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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:28,520 --> 00:00:31,800
Business is booming at Photo Studio
Berlin.
2
00:00:35,500 --> 00:00:40,420
Jenny, our customer service manager, is
a very dedicated member of the staff.
3
00:00:41,040 --> 00:00:45,620
She is highly skilled in the tricks of
the trade and knows exactly how to win
4
00:00:45,620 --> 00:00:46,620
over a client.
5
00:00:47,240 --> 00:00:51,680
Let's take the next few minutes and just
eavesdrop on Jenny, and maybe we all
6
00:00:51,680 --> 00:00:55,200
can learn something about the fine art
of stroking a deal.
7
00:01:01,080 --> 00:01:06,160
Peter, the owner of an industrial
uniform company, has hired Studio Berlin
8
00:01:06,160 --> 00:01:08,260
the photo layouts for his upcoming
catalog.
9
00:01:08,840 --> 00:01:13,160
Peter is extremely excited about the
changes for his new catalog, but this
10
00:01:13,160 --> 00:01:14,980
his budget is a bit spiked.
11
00:01:15,960 --> 00:01:20,740
This year's theme is lots of spice, and
he's come to make sure that he fully
12
00:01:20,740 --> 00:01:24,700
understands exactly what it is he's
getting for his money.
13
00:01:29,649 --> 00:01:34,390
Instantly, Jenny's finely tuned business
instincts kick in and negotiations
14
00:01:34,390 --> 00:01:36,030
begin to heat up.
15
00:01:36,570 --> 00:01:38,310
You have to admire her technique.
16
00:01:38,610 --> 00:01:44,650
Her skirt slides up as her long,
luscious legs spring open. It's a
17
00:01:44,650 --> 00:01:46,410
that quickly grabbed Peter's attention.
18
00:01:54,210 --> 00:01:58,570
Knowing all too well how nervous Peter
is about getting caught with his hands
19
00:01:58,570 --> 00:02:03,970
down, Jenny begins to take matters into
her own hands and moves into the next
20
00:02:03,970 --> 00:02:08,770
phase of the operation, helping your
client to relax, relieve some of the
21
00:02:08,770 --> 00:02:13,610
tension. It's a chance to get to know
his wants and needs and then doing
22
00:02:13,610 --> 00:02:18,890
whatever it takes to satisfy them and
still get a firm deal in the end. One
23
00:02:18,890 --> 00:02:20,590
where everybody gets a little something.
24
00:02:21,180 --> 00:02:24,540
Even the customer service
representative, if you know what I mean.
25
00:02:35,100 --> 00:02:41,660
In no time at all, Jenny makes her move
and begins to work the deal.
26
00:02:42,000 --> 00:02:44,040
This is where she pulls out all the
stock.
27
00:02:44,480 --> 00:02:47,100
She knows just how to stroke an
important client.
28
00:02:47,500 --> 00:02:50,640
And we can clearly see why she only
handles the big ones.
29
00:02:51,310 --> 00:02:57,490
So, why don't we just sit back, relax,
take a deep breath, and watch her work
30
00:02:57,490 --> 00:02:59,450
her own special kind of magic.
31
00:05:13,770 --> 00:05:14,770
Cassie brings Peter.
32
00:05:15,230 --> 00:05:16,270
And two.
33
00:05:16,910 --> 00:05:17,910
Here's Jenny.
34
00:05:18,350 --> 00:05:19,350
And a Jenny.
35
00:05:21,050 --> 00:05:21,690
Jenny
36
00:05:21,690 --> 00:05:28,710
seems
37
00:05:28,710 --> 00:05:31,270
to have a firm grasp of Peter's ideas.
38
00:05:31,570 --> 00:05:36,330
But then, who would argue with a woman
who shows such commitment to satisfying
39
00:05:36,330 --> 00:05:37,330
his wants?
40
00:06:49,010 --> 00:06:55,750
You can almost hear Peter's mind working
overtime, having wonderful
41
00:06:55,750 --> 00:07:00,550
thoughts of how his company's rising
profits will shoot through the roof once
42
00:07:00,550 --> 00:07:05,590
his spicy new catalog hits his
customers' desks, especially if all the
43
00:07:05,590 --> 00:07:07,430
look as enticing as Jenny.
