Original subtitles

[no audible dialogue]

[radio chatter, indistinct]

[no audible dialogue]

[no audible dialogue]

-That’s my favorite. -An ice cream truck?

Come on. What tour has an ice cream truck?

-Thanks, hi. -Oh, my God! This is great.

So let’s see what you have.

-Pumpkin pie ice cream? -It’s awesome. It’s really good.

-Carrot cake. Honey, you love… -[man] They just ran out.

-They told me they just ran out. -No.

-All I have is bottled water now. -Wait. Chocolate covered pretzels?

-What a pushover you are. -I wanna taste the mocha-java.

-The mocha-java? -I’m trying to lose weight though.

But I’m gonna go for it anyway.

-[orchestra tuning, warming up] -[woman] Hi.

-Hi, girls. -Hi, Barbra.

Hi, guys. Hi, everybody.

Every time Barbra hits the road, she wants to say,

“What can I bring the audience? What can be special?”

[Barbra] Sit, Sammie.

[Jay-Alexander] And as her distinctive and instinctive musical tastes go to work,

Barbra finds it.

♪ Somebody crowd me with love ♪

-Was that the… -That was the slowdown.

But the drum was still going fast.

Right. You need to go to the new tempo after that.

There’s always a reluctance on her part to dive into one of these things.

Because it is such an enormous undertaking.

She really customizes the show.

Not only for the audience, but to keep herself interested.

♪ Don’t you do it ♪

That’s a good thing.

You never think, “My God, she doesn’t know what she’s singing about.”

You always feel there’s a truth in what she’s singing.

But I need that tremolo strings.

[vocalizing] It’s like, I want to feel like Papa is coming here.

-[synthesizer violin sound] -Yeah, like that. That’s beautiful.

♪ Watch me fly ♪

[song ends]

I don’t put on that much makeup really.

I just make it a little bit more dramatic.

I’ve done it from the beginning.

When I was doing Funny Girl , they said, “We’re gonna make you up.”

I said, “What?”

I said, “Well, let’s do a test. Let’s do two tests.

You make me up for one and I’ll make myself up for one.”

And they did agree with me that mine was better.

That’s that.

Okay.

[man on PA] Ladies and gentlemen, please be reminded the lights will dim promptly.

Only think about Act I. Do not worry about anything else.

-Act I. -One song at a time and enjoy it.

[man on PA] Take your seats. The show is about to begin. Thank you.

-[all chattering] -One more time.

Okay. Stand by, house lights. Stand by, Pro Tools and video.

House lights out. Go.

[indistinct]

-[crowd cheering] -Pro Tools and video. Go.

[drumroll]

There’s a nervousness that she’s had all of her life.

Primarily because she likes to really be in control.

And when you’re performing, you’re not in control.

“I always could do better,” she’ll say.

“Why did I go for that note instead of that note?

Why did I wear this dress instead of that dress?”

It’s always a continual frustration on her part

that something else could’ve been done to make it better.

[instrumental: “People”]

[crowd cheering]

[music continues]

[no audible dialogue]

[music ends]

Whoo!

Oh, that’s so nice. Thank you.

Whoo!

[chuckles]

So sweet, so sweet.

Thank you and welcome.

[cheering]

Oh.

And this is what the evening is all about.

[piano intro]

[man shouts, indistinct]

[humming]

[continues humming]

[continues humming]

You can close your mouth now. [laughing]

♪ Ooh, it’s about mem’ries ♪

♪ Light the corners of my mind ♪

♪ Misty watercolor mem’ries ♪

♪ Of the way we were ♪

♪ Yes, those scattered pictures ♪

♪ Ooh, of the smiles we left behind ♪

♪ Smiles we gave to one another ♪

♪ For the way we were ♪

♪ Can it be that it was all So simple then? ♪

Can it be?

♪ Or has time rewritten every line? ♪

♪ If we had the chance To do it all again ♪

♪ So tell me, would we? ♪

Yes!

♪ Could we? ♪

Yes!

♪ Mem’ries ♪

♪ May be beautiful and yet ♪

♪ What’s too painful to remember ♪

♪ We simply choose to forget ♪

♪ So it’s the laughter ♪

♪ The laughter we’ll remember ♪

♪ Whenever we remember ♪

♪ The way we were ♪

♪ The way we were ♪

♪ Mem’ries ♪

[vocalizing]

[song ends]

My gosh!

Thank you. Thank you so much. Thank you.

You know, it’s been a very interesting time in the news recently.

[crowd laughs]

But I’m not going there.

[laughter]

’Cause we’d be here all night, you know.

Uh, let me just say that music transcends politics.

[cheering]

And for me, in between planning this show and rehearsals,

I’ve been writing a book,

an autobiography this time.

And I thought I’d better do it now

before my memory gets any more misty and watercolored, you know.

So anyway, and writing this book reminded me

of how much I’ve enjoyed making records all these years.

And one of the reasons is that--

One of the reasons is that I’m in control of my own work.

And my brilliant manager, Marty Erlichman,

who’s been with me since I was 19 years old…

negotiated a fantastic contract, a first contract with a record label,

that allowed me to have full creative control,

even down to the artwork of my album covers.

And it was good because the record company came up with a title for my first album,

- Sweet and Saucy Streisand . -[laughter]

-Sounds like a barbecue sauce, you know? -[laughter]

But Marty is here tonight. He’s been my manager for over 50 years and, uh--

[applause, cheering]

Hey, Marty!

And to give you an idea of how long that was,

-it was when a tweet was what a bird did, -[laughter]

and the only people who had cell numbers were in jail.

[laughter]

So when we were putting this show together,

Marty told me something that gave me an idea for the first act.

He told me that I had 10 number-one albums

-in, uh-- over six decades, he said. -[applause]

It’s okay. I didn’t mean to have applause there, but it’s just a fact.

And I thought, “My God, have I been around that long?”

[laughter]

I guess so. So tonight I’m going to do a song

-from each one of those albums. -[cheering]

And the next song is from A Star is Born .

[cheering]

[indistinct]

And if you’re wondering what I was wearing during that shoot…

it was Musk.

[laughing]

I loved making this movie in the 1970s

when women were beginning to really assert their need for equality.

And I wanted the female character to own that feminist spirit.

And this was my philosophy then,

and it still is now.

♪ I want to learn ♪

♪ What life is for ♪

♪ I don’t want much ♪

♪ I just want more ♪

♪ Ask what I want ♪

♪ And I will sing ♪

♪ I want everything ♪

♪ Everything ♪

♪ I’d cure the cold ♪

♪ And the traffic jam ♪

♪ Now, if there were floods ♪

♪ I’d give a damn ♪

♪ I’d never sleep ♪

♪ I’d only sing ♪

♪ Let me do everything ♪

♪ Everything ♪

♪ I’d like to plan a city ♪

♪ And play the cello ♪

♪ Play at Monte Carlo ♪

Yes!

