All language subtitles for charlies.angels.s04e25.remastered.bdrip.x264-rovers-en

CHARLIE:
Once upon a time

there were three little girls
who went lo the
police academy.

One in los Ange/es.

One in San Francisco.

The other in Boston.

And they were each assigned

[BUZZING]

very hazardous duties.

But i took them
away from all that

and now they work for me.

My name is Charlie.

[m]

[m]

[DOORBELL RINGS]

Hi. Oh.

Kelly Garrett?

That's right.

My name is Bill Cord,
I was referred to you by, uh--

Oh, Tiffany Welles, right?

I'm sorry, Tiffany who?

Look, Mr. Cord,
I already know why
you're here.

You do?
Yes.

Tiffany bought
a new set of encyclopedias.

She gave my name as
a referral, so she'd gel the
full discount.

She told me all about it.

Sorry to have wasted
so much of your time,

but I'm just
not interested. Okay?

I admire your persistence,
but I'm just not interested.

Miss Garrett,
this could be the most

important opportunity
of your life.

Oh, sure.

I'm not selling encyclopedias,
I swear.

Oh, you never are.
It's, uh, education.

0r research material.

But ill let you in
and you open up that case,

out will pop all those
beautiful leather bindings,

and in 15 minutes
you'll have sold me

a whole new
set of encyclopedias.

Do you already have
a set of encyclopedias?

Two sets.

Well, then there is no way
in the world

I could sell you another set,
is there?

Agreed.

Agreed.

Now, can we
start over please?

I'm, uh, Bill Cord.

"Klein-Hoffman
and Associates."

I'm, uh, one of
the associates.

Can I come in, please?
Just for a minute.

All right.

Thank you.

Come on in.

Have a seat.

0h.

Ah, see there are no
beautiful leather bindings.

Sorry about that.

You were raised in the
St. Angus Home for the Orphan

in Dallas, Texas, right?

Yeah, that's right.

Until the fire,
and then you were moved

into foster homes in the area.

Yes, that was in--

1964.

That fire destroyed most
of the placement records.

It was the biggest obstacle

to my investigation,
as a matter of fact.

What investigation?

Does the name "Barrows"
mean anything to you?

The Barrows Hotel,
San Diego.

Well, I know the hotel.

I can't afford it,
but I know it.

Well, lwould, um, like you
to examine these please,

if you would.

On December 16th, 1956...

during a blizzard
on the highway

between Fort Worth
and Dallas

there was a multiple
car accident.

Twenty-three cars to be exact.

And in one of those cars,
Oliver Barrows' wife, Mary,

was killed.

What does that
have to do with me?

Well, also in the car
was a 17-month-old child.

Agirl.

In the confusion
following the accident

the, uh, child was lost.

Lost? How?

Six different hospitals,
three different
policejurisdictions.

Nobody really knows
how it happened.

But the fact is
it happened.

Oliver Barrows did everything
he could to find his child,

but, um, he couldn't.

He's still trying to
locate her.

And, um, that's why I'm here.

Oh, now, wait a second.

Miss Garrett,
l have every reason to believe

that you could be
Oliver Barrows' lost daughter.

[m]

Well, I'm sorry, l--

I can't believe that.

Well, I've put a great deal
of time into
this investigation.

You're more than welcome to
check my research, my notes.

The fact is you could be
his sole heir.

[m]

You're taking this
much betterthan I expected.

Do you mean this man
really could be my father?

Would you like to see
a picture?

Yes.

Sure.

He has a nice face.

So what do we do now?

Well, forgive me,
but I, um--

I have to determine if
you're the right
Kelly Garrett.

And that means,
uh, blood tests.

Fingerprints,
things like that.

And then?

And then I take you
to San Diego

and introduce you
to your father.

[m]

KELLY:
Tell me, Bos,
what do you think?

Well, none of this
is conclusive.

But, gosh,
the hair, the eyes,

the birthday,
the blood type, all of it.

