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These are the user uploaded subtitles that are being translated: 1 00:00:01,600 --> 00:00:03,033 ONCE UPON A TIME, 2 00:00:03,320 --> 00:00:05,231 THERE WERE THREE LITTLE GIRLS WHO WENT TO THE POL/CEACADEMY�- 3 00:00:05,560 --> 00:00:07,835 TWO /N LOS ANGELES, 4 00:00:13,440 --> 00:00:15,795 THE OTHER IN SAN FRANCISCO-- 5 00:00:16,080 --> 00:00:20,710 AND THEY WERE EACH ASSIGNED VERYHAZARDOUS DUTIES. 6 00:00:21,040 --> 00:00:22,553 [BUZZING] 7 00:00:22,840 --> 00:00:26,594 BUTI TOOK THEMA WA Y FROM ALL THA T, AND NOW THEY WORK FOR ME 8 00:00:26,920 --> 00:00:28,956 M YNAME IS CHARLIE 9 00:01:16,800 --> 00:01:18,870 [CHARLIE 0N SPEAKERPHONE] ANGEL 5, YOU �RE PROBABL Y WONDER/NO... 10 00:01:19,160 --> 00:01:20,957 WHY/ASKED YOU TO MEET ME HERE THIS EVENING. 11 00:01:21,240 --> 00:01:23,231 WELL, WE ARE A LITTLE CURIOUS, CHARLIE, 12 00:01:23,560 --> 00:01:25,994 UH, ESPECIALLY SINCE I'M LEAVING FOR BIMINI IN THE MORNING. 13 00:01:26,280 --> 00:01:27,998 AND I'M OFF TO NEW YORK IN TWO DAYS. 14 00:01:28,280 --> 00:01:29,998 AND I HAVE A TICKET T0 ROME. 15 00:01:30,280 --> 00:01:32,191 BY THE WAY, CHARLIE, WHERE'S BOSLEY? 16 00:01:32,520 --> 00:01:34,636 [CHARLIE] HE SHOULD BE ALONG ANY MOMENT. 17 00:01:34,920 --> 00:01:38,196 SO I'LL WAIT UNTIL HE ARRIVES BEFORE | EXPLAIN THE REASON FOR THIS GATHERING. 18 00:01:38,480 --> 00:01:42,155 SOUNDS VERY MYSTERIOUS. TOO MYSTERIOUS. 19 00:01:42,440 --> 00:01:44,908 CHARLIE, IAM LEAVING FOR BIMINI IN THE MORNING, AREN'T I? 20 00:01:45,240 --> 00:01:47,435 THIS DOESN'T HAVE ANYTHING TO DO WITH A NEW CASE 0R ANYTHING? 21 00:01:47,720 --> 00:01:50,917 NOTHING LIKE THAT, KRIS. DO I HEAR A DOOR OPENING? 22 00:01:51,200 --> 00:01:53,077 [SABRINA 1 WELL! [KELLY] WOW! 23 00:01:53,360 --> 00:01:56,591 YES, YOU DO, CHARLIE. I HAVE ARRIVED! 24 00:01:56,920 --> 00:01:59,673 I GUESS YOU HA l/EARRIVED. WHAT'S ALL THIS? 25 00:01:59,960 --> 00:02:02,918 THIS IS VERY OLD, VERY FRENCH AND VERY EXPENSIVE. 26 00:02:03,200 --> 00:02:05,156 I'LL SAY. AND WHAT'S THAT? 27 00:02:05,440 --> 00:02:07,351 THAT HAPPENS TO BE DOMESTIC, BUT ALSO VERY EXPENSIVE. 28 00:02:07,680 --> 00:02:09,750 WELL, CHARLIE, WHAT IS THIS, SOMEBODY�S BIRTHDAY? 29 00:02:10,040 --> 00:02:12,679 GOOD GUESS, SABRINA. THAT'S EXACTLY WHAT IT IS. 30 00:02:12,960 --> 00:02:14,996 WELL, IT'S NOT MY BIRTHDAY. 31 00:02:15,320 --> 00:02:17,914 HEY, NOT MINE. I HAD MINE LAST MONTH. 32 00:02:18,240 --> 00:02:20,037 BOSLEY? AW. 33 00:02:20,360 --> 00:02:22,794 I NEVER AGE. 34 00:02:23,120 --> 00:02:25,509 - CHARLIE. - WRONG AGAIN. 35 00:02:25,800 --> 00:02:29,315 IT'S OUR BIRTHDAY, ANGELS-- THREE YEARS TOGETHER. 36 00:02:29,600 --> 00:02:32,239 WELL-- THAT'S RIGHT. IT IS. 37 00:02:32,520 --> 00:02:34,476 WE HAVE BEEN TOGETHER THREE YEARS. 38 00:02:34,760 --> 00:02:36,637 [CLEARS THROAT] TWO FOR ME. 39 00:02:36,960 --> 00:02:40,475 OH, WELL, THEN LET'S DRINK TO EITHER TWO OR THREE GREA T YEARS. 40 00:02:40,800 --> 00:02:43,473 IT'S A LOVELY THOUGHT, CHARLIE. THANK YOU. 41 00:02:43,800 --> 00:02:45,711 THANK YOU, ANGELS. 42 00:02:46,000 --> 00:02:50,198 I WANTED YOU TO KNOW HOW I FELTBEFORE YOU LEFT ON YOUR VA CA T/ONS. 43 00:02:50,520 --> 00:02:52,750 I WANTED TO TELL YOU HOW MUCH I APPRECIATE YOU, 44 00:02:53,040 --> 00:02:56,032 CARE ABOUT YOU, AND HOW MUCH I'LL MISS YOU. 45 00:02:56,360 --> 00:02:58,032 T0 MISSING EACH OTHER. 46 00:02:59,400 --> 00:03:02,836 HEAR! HEAR! TO MISSING EACH OTHER. 47 00:03:03,160 --> 00:03:04,957 [CHARLIE] ILOVE YOUALL. 48 00:03:05,280 --> 00:03:07,316 HMM. 49 00:03:07,600 --> 00:03:12,196 I CAN'T BELIEVE THAT IT IS TWO YEARS SINCE I WALKED THROUGH THAT DOOR. 50 00:03:12,480 --> 00:03:16,758 AS I RECALL, YOU DIDN'T WALK IN. YOU SORT OF ROARED IN. 51 00:03:17,080 --> 00:03:18,877 [ANGELS CHUCKLE] [LAUGHS 1 NOW WAIT A MINUTE. 52 00:03:19,160 --> 00:03:22,357 IT MAY HAVE SEEMED LIKE A ROAR, BUT, BOY, DID I HAVE BUTTERFLIES. 53 00:03:22,680 --> 00:03:24,750 I'LL NEVER FORGET THAT FIRST CASE. 54 00:03:25,040 --> 00:03:27,190 [CHARLIE] THESE ARE INSTRUCTIONS FROM THE PEOPLE I'M WITH. 55 00:03:27,480 --> 00:03:29,152 FLY OVER TO HAWAII IMMEDIATELY. 56 00:03:29,440 --> 00:03:31,795 WAITFOR SOMEONE TO CONTACT YOU THERE 57 00:03:32,080 --> 00:03:34,878 IS IT A CASE, CHARLIE? YOU MIGHT SAY THAT. 58 00:03:35,160 --> 00:03:36,912 - I'VE BEEN KIDNAPPED. - WHAT? 59 00:03:37,200 --> 00:03:42,115 IF YOU TALK TO THE POLICE OR THEFBI, I'LL BE KILLED. 60 00:03:42,440 --> 00:03:45,989 OKAY, GO HOME AND PACK. WE'LL MEET AT THE AIRPORT. I'LL MAKE THE RESERVATIONS. 61 00:03:46,320 --> 00:03:49,676 I CAN'T BELIEVE IT. CHARLIE'S BEEN KIDNAPPED, AND I HAVEN'T EVEN SEEN HIM YET. 62 00:03:51,640 --> 00:03:55,553 [CHARLIE] THERE WAS A SURPRISE WAITING FOR YOU THA TFIRSTDA YA T THE BEACH 63 00:03:55,880 --> 00:04:00,476 WELL, UNLESS OUR CONTACT'S FISHING HUKILAU STYLE, HE ISN'T HERE YET. 64 00:04:03,000 --> 00:04:04,877 LOOK! OUT THERE! 