All language subtitles for charlies.angels.s05e01.remastered.bdrip.x264-rovers-en

CHARLIE:
Once upon a time, there
were three beautiful girls.

Two at them graduated
from the police academy.

The other graduated
from a top school for models.

And they each reaped
the rewards

of their exciting careers.

But I took them away from all
that and now they work for me.

My name is Charlie.

[m]

[m]

[CAMERA SHUTTER CLICKING]

JODY:
Is this okay?

Very good, Miss Mills.

Oh, I really enjoy seeing
you move in that manner.

You know,
you're a very pretty girl.

I said that the first time
I saw you.

Six months ago,
I said to myself,

"There's a very pretty girl."

Ah.

[CAMERA SHUTTER CLICKS]

Oh, I'm so glad I was able
to get back to the city again.

And to see you again.

How's this?

I have so many
pressing problems at home.

Doesn't everyone?

I look forward
to these moments.

Is this okay?

Would you, uh, move a little
to the left, please?

Turn a little more.

That's good.
That's good.

BOSLEY:
Name is Jody. Jody Mills.

KELLY:
All right, who is she

and why are we looking
for her?

BOSLEY:
Well, she's from Nebraska
and she works,

or she worked at the
Woodman Modeling Agency here.

KELLY:
As a model?

BOSLEY:
That's right.

Her father apparently
has lost touch with her

so he wants us to go over
there tonight,

see if she's still associated
with Woodman.

Just the three of us
on this one, Bos?

I guess so,

in that Tiffany's decided
to stay east for a while.

Now, here is a picture
of herfriend named Terry.

And this is her roommate,
Julie Rogers.

Here's a picture of the head
ofthe agency, Dale Woodman.

[PHONE RINGING]

I'll get it.

KRIS:
Hmm, Jody's roommate, Terry,
is very pretty.

BOSLEY:
Townsend Agency.

So is her roommate,
Julie Rogers.

Okay.

All right, Charlie.
I understand.

No, no, no problem.

I'll check with you
in the morning.

Hmm.

Red flag on the play.

What do you mean?

Our client,
Jody Mills' father

has decided to come
to LA. personally.

We'll meet him here
in the morning.

Well, I can go home
and wash my hair

and you can keep your nose
in your Hawaii brochure

like you've done all week.

I can't help it.

I'm just dying to hit
that beach in Waikiki.

Pity.

Dale Woodman looks like
a very elegant fellow.

[m]

[ALL CHATTERING]

I think the Jefferson account
will be through by Tuesday.

[BAND PLAYING LOUNGE MUSIC]

Hey, Terry.

What are you doing here,
Terry?

I've come to the party,
Mr. Woodman.

You were not invited
to this party.

I used to be invited to all
the parties, Mr. Woodman.

Go home, Terry.
I don't wanna go home.

What are you doing?
MAN: Let's go.

JIMMY:
Right.

Okay. Bye.

Jimmy Joy?

Yeah.

Hi, I'm Julie.

Well, good for you.

Heh, listen, my friend, Jody,
asked me to find you.

Jody?

Jody Mills.

Come on,
you know Jody Mills.

Well, if you say so,
I must, right?

Right.

Anyway, she, uh, asked me
to get some stuff for her.

Stuff, what, heh,
sort of stuff?

Look, I'm not in the mood
to play games

with your type,
Jimmy Joy.

Now, you got a cute act
and real flash title.

I bet you even cut a wide
swath in the street,

but you know what?
I'm not impressed.

I'm just doing a favor
for a friend.

So, uh,
take the green,

give me the snort
and let me get out of here.

Hey, such tough talk
from such a pretty mouth.

Hey, come on.
I'm in a hurry.

It's been a long day.

Well,

a man's gotta be careful
nowadays,

right?

Sure, I'll bet.

[ALL CHATTERING]

TERRY:
ldon't wanna go home.

[ENGINE STARTS]

[TIRES SCREECH]

[HORN HONKS]

Did you find
that Jimmy Joy character?

lfound him.

He‘s still doing
business here?

Mm-hm.

I'm gonna look
for Jody Mills.

I think she's working
the home show.

Stay in touch.

Okay. See you.

