All language subtitles for charlies.angels.s04e26.remastered.bdrip.x264-rovers-en

CHARLIE:
Once upon a time

there were three little girls
who went to the police academy,

One in los Ange/es.

One in San Francisco.

The other in Boston.

And they were each assigned

[BUZZING]

very hazardous duties.

But / took them
away from all that

and now they work for me.

My name is Charlie.

)1”

ANNOUNCER:
in part one,

as Kelly was doing
some spring cleaning,

her doorbell rang.

[DOORBELL RINGS]

Miss Garrett, I have
every reason to believe

that you could be
Oliver Barrows‘ lost daughter.

You could be
his sole heir.

I want no financial problems
when I turn over

the Barrows to the city.

I wish you'd reconsider.

On my death,
the Barrows
will go to the city

unless I have a direct heir,
and I don't.

Uncle Oliver,
you can't be sure.

You have a daughter.

My daughter's gone forever.

This hotel goes to the city,
it costs me $15 million.

I wouldn't like that.

So I'll deliver.

What about
the girl who may turn
out to be his lost daughter?

What about her’?

She's the key to my plan,
that's all.

Well, I've been with you
every day fora week.

I think I know you
pretty well.

Oh, you do, huh?

Yeah, ldo, huh.

)1”

Here, put this
on your head.

Ah.
Come on.

Ooh.
Come on out.

Come on.
Take my hand.

KRIS:
Ooh. 0h.

BILL:
Whew. Heh, heh, heh.

Ah.

[BOTH PANT]

[CHUCKLES]

[SIGHS]

[SIGHS]

)1”

[SIGHS]

)1”

OLIVER:
Ladies and gentlemen,

I give you
Miss Margaret Ellen Barrows.

To you, Father.

)1”

BILL:
Mr. Barrows.

[GROUP GASPS, CHATTERS]

BILL:
Mr. Barrows.

Allen, call the doctor.

CHARLIE: Something wrong?
Charlie, this is Kelly.

I want to hire you.

I need to know who lam.

Glenn.

What if the new Miss Barrows
were dead?

How do you suggest I do it?

Didn't the old man
give her a new car’?

Yes.

And don't new cars sometimes
get mechanical defects,

little bugs
that have to be worked out?

)1”

[ENGINE REVS]

[HORN HONKS]
[BRAKES SQUEAL]

[TIRES SQUEAL]

[HORN HONKS]

[TIRES SQUEAL]

[METAL CRUNCHES]

[HORN HONKS]

[TIRES SQUEAL]

[METAL CRUNCHES]

[TIRES SQUEAL]

[TIRES SQUEAL]

[TIRES SQUEAL]

[HORN HONKS]

[METAL CRUNCHES]

[TIRES SQUEAL]

[BRAKES SQUEAL]

[MEN SHOUTING]

CONSTRUCTION WORKER 1:
Somebody get
over here and help.

CONSTRUCTION WORKER 2:
She's still alive.

KRIS:
This picnic was a great idea.

BILL:
Well, we put in a good
couple of days' work,

I thought we deserved
a little rest.

)1”

Aah.
[TIRE BLOWS]

Aahl
Hey, there. Just stop.

Just stop. Ha, ha.
Don't panic.

All right.

Uh-oh.

Flat.

Flat.

Well, the walk
will do us good.

[GROANS]

[SIGHS]

We should go this way.

Oh,
it is so beautiful here.

Yeah.

How did you ever
find this place?

Well, I was,
uh, defending

a whole bunch
of environmentalists.

I was trying to stop
a contractor

from building
in this area.

Oh. Well, I don’t see
any condominiums.

Well, that's 'cause
I always win.

Oh?

Are you getting hungry?

I'm starving.

We just happen to be
at a favorite spot of mine.

Come on.

[BIRDS TWEETING]

Come on.

Whoa.

Okay.

Need some help?

Nope.

)1”

Now, watch your step.

Okay.

And voilaa.

[GASPS]

KRIS: Oh.
BILL: You like?

