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1
00:00:01,600 --> 00:00:03,033
ONCE UPON A TIME,
2
00:00:03,320 --> 00:00:05,231
THERE WERE THREE
LITTLE GIRLS WHO WENT
TO THE POL/CEACADEMY�-
3
00:00:05,560 --> 00:00:07,835
TWO /N LOS ANGELES,
4
00:00:13,440 --> 00:00:15,795
THE OTHER IN SAN FRANCISCO--
5
00:00:16,080 --> 00:00:20,710
AND THEY WERE EACH ASSIGNED
VERYHAZARDOUS DUTIES.
6
00:00:21,040 --> 00:00:22,553
[BUZZING]
7
00:00:22,840 --> 00:00:26,594
BUTI TOOK THEMA WA Y
FROM ALL THA T,
AND NOW THEY WORK FOR ME
8
00:00:26,920 --> 00:00:28,956
M YNAME IS CHARLIE
9
00:01:16,800 --> 00:01:18,870
[CHARLIE 0N SPEAKERPHONE]
ANGEL 5,
YOU �RE PROBABL Y WONDER/NO...
10
00:01:19,160 --> 00:01:20,957
WHY/ASKED YOU
TO MEET ME HERE THIS EVENING.
11
00:01:21,240 --> 00:01:23,231
WELL, WE ARE
A LITTLE CURIOUS,
CHARLIE,
12
00:01:23,560 --> 00:01:25,994
UH, ESPECIALLY SINCE
I'M LEAVING FOR BIMINI
IN THE MORNING.
13
00:01:26,280 --> 00:01:27,998
AND I'M OFF
TO NEW YORK IN TWO DAYS.
14
00:01:28,280 --> 00:01:29,998
AND I HAVE
A TICKET T0 ROME.
15
00:01:30,280 --> 00:01:32,191
BY THE WAY, CHARLIE,
WHERE'S BOSLEY?
16
00:01:32,520 --> 00:01:34,636
[CHARLIE]
HE SHOULD BE ALONG ANY MOMENT.
17
00:01:34,920 --> 00:01:38,196
SO I'LL WAIT UNTIL HE ARRIVES
BEFORE | EXPLAIN THE REASON
FOR THIS GATHERING.
18
00:01:38,480 --> 00:01:42,155
SOUNDS VERY MYSTERIOUS.
TOO MYSTERIOUS.
19
00:01:42,440 --> 00:01:44,908
CHARLIE, IAM LEAVING
FOR BIMINI IN THE MORNING,
AREN'T I?
20
00:01:45,240 --> 00:01:47,435
THIS DOESN'T HAVE
ANYTHING TO DO WITH
A NEW CASE 0R ANYTHING?
21
00:01:47,720 --> 00:01:50,917
NOTHING LIKE THAT, KRIS.
DO I HEAR A DOOR OPENING?
22
00:01:51,200 --> 00:01:53,077
[SABRINA 1
WELL!
[KELLY] WOW!
23
00:01:53,360 --> 00:01:56,591
YES, YOU DO, CHARLIE.
I HAVE ARRIVED!
24
00:01:56,920 --> 00:01:59,673
I GUESS
YOU HA l/EARRIVED.
WHAT'S ALL THIS?
25
00:01:59,960 --> 00:02:02,918
THIS IS VERY OLD,
VERY FRENCH
AND VERY EXPENSIVE.
26
00:02:03,200 --> 00:02:05,156
I'LL SAY.
AND WHAT'S THAT?
27
00:02:05,440 --> 00:02:07,351
THAT HAPPENS TO BE DOMESTIC,
BUT ALSO VERY EXPENSIVE.
28
00:02:07,680 --> 00:02:09,750
WELL, CHARLIE,
WHAT IS THIS,
SOMEBODY�S BIRTHDAY?
29
00:02:10,040 --> 00:02:12,679
GOOD GUESS, SABRINA.
THAT'S EXACTLY WHAT IT IS.
30
00:02:12,960 --> 00:02:14,996
WELL, IT'S NOT
MY BIRTHDAY.
31
00:02:15,320 --> 00:02:17,914
HEY, NOT MINE.
I HAD MINE LAST MONTH.
32
00:02:18,240 --> 00:02:20,037
BOSLEY?
AW.
33
00:02:20,360 --> 00:02:22,794
I NEVER AGE.
34
00:02:23,120 --> 00:02:25,509
- CHARLIE.
- WRONG AGAIN.
35
00:02:25,800 --> 00:02:29,315
IT'S OUR BIRTHDAY, ANGELS--
THREE YEARS TOGETHER.
36
00:02:29,600 --> 00:02:32,239
WELL--
THAT'S RIGHT.
IT IS.
37
00:02:32,520 --> 00:02:34,476
WE HAVE BEEN TOGETHER
THREE YEARS.
38
00:02:34,760 --> 00:02:36,637
[CLEARS THROAT]
TWO FOR ME.
39
00:02:36,960 --> 00:02:40,475
OH, WELL, THEN LET'S DRINK
TO EITHER TWO OR THREE
GREA T YEARS.
40
00:02:40,800 --> 00:02:43,473
IT'S A LOVELY THOUGHT,
CHARLIE. THANK YOU.
41
00:02:43,800 --> 00:02:45,711
THANK YOU, ANGELS.
42
00:02:46,000 --> 00:02:50,198
I WANTED YOU TO KNOW
HOW I FELTBEFORE YOU
LEFT ON YOUR VA CA T/ONS.
43
00:02:50,520 --> 00:02:52,750
I WANTED TO TELL YOU
HOW MUCH I APPRECIATE YOU,
44
00:02:53,040 --> 00:02:56,032
CARE ABOUT YOU,
AND HOW MUCH I'LL MISS YOU.
45
00:02:56,360 --> 00:02:58,032
T0 MISSING EACH OTHER.
46
00:02:59,400 --> 00:03:02,836
HEAR! HEAR!
TO MISSING
EACH OTHER.
47
00:03:03,160 --> 00:03:04,957
[CHARLIE]
ILOVE YOUALL.
48
00:03:05,280 --> 00:03:07,316
HMM.
49
00:03:07,600 --> 00:03:12,196
I CAN'T BELIEVE THAT IT IS
TWO YEARS SINCE I WALKED
THROUGH THAT DOOR.
50
00:03:12,480 --> 00:03:16,758
AS I RECALL,
YOU DIDN'T WALK IN.
YOU SORT OF ROARED IN.
51
00:03:17,080 --> 00:03:18,877
[ANGELS CHUCKLE]
[LAUGHS 1
NOW WAIT A MINUTE.
52
00:03:19,160 --> 00:03:22,357
IT MAY HAVE SEEMED
LIKE A ROAR, BUT, BOY,
DID I HAVE BUTTERFLIES.
53
00:03:22,680 --> 00:03:24,750
I'LL NEVER FORGET
THAT FIRST CASE.
54
00:03:25,040 --> 00:03:27,190
[CHARLIE]
THESE ARE INSTRUCTIONS
FROM THE PEOPLE I'M WITH.
55
00:03:27,480 --> 00:03:29,152
FLY OVER TO HAWAII
IMMEDIATELY.
56
00:03:29,440 --> 00:03:31,795
WAITFOR SOMEONE
TO CONTACT YOU THERE
57
00:03:32,080 --> 00:03:34,878
IS IT A CASE, CHARLIE?
YOU MIGHT SAY THAT.
58
00:03:35,160 --> 00:03:36,912
- I'VE BEEN KIDNAPPED.
- WHAT?
59
00:03:37,200 --> 00:03:42,115
IF YOU TALK TO THE POLICE
OR THEFBI, I'LL BE KILLED.
60
00:03:42,440 --> 00:03:45,989
OKAY, GO HOME AND PACK.
WE'LL MEET AT THE AIRPORT.
I'LL MAKE THE RESERVATIONS.
61
00:03:46,320 --> 00:03:49,676
I CAN'T BELIEVE IT.
CHARLIE'S BEEN KIDNAPPED, AND
I HAVEN'T EVEN SEEN HIM YET.
62
00:03:51,640 --> 00:03:55,553
[CHARLIE] THERE WAS
A SURPRISE WAITING FOR YOU
THA TFIRSTDA YA T THE BEACH
63
00:03:55,880 --> 00:04:00,476
WELL, UNLESS OUR CONTACT'S
FISHING HUKILAU STYLE,
HE ISN'T HERE YET.
64
00:04:03,000 --> 00:04:04,877
LOOK! OUT THERE!
