All language subtitles for charlies.angels.s04e24.remastered.bdrip.x264-rovers-en

CHARLIE:
Once upon a time

there were three little girls
who went to the police academy,

One in los Ange/es.

One in San Francisco.

The other in Boston.

And they were each assigned...

[BUZZING]

very hazardous duties.

But i took them
away from all that

and now they work for me.

My name is Charlie.

[m]

[m]

Excellent work, Riso.

The packages are identical.

Yeah, well, they should be.

lboughl the wrapping paper
from the same store.

[DIALING]

[PHONE RINGING]

[ENGINE STARTS]

Hello?

Uh, dreadfully sorry,

must have the wrong number.

Oh, Bos, it's beautiful.

Thank you.

[DOORBELL RINGS]

r55

Here, I'll get it.

Oh. Okay?

Stopped at the deli, eh?

Yeah.

Happy birthday.
Thank you.

There's more in the car.
I'll be right back.

Just a few more seconds now.

[TICKING]

Goodbye, Angels.

Except for some minor bruises,
I'm fine,

CHARLIE:
Cars are replaceable,
Kelly, you're not.

What we can't figure out
is who the bomb was meant for,

me or Tiffany, or why?

l have a nasty feeling
someone wanted all of you

out of the picture.

You remember
that near-miss accident

the three of you
had last week?

That could have been
a coincidence.

Maybe, but I don't want
to take any chances.

I want the three of you to be
at 612 Wessex Road in an hour.

Don't ask any questions,
just be there.

[m]

You think there‘s a party?

Maybe somebody just
has a big family.

[ALL GIGGLING]

Well, there's only
one way to find out.

[DOORBELL RINGS]

Oh, how lovely.

You must be Mr. Townsend's
associates.

Come in, come in.
You're expected.

By whom?

By Toni, of course.

This way, please.

Wait a minute.

Who's Toni?

I don't know.

[m]

Where did he go?

What is this place?

TIFFANY:
Like I said before,

who is Toni?

TONI:
I'm Toni.

And these are my boys:

Bob Sorensen.

Matt Parrish.

Cotton Harper.

Please, sit down.

We'll be right down.

Psst.

You don't think
this is some kind

of a dating service,
do you?

Oh, come on.
Charlie wouldn't do that.

How do you know?
Right, uh--

Well, we'll just have to go
with it and see what happens.

Okay.

Well, you are three
of the loveliest young ladies

l have ever seen.

We're also three
confused ladies.

Oh, not for long.

Anyone care to join me
in a glass ofwhite wine?

Ladies, wine?

ALL:
No, thank you.

You have a tall,
cold one back there?

Apple juice for you,
right, Bob?

Look, if you don't mind, uh--
[PHONE RINGS]

[BUTTON CLICKS]
Charlie, darling,

you're punctual as always.

CHARLIE [ON PHONE]:
Hello, Antonia.
Angels, are you there?

Yes, Charlie, we're here.

But I think
we're wondering why.

Well, We asked Antonia
to help us out.

When Charlie told me
about your accidents,

I suggested you
come here immediately,

and for once he agreed
with me.

Well, that's very nice of you,
but, uh, how can you help us?

We're going to protect you.

What?
Protect us?

What?
Look, Charlie,

we don't need bodyguards,
we're detectives, remember?

So are we.

My husband ran the best
private detective agency

in the country
when he was alive.

Now that he's gone,
I've taken over.

Charlie,

we appreciate your concern,

but, uh, we can take care
of ourselves.

Not as good as my boys can.

Now, Bob is a former
U.S. Olympic Champion,

and Matt is a master
of disguises and weapons,

and Cotton is a champion
rodeo rider, roper
and trucker.

BOB:
And we'd like to start

by getting as much information
from you as possible.

Well, if you're such
a red-hot sleuth,

get the information yourself.

Careful, Tiff,
I wouldn't get him upset.

he might decide
to shot put you or something.

You gals seen any
strange dudes hanging around

or noticed anyone
following you in the
last few weeks?

Why would someone want to hit

all three of you
at the same time?

Think about it, now.

Who would have a motive?

Wait a minute, fellas.

Hold it.

