YOUR SARCASM. 196 00:07:09,951 --> 00:07:11,561 - I WASN'’T BEING SARCASTIC. 197 00:07:11,561 --> 00:07:14,085 IT WAS SINCERE. YOU WERE RIGHT. 198 00:07:14,085 --> 00:07:16,261 MY STORY WAS PRETENTIOUS, AND I'’M OKAY WITH THAT. 199 00:07:16,261 --> 00:07:17,959 BUT...OBVIOUS? 200 00:07:17,959 --> 00:07:21,484 THAT'’S THE LAST THING I WANT TO BE. 201 00:07:21,484 --> 00:07:22,877 SO THANKS FOR BEING HONEST. 202 00:07:22,877 --> 00:07:24,792 IT'’S A... HARD THING TO DO. 203 00:07:24,792 --> 00:07:26,315 - COLLIN WAS THE LAST GUY 204 00:07:26,315 --> 00:07:27,621 I THOUGHT COULD HANDLE THE TRUTH. 205 00:07:27,621 --> 00:07:29,971 BUT IF HE COULD, MAYBE MATTY COULD TOO. 206 00:07:29,971 --> 00:07:32,539 - AND SINCE I'’M ALL ABOUT QUID PRO QUO, 207 00:07:32,539 --> 00:07:35,237 YOU MIGHT WANT TO CHECK OUT A MIRROR. 208 00:07:35,237 --> 00:07:37,195 YOU'’VE GOT A BIT OF A '’STACHE. 209 00:07:42,157 --> 00:07:44,420 - LITTLE EXPERIMENT GONE AWRY, HUH? 210 00:07:44,420 --> 00:07:46,291 BET YOU WISH YOU WOULD HAVE DRAWN IT ON YOUR FINGER INSTEAD. 211 00:07:46,291 --> 00:07:47,467 LESS OF A COMMITMENT. 212 00:07:47,467 --> 00:07:49,164 - I DIDN'’T DO IT. 213 00:07:49,164 --> 00:07:50,731 IT'’S WAS MR. HART'’S IDEA OF A JOKE. 214 00:07:50,731 --> 00:07:52,080 FELL ASLEEP IN CLASS. 215 00:07:52,080 --> 00:07:54,778 - AH, RESULT OF SOME LATE-NIGHT SEX PLAY 216 00:07:54,778 --> 00:07:56,127 WITH THE LIVE-IN? 217 00:07:56,127 --> 00:07:57,346 MM, MM, MM? 218 00:07:57,346 --> 00:07:59,087 HOW'’S IT GOING? 219 00:07:59,087 --> 00:08:00,218 - TO BE HONEST, IT'’S CHANGED THINGS. 220 00:08:00,218 --> 00:08:02,917 I MEAN... I WANT TO BE THERE 221 00:08:02,917 --> 00:08:04,309 FOR MATTY DURING THIS HARD TIME. 222 00:08:04,309 --> 00:08:06,486 I JUST DON'’T WANT HIM TO BE THERE WITH ME. 223 00:08:06,486 --> 00:08:08,792 - YOU NEED THE LOVIN'’, BUT YOU WANT TO BRING BACK THE MYSTERY. 224 00:08:08,792 --> 00:08:10,054 I FEEL YA. - HOW DO I DO THAT 225 00:08:10,054 --> 00:08:12,492 WITHOUT HURTING MATTY'’S FEELINGS? 226 00:08:12,492 --> 00:08:14,711 J, YOU CAME TO THE RIGHT PLACE. 227 00:08:14,711 --> 00:08:17,627 I AM AN EXPERT AT GETTING MEN TO LEAVE MY PAD, 228 00:08:17,627 --> 00:08:19,368 MOST OFTEN IN THE DARK COVER OF NIGHT, 229 00:08:19,368 --> 00:08:20,630 WHILE I'’M SLEEPING. 230 00:08:20,630 --> 00:08:23,503 OKAY, JUST BRAINSTORMING HERE. 231 00:08:23,503 --> 00:08:24,286 IDEAS. [sighs] 232 00:08:24,286 --> 00:08:26,723 IDEAS, IDEAS, IDEAS. 233 00:08:26,723 --> 00:08:27,942 GET A CAT. 234 00:08:27,942 --> 00:08:29,160 - WHAT'’S A CAT GONNA DO? 235 00:08:29,160 --> 00:08:31,162 - RIGHT. BETTER MAKE IT TWO. 236 00:08:31,162 --> 00:08:33,382 WHILE SOME MEN CAN HANDLE THE WARM PURR 237 00:08:33,382 --> 00:08:36,603 OF A SINGLE KITTY, THEY CAN'’T HANDLE A CAT'’S CAT. 238 00:08:36,603 --> 00:08:39,649 OH, AND LOOK FOR ONE WITH ANAL GLAND ISSUES. 239 00:08:39,649 --> 00:08:41,999 UNWANTED CAT SPLAT WILL SEND HIM A-PACKIN'’. 