[ENGINE STARTS]

[m]

Hi, Julie.
Hi.

You wanna learn
how to cook in a microwave?

I'm not into cooking.

Oh, how are you gonna feed
your husband when you
get married?

I'll send out.

Oh, now, he'll get tired
of that.

So much for the marriage,
heh.

Have you seen
Lloyd Marx?

Mm-hm,
they‘re over there.

Thanks.

Thanks.

Hey.
Julie baby.

What are you doing
down here?

Slumming.

And it's Miss Rogers
to you.

My, we're a snotty broad,
ain't we?

Eddie, "we're"
indicates plural.

"A snotty broad"
indicates the singular.

You're mixing
your subjects.

Also, I'm not a broad.

And if you call me
that one more time

I'm gonna come down on you

like a house of bricks,
understand?

So much
for the pleasantries.

What do you want?

I'm looking
for Jody Mills.

Either of you seen her?

Yeah, I've seen her.

Not at your place.

Yeah, she's working
there tonight.

What's wrong with my place?

Mostly it's that you hang
around there, Eddie.

[m]

[CAMERA SHUTTER CLICKING]

I seem to have captured you,
so there's no need
to continue.

Shall we step outside?

Outside?

Yes.

Do you mind?

Heh, why?

Oh, ljust think we should.

Come.

I'll give you your money.

[m]

Well,

I guess
this is the end of it.

Okay, so,
what do you want?

Hey. hey.
what are you doing?

What is the matterwith you?
What--?

[JODY SCREAMS
THEN CAT MEOWS]

ls Jody Mills here
or not?

Maybe she is.

Maybe she isn't.
Who's asking?

I'm asking.

So who are you?

Miss Mills is my roommate.

I've got something
I've gotta deliver to her.

She needs it quick.
Get my drift?

She and her photographer
were in the first room

but I think
I heard somebody leave.

Some of our clients don't want
to walk out the front door,

if you know what
I mean.

I'll bet.

[m]

[MAN GRUNTING]

[JULIE SCREAMS]

[m]

[GASPS]

[SOBBING]

[SCREAMS]

[m]

CHARLIE [OVER SPEAKER]:
Mr. Mills, of course,

we would do everything
we could to help you.

But you know the police
will be loo/ring very hard

to find
your daughter's killer

MILLS:
Yes, that's what
theyjust told me.

We're all very sorry

we didn't try to find
your daughter last night.

MILLS:
It's not your fault.

I told Mr. Townsend to
hold off till I got here
this morning.

Mr. Mills, if the police
are involved,

why do you still
wanna hire us?

Well, I'm only a Nebraska
wheat farmer.

I don't know much
about the big city

but I've got a feeling

if the police don't find
who killed Jody

they'll forget

and she'll just become
a statistic in the files.

Well, I can't
let that happen.

I wanna know
who killed my girl.

And I wanna know why she died
with drugs in her body.

Can you understand that?

Yeah, we can understand.

CHARLIE:
Angels, i think
we 'd better backtrack

Try to pick up the thread
from the beginning

when .lody first came
to the city.

Good idea, Charlie.

Uh, tell me, Mr. Mills,
did your daughter correspond
with you?

Of course.

When she first came here,
she wrote me three times
a week.

Told me how she was doing.

First she had an apartment
of her own.

But that was too expensive.

She moved in then
with this girl.

Then Jody's letters
got fewer.

She didn't seem
so hopeful.

Two weeks ago,
she stopped writing at all.

I couldn't reach her
by phone.

This Julie Rogers,

she seemed
to be hiding something

so I decided
to come see for myself.

I got here a day late.

One day.

One day.

[MILLS SIGHS]

[m]

[m]

KELLY:
Bos, I'm in Julie Rogers'
apartment.

I'll check with you
after I've talked to her.

[DOORBELL RINGS]

Hi.
Hi.

Are you Julie Rogers?

That's me.

Hi, I'm Kelly Garrett.
Hi.

I'm a friend of your roommate,
Jody Mills.

Urn, I'm afraid
I have a piece of bad news.

Oh, |-- I already know
what happened.

I have to talk to you
about it.

All right. Come on in.
Thank you.

