All language subtitles for charlies.angels.s05e07.remastered.bdrip.x264-rovers-en

CHARLIE:
Once upon a time

[here were three
beautiful girls.

Oh.

Two of them graduated
from the police academy.

[TIRES SCREECH]

The other graduated
from a top school for models.

And they each reaped
the rewards

of their exciting careers.

[CAMERA SHUTTER CLICKS]

But / look them
away from all that

and now they work for me.

My name is Charlie.

[m]

[m]

[CONGO PLAYING]

That new girl in the back,
Donna Smith.

She's out.

But she just started.

Good.

Then neither one of us
have wasted much time.

[AUDIENCE APPLAUDING]

[CROWD CHEERING]

[CROWD WHISTLING]

What I wouldn't give
for a lawn mower.

[AUDIENCE CHUCKLE]

MAN:
They were great, weren't they?

[AUDIENCE APPLAUDS]

They'll be back
a little bit later,

but right now
I'd like to welcome you

to Steve's Tropic Nights.

Are you all enjoying, uh,
your visit here on the
islands?

[AUDIENCE APPLAUDS]

[MUSIC PLAYING]

Donna.

DONNA:
Oh, no, Stacy, please.

I'll get it.

Honey, it's just
not gonna work.

[MAN SINGING]

I tried.

[WHIMPERS]:
I really did.

I know you did,
but, ah,

he's just not gonna
change his mind.

He's just not.

STEPHEN:
Stace,

get your girls
out there, will you?

STACY:
I'm sorry, Donna.

[AUDIENCE APPLAUDING]

[AUDIENCE CHEERING]

I wanna talk to you.

MAN 1:
Kanes and wahines

it's oldies but goodies time
at Steve's Tropic Nights.

MAN 2: Whoo.
You want beautiful memories?

How about these birds
of paradise?

[MUSIC PLAYING]

[CROWD APPLAUDING]

You can't dance, Donna.
Not a step.

I don't know how you
ever got this far.

But everybody back in Seattle
said that I could.

Because they tied to you.
They didn't wanna hurt you.

Now, you listen to me, kid.
I've been around a long time.

I know
what I'm talking about.

Go home.
Get married.

Get pregnant.

Find anotherjob.

[WHIMPERING]

[MUSIC CONTINUES]

[RATTLING NOISE]

Who's there?

Who's there?

What is this?
What's going on?

[ENGINE STARTS]

[m]

STEPHEN:
It can't happen.

[m]

STEPHEN:
What's this all about?
What's going on?

What's the matter
with you people?

Can't any of you talk?

Oh, you're gonna be
sorry you did this.

STEPHEN:
I don't believe it.

Let me out of here!

What are you doing to me?

Let me down!

Damn it! Let me down!

Put this thing down!

Damn it! Put this down!

[m]

[m]

CHARLIE [OVER RADIO]:
lhale to say this, Mrs. Moss,
hut in today's world,

$1 million is not an unusually
high ransom demand.

Ill had it,
I'd pay it.

I'd pay anything.

JULIE:
Well, there's no way
you can raise the money?

No.
I'm afraid that Steve

has made quite
a few enemies

in the financial community
over the years.

Please, will you help me
find Stephen?

Mrs. Moss, the police are much
better prepared to--

No police.

No, the note said if the
police are brought in,

they'll kill Stephen.

That's why we came to you.

Okay, Mrs. Moss,
we'll do what we can.

Why don't you take her home
and we'll be in touch.

Thanks.

Bye-b e
Bye. Y I

I can't believe
we were in the nightclub

This isn't gonna be easy.

CHARLIE:
l'm afraid it’s even worse
than you think.

I don't like
the sound ofthat.

CHARLIE:
Bosleytell them
the rest of it.

Well, according to
the ransom note

the kidnappers are giving
her one day,

today to get
the money together.

Afterthat, they are planning
a little surprise

each day that the money
isn't paid.

Well, we better
get started.

Today's almost over.

