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These are the user uploaded subtitles that are being translated: 1 00:00:01,440 --> 00:00:02,634 CHARLIE: ONCE UPONA TIME, 2 00:00:02,920 --> 00:00:05,514 THERE WERE THREE LITTLE GIRLS WHO WENT TO THE POL/CE ACADEMY, 3 00:00:05,800 --> 00:00:07,472 TWO IN LOS ANGELES... 4 00:00:13,080 --> 00:00:16,356 THE OTHER IN SAN FRANCISCO, 5 00:00:16,640 --> 00:00:22,192 AND THEY WERE EACH ASSIGNED VERYHAZARDOUS DUTIES... 6 00:00:22,480 --> 00:00:24,471 BUTI TOOK THEMA WA Y FROM ALL THA 7'. 7 00:00:24,760 --> 00:00:26,637 AND NOW THEY WORK FOR ME. 8 00:00:26,960 --> 00:00:28,632 M YNAME IS CHARLIE 9 00:00:28,960 --> 00:00:31,633 W] 10 00:02:04,800 --> 00:02:07,360 [TELEPHONE RINGING] 11 00:02:09,200 --> 00:02:10,155 YEAH? 12 00:02:10,480 --> 00:02:12,072 THE PIGEONS ARE IN THE COOP. 13 00:02:12,400 --> 00:02:14,436 OKAY, I'M READY. 14 00:02:46,960 --> 00:02:49,952 0NE...AND TWO. 15 00:02:50,240 --> 00:02:51,070 OKAY, I GOT IT. 16 00:02:51,360 --> 00:02:52,509 WHAT ABOUT THE WARNING LIGHT? 17 00:02:52,800 --> 00:02:53,232 |T GOES ON IN THE MONITORING ROOM. 18 00:02:53,560 --> 00:02:54,629 I TOLD YOU, I GOT IT! 19 00:03:19,360 --> 00:03:25,310 OKAY. ALL RIGHT. HUH? OKAY? HUH? 20 00:03:25,640 --> 00:03:30,475 LET ME JUST GET THESE... RIGHT IN THERE. 21 00:03:30,760 --> 00:03:31,795 THERE YOU GO. 22 00:03:32,080 --> 00:03:33,911 AND MAY | INTEREST YOU IN SOME OF THESE? 23 00:03:34,200 --> 00:03:35,155 POUR. OKAY. 24 00:04:08,520 --> 00:04:09,794 HEY, I MADE THIS FOR YOU GUYS. 25 00:04:10,080 --> 00:04:11,957 YOU'D HAVE NEVER PULLED IT OFF WITHOUT ME. 26 00:04:12,240 --> 00:04:13,992 AM | RIGHT? HUH? AM | RIGHT? 27 00:04:14,280 --> 00:04:16,794 SURE THING, DINNY. YOU TAKE ALL THE BOWS. 28 00:04:17,080 --> 00:04:19,150 THAT'S RIGHT. DYNAMITE. 29 00:04:37,600 --> 00:04:40,990 WHAT IS GOING ON HERE? HE'S CUTTING OUT ON US. 30 00:04:41,280 --> 00:04:43,032 [GUNSHOTS] 31 00:05:24,160 --> 00:05:26,628 EMERGENCY. STAT. 32 00:05:33,000 --> 00:05:34,149 SABRINA: WHA TD/D HE LOO/(LIKE, HUH? 33 00:05:34,440 --> 00:05:35,350 WHAT DID HE LOOK LIKE? 34 00:05:35,680 --> 00:05:37,796 HE'S SO GOOD-LOOKING. 35 00:05:38,080 --> 00:05:39,752 OH, UH... OH, I'M SORRY. 36 00:05:40,040 --> 00:05:40,790 HELLO. 37 00:05:41,080 --> 00:05:41,910 WELL, HELLO. 38 00:05:42,200 --> 00:05:44,350 WELL, WELL... 39 00:05:46,040 --> 00:05:48,429 CHARLIE TOWNSEND CERTAINLY HAS GOOD TASTE IN WOMEN. 40 00:05:48,720 --> 00:05:49,675 I'LL GIVE HIM THAT. 41 00:05:49,960 --> 00:05:50,915 WELL, THANK YOU VERY MUCH. 42 00:05:51,240 --> 00:05:52,389 NOT AT ALL, NOT AT ALL. 43 00:05:52,680 --> 00:05:53,874 COME ON IN. SIT DOWN. WHY DON'T WE TALK? HUH? 44 00:05:54,200 --> 00:05:54,837 COME ON. SIT RIGHT HERE. 45 00:05:55,160 --> 00:05:56,149 OKAY. SURE. 46 00:05:56,440 --> 00:05:57,395 - NICE, NICE. - HI, BOS. 47 00:05:57,680 --> 00:05:59,193 MORNING, BOSLEY. MORNING. 48 00:05:59,480 --> 00:06:02,677 GIRLS, THIS IS MR. DINSMORE. 49 00:06:03,000 --> 00:06:03,637 HOW DO YOU DO? 50 00:06:03,960 --> 00:06:05,109 BOSLEY: AND MR. WILLIAMS. 51 00:06:05,400 --> 00:06:07,960 THEY'RE POTENTIAL CLIENTS. 52 00:06:08,240 --> 00:06:10,879 0H, GOOD. WHAT'S THEIR PROBLEM? 53 00:06:11,160 --> 00:06:12,513 FUNNY YOU SHOULD ASK. 54 00:06:12,840 --> 00:06:14,319 | WAS JUST ABOUT TO TELL YOU. 55 00:06:16,640 --> 00:06:18,153 WHAT IS THAT FOR? 56 00:06:18,480 --> 00:06:19,230 INSURANCE. 57 00:06:19,560 --> 00:06:20,788 SABRINA: INSURANCE? 58 00:06:21,080 --> 00:06:22,832 INSURANCE. JUST TO MAKE SURE YOU TAKE OUR CASE. 59 00:06:23,120 --> 00:06:25,395 BOSLEY, YOU WANT TO TELL US WHAT THIS IS ALL ABOUT? 60 00:06:25,680 --> 00:06:28,592 WELL, THEY CAME IN ABOUT A HALF HOUR AGO-- 61 00:06:28,880 --> 00:06:31,348 I'LL DO THE TALKING! HA HA. 62 00:06:43,640 --> 00:06:46,916 I WANT TO SHOW YOU SOMETHING. 63 00:06:47,200 --> 00:06:49,475 NOW... 64 00:06:49,800 --> 00:06:53,190 YOU AIN'T NEVER SEEN ONE OF THESE BEFORE BECAUSE... 65 00:06:53,480 --> 00:06:55,675 WELL, I DESIGNED IT MYSELF. 66 00:06:55,960 --> 00:06:57,552 DO YOU KNOW WHAT'S INSIDE THIS BELT? 67 00:06:57,840 --> 00:07:01,037 NO, | WAS NEVER VERY GOOD AT GUESSING GAMES. 68 00:07:01,320 --> 00:07:02,912 PLASTIC CHARGES. 69 00:07:03,200 --> 00:07:04,838 PLASTIC CHARGES? 70 00:07:05,120 --> 00:07:06,075 DINSMORE: PLASTIC CHARGES, RIGHT. 71 00:07:06,400 --> 00:07:07,071 UH-HUH. 72 00:07:07,400 --> 00:07:08,958 AND THIS IS THE STRIKER, 73 00:07:09,280 --> 00:07:11,919 AND INSIDE HERE ARE THE DETONATORS. 74 00:07:12,240 --> 00:07:14,913 INSTEAD OF A BUCKLE, IT LOCKS ON... 75 00:07:15,240 --> 00:07:18,038 RIGHT AROUND THE TUMMY. 76 00:07:18,320 --> 00:07:21,710 NOW, THIS HERE IS, UH... THIS IS THE WEENIE. 77 00:07:22,040 --> 00:07:24,793 THIS IS A REMOTE-CONTROL DEVICE 78 00:07:25,120 --> 00:07:27,873 THAT CAN MAKE THIS EXPLODE WITHIN HALF A MILE, 79 00:07:28,160 --> 00:07:30,833 AND ALL I HAVE TO DO IS PRESS THIS BUTTON HERE, 80 00:07:31,120 --> 00:07:34,351 AND THEN THIS WHOLE BELT JUST GOES BOOM. 81 00:07:34,680 --> 00:07:36,113 IT'S MY BOOM-BOOM BELT. 82 00:07:40,840 --> 00:07:42,637 MY BOOM-BOOM BELT, HUH? 83 00:07:47,120 --> 00:07:48,030 PUT IT ON. 84 00:07:48,360 --> 00:07:51,875 NO, |T REALLY DOESN'T MATCH MY, UH... 85 00:07:52,200 --> 00:07:54,236 MY OUTFIT. PUT IT ON! 86 00:08:06,160 --> 00:08:09,470 GOOD. NICE. 87 00:08:09,800 --> 00:08:11,597 THAT'S GOOD. THAT'S GOOD. 88 00:08:11,920 --> 00:08:13,558 THAT'S OKAY. OH, THAT'S VERY NICE. 89 00:08:13,880 --> 00:08:15,154 THAT'S GOOD. THAT'S GOOD. 90 00:08:15,440 --> 00:08:17,954 YOU KNOW, I THINK I SHOULD HAVE BEEN ONE OF THEM FRENCHMEN, 91 00:08:18,240 --> 00:08:20,231 YOU KNOW, THOSE GUYS THAT DESIGN THE DRESSES. 