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1
00:00:01,440 --> 00:00:02,634
CHARLIE: ONCE UPONA TIME,
2
00:00:02,920 --> 00:00:05,514
THERE WERE THREE LITTLE GIRLS
WHO WENT TO THE POL/CE ACADEMY,
3
00:00:05,800 --> 00:00:07,472
TWO IN LOS ANGELES...
4
00:00:13,080 --> 00:00:16,356
THE OTHER IN SAN FRANCISCO,
5
00:00:16,640 --> 00:00:22,192
AND THEY WERE EACH ASSIGNED
VERYHAZARDOUS DUTIES...
6
00:00:22,480 --> 00:00:24,471
BUTI TOOK THEMA WA Y
FROM ALL THA 7'.
7
00:00:24,760 --> 00:00:26,637
AND NOW THEY WORK FOR ME.
8
00:00:26,960 --> 00:00:28,632
M YNAME IS CHARLIE
9
00:00:28,960 --> 00:00:31,633
W]
10
00:02:04,800 --> 00:02:07,360
[TELEPHONE RINGING]
11
00:02:09,200 --> 00:02:10,155
YEAH?
12
00:02:10,480 --> 00:02:12,072
THE PIGEONS ARE IN THE COOP.
13
00:02:12,400 --> 00:02:14,436
OKAY, I'M READY.
14
00:02:46,960 --> 00:02:49,952
0NE...AND TWO.
15
00:02:50,240 --> 00:02:51,070
OKAY, I GOT IT.
16
00:02:51,360 --> 00:02:52,509
WHAT ABOUT
THE WARNING LIGHT?
17
00:02:52,800 --> 00:02:53,232
|T GOES ON IN
THE MONITORING ROOM.
18
00:02:53,560 --> 00:02:54,629
I TOLD YOU, I GOT IT!
19
00:03:19,360 --> 00:03:25,310
OKAY. ALL RIGHT.
HUH? OKAY? HUH?
20
00:03:25,640 --> 00:03:30,475
LET ME JUST GET THESE...
RIGHT IN THERE.
21
00:03:30,760 --> 00:03:31,795
THERE YOU GO.
22
00:03:32,080 --> 00:03:33,911
AND MAY | INTEREST YOU
IN SOME OF THESE?
23
00:03:34,200 --> 00:03:35,155
POUR.
OKAY.
24
00:04:08,520 --> 00:04:09,794
HEY, I MADE THIS
FOR YOU GUYS.
25
00:04:10,080 --> 00:04:11,957
YOU'D HAVE NEVER
PULLED IT OFF WITHOUT ME.
26
00:04:12,240 --> 00:04:13,992
AM | RIGHT? HUH?
AM | RIGHT?
27
00:04:14,280 --> 00:04:16,794
SURE THING, DINNY.
YOU TAKE ALL THE BOWS.
28
00:04:17,080 --> 00:04:19,150
THAT'S RIGHT.
DYNAMITE.
29
00:04:37,600 --> 00:04:40,990
WHAT IS GOING ON HERE?
HE'S CUTTING OUT ON US.
30
00:04:41,280 --> 00:04:43,032
[GUNSHOTS]
31
00:05:24,160 --> 00:05:26,628
EMERGENCY. STAT.
32
00:05:33,000 --> 00:05:34,149
SABRINA: WHA TD/D HE
LOO/(LIKE, HUH?
33
00:05:34,440 --> 00:05:35,350
WHAT DID HE LOOK LIKE?
34
00:05:35,680 --> 00:05:37,796
HE'S SO GOOD-LOOKING.
35
00:05:38,080 --> 00:05:39,752
OH, UH...
OH, I'M SORRY.
36
00:05:40,040 --> 00:05:40,790
HELLO.
37
00:05:41,080 --> 00:05:41,910
WELL, HELLO.
38
00:05:42,200 --> 00:05:44,350
WELL, WELL...
39
00:05:46,040 --> 00:05:48,429
CHARLIE TOWNSEND CERTAINLY HAS
GOOD TASTE IN WOMEN.
40
00:05:48,720 --> 00:05:49,675
I'LL GIVE HIM THAT.
41
00:05:49,960 --> 00:05:50,915
WELL, THANK YOU VERY MUCH.
42
00:05:51,240 --> 00:05:52,389
NOT AT ALL, NOT AT ALL.
43
00:05:52,680 --> 00:05:53,874
COME ON IN. SIT DOWN.
WHY DON'T WE TALK? HUH?
44
00:05:54,200 --> 00:05:54,837
COME ON.
SIT RIGHT HERE.
45
00:05:55,160 --> 00:05:56,149
OKAY. SURE.
46
00:05:56,440 --> 00:05:57,395
- NICE, NICE.
- HI, BOS.
47
00:05:57,680 --> 00:05:59,193
MORNING, BOSLEY.
MORNING.
48
00:05:59,480 --> 00:06:02,677
GIRLS, THIS IS
MR. DINSMORE.
49
00:06:03,000 --> 00:06:03,637
HOW DO YOU DO?
50
00:06:03,960 --> 00:06:05,109
BOSLEY:
AND MR. WILLIAMS.
51
00:06:05,400 --> 00:06:07,960
THEY'RE
POTENTIAL CLIENTS.
52
00:06:08,240 --> 00:06:10,879
0H, GOOD.
WHAT'S THEIR PROBLEM?
53
00:06:11,160 --> 00:06:12,513
FUNNY YOU SHOULD ASK.
54
00:06:12,840 --> 00:06:14,319
| WAS JUST ABOUT
TO TELL YOU.
55
00:06:16,640 --> 00:06:18,153
WHAT IS THAT FOR?
56
00:06:18,480 --> 00:06:19,230
INSURANCE.
57
00:06:19,560 --> 00:06:20,788
SABRINA:
INSURANCE?
58
00:06:21,080 --> 00:06:22,832
INSURANCE. JUST TO MAKE SURE
YOU TAKE OUR CASE.
59
00:06:23,120 --> 00:06:25,395
BOSLEY, YOU WANT TO TELL US
WHAT THIS IS ALL ABOUT?
60
00:06:25,680 --> 00:06:28,592
WELL, THEY CAME IN
ABOUT A HALF HOUR AGO--
61
00:06:28,880 --> 00:06:31,348
I'LL DO THE TALKING!
HA HA.
62
00:06:43,640 --> 00:06:46,916
I WANT TO SHOW YOU SOMETHING.
63
00:06:47,200 --> 00:06:49,475
NOW...
64
00:06:49,800 --> 00:06:53,190
YOU AIN'T NEVER SEEN
ONE OF THESE BEFORE BECAUSE...
65
00:06:53,480 --> 00:06:55,675
WELL, I DESIGNED IT MYSELF.
66
00:06:55,960 --> 00:06:57,552
DO YOU KNOW
WHAT'S INSIDE THIS BELT?
67
00:06:57,840 --> 00:07:01,037
NO, | WAS NEVER VERY GOOD
AT GUESSING GAMES.
68
00:07:01,320 --> 00:07:02,912
PLASTIC CHARGES.
69
00:07:03,200 --> 00:07:04,838
PLASTIC CHARGES?
70
00:07:05,120 --> 00:07:06,075
DINSMORE: PLASTIC CHARGES,
RIGHT.
71
00:07:06,400 --> 00:07:07,071
UH-HUH.
72
00:07:07,400 --> 00:07:08,958
AND THIS IS THE STRIKER,
73
00:07:09,280 --> 00:07:11,919
AND INSIDE HERE
ARE THE DETONATORS.
74
00:07:12,240 --> 00:07:14,913
INSTEAD OF A BUCKLE,
IT LOCKS ON...
75
00:07:15,240 --> 00:07:18,038
RIGHT AROUND
THE TUMMY.
76
00:07:18,320 --> 00:07:21,710
NOW, THIS HERE IS, UH...
THIS IS THE WEENIE.
77
00:07:22,040 --> 00:07:24,793
THIS IS A REMOTE-CONTROL
DEVICE
78
00:07:25,120 --> 00:07:27,873
THAT CAN MAKE THIS EXPLODE
WITHIN HALF A MILE,
79
00:07:28,160 --> 00:07:30,833
AND ALL I HAVE TO DO
IS PRESS THIS BUTTON HERE,
80
00:07:31,120 --> 00:07:34,351
AND THEN THIS WHOLE BELT
JUST GOES BOOM.
81
00:07:34,680 --> 00:07:36,113
IT'S MY BOOM-BOOM BELT.
82
00:07:40,840 --> 00:07:42,637
MY BOOM-BOOM BELT, HUH?
83
00:07:47,120 --> 00:07:48,030
PUT IT ON.
84
00:07:48,360 --> 00:07:51,875
NO, |T REALLY DOESN'T
MATCH MY, UH...
85
00:07:52,200 --> 00:07:54,236
MY OUTFIT.
PUT IT ON!
86
00:08:06,160 --> 00:08:09,470
GOOD. NICE.
87
00:08:09,800 --> 00:08:11,597
THAT'S GOOD.
THAT'S GOOD.
88
00:08:11,920 --> 00:08:13,558
THAT'S OKAY.
OH, THAT'S VERY NICE.
89
00:08:13,880 --> 00:08:15,154
THAT'S GOOD.
THAT'S GOOD.
90
00:08:15,440 --> 00:08:17,954
YOU KNOW,
I THINK I SHOULD HAVE BEEN
ONE OF THEM FRENCHMEN,
91
00:08:18,240 --> 00:08:20,231
YOU KNOW, THOSE GUYS
THAT DESIGN THE DRESSES.
92
00:08:20,560 --> 00:08:22,391
YEAH, KIND OF LIKE...
93
00:08:22,720 --> 00:08:25,109
JACQUES COUSTEAU OR SOMEBODY.
94
00:08:25,440 --> 00:08:28,398
RIGHT. RIGHT. JACQUES COUSY.
THAT'S THE GUY. GOOD.
95
00:08:28,680 --> 00:08:31,319
WANT TO TELL US
WHAT THIS IS ALL ABOUT?
96
00:08:32,600 --> 00:08:33,953
WE MANAGED TO HEIST
97
00:08:34,280 --> 00:08:36,555
ONE OF THE MORE PROMINENT
DIAMOND WHOLESALERS.
98
00:08:36,840 --> 00:08:37,750
AVERY'S.
99
00:08:38,040 --> 00:08:40,873
I HEARD THAT ON THE RADIO
THIS MORNING.
100
00:08:41,200 --> 00:08:43,839
A MILLION DOLLARS
WORTH OF DIAMONDS.
101
00:08:44,160 --> 00:08:46,720
IF YOU'RE LOOKING FOR
APPLAUSE, MISTER...
102
00:08:47,040 --> 00:08:49,600
WHAT WE'RE LOOKING FOR
ARE THE DIAMONDS.
103
00:08:49,920 --> 00:08:52,514
UH, I'M SORRY...
104
00:08:52,840 --> 00:08:54,637
WAIT, I'M NOT
FOLLOWING YOU.
105
00:08:54,960 --> 00:08:58,157
WAIT TILL THEY EXPLAIN.
YOU'RE GOING TO LOVE IT.
106
00:08:58,440 --> 00:09:01,796
YOU SEE,
IN MAKING OUR GETAWAY,
107
00:09:02,080 --> 00:09:04,719
THE THIRD MEMBER OF OUR PARTY,
MR. CLINT MURDOCH,
108
00:09:05,000 --> 00:09:06,911
WELL, HE BUGGED OUT ON US.
109
00:09:07,200 --> 00:09:08,474
BUGGED OUT?
110
00:09:08,760 --> 00:09:09,988
WILLIAMS:
YES, WITH THE DIAMONDS.
111
00:09:10,280 --> 00:09:10,996
FRESH.
112
00:09:11,320 --> 00:09:13,038
YOU THINK THAT'S FUNNY?
113
00:09:13,360 --> 00:09:16,636
NO. NO, I DON'T.
114
00:09:16,920 --> 00:09:18,638
GOOD.
