All language subtitles for In Living Color S03E08 Late Night with Mike Tyson.DVDRip.NonHI.cc.en.20FOX

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,835 --> 00:00:02,835 HOW YOU LIVIN'? WHAT? 2 00:00:02,903 --> 00:00:04,047 HOW YOU LIVIN'? WHAT? 3 00:00:04,071 --> 00:00:06,204 HOW YOU LIVIN'? ♪ IN LIVING COLOR ♪ 4 00:00:08,642 --> 00:00:12,778 ♪ YOU CAN DO WHAT YOU WANNA DO ♪ ♪ IN LIVING COLOR ♪ 5 00:00:12,846 --> 00:00:17,116 ♪ ANYTHING YOU WANT IS UP TO YOU ♪ ♪ IN LIVING COLOR ♪ 6 00:00:17,184 --> 00:00:20,986 ♪ YOU FOR ME AND ME FOR YOU ♪ ♪ IN LIVING COLOR ♪ 7 00:00:21,055 --> 00:00:25,423 ♪ YOU CAN BE ANYTHING YOU WANNA BE ♪ ♪ IN LIVING COLOR ♪ 8 00:00:25,492 --> 00:00:27,452 ♪ LET'S TAKE A TRIP AND SIP ON A DREAM ♪ ♪ YEAH ♪ 9 00:00:27,494 --> 00:00:29,606 ♪ GLIDE WITH THE GUIDE ON A FUNKY SCENE ♪ ♪ ALL RIGHT ♪ 10 00:00:29,630 --> 00:00:32,209 ♪ HERE COMES ANOTHER ONE OF THOSE FUNKY, FUNNY MO' MONEY SHOWS ♪ 11 00:00:32,233 --> 00:00:34,166 ♪ A CAST FOR LAUGHS AND TALENTED ROLES ♪ 12 00:00:34,235 --> 00:00:36,212 ♪ AND SISTERS WITH TWISTERS FOR YOU BEEN LOOKIN' LISTENER ♪ 13 00:00:36,236 --> 00:00:38,214 ♪ IT SEEMS YOU DON'T BELIEVE SO YOU CAN BELIEVE WHAT I CONVINCE YA ♪ 14 00:00:38,238 --> 00:00:40,249 ♪ SOME BOOTY TO YOUR SHORT AND THOUGHT WE'LL MAKE IT SNAPPY ♪ 15 00:00:40,273 --> 00:00:42,541 ♪ WITH JOKES AND POKES AT FOLKS TO KEEP YOU HAPPY ♪ 16 00:00:42,610 --> 00:00:44,643 ♪ NO NEED TO HOLD YOUR REMOTE CONTROL ♪ 17 00:00:44,712 --> 00:00:46,745 ♪ CHILL THIS SHOW'S GOT SOUL ♪ 18 00:00:46,814 --> 00:00:48,792 ♪ ALL ABOARD, ALL ABOARD THE TRAIN NEVER TROUBLES ♪ 19 00:00:48,816 --> 00:00:50,226 ♪ YOU'D BETTER SNUGGLE UP COUPLE UP ♪ 20 00:00:50,250 --> 00:00:51,950 ♪ ON THE DOUBLE-DUB-DOUBLE ♪ ♪ YEAH ♪ 21 00:00:52,019 --> 00:00:55,353 ♪ IT'S HARD TO BELIEVE BUT SOME OF THE BEST THINGS IN LIFE ARE FREE ♪ 22 00:00:55,422 --> 00:00:57,634 ♪ SO, FELLAS, GRAB YOUR GIRL TELL HER THAT YOU LOVE HER ♪ 23 00:00:57,658 --> 00:01:00,036 ♪ 'CAUSE THAT'S THE WAY YOU'RE LIVIN' WHEN YOU'RE LIVIN' IN LIVING COLOR ♪ 24 00:01:00,060 --> 00:01:04,096 ♪ GO, GO, GO, GO GO, GO, GO, GO ♪ 25 00:01:04,165 --> 00:01:09,101 ♪ GO, GO, GO, GO GO, GO, GO, GO ♪ 26 00:01:09,169 --> 00:01:14,339 ♪ GO, GO, GO, GO GO, GO, GO, GO ♪ 27 00:01:14,408 --> 00:01:15,640 ♪ GO, GO, GO ♪ 28 00:01:15,709 --> 00:01:17,508 ♪ GO, GO, GO, GO ♪♪ 29 00:01:21,482 --> 00:01:26,251 THE PLACE REALLY IS JUST CHARMING, ISN'T IT? HERE'S MY BUSINESS CARD. 30 00:01:26,320 --> 00:01:29,521 PLEASE FEEL FREE TO CALL ME IF YOU HAVE ANY QUESTIONS AT ALL. 31 00:01:29,590 --> 00:01:31,523 BYE-BYE NOW. 32 00:01:32,593 --> 00:01:34,693 HELLO THERE. I'M SHEILA PEACE. 33 00:01:34,762 --> 00:01:37,908 HI. HEY, THIS PLACE ISN'T THAT BAD. HAVE YOU RENTED IT YET? 34 00:01:37,932 --> 00:01:41,399 WHY, NO, WE HAVEN'T. PLEASE FEEL FREE TO TAKE A LOOK AROUND. 35 00:01:41,468 --> 00:01:43,936 COURSE, I WILL MENTION THAT THERE'S AN APPLICATION, 36 00:01:44,004 --> 00:01:46,738 AND YOU'LL BE REQUIRED TO LIST YOUR EMPLOYER. 37 00:01:46,807 --> 00:01:48,852 THAT'S NO PROBLEM. I HAVE A JOB. 38 00:01:48,876 --> 00:01:52,610 WELL, OF COURSE YOU DO. NOW, WHAT TEAM DO YOU PLAY FOR? 39 00:01:54,414 --> 00:01:57,749 - I'M A DOCTOR. - YOU'RE NOT DR. J., ARE YOU? 40 00:01:57,817 --> 00:02:00,118 I'VE HEARD YOU'RE QUITE TALENTED. 41 00:02:00,187 --> 00:02:02,086 LADY, I'M A MEDICAL DOCTOR. 42 00:02:02,155 --> 00:02:05,290 WELL, GOOD FOR YOU. NOW, YOU MUST HAVE STUDIED VERY HARD. 43 00:02:05,359 --> 00:02:08,527 LET ME TELL YOU A LITTLE BIT ABOUT THE APARTMENT, SHALL I? 44 00:02:08,595 --> 00:02:12,864 FIRSTLY, THIS LOCALE IS IDEAL FOR YOU. 45 00:02:12,932 --> 00:02:17,001 THERE IS A GOLDEN BIRD FRIED CHICKEN RIGHT DOWN ON THE CORNER. 46 00:02:17,070 --> 00:02:22,140 AND DO YOU KNOW SOMETHING? THERE IS A CRACK HOUSE OVER ON SEVENTH. 