All language subtitles for charlies.angels.s03e23.remastered.brip.x264-rovers-en

ONCE UPON A TIME,

THERE WERE THREE LITTLE GIRLS WHO WENT
TO THE POL/CEACADEMY—-

TWO IN LOS ANGELES,

THE OTHER IN SAN FRANCISCO--

AND THEY WERE EACH ASSIGNED
VERYHAZARDOUS DUTIES.

[BUZZING]

BUTI TOOK THEM A WA YFROM ALL THAT,
AND NOW THEY WORK FOR ME

M YNAIl/IE IS CHARLIE

UNCLE JAKE?

UNCLE JAKE,
IT'S NOT SAFE HERE.

| TALKED T0 MR. TOWNSEND.

HE IS THE SAME
CHARLIE TOWNSEND
YOU USED TO KNOW.

I DON'T CARE IF HE IS.

HIS AGENCY'S ONE OF THE BEST.
AND HE WANTS TO HELP YOU.

I CAN LOOK AFTER MYSELF.

BUT SOMEBODY'S ALREADY
TRIED TO KILL YOU ONCE.

NOT SOMEBODY--
RENALDI.

[ TIRES SOUEALING]

[TIRES SQUEALING]

ALL RIGHT.
YOU GO GET CHARLIE.

TELL HIM SOMEBODY TRIED
TO BUMP ME OFF... TWICE.

[CHARLIE 0N SPEAKERPHONE]
JAKE GARFIELD.

YES, I REMEMBER HIS TRIAL.

IT WAS A SENSATION--
LASTED FIVE MONTHS, RIGHT IN
THE MIDDLE OF THE DEPRESSION.

BUT PROHIBITION WAS OVER
BY THE TIME
THEY ARRESTED JAKE.

- WHATDID THEYGETHIMFOR?
- TAX EVASION, CONSPIRACY,
EVERYTHING.

SINCE HE WAS S0 WELL KNOWN,
THEY WANTED TO MAKE
AN EXAMPLE OF HIM.

BUTBEFORE HE WAS SENTUP,

HE MANAGED T0 SINK
ALL HE OWNED INTO BLUE-CHIP
STOCKS AND BONDS.

WHEN HE WAS FINALLY RELEASED
THIS YEAR, HE WAS, WELL, RICH.

- LOOKS LIKE CRIME DOES PAY.
[CHARLIE]
NOTREALLY, KELLY.

YOU SEE,
JAKE WASA YOUNG MAN
WHEN HE WAS SEN TENCED.

HE SPENT WHAT AMOUNTS
TO A LIFETIME IN PRISON.

AND WHILE HE WAS THERE,
THE WORLD PASSED HIM BY.

HE HASN’T BEEN ABLE,
OR MAYBE HE HASN'T WANTED,
T0--

T0 LII/E IN THE MODERN WORLD,
SO HE DOESN'T.

WELL, HE'S STILL
LIVING ON THAT OLD ESTATE
HE BUILT BACK IN THE '20S.

FROM WHAT I HEAR, THAT HOUSE
IS SOMETHING TO BEHOLD.

LOOK, DO YOU HA VE AN Y/DEA
WHY SOMEBODY WOULD WANT
TO KILL HIM NOW?

UNCLE JAKE'S WIFE,
MY AUNT ROSEMARY,
WAS MURDERED 44 YEARS AGO.

HER MURDERER
WAS NEVER CAUGHT.

JAKE HAS ALWAYS BEEN CONVINCED
THAT AN UNDERWORLD RIVAL,

LAWRENCE RENALDI,
WAS BEHIND ROSEMARY'S DEATH.

[CHARLIE]
RENALD/ /3 5m //v TOWN.

HE’S RUNNING
AN APPAREN TL Y LEGITIMA TE
BO TTLING COMPANY

AND JAKE'S OUT
TO BRING HIM TO JUSTICE
ONCE AND FOR ALL.

AND SINCE JAKE HAS BEEN
PRESSING TO REOPEN THE CASE,

THERE HAVE BEEN TWO ATTEMPTS
MADE ON HIS LIFE.

AND YOU WANT US TO FIND OUT
WHO'S TRYING TO KILL HIM.

AND TO PROTECT HIM.
WHATEVER HE ONCE WAS,
HE'S-- HE'S AN OLD MAN NOW.

WELL, IF THESE ATTEMPTS
ON YOUR UNCLE’S LIFE HAVE
ANYTHING TO DO WITH ROSEMARY,

THEN THAT MEANS WE HAVE
TO FIND OUT WHO KILLED HER.

[ CHARLIE]
THA 7"5 RIGHT, ANGELS.
AND AFTER 44 YEARS,

THA T TRAIL ’S BOUND
TO BEA LITTLE COLD.

WELL, WE'RE GOING TO HAVE
TO HAVE SOMEBODY OUT AT
THE ESTATE TO BE A BODYGUARD.

OH, I'VE ARRANGED
FOR KRIS TO BE
UNCLE JAKE'S HOUSEGUEST.

OH, WELL, UH,
WE WERE PLANNING ON PUTTING
KELLY INSIDE THE HOUSE.

- NO. IT-- IT BETTER BE KRIS.
- WHY?

UNCLE JAKE...

LIKES BLONDES.

