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1
00:00:02,560 --> 00:00:03,879
CHARLIE:
ONCE UPON A TIME,
2
00:00:04,160 --> 00:00:06,116
THERE WERE THREE
BEAUTIFUL GIRLS.
3
00:00:07,960 --> 00:00:09,996
TWO OF THEM GRADUA TED
FROM THE POLICE ACADEMY.
4
00:00:11,680 --> 00:00:15,309
THE OTHER GRADUA TED
FROM A TOP SCHOOL FOR MODELS.
5
00:00:16,680 --> 00:00:18,636
AND THE YEACH
REAPED THE REWARDS
6
00:00:18,920 --> 00:00:20,956
OF THEIR EXCITING CAREERS.
7
00:00:21,280 --> 00:00:22,474
[CAMERA SHUTTERS CLICKING]
8
00:00:22,760 --> 00:00:24,159
BUTI TOOK THEMA WA Y
FROM ALL THA T
9
00:00:24,440 --> 00:00:26,271
AND NOW THEY WORK FOR ME.
10
00:00:26,560 --> 00:00:28,152
M YNAME IS CHARLIE
11
00:00:28,440 --> 00:00:30,351
W]
12
00:01:13,000 --> 00:01:15,150
W]
13
00:01:33,760 --> 00:01:35,557
[WOMEN CHUCKLING]
14
00:01:37,480 --> 00:01:41,996
LADIES, MR. TUSTIN'S
GLASS LOOKS EMPTY.
15
00:01:50,800 --> 00:01:53,360
MAY | POUR MORE COGNAC,
SIR?
16
00:01:57,280 --> 00:02:00,192
MAY | POUR MORE WINE, SIR?
HMM.
17
00:02:01,640 --> 00:02:03,437
THANK YOU.
18
00:02:03,760 --> 00:02:06,354
NOW, LADIES, YOU MAY GO
ENJOY YOURSELVES.
19
00:02:08,760 --> 00:02:10,079
TUSTIN:
I DIDN'T COME HERE
20
00:02:10,400 --> 00:02:13,198
FOR A SOCIAL FUNCTION,
MR. REARDON.
21
00:02:13,520 --> 00:02:14,999
I'M HERE TO--
22
00:02:15,320 --> 00:02:17,038
YOU CAME HERE TO HIRE
AN ASSASSIN.
23
00:02:17,360 --> 00:02:19,078
SPEAK UP.
YOU NEEDN'T WORRY.
24
00:02:19,400 --> 00:02:21,038
THEY WON'T REMEMBER A THING
THAT YOU'VE SAID.
25
00:02:21,360 --> 00:02:23,237
[WOMEN CHUCKLING]
26
00:02:24,960 --> 00:02:28,396
QUIET, PLEASE, LADIES.
27
00:02:30,320 --> 00:02:34,279
YOU'RE DISTURBING
MR. TUSTIN'S SENSIBILITIES.
28
00:02:36,520 --> 00:02:39,910
HE GETS VERY UNEASY
WITH TALK OF KILLING.
29
00:02:40,200 --> 00:02:42,634
SO YOU LADIES
ARE NOT TO REMEMBER A WORD
30
00:02:42,920 --> 00:02:44,194
OF WHAT YOU HEAR
IN THIS ROOM.
31
00:02:44,480 --> 00:02:46,198
UNDERSTOOD?
YES, SIR.
32
00:02:46,480 --> 00:02:48,994
OF COURSE, MR. REARDON.
33
00:02:49,280 --> 00:02:50,872
I UNDERSTAND, SIR.
34
00:02:51,160 --> 00:02:53,879
IMPRESSIVE FOR A FLOOR SHOW
35
00:02:54,160 --> 00:02:56,037
BUT I'M NOT HERE
FOR HYPNOTIC TRICKS.
36
00:02:56,360 --> 00:02:57,679
IT'S HARDLY A TRICK,
MR. TUSTIN.
37
00:02:57,960 --> 00:02:59,359
HYPNOSIS, YES, SOME
38
00:02:59,640 --> 00:03:01,551
BUT WHAT YOU ARE WITNESSING
IS MUCH MORE THAN THAT.
39
00:03:01,840 --> 00:03:03,717
YOU'RE CERTAIN
THEY CAN KILL?
40
00:03:04,000 --> 00:03:07,788
MUCH MORE EFFICIENTLY
THAN YOU CAN IMAGINE.
41
00:03:08,120 --> 00:03:10,156
WITHOUT FEAR,
WITHOUT PASSION
42
00:03:10,440 --> 00:03:12,476
AND WITHOUT MEMORY.
THINK OF THAT.
43
00:03:12,760 --> 00:03:17,231
NOT EVEN THE ASSASSIN KNOWS
WHO HAS DONE THE WORK.
44
00:03:17,520 --> 00:03:20,080
WHERE'S THE PROOF
YOU PROMISED ME?
45
00:03:20,360 --> 00:03:23,432
ROBERT, MR. TUSTIN WANTS
SOME PROOF.
46
00:03:23,760 --> 00:03:28,311
FRANCINE HAS JUST COMPLETED
HER SECOND SENSORY PROGRAM.
47
00:03:28,640 --> 00:03:30,596
IF SHE CAN'T CONVINCE HIM,
NOBODY CAN.
48
00:03:30,880 --> 00:03:31,630
REARDON:
FRANCINE, MY DEAR,
49
00:03:31,920 --> 00:03:32,796
WOULD YOU COME HERE, PLEASE?
50
00:03:42,400 --> 00:03:44,630
YOU LOOK LOVELY TODAY.
51
00:03:44,920 --> 00:03:47,115
NOW, WATCH VERY CAREFULLY
WHAT I DO.
52
00:03:47,400 --> 00:03:48,435
YES, MR. REARDON.
53
00:03:49,600 --> 00:03:50,510
REARDON:
WELL.
54
00:04:19,760 --> 00:04:21,830
[ELECTRICITY CRACKLING]
55
00:04:29,440 --> 00:04:34,036
OUR SECURITY SYSTEM IS CHARGED
WITH MORE THAN 30,000 VOLTS.
56
00:04:34,320 --> 00:04:36,675
NOW, WOULD YOU BE CONVINCED
OF FRANCINE'S DEDICATION
57
00:04:37,000 --> 00:04:38,877
IF SHE THREW HERSELF
UPON THESE SAME BARS?
58
00:04:39,160 --> 00:04:40,639
YOU CAN'T BE SERIOUS.
59
00:04:40,960 --> 00:04:44,794
MR. TUSTIN,
HE'S DEADLY SERIOUS.
60
00:05:13,160 --> 00:05:15,390
REARDON:
NOW, YOU'RE IN A TRANCE.
61
00:05:15,680 --> 00:05:18,638
DEEPER AND EVER DEEPER.
62
00:05:18,960 --> 00:05:22,111
YOU FEEL BETTER NOW, FRANCINE,
DON'T YOU?
63
00:05:22,400 --> 00:05:23,674
MUCH BETTER, SIR.
64
00:05:24,000 --> 00:05:25,752
REARDON:
GOOD.
65
00:05:29,840 --> 00:05:31,910
NOW, GO TO THE WINDOW
66
00:05:32,200 --> 00:05:35,875
AND REMOVE THOSE BARS
FOR ME, PLEASE.
67
00:05:38,800 --> 00:05:39,949
REARDON,
YOU MUST STOP THIS.
68
00:05:40,240 --> 00:05:42,196
OH, NOW, YOU SAID
YOU WANTED PROOF.
69
00:05:51,840 --> 00:05:53,558
PLEASE, PLEASE, STOP HER.
70
00:05:53,840 --> 00:05:54,750
[CHUCKLES]
71
00:05:55,080 --> 00:05:58,959
FRANCINE,
YOU MAY STOP NOW.
72
00:06:00,160 --> 00:06:02,913
YOU SEE,
IT ONLY REQUIRES MY VOICE.
73
00:06:10,000 --> 00:06:12,070
THANK YOU, FRANCINE.
74
00:06:31,680 --> 00:06:33,875
NOW, MR. TUSTIN
75
00:06:34,200 --> 00:06:36,668
ARE YOU READY TO SIT DOWN
AND DISCUSS BUSINESS?
76
00:06:41,400 --> 00:06:45,313
NOW, YOU SAID
YOU WANT FOUR MEN KILLED.
77
00:06:45,600 --> 00:06:48,114
THAT WILL BE
ONE MILLION DOLLARS, PLEASE.
78
00:06:48,400 --> 00:06:50,152
THERE ARE FOUR NAMES HERE.
79
00:06:50,440 --> 00:06:54,035
AND THEY MUST ALL BE
ELIMINATED WITHIN SIX WEEKS.
80
00:06:54,320 --> 00:06:55,389
AND ALL FOUR OF THEM
81
00:06:55,720 --> 00:06:57,676
ARE MEMBERS IN THE BOARD
OF WESTERN TECHTRONICS.
82
00:06:58,960 --> 00:07:01,190
HOW DID YOU KNOW?
OH, IT'S QUITE SIMPLE.
83
00:07:01,520 --> 00:07:02,999
SEE, SOME OF MY LADIES
HAVE BEEN WORKING
84
00:07:03,280 --> 00:07:04,952
AT WESTERN TECHTRONICS
FOR WEEKS.
85
00:07:05,240 --> 00:07:07,800
YOUR COMPANY PLANS A TAKEOVER
OF WESTERN TECHTRONICS.
86
00:07:08,080 --> 00:07:09,718
AND THESE FOUR BOARD MEMBERS
87
00:07:10,000 --> 00:07:11,752
WILL DEFINITELY
TRY TO STOP YOU.
88
00:07:18,120 --> 00:07:20,156
CHARLIE [OVER SPEAKERS]:
ANGEL S, HOW FAM/L/AR ARE YOU
89
00:07:20,440 --> 00:07:22,954
WITH THE NAME
WESTERN TECHTRONICS?
90
00:07:23,240 --> 00:07:25,993
I KNOW THE NAME IS
WESTERN TECHTRONICS, CHARLIE.
91
00:07:26,280 --> 00:07:28,032
BUT AREN'T THEIR
INTERESTS WORLDWIDE?
92
00:07:28,320 --> 00:07:30,276
YOU GO TO THE HEAD
OF THE CLASS, JULIE
93
00:07:30,560 --> 00:07:32,755
LET'S SEE.
COMPUTERS, SOFTWARES,
94
00:07:33,040 --> 00:07:34,792
SATELLITES, STEEL MILLS, OIL
95
00:07:35,080 --> 00:07:36,991
AND A BILLION-DOLLAR
GEOTHERMAL DEVELOPMENT.
96
00:07:37,280 --> 00:07:40,158
AND TWO OF WESTERN TECHTRONICS
PRIME EXECUTIVES
97
00:07:40,480 --> 00:07:42,596
HAVE BEEN KILLED RECENTLY.