47 00:02:22,209 --> 00:02:25,310 I TELL YOU. PEOPLE ARE GETTING BEAT UP AND SHOT THERE ALL THE TIME. 48 00:02:25,379 --> 00:02:28,613 AND WHAT, WITH YOU BEING A DOCTOR AND ALL, YOUR BUSINESS COULD BE BOOMING. 49 00:02:28,682 --> 00:02:32,017 OF COURSE, I CAN'T GUARANTEE THAT THE CORNER STORE... 50 00:02:32,086 --> 00:02:35,253 WOULD CARRY THAT AFRO SHEEN ACTIVIST STUFF. 51 00:02:35,322 --> 00:02:37,822 THEY'RE MEXICAN, YOU KNOW. 52 00:02:37,891 --> 00:02:39,725 THEY HAVE PLENTY OF THOSE "TORTEELAS," 53 00:02:39,793 --> 00:02:42,694 AND THE REST OF US JUST HAVE TO MAKE-DO. 54 00:02:42,762 --> 00:02:45,363 LADY, I'M GONNA HAVE A LOOK AROUND... BY MYSELF. 55 00:02:45,432 --> 00:02:47,733 OH, PLEASE DO. 56 00:02:47,801 --> 00:02:49,779 YOU KNOW, THERE IS PLENTY YOU CAN DO WITH THIS SPACE. 57 00:02:49,803 --> 00:02:52,949 YOU CAN PUT YOUR BIG STEREO THERE IN THE CORNER AND PLAY THAT RAP MUSIC... 58 00:02:52,973 --> 00:02:55,407 JUST AS LOUD AS YOU LIKE. 59 00:02:55,475 --> 00:02:57,354 LISTEN TO ME. YOU GO AHEAD AND LOOK ALL YOU WANT. 60 00:02:57,378 --> 00:02:59,945 ARE YOU STILL SHOWING THE APARTMENT? 61 00:03:00,013 --> 00:03:04,249 WE CERTAINLY ARE. HELLO. HOW ARE YOU? I'M SHEILA PEACE. 62 00:03:04,318 --> 00:03:08,586 I MUST SAY, YOU SPEAK ENGLISH VERY WELL. 63 00:03:08,655 --> 00:03:11,923 PLEASE FEEL FREE TO HAVE A LOOK AROUND. 64 00:03:11,992 --> 00:03:13,925 HEY, THIS ISN'T BAD, HONEY. 65 00:03:13,994 --> 00:03:17,362 YEAH, BUT I'M NOT SURE I LIKE THE NEIGHBORHOOD. 66 00:03:17,431 --> 00:03:20,298 WELL, LET ME JUST SAY THIS ABOUT THAT. 67 00:03:20,367 --> 00:03:24,235 THIS NEIGHBORHOOD IS CONVENIENTLY CLOSE TO EVERYTHING YOU NEED. 68 00:03:24,304 --> 00:03:27,105 WHY, CHINATOWN IS JUST 10 BLOCKS AWAY. 69 00:03:27,173 --> 00:03:29,875 THAT WAS A GOOD MOVIE, WASN'T IT? CHINATOWN. 70 00:03:29,943 --> 00:03:32,076 COURSE, THERE WEREN'T A LOT OF CHINESE PEOPLE IN IT. 71 00:03:32,145 --> 00:03:34,312 THAT MUST HAVE CHAPPED YOUR HIDE. 72 00:03:36,450 --> 00:03:38,428 COURSE, NOW YOU PEOPLE ARE BUYING UP HOLLYWOOD. 73 00:03:38,452 --> 00:03:40,518 YOU'LL SHOW THEM, HUH? 74 00:03:40,587 --> 00:03:42,587 HEY, WE'RE KOREAN. 75 00:03:42,656 --> 00:03:45,090 OH, WELL, THEN THIS APARTMENT IS JUST PERFECT FOR YOU. 76 00:03:45,158 --> 00:03:47,135 HERE YOU ARE ON THE FIRST FLOOR. YOU WON'T 77 00:03:47,159 --> 00:03:49,494 DISTURB ANYONE DOWN BELOW WITH THAT KARATE STUFF. 78 00:03:49,563 --> 00:03:53,365 AND THERE'S A FOTOMAT RIGHT ACROSS THE STREET. 79 00:03:55,069 --> 00:03:57,669 YOU KNOW, WE ARE ONE OF THE FEW BUILDINGS IN THE AREA... 80 00:03:57,737 --> 00:04:02,673 THAT FEATURE SPEED BUMPS IN THE PARKING GARAGE. 81 00:04:02,742 --> 00:04:04,676 CAN I GET YOU AN APPLICATION? 82 00:04:04,745 --> 00:04:08,846 NO. I THINK WE'RE LOOKING FOR SOMETHING A LITTLE BIGGER. 83 00:04:08,915 --> 00:04:13,518 OH, WELL, OF COURSE YOU ARE. WHAT, WITH THAT WHOLE BOAT PEOPLE SITUATION. 84 00:04:13,587 --> 00:04:16,254 WELL, THE THOUGHT OF THAT BRINGS TEARS TO MY EYES. 85 00:04:16,322 --> 00:04:19,090 I'M SURE YOU GUYS HAVE RELATIVES COMING IN ALL THE TIME. 86 00:04:20,894 --> 00:04:23,261 LISTEN, GOOD LUCK TO YOU. 87 00:04:23,330 --> 00:04:25,308 EXCUSE ME. IT'S JUST AS WELL, REALLY. 88 00:04:25,332 --> 00:04:28,511 YOU KNOW, THAT RICE THAT THEY COOK STICKS TO THE GARBAGE DISPOSAL. 89 00:04:28,535 --> 00:04:30,747 IT TAKES FOREVER TO GET IT OUT. 90 00:04:30,771 --> 00:04:33,350 OH, WOULD YOU LISTEN TO ME? I HAVEN'T EVEN INTRODUCED MYSELF. 91 00:04:33,374 --> 00:04:36,575 HI. I'M SHEILA PEACE. HI. HOW ARE YOU? 92 00:04:36,644 --> 00:04:39,478 AREN'T YOU ADORABLE? I BET WHEN YOU GROW UP, 93 00:04:39,546 --> 00:04:42,713 YOU WANNA MANAGE A 7-ELEVEN JUST LIKE YOUR FATHER. 94 00:04:44,718 --> 00:04:48,086 YOU'LL GET ALL THE BIG GULPS YOU WANT, WON'T YA? 95 00:04:48,155 --> 00:04:52,123 COME ON, SON. WE'RE GONNA LOOK AROUND SOME MORE. 96 00:04:53,927 --> 00:04:55,994 WELL, HELLO AGAIN THERE, DOCTOR. 