This is so nice.

BILL:
Yeah. Here.

Well, I used to sneak
down here and relax

whenever I got the chance.

[SIGHS]

Well,
I can sure see why.

KRIS:
Makes you never
want to go back

BILL
City? Ha, ha.

What's a city?

Don't remember.

Uh, listen.
Hm?

Not to bring up
anything gloomy,

but what are we gonna do
about the bike?

Does anybody
ever come by here?

Well, uh, do you really
want to be rescued?

No. Not really.

)1”

What is it?

Is it someone else?

You know, um,

I've wanted to do that now
for the past couple of days.

I know.

)1”

I think I'm falling
in love with you.

I love you, Kris.

)1”

KELLY:
No.

No.

Can't stop.

Can't stop.

Kelly?

Oh, Tiff.

How do you feel?

Not good.

Doctor says
you're gonna be fine.

ls Bill here yet?

Not yet.

But he'll be here soon.

Glenn Staley just called
from the airport.

They're on theirway.

Why don't you
take a little rest
till he gets here?

Get a little sleep.
All right.

There you go.

GLENN:
Doctor says
it's primarily shock,

possibly a slight concussion.

GLENN: Yes.
You're sure?

There are other problems here,
you know.

What problems?

Because of the accident,
at least possible impairment

as a responsible plaintiff
before the court.

I tell you, the administration
ofthe Barrows

and everything could come
to a complete standstill.

As executor, I think it's
imperative that we press on

with
the probation ofthe will.

We've got to avoid these
entanglements and delays.

Glenn, at this moment

I don't care what you do
with the estate.

)1”

Excuse me.

I'm Tiffany.

And you must be Bill.

Yes. How is she?

Well, the doctors say
she's gonna be fine.

W-When can I take her home?

Well, they said
maybe this afternoon.

)1”

Bill?

Well, why don't I go check?

Thank you.

[noon CLOSES]

Hold me.

Oh,
everything's gonna be fine.

When I thought
that I'd almost lost you,

it made me realize
how much you mean to me.

How much?

Everything.

[SIGHS]

I'm so lucky.

Hm.
BILL: Hm.

There could
never be anyone else
for me.

Kelly, I love you.

I love you.

)1”

Oh.

)1”

I'll get the door.

No, I can walk.
Come on. I'll carry you in.

BILL:
Just put your arms
around my neck.

I may never let go.

[ooon OPENS]

MAID:
Mr. Staley is waiting
in the living room.

[CLEARS THROAT]

You had us scared to death.

Hmm. I didn't expect
to see you here.

Sit right there.
Can I get you anything?

KELLY:
No, I'm fine. Thank you.

Yes.
You feeling all right?

Yes, well,
you were very, very lucky.

Speaking from a purely selfish
standpoint, so am I.

Do you know, lf anything had
happened--

Can't this wall?

Bill, all I need
is a few slgnatures.

Leave her alone for a little
while, all right?

Bill, I'm fine.

Uh, signatures? What for?

GLENN:
Didn't Bill tell you?

To expedite the probate.

[SIGHS]
Margaret,

in light of your accident,
I think it's time that you,

well,
faced some facts.

Now, any further delay
becomes terribly destructive.

And everything Uncle Oliver
worked for could be

tied up in court for years.

Is this true, Bill?

Well, it's happened.
But there's time.

I don't understand the rush.

The Barrows has
vew heavy liens
against it.

Here.

See for yourself.

Carver Industries?

Principally.

But Carver
Industries is calling
for its $3-million loan.

Now, that's long past due.

We don't have
that kind of cash.

It could jeopardize
the entire estate.

If I sign this, I act
as Margaret Ellen Barrows.

Kelly, I think it's time
you accepted the fact

you are
Margaret Ellen Barrows.

Everyone else has.

)1”

Tiff, Kelly's okay,
isn't she?

I mean,
you're not holding back
on us.

Oh, no. She's, uh--
She's just fine.

Matter of fact, she should be
there by the time we get home.

That's it we get home.