65 00:04:08,240 --> 00:04:10,151 I THINK WE JUST GOT OUR SIGNAL. 66 00:04:14,160 --> 00:04:15,593 [KELLY] WATCH OUT! 67 00:04:15,880 --> 00:04:17,916 SABRINA! 68 00:04:37,600 --> 00:04:41,275 YOU RUN AND HIDE SOMEBODY SEE YOUR FACE, AND YOU'RE ONE DEAD MAHIMAHI. 69 00:04:41,560 --> 00:04:43,516 RUN! HIDE! 70 00:04:47,720 --> 00:04:49,233 IT'S A PLEASURE TO MEET YOU, CHARLIE'S ANGELS. 71 00:04:49,520 --> 00:04:52,080 MR. BOSLEY. I'M NOT SO SURE. 72 00:04:52,360 --> 00:04:54,874 YOU MIND TELLING US WHAT ALL THAT WAS ABOUT, MISS-- 73 00:04:55,160 --> 00:04:57,628 MRS. LEILANI SAKO. 74 00:04:57,920 --> 00:04:59,478 THAT WAS BUSINESS. 75 00:04:59,760 --> 00:05:01,796 YOU'RE CERTAINLY IN A VIOLENT BUSINESS. 76 00:05:02,080 --> 00:05:03,991 WHY DID YOU KIDNAP CHARLIE TOWNSEND? 77 00:05:04,320 --> 00:05:07,073 I WANT TO HIRE THE ANGELS. 78 00:05:07,400 --> 00:05:10,119 WHY DIDN'T YOU CALL THE OFFICE? 79 00:05:10,400 --> 00:05:11,958 THAT'S THE WAY IT'S USUALLY DONE. 80 00:05:12,280 --> 00:05:14,316 MY HUSBAND IS IN JAIL. 81 00:05:14,600 --> 00:05:16,636 AND IT IS A VERY DANGEROUS PLACE FOR HIM. 82 00:05:16,960 --> 00:05:18,996 WE HAVE MANY ENEMIES, AND THEY WILL TRY TO KILL HIM... 83 00:05:19,280 --> 00:05:21,157 UNLESS YOU BREAK HIM OUT. 84 00:05:21,440 --> 00:05:23,908 WHAT IF WE DON'T GET YOUR HUSBAND OUT OF JAIL? 85 00:05:24,200 --> 00:05:25,997 THEN YOUR CHARLIE'S A DEAD MAN. 86 00:05:30,760 --> 00:05:32,671 [CHARLIE] WHILE you WERE TR Y/NG To FIND ME, 87 00:05:32,960 --> 00:05:35,679 YOU HAD TO PLA Y SOME VERY STRANGE GAMES. 88 00:05:35,960 --> 00:05:38,838 ? [ GROUP SINGING IN HAWAIIAN] 89 00:06:05,800 --> 00:06:08,872 ? [ WOMAN SINGING IN HA WAIIAN ] 90 00:06:46,840 --> 00:06:49,832 [APPLA USE] A [ENDS ] 91 00:06:54,440 --> 00:06:57,910 GETTING BILL Y SAKO OUT OF .IAIL WAS HARD ENOUGH 92 00:06:58,200 --> 00:07:00,760 BUT THEN YOU HAD TO RESCUE ME FROM MR. BL UE'S YACHT 93 00:07:07,480 --> 00:07:09,755 SHE'S RIGHT ON TIME. 94 00:07:12,200 --> 00:07:15,112 HEY, HOW ABOUT SLOWING DOWN? I'M GETTING SEASICK MYSELF. 95 00:07:15,400 --> 00:07:17,391 WE'RE ALMOST THERE! 96 00:07:17,680 --> 00:07:21,434 JUST GET UNDER THAT THING AND KEEP YOUR MOUTH SHUT! 97 00:07:21,720 --> 00:07:23,790 GO TO THE BRIDGE. CHECK THE RADAR. 98 00:07:24,120 --> 00:07:25,951 SEE IF THERE ARE ANY OTHER BOATS COMING. 99 00:07:31,800 --> 00:07:33,791 WHAT'S THAT CRAZY BROAD DOING? 100 00:07:36,440 --> 00:07:39,432 OKAY, NOW! 101 00:07:49,200 --> 00:07:50,997 GET OUT OF MY WAY! 102 00:08:00,280 --> 00:08:02,475 AS SOON AS SHE GETS HERE, GO CHECK UNDER THE WHATCHAMACALLIT. 103 00:08:02,760 --> 00:08:04,796 THE WHATCHAMACALLIT? UNDER THE COVER! 104 00:08:15,520 --> 00:08:17,397 [GASPS, LAUGHS] I'M SORRY. 105 00:08:17,720 --> 00:08:19,631 IT'S ALL RIGHT. MAKE SURE THERE'S NO ONE ELSE ON THIS BOAT. 106 00:08:19,920 --> 00:08:21,751 THERE'S NOBODY ON THAT BOAT. YEAH? 107 00:08:30,560 --> 00:08:32,357 - NOW TURN IT LOOSE. - TURN IT LOOSE? 108 00:08:32,640 --> 00:08:34,437 THAT'S RIGHT. TURN IT LOOSE. YOU HEARD ME. 109 00:08:34,720 --> 00:08:36,597 JUSTIN CASE YOU WANT TO LEA VE BEFORE YOU'RE SUPPOSED T0, 110 00:08:36,880 --> 00:08:39,189 - YOU�RE GONNA HAVE TO SWIM BA CK TO SHORE. - I DON'T SWIM. 111 00:08:39,480 --> 00:08:41,869 YOU DON'T EVEN KNOW HOW TO DRIVE THIS BOAT. YOU ALMOST RAN INTO US. 112 00:08:42,200 --> 00:08:44,077 YOUALMOSTHITUS WITH THATBOAT I KNOW. I'M SORRY. 113 00:08:44,360 --> 00:08:46,191 YEAH IT'S THE SPEED. IT MAKES ME CRAZY. 114 00:08:46,480 --> 00:08:48,198 I CAN'T HELP IT. IT MAKES ME CRAZY. 115 00:08:48,480 --> 00:08:50,072 SEXY, I'M SORRY. 116 00:08:50,360 --> 00:08:52,590 YEAH? SORRY. 117 00:08:52,920 --> 00:08:56,595 WHAT ARE YOU LOOKING AT? [SIGHS] 118 00:08:56,920 --> 00:08:58,876 WANNA GO INSIDE? MM-HMM. 119 00:09:53,000 --> 00:09:55,434 [ SONAR PING/NC ] HI. 120 00:09:57,960 --> 00:10:02,112 - WHAT ARE YOU DOING HERE? - JUST SWIMMING BY. COME ON. 121 00:10:02,400 --> 00:10:04,675 JUST SWIMMING BY? 122 00:10:04,960 --> 00:10:07,713 DOES MR. BLUE KNOW YOU'RE HERE? 123 00:10:08,040 --> 00:10:09,951 DOES MR. BLUE HAVE TO KNOW EVERYTHING? NO, HE-- 124 00:10:13,520 --> 00:10:15,272 [ ALARM RING/NG ] 125 00:10:15,560 --> 00:10:18,120 - GET IN THERE. IT'S A RAID. - WHAT? 126 00:10:18,400 --> 00:10:20,197 I SAID, GO ON AND GET OUT OF HERE. IT'S A RAID. 127 00:10:20,480 --> 00:10:22,357 YES, MA'AM. WHATEVER YOU SAY. 128 00:10:23,640 --> 00:10:26,552 [ ALARM CONTINUES ] 129 00:10:39,440 --> 00:10:41,874 [CHUCKLES] THAT WAS SOME CAPER, CHARLIE. 130 00:10:42,200 --> 00:10:43,918 WE THOUGHT FOR SURE WE'D GET A LOOK AT YOU. 131 00:10:44,240 --> 00:10:48,153 [CHARLIE] YOU CAME CLOSE, KELL Y. VERYCLOSE. 132 00:10:48,440 --> 00:10:50,556 HAWAII WAS LOVELY. MM-HMM. 133 00:10:50,840 --> 00:10:54,310 THEN WE WENT ON TO BIGGER AND BETTER THINGS-- IF YOU'LL EXCUSE THE CLICHE. 134 00:10:54,600 --> 00:10:58,388 [LAUGHS] YOU KNOW, SOME OF OUR CASES REALLY CAME FROM LEFT FIELD. 