97 00:04:56,063 --> 00:04:58,530 HAVE YOU DECIDED YOU'D LIKE AN APPLICATION? 98 00:04:58,599 --> 00:05:01,700 NO, LADY, I WOULD NEVER RENT AN APARTMENT FROM YOU. 99 00:05:01,768 --> 00:05:05,036 WELL, MY GOODNESS, YOU DO DRIVE A HARD BARGAIN. 100 00:05:05,105 --> 00:05:08,172 OKAY, THEN I'LL PUT UP A HOOP IN THE BACKYARD. 101 00:05:08,242 --> 00:05:11,643 OH, AND YOU CAN BARBECUE ALL YOU PLEASE. 102 00:05:11,712 --> 00:05:14,079 LADY, YOU ARE SICK. 103 00:05:14,148 --> 00:05:16,348 I AM? 104 00:05:16,416 --> 00:05:18,750 OH, MY GOODNESS, I FEEL ALL RIGHT. 105 00:05:18,818 --> 00:05:21,720 WELL, YOU'RE THE DOCTOR. TOODLE-LOO. 106 00:05:21,788 --> 00:05:24,956 EXCUSE ME. HAVE YOU HAD A GOOD CHANCE TO LOOK AROUND? 107 00:05:25,024 --> 00:05:28,226 YOU KNOW, THIS PLACE REALLY IS PERFECT FOR YOU. 108 00:05:28,294 --> 00:05:31,574 THERE'S PLENTY OF ROOM FOR ALL OF YOUR WIVES TO BELLY DANCE. 109 00:05:32,766 --> 00:05:36,635 PLUS, YOU KNOW, THE BEDROOM WINDOW FACES MECCA. 110 00:05:36,704 --> 00:05:41,206 YOU KNOW, IF YOU DON'T LIKE THE BARE FLOORS, YOU COULD PUT A MAGIC CARPET DOWN. 111 00:05:46,547 --> 00:05:48,480 LES. 112 00:05:48,549 --> 00:05:51,494 LOOK, I'VE BEEN LOOKING FOR YOU EVERYWHERE, MAN. WHERE HAVE YOU BEEN? 113 00:05:51,518 --> 00:05:54,531 DON'T SNEAK UP ON ME LIKE THAT. YOU GOTTA HELP ME, MAN. 114 00:05:54,555 --> 00:05:56,533 WHY? WHAT'S GOING ON? WHAT HAPPENED? 115 00:05:56,557 --> 00:05:58,635 I ACCIDENTALLY KILLED A GUY. I GOT IN A FIGHT WITH HIM. 116 00:05:58,659 --> 00:06:01,593 I HIT HIM ONE TIME, MAN. IT WAS LIKE I HAD THE STRENGTH OF TWO MEN. 117 00:06:01,662 --> 00:06:03,973 WHAT DO YOU WANT ME TO DO? I NEED MONEY. 118 00:06:03,997 --> 00:06:06,164 OKAY. WELL, HERE'S MY PAYCHECK. 119 00:06:06,232 --> 00:06:09,267 UM... THREE DOLLARS? 120 00:06:09,335 --> 00:06:11,380 OKAY, I'VE BEEN HOLDING OUT. HERE'S A QUARTER. 121 00:06:11,404 --> 00:06:13,282 I WAS GONNA PLAY VIDEO GAMES AT LUNCH. 122 00:06:13,306 --> 00:06:15,640 HEY, LES, YOU WANNA GET BACK TO WORK? 123 00:06:15,708 --> 00:06:18,828 I'M NOT PAYING YOU TO HANG OUT WITH RIFFRAFF. CUSTOMERS ARE WAITING. 124 00:06:18,879 --> 00:06:21,346 ALL RIGHT, ALL RIGHT, I ONLY HAVE ONE HAND. 125 00:06:21,414 --> 00:06:24,215 WES RAWLS, WE KNOW YOU'RE IN THERE. 126 00:06:24,284 --> 00:06:27,185 COME OUT WITH YOUR HANDS UP. OH, MY GOD, THEY FOUND ME. 127 00:06:27,254 --> 00:06:29,366 THEY MUST HAVE BEEN FOLLOWING YOU. 128 00:06:29,390 --> 00:06:31,690 THEY KNEW I'D MAKE CONTACT WITH YOU SOONER OR LATER. 129 00:06:31,759 --> 00:06:34,626 I'M SCARED, MAN. OH, STOP "SNIVERING." 130 00:06:34,694 --> 00:06:37,173 YOU GOTTA GET OUTTA HERE. YOU GOTTA GET OUTTA HERE, WES. 131 00:06:37,197 --> 00:06:40,999 YOU'RE RIGHT. SEE YOU AROUND. OKAY. 132 00:06:41,068 --> 00:06:43,801 DAMN IT, LES. ARE YOU GONNA DO ANY WORK TODAY? 133 00:06:43,870 --> 00:06:46,582 WHAT ARE YOU TALKING ABOUT? I JUST CLEANED OFF THE ENTIRE COUNTER FOR YOU. 134 00:06:46,606 --> 00:06:50,075 WHAT DO YOU WANT FROM ME? HEY, IS THERE ANOTHER WAY OUTTA HERE? 135 00:06:50,144 --> 00:06:52,984 - JUST THE WINDOW. - ALL RIGHT, LITTLE BROTHER, I GOTTA GO. 136 00:06:53,012 --> 00:06:57,281 OKAY, MAN. HEY, CAN I GET YOU SOMETHING ELSE? 137 00:06:57,350 --> 00:07:01,485 GOOD IDEA, LES. THEY PROBABLY WOULD HAVE THOUGHT OF THAT ONE. 138 00:07:01,554 --> 00:07:04,088 COME ON, SON. WE'VE GOT THE PLACE SURROUNDED. 139 00:07:04,157 --> 00:07:06,090 YOU'LL NEVER TAKE ME ALIVE, COPPERS. 140 00:07:11,064 --> 00:07:14,298 - FREEZE! NOBODY MOVE! - BACK UP! I GOT A HOSTAGE! 141 00:07:14,367 --> 00:07:17,035 YEAH, HE'S GOT A HOSTAGE. 142 00:07:17,104 --> 00:07:19,670 WHO? MOVE OR I'LL DO HIM! 143 00:07:19,740 --> 00:07:21,872 YOU, STUPID, YOU! BACK UP! OH. 144 00:07:21,941 --> 00:07:24,253 LET HIM THROUGH. HE'S GOT A HOSTAGE. 145 00:07:24,277 --> 00:07:26,778 SHUT UP, YOU WHIMPERING PUNK. 146 00:07:26,846 --> 00:07:29,058 I'M TELLING MOM. MOM NEVER LIKED YOU ANYWAY. 