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1
00:00:01,080 --> 00:00:02,513
ONCE UPON A TIME,
2
00:00:02,800 --> 00:00:04,677
THERE WERE THREE LITTLE GIRLS WHO WENT
TO THE POL/CEACADEMY—-
3
00:00:04,960 --> 00:00:07,235
TWO IN LOS ANGELES,
4
00:00:12,760 --> 00:00:15,194
THE OTHER IN SAN FRANCISCO--
5
00:00:15,480 --> 00:00:20,110
AND THEY WERE EACH ASSIGNED
VERYHAZARDOUS DUTIES.
6
00:00:20,400 --> 00:00:21,833
[BUZZING]
7
00:00:22,160 --> 00:00:26,073
BUTI TOOK THEM A WA YFROM ALL THAT,
AND NOW THEY WORK FOR ME
8
00:00:26,360 --> 00:00:28,271
M YNAIl/IE IS CHARLIE
9
00:01:45,240 --> 00:01:47,356
UNCLE JAKE?
10
00:01:51,520 --> 00:01:53,636
UNCLE JAKE,
IT'S NOT SAFE HERE.
11
00:02:03,240 --> 00:02:05,196
| TALKED T0 MR. TOWNSEND.
12
00:02:05,520 --> 00:02:07,795
HE IS THE SAME
CHARLIE TOWNSEND
YOU USED TO KNOW.
13
00:02:08,080 --> 00:02:08,956
I DON'T CARE IF HE IS.
14
00:02:09,240 --> 00:02:11,435
HIS AGENCY'S ONE OF THE BEST.
AND HE WANTS TO HELP YOU.
15
00:02:11,720 --> 00:02:13,995
I CAN LOOK AFTER MYSELF.
16
00:02:14,320 --> 00:02:16,038
BUT SOMEBODY'S ALREADY
TRIED TO KILL YOU ONCE.
17
00:02:16,360 --> 00:02:18,396
NOT SOMEBODY--
RENALDI.
18
00:02:18,680 --> 00:02:20,875
[ TIRES SOUEALING]
19
00:02:23,640 --> 00:02:26,074
[TIRES SQUEALING]
20
00:02:35,480 --> 00:02:39,029
ALL RIGHT.
YOU GO GET CHARLIE.
21
00:02:39,320 --> 00:02:44,394
TELL HIM SOMEBODY TRIED
TO BUMP ME OFF... TWICE.
22
00:02:48,720 --> 00:02:50,915
[CHARLIE 0N SPEAKERPHONE]
JAKE GARFIELD.
23
00:02:51,200 --> 00:02:53,077
YES, I REMEMBER HIS TRIAL.
24
00:02:53,400 --> 00:02:56,836
IT WAS A SENSATION--
LASTED FIVE MONTHS, RIGHT IN
THE MIDDLE OF THE DEPRESSION.
25
00:02:57,120 --> 00:03:00,715
BUT PROHIBITION WAS OVER
BY THE TIME
THEY ARRESTED JAKE.
26
00:03:01,000 --> 00:03:04,276
- WHATDID THEYGETHIMFOR?
- TAX EVASION, CONSPIRACY,
EVERYTHING.
27
00:03:04,560 --> 00:03:07,074
SINCE HE WAS S0 WELL KNOWN,
THEY WANTED TO MAKE
AN EXAMPLE OF HIM.
28
00:03:07,360 --> 00:03:08,429
BUTBEFORE HE WAS SENTUP,
29
00:03:08,720 --> 00:03:10,950
HE MANAGED T0 SINK
ALL HE OWNED INTO BLUE-CHIP
STOCKS AND BONDS.
30
00:03:11,240 --> 00:03:15,836
WHEN HE WAS FINALLY RELEASED
THIS YEAR, HE WAS, WELL, RICH.
31
00:03:16,840 --> 00:03:19,434
- LOOKS LIKE CRIME DOES PAY.
[CHARLIE]
NOTREALLY, KELLY.
32
00:03:19,760 --> 00:03:21,990
YOU SEE,
JAKE WASA YOUNG MAN
WHEN HE WAS SEN TENCED.
33
00:03:22,280 --> 00:03:25,477
HE SPENT WHAT AMOUNTS
TO A LIFETIME IN PRISON.
34
00:03:25,800 --> 00:03:28,314
AND WHILE HE WAS THERE,
THE WORLD PASSED HIM BY.
35
00:03:28,640 --> 00:03:31,154
HE HASN’T BEEN ABLE,
OR MAYBE HE HASN'T WANTED,
T0--
36
00:03:31,480 --> 00:03:35,029
T0 LII/E IN THE MODERN WORLD,
SO HE DOESN'T.
37
00:03:35,360 --> 00:03:38,716
WELL, HE'S STILL
LIVING ON THAT OLD ESTATE
HE BUILT BACK IN THE '20S.
38
00:03:39,000 --> 00:03:40,797
FROM WHAT I HEAR, THAT HOUSE
IS SOMETHING TO BEHOLD.
39
00:03:41,080 --> 00:03:44,789
LOOK, DO YOU HA VE AN Y/DEA
WHY SOMEBODY WOULD WANT
TO KILL HIM NOW?
40
00:03:45,080 --> 00:03:50,108
UNCLE JAKE'S WIFE,
MY AUNT ROSEMARY,
WAS MURDERED 44 YEARS AGO.
41
00:03:50,400 --> 00:03:51,992
HER MURDERER
WAS NEVER CAUGHT.
42
00:03:52,280 --> 00:03:54,475
JAKE HAS ALWAYS BEEN CONVINCED
THAT AN UNDERWORLD RIVAL,
43
00:03:55,200 --> 00:03:57,077
LAWRENCE RENALDI,
WAS BEHIND ROSEMARY'S DEATH.
44
00:03:57,480 --> 00:03:59,391
[CHARLIE]
RENALD/ /3 5m //v TOWN.
45
00:03:59,680 --> 00:04:02,274
HE’S RUNNING
AN APPAREN TL Y LEGITIMA TE
BO TTLING COMPANY
46
00:04:02,560 --> 00:04:06,030
AND JAKE'S OUT
TO BRING HIM TO JUSTICE
ONCE AND FOR ALL.
47
00:04:06,320 --> 00:04:08,629
AND SINCE JAKE HAS BEEN
PRESSING TO REOPEN THE CASE,
48
00:04:08,920 --> 00:04:10,751
THERE HAVE BEEN TWO ATTEMPTS
MADE ON HIS LIFE.
49
00:04:11,040 --> 00:04:13,315
AND YOU WANT US TO FIND OUT
WHO'S TRYING TO KILL HIM.
50
00:04:13,640 --> 00:04:17,349
AND TO PROTECT HIM.
WHATEVER HE ONCE WAS,
HE'S-- HE'S AN OLD MAN NOW.
51
00:04:17,640 --> 00:04:21,519
WELL, IF THESE ATTEMPTS
ON YOUR UNCLE’S LIFE HAVE
ANYTHING TO DO WITH ROSEMARY,
52
00:04:22,040 --> 00:04:24,190
THEN THAT MEANS WE HAVE
TO FIND OUT WHO KILLED HER.
53
00:04:24,480 --> 00:04:27,392
[ CHARLIE]
THA 7"5 RIGHT, ANGELS.
AND AFTER 44 YEARS,
54
00:04:27,680 --> 00:04:29,671
THA T TRAIL ’S BOUND
TO BEA LITTLE COLD.
55
00:04:29,960 --> 00:04:34,238
WELL, WE'RE GOING TO HAVE
TO HAVE SOMEBODY OUT AT
THE ESTATE TO BE A BODYGUARD.
56
00:04:34,520 --> 00:04:36,795
OH, I'VE ARRANGED
FOR KRIS TO BE
UNCLE JAKE'S HOUSEGUEST.
57
00:04:37,120 --> 00:04:40,999
OH, WELL, UH,
WE WERE PLANNING ON PUTTING
KELLY INSIDE THE HOUSE.
58
00:04:43,240 --> 00:04:45,879
- NO. IT-- IT BETTER BE KRIS.
- WHY?
59
00:04:46,160 --> 00:04:48,037
UNCLE JAKE...
60
00:04:49,480 --> 00:04:51,391
LIKES BLONDES.
61
00:04:51,720 --> 00:04:54,029
I'LL PICK YOU UP
AROUND 3:00.
62
00:04:56,960 --> 00:05:00,430
-WELL, I COULD'VE WORN A WIG.
- [LAUGHS]
63
00:05:00,720 --> 00:05:04,429
WELL, I GUESS THE FIRST THING
WE BETTER DO IS CHECK OUT
MR. RENALDI. HUH?
64
00:05:09,960 --> 00:05:13,316
- REALLY, IT'S ALL RIGHT.
I ASSURE YOU IT'S ALL RIGHT.
- YOU CAN'T GO IN THERE!
65
00:05:13,600 --> 00:05:16,478
- AH, MR. RENALDI.
- HEY, WHO ARE YOU?
GET OUT OF HERE!