Don't ever let
anybody tell you
Los Angeles traffic is bad.

Whoo.

)1”

[ENGINE STARTS]

Before you talk to Kelly,

I think you'd better
take a look at this.

I picked it up
on the way to the airport.

Well, it's preliminary,
but it's-- It's disturbing.

"Accelerator pedal
held down with a clamp"?

That doesn't sound
like an accident.

I told you.
It's pretty disturbing.

So you think somebody's
trying to kill Kelly?

I think
someone's trying to kill
Margaret Ellen Barrows.

You sure you don't want
to go inside?

Not yet.

You know, it-- It's funny
how much you take for granted

till you come face to face
with losing it.

Well, I'm glad your attitude
has changed about the estate.

Oh, I don't mean the Barrows
or the money.

I'm talking about you and me.

Kelly--
Shh.

Hey, Tiff.

Looks like you were right.

Our patient is well on her way
to recovery.

)1”

BOSLEY:
Well, Kelly, you look great.

Boy, you sure
had us worried.

Well,
it was pretty scary there.

For a moment
I thought it was all over.

Ooh. Listen, if you feel
up to it, we should talk.

Well, yeah, lfeel fine.
Come on, Bill.

Sure.
I'll be right with you.

)1”

Kris.

[SIGHS]

It was Kelly all the time.

Kris, you have to let me
explain something.

You let me believe
that you loved me.

I do love you.

And I also love Kelly.

You can't be in love
with two people.

Look,
my whole life, I've never
been in love with anybody.

Until now. And now I love you.

And I love her. |--

I know how stupid it sounds.

Then you have a decision
to make.

)1”

Doesn't make sense.

Murder never does.

Tiff, can you show me
where the car was parked?

Yeah, it's out here.

Go get some rest, honey.
We'll check it out.

KELLY:
All right.

[SIGHS]

Glad you two are getting
to know one another.

Uh, yeah.

Bill and I
worked pretty closely together

when we were
double-checking his research.

As a matter of fact,

we've gotten to
know each other
pretty well.

Kelly,

I have to tell you something.

)1”

All r-- What is it?

I want you to understand
that I didn't plan this.

It just happened.

[GASPS]

What happened?

What happened?

[SIGHS]
We're in love.

Kris.

[SIGHS]

It's true, Kelly.

I'm sorry, Kelly.

Have--

Well, thank you
fortelling me.

When I thought I'd lost you
today, I realized how much

I do love you.
Everything I said
is true, but...

I love both of you.

And I don't know
how to explain that.

I need some time to think.
I'm sorry.

[noon CLOSES]

Ooh.

Kelly.

Kelly.

Huh.

Kelly.

Look, you've got to give me
a chance.

I didn't know
about the two of you.

Ifl had,
I never would have let
anything get started.

What do you want me
to say to you?

I don't know.

[SNIFFS]
So where does that leave us?

I can't give him up.

[SNIFFS, SIGHS]

Neither can I.

Okay, so there's no
physical
evidence in the garage.

Where does that leave us?

Well, we should start with who
would gain from her death.

Yeah, and I wagerthat you're
way ahead of me on that score.

[SNIFFS]
I wish I were.

You're kidding?

Well, with all the money
that's at stake,

there has got to be somebody
with a motive.

That's what I keep thinking.

Yeah, well, I'm thinking it's
time for me to visit Mr. Cord.

And I'll start checking
his documentation of Kelly.

Yeah. Hey.

Krisl

Hey, Kris!

Where do you suppose
she's going?

I don't know.

)1”

I wanna thank
you for seeing me.
I know you've been busy.

lfthis meeting has to do
with Kris and Kelly,

I would just as soon keep that

between the three of us,
all right?

Well, I haven't come here
to play Miss Lovelorn,

if that's what you mean.

But I don't mind telling you
that you have broken up

what has been
a darn good team,

much less two good friends.

Look, you tell me, all right?

What are the odds that a-a man
looks his whole life

for one woman,
just one, that he
can really love and care for?