[m]

STACY:
One, two, three, four,

five, six, seven, eight.

One, two, three, four, five,
six, seven, eight.

[MUSIC PLAYING]

Lily, you're supposed to be
dancing like a wild animal,

that's why we have to keep you
in the cage, remember?

Stacy,
it's just a rehearsal.

Margot,
get with it.

Look, I had a rough night
last night, okay?

If you can't be wild,
at least look awake.

Ugh...

Oh, better.

But not much.

Come on, girls, take a break.
We'll come back later.

[EXHALES]

Uh, Stacy Parrish?

Sony, no tryouts today.
Come back next week.

Oh, I'm not here
to tryout.

Better yet,
come back next year.

I'm not a dancer.
I'm a detective.

I'm working
for Mrs. Moss.

Can I talk to you a moment?

So, Marion hired
a detective, huh?

You don't approve?

Doesn't matter to me
either way.

Why do | get the feeling that
you're not exactly distraught

over your boss'
disappearance?

You mean his kidnapping,
don't you?

Oh, you know.

Tough to keep a secret
around a place like this.

Then you probably know
who might wanna harm him.

He fired
a girl last night.

She'd have plenty
of reason to harm him.

What was her name?
Donna Smith.

But lots of people
had reason.

Matter of fact,
if I'd thought about it,

I may have even harmed him.

Well, if you dislike him
so much, why are you here?

Well, he may be a creep,
but he pays really well

and this place
is a gold mine.

That's strange.

His wife can't pay
the ransom.

Can't or won't?

Come on, girls, let's go.
Back to rehearsal.

Come on, get on it.

[m]

JULIE:
You're the third entertainer
I talked to tonight,

so far
he's got a perfect record.

Everyone I've talked to has
something bad to say.

Well, that depends
on what you think is bad.

Seems to me that he was just
doing what he had to do.

Which was?

Well, take the dancers
in his show, for instance.

They're like the girls
in my show. They're green.

We have to teach
them everything.

And I hate to say it,

but halfthose girls
can't even cut it.

And if they can't cut it,
Moss tells them so, right?

Yeah, but, uh, a lot ofthem
ended up thanking him

for telling them the truth.

Yeah, heh, but there must
be a lot of girls

who are pretty upset
about it.

Maybe even upset enough
to pull a stunt like this.

0h, ldon't know.
Maybe some of them were, yeah.

Do any ofthem have names?

BOBBY:
Sure, all ofthem got names.

But, you know,
I don't wanna give out names

unless I'm really sure,
unless I can be, uh,
persuaded.

Let's try something else.

Heh.
Moss' club,

was it making any money?

Well, the tourist business,
it's up and down.

But he sure wasn't starving.

Did you know Moss' wife
couldn't come up with the
ransom money?

Oh, come on. Hey,
I'm the comic in this club.

You've gotta be kidding.

Do I look like I'm laughing?

[m]

it And the beat goes on t

I think this is gonna
be a waste of time.

Steve really runs the business
from his head.

He has an incredible memory.

Always a chance
he scribbled something down

that will give us a lead.

Yeah, you're right.
You're right, I'm sorry.

I'll do anything you want.

[AUDIENCE APPLUADING]

And now it's go-go time.

Steve's Tropic Nights
is pleased to present

our very own birds
of paradise.

[MUSIC PLAYING]

[GIRL SCREAMS]

[m]

Oh, that's Lily's cage.

She must be kidnapped too.

What does it say?

BOSLEY [READING]
"Thank you for Lily.

Pay what we want or there'll
be another surprise tomorrow."

[m]

BOSLEY:
Do you realize what will
happen to your husband

if it doesn't work?

All right.

All right, Marion,
ifthat's what you want.

Well, she insists on
pretending to go through
with the drop.

And she expects us to catch
the kidnappers

when they collect the money.

I don't like the sound
of it. It's too risky.

You know, all the bankers
I talked to

said that Marion could
come up with the money,

but she doesn't want to.