65
00:04:08,240 --> 00:04:10,151
I THINK WE JUST GOT
OUR SIGNAL.
66
00:04:14,160 --> 00:04:15,593
[KELLY]
WATCH OUT!
67
00:04:15,880 --> 00:04:17,916
SABRINA!
68
00:04:37,600 --> 00:04:41,275
YOU RUN AND HIDE
SOMEBODY SEE YOUR FACE,
AND YOU'RE ONE DEAD MAHIMAHI.
69
00:04:41,560 --> 00:04:43,516
RUN! HIDE!
70
00:04:47,720 --> 00:04:49,233
IT'S A PLEASURE
TO MEET YOU,
CHARLIE'S ANGELS.
71
00:04:49,520 --> 00:04:52,080
MR. BOSLEY.
I'M NOT SO SURE.
72
00:04:52,360 --> 00:04:54,874
YOU MIND TELLING US
WHAT ALL THAT
WAS ABOUT, MISS--
73
00:04:55,160 --> 00:04:57,628
MRS. LEILANI SAKO.
74
00:04:57,920 --> 00:04:59,478
THAT WAS BUSINESS.
75
00:04:59,760 --> 00:05:01,796
YOU'RE CERTAINLY
IN A VIOLENT BUSINESS.
76
00:05:02,080 --> 00:05:03,991
WHY DID YOU KIDNAP
CHARLIE TOWNSEND?
77
00:05:04,320 --> 00:05:07,073
I WANT TO HIRE THE ANGELS.
78
00:05:07,400 --> 00:05:10,119
WHY DIDN'T YOU CALL
THE OFFICE?
79
00:05:10,400 --> 00:05:11,958
THAT'S THE WAY
IT'S USUALLY DONE.
80
00:05:12,280 --> 00:05:14,316
MY HUSBAND IS IN JAIL.
81
00:05:14,600 --> 00:05:16,636
AND IT IS A VERY
DANGEROUS PLACE FOR HIM.
82
00:05:16,960 --> 00:05:18,996
WE HAVE MANY ENEMIES,
AND THEY WILL TRY
TO KILL HIM...
83
00:05:19,280 --> 00:05:21,157
UNLESS YOU BREAK HIM OUT.
84
00:05:21,440 --> 00:05:23,908
WHAT IF WE DON'T GET
YOUR HUSBAND OUT OF JAIL?
85
00:05:24,200 --> 00:05:25,997
THEN YOUR CHARLIE'S
A DEAD MAN.
86
00:05:30,760 --> 00:05:32,671
[CHARLIE]
WHILE you WERE TR Y/NG
To FIND ME,
87
00:05:32,960 --> 00:05:35,679
YOU HAD TO PLA Y
SOME VERY STRANGE GAMES.
88
00:05:35,960 --> 00:05:38,838
? [ GROUP SINGING
IN HAWAIIAN]
89
00:06:05,800 --> 00:06:08,872
? [ WOMAN SINGING
IN HA WAIIAN ]
90
00:06:46,840 --> 00:06:49,832
[APPLA USE]
A [ENDS ]
91
00:06:54,440 --> 00:06:57,910
GETTING BILL Y SAKO
OUT OF .IAIL
WAS HARD ENOUGH
92
00:06:58,200 --> 00:07:00,760
BUT THEN YOU HAD
TO RESCUE ME
FROM MR. BL UE'S YACHT
93
00:07:07,480 --> 00:07:09,755
SHE'S RIGHT ON TIME.
94
00:07:12,200 --> 00:07:15,112
HEY, HOW ABOUT SLOWING DOWN?
I'M GETTING SEASICK MYSELF.
95
00:07:15,400 --> 00:07:17,391
WE'RE ALMOST THERE!
96
00:07:17,680 --> 00:07:21,434
JUST GET UNDER THAT THING
AND KEEP YOUR MOUTH SHUT!
97
00:07:21,720 --> 00:07:23,790
GO TO THE BRIDGE.
CHECK THE RADAR.
98
00:07:24,120 --> 00:07:25,951
SEE IF THERE ARE
ANY OTHER BOATS COMING.
99
00:07:31,800 --> 00:07:33,791
WHAT'S THAT
CRAZY BROAD DOING?
100
00:07:36,440 --> 00:07:39,432
OKAY, NOW!
101
00:07:49,200 --> 00:07:50,997
GET OUT OF MY WAY!
102
00:08:00,280 --> 00:08:02,475
AS SOON AS SHE GETS HERE,
GO CHECK UNDER
THE WHATCHAMACALLIT.
103
00:08:02,760 --> 00:08:04,796
THE WHATCHAMACALLIT?
UNDER THE COVER!
104
00:08:15,520 --> 00:08:17,397
[GASPS, LAUGHS]
I'M SORRY.
105
00:08:17,720 --> 00:08:19,631
IT'S ALL RIGHT.
MAKE SURE THERE'S
NO ONE ELSE ON THIS BOAT.
106
00:08:19,920 --> 00:08:21,751
THERE'S NOBODY
ON THAT BOAT.
YEAH?
107
00:08:30,560 --> 00:08:32,357
- NOW TURN IT LOOSE.
- TURN IT LOOSE?
108
00:08:32,640 --> 00:08:34,437
THAT'S RIGHT. TURN IT LOOSE.
YOU HEARD ME.
109
00:08:34,720 --> 00:08:36,597
JUSTIN CASE YOU WANT TO LEA VE
BEFORE YOU'RE SUPPOSED T0,
110
00:08:36,880 --> 00:08:39,189
- YOU�RE GONNA HAVE
TO SWIM BA CK TO SHORE.
- I DON'T SWIM.
111
00:08:39,480 --> 00:08:41,869
YOU DON'T EVEN KNOW
HOW TO DRIVE THIS BOAT.
YOU ALMOST RAN INTO US.
112
00:08:42,200 --> 00:08:44,077
YOUALMOSTHITUS
WITH THATBOAT
I KNOW. I'M SORRY.
113
00:08:44,360 --> 00:08:46,191
YEAH
IT'S THE SPEED.
IT MAKES ME CRAZY.
114
00:08:46,480 --> 00:08:48,198
I CAN'T HELP IT.
IT MAKES ME CRAZY.
115
00:08:48,480 --> 00:08:50,072
SEXY, I'M SORRY.
116
00:08:50,360 --> 00:08:52,590
YEAH?
SORRY.
117
00:08:52,920 --> 00:08:56,595
WHAT ARE YOU LOOKING AT?
[SIGHS]
118
00:08:56,920 --> 00:08:58,876
WANNA GO INSIDE?
MM-HMM.
119
00:09:53,000 --> 00:09:55,434
[ SONAR PING/NC ]
HI.
120
00:09:57,960 --> 00:10:02,112
- WHAT ARE YOU DOING HERE?
- JUST SWIMMING BY. COME ON.
121
00:10:02,400 --> 00:10:04,675
JUST SWIMMING BY?
122
00:10:04,960 --> 00:10:07,713
DOES MR. BLUE
KNOW YOU'RE HERE?
123
00:10:08,040 --> 00:10:09,951
DOES MR. BLUE
HAVE TO KNOW EVERYTHING?
NO, HE--
124
00:10:13,520 --> 00:10:15,272
[ ALARM RING/NG ]
125
00:10:15,560 --> 00:10:18,120
- GET IN THERE. IT'S A RAID.
- WHAT?
126
00:10:18,400 --> 00:10:20,197
I SAID, GO ON
AND GET OUT OF HERE.
IT'S A RAID.
127
00:10:20,480 --> 00:10:22,357
YES, MA'AM.
WHATEVER YOU SAY.
128
00:10:23,640 --> 00:10:26,552
[ ALARM CONTINUES ]
129
00:10:39,440 --> 00:10:41,874
[CHUCKLES]
THAT WAS SOME CAPER,
CHARLIE.
130
00:10:42,200 --> 00:10:43,918
WE THOUGHT FOR SURE
WE'D GET A LOOK AT YOU.
131
00:10:44,240 --> 00:10:48,153
[CHARLIE]
YOU CAME CLOSE, KELL Y.
VERYCLOSE.
132
00:10:48,440 --> 00:10:50,556
HAWAII WAS LOVELY.
MM-HMM.
133
00:10:50,840 --> 00:10:54,310
THEN WE WENT ON TO BIGGER
AND BETTER THINGS--
IF YOU'LL EXCUSE THE CLICHE.