I'LL PICK YOU UP
AROUND 3:00.

-WELL, I COULD'VE WORN A WIG.
- [LAUGHS]

WELL, I GUESS THE FIRST THING
WE BETTER DO IS CHECK OUT
MR. RENALDI. HUH?

- REALLY, IT'S ALL RIGHT.
I ASSURE YOU IT'S ALL RIGHT.
- YOU CAN'T GO IN THERE!

- AH, MR. RENALDI.
- HEY, WHO ARE YOU?
GET OUT OF HERE!

9480 PONDEROSA DRIVE.

THAT'S ALL RIGHT,
MISS DANIELS.

I'M SABRINA DUNCAN.

- YOU'RE THE WRITER
WHO CALLED EARLIER, HUH?
- UH, YES, SIR. THAT'S RIGHT.

- I TOLD YOU THEN.
I DON'T GIVE INTERVIEWS.
- OH, NO, NO.

NO, SIR, I KNOW.
AND I'M NOT A REPORTER.

YOU SEE, I'M, UH--
I'M DOING A BOOK
ON THE PROHIBITION,

AND I WAS HOPING THAT YOU
COULD GIVE ME SOME INSIGHT.

I ALSO DON'T GIVE INSIGHTS.

9480, UH, PONDEROSA DRIVE.

- MEANS NOTHING TO ME.
- WELL, IT SHOULD.

I MEAN, IT'S WHERE YOU GET
YOUR CLEAR, MOUNTAIN-STREAM
WATER...

THAT YOU PUT IN YOUR
ROCKY CANYON BEER.

- REALLY?
- OF COURSE, UH,

IT ISN'T REALLY "CLEAR,
MOUNTAIN-STREAM WATER."

IT'S CITY WATER.
IT'S FILTERED AND--

HEY, WHO ARE YOU?

SABRINA DUNCAN, SIR.

AND I REALLY DO NEED
SOME HELP ON MY BOOK.

PROHIBITION. UH, YOU KNOW,
BATHTUB GIN, BOOTLEGGERS,
VOH-DOH-DEE-OH-DOH.

-ALL THAT
[SIGHS]

THOSE DAYS ARE LONG GONE.

NOBODY REMEMBERS
OR EVEN CARES.

I CARE. NOW, SIR,
YOU WERE, UH-- YOU WERE
NEVER CONVICTED, WERE YOU?

YOU WERE TRIED
A FEW TIMES THOUGH HUH?

WHERE DO YOU GET
YOUR INFORMATION?

EX-BOOTLEGGERS
LIKE YOURSELF.

OH, JAKE GARFIELD
HAD SOME GREAT STORIES.

OH, I'LL BET HE DID.

LIKE I TRIED TO KILL HIM AND
GOT THE LITTLE WOMAN BY
MISTAKE. DID HE TELL YOU THAT?

WELL, LOOK, EVERYBODY
KNEW THAT YOU AND JAKE
WERE ENEMIES.

I MEAN, HE WAS TRYING
TO TAKE OVER YOUR TERRITORY.

HE COULD'VE HAD IT
FOR THE ASKING.

IT WAS 1935.
PROHIBITION WAS OUT.

I WAS SMART
I WENT STRAIGHT

HE DIDN'T.
HE GOT CAUGHT.

THEY GAVE HIM 40 YEARS
IN THE PEN, AND HE CAN'T
FORGIVE ME FOR THAT.

SIR, WHO DO YOU THINK
KILLED ROSEMARY?

HMMI

WHO ELSE? JAKE.

JAKE? WHAT FOR?

N0.

IT'S BETTER NOT
TO SPEAK ILL OF THE DEAD.

BUT ROSEMARY WAS NO TREASURE.
THAT'S ALL I'M GONNA SAY.

WHY CAN'T THA T OLD LUNA TIC
LET THINGS REST?

HE CAN'T GO AROUND
TELLING PEOPLE I KILLED HER.

AND IF I HAVE TO,
I'LL STOP HIM.

SOMEBODY'S ALREADY TRIED,
SIR-- TWICE.

I, UH--

| BETTER PUT
THE CAR AWAY.

0H.

HELLO. I'M KRIS MUNROE.
MR. GARFIELD INVITED ME.

IS SOMETHING WRONG?

[WITH GERMAN ACCENT]
IAM MRS. HIMBEERE,
THE HOUSEKEEPER.

BI TTE

MR. GARFIELD
HAS ASKED ME TO SAY
THAT THE HOUSE IS YOURS.

THERE ARE, HOWEVER,
CERTAIN RULES OF THE HOUSE.

YOU ARE NOT TO GO
TO THE BUILDING
ABOVE THE GARAGE.

IT IS LOCKED.
THE BUILDING IS UNSAFE.

- DO YOU UNDERSTAND?
- GOT IT.

I'LL TAKE YOUR BAGS
TO YOUR ROOM.

MR. GARFIELD
WILL JOIN YOU SHORTLY.

THANK YOU.

[IMITATING HIMBEERE]
NO GOING TO "ZE" ROOM
OVER "ZE" GARAGE.

"ZE" CHAUFFEUR
IS REALLY VERY NICE...