Somebody like Kris, or Kelly.

Somebody that
you want to spend
the rest of your life with.

[SCOFFS]
ldldn't plan It this way,
believe me.

Well, you couldn't have done
any better if you'd tried.

I know.

But recognizing
my own stupidity
doesn't make the decision

that I have to
make any easier.

Maybe
somebody's trying to take

that decision
out of your hands.

I mean,
Kelly's accident.

It looks like somebody
may be trying to kill her.

What? How?

I think
the question is "who?"

If Kelly were dead,

who stands to gain?

Well, I don't know.

Oh, I think then
that you better recheck

everything that you have
on Oliver Barrows.

There's gotta be something
that none of us
has thought of.

I'll do it.

Get back to me
as soon as you can?

Sure.

Thanks.

LINDA:
Bill.

Well, Mr. Cord.

Bill, what can I do for you?

What I have to say,

maybe we'd better go
to your office.

Well, I have no secrets
from Linda.

Ah, Bill, come on in,
sit down.

You look like a man
who could use a drink.

Scotch, isn't it?

Forget it.

Is it Margaret?
What's wrong?

No. No, Margaret
is just fine.

It's Glenn
that's in trouble.

What kind of trouble?

Carver Industries.
Does that ring a bell?

Sure it does.
I mentioned them to you.

Today, as a matter of fact.

But what you failed to mention
is that you own 10 points

in one oftheir
development projects.

[CHUCKLES]

It's a business investment.

It's a conflict of interest.

What conflict of interest?

Carver Industries
has an option to buy

on every other
piece of property
on this block.

I knew they had investments,

didn't know
they were that extensive.

Guess I made
a better investment
than I thought.

BILL:
Come off it, Glenn.

[SIGHS]

Boy, you really had me fooled.

Everything. With Kelly.

The whole thing,
I thought it was legitimate.

But you needed her,
didn't you?

Because without an heir
to leave it to,

this hotel goes
to the city and
your plan is ruined, isn't it?

I think you're letting your
imagination run away with you.

I think you need
that drink after all.

Is it my imagination that
Carver lndustries' investment

is worthless
without this hotel, is it?

What does Margaret have to say
about that, Bill?

She stands to gain, what,
7, 8million dollars,

after taxes,
when the barrels are sold?

You know very well
what she'd say.

Does that mean
you haven't told her?

I'm hoping
I won't have to.

Until you're put away
in jail

Glenn--

GLENN:
Oh, no, no, no, no.

It's all right,

Bill has a right
to his suspicions.

We just have to be proven
in court, that's all.

[CHUCKLES]

You are taking
this whole thing
very coolly.

The act won't
hold up in court, Glenn.

You're forgetting:

Innocence needs no defense.

Here's to truth.

May you always
be as persevering
in seeking justice.

The only thing
I can't figure is Kelly.

Now, how did you set that up?

You amaze me, Bill.

You found her,
I didn't.

LINDA:
Glenn--

Shut up.

[LINDA SHOUTING]

He asked
for a call down.

All right.

Why don't you
let me go down.

Good afternoon.

John Bosley,
I took your call.

That him?

Yeah.

We had his ID,
we needed confirmation.

How, uh--
How'd it happen?

Drowning, looks like.

Wearing street shoes.
Must have slipped.

The maintenance man
found him

between the boat
and the dock out there.

Okay, he's yours now.

Uh, look, could you, uh,
just give me a second?

His girl is up there.

Yeah, sure.

Is it Bill?

I'm sorry, Kelly.

Oh.
I'm so sorry.

[CRYING]
Oh, my God.

Oh, I'm so sorry.

I'm so sorry.

[CRYING]

[CRYING]

I don't know what to do
for these girls.

We can be here for them,

as much as they need us.

Yeah.

There's something else
we can do too.

What do you think ofthis?

Bill's keys.

They were in the ignition.

And I'll lay you Sta 5
that the keys to his boat

are on this keychain too.

Would you go down to your boat
without the key to the cabin?

Well, you better lay that
on Inspector Burton.