THAT’S RIGHT.
98
00:07:42,880 --> 00:07:44,472
CHAIRMAN OF THE BOARD
AND A VICE PRES/DEN T.
99
00:07:44,760 --> 00:07:46,273
THE Y’VE GOT OTHER BIG
TROUBLES TOO.
100
00:07:46,600 --> 00:07:49,512
SINCE THE/R BREAKTHROUGH
IN GEOTHERMAL RESEARCH
101
00:07:49,800 --> 00:07:52,030
A NUMBER OF TAKEOVER A TTEMPTS
HA VE BEEN TRIED.
102
00:07:52,360 --> 00:07:53,270
LEGITIMATE?
103
00:07:53,560 --> 00:07:55,073
THE LEG/TIMA TE ONES
HA VE BEEN HANDLED.
104
00:07:55,400 --> 00:07:57,391
BU T I TAPPEARS
WESTERN TECHTRONICS
105
00:07:57,680 --> 00:08:00,877
HA l/E BECOME THE TARGET
0F DARKER FORCES.
106
00:08:01,200 --> 00:08:04,317
BUT, CHARLIE, WEREN'T THOSE
DEATHS ACCIDENTAL?
107
00:08:04,600 --> 00:08:06,397
WELL, THA T'S WHA T
WE HA VE TO FIND OUT.
108
00:08:06,680 --> 00:08:09,069
I'I/E ARRANGED FOR KELLY
AND KRIS TO GO TO WORK
109
00:08:09,360 --> 00:08:12,432
FOR WESTERN TECH TRON/CS
AS JUN/0R EXECUTIVES.
110
00:08:12,760 --> 00:08:14,830
EXECUTIVES?
TRAINEES.
111
00:08:15,120 --> 00:08:16,235
IT’S AFFIRMA TI VE AC T/ON
112
00:08:16,520 --> 00:08:17,316
LOVE IT.
113
00:08:17,640 --> 00:08:19,039
THOUGHT YOU WOULD, KELLY.
114
00:08:19,320 --> 00:08:22,232
UH, JUL/E, IHA VE ANOTHER
ASSIGNMENT IN MIND FOR YOU.
115
00:08:22,560 --> 00:08:25,199
IN THE ACCIDENT
INVOLVING THE VICE PRES/DEN T
116
00:08:25,520 --> 00:08:27,238
THEYALSO FOUND THE BODY
OF A YOUNG WOMAN
117
00:08:27,560 --> 00:08:29,232
FRANCINE MILLER.
118
00:08:29,560 --> 00:08:32,552
SHE WAS A LOAN-0U T FROM A FIRM
CALLED REARDON AND COMPANY.
119
00:08:32,840 --> 00:08:34,796
BOSLEYHAS A PICTURE
OF BOTH OF THEM
120
00:08:35,080 --> 00:08:36,274
REARDON AND COMPANY.
121
00:08:36,560 --> 00:08:38,676
THEY SUPPLY SECRETARIAL HELP,
RIGHT, CHARLIE?
122
00:08:38,960 --> 00:08:42,077
NOTEXACTL Y, BOSLEY.
MORE LIKE EFF/CIENC YANAL YS TS.
123
00:08:42,360 --> 00:08:45,432
THE YREN TPEOPLE TO FIRMS
LIKE WESTERN TECHTRONICS
124
00:08:45,720 --> 00:08:47,870
TO HELP SMOOTH OUT
OPERA T/ONS.
125
00:08:48,160 --> 00:08:49,275
HOW ’3 YOUR TYPING, JULIE?
126
00:08:49,560 --> 00:08:53,109
WELL, CHARLIE,
IF I HAD TO PASS TESTS,
127
00:08:53,400 --> 00:08:55,231
I DON'T THINK
I'D BE WORKING FOR YOU.
128
00:08:55,520 --> 00:08:58,239
I UNDERSTAND REARDON
AND COMPANY CAN WORK MIRA CLES.
129
00:08:58,520 --> 00:09:01,239
BUT DON’T WORRY
IF YOU DON’TPASS THEIR TEST,
130
00:09:01,560 --> 00:09:04,950
YOU CAN AL WA YS COME BA CK
TO WORK HERE
131
00:09:05,240 --> 00:09:07,196
WELL, I HOPE
THAT GOES FOR ALL OF US.
132
00:09:08,800 --> 00:09:09,915
REALLY.
133
00:09:12,080 --> 00:09:14,469
WI
134
00:09:19,360 --> 00:09:20,156
[GASPS]
135
00:09:20,440 --> 00:09:22,192
WE'RE LATE,
15 MINUTES LATE.
136
00:09:22,480 --> 00:09:24,311
CAN YOU START AS AN EXECUTIVE
BY BEING LATE?
137
00:09:24,600 --> 00:09:26,158
I THINK THAT COMES LATER.
LET'S HURRY.
138
00:09:26,440 --> 00:09:27,714
WAIT, WAIT, WAIT.
HOW DO I LOOK?
139
00:09:28,040 --> 00:09:29,871
KRIS.
140
00:09:30,160 --> 00:09:32,071
I'D SAY YOU
LOOK JUST FINE.
141
00:09:32,360 --> 00:09:34,157
OH, THANK YOU.
142
00:09:34,440 --> 00:09:36,078
BUT YOUR OPINION
WON'T BE OF MUCH HELP
143
00:09:36,360 --> 00:09:37,793
UNLESS WE GET TO ROOM 308
IN A HURRY.
144
00:09:38,080 --> 00:09:40,753
OH, THE ORIENTATION LECTURE
FOR JUNIOR EXECUTIVE TRAINEES.
145
00:09:41,040 --> 00:09:42,155
LET ME GUESS.
146
00:09:42,440 --> 00:09:45,079
YOU'RE KRIS MONROE
AND YOU'RE KELLY GARRET.
147
00:09:45,360 --> 00:09:46,588
HOW DID YOU KNOW THAT?
148
00:09:46,880 --> 00:09:48,757
I'M STEVE BRIGGS,
PRESIDENT OF THE COMPANY.
149
00:09:49,040 --> 00:09:50,519
CHARLIE SENT ME YOUR PICTURES
AND FILES.
150
00:09:50,800 --> 00:09:52,358
HE DID?
STEVE: OH, BUT DON'T WORRY,
UH,
151
00:09:52,640 --> 00:09:55,598
I'M THE ONE WHO HAS SEEN THEM
AND I'M THE ONLY ONE WHO WILL.
152
00:09:55,880 --> 00:09:57,359
TO ANYONE ELSE HERE
AT WESTERN TECHTRONICS
153
00:09:57,640 --> 00:09:59,596
YOU'LL BE TRAINEES
AND TRAINEES ONLY.
154
00:09:59,880 --> 00:10:01,871
WELL, COME ON,
I'LL SHOW YOU THE WAY.
155
00:10:02,200 --> 00:10:04,395
WI
156
00:10:07,120 --> 00:10:09,395
BE ASSURED
THAT WESTERN TECHTRONICS
157
00:10:09,680 --> 00:10:12,672
WANTS TO SEE THEIR EXECUTIVES
DIVERSIFY THEIR EXPERIENCE
158
00:10:13,000 --> 00:10:15,798
AS MUCH AS POSSIBLE
IN AN EFFORT TO CREATE
159
00:10:16,080 --> 00:10:17,149
THE MOST PLEASANT
160
00:10:17,440 --> 00:10:20,159
AND ENLIGHTENING CAREER
POSSIBLE.
161
00:10:20,440 --> 00:10:23,193
EXCUSE ME, CYNTHIA.
EXCUSE ME.
162
00:10:23,480 --> 00:10:25,357
I HAVE A COUPLE OF OTHER
CANDIDATES HERE FOR YOU
163
00:10:25,680 --> 00:10:26,908
WHO SEEM TO HAVE LOST
THEIR WAY.
164
00:10:27,200 --> 00:10:28,349
THIS IS KELLY GARRETT.
HELLO.
165
00:10:28,680 --> 00:10:31,194
KRIS MONROE.
HELLO. I'M CYNTHIA WEAVER.
166
00:10:31,520 --> 00:10:33,954
WELL, PLEASE, COME IN
AND MAKE YOURSELVES AT HOME.
167
00:10:34,240 --> 00:10:35,673
UH, THERE'S COFFEE,
TEA AND DOUGHNUTS.
168
00:10:35,960 --> 00:10:38,349
INDULGE YOURSELF.
169
00:10:38,640 --> 00:10:41,677
WE ALSO HAVE A GYM AVAILABLE
SO YOU CAN KEEP IN SHAPE.
170
00:10:41,960 --> 00:10:43,359
HOW NICE.
171
00:10:43,640 --> 00:10:44,868
WELL, THAT'S ONE
OF OUR FACILITIES
172
00:10:45,200 --> 00:10:46,918
I DON'T THINK
YOU'LL EVER NEED.
173
00:10:47,240 --> 00:10:49,390
UH, EXCUSE ME, LADIES.
174
00:10:53,320 --> 00:10:56,392
I THINK I'M GONNA LIKE
WORKING HERE.
175
00:11:05,480 --> 00:11:06,629
0H!
176
00:11:06,920 --> 00:11:08,148
ALL FINISHED?
177
00:11:08,440 --> 00:11:10,715
OH, I HAVEN'T SEEN
SO MANY LOOPS AND WHIRLS
178
00:11:11,000 --> 00:11:11,876
SINCE | TOOK PENMANSHIP.
179
00:11:12,160 --> 00:11:14,674
WELL, DON'T WORRY.
WHEN I CAME HERE
180
00:11:14,960 --> 00:11:17,235
| WAS AFRAID TO PUT FIVE WORDS
TOGETHER IN FRONT OF ANYBODY.
181
00:11:17,560 --> 00:11:19,232
MR. REARDON WAS VERY PATIENT
WITH ME.
182
00:11:19,520 --> 00:11:22,432
THAT'S ONE OF THE REASONS
| PUT IN AN APPLICATION.
183
00:11:22,720 --> 00:11:25,473
MY FRIEND, FRANCINE MILLER,
SAID THE SAME THING.
184
00:11:25,760 --> 00:11:27,716
SHE REALLY LOVED IT HERE
AT REARDON AND COMPANY.
185
00:11:28,040 --> 00:11:29,598
YOU KNEW FRANCINE?
186
00:11:29,880 --> 00:11:32,917
YEAH. WE WERE IN THE SAME
SORORITY AT STATE.
187
00:11:34,880 --> 00:11:37,269
SHE WAS SUCH A SWEET PERSON.
188
00:11:37,560 --> 00:11:38,959
WE ALL MISS HER VERY MUCH.
189
00:11:39,240 --> 00:11:40,992
IT WAS SUCH A TRAGEDY.
190
00:11:41,280 --> 00:11:42,793
HMM.