135 00:10:58,680 --> 00:11:00,477 REMEMBER WHEN WE WENT TO THE ICE SHOW, 136 00:11:00,800 --> 00:11:03,314 AND IT TURNED INTO AN INTERNATIONAL CAPER? 137 00:11:03,640 --> 00:11:06,154 YEAH, THAT WAS REALLY A BRAIN TWISTER, WASN'T IT? 138 00:11:06,440 --> 00:11:08,032 RIGHT. ALL THOSE SKATERS KEPT DISAPPEARING. 139 00:11:08,320 --> 00:11:10,993 NONE OF US COULD FIGURE OUT WHY. [BOSLEY] YEAH 140 00:11:11,280 --> 00:11:13,669 AND THEN, KELLY, YOU HAD TO FOLLOW THOSE FELLAS TO THAT ARABIAN RESTAURANT. 141 00:11:13,960 --> 00:11:16,838 OH, I'LL NEVER FORGET THAT. HMM! 142 00:11:17,120 --> 00:11:20,157 THEY RETREATED TO THAT PRIVATE ROOM WHERE I WASN'T ALLOWED. 143 00:11:22,760 --> 00:11:25,228 [ PEOPLE CHA TTERING ] 144 00:11:26,360 --> 00:11:30,194 [KELLY] OH. WELL, HELLO THERE 145 00:11:30,480 --> 00:11:32,436 MY, AREN'T YOU SOMETHING? 146 00:11:32,720 --> 00:11:34,676 MY, MY, WHAT A FINE FIGURE OF A MAN. 147 00:11:35,000 --> 00:11:37,355 WELL, IF YOU'LL EXCUSE ME. 148 00:11:37,640 --> 00:11:40,552 OH, WELL, YOU DON'T UNDERSTAND. 149 00:11:40,880 --> 00:11:43,440 I TOLD MY FIRST COUSIN, IRMADINE, THAT WHEN I TRAVEL, 150 00:11:43,760 --> 00:11:46,672 I'M GONNA SEE EVERY SIGHT AND EAT EVERY EXOTIC DISH. 151 00:11:46,960 --> 00:11:48,552 SO IF YOU'LL EXCUSE ME, 152 00:11:48,840 --> 00:11:51,479 I HEARD THERE'S SOME VERY FINE VITTLES IN THAT DIRECTION. 153 00:11:51,760 --> 00:11:54,991 ROOM IS PRIVATE. 154 00:11:55,280 --> 00:11:58,238 SHE CAME FROM THERE. SHE DANCER. 155 00:12:01,160 --> 00:12:03,913 I WANT TO THANK YOU FOR BEING SO KIND AND COURTEOUS. 156 00:12:04,240 --> 00:12:07,835 I'M GONNA BE SURE AND TALK ABOUT YOU TO MY COUSIN IRMADINE NOW. [LAUGHS] 157 00:12:10,480 --> 00:12:13,790 [CHARLIE] BUT YOU CAME BACK, KELLY. BOY, DID YOU COME BACK 158 00:12:14,120 --> 00:12:16,634 - I LAUGHS] - I LAUGHS] 159 00:12:18,520 --> 00:12:22,718 [ MAN SPEAKING FOREIGN LANGUAGE] [MAN] SECTION '2), "EAST. 160 00:12:23,000 --> 00:12:26,549 [MIDDLE EASTERN] [CONVERSING IN FOREIGN LANGUAGE] 161 00:12:42,960 --> 00:12:44,951 [FOREIGN LANGUAGE] 162 00:12:52,120 --> 00:12:54,395 Y [CONTINUES] 163 00:13:00,360 --> 00:13:02,430 [ MAN CLAPPING] 164 00:14:04,080 --> 00:14:06,275 A I SPEEDS UP ] 165 00:14:26,160 --> 00:14:28,628 AS MANY TIMES AS YOU'VE EXPLAINED IT, KELLY, 166 00:14:28,960 --> 00:14:30,916 I STILL THINK IT WAS A FANTASTIC TRICK.. 167 00:14:31,200 --> 00:14:33,316 GETTING OUT OF THA T WAREHOUSE 168 00:14:48,800 --> 00:14:53,112 LUCKY BEFORE I WAS AN ICE-SKA TER, IUSED TO WORK IN THE CIRCUS. 169 00:14:59,160 --> 00:15:01,071 BEAUTIFUL. 170 00:15:11,400 --> 00:15:13,072 READY? 171 00:15:14,240 --> 00:15:15,593 OKAY. 172 00:15:15,880 --> 00:15:18,758 READY? 173 00:15:24,160 --> 00:15:27,118 [GRUNTING] GOOD, KELLY. 174 00:15:27,440 --> 00:15:29,908 [ GRU NTS ] THERE YOU GO. 175 00:15:30,240 --> 00:15:31,514 HOLD 0N THERE. 176 00:15:31,800 --> 00:15:33,756 THA T�S IT GOOD GIRL. THA T'S IT. 177 00:15:34,040 --> 00:15:36,110 [GRUNTING ] 178 00:15:38,920 --> 00:15:40,638 IT'S GREAT. 179 00:15:42,400 --> 00:15:45,153 I'LL COME BACK AND GET YOU OR SEND HELP. JUST HANG ON. 180 00:15:45,440 --> 00:15:48,512 .�[ TRUMPETFANFARE] 181 00:15:59,000 --> 00:16:02,072 [CHARLIE] KRIS, YOUR COVER AS THE CLOWN WORKED OUTMA GN/F/OENTL Y. 182 00:16:02,360 --> 00:16:05,830 IT GOT YOU CLOSE ENOUGH TO SEE THA T THE WHOLE THING WAS A SETUP... 183 00:16:06,120 --> 00:16:10,033 FOR ANA TTEMPTED ASSASSINA TION OF THOSE ARAB DIGNITARIES IN THE AUDIENCE 184 00:16:10,360 --> 00:16:12,920 A [BRA SS BAND] 185 00:16:13,240 --> 00:16:14,912 BREE. 186 00:16:18,200 --> 00:16:22,352 I GOTTA TALK TO YOU. WHAT ARE YOU-- WHAT ARE YOU DOING? 187 00:16:22,640 --> 00:16:24,517 I GOTTA TALK TO YOU. IN FRONT OF 10,000 PEOPLE? 188 00:16:24,800 --> 00:16:27,030 JUST ACT FUNNY. YOU ACT FUNNY. I CAN'T STAND UP. 189 00:16:27,320 --> 00:16:30,198 [LAUGHS] 190 00:16:37,040 --> 00:16:38,792 [N0 AUDIBLE DIALOGUE] 191 00:16:39,080 --> 00:16:41,036 [CROWD LAUGHING] 192 00:16:45,640 --> 00:16:47,471 COME ON, BOS. WHERE? 193 00:16:47,760 --> 00:16:49,591 TO THE TUNNEL. CHARLIE SAID TO WATCH SECTION "D." 194 00:16:49,880 --> 00:16:51,472 WE'LL WATCH IT FROM THE TUNNEL. WHAT'S GOING ON? 195 00:16:51,760 --> 00:16:54,274 SOMEONE'S GONNA GET KILLED IF WE DON'T GET THERE. HUH? 196 00:17:05,120 --> 00:17:09,113 TOMORROW OUR COUNTRY WILL BE IN THE HANDS OF THE TRUE PATRIOTS. 197 00:17:09,400 --> 00:17:11,516 A 1 CONTINUES 1 198 00:17:37,920 --> 00:17:39,831 [GUNSHOTS] 199 00:17:41,520 --> 00:17:43,511 KELLY! 200 00:17:55,160 --> 00:17:59,358 MOSTLY WHEN I THINK OF THAT CASE, I THINK OF MY ANKLES. 201 00:17:59,680 --> 00:18:04,117 - [BOSLEY] YOUR ANKLES? - YEAH, SKATING IS VERY HARD ON YOUR ANKLES, BOSLEY. 202 00:18:04,400 --> 00:18:06,118 OH. I MEAN, THERE'S A LOT OF STRESS. 203 00:18:06,400 --> 00:18:09,233 SPEAKING OF STRESS, DOES ANYBODY REMEMBER... 204 00:18:09,560 --> 00:18:12,120 A 40-HOUR DICE GAME IN VEGAS? 