Angels,

lknow how you feel,

but like it or not,
you've become clients here.

Now, you see,
you're known quantities,

and that makes it impractical,

even dangerous to work
on this alone.

Now, you go about your
business, do your
usual routine,

stay independent of
each other,

and we'll do the rest.

Meantime, Antonia and i will
start checking on back cases.

But until we come up
with something,

my boys go every place
you go.

[my

[my

Psst. What are we going to do?

We can't have them following
around after us

every place we go.

Well, they can't follow
us everywhere, can they?

No, they can't. Rolph,

is there a powder room
around here anywhere?

Yes, madam,
just straight ahead.

Thank you.
Mm-hm.

Well, I don't know
about you two,

but I feel like we're
on a triple blind date

with Captain America,
James Bond and the
Lone Ranger.

And I think we're a little

beyond the chaperone stage,
don't you?

Charlie really must
be worried.

I suggest we lose them
and meet back at the
office right now.

Right.
[my

KRIS:
Well, this should hold us over
for the weekend.

BOB:
I think so. I only need
more than two bags a day

when I'm in training.

Would you hurry up, Kris?

I mean, you're a sitting duck
out here in the open.

Oh, my keys are in my purse.

Can you take this?

Okay.

Got it?
Yeah.

All right.
Thanks.

Kr-- Kris.
[ENGINE STARTS]

Kris.

[my

Man, listen.

You're a detective,

but you're an
actor too, right?
Mm-hm.

So maybe while you're here,

how would you feel
about giving me

some pointers on what to wear,

you know,
when I work undercover.

Let's see what you have.
Okay.

Here?
Yeah.

Now, let's look
for that little surprise.

Like, a scarf, or maybe--

Sorry. Truly, I'm sorry.

[my

[my

Hi.

It's over there.

Uh, the owner gave me
a ticket to get it cleaned

at the carwash
around the corner.

Okay,
but I'll be right behind you.

Okay.

Bye.

It's okay, fellas.

It's okay.

TIFFANY:
| feel bad about locking
Matt in the closet.

KELLY:
Oh, well, I hope
he gets out all right.

Listen, if he's good at
his job, he will,

and if he's not, well--

He is good.

Not as good as I thought,

or I wouldn't have fallen
for that line so easily.

Hm.

[my

I understand perfectly.

No one's to blame.

How would I know she'd leave
the present in the car
solong?

You know, once that
timer's set, there's no way
to change it.

Damn it.

I told you.
It's okay.

Yeah, but this was our shot.

I don't like to go
that public and miss.

It's--
It's bad for my reputation.

[CHUCKLES]

Well, don't put this one
in your resume.

No one can stay so lucky
as those three broads.

On the other hand,

the more difficult the hunt,

the sweeter the kill.

It's gonna be rough now.

We've lost the element
of surprise.

Couldn't be that rough.

As a matter of fact,
I have a plan.
Very simple one.

Our business should
be concluded here

in plenty of time for me
to head up north

for the opening
ofthe new winery.

Hm.

Now, I have three bottles

of Dom Pérignon, '55.

We're going to drink
one each of these

to celebrate the disposal

of each of our lovely
young ladies. Salute.

Salute.
[NP]

KRIS:
What I want to know
is who gave you the right

to go through Charlie's files?

Now, just hold on there,
Krissy.

Please, don't talk
to me like that.

It sounds like you're
calming down your horse.

BOB: Look, Charlie gave us
permission to go through
the files.

TIFFANY:
Maybe we'd like to hear
that from Charlie himself.

Unfortunately, I just did.
on, no.

Look, we understand
how you feel,

but if you just work
with us--

We work together.
Kelly, Kris and l,

the three of us,
that's all.

Not this time, ladies.

Charlie would never forgive me
if anything happened to you.

We are in and we are
staying in.

COTTON:
There have been several
accidents already.

Now, a miss is as good
as a mile,

but nobody's going to
be worried

about how clean the shot was
when you're all dead.

BOB:
That's right,
and whoever it is

knows you three.

So without our help,

I'd say the odds
are against you.

Look, we're going to
protect you with or
without your help,

but it would certainly
be a lot easier,

and a lot more fun,
with your cooperation.