191
00:11:43,080 --> 00:11:44,308
WELL, I'LL RUN THESE
THROUGH THE COMPUTER
192
00:11:44,640 --> 00:11:46,437
AND HAVE AN ANSWER FOR YOU
VERY QUICKLY.
193
00:11:46,760 --> 00:11:49,194
OKAY.
OH, SHOULD I STAY HERE?
194
00:11:49,520 --> 00:11:51,033
YES, IT'LL JUST BE
A FEW MINUTES.
195
00:11:51,320 --> 00:11:53,436
OKAY. OH.
196
00:11:53,720 --> 00:11:55,631
[SIGHS]
197
00:12:02,000 --> 00:12:03,069
[SIGHS]
198
00:12:14,120 --> 00:12:16,236
SHE'S A LOOKER, JOHN.
199
00:12:23,560 --> 00:12:26,074
I SAY WE TAKE HER.
200
00:12:27,480 --> 00:12:29,994
I WOULD.
201
00:12:30,280 --> 00:12:31,793
IF LOOKS WERE ALL OF IT,
202
00:12:32,080 --> 00:12:35,595
WE COULD JUST PULLED THEM
IN OFF THE STREETS.
203
00:12:35,880 --> 00:12:36,835
[KNOCKING ON DOOR]
204
00:12:37,120 --> 00:12:38,678
COME IN.
205
00:12:38,960 --> 00:12:40,837
EXCUSE ME.
206
00:12:41,120 --> 00:12:45,955
MR. REARDON, THE TEST RESULTS
ON MISS ROGERS ARE QUITE GOOD.
207
00:12:49,600 --> 00:12:51,511
YOU'RE RIGHT.
208
00:12:51,800 --> 00:12:53,552
SHE'S NEARLY PERFECT
FOR OUR NEEDS.
209
00:12:53,840 --> 00:12:55,910
MISS ROGERS WAS A FRIEND
OF FRANCINE MILLER'S.
210
00:12:56,960 --> 00:12:57,995
FRANCINE?
211
00:12:58,280 --> 00:13:00,555
YES, THEY WERE SORORITY
SISTERS TOGETHER
212
00:13:00,880 --> 00:13:01,676
AND FRANCINE TOLD HER
213
00:13:02,000 --> 00:13:03,115
HOW WONDERFUL
IT WAS TO WORK HERE--
214
00:13:03,400 --> 00:13:05,356
JOHN. JOHN.
215
00:13:05,640 --> 00:13:07,278
QUIET, PLEASE.
216
00:13:11,600 --> 00:13:13,795
NOW, WHAT IS SHE
TALKING ABOUT?
217
00:13:14,080 --> 00:13:15,991
FRANCINE WAS NEVER
IN A SORORITY.
218
00:13:16,280 --> 00:13:17,349
THAT WAS JUST PART
OF THE PHONY BIO
219
00:13:17,680 --> 00:13:19,193
SHE SUBMITTED
TO WESTERN TECHTRONICS.
220
00:13:19,520 --> 00:13:23,035
I KNOW. I KNOW.
221
00:13:23,360 --> 00:13:25,999
YOU KNOW? THEN JULIE ROGERS
MUST BE A PLANT.
222
00:13:26,320 --> 00:13:27,514
YES, BUT WHOSE.
223
00:13:27,800 --> 00:13:28,710
ROBERT:
WHAT DIFFERENCE DOES IT MAKE?
224
00:13:29,000 --> 00:13:29,955
I SAY WE GET RID OF HER NOW.
225
00:13:30,280 --> 00:13:33,352
NO, I THINK WE CAN USE HER
226
00:13:33,640 --> 00:13:36,393
AND SHE THINKS
SHE CAN USE US.
227
00:13:36,680 --> 00:13:38,830
YES.
228
00:13:39,160 --> 00:13:42,391
DARLENE, GO TELL MISS ROGERS
THAT SHE DID VERY WELL
229
00:13:42,680 --> 00:13:45,114
AND THAT WE WILL HAVE
THE DIGITAL SKILLS TEST NEXT.
230
00:13:45,400 --> 00:13:46,958
YES, SIR.
231
00:13:54,080 --> 00:13:58,437
SHE'S A PERFECT CANDIDATE.
BRIGHT, QUICK AND RECEPTIVE.
232
00:13:58,720 --> 00:14:01,234
I JUST HOPE YOU KNOW
WHAT YOU'RE DOING.
233
00:14:15,240 --> 00:14:17,629
DARLENE:
NOW, THE ONLY TEST LEFT
IS THE DIGITAL APTITUDE.
234
00:14:17,960 --> 00:14:20,679
A LITTLE TYPING AND, OF
COURSE, THE LIGHT RESPONSE.
235
00:14:21,000 --> 00:14:24,788
OH, I UNDERSTAND THE TYPING,
BUT WHAT'S LIGHT RESPONSE?
236
00:14:25,080 --> 00:14:27,230
OH, THAT'S THE EASIEST PART.
YOU'LL SEE.
237
00:14:27,520 --> 00:14:29,795
NOW, JUST TYPE THE MATERIAL
238
00:14:30,080 --> 00:14:32,469
THAT YOU HEAR COMING THROUGH
THAT HEADSET OVER THERE.
239
00:14:32,800 --> 00:14:36,349
AND THE STROBE LIGHT WILL JUST
HELP YOU INCREASE YOUR SPEED.
240
00:14:36,680 --> 00:14:39,478
NO POINTS
FOR NERVOUSNESS.
241
00:14:39,760 --> 00:14:43,116
DON'T WORRY. YOU JUST TYPE
WHAT THE VOICE TELLS YOU TO.
242
00:14:50,040 --> 00:14:53,999
REARDON [OVER HEADPHONE]:
NOW JUL/E, THE KEY TO ANY
GOAL IS TO BE ABLE TO RELAX.
243
00:14:54,320 --> 00:14:57,517
THE SAME IS TRUE
WHEN YOU TYPE
244
00:14:57,800 --> 00:15:00,075
YOU MUS TALLOW THE MIND
TO EASE
245
00:15:03,720 --> 00:15:06,109
LET YOUR HANDS RELAX
ON THE KEYS.
246
00:15:06,400 --> 00:15:09,756
LET YOUR BOD Y
COMPLE TEL YRELAX
247
00:15:10,040 --> 00:15:12,838
LET THE LIGHT GUIDE
YOUR RHYTHM OF THE KEYS.
248
00:15:13,120 --> 00:15:15,076
FASTER AND LIGHTER.
249
00:15:15,360 --> 00:15:17,635
BREATHE SLOWLY AND DEEPLY.
250
00:15:17,920 --> 00:15:20,673
SLOWL YAND DEEPL Y.
251
00:15:20,960 --> 00:15:25,033
HANDS FASTER AND LIGHTER.
252
00:15:35,920 --> 00:15:37,478
JULIE, THIS IS MR. REARDON.
253
00:15:37,760 --> 00:15:39,671
YOU MAYSTOP NOW
254
00:15:41,040 --> 00:15:42,837
I'VE STOPPED, SIR.
255
00:15:43,160 --> 00:15:45,594
THA T'S VER Y GOOD. RELAX
256
00:15:47,360 --> 00:15:48,873
YOU MAY REST NOW.
257
00:15:49,160 --> 00:15:51,435
CLOSE YOUR EYES.
258
00:15:56,400 --> 00:15:59,233
WI
259
00:16:05,640 --> 00:16:07,710
WI
260
00:16:14,120 --> 00:16:15,314
[DOOR CLOSES]
261
00:16:29,960 --> 00:16:31,393
REARDON:
YOU DID VERY WELL, JULIE.
262
00:16:31,680 --> 00:16:32,954
YOU SHOULD BE HAPPY.
263
00:16:33,240 --> 00:16:35,071
YOU MAY OPEN YOUR EYES NOW.
264
00:16:35,360 --> 00:16:38,238
BUT YOU WILL ONLY LISTEN
TO MY VOICE.
265
00:16:38,520 --> 00:16:40,397
YOU WILL ONLY HEAR MY VOICE.
266
00:16:40,720 --> 00:16:43,393
DO YOU UNDERSTAND THAT?
267
00:16:43,720 --> 00:16:45,836
ALL RIGHT,
NOW OPEN THE DRAWER.
268
00:16:46,120 --> 00:16:49,590
TAKE OUT THE MIRROR.
HAND IT TO ME.
269
00:17:02,440 --> 00:17:06,274
TAKE OUT THE CANDLE AND PUT IT
IN FRONT OF THE MIRROR.
270
00:17:13,280 --> 00:17:15,510
NOW, TAKE OUT THE MATCHES
271
00:17:16,720 --> 00:17:18,995
AND LIGHT THE CANDLE.
272
00:17:21,720 --> 00:17:23,039
ROBERT:
SHE'S RESISTING YOU.
273
00:17:23,320 --> 00:17:24,275
REARDON:
I KNOW.
274
00:17:24,600 --> 00:17:26,477
NOW, LIGHT THE CANDLE.
275
00:17:47,920 --> 00:17:51,674
SHE MUST HAVE HAD TRAINING
IN HYPNOTIC RESISTANCE.
276
00:17:52,000 --> 00:17:54,434
BUT IT'S ALL RIGHT,
SHE'S DEEPER NOW.
277
00:17:54,760 --> 00:17:57,194
ROBERT: ARE YOU SURE?
MM-HM.
278
00:17:59,240 --> 00:18:04,030
NOW, YOUR HANDS ARE VERY COLD
AND THE FLAME IS LIKE ICE.
279
00:18:04,320 --> 00:18:05,355
I WANT YOU TO TAKE
YOUR RIGHT HAND
280
00:18:05,680 --> 00:18:07,511
AND HOLD
IT OVER THAT FLAME.
281
00:18:07,800 --> 00:18:11,509
YOU WILL NOT BE HURT AS LONG
AS YOU LOOK AT THE FLAME
282
00:18:11,800 --> 00:18:14,519
AND DO AS I SAY.
EVER DEEPER NOW.
283
00:18:14,800 --> 00:18:20,272
YOU'RE BEYOND TIME,
BEYOND PAIN, BEYOND MEMORY.
284
00:18:22,040 --> 00:18:25,430
NOW, JULIE, TELL ME,
WHY DID YOU COME HERE?
285
00:18:25,720 --> 00:18:30,510
I WORK FOR CHARLES TOWNSEND
AND ASSOCIATES.
286
00:18:30,800 --> 00:18:34,873
I WAS SENT HERE TO FIND OUT
ABOUT FRANCINE MILLER.
287
00:18:35,160 --> 00:18:36,752
WELL, THAT CUTS IT.
288
00:18:37,040 --> 00:18:40,032
TOWNSEND IS THE SLICKEST
DETECTIVE AGENCY ON THE COAST.