That's the same thing
I got at the club.

Well, I don't believe it.

She's just not that
kind of person.

Hmm, ever hear
of Dr. Jekyll?

And Mrs. Hyde.
I know. I know.

But there's something
about her.

But, Julie, if the nightclub
is profitable,
where's the money?

0h.

Refusing to pay
the ransom would be a
great way

to get rid of a husband you
don't want and keep the money.

If he has any money.

Bos, could you--?

Oh, well,
consider that done.

Which reminds me, Kelly,

here's this picture of
Donna Smith that you wanted.

Oh, good.

She's the dancer
that Moss fired.

She doesn't
look very dangerous.

According to the
history books, neither did
Billy the Kid.

Maybe we should try to pick up
something about their lives.

I mean, maybe Marion
was having an affair.

And maybe Steve was.

You know, that choreographer
of his, Stacy Parrish?

She's one bitter lady.

Maybe they were having a thing
and Moss dumped her.

She's going to be very hard
to get close to.

For a detective.

But maybe not
for a fellow dancer.

Right.
They have to replace Lily.

But what
if you're the wrong type?

That's why
you're going with me.

Between
the two of us,

one of us is gonna be
the right type.

Good idea.
How's your hula?

Well, to tell you the truth
a little shaky.

[ALL CHUCKLE]

[m]

Heh, right.

[MUSIC PLAYING]

Loosen up, honey.

The hands
may be telling the story

but that's not what
the people are watching.

That's good.
That's really good.

Okay, thank you. Next.

Julie Rogers?
Mm-hm.

You ready to do this thing?

Yeah.
Great.

Music.

[MUSIC PLAYING]

That's very good, honey.
Thank you.

Thanks.

[CHUCKLES]

I think, um, I think it's--
That's the one, yeah.

She's okay.
Yeah. Yeah, definitely.

Well, Kris Munroe,
looks like you're it.

STACY:
Thank you, girls.
That was terrific.

Julie, can I talk to you
for a minute?

Sure.

[WOMEN CHATTERING]

You know,
you really were good.

Yeah,
but not good enough.

Do you do any of those
60's go-go dances?

Sure.
You do that stuff too?

What do you think
that thing is for?

Oh, wow,
that's wild.

If you'd be interested,
I'll keep your phone number,

if we have an opening,
I'll call.

Terrific. Okay, thanks.
Talk to you soon.

[m]

What did she say?

It looks like
I came in second.

She's gonna give me a call

the next time
there's an opening.

Which could be tomorrow
if we don't find Moss.

Yeah, I'll tell Kelly
and Bos you're in.

Your friend's almost
as good as you are.

Friend?
Yeah, Julie.

Oh, she's not my friend.
I just met her here today.

Yeah, sure. There'll be a
dress rehearsal today at 3:30.

See you then.

Excuse me.

Are you one of the dancers?

Yeah. You're Donna Smith,
aren't you?

The girl who got fired.

I was wondering about
Mr. Moss.

You know him?

DONNA:
Do I know him?

If it hadn't been for him,

I'd probably be dead
right now.

Could we go somewhere
and talk?

Sure.

[m]

Now, what's going on?

MAN [OVER RADIO]:
it's feeding time at the zoo

and we don't want
our prize specimen sic/r.

I feel like I'm in a zoo.

MAN [OVER RADIO]:
Get used to it.

You may be here
a long time.

Your lovely wife
won I pay your ransom.

What?

MAN [OVER RADIO]:
Your wife won't pay ransom.

How much are you asking for?

MAN [OVER RADIO]:
One million dollars.

You're out of your head.

She'll never be able to raise
that kind of money.

MAN [OVER RADIO]:
if she can 't, youll be dead.

Well, then, maybe
you better kill me now.

It will save everybody
a lot of trouble.

MAN [OVER RADIO]:
it's no trouble, believe me.

in fact, this is getting
to be fun.

Yeah, well, I'm glad
you think so.