115
00:09:18,920 --> 00:09:20,876
GOOD, BECAUSE YOU'RE GONNA
GET THE DIAMONDS BACK FOR US.
116
00:09:21,200 --> 00:09:22,838
YOU WANT US
TO GET THE DIAMONDS BACK?
117
00:09:23,160 --> 00:09:25,196
THAT'S RIGHT.
THE DIAMONDS BACK, AND...
AND MURDOCH.
118
00:09:28,440 --> 00:09:31,352
I TOLD YOU...
YOU WERE GOING TO LOVE IT.
119
00:09:31,640 --> 00:09:32,436
WELL, IT'S SOMETHING
120
00:09:32,720 --> 00:09:34,836
THAT MR. DINSMORE AND I
WOULD DO,
121
00:09:35,120 --> 00:09:36,189
BUT AT THE PRESENT MOMENT,
122
00:09:36,480 --> 00:09:38,516
THERE IS AN APB
OUT FOR OUR ARREST.
123
00:09:38,840 --> 00:09:41,752
THE COPS ARE FLASHING
OUR PICTURES ALL OVER TOWN.
124
00:09:42,040 --> 00:09:45,191
SO THE CON-MEN WERE OUT-CONNED
BY THE CON-MAN.
125
00:09:45,520 --> 00:09:46,953
THERE'S A LESSON TO BE LEARNED
IN THERE SOMEWHERE.
126
00:09:47,240 --> 00:09:48,434
I'M REALLY NOT SURE
WHAT IT IS.
127
00:09:48,720 --> 00:09:49,630
|'LL TELL YOU
WHAT THE LESSON IS,
128
00:09:49,920 --> 00:09:50,875
BRIGHT PERSON.
129
00:09:51,160 --> 00:09:52,639
IN THE NEXT 10 HOURS,
130
00:09:52,920 --> 00:09:53,989
IF YOUR TWO
FRIENDS HERE
131
00:09:54,320 --> 00:09:56,072
DON'T COME BACK
WITH THE GEMS
132
00:09:56,400 --> 00:09:57,389
AND MR. MURDOCH,
133
00:09:57,680 --> 00:09:59,272
HIM AND YOU,
YOU'RE BOTH GONNA GET IT,
134
00:09:59,560 --> 00:10:03,519
SO YOU ARE GONNA STAY HERE
WITH MR. BOSLEY,
135
00:10:03,800 --> 00:10:04,755
AND JUST IN CASE
136
00:10:05,080 --> 00:10:06,718
ANYBODY WANTS TO TRY
ANYTHING FUNNY,
137
00:10:07,040 --> 00:10:08,598
LIKE MAYBE
CALLING IN THE COPS
138
00:10:08,880 --> 00:10:10,552
OR SHOOTING IN
A LITTLE GAS, HUH?
139
00:10:10,880 --> 00:10:12,871
OR PUTTING
A HELICOPTER
140
00:10:13,160 --> 00:10:14,388
FULL OF FUZZ
UP ON THE ROOF,
141
00:10:14,680 --> 00:10:15,510
SEE, ALL | GOTTA DO
142
00:10:15,840 --> 00:10:17,432
IS PRESS THIS BUTTON,
143
00:10:17,760 --> 00:10:19,079
AND JUST LIKE
A TELEVISION SET,
144
00:10:19,360 --> 00:10:21,351
YOU GO OFF. BOOM.
145
00:10:30,840 --> 00:10:32,239
WE'VE GOT OURSELVES A CASE.
146
00:10:32,560 --> 00:10:34,710
YOU BETTER BELIEVE IT.
147
00:10:35,000 --> 00:10:36,399
OKAY.
148
00:10:36,680 --> 00:10:37,749
SPELL IT OUT
FOR US.
149
00:10:38,040 --> 00:10:39,598
WHO ELSE WAS IN ON THIS
BESIDES MURDOCH?
150
00:10:39,880 --> 00:10:40,790
I MEAN TO...
151
00:10:41,080 --> 00:10:42,399
TO RIP OFF A PLACE
LIKE AVERY'S.
152
00:10:42,680 --> 00:10:44,193
YOU MUST HAVE HAD
INSIDE HELP.
153
00:10:44,480 --> 00:10:46,516
UH, TWO GUARDS--
154
00:10:46,800 --> 00:10:49,189
LESTER BROWN
AND FRED MICHAELS--
155
00:10:49,480 --> 00:10:51,710
AND ALL WE KNOW OF THEM
IS WHAT MURDOCH TOLD US,
156
00:10:52,040 --> 00:10:53,234
WHICH IS NOTHING.
157
00:10:53,520 --> 00:10:54,714
SO MURDOCH
CALLED THE SHOTS.
158
00:10:55,040 --> 00:10:56,268
THAT'S WHAT
YOU'RE SAYING?
159
00:10:56,560 --> 00:10:58,676
HE DID ALL THE PLANNING
AND ALL THE TALKING.
160
00:10:59,000 --> 00:11:00,479
HE'S NOT TALKING NOW,
161
00:11:00,800 --> 00:11:01,949
NOT AFTER WHAT
I DID TO HIM.
162
00:11:02,240 --> 00:11:04,356
DINNY FIRED A SHOT
WHEN MURDOCH MADE HIS BREAK.
163
00:11:04,680 --> 00:11:05,749
HE THINKS HE MAY HAVE HIT HIM.
164
00:11:06,040 --> 00:11:07,917
NO, I KNOW I HIT HIM.
165
00:11:08,200 --> 00:11:09,713
WE CAN CHECK
ALL THE HOSPITALS
166
00:11:10,000 --> 00:11:11,069
AND THE EMERGENCY
CLINICS.
167
00:11:11,360 --> 00:11:12,759
0H, THAT'S NICE.
THAT'S VERY NICE.
168
00:11:13,040 --> 00:11:14,712
LISTEN,
I DON'T CARE WHERE YOU CHECK.
169
00:11:15,000 --> 00:11:17,070
YOU GOT 10 HOURS TILL YOUR
TWO FRIENDS HERE DIE,
170
00:11:17,400 --> 00:11:20,073
SO YOU BETTER GET MOVING.
171
00:11:22,480 --> 00:11:25,233
COME ON.
172
00:11:25,520 --> 00:11:27,511
LISTEN, BREE--
173
00:11:27,800 --> 00:11:29,119
YEAH, I KNOW.
174
00:11:29,400 --> 00:11:31,595
LOOK, YOU'LL PROBABLY BE BACK
IN A COUPLE OF HOURS
175
00:11:31,880 --> 00:11:33,199
WITH THE GOODS, RIGHT?
176
00:11:33,480 --> 00:11:34,435
WE'RE GOING TO
GO FOR IT THIS TIME.
177
00:11:34,720 --> 00:11:35,436
YOU KNOW THAT.
178
00:11:35,720 --> 00:11:36,994
HEY, HEY, I... I KNOW,
179
00:11:37,280 --> 00:11:40,272
AND UNTIL YOU GET BACK,
I'LL JUST BREATHE SOFTLY.
180
00:11:40,560 --> 00:11:42,790
0H, LOOK, LOOK,
THIS IS ALL VERY TOUCHING,
181
00:11:43,080 --> 00:11:45,389
BUT IN THE MEANTIME,
YOU'RE WASTING A LOT OF TIME,
182
00:11:45,720 --> 00:11:46,391
SO WHAT'S IT GONNA BE?
183
00:11:46,720 --> 00:11:47,550
GO ON.
184
00:11:47,840 --> 00:11:48,909
OKAY.
185
00:11:49,200 --> 00:11:49,712
GOOD LUCK.
IT'LL COME OUT OKAY.
186
00:11:50,000 --> 00:11:50,796
YEAH.
187
00:12:07,000 --> 00:12:08,274
YOU'RE STARING.
188
00:12:13,240 --> 00:12:15,276
ILIKE WHAT I SEE.
189
00:12:18,400 --> 00:12:20,630
EXCUSE ME IF I DON'T
SAY THANK YOU.
190
00:12:20,960 --> 00:12:22,916
YOU DON'T HAVE
TO SAY ANYTHING.
191
00:12:23,200 --> 00:12:26,715
ALL YOU HAVE TO DO IS
WHAT I TELL YOU TO DO.
192
00:12:28,880 --> 00:12:30,711
KEEP THAT IN MIND.
193
00:12:31,520 --> 00:12:34,796
OKAY.
194
00:12:39,720 --> 00:12:42,029
CHARLIE:
OKA Y, WILLIAMS
AND DINSMORE
195
00:12:42,360 --> 00:12:43,429
NOW, WAITA MINUTE
DINSMORE
196
00:12:43,720 --> 00:12:44,709
THA T SOUNDS FAMILIAR.
197
00:12:45,000 --> 00:12:46,877
SOMEBODY YOU MAYBE
ARRESTED ONCE, CHARLIE?
198
00:12:47,200 --> 00:12:48,997
POSS/BL Y / CAN’T REMEMBER.
I'LL CHECK/TOUT.
199
00:12:49,320 --> 00:12:51,550
NOW, WHAT ABOUT THE TWO
WHO WORKED FROM THE INSIDE?
200
00:12:51,840 --> 00:12:52,829
BROWN AND MICHAELS
201
00:12:53,160 --> 00:12:54,195
ARE APPARENTLY TWO
OF AVERY'S GUARDS.
202
00:12:54,480 --> 00:12:56,198
ANYTHING YOU CAN
COME UP WITH, CHARLIE.
203
00:12:56,480 --> 00:12:57,356
ANYTHING AT ALL.
204
00:12:57,640 --> 00:12:58,959
I'LL GETR/GHT
ONIT, KELLY
205
00:12:59,240 --> 00:13:00,593
MEANWHILE, IS THERE
ANYTHING WE CAN DO
206
00:13:00,920 --> 00:13:01,909
FOR SABRINA AND BOSLEY.?
207
00:13:02,200 --> 00:13:03,315
WELL, WE CAN'T
CALL THE POLICE.
208
00:13:03,600 --> 00:13:04,635
WE MAKE ANY MOVES
209
00:13:04,960 --> 00:13:06,279
TO GET BOS AND SABRINA
OUT OF THERE,
210
00:13:06,560 --> 00:13:07,788
DINSMORE WILL
PUSH THE BUTTON.
211
00:13:08,080 --> 00:13:09,035
ALL RIGHT. NOW, YOU TRY
TO FIND MURDOCH
212
00:13:09,320 --> 00:13:11,629
I'LL SEE WHA TI CAN COME UP
WITH ON THIS END,
213
00:13:11,920 --> 00:13:13,194
AND LET'S BE
IN CONSTANT TOUCH.
214
00:13:13,520 --> 00:13:14,270
WITH SO LITTLE TIME,
215
00:13:14,600 --> 00:13:16,352
EVERY THREAD OF INFORMATION
IS IMPORTANT.
216
00:13:16,680 --> 00:13:18,910
WILL DO, CHARLIE.
AS SOON AS WE HAVE ANYTHING.
217
00:13:19,200 --> 00:13:19,950
IN THE MEANWHILE,
218
00:13:20,240 --> 00:13:21,434
WE'LL KEEP CHECKING OUT
THE HOSPITALS.
219
00:13:21,720 --> 00:13:23,039
BYE.
220
00:13:54,600 --> 00:13:56,556
OPERATOR...
221
00:13:56,840 --> 00:14:04,793
I WANT TO REACH 555-8483.
222
00:14:07,600 --> 00:14:09,909
[TELEPHONE RINGS]
223
00:14:14,920 --> 00:14:15,830
HELLO?
224
00:14:16,160 --> 00:14:18,310
EARL,
THIS IS MURDOCH
225
00:14:18,600 --> 00:14:20,670
OH. | READ BY THE PAPERS
YOU PULLED IT OFF.
226
00:14:21,000 --> 00:14:22,592
YEAH, WE PULLED IT OFF,
227
00:14:22,920 --> 00:14:24,239
BUT THERE'S A PROBLEM.
228
00:14:24,520 --> 00:14:25,509
WHAT DO YOU MEAN, A PROBLEM?