289
00:18:40,320 --> 00:18:41,958
SHE'S BIG TROUBLE, JOHN.
290
00:18:42,240 --> 00:18:44,959
MAYBE NOT, ROBERT.
291
00:18:45,240 --> 00:18:48,312
JULIE, OBVIOUSLY, YOU'RE NOT
WORKING ALONE ON THIS.
292
00:18:48,640 --> 00:18:51,074
NO, SIR.
293
00:18:51,400 --> 00:18:54,358
THERE'S KRIS AND KELLY.
294
00:18:54,640 --> 00:18:57,473
NOW, JULIE, I WANT YOU
TO WRITE DOWN THOSE NAMES
295
00:18:57,760 --> 00:18:58,954
AND A LIST OF EVERYONE ELSE
296
00:18:59,280 --> 00:19:00,759
WHO IS INVOLVED
IN THIS INVESTIGATION
297
00:19:01,040 --> 00:19:02,712
AND EVERYTHING
YOU KNOW ABOUT THEM.
298
00:19:03,000 --> 00:19:04,149
YES, SIR.
299
00:19:04,440 --> 00:19:06,556
YOU DON'T WANT
TO KEEP HER AROUND HERE.
300
00:19:06,840 --> 00:19:08,717
HER LOYALTIES
ARE TO TOWNSEND.
301
00:19:09,040 --> 00:19:11,110
AND THAT'S WHY
SHE'S VALUABLE.
302
00:19:11,600 --> 00:19:13,670
TOWNSEND THINKS THAT SHE'S
STILL HIS OPERATIVE.
303
00:19:14,000 --> 00:19:15,319
SHE BELONGS TO ME NOW.
304
00:19:15,600 --> 00:19:19,513
I COULDN'T HAVE ASKED FOR A
MORE BEAUTIFUL VOLUNTEER.
305
00:19:22,720 --> 00:19:24,073
[PHONE RINGING]
306
00:19:29,160 --> 00:19:30,593
BOSLEY HERE.
307
00:19:30,880 --> 00:19:32,074
JULIE [OVER PHONE]:
HI, BOS. IT'S ME, JUL/E.
308
00:19:32,360 --> 00:19:34,954
IJUST CALLED TO CHECK IN
309
00:19:35,240 --> 00:19:36,753
WELL, IF YOU'RE NOT BUSY,
310
00:19:37,040 --> 00:19:38,473
WE COULD USE
A LITTLE HELP OVER HERE.
311
00:19:38,760 --> 00:19:40,273
IT LOOKS LIKE I'M GONNA BE
TIED UP FOR A WHILE.
312
00:19:40,560 --> 00:19:42,073
I STILL
HAVE TO TAKE SOME TESTS.
313
00:19:42,400 --> 00:19:44,868
I SHOULD BE HOME
BY ABOUT 11 OR SO.
314
00:19:45,200 --> 00:19:46,553
ANYTHING ON FRANCINE MILLER?
315
00:19:46,840 --> 00:19:50,116
IF YOU MEAN BETWEEN HER
AND HER BOSS, IDOUBT IT.
316
00:19:50,400 --> 00:19:52,152
THE YDIS C OURA GE
THA TKIND 0F THING HERE
317
00:19:52,440 --> 00:19:54,351
IT DOESN'T MAKE FOR GOOD
WORKING RELATIONSHIPS
318
00:19:54,640 --> 00:19:55,709
WITH THE CLIENT COMPANIES.
319
00:19:56,040 --> 00:19:57,439
KELLY [OVER PHONE]:
S0 E VERYTHING'SALL RIGHT?
320
00:19:57,720 --> 00:20:00,553
YEAH, FINE. SHOULDN'T TAKE
MORE THAN A DAY 0R SO.
321
00:20:00,880 --> 00:20:02,074
I THINK CHARLIE WILL BE
ABLE TO WRITE OFF
322
00:20:02,360 --> 00:20:03,429
REARDON AND COMPANY
AS A LEAD.
323
00:20:03,760 --> 00:20:06,115
OH, WOW,
YOU SHOULD SEE ME TYPE.
324
00:20:06,400 --> 00:20:08,550
THIS PROGRAM'S REALLY
INCREASED MY SPEED.
325
00:20:08,840 --> 00:20:10,910
WELL, ALL THAT'S INCREASED
HERE IS OUR WORKLOAD.
326
00:20:11,200 --> 00:20:12,474
IT'S A REAL PAPER CHASE.
327
00:20:12,760 --> 00:20:15,274
OH, THA T'S TOO BAD.
THIS PROGRAM'S GREA T.
328
00:20:15,600 --> 00:20:17,511
KRIS:
WELL, THIS YOUNG EXECUTIVE
IS GONNA TAKE IT EASY
329
00:20:17,800 --> 00:20:19,153
A LITTLE BIT LATER.
AND BY THE WAY,
330
00:20:19,480 --> 00:20:20,549
| WANTED TO BORROW
THAT MIND BOOK OF YOURS.
331
00:20:20,840 --> 00:20:22,910
CAN I COME GET IT?
SURE KRIS.
332
00:20:23,240 --> 00:20:25,515
LISTEN, I GOTTA GO,
COMPANY TIME AND ALL THAT.
333
00:20:25,800 --> 00:20:26,789
KRIS [OVER PHONE]:
OKA Y SEE YOU LA TER.
334
00:20:27,120 --> 00:20:29,475
JULIE:
BYE.
335
00:20:31,080 --> 00:20:33,640
WELL, AT LEAST
IT IS GOOD TO HEAR
336
00:20:33,960 --> 00:20:35,791
THAT SHE IS ENJOYING
HER WORK.
337
00:20:41,560 --> 00:20:43,312
REARDON:
YOU DID VERY WELL.
338
00:20:50,160 --> 00:20:54,073
KELLY GARRETT, KRIS MUNROE
AND JOHN BOSLEY.
339
00:20:55,960 --> 00:20:57,473
YOU DID VERY WELL.
340
00:20:57,760 --> 00:21:00,115
DARLENE.
341
00:21:03,720 --> 00:21:06,837
TAKE MISS ROGERS
FOR SENSORY CONDITIONING.
342
00:21:07,160 --> 00:21:08,593
YES, SIR.
343
00:21:19,200 --> 00:21:20,633
IF YOU INTEND
TO PROGRAM HER
344
00:21:20,960 --> 00:21:23,076
BEFORE SHE HAS TO SEE
HER FRIENDS
345
00:21:23,360 --> 00:21:24,554
THAT'S PUSHING IT, JOHN.
346
00:21:24,880 --> 00:21:26,359
EACH NEW SUGGESTION
THAT SHE ACCEPTS
347
00:21:26,680 --> 00:21:28,193
JUST RE-ENFORCES
HER TRANCE.
348
00:21:32,720 --> 00:21:35,154
YOU HEAR ME NOW?
349
00:21:35,480 --> 00:21:38,199
YES, SIR.
I CAN HEAR YOU VERY WELL.
350
00:21:38,520 --> 00:21:40,875
ARE YOU COMFORTABLE?
351
00:21:41,160 --> 00:21:44,470
YES, VERY COMFORTABLE,
MR. REARDON.
352
00:21:44,760 --> 00:21:46,478
YOU'RE DOING VERY WELL,
JULIE.
353
00:21:46,760 --> 00:21:49,069
I WANT YOU
TO CONCENTRATE NOW.
354
00:21:49,400 --> 00:21:52,198
PICTURE THE CANDLE,
PICTURE THE FLAME.
355
00:21:52,480 --> 00:21:54,277
IT IS RIGHT
BEFORE YOUR EYES.
356
00:21:54,560 --> 00:21:57,438
THE FLAME WILL HELP YOU
TO RELAX.
357
00:21:57,720 --> 00:22:02,077
|-- I CAN'T.
I DON'T SEE IT.
358
00:22:07,480 --> 00:22:08,879
[AIR HISSING]
359
00:22:22,120 --> 00:22:23,917
REARDON:
YOU WILL LISTEN TO MY VOICE.
360
00:22:24,200 --> 00:22:26,919
ALWAYS ONLY LISTEN
TO MY VOICE.
361
00:22:27,240 --> 00:22:28,559
IT IS PART OF YOU NOW.
362
00:22:28,840 --> 00:22:32,435
YOU MUST ALWAYS OBEY
MY VOICE.
363
00:22:32,720 --> 00:22:34,551
DO YOU HEAR?
364
00:22:34,840 --> 00:22:38,594
YOU CAN RELAX WHEN YOU SEE
THE FLAME, JULIE.
365
00:22:38,880 --> 00:22:41,713
[BREATHING HEAVILY]
366
00:22:42,040 --> 00:22:45,874
YES. YES, I SEE IT.
367
00:22:46,160 --> 00:22:48,958
| SEE THE FLAME.
368
00:22:51,960 --> 00:22:54,110
JULIE, THE FLAME
IS OURS TOGETHER.
369
00:22:54,400 --> 00:22:56,118
IT IS GROWING COLDER NOW,
ISN'T IT?
370
00:22:56,400 --> 00:23:00,313
YES. IT'S GETTING COLDER.
371
00:23:01,560 --> 00:23:03,869
IT'S GETTING MUCH COLDER.
372
00:23:08,520 --> 00:23:11,796
MR. REARDON, WILL YOU
PLEASE LET ME OUT?
373
00:23:12,080 --> 00:23:13,354
NO, NOT YET, JULIE.
374
00:23:13,640 --> 00:23:17,189
BREATHE DEEPLY
AND ONLY LISTEN TO MY VOICE.
375
00:23:17,480 --> 00:23:19,710
THE FLAME
IS DIMMING NOW.
376
00:23:20,040 --> 00:23:23,316
IT IS GROWING DARKER
AND DARKER.
377
00:23:25,960 --> 00:23:29,191
YES, IT'S GONE.
GOOD.
378
00:23:29,480 --> 00:23:32,472
JUST RELAX NOW.
379
00:23:35,960 --> 00:23:37,951
IT'S TIME TO REST.
380
00:23:39,240 --> 00:23:43,677
COMPLETELY REST
AND FORGET.
381
00:23:43,960 --> 00:23:46,155
FORGET EVERYTHING
382
00:23:46,480 --> 00:23:51,349
EXCEPT WHAT MY VOICE
INSTRUCTS YOU TO DO.
383
00:24:00,880 --> 00:24:03,189
HI.
HI.
384
00:24:03,480 --> 00:24:04,515
I DIDN'T THINK
YOU WERE GONNA SHOW UP,
385
00:24:04,800 --> 00:24:06,199
SO I LET MYSELF IN.
I HOPE YOU DON'T MIND.
386
00:24:06,480 --> 00:24:07,993
OH, THAT'S OKAY.
I'M SORRY I'M LATE.
387
00:24:08,280 --> 00:24:09,998
THE INDOCTRINATION TOOK
LONGER THAN I THOUGHT.