-♪ Play Othello ♪ -[vocalizing]

♪ Move into the White House ♪

♪ Paint it yellow ♪

♪ Speak Portuguese and Dutch ♪

♪ And if it’s not too much ♪

♪ I’d like to have the perfect twin ♪

♪ One who’d go out as I came in ♪

♪ I’ve got to grab the big brass ring ♪

♪ So I’ll have everything ♪

♪ Everything ♪

♪ I’m like a child who’s set free ♪

♪ At the fun fair ♪

♪ Every ride invites me ♪

♪ And it’s unfair ♪

-♪ Saying that I only ♪ -[vocalizing]

♪ Get my one share ♪

♪ Doesn’t seem just ♪

♪ I could live as I must ♪

♪ If they’d give me the time ♪

♪ To turn the tide ♪

♪ And always save room ♪

♪ For hope inside ♪

♪ I only know that love can bring ♪

♪ More of everything ♪

♪ Much more of everything ♪

♪ Then I’ll have everything ♪

♪ Then I’ll have everything ♪

♪ Everything ♪

♪ And then I’ll have ♪

♪ Everything ♪

[song ends]

Oh, good. Thank you.

Thank you so much.

I think we all want everything, don’t we? Right?

Family life, work.

I’ve been blessed that so many of my dreams have come true.

So all you little girls out there,

even if you want to be president of the United States,

don’t stop dreaming.

Nothing’s impossible.

Now, back to history.

In 1974, there was a lot of social unrest in the country.

And songwriters were writing about it.

Carole King wrote this one that spoke to the times.

And sadly, it still kind of does.

[up-tempo intro]

[instrumental]

♪ Everyone comes from ♪

♪ One father one mother ♪

♪ So why do we complicate Our lives so much? ♪

♪ By being at war with each other ♪

[vocalizing]

♪ Maybe I’m crazy ♪

♪ But I don’t understand it ♪

♪ Why do we seem to vote To dig more holes ♪

♪ It’s such a waste of a planet ♪

♪ There must be a reason ♪

♪ That I can’t see ♪

♪ Maybe somebody else knows ♪

♪ Knows better than me ♪

♪ All I know is ♪

♪ Everyone else is ♪

[vocalizing]

♪ A sister or brother ♪

♪ So we’ve got to look around again And stop ♪

♪ Being at war with each other ♪

♪ Being at war ♪

♪ With each other ♪

[vocalizing]

♪ Maybe I’m crazy ♪

♪ But I don’t No, I don’t understand it ♪

♪ There must be a reason ♪

♪ There must be a reason ♪

♪ There must be a reason ♪

♪ There must be a reason ♪

♪ That I can’t see ♪

♪ Maybe somebody else knows ♪

♪ Better than me ♪

♪ All I know is ♪

[vocalizing]

♪ Everyone else is ♪

[vocalizes]

♪ A sister or brother ♪

♪ So we’ve got to look around again And stop ♪

♪ Being at war with each other ♪

♪ Being at war ♪

♪ With each other ♪

[song ends]

[drums, disco beat]

I sang this one when I was trying to be hip, you know, in the ’70s.

I love Donna Summer.

♪ Don’t put up with his stuff Don’t you do it ♪

♪ Don’t you do it ♪

♪ Now if you’ve had your fill Get the check pay the bill ♪

♪ You can do it ♪

♪ Tell him to just get out ♪

♪ Nothing left to talk about ♪

♪ Pack his raincoat, show him out ♪

♪ Just look him in the eye And simply shout ♪

♪ Enough is enough, is enough ♪

♪ I can’t go on I can’t go on no more, no ♪

♪ Enough is enough, is enough ♪

♪ I want him out I want him out that door now ♪

♪ I always dreamed I’d find the perfect lover ♪

♪ But he turned out to be ♪

♪ Like every other man I’ve loved ♪

-♪ I had no choice from the start ♪ -♪ I’ve loved ♪

♪ I’ve loved ♪

-♪ I have to listen, but my heart ♪ -♪ I’ve loved ♪

♪ Tearing us apart ♪

♪ I’ve loved ♪

♪ Enough is enough, is enough ♪

♪ I can’t go on I can’t go on no more, no ♪

♪ Enough is enough, is enough ♪

♪ I want him out I want him out that door now ♪

♪ Enough is enough, is enough ♪

♪ Is enough, is enough, is enough ♪

♪ Is enough, is enough, is enough ♪

-[song ends] -Like this?

[muttering, laughs]

Wow!

I’m so glad you like that.

How about my girls, right? I always wanted to sing with backup girls.

Meet Andrea, Stevvi, and Amy.

Oh, my God.

Thank you, girls.

Now, for my next song.

Oh, yes.

Yes, uh, it’s funny. When I wrote the melody to this song,

I had no idea it would become a hit.

It actually was Marty who said, when I played it for him,

“That’s gonna be a hit.” I thought he was kidding, you know.

But it took me, gosh, almost a year, to learn how to play the guitar

for a scene in A Star is Born .

And I cut it out, stupidly, actually,

because I wanted to move the picture along, you know, so--

I’ll show you a little bit more of it, okay?

If you don’t like it, I’d like you to tell me, okay?

Mm-hmm. I will tell you.

If you laugh, I’ll kill you.

I promise I won’t laugh.

Okay.

Take a breath, Barbra. That’s right.

[humming]

[humming continues]

So that was… of course before it had words.

[humming]

[continues humming]

-♪ Love ♪ -[man] Sing it, Barbra!

Thank you.

♪ Soft as an easy chair ♪

♪ Love ♪

♪ Fresh as the morning air ♪

♪ One love ♪

♪ That is shared by two ♪

♪ I have found with you ♪

♪ Like a rose ♪

♪ Under the April snow ♪

♪ I was always certain love would grow ♪

♪ Love ♪

♪ Ageless and evergreen ♪

[backup singers] ♪ Evergreen ♪

♪ Seldom seen by two ♪

♪ You and I ♪

♪ Will make each night a first ♪

♪ And every day a beginning ♪

[backup singers] ♪ Ooh, spirits rise ♪

♪ Spirits rise ♪

♪ And their dance is unrehearsed ♪

♪ They warm and excite us ♪

♪ ’Cause we have the brightest love ♪

♪ Two lights that shine as one ♪

♪ Morning glory ♪

♪ And the midnight sun ♪

♪ Time, we’ve learned to sail above ♪

-♪ Time ♪ -♪ Time won’t change ♪

♪ The meaning of ♪

♪ One love ♪

♪ Ageless and ever ♪

♪ Evergreen ♪

♪ So evergreen ♪

[song ends]

I’m so glad you like that. Thank you.

[cheering]

[man] We love you, Barbra!

Thank you. Thank you. I’m feeling the love. I am, I am, I am.

It’s wonderful.

Wonderful to feel it.

Thank you, thank you.

I’ve known songwriters Marilyn and Alan Bergman for, oh, my gosh,

since I was 18 years old.

And over the years, I’ve recorded, I’d say,

well, at least 60 songs of theirs.

And when they wrote “You Don’t Bring Me Flowers,” uh…

[cheering]

Neil Diamond and I each recorded it on our own solo albums.

And here’s the interesting part.

There was a deejay in Kentucky

who was going through a divorce

and the lyrics really moved him.