66
00:05:19,560 --> 00:05:23,030
9480 PONDEROSA DRIVE.
67
00:05:26,480 --> 00:05:28,710
THAT'S ALL RIGHT,
MISS DANIELS.
68
00:05:33,840 --> 00:05:35,910
I'M SABRINA DUNCAN.
69
00:05:36,200 --> 00:05:39,909
- YOU'RE THE WRITER
WHO CALLED EARLIER, HUH?
- UH, YES, SIR. THAT'S RIGHT.
70
00:05:40,200 --> 00:05:42,714
- I TOLD YOU THEN.
I DON'T GIVE INTERVIEWS.
- OH, NO, NO.
71
00:05:43,000 --> 00:05:44,877
NO, SIR, I KNOW.
AND I'M NOT A REPORTER.
72
00:05:45,160 --> 00:05:47,993
YOU SEE, I'M, UH--
I'M DOING A BOOK
ON THE PROHIBITION,
73
00:05:48,560 --> 00:05:50,676
AND I WAS HOPING THAT YOU
COULD GIVE ME SOME INSIGHT.
74
00:05:50,960 --> 00:05:52,951
I ALSO DON'T GIVE INSIGHTS.
75
00:05:53,280 --> 00:05:57,239
9480, UH, PONDEROSA DRIVE.
76
00:05:58,440 --> 00:06:00,795
- MEANS NOTHING TO ME.
- WELL, IT SHOULD.
77
00:06:01,120 --> 00:06:04,271
I MEAN, IT'S WHERE YOU GET
YOUR CLEAR, MOUNTAIN-STREAM
WATER...
78
00:06:04,560 --> 00:06:05,629
THAT YOU PUT IN YOUR
ROCKY CANYON BEER.
79
00:06:05,960 --> 00:06:08,474
- REALLY?
- OF COURSE, UH,
80
00:06:08,800 --> 00:06:11,553
IT ISN'T REALLY "CLEAR,
MOUNTAIN-STREAM WATER."
81
00:06:11,880 --> 00:06:14,189
IT'S CITY WATER.
IT'S FILTERED AND--
82
00:06:14,480 --> 00:06:16,948
HEY, WHO ARE YOU?
83
00:06:17,360 --> 00:06:19,351
SABRINA DUNCAN, SIR.
84
00:06:19,680 --> 00:06:22,478
AND I REALLY DO NEED
SOME HELP ON MY BOOK.
85
00:06:22,760 --> 00:06:26,753
PROHIBITION. UH, YOU KNOW,
BATHTUB GIN, BOOTLEGGERS,
VOH-DOH-DEE-OH-DOH.
86
00:06:27,040 --> 00:06:28,792
-ALL THAT
[SIGHS]
87
00:06:29,080 --> 00:06:30,798
THOSE DAYS ARE LONG GONE.
88
00:06:31,080 --> 00:06:32,718
NOBODY REMEMBERS
OR EVEN CARES.
89
00:06:33,000 --> 00:06:37,391
I CARE. NOW, SIR,
YOU WERE, UH-- YOU WERE
NEVER CONVICTED, WERE YOU?
90
00:06:37,680 --> 00:06:40,148
YOU WERE TRIED
A FEW TIMES THOUGH HUH?
91
00:06:40,640 --> 00:06:42,517
WHERE DO YOU GET
YOUR INFORMATION?
92
00:06:42,800 --> 00:06:45,030
EX-BOOTLEGGERS
LIKE YOURSELF.
93
00:06:45,320 --> 00:06:48,596
OH, JAKE GARFIELD
HAD SOME GREAT STORIES.
94
00:06:48,920 --> 00:06:51,309
OH, I'LL BET HE DID.
95
00:06:51,600 --> 00:06:54,990
LIKE I TRIED TO KILL HIM AND
GOT THE LITTLE WOMAN BY
MISTAKE. DID HE TELL YOU THAT?
96
00:06:55,280 --> 00:06:57,589
WELL, LOOK, EVERYBODY
KNEW THAT YOU AND JAKE
WERE ENEMIES.
97
00:06:57,880 --> 00:06:59,836
I MEAN, HE WAS TRYING
TO TAKE OVER YOUR TERRITORY.
98
00:07:00,120 --> 00:07:02,270
HE COULD'VE HAD IT
FOR THE ASKING.
99
00:07:02,600 --> 00:07:04,795
IT WAS 1935.
PROHIBITION WAS OUT.
100
00:07:05,080 --> 00:07:06,911
I WAS SMART
I WENT STRAIGHT
101
00:07:07,200 --> 00:07:09,077
HE DIDN'T.
HE GOT CAUGHT.
102
00:07:09,400 --> 00:07:12,995
THEY GAVE HIM 40 YEARS
IN THE PEN, AND HE CAN'T
FORGIVE ME FOR THAT.
103
00:07:13,320 --> 00:07:16,995
SIR, WHO DO YOU THINK
KILLED ROSEMARY?
104
00:07:17,320 --> 00:07:19,038
HMMI
105
00:07:19,320 --> 00:07:22,232
WHO ELSE? JAKE.
106
00:07:22,840 --> 00:07:26,435
JAKE? WHAT FOR?
107
00:07:29,000 --> 00:07:30,638
N0.
108
00:07:30,960 --> 00:07:33,428
IT'S BETTER NOT
TO SPEAK ILL OF THE DEAD.
109
00:07:33,760 --> 00:07:36,433
BUT ROSEMARY WAS NO TREASURE.
THAT'S ALL I'M GONNA SAY.
110
00:07:37,800 --> 00:07:40,917
WHY CAN'T THA T OLD LUNA TIC
LET THINGS REST?
111
00:07:41,200 --> 00:07:43,873
HE CAN'T GO AROUND
TELLING PEOPLE I KILLED HER.
112
00:07:44,160 --> 00:07:46,276
AND IF I HAVE TO,
I'LL STOP HIM.
113
00:07:47,520 --> 00:07:51,752
SOMEBODY'S ALREADY TRIED,
SIR-- TWICE.
114
00:08:21,680 --> 00:08:24,148
I, UH--
115
00:08:24,480 --> 00:08:26,755
| BETTER PUT
THE CAR AWAY.
116
00:08:27,040 --> 00:08:28,871
0H.
117
00:08:30,200 --> 00:08:34,079
HELLO. I'M KRIS MUNROE.
MR. GARFIELD INVITED ME.
118
00:08:37,320 --> 00:08:39,629
IS SOMETHING WRONG?
119
00:08:39,920 --> 00:08:42,150
[WITH GERMAN ACCENT]
IAM MRS. HIMBEERE,
THE HOUSEKEEPER.
120
00:08:42,440 --> 00:08:44,476
BI TTE
121
00:08:55,680 --> 00:08:59,116
MR. GARFIELD
HAS ASKED ME TO SAY
THAT THE HOUSE IS YOURS.
122
00:08:59,400 --> 00:09:01,755
THERE ARE, HOWEVER,
CERTAIN RULES OF THE HOUSE.
123
00:09:02,040 --> 00:09:04,713
YOU ARE NOT TO GO
TO THE BUILDING
ABOVE THE GARAGE.
124
00:09:05,000 --> 00:09:06,479
IT IS LOCKED.
THE BUILDING IS UNSAFE.
125
00:09:06,760 --> 00:09:09,149
- DO YOU UNDERSTAND?
- GOT IT.
126
00:09:09,480 --> 00:09:11,311
I'LL TAKE YOUR BAGS
TO YOUR ROOM.
127
00:09:11,600 --> 00:09:13,670
MR. GARFIELD
WILL JOIN YOU SHORTLY.
128
00:09:13,960 --> 00:09:15,951
THANK YOU.
129
00:09:29,400 --> 00:09:32,597
[IMITATING HIMBEERE]
NO GOING TO "ZE" ROOM
OVER "ZE" GARAGE.
130
00:09:34,480 --> 00:09:37,358
"ZE" CHAUFFEUR
IS REALLY VERY NICE...
131
00:09:37,680 --> 00:09:40,319
EXCEPT WHEN
"ZERE" IS A FULL MOON.
132
00:09:40,640 --> 00:09:43,598
fl [ UP-TEMPO .IAZZ.‘
'AIN'T SHE S WEE T" ]
133
00:09:56,280 --> 00:09:58,510
I [CONTINUES]
134
00:10:04,440 --> 00:10:06,556
[GUNSHOT]
135
00:10:12,320 --> 00:10:14,834
A I CONTINUES]
136
00:10:15,120 --> 00:10:16,872
I PANTING]
137
00:10:17,160 --> 00:10:19,037
UNCLE JAKE?
ARE YOU OKAY?
138
00:10:19,320 --> 00:10:21,550
- IT CAME FROM UP ON THE HILL.
- [ KRIS ] DID YOU SEE ANYONE?
139
00:10:21,880 --> 00:10:25,839
NO. I WAS TOO FAR AWAY.
THEY'D BE LONG GONE BY NOW.
140
00:10:55,040 --> 00:10:56,917
ROSEMARY?