I'm gonna do more than that.

I don't care
if you have to call Charlie,

I don't care if we have to
blow up city hall,

you get that coroner
to run an immediate autopsy

on Bill's body.

Why, what have you got?

Right now,

not enough yet.

But I may have.

I'll see you
back at the house.

I'm so sorry.

Bill Cord was--

Was my friend.

I know
that's insignificant

compared to the loss
that you feel right now,

but I want you to know...

that you have
someone to lean on.

Now,

the next several days
will be difficult.

But we'll get through it.

Somehow, you'll see.

Kelly?

Oh, Mr. Staley.

Uh, I phoned
your office.

I was wondering,
would it be convenient

ifl stopped by
this afternoon?

Ifyou like,
we can talk now.

Well, I, uh--

I think it would be better
if we spoke privately.

Four o'clock,
would that be okay?

Yes. Certainly.

Margaret.

Anything at all,

you call me.

Anything.

All right.

Four.

On the dot.

How you feeling?

I'll be fine.

[noon CLOSES]

Well, get a good grip
on yourself,

because I just came
from the coroner's office.

Now, he's only
just gotten started,

but I can
tell you this right now:

Bill Cord didn't drown.

There was no water
in his lungs.

[SIGHS]

[SIGHS]

Are you sure
this is everything

that was on Mr. Cord's desk
this morning?

Yes, I never disturb
any work Mr. Cord leaves,

he's-- He was very particular.

I'm really sorry
about Mr. Cord.

I know you are.

And you've been
a real big help,
and I thank you.

Do you mind
ifl use the phone?

Help yourself.
Thanks.

Oh, and, Roger?

If a Mr. Bosley
calls for me,

please tell him
that I went over

to the new Carver Industries
construction site?

Sure thing.

[SIGHS]

[RINGS]

Hello.

TIFFANY:
Hello, Kris? Tiff

I want you to hop into a cab
and meet me
over at the mansion

in about an hour.

I'm sorly, Tiff.
I'm going home.

Not unless you wanna be sorry
for the rest of your life

you're not.

Look, no games, okay?

This is no game, Kris.

I want you to sit down
and take a hold of yourself.

There's a very good chance
that Bill Cord was murdered.

With your help
i think we can prove it.

)1”

[CHATTING INDISTINCTLY]

Think you guys would wanna
answer a few questions for me?

Various projects--

Wallert.

WALLERT:
The foreman says
she's a reporter

from some lady's magazine

doing some article
on hardhats or something.

Oh, she's doing an article,
all right,

we're all gonna be in it.

That's the Welles woman.
From Townsend Associates,

the one who's been rummaging
through my files all week.

What are you talking about?

She's a detective
from LA.

You don't wanna
take my word for it?

Why don't you
invite her in here?

She'll be happy
to take your picture.

Wallert,
you're an idiot.

How was I
supposed to know?

Lane, handle it.

And make certain
you get the camera.

[TIRES SQUEALING]

[CAMERA CLICKING]

[CAR ENGINE STARTS]

)1”

[ENGINE STARTS]

[MEN SHOUTING]

Hey, lady?
You all right?

Look at that car.
You okay, lady?

Yeah.

I'm okay.

Do me a favor, would you,
and call the rental company?

Tell them where they can
pick up their compact.

So then it's your guess

that it was the sale
of the hotel

that was the key
to this whole charade?

Yeah. But I had to be
hit on the head

with a ton of bricks
before I realized it.

But Bill Cord knew.

He had it nailed down
in black and white.

There's a direct link
between Glenn Staley

and Carver Industries.

Then Glenn had to have an heir
for Oliver Barrows

in order to get possession
of the hotel.

That's right.

Kelly,

I'm so sorry.

But my guess is, the documents
proving your identity

are just as phony
as Bill's accident.

Mr. Bosley, there's
a telephone call for you.

Oh, thank you.

Hello.

Now, we know
that Richard
Carver's involved.

He's president
of Carver Industries.

But there's a new member
invited to this party.