This is my friend, Harry.
This is--

What did you say
your name was?

Kelly Garrett.

Jody and I went to school
together in Nebraska.

Would you like a drink,
coffee?

Oh, coffee will be fine.

So you and Jody
were close friends?

Yes, we started modeling
together in Omaha.

Odd, I don't recall
her mentioning you.

Well, she told me
all about you.

Really?

Yeah. She wrote me
right before she moved
in here.

JULIE:
Cream? Sugar?

Just cream.

Funny, heh,

that's one ofthe many things
Jody and I had in common.

Cream, no sugar
in our coffee.

Silly, huh?

No, it's not silly.

Sometimes you remember
those things

about people after
they're gone.

JULIE:
So how can I help you,
Miss Garrett?

Well, I promised Jody
I'd come here

and maybe do some modeling.

We'd have a few laughs,
like, back in Omaha.

When I got here
and found out she'd
been killed

well, I've been
pretty shaken up.

I guess I just wanted
to know how it happened.

I don't know
how it happened.

But you were her roommate.
Her friend.

How could she have gotten
in all that trouble?

I mean, the drugs
and dying in an alley.

Well, I don't know anything
about drugs

or why she'd use them.

We just shared this apartment.

We were on completely
different schedules.

She was usually coming in
as I was going out.

We really didn't
see each other that much.

Well, I guess
that's why you don't remember

Jody mentioning my name.

Yeah, probably.

KELLY:
You're a model too.

Mm.

Cover girl.

It's a beautiful picture
of you.

Thank you.

I, um, have some appointments
today, |-- So--

Oh, yeah. Me too.

Thanks for the coffee.

Sure.

Nice meeting you,
Harry.

What did you say
your last name was?

I didn't.

[m]

Well, I'll let myself out.

Okay.

[ooon CLOSES]

What was all that about?

I don't know.

Questions.
Questions.

She had
a lot of questions.

Maybe she's just curious.

You really don't remember

Jody mentioning the name
Garrett, do you?

No. I don't think so.

And she usually told
you everything?

Usually, yeah.

Well, there's something
wrong somewhere.

You just have
a suspicious nature, Harry.

That's right,
I have a suspicious nature.

In our business,
it's a requirement.

Don't you forget it.

I'm trying, Harry.

I'm trying.

[m]

Look, I told the police,

I told that other lady
and now I'm telling you.

I can't remember the guy

who was with
Jody Mills last night.

Wait a minute.
What other lady?

I don't remember
who she was.

She came in here.

She said she had something
to deliver to this Jody Mills.

What did she have
to deliver?

Well, it came
in a small packet

and she said her roommate
needed it quick.

So you figure it out.

Her roommate?

Yeah, she was
this Mills girl's roommate.

Did you tell the police
about this packet?

I don't tell the police
any more than I have to.

Why you asking?

Oh, don't get me wrong,

I don't like
the police much myself.

I'm asking because
I was a friend of Jody's.

You a model too?

Yeah, right.

Listen,
what room did they use?

Uh, first one on the right.

Mind if| look?

You're not a bad-looking
girl yourself.

You ever thought
about this kind of work?

Not yet.

When you think about it

I'll let you look at the room.

I'll think about it.

[m]

Any luck?

Jody Mills' roommate came here
looking for her last night.

Oh, yeah?
I wonder what for.

She was delivering
something in a small packet.

You mean drugs?

She said Jody needed
it quick.

What's this?
Oh, I don't know.

It, uh, looks like a piece
of a plastic lens cover.

I found it down here.

I think we ought to get back

and see how Kelly did
with Jody Mills' roommate.

Right.

CHARLIE:
Kris, are you saying
Julie Rogers was trying

to bring Jody Mills drugs?

That's the way it seems,
Charlie.

This morning,
when I questioned Miss Rogers

about Jody Mills' death
she got very defensive.

I would say that Miss Rogers
bears further
watching, Charlie.

i agree.

The question is,

how do we proceed
without tipping our hand?

Well, she's a model
with the Woodman Agency.

Maybe we could start there.

Good idea, Kelly

Now, why don't you and Kris
set up an intervie w?

See it you can get that agency
to take you on as models.

