Original subtitles

[music playing]

[phone ringing]

KELLY: (ON PHONE) Dad, are you there?

(CRYING) Please answer the phone, Dad, if you can hear me.

Mum's crying.

We're all really, really worried about you.

Just let us know you're OK.

Please, Dad.

[music playing]

(SINGING) I can't explain.

Girl, it's strange.

I can't get you out of my head.

All the time, you're on my mind.

You keep me awake in bed.

Day and night, can't be right to feel the way I do.

Like way key you just can't see.

She [inaudible]

Whiskey one.

Any hand over from the day shift?

MAN: (ON RADIO) All right, Carl.

Those lads from the [inaudible] been causing some bother.

Again?

MAN: Yeah.

It's getting out of hand.

Can you keep an eye on them, mate?

Over and out.

[music playing]

[radio chatter]

[clock ticking]

[radio chatter]

[clock ticking]

[radio chatter]

[inaudible] You little [inaudible]..

You little scallywags.

What's going on here?

[radio chatter]

[phone ringing]

OK.

[phone buzzing]

PHONE: First new message.

LEE: (ON PHONE) [inaudible] there

you CCTV towers [inaudible].

Spin your camera around, mate.

Cab [inaudible] Street.

I think you'll enjoy the view.

(LAUGHING) See you later, [inaudible]..

[inaudible] Street, [inaudible] Street.

Which one is that?

70.

Where are you?

Got you.

(LAUGHING) Oh, come on, lad.

You're old enough to be her dad.

Lee Simpson.

6 Harlington Drive, Copley Wood.

Keep your eyes on the road.

You knob.

Foul and abusive language is a breach of our public space

protections order.

Cheeky.

Here we go.

Here we go.

Here we go.

[music playing]

[radio chatter]

[inaudible] Oh, shit.

[music playing]

It's in the bag.

What's in the bag?

Come on.

[radio chatter]

Whiskey one.

WOMAN: (ON RADIO) Whiskey one, go ahead.

Yeah.

I'm watching a group of lads down on the [inaudible]

between Shore Cross and [inaudible] Road.

WOMAN: OK.

Yeah.

They're definitely dealing drugs.

It's blatant.

WOMAN: Shore Cross and [inaudible] Road,

I shall pass that on.

Thank you.

Well, don't you want any more details?

I've got the cab registration and everything.

WOMAN: Not now, no.

I said I'll pass it on.

When you say pass it on, what does that actually mean?

WOMAN: It's Carl, isn't it? - Yeah.

WOMAN: Let me explain something, Carl.

We've got six bodies and a sergeant

on duty to cover everything, the entire town.

If you want, I can tell the [inaudible]

there's a bloke from CCTV who'd like to drop everything now,

see how that goes down. [phone ringing]

No.

I'm just trying to do my job.

Maybe you could do yours.

WOMAN: Excuse me.

What did you just say?

I said maybe I could try and help you do yours.

Over.

Hello, love.

You all right?

KELLY: (ON PHONE) No, I'm not.

Who was that?

Oh, just some woman who won't do her job properly.

What's going on, Kel?

KELLY: Mum's being a right cow, Dad.

Come.

What's happened?

KELLY: We were in the Indicating yeah.

Everything was fine.

We were even having a laugh for once.

And then she starts to serve dinner.

So I say, as a joke, can you not serve anything other

than tuna pasta bake?

But she just absolutely loses it.

Leave the table.

Go to your room.

I mean I'm 16, for God's sake.

Can you please speak to her, Dad?

I'm not with her.

You want me to [inaudible] your mum [inaudible]??

KELLY: Yeah. She's stressing me out.

I've got an English mark this week.

What on?

KELLY: Shakespeare. So lame.

"Taming of the Shrew."

I hate it.

That's the one about the angry daughter, isn't it, Kelloggs?

Am I right? (LAUGHING) It is, isn't it?

KELLY: Funny, Dad.

Oh, come on.

I'm only messing.

KELLY: I called you for a reason.

Kelly, I'm not gonna take sides.

We all know how that ends.

I mean you and your mom, what--

you know, let's be honest.