92 00:08:20,560 --> 00:08:22,391 YEAH, KIND OF LIKE... 93 00:08:22,720 --> 00:08:25,109 JACQUES COUSTEAU OR SOMEBODY. 94 00:08:25,440 --> 00:08:28,398 RIGHT. RIGHT. JACQUES COUSY. THAT'S THE GUY. GOOD. 95 00:08:28,680 --> 00:08:31,319 WANT TO TELL US WHAT THIS IS ALL ABOUT? 96 00:08:32,600 --> 00:08:33,953 WE MANAGED TO HEIST 97 00:08:34,280 --> 00:08:36,555 ONE OF THE MORE PROMINENT DIAMOND WHOLESALERS. 98 00:08:36,840 --> 00:08:37,750 AVERY'S. 99 00:08:38,040 --> 00:08:40,873 I HEARD THAT ON THE RADIO THIS MORNING. 100 00:08:41,200 --> 00:08:43,839 A MILLION DOLLARS WORTH OF DIAMONDS. 101 00:08:44,160 --> 00:08:46,720 IF YOU'RE LOOKING FOR APPLAUSE, MISTER... 102 00:08:47,040 --> 00:08:49,600 WHAT WE'RE LOOKING FOR ARE THE DIAMONDS. 103 00:08:49,920 --> 00:08:52,514 UH, I'M SORRY... 104 00:08:52,840 --> 00:08:54,637 WAIT, I'M NOT FOLLOWING YOU. 105 00:08:54,960 --> 00:08:58,157 WAIT TILL THEY EXPLAIN. YOU'RE GOING TO LOVE IT. 106 00:08:58,440 --> 00:09:01,796 YOU SEE, IN MAKING OUR GETAWAY, 107 00:09:02,080 --> 00:09:04,719 THE THIRD MEMBER OF OUR PARTY, MR. CLINT MURDOCH, 108 00:09:05,000 --> 00:09:06,911 WELL, HE BUGGED OUT ON US. 109 00:09:07,200 --> 00:09:08,474 BUGGED OUT? 110 00:09:08,760 --> 00:09:09,988 WILLIAMS: YES, WITH THE DIAMONDS. 111 00:09:10,280 --> 00:09:10,996 FRESH. 112 00:09:11,320 --> 00:09:13,038 YOU THINK THAT'S FUNNY? 113 00:09:13,360 --> 00:09:16,636 NO. NO, I DON'T. 114 00:09:16,920 --> 00:09:18,638 GOOD. 115 00:09:18,920 --> 00:09:20,876 GOOD, BECAUSE YOU'RE GONNA GET THE DIAMONDS BACK FOR US. 116 00:09:21,200 --> 00:09:22,838 YOU WANT US TO GET THE DIAMONDS BACK? 117 00:09:23,160 --> 00:09:25,196 THAT'S RIGHT. THE DIAMONDS BACK, AND... AND MURDOCH. 118 00:09:28,440 --> 00:09:31,352 I TOLD YOU... YOU WERE GOING TO LOVE IT. 119 00:09:31,640 --> 00:09:32,436 WELL, IT'S SOMETHING 120 00:09:32,720 --> 00:09:34,836 THAT MR. DINSMORE AND I WOULD DO, 121 00:09:35,120 --> 00:09:36,189 BUT AT THE PRESENT MOMENT, 122 00:09:36,480 --> 00:09:38,516 THERE IS AN APB OUT FOR OUR ARREST. 123 00:09:38,840 --> 00:09:41,752 THE COPS ARE FLASHING OUR PICTURES ALL OVER TOWN. 124 00:09:42,040 --> 00:09:45,191 SO THE CON-MEN WERE OUT-CONNED BY THE CON-MAN. 125 00:09:45,520 --> 00:09:46,953 THERE'S A LESSON TO BE LEARNED IN THERE SOMEWHERE. 126 00:09:47,240 --> 00:09:48,434 I'M REALLY NOT SURE WHAT IT IS. 127 00:09:48,720 --> 00:09:49,630 |'LL TELL YOU WHAT THE LESSON IS, 128 00:09:49,920 --> 00:09:50,875 BRIGHT PERSON. 129 00:09:51,160 --> 00:09:52,639 IN THE NEXT 10 HOURS, 130 00:09:52,920 --> 00:09:53,989 IF YOUR TWO FRIENDS HERE 131 00:09:54,320 --> 00:09:56,072 DON'T COME BACK WITH THE GEMS 132 00:09:56,400 --> 00:09:57,389 AND MR. MURDOCH, 133 00:09:57,680 --> 00:09:59,272 HIM AND YOU, YOU'RE BOTH GONNA GET IT, 134 00:09:59,560 --> 00:10:03,519 SO YOU ARE GONNA STAY HERE WITH MR. BOSLEY, 135 00:10:03,800 --> 00:10:04,755 AND JUST IN CASE 136 00:10:05,080 --> 00:10:06,718 ANYBODY WANTS TO TRY ANYTHING FUNNY, 137 00:10:07,040 --> 00:10:08,598 LIKE MAYBE CALLING IN THE COPS 138 00:10:08,880 --> 00:10:10,552 OR SHOOTING IN A LITTLE GAS, HUH? 139 00:10:10,880 --> 00:10:12,871 OR PUTTING A HELICOPTER 140 00:10:13,160 --> 00:10:14,388 FULL OF FUZZ UP ON THE ROOF, 141 00:10:14,680 --> 00:10:15,510 SEE, ALL | GOTTA DO 142 00:10:15,840 --> 00:10:17,432 IS PRESS THIS BUTTON, 143 00:10:17,760 --> 00:10:19,079 AND JUST LIKE A TELEVISION SET, 144 00:10:19,360 --> 00:10:21,351 YOU GO OFF. BOOM. 145 00:10:30,840 --> 00:10:32,239 WE'VE GOT OURSELVES A CASE. 146 00:10:32,560 --> 00:10:34,710 YOU BETTER BELIEVE IT. 147 00:10:35,000 --> 00:10:36,399 OKAY. 148 00:10:36,680 --> 00:10:37,749 SPELL IT OUT FOR US. 149 00:10:38,040 --> 00:10:39,598 WHO ELSE WAS IN ON THIS BESIDES MURDOCH? 150 00:10:39,880 --> 00:10:40,790 I MEAN TO... 151 00:10:41,080 --> 00:10:42,399 TO RIP OFF A PLACE LIKE AVERY'S. 152 00:10:42,680 --> 00:10:44,193 YOU MUST HAVE HAD INSIDE HELP. 153 00:10:44,480 --> 00:10:46,516 UH, TWO GUARDS-- 154 00:10:46,800 --> 00:10:49,189 LESTER BROWN AND FRED MICHAELS-- 155 00:10:49,480 --> 00:10:51,710 AND ALL WE KNOW OF THEM IS WHAT MURDOCH TOLD US, 156 00:10:52,040 --> 00:10:53,234 WHICH IS NOTHING. 157 00:10:53,520 --> 00:10:54,714 SO MURDOCH CALLED THE SHOTS. 158 00:10:55,040 --> 00:10:56,268 THAT'S WHAT YOU'RE SAYING? 159 00:10:56,560 --> 00:10:58,676 HE DID ALL THE PLANNING AND ALL THE TALKING. 160 00:10:59,000 --> 00:11:00,479 HE'S NOT TALKING NOW, 161 00:11:00,800 --> 00:11:01,949 NOT AFTER WHAT I DID TO HIM. 162 00:11:02,240 --> 00:11:04,356 DINNY FIRED A SHOT WHEN MURDOCH MADE HIS BREAK. 163 00:11:04,680 --> 00:11:05,749 HE THINKS HE MAY HAVE HIT HIM. 164 00:11:06,040 --> 00:11:07,917 NO, I KNOW I HIT HIM. 165 00:11:08,200 --> 00:11:09,713 WE CAN CHECK ALL THE HOSPITALS 166 00:11:10,000 --> 00:11:11,069 AND THE EMERGENCY CLINICS. 