Hmm.

You ready
to do some cheesecake?

Oh, Bosley.

[BOTH LAUGH]

[m]

I'm sorry.

You can't see
Mr. Woodman.

Of course we can.

All you have to do
is open the door
and let us in.

Mr. Woodman does not interview
new applicants.

So if you'll leave
your portfolio

with our personnel
department--

We tried that.
They weren't buying.

No doubt.

I think direct action
is needed here.

Hmm.

Hold on!

Mr. Woodman?

Yes.
You're in luck.

Really?
How's that?

Well, I'm Kelly Garrett

and this is my friend,
Kris Monroe.

Mr. Woodman,
I'm sorry.

Who are these
two young ladies?

Well,
she just told you.

Garrett and Monroe.

You weren't paying attention.

I told them we weren't
seeing any new people,

but they, uh, insisted.

You aren't exactly suffering
from shyness, are you?

What is it they say
about a faint heart?

Faint heart neverwon
fair lady.

0h, heh,
is that what they say?

Well, you get the idea.

What makes you think

that I would be interested
in representing you?

Well, if you weren't
considering it

you would've had him
toss us out of here by now.

Does he look the type
to you?

He looks like he could.

Uh, toss us out of here,
I mean.

Uh,well, Ican.

Oh, he speaks.
Hmm.

Thank you, Miss Delp.

You can go back
to your office.

What experience
have you had?

Modeling?

Modeling.

Oh, not much.

WOODMAN:
How much is not much?

Well, let's put
it this way.

We haven't been at it
long enough

to pick up
any bad habits.

WOODMAN:
This is the top modeling
agency in this city.

One of the best
in the entire country.

What makes you think
that you will succeed here?

What makes you think
we can't?

Somehowl knew
she was going to say that.

All right, then,

this evening,
we're giving a party here

for some out-of—town
advertisers.

You two, you can come along,
looking your very best.

And if I think that your best
is appreciated by our clients

then we will talk.

gig

Eight o'clock.

Eight o'clock.
Bye.

[MOUTHS]
Bye.

[m]

Well, I've never seen you
do that before.

Do what before?

Let anyone cruise
in here like that.

Perhaps it's because
I admire ambition.

Ha-ha, I think gall
might be a betterword.

Ambition. Gall.
Call it what you like.

The world belongs to those
who have it.

[RINGS]

Townsend Agency.

CHARLIE [OVER SPEAKER]:
Bosley, l'rn concerned

How are Kelly and Kris doing
at the Woodman Agency?

So far, so good.

They're going to a party
there tonight.

Well, that's a good beginning.

Have you found the dead girl's
friend, Terry?

No, not yet.

Apparently, she's no longer
with the Woodman Agency

and right now, we just don't
know where she's working.

MAN:
Either of these two ladies
interest you, sir?

Uh, you'll do fine.

Just fine.

[m]

[BAND PLAYING MIDDLE EASTERN
MUSIC]

Well, when Mr. Woodman
throws a party,

he really throws a party.
Heh.

How does she do that?

I think you need
special joints.

[BOTH CHUCKLE]

You're 10 minutes late.

You're very punctual.

You will be too,

if you come to work
for me.

Now mix with my guests,
please.

I think
you're staring at me.

You know I'm staring at you.

I think I'll mix.

What do you do?

What do you like?

Oh, I'd like to know
what you do.

Well, I'm Mr. Woodman's,
um, man Friday.

Then I suppose I should
get on your good side.

Well, you nearly have,
if you don't blow it.

I'll try not to.

I understand
things are really busy

in town right now.

Can't complain.

Excuse me.

Dear boy, I did ask you
not to fraternize

with the hired help.

Well, I didn't, uh,
realize that she was hired.

I have a feeling
that she will be.

That's Jimmy Joy
over in the corner.

[INAUDIBLE DIALOGUE]

Cute.
Hmm, so how do we handle him?

First we have to find out
if he's independent

or if he has connections
in high places.

How do we do that?

I'm gonna lean on him,

see if he calls out
for help.

Do me a favor.
Watch yourself.

Every minute.

I wouldn't wanna see you
get bruised, Harry.

Well, neitherwould I.
I mean, not that way.