The license on the limousine
at the construction site

was registered underthe name
of none other
than Arnold Gundy.

Gundy?

Gundy.

Isn't he the one
the government tried to nail

for that mail fraud
a few years ago?

He's the one.

He's been doing pretty well
since too.

At least well enough to buy
a controlling interest.

From Carver Industries.

Thank you very much.

KELLY:
What is it, Bos?

Bill Cord was murdered.

KELLY:
Are you sure?

BOSLEY:
Yeah,
the coroner said he found

in his bloodstream.

Seems that if it's ingested,
or even inhaled,

it goes through
the mucous membrane

into the bloodstream
almost immediately.

Results in a heart attack
or a stroke.

Apparently it can emulate
almost anything.

Then it must be Glenn.

Well, we can't
be sure of that.

Oliver Barrows died
of a heart attack too,

remember?

l was there.

It was Glenn.

I'd stake my life on it.

You may have to
if you wanna prove it.

)1”

Well, tell him I'll be
down in my office...

...in about a half an hour.
[KNOCK 0N DOOR]

Oh, I'm glad I got
this chance to talk to you

before I go.

Oh, you're leaving?

Yes, as a matter of fact,
all three of us are leaving.

Kris and Tiffany
and myself.

An emergency
has come up.

I really hate
to go right now,

I'm very concerned
about Kelly.

Heh. You mean Margaret.

Uh, yes, Margaret.

lwish that she could
accept that name as easily.

You know, I hate to see her
just throw away all that money

because of some fool notion.

What notion is that exactly,
Mr. Bosley?

Well, really it's,
uh, herstate of mind.

As you can appreciate,

Bill Cord's death
really hit Kelly very hard.

And now she's taken it
into her head

that maybe it's all wrong.

You know,
some kind ofan omen

that she's really not
Margaret Barrows after all.

But I have documentation.

BOSLEY:
Oh, l-l knowthat,

but I don't think that is
what Kelly needs right now,

so much as companionship.

That's why I wanted
to talk to you.

You see,
uh, Kelly was going to
have us all for dinner

but now that we're leaving,
I was wondering if--

If you'd be good enough
to drop by on her tonight.

I think it would
make her feel a lot better.

Of course we will.
Won't we, darling?

She's had
a very difficult time.

You can count on us.

Oh, thanks very much,
I really appreciate that.

Look, uh,
could I use the phone?

I have to call
the airport.

Thanks.
Oh, please.

)1”

[PHONE DIALING]

Okay,
let's try it.

What?

Let's reenact it.

It's a good idea.

All right,
Harmon,

you pretend
that I'm Mr. Barrows.

Okay?

You pour for me,

right?

Thank you.

I taste it. Right?

Then I pour for Kelly.

Oh, no. No, no, no.

No,
it wasn't like that.

No, Mr. Barrows
would never pour,

not even Chaateau Margaux,

without first
checking the cork.

[SNIFFS]

The cork.

Anybody check this cork
after Mr. Barrows?

Oh, that simply
isn't done.

No one questions
the judgment of the host.

Which means
that I sat next to Oliver

all the while
he was being murdered.

[SIGHS]

GLENN:
Hello.

Ah, so glad the two of you
could make it.

LINDA:
Well, it's our pleasure.

Your employer, that is,
your ex-employer Ml. Bosley,

said you might
like some company.

"Ex" is right.

But then I don't have to worry
about that anymore, do I?

Thanks to you.

Where are
the servers?

I gave them
the night off.

You think that's wise,
Margaret?

You know, you really
shouldn't be
here in this house

all alone.

But I'm not.

You're here.

She's right, darling.

Well, it looks like
we're early.

We didn't know
you were having
a dinner party.

Oh, well, uh, I'm not.

But it is beautiful,
isn't it?

Oliver would have loved this.

Don't you think?

Margaret, are you sure
you're all right?

Margaret is just fine.

Wonderful in fact.

Come on, sit down. Sit down.

[CLEARS THROAT]

Ah,

there now.