141
00:11:18,560 --> 00:11:21,393
[JAKE]
IAM SORRY, MISS--
142
00:11:23,280 --> 00:11:26,113
MISS MUNROE, RIGHT?
143
00:11:26,400 --> 00:11:29,278
KRIS.
KRIS MUNROE.
144
00:11:29,560 --> 00:11:32,916
I WAS SHOOK UP
PRETTY GOOD THERE.
145
00:11:33,200 --> 00:11:34,997
THEN I SAW YOU, AND...
146
00:11:37,200 --> 00:11:41,876
IT WAS LIKE ALL THOSE YEARS
JUST... ROLLED AWAY, AND...
147
00:11:43,280 --> 00:11:45,236
SHE WAS BACK HERE AGAIN
148
00:11:45,520 --> 00:11:48,398
WELL, IT WAS KIND OF
A SHOCK FOR ME TOO.
149
00:11:48,720 --> 00:11:52,872
MY NEPHEW TOLD ME
THAT YOU LOOKED
A LITTLE LIKE ROSEMARY,
150
00:11:54,600 --> 00:11:56,750
BUT I WASN'T PREPARED
FOR JUST HOW MUCH.
151
00:11:57,040 --> 00:11:59,952
DO YOU THINK THAT LAWRENCE
RENALDI IS RESPONSIBLE
FOR ALL THIS, JAKE?
152
00:12:01,240 --> 00:12:03,800
OH, I'M SURE OF IT.
153
00:12:04,080 --> 00:12:07,311
IT WAS ME HE WAS AFTER
THE NIGHT THAT ROSEMARY
WAS KILLED.
154
00:12:07,600 --> 00:12:08,635
NOW, I'M SURE OF THAT.
155
00:12:09,640 --> 00:12:11,471
WHAT'S THE MATTER
WITH THE DRINK?
156
00:12:11,760 --> 00:12:13,876
TOO MUCH SODA?
YOU ALWAYS LIKED IT--
157
00:12:17,480 --> 00:12:19,914
NO, NO, IT'S FINE.
158
00:12:22,120 --> 00:12:24,031
TELL ME ABOUT THE NIGHT
THAT ROSEMARY DIED.
159
00:12:26,320 --> 00:12:28,629
OH, UH,
160
00:12:28,920 --> 00:12:30,990
YEAH.
161
00:12:31,280 --> 00:12:35,193
WE WERE, UH--
WE WERE HAVING A PARTY.
162
00:12:36,720 --> 00:12:39,234
IT WA S ROSEMAR Y'S BIR THDA Y
163
00:12:39,560 --> 00:12:42,996
[ YOUNG JAKE 1
ROSEMARY! ROSEMARYI
164
00:12:45,480 --> 00:12:48,233
WHERE YOU GOIN', BABE?
THIS PARTY'S FOR YOU.
165
00:12:48,520 --> 00:12:52,433
I SIGHS I
OH, JAKE, I'M so TIRED FROM
ALL THIS DANCING AND TALKING.
166
00:12:52,720 --> 00:12:56,633
- I WANT TO GO FOR A LITTLE
DRIVE, GET SOME FRESH AIR.
- BELDING, WHAT DO YOU WANT?
167
00:12:56,960 --> 00:13:00,032
MRS. GARFIELD ASKED ME
TO DRIVE HER, SIR.
168
00:13:04,640 --> 00:13:07,757
OH, PLEASE, JAKE.
I DON'T WANT TO DRIVE MYSELF.
169
00:13:08,960 --> 00:13:11,793
ALL RIGHT.
JUST DON'T BE GONE LONG.
170
00:13:13,160 --> 00:13:15,628
HOW DO YOU LIKE
THE ROCKS, BABE?
171
00:13:17,480 --> 00:13:19,277
JUST WHAT I WANTED.
172
00:13:19,600 --> 00:13:21,636
I WON'T BE GONE LONG.
173
00:13:29,800 --> 00:13:32,951
[JAKE SIGHS ]
/ DON’T REMEMBER ANYTHING
MORE ABOUT THA TN/GHT
174
00:13:34,600 --> 00:13:38,070
I LAY AWAKE THOUSANDS
OF NIGHTS IN THAT STINKING
PRISON TRYING TO,
175
00:13:38,360 --> 00:13:40,396
BUT NOTHING EVERY CAME.
176
00:13:41,600 --> 00:13:44,592
THE PRISON DOCTOR
SAID IT WAS, UH--
177
00:13:44,920 --> 00:13:48,833
IT WAS JUST TOO PAINFUL OR
SOMETHING LIKE THAT, I GUESS.
178
00:13:49,120 --> 00:13:51,315
WELL, IF YOU
LOVED HER THAT MUCH,
IT'S UNDERSTANDABLE.
179
00:13:52,560 --> 00:13:54,676
I NEVER STOPPED
LOVING HER.
180
00:14:00,480 --> 00:14:03,153
WANT ANOTHER DRINK?
181
00:14:03,480 --> 00:14:06,358
OH, NO.
ACTUALLY, I'D LIKE
TO GET READY FOR DINNER.
182
00:14:06,640 --> 00:14:08,596
OH, SURE. SURE.
183
00:14:08,880 --> 00:14:11,235
COME ON.
I'LL SHOW YOU MYSELF.
184
00:14:18,520 --> 00:14:21,034
0H.
185
00:14:21,320 --> 00:14:23,197
OH, IT'S BREATHTAKING.
186
00:14:23,480 --> 00:14:25,516
IT WAS ROSEMARY'S ROOM.
187
00:14:27,560 --> 00:14:29,835
I HAD EVERYTHING RESTORED.
188
00:14:32,040 --> 00:14:35,794
| WANTED EVERYTHING
TO BE EXACTLY THE SAME WAY
THAT IT WAS.
189
00:14:37,840 --> 00:14:39,637
AND NOW IT IS.
190
00:14:46,040 --> 00:14:47,917
WOULD, UH--
191
00:14:49,840 --> 00:14:52,798
WOULD YOU, UH,
HUMOR AN OLD MAN?
192
00:14:54,560 --> 00:14:56,835
WOULD YOU WEAR
THIS DRESS TO DINNER?
193
00:14:59,520 --> 00:15:01,556
ROSEMARY LOVED IT.
194
00:15:02,960 --> 00:15:04,871
IF YOU'D LIKE.
195
00:15:08,920 --> 00:15:11,673
OH, UH, PLEASE, SIT.
196
00:15:22,880 --> 00:15:24,677
MAY I?
197
00:15:25,920 --> 00:15:27,831
YOU HAVE WONDERFUL HAIR.
198
00:15:28,120 --> 00:15:30,839
DONE UP LIKE THIS,
IT'S EVEN MORE BEAUTIFUL.
199
00:15:34,920 --> 00:15:37,639
- I DON'T KNOW. I--
- PLEASE.
200
00:15:37,920 --> 00:15:40,593
IT'D DO ME
AWORLD OF GOOD.
201
00:15:42,080 --> 00:15:44,036
ONE QUESTION.
202
00:15:45,120 --> 00:15:47,031
WHO AM I, JAKE?
203
00:15:49,760 --> 00:15:52,797
I HAVEN'T FELT
AS ALIVE AS THIS FOR YEARS,
204
00:15:54,560 --> 00:15:56,516
KRIS.
205
00:15:57,720 --> 00:15:59,199
HEY, YOU GET DRESSED,
AND I'LL, UH--
206
00:15:59,520 --> 00:16:01,556
I'LL SHOW YOU AROUND
BEFORE DINNER.
207
00:16:10,960 --> 00:16:12,712
[DOOR CL OSES ]
208
00:16:43,680 --> 00:16:45,750
I'FAIRLY ENTERPRISES."
209
00:16:46,040 --> 00:16:48,349
WHY DOES THAT SOUND
SO FAMILIAR TO ME?
210
00:16:48,640 --> 00:16:50,915
WELL, IT SHOULD.
DO YOU REMEMBER
THE SHELDON CASE?
211
00:16:51,200 --> 00:16:55,239
- YEAH.
- WELL, FAIRLY ENTERPRISES
IS A FRONT FOR THE MOB.
212
00:16:55,520 --> 00:16:57,988
BACK IN THE BAD OLD DAYS,
THE OWNER USED TO BE A MEMBER
213
00:16:58,320 --> 00:17:00,675
OF A FAMILY HEADED
BY GUESS WHO.
214
00:17:00,960 --> 00:17:02,757
[SABRINA 1
RENALDI.
- MM-HMM
215
00:17:03,080 --> 00:17:05,958
WELL, SO MUCH FOR
HIS NICE, NEW IMA GE
216
00:17:06,360 --> 00:17:08,555
0H, RENALDI IS MOBBED UP.
HEAL WA YS HAS BEE/II.
217
00:17:08,880 --> 00:17:13,271
HE PROBABLY MAKES
THIS ROCKY CANYON BEER
IN A BATHTUB.