147 00:07:29,082 --> 00:07:31,950 GIVE ME BACK MY QUARTER. TAKE IT. TAKE IT, BIG MAN. 148 00:07:32,018 --> 00:07:34,196 WES, DON'T DO THIS TO ME, MAN. PLEASE DON'T DO THIS TO ME. 149 00:07:34,220 --> 00:07:37,055 SHUT UP. SHUT UP. 150 00:07:37,123 --> 00:07:40,558 ALL RIGHT, STAY BACK, OR I'LL DO THIS LITTLE PUNK. 151 00:07:40,627 --> 00:07:42,667 I'M NOT THAT MUCH OF A PUNK. 152 00:07:42,729 --> 00:07:45,229 LISTEN HERE. IT'S ME THEY WANT, KID. 153 00:07:45,298 --> 00:07:49,901 GO ON, GET OUTTA HERE, MAN. RUN AS FAST AS THAT LITTLE FOOT CAN TAKE YA. 154 00:07:49,970 --> 00:07:52,704 OKAY, BUT KEEP IN TOUCH, BUDDY. 155 00:07:52,772 --> 00:07:55,907 WHY WOULD I KEEP IN TOUCH WITH A PUNK LIKE YOU? JUST GO! 156 00:07:55,975 --> 00:07:58,943 OKAY, BUDDY. YOU TAKE IT EASY. I'LL SEE YOU AROUND. 157 00:07:59,012 --> 00:08:03,848 WES, STOP, STOP. WES, YOU GOT MY FOOT NOW. 158 00:08:10,156 --> 00:08:14,693 LOOKS LIKE IT'S ALMOST TIME TO BE MOVING ON. 159 00:08:14,761 --> 00:08:16,728 NO, PAPPY. DON'T LEAVE ME, PAPPY. 160 00:08:16,796 --> 00:08:20,398 YES'M, I'M ON MY WAY TO THAT BIG COTTON FIELD IN THE SKY. 161 00:08:20,467 --> 00:08:23,802 YOU CAN'T LEAVE ME, PAPPY. I'S TOO DUMB TO MAKE IT. 162 00:08:23,870 --> 00:08:26,270 I CAN'T. I'M JUST A DUMB OL' SLAVE. HUSH UP! 163 00:08:26,339 --> 00:08:28,807 YES, SIR. YOU'S AIN'T NO SLAVE, BOY. 164 00:08:28,875 --> 00:08:31,009 NO. WE'S RUNAWAYS. 165 00:08:31,077 --> 00:08:34,680 I RUN AWAY FROM THAT PLANTATION 123 YEARS AGO. YES, SIR. 166 00:08:34,748 --> 00:08:38,149 AND I DONE RAISED THREE GENERATIONS OF CHILDREN HERE IN THIS CAVE. 167 00:08:38,218 --> 00:08:40,485 NOW YOU GOTS TO GO. YOU'RE THE LAST OF THE TIMBUKS. 168 00:08:40,554 --> 00:08:42,532 I CAN'T MAKE IT OUT THERE, PAPPY. 169 00:08:42,556 --> 00:08:43,867 YOU GOTS TO. I CAN'T. 170 00:08:43,891 --> 00:08:45,101 YOU GOTS TO. I CAN'T. 171 00:08:45,125 --> 00:08:47,270 I'LL PUT MY FOOT IN YOUR ASS. OKAY, I'LL TRY. 172 00:08:47,294 --> 00:08:50,462 ALL RIGHT. WELL, NOW YOU GOTS TO HEAD UP NORTH... 173 00:08:50,530 --> 00:08:52,742 YES'M. AND FIND THE UNDERGROUND RAILROAD. 174 00:08:52,766 --> 00:08:55,967 YES'M. GOTS TO FIND HARRIET TUBMAN. 175 00:08:56,036 --> 00:08:58,903 HARRIET TUBMAN. LOOK LIKE CICELY TYSON. 176 00:08:58,972 --> 00:09:01,417 I THOUGHT THAT WAS JANE PITTMAN? NO, THAT'S ESTHER ROLLE. 177 00:09:01,441 --> 00:09:03,841 I WANT YOU TO DO ONE OTHER THING FOR ME, BOY. 178 00:09:03,911 --> 00:09:06,990 WHAT IS IT, PAPPY? WHAT, PAPPY? TAKE CARE OF MY GOOD JACKET. 179 00:09:07,014 --> 00:09:09,847 OH, YES, SIR. 180 00:09:09,916 --> 00:09:12,417 PAPPY! PAPPY. 181 00:09:12,486 --> 00:09:15,486 OH, PAPPY! 182 00:09:15,555 --> 00:09:17,875 HE'D WANTS ME TO HAVE THIS. 183 00:09:21,728 --> 00:09:25,263 WELL, IT LOOKS LIKE I'M ON MY OWN NOW. 184 00:09:25,332 --> 00:09:29,767 I GOTS TO FIND MY FREEDOM AND GET OUTTA HERE BEFORE THIS BODY STARTS STINKIN'. 185 00:09:31,805 --> 00:09:37,275 BEFORE I BE A SLAVE, I BE BURIED IN THE GRAVE. 186 00:09:37,344 --> 00:09:41,846 OR I BE THE HARDEST WORKING MAN IN THE COTTON FIELD. 187 00:09:49,256 --> 00:09:52,590 PSST. PSST. YOU HEADIN' NORTH? 188 00:09:52,659 --> 00:09:55,861 UH, NO, MAN. I BELIEVE THIS IS SOUTHEAST. 189 00:09:55,929 --> 00:09:57,963 WELL, HOW FAR BEHIND YOU IS THEY? 190 00:09:58,031 --> 00:10:01,266 WHO? THE DOGS. I DON'T HEAR THE DOGS. 191 00:10:01,335 --> 00:10:05,048 MAN, WHAT DOGS, MAN? IS THERE SOMETHING I CAN HELP YOU WITH? 192 00:10:05,072 --> 00:10:07,572 'CAUSE I'M ON MY WAY HOME, AND, MAN, I AM WHIPPED. 193 00:10:07,641 --> 00:10:10,308 OH, LORD, HOW MANY LASHES THEY GIVE YA? 194 00:10:11,578 --> 00:10:13,656 UH, NO, MAN, I MEAN I'M BEAT. 195 00:10:13,680 --> 00:10:16,314 WELL, AT LEAST YOU STILL GOT YOUR FOOT. 196 00:10:16,383 --> 00:10:21,153 MAN, LOOK, WHAT IS IT THAT YOU WANT, MAN? I DON'T HAVE ANY TIME FOR THIS. 197 00:10:21,221 --> 00:10:23,788 YOU MUST BE ONE OF THOSE HOUSE NIGGAS. 