167 00:11:11,360 --> 00:11:12,759 0H, THAT'S NICE. THAT'S VERY NICE. 168 00:11:13,040 --> 00:11:14,712 LISTEN, I DON'T CARE WHERE YOU CHECK. 169 00:11:15,000 --> 00:11:17,070 YOU GOT 10 HOURS TILL YOUR TWO FRIENDS HERE DIE, 170 00:11:17,400 --> 00:11:20,073 SO YOU BETTER GET MOVING. 171 00:11:22,480 --> 00:11:25,233 COME ON. 172 00:11:25,520 --> 00:11:27,511 LISTEN, BREE-- 173 00:11:27,800 --> 00:11:29,119 YEAH, I KNOW. 174 00:11:29,400 --> 00:11:31,595 LOOK, YOU'LL PROBABLY BE BACK IN A COUPLE OF HOURS 175 00:11:31,880 --> 00:11:33,199 WITH THE GOODS, RIGHT? 176 00:11:33,480 --> 00:11:34,435 WE'RE GOING TO GO FOR IT THIS TIME. 177 00:11:34,720 --> 00:11:35,436 YOU KNOW THAT. 178 00:11:35,720 --> 00:11:36,994 HEY, HEY, I... I KNOW, 179 00:11:37,280 --> 00:11:40,272 AND UNTIL YOU GET BACK, I'LL JUST BREATHE SOFTLY. 180 00:11:40,560 --> 00:11:42,790 0H, LOOK, LOOK, THIS IS ALL VERY TOUCHING, 181 00:11:43,080 --> 00:11:45,389 BUT IN THE MEANTIME, YOU'RE WASTING A LOT OF TIME, 182 00:11:45,720 --> 00:11:46,391 SO WHAT'S IT GONNA BE? 183 00:11:46,720 --> 00:11:47,550 GO ON. 184 00:11:47,840 --> 00:11:48,909 OKAY. 185 00:11:49,200 --> 00:11:49,712 GOOD LUCK. IT'LL COME OUT OKAY. 186 00:11:50,000 --> 00:11:50,796 YEAH. 187 00:12:07,000 --> 00:12:08,274 YOU'RE STARING. 188 00:12:13,240 --> 00:12:15,276 ILIKE WHAT I SEE. 189 00:12:18,400 --> 00:12:20,630 EXCUSE ME IF I DON'T SAY THANK YOU. 190 00:12:20,960 --> 00:12:22,916 YOU DON'T HAVE TO SAY ANYTHING. 191 00:12:23,200 --> 00:12:26,715 ALL YOU HAVE TO DO IS WHAT I TELL YOU TO DO. 192 00:12:28,880 --> 00:12:30,711 KEEP THAT IN MIND. 193 00:12:31,520 --> 00:12:34,796 OKAY. 194 00:12:39,720 --> 00:12:42,029 CHARLIE: OKA Y, WILLIAMS AND DINSMORE 195 00:12:42,360 --> 00:12:43,429 NOW, WAITA MINUTE DINSMORE 196 00:12:43,720 --> 00:12:44,709 THA T SOUNDS FAMILIAR. 197 00:12:45,000 --> 00:12:46,877 SOMEBODY YOU MAYBE ARRESTED ONCE, CHARLIE? 198 00:12:47,200 --> 00:12:48,997 POSS/BL Y / CAN’T REMEMBER. I'LL CHECK/TOUT. 199 00:12:49,320 --> 00:12:51,550 NOW, WHAT ABOUT THE TWO WHO WORKED FROM THE INSIDE? 200 00:12:51,840 --> 00:12:52,829 BROWN AND MICHAELS 201 00:12:53,160 --> 00:12:54,195 ARE APPARENTLY TWO OF AVERY'S GUARDS. 202 00:12:54,480 --> 00:12:56,198 ANYTHING YOU CAN COME UP WITH, CHARLIE. 203 00:12:56,480 --> 00:12:57,356 ANYTHING AT ALL. 204 00:12:57,640 --> 00:12:58,959 I'LL GETR/GHT ONIT, KELLY 205 00:12:59,240 --> 00:13:00,593 MEANWHILE, IS THERE ANYTHING WE CAN DO 206 00:13:00,920 --> 00:13:01,909 FOR SABRINA AND BOSLEY.? 207 00:13:02,200 --> 00:13:03,315 WELL, WE CAN'T CALL THE POLICE. 208 00:13:03,600 --> 00:13:04,635 WE MAKE ANY MOVES 209 00:13:04,960 --> 00:13:06,279 TO GET BOS AND SABRINA OUT OF THERE, 210 00:13:06,560 --> 00:13:07,788 DINSMORE WILL PUSH THE BUTTON. 211 00:13:08,080 --> 00:13:09,035 ALL RIGHT. NOW, YOU TRY TO FIND MURDOCH 212 00:13:09,320 --> 00:13:11,629 I'LL SEE WHA TI CAN COME UP WITH ON THIS END, 213 00:13:11,920 --> 00:13:13,194 AND LET'S BE IN CONSTANT TOUCH. 214 00:13:13,520 --> 00:13:14,270 WITH SO LITTLE TIME, 215 00:13:14,600 --> 00:13:16,352 EVERY THREAD OF INFORMATION IS IMPORTANT. 216 00:13:16,680 --> 00:13:18,910 WILL DO, CHARLIE. AS SOON AS WE HAVE ANYTHING. 217 00:13:19,200 --> 00:13:19,950 IN THE MEANWHILE, 218 00:13:20,240 --> 00:13:21,434 WE'LL KEEP CHECKING OUT THE HOSPITALS. 219 00:13:21,720 --> 00:13:23,039 BYE. 220 00:13:54,600 --> 00:13:56,556 OPERATOR... 221 00:13:56,840 --> 00:14:04,793 I WANT TO REACH 555-8483. 222 00:14:07,600 --> 00:14:09,909 [TELEPHONE RINGS] 223 00:14:14,920 --> 00:14:15,830 HELLO? 224 00:14:16,160 --> 00:14:18,310 EARL, THIS IS MURDOCH 225 00:14:18,600 --> 00:14:20,670 OH. | READ BY THE PAPERS YOU PULLED IT OFF. 226 00:14:21,000 --> 00:14:22,592 YEAH, WE PULLED IT OFF, 227 00:14:22,920 --> 00:14:24,239 BUT THERE'S A PROBLEM. 228 00:14:24,520 --> 00:14:25,509 WHAT DO YOU MEAN, A PROBLEM? 229 00:14:25,840 --> 00:14:26,636 YOU GOT THE STONES OR NOT? 230 00:14:26,960 --> 00:14:27,949 YEAH, IGOT THEM.. 231 00:14:28,240 --> 00:14:30,674 BUT IT DIDN'T GO DOWN SO GOOD. 232 00:14:30,960 --> 00:14:32,313 I'M IN A HOSPITAL. 233 00:14:32,640 --> 00:14:34,073 YOU'RE GONNA HAVE TO COME BY AND PICK ME UP. 234 00:14:34,360 --> 00:14:35,475 ARE YOU CRAZY? 235 00:14:35,800 --> 00:14:37,119 YOU'RE HOTTER THAN A $10 PISTOL. 236 00:14:37,400 --> 00:14:40,039 I'M NOT ABOUT TO GET NEAR YOU IN A PUBLIC HOSPITAL. 237 00:14:40,320 --> 00:14:41,878 BUT LOOK, THEY JUST TOOK A BULLET OUT OF ME. 238 00:14:42,160 --> 00:14:42,956 I'M NOT SUPPOSED TO MOVE. 239 00:14:43,240 --> 00:14:44,150 WHA T DO YOU WANT FROM ME, 240 00:14:44,480 --> 00:14:45,390 A GE T-WELL CARD? 241 00:14:45,680 --> 00:14:46,749 NOW, YOU LISTEN. 242 00:14:47,040 --> 00:14:48,632 | AGREED TO MEET FOR THE BUY IN THAT MOTEL. 243 00:14:48,920 --> 00:14:50,353 YOU LET ME KNOW WHEN YOU GET THERE. 244 00:14:50,640 --> 00:14:53,108 MEANWHILE, I DON'T WANT TO HEAR FROM YOU. 245 00:14:53,400 --> 00:14:55,277 JACKSON, LISTEN... 246 00:15:04,600 --> 00:15:05,749 YOU TRY THIS TIME. 247 00:15:06,080 --> 00:15:07,877 I'M RUNNING OUT OF STORIES. 