205 00:18:12,440 --> 00:18:15,273 YEAH. HE WAS REALLY SOMETHING, WASN'T HE? 206 00:18:15,560 --> 00:18:18,120 MM-HMM FRANK HOWELL AND HIS OWN PRIVA TE WORLD. 207 00:18:18,440 --> 00:18:22,194 RIGHT. SHOWROOMS, CRAP TABLES, AND, UH-- AND DICE GAMES. 208 00:18:22,480 --> 00:18:24,277 AND AN ENEMY HE COULDN'T EVEN SEE. 209 00:18:24,560 --> 00:18:28,792 AS I RECALL, THAT CASE WAS VERY HARD ON MY ANKLES ALSO. 210 00:18:29,120 --> 00:18:32,078 1�] ORCHESTRA: CANCAN] 211 00:18:32,360 --> 00:18:35,477 [BOSLEY 1 AND WHEN YOU WERE DANCING YOUR HEART OUT, 212 00:18:35,800 --> 00:18:38,917 THA T VERY DETERMINED ORIENTAL GENTLEMEN WAS TRYING... 213 00:18:39,200 --> 00:18:41,873 TO BREAK FRANK HOWELL�S FINANCIAL BACK-- 214 00:18:42,160 --> 00:18:44,276 [ RINGS 1 W/TH H/S COMPUTER. 215 00:18:44,600 --> 00:18:46,397 YEAH? FRANK, THIS IS JAKE. 216 00:18:46,720 --> 00:18:49,678 THIS CUTIE-PIE WITH THE COMPUTER WANTS TO RAISE THE TABLE LIMIT. 217 00:18:50,960 --> 00:18:52,951 HOW MUCH? THREE THOUSAND. 218 00:18:53,240 --> 00:18:56,357 [SIGHS] WHAT'S HE INTO US FOR? 219 00:18:56,640 --> 00:18:58,278 A LITTLE OVER 90,000. 220 00:18:58,560 --> 00:19:01,279 ALL RIGHT. LET HIM HAVE IT, BUT KEEP IN TOUCH. 221 00:19:01,560 --> 00:19:04,996 OKAY, FRANK. OKAY, FOLKS. 222 00:19:05,320 --> 00:19:07,311 [CLEARS THROAT] [GROUP/ER 1 COMM OUT. 223 00:19:07,600 --> 00:19:10,398 COMIN'OUTROLLIN�. COMIN'OUTROLLIN'. 224 00:19:13,800 --> 00:19:16,155 TROUBLE? 225 00:19:16,440 --> 00:19:18,192 YEAH, A MAN AT ONE OF THE TABLES... 226 00:19:18,480 --> 00:19:21,040 TRYING TO BEAT ME WITH A COMPUTER. IS THAT POSSIBLE? 227 00:19:21,320 --> 00:19:23,834 OH, NO. WHY NOT? 228 00:19:24,120 --> 00:19:29,069 WELL, UH, WINNING IS INSTINCT WITH FEELING. 229 00:19:29,360 --> 00:19:31,430 FEELING? HMM. 230 00:19:31,720 --> 00:19:34,439 I'VE BEEN WONDERING IF YOU EVER USE ANY OF THAT. 231 00:19:34,720 --> 00:19:38,508 OH. WELL, STOP WONDERING. 232 00:19:41,600 --> 00:19:43,750 [BOSLEY 1 YEAH THA T WAS A TOUGH OA SE. 233 00:19:44,040 --> 00:19:47,112 WE COULDN'TFIGURE OUT WHO WAS OUT TO RUIN FRANK, BECAUSE WE COULDN'TFIGURE OUT WHY. 234 00:19:47,400 --> 00:19:49,038 0H, THEN, SABRINA, DO YOU REMEMBER? 235 00:19:49,320 --> 00:19:52,835 YOU TOOK HIM OFF TO A PICNIC 30 AS TO COOL OFF THE CRAP GAME. 236 00:19:53,160 --> 00:19:55,116 AND THINGS GOT EVEN HO TTER. 237 00:19:58,880 --> 00:20:00,552 FRANK, MOVE! 238 00:20:10,680 --> 00:20:12,511 LET'S GET 'EM! FRANK, WHAT THE HELL'S GOING ON? 239 00:20:12,800 --> 00:20:15,951 YOU TWO STAY HERE! LIKE HELL. THIS IS MY BOAT. GET IN. 240 00:20:33,280 --> 00:20:35,396 YOU GET A LOOK AT HIM? N0! 241 00:20:39,640 --> 00:20:41,073 [GUNSHO T1 242 00:20:41,360 --> 00:20:42,918 ROCK IT! 243 00:20:47,520 --> 00:20:49,511 CAN'T THIS THING GO ANY FASTER? 244 00:21:08,360 --> 00:21:10,669 1GUNSHOT1 245 00:21:13,000 --> 00:21:14,718 [MOTOR SPUTTERS] 246 00:21:15,040 --> 00:21:16,712 WHAT'S THE MATTER? I DON'T KNOW! 247 00:21:20,440 --> 00:21:23,113 AW, N0! [KR/S 1 OHI 248 00:21:24,800 --> 00:21:27,678 I'LL NEVER FORGET THE LAST TRIP TO THAT CRAP TABLE. 249 00:21:30,720 --> 00:21:33,951 AS LONG AS I LIVE, I'LL NEVER FORGET THE LOOK ON FRANK'S FACE. 250 00:21:44,160 --> 00:21:46,720 [FRANK] LINELOSES. PA Y THE �DON�T PASS. " 251 00:21:47,000 --> 00:21:48,479 FRANK. 252 00:21:48,760 --> 00:21:50,910 I'M ALL RIGHT. NO, YOU�RENOT ALL RIGHT 253 00:21:51,240 --> 00:21:54,118 STOP NOW. STOP NOW AND TAKE YOUR LOSSES. 254 00:21:54,400 --> 00:21:56,755 I TOLD YOU. THAT'S CALLED LOSING. 255 00:22:04,800 --> 00:22:06,472 RAISE THE LIMIT? 256 00:22:08,960 --> 00:22:12,953 ONE MORE PASS FOR ALL OF IT. EVERYTHING ON THE TABLE. 257 00:22:13,240 --> 00:22:16,312 THE HOTEL-- IF YOU WIN, IT'S ALL YOURS. 258 00:22:16,640 --> 00:22:18,198 IF YOU LOSE, IT'S ALL MINE. 259 00:22:18,520 --> 00:22:20,636 OH, FOR GOD'S SAKE, FRANK. 260 00:22:20,920 --> 00:22:23,514 HE'S BEEN PLAYING "DON'T PASS," 261 00:22:23,800 --> 00:22:25,870 AND "DON'T PASS" IS FOR NONBELIEVERS. 262 00:22:26,160 --> 00:22:28,071 AND, SABRINA, SOONER OR LA TER, 263 00:22:28,400 --> 00:22:30,595 YOU HAVE TO BE A BELIEVER. 264 00:22:30,880 --> 00:22:32,757 FRANK, SOONER OR LATER YOU'RE GONNA HAVE TO STOP... 265 00:22:33,080 --> 00:22:36,117 PUTTING YOUR LIFE ON A PAIR OF DICE. 266 00:22:44,320 --> 00:22:47,437 FOR ALL OF IT... ON "DON'T PASS." 267 00:22:47,760 --> 00:22:50,149 [ COINS RA TTLING] "DON'T PASS." 268 00:22:50,440 --> 00:22:52,635 ROLL. 269 00:22:53,720 --> 00:22:57,110 [ DICE RA TTLING ] 270 00:23:02,400 --> 00:23:04,277 [ CROWD MURMURING ] 271 00:23:04,600 --> 00:23:07,717 SEVEN. "DON'T PASS" LOSES. 272 00:23:08,000 --> 00:23:10,992 YOU LOSE. 273 00:23:14,680 --> 00:23:17,592 LADIES AND GENTLEMEN, THIS TABLE IS CLOSED. 274 00:23:20,720 --> 00:23:23,439 STILL YOURS, FRANK. 275 00:23:25,400 --> 00:23:27,391 I'M GLAD FOR YOU. 276 00:23:27,680 --> 00:23:32,834 YEAH, YOU WIN SOME AND YOU LOSE SOME. 277 00:23:33,120 --> 00:23:35,588 YEAH. 278 00:23:35,880 --> 00:23:38,348 [MAN SINGING 1 A90 ONE? FOR THE TEARS ? 