44
00:07:26,280 --> 00:07:27,280
See you.
45
00:09:14,320 --> 00:09:15,320
Save me.
46
00:10:45,160 --> 00:10:49,600
Yeah. Yeah. Yeah. Yeah.
47
00:10:50,400 --> 00:10:51,960
Yeah. Yeah.
48
00:10:52,820 --> 00:10:53,820
Yeah.
49
00:11:33,520 --> 00:11:34,520
Oh.
50
00:12:15,600 --> 00:12:16,600
No.
51
00:12:46,160 --> 00:12:47,160
I do and I...
52
00:14:17,759 --> 00:14:18,759
Oh, my God.
53
00:15:10,672 --> 00:15:11,672
Yeah.
54
00:15:12,890 --> 00:15:14,290
Yeah.
55
00:15:18,490 --> 00:15:19,890
Yeah.
56
00:15:22,650 --> 00:15:24,050
Oh,
57
00:15:26,990 --> 00:15:27,990
yeah.
58
00:16:18,190 --> 00:16:19,190
Thank you.
59
00:17:00,750 --> 00:17:03,210
Come into my neck and you'll kick me,
guys.
60
00:18:08,809 --> 00:18:11,610
Oh, yeah.
61
00:18:26,120 --> 00:18:27,120
Oh.
62
00:19:04,990 --> 00:19:06,350
Yeah.
63
00:19:07,230 --> 00:19:10,070
Yeah. Yeah.
64
00:19:10,750 --> 00:19:12,630
Yeah. Yeah.
65
00:19:12,970 --> 00:19:15,550
Yeah. Yeah.
66
00:19:17,550 --> 00:19:20,310
Yeah. Yeah. Yeah. Yeah. Yeah.
67
00:19:29,740 --> 00:19:30,379
I fall.
68
00:19:30,380 --> 00:19:31,380
I fall.
69
00:20:19,840 --> 00:20:26,320
So, how's that for hammering out a deal?
A successfully negotiated contract and
70
00:20:26,320 --> 00:20:28,040
yet another satisfied client.
71
00:20:28,620 --> 00:20:30,500
Sure beats the tired old handshake.
72
00:20:38,580 --> 00:20:44,000
Meanwhile, out back in the studio,
Maria, our star photographer, is hard at
73
00:20:44,000 --> 00:20:47,500
work. Oh look, it's a bed full of angels
of mercy.
74
00:20:47,740 --> 00:20:50,100
Every injured man's wet dream.
75
00:20:50,730 --> 00:20:55,990
Maria is doing promo shots for a risque
new soap opera entitled, you guessed it,
76
00:20:56,090 --> 00:20:57,890
The Angels of Mercy Hospital.
77
00:20:58,410 --> 00:21:01,370
It looks like they could be some of the
members of the cast.
78
00:21:05,590 --> 00:21:09,910
The girls have worked with Maria before
and are familiar with the kind of shots
79
00:21:09,910 --> 00:21:10,910
that she's after.
80
00:21:11,270 --> 00:21:13,910
Tadpole, however, is filling in for a
friend.
81
00:21:14,130 --> 00:21:19,110
We neglected to warn him that he might
be expected to, you know, perform.
82
00:21:45,879 --> 00:21:51,760
Maria seems to have all the conventional
stuff she needs she's got the soap Now
83
00:21:51,760 --> 00:21:53,680
it's time to move on to the risque.
84
00:21:55,540 --> 00:21:59,520
The girls are happy and excited.
85
00:22:00,020 --> 00:22:01,580
Risque is what they do best.
86
00:22:02,060 --> 00:22:04,220
This is where they'll really get
shunned.
87
00:22:10,720 --> 00:22:14,200
Tad, on the other hand, is pretty sure
he needs to call his friend.
88
00:22:14,500 --> 00:22:17,020
There seems to be some sort of
misunderstanding.
89
00:22:17,740 --> 00:22:20,780
You see, Tad's not a soap opera star at
all.
90
00:22:21,070 --> 00:22:24,990
He's a dog groomer at the Pussy Zara's
Pet Salon on the corner.
91
00:22:25,390 --> 00:22:29,610
When his friend asked him to cover his
ass and fill in with the girls for just
92
00:22:29,610 --> 00:22:34,610
few shots, he didn't realize he'd be so
close to their 8x10 glossies.