Well, I don't know
about the fun part,

but okay.

Did you find anything
in the files?

TONI:
No, but Charlie and I

came up with
an interesting possibility.

Michael Durano.

Didn't you three testify
against Durano at his trial?

It does sound
vaguely familiar.

He was a man of many talents.

Drugs.
Prostitution.

He did swear he'd get
all three of us, you know.

It's hard to believe
that one of Durano's men

would be that loyal
to come after us

when he's not around
to supervise.

Ah, but that's just it.
He is around.

That's what makes it such
an interesting possibility.

Yeah, he got out of
the slammer two weeks ago.

For a 20-year sentence?

Ofwhich he only
served six months.

I think we better
locate Mr. Durano

before he figures out
his next clever move.

Cotton, first thing
in the morning,

check out the stables
where Durano's daughters

used to take riding lessons.

And, Matt, see what
you can find out

about the Rochel
Modeling Agency

he used as a front.
Right.

And, Bob, you check
the strip tease joint

Durano used to own a piece of.

I'll get on it.

[my

KRIS:
Uh, ahem, yoo-hoo.

Aren't you
forgetting something?

Like what?

Like us.

Hi.

Listen, I'm a singer,
and l was wondering if--

Sony, honey,
no girl singers.

Would you just listen
to her?

We really need the work.

Hm. Your accompanist?

Yeah, sort of.

Oh, I might have a spot
for you. What's your name?

Bob Sorensen.

It's nice.
Has a certain ring to it.

Take your shirt off.

Take my shirt off?

Yeah, I want to see
the merchandise.

What instrument,
uh, do you play?

Cello.

A little piano.

That's perfect.

Is the rest of you that good?

Well, I haven't
had any complaints.

I'll bet.

Uh, how does 500 a week sound?

Well, I don't know, uh,

a buddy of mine
used to own this place.

Mike Durano.

And, uh, honestly,

l, uh, wouldn't want him

to see me working here
as a bouncer.

I'll tell you
in the first place,

Mike Durano is out.

He said he was going
into a legitimate business,

and in second place,

I'm not seeing you
as a bouncer.

Nobody's going to touch you,
honey. I mean, you're--

You're a work of art.

I think we got our signals
crossed somewhere.

What job do you want me for?

Well, lwant you to back up
Arnie in the band.

Who's Arnie?

Who's Arnie?

What are you, a banana?
Arnie's a star.

Hey, Arnie,
you ready to rehearse?

[DANCE MUSIC PLAYING]

Arnie's my class act.

Yeah, a real Fred Astaire.

He's a male stripper.

Uh, he prefers to be called
an exotic dancer.

Oh, yes, that's much better.

You should see the women
flocking in here.

All ages, even grandmothers,
they love it.

Oh.

I think it's time us ladies
had something yummy
to look at,

don't you think?

Mm.

Uh, can I ask you a question?

Mm.

As a member ofthe
backup band,

uh, what would I wear?

Nothing much.

Just your cello.

[BOTH CHUCKLE INAUDIBLY]

[my

Look, why don't you let me
handle this one? Okay?

Excuse me.

I'm looking for
the riding instructor,

Sunny O'Day?

I'm Sunny.

I guess I do about
everything around here.

Including instruction.

You want to sign up
for some lessons?

No, not exactly.

But there were two girls
who used to take lessons here:

Lauren, Morgan Durano?

I can't keep all the kids'
names straight.

Looks like a kicker to me.

You need a hand?

Nah, I can handle herfine.
[HORSE WHINNIES]

Now, you go right ahead
and pull that shoe.

I used to know this old shoer
up in Montana.

Had himself this little
scrawny sort of mutt.

Followed him everywhere.

That dog was smart, though,

he'd sit right
under the horse

until that old man had cutoff

a piece of hooftrimmings.

I do that for my own dog
sometimes.

Yeah, well,
I hear having a dog around

really calms down
a spooky horse.

Makes him feel like
he's got a buddy.

You know, Cotton, that's a
real heartwarming tale.

She with you?

COTTON:
Yeah, we're, uh--

Yeah, she's with me.