218
00:17:13,560 --> 00:17:16,393
WELL, N0 WONDER HE DIDN'T
WANT ANY PUBLICITY.
219
00:17:16,720 --> 00:17:19,951
EVEN IF HE DIDN'T KILL
ROSEMARY, JAKE'S CHARGES COULD
DIG UP THE PAST,
220
00:17:20,240 --> 00:17:24,472
AND THAT COULD BE PRETTY
EMBARRASSING FOR A RESPECTABLE
BUSINESSMAN. HMMI
221
00:17:24,760 --> 00:17:26,751
AND AS FAR AS
THE MOB IS CONCERNED,
222
00:17:27,040 --> 00:17:29,679
RENALDI WOULD BE
AS DISPOSABLE AS
ONE OF HIS BOTTLES.
223
00:17:29,960 --> 00:17:31,837
[ CAR PHONE BUZZES]
- OH.
224
00:17:32,880 --> 00:17:35,110
HELLO.
225
00:17:35,440 --> 00:17:37,431
OH, HI, KELLY.
226
00:17:38,560 --> 00:17:41,791
GOOD. WHERE?
227
00:17:42,400 --> 00:17:45,915
WELL, GOOD WORK
UH, LOO/C UM
228
00:17:46,240 --> 00:17:48,276
WOULD YOU DO ME A FAVOR?
229
00:17:48,560 --> 00:17:50,949
FIND OUT HOW THEY MAKE
THE BLOOD SPURT.
230
00:17:52,200 --> 00:17:54,270
OKAY.
231
00:17:54,560 --> 00:17:57,552
WELL, KELLY HAS FOUND
THE DETECTIVE...
232
00:17:57,880 --> 00:17:59,950
WHO WAS THE INVESTIGATOR
OF ROSEMARY'S MURDER.
233
00:18:00,240 --> 00:18:04,119
WHAT DO YOU MEAN, HOW DO
"THEY MAKE THE BLOOD SPURT"?
234
00:18:04,400 --> 00:18:08,075
OH, UH, WELL, HE'S,
UH, RETIRED NOW.
235
00:18:08,360 --> 00:18:11,989
HE WORKS AS
A TECHNICAL ADVISER
ON GANGSTER FILMS.
236
00:18:12,280 --> 00:18:15,829
I'VE ALWAYS WANTED
TO KNOW HOW THEY MAKE
THAT BLOOD SPURT.
237
00:18:16,120 --> 00:18:20,352
- BOSLEY, YOU ARE DISGUSTING.
- YEAH, I KNOW IT.
238
00:18:20,640 --> 00:18:22,551
[KELL Y 1
LIEUTENANT SANDERS?
239
00:18:22,840 --> 00:18:24,796
[SANDERS]
HUH? JUST ’M/S TER” NOW.
240
00:18:25,120 --> 00:18:28,192
I WANTED TO TALK TO YOU
ABOUT JAKE GARFIELD.
241
00:18:29,640 --> 00:18:32,438
WELL, HE WAS NO DIFFERENT
THAN THE REST.
242
00:18:32,720 --> 00:18:35,109
YOU KNOW.
HE CAME TO SEE ME
ABOUT A MONTH AGO,
243
00:18:35,400 --> 00:18:38,949
ALL HOT UNDER THE COLLAR
ABOUT LARRY RENALDI.
244
00:18:39,240 --> 00:18:41,356
WHY DID HE COME
TO SEE YOU?
245
00:18:41,680 --> 00:18:45,116
BECAUSE HE STILL THINKS
IT'S 1935, THAT'S WHY.
246
00:18:45,400 --> 00:18:48,198
HE WANTED ME TO REOPEN
MY INVESTIGATION...
247
00:18:48,520 --> 00:18:51,557
AFTER 44 YEARS.
[CHUCKLES]
248
00:18:51,840 --> 00:18:55,355
AND ME LIVING THE LAST 20
OF THEM THE LIFE OF GLAMOUR...
249
00:18:55,640 --> 00:18:57,710
AND SOPHIS T/CA T/ON
IN THE MOVIES.
[OHUOKLES ]
250
00:18:58,000 --> 00:18:59,752
OH, HE OFFERED T0 PA YME,
251
00:19:00,040 --> 00:19:02,838
PAY ME A LOT,
BUT I TURNED HIM DOWN.
252
00:19:03,640 --> 00:19:04,914
BECAUSE IT WAS
SO LONG AGO?
253
00:19:05,240 --> 00:19:07,231
NO, NOTJUST THA T.
254
00:19:09,360 --> 00:19:12,158
YOU KNOW WHAT
THE OFFICIAL MOTIVE
WAS LISTED AS?
255
00:19:12,440 --> 00:19:14,237
THE REPORT I READ
SAID "ROBBERY."
256
00:19:14,520 --> 00:19:17,557
YEAH.
SEE, WHEN THEY FOUND
THE BODIES IN THE CAR--
257
00:19:17,880 --> 00:19:19,836
HER AND THE CHAUFFEUR--
THERE WAS ONE THING MISSING--
258
00:19:20,120 --> 00:19:21,599
THE DIAMOND NECKLACE.
259
00:19:21,920 --> 00:19:24,912
GARFIELD HAD GIVEN IT TO HER
FOR A BIRTHDAY PRESENT.
260
00:19:25,200 --> 00:19:27,839
HALF A MILLION IT COST...
THEN.
261
00:19:28,120 --> 00:19:29,758
WELL, YOU CAN GUESS
WHAT IT WOULD COST NOW.
262
00:19:30,040 --> 00:19:32,918
- IT WAS NEVER FOUND?
- NOPE
263
00:19:33,200 --> 00:19:35,236
AND NOBODY TRIED TO FENCE IT,
NOT EVER.
264
00:19:35,560 --> 00:19:37,437
I TOLD THEM
IT WASN'T ROBBERY.
265
00:19:37,720 --> 00:19:39,676
THE MURDERER THOUGHT
JAKE WAS IN THE CAR.
266
00:19:41,520 --> 00:19:43,397
YOU MEAN RENALDI?
267
00:19:43,680 --> 00:19:45,955
YEAH, HE HATED HIM ENOUGH.
268
00:19:46,280 --> 00:19:48,794
HAD THIS BIG
TERRITORIAL FIGHT.
269
00:19:52,520 --> 00:19:54,397
$5,000.
270
00:19:54,680 --> 00:19:56,671
OH, THAT WASA LOT
IN THOSE DA YS.
271
00:19:57,000 --> 00:20:00,436
SO WHAT YOU'RE SAYING
IS RENALDI HIRED SOMEONE,
272
00:20:00,760 --> 00:20:02,591
AND THE MURDERER
MADE A MISTAKE?
273
00:20:03,520 --> 00:20:07,229
HEY, YOU'RE SMART.
YEAH, MISTAKES HAPPEN.
274
00:20:09,880 --> 00:20:13,589
GUY SHOOTS UP THE CAR.
THERE'S A CRASH, LOT OF NOISE.
275
00:20:13,880 --> 00:20:16,633
HE GETS SCARED,
TAKES IT ON THE LAM
WITHOUT CHECKING INSIDE.
276
00:20:18,560 --> 00:20:21,074
ONLY THAT'S NOT
THE WAY IT HAPPENED.
277
00:20:21,400 --> 00:20:24,631
- WHAT'S YOUR THEORY?
- NO THEORY. I KNOW.
278
00:20:24,920 --> 00:20:26,672
JAKE DID IT.
279
00:20:26,960 --> 00:20:28,757
I JUST COULDN'T PROVE IT.
280
00:20:29,080 --> 00:20:32,470
WELL, WHY WOULD JAKE
KILL HIS WIFE?
281
00:20:32,760 --> 00:20:34,398
YOU KNOW,
WHEN THEY FOUND THE BODIES,
282
00:20:34,840 --> 00:20:36,637
THEY WERE BOTH
IN THE FRONT SEAT.
283
00:20:36,960 --> 00:20:40,839
THE CHAUFFEUR
AND THE LADY OF THE MANOR.
[CHUCKLES I
284
00:20:41,120 --> 00:20:44,669
THINGS WEREN'T SO LOVEY-DOVEY
IN THAT BIG HOUSE THE WAY
OLD JAKE LIKES TO TELL IT.
285
00:20:44,960 --> 00:20:47,872
RIGHT.
THANK YOU, MR. SANDERS.
286
00:20:48,160 --> 00:20:50,913
IT USUALL YHAPPENS
WITH PEOPLE LIKE THAT,
YOU KNOW
287
00:20:51,200 --> 00:20:54,988
- I BEG YOUR PARDON?
- HUSBAND KILLS WIFE,
WIFE KILLS HUSBAND.
288
00:20:55,280 --> 00:20:57,157
LOVE AND HATE.
289
00:20:57,480 --> 00:21:01,029
KELLY, TAKE IT FROM ME.
IN 30 YEARS EXPERIENCE,
290
00:21:01,360 --> 00:21:03,874
IT ALMOST ALWAYS
TURNS OUT TO BE SOMETHING
THAT SIMPLE IN THE END.