And he discovered that both of our versions were in the same key.

So he decided to splice them together,

kind of like a dialogue between him and his wife, I think,

and it’s been good for florists ever since.

[laughter]

[ballad]

♪ You don’t bring me flowers ♪

♪ You don’t sing me love songs ♪

♪ You hardly talk to me anymore ♪

♪ When I come through the door At the end of the day ♪

♪ I remember when ♪

♪ You couldn’t wait to love me ♪

♪ You used to hate to leave me ♪

♪ Now after lovin’ me late at night ♪

♪ When it’s good for you ♪

♪ And you’re feeling all right ♪

♪ Well, you just roll over ♪

♪ And turn out the light ♪

[chuckling] ♪ And you don’t bring me flowers ♪

♪ Anymore ♪

♪ It used to be so natural ♪

♪ To talk about forever ♪

♪ But used-to-bes don’t count anymore ♪

♪ They just lay on the floor Till we sweep them away ♪

♪ And baby, I remember ♪

♪ All the things you taught me ♪

♪ I learned how to laugh ♪

♪ And I learned how to cry ♪

♪ Well, I learned how to love ♪

♪ I, I even learned how to lie ♪

♪ So you’d think I could learn ♪

♪ How to tell you ♪

♪ Good-bye ♪

♪ ’Cause you don’t say you need me ♪

♪ You don’t sing me love songs ♪

♪ And you don’t ♪

♪ Bring me flowers ♪

♪ Anymore ♪

[song ends]

[indistinct]

Thank you, what a great audience.

Thank you so much.

Thank you.

This next one is The Broadway Album , right, behind me?

Well, this cover has a little story behind it too.

The chair that I’m sitting in

is a reference to the fact that in my first Broadway show,

I Can Get It for You Wholesale ,

I played a character named Miss Marmelstein.

Some of you saw it?

Really?

Whoa.

She was a secretary who sang about her plight, you know,

while seated in a rolling secretarial chair.

And if you wanna know more about that chair,

you’re gonna have to wait to read about it in my book.

[laughter]

Because the chair actually has its own chapter.

[laughter]

In 1986, I said that I wanted to do an album of Broadway songs.

They said, “Why would you do that? You know,

your last pop albums, Guilty , Superman , they were hits.

Why do you want to do something different?”

They said, “Nobody wants to hear old”-- How did they say? “Show tunes.”

“Old show tunes. They won’t sell. They’re out of date.”

But I loved the idea

of going back to my theatrical roots.

So I made the record anyway.

And I have to admit,

it was a really good feeling when it went to number one.

[cheering]

Because in my opinion, this kind of music will never be out of date.

[applause]

And thank God, most of you agree.

And recording The Broadway Album

gave me a chance to work closely with Stephen Sondheim,

who wrote this next song from Company .

It takes place in New York City.

It’s the main character’s birthday.

And he’s surrounded by his friends, but he still feels alone.

And he realizes that he’s never really been in love, you know.

And he’s at a point in his life where

he’d just like to feel something, anything.

And his friends say, “Bobby, what you need is…”

♪ Someone to hold you too close ♪

♪ Someone to hurt you too deep ♪

♪ Someone to sit in your chair ♪

♪ And ruin your sleep ♪

♪ And make you aware ♪

♪ Of being alive ♪

♪ Someone to need you too much ♪

♪ Someone to know you too well ♪

♪ Someone to pull you up short ♪

♪ And put you through hell ♪

♪ And give you support for being alive ♪

♪ Being alive ♪

♪ Make me alive ♪

♪ Make me confused ♪

♪ Mock me with praise ♪

♪ Let me be used ♪

♪ Oh, vary my days ♪

♪ But alone is alone ♪

♪ Not alive ♪

♪ Somebody crowd me with love ♪

♪ Somebody force me to care ♪

♪ Somebody make me come through I’ll always be there ♪

♪ As frightened as you To help us survive ♪

♪ Being alive ♪

♪ Being alive ♪

♪ Being alive ♪

♪ Yes, being alive ♪

[song ends]

Whoo! [chuckles]

You’re wonderful.

Thank you. Thank you so much.

I love directing movies.

To be a director, you know, you have to have a vision. You have to…

Well, you have to like telling people what to do.

[laughing]

That’s actually your job.

Your job is telling people what to do and that suits me fine.

[laughter]

Seriously, I’m eternally grateful as an actress

that my first movie

was directed by one of the world’s greatest directors, William Wyler.

I adored Willy.

Willy guided his films with a firm hand and a clear vision.

But he also encouraged me to express my ideas.

Some he liked, some he didn’t.

But he was always willing to listen.

And over the years, with every film I made as an actress,

I got more and more interested in the technical aspects of filmmaking.

Especially cinematography, actually.

’Cause I had a wonderful cameraman named Harry Stradling.

And he lit my first four films.

And he loved what he did and always encouraged me to direct.

But it took 14 years to get my first film on the screen as a director.

But I loved the challenge of how to tell a story.

Most of all, getting the best performances out of the actors.

This was Sydney Pollack from The Way We Were .

That was during Nuts .

Interesting movie, wasn’t it?

That’s Andrzej Bartkowiak, my wonderful cameraman.

And this was on the set of The Prince of Tides .

With my son, my dear son, Jason, who was so good.

And Nick Nolte and Blythe Danner, who were so great to work with.

[man shouts] You should’ve got an Oscar.

This is Nick, always trying to make me laugh.

And this is my dear Pat Conroy teaching me the shag.

And this is, uh, The Mirror Has Two Faces with the great Jeff Bridges.

And my dear friend Marvin Hamlisch, who scored the movie.

-[crowd cheering] -But…

Wow, that’s so nice.

But the movies that I’ve directed were all labors of love for me.

But I have a special fondness for Yentl , of course, because…

[crowd cheering]

It was a movie set in 1904.

And it’s the story of a woman who didn’t want to get married.

She wanted to get an education,

which was denied to her simply because of her gender.

Directing Yentl was a very gratifying experience for me in so many ways.

I guess it’s true what they say too. “There’s nothing like your first time.”

[laughter]

In this song…

Yentl’s father has just died.

She sets off to pursue her dream.

And it’s her first night alone in a forest.