279 00:23:38,680 --> 00:23:41,274 IONE'S FOR THE TRY/N'.� 280 00:23:41,600 --> 00:23:43,909 ?G/VE USA SMILE I GOOD-BYE, FRANK. 281 00:23:44,200 --> 00:23:46,953 )WHEN YOU DO THE GOOD-B YIN") GOOD-BYE. 282 00:23:47,240 --> 00:23:49,708 WONE FOR THE CROWD A 283 00:23:50,000 --> 00:23:52,514 [AND ONE A 284 00:23:52,800 --> 00:23:58,670 WONE FOR THE DEALER A 285 00:24:03,720 --> 00:24:08,032 HMM. JUST ONE ROLL OF THE DICE FOR ALL OF IT. 286 00:24:08,320 --> 00:24:10,038 NOW THAT WAS AN INTERESTING CASE. 287 00:24:10,320 --> 00:24:13,039 [BOSLEY] YOU KNOW PERSONALLY, ONE OF MY FA I/OR/ TE OA SES... 288 00:24:13,320 --> 00:24:16,710 WAS THE ONE WHERE I MET THE CHARMING MISS MARTHA MILTON. 289 00:24:26,720 --> 00:24:28,915 YES. 290 00:24:32,360 --> 00:24:33,998 EIGHT CYLINDERS. 291 00:24:34,320 --> 00:24:37,232 CHROME RINGS, ADVANCED SPARK DISTRIBUTOR, 292 00:24:37,520 --> 00:24:40,432 20 AMP GENERATOR, UPDRAFT CARBURETOR, 293 00:24:40,720 --> 00:24:43,678 AND, UH, WOULD YOU LIKEASIP? 294 00:24:44,000 --> 00:24:45,911 OH. THANK YOU. 295 00:24:46,200 --> 00:24:49,397 YOU, UH, CERTAINLY KNOW YOUR CARS. 296 00:24:51,760 --> 00:24:53,990 MMM. AND YOUR WINE. 297 00:24:54,280 --> 00:24:56,396 ARE YOU, UM, AN AFICIONADO? 298 00:24:56,720 --> 00:25:01,919 NO, I'M JUST AN ADMIRER OF OLD CARS... AND MATURE WOMEN. 299 00:25:02,200 --> 00:25:04,191 [SABRINA 1 TALKABOUTJAMES BOND. 300 00:25:04,520 --> 00:25:08,479 STOLEN ROCKET FUEL HIJACKED OUT OF THE COUNTRY IN AN AN TIOUE�CAR RALLY. 301 00:25:08,760 --> 00:25:11,991 HEY, KELLY, LOOK. THERE'S THE GUY THAT WAS FOLLOWING YOU. 302 00:25:12,320 --> 00:25:14,880 [ KRIS GRUN TING ] 303 00:25:16,800 --> 00:25:19,234 HEY, THEY'VE GOT KRIS! OH, THEY'RE GONNA MAKE A RUN FOR IT. 304 00:25:19,520 --> 00:25:21,556 COME ON! 305 00:25:21,840 --> 00:25:23,796 WAIT A MINUTE. WE'RE NEVER GONNA CATCH 'EM IN THIS! 306 00:25:24,120 --> 00:25:26,236 HEY. NICHOLS'S CAR. COME ON! 307 00:25:26,520 --> 00:25:28,636 [MAN] HEY, WHAT ARE THEY DOING? 308 00:25:32,800 --> 00:25:34,597 NO WAY! 309 00:25:34,920 --> 00:25:37,832 [SABRINA] GET OFF THE CAR, DUMMYI GET OFF THE CAR! 310 00:25:49,800 --> 00:25:51,995 STAY WITH 'EM, BOSLEY! 311 00:25:52,320 --> 00:25:54,436 [WHISTLE BLOWING] 312 00:25:59,080 --> 00:26:01,310 GO FOR IT, BOSLEY! COME ON, BOS! 313 00:26:02,720 --> 00:26:04,438 - [WHISTLE CONTINUES] - LOOK OUT! 314 00:26:06,280 --> 00:26:08,635 SLOW DOWN, WILL YOU? LET 'EM PULL UP. 315 00:26:11,200 --> 00:26:13,236 OKAY, NOW. 316 00:26:16,440 --> 00:26:18,032 [GUNSHO T1 317 00:26:18,320 --> 00:26:20,754 [GRUNTS] 1 GUNSHO TS 1 318 00:26:26,560 --> 00:26:30,712 -W|LL YOU HOLD HER? - [GUNSHOTS] 319 00:26:36,280 --> 00:26:39,795 OKAY, BOSLEY. PULL UP ON THEIR LEFT REAR FENDER. 320 00:26:40,080 --> 00:26:42,958 AND THEN WHAT? THAT AREA UP THERE-- IT'S FLAT AND IT'S SANDY. 321 00:26:43,280 --> 00:26:44,918 YOU'RE GONNA FORCE 'EM OFF THE ROAD. 322 00:26:47,880 --> 00:26:50,553 [KR/S GRUNTS 1 323 00:26:59,720 --> 00:27:01,676 [TRAIN WHISTLE BLOWS] 324 00:27:11,200 --> 00:27:14,795 [KR/S 1 YOU KNOW CHA RLIE, MEMOR Y�S K/ND OFA FUNNY THWG. 325 00:27:15,080 --> 00:27:17,036 IT CAN BE, KRIS. WHY? 326 00:27:17,360 --> 00:27:20,670 WELL, SOMETIMES IT CAN MAKE YOU FEEL REALLY GOOD. 327 00:27:20,960 --> 00:27:22,837 LIKE NOW. 328 00:27:23,160 --> 00:27:27,517 SOMETIMES IT CAN MAKE YOU FEEL... BAD. 329 00:27:27,800 --> 00:27:30,109 AND SOMETIMES IT CAN JUST LEAVE YOU FEELING NOTHING. 330 00:27:30,400 --> 00:27:32,834 WHAT DO YOU MEAN? 331 00:27:33,160 --> 00:27:36,550 OH, I WAS JUST THINKING ABOUT MY TRIP INTO MOMENTARY FORGETFULNESS. 332 00:27:36,880 --> 00:27:38,757 1 CHARLIE 1 0H, YES, YES. 333 00:27:39,040 --> 00:27:40,632 YOU CAME OUT OF THAT RESTAURANT... 334 00:27:40,960 --> 00:27:43,269 AND ACCIDENTALLY SAW WHAT YOU WEREN'T SUPPOSED TO SEE. 335 00:27:43,560 --> 00:27:46,438 RIGHT. BOY, DID I WALK INTO THAT ONE. 336 00:27:46,760 --> 00:27:49,354 MWHISTLING] [DANG/NO 1 337 00:27:49,960 --> 00:27:51,712 HE YI 338 00:27:52,000 --> 00:27:53,115 COME ON! 339 00:27:53,440 --> 00:27:55,271 WHAT ARE YOU, OUT OF YOUR MIND? GET IN! 340 00:27:55,600 --> 00:27:57,192 - [CAR DOOR SLAMS 1 - [TIRES SQUEAL] 341 00:27:57,520 --> 00:27:59,317 HEY, HOLD IT! 342 00:28:04,040 --> 00:28:05,871 [SCREAMS] 343 00:28:13,480 --> 00:28:15,516 [GRUNTS] 344 00:29:00,920 --> 00:29:03,514 1 CHA RL IE 1 AMNESIA-- ONE OF THE MOST FR/GH TEN/NO EXPERIENCES... 345 00:29:03,840 --> 00:29:05,558 ANYONE CAN GO THROUGH 346 00:29:05,880 --> 00:29:09,111 [TIRES SQUEAL] 347 00:29:09,400 --> 00:29:11,550 HEY, LADY! ARE YOU CRAZY? 348 00:29:11,840 --> 00:29:13,751 ARE YOU TRYING TO GET YOURSELF KILLED? 349 00:29:28,680 --> 00:29:30,671 PAPER, LADY? 350 00:29:34,840 --> 00:29:37,832 YOU KNOW, LADY, THERE ARE EASIER WAYS TO HAIL A CAB. 351 00:29:40,240 --> 00:29:44,472 I STILL DON'T REMEMBER TO THIS DAY HOW I ENDED UP ON THE BEACH. 