There's something different every week, isn't it?

KELLY: Yeah, it is.

Do you want to know what she did last week?

And this was in front of my friends Aisha and Collette,

right?

We were all just sitting here, having a nice time,

just getting ready to go out bowling.

But then she just walks in, and she's like, Kelly,

I don't think that you should be go out bowling tonight

because you've actually got lots of English revision to do.

Firstly, right, she has absolutely no idea

that I've been revising all day at school

and that we've just been sharing revision notes before.

But secondly, right, this isn't what it's about at all, yeah.

She's just got it in for Aisha, right, because Aisha's

in the year before.

But she just doesn't like-- I just-- ah.

Just because she's a little bit older.

And she's like, Aisha doesn't really wear the right type

of makeup, does she?

Like she gets worried like, oh, why are you wearing that?

Is that because Aisha wears that?

I don't think you should be wearing that out, Kelly.

And you know what? Whatever.

It's always just, Aisha makes you wear this eyeliner.

Aisha does--

[PHONE CHATTER CONTINUES IN BACKGROUND]

Whiskey one.

MAN: (ON RADIO) Whiskey one, go ahead.

We've got another jumper.

Uh multistory car park, Station Road.

MAN: There again, OK.

Roger that.

I'm sending a unit down.

SALLY: (ON PHONE) And you know what?

I've had enough of your attitude, OK?

KELLY: I'm the one with the attitude?

SALLY: Yes, you are the one with the attitude.

I've just spent ages washing that.

KELLY: I don't care.

SALLY: And you're just gonna throw it on the floor.

KELLY: I don't care. SALLY: You don't care?

KELLY: Yeah, it's my clothes. I can do-- it's my room.

I can do what I want.

SALLY: You can do what you want, can you?

KELLY: Yeah, I can do what I want.

SALLY: You do whatever you want.

KELLY: Yeah, I can do whatever I want.

SALLY: Look at the state of this room.

KELLY: Why do you care?

[PHONE CHATTER CONTINUES IN BACKGROUND]

Hello?

Hello.

Can you come away from there, please?

No, up here. Can you see the camera?

SALLY: Can you just go back in your room, please?

KELLY: Jake, this isn't yours.

SALLY: Jake, can you go back in--

don't speak to your brother like that.

KELLY: I will speak to my brother how I--

[phone muted]

[beeping]

MAN: (ON RADIO) Tango-2-4 to whiskey one.

Can we have a description of this jumper, please?

Over. - Yeah.

She's female.

She's Asian.

20, 25.

She's got a green parka on. Look, man.

She's right on the edge.

I don't know what to do here.

MAN: [inaudible] three minutes away.

Oh, fuck.

Love?

Can you just come back off the wall, please?

MAN: Tango-2-4 to whiskey one.

The lift's broken.

We're using the stairs. Over.

Are you kidding me?

Look, mate.

Be careful when you get up there, OK?

She's right on the edge.

Come on, mate.

Hurry up.

Love?

Ah, I wish I knew what to say.

Love, I want to help.

[music playing]

Love?

Sometimes things just creep up on you, don't they, like a fog?

Ay?

And you wanna talk to someone, but the words

just won't come out, will they?

Look.

I'm sure there are people who care about you,

you know, people who love you.

MAN: Try and keep her talking.

Yeah, I am. I am.

Look, mate.

She's right on the edge.

MAN: Whiskey one, where is she?

Whiskey one, come in.

Whiskey one.

Whiskey one.

[clock ticking]

One minute she was there, and the next minute she was gone.

I've done all that can happen.

No, I don't get it.

I'm not trained for this.

I mean how can you do something like that?

SALLY: (ON PHONE) I don't know, Carl.

People get desperate, and they just can't see any other way.

Carl, look, don't stay there all night.

Get someone else to cover your shift.

No.

I'm all right.

SALLY: He'd rather stay.

Don't get lost in there again, Carl.

Look, I've got stuff I've got to get on with.

Remember to call Jake.

[music playing]

[radio chatter]

Whiskey one.

WOMAN: (ON RADIO) Whiskey one, go ahead.