134
00:10:54,600 --> 00:10:58,388
[LAUGHS]
YOU KNOW, SOME OF OUR CASES
REALLY CAME FROM LEFT FIELD.
135
00:10:58,680 --> 00:11:00,477
REMEMBER WHEN WE WENT
TO THE ICE SHOW,
136
00:11:00,800 --> 00:11:03,314
AND IT TURNED INTO
AN INTERNATIONAL CAPER?
137
00:11:03,640 --> 00:11:06,154
YEAH, THAT WAS REALLY
A BRAIN TWISTER,
WASN'T IT?
138
00:11:06,440 --> 00:11:08,032
RIGHT. ALL THOSE SKATERS
KEPT DISAPPEARING.
139
00:11:08,320 --> 00:11:10,993
NONE OF US COULD
FIGURE OUT WHY.
[BOSLEY] YEAH
140
00:11:11,280 --> 00:11:13,669
AND THEN, KELLY, YOU HAD
TO FOLLOW THOSE FELLAS
TO THAT ARABIAN RESTAURANT.
141
00:11:13,960 --> 00:11:16,838
OH, I'LL NEVER
FORGET THAT. HMM!
142
00:11:17,120 --> 00:11:20,157
THEY RETREATED
TO THAT PRIVATE ROOM
WHERE I WASN'T ALLOWED.
143
00:11:22,760 --> 00:11:25,228
[ PEOPLE CHA TTERING ]
144
00:11:26,360 --> 00:11:30,194
[KELLY]
OH. WELL, HELLO THERE
145
00:11:30,480 --> 00:11:32,436
MY, AREN'T YOU
SOMETHING?
146
00:11:32,720 --> 00:11:34,676
MY, MY, WHAT A FINE
FIGURE OF A MAN.
147
00:11:35,000 --> 00:11:37,355
WELL, IF YOU'LL
EXCUSE ME.
148
00:11:37,640 --> 00:11:40,552
OH, WELL,
YOU DON'T UNDERSTAND.
149
00:11:40,880 --> 00:11:43,440
I TOLD MY FIRST COUSIN,
IRMADINE, THAT WHEN I TRAVEL,
150
00:11:43,760 --> 00:11:46,672
I'M GONNA SEE EVERY SIGHT
AND EAT EVERY EXOTIC DISH.
151
00:11:46,960 --> 00:11:48,552
SO IF YOU'LL EXCUSE ME,
152
00:11:48,840 --> 00:11:51,479
I HEARD THERE'S SOME
VERY FINE VITTLES
IN THAT DIRECTION.
153
00:11:51,760 --> 00:11:54,991
ROOM IS PRIVATE.
154
00:11:55,280 --> 00:11:58,238
SHE CAME FROM THERE.
SHE DANCER.
155
00:12:01,160 --> 00:12:03,913
I WANT TO THANK YOU
FOR BEING SO KIND
AND COURTEOUS.
156
00:12:04,240 --> 00:12:07,835
I'M GONNA BE SURE AND TALK
ABOUT YOU TO MY COUSIN
IRMADINE NOW. [LAUGHS]
157
00:12:10,480 --> 00:12:13,790
[CHARLIE]
BUT YOU CAME BACK, KELLY.
BOY, DID YOU COME BACK
158
00:12:14,120 --> 00:12:16,634
- I LAUGHS]
- I LAUGHS]
159
00:12:18,520 --> 00:12:22,718
[ MAN SPEAKING
FOREIGN LANGUAGE]
[MAN] SECTION '2), "EAST.
160
00:12:23,000 --> 00:12:26,549
[MIDDLE EASTERN]
[CONVERSING IN
FOREIGN LANGUAGE]
161
00:12:42,960 --> 00:12:44,951
[FOREIGN LANGUAGE]
162
00:12:52,120 --> 00:12:54,395
Y [CONTINUES]
163
00:13:00,360 --> 00:13:02,430
[ MAN CLAPPING]
164
00:14:04,080 --> 00:14:06,275
A I SPEEDS UP ]
165
00:14:26,160 --> 00:14:28,628
AS MANY TIMES AS YOU'VE
EXPLAINED IT, KELLY,
166
00:14:28,960 --> 00:14:30,916
I STILL THINK IT WAS
A FANTASTIC TRICK..
167
00:14:31,200 --> 00:14:33,316
GETTING OUT
OF THA T WAREHOUSE
168
00:14:48,800 --> 00:14:53,112
LUCKY BEFORE
I WAS AN ICE-SKA TER,
IUSED TO WORK IN THE CIRCUS.
169
00:14:59,160 --> 00:15:01,071
BEAUTIFUL.
170
00:15:11,400 --> 00:15:13,072
READY?
171
00:15:14,240 --> 00:15:15,593
OKAY.
172
00:15:15,880 --> 00:15:18,758
READY?
173
00:15:24,160 --> 00:15:27,118
[GRUNTING]
GOOD, KELLY.
174
00:15:27,440 --> 00:15:29,908
[ GRU NTS ]
THERE YOU GO.
175
00:15:30,240 --> 00:15:31,514
HOLD 0N THERE.
176
00:15:31,800 --> 00:15:33,756
THA T�S IT
GOOD GIRL.
THA T'S IT.
177
00:15:34,040 --> 00:15:36,110
[GRUNTING ]
178
00:15:38,920 --> 00:15:40,638
IT'S GREAT.
179
00:15:42,400 --> 00:15:45,153
I'LL COME BACK AND GET YOU
OR SEND HELP. JUST HANG ON.
180
00:15:45,440 --> 00:15:48,512
.�[ TRUMPETFANFARE]
181
00:15:59,000 --> 00:16:02,072
[CHARLIE]
KRIS, YOUR COVER AS THE CLOWN
WORKED OUTMA GN/F/OENTL Y.
182
00:16:02,360 --> 00:16:05,830
IT GOT YOU CLOSE ENOUGH
TO SEE THA T THE WHOLE THING
WAS A SETUP...
183
00:16:06,120 --> 00:16:10,033
FOR ANA TTEMPTED ASSASSINA TION
OF THOSE ARAB DIGNITARIES
IN THE AUDIENCE
184
00:16:10,360 --> 00:16:12,920
A [BRA SS BAND]
185
00:16:13,240 --> 00:16:14,912
BREE.
186
00:16:18,200 --> 00:16:22,352
I GOTTA TALK TO YOU.
WHAT ARE YOU--
WHAT ARE YOU DOING?
187
00:16:22,640 --> 00:16:24,517
I GOTTA TALK TO YOU.
IN FRONT OF 10,000 PEOPLE?
188
00:16:24,800 --> 00:16:27,030
JUST ACT FUNNY.
YOU ACT FUNNY.
I CAN'T STAND UP.
189
00:16:27,320 --> 00:16:30,198
[LAUGHS]
190
00:16:37,040 --> 00:16:38,792
[N0 AUDIBLE DIALOGUE]
191
00:16:39,080 --> 00:16:41,036
[CROWD LAUGHING]
192
00:16:45,640 --> 00:16:47,471
COME ON, BOS.
WHERE?
193
00:16:47,760 --> 00:16:49,591
TO THE TUNNEL.
CHARLIE SAID
TO WATCH SECTION "D."
194
00:16:49,880 --> 00:16:51,472
WE'LL WATCH IT
FROM THE TUNNEL.
WHAT'S GOING ON?
195
00:16:51,760 --> 00:16:54,274
SOMEONE'S GONNA
GET KILLED IF WE
DON'T GET THERE. HUH?
196
00:17:05,120 --> 00:17:09,113
TOMORROW OUR COUNTRY
WILL BE IN THE HANDS
OF THE TRUE PATRIOTS.
197
00:17:09,400 --> 00:17:11,516
A 1 CONTINUES 1
198
00:17:37,920 --> 00:17:39,831
[GUNSHOTS]
199
00:17:41,520 --> 00:17:43,511
KELLY!
200
00:17:55,160 --> 00:17:59,358
MOSTLY WHEN I THINK
OF THAT CASE,
I THINK OF MY ANKLES.
201
00:17:59,680 --> 00:18:04,117
- [BOSLEY] YOUR ANKLES?
- YEAH, SKATING IS VERY HARD
ON YOUR ANKLES, BOSLEY.
202
00:18:04,400 --> 00:18:06,118
OH.
I MEAN,
THERE'S A LOT OF STRESS.
203
00:18:06,400 --> 00:18:09,233
SPEAKING OF STRESS,
DOES ANYBODY REMEMBER...