229
00:14:25,840 --> 00:14:26,636
YOU GOT THE STONES OR NOT?
230
00:14:26,960 --> 00:14:27,949
YEAH, IGOT THEM..
231
00:14:28,240 --> 00:14:30,674
BUT IT DIDN'T GO DOWN SO GOOD.
232
00:14:30,960 --> 00:14:32,313
I'M IN A HOSPITAL.
233
00:14:32,640 --> 00:14:34,073
YOU'RE GONNA HAVE TO COME BY
AND PICK ME UP.
234
00:14:34,360 --> 00:14:35,475
ARE YOU CRAZY?
235
00:14:35,800 --> 00:14:37,119
YOU'RE HOTTER
THAN A $10 PISTOL.
236
00:14:37,400 --> 00:14:40,039
I'M NOT ABOUT TO GET NEAR YOU
IN A PUBLIC HOSPITAL.
237
00:14:40,320 --> 00:14:41,878
BUT LOOK, THEY JUST TOOK
A BULLET OUT OF ME.
238
00:14:42,160 --> 00:14:42,956
I'M NOT SUPPOSED TO MOVE.
239
00:14:43,240 --> 00:14:44,150
WHA T DO YOU
WANT FROM ME,
240
00:14:44,480 --> 00:14:45,390
A GE T-WELL CARD?
241
00:14:45,680 --> 00:14:46,749
NOW, YOU LISTEN.
242
00:14:47,040 --> 00:14:48,632
| AGREED TO MEET FOR THE BUY
IN THAT MOTEL.
243
00:14:48,920 --> 00:14:50,353
YOU LET ME KNOW
WHEN YOU GET THERE.
244
00:14:50,640 --> 00:14:53,108
MEANWHILE,
I DON'T WANT TO HEAR FROM YOU.
245
00:14:53,400 --> 00:14:55,277
JACKSON, LISTEN...
246
00:15:04,600 --> 00:15:05,749
YOU TRY THIS TIME.
247
00:15:06,080 --> 00:15:07,877
I'M RUNNING
OUT OF STORIES.
248
00:15:14,800 --> 00:15:16,916
YES, THANK YOU
VERY MUCH.
249
00:15:20,840 --> 00:15:22,273
MAY | HELP YOU?
250
00:15:22,600 --> 00:15:23,749
MY NAME IS
LAURA MURDOCH.
251
00:15:24,040 --> 00:15:25,189
I GOT A TELEPHONE CALL
LAST NIGHT
252
00:15:25,520 --> 00:15:26,873
THAT MY BROTHER
HAD BEEN SHOT.
253
00:15:27,160 --> 00:15:28,639
IT WOULD HAVE BEEN
LATE LAST NIGHT.
254
00:15:28,920 --> 00:15:30,512
WELL, THERE WAS AN
EMERGENCY OPERATION.
255
00:15:30,800 --> 00:15:32,119
GUNSHOT WOUND.
256
00:15:32,440 --> 00:15:33,634
OH, THERE'S DR. STEVENS.
257
00:15:33,920 --> 00:15:34,477
HE HANDLED IT.
258
00:15:34,760 --> 00:15:35,954
DR. STEVENS?
259
00:15:36,280 --> 00:15:37,349
THE PATIENT
WITH THE GUNSHOT WOUND.
260
00:15:37,640 --> 00:15:38,868
WAS HIS NAME MURDOCH?
261
00:15:39,200 --> 00:15:41,953
WE HAVE A MCCRAVEN.
BULLET WOUND IN THE BACK.
262
00:15:42,240 --> 00:15:43,036
THAT'S HIM.
263
00:15:43,320 --> 00:15:44,639
YOU SAID YOUR NAME
WAS MURDOCH.
264
00:15:44,960 --> 00:15:46,552
UH, YES, THAT'S
MY MARRIED NAME.
265
00:15:46,880 --> 00:15:48,791
CAN I SEE HIM
RIGHT AWAY, PLEASE?
266
00:15:49,080 --> 00:15:50,991
A SHORT VISIT WILL
BE ALL RIGHT.
267
00:15:51,280 --> 00:15:52,235
RIGHT THIS WAY, PLEASE.
268
00:15:52,520 --> 00:15:53,396
THANK YOU.
THANK YOU.
269
00:15:53,720 --> 00:15:54,914
UH...
270
00:15:55,200 --> 00:15:56,189
THE BULLET PASSED
271
00:15:56,480 --> 00:15:57,117
THROUGH THE INTERNAL
INTERCOSTAL MUSCLE
272
00:15:57,400 --> 00:15:58,276
AND LODGED
273
00:15:58,600 --> 00:15:59,919
BETWEEN THE FIFTH
AND SIXTH RIBS.
274
00:16:00,200 --> 00:16:02,350
NOW, IT IS SERIOUS,
BUT WITH TREATMENT...
275
00:16:02,680 --> 00:16:04,398
RIGHT IN HERE PLEASE.
276
00:16:04,680 --> 00:16:06,159
THANK YOU.
277
00:16:06,480 --> 00:16:08,391
THANK YOU.
278
00:16:10,760 --> 00:16:12,591
HE'S GONE!
279
00:16:26,800 --> 00:16:28,153
KELLY:
WHEN DID YOU SEE HIM LAST?
280
00:16:28,440 --> 00:16:29,873
JUST FIVE MINUTES AGO.
281
00:16:30,160 --> 00:16:32,310
DID HE SAY
HOW HE WAS SHOT?
282
00:16:32,600 --> 00:16:34,033
SAID A GUN WENT OFF
ACCIDENTALLY.
283
00:16:34,320 --> 00:16:35,548
HE SHOT HIMSELF
IN THE BACK
284
00:16:35,880 --> 00:16:36,630
ACCIDENTALLY?
285
00:16:36,920 --> 00:16:37,830
HE DIDN'T SAY
IT WAS HIS GUN.
286
00:16:38,120 --> 00:16:39,109
| CALLED THE POLICE.
287
00:16:39,400 --> 00:16:40,628
THEY'RE ON THEIR WAY NOW.
288
00:16:40,920 --> 00:16:42,194
LISTEN,
289
00:16:42,520 --> 00:16:44,909
IF WE DON'T GET HIM BACK,
HE'S A WALKING DEAD MAN.
290
00:16:45,200 --> 00:16:46,428
COULD HE DRIVE A CAR?
291
00:16:46,720 --> 00:16:47,550
NO WAY.
292
00:16:47,840 --> 00:16:49,159
MAYBE HE CALLED A CAB.
293
00:16:49,480 --> 00:16:52,438
DO YOU KEEP A RECORD
OF OUT-GOING CALLS?
294
00:16:52,720 --> 00:16:53,596
YES, WE DO.
295
00:16:53,880 --> 00:16:55,108
LET'S GO.
296
00:16:56,760 --> 00:16:57,909
ALICE...
297
00:16:58,240 --> 00:17:00,390
DID YOU PLACE A CALL
FROM ROOM 609 A WHILE BACK?
298
00:17:00,680 --> 00:17:01,908
YES, ITHINK SO.
299
00:17:02,240 --> 00:17:03,673
DO YOU HAVE
THAT NUMBER?
300
00:17:04,000 --> 00:17:06,560
LET'S SEE.
301
00:17:06,840 --> 00:17:07,989
YES. HERE IT IS.
302
00:17:08,280 --> 00:17:11,192
555-8483.
303
00:17:12,080 --> 00:17:14,753
555-8483.
304
00:17:15,040 --> 00:17:16,109
CHARLIE, WE CALLED THE NUMBER.
305
00:17:16,400 --> 00:17:17,435
THERE WAS NO ANSWER.
306
00:17:17,760 --> 00:17:18,556
I'LL GETRIGHT ON IT.
307
00:17:18,880 --> 00:17:19,835
MEAN WHIL E,
308
00:17:20,120 --> 00:17:20,836
HERE'S SOME BACKGROUND
0N MURDOCH
309
00:17:21,120 --> 00:17:21,916
THA TMIGH T HELP YOU.
310
00:17:22,200 --> 00:17:24,191
HE'S THE ORIGINAL
FLIM-FLAM MAN.
311
00:17:24,520 --> 00:17:25,794
HAD A PHONY
SONG-PROMOTING BUSINESS
312
00:17:26,080 --> 00:17:27,354
WHICH HE RAN THROUGH THE MAIL.
313
00:17:27,680 --> 00:17:29,591
MOSTLY, HE PROMOTED PEOPLE
OUT OF THEIR MONEY.
314
00:17:29,880 --> 00:17:30,949
WHY US?
315
00:17:31,240 --> 00:17:32,070
I MEAN,
HOW DID WE GET INVOLVED?
316
00:17:32,400 --> 00:17:33,469
I TOLD YOU
317
00:17:33,760 --> 00:17:34,829
DINSMORE'S NA ME
SOUNDED FAMILIAR TO ME.
318
00:17:35,120 --> 00:17:36,075
I CHECKED
MY RECORDS.
319
00:17:36,400 --> 00:17:37,230
FIVE YEARS AGO,
320
00:17:37,520 --> 00:17:39,397
| HELPED SEND HIM TO PRISON
ON AN EXTORTION SCHEME
321
00:17:39,680 --> 00:17:41,511
WHERE HE USED EXPLOSIVES.
322
00:17:41,800 --> 00:17:44,553
WELL, IT'S STARTING
TO MAKE SOME SENSE.
323
00:17:44,840 --> 00:17:46,558
WHAT ABOUT BROWN AND MICHAELS,
324
00:17:46,840 --> 00:17:48,353
THE TWO SECURITY GUARDS
FROM AVERY'S?
325
00:17:48,640 --> 00:17:50,198
NEITHER ONE HAVE
A POLICE RECORD.
326
00:17:50,480 --> 00:17:51,629
BOTH HAVE BEEN
WORKING AT AVERY'S
327
00:17:51,960 --> 00:17:52,790
FOR JUST OVER A YEAR.
328
00:17:53,080 --> 00:17:54,229
OKAY.
329
00:17:54,520 --> 00:17:56,511
UH, CHARLIE?
WHILE YOU TRY AND TIE
THAT NUMBER TO MURDOCH,
330
00:17:56,840 --> 00:17:57,989
WE BETTER MOVE
ON MICHAELS AND BROWN.
331
00:17:58,280 --> 00:17:59,395
GO TO IT,
332
00:17:59,720 --> 00:18:00,948
AND GET BA CK TO ME
AS QUICKL YAS YOU CAN
333
00:18:01,240 --> 00:18:02,070
OKAY.
334
00:18:12,080 --> 00:18:13,513
YOU KNOW, MURDOCH...
335
00:18:13,800 --> 00:18:14,755
MURDOCH,
336
00:18:15,040 --> 00:18:16,314
HE THOUGHT HE COULD
JUST ROLL OVER US
337
00:18:16,600 --> 00:18:19,319
AND WE'D JUST LAY BACK
AND PLAY DEAD.
338
00:18:19,600 --> 00:18:21,158
IF YOU DISLIKE
THIS MURDOCH
339
00:18:21,440 --> 00:18:22,111
THAT MUCH,
340
00:18:22,400 --> 00:18:23,753
WHY DID YOU
GET INVOLVED?
341
00:18:24,080 --> 00:18:25,308
HE CAME TO ME.
342
00:18:25,600 --> 00:18:27,238
HE NEEDED ME
TO MAKE THIS HAPPEN.
343
00:18:27,520 --> 00:18:29,272
I MADE THIS HAPPEN FOR HIM,
THAT LOUSY CREEP.
344
00:18:29,560 --> 00:18:30,675
DINNY, TAKE IT EASY.
345
00:18:31,000 --> 00:18:31,796
NO, NO.
346
00:18:32,120 --> 00:18:33,109
YOU TAKE IT EASY.
347
00:18:33,400 --> 00:18:34,515
I'M TIRED OF GETTING
RIPPED OFF.
348
00:18:34,840 --> 00:18:36,990
HEY, UH...