Those lads on the Elms, they're still at it, you know?

WOMAN: I thought I told you we'll look into it.

You're not gonna do anything about it?

WOMAN: It's not an emergency.

We don't have the manpower to act on that information

tonight.

Pointless.

[radio chatter]

All I'm doing is watching and watching.

WOMAN: He's unbelievable with all that attitude.

I reckon he's one of those who wanted to be a cop

but never made it in, you know.

But they still get to wear a uniform.

[inaudible]

[radio beeps off]

[music playing]

[dialing phone]

[phone ringing]

LEE: (ON PHONE) What's going on, mate?

You busy?

LEE: Yeah, [inaudible].

I [inaudible] already.

Look, mate.

I need you to help me with something.

[music playing]

Where are you?

Where are you?

LEE: I'm just pulling in now.

OK.

I can see you.

Go on.

LEE: Are you sure about this?

Yeah. Yeah.

I should have done it ages ago.

LEE: Oh, fuck.

OK.

Wait there. Wait there.

He's coming out the house.

Wait.

Shit.

I've only got one camera.

Shit.

Go on. It's OK.

It's OK. It's all right now.

He's gone. He's gone.

LEE: [inaudible] hey?

Right.

Keep your phone on, yeah?

And don't worry. I've got your back.

I'm watching you.

LEE: [inaudible] There's no bin.

Ay?

LEE: Oh, shit. There's nothing.

There's no bin.

Where are you? 24.

24, I said, you tit.

You're on the wrong side of the road.

Come on.

LEE: Now which bin is it?

The black one, that one there.

It's a little black baggy.

He put it round at the bottom.

LEE: (GRUNTING) Ah, ah.

[inaudible]

Ah, I've got it.

Have you got it?

LEE: I've got it.

All right.

Come on. Come on.

Let's go. Let's go.

Come on. Come on.

Hurry up.

Go, go, go, go.

Let's go.

Shit.

He's there.

He's there. Quick.

Hide it.

Hide it.

DEALER: [inaudible]

LEE: [inaudible]

DEALER: You looking for rocks?

LEE: Hey?

DEALER: You looking for weed?

LEE: No.

I'm looking for Campbell Place.

DEALER: Nah.

Never heard of it.

LEE: All right.

Wait there.

Wait there.

Wait there.

Go on. Go on.

He's gone.

Go, go, go, go, go. Go and get it.

Go and get it.

LEE: (LAUGHING) Jesus Christ.

Fuck me.

[inaudible] back in school.

[inaudible] ginger, remember?

Go on. Have a look.

Have a look inside it. LEE: Hey, what?

Here? - Yeah, yeah.

Go on. He's in the house.

You don't care. You've got time.

[inaudible] Oh my god.

There must be about two grand here, maybe three.

There's no gear though. - It's all right.

It's all right.

It's still evidence, right?

Just bring it back here as quick as you can.

And then I'll take it to the police station

as soon as I finish my shift.

Nice one, lad.

Well done.

I owe you a pint.

[music playing]

[radio chatter]

[phone ringing]

All right, mate?

LEE: Look, I've been thinking.

Well, that's a first for you, isn't it?

LEE: Those lads, right?

Well, they can't report this as stolen, can they?

Huh?

So basically it's a reminder, isn't it?

I don't believe you.

LEE: Oh, well now think about it.

It doesn't actually belong to anyone.

Have you ever wondered why I do this job?

LEE: No.

Why I sit here on my own every night?

LEE: No.

Well, I'll tell you why, shall I?

It's because someone has to do the right thing.

LEE: (LAUGHING) [inaudible]?

Carl, it's not stealing, mate.

Just think of it as recycling.

[phone ringing]

Look.

Just bring it back here like I told you.

[buzzing]

KELLY: Don't get many visitors, then?

CARL: Well, I wasn't expecting anyone, was I?

I just needed to get out of the house.

[inaudible] as well.

A cheeseburger and a large fries for you.

Mm hmm. [inaudible]

A chicken sandwich for me and a [inaudible]

barbecue sauce [inaudible].