352 00:29:44,800 --> 00:29:49,749 I JUST REMEMBER I WOKE UP FEELING REALLY SCARED AND REALLY LONELY. 353 00:29:51,680 --> 00:29:54,148 [ SEA GULLS CA WING] 354 00:30:06,600 --> 00:30:08,352 DID YOU GET THIS MAN'S NAME? 355 00:30:08,640 --> 00:30:11,029 1 CHARLIE 1 UH, YES. BURTON. TED BUR TON. 356 00:30:11,360 --> 00:30:13,920 - ARE YOU SURE? - YES. WHY? 357 00:30:14,240 --> 00:30:16,151 CHARLIE, TED BURTON IS THE MAN I TOLD YOU WE MET... 358 00:30:16,440 --> 00:30:18,476 AT JARVIS'S RESTAURANT, THE ONE WHO'S BEEN HELPING US. 359 00:30:18,760 --> 00:30:20,557 1KELLY1 /T WAS CRAZY 360 00:30:20,880 --> 00:30:24,190 THE GUY WHO WAS HELPING US FIND YOU REALLY WANTED TO KILL YOU. 361 00:30:24,480 --> 00:30:26,198 1KRIS1 MORE IRON/C THAN CRAZY 362 00:30:26,480 --> 00:30:30,951 BECAUSE I REALL YDON'T REMEMBER SEEING HIM KILL THE GUY 363 00:30:45,880 --> 00:30:48,269 [GUN CLICKING] 364 00:31:27,080 --> 00:31:29,594 [GRUNTS] 365 00:32:10,000 --> 00:32:11,956 [BOSLEY] PENNY 366 00:32:13,640 --> 00:32:16,950 WHAT? PENNY FOR YOUR THOUGHTS. 367 00:32:17,280 --> 00:32:20,829 OH, I WAS JUST THINKING ABOUT DOUG O'NEAL. 368 00:32:21,160 --> 00:32:25,676 0H, YES. VERY RESOURCEFUL FELLOW, MR. O'NEAL. 369 00:32:26,000 --> 00:32:27,638 HMM. RATHER ATTRACTIVE. 370 00:32:27,960 --> 00:32:30,315 MOTHER SAID, "PRETTY IS AS PRETTY DOES." 371 00:32:30,600 --> 00:32:32,636 AND MR. O'NEAL DIDN'T QUITE HAVE HIS ACT TOGETHER. 372 00:32:32,960 --> 00:32:36,157 NOPE. HE HAD DISTINCT POSSIBILITIES, 373 00:32:36,440 --> 00:32:40,592 BUT THAT MONEY WE WERE BOTH AFTER KEPT GETTING IN THE WAY. 374 00:32:43,680 --> 00:32:45,591 WHOA! WHOA. WHOA. 375 00:32:45,880 --> 00:32:48,394 [HORSE BLUSTERS] [LAUGHS] 376 00:32:57,760 --> 00:33:01,355 YOU GOTTA LET ME WIN THE NEXT TIME. HEY! 377 00:33:01,640 --> 00:33:04,108 DOUG. IS SOMETHING WRONG? 378 00:33:04,400 --> 00:33:06,311 [SIGHS] 379 00:33:06,600 --> 00:33:08,397 UH, WELL, YEAH. 380 00:33:09,920 --> 00:33:12,036 YOU KNOW I TOLD YOU I WAS A WRITER? 381 00:33:14,280 --> 00:33:16,430 AND YOU'RE NOT? N0. UH, N0. IAM. 382 00:33:16,760 --> 00:33:19,832 I'M, UH-- I'M A WRITER. 383 00:33:20,120 --> 00:33:23,795 UH, BUT I'M WORKING ON A STORY... 384 00:33:24,080 --> 00:33:26,116 ABOUT THE-- 385 00:33:26,440 --> 00:33:28,874 THE MURDER THAT HAPPENED HERE. 386 00:33:29,160 --> 00:33:31,913 I JUST WANTED YOU TO KNOW THAT. 387 00:33:32,200 --> 00:33:34,111 [SIGHS] 388 00:33:34,440 --> 00:33:38,399 WELL, I GUESS I HAVE A LITTLE CONFESSION TO MAKE MYSELF. 389 00:33:38,680 --> 00:33:41,399 SOMETHING THA T YOU SHOULD PROBABL YKNOW 390 00:33:41,680 --> 00:33:45,878 | KNEW FRANK SLATER, THE MAN WHO WAS KILLED. 391 00:33:46,200 --> 00:33:49,909 - YOU DID? - WE SERVED TOGETHER IN VIETNAM. 392 00:33:50,200 --> 00:33:52,156 HOW WELL DID YOU KNOW HIM? 393 00:33:52,440 --> 00:33:55,796 ABOUT AS CLOSE AS TWO GUYS CAN GET THAT SHARED THE SAME LOVE. 394 00:33:56,080 --> 00:33:58,071 [CHUCKLES] 395 00:33:58,360 --> 00:34:00,157 GIRL? AIRPLANE. 396 00:34:00,440 --> 00:34:02,954 [CHUCKLES] BONNIE JEAN. 397 00:34:03,240 --> 00:34:05,231 FRANK WAS THE CREW CHIEF. I WAS THE FLIGHT ENGINEER. 398 00:34:05,560 --> 00:34:07,596 SHE WAS HIS ON THE GROUND, MINE IN THE AIR. 399 00:34:10,680 --> 00:34:12,955 WHY DID YOU COME HERE? 400 00:34:13,240 --> 00:34:16,915 I READ ABOUT FRANK'S DEATH IN THE NEWSPAPER. 401 00:34:17,240 --> 00:34:19,310 I DON'T KNOW. CRAZY, I GUESS. 402 00:34:19,600 --> 00:34:23,070 I THOUGHT, HERE WAS SOMETHING USEFUL THAT I COULD DO. 403 00:34:23,360 --> 00:34:26,432 MAYBE HELP FIND FRANK'S KILLER. |-- I DON'T KNOW. 404 00:34:27,760 --> 00:34:30,877 I GUESS WE'VE BOTH BEEN KEEPING SECRETS, HUH? 405 00:34:31,160 --> 00:34:34,516 [SABRINA ] DID I TE VER OCCUR TO YOU TWO THATDOUG COULD BE TELLING THE TRUTH? 406 00:34:34,840 --> 00:34:37,559 YEAH, IT OCCURRED TO US. BUT NOT FOR LONG. 407 00:34:37,880 --> 00:34:40,030 OKAY, LOOK. THEN WHAT IS HE DOING HANGING AROUND HERE, HUH? 408 00:34:40,320 --> 00:34:44,108 WHY ISN'T HE IN SOUTH AMERICA 0R EUROPE OR WHEREVER IT IS SKYJACK MILLIONAIRES GO? 409 00:34:44,400 --> 00:34:46,868 OKAY, OKAY. LET'S FORGET THE NEWSPAPER CLIPPING FOR A MOMENT. 410 00:34:47,160 --> 00:34:50,038 [SABRINA SIGHS] HOW DID HE EXPLAIN HIS CONNECTION WITH SLATER? 411 00:34:50,320 --> 00:34:51,878 THEY KNEW EACH OTHER IN VIETNAM. 412 00:34:52,160 --> 00:34:54,879 HE CAME HERE TO SEE IF HE COULD FIND OUT WHO KILLED HIS FRIEND. 413 00:34:55,160 --> 00:34:58,311 BUT, BREE, WHYDIDN'THE TELL ANYBODY? 414 00:34:59,640 --> 00:35:01,551 WE ARE UNDERCOVER, AREN'T WE? 415 00:35:01,840 --> 00:35:03,671 I TELL YOU WHAT. I'VE GOT AN IDEA. 416 00:35:03,960 --> 00:35:07,236 WHY DON'T WE JUST COME OUT FROM UNDER COVER AND ASK HIM HEAD-ON, HUH? 417 00:35:07,520 --> 00:35:09,556 WHY DON'T WE DO THAT? 418 00:35:09,840 --> 00:35:14,277 WELL, IF THE WHOLE OPERATION WAS SO SIMPLE, 419 00:35:14,560 --> 00:35:16,551 WHERE'D IT GO WRONG? 