204
00:18:09,560 --> 00:18:12,120
A 40-HOUR DICE GAME
IN VEGAS?
205
00:18:12,440 --> 00:18:15,273
YEAH. HE WAS REALLY
SOMETHING, WASN'T HE?
206
00:18:15,560 --> 00:18:18,120
MM-HMM FRANK HOWELL
AND HIS OWN PRIVA TE WORLD.
207
00:18:18,440 --> 00:18:22,194
RIGHT. SHOWROOMS,
CRAP TABLES, AND, UH--
AND DICE GAMES.
208
00:18:22,480 --> 00:18:24,277
AND AN ENEMY
HE COULDN'T EVEN SEE.
209
00:18:24,560 --> 00:18:28,792
AS I RECALL,
THAT CASE WAS VERY HARD
ON MY ANKLES ALSO.
210
00:18:29,120 --> 00:18:32,078
1�] ORCHESTRA: CANCAN]
211
00:18:32,360 --> 00:18:35,477
[BOSLEY 1
AND WHEN YOU WERE
DANCING YOUR HEART OUT,
212
00:18:35,800 --> 00:18:38,917
THA T VERY DETERMINED ORIENTAL
GENTLEMEN WAS TRYING...
213
00:18:39,200 --> 00:18:41,873
TO BREAK FRANK HOWELL�S
FINANCIAL BACK--
214
00:18:42,160 --> 00:18:44,276
[ RINGS 1
W/TH H/S COMPUTER.
215
00:18:44,600 --> 00:18:46,397
YEAH?
FRANK, THIS IS JAKE.
216
00:18:46,720 --> 00:18:49,678
THIS CUTIE-PIE
WITH THE COMPUTER WANTS
TO RAISE THE TABLE LIMIT.
217
00:18:50,960 --> 00:18:52,951
HOW MUCH?
THREE THOUSAND.
218
00:18:53,240 --> 00:18:56,357
[SIGHS]
WHAT'S HE INTO US FOR?
219
00:18:56,640 --> 00:18:58,278
A LITTLE OVER 90,000.
220
00:18:58,560 --> 00:19:01,279
ALL RIGHT. LET HIM HAVE IT,
BUT KEEP IN TOUCH.
221
00:19:01,560 --> 00:19:04,996
OKAY, FRANK. OKAY, FOLKS.
222
00:19:05,320 --> 00:19:07,311
[CLEARS THROAT]
[GROUP/ER 1
COMM OUT.
223
00:19:07,600 --> 00:19:10,398
COMIN'OUTROLLIN�.
COMIN'OUTROLLIN'.
224
00:19:13,800 --> 00:19:16,155
TROUBLE?
225
00:19:16,440 --> 00:19:18,192
YEAH, A MAN
AT ONE OF THE TABLES...
226
00:19:18,480 --> 00:19:21,040
TRYING TO BEAT ME
WITH A COMPUTER.
IS THAT POSSIBLE?
227
00:19:21,320 --> 00:19:23,834
OH, NO.
WHY NOT?
228
00:19:24,120 --> 00:19:29,069
WELL, UH,
WINNING IS INSTINCT
WITH FEELING.
229
00:19:29,360 --> 00:19:31,430
FEELING?
HMM.
230
00:19:31,720 --> 00:19:34,439
I'VE BEEN WONDERING
IF YOU EVER USE
ANY OF THAT.
231
00:19:34,720 --> 00:19:38,508
OH. WELL, STOP WONDERING.
232
00:19:41,600 --> 00:19:43,750
[BOSLEY 1
YEAH THA T WAS A TOUGH OA SE.
233
00:19:44,040 --> 00:19:47,112
WE COULDN'TFIGURE OUT WHO WAS
OUT TO RUIN FRANK, BECAUSE
WE COULDN'TFIGURE OUT WHY.
234
00:19:47,400 --> 00:19:49,038
0H, THEN, SABRINA,
DO YOU REMEMBER?
235
00:19:49,320 --> 00:19:52,835
YOU TOOK HIM OFF TO A PICNIC
30 AS TO COOL OFF
THE CRAP GAME.
236
00:19:53,160 --> 00:19:55,116
AND THINGS GOT EVEN HO TTER.
237
00:19:58,880 --> 00:20:00,552
FRANK, MOVE!
238
00:20:10,680 --> 00:20:12,511
LET'S GET 'EM!
FRANK, WHAT THE HELL'S
GOING ON?
239
00:20:12,800 --> 00:20:15,951
YOU TWO STAY HERE!
LIKE HELL.
THIS IS MY BOAT. GET IN.
240
00:20:33,280 --> 00:20:35,396
YOU GET A LOOK
AT HIM?
N0!
241
00:20:39,640 --> 00:20:41,073
[GUNSHO T1
242
00:20:41,360 --> 00:20:42,918
ROCK IT!
243
00:20:47,520 --> 00:20:49,511
CAN'T THIS THING GO
ANY FASTER?
244
00:21:08,360 --> 00:21:10,669
1GUNSHOT1
245
00:21:13,000 --> 00:21:14,718
[MOTOR SPUTTERS]
246
00:21:15,040 --> 00:21:16,712
WHAT'S THE MATTER?
I DON'T KNOW!
247
00:21:20,440 --> 00:21:23,113
AW, N0!
[KR/S 1
OHI
248
00:21:24,800 --> 00:21:27,678
I'LL NEVER FORGET
THE LAST TRIP
TO THAT CRAP TABLE.
249
00:21:30,720 --> 00:21:33,951
AS LONG AS I LIVE,
I'LL NEVER FORGET
THE LOOK ON FRANK'S FACE.
250
00:21:44,160 --> 00:21:46,720
[FRANK]
LINELOSES.
PA Y THE �DON�T PASS. "
251
00:21:47,000 --> 00:21:48,479
FRANK.
252
00:21:48,760 --> 00:21:50,910
I'M ALL RIGHT.
NO, YOU�RENOT
ALL RIGHT
253
00:21:51,240 --> 00:21:54,118
STOP NOW. STOP NOW
AND TAKE YOUR LOSSES.
254
00:21:54,400 --> 00:21:56,755
I TOLD YOU.
THAT'S CALLED LOSING.
255
00:22:04,800 --> 00:22:06,472
RAISE THE LIMIT?
256
00:22:08,960 --> 00:22:12,953
ONE MORE PASS FOR ALL OF IT.
EVERYTHING ON THE TABLE.
257
00:22:13,240 --> 00:22:16,312
THE HOTEL-- IF YOU WIN,
IT'S ALL YOURS.
258
00:22:16,640 --> 00:22:18,198
IF YOU LOSE,
IT'S ALL MINE.
259
00:22:18,520 --> 00:22:20,636
OH, FOR GOD'S SAKE, FRANK.
260
00:22:20,920 --> 00:22:23,514
HE'S BEEN PLAYING
"DON'T PASS,"
261
00:22:23,800 --> 00:22:25,870
AND "DON'T PASS"
IS FOR NONBELIEVERS.
262
00:22:26,160 --> 00:22:28,071
AND, SABRINA,
SOONER OR LA TER,
263
00:22:28,400 --> 00:22:30,595
YOU HAVE TO BE
A BELIEVER.
264
00:22:30,880 --> 00:22:32,757
FRANK, SOONER OR LATER
YOU'RE GONNA HAVE TO STOP...
265
00:22:33,080 --> 00:22:36,117
PUTTING YOUR LIFE
ON A PAIR OF DICE.
266
00:22:44,320 --> 00:22:47,437
FOR ALL OF IT...
ON "DON'T PASS."
267
00:22:47,760 --> 00:22:50,149
[ COINS RA TTLING]
"DON'T PASS."
268
00:22:50,440 --> 00:22:52,635
ROLL.
269
00:22:53,720 --> 00:22:57,110
[ DICE RA TTLING ]
270
00:23:02,400 --> 00:23:04,277
[ CROWD MURMURING ]
271
00:23:04,600 --> 00:23:07,717
SEVEN.
"DON'T PASS" LOSES.
272
00:23:08,000 --> 00:23:10,992
YOU LOSE.
273
00:23:14,680 --> 00:23:17,592
LADIES AND GENTLEMEN,
THIS TABLE IS CLOSED.
274
00:23:20,720 --> 00:23:23,439
STILL YOURS, FRANK.
275
00:23:25,400 --> 00:23:27,391
I'M GLAD FOR YOU.