291
00:21:04,160 --> 00:21:06,674
THANK YOU.
292
00:21:19,360 --> 00:21:21,954
WHAT DO YOU THINK
YOU'RE DOING?
293
00:21:22,240 --> 00:21:24,390
I GUESS I COULD ASK YOU
THE SAME QUESTION.
294
00:21:24,720 --> 00:21:26,995
WHAT?
295
00:21:27,480 --> 00:21:29,710
I FOUND THIS
IN YOUR DESK
IN THE LIBRARY.
296
00:21:30,000 --> 00:21:32,036
LOOK FAMILIAR?
297
00:21:36,000 --> 00:21:39,390
YOU HAVE NO RIGHT
GOING THROUGH
MY PERSONAL PAPERS.
298
00:21:39,680 --> 00:21:41,955
AND YOU HAVE NO RIGHT
GOING THROUGH
MY PERSONAL LIFE.
299
00:21:42,240 --> 00:21:44,913
YOU KNEW I LOOK LIKE ROSEMARY.
THAT'S WHY YOU BROUGHT
ME HERE.
300
00:21:48,720 --> 00:21:50,551
I'M SORRY.
301
00:21:50,840 --> 00:21:52,717
UNCLE JAKE'S REMORSE
IS EATING HIM AWAY INSIDE.
302
00:21:53,040 --> 00:21:54,792
WHEN I SAW YOUR PICTURE
IN THE PAPER, |--
303
00:21:55,120 --> 00:21:56,872
I THOUGHT YOUR BEING HERE
COULD HELP HIM.
304
00:21:57,400 --> 00:22:00,915
YOU USED ME,
AND YOU LIED TO CHARLIE.
305
00:22:01,200 --> 00:22:04,158
- I WAS AFRAID CHARLIE
WOULDN'T LET YOU COME.
- I COULD STILL LEAVE.
306
00:22:04,440 --> 00:22:06,271
WHY DID YOU DRESS UP
LIKE THAT?
307
00:22:08,200 --> 00:22:10,794
JAKE ASKED ME TO.
308
00:22:11,080 --> 00:22:13,958
THEN YOU FEEL IT TOO--
HIS NEED.
309
00:22:15,880 --> 00:22:18,519
HE DOESN'T REMEMBER ANYTHING
ABOUT THE NIGHT ROSEMARY DIED.
310
00:22:18,800 --> 00:22:20,791
I KNOW.
311
00:22:21,080 --> 00:22:23,196
I JUST THOUGHT MAYBE
IF I HELPED HIM BRING
HIS MEMORY BACK
312
00:22:23,520 --> 00:22:24,669
IT WOULD EASE SOME
OF THE PRESSURE.
313
00:22:24,960 --> 00:22:26,837
YES.
314
00:22:27,120 --> 00:22:29,111
A-A-AND HE STILL NEEDS
YOUR PROTECTION TOO.
315
00:22:30,840 --> 00:22:34,389
- WILL YOU STA Y?
- FOR JAKE.
316
00:22:38,360 --> 00:22:42,069
I WANT TO ASK YOU
SOME QUESTIONS, AND I WANT
SOME STRAIGHT ANSWERS.
317
00:22:42,360 --> 00:22:44,669
WHAT'S IN THE ROOM
ABOVE THE GARAGE?
318
00:22:45,000 --> 00:22:46,991
JUST JUNK.
IT'S BEEN CLOSED FOR YEARS.
319
00:22:47,280 --> 00:22:49,111
WHY?
320
00:22:49,400 --> 00:22:52,437
I CHUCKLES I
I DON'T KNOW.
JAKE WANTS IT THAT WAY.
321
00:22:52,760 --> 00:22:54,478
NOW YOU GIVE ME
A STRAIGHT ANSWER.
322
00:22:54,800 --> 00:22:57,712
YOU THINK I'M TRYING
TO KILL HIM, DON'T YOU?
323
00:22:58,880 --> 00:23:01,110
I DIDN'T SAY THAT.
324
00:23:01,440 --> 00:23:03,829
BUT SINCE YOU ASKED--
325
00:23:05,000 --> 00:23:07,468
WHO INHERITS ALL THIS
WHEN HE'S GONE?
326
00:23:10,320 --> 00:23:13,835
NOW, THAT'S THE FUNNIEST THING
I'VE HEARD IN A LONG TIME.
327
00:25:31,600 --> 00:25:35,354
[SABRINA ] WHY WOULD
SOMEBODY WANT TO KILL YOU?
[KR/SIIDON’T KNOW
328
00:25:35,640 --> 00:25:39,758
BUT I'LL TELL YOU ONE THING.
I AM A DEAD RINGER
FOR ROSEMARY.
329
00:25:40,040 --> 00:25:44,113
WE LOOK SO MUCH ALIKE,
IT IS REALLY FRIGHTENING.
AND TIM KNEW THAT.
330
00:25:44,400 --> 00:25:46,311
THIS WHOLE THING
SOUNDS EERIE.
331
00:25:46,640 --> 00:25:50,349
I JUST FEEL THAT AS ROSEMARY,
I MIGHT HELP JAKE
GET HIS MEMORY BACK.
332
00:25:50,640 --> 00:25:53,473
HE REMEMBERS THE NIGHT
THA T SHE WAS KILLED,
UP TO A POINT.
333
00:25:53,760 --> 00:25:56,035
AFTER THA T,
HE BLANKS OUT.
334
00:25:56,360 --> 00:25:59,955
WHAT IF JAKE
KILLED HIS WIFE?
THAT'S RENALDI'S STORY.
335
00:26:00,280 --> 00:26:02,874
AND SANDERS.
THE DETECTIVE THAT WORKED
ON THE CASE, THINKS SO.
336
00:26:03,200 --> 00:26:05,998
YEAH.
337
00:26:06,280 --> 00:26:08,077
I'VE BEEN GETTING
TO KNOW JAKE,
338
00:26:08,360 --> 00:26:10,999
AND I KNOW HOW HE FELT
ABOUT ROSEMARY.
339
00:26:11,760 --> 00:26:12,749
I CAN'T BELIEVE HE'D KILL HER.
340
00:26:13,080 --> 00:26:14,229
NOW WAIT A MINUTE,
WAITA MINUTE.
341
00:26:14,520 --> 00:26:16,078
LET'S JUST THINK
THIS THING OUT, ALL RIGHT?
342
00:26:16,360 --> 00:26:18,476
NOW, SUPPOSE JAKE
DID KILL ROSEMARY.
343
00:26:19,400 --> 00:26:23,996
YOU'RE A DOUBLE FOR HER.
YOU’LL HAVE TO BE SURE HE
KNOWS EXACTLY WHO YOU ARE
344
00:26:24,280 --> 00:26:26,271
I'LL BE CAREFUL.
345
00:26:26,600 --> 00:26:28,556
I GOTTA GO BACK.
346
00:26:32,240 --> 00:26:34,674
THAN KS.
347
00:26:48,080 --> 00:26:50,036
MRS. HIMBEERE?
348
00:26:50,320 --> 00:26:53,835
PLEASE, DON'T G0.
I WANT TO TALK TO YOU.
349
00:26:55,400 --> 00:26:57,038
I HAVE ROOMS TO CLEAN.
350
00:26:57,320 --> 00:27:00,915
DO YOU THINK MY BEING HERE
IS BAD FOR MR. GARFIELD?
351
00:27:01,200 --> 00:27:06,069
NO. I'VE NEVER
SEEN HIM LOOK HAPPIER
SINCE HE CAME HOME.
352
00:27:06,360 --> 00:27:07,349
BUT HE'S STILL UPSET.
353
00:27:07,680 --> 00:27:10,240
ABOUT THE OLD MEMORIES.
354
00:27:10,560 --> 00:27:12,676
ABOUT HER.
355
00:27:12,960 --> 00:27:15,793
SHE WAS BAD FOR HIM.
356
00:27:16,080 --> 00:27:20,631
EVEN NOW SHE STILL
MAKES TROUBLE FOR HIM
IN THE MIND.
357
00:27:20,920 --> 00:27:25,072
BUT I WANT TO HELP HIM.
DO YOU BELIEVE THAT?
358
00:27:25,360 --> 00:27:28,716
.IA. MAYBE.
359
00:27:29,800 --> 00:27:32,268
WILL YOU ANSWER
SOME QUESTIONS?
360
00:27:32,560 --> 00:27:34,790
FOR JAKE?
361
00:27:42,040 --> 00:27:46,795
THE ROOM OVER THE GARAGE--
IT'S THE CHAUFFEUR'S ROOM,
ISN'T IT?
362
00:27:47,080 --> 00:27:50,834
JA. BELDING.
363
00:27:51,120 --> 00:27:52,872
IF YOU WANT
TO HELP MR. GARFIELD,
364
00:27:53,160 --> 00:27:56,914
IT'S BEST YOU NOT STIR UP
THESE OLD MEMORIES.