420 00:35:18,480 --> 00:35:21,836 A SLIGHT MISCALCULATION. 421 00:35:22,120 --> 00:35:25,669 I WAS, UM-- I WAS A FLIGHT ENGINEER, NOT A PARATROOPER. 422 00:35:25,960 --> 00:35:27,916 OH, I BAILED OUT OF THE PLANE... 423 00:35:28,200 --> 00:35:31,510 WITH THE RANSOM SAFELY ENOUGH, BUT I LANDED IN A TREE. 424 00:35:31,800 --> 00:35:34,712 WHEN I WOKE UP, I THOUGHT MY BACK WAS BROKEN. 425 00:35:35,000 --> 00:35:36,638 EVIDENTLY SO DID SLATER. 426 00:35:36,920 --> 00:35:39,559 HE WAS STILL MY GROUND CREW, 427 00:35:39,840 --> 00:35:42,912 WAITING FOR ME DOWN THERE-- TRANSPOR TA TION 428 00:35:43,240 --> 00:35:46,516 SO YOU FOLLOWED HIM HERE AND YOU KILLED HIM? NO. 429 00:35:46,800 --> 00:35:49,519 YOU SAID HE WAS STRANGLED. I DIDN'T DO THAT. 430 00:35:52,800 --> 00:35:54,631 HUH. 431 00:35:56,760 --> 00:35:59,638 LON MOLTON. 432 00:35:59,960 --> 00:36:04,192 HILDY SAID... AFTER SLATER WAS SHOT, 433 00:36:04,480 --> 00:36:07,950 WHEN SHE RAN TO GET HELP, 434 00:36:08,240 --> 00:36:10,390 SHE LEFT MOLTON ALONE WITH HIM. 435 00:36:10,720 --> 00:36:13,712 OH. YOU SEE? 436 00:36:14,000 --> 00:36:15,831 THAT PUTS ME IN THE CLEAR. 437 00:36:16,120 --> 00:36:18,839 THAT CLEARS YOU OF MURDER. 438 00:36:20,920 --> 00:36:22,797 WHAT ABOUT THE SKYJACK? 439 00:36:24,360 --> 00:36:26,669 YOU'RE THE ONLY ONE THAT KNOWS ANYTHING ABOUT THAT. 440 00:36:28,880 --> 00:36:31,713 AND THAT'S THE PROBLEM. 441 00:36:32,040 --> 00:36:33,678 I DO KNOW. 442 00:36:34,000 --> 00:36:36,878 BREE, THAT'S ANCIENT HISTORY. 443 00:36:37,160 --> 00:36:41,153 WHAT? JUST PRETEND LIKE IT DIDN'T HAPPEN? IS THAT IT? 444 00:36:41,440 --> 00:36:43,476 [ MUTTERS] 445 00:37:02,600 --> 00:37:04,716 I LOVE YOU, BREE. 446 00:37:09,960 --> 00:37:12,235 [ F 00 TS TEPS APPROA CHING ] 447 00:37:16,960 --> 00:37:18,712 [SNIFFLES] 448 00:37:35,640 --> 00:37:37,471 HAVE ANOTHER PIECE OF CAKE, BOSLEY. 449 00:37:37,760 --> 00:37:39,830 OH, NO, NO. I'VE ALREADY HAD TWO PIECES. 450 00:37:40,120 --> 00:37:43,317 THREE. BUT WHO'S COUNTING? 451 00:37:43,600 --> 00:37:45,989 YOU KNOW, IT OCCURS TO ME THAT WE'RE VERY FORTUNATE. 452 00:37:46,320 --> 00:37:48,914 WE'VE MET SOME VERY IN TERESTING PEOPLE IN OUR WORK 453 00:37:49,240 --> 00:37:51,470 ANY OF YOU RECALL TINKLE BELLE? 454 00:37:51,760 --> 00:37:54,672 [LAUGHING] HOW COULD WE FORGET TINKLE BELLE, BOSLEY? 455 00:37:55,000 --> 00:37:56,718 SHE KNOCKED YOU TOTALLY OFF BALANCE. 456 00:37:57,040 --> 00:37:59,156 I BEG YOUR PARDON. 457 00:37:59,440 --> 00:38:02,034 WHILE WE WERE OUT TRYING TO FIND OUT WHO WAS SABOTAGING THE CIRCUS, 458 00:38:02,320 --> 00:38:03,912 YOU WERE PLAYING WITH TINKLE BELLE. 459 00:38:04,200 --> 00:38:08,159 [LAUGHS] MY BIG ROMANCE. 460 00:38:10,480 --> 00:38:12,675 HI, CUTIE. 461 00:38:12,960 --> 00:38:14,518 AH. WELL, HELLO. 462 00:38:14,800 --> 00:38:18,634 - GOT A NAME? - BOSLEY. JOHN BOSLEY. 463 00:38:18,920 --> 00:38:23,311 BOSLEY JOHN BOSLEY. NICE RING TO IT. MARRIED? 464 00:38:23,600 --> 00:38:26,512 - NOT LATELY. - ME NEITHER. 465 00:38:26,800 --> 00:38:29,439 OH. I'M TINKLE BELLE. TINKLE BELLE. 466 00:38:29,720 --> 00:38:34,111 OH, I LOVE THE WAY IT SOUNDS WHEN YOU SAY IT, BOSLEY JOHN BOSLEY. 467 00:38:34,400 --> 00:38:38,234 UH, LOOK. JUST BOSLEY. JOHN BOSLEY. 468 00:38:38,520 --> 00:38:42,354 THAT'S WHAT I SAID. BOSLEY JOHN BOSLEY. 469 00:38:43,960 --> 00:38:45,871 UH-HUH. 470 00:38:46,160 --> 00:38:47,912 UH, SEE YOU AROUND, BIG BOY. 471 00:38:48,200 --> 00:38:51,033 DON'T FORGET TINKLE BELLE. 472 00:38:52,880 --> 00:38:54,757 SAY HELLO TO PETER PAN. 473 00:38:55,040 --> 00:38:58,112 1CHARL IE 1 WH/LE YOU WERE TWKER/NG W/TH TWKLE BELLE, 474 00:38:58,400 --> 00:39:01,119 KRIS WAS HA VING A LITTLE TROUBLE WITH HER FRIEND THE KNIFE THROWER. 475 00:39:01,440 --> 00:39:03,829 WATCH IT, HELMUT. YOU WOULDN'T LIKE ME WITH SHORT HAIR. 476 00:39:08,960 --> 00:39:10,632 HELMUT, WHAT'S WRONG WITH YOU? 477 00:39:13,400 --> 00:39:15,755 THIS HAS BEEN FUN, BUT I GOTTA RUN. 478 00:39:29,240 --> 00:39:30,719 1 GRUNTING 1 479 00:39:34,680 --> 00:39:37,114 [GRUNTING] 480 00:39:41,040 --> 00:39:42,917 [GRUNTING] 481 00:39:45,080 --> 00:39:48,595 OKAY, WHERE'S REED? AND WHO ELSE IS IN IT WITH YOU? 482 00:39:48,880 --> 00:39:53,874 IT'S TARLOFF. ONE OF THE SWORDS IS REAL. HE'S GONNA KILL HER. 483 00:40:39,240 --> 00:40:41,231 [WHOOSHES] 484 00:40:42,400 --> 00:40:45,119 [WHOOSHES] 485 00:41:14,080 --> 00:41:18,039 HE COULDN'T DO IT. [EXHALES] 486 00:41:35,560 --> 00:41:37,391 [ KRIS LAUGHING] 487 00:41:37,720 --> 00:41:40,280 COME ON. COME ON. 488 00:41:40,600 --> 00:41:44,559 [SIGHS ] WELL, I'M GLAD YOU CHOSE THE RIGHT SWORD, TARLOFF. ARE YOU? 489 00:41:44,840 --> 00:41:47,070 YES, IAM. 490 00:41:47,360 --> 00:41:49,669 WHAT'S GOING ON? 491 00:41:51,520 --> 00:41:55,752 YOU LOOK SO MUCH LIKE NADIA. I JUST COULDN'T DO IT. 492 00:41:56,040 --> 00:41:57,758 COULDN'T DO WHAT? 493 00:42:01,480 --> 00:42:03,914 WHAT IS THAT? 494 00:42:04,240 --> 00:42:07,596 WELL, YOU NEVER WOULD HAVE HAD TO DIET AGAIN, BABE. 495 00:42:14,200 --> 00:42:17,033 YOUR FRIEND KELLY-- YOU'D BETTER WARN HER. 496 00:42:17,320 --> 00:42:19,470 WHEN SHE MAKES THE JUMP, THEY'RE GOING TO KILL HER. 497 00:42:19,800 --> 00:42:21,756 WHAT? 498 00:42:31,160 --> 00:42:32,991 [ENGINE REVVING] 499 00:42:48,240 --> 00:42:49,753 [GUNSHOT] 500 00:42:55,720 --> 00:42:58,234 -ALL RIGHT! - [CHEERING] 501 00:42:58,520 --> 00:43:01,080 - YES! - BRAVO, HONEY! 