276
00:23:27,680 --> 00:23:32,834
YEAH, YOU WIN SOME
AND YOU LOSE SOME.
277
00:23:33,120 --> 00:23:35,588
YEAH.
278
00:23:35,880 --> 00:23:38,348
[MAN SINGING 1
A90 ONE? FOR THE TEARS ?
279
00:23:38,680 --> 00:23:41,274
IONE'S FOR THE TRY/N'.�
280
00:23:41,600 --> 00:23:43,909
?G/VE USA SMILE I
GOOD-BYE, FRANK.
281
00:23:44,200 --> 00:23:46,953
)WHEN YOU DO
THE GOOD-B YIN")
GOOD-BYE.
282
00:23:47,240 --> 00:23:49,708
WONE FOR THE CROWD A
283
00:23:50,000 --> 00:23:52,514
[AND ONE A
284
00:23:52,800 --> 00:23:58,670
WONE FOR THE DEALER A
285
00:24:03,720 --> 00:24:08,032
HMM. JUST ONE ROLL OF THE DICE
FOR ALL OF IT.
286
00:24:08,320 --> 00:24:10,038
NOW THAT WAS
AN INTERESTING CASE.
287
00:24:10,320 --> 00:24:13,039
[BOSLEY]
YOU KNOW PERSONALLY,
ONE OF MY FA I/OR/ TE OA SES...
288
00:24:13,320 --> 00:24:16,710
WAS THE ONE
WHERE I MET THE CHARMING
MISS MARTHA MILTON.
289
00:24:26,720 --> 00:24:28,915
YES.
290
00:24:32,360 --> 00:24:33,998
EIGHT CYLINDERS.
291
00:24:34,320 --> 00:24:37,232
CHROME RINGS,
ADVANCED SPARK
DISTRIBUTOR,
292
00:24:37,520 --> 00:24:40,432
20 AMP GENERATOR,
UPDRAFT CARBURETOR,
293
00:24:40,720 --> 00:24:43,678
AND, UH, WOULD YOU
LIKEASIP?
294
00:24:44,000 --> 00:24:45,911
OH. THANK YOU.
295
00:24:46,200 --> 00:24:49,397
YOU, UH, CERTAINLY KNOW
YOUR CARS.
296
00:24:51,760 --> 00:24:53,990
MMM. AND YOUR WINE.
297
00:24:54,280 --> 00:24:56,396
ARE YOU, UM,
AN AFICIONADO?
298
00:24:56,720 --> 00:25:01,919
NO, I'M JUST AN ADMIRER
OF OLD CARS...
AND MATURE WOMEN.
299
00:25:02,200 --> 00:25:04,191
[SABRINA 1
TALKABOUTJAMES BOND.
300
00:25:04,520 --> 00:25:08,479
STOLEN ROCKET FUEL
HIJACKED OUT OF THE COUNTRY
IN AN AN TIOUE�CAR RALLY.
301
00:25:08,760 --> 00:25:11,991
HEY, KELLY, LOOK.
THERE'S THE GUY
THAT WAS FOLLOWING YOU.
302
00:25:12,320 --> 00:25:14,880
[ KRIS GRUN TING ]
303
00:25:16,800 --> 00:25:19,234
HEY, THEY'VE GOT KRIS!
OH, THEY'RE GONNA
MAKE A RUN FOR IT.
304
00:25:19,520 --> 00:25:21,556
COME ON!
305
00:25:21,840 --> 00:25:23,796
WAIT A MINUTE.
WE'RE NEVER GONNA
CATCH 'EM IN THIS!
306
00:25:24,120 --> 00:25:26,236
HEY. NICHOLS'S CAR.
COME ON!
307
00:25:26,520 --> 00:25:28,636
[MAN]
HEY, WHAT ARE THEY DOING?
308
00:25:32,800 --> 00:25:34,597
NO WAY!
309
00:25:34,920 --> 00:25:37,832
[SABRINA]
GET OFF THE CAR, DUMMYI
GET OFF THE CAR!
310
00:25:49,800 --> 00:25:51,995
STAY WITH 'EM, BOSLEY!
311
00:25:52,320 --> 00:25:54,436
[WHISTLE BLOWING]
312
00:25:59,080 --> 00:26:01,310
GO FOR IT, BOSLEY!
COME ON, BOS!
313
00:26:02,720 --> 00:26:04,438
- [WHISTLE CONTINUES]
- LOOK OUT!
314
00:26:06,280 --> 00:26:08,635
SLOW DOWN, WILL YOU?
LET 'EM PULL UP.
315
00:26:11,200 --> 00:26:13,236
OKAY, NOW.
316
00:26:16,440 --> 00:26:18,032
[GUNSHO T1
317
00:26:18,320 --> 00:26:20,754
[GRUNTS]
1 GUNSHO TS 1
318
00:26:26,560 --> 00:26:30,712
-W|LL YOU HOLD HER?
- [GUNSHOTS]
319
00:26:36,280 --> 00:26:39,795
OKAY, BOSLEY. PULL UP
ON THEIR LEFT REAR FENDER.
320
00:26:40,080 --> 00:26:42,958
AND THEN WHAT?
THAT AREA UP THERE--
IT'S FLAT AND IT'S SANDY.
321
00:26:43,280 --> 00:26:44,918
YOU'RE GONNA FORCE 'EM
OFF THE ROAD.
322
00:26:47,880 --> 00:26:50,553
[KR/S GRUNTS 1
323
00:26:59,720 --> 00:27:01,676
[TRAIN WHISTLE BLOWS]
324
00:27:11,200 --> 00:27:14,795
[KR/S 1
YOU KNOW CHA RLIE, MEMOR Y�S
K/ND OFA FUNNY THWG.
325
00:27:15,080 --> 00:27:17,036
IT CAN BE, KRIS. WHY?
326
00:27:17,360 --> 00:27:20,670
WELL, SOMETIMES IT CAN
MAKE YOU FEEL REALLY GOOD.
327
00:27:20,960 --> 00:27:22,837
LIKE NOW.
328
00:27:23,160 --> 00:27:27,517
SOMETIMES IT CAN
MAKE YOU FEEL... BAD.
329
00:27:27,800 --> 00:27:30,109
AND SOMETIMES IT CAN JUST
LEAVE YOU FEELING NOTHING.
330
00:27:30,400 --> 00:27:32,834
WHAT DO YOU MEAN?
331
00:27:33,160 --> 00:27:36,550
OH, I WAS JUST THINKING
ABOUT MY TRIP INTO
MOMENTARY FORGETFULNESS.
332
00:27:36,880 --> 00:27:38,757
1 CHARLIE 1
0H, YES, YES.
333
00:27:39,040 --> 00:27:40,632
YOU CAME OUT
OF THAT RESTAURANT...
334
00:27:40,960 --> 00:27:43,269
AND ACCIDENTALLY SAW
WHAT YOU WEREN'T
SUPPOSED TO SEE.
335
00:27:43,560 --> 00:27:46,438
RIGHT.
BOY, DID I WALK
INTO THAT ONE.
336
00:27:46,760 --> 00:27:49,354
MWHISTLING]
[DANG/NO 1
337
00:27:49,960 --> 00:27:51,712
HE YI
338
00:27:52,000 --> 00:27:53,115
COME ON!
339
00:27:53,440 --> 00:27:55,271
WHAT ARE YOU,
OUT OF YOUR MIND?
GET IN!
340
00:27:55,600 --> 00:27:57,192
- [CAR DOOR SLAMS 1
- [TIRES SQUEAL]
341
00:27:57,520 --> 00:27:59,317
HEY, HOLD IT!
342
00:28:04,040 --> 00:28:05,871
[SCREAMS]
343
00:28:13,480 --> 00:28:15,516
[GRUNTS]
344
00:29:00,920 --> 00:29:03,514
1 CHA RL IE 1
AMNESIA-- ONE OF THE MOST
FR/GH TEN/NO EXPERIENCES...
345
00:29:03,840 --> 00:29:05,558
ANYONE CAN GO THROUGH
346
00:29:05,880 --> 00:29:09,111
[TIRES SQUEAL]
347
00:29:09,400 --> 00:29:11,550
HEY, LADY!
ARE YOU CRAZY?
348
00:29:11,840 --> 00:29:13,751
ARE YOU TRYING
TO GET YOURSELF KILLED?
349
00:29:28,680 --> 00:29:30,671
PAPER, LADY?
350
00:29:34,840 --> 00:29:37,832
YOU KNOW, LADY, THERE ARE
EASIER WAYS TO HAIL A CAB.