240 00:08:41,999 --> 00:08:43,261 - VAL, I'’M NOT GETTING ANY PETS. 241 00:08:43,261 --> 00:08:44,959 - TRIED SHARING HIS NETI POT? 242 00:08:44,959 --> 00:08:46,134 - I DON'’T EVEN KNOW WHAT THAT IS. 243 00:08:46,134 --> 00:08:47,352 - BABY TALK DURING SEX! 244 00:08:47,352 --> 00:08:49,616 OH. AHEM. 245 00:08:49,616 --> 00:08:51,705 [baby voice] OHH... 246 00:08:51,705 --> 00:08:54,969 MATTY WATTY, YOUR LITTLE PEENY WEENIE 247 00:08:54,969 --> 00:08:57,101 IS SHO SHNUGGLY WUGGLY. 248 00:08:57,101 --> 00:08:59,669 - I WANT HIM TO MOVE OUT, NOT MOVE ON. 249 00:08:59,669 --> 00:09:00,975 - WELL, THAT'’S ALL I GOT. 250 00:09:00,975 --> 00:09:02,890 UGH, LOOK AT THE TIME. 251 00:09:02,890 --> 00:09:04,152 IF YOU HAVE ANY FOLLOW-UP QUESTIONS, 252 00:09:04,152 --> 00:09:06,067 YOU CAN CALL, TEXT, OR TWEET. 253 00:09:06,067 --> 00:09:10,071 BOWLING LESSON. I GOTS TO GO. 254 00:09:10,071 --> 00:09:11,376 [stomach rumbling] 255 00:09:11,376 --> 00:09:13,378 SUDDENLY, SO DID I. 256 00:09:14,597 --> 00:09:15,816 THE COAST WAS CLEAR. 257 00:09:15,816 --> 00:09:18,296 I FINALLY HAD THE HOUSE TO MYSELF. 258 00:09:18,296 --> 00:09:20,864 MY GUILTY PLEASURES HAD BEEN PILING UP ALL WEEK, 259 00:09:20,864 --> 00:09:22,866 BUT WITH NO THRONE TO PERCH ON, 260 00:09:22,866 --> 00:09:24,433 I COULDN'’T TRULY ENJOY THEM. 261 00:09:24,433 --> 00:09:27,479 IT WAS TIME TO TAKE CARE OF BUSINESS. 262 00:09:27,479 --> 00:09:29,481 UH, WHAT ARE YOU DOING HERE? 263 00:09:29,481 --> 00:09:30,918 - PRACTICE WAS CANCELED. - OHH. OH. 264 00:09:30,918 --> 00:09:32,876 BET YOU MY MOM MADE YOU A SNACK. 265 00:09:32,876 --> 00:09:34,443 YOU WANNA MEET ME IN THE KITCHEN? 266 00:09:34,443 --> 00:09:36,097 - I'’M NOT REALLY HUNGRY. - CAN YOU TRY TO BE? 267 00:09:36,097 --> 00:09:37,751 '’CAUSE I REALLY, REALLY NEED TO CATCH UP 268 00:09:37,751 --> 00:09:39,013 ON THESE IMPORTANT CULTURAL CRITIQUES. 269 00:09:39,013 --> 00:09:40,754 - IMPORTANT. - YES, AND I NEED TO DO IT 270 00:09:40,754 --> 00:09:43,234 IN THERE, ALONE, WITH SCENTED CANDLES AND DIM LIGHTING, 271 00:09:43,234 --> 00:09:44,845 AND YOU ARE DRIVING ME CRAZY! 272 00:09:44,845 --> 00:09:47,456 I LOVE YOU, BUT I LOVE MYSELF TOO, 273 00:09:47,456 --> 00:09:48,979 AND I NEED SPACE. 274 00:09:48,979 --> 00:09:50,590 AND MY BATHROOM AND MY HAIR PRODUCTS. 275 00:09:50,590 --> 00:09:52,374 AND I NEED PRIVACY, MATTY! - OKAY, SLOW DOWN. 276 00:09:52,374 --> 00:09:53,897 - I CAN'’T, I'’VE KEPT IT ALL BOTTLED UP, 277 00:09:53,897 --> 00:09:56,596 AND I JUST NEED TO LET IT-- [passes gas loudly] 278 00:10:04,734 --> 00:10:06,388 - YOUR PARENTS CALLED TO REMIND YOU 279 00:10:06,388 --> 00:10:07,737 THAT THEY'’RE GOING TO THE HOLLYWOOD BOWL TONIGHT. 280 00:10:07,737 --> 00:10:08,564 WON'’T BE HOME TILL LATE. 281 00:10:08,564 --> 00:10:10,435 - GOOD TO KNOW. 282 00:10:10,435 --> 00:10:12,307 - AND YOUR MOM LEFT MONEY FOR PIZZA. 283 00:10:15,658 --> 00:10:17,355 OR WE COULD JUST HEAD OVER TO THE CHILI COOK-OFF. 284 00:10:17,355 --> 00:10:19,314 [both snicker] 285 00:10:19,314 --> 00:10:20,794 - [laughing] 286 00:10:20,794 --> 00:10:22,709 - MATTY, I AM SO SORRY. - OH, DON'’T APOLOGIZE. 