248 00:15:14,800 --> 00:15:16,916 YES, THANK YOU VERY MUCH. 249 00:15:20,840 --> 00:15:22,273 MAY | HELP YOU? 250 00:15:22,600 --> 00:15:23,749 MY NAME IS LAURA MURDOCH. 251 00:15:24,040 --> 00:15:25,189 I GOT A TELEPHONE CALL LAST NIGHT 252 00:15:25,520 --> 00:15:26,873 THAT MY BROTHER HAD BEEN SHOT. 253 00:15:27,160 --> 00:15:28,639 IT WOULD HAVE BEEN LATE LAST NIGHT. 254 00:15:28,920 --> 00:15:30,512 WELL, THERE WAS AN EMERGENCY OPERATION. 255 00:15:30,800 --> 00:15:32,119 GUNSHOT WOUND. 256 00:15:32,440 --> 00:15:33,634 OH, THERE'S DR. STEVENS. 257 00:15:33,920 --> 00:15:34,477 HE HANDLED IT. 258 00:15:34,760 --> 00:15:35,954 DR. STEVENS? 259 00:15:36,280 --> 00:15:37,349 THE PATIENT WITH THE GUNSHOT WOUND. 260 00:15:37,640 --> 00:15:38,868 WAS HIS NAME MURDOCH? 261 00:15:39,200 --> 00:15:41,953 WE HAVE A MCCRAVEN. BULLET WOUND IN THE BACK. 262 00:15:42,240 --> 00:15:43,036 THAT'S HIM. 263 00:15:43,320 --> 00:15:44,639 YOU SAID YOUR NAME WAS MURDOCH. 264 00:15:44,960 --> 00:15:46,552 UH, YES, THAT'S MY MARRIED NAME. 265 00:15:46,880 --> 00:15:48,791 CAN I SEE HIM RIGHT AWAY, PLEASE? 266 00:15:49,080 --> 00:15:50,991 A SHORT VISIT WILL BE ALL RIGHT. 267 00:15:51,280 --> 00:15:52,235 RIGHT THIS WAY, PLEASE. 268 00:15:52,520 --> 00:15:53,396 THANK YOU. THANK YOU. 269 00:15:53,720 --> 00:15:54,914 UH... 270 00:15:55,200 --> 00:15:56,189 THE BULLET PASSED 271 00:15:56,480 --> 00:15:57,117 THROUGH THE INTERNAL INTERCOSTAL MUSCLE 272 00:15:57,400 --> 00:15:58,276 AND LODGED 273 00:15:58,600 --> 00:15:59,919 BETWEEN THE FIFTH AND SIXTH RIBS. 274 00:16:00,200 --> 00:16:02,350 NOW, IT IS SERIOUS, BUT WITH TREATMENT... 275 00:16:02,680 --> 00:16:04,398 RIGHT IN HERE PLEASE. 276 00:16:04,680 --> 00:16:06,159 THANK YOU. 277 00:16:06,480 --> 00:16:08,391 THANK YOU. 278 00:16:10,760 --> 00:16:12,591 HE'S GONE! 279 00:16:26,800 --> 00:16:28,153 KELLY: WHEN DID YOU SEE HIM LAST? 280 00:16:28,440 --> 00:16:29,873 JUST FIVE MINUTES AGO. 281 00:16:30,160 --> 00:16:32,310 DID HE SAY HOW HE WAS SHOT? 282 00:16:32,600 --> 00:16:34,033 SAID A GUN WENT OFF ACCIDENTALLY. 283 00:16:34,320 --> 00:16:35,548 HE SHOT HIMSELF IN THE BACK 284 00:16:35,880 --> 00:16:36,630 ACCIDENTALLY? 285 00:16:36,920 --> 00:16:37,830 HE DIDN'T SAY IT WAS HIS GUN. 286 00:16:38,120 --> 00:16:39,109 | CALLED THE POLICE. 287 00:16:39,400 --> 00:16:40,628 THEY'RE ON THEIR WAY NOW. 288 00:16:40,920 --> 00:16:42,194 LISTEN, 289 00:16:42,520 --> 00:16:44,909 IF WE DON'T GET HIM BACK, HE'S A WALKING DEAD MAN. 290 00:16:45,200 --> 00:16:46,428 COULD HE DRIVE A CAR? 291 00:16:46,720 --> 00:16:47,550 NO WAY. 292 00:16:47,840 --> 00:16:49,159 MAYBE HE CALLED A CAB. 293 00:16:49,480 --> 00:16:52,438 DO YOU KEEP A RECORD OF OUT-GOING CALLS? 294 00:16:52,720 --> 00:16:53,596 YES, WE DO. 295 00:16:53,880 --> 00:16:55,108 LET'S GO. 296 00:16:56,760 --> 00:16:57,909 ALICE... 297 00:16:58,240 --> 00:17:00,390 DID YOU PLACE A CALL FROM ROOM 609 A WHILE BACK? 298 00:17:00,680 --> 00:17:01,908 YES, ITHINK SO. 299 00:17:02,240 --> 00:17:03,673 DO YOU HAVE THAT NUMBER? 300 00:17:04,000 --> 00:17:06,560 LET'S SEE. 301 00:17:06,840 --> 00:17:07,989 YES. HERE IT IS. 302 00:17:08,280 --> 00:17:11,192 555-8483. 303 00:17:12,080 --> 00:17:14,753 555-8483. 304 00:17:15,040 --> 00:17:16,109 CHARLIE, WE CALLED THE NUMBER. 305 00:17:16,400 --> 00:17:17,435 THERE WAS NO ANSWER. 306 00:17:17,760 --> 00:17:18,556 I'LL GETRIGHT ON IT. 307 00:17:18,880 --> 00:17:19,835 MEAN WHIL E, 308 00:17:20,120 --> 00:17:20,836 HERE'S SOME BACKGROUND 0N MURDOCH 309 00:17:21,120 --> 00:17:21,916 THA TMIGH T HELP YOU. 310 00:17:22,200 --> 00:17:24,191 HE'S THE ORIGINAL FLIM-FLAM MAN. 311 00:17:24,520 --> 00:17:25,794 HAD A PHONY SONG-PROMOTING BUSINESS 312 00:17:26,080 --> 00:17:27,354 WHICH HE RAN THROUGH THE MAIL. 313 00:17:27,680 --> 00:17:29,591 MOSTLY, HE PROMOTED PEOPLE OUT OF THEIR MONEY. 314 00:17:29,880 --> 00:17:30,949 WHY US? 315 00:17:31,240 --> 00:17:32,070 I MEAN, HOW DID WE GET INVOLVED? 316 00:17:32,400 --> 00:17:33,469 I TOLD YOU 317 00:17:33,760 --> 00:17:34,829 DINSMORE'S NA ME SOUNDED FAMILIAR TO ME. 318 00:17:35,120 --> 00:17:36,075 I CHECKED MY RECORDS. 319 00:17:36,400 --> 00:17:37,230 FIVE YEARS AGO, 320 00:17:37,520 --> 00:17:39,397 | HELPED SEND HIM TO PRISON ON AN EXTORTION SCHEME 321 00:17:39,680 --> 00:17:41,511 WHERE HE USED EXPLOSIVES. 322 00:17:41,800 --> 00:17:44,553 WELL, IT'S STARTING TO MAKE SOME SENSE. 323 00:17:44,840 --> 00:17:46,558 WHAT ABOUT BROWN AND MICHAELS, 324 00:17:46,840 --> 00:17:48,353 THE TWO SECURITY GUARDS FROM AVERY'S? 325 00:17:48,640 --> 00:17:50,198 NEITHER ONE HAVE A POLICE RECORD. 326 00:17:50,480 --> 00:17:51,629 BOTH HAVE BEEN WORKING AT AVERY'S 327 00:17:51,960 --> 00:17:52,790 FOR JUST OVER A YEAR. 328 00:17:53,080 --> 00:17:54,229 OKAY. 329 00:17:54,520 --> 00:17:56,511 UH, CHARLIE? WHILE YOU TRY AND TIE THAT NUMBER TO MURDOCH, 330 00:17:56,840 --> 00:17:57,989 WE BETTER MOVE ON MICHAELS AND BROWN. 331 00:17:58,280 --> 00:17:59,395 GO TO IT, 332 00:17:59,720 --> 00:18:00,948 AND GET BA CK TO ME AS QUICKL YAS YOU CAN 333 00:18:01,240 --> 00:18:02,070 OKAY. 334 00:18:12,080 --> 00:18:13,513 YOU KNOW, MURDOCH... 