349
00:18:38,120 --> 00:18:40,429
YOU TIRED OF DRINKING ALONE?
350
00:18:43,080 --> 00:18:44,718
YOU WANT ONE?
351
00:18:45,000 --> 00:18:47,116
YEAH, I COULD REALLY USE
A SCOTCH.
352
00:18:47,400 --> 00:18:49,072
YOU GOT IT.
353
00:18:51,600 --> 00:18:52,999
YOU KNOW,
A MILLION IN STONES,
354
00:18:53,280 --> 00:18:54,395
AND HE...
355
00:18:54,680 --> 00:18:56,079
HE JUST SLIPS RIGHT AWAY,
JUST SLIPS AWAY.
356
00:18:56,400 --> 00:18:57,469
WELL, I'LL
TELL YOU SOMETHING.
357
00:18:57,760 --> 00:18:59,955
HE'S GOING TO PAY FOR IT
SLOW AND PAINFUL.
358
00:19:00,280 --> 00:19:01,076
YOU BETTER BELIEVE IT.
359
00:19:06,400 --> 00:19:07,992
NOW...
360
00:19:08,280 --> 00:19:10,111
DO YOU WANT
TO PRESS THIS BUTTON
361
00:19:10,400 --> 00:19:12,118
OR SHOULD I?
362
00:19:14,160 --> 00:19:16,116
[TELEPHONE RINGS]
363
00:19:19,520 --> 00:19:21,829
YOU WANT ME
TO ANSWER THE PHONE?
364
00:19:23,840 --> 00:19:25,114
WE'LL ALL ANSWER |T.
365
00:19:27,120 --> 00:19:28,678
ANYBODY SAYS
A WRONG WORD,
366
00:19:28,960 --> 00:19:30,393
ANYTHING,
367
00:19:30,720 --> 00:19:33,678
END OF CONVERSATION.
368
00:19:33,960 --> 00:19:36,190
BOOM, BOOM.
369
00:19:36,520 --> 00:19:37,953
GOT IT?
370
00:19:44,000 --> 00:19:45,035
UH...
371
00:19:45,360 --> 00:19:46,395
TOWNSEND ASSOCIATES.
372
00:19:46,680 --> 00:19:48,238
BOS? KELL Y.
373
00:19:48,520 --> 00:19:49,714
WHERE ARE YOU?
WHAT HAVE YOU DONE?
374
00:19:50,040 --> 00:19:51,473
WE NEARLY FOUND MURDOCH
AT A HOSPITAL,
375
00:19:51,760 --> 00:19:52,670
BUT HE GOT AWAY.
376
00:19:53,000 --> 00:19:54,115
OH, THA T WAS
VER YSMAR T OF YOU
377
00:19:54,400 --> 00:19:55,276
WELL, WE'VE GOT A SMALL LEAD.
378
00:19:55,560 --> 00:19:56,595
SOMEBODY HE PHONED.
379
00:19:56,920 --> 00:19:58,069
I DON'T WANT TO HEAR
ABOUT SMALL LEADS.
380
00:19:58,360 --> 00:19:59,349
I WANT TO HEAR
ABOUT DIAMONDS.
381
00:19:59,640 --> 00:20:00,356
I WANT TO HEAR
ABOUT MURDOCH.
382
00:20:00,640 --> 00:20:01,629
WE'RE DOING OUR BEST
383
00:20:01,960 --> 00:20:03,075
IT TAKES TIME.
384
00:20:03,360 --> 00:20:04,110
ALL RIGHT,
NOW, LISTEN.
385
00:20:04,400 --> 00:20:05,310
I'M THROUGH
386
00:20:05,640 --> 00:20:06,834
WITH PLAYING GAMES
WITH YOU PEOPLE.
387
00:20:07,120 --> 00:20:08,439
YOUR FRIEND HERE
JUST PULLED A NO-NO,
388
00:20:08,760 --> 00:20:09,636
AND IT'S GONNA
COST HER.
389
00:20:09,920 --> 00:20:10,830
YOU HAD EIGHT HOURS.
390
00:20:11,120 --> 00:20:12,678
NOW YOU HA VE SIX
391
00:20:12,960 --> 00:20:14,154
ALL RIGHT.
392
00:21:15,280 --> 00:21:16,315
ARE YOU MR. BROWN?
393
00:21:16,600 --> 00:21:17,919
LESTER BROWN?
394
00:21:18,200 --> 00:21:19,076
THE ATTENDANT OUT FRONT
395
00:21:19,360 --> 00:21:20,679
SAID I COULD
FIND YOU IN HERE.
396
00:21:21,000 --> 00:21:22,592
WELL, UH...
397
00:21:22,920 --> 00:21:24,035
DOES HE KNOW
YOU'RE IN HERE?
398
00:21:24,320 --> 00:21:25,309
YES.
399
00:21:25,600 --> 00:21:26,589
I MEAN, NO.
NO, NO, NO.
400
00:21:26,920 --> 00:21:28,353
I HAD TO SNEAK BY
WHEN HE WASN'T LOOKING.
401
00:21:28,680 --> 00:21:31,638
WELL, DO YOU REALIZE
THIS IS THE MEN'S SECTION?
402
00:21:31,920 --> 00:21:33,194
OH, YEAH,
IREALIZE IT, ALL RIGHT.
403
00:21:33,520 --> 00:21:34,999
IT'S BEEN QUITE AN EXPERIENCE
UP TO NOW,
404
00:21:35,280 --> 00:21:36,474
BUT YOU SEE,
405
00:21:36,760 --> 00:21:38,318
I JUST HAD TO SEE YOU.
406
00:21:38,640 --> 00:21:41,359
WELL, COULDN'T YOU WAIT
OUTSIDE?
407
00:21:41,640 --> 00:21:43,198
I MEAN,
I CAN GET MY SHORTS ON.
408
00:21:43,520 --> 00:21:44,839
IT CAN'T WAIT,
MR. BROWN.
409
00:21:45,120 --> 00:21:46,075
YOU SEE,
410
00:21:46,400 --> 00:21:47,276
IT'S ABOUT MY SISTER
AND MR. MURDOCH.
411
00:21:47,560 --> 00:21:48,595
WHAT?
412
00:21:48,880 --> 00:21:51,394
WELL, I DON'T KNOW
ANYTHING ABOUT THAT.
413
00:21:51,680 --> 00:21:53,079
HE PROMISED TO MARRY HER,
MR. BROWN.
414
00:21:53,360 --> 00:21:54,509
MR. MURDOCH, I MEAN.
415
00:21:54,800 --> 00:21:56,199
WE'VE BEEN LOOKING FOR HIM
FOR OVER A MONTH.
416
00:21:56,480 --> 00:21:59,199
LADY, I DON'T KNOW
ANYTHING ABOUT IT.
417
00:21:59,480 --> 00:22:01,038
NOW, YOU'D BETTER
GET OUT OF HERE.
418
00:22:01,320 --> 00:22:05,393
| MIGHT AS WELL
TELL YOU THE TRUTH, MR. BROWN.
419
00:22:05,680 --> 00:22:07,796
YOU SEE,
MY SISTER IS PREGNANT.
420
00:22:08,080 --> 00:22:09,195
SHE'S WHAT?
421
00:22:09,480 --> 00:22:10,515
PREGNANT.
422
00:22:10,840 --> 00:22:11,989
ARE YOU SURE?
423
00:22:12,280 --> 00:22:13,076
I MEAN, SOMETIMES...
424
00:22:13,360 --> 00:22:14,349
VERY SURE.
425
00:22:14,680 --> 00:22:15,874
SHE'S HOPING FOR A BOY.
426
00:22:18,080 --> 00:22:19,149
WELL, BOYS ARE NICE.
427
00:22:19,480 --> 00:22:21,789
I'M SURE MR. MURDOCH
WOULD WANT TO KNOW.
428
00:22:22,080 --> 00:22:24,674
I MEAN, WELL,
HE IS A DECENT MAN.
429
00:22:24,960 --> 00:22:29,238
LADY, I MEAN,
YOU GOT THE WRONG GUY.
430
00:22:29,520 --> 00:22:32,398
I MEAN, I CAN ASSURE YOU,
I DON'T KNOW ANYTHING.
431
00:22:32,680 --> 00:22:33,635
MR. BROWN,
432
00:22:33,920 --> 00:22:35,319
MY SISTER
IS A MEMBER OF THIS CLUB.
433
00:22:35,600 --> 00:22:37,079
SHE RECOGNIZED YOU
RIGHT OFF THE BAT.
434
00:22:37,360 --> 00:22:38,679
SHE'S SEEN YOU WITH
MR. MURDOCH MANY TIMES.
435
00:22:39,000 --> 00:22:40,115
YOU WANT TO TALK TO HER?
436
00:22:40,400 --> 00:22:41,594
SHE'S RIGHT OUTSIDE.
I'M GOING TO GO GET HER.
437
00:22:41,920 --> 00:22:43,114
NO, NO, PLEASE,
PLEASE, PLEASE.
438
00:22:43,400 --> 00:22:46,198
WE'RE DESPERATE,
MR. BROWN.
439
00:22:46,480 --> 00:22:48,038
NOW, I DON'T WANT
TO CAUSE A SCENE
440
00:22:48,320 --> 00:22:49,992
BUT IF I HAVE
TO START SCREAMING,
441
00:22:50,280 --> 00:22:51,110
I WILL.
442
00:22:51,400 --> 00:22:52,196
NO, NO, NO, DON'T SCREAM.
443
00:22:52,480 --> 00:22:53,390
PLEASE, LADY, DON'T SCREAM.
444
00:22:55,960 --> 00:22:58,269
ALL WE WANT TO KNOW
IS WHERE MR. MURDOCH IS.
445
00:22:58,600 --> 00:23:00,079
LOOK, LADY...
446
00:23:00,360 --> 00:23:02,590
NOW, JUST LET ME
GET MY CLOTHES ON
447
00:23:02,880 --> 00:23:04,757
AND I'LL MEET YOU OUTSIDE,
OKAY?
448
00:23:05,040 --> 00:23:07,508
I'LL WAIT FOR YOU
IN THE PARKING LOT.
449
00:23:41,360 --> 00:23:42,793
[ENGINE TURNS OVER]
450
00:23:43,080 --> 00:23:44,433
[TELEPHONE BUZZES]
451
00:23:44,720 --> 00:23:46,517
- HELLO?
- KELL Y? KRIS.
452
00:23:46,800 --> 00:23:47,915
WHERE ARE YOU?
453
00:23:48,200 --> 00:23:49,599
I .IUSTFOLLOWED MICHAEL S,
THE OTHER GUARD,
454
00:23:49,880 --> 00:23:50,949
INTO A WESTERN BAR.
455
00:23:51,280 --> 00:23:52,235
HOW YOU DOING WITH BROWN?
456
00:23:53,640 --> 00:23:54,789
I'M GOING TO STAY ON HIM.
457
00:23:55,120 --> 00:23:56,235
OKAY, WELL, III/I GOING TO
MOVE 0N MICHAEL S.
458
00:23:56,520 --> 00:23:57,635
ILL CHECK YOU LA TER.
459
00:23:57,920 --> 00:23:59,069
OKAY, BYE.
460
00:24:16,200 --> 00:24:17,872
UH, MR. MICHAELS?
461
00:24:18,160 --> 00:24:19,195
MR. FRED MICHAELS?
462
00:24:19,480 --> 00:24:22,711
WELL, WHAT CAN I DO FOR YOU,
PRETTY ONE?
463
00:24:23,000 --> 00:24:24,672
HI, MY NAME
IS CINDY BURDETTE.
464
00:24:24,960 --> 00:24:26,757
I'M A COUNTRY
FOLK SINGER.
465
00:24:27,040 --> 00:24:28,792
WELL, YOU PROBABLY
RECOGNIZE THE NAME.
466
00:24:29,080 --> 00:24:31,833
WELL, I DON'T,
BUT FROM NOW ON, I WILL.
467
00:24:32,120 --> 00:24:32,996
YOU KNOW WHAT?