[m]

DONNA:
I've been just miserable
since I found out.

But he fired you.
Heh.

Which was the best thing
that ever happened to me.

Wait a minute,
I don't follow this.

I heard you were hysterical
the night you got fired.

I was. That night
I could have killed him.

Or myself.

Later that night he came back
to my dressing room.

I almost wouldn't let him in.
l was still upset.

Then we talked a long time.

And he straightened you out?

No. He helped me
straighten myself out.

He made me realize that
it's better to know the truth

even if the truth isn't
always what you wanna hear.

You know, he even gave me
money to get started again.

And you know something else?

He's done the same thing

for a lot of other girls
just like me.

How do you know?

I started asking around.

Lots of people know out
on the streets.

He just didn't wanna make
a big thing out of it.

But ask around. You'll see.

Okay.

[MUSIC PLAYING]

Good. Okay. Take a break
and we'll do it again.

[ALL CHATTERING]

Well, I'll tell you what,
this is harder than it looks.

Heh, what did you expect
your first day?

Oh, perfection.

Right. Good luck.

I'm Kris, by the way.

Amy. Nice to meet you.

I understand you've had some
excitement around here.

Oh, you heard about that,
huh?

Listen, you were here the
night that Moss was kidnapped.

What really happened?

I wish I knew.

WOMAN:
Okay, girls, let's
do it again.

[GIRLS CHATTERING]

You're doing okay.

Heh, thanks. I'm trying.

Uh, where's Stacy?

Oh, she had an appointment.

Why? Don't you like the way
I run a rehearsal?

Nothing like that.
l was just wondering.

Hmm.

[m]

Okay, girls, let's go.
Come on.

Music.

[m]

So I did what she said

and I asked around,
and she was right.

Moss helped
a lot of girls like her.

Well, why didn't Marion
say something?

You know, I doubt
if she knew.

Donna said that Moss
told all the girls

never to tell anyone
that he helped them.

Why?

Good question.

Well, at least we know
where some of his money went.

[PHONE RINGS]

Townsend Associates.

Right.

It's Marion Moss.

I understand.

The ransom drop is to be made
at a pool side bar

at one ofthe big hotels
on Waikiki Beach at 4:00.

We'd better hurry.
Okay.

[m]

Where are they?
It's almost 4:00.

JULIE:
Here they come.

KELLY:
Get ready.

I don't like this at all.

Suppose some tourist
tries to pick her up?

I mean, there's gotta
be some kind of code

so she knows
who the kidnapper is.

He'll say
he's a friend of Steve's,

then he'll order
them both a drink.

Relax.
Evelything's covered.

[SIGHS]

[m]

Marion Moss?

Oh, uh...

Yes, lam, uh,
Marion Moss.

Bartender,
two pifia coladas.

I'm a friend of Steve's.
I think you were expecting me.

[m]

Get up real easy.

What is this?

Just do what the lady says.

Nobody tells me what to do.

Hey, why don't you keep
your hands offthat lady.

[GROANS]

Okay, okay. What is it?
Who are you?

Did he know the code?

But he said
he was a friend of Steve's.

Hey, I don't know any Steve.

Then why did you say
you were a friend of his?

Some lady at the end
of the pool

gave me a hundred bucks.

What lady?

I don't know,
she was wearing a big hat

and dark glasses
and a red muumuu.

She said it was a joke.
Some joke.

Let's split up.
Okay.

It was a setup.
You know what to do.

[m]

[KNOCKING 0N DOOR]

KRIS:
Margot, come on.

Come on,
we're ready to run it.

Margot?

[m]

You should have let me know
what you are doing.

Well, we have to respect
the wishes of our client.

And we are telling you now.

Promise.
We won't do it again.

All right.

The man who approached
Mrs. Moss checks out.

His name is Mark Gleason.
He's a carpenter.

He's on a housing project
at the university.

You mean, you buy his story
about a woman paying him

to say those things
to Marion?

No reason not to.
He has no record.