♪ God ♪

♪ Our heavenly father ♪

♪ Oh, God ♪

♪ And my father ♪

♪ Who’s also in heaven ♪

♪ May the light Of this flickering candle ♪

♪ Illuminate the night ♪

♪ The way your spirit ♪

♪ Illuminates my soul ♪

♪ Papa, can you hear me? ♪

♪ Papa, can you see me? ♪

♪ Papa, can you find me in the night? ♪

♪ Papa, are you near me? ♪

♪ Papa, can you hear me? ♪

♪ Papa, can you help me Not be frightened? ♪

♪ Looking at the skies ♪

♪ I seem to see a million eyes ♪

♪ Which ones are yours? ♪

♪ Where are you now that yesterday Has waved good-bye ♪

♪ And closed its doors? ♪

♪ The night is so much darker ♪

♪ The wind is so much colder ♪

♪ The world I see is so much bigger ♪

♪ Now that I’m alone ♪

♪ Papa, please forgive me ♪

♪ Try to understand me ♪

♪ Papa, don’t you know I had no choice? ♪

♪ Can you hear me praying? ♪

♪ Anything I’m saying? ♪

♪ Even though the night Is filled with voices ♪

♪ I remember everything you taught me ♪

♪ Every book I’ve ever read ♪

♪ Can all the words in all the books ♪

♪ Help me to face what lies ahead? ♪

♪ The trees are so much taller ♪

♪ And I feel so much smaller ♪

♪ The moon is twice as lonely ♪

♪ And the stars are half as bright ♪

♪ Papa, how I love you ♪

♪ Papa, how I need you ♪

♪ Papa, how I miss you ♪

♪ Kissing me ♪

♪ Good night ♪

[thunder rumbling]

♪ Papa, I can hear you ♪

♪ Papa, I can feel you ♪

♪ Papa, how I love you ♪

♪ Papa ♪

♪ Watch me fly ♪

[song ends]

[instrumental]

[mouthing word]

[instrumental music ends]

Thank you for calling Joe’s Stone Crab takeaway. Can I help you?

Hi, it’s Barbra.

Oh, Ms. Streisand. How are you? I didn’t realize it was you on the phone.

I’m in between acts, Charlie,

but I wanna make sure you got my order for after the show.

Yes, five orders of large stone crabs.

Mustard sauce, one of Joe’s famous coleslaw.

You know that fried chicken you have on the kids’ menu?

- A few orders of that too, okay? -Great.

Can you deliver it to the hotel?

Not a problem. We’ll have the order set up and ready for you very shortly.

- Perfect. -Yes.

Enjoy your stay in Miami and we always look forward to seeing you here at Joe’s.

- Take care, Charlie. -You too.

[crowd cheering]

[instrumental: “People”]

Thank you.

You like it?

You got it. [chuckling]

-[man shouts, indistinct] -Oh.

-Thank you, thank you, thank you. -[crowd] Hello, gorgeous!

-[woman] Hello, gorgeous! -“Hello, gorgeous” to you too.

So, does the world ever frighten you?

It frightens me sometimes.

Especially what’s happening to our planet.

We’re experiencing the hottest temperatures on record.

But you know that already.

Our lakes are drying up.

The bees that are responsible for our food supply,

beautiful butterflies are disappearing.

The glaciers are melting.

Polar bears are stranded.

Our marine life is dying.

Storms are becoming more extreme.

The oceans are filling up with garbage.

We’re tampering with the very gentle balance of nature.

But I think change starts from within.

So when I’m feeling anxious…

what I do is I just close my eyes…

make a wish…

I go into my mind

and create the world the way I want it to be.

♪ Come with me ♪

♪ And you’ll be ♪

♪ In a world of pure imagination ♪

♪ Take a look ♪

♪ And you’ll see ♪

♪ Into your imagination ♪

♪ We’ll begin ♪

♪ With a spin ♪

♪ Traveling in the world of my creation ♪

♪ What we’ll see ♪

♪ Will defy ♪

♪ Explanation ♪

♪ If you wanna view paradise ♪

♪ Simply look around and view it ♪

♪ Anything you want to, do it ♪

♪ You wanna change the world ♪

♪ There’s nothing to it ♪

♪ There is no life I know ♪

♪ To compare with pure imagination ♪

♪ Living there you’ll be free ♪

♪ If you truly wish ♪

♪ To be ♪

[vocalizing]

[vocalizing continues]

♪ If you want to see magic lands ♪

♪ Close your eyes and you will see one ♪

♪ You wanna be a dreamer, be one ♪

♪ Anytime you please ♪

♪ And please save me one ♪

♪ There is no place to go ♪

♪ To compare with pure imagination ♪

♪ So go there to be free ♪

♪ If you truly wish to be ♪

[vocalizing]

♪ So go there ♪

♪ To be free ♪

♪ If you truly wish ♪

♪ To be ♪

[vocalizing]

[song ends]

Yes, yes, it’s true.

I recently learned that,

uh, 375 scientists,

the world’s leading scientists, I mean, including 30 Nobel Prize winners,

have stated that climate change is very real. And--

[applause]

Even the Pentagon says that it poses immediate risks

to our national security.

So attention must be paid.

[applause]

Now, earlier this year, I released an album called Encore ,

-which… -[cheering]

which is a collection of Broadway duets with movie actors who sing.

And some of the songs have dialogue,

and I was really thrilled when it opened at number one on the chart,

which makes it 11, but who’s counting?

And that’s why I needed, you know, great actors

like Alec Baldwin, Anne Hathaway,

Melissa McCarthy, Hugh Jackman.

-Yeah, I got to sing with Wolverine. -[laughter]

I thought I had long nails, you know.

But what a cast. It was so much fun.

I mean, I thought I would show you a little behind-the-scenes video

so you can see what I mean, okay?

Surprise!

Hey.

When I heard Barbra Streisand wanted to work with me,

it honestly shocked the hell out of me, it still shocks me.

I thought, “Oh, God. This must be some mistake.” But here I am.

[chuckles] At first, I thought she wanted to make an album just with me, which I--

As flattered as I was, I knew there must be a mistake there somewhere.

I tell you what, man. She’s on top of it, baby.

-Quincy. -Yeah, man.

-All right. -That’s right.

Man, you got to be on point, man.

I can’t wait for my mom to see this. ’Cause my mom’s straight hood.

“Ooh, Barbra. Ooh, you was at Barbra Streisand’s.

Ooh, I love her.”

The voice of Barbra is extraordinary.

It’s just velvet.

[Barbra] Anne, you look beautiful.

-Thank you. -Beautiful.

When I got the e-mail about it, my wife, who’s the biggest Streisand fan.

She read it and she screamed.

I was like, “I don’t know how on earth this has happened.”

And she goes, “But you’re doing it!” I said, “Of course I’m doing it.”

Once I got over the shock, I was so, so thrilled.

You know, maybe try one a little bit more exasperated.

-Takes you a long time to figure it out. -Yeah. She’s a little… you know.

Barbra, you have to stop riding me. Jesus!

-This is my friend, Melissa. -Crazy.

I’m Barbra, and, uh--

I don’t know if you really have to introduce yourself to anyone.

-Well, I’m humble. -I’m just saying.

You know, I heard you had a Starbucks in your house.

-You heard what? -All the employees have to wear cashmere.

[laughing]

I absolutely loved having her direct me.

It feels fun, and yet you know that what she’s saying, you’re in good hands.

Beautiful, a thing of beauty.

I think I was as nervous being directed by her as I was singing with her.

But she was great. I went from being like, “I can’t do it.”

To like, “Yeah, okay. I fit here somehow.”

And it worked out.

♪ Any part you can play I can play better ♪

-Whoo, good. -Now you sing--

-Yeah? -Yeah, that was good.

Let me just have this moment.

[laughter]

[Barbra] Oh, she was so cute. Thank you, thank you.

The next song from the new album is very personal to me.