468
00:24:33,320 --> 00:24:34,639
WE HAVE SOME
FRIENDS IN COMMON.
469
00:24:34,920 --> 00:24:36,353
WELL, ACTUALLY,
BEFORE | GET INTO THAT,
470
00:24:36,640 --> 00:24:37,356
LET ME TELL YOU SOMETHING.
471
00:24:37,640 --> 00:24:38,709
I'M IN TERRIBLE TROUBLE.
472
00:24:39,000 --> 00:24:40,115
YOU SEE, I'M BOOKED
ON THIS CONCERT TOUR
473
00:24:40,400 --> 00:24:41,230
FOR SIX MONTHS,
474
00:24:41,520 --> 00:24:42,111
STARTING TOMORROW,
475
00:24:42,400 --> 00:24:43,719
BUT I DON'T HAVE MY CONTRACTS.
476
00:24:44,040 --> 00:24:47,077
WELL, WHAT DOES THAT
HAVE TO DO WITH ME?
477
00:24:47,360 --> 00:24:49,112
OH, WELL, DON'T YOU SEE?
MY AGENT HAS THE CONTRACTS.
478
00:24:49,400 --> 00:24:51,152
YOUR AGENT?
479
00:24:51,440 --> 00:24:52,429
YEAH, CLINT MURDOCH.
480
00:24:54,520 --> 00:24:55,350
NEVER HEARD OF HIM.
481
00:24:55,680 --> 00:24:56,430
OH, YES, YOU HAVE.
482
00:24:56,760 --> 00:24:57,829
| WAS THERE ONE TIME
483
00:24:58,120 --> 00:24:59,155
WHEN HE TALKED TO YOU
ON THE TELEPHONE.
484
00:24:59,440 --> 00:25:00,873
AS A MATTER OF FACT,
485
00:25:01,160 --> 00:25:02,559
I BELIEVE | ANSWERED
ONE OF YOUR PHONE CALLS.
486
00:25:02,840 --> 00:25:05,513
LOOK, MISS, I DON'T KNOW
WHAT YOU'RE DRIVING AT.
487
00:25:05,800 --> 00:25:07,392
MR. MICHAELS,
I CAN REALLY APPRECIATE
488
00:25:07,680 --> 00:25:09,033
YOU NOT WANTING
TO GET INVOLVED IN THIS.
489
00:25:09,360 --> 00:25:11,954
AFTER ALL, MR. MURDOCH
IS A MUTUAL FRIEND OF OURS,
490
00:25:12,280 --> 00:25:13,952
BUT I HAVE WORKED
SO HARD FOR THIS TOUR,
491
00:25:14,280 --> 00:25:15,872
AND I'VE SPENT MONEY
ON GOWNS
492
00:25:16,200 --> 00:25:17,189
AND PICTURES AND ARRANGEMENTS,
493
00:25:17,480 --> 00:25:19,755
AND THIS REALLY
MEANS A LOT TO ME,
494
00:25:20,080 --> 00:25:20,876
IT REALLY DOES.
495
00:25:21,200 --> 00:25:22,394
WHAT DO YOU WANT FROM ME?
496
00:25:22,680 --> 00:25:25,717
I JUST WANT YOU TO TELL ME
WHERE I CAN FIND MR. MURDOCH.
497
00:25:26,040 --> 00:25:29,430
IF I KNEW A GUY NAMED MURDOCH,
I'D BE HAPPY TO TELL YOU.
498
00:25:32,320 --> 00:25:33,548
LOOK, I KNOW! BARGED IN HERE
499
00:25:33,880 --> 00:25:35,871
AND I'VE OBVIOUSLY UPSET YOU
AND...
500
00:25:36,160 --> 00:25:38,196
WELL, I'M NOT LIKE THAT,
I'M REALLY NOT.
501
00:25:38,480 --> 00:25:39,799
I'M A VERY NICE PERSON,
502
00:25:40,080 --> 00:25:41,798
AND I'D LIKE
TO GET TO KNOW YOU BETTER.
503
00:25:42,080 --> 00:25:44,275
HOW DID YOU KNOW
WHERE TO FIND ME?
504
00:25:44,600 --> 00:25:46,591
OH, MR. MURDOCH
CALLED YOU ONE TIME
505
00:25:46,880 --> 00:25:47,835
FROM MY APARTMENT,
506
00:25:48,120 --> 00:25:49,473
SO THAT YOUR NUMBER
WAS ON MY BILL,
507
00:25:49,760 --> 00:25:50,954
SO I USED THAT NUMBER
TO GET YOUR ADDRESS,
508
00:25:51,240 --> 00:25:54,755
AND THEN YOUR LANDLADY TOLD ME
I COULD FIND YOU HERE.
509
00:25:55,040 --> 00:25:58,874
WHEN YOU QUIT SINGING YOU CAN
GO TO WORK FOR THE CIA.
510
00:26:04,840 --> 00:26:05,909
EXCUSE ME A SECOND.
511
00:26:09,960 --> 00:26:11,109
THAT SAME GUY
CALLED YOU AGAIN,
512
00:26:11,400 --> 00:26:12,150
MR. MICHAELS.
513
00:26:12,440 --> 00:26:13,031
HE SAYS IT'S URGENT.
514
00:26:13,320 --> 00:26:14,116
HERE'S THE NUMBER.
515
00:26:14,400 --> 00:26:15,549
THAN KS.
516
00:26:34,080 --> 00:26:36,071
[TELEPHONE RINGING]
517
00:26:39,800 --> 00:26:40,630
HELLO?
518
00:26:40,920 --> 00:26:42,273
MURDOCH,
THIS IS MICHAELS.
519
00:26:42,560 --> 00:26:43,754
FRED. THANKS FOR CALLING.
520
00:26:44,080 --> 00:26:45,479
I GOT TO TALK TO YOU
ABOUT SOMETHING.
521
00:26:45,760 --> 00:26:46,795
I GOT SOMETHING TO SAY TO YOU.
522
00:26:47,120 --> 00:26:49,998
THERE'S A GIRL HERE.
CINDY BURDETTE.
523
00:26:50,280 --> 00:26:51,190
SAYS SHE'S A SINGER.
524
00:26:51,480 --> 00:26:52,629
YOU'RE HER AGENT
525
00:26:52,960 --> 00:26:54,029
IS THIS SOME KIND OF A GAG?
526
00:26:54,320 --> 00:26:55,070
IT'S NO GAG.
527
00:26:55,360 --> 00:26:56,156
I TELL YOU, SHE'S HERE.
528
00:26:56,440 --> 00:26:57,395
YOU LISTEN TO ME.
529
00:26:57,680 --> 00:26:58,430
CINDY BURDETTE
DIED THREE WEEKS AGO
530
00:26:58,760 --> 00:26:59,988
IN AN AUTOMOBILE ACCIDENT.
531
00:27:00,280 --> 00:27:02,191
YOU WANT TO TELL ME
WHAT'S GOING ON, MURDOCH?
532
00:27:02,480 --> 00:27:03,993
I DON’T KNOW
533
00:27:04,280 --> 00:27:05,474
BROWN CALLED ME.
534
00:27:05,800 --> 00:27:08,234
HE SAID THERE'S A GIRL
PITCHING HIM THE SAME THING,
535
00:27:08,560 --> 00:27:09,788
THAT SHE WANTED TO SEE ME.
536
00:27:10,080 --> 00:27:11,798
MAYBE WE SHOULD POINT THEM
BOTH IN YOUR DIRECTION
537
00:27:12,080 --> 00:27:12,956
AND FORGET IT.
538
00:27:13,240 --> 00:27:14,559
WAIT A MINUTE.
539
00:27:14,840 --> 00:27:16,592
IF I GO DOWN,
YOU GO DOWN WITH ME,
540
00:27:16,880 --> 00:27:19,792
SO LET'S USE
OUR HEADS, OKA Y?
541
00:27:20,080 --> 00:27:21,957
NOW, THESE GIRLS,
WHOEVER THEY ARE,
542
00:27:22,280 --> 00:27:24,157
THEY OBVIOUSLY THINK
I KNOW SOMETHING.
543
00:27:24,440 --> 00:27:25,475
WHO ARE THEY?
544
00:27:25,760 --> 00:27:27,671
I DON’T KNOW
545
00:27:27,960 --> 00:27:28,915
MAYBE THEY FOUND OUT
I'M SITTING
546
00:27:29,240 --> 00:27:30,150
ON A MILLION DOLLARS' WORTH
547
00:27:30,440 --> 00:27:31,111
OF DIAMONDS, HUH?
548
00:27:31,400 --> 00:27:32,958
HOW?
549
00:27:33,240 --> 00:27:34,798
BROWN AND I
DIDN'T DO ANY TALKING.
550
00:27:35,120 --> 00:27:37,953
LOOK, I DON'T WHO THEY ARE
OR HOW THEY KNOW,
551
00:27:38,240 --> 00:27:39,958
WHAT THEY KNOW,
IF THEY KNOW ANYTHING.
552
00:27:40,240 --> 00:27:41,150
THE IMPORTANT THING NOW
553
00:27:41,440 --> 00:27:43,271
IS THAT THEY GOT TO BE PUT
OUT OF THE WAY.
554
00:27:43,560 --> 00:27:45,471
YOU MEAN KILL THEM?
555
00:27:45,800 --> 00:27:46,949
LISTEN,
556
00:27:47,240 --> 00:27:48,958
I DON'T WANT ANY PART
OF KILLING ANYBODY.
557
00:27:49,240 --> 00:27:51,356
DOESN'T MAKE ANY DIFFERENCE
WHETHER YOU WANT IT OR NOT.
558
00:27:51,680 --> 00:27:52,510
YOU'VE GOT TO DO IT
559
00:27:52,800 --> 00:27:53,550
BECAUSE I'M IN NO SHAPE
TO DO IT.
560
00:27:53,840 --> 00:27:55,034
I CAN'T DO IT, MURDOCH.
561
00:27:55,360 --> 00:27:56,713
YOU WILL DO IT,
562
00:27:57,000 --> 00:27:57,989
BECAUSE LIKE I SAID,
YOU'RE INVOLVED
563
00:27:58,320 --> 00:28:00,595
AND IF I TAKE A FALL,
YOU GO DOWN WITH ME,
564
00:28:00,880 --> 00:28:02,199
SO YOU TAKE CARE
OF/T.
565
00:28:02,480 --> 00:28:04,550
BOTH OF THEM,
AND NOW
566
00:28:04,840 --> 00:28:05,795
BROWN IS AT HIS HOUSE.
567
00:28:06,120 --> 00:28:06,950
YOU MAKE HIM HELP YOU.
568
00:28:07,280 --> 00:28:08,190
LISTEN, MURDOCH, I...
569
00:28:08,480 --> 00:28:09,833
[DIAL TONE HUMMING]
570
00:28:24,120 --> 00:28:25,553
WHAT DO YOU SAY
WE GET OUT OF HERE?
571
00:28:25,880 --> 00:28:27,393
WHERE'S OUT OF HERE?
572
00:28:27,720 --> 00:28:28,357
YOU WANT
YOUR CONTRACTS,
573
00:28:28,680 --> 00:28:30,830
DON'T YOU?
574
00:28:31,120 --> 00:28:33,429
| SURELY DO.
575
00:29:14,360 --> 00:29:15,759
HEY, WAIT A MINUTE.
THIS AIN'T MR. MURDOCH.
576
00:29:16,040 --> 00:29:16,836
THAT'S RIGHT.
THIS IS MR. BROWN.
577
00:29:17,120 --> 00:29:20,590
NOW, THE QUESTION IS,
WHO ARE YOU?
578
00:29:20,880 --> 00:29:23,075
I TOLD YOU. CINDY BURDETTE.
579
00:29:23,400 --> 00:29:24,230
CINDY BURDETTE
580
00:29:24,520 --> 00:29:25,509
WAS KILLED IN
AN AUTO ACCIDENT
581
00:29:25,800 --> 00:29:26,789
THREE WEEKS AGO.