365
00:27:57,200 --> 00:27:59,589
BUT WE CAN'T HELP HIM
IF WE HIDE THE TRUTH.
366
00:27:59,880 --> 00:28:01,757
YOU DON'T UNDERSTAND.
367
00:28:02,560 --> 00:28:04,630
ISAW HIM.
368
00:28:05,680 --> 00:28:08,433
THAT NIGHT.
369
00:28:08,720 --> 00:28:10,836
I SAW HIM TAKE THE GUN.
370
00:28:12,280 --> 00:28:14,475
[ROSEMARYLA UGHING]
371
00:28:14,760 --> 00:28:17,149
[ PARTYGOERS CHATTERING]
372
00:28:18,080 --> 00:28:20,355
[N0 AUDIBLE DIALOGUE]
373
00:28:23,560 --> 00:28:25,835
[ ROSEMARYLAUGHING ]
374
00:28:26,800 --> 00:28:29,075
[LAUGHING CONTINUES]
375
00:28:36,240 --> 00:28:39,073
GET OUT OF HERE.
I HAVE TO MAKE A PHONE CALL.
376
00:28:42,680 --> 00:28:46,036
ELSA?
HA VE YOU SEEN MY WIFE?
377
00:29:06,320 --> 00:29:08,197
ROSEMARY!
378
00:29:12,280 --> 00:29:15,716
WHERE YOU GOIN'?
THIS PARTY'S FOR YOU, BABE.
379
00:29:16,000 --> 00:29:19,276
I'M GOING FOR A LITTLE DRIVE.
I NEED SOME AIR, JAKE.
380
00:29:22,440 --> 00:29:26,353
- IS HE DRIVING YOU?
-WHAT IF HE IS?
381
00:29:27,040 --> 00:29:30,032
- MRS. GARFIELD ASKED ME TO--
- YOU SHUT YOUR TRAP!
382
00:29:30,360 --> 00:29:32,590
LOOK, WHAT ARE YOU
GETTIN' SO SORE ABOUT?
383
00:29:32,880 --> 00:29:34,677
WHAT ABOUT YOUR GUESTS?
384
00:29:35,000 --> 00:29:37,719
THEY WON'T EVEN
KNOW I'M GONE.
385
00:29:38,040 --> 00:29:42,511
LOOK, I JUST WANT TO GO FOR
A LITTLE RIDE, THAT'S ALL.
I CAN'T DRIVE MYSELF.
386
00:29:42,840 --> 00:29:45,354
WELL, MAYBE YOU BETTER
LEAVE THE ROCKS HERE.
387
00:29:49,640 --> 00:29:53,349
NOW, WHAT GOOD'S A PRESENT
IF I CAN'T WEAR IT
WHEN I WANT TO?
388
00:29:53,680 --> 00:29:59,038
I'M GOING FOR A LITTLE RIDE,
AND YOU'RE NOT GONNA STOP ME.
SO DON'T PRETEND YOU ARE.
389
00:30:37,320 --> 00:30:40,198
I NEVER TELL THE POLICE
ABOUT THE GUN.
390
00:30:41,400 --> 00:30:43,231
SHE WAS NO GOOD.
391
00:30:44,400 --> 00:30:46,436
AND MR. GARFIELD KILLED HER.
392
00:30:47,480 --> 00:30:49,755
NOW SHE HAUNTS HIM
393
00:30:51,000 --> 00:30:55,118
YOU SEE WHY YOU SHOULD
LEAVE THE PAST ALONE?
394
00:30:55,400 --> 00:30:59,109
THERE IS NO HELP FOR
MR. GARFIELD IN THE PAST.
395
00:31:26,840 --> 00:31:29,593
I WANT YOU TO PACK UP
AND LEA I/E RIGHT NOW
396
00:31:29,880 --> 00:31:32,314
- I CAN'T.
- LOOK, IT'S GETTING
OUT OF HAND.
397
00:31:32,600 --> 00:31:34,431
I CAN'T CONTROL HIM.
398
00:31:34,720 --> 00:31:38,110
WELL, THEN WHY DON'T YOU
TELL ME THE REAL REASON
YOU BROUGHT ME HERE?
399
00:31:42,640 --> 00:31:45,313
OKAY.
400
00:31:45,600 --> 00:31:48,319
YOU'RE RIGHT.
I DID USE YOU.
401
00:31:48,600 --> 00:31:50,397
IT'S THE NECKLACE--
402
00:31:50,720 --> 00:31:53,314
ROSEMARY'S
DIAMOND NECKLACE.
403
00:31:53,640 --> 00:31:55,676
WHAT ABOUT IT?
404
00:31:56,920 --> 00:31:58,433
YOU WANT TO KNOW
WHO INHERITS ALL THIS?
405
00:31:58,760 --> 00:32:00,079
IDO.
406
00:32:00,360 --> 00:32:02,999
ALL THE MAINTENANCE COSTS,
REPAIR BILLS, DEBTS.
407
00:32:03,280 --> 00:32:06,158
THE MONEY'S ALL GONE.
HE SQUANDERED MOST OF IT
REDECORATING THIS HOUSE...
408
00:32:06,480 --> 00:32:08,516
BEFORE HE ASKED ME
TO COME HERE AND RUN THINGS.
409
00:32:08,800 --> 00:32:11,837
I'VE BEEN TREADING WATER
EVER SINCE, TRYING TO KEEP US
OUT OF BANKRUPTCY.
410
00:32:12,120 --> 00:32:14,076
YOU THOUGHT THE NECKLACE
WOULD SAVE YOU?
411
00:32:14,400 --> 00:32:17,710
IT COULD BE WORTH CLOSE TO
FOUR MILLION DOLLARS TODAY.
412
00:32:18,000 --> 00:32:20,673
WITHOUT IT, JAKE'S GONNA
BE OUT IN THE COLD
IN A VERY SHORT TIME.
413
00:32:21,000 --> 00:32:23,070
AND YOU TOO.
414
00:32:23,360 --> 00:32:26,989
I'VE BEEN THERE.
I CAN TAKE IT.
IT WOULD KILL HIM.
415
00:32:28,560 --> 00:32:30,357
YOU THOUGHT I'D
BRING BACK HIS MEMORY.
416
00:32:30,640 --> 00:32:32,756
IT WAS THE ONLY CHANCE.
BUT NOW IT'S GETTING
TOO DANGEROUS.
417
00:32:33,040 --> 00:32:35,315
HE THINKS YOU ARE ROSEMARY.
418
00:32:35,920 --> 00:32:38,195
I DON'T WANT
TO SEE YOU GET HURT.
419
00:32:40,280 --> 00:32:42,510
YOU THINK
HE KILLED HER TOO.
420
00:32:49,080 --> 00:32:50,752
WHAT'S GOING ON HERE?
421
00:32:51,040 --> 00:32:53,031
UH, THERE'S NO PROBLEM.
422
00:32:53,360 --> 00:32:56,272
JUST A LITTLE DIFFERENCE
OF OPINION, THAT'S ALL.
423
00:32:56,560 --> 00:32:59,472
WOULD YOU MIND
LEAVING US ALONE?
I'D LIKE TO SPEAK WITH HIM.
424
00:32:59,760 --> 00:33:02,228
- LOOK, JAKE, |--
- GO BACK TO YOUR GUESTS!
425
00:33:33,120 --> 00:33:36,908
I'VE HEARD OF YOU,
MR. BELLECHEK. I THINK WE HA VE
MUTUAL FRIENDS.
426
00:33:37,240 --> 00:33:40,710
AND THOSE FRIENDS BACK EAST
ASKED ME TO TALK TO YOU.
427
00:33:41,000 --> 00:33:43,434
YOU SEE, THEY'RE WORRIED
ABOUT THIS BUSINESS
WITH JAKE GARFIELD.
428
00:33:43,720 --> 00:33:47,713
YOU TELL THEM JAKE GARFIELD
IS CRAZY. HE'S NUTS!
429
00:33:48,040 --> 00:33:51,112
NEVER THELESS,
SOME BAD PUBLICI TY
COULD COME OF THIS.
430
00:33:52,560 --> 00:33:55,154
SO OUR FRIENDS HOPE
THAT YOU REALIZE...
431
00:33:55,440 --> 00:33:58,989
IF ANYTHING UNFORTUNATE
SHOULD HAPPEN TO JAKE...
432
00:33:59,280 --> 00:34:03,319
THAT THE FINGER OF GUILT
IS GOING TO TAP YOU
ON THE SHOULDER.
433
00:34:05,240 --> 00:34:08,198
YOU TELL OUR FRIENDS
I GOT THE MESSAGE.
434
00:34:08,520 --> 00:34:12,513
I CAN ASSURE THEM THEN
THAT THE MATTER IS CLOSED,
COMPLETELY FORGOTTEN?
435
00:34:12,800 --> 00:34:15,109
OKAY.
436
00:34:16,800 --> 00:34:19,075
YOU CAN ASSURE THEM.
I'M OUT OF IT.
437
00:34:19,400 --> 00:34:21,630
FINE.