Uh, my duet partner, Anthony Newley,

was a close friend, a great entertainer

and he performed this song in a Broadway show that he cowrote

called The Roar of the Greasepaint, the Smell of the Crowd .

♪ Who can I turn to? ♪

♪ When nobody needs me ♪

♪ My heart wants to know ♪

♪ And so I must go ♪

♪ Where destiny leads me ♪

♪ With no star to guide me ♪

♪ And no one beside me ♪

♪ I’ll go on my way and after the day ♪

♪ The darkness will hide me ♪

♪ And maybe tomorrow ♪

♪ I’ll find what I’m after ♪

He had such a great voice.

♪ I’ll throw off my sorrow ♪

♪ Beg, steal, or borrow My share of laughter ♪

♪ With you I could learn to ♪

♪ With you on a new day ♪

♪ But who can I turn to If you turn away? ♪

Tony had many layers.

He was a complex man,

but yet he could be very childlike.

He was extremely sensitive

and he was someone who felt deeply.

♪ With no star to guide me ♪

♪ And no one beside me ♪

♪ I’ll go on my way and after the day ♪

♪ The darkness will hide me ♪

-♪ And maybe tomorrow ♪ -♪ Maybe tomorrow ♪

-♪ I’ll find what I’m after ♪ -♪ Will I find it? ♪

♪ I’ll throw off my sorrow ♪

♪ I may have to borrow ♪

♪ My share of laughter ♪

♪ With you I could learn to ♪

♪ With you I could learn to ♪

-♪ With you on a new day ♪ -♪ With you on a new day ♪

♪ But who can I turn to If you turn away? ♪

♪ Don’t turn away ♪

♪ Who can I turn to ♪

♪ If you turn ♪

♪ Away? ♪

[vocalizing]

♪ Don’t turn away ♪

♪ Who can I turn to? ♪

[crowd cheering]

I’m glad you like that.

Did you ever carry a torch, anybody here?

I’m not talking about the one like they light at the Olympics.

I mean in the heart.

-[woman] Yeah. That’s for you, Barbra. -Yeah, see?

Oh, that’s nice.

Uh, but it’s one that continues to burn

for that person who got away.

And that’s the kind of heartburn you can’t get rid of with a Zantac, you know.

Let me tell you.

This next song is from a show called Follies and…

the character is carrying one of those torches

for someone that she just can’t get out of her head.

♪ The sun comes up ♪

♪ I think about you ♪

♪ The coffee cup ♪

♪ I think about you ♪

♪ I want you so ♪

♪ It’s like I’m losing my mind ♪

♪ The morning ends ♪

♪ I think about you ♪

♪ I talk to friends ♪

♪ And think about you ♪

♪ And do they know? ♪

♪ It’s like I’m losing my mind ♪

♪ All afternoon doing every little chore ♪

♪ The thought of you stays bright ♪

♪ Sometimes I stand In the middle of the floor ♪

♪ Not going left ♪

♪ Not going right ♪

♪ I dim the lights ♪

♪ And think about you ♪

♪ Spend sleepless nights ♪

♪ To think about you ♪

♪ You said you loved me ♪

♪ Or were you just being kind? ♪

♪ Or am I losing my mind? ♪

♪ All afternoon doing every little chore ♪

♪ The thought of you stays bright ♪

♪ Sometimes I stand In the middle of the floor ♪

♪ Not going left ♪

♪ Not going right ♪

♪ I dim the lights ♪

♪ And think about you ♪

♪ Spend sleepless nights ♪

♪ To think about you ♪

♪ You said you loved me ♪

♪ Or were you just ♪

♪ Being kind? ♪

♪ Or am I losing ♪

♪ My mind ♪

[inhales]

[vocalizing]

[applauding, cheering]

[Barbra chuckles]

Thank you.

Thank you. Thank you so much.

A few years ago,

I went to Lincoln Center for this lovely tribute event.

I kind of enjoyed it. Well, it was a tribute to me.

-[laughter] -So, uh…

It was, uh, the Charlie Chaplin Award, which I really love.

And my friend, Liza Minnelli, performed a song there for me.

It was so beautiful, the song.

But I couldn’t place where it was from, you know, or why she was singing it.

I just didn’t recognize it.

So I asked her after the show. I said, “Liza, why did you sing that song?

I mean, it was familiar, but why?”

She said, “Barbra, you sang it in Funny Lady .”

[laughter]

Hello.

So as you may know, in the story of Funny Girl , uh,

Nicky leaves Fanny, right?

At the end of Funny Girl .

And in Funny Lady , she meets this guy called Billy Rose,

a theatrical kind of impresario of sorts.

He’s funny, brash, kind of like Fanny herself.

And in her own words,

Fanny said she was in love, madly in love with Nick.

But she was just “in like” with, uh, Billy Rose, you know.

And out of loneliness, trying to forget the elegant Nicky Arnstein,

she marries Billy anyway.

And this scene, uh…

where this song comes from, is on a train and it’s their honeymoon.

He leaves the compartment for a moment

and she’s trying to convince herself that she’s made the right decision.

♪ I loved a man ♪

-[scattered applause] -♪ Truly I did ♪

-You must be big fans. -[laughter]

♪ When he would touch me I’d act like a love-hungry kid ♪

♪ Isn’t this better? ♪

♪ He’s somebody nice ♪

♪ Somebody new ♪

♪ Someone who lets me react As I normally do ♪

♪ Isn’t this better, better? ♪

♪ Passion is fine ♪

♪ But passion burns fast ♪

♪ Passion’s design seems never to last ♪

♪ Better a match ♪

♪ Better a blend ♪

♪ Who needs a lover? ♪

♪ I need a friend ♪

♪ And now I am calm ♪

♪ Safe and serene ♪

♪ Heartache and hurt Are no longer a part of the scene ♪

♪ Isn’t this better? ♪

♪ The way it should be ♪

♪ Better for him ♪

♪ And oh, so much better ♪

♪ For me ♪

Nick Arnstein actually appears again in Funny Lady .

He’s come backstage after seeing her show.

And Fanny thinks, “Oh, my God.

Maybe he wants to get back together again.”

There’s a scene in her dressing room

where he puts his hand on her shoulder and…

she sees a wedding ring…

on his finger and, uh…

she realizes he’s never coming back.

But Fanny wasn’t the type of gal to, uh,

to wallow in misery.

So she will go on.

She’ll do another show and another show after that,

as she tries to forget him.

[vocalizing]

-♪ Ain’t she got fun? ♪ -[vocalizing]

[vocalizing] ♪ She’s the luckiest one ♪

♪ Oh, every night’s a party Where the fun never ends ♪

♪ You can circle the globe With my circle of friends ♪

♪ Someone I am crazy for is crazy for me ♪

♪ I’m his personal pet ♪

♪ Wow, how lucky can you get? ♪

[vocalizing] ♪ Ain’t she got fun? ♪

♪ Yeah, yeah ♪

[vocalizing] ♪ She’s the luck-- the luck-- the luck-- ♪

You sound like a broken record, girls.

[singing stops]

The luck, the luck!

You think it’s fun being famous?