582
00:29:29,680 --> 00:29:30,351
STAY RIGHT WHERE YOU ARE.
583
00:29:30,640 --> 00:29:32,835
YOU AGAIN.
584
00:29:33,160 --> 00:29:34,275
YOU KNOW HER?
585
00:29:34,560 --> 00:29:35,879
WELL, THAT'S THE ONE
| WAS TELLING YOU ABOUT.
586
00:29:36,200 --> 00:29:37,679
YOU BETTER
DROP IT, MISS,
587
00:29:38,000 --> 00:29:40,719
OR YOUR FRIEND
GETS IT, NOW.
588
00:29:56,600 --> 00:29:57,715
TWO HOURS.
589
00:29:58,000 --> 00:29:58,830
TWO HOURS.
590
00:29:59,120 --> 00:29:59,836
YEAH.
591
00:30:00,120 --> 00:30:01,599
LESS. LESS
THAN TWO HOURS.
592
00:30:01,880 --> 00:30:03,472
| BET YOU TWO ARE STARTING
TO GET A LITTLE WORRIED.
593
00:30:03,760 --> 00:30:04,510
THEY'LL MAKE IT.
594
00:30:04,800 --> 00:30:06,119
YEAH? WHAT MAKES YOU SO SURE?
595
00:30:06,440 --> 00:30:07,873
I KNOW THEM.
I KNOW WHAT THEY CAN DO.
596
00:30:08,200 --> 00:30:09,428
THEY ALWAYS COME THROUGH.
597
00:30:09,720 --> 00:30:10,755
ALWAYS.
598
00:30:12,120 --> 00:30:13,235
SEE, WE CAN
TRUST THEM.
599
00:30:13,520 --> 00:30:15,636
I GUESS YOU REALLY DON'T KNOW
WHAT IT IS TO TRUST SOMEBODY,
600
00:30:15,920 --> 00:30:16,750
DO YOU?
601
00:30:17,080 --> 00:30:18,308
OH, YEAH. | TRUST ME!
602
00:30:18,600 --> 00:30:19,669
| TRUST ME.
603
00:30:20,000 --> 00:30:21,035
THAT'S ALL THAT MATTERS.
604
00:30:21,320 --> 00:30:22,230
LISTEN, LISTEN,
DO YOU WANT TO KNOW
605
00:30:22,520 --> 00:30:23,509
WHY WE HAVEN'T
HEARD FROM THEM YET?
606
00:30:23,840 --> 00:30:24,955
NO. WHY DON'T YOU TELL US?
607
00:30:25,240 --> 00:30:26,514
BECAUSE THEY THINK
I'M JUST KIDDING AROUND.
608
00:30:26,840 --> 00:30:28,512
WELL, I'M GOING TO SHOW THEM
WHO'S JUST KIDDING AROUND,
609
00:30:28,840 --> 00:30:31,718
BECAUSE WHEN THE HOUR COMES
AND | PRESS THIS BUTTON
610
00:30:32,000 --> 00:30:33,353
THE TWO OF YOU BETTER BE
DOWN ON YOUR KNEES PRAYING,
611
00:30:33,680 --> 00:30:34,874
BECAUSE IT'S ALL GONNA
BE OVER.
612
00:30:35,160 --> 00:30:36,718
IT'S FINISHED, THE END,
AND MAYBE, JUST MAYBE,
613
00:30:37,000 --> 00:30:37,955
THE NEXT TIME
I SAY SOMETHING,
614
00:30:38,240 --> 00:30:39,070
THEY'RE
GOING TO LISTEN.
615
00:30:39,360 --> 00:30:40,509
DINNY.
616
00:30:40,800 --> 00:30:42,518
BE CAREFUL
WITH THAT THING.
617
00:30:42,800 --> 00:30:44,597
YOU ACCIDENTALLY
PRESS THAT BUTTON,
618
00:30:44,880 --> 00:30:46,199
WE'RE ALL GOING TO GO UP.
619
00:30:48,720 --> 00:30:51,280
COME ON.
620
00:30:51,560 --> 00:30:52,754
LET ME HOLD IT.
621
00:30:53,040 --> 00:30:55,474
YOU GET YOUR HANDS OFF ME.
622
00:31:05,320 --> 00:31:08,153
THE NEXT TIME
YOU COME AT ME LIKE THAT,
623
00:31:08,440 --> 00:31:10,510
I'M GONNA PUT YOU WITH THEM.
624
00:31:10,840 --> 00:31:12,637
UNDERSTAND?
625
00:31:12,920 --> 00:31:14,911
NOW, GET AWAY FROM ME.
626
00:31:17,080 --> 00:31:18,832
GET AWAY!
627
00:31:34,920 --> 00:31:36,353
LOOK, WHERE ARE YOU
TAKING US?
628
00:31:36,640 --> 00:31:37,834
COME ON,
KEEP IT MOVING.
629
00:31:52,600 --> 00:31:53,874
I SAID KEEP MOVING.
LET'S GO.
630
00:31:54,160 --> 00:31:56,435
LIKE HE SAID, KELL.
LET'S GO.
631
00:32:08,400 --> 00:32:09,879
GOOD GIRL.
632
00:32:11,880 --> 00:32:13,711
I'M GONNA ASK QUICK
633
00:32:14,000 --> 00:32:14,955
AND I WANT
A QUICK ANSWER
634
00:32:15,280 --> 00:32:17,669
AND I'M IN NO MOOD
FOR ANY CUTE STUFF.
635
00:32:17,960 --> 00:32:19,279
WHERE'S MURDOCH?
636
00:32:19,560 --> 00:32:21,790
WELL, LADY, WE DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
637
00:32:22,120 --> 00:32:23,838
IN CASE YOU THINK
638
00:32:24,160 --> 00:32:25,718
I DON'T KNOW
HOW TO USE THIS...
639
00:32:26,040 --> 00:32:26,995
OKAY.
640
00:32:27,280 --> 00:32:29,714
HE'S AT THE
PINE TREE LODGE
641
00:32:30,040 --> 00:32:32,600
IN JOSHUA CITY.
642
00:32:32,920 --> 00:32:34,353
AND YOU'RE GOING
TO TAKE US THERE,
643
00:32:34,680 --> 00:32:35,476
RIGHT?
644
00:32:35,800 --> 00:32:36,915
LOOK, I DON'T KNOW
645
00:32:37,200 --> 00:32:38,235
WHAT YOU KIDS
ARE DOING,
646
00:32:38,520 --> 00:32:39,953
BUT WE'RE
INTO SOMETHING
647
00:32:40,240 --> 00:32:41,036
WORTH A LOT OF MONEY.
648
00:32:41,320 --> 00:32:42,230
NOW, I DON'T KNOW
649
00:32:42,560 --> 00:32:43,151
WHAT SOMEBODY ELSE
IS PAYING YOU,
650
00:32:43,480 --> 00:32:44,310
BUT WE'LL DOUBLE IT.
651
00:32:44,640 --> 00:32:45,550
TRIPLE IT.
652
00:32:45,840 --> 00:32:47,592
IT'S AN OFFER WE CAN
HARDLY REFUSE,
653
00:32:47,880 --> 00:32:49,313
MR. MICHAELS,
654
00:32:49,600 --> 00:32:50,396
BUT ON SECOND THOUGHT,
655
00:32:50,680 --> 00:32:51,556
WE WILL.
656
00:32:51,840 --> 00:32:52,556
NOW, MOVE IT.
657
00:32:52,840 --> 00:32:55,274
COME ON, GET GOING.
658
00:33:00,920 --> 00:33:02,592
GET YOUR FEET APART.
659
00:33:02,880 --> 00:33:04,598
VERY NICE.
660
00:33:06,720 --> 00:33:08,039
YEAH, RIGHT.
661
00:33:08,320 --> 00:33:09,355
BROWN AND MICHAELS
ARE WITH US, CHARLIE.
662
00:33:09,640 --> 00:33:10,516
WE'RE ON OUR WAY
TO THE MOTEL
663
00:33:10,840 --> 00:33:11,556
WHERE MURDOCH'S HIDING.
664
00:33:11,880 --> 00:33:13,074
BE CAREFUL.
665
00:33:13,360 --> 00:33:14,588
BY THE WA Y, THE PHONE NUMBER
YOU GA ME ME,
666
00:33:14,920 --> 00:33:16,592
THE CALL MURDOCH MADE
FROM THE HOSPITAL?
667
00:33:16,920 --> 00:33:18,990
IT BELONGS TO A MAN
NAMED EARL JACKSON.
668
00:33:19,280 --> 00:33:20,315
HE'S A BIGTIME FENCE,
669
00:33:20,640 --> 00:33:22,835
AND HE'S GOT
INTERNATIONAL CONNECTIONS.
670
00:33:23,120 --> 00:33:24,473
THIS JACKSON,
671
00:33:24,760 --> 00:33:25,670
HE MAY HAVE ALREADY
CONNECTED WITH MURDOCH
672
00:33:25,960 --> 00:33:27,109
AT THE COTTAGE
AND MADE THE BUY.
673
00:33:27,440 --> 00:33:28,634
I KNOW
IN THA T CA SE,
674
00:33:28,920 --> 00:33:29,875
MURDOCH WILL
HA VE THE MONEY
675
00:33:30,160 --> 00:33:31,115
INSTEAD
OF THE DIAMONDS.
676
00:33:31,440 --> 00:33:32,395
EITHER WAY,
677
00:33:32,680 --> 00:33:33,954
YOU'VE GOT SOMETHING
TO BARGAIN WITH.
678
00:33:34,280 --> 00:33:35,315
NOW CALL ME
WHEN YOU GET THERE.
679
00:33:35,600 --> 00:33:36,316
LET ME KNOW.
680
00:33:36,600 --> 00:33:38,158
THE MINUTE WE GET MURDOCH,
CHARLIE.
681
00:33:38,440 --> 00:33:39,759
THE VERY MINUTE.
682
00:33:57,800 --> 00:33:59,995
BE FIRM AND VERY
CONVINCING.
683
00:34:16,080 --> 00:34:17,229
MURDOCH!
684
00:34:17,520 --> 00:34:18,509
IT'S BROWN
AND MICHAELS.
685
00:34:18,800 --> 00:34:19,630
LET US IN.
686
00:34:21,520 --> 00:34:22,873
IT'S LOCKED.
687
00:34:23,200 --> 00:34:24,076
STEP BACK.
688
00:34:51,880 --> 00:34:53,472
COME ON.
689
00:34:55,480 --> 00:34:57,391
KEEP YOUR HANDS
WHERE I CAN SEE THEM.
690
00:35:15,840 --> 00:35:16,875
THAT'S MURDOCH.
691
00:35:24,240 --> 00:35:26,879
HE'S DEAD, LADY.
692
00:35:46,880 --> 00:35:47,949
LIKE THE DOCTOR SAID,
693
00:35:48,280 --> 00:35:49,349
HE WAS A WALKING
DEAD MAN.
694
00:35:49,640 --> 00:35:51,995
WELL, THERE'S NO DIAMONDS.
NO NOTHING.
695
00:35:54,280 --> 00:35:56,919
EARL JACKSON, THE FENCE,
CAME TO MAKE THE BUY,
696
00:35:57,200 --> 00:35:58,599
FOUND MURDOCH DEAD,
697
00:35:58,920 --> 00:36:00,399
TOOK THE DIAMONDS,
AND SPLIT.
698
00:36:02,360 --> 00:36:03,509
WE'VE GOT LESS THAN AN HOUR.
699
00:36:03,840 --> 00:36:04,989
WHAT ARE WE GOING TO DO
WITH THESE TWO?
700
00:36:05,280 --> 00:36:07,032
WE DON'T HAVE TIME
TO TAKE THEM IN.
701
00:36:07,320 --> 00:36:09,595
GET AGAINST THE WALL.
COME ON. NOW.
702
00:36:11,920 --> 00:36:13,353
HERE, TAKE THIS, KRIS.
703
00:36:22,280 --> 00:36:24,236
STRAIGHT AHEAD, MISTER.