198 00:10:23,857 --> 00:10:26,657 LOOK, I'M JUST LOOKING FOR MY FREEDOM. FREEDOM? 199 00:10:26,726 --> 00:10:28,971 YES, SIR. WELL, WHERE THE HELL HAVE YOU BEEN, IN A CAVE? 200 00:10:28,995 --> 00:10:30,962 YES, SIR, RIGHT BACK YONDER. 201 00:10:31,030 --> 00:10:33,176 OH, MAN, LOOK. YOU MUST BE FROM THE SOUTH, MAN. 202 00:10:33,200 --> 00:10:35,177 BROTHERS UP HERE DON'T ACT LIKE THAT. NO? 203 00:10:35,201 --> 00:10:37,169 EXCUSE ME? 204 00:10:37,237 --> 00:10:39,171 WELL, MOVE IT. YOU'RE BLOCKING THE WAY. 205 00:10:39,239 --> 00:10:42,174 I'S SORRY, SIR. WE JUST MOSEY OUT YOUR WAY. 206 00:10:42,242 --> 00:10:44,454 MAN, WHAT THE HELL IS THE MATTER WITH YOU? 207 00:10:44,478 --> 00:10:47,412 I'M TRYING TO JOG, AND YOU'RE BLOCKING MY WAY. 208 00:10:47,481 --> 00:10:49,659 YEAH, WELL, NEXT TIME, YOU KNOW, RUN AROUND, JACKASS. 209 00:10:49,683 --> 00:10:51,616 WHAT? 210 00:10:51,685 --> 00:10:53,618 IS YOU CRAZY, MAN? 211 00:10:53,687 --> 00:10:57,355 IS YOU CRAZY? YOU DON'T BE TALKING TO NO WHITE MAN LIKE THAT. 212 00:10:57,423 --> 00:11:01,059 HE DON'T... THEY WANNA BE RIGHT EVEN WHEN THEY WRONG. WE'S SORRY, SIR. 213 00:11:01,128 --> 00:11:03,239 VERY SORRY, SIR. DIDN'T MEAN TO HURT YA. 214 00:11:03,263 --> 00:11:07,865 SORRY. HE MUST GOT ONE OF THEM, THAT COLORED FEVER GOIN' ROUND. 215 00:11:07,934 --> 00:11:11,469 THE BOY IS NOT FEELING TOO WELL. ACCEPT OUR APOLOGIES, PLEASE, SIR. 216 00:11:11,538 --> 00:11:13,082 I'LL ACCEPT YOURS. THANK YOU. 217 00:11:13,106 --> 00:11:15,974 BUT I DON'T LIKE YOUR FRIEND'S ATTITUDE. 218 00:11:16,043 --> 00:11:18,076 YOU BETTER CHANGE YOUR ATTITUDE. 219 00:11:18,144 --> 00:11:20,712 MAN, WHY DID YOU DO THAT? WHAT YOU TALKIN' ABOUT? 220 00:11:20,781 --> 00:11:22,781 DIDN'T YOUR PAPPY TEACH YOU NOTHIN' ABOUT SURVIVAL? 221 00:11:22,849 --> 00:11:24,783 YOU DON'T TALK TO THE WHITE MAN LIKE THAT. 222 00:11:24,851 --> 00:11:27,452 THEM PEOPLE WANNA BE RIGHT EVEN WHEN THEY'S WRONG. 223 00:11:30,156 --> 00:11:32,090 YOU SEE WHAT YOU DID? 224 00:11:32,158 --> 00:11:35,293 YOU DONE PUT THE DOGS ON US. 225 00:11:38,531 --> 00:11:43,000 OH, THEM DOGS A LOT SMALLER THAN PAPPY SAID THEY WAS. 226 00:11:43,069 --> 00:11:45,570 MAN, IT'S 1991. 227 00:11:45,639 --> 00:11:49,273 WHAT DID YOU SAY? I SAID STOP EYEBALLIN' THAT WHITE WOMAN. 228 00:11:57,216 --> 00:12:01,920 WITH YOUR FANCY CLOTHES ON. MAN, YOU CAN HAVE THAT IF YOU SO DESIRE, BROTHER. 229 00:12:03,657 --> 00:12:05,724 THIS IS 1991, MAN. 230 00:12:05,792 --> 00:12:07,937 ALL THAT HANDKERCHIEF HEAD STUFF DON'T PLAY UP HERE. 231 00:12:07,961 --> 00:12:11,295 THIS IS AMERICA. WE ARE FREE. WE CAN DO WHAT WE WANT. 232 00:12:11,364 --> 00:12:13,298 THERE HE IS, OFFICER. THAT'S THE ONE. 233 00:12:13,366 --> 00:12:15,326 YOU DONE BROUGHT THE SLAVE CATCHERS ON US. 234 00:12:15,368 --> 00:12:18,469 WELL, FEETS, DON'T FAIL ME NOW. BE COOL. BE COOL, MAN. 235 00:12:18,538 --> 00:12:21,739 WE HAVEN'T DONE ANYTHING WRONG. OFFICER, I'M GLAD YOU'RE HERE. SEE, BECAUSE... 236 00:12:21,808 --> 00:12:24,488 ALL RIGHT, FACE DOWN ON THE GROUND. PUT YOUR HANDS BEHIND YOUR BACK. 237 00:12:24,544 --> 00:12:26,477 YES, SIR! YES, SIR! WAIT A MINUTE! 238 00:12:26,546 --> 00:12:29,146 I SAID GET DOWN ON YOUR KNEES AND GET YOUR HANDS BEHIND YOUR BACK! 239 00:12:29,215 --> 00:12:32,216 I'S DOWN, SIR. IF I GO ANY FURTHER, I'LL BE IN CHINA. 240 00:12:32,286 --> 00:12:34,263 YOU HAVE... 241 00:12:34,287 --> 00:12:37,789 YOU HAVE THE RIGHT TO REMAIN SILENT. MAN, THIS IS OUTRAGEOUS. 242 00:12:37,858 --> 00:12:40,457 WE DIDN'T MEAN NO HARM, MR. SLAVE MASTER, SIR. 243 00:12:40,526 --> 00:12:42,827 - YOU BETTER SHUT UP. - YES, SIR. 244 00:12:42,896 --> 00:12:45,096 PLEASE DON'T BEAT ME. DON'T BEAT ME. 245 00:12:45,165 --> 00:12:47,732 I-I TRIED TO WARN HIM, BUT HE WOULDN'T LISTEN. 