He had a hundred-dollar
bill in his pocket.

May I use your phone?

Sure.

Well, what did
Charlie say?

Unfortunately, not much.

According to
Charlie's sources,

Moss does not have
a Swiss bank account

or any other hidden assets.

Well, maybe I should have
a talk with Marion.

How is Marion?

Well, she was very upset.

Her doctor had to give
her a sedative.

She's sleeping right now.

That's one thing
I am glad about,

that Marion is no longer
a suspect.

Neither is Donna Smith.

Well, then,
who does that leave us with?

Well, ah, the man
at the bar said

a woman gave him
a hundred-dollar bill.

Well, Stacy Parrish was most
definitely not at rehearsal

like she was supposed to be.

Well, that doesn't exactly
make her a kidnapper.

But it does make
her a possibility.

Well, I hope so, because right
now she's the only
one we have.

Right.
Yeah.

[m]

Thanks a lot.

MAN [OVER RADIO]:
Three days
and still pretty feisty

Shows a lot of spirit,
you know?

Maybe too much spirit.

Now, wait a minute.
I didn't mean
anything by that.

It's just that music.
I can't take it 24
hours a day.

If your dear wife
would cooperate,

you wouldn't
have to take it at all.

I'm telling you, my wife can't
come up with a million bucks.

MAN [OVER RADIO]:
And /'m telling you she can.

How? I really don't know
how she can.

She'll find a way

MAN [OVER RADIO]:
Or more girls will disappear.

What do you mean by that?

Your wife has been resisting
our demands

for the past two days.

Consequently, two of
your dancers have disappeared.

What?

MAN [OVER RADIO]:
Their names
are Margot and Lily

Lily and Margot?

Well, what have
you done with them?

MAN [OVER RADIO]:
Don't worry.

They won't be hurt.

[m]

[MUSIC PLAYING]

[AUDIENCE WHISTLING]

[MUSIC PLAYING]

What's the matter?

That new girl Kris
is terrific,

but Terry's
just not cutting it.

Oh, no. I'm not getting
in that cage.

Did I ask you to?

You were thinking
about it.

Don't worry.
I'll think ofsomething.

As a matter of fact, that girl
that we auditioned last week,

remember when we hired Kris,
she was pretty good.

Ah, Julie something.

Wait a minute.

I've seen that girl.

At the hotel.

I knew I had
seen her before.

Who?

That girl Julie.
She was at the
drop with Marion.

She's the one
that came after me.

What?

Yeah, she and our little bird

in the cage over there

work for the same detective
that Marion hired.

What are we gonna do?

Just leave it up to Stacy,
okay? Go on.

JULIE:
Well, I got a couple more.

I talked to Donna Smith,
and you were right.

A lot of girls do think Moss
were telling them to go home.

That's not a question.
Well, this is.

Why did Moss do it?

[SIGHS]

Well, before Steve came
to the islands,

before he was married
to Marion,

he had another wife
and a daughter.

Steve's daughter ran away from
home when she was 14, Julie.

He went looking for her
and he found her

in a morgue.

He blames himself for that
and he's been trying

to make up for it ever since.

It sounds corny
when you say it,

but not so corny
when you live it.

You know what you're talking
about, don't you?

You could say
I've been there.

But why didn't you
tell me this before?

Steve didn't
want anybody to know.

How about a drink?
No, thanks.

Does Marion know?

Probably not as much
as I do.

Why did he tell you?

Well, we both have
something in common.

We both have young girls
in our show.

That's where all his money
went, to help those girls?

And he even helped some
ofthose girls buy their
first house.

Does Stacy Parrish know
anything about this?

No. No way.

Why not?

There was something between
them, wasn't there?

Well, Stacy thought there was.
She tried real hard.

But not succeeding.

Steve really loves Marion.

[PHONE RINGS]

Hello?

Yeah, hold on,
just a second.

Julie.

Hello?
KELLY [OVER PHONE]: It's Kelly

Hi. Wait till you find out
what / got on Mass.