EXCEPT WHEN
"ZERE" IS A FULL MOON.

fl [ UP-TEMPO .IAZZ.‘
'AIN'T SHE S WEE T" ]

I [CONTINUES]

[GUNSHOT]

A I CONTINUES]

I PANTING]

UNCLE JAKE?
ARE YOU OKAY?

- IT CAME FROM UP ON THE HILL.
- [ KRIS ] DID YOU SEE ANYONE?

NO. I WAS TOO FAR AWAY.
THEY'D BE LONG GONE BY NOW.

ROSEMARY?

[JAKE]
IAM SORRY, MISS--

MISS MUNROE, RIGHT?

KRIS.
KRIS MUNROE.

I WAS SHOOK UP
PRETTY GOOD THERE.

THEN I SAW YOU, AND...

IT WAS LIKE ALL THOSE YEARS
JUST... ROLLED AWAY, AND...

SHE WAS BACK HERE AGAIN

WELL, IT WAS KIND OF
A SHOCK FOR ME TOO.

MY NEPHEW TOLD ME
THAT YOU LOOKED
A LITTLE LIKE ROSEMARY,

BUT I WASN'T PREPARED
FOR JUST HOW MUCH.

DO YOU THINK THAT LAWRENCE
RENALDI IS RESPONSIBLE
FOR ALL THIS, JAKE?

OH, I'M SURE OF IT.

IT WAS ME HE WAS AFTER
THE NIGHT THAT ROSEMARY
WAS KILLED.

NOW, I'M SURE OF THAT.

WHAT'S THE MATTER
WITH THE DRINK?

TOO MUCH SODA?
YOU ALWAYS LIKED IT--

NO, NO, IT'S FINE.

TELL ME ABOUT THE NIGHT
THAT ROSEMARY DIED.

OH, UH,

YEAH.

WE WERE, UH--
WE WERE HAVING A PARTY.

IT WA S ROSEMAR Y'S BIR THDA Y

[ YOUNG JAKE 1
ROSEMARY! ROSEMARYI

WHERE YOU GOIN', BABE?
THIS PARTY'S FOR YOU.

I SIGHS I
OH, JAKE, I'M so TIRED FROM
ALL THIS DANCING AND TALKING.

- I WANT TO GO FOR A LITTLE
DRIVE, GET SOME FRESH AIR.
- BELDING, WHAT DO YOU WANT?

MRS. GARFIELD ASKED ME
TO DRIVE HER, SIR.

OH, PLEASE, JAKE.
I DON'T WANT TO DRIVE MYSELF.

ALL RIGHT.
JUST DON'T BE GONE LONG.

HOW DO YOU LIKE
THE ROCKS, BABE?

JUST WHAT I WANTED.

I WON'T BE GONE LONG.

[JAKE SIGHS ]
/ DON’T REMEMBER ANYTHING
MORE ABOUT THA TN/GHT

I LAY AWAKE THOUSANDS
OF NIGHTS IN THAT STINKING
PRISON TRYING TO,

BUT NOTHING EVERY CAME.

THE PRISON DOCTOR
SAID IT WAS, UH--

IT WAS JUST TOO PAINFUL OR
SOMETHING LIKE THAT, I GUESS.

WELL, IF YOU
LOVED HER THAT MUCH,
IT'S UNDERSTANDABLE.

I NEVER STOPPED
LOVING HER.

WANT ANOTHER DRINK?

OH, NO.
ACTUALLY, I'D LIKE
TO GET READY FOR DINNER.

OH, SURE. SURE.

COME ON.
I'LL SHOW YOU MYSELF.

0H.

OH, IT'S BREATHTAKING.

IT WAS ROSEMARY'S ROOM.

I HAD EVERYTHING RESTORED.

| WANTED EVERYTHING
TO BE EXACTLY THE SAME WAY
THAT IT WAS.

AND NOW IT IS.

WOULD, UH--

WOULD YOU, UH,
HUMOR AN OLD MAN?

WOULD YOU WEAR
THIS DRESS TO DINNER?

ROSEMARY LOVED IT.

IF YOU'D LIKE.

OH, UH, PLEASE, SIT.

MAY I?

YOU HAVE WONDERFUL HAIR.

DONE UP LIKE THIS,
IT'S EVEN MORE BEAUTIFUL.

- I DON'T KNOW. I--
- PLEASE.

IT'D DO ME
AWORLD OF GOOD.

ONE QUESTION.

WHO AM I, JAKE?

I HAVEN'T FELT
AS ALIVE AS THIS FOR YEARS,

KRIS.

HEY, YOU GET DRESSED,
AND I'LL, UH--

I'LL SHOW YOU AROUND
BEFORE DINNER.

[DOOR CL OSES ]

I'FAIRLY ENTERPRISES."

WHY DOES THAT SOUND
SO FAMILIAR TO ME?

WELL, IT SHOULD.
DO YOU REMEMBER
THE SHELDON CASE?

- YEAH.
- WELL, FAIRLY ENTERPRISES
IS A FRONT FOR THE MOB.

BACK IN THE BAD OLD DAYS,
THE OWNER USED TO BE A MEMBER

OF A FAMILY HEADED
BY GUESS WHO.

[SABRINA 1
RENALDI.
- MM-HMM

WELL, SO MUCH FOR
HIS NICE, NEW IMA GE

0H, RENALDI IS MOBBED UP.
HEAL WA YS HAS BEE/II.