388
00:24:10,280 --> 00:24:11,315
LOOK AT THIS.
389
00:24:11,600 --> 00:24:14,319
ISN'T IT BEAUTIFUL?
KRIS: IT'S TERRIFIC.
390
00:24:14,600 --> 00:24:16,875
YOU WANNA KNOW
WHAT KELLY AND I GOT?
391
00:24:17,160 --> 00:24:18,991
FILES.
STACKS 0F FILES.
392
00:24:19,280 --> 00:24:21,191
[BOTH LAUGH]
393
00:24:21,520 --> 00:24:22,350
I GOTTA RUN. I'LL SEE YOU
TOMORROW.
394
00:24:22,680 --> 00:24:24,750
OKAY. I'LL CALL YOU
IN THE MORNING.
395
00:24:26,240 --> 00:24:29,118
OH, YOUR PURSE.
OH, THANKS.
396
00:24:29,440 --> 00:24:30,759
AND THANKS FOR THE BOOK.
OKAY, SURE.
397
00:24:31,040 --> 00:24:33,235
NIGHT.
NIGHT.
398
00:24:44,800 --> 00:24:48,395
REARDON:
YOU WILL ONL YHEAR MY VOICE
399
00:24:48,680 --> 00:24:51,148
AND YOU WILL ONLYLISTEN
TO MY VOICE.
400
00:24:51,440 --> 00:24:53,954
YOU WILL ONL YHEAR
MY VOICE.
401
00:24:54,240 --> 00:24:56,231
NOW, LIGHT THE CANDLE
402
00:25:23,840 --> 00:25:27,355
YOUR HANDS ARE VERY COLD NOW
403
00:25:27,640 --> 00:25:30,359
AND THE FLAME
IS LIKE ICE
404
00:25:30,640 --> 00:25:34,189
YOU WILL NOTBE HURTAS LONG
AS YOULOOKAT THE FLAME
405
00:25:36,360 --> 00:25:38,112
YOU WILL NOTBE HURT.
406
00:25:39,680 --> 00:25:42,069
AND THE FLAME IS LIKE ICE.
407
00:25:54,480 --> 00:25:56,550
WI
408
00:26:09,360 --> 00:26:10,713
IF I KNEW WHAT YOU WERE
LOOKING FOR.
409
00:26:11,040 --> 00:26:12,268
MAYBE I COULD HELP.
410
00:26:12,560 --> 00:26:14,118
WELL, A SUSPECT WOULD HELP.
411
00:26:14,400 --> 00:26:16,197
SOME HARD EVIDENCE TO PROVE
THAT THOSE TWO DEATHS
412
00:26:16,480 --> 00:26:18,835
WERE NOT JUST ACCIDENTS
WOULD HELP.
413
00:26:19,120 --> 00:26:22,192
TWO DEATHS IN THREE WEEKS
IS HARDLY COINCIDENTAL.
414
00:26:23,560 --> 00:26:26,757
AND THE MOTIVE,
THAT'S VERY STRONG.
415
00:26:27,040 --> 00:26:28,029
KELLY:
WE KNOW THE MOTIVE.
416
00:26:28,320 --> 00:26:29,878
A BILLION DOLLARS,
THAT'S THE MOTIVE.
417
00:26:30,160 --> 00:26:31,878
MEANS AND OPPORTUNITY
WE'RE SHORT ON.
418
00:26:32,160 --> 00:26:34,116
WE NEED THOSE
TO ESTABLISH MURDER.
419
00:26:34,440 --> 00:26:36,271
WE'VE BEEN THROUGH
ALL THE PERSONNEL FILES,
420
00:26:36,560 --> 00:26:37,629
ALL THE INVESTIGATION
REPORTS.
421
00:26:37,920 --> 00:26:39,114
WE EVEN RAN IT THROUGH
THE COMPUTER AGAIN.
422
00:26:39,440 --> 00:26:40,873
NOTHING.
423
00:26:41,200 --> 00:26:42,633
WHAT, YOU THINK
I'M PARANOID?
424
00:26:42,920 --> 00:26:44,433
EVEN THE INSURANCE
COMPANIES AGREE
425
00:26:44,720 --> 00:26:45,914
THAT BOTH DEATHS
WERE ACCIDENTAL.
426
00:26:46,240 --> 00:26:48,356
WELL, I DID TOO.
427
00:26:48,640 --> 00:26:49,550
UNTIL DANVERS CONVINCED ME
428
00:26:49,840 --> 00:26:51,273
IT MIGHT BE
MORE THAN A COINCIDENCE.
429
00:26:51,560 --> 00:26:52,629
DANVERS?
430
00:26:52,960 --> 00:26:55,554
HE'S THE ONLY ONE LEFT
ON THE BOARD ON MY SIDE.
431
00:26:55,880 --> 00:26:57,552
IT WAS DANVERS WHO MADE
OUR ORIGINAL BREAKTHROUGH
432
00:26:57,880 --> 00:26:59,074
IN GEOTHERMAL.
433
00:26:59,360 --> 00:27:02,079
HE'S BEEN FIGHTING
TO PROTECT HIS DISCOVERIES
434
00:27:02,360 --> 00:27:05,238
JUST AS I'VE BEEN FIGHTING
TO PROTECT THE COMPANY.
435
00:27:05,560 --> 00:27:08,074
KRIS, I THINK WE OUGHT TO PAY
MR. DANVERS A VISIT.
436
00:27:08,360 --> 00:27:09,236
WILL YOU EXCUSE US?
437
00:27:18,760 --> 00:27:20,557
[DOOR CLOSES]
438
00:27:22,200 --> 00:27:23,315
WE'LL BE LOOKING FORWARD
439
00:27:23,600 --> 00:27:24,999
TO WORKING WITH YOU GENTLEMEN
ON THIS PROJECT.
440
00:27:25,320 --> 00:27:26,275
IT'S GOING TO BE EXCITING.
441
00:27:26,560 --> 00:27:27,913
AND DON'T FORGET
YOUR BUDGET FIGURES.
442
00:27:28,240 --> 00:27:30,071
I'LL NEED THEM
AS SOON AS POSSIBLE.
443
00:27:35,000 --> 00:27:37,992
COFFEE, MR. DANVERS?
PLEASE.
444
00:27:39,880 --> 00:27:41,757
[DOOR CLOSES]
445
00:28:14,240 --> 00:28:17,198
HERE YOU ARE, SIR.
HMM? OH, THANK YOU, CYNTHIA.
446
00:28:19,640 --> 00:28:21,039
[SIGHS]
447
00:28:54,040 --> 00:28:55,996
OKAY, THANK YOU.
448
00:28:56,280 --> 00:28:58,157
DANVERS' SECRETARY SAYS
HE'S IN THE CONFERENCE ROOM.
449
00:28:58,440 --> 00:29:01,352
GREAT. NOW, ALL WE HAVE
TO DO IS FIND IT.
450
00:29:01,640 --> 00:29:04,393
UH, DO YOU KNOW
WHERE THE, UH,..?
451
00:29:04,720 --> 00:29:05,789
OH. I THINK WE FOUND IT.
452
00:29:06,080 --> 00:29:07,069
KELLY:
AH.
453
00:29:12,800 --> 00:29:16,031
IT'S MR. DANVERS.
HE'S HAD A HEART ATTACK.
454
00:29:17,720 --> 00:29:21,599
HE'S DEAD. I KNOW IT.
HE'S DEAD.
455
00:29:21,880 --> 00:29:23,711
HE'S STILL ALIVE.
CALL MEDICAL.
456
00:29:24,000 --> 00:29:26,434
GET SOMEONE DOWN HERE
IMMEDIATELY.
457
00:29:27,760 --> 00:29:29,318
ALIVE?
458
00:29:29,600 --> 00:29:30,999
BUT I...
459
00:29:31,320 --> 00:29:33,470
I DON'T KNOW THE NUMBER.
460
00:29:33,760 --> 00:29:35,273
[SCOFFS]
461
00:29:38,720 --> 00:29:40,392
YES, GET EMERGENCY
TO THE CONFERENCE ROOM.
462
00:29:40,680 --> 00:29:41,669
IT'S DANVERS.
463
00:29:42,000 --> 00:29:44,798
IT LOOKS LIKE A HEART ATTACK.
HURRY.
464
00:29:47,080 --> 00:29:51,596
THIS IS TERRIBLE.
I DON'T KNOW WHAT HAPPENED.
465
00:29:51,880 --> 00:29:53,996
I'M SUPPOSED TO BE PREPARED
FOR EMERGENCIES
466
00:29:54,280 --> 00:29:56,589
WITHIN THE CLIENT COMPANIES.
467
00:29:57,760 --> 00:29:59,637
[PHONE BUZZES]
YES?
468
00:29:59,920 --> 00:30:01,148
KRIS [OVER SPEAKERS]:
IT'S AN EMERGENCY.
469
00:30:01,480 --> 00:30:04,199
I T’S MR. DANVERS IN
THE CONFERENCE ROOM HE...
470
00:30:12,440 --> 00:30:13,395
JOHN. WHAT HAPPENED?
471
00:30:13,680 --> 00:30:14,715
HEART ATTACK MAYBE.
IT'S HARD TO TELL.
472
00:30:15,040 --> 00:30:16,029
IF IT WASN'T FOR THOSE
TWO LADIES IN THERE,
473
00:30:16,320 --> 00:30:18,197
HE'D BE DEAD ALREADY.
474
00:30:18,480 --> 00:30:19,708
[CYNTHIA WHIMPERING]
475
00:30:20,040 --> 00:30:21,393
CYNTHIA.
476
00:30:21,680 --> 00:30:22,749
I'M SO SORRY.
477
00:30:23,080 --> 00:30:26,231
HE WAS GOING OVER
THE SURVEY MAPS
478
00:30:26,520 --> 00:30:29,671
AND THEN IN THE NEXT MINUTEHE
WAS JUST LYING ON THE FLOOR.
479
00:30:29,960 --> 00:30:32,872
IT'S ALL RIGHT, CYNTHIA.
IT'S NOT YOUR FAULT.
480
00:30:33,160 --> 00:30:34,957
NOTHING.
481
00:30:36,840 --> 00:30:39,638
MAYBE IT WAS A HEART ATTACK.
I CAN'T FIND ANYTHING EITHER.
482
00:30:39,920 --> 00:30:42,753
WELL, WE CAN'T BE TOO SURE.
WE BETTER KEEP LOOKING.
483
00:30:43,040 --> 00:30:44,951
STEVE, DID DANVERS HAVE
A HEART CONDITION?
484
00:30:45,280 --> 00:30:47,430
NO, WE PLAYED HANDBALL
THREE TIMES A WEEK.
485
00:30:47,720 --> 00:30:49,358
HE'S AS STRONG AS AN OX.