287 00:10:22,709 --> 00:10:24,580 EVERY ONCE IN A WHILE, WE ALL HAVE TO LET OUT A LITTLE STEAM. 288 00:10:24,580 --> 00:10:25,668 - OH, SHUT UP. 289 00:10:25,668 --> 00:10:27,017 - NO, HEY, HEY, HEY. 290 00:10:27,017 --> 00:10:28,932 YOU WERE RIGHT TO EXPLODE. - DON'’T-- 291 00:10:28,932 --> 00:10:31,369 [snickering] 292 00:10:31,369 --> 00:10:32,675 I AM A DUDE. 293 00:10:32,675 --> 00:10:35,417 WE CAN BE A LITTLE OBLIVIOUS. 294 00:10:35,417 --> 00:10:37,114 I DIDN'’T MEAN TO PUT SO MUCH PRESSURE ON YOU. 295 00:10:37,114 --> 00:10:39,551 [chuckles] I HAVE A SOLUTION. 296 00:10:39,551 --> 00:10:41,466 I WILL CALL JAKE, AND I CAN HEAD OVER THERE TONIGHT. 297 00:10:41,466 --> 00:10:43,425 - SOMEHOW, MATTY HAD MADE IT COMFORTABLE 298 00:10:43,425 --> 00:10:44,687 TO BE UNCOMFORTABLE. 299 00:10:44,687 --> 00:10:46,341 DON'’T. 300 00:10:46,341 --> 00:10:48,038 IF YOU'’RE COMFORTABLE HERE, 301 00:10:48,038 --> 00:10:49,431 YOU SHOULD STAY AS LONG AS YOU LIKE. 302 00:10:49,431 --> 00:10:50,519 - REALLY? 303 00:10:50,519 --> 00:10:51,868 - NO. 304 00:10:51,868 --> 00:10:53,174 BUT STAY THE NIGHT. 305 00:10:53,174 --> 00:10:54,479 WE HAD TURNED OFF THE PRESSURE, 306 00:10:54,479 --> 00:10:57,091 WHICH MEANT IT WAS TIME TO TURN ON THE FUN 307 00:10:57,091 --> 00:10:58,135 AND SHIFT MATTY'’S GEARS 308 00:10:58,135 --> 00:10:59,746 FROM BROTHER TO LOVER. 309 00:10:59,746 --> 00:11:01,704 - WHAT DO YOU WANT TO DO? 310 00:11:01,704 --> 00:11:04,315 - SOMETHING WE'’VE NEVER DONE BEFORE. 311 00:11:04,315 --> 00:11:06,274 - YOU DON'’T HAVE TO DO THIS. - BUT I DO. 312 00:11:06,274 --> 00:11:07,797 IF THOSE GIRLS SMELL FEAR IN ME, 313 00:11:07,797 --> 00:11:10,713 I'’LL NEVER BE ACCEPTED. - TAMARA, THEY'’RE EVIL. 314 00:11:10,713 --> 00:11:11,627 DO YOU REMEMBER LEE ANNE HODGES? 315 00:11:11,627 --> 00:11:13,150 - THE GIRL WHO TRANSFERRED 316 00:11:13,150 --> 00:11:14,151 TO THE SCHOOL FOR THE PERFORMING ARTS? 317 00:11:14,151 --> 00:11:15,457 - SHE'’S NOT PERFORMING ANYTHING 318 00:11:15,457 --> 00:11:16,719 EXCEPT ONE FLEW OVER THE CUCKOO'’S NEST, 319 00:11:16,719 --> 00:11:18,025 24 HOURS A DAY. 320 00:11:18,025 --> 00:11:19,330 SHE'’S AT A PSYCHIATRIC FACILITY... 321 00:11:19,330 --> 00:11:21,158 IN UTAH. 322 00:11:21,158 --> 00:11:23,030 SHE CHECKED IN AFTER THOSE GIRLS MADE HER CHECK OUT. 323 00:11:23,030 --> 00:11:24,988 - I CALL SHENANIGANS. THEY'’RE JUST CHEERLEADERS. 324 00:11:24,988 --> 00:11:26,598 - WHO ARE OUT FOR BLOOD. 325 00:11:26,598 --> 00:11:29,036 JUST PROMISE ME THAT IF ANYTHING GOES WRONG IN THERE, 326 00:11:29,036 --> 00:11:30,864 YOU'’LL SAY THE WORD? - WHAT WORD? OUR SAFE WORD? 327 00:11:30,864 --> 00:11:32,082 - WE DON'’T HAVE A SAFE WORD. 328 00:11:32,082 --> 00:11:33,954 - THEN WE NEED ONE. WHAT IS IT? 329 00:11:33,954 --> 00:11:36,521 - STOP. 330 00:11:36,521 --> 00:11:38,610 - YOU KNOW, I'’M GONNA BE FINE. 331 00:11:38,610 --> 00:11:40,700 AS THEY SAY, THERE IS ALWAYS SAFETY IN NUMBERS. 332 00:11:46,183 --> 00:11:47,532 - YOU CAN'’T HANDLE THIS. 333 00:11:47,532 --> 00:11:49,360 IT MIGHT BE PAINFUL. 