93
00:22:36,510 --> 00:22:41,070
And he clearly remembers that his friend
definitely didn't say anything about
94
00:22:41,070 --> 00:22:42,410
being fully exposed.
95
00:22:49,080 --> 00:22:52,940
and the girls lovingly reassure him that
there is nothing at all to worry about.
96
00:22:53,260 --> 00:22:57,060
It's all just good, clean fun, all very
harmless.
97
00:22:57,620 --> 00:23:00,980
Why don't you let go and treat it like a
fantasy come true?
98
00:23:01,540 --> 00:23:06,680
After all, what are the odds of a dog
groomer ending up posing naked with two
99
00:23:06,680 --> 00:23:10,020
beautiful women for a risque soap opera
poster anyway?
100
00:23:14,980 --> 00:23:17,360
It takes some doing.
101
00:23:17,790 --> 00:23:20,390
But they coax him and coax him.
102
00:23:20,630 --> 00:23:23,690
And it seems the longer they coax him,
the harder it gets.
103
00:23:24,430 --> 00:23:26,170
Suddenly, Tad has a pole.
104
00:23:26,390 --> 00:23:28,290
He couldn't care less about grooming
dogs.
105
00:23:33,870 --> 00:23:38,650
Let's just watch the girls for a while
and see what develops out of this photo
106
00:23:38,650 --> 00:23:43,250
session. While Tad gets a taste of the
good life and seriously considers a
107
00:23:43,250 --> 00:23:44,250
career chance.
108
00:23:47,850 --> 00:23:49,410
Oh, you're so tired today, aren't you?
109
00:23:50,270 --> 00:23:51,270
Oh,
110
00:23:52,230 --> 00:23:54,530
I can still measure. Yes, that's right.
111
00:23:55,110 --> 00:23:58,270
Wonderful. Oh, I'll leave it here too.
So beautiful.
112
00:23:59,650 --> 00:24:02,590
Oh, now you're still clinging to the
side. Wonderful.
113
00:24:04,530 --> 00:24:07,450
Oh, that was a great black hair.
114
00:24:08,370 --> 00:24:10,650
I don't think I have any tits.
115
00:24:10,970 --> 00:24:11,970
Oh,
116
00:24:12,230 --> 00:24:13,230
they're wonderful.
117
00:24:18,030 --> 00:24:20,530
Oh, yeah, Lexi, richtig schön, ja.
118
00:24:22,750 --> 00:24:24,270
Geil gemacht, ja.
119
00:24:24,650 --> 00:24:25,830
Sehr schön.
120
00:24:27,890 --> 00:24:31,290
Es gefällt ihm. Es sieht so geil aus.
121
00:24:32,590 --> 00:24:34,730
Das Schabber des Jahres, absolut.
122
00:24:35,350 --> 00:24:37,670
Ja, Lexi, richtig schön.
123
00:24:38,030 --> 00:24:40,310
Es macht richtig Spaß.
124
00:24:56,870 --> 00:24:59,670
Oh, yeah.
125
00:25:26,379 --> 00:25:27,800
Oh yeah.
126
00:25:28,640 --> 00:25:32,020
Oh yeah.
127
00:26:56,799 --> 00:26:59,600
Oh, yeah.
128
00:27:36,840 --> 00:27:39,860
Oh, my God.
129
00:27:41,760 --> 00:27:42,760
Hi.
130
00:29:04,689 --> 00:29:08,150
Oh, yeah, genau.
131
00:29:11,070 --> 00:29:12,550
I'm going to stick my finger in there.
Let's see if it's okay.
132
00:29:14,470 --> 00:29:15,470
That's going to be awesome.
133
00:29:17,470 --> 00:29:18,470
Yes,
134
00:29:19,590 --> 00:29:20,590
exactly.
135
00:29:22,790 --> 00:29:23,790
Don't push yourself.
136
00:29:24,290 --> 00:29:25,410
Come on, you can do it.
137
00:29:26,190 --> 00:29:27,190
Yes,
138
00:29:27,390 --> 00:29:28,970
but you have to help me. Yes.
139
00:29:32,010 --> 00:29:33,850
Stick the belt in there.