246 00:12:47,801 --> 00:12:50,546 HUSH UP. I'M NOT TALKING TO YOU. YOU'RE FREE TO GO. 247 00:12:50,570 --> 00:12:52,670 I'S FREE? YEAH, KEEP MOVING. 248 00:12:52,739 --> 00:12:55,852 WAIT A MINUTE NOW. I THINK HE'S IN A SINGING GROUP OR SOMETHING, MAN. 249 00:12:55,876 --> 00:12:59,811 YES, SIR. I KEEP MOVING. THAT'S A GOOD IDEA. 250 00:12:59,879 --> 00:13:02,013 FREEDOM DON'T SEEM TO LAST TOO LONG AROUND HERE. 251 00:13:08,087 --> 00:13:10,021 ♪♪ 252 00:13:18,665 --> 00:13:20,898 THIS IS A JAM. 253 00:13:23,203 --> 00:13:26,004 JAM. 254 00:13:39,085 --> 00:13:41,352 ♪♪ 255 00:13:44,424 --> 00:13:46,464 THE KING OF LATE NIGHT IS HANGING IT UP, 256 00:13:46,493 --> 00:13:49,360 SO MAKE WAY FOR THE NEW CONTENDER TO THE THRONE. 257 00:13:49,429 --> 00:13:54,398 WELCOME TO LATE NIGHT WITH MIKE, STARRING MIKE TYSON. 258 00:13:54,467 --> 00:13:55,876 ALONG WITH THE WORLD'S MOST 259 00:13:55,900 --> 00:13:58,236 BUCKTOOTH-ERRIFIC BAND, THE SPINKS BROTHERS. 260 00:13:59,906 --> 00:14:03,775 AND HERE'S A MAN WHO'S ALWAYS GIVEN 100% NO MATTER WHAT HE'S DONE. 261 00:14:03,844 --> 00:14:06,077 LET'S GIVE A BIG HAMBURGER-ISTIC APPLAUSE... 262 00:14:06,145 --> 00:14:11,816 FOR IRON MIKE... 263 00:14:17,523 --> 00:14:20,591 TYSON! 264 00:14:20,660 --> 00:14:22,593 HI-YO! 265 00:14:22,662 --> 00:14:27,398 OH, WHAT A CROWD! YOU GUYS ARE SO LUDICROUS TONIGHT. I'M ECSTATIC. 266 00:14:27,467 --> 00:14:30,279 OH, WHAT'S GOING ON IN THE NEWS? 267 00:14:30,303 --> 00:14:34,472 YOU HEAR ABOUT THE BOXER RUNNING AROUND MOLESTING ALL THE BEAUTY CONTESTANTS? 268 00:14:34,541 --> 00:14:39,210 WHO DOES HE THINK HE IS, A SUPREME COURT JUDGE? HI-YO! 269 00:14:41,581 --> 00:14:43,948 OH, BOY. 270 00:14:44,017 --> 00:14:47,151 WHAT ABOUT THAT BOXER WHO'S UP FOR THE FRATERNITY SUIT? 271 00:14:47,220 --> 00:14:49,153 I MEAN, THE KID LOOKS NOTHING LIKE HIM. 272 00:14:49,222 --> 00:14:52,189 HE'S SHORT, UGLY, LINES IN HIS HAIR, GOLD TEETH. 273 00:14:52,258 --> 00:14:55,793 AND... HEY, WHO'S WRITING THIS STUFF? 274 00:14:57,864 --> 00:15:00,464 THAT'S NOT FUNNY. 275 00:15:00,534 --> 00:15:04,836 I BETTER INTRODUCE MY POSSE BEFORE I HURT SOMEBODY. YOU KNOW THEM PEOPLE OVER THERE? 276 00:15:04,904 --> 00:15:09,674 THEY'RE THE... 277 00:15:13,046 --> 00:15:16,214 OH! HEY, FOLKS, THESE ARE NOT JOKES. 278 00:15:16,282 --> 00:15:21,352 THESE ARE THINGS THAT MAKE YOU SAY, "ROBIN, YOU BITCH." 279 00:15:21,421 --> 00:15:24,722 HI-YO! 280 00:15:24,790 --> 00:15:27,091 WE GOT A GREAT SHOW. WE GOT A GREAT SHOW. 281 00:15:27,160 --> 00:15:30,328 A LOT OF FUN GUESTS TONIGHT. SO LET'S GET STARTED. 282 00:15:30,397 --> 00:15:33,398 SPINKS BROTHERS, TAKE US HOME, MICHAEL, 283 00:15:33,466 --> 00:15:37,234 WITH SOME OF THAT "I GOT HIT ONCE AND LAID DOWN AND COLLECT A CHECK" FUNK... 284 00:15:37,304 --> 00:15:39,270 LIKE THE COWARD YOU ARE. 285 00:15:39,339 --> 00:15:43,307 GET US OUTTA HERE! 286 00:15:45,277 --> 00:15:48,713 YOU'LL ALSO GET TO ENJOY MICHAEL'S OWN SPECIAL COMEDY BITS. 287 00:15:48,781 --> 00:15:53,351 PLEASE WELCOME THE "FABULISTIC" CAR WRECK THE MAGNIFICENT. 288 00:15:56,455 --> 00:16:01,192 CAR WRECK, I HOLD IN MY HAND AN ENVELOPE... 289 00:16:01,260 --> 00:16:04,562 THAT HAS BEEN "PANASONICALLY" SEALED IN A MAYONNAISE JAR... 290 00:16:04,631 --> 00:16:08,566 ON GERRY COONEY'S PORCH SINCE NOON TODAY. 291 00:16:08,635 --> 00:16:13,471 BUT, YOU, IN YOUR "UNCONGRIFFABLE" WAY, 292 00:16:13,539 --> 00:16:17,875 WILL ASCERTAIN THE ANSWER TO THE QUESTIONS WITHOUT EVEN SEEING. 293 00:16:17,944 --> 00:16:22,747 THAT IS CORRECT, LARRY HOLMES' JOCKSTRAP BREATH. 294 00:16:23,784 --> 00:16:28,752 FEE-FI-FEE-FI-FEE-FI-FO. 295 00:16:28,821 --> 00:16:33,224 FEE-FI-FEE-FI-FEE-FI-FO. 296 00:16:33,293 --> 00:16:36,294 WHAT IS MY TELEPHONE NUMBER? 297 00:16:38,498 --> 00:16:40,998 LATE NIGHT WITH MIKE IS ALSO INFORMATIVE. 298 00:16:41,067 --> 00:16:44,068 WELL, LET'S GET TO THE TOP FIVE, SHALL WE? ALL RIGHT. 