335 00:18:13,800 --> 00:18:14,755 MURDOCH, 336 00:18:15,040 --> 00:18:16,314 HE THOUGHT HE COULD JUST ROLL OVER US 337 00:18:16,600 --> 00:18:19,319 AND WE'D JUST LAY BACK AND PLAY DEAD. 338 00:18:19,600 --> 00:18:21,158 IF YOU DISLIKE THIS MURDOCH 339 00:18:21,440 --> 00:18:22,111 THAT MUCH, 340 00:18:22,400 --> 00:18:23,753 WHY DID YOU GET INVOLVED? 341 00:18:24,080 --> 00:18:25,308 HE CAME TO ME. 342 00:18:25,600 --> 00:18:27,238 HE NEEDED ME TO MAKE THIS HAPPEN. 343 00:18:27,520 --> 00:18:29,272 I MADE THIS HAPPEN FOR HIM, THAT LOUSY CREEP. 344 00:18:29,560 --> 00:18:30,675 DINNY, TAKE IT EASY. 345 00:18:31,000 --> 00:18:31,796 NO, NO. 346 00:18:32,120 --> 00:18:33,109 YOU TAKE IT EASY. 347 00:18:33,400 --> 00:18:34,515 I'M TIRED OF GETTING RIPPED OFF. 348 00:18:34,840 --> 00:18:36,990 HEY, UH... 349 00:18:38,120 --> 00:18:40,429 YOU TIRED OF DRINKING ALONE? 350 00:18:43,080 --> 00:18:44,718 YOU WANT ONE? 351 00:18:45,000 --> 00:18:47,116 YEAH, I COULD REALLY USE A SCOTCH. 352 00:18:47,400 --> 00:18:49,072 YOU GOT IT. 353 00:18:51,600 --> 00:18:52,999 YOU KNOW, A MILLION IN STONES, 354 00:18:53,280 --> 00:18:54,395 AND HE... 355 00:18:54,680 --> 00:18:56,079 HE JUST SLIPS RIGHT AWAY, JUST SLIPS AWAY. 356 00:18:56,400 --> 00:18:57,469 WELL, I'LL TELL YOU SOMETHING. 357 00:18:57,760 --> 00:18:59,955 HE'S GOING TO PAY FOR IT SLOW AND PAINFUL. 358 00:19:00,280 --> 00:19:01,076 YOU BETTER BELIEVE IT. 359 00:19:06,400 --> 00:19:07,992 NOW... 360 00:19:08,280 --> 00:19:10,111 DO YOU WANT TO PRESS THIS BUTTON 361 00:19:10,400 --> 00:19:12,118 OR SHOULD I? 362 00:19:14,160 --> 00:19:16,116 [TELEPHONE RINGS] 363 00:19:19,520 --> 00:19:21,829 YOU WANT ME TO ANSWER THE PHONE? 364 00:19:23,840 --> 00:19:25,114 WE'LL ALL ANSWER |T. 365 00:19:27,120 --> 00:19:28,678 ANYBODY SAYS A WRONG WORD, 366 00:19:28,960 --> 00:19:30,393 ANYTHING, 367 00:19:30,720 --> 00:19:33,678 END OF CONVERSATION. 368 00:19:33,960 --> 00:19:36,190 BOOM, BOOM. 369 00:19:36,520 --> 00:19:37,953 GOT IT? 370 00:19:44,000 --> 00:19:45,035 UH... 371 00:19:45,360 --> 00:19:46,395 TOWNSEND ASSOCIATES. 372 00:19:46,680 --> 00:19:48,238 BOS? KELL Y. 373 00:19:48,520 --> 00:19:49,714 WHERE ARE YOU? WHAT HAVE YOU DONE? 374 00:19:50,040 --> 00:19:51,473 WE NEARLY FOUND MURDOCH AT A HOSPITAL, 375 00:19:51,760 --> 00:19:52,670 BUT HE GOT AWAY. 376 00:19:53,000 --> 00:19:54,115 OH, THA T WAS VER YSMAR T OF YOU 377 00:19:54,400 --> 00:19:55,276 WELL, WE'VE GOT A SMALL LEAD. 378 00:19:55,560 --> 00:19:56,595 SOMEBODY HE PHONED. 379 00:19:56,920 --> 00:19:58,069 I DON'T WANT TO HEAR ABOUT SMALL LEADS. 380 00:19:58,360 --> 00:19:59,349 I WANT TO HEAR ABOUT DIAMONDS. 381 00:19:59,640 --> 00:20:00,356 I WANT TO HEAR ABOUT MURDOCH. 382 00:20:00,640 --> 00:20:01,629 WE'RE DOING OUR BEST 383 00:20:01,960 --> 00:20:03,075 IT TAKES TIME. 384 00:20:03,360 --> 00:20:04,110 ALL RIGHT, NOW, LISTEN. 385 00:20:04,400 --> 00:20:05,310 I'M THROUGH 386 00:20:05,640 --> 00:20:06,834 WITH PLAYING GAMES WITH YOU PEOPLE. 387 00:20:07,120 --> 00:20:08,439 YOUR FRIEND HERE JUST PULLED A NO-NO, 388 00:20:08,760 --> 00:20:09,636 AND IT'S GONNA COST HER. 389 00:20:09,920 --> 00:20:10,830 YOU HAD EIGHT HOURS. 390 00:20:11,120 --> 00:20:12,678 NOW YOU HA VE SIX 391 00:20:12,960 --> 00:20:14,154 ALL RIGHT. 392 00:21:15,280 --> 00:21:16,315 ARE YOU MR. BROWN? 393 00:21:16,600 --> 00:21:17,919 LESTER BROWN? 394 00:21:18,200 --> 00:21:19,076 THE ATTENDANT OUT FRONT 395 00:21:19,360 --> 00:21:20,679 SAID I COULD FIND YOU IN HERE. 396 00:21:21,000 --> 00:21:22,592 WELL, UH... 397 00:21:22,920 --> 00:21:24,035 DOES HE KNOW YOU'RE IN HERE? 398 00:21:24,320 --> 00:21:25,309 YES. 399 00:21:25,600 --> 00:21:26,589 I MEAN, NO. NO, NO, NO. 400 00:21:26,920 --> 00:21:28,353 I HAD TO SNEAK BY WHEN HE WASN'T LOOKING. 401 00:21:28,680 --> 00:21:31,638 WELL, DO YOU REALIZE THIS IS THE MEN'S SECTION? 402 00:21:31,920 --> 00:21:33,194 OH, YEAH, IREALIZE IT, ALL RIGHT. 403 00:21:33,520 --> 00:21:34,999 IT'S BEEN QUITE AN EXPERIENCE UP TO NOW, 404 00:21:35,280 --> 00:21:36,474 BUT YOU SEE, 405 00:21:36,760 --> 00:21:38,318 I JUST HAD TO SEE YOU. 406 00:21:38,640 --> 00:21:41,359 WELL, COULDN'T YOU WAIT OUTSIDE? 407 00:21:41,640 --> 00:21:43,198 I MEAN, I CAN GET MY SHORTS ON. 408 00:21:43,520 --> 00:21:44,839 IT CAN'T WAIT, MR. BROWN. 409 00:21:45,120 --> 00:21:46,075 YOU SEE, 410 00:21:46,400 --> 00:21:47,276 IT'S ABOUT MY SISTER AND MR. MURDOCH. 411 00:21:47,560 --> 00:21:48,595 WHAT? 412 00:21:48,880 --> 00:21:51,394 WELL, I DON'T KNOW ANYTHING ABOUT THAT. 413 00:21:51,680 --> 00:21:53,079 HE PROMISED TO MARRY HER, MR. BROWN. 414 00:21:53,360 --> 00:21:54,509 MR. MURDOCH, I MEAN. 415 00:21:54,800 --> 00:21:56,199 WE'VE BEEN LOOKING FOR HIM FOR OVER A MONTH. 416 00:21:56,480 --> 00:21:59,199 LADY, I DON'T KNOW ANYTHING ABOUT IT. 417 00:21:59,480 --> 00:22:01,038 NOW, YOU'D BETTER GET OUT OF HERE. 418 00:22:01,320 --> 00:22:05,393 | MIGHT AS WELL TELL YOU THE TRUTH, MR. BROWN. 419 00:22:05,680 --> 00:22:07,796 YOU SEE, MY SISTER IS PREGNANT. 420 00:22:08,080 --> 00:22:09,195 SHE'S WHAT? 421 00:22:09,480 --> 00:22:10,515 PREGNANT. 422 00:22:10,840 --> 00:22:11,989 ARE YOU SURE? 423 00:22:12,280 --> 00:22:13,076 I MEAN, SOMETIMES... 