Wait till you hear this.

Stacy Parrish called
that number

you gave her at the audition.
You've got a job.

She wants you there
at noon to rehearse.

Terrific. I'm on my way back
to the office now.

I think I found out what
happened to all of Moss'
money.

[m]

So as it turns out,
Steve Moss is a good guy.

If Stacy Parrish
is one of the kidnappers,

and she didn't know
there wasn't any money,

that would explain a lot.

Well, there's one way
we could find out for sure.

What do you mean?

Maybe you can catch a
kidnapper the same way
you catch a fish.

With bait.

[m]

[CARDIO MUSIC
PLAYING OVER SPEAKERS]

She'll be fine.

She'll also be where
we can keep an eye on her.

That's great, Julie. Terrific.
Thanks.

I wonder where she's going?

I think I'll go and find out.

What are you doing in here?

I said,
what are you doing in here?

I was looking
for my hair brush.

That's not your table.
It's Amy's.

Oh, right.
Amy borrowed my brush.

I don't see a brush
in there.

Uh, you're right, heh.

Actually, it's not Amy's table
It's mine.

Oh, I didn't know.

What were you
really looking for?

Okay.
I'm a private detective.

I've been looking
for Steve Moss.

We think maybe one of the
girls is involved with
the kidnappers.

I don't know what to say.

Is there anything
I can do to help?

Yeah, there is. You could go
back to rehearsal

and make it last a good
long time.

Give me a chance
to look around here.

Okay, yeah, sure.

All right, take a break,
then we'll all try it.

JULIE: Ugh.
Amy?

Problem?

Yeah, butwe can handle it.

0h, Kris,
what a long number.

Here you go.
Ugh, thanks.

How did it go?
She took the bait.

Great. I'm gonna call Kell
and Bos.

Between the three of us,

we ought to be able to keep
you and Stacy covered.

Terrific.

[m]

it The beat goes on J

it The beat goes on J

it Drums keep... P

[ALL CHATTERING]

You know, so just go with it.

Anyway, and--

Aahl
Oh, Julie, I'm sorry.

What's going on?
I spilled my soda.

I wasn't paying attention.

Come on, go change your
clothes.
I'm sorry.

Go change, hurry up.
Okay, okay.

Come on, let's get moving,
girls.

Let's go. Come on.

[GASPS]

[m]

BOSLEY:
The note said
that all four hostages,

including Julie,
would be killed

if the ransom
was not paid immediately.

Poor Julie.

It's all my fault. I thought
I had it all figured out.

CHARLIE:
Now, don ’t blame yourself,
Kris. Your plan was a good one

Yeah, Stacy's was better.

What are we gonna do?
We have to find Julie.

Well, one thing we know for
sure is that Stacy
was involved.

She's been very smart
so far.

She's not gonna make it
easy on us.

But Stacy is the key.

We've gotta get her
to lead us to Julie.

Charlie, think of something.
Please.

CHARLIE:
/ have thought of something.

/'m going
to pay the ransom.

[m]

Why? Why would Stacy do it?

You rejected her,
didn't you?

She figured she'd get even
and rich all at once.

Rich, heh?
That's almost funny.

She didn't know a thing
about it, did she?

About what?
About the girls you helped.

Who told you that?

Some of your friends.

Some people
who really care about you.

Look, I don't want anybody
to know I helped those girls.

I did it because--
I did it for my own reasons.

I know why you did it.

And I want you to know

that I think
you're a really special man.

Please, don't.

Okay, heh.
Okay, I understand.

Did you know two ofthe
dancers at your club
disappeared?

Yeah, I know.
Lily and Margot.

Do you know
where they're being held?

How would I know that?
What can I know from up here?

We've gotta figure out
where they're held

before we can think
about escaping.

MAN [ON RADIO]:
Escape? But how?

Look where we are.
What can we do from here?

JULIE:
Whatever it takes.