This man, Cord,
is very thorough.

Yeah.

He also seemed
very sincere.

Well, you've been with him
every day for a week,

if something was wrong
you'd sense it.

Oh, I don't know.

What are you
afraid of?

You three and Charlie.

You're the only
real family l have.

BOSLEY:
Unless Oliver Barrows
is your father.

To tell you the truth,

I don't know if I want him
to be my father.

But if he is, I want to know.

Then go to San Diego
and find out.

l-- I just don't wanna
make a mistake.

Not in this.

KRIS:
But you won't.

Just go.
And if you don't go, lwill,

because we are all dying
of curiosity.

And while you're there

we'll double-check
some of Cards data.

Okay. And, uh, you'll call
if you find anything?

We'll call.
Good bye, already.

Goodbye.

Okay.

There goes
one lucky girl.

No, you are wrong, Tiff.
Why?

Because if she is
his daughter, then Barrows is
the lucky one.

You're right.

[m]

[BALLROOM DANCE MUSIC PLAYING]

[CHATTER]

Dora, Richard.

Good of you to come.

You know Linda, of course.
Oh, yes, indeed.

You look lovely tonight,
my dear.

Thank--
We all look lovely, my dear.

Tell me,
where is the old curmudgeon?

MAN:
Who? Uncle Oliver?

I don't think
he'd appreciate that.

Ha-ha, Oliver Barrows
appreciates anyone with
a check.

The Assistance League has been
very generous this year,

and I insist
he make an announcement.

Before he begins toasting
every stone and timber

in this old mausoleum.

Well, I think he'll be
happy to see you.

He's just over there,
I think.

I've been trying to get
in touch with you all day.

I thought something was wrong.
You didn't return my calls.

Oh, no, just, um--

Hectic.

Maybe we can talk later
over a brandy, all right?

All right.

What was that all about?

Just, uh, business.

But I have to go check
the kitchen.

[SIGHS]

Excuse me.

That's excellent.

Mark.
Yes, Mr. Staley.

lwant to go over the
selection ofthe wines
with you.

Certainly, sir.

Uh, with the appetizer
I thought we'd start

with the Chassez Montes--
Right.

Yes. Then if you approve,
with the, uh, entree,

the Chateau Margot.

Oh, Margot.

Yes, the Margot.

Uncle Oliver
should appreciate that.

Substitute a Chateau Lacomhe
for the other guests.

Yes, sir.

We better open this up
and let it breathe.

Yes, sir.

[INHALES DEEPLY]

That's very good.

Twenty minutes
and it'll be perfect.

Yes, sir.

Ah,
there you are.

Oh, Uncle Oliver,
l was just about to come up.

No,
it's better here.

Mark, would you
excuse us, please?

Of course, sir.

Can you explain to me
why Dora Carver

seems to think she owns
a piece of my hotel?

She said that?

Not in so many words.

But she was delighted
that Carver Industries

would be a partner
in the maintaining

of such a fine example
of traditional architecture.

I don't know,
Richard's company

did put up most
of the reconstruction money.

But that loan was supposed to
be paid back three months ago.

It was, it was,
but I have a feeling

that Richard neglected
to tell Dora.

You be sure he does tell her.

I want no financial problems

when I turn over
the Barrows to the city.

I wish you'd reconsider.

Making the
announcement tonight.

Oh, let's not go over
all that again.

You're familiar with the
clause in my
grandmother's will:

On my death the Barrows
will go to the city,

unless I have a direct heir.

And I don't.

Uncle Oliver,
you can't be sure.

You have a daughter.

My daughter's gone forever.

I've had to face it,
now you have to face it.

Now come and help me handle
that herd upstairs.

Oh, yeah,
I'll be up in a minute,

l have some things
to finish here.

Well, suit yourself.

You've been
a good friend.

And I appreciate all the years
you've given to the Barrows.

[m]

[CHATTER]

[CLASSICAL MUSIC PLAYING]

The Chateau Margot, sir.