424 00:22:13,360 --> 00:22:14,349 VERY SURE. 425 00:22:14,680 --> 00:22:15,874 SHE'S HOPING FOR A BOY. 426 00:22:18,080 --> 00:22:19,149 WELL, BOYS ARE NICE. 427 00:22:19,480 --> 00:22:21,789 I'M SURE MR. MURDOCH WOULD WANT TO KNOW. 428 00:22:22,080 --> 00:22:24,674 I MEAN, WELL, HE IS A DECENT MAN. 429 00:22:24,960 --> 00:22:29,238 LADY, I MEAN, YOU GOT THE WRONG GUY. 430 00:22:29,520 --> 00:22:32,398 I MEAN, I CAN ASSURE YOU, I DON'T KNOW ANYTHING. 431 00:22:32,680 --> 00:22:33,635 MR. BROWN, 432 00:22:33,920 --> 00:22:35,319 MY SISTER IS A MEMBER OF THIS CLUB. 433 00:22:35,600 --> 00:22:37,079 SHE RECOGNIZED YOU RIGHT OFF THE BAT. 434 00:22:37,360 --> 00:22:38,679 SHE'S SEEN YOU WITH MR. MURDOCH MANY TIMES. 435 00:22:39,000 --> 00:22:40,115 YOU WANT TO TALK TO HER? 436 00:22:40,400 --> 00:22:41,594 SHE'S RIGHT OUTSIDE. I'M GOING TO GO GET HER. 437 00:22:41,920 --> 00:22:43,114 NO, NO, PLEASE, PLEASE, PLEASE. 438 00:22:43,400 --> 00:22:46,198 WE'RE DESPERATE, MR. BROWN. 439 00:22:46,480 --> 00:22:48,038 NOW, I DON'T WANT TO CAUSE A SCENE 440 00:22:48,320 --> 00:22:49,992 BUT IF I HAVE TO START SCREAMING, 441 00:22:50,280 --> 00:22:51,110 I WILL. 442 00:22:51,400 --> 00:22:52,196 NO, NO, NO, DON'T SCREAM. 443 00:22:52,480 --> 00:22:53,390 PLEASE, LADY, DON'T SCREAM. 444 00:22:55,960 --> 00:22:58,269 ALL WE WANT TO KNOW IS WHERE MR. MURDOCH IS. 445 00:22:58,600 --> 00:23:00,079 LOOK, LADY... 446 00:23:00,360 --> 00:23:02,590 NOW, JUST LET ME GET MY CLOTHES ON 447 00:23:02,880 --> 00:23:04,757 AND I'LL MEET YOU OUTSIDE, OKAY? 448 00:23:05,040 --> 00:23:07,508 I'LL WAIT FOR YOU IN THE PARKING LOT. 449 00:23:41,360 --> 00:23:42,793 [ENGINE TURNS OVER] 450 00:23:43,080 --> 00:23:44,433 [TELEPHONE BUZZES] 451 00:23:44,720 --> 00:23:46,517 - HELLO? - KELL Y? KRIS. 452 00:23:46,800 --> 00:23:47,915 WHERE ARE YOU? 453 00:23:48,200 --> 00:23:49,599 I .IUSTFOLLOWED MICHAEL S, THE OTHER GUARD, 454 00:23:49,880 --> 00:23:50,949 INTO A WESTERN BAR. 455 00:23:51,280 --> 00:23:52,235 HOW YOU DOING WITH BROWN? 456 00:23:53,640 --> 00:23:54,789 I'M GOING TO STAY ON HIM. 457 00:23:55,120 --> 00:23:56,235 OKAY, WELL, III/I GOING TO MOVE 0N MICHAEL S. 458 00:23:56,520 --> 00:23:57,635 ILL CHECK YOU LA TER. 459 00:23:57,920 --> 00:23:59,069 OKAY, BYE. 460 00:24:16,200 --> 00:24:17,872 UH, MR. MICHAELS? 461 00:24:18,160 --> 00:24:19,195 MR. FRED MICHAELS? 462 00:24:19,480 --> 00:24:22,711 WELL, WHAT CAN I DO FOR YOU, PRETTY ONE? 463 00:24:23,000 --> 00:24:24,672 HI, MY NAME IS CINDY BURDETTE. 464 00:24:24,960 --> 00:24:26,757 I'M A COUNTRY FOLK SINGER. 465 00:24:27,040 --> 00:24:28,792 WELL, YOU PROBABLY RECOGNIZE THE NAME. 466 00:24:29,080 --> 00:24:31,833 WELL, I DON'T, BUT FROM NOW ON, I WILL. 467 00:24:32,120 --> 00:24:32,996 YOU KNOW WHAT? 468 00:24:33,320 --> 00:24:34,639 WE HAVE SOME FRIENDS IN COMMON. 469 00:24:34,920 --> 00:24:36,353 WELL, ACTUALLY, BEFORE | GET INTO THAT, 470 00:24:36,640 --> 00:24:37,356 LET ME TELL YOU SOMETHING. 471 00:24:37,640 --> 00:24:38,709 I'M IN TERRIBLE TROUBLE. 472 00:24:39,000 --> 00:24:40,115 YOU SEE, I'M BOOKED ON THIS CONCERT TOUR 473 00:24:40,400 --> 00:24:41,230 FOR SIX MONTHS, 474 00:24:41,520 --> 00:24:42,111 STARTING TOMORROW, 475 00:24:42,400 --> 00:24:43,719 BUT I DON'T HAVE MY CONTRACTS. 476 00:24:44,040 --> 00:24:47,077 WELL, WHAT DOES THAT HAVE TO DO WITH ME? 477 00:24:47,360 --> 00:24:49,112 OH, WELL, DON'T YOU SEE? MY AGENT HAS THE CONTRACTS. 478 00:24:49,400 --> 00:24:51,152 YOUR AGENT? 479 00:24:51,440 --> 00:24:52,429 YEAH, CLINT MURDOCH. 480 00:24:54,520 --> 00:24:55,350 NEVER HEARD OF HIM. 481 00:24:55,680 --> 00:24:56,430 OH, YES, YOU HAVE. 482 00:24:56,760 --> 00:24:57,829 | WAS THERE ONE TIME 483 00:24:58,120 --> 00:24:59,155 WHEN HE TALKED TO YOU ON THE TELEPHONE. 484 00:24:59,440 --> 00:25:00,873 AS A MATTER OF FACT, 485 00:25:01,160 --> 00:25:02,559 I BELIEVE | ANSWERED ONE OF YOUR PHONE CALLS. 486 00:25:02,840 --> 00:25:05,513 LOOK, MISS, I DON'T KNOW WHAT YOU'RE DRIVING AT. 487 00:25:05,800 --> 00:25:07,392 MR. MICHAELS, I CAN REALLY APPRECIATE 488 00:25:07,680 --> 00:25:09,033 YOU NOT WANTING TO GET INVOLVED IN THIS. 489 00:25:09,360 --> 00:25:11,954 AFTER ALL, MR. MURDOCH IS A MUTUAL FRIEND OF OURS, 490 00:25:12,280 --> 00:25:13,952 BUT I HAVE WORKED SO HARD FOR THIS TOUR, 491 00:25:14,280 --> 00:25:15,872 AND I'VE SPENT MONEY ON GOWNS 492 00:25:16,200 --> 00:25:17,189 AND PICTURES AND ARRANGEMENTS, 493 00:25:17,480 --> 00:25:19,755 AND THIS REALLY MEANS A LOT TO ME, 494 00:25:20,080 --> 00:25:20,876 IT REALLY DOES. 495 00:25:21,200 --> 00:25:22,394 WHAT DO YOU WANT FROM ME? 496 00:25:22,680 --> 00:25:25,717 I JUST WANT YOU TO TELL ME WHERE I CAN FIND MR. MURDOCH. 497 00:25:26,040 --> 00:25:29,430 IF I KNEW A GUY NAMED MURDOCH, I'D BE HAPPY TO TELL YOU. 498 00:25:32,320 --> 00:25:33,548 LOOK, I KNOW! BARGED IN HERE 499 00:25:33,880 --> 00:25:35,871 AND I'VE OBVIOUSLY UPSET YOU AND... 500 00:25:36,160 --> 00:25:38,196 WELL, I'M NOT LIKE THAT, I'M REALLY NOT. 501 00:25:38,480 --> 00:25:39,799 I'M A VERY NICE PERSON, 502 00:25:40,080 --> 00:25:41,798 AND I'D LIKE TO GET TO KNOW YOU BETTER. 