438
00:34:21,920 --> 00:34:24,480
WELL, IT'S A PLEASURE
MEETING YOU, MR. RENALDI.
439
00:34:28,840 --> 00:34:32,230
OH, UH, YOU KNOW,
440
00:34:32,520 --> 00:34:35,193
I SHOULD MAKE IT
OUT HERE MORE OFTEN.
441
00:34:35,480 --> 00:34:38,472
- CLIMATE'S WONDERFUL.
- OH, DROP IN ANYTIME.
442
00:34:38,800 --> 00:34:40,631
MM-HMM.
443
00:34:44,080 --> 00:34:46,150
[DOOR OPENS ]
444
00:34:47,040 --> 00:34:49,156
[DOOR CL OSES ]
445
00:34:59,800 --> 00:35:01,836
YEAH, THIS IS RENALDI.
446
00:35:02,160 --> 00:35:04,515
WE HAVE TO MEET.
447
00:35:07,080 --> 00:35:09,036
[BOSLEY]
0H, / SHOOK RENALDI UP.
I’M SURE OF IT.
448
00:35:09,320 --> 00:35:13,199
HE'S TOUGH, BUT HE THOUGHT I
WAS FROM THE SYNDICATE, AND
HE'S NOT GOING TO BUCK THEM.
449
00:35:13,480 --> 00:35:16,677
IF HE'S THE ONE WHO'S AFTER
JAKE, HE'S GONNA THINK TWICE
BEFORE TRYING AGAIN.
450
00:35:17,000 --> 00:35:19,230
OKAY, S0 YOU'VE PROBABLY
TAKEN CARE OF RENALDI,
451
00:35:20,000 --> 00:35:23,231
BUT I STILL THINK
JAKE IS OUR PRIME SUSPECT
IN ROSEMARY'S MURDER.
452
00:35:23,520 --> 00:35:25,670
WHICH MEANS KRIS IS STILL
VERY MUCH IN DANGER.
453
00:35:25,960 --> 00:35:29,157
[PHONE RINGS]
-THAT SHOULD BE HER.
454
00:35:32,280 --> 00:35:34,032
HELLO?
455
00:35:34,360 --> 00:35:38,035
OH, HELLO, CAPTAIN.
WHAT?
456
00:35:38,360 --> 00:35:41,955
ARE YOU SURE?
NO MISTAKE ON THE I.D.?
457
00:35:42,280 --> 00:35:44,874
YES, FINE.
THANK YOU VERY MUCH.
458
00:35:45,200 --> 00:35:48,033
[RECEIVER SE TTLES
IN CRADLE]
- THAT WAS CENTRAL DIVISION.
459
00:35:48,320 --> 00:35:52,074
THE POLICE FOUND RENALDI
IN A CAR PARKED NEAR
HIS OFFICE... SHOT TO DEATH.
460
00:35:54,040 --> 00:35:58,113
WELL, THAT LEAVES
ONE SUSPECT... AND IT'S JAKE.
461
00:35:58,520 --> 00:36:01,432
I‘ [BALLROOM JAZZ]
462
00:36:14,520 --> 00:36:17,956
- IS THIS ALL FOR ME?
- JUST FOR YOU.
463
00:36:18,240 --> 00:36:20,800
N MAN SINGING,
IND/S TINC T]
- WHAT'S THE OCCASION?
464
00:36:22,120 --> 00:36:25,032
JUST WANTED TO SURPRISE YOU.
DID I?
465
00:36:27,200 --> 00:36:30,670
YEAH.
YOU'RE FULL OF SURPRISES.
466
00:36:31,000 --> 00:36:33,355
I'VE GOT ANOTHER
LITTLE SURPRISE FOR YOU.
467
00:36:33,640 --> 00:36:36,712
- WHAT'S THAT?
- IN YOUR ROOM UPSTAIRS.
468
00:36:39,520 --> 00:36:42,592
IN A FEW MINUTES
WE'LL SLIP OUT.
469
00:36:42,920 --> 00:36:44,717
NOBODY'LL MISS US.
470
00:37:03,240 --> 00:37:04,958
WHAT'S THE SURPRISE?
471
00:37:05,280 --> 00:37:07,430
IT'S ON YOUR
DRESSING TABLE.
472
00:37:25,240 --> 00:37:27,310
OPEN IT.
473
00:37:40,960 --> 00:37:42,757
[SIGHS]
474
00:37:48,080 --> 00:37:49,991
HOW DO YOU LIKE
THE ROCKS, BABE?
475
00:38:07,240 --> 00:38:10,232
LET'S GO DOWN
AND SHOW THE GUESTS.
476
00:38:10,520 --> 00:38:15,036
UH, JAKE, I THINK I'D LIKE
TO FRESHEN UP A LITTLE BIT.
477
00:38:15,320 --> 00:38:17,356
OKAY.
478
00:38:19,080 --> 00:38:22,550
UH, DON'T TAKE TOO LONG.
479
00:38:22,840 --> 00:38:24,751
HMMI
480
00:39:22,160 --> 00:39:24,071
[ PUNCHING KEYPAD ]
481
00:39:25,360 --> 00:39:27,112
[LINE RINGING]
482
00:39:27,960 --> 00:39:30,599
[KRIS WHISPERING] BOSLEY?
- KRIS, WE'VE BEEN WAITING
FOR YOUR CALL.
483
00:39:30,920 --> 00:39:34,276
I COULDN'T GET AWAY FROM JAKE.
LISTEN, YOU'RE NOT GOING
TO BELIEVE WHAT'S HAPPENING.
484
00:39:34,600 --> 00:39:36,830
IT'S-- IT'S LIKE
A TIME MACHINE AROUND HERE.
485
00:39:37,120 --> 00:39:39,236
JAKE'S RELIVING THE NIGHT
OF ROSEMARY'S DEATH.
486
00:39:39,560 --> 00:39:42,279
- WAIT A MINUTE.
- BOSLEY, IT'S HAPPENING
ALL OVER AGAIN.
487
00:39:42,600 --> 00:39:45,592
- LISTEN TO ME.
- A FEW MINUTES AGO
JAKE GAVE ME A PRESENT.
488
00:39:45,880 --> 00:39:48,792
- ANY GUESSES?
- YEAH, A DIAMOND NECKLACE.
489
00:39:49,080 --> 00:39:50,638
I M WEARING IT RIGHT NOW
490
00:39:50,920 --> 00:39:54,799
FROM THE LOOKS
OF THE METAL BOX IT CAME IN,
IT'S BEEN BURIED A LONG TIME.
491
00:39:55,120 --> 00:39:59,079
SO ANYWAY, THAT MEANS
IF RENALDI DID KILL ROSEMARY,
HE DIDN'T GET THE NECKLACE.
492
00:39:59,560 --> 00:40:02,120
KRIS, LISTEN. I'VE BEEN TRYING
TO TELL YOU, RENALDI IS DEAD.
493
00:40:02,400 --> 00:40:04,152
HE'S BEEN SHOT TO DEATH
EARLIER TONIGHT.
494
00:40:04,440 --> 00:40:06,510
SO IF JAKE
HAD THE NECKLACE--
495
00:40:06,840 --> 00:40:09,991
[SIGHS]
THEN JAKE DID IT.
496
00:40:10,920 --> 00:40:12,911
JAKE KILLED BOTH OF THEM.
497
00:40:13,200 --> 00:40:15,953
KRIS, PUT DOWN THE PHONE
AND GET OUT OF THERE NOW!
498
00:40:16,240 --> 00:40:18,674
IF JAKE'S RELIVING THAT NIGHT,
THEN HE THINKS
YOU'RE ROSEMARY.
499
00:40:18,960 --> 00:40:22,509
OKAY, I'LL GET TIM.
I'LL HAVE HIM TAKE ME
TO THE BOTTOM OF THE ROAD.
500
00:40:22,800 --> 00:40:24,711
- I'LL MEET YOU THERE.
- GOOD! DO IT NOW!
501
00:40:48,040 --> 00:40:50,031
[GASPS]
502
00:40:51,360 --> 00:40:54,033
THE NECKLACE!
WHERE DID YOU GET IT?
503
00:40:54,320 --> 00:40:57,039
I'LL EXPLAIN LATER.
I HAVE TO GET OUT OF HERE.
CAN YOU DRIVE ME?
504
00:40:57,320 --> 00:40:59,709
THE CAR'S OUTSIDE.
505
00:41:01,600 --> 00:41:03,397
ROSEMARY!
506
00:41:11,880 --> 00:41:14,713
WHERE YOU GOIN'?
THIS PARTY'S FOR YOU, BABE.
507
00:41:17,640 --> 00:41:20,279
I HAVE TO GO, JAKE.
DON'T TRY TO STOP ME.
508
00:41:22,800 --> 00:41:25,234
IS HE DRIVING YOU?
509
00:41:25,520 --> 00:41:28,114
- SHE ASKED ME TO.
- SHUT YOUR TRAP!