140
00:29:34,650 --> 00:29:35,970
Stick the wrist in there.
141
00:29:37,530 --> 00:29:38,550
There it has to go in.
142
00:29:38,970 --> 00:29:39,970
Well, well.
143
00:29:40,490 --> 00:29:42,050
Yes. Yes. Yes.
144
00:29:42,450 --> 00:29:43,450
Yes. Yes.
145
00:30:22,360 --> 00:30:25,380
Oh, yeah, yeah.
146
00:30:53,320 --> 00:30:55,040
Shut the God up.
147
00:30:56,340 --> 00:30:57,400
Yeah.
148
00:30:58,460 --> 00:31:00,040
Oh, God.
149
00:31:00,780 --> 00:31:01,840
Oh,
150
00:31:03,040 --> 00:31:05,460
God.
151
00:32:20,350 --> 00:32:23,470
Oh, that's awesome.
152
00:32:32,240 --> 00:32:33,640
Oh. Oh.
153
00:33:11,790 --> 00:33:13,230
Mm. Mm. Mm.
154
00:33:42,720 --> 00:33:47,240
The big day arrives, and Peter shows up
for the shoot a bit early.
155
00:33:47,880 --> 00:33:51,960
Actually, he had not planned to be there
at all. But after his meeting with
156
00:33:51,960 --> 00:33:56,500
Jenny, he became very anxious to see
what Maria has in store for his new
157
00:33:56,500 --> 00:33:57,500
catalog.
158
00:34:01,740 --> 00:34:06,860
This was Peter's big chance to actually
see Maria in action, in her element,
159
00:34:07,000 --> 00:34:08,159
working the models.
160
00:34:08,679 --> 00:34:11,960
setting the mood, making it all happen
and come together.
161
00:34:12,520 --> 00:34:17,219
It also gave Peter the chance to stroke
Maria's ego a little. Then she might be
162
00:34:17,219 --> 00:34:19,639
inclined to let him hang around and
watch for a while.
163
00:34:22,060 --> 00:34:29,040
Luckily for Peter, Maria's ego liked
164
00:34:29,040 --> 00:34:30,040
being stroked.
165
00:34:30,159 --> 00:34:34,219
She was more than willing to let him
stand off in the wings and watch, as
166
00:34:34,219 --> 00:34:36,840
as he was quiet and tried not to drool
too much.
167
00:34:37,870 --> 00:34:41,370
Her words go straight to his balls, and
his cock is suddenly pressing hard
168
00:34:41,370 --> 00:34:42,370
against his zipper.
169
00:34:42,530 --> 00:34:43,610
Pocket pool, anyone?
170
00:34:44,630 --> 00:34:48,969
He's aroused by the mere thought of
Maria's first shot and could hardly wait
171
00:34:48,969 --> 00:34:49,969
see what was to come.
172
00:34:50,409 --> 00:34:55,090
And I have a sneaking suspicion he's
going to like it. And I have an even
173
00:34:55,090 --> 00:34:57,790
sneakier suspicion we're all going to
like it.
174
00:35:12,660 --> 00:35:17,700
Maria is a natural. She just loves what
she does. You can see by the looks on
175
00:35:17,700 --> 00:35:21,180
her face that she's really getting into
it and off on it.
176
00:35:21,400 --> 00:35:23,560
She's always looking for that perfect
angle.
177
00:35:34,860 --> 00:35:39,840
Maria, as always, gets wrapped up in her
layout, taking a personal interest,
178
00:35:39,960 --> 00:35:44,140
trying to wean the most out of any given
situation and her model.
179
00:35:44,800 --> 00:35:48,340
Off in the wings, Peter is also starting
to take a personal interest.
180
00:35:49,180 --> 00:35:52,740
Somehow, he has the sneaking suspicion
that we were right.
181
00:35:52,960 --> 00:35:54,580
He is going to like it.
182
00:35:59,060 --> 00:36:01,600
The shoot is progressing along nicely.
183
00:36:02,320 --> 00:36:06,780
Peter can't remember the last time an
industrial uniform gave him such a hard
184
00:36:06,780 --> 00:36:11,400
-on. He was right. Maria does know
exactly how to get the most out of her
185
00:36:11,400 --> 00:36:15,460
models. But hey, wasn't there supposed
to be a couple in this layout?