299 00:16:44,136 --> 00:16:48,373 NOW THESE ARE THE TOP FIVE QUESTIONS THAT PEOPLE ASK ME THE MOST. 300 00:17:06,259 --> 00:17:10,594 AND THE NUMBER ONE QUESTION THAT PEOPLE ASK ME THE MOST IS: 301 00:17:17,203 --> 00:17:19,181 PLUS, YOU'LL ALSO GET TO HEAR SOME GREAT CONVERSATION... 302 00:17:19,205 --> 00:17:21,738 WITH GUEST STARS LIKE SINBAD. 303 00:17:21,807 --> 00:17:25,275 DON'T EVER TELL A WOMAN SHE GOT A BIG BUTT, MAN. 304 00:17:25,344 --> 00:17:28,579 MY WIFE GOT A BIG BUTT, MAN. AND SHE ASK ME, "SINBAD, IS MY BUTT BIG?" 305 00:17:28,648 --> 00:17:32,050 I SAID, "NO, BABY, YOUR BUTT AIN'T BIG." BUTT BIG AS NEW JERSEY, MAN. 306 00:17:32,118 --> 00:17:35,186 YOU CAN SHOW THE 70 MILLIMETER VERSION OF QUO VADIS ON HER BOOTY, MAN. 307 00:17:35,255 --> 00:17:39,290 AND WHEN WOMEN GOT BIG BOOTIES, THEY EAT LESS, BUT THEIR BOOTY'S STILL BIG. 308 00:17:39,359 --> 00:17:41,637 THEY EAT A LITTLE, BUT THEIR BUTTS STILL GROWING, MAN. 309 00:17:41,661 --> 00:17:43,242 SHE WALKS DOWN THE STREET LIKE THIS HERE. I GOTTA 310 00:17:43,266 --> 00:17:44,740 ACT LIKE HER BUTT IS BIG, BUT IT'S STILL BIG. 311 00:17:44,764 --> 00:17:47,410 BUT IT'S LITTLE IN MY MIND, NOT IN HER MIND. 312 00:17:47,434 --> 00:17:49,833 Y'ALL DON'T THINK THAT'S FUNNY? 313 00:17:49,902 --> 00:17:53,771 WHAT ARE YOU TALKING ABOUT? I MEAN, WHERE ARE YOUR JOKES AT? 314 00:17:53,840 --> 00:17:57,141 I-I LIKE WOMEN WITH BIG BUTTS. WHAT'S WRONG WITH A BIG BUTT? 315 00:17:57,210 --> 00:18:01,312 YOU'RE NOT MAKING ANY SENSE. YOU'RE MAKING ME SICK. JUST GET OFF OF MY SHOW. 316 00:18:01,381 --> 00:18:03,614 GET OUTTA HERE. THERE'S NO JOKE THERE. 317 00:18:03,683 --> 00:18:05,643 HIS WIFE HAS A NICE, BIG... 318 00:18:05,685 --> 00:18:07,685 YOU'LL ALSO SEE ANOTHER SIDE OF MIKE... 319 00:18:07,754 --> 00:18:11,389 WHEN HE'S JOINED BY JOAN EMBERY FROM THE SAN DIEGO ZOO. 320 00:18:11,457 --> 00:18:15,125 THIS IS THE RARE SOUTH AMERICAN TALKING COCKATOO, 321 00:18:15,194 --> 00:18:17,128 THE LAST OF ITS BREED. 322 00:18:17,197 --> 00:18:20,765 OH. HOW YOU DOING, CUTE LITTLE BIRDIE? 323 00:18:20,833 --> 00:18:24,168 POLLY WANT A CRACKER. POLLY WANT A CRACKER. 324 00:18:24,236 --> 00:18:28,505 POLLY WANTS WHAT? YOU ALWAYS WANTS SOMETHING. THEY ALWAYS WANT SOMETHING. 325 00:18:28,574 --> 00:18:31,186 WE HAVEN'T EVEN SLEPT TOGETHER YET, AND YOU WANT SOMETHING. 326 00:18:31,210 --> 00:18:33,455 YOU DON'T EVEN HAVE A NICE BUTT. GET OFF MY SHOW! 327 00:18:35,481 --> 00:18:38,149 ONE, TWO, THREE... 328 00:18:38,217 --> 00:18:40,217 LATE NIGHT WITH MIKE, 329 00:18:40,286 --> 00:18:44,655 BROUGHT TO YOU BY PROZACK, THE SEDATIVE OF CHAMPIONS. 330 00:18:44,724 --> 00:18:49,760 TONIGHT WE GOT THE B-I-G D-A-D-D-Y K-A-N-E SINGING "OOH, AHH." 331 00:18:49,829 --> 00:18:52,663 PUT YOUR HANDS TOGETHER FOR BIG DADDY KANE. 332 00:18:52,732 --> 00:18:55,599 ♪♪ 333 00:18:55,668 --> 00:18:57,880 ♪ ENQUIRING MINDS WANNA KNOW DID THE CHAMP RETIRE ♪ 334 00:18:57,904 --> 00:18:59,937 ♪ SO HERE I AM BOOMIN' LIKE AN AMPLIFIER ♪ 335 00:19:00,006 --> 00:19:02,318 ♪ I CLEAR MY THROAT THEN I FLOAT LIKE A BOAT NOTE FOR NOTE ♪ 336 00:19:02,342 --> 00:19:04,319 ♪ WHAT I WROTE YOU CAN'T QUOTE OR EVEN TOTE ♪ 337 00:19:04,343 --> 00:19:06,321 ♪ RAPS ARE TOO HEAVY SHARP LIKE A MACHETE PASS THE MICROPHONE ♪ 338 00:19:06,345 --> 00:19:08,824 ♪ 'CAUSE KANE IS ALL READY GRIPPIN' TO PLAY THE PART TO PROVE THAT I'M IN COMMAND ♪ 339 00:19:08,848 --> 00:19:10,893 ♪ THE BIGGEST DADDY OF 'EM ALL AND, OH, KANE STANDS FOR ♪ 340 00:19:10,917 --> 00:19:13,651 ♪ KING ASIATIC, NOBODY'S EQUAL OR NON-EQUIVALANT ♪ 341 00:19:13,719 --> 00:19:16,620 ♪ OR NATURAL EBONY OR NOW EFFECTIVE OR NEVER EVER ♪ 342 00:19:16,689 --> 00:19:18,623 ♪ PICK YOUR DEFINITION AND PUT IT TOGETHER ♪ 343 00:19:18,692 --> 00:19:20,669 ♪ 'CAUSE IT STILL COMES OUT TASTING LIKE CHOCOLATE ♪ 344 00:19:20,693 --> 00:19:22,471 ♪ WITH THE FINESSE