So you sure you don't
know anything about those,

uh, Durano girls?

What do you want to know?

Well, I talked to the father
a while back

about some horses for 'em.

And then I heard
he went away for a while.

Sort of lost contact.

SUNNY:
Well, tell the truth,

the girls quit lessons
a while back,

but they just started
up again.

[HORSE BLUSTERS]

Wouldn't happen to have
an address on 'em, would ya?

See, I've got two beautiful
Arabians that l--

I think those girls
might like.

I think they have got a ranch
up in Far Valley.

Hang on.

I'll get the address for you.

I sure would appreciate it.

I'm sorry, I'm not doing
any interviews today.

Well, I suppose I spend a
couple of moments of my time.

I'm Anne Moore.

And you are exquisite.

No, I am Tiffany Welles.

Hello.

I'm Matthew Parrish.

Are you together?

No, we're not together.

I'm just back
from six months in Europe,

where I did a lot of work
for Beau Monde and I/isage.

If you'd like to see
some pictures--

Some other time.

Your look is a little
last year.

Do you have a portfolio?

Me? No, I'm just
kind of starting out.

Are you sure there's
nothing for me?

Look, why don't you come back
in a couple of weeks, okay?

A bientoot.

You may have exactly the face
we've been looking for.

Why don't you fill
this out for me? Okay?

All right.

Will you excuse me for
a moment?

Surely.

[my

[l/NE DIAL/N6]

[PHONE RINGING]

Durano here.

Hello, it's Anne.

You know, I never forget
a face.

Especially one I've seen
on the witness stand

testifying against you
at the trial.

Which one?

Tiffany Welles.

Beautiful.
Can you keep her there?

We'll meet you outside.

Ciao.

[HANGS up]

[coon OPENS]

You are not going
to believe the luck.
What?

We can go see
the client right now.

Right now?
Mm-hm.

Oh, I can't go right now.

Why not?

Uh, I look a mess.

You look fabulous,

and you're exactly what
he's been looking for.

All right,
I'll follow you in my car.

No.

He's going to pick you up
himself.

Wait a minute.

My client doesn't like
to wait.

You always interview
models like this?

If they're from
the Townsend Agency.

[my

[my

MATT:
I feel terrible.

I should have stayed with her.

Don't blame yourself, Matt.

Tiffany wouldn't want you to.

I know that we haven't
been very cooperative,

but Kelly and I would like
to put all that aside, okay?

Now, we know Durano
has Tiffany, but where?

Well, we know he has a ranch
out in Far Valley.

TONI:
Well, he has lots of places.

Condos, heaven knows
what else.

And we also know from the lady
at the male strip joint

that he's been trying
to clean up his act.

At least on the surface.

Mr. Durano's internal revenue
report is on top, madam.

Thank you.

Well, look what we have here.

He just bought
a controlling interest

in the Fiorno Brothers Winery,

and he has a private plane
he uses for business travel.

Ahem. Excuse me, madam.
Yes, what is it?

ROLF:
I do seem to recall
you were invited

to some sort of gala
by the Fiorno wines people.

Oh, why didn't you tell me?

Oh, madam, Fiorno produces
a very ordinary wine.

Wait a minute.

When Tiffany and I went
into the modeling agency,

the two girls came out
carrying bottles of wine.

So someone there
contacted Durano.

Matt, back
to the modeling agency,

go home, prepare,

I want you there when
it opens.

I'm
n
my
W
a
Y

Mr. Durano,
the plane's ready.

Yes. I'll be right there.

l have to go north for some
business at the winery.

But don't worry,

I'll fly back
tomorrow morning.

Well, you'll understand if
I don't wish you a
safe flight.

Heh-hehl
Miss Welles.

Very witty
young lady.

But somehow I think
I'll have the last laugh.

Marta, I know you
look stunning in
black, darling,

but they don't make
black wines.

All the gowns
are color coordinated

to go with the wines
for the presentation.

If you will meet me there,
we will figure something out.

Two days in a row.

What, are you stubborn
or just desperate?

Well, from my point of view,

neither.

Trust me.

Take no for an answer.

I have a real problem
with that word.

Then I think I'm gonna have
a real problem with you too.