186
00:36:19,420 --> 00:36:26,380
It suddenly occurs to Maria her other
model is
187
00:36:26,380 --> 00:36:27,380
a no -show.
188
00:36:27,580 --> 00:36:31,520
And good old Peter couldn't have been at
a better place at a better time.
189
00:36:31,780 --> 00:36:33,720
Talk about perfect timing.
190
00:36:34,060 --> 00:36:38,380
It looks like he'll get the chance to be
the driving force in his own catalog.
191
00:36:38,580 --> 00:36:41,680
The man behind the tail, so to speak.
192
00:37:05,050 --> 00:37:09,570
If Peter only knew what the rest of the
afternoon held in store for him.
193
00:37:09,910 --> 00:37:12,590
Oh yes, the best is yet to come.
194
00:37:12,950 --> 00:37:17,410
If the boys at the office could only see
him now, they'd hardly believe their
195
00:37:17,410 --> 00:37:18,410
own lives.
196
00:37:18,770 --> 00:37:22,350
Peter, starring in his own catalogue
with beautiful naked women.
197
00:37:22,990 --> 00:37:27,370
Now that's what you call leaving nothing
to chance. And you know, shaping your
198
00:37:27,370 --> 00:37:28,370
own destiny.
199
00:39:14,610 --> 00:39:18,970
All that heavy breathing seems to have
fogged up Maria's lenses.
200
00:39:19,270 --> 00:39:22,170
It was about time for her mid -morning
break anyway.
201
00:40:18,190 --> 00:40:19,190
Do you like that?
202
00:41:09,070 --> 00:41:10,070
I don't know if you can photograph it.
203
00:41:38,860 --> 00:41:45,520
Oh, yeah. Oh, yeah.
204
00:41:48,040 --> 00:41:49,440
Oh,
205
00:41:50,560 --> 00:41:51,560
yeah. Oh,
206
00:41:52,660 --> 00:42:02,800
yeah.
207
00:42:25,390 --> 00:42:28,190
Oh my
208
00:42:28,190 --> 00:42:34,030
God.
209
00:43:08,940 --> 00:43:09,940
Yeah.
210
00:43:54,570 --> 00:43:55,570
That's enough.
211
00:43:56,510 --> 00:43:58,570
The second one follows. In a minute.
212
00:44:33,260 --> 00:44:34,880
Yeah. Yeah.
213
00:45:26,490 --> 00:45:29,290
Yeah. Yeah.
214
00:45:29,910 --> 00:45:32,210
Oh. Oh.
215
00:46:25,050 --> 00:46:27,050
Yeah. Yeah.
216
00:47:14,669 --> 00:47:17,470
Oh, yeah.
217
00:47:18,230 --> 00:47:21,550
Oh, yeah.
218
00:47:22,070 --> 00:47:26,930
Oh, yeah. Oh, yeah. Oh, yeah.
219
00:47:40,560 --> 00:47:41,560
Oh, yeah.
220
00:48:32,090 --> 00:48:33,090
Oh, yeah.
221
00:48:33,790 --> 00:48:34,790
Oh,
222
00:48:35,650 --> 00:48:36,790
yeah. Take me together for two.
223
00:48:37,250 --> 00:48:38,890
Oh, that was nice.
224
00:48:39,290 --> 00:48:42,450
Oh, yeah.
225
00:49:02,380 --> 00:49:05,500
Yeah, yeah, everything's quite illegal.
226
00:49:32,460 --> 00:49:34,820
Yeah. Yeah. Yeah.
227
00:50:12,590 --> 00:50:16,330
Yeah. Yeah. Yeah. Yeah.
228
00:51:09,470 --> 00:51:10,870
Is this awesome? Oh my god, is this
awesome?
229
00:51:13,070 --> 00:51:14,830
Come on, put your finger in your ass.
230
00:51:15,650 --> 00:51:16,650
Yes.
231
00:51:23,910 --> 00:51:27,510
I think the little asshole here can also
be moved a little bit.
232
00:51:27,910 --> 00:51:30,350
Yes. Now the other finger.
233
00:51:56,880 --> 00:51:57,880
Thank you.