351
00:29:40,240 --> 00:29:44,472
I STILL DON'T REMEMBER
TO THIS DAY HOW I ENDED UP
ON THE BEACH.
352
00:29:44,800 --> 00:29:49,749
I JUST REMEMBER I WOKE UP
FEELING REALLY SCARED
AND REALLY LONELY.
353
00:29:51,680 --> 00:29:54,148
[ SEA GULLS CA WING]
354
00:30:06,600 --> 00:30:08,352
DID YOU GET
THIS MAN'S NAME?
355
00:30:08,640 --> 00:30:11,029
1 CHARLIE 1
UH, YES. BURTON.
TED BUR TON.
356
00:30:11,360 --> 00:30:13,920
- ARE YOU SURE?
- YES. WHY?
357
00:30:14,240 --> 00:30:16,151
CHARLIE,
TED BURTON IS THE MAN
I TOLD YOU WE MET...
358
00:30:16,440 --> 00:30:18,476
AT JARVIS'S RESTAURANT,
THE ONE WHO'S BEEN
HELPING US.
359
00:30:18,760 --> 00:30:20,557
1KELLY1
/T WAS CRAZY
360
00:30:20,880 --> 00:30:24,190
THE GUY WHO WAS
HELPING US FIND YOU
REALLY WANTED TO KILL YOU.
361
00:30:24,480 --> 00:30:26,198
1KRIS1
MORE IRON/C THAN CRAZY
362
00:30:26,480 --> 00:30:30,951
BECAUSE I REALL YDON'T
REMEMBER SEEING HIM
KILL THE GUY
363
00:30:45,880 --> 00:30:48,269
[GUN CLICKING]
364
00:31:27,080 --> 00:31:29,594
[GRUNTS]
365
00:32:10,000 --> 00:32:11,956
[BOSLEY]
PENNY
366
00:32:13,640 --> 00:32:16,950
WHAT?
PENNY FOR
YOUR THOUGHTS.
367
00:32:17,280 --> 00:32:20,829
OH, I WAS JUST THINKING
ABOUT DOUG O'NEAL.
368
00:32:21,160 --> 00:32:25,676
0H, YES. VERY RESOURCEFUL
FELLOW, MR. O'NEAL.
369
00:32:26,000 --> 00:32:27,638
HMM. RATHER ATTRACTIVE.
370
00:32:27,960 --> 00:32:30,315
MOTHER SAID, "PRETTY IS
AS PRETTY DOES."
371
00:32:30,600 --> 00:32:32,636
AND MR. O'NEAL
DIDN'T QUITE HAVE
HIS ACT TOGETHER.
372
00:32:32,960 --> 00:32:36,157
NOPE. HE HAD DISTINCT
POSSIBILITIES,
373
00:32:36,440 --> 00:32:40,592
BUT THAT MONEY WE WERE
BOTH AFTER KEPT GETTING
IN THE WAY.
374
00:32:43,680 --> 00:32:45,591
WHOA! WHOA. WHOA.
375
00:32:45,880 --> 00:32:48,394
[HORSE BLUSTERS]
[LAUGHS]
376
00:32:57,760 --> 00:33:01,355
YOU GOTTA LET ME
WIN THE NEXT TIME.
HEY!
377
00:33:01,640 --> 00:33:04,108
DOUG.
IS SOMETHING
WRONG?
378
00:33:04,400 --> 00:33:06,311
[SIGHS]
379
00:33:06,600 --> 00:33:08,397
UH, WELL, YEAH.
380
00:33:09,920 --> 00:33:12,036
YOU KNOW I TOLD YOU
I WAS A WRITER?
381
00:33:14,280 --> 00:33:16,430
AND YOU'RE NOT?
N0. UH, N0. IAM.
382
00:33:16,760 --> 00:33:19,832
I'M, UH--
I'M A WRITER.
383
00:33:20,120 --> 00:33:23,795
UH, BUT I'M WORKING
ON A STORY...
384
00:33:24,080 --> 00:33:26,116
ABOUT THE--
385
00:33:26,440 --> 00:33:28,874
THE MURDER
THAT HAPPENED HERE.
386
00:33:29,160 --> 00:33:31,913
I JUST WANTED YOU
TO KNOW THAT.
387
00:33:32,200 --> 00:33:34,111
[SIGHS]
388
00:33:34,440 --> 00:33:38,399
WELL, I GUESS I HAVE
A LITTLE CONFESSION
TO MAKE MYSELF.
389
00:33:38,680 --> 00:33:41,399
SOMETHING
THA T YOU SHOULD
PROBABL YKNOW
390
00:33:41,680 --> 00:33:45,878
| KNEW FRANK SLATER,
THE MAN WHO WAS KILLED.
391
00:33:46,200 --> 00:33:49,909
- YOU DID?
- WE SERVED TOGETHER
IN VIETNAM.
392
00:33:50,200 --> 00:33:52,156
HOW WELL
DID YOU KNOW HIM?
393
00:33:52,440 --> 00:33:55,796
ABOUT AS CLOSE
AS TWO GUYS CAN GET
THAT SHARED THE SAME LOVE.
394
00:33:56,080 --> 00:33:58,071
[CHUCKLES]
395
00:33:58,360 --> 00:34:00,157
GIRL?
AIRPLANE.
396
00:34:00,440 --> 00:34:02,954
[CHUCKLES]
BONNIE JEAN.
397
00:34:03,240 --> 00:34:05,231
FRANK WAS THE CREW CHIEF.
I WAS THE FLIGHT ENGINEER.
398
00:34:05,560 --> 00:34:07,596
SHE WAS HIS ON THE GROUND,
MINE IN THE AIR.
399
00:34:10,680 --> 00:34:12,955
WHY DID YOU COME HERE?
400
00:34:13,240 --> 00:34:16,915
I READ ABOUT FRANK'S DEATH
IN THE NEWSPAPER.
401
00:34:17,240 --> 00:34:19,310
I DON'T KNOW.
CRAZY, I GUESS.
402
00:34:19,600 --> 00:34:23,070
I THOUGHT, HERE WAS
SOMETHING USEFUL
THAT I COULD DO.
403
00:34:23,360 --> 00:34:26,432
MAYBE HELP FIND
FRANK'S KILLER.
|-- I DON'T KNOW.
404
00:34:27,760 --> 00:34:30,877
I GUESS WE'VE BOTH BEEN
KEEPING SECRETS, HUH?
405
00:34:31,160 --> 00:34:34,516
[SABRINA ] DID I TE VER
OCCUR TO YOU TWO THATDOUG
COULD BE TELLING THE TRUTH?
406
00:34:34,840 --> 00:34:37,559
YEAH,
IT OCCURRED TO US.
BUT NOT FOR LONG.
407
00:34:37,880 --> 00:34:40,030
OKAY, LOOK.
THEN WHAT IS HE DOING
HANGING AROUND HERE, HUH?
408
00:34:40,320 --> 00:34:44,108
WHY ISN'T HE IN SOUTH AMERICA
0R EUROPE OR WHEREVER IT IS
SKYJACK MILLIONAIRES GO?
409
00:34:44,400 --> 00:34:46,868
OKAY, OKAY. LET'S FORGET
THE NEWSPAPER CLIPPING
FOR A MOMENT.
410
00:34:47,160 --> 00:34:50,038
[SABRINA SIGHS]
HOW DID HE EXPLAIN
HIS CONNECTION WITH SLATER?
411
00:34:50,320 --> 00:34:51,878
THEY KNEW EACH OTHER
IN VIETNAM.
412
00:34:52,160 --> 00:34:54,879
HE CAME HERE TO SEE
IF HE COULD FIND OUT
WHO KILLED HIS FRIEND.
413
00:34:55,160 --> 00:34:58,311
BUT, BREE, WHYDIDN'THE
TELL ANYBODY?
414
00:34:59,640 --> 00:35:01,551
WE ARE UNDERCOVER,
AREN'T WE?
415
00:35:01,840 --> 00:35:03,671
I TELL YOU WHAT.
I'VE GOT AN IDEA.
416
00:35:03,960 --> 00:35:07,236
WHY DON'T WE JUST
COME OUT FROM UNDER COVER
AND ASK HIM HEAD-ON, HUH?
417
00:35:07,520 --> 00:35:09,556
WHY DON'T WE DO THAT?
418
00:35:09,840 --> 00:35:14,277
WELL, IF THE WHOLE OPERATION
WAS SO SIMPLE,
419
00:35:14,560 --> 00:35:16,551
WHERE'D IT GO WRONG?