HE PROBABLY MAKES
THIS ROCKY CANYON BEER
IN A BATHTUB.

WELL, N0 WONDER HE DIDN'T
WANT ANY PUBLICITY.

EVEN IF HE DIDN'T KILL
ROSEMARY, JAKE'S CHARGES COULD
DIG UP THE PAST,

AND THAT COULD BE PRETTY
EMBARRASSING FOR A RESPECTABLE
BUSINESSMAN. HMMI

AND AS FAR AS
THE MOB IS CONCERNED,

RENALDI WOULD BE
AS DISPOSABLE AS
ONE OF HIS BOTTLES.

[ CAR PHONE BUZZES]
- OH.

HELLO.

OH, HI, KELLY.

GOOD. WHERE?

WELL, GOOD WORK
UH, LOO/C UM

WOULD YOU DO ME A FAVOR?

FIND OUT HOW THEY MAKE
THE BLOOD SPURT.

OKAY.

WELL, KELLY HAS FOUND
THE DETECTIVE...

WHO WAS THE INVESTIGATOR
OF ROSEMARY'S MURDER.

WHAT DO YOU MEAN, HOW DO
"THEY MAKE THE BLOOD SPURT"?

OH, UH, WELL, HE'S,
UH, RETIRED NOW.

HE WORKS AS
A TECHNICAL ADVISER
ON GANGSTER FILMS.

I'VE ALWAYS WANTED
TO KNOW HOW THEY MAKE
THAT BLOOD SPURT.

- BOSLEY, YOU ARE DISGUSTING.
- YEAH, I KNOW IT.

[KELL Y 1
LIEUTENANT SANDERS?

[SANDERS]
HUH? JUST ’M/S TER” NOW.

I WANTED TO TALK TO YOU
ABOUT JAKE GARFIELD.

WELL, HE WAS NO DIFFERENT
THAN THE REST.

YOU KNOW.
HE CAME TO SEE ME
ABOUT A MONTH AGO,

ALL HOT UNDER THE COLLAR
ABOUT LARRY RENALDI.

WHY DID HE COME
TO SEE YOU?

BECAUSE HE STILL THINKS
IT'S 1935, THAT'S WHY.

HE WANTED ME TO REOPEN
MY INVESTIGATION...

AFTER 44 YEARS.
[CHUCKLES]

AND ME LIVING THE LAST 20
OF THEM THE LIFE OF GLAMOUR...

AND SOPHIS T/CA T/ON
IN THE MOVIES.
[OHUOKLES ]

OH, HE OFFERED T0 PA YME,

PAY ME A LOT,
BUT I TURNED HIM DOWN.

BECAUSE IT WAS
SO LONG AGO?

NO, NOTJUST THA T.

YOU KNOW WHAT
THE OFFICIAL MOTIVE
WAS LISTED AS?

THE REPORT I READ
SAID "ROBBERY."

YEAH.
SEE, WHEN THEY FOUND
THE BODIES IN THE CAR--

HER AND THE CHAUFFEUR--
THERE WAS ONE THING MISSING--

THE DIAMOND NECKLACE.

GARFIELD HAD GIVEN IT TO HER
FOR A BIRTHDAY PRESENT.

HALF A MILLION IT COST...
THEN.

WELL, YOU CAN GUESS
WHAT IT WOULD COST NOW.

- IT WAS NEVER FOUND?
- NOPE

AND NOBODY TRIED TO FENCE IT,
NOT EVER.

I TOLD THEM
IT WASN'T ROBBERY.

THE MURDERER THOUGHT
JAKE WAS IN THE CAR.

YOU MEAN RENALDI?

YEAH, HE HATED HIM ENOUGH.

HAD THIS BIG
TERRITORIAL FIGHT.

$5,000.

OH, THAT WASA LOT
IN THOSE DA YS.

SO WHAT YOU'RE SAYING
IS RENALDI HIRED SOMEONE,

AND THE MURDERER
MADE A MISTAKE?

HEY, YOU'RE SMART.
YEAH, MISTAKES HAPPEN.

GUY SHOOTS UP THE CAR.
THERE'S A CRASH, LOT OF NOISE.

HE GETS SCARED,
TAKES IT ON THE LAM
WITHOUT CHECKING INSIDE.

ONLY THAT'S NOT
THE WAY IT HAPPENED.

- WHAT'S YOUR THEORY?
- NO THEORY. I KNOW.

JAKE DID IT.

I JUST COULDN'T PROVE IT.

WELL, WHY WOULD JAKE
KILL HIS WIFE?

YOU KNOW,
WHEN THEY FOUND THE BODIES,

THEY WERE BOTH
IN THE FRONT SEAT.

THE CHAUFFEUR
AND THE LADY OF THE MANOR.
[CHUCKLES I

THINGS WEREN'T SO LOVEY-DOVEY
IN THAT BIG HOUSE THE WAY
OLD JAKE LIKES TO TELL IT.

RIGHT.
THANK YOU, MR. SANDERS.

IT USUALL YHAPPENS
WITH PEOPLE LIKE THAT,
YOU KNOW

- I BEG YOUR PARDON?
- HUSBAND KILLS WIFE,
WIFE KILLS HUSBAND.