234
00:52:34,150 --> 00:52:35,550
Oh,
235
00:52:37,470 --> 00:52:38,470
my God.
236
00:53:03,820 --> 00:53:06,560
I feel like Paris with the bottle. I
can't decide.
237
00:54:20,620 --> 00:54:21,620
Oh.
238
00:54:22,420 --> 00:54:25,100
Oh. Oh.
239
00:55:21,670 --> 00:55:26,590
Oh my God.
240
00:55:57,200 --> 00:56:02,540
The next day was planned for the great
outdoors.
241
00:56:02,800 --> 00:56:07,980
This layout was designed to catch the
eye of bird watchers, nature lovers, and
242
00:56:07,980 --> 00:56:09,760
other local wildlife enthusiasts.
243
00:56:10,460 --> 00:56:15,660
Look, it's Ranger Dick, showing Maria
some of the hottest locations for a
244
00:56:15,660 --> 00:56:20,160
congestive little romp in the woods or
an afternoon of uninhibited tree
245
00:56:20,160 --> 00:56:21,160
-hugging.
246
00:56:23,860 --> 00:56:26,960
There's something about this location
that bothers Maria.
247
00:56:27,440 --> 00:56:32,040
It's not the lighting that's not quite
right. There's something else. She just
248
00:56:32,040 --> 00:56:35,540
can't put her finger on it. It's right
there on the tip of her tongue.
249
00:56:36,240 --> 00:56:40,480
Suddenly, it's all very clear. This is a
naturalist park.
250
00:56:41,020 --> 00:56:45,300
So Maria convinces Ranger Dick that the
storyline will have a much greater
251
00:56:45,300 --> 00:56:50,200
impact if he were to appear a bit more
natural in this setting. You know,
252
00:56:50,240 --> 00:56:55,100
something like as naked as the day he
was born, wearing nothing but a smile.
253
00:56:55,800 --> 00:57:00,660
It's all about being wild and free, she
tells him, like all the other animals in
254
00:57:00,660 --> 00:57:01,660
the woods.
255
00:57:02,340 --> 00:57:06,840
Deep down, Maria just wanted to get a
closer look at his hardwood.
256
00:57:07,340 --> 00:57:11,200
Ranger Dick appears to be more concerned
about some squirrel stealing his nut.
257
00:57:50,090 --> 00:57:51,330
We can't let them look, right?
258
00:57:52,770 --> 00:57:54,010
That's really annoying.
259
00:59:02,399 --> 00:59:06,100
Maria's true appreciation of all this
natural stuff.
260
00:59:06,520 --> 00:59:08,680
really gets Ranger Dick's fap running.
261
00:59:08,940 --> 00:59:11,160
It's like in the song Born Free.
262
00:59:11,440 --> 00:59:16,240
Being as free as the grass grows and as
wild as Maria blows.
263
00:59:21,060 --> 00:59:26,400
It appears Ranger Dick would like to be
free of this camera, too. You see,
264
00:59:26,540 --> 00:59:29,000
Ranger Dick was born with both hands
free.
265
00:59:43,150 --> 00:59:44,150
Oh, yeah.
266
00:59:50,130 --> 00:59:51,530
Oh,
267
00:59:59,530 --> 01:00:00,530
yeah.
268
01:01:44,880 --> 01:01:45,880
How exciting.
269
01:01:45,900 --> 01:01:48,680
It looks like the blue -breasted
buttfucker.
270
01:01:49,280 --> 01:01:52,720
Let's try to be very quiet. We'd hate to
frighten him away.
271
01:05:49,290 --> 01:05:50,229
he is again.
272
01:05:50,230 --> 01:05:51,970
And he's coming closer.
273
01:05:52,390 --> 01:05:53,930
He's so bold.
274
01:05:54,550 --> 01:05:57,310
I bet it was all that moaning that
captured his attention.
275
01:05:58,050 --> 01:06:00,450
This is truly an exciting moment.
276
01:06:06,370 --> 01:06:13,330
One well -known trait of the elusive
blue -breasted
277
01:06:13,330 --> 01:06:16,130
buttfucker is his keen ability to swoop
in.
278
01:06:16,380 --> 01:06:19,660
and boldly snatch away the booty in the
nest of another species.