420
00:35:18,480 --> 00:35:21,836
A SLIGHT MISCALCULATION.
421
00:35:22,120 --> 00:35:25,669
I WAS, UM--
I WAS A FLIGHT ENGINEER,
NOT A PARATROOPER.
422
00:35:25,960 --> 00:35:27,916
OH, I BAILED
OUT OF THE PLANE...
423
00:35:28,200 --> 00:35:31,510
WITH THE RANSOM
SAFELY ENOUGH,
BUT I LANDED IN A TREE.
424
00:35:31,800 --> 00:35:34,712
WHEN I WOKE UP,
I THOUGHT MY BACK
WAS BROKEN.
425
00:35:35,000 --> 00:35:36,638
EVIDENTLY SO DID SLATER.
426
00:35:36,920 --> 00:35:39,559
HE WAS STILL
MY GROUND CREW,
427
00:35:39,840 --> 00:35:42,912
WAITING FOR ME DOWN THERE--
TRANSPOR TA TION
428
00:35:43,240 --> 00:35:46,516
SO YOU FOLLOWED HIM HERE
AND YOU KILLED HIM?
NO.
429
00:35:46,800 --> 00:35:49,519
YOU SAID HE WAS STRANGLED.
I DIDN'T DO THAT.
430
00:35:52,800 --> 00:35:54,631
HUH.
431
00:35:56,760 --> 00:35:59,638
LON MOLTON.
432
00:35:59,960 --> 00:36:04,192
HILDY SAID...
AFTER SLATER WAS SHOT,
433
00:36:04,480 --> 00:36:07,950
WHEN SHE RAN
TO GET HELP,
434
00:36:08,240 --> 00:36:10,390
SHE LEFT MOLTON
ALONE WITH HIM.
435
00:36:10,720 --> 00:36:13,712
OH. YOU SEE?
436
00:36:14,000 --> 00:36:15,831
THAT PUTS ME IN THE CLEAR.
437
00:36:16,120 --> 00:36:18,839
THAT CLEARS YOU OF MURDER.
438
00:36:20,920 --> 00:36:22,797
WHAT ABOUT THE SKYJACK?
439
00:36:24,360 --> 00:36:26,669
YOU'RE THE ONLY ONE
THAT KNOWS ANYTHING
ABOUT THAT.
440
00:36:28,880 --> 00:36:31,713
AND THAT'S THE PROBLEM.
441
00:36:32,040 --> 00:36:33,678
I DO KNOW.
442
00:36:34,000 --> 00:36:36,878
BREE,
THAT'S ANCIENT HISTORY.
443
00:36:37,160 --> 00:36:41,153
WHAT? JUST PRETEND
LIKE IT DIDN'T HAPPEN?
IS THAT IT?
444
00:36:41,440 --> 00:36:43,476
[ MUTTERS]
445
00:37:02,600 --> 00:37:04,716
I LOVE YOU, BREE.
446
00:37:09,960 --> 00:37:12,235
[ F 00 TS TEPS APPROA CHING ]
447
00:37:16,960 --> 00:37:18,712
[SNIFFLES]
448
00:37:35,640 --> 00:37:37,471
HAVE ANOTHER PIECE
OF CAKE, BOSLEY.
449
00:37:37,760 --> 00:37:39,830
OH, NO, NO.
I'VE ALREADY HAD
TWO PIECES.
450
00:37:40,120 --> 00:37:43,317
THREE.
BUT WHO'S COUNTING?
451
00:37:43,600 --> 00:37:45,989
YOU KNOW, IT OCCURS TO ME
THAT WE'RE VERY FORTUNATE.
452
00:37:46,320 --> 00:37:48,914
WE'VE MET SOME VERY
IN TERESTING PEOPLE
IN OUR WORK
453
00:37:49,240 --> 00:37:51,470
ANY OF YOU RECALL
TINKLE BELLE?
454
00:37:51,760 --> 00:37:54,672
[LAUGHING]
HOW COULD WE FORGET
TINKLE BELLE, BOSLEY?
455
00:37:55,000 --> 00:37:56,718
SHE KNOCKED YOU
TOTALLY OFF BALANCE.
456
00:37:57,040 --> 00:37:59,156
I BEG YOUR PARDON.
457
00:37:59,440 --> 00:38:02,034
WHILE WE WERE OUT TRYING
TO FIND OUT WHO WAS
SABOTAGING THE CIRCUS,
458
00:38:02,320 --> 00:38:03,912
YOU WERE PLAYING
WITH TINKLE BELLE.
459
00:38:04,200 --> 00:38:08,159
[LAUGHS]
MY BIG ROMANCE.
460
00:38:10,480 --> 00:38:12,675
HI, CUTIE.
461
00:38:12,960 --> 00:38:14,518
AH. WELL, HELLO.
462
00:38:14,800 --> 00:38:18,634
- GOT A NAME?
- BOSLEY. JOHN BOSLEY.
463
00:38:18,920 --> 00:38:23,311
BOSLEY JOHN BOSLEY.
NICE RING TO IT.
MARRIED?
464
00:38:23,600 --> 00:38:26,512
- NOT LATELY.
- ME NEITHER.
465
00:38:26,800 --> 00:38:29,439
OH. I'M TINKLE BELLE.
TINKLE BELLE.
466
00:38:29,720 --> 00:38:34,111
OH, I LOVE THE WAY
IT SOUNDS WHEN YOU SAY IT,
BOSLEY JOHN BOSLEY.
467
00:38:34,400 --> 00:38:38,234
UH, LOOK. JUST BOSLEY.
JOHN BOSLEY.
468
00:38:38,520 --> 00:38:42,354
THAT'S WHAT I SAID.
BOSLEY JOHN BOSLEY.
469
00:38:43,960 --> 00:38:45,871
UH-HUH.
470
00:38:46,160 --> 00:38:47,912
UH, SEE YOU AROUND,
BIG BOY.
471
00:38:48,200 --> 00:38:51,033
DON'T FORGET TINKLE BELLE.
472
00:38:52,880 --> 00:38:54,757
SAY HELLO TO PETER PAN.
473
00:38:55,040 --> 00:38:58,112
1CHARL IE 1
WH/LE YOU WERE TWKER/NG
W/TH TWKLE BELLE,
474
00:38:58,400 --> 00:39:01,119
KRIS WAS HA VING A LITTLE
TROUBLE WITH HER FRIEND
THE KNIFE THROWER.
475
00:39:01,440 --> 00:39:03,829
WATCH IT, HELMUT.
YOU WOULDN'T LIKE ME
WITH SHORT HAIR.
476
00:39:08,960 --> 00:39:10,632
HELMUT, WHAT'S WRONG
WITH YOU?
477
00:39:13,400 --> 00:39:15,755
THIS HAS BEEN FUN,
BUT I GOTTA RUN.
478
00:39:29,240 --> 00:39:30,719
1 GRUNTING 1
479
00:39:34,680 --> 00:39:37,114
[GRUNTING]
480
00:39:41,040 --> 00:39:42,917
[GRUNTING]
481
00:39:45,080 --> 00:39:48,595
OKAY, WHERE'S REED?
AND WHO ELSE IS IN IT
WITH YOU?
482
00:39:48,880 --> 00:39:53,874
IT'S TARLOFF.
ONE OF THE SWORDS IS REAL.
HE'S GONNA KILL HER.
483
00:40:39,240 --> 00:40:41,231
[WHOOSHES]
484
00:40:42,400 --> 00:40:45,119
[WHOOSHES]
485
00:41:14,080 --> 00:41:18,039
HE COULDN'T DO IT.
[EXHALES]
486
00:41:35,560 --> 00:41:37,391
[ KRIS LAUGHING]
487
00:41:37,720 --> 00:41:40,280
COME ON. COME ON.
488
00:41:40,600 --> 00:41:44,559
[SIGHS ] WELL, I'M GLAD
YOU CHOSE THE RIGHT SWORD,
TARLOFF. ARE YOU?
489
00:41:44,840 --> 00:41:47,070
YES, IAM.
490
00:41:47,360 --> 00:41:49,669
WHAT'S GOING ON?
491
00:41:51,520 --> 00:41:55,752
YOU LOOK SO MUCH LIKE NADIA.
I JUST COULDN'T DO IT.
492
00:41:56,040 --> 00:41:57,758
COULDN'T DO WHAT?