[CHUCKLES]

[CROWD APPLAUDING]

[BAND PLAYING LOUNGE MUSIC]

Thank you.

Hello.

Miss Garrett.

I'm flattered
you remembered my name.

What are you doing here?

Oh, I'm tiying
to impress Mr. Woodman.

Impress him?

Yes, so he'll hire me.

As a model?

Right.

I see.

You don't approve?

Why should I approve
or disapprove?

Oh, well, you shouldn't.

It's just
that you seem displeased.

Ah, look, I don't know
what your scene is.

This morning, you asked me
a lot of questions

I can't answer
and now you show up here

and start ragging me.

Oh, I'm sorry.

I didn't realize
I was ragging you.

I'd like to be your friend.

Really? Why?

Well, why not?
I'm new in town.

I don't know many people.
I could use a friend.

Look, this, um, isn't all this
easy and pretty as it looks.

It isn't?
No.

This isn't Omaha, Nebraska.

This is the big pond where
the big fish play for
big bucks.

There are sharks
in these waters

and you can get cut in half
real quick.

So before you dive in,
give it a lot of thought.

All right, I will.

Thanks.

Ah, Miss Julie Rogers
is one tough lady.

She sure is.

That fellow Harry
who was in her apartment

this morning is here too.

Maybe we can find out
who he is and what he's up to.

Okay.

Someone's doing business
in the corner.

Well, considering this
rich entertainment,

I'd say it's probably
a coke dealer.

Like Miss Rogers said,

there are sharks
in these waters.

Hi.
Hi.

Good to see you again.

Again?
Haven't we met?

No, I don't think so.

I'm Kris. This is Kelly.
Hi.

I'm Louise. This is Sally.
Hi.

I do that all the time.

You do what all the time?

Well, I say,
"Hi, good to see you again,"

in case I am.

In case you am what?

Seeing you again
and don't know it.

Well, on account of
l have a bad memory.
You follow?

Well, um, I'll have
to think about it.

Listen,
we're trying to connect.

Is he the local fixer?

You mean Jimmy Joy?

Jimmy Joy?
That's his name?

Yeah, Jimmy Joy.

Sure, he can fix you up
with anything you can use.

Louise,
you got a big mouth.

Why?

Why don't you shout it
in the street?

Big mouth, pea brain.

Look
don't woriy about it.

We're new here
and we're just trying to

put our feet
in the right place.

If you wanna put your feet
in the right place,

point them towards home.

Why does everybody
keep telling us to go home?

I don't know.
Why do they?

My reasons are simple.

I don't like any more
competition than I have now.

You don't look like
you're doing too bad.

I'm hanging in here
because I keep these

pre-geriatric playboys happy

so they ask for me
and I stay in the A group.

The A group?
This is the A group.

Models and clients.

The big accounts.
The big bucks.

Where's the B group?

They don't stay in the stable.

And believe me,
once you've been here

and start slipping down,
it's not a fun trip.

Like I said,
save yourself some grief.

Point your shoes
toward home.

How much?

Well, why don't you just,
uh, work it off, huh?

[BOTH CHUCKLE]

I'll just as soon pay cash.

Well, it's your loss,
angel

Yeah, right, heh.

Just hold it, Jimmy Joy.
lwanna talk to you--

I don't know you.
Oh, that's okay.

I'm gonna do you
a big favor.

Oh, yeah, like what?

I'm gonna give you a pass.

I'll let you walk away
from all ofthis.

And why would
I wanna do that?

Because I'm taking over
your action here.

What? Are you crazy?

Crazy about the business
you're doing here.

So I'm taking over your spot.
Go find yourself
another corner.

Oh, yeah, you are crazy.

Enjoy yourself tonight, Jimmy.

I'm taking over tomorrow.

That's Harry?
That's Harry.

I wonder what he had to say
to Jimmy Joy.

I don't know but
from the look on his face,

I don't think
it was too pleasant.

Yeah.

Miss Garrett.
Miss Monroe.

I'd like you to meet
Mr. Edward Jordan,

one of our
most eminent clients.

How do you do?
How do you do?

Hello.

I'm pleased to meet you,
Miss, uh...