334 00:11:49,360 --> 00:11:50,710 AND DIRTY. 335 00:11:50,710 --> 00:11:52,189 - OH, THE DIRTIER THE BETTER. 336 00:11:52,189 --> 00:11:53,930 - YOU SURE? - I'’M READY. 337 00:11:55,671 --> 00:11:57,891 PICK YOUR PORN. 338 00:11:57,891 --> 00:12:00,763 - HOW '’BOUT THAT ONE? 339 00:12:00,763 --> 00:12:04,201 - ASIAN PERSUASION 9? 340 00:12:04,201 --> 00:12:06,203 YOU THINK MING IS HOT? 341 00:12:06,203 --> 00:12:07,901 - NO. - SO SHE'’S NOT? 342 00:12:07,901 --> 00:12:11,121 - EH, SHE'’S NOT NOT... 343 00:12:11,121 --> 00:12:12,122 HOT. 344 00:12:12,122 --> 00:12:13,384 THIS IS A TRICK QUESTION. 345 00:12:13,384 --> 00:12:14,908 - I'’M KIDDING. GROW A FUNNY BONE. 346 00:12:14,908 --> 00:12:17,519 - I'’M TRYING TO. 347 00:12:17,519 --> 00:12:19,390 - OH, HARRY POTTER AND THE HALF-BLOOD WHORE. 348 00:12:19,390 --> 00:12:21,479 - CALL ME DUMBLEDORE, AND I WILL SHOW YOU MY STAFF. 349 00:12:21,479 --> 00:12:23,220 - [laughs] 350 00:12:23,220 --> 00:12:24,526 I CAN'’T WATCH WIZARD PORN. 351 00:12:24,526 --> 00:12:26,180 - BUT IT'’S THE ONLY ONE WITH A STORY. 352 00:12:26,180 --> 00:12:27,485 - WHY DO YOU NEED A STORY BEYOND "THIS GOES INTO THAT, 353 00:12:27,485 --> 00:12:29,226 REPEAT UNTIL EVERYONE MAKES A WEIRD FACE." 354 00:12:29,226 --> 00:12:30,358 - BECAUSE THAT SOUNDS GROSS. 355 00:12:30,358 --> 00:12:31,576 - WHY ARE WE DOING THIS AGAIN? 356 00:12:31,576 --> 00:12:32,882 - '’CAUSE... WE'’VE GOTTEN 357 00:12:32,882 --> 00:12:34,231 WAY TOO COMFORTABLE WITH EACH OTHER, 358 00:12:34,231 --> 00:12:36,146 AND WE NEED TO SHAKE THINGS UP. 359 00:12:36,146 --> 00:12:37,365 - WE NEED TO SHAKE THINGS UP. 360 00:12:37,365 --> 00:12:38,714 WHEN ARE THE OTHER GIRLS GONNA GET HERE? 361 00:12:38,714 --> 00:12:40,803 - NEVER. NO ONE WANTS TO DEAL WITH SADIE 362 00:12:40,803 --> 00:12:42,022 NOW THAT SHE'’S BROKE. 363 00:12:42,022 --> 00:12:43,719 SHE CAN'’T SOOTHE HER SADISM 364 00:12:43,719 --> 00:12:45,025 WITH SPA TREATMENTS ANYMORE. 365 00:12:45,025 --> 00:12:47,244 - SO IT'’S JUST THE THREE OF US? 366 00:12:47,244 --> 00:12:49,551 - YEAH. - I GOTTA MAKE A CALL. 367 00:12:49,551 --> 00:12:51,509 - [sighs] 368 00:12:51,509 --> 00:12:53,250 - JAKE, YOU NEED TO STOP DOING WHATEVER YOU'’RE DOING 369 00:12:53,250 --> 00:12:55,731 AND STOP ME FROM STAYING THE NIGHT--HURRY! 370 00:12:55,731 --> 00:12:58,081 - CONSUELA'’S GONNA GIVE US MANI-PEDIS, 371 00:12:58,081 --> 00:12:59,691 BUT SHE ONLY HAS ENERGY FOR TWO, 372 00:12:59,691 --> 00:13:03,260 SO, TAMARA, FEEL FREE TO WAIT OUTSIDE... 373 00:13:03,260 --> 00:13:05,045 WITH MY DOG. 374 00:13:05,045 --> 00:13:06,611 - THANKS FOR YOUR LACK OF HOSPITALITY, 375 00:13:06,611 --> 00:13:08,570 BUT I THINK I'’M GONNA HEAD OUT. 376 00:13:08,570 --> 00:13:10,267 - GOOD! NOW I WON'’T FEEL BAD TALKING [bleep] ABOUT YOU 377 00:13:10,267 --> 00:13:12,095 TO YOUR FACE. - OH, PLEASE. 378 00:13:12,095 --> 00:13:14,054 DON'’T HOLD BACK. - REALLY? 