503 00:25:42,080 --> 00:25:44,275 HOW DID YOU KNOW WHERE TO FIND ME? 504 00:25:44,600 --> 00:25:46,591 OH, MR. MURDOCH CALLED YOU ONE TIME 505 00:25:46,880 --> 00:25:47,835 FROM MY APARTMENT, 506 00:25:48,120 --> 00:25:49,473 SO THAT YOUR NUMBER WAS ON MY BILL, 507 00:25:49,760 --> 00:25:50,954 SO I USED THAT NUMBER TO GET YOUR ADDRESS, 508 00:25:51,240 --> 00:25:54,755 AND THEN YOUR LANDLADY TOLD ME I COULD FIND YOU HERE. 509 00:25:55,040 --> 00:25:58,874 WHEN YOU QUIT SINGING YOU CAN GO TO WORK FOR THE CIA. 510 00:26:04,840 --> 00:26:05,909 EXCUSE ME A SECOND. 511 00:26:09,960 --> 00:26:11,109 THAT SAME GUY CALLED YOU AGAIN, 512 00:26:11,400 --> 00:26:12,150 MR. MICHAELS. 513 00:26:12,440 --> 00:26:13,031 HE SAYS IT'S URGENT. 514 00:26:13,320 --> 00:26:14,116 HERE'S THE NUMBER. 515 00:26:14,400 --> 00:26:15,549 THAN KS. 516 00:26:34,080 --> 00:26:36,071 [TELEPHONE RINGING] 517 00:26:39,800 --> 00:26:40,630 HELLO? 518 00:26:40,920 --> 00:26:42,273 MURDOCH, THIS IS MICHAELS. 519 00:26:42,560 --> 00:26:43,754 FRED. THANKS FOR CALLING. 520 00:26:44,080 --> 00:26:45,479 I GOT TO TALK TO YOU ABOUT SOMETHING. 521 00:26:45,760 --> 00:26:46,795 I GOT SOMETHING TO SAY TO YOU. 522 00:26:47,120 --> 00:26:49,998 THERE'S A GIRL HERE. CINDY BURDETTE. 523 00:26:50,280 --> 00:26:51,190 SAYS SHE'S A SINGER. 524 00:26:51,480 --> 00:26:52,629 YOU'RE HER AGENT 525 00:26:52,960 --> 00:26:54,029 IS THIS SOME KIND OF A GAG? 526 00:26:54,320 --> 00:26:55,070 IT'S NO GAG. 527 00:26:55,360 --> 00:26:56,156 I TELL YOU, SHE'S HERE. 528 00:26:56,440 --> 00:26:57,395 YOU LISTEN TO ME. 529 00:26:57,680 --> 00:26:58,430 CINDY BURDETTE DIED THREE WEEKS AGO 530 00:26:58,760 --> 00:26:59,988 IN AN AUTOMOBILE ACCIDENT. 531 00:27:00,280 --> 00:27:02,191 YOU WANT TO TELL ME WHAT'S GOING ON, MURDOCH? 532 00:27:02,480 --> 00:27:03,993 I DON’T KNOW 533 00:27:04,280 --> 00:27:05,474 BROWN CALLED ME. 534 00:27:05,800 --> 00:27:08,234 HE SAID THERE'S A GIRL PITCHING HIM THE SAME THING, 535 00:27:08,560 --> 00:27:09,788 THAT SHE WANTED TO SEE ME. 536 00:27:10,080 --> 00:27:11,798 MAYBE WE SHOULD POINT THEM BOTH IN YOUR DIRECTION 537 00:27:12,080 --> 00:27:12,956 AND FORGET IT. 538 00:27:13,240 --> 00:27:14,559 WAIT A MINUTE. 539 00:27:14,840 --> 00:27:16,592 IF I GO DOWN, YOU GO DOWN WITH ME, 540 00:27:16,880 --> 00:27:19,792 SO LET'S USE OUR HEADS, OKA Y? 541 00:27:20,080 --> 00:27:21,957 NOW, THESE GIRLS, WHOEVER THEY ARE, 542 00:27:22,280 --> 00:27:24,157 THEY OBVIOUSLY THINK I KNOW SOMETHING. 543 00:27:24,440 --> 00:27:25,475 WHO ARE THEY? 544 00:27:25,760 --> 00:27:27,671 I DON’T KNOW 545 00:27:27,960 --> 00:27:28,915 MAYBE THEY FOUND OUT I'M SITTING 546 00:27:29,240 --> 00:27:30,150 ON A MILLION DOLLARS' WORTH 547 00:27:30,440 --> 00:27:31,111 OF DIAMONDS, HUH? 548 00:27:31,400 --> 00:27:32,958 HOW? 549 00:27:33,240 --> 00:27:34,798 BROWN AND I DIDN'T DO ANY TALKING. 550 00:27:35,120 --> 00:27:37,953 LOOK, I DON'T WHO THEY ARE OR HOW THEY KNOW, 551 00:27:38,240 --> 00:27:39,958 WHAT THEY KNOW, IF THEY KNOW ANYTHING. 552 00:27:40,240 --> 00:27:41,150 THE IMPORTANT THING NOW 553 00:27:41,440 --> 00:27:43,271 IS THAT THEY GOT TO BE PUT OUT OF THE WAY. 554 00:27:43,560 --> 00:27:45,471 YOU MEAN KILL THEM? 555 00:27:45,800 --> 00:27:46,949 LISTEN, 556 00:27:47,240 --> 00:27:48,958 I DON'T WANT ANY PART OF KILLING ANYBODY. 557 00:27:49,240 --> 00:27:51,356 DOESN'T MAKE ANY DIFFERENCE WHETHER YOU WANT IT OR NOT. 558 00:27:51,680 --> 00:27:52,510 YOU'VE GOT TO DO IT 559 00:27:52,800 --> 00:27:53,550 BECAUSE I'M IN NO SHAPE TO DO IT. 560 00:27:53,840 --> 00:27:55,034 I CAN'T DO IT, MURDOCH. 561 00:27:55,360 --> 00:27:56,713 YOU WILL DO IT, 562 00:27:57,000 --> 00:27:57,989 BECAUSE LIKE I SAID, YOU'RE INVOLVED 563 00:27:58,320 --> 00:28:00,595 AND IF I TAKE A FALL, YOU GO DOWN WITH ME, 564 00:28:00,880 --> 00:28:02,199 SO YOU TAKE CARE OF/T. 565 00:28:02,480 --> 00:28:04,550 BOTH OF THEM, AND NOW 566 00:28:04,840 --> 00:28:05,795 BROWN IS AT HIS HOUSE. 567 00:28:06,120 --> 00:28:06,950 YOU MAKE HIM HELP YOU. 568 00:28:07,280 --> 00:28:08,190 LISTEN, MURDOCH, I... 569 00:28:08,480 --> 00:28:09,833 [DIAL TONE HUMMING] 570 00:28:24,120 --> 00:28:25,553 WHAT DO YOU SAY WE GET OUT OF HERE? 571 00:28:25,880 --> 00:28:27,393 WHERE'S OUT OF HERE? 572 00:28:27,720 --> 00:28:28,357 YOU WANT YOUR CONTRACTS, 573 00:28:28,680 --> 00:28:30,830 DON'T YOU? 574 00:28:31,120 --> 00:28:33,429 | SURELY DO. 575 00:29:14,360 --> 00:29:15,759 HEY, WAIT A MINUTE. THIS AIN'T MR. MURDOCH. 576 00:29:16,040 --> 00:29:16,836 THAT'S RIGHT. THIS IS MR. BROWN. 577 00:29:17,120 --> 00:29:20,590 NOW, THE QUESTION IS, WHO ARE YOU? 578 00:29:20,880 --> 00:29:23,075 I TOLD YOU. CINDY BURDETTE. 579 00:29:23,400 --> 00:29:24,230 CINDY BURDETTE 580 00:29:24,520 --> 00:29:25,509 WAS KILLED IN AN AUTO ACCIDENT 581 00:29:25,800 --> 00:29:26,789 THREE WEEKS AGO. 582 00:29:29,680 --> 00:29:30,351 STAY RIGHT WHERE YOU ARE. 583 00:29:30,640 --> 00:29:32,835 YOU AGAIN. 584 00:29:33,160 --> 00:29:34,275 YOU KNOW HER? 585 00:29:34,560 --> 00:29:35,879 WELL, THAT'S THE ONE | WAS TELLING YOU ABOUT. 586 00:29:36,200 --> 00:29:37,679 YOU BETTER DROP IT, MISS, 587 00:29:38,000 --> 00:29:40,719 OR YOUR FRIEND GETS IT, NOW. 588 00:29:56,600 --> 00:29:57,715 TWO HOURS. 589 00:29:58,000 --> 00:29:58,830 TWO HOURS. 590 00:29:59,120 --> 00:29:59,836 YEAH. 591 00:30:00,120 --> 00:30:01,599 LESS. LESS THAN TWO HOURS. 