LOVE AND HATE.

KELLY, TAKE IT FROM ME.
IN 30 YEARS EXPERIENCE,

IT ALMOST ALWAYS
TURNS OUT TO BE SOMETHING
THAT SIMPLE IN THE END.

THANK YOU.

WHAT DO YOU THINK
YOU'RE DOING?

I GUESS I COULD ASK YOU
THE SAME QUESTION.

WHAT?

I FOUND THIS
IN YOUR DESK
IN THE LIBRARY.

LOOK FAMILIAR?

YOU HAVE NO RIGHT
GOING THROUGH
MY PERSONAL PAPERS.

AND YOU HAVE NO RIGHT
GOING THROUGH
MY PERSONAL LIFE.

YOU KNEW I LOOK LIKE ROSEMARY.
THAT'S WHY YOU BROUGHT
ME HERE.

I'M SORRY.

UNCLE JAKE'S REMORSE
IS EATING HIM AWAY INSIDE.

WHEN I SAW YOUR PICTURE
IN THE PAPER, |--

I THOUGHT YOUR BEING HERE
COULD HELP HIM.

YOU USED ME,
AND YOU LIED TO CHARLIE.

- I WAS AFRAID CHARLIE
WOULDN'T LET YOU COME.
- I COULD STILL LEAVE.

WHY DID YOU DRESS UP
LIKE THAT?

JAKE ASKED ME TO.

THEN YOU FEEL IT TOO--
HIS NEED.

HE DOESN'T REMEMBER ANYTHING
ABOUT THE NIGHT ROSEMARY DIED.

I KNOW.

I JUST THOUGHT MAYBE
IF I HELPED HIM BRING
HIS MEMORY BACK

IT WOULD EASE SOME
OF THE PRESSURE.

YES.

A-A-AND HE STILL NEEDS
YOUR PROTECTION TOO.

- WILL YOU STA Y?
- FOR JAKE.

I WANT TO ASK YOU
SOME QUESTIONS, AND I WANT
SOME STRAIGHT ANSWERS.

WHAT'S IN THE ROOM
ABOVE THE GARAGE?

JUST JUNK.
IT'S BEEN CLOSED FOR YEARS.

WHY?

I CHUCKLES I
I DON'T KNOW.
JAKE WANTS IT THAT WAY.

NOW YOU GIVE ME
A STRAIGHT ANSWER.

YOU THINK I'M TRYING
TO KILL HIM, DON'T YOU?

I DIDN'T SAY THAT.

BUT SINCE YOU ASKED--

WHO INHERITS ALL THIS
WHEN HE'S GONE?

NOW, THAT'S THE FUNNIEST THING
I'VE HEARD IN A LONG TIME.

[SABRINA ] WHY WOULD
SOMEBODY WANT TO KILL YOU?
[KR/SIIDON’T KNOW

BUT I'LL TELL YOU ONE THING.
I AM A DEAD RINGER
FOR ROSEMARY.

WE LOOK SO MUCH ALIKE,
IT IS REALLY FRIGHTENING.
AND TIM KNEW THAT.

THIS WHOLE THING
SOUNDS EERIE.

I JUST FEEL THAT AS ROSEMARY,
I MIGHT HELP JAKE
GET HIS MEMORY BACK.

HE REMEMBERS THE NIGHT
THA T SHE WAS KILLED,
UP TO A POINT.

AFTER THA T,
HE BLANKS OUT.

WHAT IF JAKE
KILLED HIS WIFE?
THAT'S RENALDI'S STORY.

AND SANDERS.
THE DETECTIVE THAT WORKED
ON THE CASE, THINKS SO.

YEAH.

I'VE BEEN GETTING
TO KNOW JAKE,

AND I KNOW HOW HE FELT
ABOUT ROSEMARY.

I CAN'T BELIEVE HE'D KILL HER.

NOW WAIT A MINUTE,
WAITA MINUTE.

LET'S JUST THINK
THIS THING OUT, ALL RIGHT?

NOW, SUPPOSE JAKE
DID KILL ROSEMARY.

YOU'RE A DOUBLE FOR HER.
YOU’LL HAVE TO BE SURE HE
KNOWS EXACTLY WHO YOU ARE

I'LL BE CAREFUL.

I GOTTA GO BACK.

THAN KS.

MRS. HIMBEERE?

PLEASE, DON'T G0.
I WANT TO TALK TO YOU.

I HAVE ROOMS TO CLEAN.

DO YOU THINK MY BEING HERE
IS BAD FOR MR. GARFIELD?

NO. I'VE NEVER
SEEN HIM LOOK HAPPIER
SINCE HE CAME HOME.

BUT HE'S STILL UPSET.

ABOUT THE OLD MEMORIES.

ABOUT HER.

SHE WAS BAD FOR HIM.

EVEN NOW SHE STILL
MAKES TROUBLE FOR HIM
IN THE MIND.

BUT I WANT TO HELP HIM.
DO YOU BELIEVE THAT?

.IA. MAYBE.

WILL YOU ANSWER
SOME QUESTIONS?

FOR JAKE?

THE ROOM OVER THE GARAGE--
IT'S THE CHAUFFEUR'S ROOM,
ISN'T IT?

JA. BELDING.