Monroe. Kris Monroe.

Monroe.

WOODMAN:
Mr. Jordan is the president
of Cincinnati Textiles.

A name I'm sure
you're both familiarwith.

Uh, Ed, if you want to use
my telephone,

it's over there in the office.
Oh, thank you. Excuse me.

Mm-hm.

Well, come along, ladies.
Mix, mix. Yes.

[LINE RINGING]

Hello, darling.
How are you?

And how are those
grandchildren of mine?

Good.

Tell them I'm bringing
something forthem.

Yes.

Oh, so I'll spoil them
a little.

Why not?

I have a right to spoil
the people I love.

Which reminds me.

I've got something
for you too.

No, no, no, I'm not gonna
tell you what it is.

You'll see it
when | get there.

Yeah.

Oh, I'm fine. Fine.

Well, maybe
I'm a little tired but...

Ah, I'll be all right.

No, no, no.
Stop woriying now.

I like to work hard.

l have to.

That's all I know
how to do.

Well,

sometimes I wish I could stop,
but I...

I can't.

All right, darling,

I'll call you
sometime tomorrow night.

Yes. I love you.

Bye.

[INAUDIBLE DIALOGUE]

[m]

[m]

JULIE:
Terry.

I gotta talk to you.

Sure, come on inside.
Let's have some coffee.

No, no, I can't.
I'm in a huriy.

Yeah, I can see.

And I need something stronger
than coffee.

You know what I mean?

Something stronger?

Julie, I need a pickup.

A fix.

I feel like I'm sinking
into a hole.

I gotta climb out
before I go crazy.

Terry, come on inside.
Let's talk, okay?

No, I don't wanna talk.

Terry, please come inside.

I need some stuff.
I need it bad.

I can't go to Jimmy Joy.

I owe him too much money.

I can't do that.

Of course you can.

You did it for Jody Mills.

Terry, Jody Mills ended up
dead in the back of an alley.

What is it, money?
I can get it.

I started working at Eddie's.

Eddie's. For God's sakes,
Terry.

You can't do that.

I got no choice, Julie.

I got nowhere to go.

Woodman doesn't want me
anymore.

Nobody wants me anymore.

Then go home.

I'll loan you
the plane fare.

I'll give you
the plane fare.

It's too late to go home.

It is not.

It is!

You're gonna help me
get the stuff or not?

Terry, I'll help you out
but the right way.

Advice?

I need help
and you're giving me advice?

The hell with you!

I'll go somewhere else.

Terry. Terry, please.

Terry, will you listen to me?

Terry.

Terry.

Terry, will you
listen to me?

[GRU NTS]

Terry, will you
listen to me?

[ENGINE REVS]

[TIRES SCREECH]

[HORN HONKS]

[MOUTHS]
Oh, my.

[m]

[CAMERA SHUTTER CLICKS]

You know,
it takes several sessions

to get to know a person.

You take the picture,

you develop it
and then you study it.

And suddenly,

the mind begins to see
what the eye did not see.

[CAMERA SHUTTER CLICKS]

The camera probes.
It examines. It captures.

And that's
the most exciting part

because in a little while

you will be totally revealed
to me.

That's one
of my favorite fantasies.

I meet a beautiful girl,

we never speak,

I keep trying
to capture her.

When I do, that's all
there is.

[CAMERA SHUTTER CLICKING]

Well, I guess
that's enough for today.

I'll take these photos
and study them tonight

and we'll meet here
again tomorrow.

Same time. Same price.

Is that agreeable?

Oh, I don't think I'm gonna be
doing this any longer.

I have a session
this afternoon.

A cover shot. For I/ogue.

Oh, maybe it's Mademoiselle.

I don't know.
I've had so many calls lately,

I can't keep it straight.

Uh, you do understand.

[m]

TERRY:
Dear Mom.

[TERRY SIGHS]

l'rn sorry
lha ven’t written sooner.

it's just that
l've been so busy.

Meeting so many people.

Going to so many parties.

WOODMAN:
You were not
invited to this party.

TERRY:
Some of the people
are quite nice.

Of course, some of the others
can be difficult.

I don't wanna go home.

TERRY:
Some of the girls
can't take it.