486
00:30:49,640 --> 00:30:50,436
YOU SOUND SO POSITIVE.
487
00:30:50,720 --> 00:30:52,119
I'D STAKE MY LIFE ON IT.
488
00:30:52,400 --> 00:30:53,435
YOU MIGHT HAVE TO.
489
00:30:53,720 --> 00:30:55,278
I DON'T GET IT.
490
00:30:56,680 --> 00:30:58,113
YOU'RE DEFINITELY
THE NEXT TARGET.
491
00:30:58,400 --> 00:31:00,436
WI
492
00:31:10,960 --> 00:31:12,916
MR. TUSTIN IS HERE
TO SEE YOU, MR. REARDON.
493
00:31:13,200 --> 00:31:15,430
HE SEEMS VERY IMPATIENT.
494
00:31:15,760 --> 00:31:17,591
THAT'S ALL RIGHT.
TELL HIM TO COME IN, DARLENE.
495
00:31:17,880 --> 00:31:19,632
YES, SIR.
496
00:31:21,360 --> 00:31:23,715
IS THERE ANYTHING ELSE, SIR?
NO, YOU MAY GO NOW.
497
00:31:24,000 --> 00:31:25,956
THANK YOU.
THANK YOU.
498
00:31:28,200 --> 00:31:31,237
I HEARD ABOUT DANVERS.
499
00:31:31,520 --> 00:31:33,590
CYNTHIA DID EXACTLY
AS SHE WAS PROGRAMMED.
500
00:31:33,880 --> 00:31:35,154
NO SUSPICION ON ANYONE.
501
00:31:35,440 --> 00:31:38,318
BUT DANVERS IS STILL ALIVE.
THAT WASN'T OUR AGREEMENT.
502
00:31:38,600 --> 00:31:40,636
BUT HE'S OUT OF THE PICTURE
AND THAT'S WHAT YOU WANTED.
503
00:31:40,960 --> 00:31:42,518
NOT GOOD ENOUGH, REARDON.
504
00:31:42,800 --> 00:31:44,552
[CHUCKLES]
505
00:31:45,960 --> 00:31:49,111
MR. TUSTIN, IF YOU WANT
WESTERN TECHTRONICS
506
00:31:49,400 --> 00:31:50,879
BY THE END OF THE WEEK,
507
00:31:51,160 --> 00:31:52,878
IT'S GONNA COST YOU
A LITTLE MORE.
508
00:31:53,160 --> 00:31:55,469
YOU'RE ALREADY GETTING
A MILLION DOLLARS, REARDON.
509
00:31:55,800 --> 00:31:57,836
MR. TUSTIN, FIRST, YOU WANTED
IT DOWN IN SIX WEEKS.
510
00:31:58,120 --> 00:31:59,633
NOW YOU WANT A RUSH JOB.
511
00:31:59,920 --> 00:32:02,229
I THINK STEVE BRIGGS
IS WORTH MORE THAN THAT.
512
00:32:02,560 --> 00:32:03,629
YOU'RE OUT OF YOUR MIND.
513
00:32:03,920 --> 00:32:05,512
I'VE GOT MY LIFE IN THIS.
514
00:32:05,800 --> 00:32:08,030
THAT'S WHY IT'S WORTH MORE.
515
00:32:08,360 --> 00:32:09,998
NOW, LISTEN TO ME.
516
00:32:10,320 --> 00:32:12,038
OUR WEAPON IS ALREADY
IN PLACE.
517
00:32:12,360 --> 00:32:14,999
STEVE BRIGGS WILL GO TODAY,
IF I SAY SO.
518
00:32:15,320 --> 00:32:18,278
NOW, YOUR CHOICES
ARE LIMITED.
519
00:32:18,560 --> 00:32:20,835
I JUST WANT $2 MILLION
FOR THE JOB.
520
00:32:21,160 --> 00:32:23,196
OKAY.
521
00:32:23,480 --> 00:32:28,190
OKAY. YOU GET RID OF BRIGGS
IN A HURRY AND YOU'VE GOT IT.
522
00:32:30,280 --> 00:32:33,716
BUT I PROMISE YOU,
IF THINGS GET FOULED UP--
523
00:32:34,000 --> 00:32:36,878
THINGS HAVEN'T BEEN
FOULED UP, MR. TUSTIN.
524
00:32:37,160 --> 00:32:39,037
JUST TAKES A LITTLE TIME
TO DEVELOP
525
00:32:39,320 --> 00:32:43,233
CONFIDENCE BETWEEN PARTNERS,
THAT'S ALL.
526
00:32:45,760 --> 00:32:47,034
[CHUCKLES]
527
00:32:48,040 --> 00:32:50,110
WI
528
00:32:59,160 --> 00:33:00,388
HI.
529
00:33:00,680 --> 00:33:01,874
JULIE?
YEAH.
530
00:33:02,200 --> 00:33:03,952
I'M CYNTHIA.
I KNEW YOU WOULD BE.
531
00:33:04,240 --> 00:33:06,071
WOULD YOU SIT DOWN WITH ME?
SURE.
532
00:33:07,560 --> 00:33:10,791
MR. REARDON TOLD ME
YOU'D REPORT TODAY.
533
00:33:11,080 --> 00:33:12,752
IT'S NICE TO HAVE YOU
ON THE TEAM.
534
00:33:13,040 --> 00:33:15,759
WESTERN TECHTRONICS
IS A WONDERFUL PLACE TO WORK.
535
00:33:16,040 --> 00:33:17,996
I'M SURE YOU'LL LOVE IT.
536
00:33:18,280 --> 00:33:21,192
YOU KNOW,
I HAVE THE NICEST BOSS.
537
00:33:24,400 --> 00:33:27,631
AT LEAST, I DID.
538
00:33:27,920 --> 00:33:29,194
WELL, WHAT HAPPENED?
539
00:33:31,600 --> 00:33:35,673
HE HAD A HEART ATTACK
OR SOMETHING THIS MORNING.
540
00:33:36,880 --> 00:33:39,269
I FEEL SO AWFUL ABOUT IT.
541
00:33:39,560 --> 00:33:41,471
MAYBE YOU SHOULD GO HOME.
542
00:33:42,840 --> 00:33:44,398
MAYBE.
543
00:33:45,840 --> 00:33:49,753
IT WON'T BE THE SAME
WITHOUT MR. DANVERS.
544
00:33:50,080 --> 00:33:51,638
I FELT SO ATTACHED
TO HIM.
545
00:33:51,960 --> 00:33:54,315
THAT'S STRANGE.
546
00:33:54,600 --> 00:33:56,556
I FEEL THE SAME WAY
ABOUT MY NEW BOSS
547
00:33:56,880 --> 00:33:57,995
AND I HAVEN'T EVEN
MET HIM YET.
548
00:33:58,280 --> 00:33:59,554
OH, WHO IS IT?
549
00:33:59,880 --> 00:34:03,190
STEVEN BRIGGS, THE PRESIDENT
OF THE CLIENT COMPANY.
550
00:34:03,480 --> 00:34:05,550
I'M SUPPOSED TO CHECK
IN WITH HIM AT 1:15.
551
00:34:06,720 --> 00:34:08,472
WELL, YOU'D BETTER HURRY.
552
00:34:08,760 --> 00:34:09,670
IT'S NOT GOOD TO BE LATE
553
00:34:09,960 --> 00:34:11,552
THE FIRST DAY
WITH A CLIENT COMPANY.
554
00:34:11,840 --> 00:34:13,990
YEAH, I JUST WANTED TO LOOK UP
SOME OF MY FRIENDS
555
00:34:14,320 --> 00:34:15,958
WHO WORK HERE FIRST.
WOULD YOU KNOW THEM?
556
00:34:16,280 --> 00:34:17,235
KELLY GARRETT
AND KRIS MUNROE.
557
00:34:17,520 --> 00:34:20,080
THEY'RE IN JUNIOR
EXECUTIVE TRAINING.
558
00:34:20,400 --> 00:34:21,879
OH, I MET THEM BOTH.
559
00:34:22,200 --> 00:34:24,794
THEY'RE WORKING VERY CLOSELY
WITH MR. BRIGGS.
560
00:34:25,120 --> 00:34:26,872
IN FACT, THEY MIGHT BE
IN HIS OFFICE.
561
00:34:27,200 --> 00:34:28,269
OH, I'LL TRY THERE FIRST.
562
00:34:28,560 --> 00:34:30,630
YOU KNOW, YOU'RE LUCKY.
563
00:34:30,960 --> 00:34:33,872
WHEN I STARTED HERE, I DIDN'T
KNOW ANYONE EXCEPT FRANCINE.
564
00:34:36,760 --> 00:34:38,990
FRANCINE.
565
00:34:39,280 --> 00:34:43,319
SHE HAD THAT
HORRIBLE ACCIDENT
566
00:34:43,640 --> 00:34:45,596
AFTER SHE STARTED HERE.
567
00:34:45,880 --> 00:34:47,757
[CRIES]
568
00:34:49,520 --> 00:34:51,192
I'M SORRY.
569
00:34:51,520 --> 00:34:54,637
I JUST CAN'T HANDLE IT
ALL AT ONCE.
570
00:34:54,920 --> 00:34:57,992
YOU SHOULD SEE MR. REARDON.
HE'LL BE ABLE TO HELP YOU.
571
00:34:58,320 --> 00:35:00,356
I KNOW.
572
00:35:01,400 --> 00:35:03,197
I KNOW.
573
00:35:12,400 --> 00:35:14,630
OKAY, LET'S GIVE IT
ONE MORE GOING OVER.
574
00:35:14,960 --> 00:35:17,520
I'M AFRAID IT'S GONNA BE
A COMPLETE WASHOUT.
575
00:35:17,840 --> 00:35:19,398
I DON'T THINK
YOU LEAVE FINGERPRINTS
576
00:35:19,720 --> 00:35:22,029
WHEN YOU GIVE SOMEBODY
A HEART ATTACK.
577
00:35:36,720 --> 00:35:38,950
.IC'W'I.
578
00:35:39,280 --> 00:35:41,748
CYNTHIA WEAVER.
579
00:35:42,040 --> 00:35:45,237
IN ALL THE EXCITEMENT TODAY,
SHE MUST HAVE LEFT THIS BEHIND
580
00:36:00,840 --> 00:36:03,035
ISN'T IT BEAUTIFUL?
581
00:36:07,800 --> 00:36:10,189
KELLY, LOOK AT THIS.
582
00:36:10,520 --> 00:36:12,556
WELL, IT'S NOT EXACTLY
A SMOKING PISTOL, KRIS.
583
00:36:14,640 --> 00:36:16,358
JULIE HAS ONE JUST LIKE THIS
IN HER APARTMENT.
584
00:36:16,640 --> 00:36:18,358
WELL, MAYBE THEY WENT
TO THE SAME SWAP MEET.