Oh, thankyou, Mark.

Is anything wrong,
sir?

Should be just fine,
I tasted it myself.

Pour a little.

Very good.

Excellent,
as a matter of fact.

Fill it up.

Thank you.

[m]

[CHATTER]

Ugh.

Mr. Barrows, sir?
Are you all right?

Oliver?

Get Dr. Cotter.

Yes, sir. Maurice!

Somebody
call an ambulance.

Don't worry, Uncle Oliver,
you're gonna be all right.

Everything's
gonna be just fine.

[m]

[m]

Are you all right?

You mean aside
from being terrified?

Aside
from being terrified.

Oh, I'm fine.

Come on.

[m]

[KNOCKING]

Hello.

I'm William Cord,

I believe Mr. Staley
is expecting us.

Oh, yes, sir,
if you'd follow me, please.

Bill.

And you are Miss Garrett.

I'm Glenn Staley.
Hello.

[CHUCKLES]

Well, you were right,
she's everything you said.

Um, well, I don't know
what he told you, but--

Well, he told me
that you were very lovely

and very intelligent.
Strangely enough not in
that order.

[CHUCKLES]

Kelly's a little worried
about meeting, Mr. Barrows.

He is expecting us,
isn't he?

Well, he's very much looking
forward to meeting you.

Unfortunately I do have
to prepare you
for something...

rather unpleasant.

Uncle Oliver suffered
a minor coronary last night.

Well, how-- How is he?

Oh, he's fine, he's fine.

As I said, it was very mild.

Well, maybe we should
come back another time.

I think that would be better.

He's looking forward
to seeing you.

He's waiting for you
right now, right this way.

[KNOCKING AT DOOR]

Uncle Oliver,
this is Bill Cord and...

someone we'd like you
to meet.

OLIVER:
Well, come in.

So you're Miss Garrett?

Is that your real name?

I don't know my real name.

Garrett is the family name
of one ofthe sisters

at the orphanage
where I was raised.

I see.

And you believe your true name
might be the same as mine?

Barrows.

Well, I don't know what
to believe, Mr. Barrows.

But I've done quite well
with Garrett.

Yes, I can see how well
you've been doing

by reading these papers.

Why do you want
to be my daughter?

Uh, you make this sound like
some kind of audition.

I don't want
to be your daughter.

But if I am,
I'd like to know it.

You realize you're not
the first young lady

who's been presented to me
as my daughter.

I can appreciate
your suspicions, but--

Miss Garrett.

Are you after my money?

I'm sorry to have taken up
so much of your time, sir.

I think we both
made a mistake.

OLIVER:
Is that all
you've got to say?

That's all I can say
and still remain a lady.

[CHUCKLES]

Come back here.

And forget the "sir".

Turn around.

You haven't looked
at her once.

Looked at who?

Over there.

[m]

My wife, Mary.

And if my instincts
are correct:

She's your mother, child.

[m]

[m]

KELLY:
You should have told me
about the painting.

You can't imagine how I felt
standing there looking at--

CORD:
At yourself?

All right, I apologize,
but we all wanted to see--

KELLY:
How I would react?

I think that was deceitful,
manipulative, and dishonest.

No, never dishonest.

Now, ever since
Staley hired us,

I've been working
24 hours a day on this case.

I deserved the chance
to see if I was right.

And you believe
you were.

Well, any doubts
I had are gone.

Kelly, you've got
to accept it.

The old man does.

So I accept,
and everyone's satisfied.

Not good enough,
Mr. Cord.

Mr. Cord?

All last week it was Bill.

I want every item
that led you to me.

I want it checked
and re-checked.

I want to be sure
I am who I am.

Or at least who he
thinks I am.

Kelly.

You're a very stubborn lady.

OLIVER:
Margaret?

Margaret!

Mr. Barrows,
you know the doctor said

that you're not supposed
to walk on your own.

You're supposed to stay
in yourwheelchair.