They get into drugs,
mess themselves up real bad.

Some of them end up
on the street,

in those cheap photo shops.

it's really tragic.

Of course,
you needn't worry about me.

l'd die before
to sink to that.

Whenever l'rn feeling down,
i walk along the beach.

it's so clean

and it helps me get
my head straight.

No matter whatever happens,
i love you very much.

i love you, Mom.
i love you.

i love you.

[m]

CHARLIE [OVER SPEAKERS]:
it sounds like it was
some party, Ange/s.

No, Charlie,

those people
live high and play hard.

[SIGHS]

Oh, Bos.

Those who play, pay.

Bosley, how very wrse you are.

By the way,
/ did some further research

on the Woodman Agency
and Miss Julie Rogers.

Any luck? Ahem.

Well, the agency
is highly respected

but Miss Rogers has had
a brush or two with the law.

That doesn't surprise me.

She was picked up a couple
of times as a teenager.

Minor things mostly

A couple of street scuff/es.
Disturbing the peace.

When she was 24,

she was picked up
for shoplifting a dress.

Sentenced to six months

at the Sybil Brand
correctional facility

Any personal contacts?

Friends? Family?

Couldn 't find anything
on her family.

l'rn still digging.

Now, is Dale Woodman

going to let you work
for the agency?

Oh, well.

[BOTH CHUCKLE]

We had to be
a little aggressive

but he is gonna send us out
on a few interviews.

I have the feeling that you
two will do very well.

Maybe one of us shouldn't.

Shouldn't what?

Do well.

i don't follow you, Kris.

Well, Jody Mills was doing
really well at the agency

until she started
to slip.

What do you mean "slip"?

Well, last night at the party,
one of the girls said:

"When you fall out of favor

when you don't get the Ajobs,
life can get rough".

In other words,
you wanna fall out of fa vor

like Jody Mil/s.

It's just an idea,
Charlie.

Good idea too.

All right. When you start
going out on interviews,

mess up a little.

See where it takes you.

Interesting premise,
Charlie.

I mean, where do models go
when they aren't young,

clever, desirable?

Exactly

And while Kris does
as poorly as she can,

you do as well as you can,
Kelly,

and take a good, hard look
at the pretty people.

The A group.

And most/y,
take a look at Julie Rogers.

I will.

And watch yourself, Kelly.

I have the feeling
ifJulie Rogers gets cornered

she can be
very, very mean.

[m]

Is that the fella?

Yeah.

Do you know him?

No, but that girl
was at our agency.

So, what are they
doing together?

I don't know.
Maybe they're just friends.

JIMMY:
ldon't like it.

I don't like being pushed
around either.

It bugs me when somebody
pushes me around.

STEVE:
Now, listen, Jimmy Joy.

Like I told you, our operation
needs a delicate touch.

Now, Woodman gives me
a free hand.

What he doesn't know
doesn't bother him

and I wanna keep it
that way.

Just think twice before doing
anything rash, all right?

Yeah. I just don't like
being pushed around.

STEVE:
Yeah, I know. You said that.

Just be smart, all right?

[m]

KRIS: Who is it?
KELLY: Terry Mann.

I was at the agency

when the police called
to ask about her.

[ENGINE STARTS]

Well, like Charlie said:

"Behind all this glamour

there's bound
to be some heartache."

I'm liking this assignment
less and less.

Hey, who's this?

Looks like you took too long
getting here.

It sure looks that way.

[CAR TIRES SCREECH]

[m]

[HARRY GROAN S]

Anybody see
the license number?

Just a silver sedan.

I got the first two letters

GL and didn't see
any other numbers.

Bos, get on the phone.

Patch into
the police ambulance

and get them back here
right away.

Harry. Harry.

[JULIE SOBBING]

Who was that?

I don't know.

I couldn't see.

Harry.

[JULIE SOBBING]

Harry.

Find out who that was.

l-- I gotta...

I gotta get you
to a hospital, Harry.

Just... Just listen
to me, huh?

You find out who that was.

You owe me one.

Okay?

It's funny.

Heh, I never even liked
the beach.

Don't you die on me.

Don't die on me, Harry.

[m]

[m]