279
01:06:21,500 --> 01:06:26,380
Let's watch closely and take copious
notes as this mating ritual progresses.
280
01:07:16,330 --> 01:07:20,350
The never -before -film mating ritual of
the elusive blue -breasted butler.
281
01:07:21,150 --> 01:07:25,410
Absolutely stunning footage. Truly award
-winning material.
282
01:10:07,790 --> 01:10:09,230
And there he goes.
283
01:10:09,490 --> 01:10:11,810
Yet another common buttfucker trait.
284
01:10:12,130 --> 01:10:13,310
Come and run.
285
01:10:13,750 --> 01:10:16,930
Once he's left his mark, we can only
guess where he's off to next.
286
01:10:17,250 --> 01:10:18,610
Another nest, perhaps?
287
01:10:49,679 --> 01:10:54,240
It was a wonderful day of shooting, and
Maria was anxious to tell her assistant,
288
01:10:54,440 --> 01:10:59,100
Lily, all about it. But she would love a
long, nice bath first.
289
01:10:59,740 --> 01:11:03,940
All that tree -hugging and excitement of
working with nature really took it out
290
01:11:03,940 --> 01:11:04,519
of her.
291
01:11:04,520 --> 01:11:08,240
She worked a few muscles today that she
hasn't worked in quite a while.
292
01:11:42,540 --> 01:11:46,560
Luckily for Maria, Lily has turned out
to be a great personal assistant.
293
01:11:46,780 --> 01:11:51,480
She always knows exactly what it is
going to take to help Maria unwind.
294
01:11:51,760 --> 01:11:54,300
And who says good help is hard to find?
295
01:12:12,620 --> 01:12:17,280
is anxious to share with Lily all the
details of her day, especially the part
296
01:12:17,280 --> 01:12:19,980
about the exciting encounter with the
blue -breasted butt sucker.
297
01:12:20,300 --> 01:12:22,540
It's kind of a long and involved story.
298
01:12:22,800 --> 01:12:27,880
Maybe she should get comfortable too and
enjoy all the details. They really are
299
01:12:27,880 --> 01:12:28,880
quite young.
300
01:13:25,390 --> 01:13:27,490
I don't know. Sure.
301
01:14:34,050 --> 01:14:35,090
It's okay. It's okay.
302
01:14:35,470 --> 01:14:36,470
It's okay. It's okay. It's okay.
303
01:15:43,880 --> 01:15:45,200
I don't know what to do with the rest.
304
01:16:22,240 --> 01:16:25,040
Oh, shit.
305
01:19:57,290 --> 01:19:58,290
Yeah.
306
01:21:32,749 --> 01:21:37,710
Now that she's all relaxed and rested,
Marie is ready to do the finishing shots
307
01:21:37,710 --> 01:21:39,310
on the industrial uniform layout.
308
01:21:39,590 --> 01:21:40,630
It should be fun.
309
01:21:40,950 --> 01:21:45,130
It's a group session, and this time,
Lily gets to play too.
310
01:21:54,750 --> 01:21:56,730
It's the high point of the layout.
311
01:21:57,010 --> 01:21:59,990
Time to add a bit more spice to the
spice.
312
01:22:00,490 --> 01:22:04,130
It'll be the kicker that might even make
industrial clothing illustrated,
313
01:22:04,590 --> 01:22:06,710
creating a whole new cold fact.
314
01:22:12,410 --> 01:22:12,990
It's
315
01:22:12,990 --> 01:22:20,050
Friday
316
01:22:20,050 --> 01:22:25,090
afternoon. So the real challenge for
Maria is to get everyone properly
317
01:22:25,090 --> 01:22:26,310
and into position.
318
01:22:26,630 --> 01:22:28,550
Well, many different positions.
319
01:22:28,870 --> 01:22:31,450
But we all know Maria loves a challenge.
320
01:22:31,690 --> 01:22:35,770
She knows from experience that once the
girls get naked and the boys get
321
01:22:35,770 --> 01:22:39,790
interested, their balls get rolling and
things just seem to take off on their
322
01:22:39,790 --> 01:22:40,790
own.
323
01:22:54,860 --> 01:23:01,520
Maria is a big fan of group
interactivity. It has so much flair, a
324
01:23:01,520 --> 01:23:06,120
flavor. You might say it really gets her
creative juices flowing.