379 00:13:14,054 --> 00:13:15,838 BECAUSE I DO HAVE A QUESTION FOR YOU. 380 00:13:15,838 --> 00:13:17,057 - BRING IT. 381 00:13:17,057 --> 00:13:18,362 - WHEN YOU KISS JAKE, 382 00:13:18,362 --> 00:13:20,364 DOES IT TASTE LIKE JENNA? 383 00:13:20,364 --> 00:13:21,496 - I DON'’T KNOW-- WHEN YOU KISSED RICKY, 384 00:13:21,496 --> 00:13:22,758 DID IT TASTE LIKE ME? 385 00:13:22,758 --> 00:13:24,194 - SKITCH. - WHORE. 386 00:13:24,194 --> 00:13:25,413 - GUYS, LET'’S NOT GET WOUND UP. 387 00:13:25,413 --> 00:13:27,676 - CONSUELA, GET MY SPIRIT BOARD. 388 00:13:32,942 --> 00:13:35,858 - UNLOCKING THE AFTERLIFE CAN BE REALLY DANGEROUS. 389 00:13:35,858 --> 00:13:37,381 WE SHOULD KEEP IT LOCKED. 390 00:13:37,381 --> 00:13:38,643 HOW ABOUT WE PLAY "LIGHT AS A FEATHER" INSTEAD? 391 00:13:38,643 --> 00:13:39,906 - RICKY, IF YOU CAN HEAR ME, 392 00:13:39,906 --> 00:13:41,951 SET THE RECORD STRAIGHT. 393 00:13:41,951 --> 00:13:44,998 DID YOU LOVE ME MORE THAN THIS [bleep]. 394 00:13:51,787 --> 00:13:54,529 - RICKY, WERE YOU ATTRACTED TO SADIE'’S MANNISH APPEARANCE 395 00:13:54,529 --> 00:13:56,879 BECAUSE YOU WERE GAY? 396 00:14:02,102 --> 00:14:04,017 - GUYS, I-- I BROUGHT TANGLED. 397 00:14:04,017 --> 00:14:07,324 - DID THE THOUGHT OF TAMARA'’S FACE PUT YOU IN THE GRAVE? 398 00:14:10,110 --> 00:14:12,155 - OR DID SADIE SHOVE YOU IN THERE HERSELF? 399 00:14:17,378 --> 00:14:18,945 - WAS YOUR DEATH AN ACCIDENT? 400 00:14:22,252 --> 00:14:23,863 - [gasps] 401 00:14:23,863 --> 00:14:26,691 - DID SOMEONE KILL YOU? 402 00:14:26,691 --> 00:14:27,910 both: WHO KILLED YOU? 403 00:14:27,910 --> 00:14:29,825 - THIS IS NOT OKAY! 404 00:14:29,825 --> 00:14:31,914 LET THE SPIRITS REST! 405 00:14:35,352 --> 00:14:37,180 - I NEED A RIDE HOME. 406 00:14:37,180 --> 00:14:38,921 - OKAY. JUST WAITING ON TAMARA. 407 00:14:38,921 --> 00:14:39,661 - SHE'’S NOT COMING. 408 00:14:39,661 --> 00:14:41,315 [phone bloops] 409 00:14:41,315 --> 00:14:42,446 SHE'’S NOT COMING. 410 00:14:42,446 --> 00:14:43,621 - DO YOU BELIEVE IN THE AFTERLIFE? 411 00:14:43,621 --> 00:14:45,145 - IN WHAT WAY? 412 00:14:45,145 --> 00:14:46,711 - IN THE WAY THAT YOUR SINS COME BACK TO HAUNT YOU. 413 00:14:46,711 --> 00:14:47,451 - YOU MEAN LIKE KARMA? 414 00:14:47,451 --> 00:14:48,452 - YEAH. 415 00:14:48,452 --> 00:14:50,150 - SURE. 416 00:14:50,150 --> 00:14:52,065 - I THINK GOD'’S PUNISHING ME. 417 00:14:52,065 --> 00:14:53,718 - ♪OH OH OH ♪ 418 00:14:53,718 --> 00:14:56,721 - I LOST MY VIRGINITY THIS SUMMER. 419 00:14:56,721 --> 00:14:59,115 - [British accent] I'’M NOT READY TO LOSE MY VIRGINITY. 420 00:14:59,115 --> 00:15:01,030 - IS THAT SUPPOSED TO BE HERMIONE? 421 00:15:01,030 --> 00:15:03,380 - LESS WATCHING, MORE KISSING. 422 00:15:03,380 --> 00:15:05,295 MMM. - [on TV] OH, YEAH! 423 00:15:05,295 --> 00:15:06,906 OHH! 424 00:15:06,906 --> 00:15:08,472 - WHY WOULD SOMEONE DO THIS? 425 00:15:08,472 --> 00:15:10,039 - OH, I DON'’T KNOW. COSTUME FETISH? 426 00:15:10,039 --> 00:15:12,912 [both giggle] 427 00:15:12,912 --> 00:15:14,739 - OH. I'’M SORRY. 428 00:15:14,739 --> 00:15:15,871 BUT LOOK AT THAT GIRL. 429 00:15:15,871 --> 00:15:17,046 SHE'’S ACTUALLY PRETTY. 