IF YOU WANT
TO HELP MR. GARFIELD,

IT'S BEST YOU NOT STIR UP
THESE OLD MEMORIES.

BUT WE CAN'T HELP HIM
IF WE HIDE THE TRUTH.

YOU DON'T UNDERSTAND.

ISAW HIM.

THAT NIGHT.

I SAW HIM TAKE THE GUN.

[ROSEMARYLA UGHING]

[ PARTYGOERS CHATTERING]

[N0 AUDIBLE DIALOGUE]

[ ROSEMARYLAUGHING ]

[LAUGHING CONTINUES]

GET OUT OF HERE.
I HAVE TO MAKE A PHONE CALL.

ELSA?
HA VE YOU SEEN MY WIFE?

ROSEMARY!

WHERE YOU GOIN'?
THIS PARTY'S FOR YOU, BABE.

I'M GOING FOR A LITTLE DRIVE.
I NEED SOME AIR, JAKE.

- IS HE DRIVING YOU?
-WHAT IF HE IS?

- MRS. GARFIELD ASKED ME TO--
- YOU SHUT YOUR TRAP!

LOOK, WHAT ARE YOU
GETTIN' SO SORE ABOUT?

WHAT ABOUT YOUR GUESTS?

THEY WON'T EVEN
KNOW I'M GONE.

LOOK, I JUST WANT TO GO FOR
A LITTLE RIDE, THAT'S ALL.
I CAN'T DRIVE MYSELF.

WELL, MAYBE YOU BETTER
LEAVE THE ROCKS HERE.

NOW, WHAT GOOD'S A PRESENT
IF I CAN'T WEAR IT
WHEN I WANT TO?

I'M GOING FOR A LITTLE RIDE,
AND YOU'RE NOT GONNA STOP ME.
SO DON'T PRETEND YOU ARE.

I NEVER TELL THE POLICE
ABOUT THE GUN.

SHE WAS NO GOOD.

AND MR. GARFIELD KILLED HER.

NOW SHE HAUNTS HIM

YOU SEE WHY YOU SHOULD
LEAVE THE PAST ALONE?

THERE IS NO HELP FOR
MR. GARFIELD IN THE PAST.

I WANT YOU TO PACK UP
AND LEA I/E RIGHT NOW

- I CAN'T.
- LOOK, IT'S GETTING
OUT OF HAND.

I CAN'T CONTROL HIM.

WELL, THEN WHY DON'T YOU
TELL ME THE REAL REASON
YOU BROUGHT ME HERE?

OKAY.

YOU'RE RIGHT.
I DID USE YOU.

IT'S THE NECKLACE--

ROSEMARY'S
DIAMOND NECKLACE.

WHAT ABOUT IT?

YOU WANT TO KNOW
WHO INHERITS ALL THIS?

IDO.

ALL THE MAINTENANCE COSTS,
REPAIR BILLS, DEBTS.

THE MONEY'S ALL GONE.
HE SQUANDERED MOST OF IT
REDECORATING THIS HOUSE...

BEFORE HE ASKED ME
TO COME HERE AND RUN THINGS.

I'VE BEEN TREADING WATER
EVER SINCE, TRYING TO KEEP US
OUT OF BANKRUPTCY.

YOU THOUGHT THE NECKLACE
WOULD SAVE YOU?

IT COULD BE WORTH CLOSE TO
FOUR MILLION DOLLARS TODAY.

WITHOUT IT, JAKE'S GONNA
BE OUT IN THE COLD
IN A VERY SHORT TIME.

AND YOU TOO.

I'VE BEEN THERE.
I CAN TAKE IT.
IT WOULD KILL HIM.

YOU THOUGHT I'D
BRING BACK HIS MEMORY.

IT WAS THE ONLY CHANCE.
BUT NOW IT'S GETTING
TOO DANGEROUS.

HE THINKS YOU ARE ROSEMARY.

I DON'T WANT
TO SEE YOU GET HURT.

YOU THINK
HE KILLED HER TOO.

WHAT'S GOING ON HERE?

UH, THERE'S NO PROBLEM.

JUST A LITTLE DIFFERENCE
OF OPINION, THAT'S ALL.

WOULD YOU MIND
LEAVING US ALONE?
I'D LIKE TO SPEAK WITH HIM.

- LOOK, JAKE, |--
- GO BACK TO YOUR GUESTS!

I'VE HEARD OF YOU,
MR. BELLECHEK. I THINK WE HA VE
MUTUAL FRIENDS.

AND THOSE FRIENDS BACK EAST
ASKED ME TO TALK TO YOU.

YOU SEE, THEY'RE WORRIED
ABOUT THIS BUSINESS
WITH JAKE GARFIELD.

YOU TELL THEM JAKE GARFIELD
IS CRAZY. HE'S NUTS!

NEVER THELESS,
SOME BAD PUBLICI TY
COULD COME OF THIS.

SO OUR FRIENDS HOPE
THAT YOU REALIZE...

IF ANYTHING UNFORTUNATE
SHOULD HAPPEN TO JAKE...

THAT THE FINGER OF GUILT
IS GOING TO TAP YOU
ON THE SHOULDER.

YOU TELL OUR FRIENDS
I GOT THE MESSAGE.