510
00:41:29,840 --> 00:41:32,752
WHAT ABOUT YOUR GUESTS?
511
00:41:33,680 --> 00:41:36,194
GOOD-BYE, JAKE.
512
00:41:57,840 --> 00:42:00,912
MR. GARFIELD, NO!
513
00:42:01,240 --> 00:42:03,310
NO!
514
00:42:18,200 --> 00:42:20,111
WAIT A MINUTE.
515
00:42:20,880 --> 00:42:23,678
- IT'S STILL HAPPENING.
- HUH?
516
00:42:25,880 --> 00:42:28,235
IF I GET IN THAT CAR,
517
00:42:28,560 --> 00:42:32,269
I'M REPEATING ROSEMARY'S
LAST KNOWN ACT ON THE NIGHT
THAT SHE WAS MURDERED.
518
00:42:32,720 --> 00:42:34,312
WHAT?
519
00:42:34,600 --> 00:42:36,875
OH, NO, YOU DON'T.
520
00:42:39,240 --> 00:42:42,152
YOU THOUGHT YOU WERE GOING
TO PLAY ME FOR A SUCKER, HUH?
521
00:42:42,440 --> 00:42:45,557
- GET AWAY FROM THAT CARI
- UNCLE JAKE, IT'S ME, TIM!
522
00:42:45,840 --> 00:42:49,628
YOU CHEAP GRIFTER.
YOU WEREN'T COMING BACK,
WERE YOU?
523
00:42:50,760 --> 00:42:52,637
THAT'S RIGHT, JAKE, HONEY.
WE WEREN'T COMING BACK.
524
00:42:52,960 --> 00:42:54,632
AND I WANNA THANK YOU
FOR THE NECKLACE TOO.
525
00:42:54,960 --> 00:42:58,635
'CA USE IT'S GOING TO GE TME
JUST WHAT/ WANT-- AS FAR
AWAYFROM YOUAS I CAN GETI
526
00:42:58,960 --> 00:43:01,520
HEY, BABY,
NOW JUST A MINUTE.
527
00:43:01,840 --> 00:43:05,196
NOW, AIN'T THAT THE LIMIT?
I SHOULD HAVE KNOWN
YOU DIDN'T HAVE ANY GUTS.
528
00:43:07,000 --> 00:43:09,195
[GASPS]
529
00:43:09,520 --> 00:43:11,431
LET'S GET OUT OF HERE!
530
00:43:21,200 --> 00:43:23,839
[WHISPERS]
COME ON, KRIS.
LET'S GET OUT OF HERE.
531
00:43:26,520 --> 00:43:29,512
[CAR DOORS OPE/II, CLOSE,
ENGINE STARTS]
532
00:44:06,920 --> 00:44:10,629
SO THAT'S WHAT HAPPENED.
HE KILLED THEM WHEN THEY
WERE TRYING TO LEAVE.
533
00:44:12,560 --> 00:44:16,075
BUT THEY WEREN'T
KILLED AT THE HOUSE.
THEY WERE KILLED--
534
00:44:26,640 --> 00:44:29,950
OUT OF THE CAR.
THIS SIDE.
535
00:44:40,800 --> 00:44:42,472
WHERE'S GARFIELD?
536
00:44:42,760 --> 00:44:45,718
I REMEMBER YOU.
YOU'RE THE EX-COP
UNCLE JAKE TRIED TO HIRE.
537
00:44:46,000 --> 00:44:47,991
IRONIC, ISN'T IT?
538
00:44:48,320 --> 00:44:50,959
ASKED TWICE TO INVESTIGATE
A MURDER THAT YOU COMMITTED.
539
00:44:51,280 --> 00:44:53,396
[CHUCKLES]
0H, YOU'RE SMART.
540
00:44:53,680 --> 00:44:56,114
YOU'RE SMARTER THAN
THE OTHER ROSEMARY.
541
00:44:56,400 --> 00:44:58,356
YEAH, I WAS SUPPOSED
TO KILL GARFIELD.
542
00:44:58,640 --> 00:45:02,269
- WHY?
- FOR 5,000 BUCKS--
543
00:45:02,560 --> 00:45:04,278
RENALDI'S BOUNTY.
544
00:45:04,560 --> 00:45:06,790
WELL, IT WAS A LOT OF MONEY
IN THOSE DAYS.
545
00:45:08,840 --> 00:45:12,071
WHEN RENALDI FOUND OUT
THAT JAKE WAS FREE,
HE HIRED YOU AGAIN.
546
00:45:12,360 --> 00:45:13,873
YEAH.
547
00:45:14,160 --> 00:45:16,469
TOLD ME I HAD
TO FINISH THE JOB
IBUNGLED 44 YEARS AGO.
548
00:45:16,760 --> 00:45:18,432
THEN YOU KILLED RENALDI.
549
00:45:18,720 --> 00:45:22,076
- WHY?
- BECAUSE HE WASN'T
GONNA PAY ME!
550
00:45:22,400 --> 00:45:25,790
HE TRIED TO CALL IT OFF.
HE WASN'T GOING
TO GIVE ME A CENT.
551
00:45:26,080 --> 00:45:29,629
THE CHEAP BUM.
ALL THAT MONEY.
HE DESERVED TO DIE!
552
00:45:29,920 --> 00:45:32,434
- THE YALL DIDI
- EVEN ROSEMARY?
553
00:45:33,600 --> 00:45:38,276
WELL, THAT--
THAT WAS A MISTAKE.
554
00:45:43,760 --> 00:45:47,070
WHERE DID JAKE FIND YOU?
555
00:45:47,680 --> 00:45:50,148
I COULDN'T
BELIEVE MY EYES.
556
00:45:50,720 --> 00:45:53,109
| SHOULD HAVE
TAKEN CARE OF YOU
WHEN I HAD THE CHANCE.
557
00:45:53,400 --> 00:45:55,470
WHAT ARE YOU GONNA DO?
558
00:45:55,760 --> 00:45:57,671
é;
559
00:45:58,920 --> 00:46:03,675
I GOTTA KILL BOTH OF YOU
AND... GO BACK FOR GARFIELD.
560
00:46:04,280 --> 00:46:06,635
FORTY-FOUR YEARS.
561
00:46:08,360 --> 00:46:10,999
WHY... COULDN'T YOU
HAVE STAYED DEAD?
562
00:46:20,640 --> 00:46:22,596
WHAT DID YOU HIT HIM WITH?
563
00:46:31,160 --> 00:46:33,037
THE PAST.
564
00:46:40,680 --> 00:46:44,036
J” [ BALLROOM JAZZ]
565
00:46:53,520 --> 00:46:57,308
[MAN SINGING]
PWHEN DID YOU LEAVE HEAVEN P
— HOW YOU DOING?
566
00:46:57,600 --> 00:47:03,232
-IHOW COULD THEY
LET YOU GOI
- I SIGHS 1
567
00:47:04,040 --> 00:47:06,156
fiHOW'S EVERYTHING fl
- I REMEMBER.
568
00:47:06,440 --> 00:47:08,112
fiUP THERE I
569
00:47:08,400 --> 00:47:11,119
JII'D LIKE TO KNOW)
570
00:47:11,400 --> 00:47:13,470
- I OWE YOU A LOT, KIDDO.
J” [ CONTINUES,
INDIST/NCT]
571
00:47:13,800 --> 00:47:16,268
I GAVE YOU A HARD TIME,
AND I'M AWFUL SORRY
ABOUT THAT.
572
00:47:16,600 --> 00:47:21,230
- I'M SORRY IT WAS ME THAT
HAD TO PUT YOU THROUGH IT.
- OH, IT WAS FOR THE BEST.
573
00:47:24,040 --> 00:47:27,350
I'M, UH--
I'M GLAD I GOT TO KNOW YOU.
574
00:47:29,480 --> 00:47:33,917
COULD YOU SEE YOUR WAY CLEAR
TO HAVING ONE LAST DANCE,
KRIS?
575
00:47:36,680 --> 00:47:38,591
I'D LOVE TO.
576
00:47:39,560 --> 00:47:41,994
NF I KISSED YOU I
577
00:47:42,280 --> 00:47:47,070
PWOULD IT BE A SIN I
578
00:47:47,880 --> 00:47:51,589
I‘I AM ONLY HUMAN I
579
00:47:51,920 --> 00:47:55,993
I‘BUT YOU ARE
SO DIVINE I‘
580
00:47:56,280 --> 00:48:00,353
PWHEN DID YOU
LEAVE HEAVEN A
581
00:48:00,680 --> 00:48:04,559
PANGEL MINEJ
582
00:48:04,840 --> 00:48:09,118
N AM ONLY HUMAN I
583
00:48:09,440 --> 00:48:13,638
I‘BUT YOU ARE
SO DIVINE I‘
584
00:48:13,920 --> 00:48:17,959
PWHEN DID YOU
LEAVE HEAVEN A
585
00:48:18,280 --> 00:48:22,068
FANGEL I
586
00:48:22,360 --> 00:48:26,956
fiM/NE I”
45567
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