[inaudible].

I'll have mine in a bit.

And Thanks, Kel.

Why are you filming that house?

Is there something going on?

Well, there was, but I've dealt with it, love.

Boring.

Drink?

Yeah.

Isn't there another guy who works up here with you though?

No.

Yeah.

He went ages ago.

Couldn't afford to keep him on.

Don't you get lonely up here on your own?

No.

No.

I've got plenty of company.

I'm being serious.

They're not real people, Dad.

Well, of course they are.

Yeah, but you don't actually know them.

They're strangers.

Well, I feel like I know them.

Was it like that with that woman who jumped?

[music playing]

Sorry.

I was um talking to my friend Aisha

about you, about your job.

And you know what she said?

She said, your dad's like an angel.

See, angels live up in the sky like you,

and they try and protect people too.

Well, um, I'll have to make you a set of wings, Dad.

Would you like that?

Oh my god.

You can wear them to work.

I'd love to see that.

Dad, what's going on?

Dad, what's wrong?

I'm sorry.

Sorry, love.

You're gonna have to go. You're on your bike?

Yeah.

Is it because I mentioned that woman?

I was just trying to make you feel better.

No, no, no, not at all. Not at all.

Come.

I'll give you a little call later, eh?

Eh?

[dialing phone]

[phone ringing]

Oh, come on, Lee.

Come on.

Where are you?

[phone ringing]

LEE: (ON PHONE) (LAUGHING) You change your mind?

Yeah.

It's got to go back.

LEE: What?

The money, it's gotta go back.

LEE: What are you talking about?

The little kid on the bike, they

just gave him a proper kicking.

LEE: So?

So they threw him in the boot of a car.

He's driven off.

I mean they could do anything to you.

LEE: Call the cops then.

Well, don't be stupid.

Think about it.

You know, I mean, show us the CCTV footage from earlier

on tonight on the Elms.

Who's the fellow with the bag, Carl?

Why didn't you report it, Carl? LEE: All right.

All right. Look.

I get it.

But why is this kid our problem, hey?

[music playing]

He's not.

He's mine.

LEE: Carl?

Carl, are you there, Carl?

Carl, mate, what's wrong?

[music stops]

[radio chatter]

[clock ticking]

[radio chatter]

[phone ringing]

Hello?

LEE: (ON PHONE) Have you seen me?

And where are you?

Yeah. Yeah.

I've got you.

I've got you.

I'm really sorry for getting you involved in this.

LEE: I just want to get it done and go home.

Yeah.

Let's just give them the bag back.

And then it'll all be over.

I promise.

OK?

Keep your phone on speaker.

[phone beeping]

[music playing]

DEALER 2: And who the fuck are you?

LEE: No one.

No one.

DEALER 2: What you doing around here?

LEE: I got this for you.

[yelling]

DEALER 2: Who the fuck are you?

Where'd you get that bag from?

Where the fuck did you get that bag from?

Where the fuck did you get that fucking bag from?

Get up.

Get up.

Get up.

[music playing]

Shit.

Who the fuck is Carl?

Who the fuck is Carl?

Oh, fuck.

[phone ringing]

Hello?

SALLY: (ON PHONE) You forgot.

Eh?

Forgot what?

SALLY: You forgot Jake.

He's just been standing here, waiting for you,

waiting for you to call him.

And I even reminded you this time, Carl.

Do you know what time it is?

He should have been in bed by now.

Sal, I'm sorry, love.

I just got a lot of stuff going on.

SALLY: Yeah.

Well, there's stuff going on here too.

Well, can I just call him tomorrow?

Ay?

JAKE: Hello.

Hello, Jake.

I'm sorry, son.

JAKE: Why didn't you remember?

I just keep getting things wrong, don't I?

JAKE: Sometimes.

Not always, though, Dad.

I'm not doing too well tonight.

JAKE: What do you mean?

[phone beeping]

Are you OK?

Can I call you tomorrow?

Ay.

Love you, son.

Good night.

[phone beeps]

All right, Lee?

DEALER 2: (ON PHONE) No, it's not Lee.

Ay?