Oh, be quiet, girl.
Margaret?

Ah.

These grounds
haven't been graced

with such loveliness
in 20 years.

Thank you, Mr. Barrows, but--

And enough
with the "Mr. Barrows".

I'd like you to call
me Father.

But I'll settle for Oliver,

if that will
be more comfortable.

And as for you, Mr. Cord.

I haven't had a chance
to voice my appreciation.

Excellent work.

There'll be a letter
on the desk of your firm

tomorrow morning,
togetherwith a sizeable bonus

for you too,
I might add.

That's really
not necessary, sir.

OLIVER:
Well, if it weren't,

it wouldn't be worth
mentioning, would it?

Margaret,
you and I have places to go

and things to do.

It's time this city
took a look at my daughter.

CORD:
I couldn't agree more.

Speaking of bonuses,
you'll have no objections then

ill take your daughter
to dinner this evening.

You'd be foolish if
you didn't.

[m]

Well, what do you think?

It's lovely.

We'll take it.

And the other two.

[m]

KELLY:
It's really beautiful.

OLIVER:
Yes, your great-grandmother
thought so.

We spent a fortune
on those chandeliers.

Brought them all the way
from Vienna.

I can see why.

And sometimes
when there's a slight breeze

and the crystals touch,

if you listen closely
you can hear someone

playing the Strauss Waltz.

When this room
is full of people,

I bet it's like something
out of a fairy tale.

She'd be glad to know
The Barrows is yours.

Oliver--

No, please, no protest,
that was her doing, not mine.

I merely held it in trust.

I don't understand.

Well, she wanted the hotel
to belong to someone

who appreciated it.

Loved it as much as she did.

The 25 year-old regal,
I didn't quite fit her image.

Although she allowed that
I might have a child
who would.

And I think you are just
what she had in mind.

[m]

[KNOCKING AT THE DOOR]

Good evening, Mr. Cord.

Good evening, Eva.

Could you tell Kelly
that I'm here, please?

[DOOR CLOSES]

Eva,
the first thing you do

is make Mr. Cord a drink.

He's going to need it.

What'll you have, son?

Um, scotch on
the rocks, I guess.

Easy on the rocks.

Young man, I will be in your
debt for the rest of my life.

Sir?

Today was the most
wonderful day I've spent in
my entire life.

With Kelly?

Margaret. Margaret Ellen,
whether she likes it or not.

Well, I think she's
gonna have to like it.

I've been back over all my
research that led my to her

and it looks sound.

I need no shadows
cleared away, Mr. Cord.

I'm her father,
not a research analyst.

This was at her request,
sir.

Well, forget it.

I'm quite satisfied
with the daughter I have.

My lawyers are presently
making up all the
necessary papers.

Well, then--
Thank you.

She's a very lovely lady.

You don't know
how lovely.

[m]

Well, I, uh, did say
the yacht club, didn't I?

That is what you said.

Well, it'll be
an interesting evening.

Let's go. Sir.

Have a good time.

Bye, Oliver.

[m]

All right. One more.

[GIGGLING]
To grow big and strong.

I can't eat another bite.
Sure you can.

Listen, these are better
hamburgers than they make--

I know. They're much better
than at the yacht club.

Look, I'm sorry. I should have
explained things to you,

but there really
is a yacht club,

it's-- And this is
a Y.A.T. yacht club.

It means young and thrifty.

[LAUGHS]

Just some friends,
we get together,

share the wealth
and have a good time.

Oh, I'm having a great time.
I love it.

But it wasn't what
you expected.

Well, no, it's, uh,
it's not what I expected.

Did you see the looks that
I got when we walked down
the dock?

Oh, don't worry
about my friends,

they're used to the unexpected
from me. It's normal.

Ah. Well, I hope I did my part

in keeping your
reputation alive.

I think you just made
my reputation.

You want to dance?
Here?

Oh, sure,
it's a regular cotillion.

Come on.
Ah.