Having a big career?

Everybody recognizing you?

Having people ask you for autographs when you’re eating spare ribs?

[laughter]

Well, let me tell you what it’s really like.

It’s “fan-fucking-tastic.”

[laughing, cheering]

♪ Hey, there, gorgeous ♪

[backup singers vocalizing]

♪ Big success ♪

[vocalizing]

♪ What’s your secret, gorgeous? ♪

[vocalizing]

♪ Just lucky, I guess ♪

[vocalizing]

♪ Satin on my shoulder And a smile on my lips ♪

♪ Money in my pocket Right at my fingertips ♪

♪ Wrap it up and charge it That’s my favorite phrase ♪

♪ When I see the chauffeur Think I’ll give him a raise ♪

♪ How lucky ♪

♪ Life’s a bed of roses Whirling perfume on me ♪

[cheering]

♪ You can spare me the blues ♪

♪ I don’t sing in that key ♪

♪ And if there’s a man who’d leave me ♪

♪ I am happy to say ♪

♪ I haven’t run into him yet ♪

[vocalizing]

♪ Gee, wee, wow ♪

♪ How lucky ♪

♪ How lucky can you ♪

♪ Get ♪

♪ I’m so lucky ♪

[vocalizing]

[cheering]

[cheering continues]

[no audible dialogue]

Thank you.

Thank you so much.

Wow, don’t fall out of those chairs.

[chuckles]

Yeah.

Going back to the younger Fanny,

before she married Nicky.

Boy, was she in love with him.

But everybody told her, even her family, her friends, her girlfriends, you know,

that he was undependable,

he was a gambler, he was a womanizer.

-Ever think about what it meant to him? -[all chattering]

Stop it! Don’t tell me.

♪ Don’t tell me not to live Just sit and putter ♪

♪ Life’s candy And the sun’s a ball of butter ♪

♪ Don’t bring around a cloud To rain on my parade ♪

♪ Don’t tell me not to fly I’ve simply got to ♪

♪ If someone takes a spill It’s me, not you ♪

♪ Who told you you’re allowed To rain on my parade? ♪

♪ I’ll march my band out ♪

♪ I’ll beat my drum ♪

♪ And if I’m fanned out ♪

♪ Your turn at bat, sir ♪

♪ At least I didn’t fake it ♪

♪ Hat, sir, I guess I didn’t make it ♪

♪ Get ready for me, love ♪

♪ ’Cause I’m a comer ♪

♪ I simply gotta march My heart’s a drummer ♪

♪ Don’t bring around a cloud To rain on my parade ♪

♪ I’m gonna live and live now ♪

♪ Get what I want, I know how ♪

♪ One roll for the whole shebang ♪

♪ One throw, that bell will go clang ♪

♪ Eye on the target and wham ♪

♪ One shot, one rim shot, and bam ♪

♪ Hey, Mr. Arnstein ♪

♪ Here I am ♪

-[whistle blowing] -Oh, no. No.

The ship sailed?

No, it can’t be.

No.

My lucky number, 24!

-[horn blowing] -Yeah!

♪ I’ll march my band out ♪

♪ I’ll beat my drum ♪

♪ And if I’m fanned out ♪

♪ Your turn at bat, sir ♪

♪ At least I didn’t fake it ♪

♪ Hat, sir, I guess I didn’t make it ♪

♪ Get ready for me, love ’Cause I’m a comer ♪

♪ I simply gotta march My heart’s a drummer ♪

♪ Nobody, no, nobody ♪

♪ Is gonna rain on my ♪

♪ Parade ♪

You bet your ass!

[song ends]

[instrumental]

Thank you, thank you.

So a few years ago,

-I hosted a fund-raiser at my home. -[man shouts, indistinct]

Thank you.

Uh, to raise awareness about women’s heart disease.

And President Clinton was there and he spoke.

I’d like to share something interesting that he told us about our human DNA.

This study showed that no matter what the color of your skin is,

or where you were born, Cuba, China, Malaysia, Madagascar,

our genetic makeup is 99.9% identical

to every person on the face of the earth.

[applause]

We are so alike, every one of us.

So it’s simply a fact that we’re all really just…

♪ People ♪

♪ People who need people ♪

Look at all the people.

♪ Are the luckiest people ♪

♪ In the world ♪

♪ You know, we’re children ♪

♪ Just needing other children ♪

♪ And yet letting our grown-up pride ♪

♪ Hide all the need inside ♪

♪ Acting more like children ♪

♪ Than children ♪

♪ Lovers ♪

♪ Are very special people ♪

♪ They’re the luckiest people ♪

♪ In the world ♪

♪ With one person ♪

♪ One very special person ♪

♪ A feeling deep in your soul ♪

♪ Says you were half, now you’re whole ♪

♪ No more hunger and thirst ♪

♪ First be a person who needs people ♪

♪ People who need people ♪

♪ Are the luckiest people ♪

♪ In the world ♪

♪ A feeling deep in your soul ♪

♪ Says you were half, now you’re whole ♪

♪ No more hunger and thirst ♪

♪ First be a person who needs people ♪

♪ People who need people ♪

♪ Are the luckiest people ♪

♪ In the world ♪

[song ends]

Thank you.

Thank you so much.

Oh, that’s so sweet.

[chuckles]

Thank you. Gosh, thank you.

Thank you so much. That’s really lovely.

And now I have a surprise for you.

’Cause you’re such a wonderful audience.

Uh,

when I first heard Jamie Foxx sing in the movie Ray …

about Ray Charles, I was blown away, and I’m sure you were too.

His performance won him the Academy Award.

And I was just absolutely thrilled when he sang with me on my new album.

So, folks, please welcome Jamie Foxx.

How we doing, Miami, Miami, Miami, Miami?

Miami!

Please, please keep it going for the greatest…

the most beautiful, blessed voice in the world, please.

Jamie.

Yes, keep… Come on. Come on. Come on!

Barbra, Barbra, Barbra, Barbra!

[crowd continues chanting]

[chanting continues]

Thank you. Thank you so much, Jamie. I’m so happy that you’re here.

It’s an amazing moment for me, because to be able to be in front of you,

to be able to watch you growing up as a kid and--

-I used to do impersonations of you. -No way.

-No, I used to imperson-- -No way. Way?

-I used to do Sammy Davis Jr.… -Come on.

…and you singing “The Way We Were.”

-Wait, you did both parts? -Both of ’em.

[imitating Sammy Davis Jr.] ♪ Mem’ries light the corners of my mind ♪

[laughing]

[imitating Streisand] ♪ Misty watercolored mem’ries ♪

♪ Of the way we were ♪

I got three for one with him, right?

[laughing]

So to be here in front of you now is absolutely amazing.

People are so excited and I’m just-- I’m blown away and thank you.

-Please, thank you so much. -Thank you.

-And you look fanta-- you look good too. -Oh, God. You’re the best, Jamie.

-Ravishing. -That’s why I want the best.

-And I got it. I got you, baby. -Well, I’m here for you.

Well…

I mean, you know, hey. I said I’m here for you.