M.C.'S NEVER GOT WITH ♪ 345 00:19:22,495 --> 00:19:24,473 ♪ 'CAUSE NONE OF THEM WANT ME TO TOUCH THE MIKE FIRST ♪ 346 00:19:24,497 --> 00:19:27,075 ♪ THEY KNOW THAT IT ONLY TAKES KANE ONE VERSE SO HERE'S THE MICROPHONE ♪ 347 00:19:27,099 --> 00:19:30,179 ♪ SHOW ME WHAT YOU CAN DO AND, UH, WAKE ME UP WHEN YOU'RE THROUGH ♪ 348 00:19:30,203 --> 00:19:32,136 ♪ JUST SO I CAN GO AND FLOW AND THROW A BLOW ♪ 349 00:19:32,205 --> 00:19:34,171 ♪ TO SHOW A PRO AND LET 'EM ALL KNOW ♪ 350 00:19:34,240 --> 00:19:35,716 ♪ THAT ANY M.C. TRYING TO BE THIS LYRICAL 351 00:19:35,740 --> 00:19:37,386 SHOULD GO ASK SMOKEY ROBINSON FOR A MIRACLE ♪ 352 00:19:37,410 --> 00:19:39,370 ♪ I WOULDN'T LET A RAPPER GO ONE ROUND ♪ 353 00:19:39,412 --> 00:19:41,390 ♪ I'M KNOCKING THEM DOWN JUST LIKE JIM BROWN ♪ 354 00:19:41,414 --> 00:19:44,648 ♪ SO, MR. C, LET THE MUSIC PLAY HERE'S WHAT I WANT Y'ALL TO SAY ♪ 355 00:19:44,717 --> 00:19:47,952 - ♪ COME ON, COME ON, COME ON ♪ - ♪ OOH, AHH, NAH-NAH-NAH ♪ 356 00:19:48,020 --> 00:19:51,756 ♪ I CAN'T HEAR Y'ALL COME ON ♪ ♪ OOH, AHH, NAH-NAH-NAH ♪ 357 00:19:51,825 --> 00:19:56,260 ♪ COME ON ♪ ♪ OOH, AHH, NAH-NAH-NAH ♪ 358 00:19:56,329 --> 00:20:00,397 ♪ OOH, AHH, NAH-NAH-NAH ♪ ♪ COME ON ♪ 359 00:20:02,168 --> 00:20:04,435 ♪ COME ON ♪ 360 00:20:06,906 --> 00:20:09,573 YEAH. 361 00:20:09,642 --> 00:20:12,421 ♪ HERE'S A RAP AVALANCHE M.C.'S TRAVEL AND RUN, RUN FOR SHELTER ♪ 362 00:20:12,445 --> 00:20:15,412 ♪ THEY DON'T HAVE A CHANCE ANY M.C. TALKING OUT OF TURN ♪ 363 00:20:15,481 --> 00:20:17,459 ♪ I'LL STRAIGHTEN 'EM OUT JUST LIKE A PERM ♪ 364 00:20:17,483 --> 00:20:21,052 ♪ NOBODY MOVE, NOBODY GET HURT AND I WON'T HAVE TO DO NO BODY WORK ♪ 365 00:20:21,120 --> 00:20:23,432 ♪ THE MINUTE I COME ON STAGE AND TAKE POSITION A DEMOLITION ♪ 366 00:20:23,456 --> 00:20:25,701 ♪ WHERE RAPPERS CATCH A BAD DECISION I START TO SWINGING IT ♪ 367 00:20:25,725 --> 00:20:29,126 ♪ PUTTIN' MY BAD THING IN IT SOON AS I START FLINGIN' IT GIRLS START CLINGIN' IT ♪ 368 00:20:29,195 --> 00:20:30,194 ♪ PEOPLE WILL START SINGING IT NOISE, OH, 369 00:20:30,218 --> 00:20:31,340 I'M BRINGING IT TO SHOW AND PROVE TO PEOPLE ♪ 370 00:20:31,364 --> 00:20:34,142 ♪ THAT REALLY IS THE KING IN IT 'CAUSE I TAKE THE CAKE LIKE HOSTESS ♪ 371 00:20:34,166 --> 00:20:36,300 ♪ NO, NOT THE ONE YOU WANNA PLAY HIGH POST WITH ♪ 372 00:20:36,369 --> 00:20:38,302 ♪ WARM IT UP, KANE WARM AS A SNORKEL ♪ 373 00:20:38,371 --> 00:20:40,416 ♪ SNATCH THE MICROPHONE AND DO A RAPPER SOMETHING AWFUL ♪ 374 00:20:40,440 --> 00:20:41,620 ♪ I GIVE HIM THE RHYTHM-A-JAZZ PIZZAZZ FINESSE 375 00:20:41,644 --> 00:20:42,718 AND THE FLAVOR TO JAM AND SLAM THE LAND ♪ 376 00:20:42,742 --> 00:20:44,720 ♪ I FLIP THE SCRIPT LIKE NOBODY CAN, IT'S LIKE THEY LACK THE CROWD ♪ 377 00:20:44,744 --> 00:20:46,622 ♪ TO GET LIVE AND RAW FROM ALL THE BROTHERS WHO SMOTHERED THE MIKE ♪ 378 00:20:46,646 --> 00:20:48,624 ♪ THEY'RE FRANK WITH FORCE 'CAUSE YOU KNOW KANE COMES OFF ME AND THE MIKE ♪ 379 00:20:48,648 --> 00:20:51,526 ♪ GO TOGETHER LIKE NEIGHBORS AND IF THAT'S TOO FAST HERE'S A SLOWER FLAVOR ♪ 380 00:20:51,550 --> 00:20:55,185 ♪ I AM THE MAN TO STAND TOP BRAND ♪ 381 00:20:55,254 --> 00:20:58,889 ♪ NO BAND AT HAND AND YES, I CAN CAN YES, I CAN CAN ♪ 382 00:20:58,958 --> 00:21:02,359 ♪ MR. C., LET THE MUSIC PLAY AND HERE'S WHAT I WANT Y'ALL TO SAY ♪ 383 00:21:02,428 --> 00:21:05,529 ♪ COME ON, COME ON ♪ ♪ OOH, AHH, NAH-NAH-NAH ♪ 384 00:21:05,598 --> 00:21:09,600 ♪ SAY WHAT? COME ON ♪ ♪ OOH, AHH, NAH-NAH-NAH ♪ 385 00:21:09,668 --> 00:21:13,438 ♪ KEEP GOING. COME ON ♪ ♪ OOH, AHH, NAH-NAH-NAH ♪ 386 00:21:13,506 --> 00:21:16,974 ♪ A LITTLE LOUDER, COME ON ♪ ♪ OOH, AHH, NAH-NAH-NAH ♪ 387 00:21:17,043 --> 00:21:20,911 ♪ COME ON, TIP MY MAN RUB IT UP. COME ON, BABY ♪ 388 00:21:20,980 --> 00:21:23,480 ♪ MEAN GENE WHERE YOU AT, BABY ♪♪ 32158

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