[GIGGLES]

[m]

I think you're crazy.

Well, I may be crazy,

but I'm not dangerous.

I thought lawyers were
supposed to be, uh,

straight and consistent,
and dependable.

And dull.

You're not dull.
No way. Not you.

I think you'd better
get to know me

a little bit better
before you make

any rash statements like that.

Well, I've been with you
every day fora week.

I think I know you
pretty well.

Oh, you do, huh?

Yeah, ldo, huh.

I want you to know I didn't
plan on it ending this way.

Neither did I.

Do you want me
to take you home?

No.

Come with me.

[m]

[m]

Are you Staley?

Glenn Staley?

Who are you?
What do you want?

Mr. Gundy wants
to talk to you.

[TIRES SCREECH]

I said, Mr. Gundy
wants to talk to you.

Richard,
what the hell is this?

I came here
to do the talking.

Mr. Carver tells me
the old man nearly died.

His hotel goes to the city,

it costs me $15 million.

I wouldn't like that.
What's he talking about?

Well, I, uh, told you
I needed outside money.

It's $3 million for those
bonds he was supposed to
pay off.

You must live very well to let
yourself slide that
far behind.

My deal is
with Carver Industries.

Your deal is with me since
I bailed your friend out.

I am Carver Industries.

Consequently,
I hold $12 million worth

of options on properties
in this block,

for development,
without the hotel.

So I'll deliver.

Reassure me.

The old man
nearly gave the hotel

to the city the other night,

I stopped him before he could
make the announcement.

Glenn, how?

How doesn't matter,
the point is it worked.

GUNDY:
He's right.

Where does that leave Carver
lndustries' investment?

Exactly where I promised.

What about the girl who
may turn out to be his
lost daughter?

What about her?

She's the key to my plan,
that's all.

Glenn, |-- I still don't see
what you have in mind.

Just be patient,
Richard, you'll see.

We better see.

My options on the property's
come due in six weeks.

You fail, Staley,

we'll exercise our option
on you.

[GROANS]

[m]

[CHATTER]

I appreciate everything,

but tonight, well,
it's too soon.

I see. You've been talking
to that young man of yours.

Well, I expected a lawyer
to be more discreet.

Please. Please try
and understand.

This week has been wonderful,
more than I can
dream possible,

but we still don't know
for sure.

Well, I am.

And your mother would be too.

But why are you dissatisfied?

Is it me?

Oh,
you know that's not true.

Ifl had selected a father
I couldn't have chosen

anyone more kind
and gracious and loving.

That's why I want you
to wait.

I care for you, Oliver,

and I want this
to be right and true.

That's why I want you
to wear this tonight.

It was your mother's.

Her favorite.

Oliver, it's beautiful.

So are you.

Now no more protests,
understood?

Understood.

Mr. Staley, nephew or not,

I never allow anyone to fuss
about in the kitchen.

Well,
it's force of habit.

You know how particular Uncle
Oliver is about his Margot.

Well, you'll find out
how particular I am

if you're still here
when I come back.

[m]

[CHATTER]

[GLASS DINGS]

[CHATTER SILENCES]

I know you're all aware
that tonight marks

a very special moment
in my life,

the return of my daughter.

Few men have been
so blessed as to have lost

and found such
a beautiful jewel.

Made more precious
by the loss oftime.

Affection, like good wine,

does not wither with age.

Which reminds me,
I'm entitled to one glass.

[ALL CHUCKLE]

[SNIFFING]

A full glass, it you please.

WAITER:
Yes, sir.

OLIVER:
It is with great pride
and joy that I announce today,

not only in my heart,

but legally as well,

that the beautiful lady
sitting at my right

is my daughter.

Ladies and gentlemen,
I give you

Miss Margaret Ellen Barrows.

[APPLAUSE]

To you, Father.

[GLASS CLINKS]

[m]

Mr. Barrows?

[CHATTER]

Mr. Barrows?