585
00:36:19,840 --> 00:36:21,910
NO, SHE SAID IT WAS A GIFT
FROM THE REARDON COMPANY.
586
00:36:22,240 --> 00:36:23,593
I DON'T SEE THE CONNECTION.
587
00:36:23,880 --> 00:36:26,110
IT DOESN'T MAKE ANY SENSE.
588
00:36:26,400 --> 00:36:27,879
DANVERS NEARLY DIES TODAY,
589
00:36:28,200 --> 00:36:30,998
THE WOMAN WITH HIM HAS
A CANDLESTICK LIKE JULIE'S
590
00:36:31,280 --> 00:36:33,350
AND SHE ALSO WORKED
FOR THE REARDON COMPANY.
591
00:36:33,640 --> 00:36:35,676
DIDN'T BOSLEY SAY JULIE
HAD AN APPOINTMENT
592
00:36:36,000 --> 00:36:37,433
WITH STEVE BRIGGS TODAY?
593
00:36:37,720 --> 00:36:39,870
LET'S CHECK
WITH MR. BRIGGS.
594
00:36:44,760 --> 00:36:45,829
[KNOCKING ON DOOR]
595
00:36:46,120 --> 00:36:47,189
COME IN.
596
00:36:51,200 --> 00:36:52,349
HI, I'M JULIE ROGERS.
597
00:36:53,480 --> 00:36:54,708
UH, HOLD ON.
598
00:36:55,000 --> 00:36:56,956
YEAH, YOU'RE THE ONLY ANGEL
| HAVEN'T MET.
599
00:36:57,240 --> 00:36:58,639
UH, I'LL JUST BE A MINUTE.
600
00:36:58,920 --> 00:37:01,309
I'LL GET BACK TO YOU, SAM.
601
00:37:05,040 --> 00:37:06,553
IT'S NICE TO MEET YOU,
MR. BRIGGS.
602
00:37:06,840 --> 00:37:07,795
OH, CALL ME STEVE.
603
00:37:08,120 --> 00:37:09,758
I CAN'T TELL YOU
HOW I'VE BEEN LOOKING FORWARD
604
00:37:10,080 --> 00:37:11,593
TO MEETING YOU.
605
00:37:11,880 --> 00:37:12,995
[GRUNTING]
606
00:37:17,720 --> 00:37:18,709
JULIE?
607
00:37:28,400 --> 00:37:30,356
[BOTH GRUNTING]
608
00:37:33,200 --> 00:37:34,633
JULIE, WHAT ARE YOU DOING?
609
00:37:34,920 --> 00:37:36,148
JULIE!
610
00:37:36,480 --> 00:37:38,471
JULIE.
611
00:37:39,760 --> 00:37:41,512
[GRU NTS]
612
00:37:43,840 --> 00:37:45,558
KRIS, WATCH HER.
613
00:37:47,080 --> 00:37:49,469
[BOTH GRUNTING]
614
00:37:52,720 --> 00:37:54,039
JULIE!
615
00:37:54,320 --> 00:37:55,594
WHY DID YOU ATTACK
MR. BRIGGS?
616
00:37:55,880 --> 00:37:57,836
I DIDN'T ATTACK ANYONE!
I CAME HERE TO SEE
617
00:37:58,160 --> 00:38:00,754
TO THE PRESIDENT
OF THE CLIENT COMPANY.
618
00:38:01,080 --> 00:38:01,876
THE WHAT?
619
00:38:02,160 --> 00:38:05,311
THE CLIENT COMPANY?
THAT'S YOU.
620
00:38:05,600 --> 00:38:07,795
KRIS:
YOU AND DANVERS
WERE THE TARGETS.
621
00:38:08,080 --> 00:38:12,039
JULIE AND CYNTHIA WERE THE--
THEY WERE THE WEAPONS.
622
00:38:12,320 --> 00:38:14,356
IN!
623
00:38:27,840 --> 00:38:29,831
BOSLEY: CHARLIE,
I KNOW IT SOUNDS CRAZY
624
00:38:30,160 --> 00:38:33,914
BUT JULIE ACTUALLY TRIED
TO KILL STEVE BRIGGS.
625
00:38:34,240 --> 00:38:36,071
CHARLIE [OVER SPEAKER]:
THA T JUS T DOESN’T MAKE SENSE,
BOSLEY.
626
00:38:36,360 --> 00:38:37,713
I AGREE WITH YOU,
CHARLIE.
627
00:38:38,040 --> 00:38:39,359
THERE'S SOMETHING
VERY STRANGE HERE.
628
00:38:39,640 --> 00:38:40,470
THAT'S WHY
I HAD THE PSYCHIATRIST
629
00:38:40,760 --> 00:38:42,079
EXAMINE HER
AT OUR FACILITY.
630
00:38:42,360 --> 00:38:43,918
WHA TKIND OF EXAM/NA TION?
631
00:38:44,200 --> 00:38:45,952
WELL, I FIGURED
SHE WAS DRUGGED OR SOMETHING,
632
00:38:46,240 --> 00:38:47,434
BUT THE DOCTOR SAID NO.
633
00:38:47,760 --> 00:38:49,716
DR. LANTRY'S
TRYING HYPNOSIS.
634
00:38:50,000 --> 00:38:51,558
WHA TARE YOU TALKING
ABOUTANYWA Y?
635
00:38:51,880 --> 00:38:53,916
CHARLIE, JULIE HAS AMNESIA.
636
00:38:54,200 --> 00:38:55,599
SHE DOESN'T REMEMBER
ANYTHING
637
00:38:55,880 --> 00:38:57,393
AFTER SHE ENTERED
STEVE'S OFFICE.
638
00:38:57,720 --> 00:38:59,631
LOOK, I'VE ANSWERED
ALL YOUR QUESTIONS.
639
00:38:59,920 --> 00:39:00,955
I'VE EVEN LET YOU PUT ME
IN A TRANCE
640
00:39:01,240 --> 00:39:02,229
AND NOW YOU WANNA DRUG ME?
641
00:39:02,560 --> 00:39:04,357
FORGET IT! ENOUGH'S ENOUGH.
642
00:39:04,640 --> 00:39:07,677
IT'S NOTHING MORE THAN A
TRANQUILIZER, A HYPNOTIC.
643
00:39:07,960 --> 00:39:10,758
THERE'S A MENTAL BLOCK.
PERHAPS IF WE TRIED TO...
644
00:39:11,040 --> 00:39:13,474
JULIE, DR. LANTRY
IS TRYING TO HELP YOU.
645
00:39:13,760 --> 00:39:14,749
YOU HAVE TO COOPERATE.
646
00:39:15,080 --> 00:39:16,957
WHY?
AND COOPERATE WITH WHAT?
647
00:39:17,280 --> 00:39:19,953
WON'T SOMEBODY PLEASE TELL ME
WHAT'S GOING ON AROUND HERE?
648
00:39:20,240 --> 00:39:23,357
ABOUT TWO HOURS AGO, IF KELLY
AND I HADN'T STOPPED YOU
649
00:39:23,640 --> 00:39:24,709
YOU WOULD'VE KILLED
STEVEN BRIGGS.
650
00:39:25,040 --> 00:39:29,318
OH, COME ON, KRIS,
I DID NOT AND I WOULD NOT.
651
00:39:29,600 --> 00:39:32,512
I WENT TO SEE
STEVE BRIGGS TO...
652
00:39:34,400 --> 00:39:36,118
TO...
653
00:39:42,920 --> 00:39:45,115
TO TELL HIM.
654
00:39:45,440 --> 00:39:46,793
TELL HIM ABOUT WHAT,
JULIE?
655
00:39:52,560 --> 00:39:54,551
DR. LANTRY.
656
00:39:54,840 --> 00:39:56,956
I WENT TO JULIE'S APARTMENT
TO GET THIS.
657
00:39:57,280 --> 00:40:00,158
WE FOUND A SIMILAR ONE IN
CYNTHIA WEAVER'S BRIEFCASE.
658
00:40:00,440 --> 00:40:02,192
AND CYNTHIA'S NOT HERE
AND DOESN'T ANSWER HER PHONE.
659
00:40:02,480 --> 00:40:03,754
KELLY'S TRYING
TO LOCATE HER.
660
00:40:04,080 --> 00:40:05,035
LANTRY:
WHAT IS IT FOR?
661
00:40:05,320 --> 00:40:06,469
KRIS:
I DON'T KNOW.
662
00:40:06,760 --> 00:40:08,591
BUT WHEN WE FOUND THE ONE
IN CYNTHIA'S BRIEFCASE
663
00:40:08,920 --> 00:40:10,831
I REMEMBERED THAT JULIE
HAD BEEN GIVEN ONE TOO.
664
00:40:11,120 --> 00:40:13,111
LANTRY:
BY WHOM?
665
00:40:13,400 --> 00:40:14,958
KRIS:
MR. REARDON.
666
00:40:15,240 --> 00:40:17,629
IT'S JUST A SHOT
IN THE DARK.
667
00:40:17,920 --> 00:40:20,229
MAYBE NOT SO DARK.
668
00:40:20,560 --> 00:40:23,154
JULIE, WOULD YOU LIKE
TO SEE THE CANDLE BURN?
669
00:40:25,680 --> 00:40:28,433
CLOSE YOUR EYES.
670
00:40:28,720 --> 00:40:30,995
DO YOU SEE THE FLAME,
JULIE?
671
00:40:32,760 --> 00:40:34,751
I DON'T GET IT.
672
00:40:36,280 --> 00:40:40,432
FIRE AND WATER ARE VERY STRONG
HYPNOTIC SYMBOLS.
673
00:40:40,720 --> 00:40:42,039
YOU'RE TELLING ME
674
00:40:42,320 --> 00:40:44,038
THAT SHE SEES A FLAME
WITH HER EYES CLOSED?
675
00:40:44,320 --> 00:40:49,189
YES. OPEN YOUR EYES NOW,
JULIE. WE'RE GOING TO TALK.
676
00:40:53,000 --> 00:40:56,037
GOOD. YOU CAN SEE THE FLAME.
677
00:40:56,320 --> 00:40:57,639
NOW, THIS TIME, JULIE,
678
00:40:57,920 --> 00:41:00,832
YOU'RE GOING TO REMEMBER
EVERYTHING.
679
00:41:01,120 --> 00:41:03,918
IN!
680
00:41:13,040 --> 00:41:14,519
KELLY:
I DON'T LIKE IT, JULIE.
681
00:41:14,800 --> 00:41:16,233
KELLY, REARDON STILL THINKS
682
00:41:16,520 --> 00:41:17,589
HE HAS ME WRAPPED AROUND
HIS LITTLE FINGER
683
00:41:17,880 --> 00:41:19,438
AND I DESERVE A CHANCE
TO BREAK IT.