I CAN ASSURE THEM THEN
THAT THE MATTER IS CLOSED,
COMPLETELY FORGOTTEN?

OKAY.

YOU CAN ASSURE THEM.
I'M OUT OF IT.

FINE.

WELL, IT'S A PLEASURE
MEETING YOU, MR. RENALDI.

OH, UH, YOU KNOW,

I SHOULD MAKE IT
OUT HERE MORE OFTEN.

- CLIMATE'S WONDERFUL.
- OH, DROP IN ANYTIME.

MM-HMM.

[DOOR OPENS ]

[DOOR CL OSES ]

YEAH, THIS IS RENALDI.

WE HAVE TO MEET.

[BOSLEY]
0H, / SHOOK RENALDI UP.
I’M SURE OF IT.

HE'S TOUGH, BUT HE THOUGHT I
WAS FROM THE SYNDICATE, AND
HE'S NOT GOING TO BUCK THEM.

IF HE'S THE ONE WHO'S AFTER
JAKE, HE'S GONNA THINK TWICE
BEFORE TRYING AGAIN.

OKAY, S0 YOU'VE PROBABLY
TAKEN CARE OF RENALDI,

BUT I STILL THINK
JAKE IS OUR PRIME SUSPECT
IN ROSEMARY'S MURDER.

WHICH MEANS KRIS IS STILL
VERY MUCH IN DANGER.

[PHONE RINGS]
-THAT SHOULD BE HER.

HELLO?

OH, HELLO, CAPTAIN.
WHAT?

ARE YOU SURE?
NO MISTAKE ON THE I.D.?

YES, FINE.
THANK YOU VERY MUCH.

[RECEIVER SE TTLES
IN CRADLE]
- THAT WAS CENTRAL DIVISION.

THE POLICE FOUND RENALDI
IN A CAR PARKED NEAR
HIS OFFICE... SHOT TO DEATH.

WELL, THAT LEAVES
ONE SUSPECT... AND IT'S JAKE.

I‘ [BALLROOM JAZZ]

- IS THIS ALL FOR ME?
- JUST FOR YOU.

N MAN SINGING,
IND/S TINC T]
- WHAT'S THE OCCASION?

JUST WANTED TO SURPRISE YOU.
DID I?

YEAH.
YOU'RE FULL OF SURPRISES.

I'VE GOT ANOTHER
LITTLE SURPRISE FOR YOU.

- WHAT'S THAT?
- IN YOUR ROOM UPSTAIRS.

IN A FEW MINUTES
WE'LL SLIP OUT.

NOBODY'LL MISS US.

WHAT'S THE SURPRISE?

IT'S ON YOUR
DRESSING TABLE.

OPEN IT.

[SIGHS]

HOW DO YOU LIKE
THE ROCKS, BABE?

LET'S GO DOWN
AND SHOW THE GUESTS.

UH, JAKE, I THINK I'D LIKE
TO FRESHEN UP A LITTLE BIT.

OKAY.

UH, DON'T TAKE TOO LONG.

HMMI

[ PUNCHING KEYPAD ]

[LINE RINGING]

[KRIS WHISPERING] BOSLEY?
- KRIS, WE'VE BEEN WAITING
FOR YOUR CALL.

I COULDN'T GET AWAY FROM JAKE.
LISTEN, YOU'RE NOT GOING
TO BELIEVE WHAT'S HAPPENING.

IT'S-- IT'S LIKE
A TIME MACHINE AROUND HERE.

JAKE'S RELIVING THE NIGHT
OF ROSEMARY'S DEATH.

- WAIT A MINUTE.
- BOSLEY, IT'S HAPPENING
ALL OVER AGAIN.

- LISTEN TO ME.
- A FEW MINUTES AGO
JAKE GAVE ME A PRESENT.

- ANY GUESSES?
- YEAH, A DIAMOND NECKLACE.

I M WEARING IT RIGHT NOW

FROM THE LOOKS
OF THE METAL BOX IT CAME IN,
IT'S BEEN BURIED A LONG TIME.

SO ANYWAY, THAT MEANS
IF RENALDI DID KILL ROSEMARY,
HE DIDN'T GET THE NECKLACE.

KRIS, LISTEN. I'VE BEEN TRYING
TO TELL YOU, RENALDI IS DEAD.

HE'S BEEN SHOT TO DEATH
EARLIER TONIGHT.

SO IF JAKE
HAD THE NECKLACE--

[SIGHS]
THEN JAKE DID IT.

JAKE KILLED BOTH OF THEM.

KRIS, PUT DOWN THE PHONE
AND GET OUT OF THERE NOW!

IF JAKE'S RELIVING THAT NIGHT,
THEN HE THINKS
YOU'RE ROSEMARY.

OKAY, I'LL GET TIM.
I'LL HAVE HIM TAKE ME
TO THE BOTTOM OF THE ROAD.

- I'LL MEET YOU THERE.
- GOOD! DO IT NOW!

[GASPS]

THE NECKLACE!
WHERE DID YOU GET IT?

I'LL EXPLAIN LATER.
I HAVE TO GET OUT OF HERE.
CAN YOU DRIVE ME?

THE CAR'S OUTSIDE.

ROSEMARY!

WHERE YOU GOIN'?
THIS PARTY'S FOR YOU, BABE.