DEALER 2: Yeah, yeah.

We've got Lee.

He's here with us.

Speak on the phone.

Speak on the fucking phone.

[inaudible] Yeah, Carl, [inaudible]..

Yeah.

But you've got it back now. It's all there, isn't it?

Not He didn't take none.

DEALER 2: Yeah.

But you've made a big mistake, mate.

Fucked up, haven't you?

I'm watching you.

Right now, I'm watching all of you.

DEALER 2: You are? Now what the fuck?

He says he can see us [inaudible]

Hey.

You better let him go.

DEALER 2: Nah, nah, nah, mate.

You're bluffing.

You got a fairy hat on.

DEALER 2: What? - Yeah.

You've just touched it.

DEALER 2: OK. I've got you.

CCTV man, yeah.

That's clever the way you're up there all nice and cozy

while your boy down here is taking all the risks.

Yeah, that's nice work, Carl.

It's what you fucking filmed.

I just saw you drop the bag in the bin.

That was it. Honest.

It was by accident.

DEALER 2: So why'd you bring it back then?

Because of the little lad, the kid on the bike,

he was getting the blame.

DEALER 2: OK. OK.

So you like to be the big hero, do you?

Yeah? - No.

[music playing]

Do it.

Do it. Do it.

Do what?

Do what?

What are you gonna do?

Oh.

I'm sorry, Lee.

[clock ticking]

[music playing]

[clock ticking]

[phone buzzing]

[music playing]

[phone ringing]

LEE: (ON PHONE) They're not gonna let this go.

DEALER 2: Tell him to come down, Lee.

LEE: They're asking me questions about you, bro, about Sally

and the kids, where they live.

I'm sorry, mate.

DEALER 2: Lee, fucking tell him to come down.

Please don't tell them about the kids and Sally.

Please don't tell them about the kids and Sally.

You better get down here, mate.

I'm scared. DEALER 2: All right.

Give me the fucking phone. LEE: I'm scared.

DEALER 2: You're a fucking grown man.

Things are only gonna get worse, Carl.

Yeah?

You wanna do the right thing, don't you?

This is your time, Carl.

It's time to step up.

[music playing]

[crying]

[phone ringing]

SALLY: Hi.

[inaudible] I'm sorry about earlier.

It's just Jake, he misses you, you know?

He needs his dad sometimes.

I know.

I'm sorry.

SALLY: Don't worry.

It's all right.

He'll be fine.

He'll be all right in the morning.

You know Jake, hey.

Oh, it's not that.

[inaudible],, can I ask you something?

SALLY: Yeah.

Of course you can.

Remember when you said you don't recognize me anymore?

SALLY: Look.

It's late.

You've had a really rough day.

When did I change?

SALLY: I don't want to do this now, Carl.

I can see you.

SALLY: What?

Are you outside?

Carl?

Carl?

I watch you, you know.

[inaudible] and watch you.

[music playing]

SALLY: Are you filming me?

Carl?

Carl, are you filming me?

Are you watching me?

Are you spying on me?

Carl?

Carl?

Carl, will you answer me, please?

Carl, will you say something?

Carl?

Carl, are you spying--

[inaudible] It's all right.

It's Carl.

It's fine.

Is Is he ever gonna stop calling?

I can see everything from up here.

It's like I'm almost [inaudible]..

[phone ringing]

KELLY: (ON PHONE) Dad, are you there?

(CRYING) Please answer the phone, Dad, if you can hear me.

Mum's crying.

We're all really, really worried about you.

Just let us know you're OK.

[music playing]

Carl, [inaudible].

Shut the fuck up and don't speak to him.

Get in the car, CCTV man.

I said, get in the fucking car.

Get in the fucking car.

Now get in the fucking car.

Now.

Get in there.

Get in there.

We know a lot about you and [inaudible]..

Don't be clever, yeah?

[music playing]

(SINGING) [inaudible] You, you, you, yeah.

[inaudible] high.

[inaudible] high.

[inaudible] high.

[inaudible] high.

The clicking of my fingers [inaudible]

I think I don't know the [inaudible]

[music playing]