430 00:15:17,046 --> 00:15:18,395 SHE COULD HAVE BEEN A REAL ACTRESS. 431 00:15:18,395 --> 00:15:20,136 - YEAH, IF SHE COULD ACT. 432 00:15:20,136 --> 00:15:21,398 - SHE'’S PROBABLY A RUNAWAY. 433 00:15:21,398 --> 00:15:24,488 - SO? - SO IT'’S DISTURBING. 434 00:15:24,488 --> 00:15:25,750 IT'’S NOT LIKE THERE ARE LITTLE GIRLS WHO RUN AROUND 435 00:15:25,750 --> 00:15:27,143 SAYING, "WHEN I GROW UP, I WANT TO HAVE SEX 436 00:15:27,143 --> 00:15:28,579 WITH STRANGE MEN ON CAMERA." 437 00:15:28,579 --> 00:15:30,930 IT'’S SAD. - WHAT'’S SAD IS HOW MUCH 438 00:15:30,930 --> 00:15:32,192 YOU'’RE KILLING THE MOMENT. 439 00:15:32,192 --> 00:15:34,020 - WAY TO BE INSENSITIVE. 440 00:15:34,020 --> 00:15:35,847 IT'’S NOT LIKE THOSE GIRLS HAVE THEIR BOYFRIENDS'’ HOMES 441 00:15:35,847 --> 00:15:40,287 TO RUN OFF TO WHEN THINGS GET TOUGH. 442 00:15:40,287 --> 00:15:41,331 - YOU KNOW, I'’M-- I'’M TIRED. 443 00:15:41,331 --> 00:15:42,593 I'’M GONNA CRASH. 444 00:15:42,593 --> 00:15:44,334 I'’LL BE OUT OF HERE IN THE MORNING. 445 00:15:48,382 --> 00:15:50,862 - THAT'’S IT. LET IT HAPPEN. 446 00:15:50,862 --> 00:15:53,126 OFF TO DREAMLAND. - NO. 447 00:15:53,126 --> 00:15:55,128 NO, I WON'’T GO THERE. 448 00:15:55,128 --> 00:15:57,043 UNLESS YOU WANT TO CALL A TRUCE? 449 00:15:57,043 --> 00:15:59,436 IF YOU LET ME SLEEP, I WILL LET YOU SLEEP 450 00:15:59,436 --> 00:16:00,307 AND I'’LL LEAVE FIRST THING IN THE MORNING. 451 00:16:00,307 --> 00:16:01,656 YOU DON'’T EVEN HAVE TO FEED ME. 452 00:16:01,656 --> 00:16:02,787 - OH, I WON'’T. 453 00:16:02,787 --> 00:16:03,875 GOOD. - GREAT. 454 00:16:03,875 --> 00:16:05,007 both: TRUCE. 455 00:16:12,536 --> 00:16:14,451 - YOUR BED IS THE FLOOR. 456 00:16:14,451 --> 00:16:16,018 OR YOU CAN SLEEP IN MY DOG'’S BED, 457 00:16:16,018 --> 00:16:17,628 SINCE HE'’S WITH CONSUELA. 458 00:16:17,628 --> 00:16:19,761 - BUT THERE'’S PLENTY OF ROOM FOR BOTH OF US IN YOURS. 459 00:16:19,761 --> 00:16:22,677 - IT'’S NON-NEGOTIABLE. I DON'’T CO-SLEEP. 460 00:16:32,078 --> 00:16:37,170 - [whimpering and crying] 461 00:16:37,170 --> 00:16:38,780 - WHAT IS WRONG WITH YOU? 462 00:16:38,780 --> 00:16:41,000 - I HAVE A BAD BACK. 463 00:16:41,000 --> 00:16:43,741 - AND I DON'’T CARE. 464 00:16:43,741 --> 00:16:46,744 - [whimpering like a dog] 465 00:16:46,744 --> 00:16:48,137 - ARE YOU GONNA DO THAT ALL NIGHT 466 00:16:48,137 --> 00:16:49,530 UNLESS I LET YOU UP HERE? 467 00:16:49,530 --> 00:16:50,922 - YES. - FINE! 468 00:16:50,922 --> 00:16:52,141 BUT DON'’T TOUCH ME. 469 00:16:54,796 --> 00:16:57,016 - [sighs] 470 00:17:08,549 --> 00:17:10,551 MATTY, WE NEED TO TALK. 471 00:17:10,551 --> 00:17:12,857 - UH, NOT NOW. 472 00:17:12,857 --> 00:17:15,556 - I'’M SORRY. 473 00:17:15,556 --> 00:17:18,863 I DIDN'’T MEAN TO HURT YOUR FEELINGS. 474 00:17:18,863 --> 00:17:20,474 PLEASE DON'’T MAKE ME DO THIS THROUGH THE DOOR. 475 00:17:20,474 --> 00:17:22,041 - I'’LL JUST BE A MINUTE. 