I HAVE TO GO, JAKE.
DON'T TRY TO STOP ME.

IS HE DRIVING YOU?

- SHE ASKED ME TO.
- SHUT YOUR TRAP!

WHAT ABOUT YOUR GUESTS?

GOOD-BYE, JAKE.

MR. GARFIELD, NO!

NO!

WAIT A MINUTE.

- IT'S STILL HAPPENING.
- HUH?

IF I GET IN THAT CAR,

I'M REPEATING ROSEMARY'S
LAST KNOWN ACT ON THE NIGHT
THAT SHE WAS MURDERED.

WHAT?

OH, NO, YOU DON'T.

YOU THOUGHT YOU WERE GOING
TO PLAY ME FOR A SUCKER, HUH?

- GET AWAY FROM THAT CARI
- UNCLE JAKE, IT'S ME, TIM!

YOU CHEAP GRIFTER.
YOU WEREN'T COMING BACK,
WERE YOU?

THAT'S RIGHT, JAKE, HONEY.
WE WEREN'T COMING BACK.

AND I WANNA THANK YOU
FOR THE NECKLACE TOO.

'CA USE IT'S GOING TO GE TME
JUST WHAT/ WANT-- AS FAR
AWAYFROM YOUAS I CAN GETI

HEY, BABY,
NOW JUST A MINUTE.

NOW, AIN'T THAT THE LIMIT?
I SHOULD HAVE KNOWN
YOU DIDN'T HAVE ANY GUTS.

[GASPS]

LET'S GET OUT OF HERE!

[WHISPERS]
COME ON, KRIS.
LET'S GET OUT OF HERE.

[CAR DOORS OPE/II, CLOSE,
ENGINE STARTS]

SO THAT'S WHAT HAPPENED.
HE KILLED THEM WHEN THEY
WERE TRYING TO LEAVE.

BUT THEY WEREN'T
KILLED AT THE HOUSE.
THEY WERE KILLED--

OUT OF THE CAR.
THIS SIDE.

WHERE'S GARFIELD?

I REMEMBER YOU.
YOU'RE THE EX-COP
UNCLE JAKE TRIED TO HIRE.

IRONIC, ISN'T IT?

ASKED TWICE TO INVESTIGATE
A MURDER THAT YOU COMMITTED.

[CHUCKLES]
0H, YOU'RE SMART.

YOU'RE SMARTER THAN
THE OTHER ROSEMARY.

YEAH, I WAS SUPPOSED
TO KILL GARFIELD.

- WHY?
- FOR 5,000 BUCKS--

RENALDI'S BOUNTY.

WELL, IT WAS A LOT OF MONEY
IN THOSE DAYS.

WHEN RENALDI FOUND OUT
THAT JAKE WAS FREE,
HE HIRED YOU AGAIN.

YEAH.

TOLD ME I HAD
TO FINISH THE JOB
IBUNGLED 44 YEARS AGO.

THEN YOU KILLED RENALDI.

- WHY?
- BECAUSE HE WASN'T
GONNA PAY ME!

HE TRIED TO CALL IT OFF.
HE WASN'T GOING
TO GIVE ME A CENT.

THE CHEAP BUM.
ALL THAT MONEY.
HE DESERVED TO DIE!

- THE YALL DIDI
- EVEN ROSEMARY?

WELL, THAT--
THAT WAS A MISTAKE.

WHERE DID JAKE FIND YOU?

I COULDN'T
BELIEVE MY EYES.

| SHOULD HAVE
TAKEN CARE OF YOU
WHEN I HAD THE CHANCE.

WHAT ARE YOU GONNA DO?

é;

I GOTTA KILL BOTH OF YOU
AND... GO BACK FOR GARFIELD.

FORTY-FOUR YEARS.

WHY... COULDN'T YOU
HAVE STAYED DEAD?

WHAT DID YOU HIT HIM WITH?

THE PAST.

J” [ BALLROOM JAZZ]

[MAN SINGING]
PWHEN DID YOU LEAVE HEAVEN P
— HOW YOU DOING?

-IHOW COULD THEY
LET YOU GOI
- I SIGHS 1

fiHOW'S EVERYTHING fl
- I REMEMBER.

fiUP THERE I

JII'D LIKE TO KNOW)

- I OWE YOU A LOT, KIDDO.
J” [ CONTINUES,
INDIST/NCT]

I GAVE YOU A HARD TIME,
AND I'M AWFUL SORRY
ABOUT THAT.

- I'M SORRY IT WAS ME THAT
HAD TO PUT YOU THROUGH IT.
- OH, IT WAS FOR THE BEST.

I'M, UH--
I'M GLAD I GOT TO KNOW YOU.

COULD YOU SEE YOUR WAY CLEAR
TO HAVING ONE LAST DANCE,
KRIS?

I'D LOVE TO.

NF I KISSED YOU I

PWOULD IT BE A SIN I

I‘I AM ONLY HUMAN I

I‘BUT YOU ARE
SO DIVINE I‘

PWHEN DID YOU
LEAVE HEAVEN A

PANGEL MINEJ

N AM ONLY HUMAN I

I‘BUT YOU ARE
SO DIVINE I‘

PWHEN DID YOU
LEAVE HEAVEN A

FANGEL I

fiM/NE I”