-Oh, I thought you said, “I’m affordable.” -[laughing]

Well, I know I ain’t got no money for that, but…

I’ll take up a collection.

-[laughing] -You’re beautiful.

So here’s what we did on the record, okay?

Starts with a little dialogue.

Everyone has a dream, don’t you think, Jamie?

Yes, but the question is, how do you make it happen?

Well, first of all, if you can imagine it, then you can achieve it.

Yeah, yeah, yeah.

-But it might take a long time. -Mm-hmm.

-It might take a lot of hard work. -I agree.

If you want something you’ve never had,

you have to do something you’ve never done, right?

-Mmm, I like that. -Yeah.

-You have to have patience. -One day at a time.

-Little by little. -Step by step.

-And with a little love in your heart. -Oh, yes, indeed.

Take chances too, don’t you think?

And then…

♪ Climb every mountain ♪

Whoo!

♪ Search high and low ♪

♪ Follow every byway ♪

♪ Every path you know ♪

♪ Oh, yeah ♪

It’s a thing of beauty.

♪ Climb every mountain ♪

♪ Ford every stream ♪

♪ Follow every rainbow ♪

♪ Till you find your dream ♪

-♪ A dream that will need ♪ -♪ That will need ♪

♪ All the love you can give ♪

♪ Oh ♪

♪ Every day of your life ♪

♪ Of your life ♪

♪ For as long as we live ♪

♪ As you live ♪

♪ So climb every mountain ♪

♪ Ford every stream ♪

♪ Follow every rainbow ♪

♪ Till you find ♪

♪ Your dream ♪

-♪ A dream that will need ♪ -♪ That will need ♪

♪ All the love we can give ♪

I agree.

-♪ Every day of your life ♪ -♪ Of your life ♪

♪ For as long as we live ♪

♪ Hey, oh ♪

♪ Climb every mountain ♪

♪ Ford every stream ♪

♪ Follow every rainbow ♪

♪ Till you find ♪

♪ Till you find ♪

♪ Follow every rainbow ♪

♪ Till you find your ♪

♪ Dream ♪

♪ Till you find your ♪

♪ Dream ♪

[song ends]

-[crowd cheering] -[no audible dialogue]

I love you too, Jamie. Thank you.

[no audible dialogue]

Thank you, Jamie.

-Jamie Foxx. -Thank you. I love you.

Thank you so much. The greatest. Thank you so much.

Thank you, Jamie.

I’ve sung this next song since I was 19 years old.

And I sang it for three presidents.

Uh, John Fitzgerald Kennedy,

Lyndon Baines Johnson,

and William Jefferson Clinton.

-[applause] -And--

It was written in 1929 at the height of the Great Depression.

I’ve sung it through good times and bad times, so…

Democrats, Republicans, red states, blue states,

may we all come together in these United States…

and be able to say…

and mean it…

♪ Happy days are here again ♪

♪ The skies above are clear again ♪

♪ So let’s sing a song of cheer again ♪

♪ Happy days are here again ♪

Please sing along if you’d like.

♪ All together shout it now ♪

♪ There is no one ♪

♪ No one who can doubt it now ♪

♪ So let’s tell the world about it now ♪

♪ Happy days are here again ♪

Yes!

♪ Your cares and troubles are gone ♪

Good-bye, cares.

♪ There’ll be no more from now on ♪

Oh, nice.

♪ From now on ♪

♪ Happy days are here again ♪

♪ The skies above are so clear again ♪

♪ So let’s sing a song of cheer again ♪

♪ Happy times ♪

[backup singers] ♪ Happy times ♪

♪ Happy nights ♪

♪ Happy nights ♪

-♪ Happy days ♪ -♪ Days ♪

-♪ Are ♪ -♪ Are ♪

-♪ Here ♪ -♪ Here ♪

♪ Again ♪

♪ Those days are here ♪

♪ Again ♪

[music stops]

[music resumes, instrumental]

[no audible dialogue]

[indistinct]

Oh, thank you, thank you.

You know, it is the month of December.

So it’s beginning to look a lot like Christmas,

and Hanukkah, by the way.

So the times have changed.

Santa doesn’t ride a sleigh anymore.

You know, he takes an Uber.

[laughter]

Kids don’t write him letters, you know. They just text him.

And anyway, since the holidays are upon us,

I thought it might be fun, uh, to sing a classic Christmas song.

And we’ve been talking a lot about record covers

and this one has a little story too.

When they needed a cover for this album,

I chose one from my Central Park concert.

Actually, it was taken the night before the concert during rehearsal.

I liked how the light accidentally happened to hit the microphone

you know, at the perfect moment, giving a kind of celestial glow.

And sometimes I like taking a familiar song

and sort of turning it upside down,

you know, with an unexpected kind of arrangement.

So if you’re familiar with this next song and have the impulse to sing along,

-please don’t. -[laughing]

No, I’m just kidding, but if you can keep up--

I can barely keep up with it now.

Uh, feel free to sing along.

-[intro] -I dare you.

♪ Jingle bells, jingle bells Jingle all the way ♪

♪ Oh, what fun it is to ride In a one-horse open sleigh, hey ♪

♪ Jingle bells, jingle bells Jingle all the way ♪

♪ Oh, what fun it is to ride In a one-horse open sleigh ♪

♪ We’re dashing through the snow In a one-horse open sleigh ♪

♪ O’er the fields we go Laughing all the way, hey, hey, hey ♪

♪ Bells on bobtail ring Making spirits bright ♪

♪ Oh, what fun it is to sing A sleighing song tonight, oh ♪

♪ Jingle bells, jingle bells Jingle all the way ♪

♪ Oh, what fun it is to ride In a one-horse open sleigh, hey ♪

♪ Jingle bells, jingle bells Jingle all the way ♪

♪ Oh, what fun it is to ride In a one-horse open sleigh ♪

♪ A day or two ago ♪

♪ I thought I’d take a ride ♪

♪ And soon Miss Fanny Bright ♪

♪ Was seated by my side ♪

♪ The horse was lean and lank ♪

♪ Misfortune seemed his lot ♪

♪ He got into a drifting bank ♪

♪ And then we got “upsot” ♪

“Upsot”? Well, it has to rhyme, you know.

♪ Jingle bells, jingle bells Jingle all the way ♪

♪ Oh, what fun it is to ride In a one-horse open sleigh, hey ♪

♪ Jingle bells, jingle bells Jingle all the way ♪

♪ Oh, what fun it is to ride In a one-horse open sleigh ♪

Ooh, I love that.

[vocalizing]

♪ Jingle bells, jingle bells Jing, jangle ♪

♪ Jingle bells, jingle bells Jing, jangle ♪

♪ Jingle bells, jingle bells Jing, jangle ♪

♪ Jingle bells, jingle bells Jing, jangle ♪

♪ Ji-Ji-Ji-Ji-Ji-Ji-- Jingle bells ♪

♪ Ji-Ji-Ji-Ji-Ji-Ji-- Jangle bells ♪

♪ Ji-Ji-Ji-Ji-Ji-Ji-- All the way ♪

♪ On a one-horse ♪

♪ Open ♪

♪ Sleigh ♪

[song ends]

[instrumental: “Happy Days Are Here Again”]

Thank you. Thank you so much.