I can buy you a drink
and maybe we can figure out

how to solve both
our problems.

Very smooth.

I don't think so, no.

There's that word again.

I don't have any work for you.

Nothing at all for a man
with a long list of credits?

Why don't you take a look
through my portfolio?

Will I get a real thrill?

Probably.

[LAUGHS]

You're outrageous.

Only sometimes.

And only with certain people.

Tempting,

but I have to co-host
a show tonight.

A very important show
for Fiorno Wines.

Can meet somewhere later.

Well, the show starts at 8 and
I'm sure it's not going to be

near finished until about 11.

What a coincidence.

I'm at my best after 11.

I bet you are.

[CHUCKLES]

Are you sure
there's not a job for me

at the show tonight?

I can do anything.

Why don't you let me
take tickets at the door?

That way I can be close,

at a moment's notice
when you're finished.

You really don't
take no for an answer, do you?

Uh-uh.

How do you look in a tuxedo?

Fantastic.

If you say so.

[my

If the show is presenting
Fiorno Wines' new products,

Durano has to be there.

And so do we.

Phone my old friend
Harlem Wainwright

in Santa Barbara.

He has a very special
bottle of wine

he's been trying
to give me for years.

I think now is the time
to accept it.

I'll take care of it.

Cotton, go home,
put on your best suit.

Oh, Rolph?

Please find the invitation
to the wine show.

I think I'll be going
after all.

Very good, madam.

Toni, what about
Kelly and l?

Oh, you'll be going too.

What will we be doing?

What's our cover?

You won't have any.

But Durano will
recognize us right away.

Exactly.

Of course.
We're the bait.

They'll take us to Tiffany
and the boys will follow us.

I wish we'd thought ofthat.

Yeah.

[IN SOUTHERN ACCENT]
I'm Estella McQueen and this
is my foreman Dallas Harper.

But, ma'am, your name isn't--

Oh, no, no, belongs
to my friend Antonia Blake,

but she gave it to me.

She thought I might
have some fun here.

Well, I don't know.

What don't you know,
boy?

What seems to be
the problem here?

Uh, Mr. Durano,
Mrs. McQueen--

The problem is,
this fool won't let us in.

He's just doing
his job,

I'm the fool for not putting
you on the guest list to
begin with.

But, please, accept my
apologies and a place
at my table.

Oh, well, now,
that's very nice of you, Mr...

Durano.

Michelangelo Durano.

[SIGHS]

I think I'm gonna
call you Mike.

[LAUGHS]

My table
is right this way.

Were there any
particularwines

you were interested in,
Mrs. McQueen?

Ms. McQueen.

I'm in the market again,
if you know what I mean.

Mr. Durano.

Pardon me, be right back.

Did you see Matt
and the girls?

Not yet.

But that guy
taking invitations is, uh,

one of Durano's top hands.

His name's Messina.

Ah, yes,

I remember reading
his name in the dossier

Charlie did on Durano.

Hm.

Anybody else you recognize?

Nope.
But I'll keep looking.

Excuse me,
do you mind?

I'm trying to get ready
for the show.

We'll only take a couple
of minutes.

Well, who are you anyway?

Hotel security.

You don't look
like hotel security.

We're undercover.

Uh, we got a tip that there
was a bomb planted in here.

A bomb?

Look, it was probably
just a crank call.

What do you mean, "probably"?
Wh-what if it's real?

Don't worry,
we'll find it.

We have the police bomb squad
standing by.

[SIGHS]

Look, we don't wanna
cause a panic.

Look, I'm gonna wait
out in my car, okay?

It's out in the parking lot.

That's probably the best idea.

We'll let you know
when it's okay to
come back in.

Okay.

Thank you.

Fiorno Brothers
burgundy and Chandon Blanc

are excellent choices
for house wines

for any type of cuisine.

Our burgundy
is a robust hearty wine

with a rich ruby color,

and a body to match.

[GUESTS CLAPPING]

That fellow down there's
staring at you.

Do you know him?

Oh, that's Riso. Uh,
he works for Mr. Durano,

along with that guy
sitting next to him.

Chandon Blanc, for those of
you who prefer dry,

but not too dry,
white wine.