Wallert, call the doctor.

Kerry...

[m]

I'm so sorry.

Anything I can do.

Any of us.

Thank you.

Well, Uncle Oliver
was a good man.

If it's of any comfort to you,

you made him happier
than I've ever seen him.

I only wish that--

Thank you, Glenn.

GLENN:
Margaret, I know this isn't
the time or the place,

but as Uncle Oliver's executer
there are some details

concerning the estate that
need to be attended to.

So when you're ready,
you call me.

I don't want it.

I understand you're upset.
We'll talk later.

KELLY:
No, I'm not upset,

I just don't want
something that's not mine.

It is yours.

The Barrows belongs to you,
it's your responsibility.

Uncle Oliver gave it
to you, to no one else.

Kelly, he's right.

We'll talk
when you feel like it.

[m]

Here.
Oh, no, thank you.

What I need are answers.

l have to know, Bill.

Kerry...

don't put yourself
through this.

Oliver Barrows was satisfied,
why can't you be?

You said it yourself, because
now it's my responsibility.

And I'm not gonna be satisfied

until I know the truth.

Will you help me?

You know I will.

You won't be working
alone this time.

[RING/N6]

CHARLIE:
Hello?

Charlie, this is Kelly.

Kelly, you sound strange.

Something wrong?

Oliver Barrows is dead.

0h, lhr sorry i truly am.

lfthere's anything I can do.

I wanna hire you.

I need to know who I am.

[m]

TIFFANY:
Kelly went through
all that alone?

Why didn't she call us?

CHARLIE:
Well, she has now

Angels, Ill/illiam Cord's
work was done as a lawyer,

primarily research.

i want to start fresh.
I don't understand, Charlie,

who's challenging
the right to the inheritance?

She is.

That's why i want you to go
to San Diego, fiffany

worlr with Kelly

Go at it as though
neither of you

had e ver heard
of Margaret Ellen Barrows.

Concentrate on the estate
and anyone associated with it

if there's anyone with
anything to gain,
besides Kelly,

in all this,
it should be there.

All right, Charlie.

What about me, Charlie?

You stay here, Kris.

Cord should he in los Angeles
within 24 hours.

I want you to pick up
the [rail where his research
left off.

llthere’s the slightest
variance, digit out.

Will do.

Any questions, Bosle y?

No, Charlie, uh, just concern.

Depending on how this goes,
somebody could get hurt.

And I, uh...well, ljust wish
I could be sure

that it wasn't going
to be Kelly.

So do i, Bosley So dol

[PHONE CLICKS]

[m]

CARVER:
You realize, Mr. Worden,

that we went to
a great deal of trouble

to make sure that
your law firm handled

WORDEN:
Much appreciated. By far
the largest I've ever handled.

So I shouldn't think time
would be a problem?

I don't know, the pay cells
and the title structures,

no legal incumbencies.

Takes time before
the state taxes

can be paid and everything
wrapped up.

It's important that you
understand you have
three weeks.

Three week--?
That's impossible.

Three weeks to sell just
the hotel, The Barrows.

That's all we're
interested in.

Well,
what you're asking could be

very expensive.

I mean, l-l have to answer
to the state.

There are others
that have to be paid.

GLENN:
Cut it.

You just do it.

Three weeks.

Enjoy your lunch,
Mr. Worden.

Excuse me.

Well,
if all this was mine

I wouldn't take
a chance of losing it.

Neither would I,
if it really is all mine.

That's why I wanted
you and Kris and Bos.

I-I want no ifs,
no questions.

Questions? I have one.
Why didn't you call?

I would have arranged lunch

in one ofthe private
dining rooms for you.

Glenn, this is Tiffany.

She works for
the same firm I do.

How do you do,
Tiffany?

Between us,
I think your employer

should arrange a replacement
for Margaret here.

Kelly. Please, Glenn.

All right, Kerry.

But it is Margaret Barrows

that has some important
decisions to make.