476 00:17:22,041 --> 00:17:23,433 - THAT'’S WHEN I REALIZED MATTY 477 00:17:23,433 --> 00:17:25,479 MIGHT HAVE BEEN WORKING OUT ANOTHER PROBLEM. 478 00:17:25,479 --> 00:17:27,176 - OH, MY GOD, ARE YOU SHAKING THE... 479 00:17:38,622 --> 00:17:41,190 - SO OUR COMFORT ZONE HAD FINALLY GOTTEN UNCOMFORTABLE. 480 00:17:41,190 --> 00:17:42,974 FOR BOTH OF US. 481 00:17:42,974 --> 00:17:45,934 I FINALLY REALIZED MATTY DIDN'’T NEED A LOVER. 482 00:17:45,934 --> 00:17:48,545 HE NEEDED A MOTHER. 483 00:17:48,545 --> 00:17:51,505 MAYBE IT'’S TIME YOU TALKED TO YOUR PARENTS. 484 00:17:51,505 --> 00:17:53,594 - WHY? 485 00:17:53,594 --> 00:17:56,814 THEY HAVEN'’T CALLED SINCE I LEFT. 486 00:17:56,814 --> 00:17:58,294 - THAT'’S PRIDE. 487 00:17:58,294 --> 00:17:59,904 I DIDN'’T TALK TO JENNIFER 488 00:17:59,904 --> 00:18:01,341 DAYS AFTER SHE FOUND OUT I WROTE THE LETTER, 489 00:18:01,341 --> 00:18:05,214 AND I'’M THE ONE WHO MADE THAT MESS. 490 00:18:05,214 --> 00:18:06,563 - AND WHAT'’D SHE DO? 491 00:18:06,563 --> 00:18:08,217 - SHE LET ME PROCESS... 492 00:18:08,217 --> 00:18:09,914 HOW TO TALK TO HER AND THEN, 493 00:18:09,914 --> 00:18:12,221 WHEN I DIDN'’T, 494 00:18:12,221 --> 00:18:14,615 SHE FOUND THE STRENGTH TO TALK TO ME. 495 00:18:14,615 --> 00:18:17,618 THERE'’S NO INSTRUCTION MANUAL ON HOW TO PARENT. 496 00:18:17,618 --> 00:18:21,665 SOMETIMES, OUR KIDS HAVE TO TEACH US WHAT THEY NEED. 497 00:18:21,665 --> 00:18:25,452 JENNA DID THAT FOR ME. 498 00:18:25,452 --> 00:18:27,758 MAYBE YOU COULD DO THAT FOR YOUR MOM TOO? 499 00:18:27,758 --> 00:18:30,109 - ♪ CHARADE'’S ALL OVER ♪ 500 00:18:30,109 --> 00:18:33,329 ♪ WHY ARE WE SO SAD? 501 00:18:38,943 --> 00:18:41,990 - WHAT...THE...[bleep]? 502 00:18:41,990 --> 00:18:42,991 - OOH! [thud] 503 00:18:42,991 --> 00:18:44,775 - WHAT THE [bleep]? 504 00:18:44,775 --> 00:18:46,603 - YOU WERE TOUCHING ME. 505 00:18:46,603 --> 00:18:48,388 - DON'’T GET EXCITED. I'’M A SNUGGLE BUG. 506 00:18:48,388 --> 00:18:49,867 ANY WARM BODY WILL DO, 507 00:18:49,867 --> 00:18:51,478 ESPECIALLY ONE THAT'’S BIGGER THAN MINE. 508 00:18:51,478 --> 00:18:54,176 - IT'’S MORNING. YOU CAN LEAVE NOW. 509 00:18:54,176 --> 00:18:55,177 - I'’M GOING. 510 00:18:55,177 --> 00:18:57,136 CAN I GET A RIDE? 511 00:18:57,136 --> 00:18:58,528 - CONSUELA HAS SUNDAYS OFF. 512 00:18:58,528 --> 00:18:59,921 - WHAT ABOUT YOUR PARENTS? 513 00:18:59,921 --> 00:19:00,878 - THEY'’RE NOT HOME. 514 00:19:00,878 --> 00:19:02,097 - WHERE ARE THEY? 515 00:19:02,097 --> 00:19:03,577 - DON'’T [bleep] WITH ME. 516 00:19:03,577 --> 00:19:05,274 I KNOW YOU KNOW MY DAD LEFT THE COUNTRY 517 00:19:05,274 --> 00:19:06,971 AND MY MOM'’S HOLED UP SOMEWHERE FOR EXHAUSTION. 518 00:19:06,971 --> 00:19:09,278 - SO IT'’S TRUE. 519 00:19:09,278 --> 00:19:11,454 YOU ARE BROKE. - YEAH, SO WHAT? 520 00:19:11,454 --> 00:19:13,064 ARE YOU GONNA TELL EVERYBODY? 521 00:19:13,064 --> 00:19:14,327 - YEAH! I HAVE A BIG MOUTH. 522 00:19:14,327 --> 00:19:15,545 IF YOU WANT ME TO KEEP QUIET, 523 00:19:15,545 --> 00:19:16,938 YOU'’RE GONNA HAVE TO THREATEN ME. 524 00:19:16,938 --> 00:19:18,766 - IF YOU SAY A [bleep] WORD, I WILL ENSURE 525 00:19:18,766 --> 00:19:21,377 THAT YOU ALSO BREAK YOUR NECK DURING PRACTICE. 