684
00:41:19,720 --> 00:41:22,632
BESIDES, DR. LANTRY TOLD ME
NOT TO WORRY ABOUT A THING.
685
00:41:22,920 --> 00:41:24,831
YEAH, BUT I DO WORRY.
686
00:41:25,160 --> 00:41:26,479
OKAY, YOU'VE GOT
10 MINUTES.
687
00:41:26,760 --> 00:41:28,079
YOU GO IN THERE,
YOU LOCATE YOUR EVIDENCE,
688
00:41:28,360 --> 00:41:29,509
AND THEN YOU COME OUT
OR WE COME IN.
689
00:41:29,840 --> 00:41:32,229
OKAY, 10 MINUTES.
ALL RIGHT.
690
00:42:12,520 --> 00:42:16,399
UH, I DON'T UNDERSTAND,
MR. REARDON.
691
00:42:18,120 --> 00:42:21,271
SINCE THIS MORNING, I'VE HAD
THESE STRANGE FEELINGS
692
00:42:21,600 --> 00:42:26,071
LIKE I'M RESPONSIBLE FOR WHAT
HAPPENED TO MR. DENVERS.
693
00:42:26,360 --> 00:42:29,750
HMM. THAT'S QUITE NATURAL,
CYNTHIA.
694
00:42:30,040 --> 00:42:31,268
EVERYONE EXPERIENCES GUILT
695
00:42:31,600 --> 00:42:34,956
WHEN THEY'RE NEAR SOMEONE
WHO SUFFERS A CRISIS.
696
00:42:35,280 --> 00:42:37,635
DID YOU TRY MEDITATING
ON THE FLAME?
697
00:42:38,880 --> 00:42:40,438
I...
MM-HM.
698
00:42:41,880 --> 00:42:45,475
UH, UM...
699
00:42:45,760 --> 00:42:48,035
| COULDN'T SEEM TO.
700
00:42:50,240 --> 00:42:52,071
| LOST IT.
701
00:42:53,440 --> 00:42:54,270
MM-HM.
702
00:42:54,560 --> 00:42:56,755
THAT'S WHY
I HAD TO COME HERE.
703
00:42:59,760 --> 00:43:02,320
JUST CLOSE YOUR EYES NOW
704
00:43:02,640 --> 00:43:04,358
AND REST.
705
00:43:09,800 --> 00:43:12,553
WHAT'S THE MATTER WITH HER?
WHY IS SHE FALLING APART?
706
00:43:12,840 --> 00:43:14,671
IT'S GUILT.
707
00:43:14,960 --> 00:43:16,313
IT'S AN ATTACK
OF CONSCIENCE
708
00:43:16,600 --> 00:43:17,749
WITHOUT THE SUPPORT
OF REINFORCEMENT.
709
00:43:18,040 --> 00:43:19,109
PUT HER IN THE TANK.
710
00:43:19,440 --> 00:43:20,839
ROBERT:
ARE YOU REPROGRAMMING HER?
711
00:43:21,160 --> 00:43:23,833
REARDON:
NO, IT'S A PITY BUT SHE'S
REALLY SERVED HER PURPOSE.
712
00:43:24,160 --> 00:43:26,515
WHEN YOU TAKE
THE OXYGEN DOWN.
713
00:43:26,800 --> 00:43:28,870
KEEP IT AT HYPERVENTILATION
LEVEL.
714
00:43:29,200 --> 00:43:30,713
DEATH BY NATURAL CAUSES
715
00:43:31,040 --> 00:43:32,758
WILL TAKE CARE
OF A LOT OF QUESTIONS.
716
00:43:38,640 --> 00:43:40,710
IN!
717
00:44:00,520 --> 00:44:01,919
[KNOCKING ON DOOR]
718
00:44:09,920 --> 00:44:11,035
WHAT ARE YOU DOING HERE?
719
00:44:11,320 --> 00:44:14,073
I, UH, I TOLD DARLENE,
I'D BE WAITING FOR YOU.
720
00:44:14,360 --> 00:44:16,828
EVERYTHING WENT WELL?
721
00:44:17,120 --> 00:44:18,519
YES, SIR.
722
00:44:24,760 --> 00:44:27,399
DID YOU MEET STEVE BRIGGS?
723
00:44:27,720 --> 00:44:29,312
YES, SIR.
724
00:44:30,960 --> 00:44:31,915
DID YOU KILL HIM?
725
00:44:33,320 --> 00:44:37,074
WELL, I-- I TRIED
BUT THERE WAS A PROBLEM.
726
00:44:37,400 --> 00:44:39,436
I'M SURE THERE WAS.
727
00:44:41,440 --> 00:44:43,271
IT'S A MISTAKE.
YOU SHOULDN'T HAVE ANSWERED.
728
00:44:45,920 --> 00:44:47,433
YOU ASKED ME.
729
00:44:47,720 --> 00:44:49,597
IKNOW | ASKED YOU.
730
00:44:49,880 --> 00:44:52,713
BUT YOU'RE NOT PROGRAMMED
TO REMEMBER KILLING
731
00:44:53,040 --> 00:44:55,076
UNLESS | TURNED THE KEY.
732
00:44:55,360 --> 00:44:58,272
THERE'S NO PRETENDING
IN HYPNOSIS.
733
00:45:00,480 --> 00:45:04,189
THERE'S NO PRETENDING
IN DEATH.
734
00:45:10,040 --> 00:45:11,917
[AIR HISSING]
735
00:45:13,960 --> 00:45:17,475
KELLY:
JULIE? JULIE, WHERE ARE YOU?
736
00:45:20,920 --> 00:45:23,275
WHO ARE YOU, GIRLS?
WHAT ARE YOU DOING DOWN HERE?
737
00:45:28,000 --> 00:45:30,560
[GRU NTS]
738
00:45:30,840 --> 00:45:31,716
MY GOD.
THERE'S SOMEONE IN THERE.
739
00:45:32,040 --> 00:45:33,029
[PANTING]
740
00:45:33,320 --> 00:45:34,309
SHE'S SUFFOCATING.
741
00:45:34,600 --> 00:45:37,239
IT'S CYNTHIA.
[CYNTHIA GASPS]
742
00:45:45,560 --> 00:45:48,552
CYNTHIA?
CYNTHIA, COME ON.
743
00:45:48,880 --> 00:45:50,313
[BOTH GRUNTING]
744
00:46:19,200 --> 00:46:20,519
KRIS:
JULIE?
745
00:46:21,880 --> 00:46:23,791
JULIE?
746
00:46:24,080 --> 00:46:25,149
JULIE?
747
00:46:25,440 --> 00:46:26,714
IS THAT YOUR FRIEND?
748
00:46:27,000 --> 00:46:29,195
DON'T WORRY. I'M NOT GONNA
SHARE YOU WITH HER.
749
00:46:37,680 --> 00:46:39,716
[SIGHS]
750
00:46:43,320 --> 00:46:46,312
UH, HI.
751
00:46:46,600 --> 00:46:48,556
THIS MUST BE THE DISCO ROOM
YOU WERE TELLING ME ABOUT.
752
00:46:48,840 --> 00:46:52,674
YEP, BUT I JUST, UH, CAN'T
SEEM TO KEEP A PARTNER.
753
00:46:52,960 --> 00:46:55,076
[BOTH CHUCKLING]
754
00:46:55,360 --> 00:46:57,874
IN!
755
00:47:07,000 --> 00:47:08,479
CHARLIE [OVER SPEAKER]:
ANGELS, I'M VERYHAPPY TO HEAR
756
00:47:08,800 --> 00:47:09,915
THA T THERE WAS NO PROBLEM
757
00:47:10,200 --> 00:47:12,430
DEPROGRAMMING
MR. REARDON'S VICTIMS.
758
00:47:12,760 --> 00:47:15,672
NOT HALF AS HAPPY AS I AM
TO HEAR IT, CHARLIE.
759
00:47:15,960 --> 00:47:17,712
WELL, IM REALL Y SORRY
ABOUT THA T. JULIE
760
00:47:18,000 --> 00:47:19,718
NOT NEARLY AS SORRY
AS MR. REARDON.
761
00:47:20,000 --> 00:47:21,433
HE HAS A NEW PROGRAM
HIMSELF.
762
00:47:21,720 --> 00:47:23,517
MURDER ONE,
SPECIAL CIRCUMSTANCE.
763
00:47:23,800 --> 00:47:25,518
NOT TO MENTION THE PROBLEMS
OF HIS ACCOMPLICES,
764
00:47:25,800 --> 00:47:26,596
TUSTIN AND CARVER.
765
00:47:26,880 --> 00:47:28,074
LOOKS LIKE
THEY'RE IN FOR SOME
766
00:47:28,400 --> 00:47:31,551
SENSORY DEPRIVATION OF THEIR
OWN. SAY, FOR 20 YEARS.
767
00:47:31,840 --> 00:47:34,115
IT WAS GOOD WORK, ANGELS,
768
00:47:34,400 --> 00:47:36,595
AND STEVE BRIGGS
WAS VER YAPPRECIA TI VE
769
00:47:36,880 --> 00:47:38,393
YOU MEAN,
WESTERN TECHTRONICS
770
00:47:38,680 --> 00:47:40,193
ISN'T GONNA BE PUT ON
THE MARKET, CHARLIE?
771
00:47:40,480 --> 00:47:41,595
NOTFORA WHILE, ATLEAST.
772
00:47:41,920 --> 00:47:42,955
AN EMERGENCY BOARD MEETING
773
00:47:43,240 --> 00:47:45,754
ELECTED STEVE BRIGGS
CHIEF EXECUTIVE OFFICER.
774
00:47:46,080 --> 00:47:47,513
AND THANKS TO YOUR HELP
775
00:47:47,840 --> 00:47:50,115
WESTERN TECH TRON/CS
IS PROCEEDING FULL SPEED
776
00:47:50,400 --> 00:47:52,550
TO DEVELOP
THEIR GEOTHERMAL RESOURCES.
777
00:47:52,880 --> 00:47:55,838
YOU MA YSOON BE
DINING B YLA MPL IGH T
778
00:47:56,120 --> 00:47:58,395
SUPPLIED
BY WESTERN TECHTRONICS.
779
00:47:58,720 --> 00:48:01,951
AS LONG AS IT'S ELECTRIC,
IT'S FINE WITH ME, CHARLIE.
780
00:48:02,240 --> 00:48:06,438
SOMEHOW, CANDLELIGHT SEEMS
TO HAVE LOST ITS CHARM.
781
00:48:06,720 --> 00:48:08,119
OH, I DON'T KNOW.
782
00:48:08,440 --> 00:48:12,035
I'VE ALWAYS
FOUND IT RELAXING.
783
00:48:12,360 --> 00:48:14,794
[ALL LAUGHS]
784
00:48:16,400 --> 00:48:19,153
IN!
785
00:48:23,560 --> 00:48:25,710
IN!
55915
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