You seem very sure that Kelly
is Mr. Barrows' daughter.

No doubts, huh?

My only concern
is that Kelly has doubts.

Uncle Oliver didn't have any.

I have a whole
file cabinet full of proof.

Good. I'd like to start
there then, ifl may?

I don't understand.

I want Tiffany
to examine everything.

Thank you.
But, by the way,

there are some documents,
and I do need your signature.

Margaret Barrows' signature?

I'm sorry, but not yet.

Kelly, it could take months
or years to clear up
this estate

and there are the other
bequests to consider.

Financially speaking,
it's extremely irresponsible

to continue this way.

I'm sorry, but I said not yet.

Well, of course.

There's so many things
I didn't know about Kelly.

You know, I had no idea
she ever lived up here.

I don't think she did either.
Mrs. Blaine had to give her up

after a year
when her husband died.

They weren't as lenient
in foster home placement then

as they are now.

Next stop.

[ENGINE STARTS]

Well, it has been
an incredible four days.

What an adventure.

Wait a minute,
this is only the beginning.

I still don't know
how you did it.

Did what?

Well, you have a
missing child, born at home
in San Diego,

lost after a car crash
in Texas, no fingerprints.

Well, I hate to admit it,
but it really wasn't me,

it was a computer.
Glenn Staley's idea.

I don't get it.

I didn't either till I saw
the computerwork.

You see, Barrows only had
pictures ofthe baby,

his wife, Mary, and himself,
and two generations
before him.

So you put the pictures
in the computer?

That's right.

And it gives you back
is projected possibilities

of facial characteristics
at different ages.

That's all there is to it?
[LAUGHS]

Hardly, then comes
the legwork.

Driver's licenses,
government employee records,

state licenses,
etcetera, etcetera, etcetera.

Yeah, I guess we're all
on a file somewhere.

Especially pretty lady
detectives.

But I had six good,
strong possibilities,

so lworked backwards
from there

until I found
state foster care people

who handled children
from the orphanage.

The Blaines took the job
while they lived in Texas.

Brought Kelly to California
when they moved here.

I think you missed
your calling.
How's that?

I think Charlie could use you.

Heh.

[THUNDER CRASHES]

Uh-oh.

Oh, no.

Wait a minute.
Bill.

Don't panic, I'll have
to find a place to pull over.

Bill.
Hold on.

[SHRIEKS]

Wait a second,
I'll put up the top.

Hurry.

What's the matter?
It's stuck.

Here,
put this on your head.

Come on.
Come on out.

Come on, take my hand.

[SHRIEKING]

Oh, my shoe.

I got it, I got it. Come on.

[PANTING, GIGGLING]

Here.

0h.

Well, one thing about
the weather this time of year,

it's very unpredictable.

Yeah, especially if it's one
of those freaky storms

that comes up from the south.

Sure doesn't look like
it's gonna let up.

Put this around you.
Thank you.

Try to stay warm.

Um, we might be here
a little while,

so I'll go out and see if
I can get the top up on
the car, okay?

Yeah, that's probably
a good idea.

Yeah.

Four days that woman's been
at those files. Four days.

I can't afford four days.

What does she hope
to find?

Nothing to find.

Why does she have
to be a detective?

There was no way of knowing
what she was gonna be.

Couldn't this Tiffany Welles
be putting on some
kind of act?

What difference does it make?

If this drags on much longer
we're all going to be ruined.

Glenn, what if the new
Miss Barrows were dead?

ldon't like it.

I don't like
what your suggesting.

You've heard the phrase
all or nothing.

I put up with everything
from him over the years.

Glenn...

There's really very
little difference.

We're so close.

How do you suggest I do it?

Didn't the old man
give her a new car?

Yes.

And don't new cars sometimes
get mechanical defects?

Little bugs that have
to be worked out?

[m]

[m]

[ENGINE STARTS]

[SCREECHING]

[HORNS HONKING]

[CRASH]

[CLUNK]

[m]