325
01:23:06,720 --> 01:23:09,880
Actually, everybody's creative juices
get blown.
326
01:23:28,389 --> 01:23:33,390
Well, from this vantage point, it looks
like Maria has a pretty good handle on
327
01:23:33,390 --> 01:23:38,930
everything. In fact, she is rounding
everyone up. A sure sign that she is
328
01:23:38,930 --> 01:23:43,110
to give the signal for everybody to get
naked and enjoy themselves.
329
01:23:46,910 --> 01:23:51,110
Looks like I was right.
330
01:23:51,850 --> 01:23:56,330
Then that's our cue to simply kick back
and enjoy the making of some very
331
01:23:56,330 --> 01:23:59,190
arousing and titillating photographic
art.
332
01:24:02,850 --> 01:24:05,830
Hey, anybody want to buy an industrial
uniform?
333
01:24:30,210 --> 01:24:31,210
That's awesome.
334
01:25:02,940 --> 01:25:03,780
Oh, my
335
01:25:03,780 --> 01:25:25,140
God.
336
01:25:25,100 --> 01:25:26,200
Oh, yeah.
337
01:26:07,610 --> 01:26:10,410
Come on.
338
01:26:35,500 --> 01:26:42,000
Oh, my God.
339
01:26:54,530 --> 01:26:57,330
Oh, my God.
340
01:27:37,120 --> 01:27:38,120
Oh, yeah.
341
01:29:20,710 --> 01:29:22,410
Oh, my
342
01:29:22,410 --> 01:29:40,650
God.
343
01:29:51,940 --> 01:29:53,060
Oh, yeah.
344
01:30:03,420 --> 01:30:04,520
Oh, yeah.
345
01:30:08,080 --> 01:30:09,120
Oh, yeah.
346
01:30:10,200 --> 01:30:12,700
Oh, yeah. Oh, yeah. Oh, yeah. Oh, yeah.
347
01:30:12,940 --> 01:30:13,379
Oh, yeah. Oh, yeah. Oh, yeah.
348
01:30:13,380 --> 01:30:15,260
Oh, yeah.
349
01:30:16,540 --> 01:30:17,540
Oh, yeah.
350
01:30:43,200 --> 01:30:46,000
Oh, yeah.
351
01:30:48,790 --> 01:30:50,190
Oh, my
352
01:30:50,190 --> 01:31:06,770
God.
353
01:31:22,050 --> 01:31:28,830
Oh, my God.
354
01:31:48,720 --> 01:31:50,080
And now here, a nice pimple.
355
01:31:50,340 --> 01:31:51,700
Oh, zack.
356
01:31:51,960 --> 01:31:53,560
Yeah, that's awesome, huh?
357
01:31:53,860 --> 01:31:54,860
Oh,
358
01:31:55,080 --> 01:31:57,240
it's back in. Show me the open hole
here.
359
01:31:58,060 --> 01:31:59,500
Show me the open asshole.
360
01:31:59,740 --> 01:32:00,740
Oh, awesome.
361
01:32:00,820 --> 01:32:01,980
I'll hold the asshole open.
362
01:32:02,220 --> 01:32:03,220
Come on.
363
01:32:04,480 --> 01:32:07,380
And back in the tail, huh?
364
01:32:28,040 --> 01:32:29,440
Okay.
365
01:34:07,000 --> 01:34:08,000
This is great, baby.
366
01:34:25,130 --> 01:34:26,470
Oh, it's this guy right here.
367
01:35:27,660 --> 01:35:28,660
Thank you.
368
01:36:17,580 --> 01:36:20,960
And that's what I call a wrap. What more
could I ask for?
369
01:36:21,180 --> 01:36:23,220
A photo session turned confessional.
370
01:36:23,600 --> 01:36:26,180
And as always, you were all magnificent.
371
01:36:27,020 --> 01:36:31,000
And for you, my faithful viewers at
home, you'll be pleased to know that
372
01:36:31,000 --> 01:36:35,020
only the beginning. The foreplay for
what's yet to come from Studio Berlin.
373
01:36:35,480 --> 01:36:37,980
Keep an eye out for Studio Berlin 3.
26907
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