Oh, no, you won't. You'll stay
right where you are

[IN DEEP VOICE]
or you'll find yourselves
real dead.

But how--?
The cage, it must be bugged.

STACY:
Oh, that's brilliant.

Stacy?

Stacy, is that really you?

JULIE:
Of course it's her
Go on. Tell him.

It's of no concern
to either ofyou who I am.

Just be glad
you're still alive.

Even though they won't be
alive much longer.

Stacy.

What would you rather do?

Spend the next 20 years
in prison, huh?

I knew you'd see it my way.

[m]

You're certain
that's the right bag?

Light green, canvas bag
with black handle.

Just like it said
in the note.

Take it easy, Mrs. Moss.

You're well-covered.

Thank you.

[BAND PLAYING]

Are you all right?
I think so.

Oh, good.

I'm sorry.

[m]

Hurry, Bos.

[TRUCK DOOR CLOSES
THEN ENGINE REVS]

Don't worry,
we'll bring it back.

Well, I'm sorry
it's not a Rolls-Royce,

but it's the best
we could do.

If it runs,
it will be fine.

[TIRES SCREECH
THEN CAR HONKS]

Don' t lose them.

[HONKING]

[TIRES SCREECH]

[TIRES SCREECHING]

They're still back there.
Not for long.

We did it.

Not quite all of it.
Come on.

Where'd they go?

Stacy,
are you out of your mind?

This is crazy.

Hey.

BOSLEY:
Skid marks.

Why don't we surprise them?

You always did love
to make a grand entrance.

Hold on.

Hey!
Aahl

Hold it!

Stay there.

[SIGHS]

All right.

Julie, you okay?

I'll know as soon
as my heart starts beating.

KRIS:
Mr. Moss?

We're alive.

[CHUCKLES]

CHARLIE:
Angels,
Lieutenant Torres is sure

that hell have no problem
getting a con viction.

When they were interrogated
separately

Amy, Margot and My all named
Stacy as the mastermind.

Well, you'll have to admit,
Charlie,

it was a very clever plan.

Yes, and lm sure Marion
would have paid the ransom

if she'd had the money.

Charlie, I was really touched
when I heard

that you personally
put up my ransom money.

I'm really glad
you got it back.

CHARLIE:
The money means nothing.

The important thing is that
we have you back, Julie.

Well, bye, Ange/s.

That's right. We were all
very worried about you.

KRIS:
Ah, especially me.

Since it was my dumb plan

that got you kidnapped
in the first place.

Hey, don't worry about it.
It turned out all right.

And besides, how often does
a girl get rescued like that?

I couldn't believe it

when I saw that truck come
flying through the door.

It was pretty exciting

from our point of view too.
Really.

The amazing thing
about this case to me

was why Steve Moss
was so secretive

about all the nice things
he was doing for those girls.

Well, I got a chance
to know Steve pretty well

during that time
we spent together,

and I think he figured
that maybe he could make up

for not being there
for his daughter

by being there
for other people's.

Hmm. Well, then,
he was a good guy after all.

Right. And I really liked
working at his place.

ltwas fun.

Yeah, I liked it.

Especially having
to keep my eye on
those exotic,

Polynesian hula dancers.

0h.

Where'd you learn to hula?
That really looks tough.

No, it's easy.

You just have to have
the right equipment.

Oh, well,
I guess that lets me out.

Heh, not necessarily.
Julie?

Coming up.

[SPEAKS IN FRENCH]

Hey. Oh,
you shouldn't have.

I'll tie it.
All right.

Oh, I think it's just my size.

And your color too.

Good for you.
Yeah.

Oh, you shouldn't have.
There it goes.

Girls, how thoughtful.
Hey.

Wait a second.
I gotta tie this up.

Okay,
just don't get it to tight.

[ALL CHUCKLE]

There you go.
There you go.

Oh, yes.

More hips, more hips.

More hips, more hips
is what you're saying.

[SPEAKING INDISTINCTLY]

[ALL CHUCKLING]

[m]