526 00:19:21,377 --> 00:19:23,423 - YOUR SECRET'’S SAFE. 527 00:19:29,037 --> 00:19:30,604 - HEY. 528 00:19:30,604 --> 00:19:33,737 I'’M, UH, I'’M GONNA TAKE OFF. 529 00:19:33,737 --> 00:19:35,304 GET GET OF YOUR HAIR. 530 00:19:35,304 --> 00:19:37,132 - ARE YOU GOING TO JAKE'’S? 531 00:19:37,132 --> 00:19:38,612 - NO, I'’M GONNA GO HOME. 532 00:19:38,612 --> 00:19:40,135 YOUR MOM GAVE ME SOME GOOD ADVICE. 533 00:19:40,135 --> 00:19:41,658 I'’LL SEE IF IT WORKS. 534 00:19:41,658 --> 00:19:42,877 - ♪ HOW I CLIMBED YOUR CITY'’S WALLS ♪ 535 00:19:42,877 --> 00:19:44,966 - OKAY. - OKAY. 536 00:19:44,966 --> 00:19:46,924 - ♪ DO YOU REMEMBER ME - ARE WE OKAY? 537 00:19:46,924 --> 00:19:48,012 - ♪ HOW I PRAYED FOR YOUR CALLS ♪ 538 00:19:48,012 --> 00:19:49,623 - YEAH. 539 00:19:49,623 --> 00:19:51,668 - ♪ I STOOD 540 00:19:51,668 --> 00:19:53,148 - BY THE WAY, WHAT DID YOU THINK I WAS DOING 541 00:19:53,148 --> 00:19:54,671 IN THE BATHROOM? 542 00:19:54,671 --> 00:19:57,196 - OH, THOUGHT YOU WERE, YOU KNOW... 543 00:19:57,196 --> 00:19:58,762 SHAKIN'’ THE CREAMER. 544 00:19:58,762 --> 00:20:01,635 - OH. NO. 545 00:20:01,635 --> 00:20:03,941 I DO THAT IN THE SHOWER. 546 00:20:03,941 --> 00:20:05,421 - ♪ I DID BEHAVE 547 00:20:05,421 --> 00:20:08,207 - IT WAS THE FIRST TIME IN DAYS I COULD RELAX. 548 00:20:08,207 --> 00:20:10,078 I WAS FREE TO DO ANYTHING I WANTED 549 00:20:10,078 --> 00:20:11,645 IN THE PRIVACY OF MY OWN ROOM, 550 00:20:11,645 --> 00:20:13,168 WITHIN LIMITS, 551 00:20:13,168 --> 00:20:15,823 SINCE MY DAD HAD YET TO PUT THE LOCK BACK ON. 552 00:20:15,823 --> 00:20:17,607 MY SPACE WAS FINALLY SAFE. 553 00:20:17,607 --> 00:20:20,523 BUT SUDDENLY, IT FELT EMPTY. 554 00:20:20,523 --> 00:20:22,264 [knock on door] 555 00:20:27,269 --> 00:20:28,488 - I FORGOT SOMETHING. 556 00:20:28,488 --> 00:20:29,924 - ♪ I WAS A FOOL 557 00:20:29,924 --> 00:20:32,361 - SO APPARENTLY, WE WERE BACK TO NORMAL, 558 00:20:32,361 --> 00:20:36,060 AND ALL IT TOOK WAS CONFINING MATTY'’S ACCESS TO THE BACK DOOR. 559 00:20:36,060 --> 00:20:37,888 THE ACTUAL BACK DOOR. 560 00:20:42,850 --> 00:20:43,894 - NEXT ON AWKWARD, IT WAS HALLOWEEN... 561 00:20:43,894 --> 00:20:45,418 - WHERE'’S YOUR COSTUME? 562 00:20:45,418 --> 00:20:46,984 - BUT IT REALLY DIDN'’T MATTER WHAT I WAS WEARING 563 00:20:46,984 --> 00:20:48,334 BECAUSE I WAS... - BORING. 564 00:20:48,334 --> 00:20:50,292 WHAT DOES HE SEE IN HER? - HEY, WHAT'’S GOING ON? 565 00:20:50,292 --> 00:20:51,380 - I'’M NOT GOOD ENOUGH FOR MATTY. 566 00:20:51,380 --> 00:20:52,947 HE'’S HOT, AND I'’M NOT, 567 00:20:52,947 --> 00:20:54,035 AND EVERYONE KNOWS IT. 568 00:20:54,035 --> 00:20:55,819 - MY GIRLFRIEND IS THROWING A PARTY. 569 00:20:55,819 --> 00:20:57,473 - WHY DON'’T WE BAIL ON CEBRE'’S PARTY 570 00:20:57,473 --> 00:20:59,040 AND CRASH A COOLER ONE INSTEAD. 40562

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