704
00:36:33,680 --> 00:36:35,511
OKAY, YOU TWO.
IN THERE.
705
00:36:35,800 --> 00:36:36,789
HEY, LOOK...
706
00:36:37,120 --> 00:36:38,314
MURDOCH IS GONE.
707
00:36:38,600 --> 00:36:39,999
THE FENCE
HAS THE DIAMONDS.
708
00:36:40,280 --> 00:36:41,838
WHY DON'T YOU
LET US GO?
709
00:36:42,120 --> 00:36:43,109
SURE. WHY NOT?
710
00:36:43,400 --> 00:36:44,879
I MEAN, YOU GUYS
DIDN'T HAVE
711
00:36:45,160 --> 00:36:46,149
ANYTHING TO DO
WITH ALL THIS,
712
00:36:46,440 --> 00:36:48,158
EXCEPT HELP
SET IT ALL UP
713
00:36:48,440 --> 00:36:49,793
IN THE FIRST PLACE.
714
00:36:50,080 --> 00:36:51,798
NOW, GET IN THERE.
715
00:36:52,080 --> 00:36:53,513
CALL THE POLICE.
716
00:36:53,800 --> 00:36:54,915
START TAKING IT OFF.
717
00:36:55,200 --> 00:36:56,110
SHIRTS, PANTS,
718
00:36:56,440 --> 00:36:58,158
EVERYTHING.
719
00:37:04,200 --> 00:37:06,031
IS THIS
THE MANAGER?
720
00:37:06,360 --> 00:37:08,874
YES, I'D LIKE TO REPORT
A DISTURBANCE IN ROOM SIX.
721
00:37:09,200 --> 00:37:10,189
IT SOUNDED LIKE A GUNSHOT.
722
00:37:10,480 --> 00:37:11,356
I THINK YOU BETTER
CALL THE POLICE
723
00:37:11,640 --> 00:37:12,550
AND SEND SOMEBODY RIGHT OVER.
724
00:37:12,840 --> 00:37:14,239
THANK YOU.
725
00:37:17,200 --> 00:37:18,519
OKAY, LET'S GO.
726
00:37:18,800 --> 00:37:20,199
ALL OF IT.
727
00:37:27,200 --> 00:37:29,191
OKAY, CLOSE THE DOOR.
728
00:37:49,880 --> 00:37:52,314
MAYBE WE BETTER CALL
AND ASK FOR MORE TIME.
729
00:37:52,600 --> 00:37:53,919
IF WE ASK
FOR MORE TIME,
730
00:37:54,240 --> 00:37:55,275
THEY'LL THINK
WE'RE STALLING.
731
00:37:55,560 --> 00:37:56,595
IF WE TELL THEM
ABOUT MURDOCH,
732
00:37:56,880 --> 00:37:58,279
THEY'LL THINK
WE'RE LYING.
733
00:37:58,560 --> 00:37:59,788
WELL, HOW ARE WE
SUPPOSED
734
00:38:00,120 --> 00:38:01,838
TO FIND A FENCE
THAT WE'VE NEVER SEEN,
735
00:38:02,120 --> 00:38:03,519
WHO IS PROBABLY
OUT OF THE COUNTRY
736
00:38:03,840 --> 00:38:04,750
BY NOW?
737
00:38:05,040 --> 00:38:07,952
KRIS, DO YOU REMEMBER
WHAT BROWN SAID
738
00:38:08,240 --> 00:38:09,309
BACK AT THE HOUSE
739
00:38:09,640 --> 00:38:11,073
ABOUT THROWING IN
WITH THEM.
740
00:38:11,360 --> 00:38:12,873
WELL, WE DIDN'T
TAKE THE OFFER,
741
00:38:13,160 --> 00:38:14,275
BUT SUPPOSE WE COULD
742
00:38:14,600 --> 00:38:15,396
MAKE DINSMORE
AND WILLIAMS
743
00:38:15,720 --> 00:38:16,835
THINK WE DID?
744
00:38:17,120 --> 00:38:20,157
IT'S THE ONLY WAY.
745
00:38:24,960 --> 00:38:27,076
[TELEPHONE RINGING]
746
00:38:35,400 --> 00:38:36,992
TOWNSEND ASSOCIATES.
747
00:38:37,280 --> 00:38:38,395
KELLY: BREE, LISTEN,
HA VE YOU HEARD FROM KRIS?
748
00:38:38,680 --> 00:38:39,430
KRIS?
749
00:38:39,720 --> 00:38:40,516
ISN'T SHE WITH YOU?
750
00:38:40,800 --> 00:38:41,710
NO.
751
00:38:42,040 --> 00:38:43,678
WE GOT A TIP
ON WHERE MURDOCH WAS STAYING.
752
00:38:44,000 --> 00:38:46,833
KRIS WENT TO CHECK IT OUT
AND NEVER RETURNED.
753
00:38:47,120 --> 00:38:49,111
| WENT TO THE ADDRESS
AND THE PLACE WAS EMPTY.
754
00:38:49,400 --> 00:38:52,039
KRIS'S STATION WAGON
WAS PARKED OUTSIDE
755
00:38:52,320 --> 00:38:54,072
AND THERE WAS NO SIGN
OF HER 0R MURDOCH
756
00:38:54,360 --> 00:38:55,759
HER STATION WAGON?
757
00:38:56,040 --> 00:38:57,029
RIGHT
758
00:38:57,320 --> 00:38:58,639
THAT'S STRANGE.
759
00:38:58,920 --> 00:39:00,114
YOU'RE SUPPOSED TO BE LOOKING
FOR MURDOCH,
760
00:39:00,440 --> 00:39:01,634
NOT YOUR GIRLFRIEND.
761
00:39:01,920 --> 00:39:03,239
LOOK, I'M DOING
THE BEST I CAN.
762
00:39:03,560 --> 00:39:05,869
WOULD YOU GET OFF
MY BACK, PLEASE?
763
00:39:06,160 --> 00:39:07,149
BREE: JUSTCALM DOWN
764
00:39:07,480 --> 00:39:08,674
AND TRY TO RELAX, OKAY?
765
00:39:08,960 --> 00:39:11,030
I'M SURE THERE'S
AN EXPLANATION.
766
00:39:11,360 --> 00:39:12,554
AND WHILE
YOU'RE CALMING DOWN
767
00:39:12,840 --> 00:39:13,590
AND PULLING YOURSELF
TOGETHER,
768
00:39:13,880 --> 00:39:14,835
I JUST WANT YOU
TO KNOW
769
00:39:15,160 --> 00:39:15,876
YOU GOT LESS
THAN AN HOUR.
770
00:39:16,200 --> 00:39:17,553
BOSLE Y BREE
771
00:39:17,840 --> 00:39:18,670
IF KRIS CALLS,
772
00:39:19,000 --> 00:39:21,230
TELL HER I'M LOOKING FOR HER,
OKA Y?
773
00:39:21,520 --> 00:39:22,794
YEAH, OKAY, KELLY.
774
00:39:23,120 --> 00:39:24,155
UH...
775
00:39:24,440 --> 00:39:26,396
YEAH, GOT YOU.
776
00:39:26,680 --> 00:39:29,035
ALRIGHTY. BYE.
777
00:39:29,320 --> 00:39:31,550
SO FAR, SO GOOD.
778
00:39:31,880 --> 00:39:32,835
LISTEN, DO YOU THINK
BOSLEY WILL REALIZE
779
00:39:33,120 --> 00:39:35,111
THAT I NEVER DROVE
A STATION WAGON?
780
00:39:35,400 --> 00:39:36,833
BREE WILL.
781
00:39:37,120 --> 00:39:38,314
GO CALL CHARLIE.
782
00:39:40,080 --> 00:39:40,876
WAIT A MINUTE.
783
00:39:41,160 --> 00:39:42,115
THAT DOESN'T MAKE ANY SENSE.
784
00:39:42,440 --> 00:39:43,873
KRIS LEAVING HER STATION WAGON
BEHIND LIKE THAT?
785
00:39:44,160 --> 00:39:44,956
YEAH, I KNOW. SHE...
786
00:39:45,240 --> 00:39:46,719
SHE REALLY LOVED
THAT OLD CAR TOO.
787
00:39:47,000 --> 00:39:48,558
YEAH,
BUT KELLY SOUNDS
788
00:39:48,840 --> 00:39:49,795
LIKE SHE'S COMING
UNGLUED.
789
00:39:50,080 --> 00:39:52,674
WELL, MAYBE THIS WAS
THE MISSION IMPOSSIBLE.
790
00:39:52,960 --> 00:39:53,949
WELL,
IN THAT CASE, THEN,
791
00:39:54,280 --> 00:39:55,679
YOU KNOW WHAT'S GOING
TO HAPPEN TO THE TWO YOU.
792
00:39:55,960 --> 00:39:57,678
WELL, WE KNEW THE RISK
WHEN WE TOOK THIS JOB,
793
00:39:57,960 --> 00:39:58,790
DIDN'T WE, BOS?
794
00:39:59,120 --> 00:40:00,075
[TELEPHONE RINGING]
795
00:40:00,360 --> 00:40:01,270
YEAH, RIGHT.
796
00:40:07,040 --> 00:40:08,075
TOWNSEND
INVESTIGATIONS.
797
00:40:08,360 --> 00:40:09,156
CHARLIE: HELLO, SABRINA.
798
00:40:09,440 --> 00:40:11,078
ARE BOSLEYAND KELLY THERE?
799
00:40:11,360 --> 00:40:14,511
WELL, HI, CHARLIE.
KRIS AND KELLY ARE...
800
00:40:14,840 --> 00:40:15,795
OUT.
801
00:40:16,080 --> 00:40:17,479
WELL, I .IUS THAD
A CALL FROM KRIS.
802
00:40:17,800 --> 00:40:20,155
SHE S OUNDED
VERY S TRANGE.
803
00:40:20,440 --> 00:40:21,634
IS THERE ANYTHING THE MA TTER?
804
00:40:21,920 --> 00:40:23,990
N0, CHARLIE. NO.
805
00:40:24,280 --> 00:40:25,156
EVERYTHING'S FINE.
806
00:40:25,480 --> 00:40:26,708
WELL, SHE SEEMED
LIKE SHE WAS
807
00:40:27,000 --> 00:40:28,194
IN A BIG HURRY
TO GET SOMEWHERE
808
00:40:28,520 --> 00:40:30,351
AND WANTED TO TAKE
ONE OF OUR PLANES,
809
00:40:30,640 --> 00:40:33,712
NANTUCKET3563 BA YSHORE
810
00:40:34,000 --> 00:40:35,069
NOW, IDON'T KNOW
811
00:40:35,400 --> 00:40:36,310
WHY SHE WOULD ASK
812
00:40:36,600 --> 00:40:37,350
SPECIFICALLY
FOR THA T PLANE
813
00:40:37,640 --> 00:40:38,629
DO YOU?
814
00:40:38,920 --> 00:40:39,716
WELL, CHARLIE,
815
00:40:40,040 --> 00:40:41,678
NANTUCKET 3583
BAYSHORE HAS
816
00:40:42,000 --> 00:40:45,310
THE LONGEST
CRUISING RANGE.
817
00:40:45,600 --> 00:40:47,033
OH, MA YBE THA T'S WHY.
818
00:40:47,320 --> 00:40:49,072
AN YWA Y, WHEN I ASKED
WHEN SHE '0 BE BACK,
819
00:40:49,360 --> 00:40:50,998
SHE SEEMED I/ERY VAGUE
820
00:40:51,280 --> 00:40:52,156
WELL, I DON'T THINK
821
00:40:52,440 --> 00:40:53,759
IT'S ANYTHING
TO WORRY ABOUT.
822
00:40:54,040 --> 00:40:55,029
I SUPPOSE NOT.
823
00:40:55,320 --> 00:40:57,390
ANYWA Y,
YOU BO TH HA VE A NICE DA Y.
824
00:41:00,360 --> 00:41:01,429
THAT EXPLAINS IT.