[CHUCKLES]

How rude of me.

One moment.

Hm. You know, uh,

corks and wines
can be very dangerous.

It was one of these
that killed my father.

Uncle Oliver
died of a heart attack.

Heart attack, death, murder.

They're all the same anyway,
aren't they?

No,

there's
quite a difference.

Money.

Money is a difference,
isn't it?

Margaret, you're not
making much sense.

I think we better
cut this short

and let you
get some rest.

No.

Bill Cord is resting.

Bill had a heart attack also.

Did you know that?

I understood
he drowned.

So did the coroner at first.

Big, strong,
loving Bill Cord.

Died of a heart attack,

just like that.

Why did you
have to kill him, Glenn?

I understand
your grief.

I'm sorry.
I'm truly sorry.

But you've obviously
had too much to drink.

You killed them both,
didn't you?

Just a few drops
of heart attack.

There are drugs
that can do that, you know.

Glenn--

No, it's all right.

KELLY:
But the real poison was greed,
wasn't it?

A greed by the name
of Carver Industries.

You have a very lively
imagination, Miss Garrett.

It is Garrett,
isn't it?

Kelly Garrett.

Not Margaret Barrows.

I wasn't the child
born in this house.

With no footprints on file.

No record of life
after 18 months,

no identity.

But then you
created one for me,
didn't you?

Very carefully.

I think you're giving me
too much credit.

I think not.

Where did you see my picture?

My resemblance to Mary.

In the newspaper?

In the Bureau of
Motor Vehicles?

Yes, I think it was there.

No, as a matter of fact,
it was neither one.

It was an old magazine.

Featuring a very pretty
young lady

graduating from
the police academy.

Glenn, stop it,
that's exactly what she wants.

KELLY:
No.

I found what I wanted
this afternoon in the attic.

That's Margaret Barrows.

You should've
checked the attic.

A mother always
keeps these things.

My fingerprints
will never match these.

So there goes
your whole scheme.

Ungh. Glenn-- 0h!

Ah-- 0h.

We all know the tragic loss
that Margaret has suffered.

All the grieving
she's been though,

we've seen it
ourselves tonight.

Grab that paper
and get the car.

You know, it's too bad.

Because all you had to do
was take the money.

It was all yours.

Linda?

[GRU NTS]

Linda?

Let her go, Staley,
it's over.

You stay back. You stay back.

BOSLEY:
There's no place
to run, Staley.

You come any closer,
I swear I'll kill her.

Staley!

[GRU NTS]

Don't move, Staley.

Thanks, Kris.

[SIGHS]

That was for Bill.

It's all right, honey.

)1”

Ah, and what is this?

It's my resignation.

I'm quitting.

What?

Look, uh,
I made up my mind.

I don't wanna
talk about it, okay?

Well, Charlie's
gonna wanna have a reason.

It's all in there.

You tell him.

Oh, no.

No, no, you handle
this one yourself.

[DIALING]

Kris, listen to me.

You can't quit.
We're a team.

[l/NE DIALING]

We were a team.

Hello, Charlie.

CHARLIE:
Yes, Bosley.

Uh, look, Charlie,
I have a problem here.

Uh, Kris just dropped
her letter of
resignation on me.

Just forget it,
Charlie.

Kris doesn't have to leave.

lam.

Seems to he a lot of that
going around.

Care to tell me
what it's about?

Well, I caused it, Charlie.

I did some very selfish things

that make it impossible for
Kris and me to work together.

Let's just leave it at that.

That's all I have to say.

KRIS:
Look, it was me.

lwas the one that was
childish and jealous.

If anybody should leave,
it should be me.

I won't let you leave
because of me.

[SIGHS]

Look, it was my fault.
I should be the one.

Would you just listen to me?

)1”

[SIGHS]

I'm so sorry, Kris.

lam.

I'm sorry too,
Kelly.

Truth is,

I think we were both
pretty lucky to
have known him.

Yeah.

No resignations?

Cancel the resignations,
Charlie.

)1”