Thank you. I’m--

I usually walk off here and come back for my encore

and let you applaud more.

But I’m not gonna do that tonight.

[chuckling]

I don’t know.

Okay.

[crowd cheering]

You know which? You know which one?

The one with the film. With the film behind it. You got it?

Oh, Randy, you didn’t know I was gonna do this?

Oh, my God.

Is everybody ready with the video?

You know which one I mean?

This is--

Because A Star is Born seems to be

kind of one of your favorite films of mine,

I think you’ll… I think you’ll like this.

[mid-tempo ballad]

Okay?

Okay.

♪ With one more look at you ♪

♪ I could learn to tame the clouds ♪

♪ And let the sun shine through ♪

♪ Leave a troubled past ♪

♪ And I might start anew ♪

♪ I’ll solve the mysteries ♪

♪ If you’re the prize ♪

♪ Refresh these tired eyes ♪

♪ With one more look at you ♪

♪ I might overcome the anger ♪

♪ That I’ve learned to know ♪

♪ Find a piece of mind ♪

♪ I lost so long ago ♪

♪ Your gentle touch ♪

♪ Has made me strong again ♪

♪ And I belong again ♪

♪ For when you look at me ♪

♪ I’m everything and more ♪

♪ Than I had dreamed I’d be ♪

♪ My spirit feels a promise ♪

♪ I won’t be alone ♪

♪ We’ll love and live more now ♪

♪ And live ♪

♪ Forever ♪

♪ With one more look at you ♪

♪ I’d learn to change the stars ♪

♪ And change our fortunes too ♪

♪ I’d have the constellations ♪

♪ Paint your portrait too ♪

♪ So all the world ♪

♪ Might share this wondrous sight ♪

♪ Ooh, the world could end each night ♪

♪ With one more look at you ♪

♪ With one more look at you ♪

♪ I want one more ♪

♪ Look ♪

♪ At you ♪

♪ Ooh ♪

♪ One more look at you, baby ♪

I wish you a wonderful holiday season

full of love and light and peace and good health.

Thank you all for coming.

Thank you so much.

Thank you.

[band continues, instrumental]

[mouthing words]

[woman] Yay, Sammie!

Sammie, Sammie!

[music ends]

[Barbra] More?

[crowd cheers]

What?

Yeah, okay.

All right, you asked for it.

[chuckles] Oh, my God.

I can’t believe you.

Lord, have mercy.

I’m gonna do a great song from the new album, by Rodgers and Hart.

And I’ll leave you with that.

Oh, my gosh.

[man] Love you, Barbra!

And so this song--

-[man] “The Way We Were”! -[man #2] Love you, Barbra!

I started with “The Way We Were.” What do you mean?

You want me to start again?

-[cheering] -[Barbra laughs]

No way, José.

[audience members shouting song titles]

[man] “Cry Me a River.”

“Cry Me a River.” Oh, my God.

[laughing]

No. I think you’ll like this song.

♪ Once I was young ♪

♪ Yesterday, perhaps ♪

♪ I danced with Jim and Paul ♪

♪ And kissed some other chaps ♪

♪ Yes, once I was young ♪

♪ But never was naive ♪

♪ I thought I had a trick or two ♪

♪ Up my imaginary sleeve ♪

♪ But now I know ♪

♪ I was ♪

♪ Naive ♪

[Barbra sighs]

♪ I didn’t know what time it was ♪

♪ Then I met you ♪

♪ Oh, what a lovely time it was ♪

♪ How sublime it was too ♪

♪ Oh, I ♪

Didn’t know what day it was ♪

♪ Till you held my hand ♪

♪ Mmm, warm ♪

♪ Like the month of May it was ♪

♪ And I’ll say it was grand ♪

♪ Grand to be alive ♪

♪ To be young ♪

♪ To be mad ♪

♪ To be yours alone ♪

♪ Yes, grand to see your face ♪

♪ Feel your touch ♪

♪ Hear your voice say ♪

♪ I’m yours alone ♪

♪ I didn’t know what ♪

♪ What year it was ♪

♪ My life was no prize ♪

♪ Yes, I wanted love ♪

♪ And here it was ♪

♪ Shining out of your eyes ♪

♪ I’m wise ♪

♪ And I know what time it is ♪

♪ Now ♪

[vocalizing]

♪ You know it now ♪

Thank you again.

What a wonderful audience.

[music resumes, instrumental]

Thank you.

[no audible dialogue]

[crowd cheering]

-Good. -Nice audience.

-Great show. -My voice opened up on the last song.

Hey, you were terrific. Your voice was pure.

The 2:00 a.m. show starts soon. Let’s go rest.

Yeah, right.

Watch your step.

Oh, my God. Come here, come here.

You have to see my baby.

She knows when the act ends. She knows and she waits for me.

She comes out of her little, uh, hole. [chuckling]

Come here, sweetheart.

Come here, my love.

My little baby girl.

My little beautiful girl.

There you go, sweetheart. Yes.

Come, precious. We can go home now.

We can go home now.

Thank you.

Joe’s Stone Crab waiting for us, Sam.

-[man] Hey, Tom. -[Tom] We got crabs.

[Barbra] Oh, my God. Look at that.

-[man] Where’s that from? -[man#2] That crab joint.

I haven’t eaten all day, so this is my one meal I’m eating

’cause I’m trying to diet.

We get this delivered all the time.

From Florida. They send it to LA for us.

Tommy, pull up a chair.

You need forks.

Somehow we couldn’t even wait to get the forks.

-[man] Barney, how’s the shop doing? -I’ll just eat with my hands.

[man] ’Cause it’s a whole ’nother medium. If you can’t understand it visually--

This is real key lime pie. Barbra, if you would do the honors.

Bring it over here.

-Okay, shake it good. -Okay.

Give it a good spray.

Come on.

Come on. Fill it up.

Now it’s a pie.

-[applauding] -[Barbra] Whoo!

This is not good for my diet.

[Barbra] Oh, my God.

This is my new little baby.

Oh, my God. Look at this face.

Look at this face. Could you die?

♪ As close as the sea is To the seashore ♪

♪ The tide still rises twice a day ♪

♪ That’s just the ocean’s way Of getting closer ♪

♪ Closer ♪

♪ As close as today is to tomorrow ♪

♪ At midnight they can finally touch ♪

♪ ’Cause every minute brings them That much closer ♪

♪ Closer ♪

[no audible dialogue]

♪ I see your face in firelight ♪

♪ I hold you close in memory ♪

♪ And even though I know you’re gone ♪

♪ I know you’re here ♪

♪ As sure as there’s snowfall ♪

♪ In December ♪

♪ Your love lives on in everything ♪

♪ Summer Winter Fall or Spring ♪

♪ Every thought of you ♪

♪ Will bring us closer ♪

♪ Closer ♪

♪ The distance may be large or small ♪

♪ Someday I pray that we may all be ♪

♪ Closer ♪

♪ Closer ♪