493
00:42:01,480 --> 00:42:03,914
WHAT IS THAT?
494
00:42:04,240 --> 00:42:07,596
WELL, YOU NEVER WOULD HAVE
HAD TO DIET AGAIN, BABE.
495
00:42:14,200 --> 00:42:17,033
YOUR FRIEND KELLY--
YOU'D BETTER WARN HER.
496
00:42:17,320 --> 00:42:19,470
WHEN SHE MAKES THE JUMP,
THEY'RE GOING TO KILL HER.
497
00:42:19,800 --> 00:42:21,756
WHAT?
498
00:42:31,160 --> 00:42:32,991
[ENGINE REVVING]
499
00:42:48,240 --> 00:42:49,753
[GUNSHOT]
500
00:42:55,720 --> 00:42:58,234
-ALL RIGHT!
- [CHEERING]
501
00:42:58,520 --> 00:43:01,080
- YES!
- BRAVO, HONEY!
502
00:43:01,360 --> 00:43:03,112
I MEAN, BRAVO!
PRETTY GOOD?
503
00:43:03,400 --> 00:43:04,913
PRETTY GOOD?
FANTASTIC!
504
00:43:05,200 --> 00:43:09,512
MY!
OH, THAT WAS GREAT!
HUH? HOW ABOUT THAT?
505
00:43:12,040 --> 00:43:14,110
IF YOU WANT TO TALK
ABOUT A FAR-OUT CASE--
506
00:43:14,440 --> 00:43:16,351
I MEAN, REAL FAR OUT--
YEAH?
507
00:43:16,640 --> 00:43:18,949
REMEMBER DR. PERRINE
AND HIS UF.O.'S?
508
00:43:19,280 --> 00:43:22,158
OH, WELL.
WHAT A CON
HE HAD GOING. OH.
509
00:43:22,440 --> 00:43:24,874
BOY, HE HAD US
ALMOST BELIEVING THAT
THEY REALLY WERE UF.O.'S.
510
00:43:25,200 --> 00:43:28,158
- I'M NOT SO SURE
THERE AREN'T.
- [BOSLEY]/AGREE
511
00:43:28,440 --> 00:43:31,432
I MAY BE SEEING SEVERAL
VERY SHORTLY.
512
00:43:31,720 --> 00:43:33,676
ICERTAINLY SAW ONE
THAT DAY.
513
00:43:36,840 --> 00:43:39,308
LADIES AND GENTLEMEN,
NO TALKING, PLEASE.
514
00:43:39,600 --> 00:43:41,477
LIGHTS OUT, PLEASE.
515
00:43:46,320 --> 00:43:48,072
[CROWD GA SP5 1
516
00:43:48,360 --> 00:43:50,191
1 WOMAN 1
OH. MY OOODNESS.
517
00:43:50,520 --> 00:43:52,954
[WHIRRING]
518
00:43:53,240 --> 00:43:55,800
BOSLEY.
HEY.
519
00:43:56,080 --> 00:44:00,153
[BEEP/NC 1
520
00:44:02,760 --> 00:44:05,194
[WHIRRING INTENSIFIES]
521
00:44:09,640 --> 00:44:12,393
- [CROWD MURMURING]
- [MAN GASPS]
522
00:44:14,040 --> 00:44:16,190
[MURMURING]
[GASPS]
523
00:44:20,160 --> 00:44:24,950
1LIGHTSW/TCH CLICKS 1
OH, MY. 0H!
[CHUCKLES]
524
00:44:25,240 --> 00:44:26,992
1KELL Y1
FLYING SAUCER WAS A PHONY,
525
00:44:27,280 --> 00:44:30,989
AND SO WAS THAT
GOOD-LOOKING MR. BRITTEN.
HMM.
526
00:44:35,560 --> 00:44:37,630
WHERE ARE WE GOING?
527
00:44:43,040 --> 00:44:46,430
1CHA RL/E1
KELL Y, SOMEONE MUS T HA YE
BEEN WA TCHWG OVER YOU...
528
00:44:46,720 --> 00:44:48,870
WHEN YOU NOT/CED
YOUR SEA TBEL THAD BEEN CUT.
529
00:45:00,600 --> 00:45:02,795
JIM, I WANT TO GO BACK.
530
00:45:08,400 --> 00:45:10,311
[SEAT BELT CLICKS]
531
00:45:25,400 --> 00:45:28,790
[SEAT BELT STRAINING]
532
00:45:32,240 --> 00:45:35,835
[ENGINE REVVING]
533
00:45:49,960 --> 00:45:52,474
[ENGINE REVVING]
534
00:46:12,920 --> 00:46:14,558
TAKE IT DOWN.
535
00:46:18,280 --> 00:46:20,032
KELLY, I'LL CRASH,
AND I'LL KILL US BOTH.
536
00:46:20,320 --> 00:46:22,675
NO, YOU WON'T.
537
00:46:46,840 --> 00:46:50,469
1 CHARLIE 1
WELL, ANGELS, AS TOUGH
AS IT�S BEEN SOMET/MES,
538
00:46:50,760 --> 00:46:53,149
YOU'LL HAVE TO ADMIT THAT
SOME OF THE COVERS YOU USED...
539
00:46:53,440 --> 00:46:55,078
WERE INTERESTING,
TO SAY THAT LEAST.
540
00:46:55,360 --> 00:46:57,316
OH, CHARLIE.
541
00:46:57,600 --> 00:46:59,795
"INTERESTING"
IS KIND OF
AN UNDERSTATEMENT.
542
00:47:05,600 --> 00:47:07,477
[BUBBLE POPS 1
543
00:47:08,720 --> 00:47:10,119
OH!
[PEOPLE MURMURING]
544
00:47:10,400 --> 00:47:13,153
[WITH SWEDISH ACCENT]
I JUST LOVE THAT JADE.
545
00:47:13,440 --> 00:47:16,637
[WITH EASTERN ACCENT]
| LOST OUT ON A FEW
WONDERFUL PICTURE PARTS.
546
00:47:16,920 --> 00:47:19,354
THE PRODUCERS THOUGHT
I WAS TOO ALOOF.
547
00:47:24,240 --> 00:47:26,993
CHARLIE TOWNSEND
IS A NO-GOOD, SADISTIC,
548
00:47:27,320 --> 00:47:29,675
TOTALLY INSENSITIVE
MALE CHAUVINIST PIG.
549
00:47:29,960 --> 00:47:32,269
[SOUEALING]
550
00:47:32,560 --> 00:47:34,755
I'M A DIGNIFIED PERSON.
551
00:47:38,440 --> 00:47:41,591
[WITH SOUTHERN ACCENT]
WELL, MORNIN'. HOWDY.
552
00:47:41,920 --> 00:47:44,673
[WITH SOUTHERN ACCENT]
WE'RE YOUR NEW NEIGHBORS.
553
00:47:45,000 --> 00:47:46,831
[CHARLIE]
WELL, MY FRIENDS,
554
00:47:47,120 --> 00:47:50,157
HOW CAN I THANK YOU
FOR THREE EXCITING YEARS?
555
00:47:50,440 --> 00:47:52,670
WELL, I THINK
YOU JUST DID, CHARLIE.
556
00:47:52,960 --> 00:47:54,916
AND VERY ELEGANTLY.
VERY.
557
00:47:55,200 --> 00:47:57,634
JUST A SMALL TOKEN
OF HOW I FEEL.
558
00:47:57,920 --> 00:48:00,753
OH, NOT TOO SMALL, CHARLIE.
WAIT TILL YOU SEE THE BILL.
559
00:48:01,040 --> 00:48:03,554
[LAUGHS ] THIS IS ONE BILL
I DON'T HAVE
TO LOOK AT, BOSLEY.
560
00:48:03,840 --> 00:48:05,717
YOU'RE PRICELESS, ANGELS.
561
00:48:06,000 --> 00:48:08,389
AW, CHARLIE.
THE FEELING'S MUTUAL.
562
00:48:08,680 --> 00:48:11,911
HA VE A GOOD
VA CA TION ANGELS.
I'LL BE THINKING OF YOU.
563
00:48:12,240 --> 00:48:14,037
TO NEXT YEAR.
564
00:48:14,360 --> 00:48:17,113
- AND MANY, MANY MORE.
- HEAR, HEAR.
565
00:48:17,400 --> 00:48:19,231
WE LOVE YA, CHARLIE.
566
00:48:19,520 --> 00:48:22,318
[LAUGHS]
AHHI
42726
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