502 00:43:01,360 --> 00:43:03,112 I MEAN, BRAVO! PRETTY GOOD? 503 00:43:03,400 --> 00:43:04,913 PRETTY GOOD? FANTASTIC! 504 00:43:05,200 --> 00:43:09,512 MY! OH, THAT WAS GREAT! HUH? HOW ABOUT THAT? 505 00:43:12,040 --> 00:43:14,110 IF YOU WANT TO TALK ABOUT A FAR-OUT CASE-- 506 00:43:14,440 --> 00:43:16,351 I MEAN, REAL FAR OUT-- YEAH? 507 00:43:16,640 --> 00:43:18,949 REMEMBER DR. PERRINE AND HIS UF.O.'S? 508 00:43:19,280 --> 00:43:22,158 OH, WELL. WHAT A CON HE HAD GOING. OH. 509 00:43:22,440 --> 00:43:24,874 BOY, HE HAD US ALMOST BELIEVING THAT THEY REALLY WERE UF.O.'S. 510 00:43:25,200 --> 00:43:28,158 - I'M NOT SO SURE THERE AREN'T. - [BOSLEY]/AGREE 511 00:43:28,440 --> 00:43:31,432 I MAY BE SEEING SEVERAL VERY SHORTLY. 512 00:43:31,720 --> 00:43:33,676 ICERTAINLY SAW ONE THAT DAY. 513 00:43:36,840 --> 00:43:39,308 LADIES AND GENTLEMEN, NO TALKING, PLEASE. 514 00:43:39,600 --> 00:43:41,477 LIGHTS OUT, PLEASE. 515 00:43:46,320 --> 00:43:48,072 [CROWD GA SP5 1 516 00:43:48,360 --> 00:43:50,191 1 WOMAN 1 OH. MY OOODNESS. 517 00:43:50,520 --> 00:43:52,954 [WHIRRING] 518 00:43:53,240 --> 00:43:55,800 BOSLEY. HEY. 519 00:43:56,080 --> 00:44:00,153 [BEEP/NC 1 520 00:44:02,760 --> 00:44:05,194 [WHIRRING INTENSIFIES] 521 00:44:09,640 --> 00:44:12,393 - [CROWD MURMURING] - [MAN GASPS] 522 00:44:14,040 --> 00:44:16,190 [MURMURING] [GASPS] 523 00:44:20,160 --> 00:44:24,950 1LIGHTSW/TCH CLICKS 1 OH, MY. 0H! [CHUCKLES] 524 00:44:25,240 --> 00:44:26,992 1KELL Y1 FLYING SAUCER WAS A PHONY, 525 00:44:27,280 --> 00:44:30,989 AND SO WAS THAT GOOD-LOOKING MR. BRITTEN. HMM. 526 00:44:35,560 --> 00:44:37,630 WHERE ARE WE GOING? 527 00:44:43,040 --> 00:44:46,430 1CHA RL/E1 KELL Y, SOMEONE MUS T HA YE BEEN WA TCHWG OVER YOU... 528 00:44:46,720 --> 00:44:48,870 WHEN YOU NOT/CED YOUR SEA TBEL THAD BEEN CUT. 529 00:45:00,600 --> 00:45:02,795 JIM, I WANT TO GO BACK. 530 00:45:08,400 --> 00:45:10,311 [SEAT BELT CLICKS] 531 00:45:25,400 --> 00:45:28,790 [SEAT BELT STRAINING] 532 00:45:32,240 --> 00:45:35,835 [ENGINE REVVING] 533 00:45:49,960 --> 00:45:52,474 [ENGINE REVVING] 534 00:46:12,920 --> 00:46:14,558 TAKE IT DOWN. 535 00:46:18,280 --> 00:46:20,032 KELLY, I'LL CRASH, AND I'LL KILL US BOTH. 536 00:46:20,320 --> 00:46:22,675 NO, YOU WON'T. 537 00:46:46,840 --> 00:46:50,469 1 CHARLIE 1 WELL, ANGELS, AS TOUGH AS IT�S BEEN SOMET/MES, 538 00:46:50,760 --> 00:46:53,149 YOU'LL HAVE TO ADMIT THAT SOME OF THE COVERS YOU USED... 539 00:46:53,440 --> 00:46:55,078 WERE INTERESTING, TO SAY THAT LEAST. 540 00:46:55,360 --> 00:46:57,316 OH, CHARLIE. 541 00:46:57,600 --> 00:46:59,795 "INTERESTING" IS KIND OF AN UNDERSTATEMENT. 542 00:47:05,600 --> 00:47:07,477 [BUBBLE POPS 1 543 00:47:08,720 --> 00:47:10,119 OH! [PEOPLE MURMURING] 544 00:47:10,400 --> 00:47:13,153 [WITH SWEDISH ACCENT] I JUST LOVE THAT JADE. 545 00:47:13,440 --> 00:47:16,637 [WITH EASTERN ACCENT] | LOST OUT ON A FEW WONDERFUL PICTURE PARTS. 546 00:47:16,920 --> 00:47:19,354 THE PRODUCERS THOUGHT I WAS TOO ALOOF. 547 00:47:24,240 --> 00:47:26,993 CHARLIE TOWNSEND IS A NO-GOOD, SADISTIC, 548 00:47:27,320 --> 00:47:29,675 TOTALLY INSENSITIVE MALE CHAUVINIST PIG. 549 00:47:29,960 --> 00:47:32,269 [SOUEALING] 550 00:47:32,560 --> 00:47:34,755 I'M A DIGNIFIED PERSON. 551 00:47:38,440 --> 00:47:41,591 [WITH SOUTHERN ACCENT] WELL, MORNIN'. HOWDY. 552 00:47:41,920 --> 00:47:44,673 [WITH SOUTHERN ACCENT] WE'RE YOUR NEW NEIGHBORS. 553 00:47:45,000 --> 00:47:46,831 [CHARLIE] WELL, MY FRIENDS, 554 00:47:47,120 --> 00:47:50,157 HOW CAN I THANK YOU FOR THREE EXCITING YEARS? 555 00:47:50,440 --> 00:47:52,670 WELL, I THINK YOU JUST DID, CHARLIE. 556 00:47:52,960 --> 00:47:54,916 AND VERY ELEGANTLY. VERY. 557 00:47:55,200 --> 00:47:57,634 JUST A SMALL TOKEN OF HOW I FEEL. 558 00:47:57,920 --> 00:48:00,753 OH, NOT TOO SMALL, CHARLIE. WAIT TILL YOU SEE THE BILL. 559 00:48:01,040 --> 00:48:03,554 [LAUGHS ] THIS IS ONE BILL I DON'T HAVE TO LOOK AT, BOSLEY. 560 00:48:03,840 --> 00:48:05,717 YOU'RE PRICELESS, ANGELS. 561 00:48:06,000 --> 00:48:08,389 AW, CHARLIE. THE FEELING'S MUTUAL. 562 00:48:08,680 --> 00:48:11,911 HA VE A GOOD VA CA TION ANGELS. I'LL BE THINKING OF YOU. 563 00:48:12,240 --> 00:48:14,037 TO NEXT YEAR. 564 00:48:14,360 --> 00:48:17,113 - AND MANY, MANY MORE. - HEAR, HEAR. 565 00:48:17,400 --> 00:48:19,231 WE LOVE YA, CHARLIE. 566 00:48:19,520 --> 00:48:22,318 [LAUGHS] AHHI 42726

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