825
00:41:01,760 --> 00:41:02,829
EXPLAINS WHAT?
WHAT ARE YOU TALKING ABOUT?
826
00:41:03,120 --> 00:41:04,075
WHAT DOES SHE
NEED A PLANE FOR?
827
00:41:04,360 --> 00:41:05,429
WELL, ISN'T IT OBVIOUS?
828
00:41:05,720 --> 00:41:06,675
SHE FOUND MURDOCH,
HE GAVE HER THE RUSH,
829
00:41:06,960 --> 00:41:07,676
AND NOW THEY'RE
RUNNING TOGETHER.
830
00:41:07,960 --> 00:41:08,710
RUNNING TOGETHER?
831
00:41:09,000 --> 00:41:09,796
WHAT'S THAT
SUPPOSED TO MEAN?
832
00:41:10,080 --> 00:41:10,990
SHE TOOK HER BEST SHOT.
833
00:41:11,320 --> 00:41:12,594
SHE SOLD US OUT.
834
00:41:12,880 --> 00:41:13,676
YOU MEAN KRIS
PULLED A SWITCH?
835
00:41:13,960 --> 00:41:14,995
YEAH, WELL, WHAT
DOES SHE CARE?
836
00:41:15,320 --> 00:41:16,594
SHE HARDLY KNOWS US.
837
00:41:16,880 --> 00:41:18,438
BOSLEY:
| BEGGED CHARLIE
NOT TO HIRE HER.
838
00:41:18,720 --> 00:41:19,755
WELL, THEY'LL SPEND
THE NEXT 20 YEARS
839
00:41:20,080 --> 00:41:21,559
ENJOYING THE MONEY,
WON'T THEY?
840
00:41:21,840 --> 00:41:24,513
MY GOD, IT MAKES SENSE.
841
00:41:24,800 --> 00:41:26,995
ALL THAT MONEY.
WHY NOT?
842
00:41:27,280 --> 00:41:28,030
MURDOCH'S HURT.
843
00:41:28,320 --> 00:41:29,719
HE'D NEED SOMEBODY
TO HELP HIM.
844
00:41:30,040 --> 00:41:31,314
THAT LOUSY LITTLE BROAD!
845
00:41:31,600 --> 00:41:32,635
LISTEN,
846
00:41:32,960 --> 00:41:33,915
CHARLIE SAID
SHE JUST CALLED,
847
00:41:34,200 --> 00:41:35,428
SO SHE'S EITHER
AT THE AIRPORT
848
00:41:35,760 --> 00:41:36,670
OR SHE'S STILL
849
00:41:36,960 --> 00:41:38,234
ON THE WAY
TO THE AIRPORT.
850
00:41:38,520 --> 00:41:40,078
MAYBE WE CAN STILL CATCH THEM.
851
00:41:40,360 --> 00:41:41,918
YEAH.
852
00:41:42,200 --> 00:41:43,713
KRIS IS NEW IN TOWN.
853
00:41:44,000 --> 00:41:46,195
I MAY KNOW A SHORTCUT.
854
00:41:49,240 --> 00:41:50,559
ALL RIGHT. UM...
855
00:41:50,840 --> 00:41:52,319
ALL RIGHT,
ALL RIGHT. UH...
856
00:41:52,600 --> 00:41:53,828
EVERYBODY OUTSIDE
AND GET IN THE CAR,
857
00:41:54,120 --> 00:41:55,030
AND JUST IN CASE
858
00:41:55,360 --> 00:41:56,190
YOU WANT TO TRY
SOMETHING FUNNY,
859
00:41:56,480 --> 00:41:57,276
ISTILL GOT THIS.
860
00:41:57,560 --> 00:41:58,356
CAN I GET MY COAT?
861
00:41:58,640 --> 00:41:59,390
YEAH, YEAH.
862
00:41:59,680 --> 00:42:01,238
WE DON'T EVEN
OWN A PLANE.
863
00:42:01,520 --> 00:42:03,238
WHAT'S THIS NANTUCKET
BAYSHORE STUFF?
864
00:42:03,520 --> 00:42:04,270
IT'S A STREET.
865
00:42:04,560 --> 00:42:05,993
COME ON!
866
00:42:18,800 --> 00:42:20,119
YOU KNOW,
867
00:42:20,400 --> 00:42:21,628
WHETHER YOU TWO
LIVE OR DIE
868
00:42:21,920 --> 00:42:23,672
DEPENDS ON IF WE GET
TO THE AIRPORT IN TIME,
869
00:42:23,960 --> 00:42:24,995
YOU KNOW THAT,
870
00:42:25,280 --> 00:42:27,396
S0 THIS BETTER BE
A SHORTCUT.
871
00:42:27,720 --> 00:42:30,917
YEAH, WELL, JUST
STAY ON THE ROAD.
872
00:42:31,200 --> 00:42:32,235
IT'LL BE ALL RIGHT.
873
00:42:58,320 --> 00:42:59,230
WHAT...
874
00:42:59,520 --> 00:43:00,350
WHAT IS THIS?
875
00:43:00,680 --> 00:43:01,476
WHAT'S GOING ON HERE?
876
00:43:01,800 --> 00:43:02,710
I DON'T KNOW.
877
00:43:03,000 --> 00:43:04,353
GO AROUND THAT WAY.
878
00:43:04,680 --> 00:43:06,557
SAME DIFFERENCE.
879
00:44:16,360 --> 00:44:18,112
SEE WHAT'S WRONG.
880
00:44:25,680 --> 00:44:27,636
WHAT'S WRONG, FELLA?
881
00:44:33,680 --> 00:44:35,511
[SNEEZES]
882
00:44:39,240 --> 00:44:40,673
HOLD IT.
883
00:44:57,480 --> 00:44:59,436
HAND ME THE GUN.
884
00:45:01,600 --> 00:45:04,717
OKAY, PACK IT IN.
885
00:45:05,000 --> 00:45:06,228
THOSE THINGS
DON'T TRANSMIT
886
00:45:11,640 --> 00:45:13,312
COME ON.
887
00:45:22,800 --> 00:45:24,836
HAND IT OVER.
888
00:45:31,400 --> 00:45:32,674
OKAY, NOW THE KEY
TO THE BELT.
889
00:45:44,280 --> 00:45:45,918
OKAY, BREE,
COME ON OUT.
890
00:45:46,200 --> 00:45:47,189
EVERYTHING'S FINE.
891
00:45:50,360 --> 00:45:51,588
GO ON.
892
00:45:51,880 --> 00:45:53,313
GO ON.
893
00:46:07,800 --> 00:46:09,153
OH, GEEZ.
894
00:46:09,440 --> 00:46:10,350
OH, BREE.
895
00:46:12,680 --> 00:46:13,795
THERE YOU GO.
896
00:46:14,120 --> 00:46:16,156
COLOR COORDINATED
AGAIN.
897
00:46:16,440 --> 00:46:17,316
OH!
898
00:46:17,600 --> 00:46:19,556
AW, GEE,
899
00:46:19,880 --> 00:46:21,233
YOU GOT ALL WET.
900
00:46:41,800 --> 00:46:42,835
[SNEEZING]
901
00:46:46,120 --> 00:46:47,109
HOW DO YOU FEEL?
902
00:46:47,440 --> 00:46:48,555
I FEEL LIKE I'D
HAVE TO GET BETTER
903
00:46:48,840 --> 00:46:49,750
JUST TO DROP DEAD,
904
00:46:50,040 --> 00:46:51,234
BUT I'VE GOT TO ADMIT,
905
00:46:51,520 --> 00:46:54,239
THAT WAS GENIUS
TO SET IT UP BY THE POOL.
906
00:46:54,520 --> 00:46:57,114
WELL, YOU REALIZING
DINSMORE'S LITTLE TOY
907
00:46:57,400 --> 00:46:58,150
WAS TOO WEAK
908
00:46:58,440 --> 00:46:59,555
TO TRANSMIT
THROUGH WATER,
909
00:46:59,840 --> 00:47:01,876
THAT TOOK
A LITTLE SMARTS TOO.
910
00:47:02,160 --> 00:47:03,639
WOULD YOU LIKE
SOMETHING TO EAT?
911
00:47:03,960 --> 00:47:04,710
NO, NO, NO.
912
00:47:05,040 --> 00:47:06,792
YOU STARVE A COLD.
YOU FEED A FEVER.
913
00:47:07,080 --> 00:47:07,990
I THOUGHT IT WAS
914
00:47:08,280 --> 00:47:09,679
FEED A COLD
AND STARVE A FEVER.
915
00:47:11,280 --> 00:47:12,076
SO WE CAN GO
EITHER WAY.
916
00:47:12,360 --> 00:47:13,190
[GROANS]
917
00:47:13,480 --> 00:47:15,710
[TELEPHONE RINGING]
918
00:47:17,560 --> 00:47:18,310
HELLO?
919
00:47:18,640 --> 00:47:19,868
CHARLIE:
HELLO, BOSLEY.
920
00:47:20,160 --> 00:47:21,388
I'IIII JUST CHECKING
0N SABRINA 'S COLD.
921
00:47:21,680 --> 00:47:22,999
[SNEEZES]
922
00:47:23,280 --> 00:47:24,429
WELL, WHAT DO YOU THINK?
923
00:47:24,720 --> 00:47:25,755
SOUNDS WORSE
924
00:47:26,040 --> 00:47:27,268
TELL HER T0 DRINK
FRUITJUICES.
925
00:47:27,560 --> 00:47:28,959
OH, WE'VE BEEN
ALL THROUGH THAT, CHARLIE.
926
00:47:29,280 --> 00:47:30,633
I THOUGHT/D
BRING YOU UP TO DA TE
927
00:47:30,920 --> 00:47:31,955
ON WHA T'S HAPPENED.
928
00:47:32,280 --> 00:47:33,474
THE POLICE
GOT TO THE PINE TREE LODGE
929
00:47:33,760 --> 00:47:35,591
IN TIME TO PICK UP
BROWN AND MICHAEL S.
930
00:47:35,880 --> 00:47:37,029
WHEN LA S T HEARD,
931
00:47:37,320 --> 00:47:38,230
THEY WERE S TILL
TRYING TO EXPLAIN
932
00:47:38,520 --> 00:47:40,112
HOW THEY GOTLOCKED
IN THE BA THROOM
933
00:47:40,400 --> 00:47:42,038
WITH NO CLOTHES 0N
934
00:47:42,320 --> 00:47:43,639
WHAT ABOUT THE FENCE,
MR. JACKSON?
935
00:47:43,960 --> 00:47:44,676
JACKSON MANAGED
936
00:47:45,000 --> 00:47:46,069
T0 SLIP
OUT OF THE COUNTRY
937
00:47:46,360 --> 00:47:47,076
WITH THE DIAMONDS,
938
00:47:47,360 --> 00:47:48,509
BUT WE WERE ABLE
TO S UFPL Y IN TERPOL
939
00:47:48,840 --> 00:47:50,478
WITH DETAIL S.
940
00:47:50,800 --> 00:47:52,028
HE WAS APPREHENDED
A TAN AIR TERMINAL
941
00:47:52,320 --> 00:47:53,389
IN THE SOUTH
OF FRANCE
942
00:47:53,720 --> 00:47:54,709
THE...
943
00:47:55,000 --> 00:47:56,149
THE TOUCHY PART, CHARLIE,
WAS WONDERING
944
00:47:56,440 --> 00:47:58,317
WHETHER DINSMORE
AND WILLIAMS
945
00:47:58,640 --> 00:48:00,392
WOULD BELIEVE THAT KRIS
WAS LEAVING THE COUNTRY
946
00:48:00,720 --> 00:48:01,596
WITH MURDOCH.
947
00:48:01,880 --> 00:48:03,108
WELL, WHY WOULDN'T THEY?
948
00:48:03,440 --> 00:48:04,839
SHE GETS OFFERS ALL THE TIME.
949
00:48:06,760 --> 00:48:08,830
OH, POOR THING.
950
00:48:15,920 --> 00:48:19,356
WI
62839
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