Remember, gentlemen,

those beautiful gowns
are available for purchase

if you feel like buying
a present

for that lovely lady
in your life.

That one's Riso,
the explosives expert.

Now, as soon as Bob gets here
to cover backstage,

we'll be ready.

Hi, gotta deliver
these backstage.

Look, uh, nobody goes
backstage during the show.

He just came in.

Hey, if these things wilt,
I'm in big trouble, you know?

Okay. Wait here.
I'll see what I can do.

Thanks.
Appreciate it.

Fiorno Brothers'
sparkling rose

adds a festive touch
to any dining occasion.

[GUESTS CLAPPING]

I wish I could
see his face.

Just do yourjobs.

I'll watch Durano.

ANNE:
Of course,
our superior Chablis

will delight customers
of the most
discerning palates.

[GUESTS CLAPPING]

[INAUDIBLE WHISPERING]

[GUESTS CLAPPING]

I think we got his attention.

Think he'll go
for the bait?

Just go with
whatever happens.

Bob will be back there
to follow you.

My, those last two girls
are sure attractive.

Tell me,
do you rate the wine

by the quality
ofthe girls shown?

No, not in this case.

Is something wrong?

No, nothing's wrong,

things are working out
perfectly.

It's just that
these last two models

weren't what I expected.

Get ready to go backstage.

Ugh!

This stuff tastes like
vinegar, you trying to
poison me?

I want some bourbon.

There's nothing wrong
with this wine.

Are you calling me
a liar?

No, I'm calling you
an idiot.

[SHOUTS]

[my

What is that
crazy woman doing?

I think she's trying
to send back the wine.

[GRUNTING]

0h!

[PEOPLE SCREAMING]

[GRUNTING]

Who started it?
I did.

Why?

Well, it seemed like
a good idea at the time.

Look out!

Why are you hitting him?

My teeth are my fortune.

Hold it.

Back off, cowboy.

Let's go.

[my

[my

CHARLIE:
Antonia, are you trying
to tell me you lost them all?

Only temporarily.

What happened?

Well, it was this
slight bitch in the plans,

but I assure you,
everything's under control.

What are you doing
to get them back?

Our boys are checking
all the places

Durano may have taken them,

but it seems to come down
to one place:

his ranch at Far Valley.

Now, our plan
is to hit the ranch

from three different
directions and then--

Antonia, are you trying--?

Charlie.

Charlie, please don't worry.

We'll find them.

[my

[my

Yeah?

[BRITISH ACCENT]
I say,

would you be good enough
to ring up a
Mr. Michael Durano

and tell him
Mr. Matthew Parrish

wishes to conduct a small
piece of business with him?

Oh, Mr. Durano doesn't
do any business at home.

Ever.
My dear fellow,

feast your eyes
on this little treasure.

Uh, Mr. Durano
makes his own wine.

I'm talking about
a Chaateau Lafite Rothchild,

1934.

I think you better
get outta here.

Listen to me, little man,

get your crayons out
and copy this label down,

and tell Mr. Durano
I'm here.

A buy like this only happens
once in a lifetime.

Come back later.

I am leaving
for New York at 10.

I have less than an hour
to conclude my business here

before hopping over
to the airport.

Very good then.

Be sure to tell Mr. Durano
you made the decision for him.

Good day.

Hey, wait.

[my

All we need now is
the cask of Amontillado.

I never would've guessed
you were an
Edgar Allen Poe fan.

TIFFANY:
And a wine grower too.

My, my.
How the criminal element

is coming up in the world
these days.

You ladies
have a lot of style.

I'll grant you that.

Yes, we do.

We also work for a man who
would pay a lot to get
us back.

Money?

KELLY:
Think about it.

A man of your myriad taste

could always use
an extra Rolls-Royce or two.

You. Hurry up with that.

I don't need money.

I can get all the money
I want, tax-free.

Divine justice
is what I'm after.

An eye for an eye,
like it says in the Bible.

Those six months
that I spent in prison

were an eternity of darkness.

How poetic.

Sweetheart,
I'm glad you think so.

Because an eternity
in darkness

is what the three of you
are going to suffer in return.

There's a guy
outside the gate,

says he's got
a bottle of, uh,

"Chaateau Lafite Rothchild's,
1934."

Let me see that.

Says he wants to sell it,
but it's gotta be now.

He's gotta catch a plane
to New York or something.

Well, my luck
is changing already.

There aren't six bottles
like this in the world.

Give the order
to let him in.

Now, don't start screaming,
girls.

I'm going to be heading north
for a wine festival.

And then after that,

who knows? I'll--

I'll go to France.

I'll tour
the wine country there.

I'll be gone a few months.

[LAUGHS]

So, heh,

seal them up and don't bother
to affix the date.

This is going to be
a very bad year

for all three of you.

Arrivederci

[my

[DURANO HUMMING]

Mr. Durano,
here's the guy with the wine.

Mr. Durano?

That's right.

My card.

Well,

it's nice to meet you,
Mr. Parrish.

But isn't it a little odd
your popping in here

so early in the morning
unannounced?

Why me?

Well, to be frank,

I keep quite abreast
of the wine world,

and from time to time
I find it necessary

to sell a bottle or two
from the family's cellars.

Is that right?

A bit of pecuniary
embarrassment, if you will.

I'd rather we discuss business
without your...

servant present.

My servant? Oh.

Mr. Riso is one of the family.

You take my advice,
Mr. Parrish,

you grab this check
while you can.

It's more than anybody else
will offer you.

Yes, that's
very generous indeed.

But I'd like
a little bonus.

Say, the three ladies
you've been entertaining?

[NORMAL VOICE]
Hold your man,
tell him to relax.

Do what he says.

[LAUGHS]

I don't see
what you're laughing at.

That just proves you don't
know as much as he does.

Arnie,

why don't you take Mr. Parrish
down to the cellar,

give him a tour
ofthe winepress?

Back the way you came.

Mr. Parrish?

Thanks for the wine.

[GRUNTING]

[snounnc]

[my

[MEN GRUNTING]

[ENGINE STARTING]

What was your best time
in the 440?

Forty-six two.

Then you better
go after him.

[my

Go get him, Cotton.

Ride 'em, cowboy.

You all right?

Yeah.

What about the girls?

Oh, it's under control,
Matt will find them.

That was some rope trick.

[CHUCKLES]

That's nothing.
You should see me in Salinas.

What about him?

Oh, he can come too.

Yo, you been to Salinas?

I'm sure he's never
been to Salinas.

Anyway, I was roping
this steer,

got my leg caught
in the slack,

snatched me out
right over his head.

There I was,
eyeball to eyeball.

Well, what happened?

l wrestled
the sucker down,

gave him a big kiss.

[BOTH LAUGHING]

[my

[my

ALL:
To Charlie.

Thanks for getting us help
when we needed it.

CHARLIE:
i can't tell you how
happy / am

to hear all your voices again.

Charlie, we're having a little
trouble hearing yours.

Well, then l-- lguess
l better hang up.

l'll talk to you
hack at the office, Angels.

ALL:
Bye, Charlie.

All of you were
really terrific, and we want
to thank you.

All it took
was a little teamwork.

Mixed with
a sense of style.

And a big dose
of horse sense.

[CHUCKLES]

Hey.

Anyone in here I might know?

ALL:
Hi, Bos.

Come on in
and have a drink.

How was your trip?

Thank you.

Fine, just fine.

I hear that you had
a little excitement.

A little?

Oh, uh, Toni?

Wasn't that Charlie's car
I saw going down the driveway?

Mm-hm.
Uh-- Charlie was here?

Yes,
you just missed him.

As a matter of fact,
that's why there was so
much static

on the line.

My security system always
interferes with the
radio phone.

Toni, tell us
what Charlie looks like.

You work for him
and you've never met him?

Uh, no, we haven't.

Please, tell us
what he looks like.

TIFFANY:
You gotta tell us
what he looks like.

Oh, well, he's, um--

He's a very tall short man.

He weighs
between 125-250 pounds,

he has jet black
blond hair,

uh, clean-shaven
with a full beard,

and he dresses very formally.

ALL: Cheers.
TONI: Cheers for the
next time.

[my

[my