592 00:30:01,880 --> 00:30:03,472 | BET YOU TWO ARE STARTING TO GET A LITTLE WORRIED. 593 00:30:03,760 --> 00:30:04,510 THEY'LL MAKE IT. 594 00:30:04,800 --> 00:30:06,119 YEAH? WHAT MAKES YOU SO SURE? 595 00:30:06,440 --> 00:30:07,873 I KNOW THEM. I KNOW WHAT THEY CAN DO. 596 00:30:08,200 --> 00:30:09,428 THEY ALWAYS COME THROUGH. 597 00:30:09,720 --> 00:30:10,755 ALWAYS. 598 00:30:12,120 --> 00:30:13,235 SEE, WE CAN TRUST THEM. 599 00:30:13,520 --> 00:30:15,636 I GUESS YOU REALLY DON'T KNOW WHAT IT IS TO TRUST SOMEBODY, 600 00:30:15,920 --> 00:30:16,750 DO YOU? 601 00:30:17,080 --> 00:30:18,308 OH, YEAH. | TRUST ME! 602 00:30:18,600 --> 00:30:19,669 | TRUST ME. 603 00:30:20,000 --> 00:30:21,035 THAT'S ALL THAT MATTERS. 604 00:30:21,320 --> 00:30:22,230 LISTEN, LISTEN, DO YOU WANT TO KNOW 605 00:30:22,520 --> 00:30:23,509 WHY WE HAVEN'T HEARD FROM THEM YET? 606 00:30:23,840 --> 00:30:24,955 NO. WHY DON'T YOU TELL US? 607 00:30:25,240 --> 00:30:26,514 BECAUSE THEY THINK I'M JUST KIDDING AROUND. 608 00:30:26,840 --> 00:30:28,512 WELL, I'M GOING TO SHOW THEM WHO'S JUST KIDDING AROUND, 609 00:30:28,840 --> 00:30:31,718 BECAUSE WHEN THE HOUR COMES AND | PRESS THIS BUTTON 610 00:30:32,000 --> 00:30:33,353 THE TWO OF YOU BETTER BE DOWN ON YOUR KNEES PRAYING, 611 00:30:33,680 --> 00:30:34,874 BECAUSE IT'S ALL GONNA BE OVER. 612 00:30:35,160 --> 00:30:36,718 IT'S FINISHED, THE END, AND MAYBE, JUST MAYBE, 613 00:30:37,000 --> 00:30:37,955 THE NEXT TIME I SAY SOMETHING, 614 00:30:38,240 --> 00:30:39,070 THEY'RE GOING TO LISTEN. 615 00:30:39,360 --> 00:30:40,509 DINNY. 616 00:30:40,800 --> 00:30:42,518 BE CAREFUL WITH THAT THING. 617 00:30:42,800 --> 00:30:44,597 YOU ACCIDENTALLY PRESS THAT BUTTON, 618 00:30:44,880 --> 00:30:46,199 WE'RE ALL GOING TO GO UP. 619 00:30:48,720 --> 00:30:51,280 COME ON. 620 00:30:51,560 --> 00:30:52,754 LET ME HOLD IT. 621 00:30:53,040 --> 00:30:55,474 YOU GET YOUR HANDS OFF ME. 622 00:31:05,320 --> 00:31:08,153 THE NEXT TIME YOU COME AT ME LIKE THAT, 623 00:31:08,440 --> 00:31:10,510 I'M GONNA PUT YOU WITH THEM. 624 00:31:10,840 --> 00:31:12,637 UNDERSTAND? 625 00:31:12,920 --> 00:31:14,911 NOW, GET AWAY FROM ME. 626 00:31:17,080 --> 00:31:18,832 GET AWAY! 627 00:31:34,920 --> 00:31:36,353 LOOK, WHERE ARE YOU TAKING US? 628 00:31:36,640 --> 00:31:37,834 COME ON, KEEP IT MOVING. 629 00:31:52,600 --> 00:31:53,874 I SAID KEEP MOVING. LET'S GO. 630 00:31:54,160 --> 00:31:56,435 LIKE HE SAID, KELL. LET'S GO. 631 00:32:08,400 --> 00:32:09,879 GOOD GIRL. 632 00:32:11,880 --> 00:32:13,711 I'M GONNA ASK QUICK 633 00:32:14,000 --> 00:32:14,955 AND I WANT A QUICK ANSWER 634 00:32:15,280 --> 00:32:17,669 AND I'M IN NO MOOD FOR ANY CUTE STUFF. 635 00:32:17,960 --> 00:32:19,279 WHERE'S MURDOCH? 636 00:32:19,560 --> 00:32:21,790 WELL, LADY, WE DON'T KNOW WHAT YOU'RE TALKING ABOUT. 637 00:32:22,120 --> 00:32:23,838 IN CASE YOU THINK 638 00:32:24,160 --> 00:32:25,718 I DON'T KNOW HOW TO USE THIS... 639 00:32:26,040 --> 00:32:26,995 OKAY. 640 00:32:27,280 --> 00:32:29,714 HE'S AT THE PINE TREE LODGE 641 00:32:30,040 --> 00:32:32,600 IN JOSHUA CITY. 642 00:32:32,920 --> 00:32:34,353 AND YOU'RE GOING TO TAKE US THERE, 643 00:32:34,680 --> 00:32:35,476 RIGHT? 644 00:32:35,800 --> 00:32:36,915 LOOK, I DON'T KNOW 645 00:32:37,200 --> 00:32:38,235 WHAT YOU KIDS ARE DOING, 646 00:32:38,520 --> 00:32:39,953 BUT WE'RE INTO SOMETHING 647 00:32:40,240 --> 00:32:41,036 WORTH A LOT OF MONEY. 648 00:32:41,320 --> 00:32:42,230 NOW, I DON'T KNOW 649 00:32:42,560 --> 00:32:43,151 WHAT SOMEBODY ELSE IS PAYING YOU, 650 00:32:43,480 --> 00:32:44,310 BUT WE'LL DOUBLE IT. 651 00:32:44,640 --> 00:32:45,550 TRIPLE IT. 652 00:32:45,840 --> 00:32:47,592 IT'S AN OFFER WE CAN HARDLY REFUSE, 653 00:32:47,880 --> 00:32:49,313 MR. MICHAELS, 654 00:32:49,600 --> 00:32:50,396 BUT ON SECOND THOUGHT, 655 00:32:50,680 --> 00:32:51,556 WE WILL. 656 00:32:51,840 --> 00:32:52,556 NOW, MOVE IT. 657 00:32:52,840 --> 00:32:55,274 COME ON, GET GOING. 658 00:33:00,920 --> 00:33:02,592 GET YOUR FEET APART. 659 00:33:02,880 --> 00:33:04,598 VERY NICE. 660 00:33:06,720 --> 00:33:08,039 YEAH, RIGHT. 661 00:33:08,320 --> 00:33:09,355 BROWN AND MICHAELS ARE WITH US, CHARLIE. 662 00:33:09,640 --> 00:33:10,516 WE'RE ON OUR WAY TO THE MOTEL 663 00:33:10,840 --> 00:33:11,556 WHERE MURDOCH'S HIDING. 664 00:33:11,880 --> 00:33:13,074 BE CAREFUL. 665 00:33:13,360 --> 00:33:14,588 BY THE WA Y, THE PHONE NUMBER YOU GA ME ME, 666 00:33:14,920 --> 00:33:16,592 THE CALL MURDOCH MADE FROM THE HOSPITAL? 667 00:33:16,920 --> 00:33:18,990 IT BELONGS TO A MAN NAMED EARL JACKSON. 668 00:33:19,280 --> 00:33:20,315 HE'S A BIGTIME FENCE, 669 00:33:20,640 --> 00:33:22,835 AND HE'S GOT INTERNATIONAL CONNECTIONS. 670 00:33:23,120 --> 00:33:24,473 THIS JACKSON, 671 00:33:24,760 --> 00:33:25,670 HE MAY HAVE ALREADY CONNECTED WITH MURDOCH 672 00:33:25,960 --> 00:33:27,109 AT THE COTTAGE AND MADE THE BUY. 673 00:33:27,440 --> 00:33:28,634 I KNOW IN THA T CA SE, 674 00:33:28,920 --> 00:33:29,875 MURDOCH WILL HA VE THE MONEY 675 00:33:30,160 --> 00:33:31,115 INSTEAD OF THE DIAMONDS. 676 00:33:31,440 --> 00:33:32,395 EITHER WAY, 677 00:33:32,680 --> 00:33:33,954 YOU'VE GOT SOMETHING TO BARGAIN WITH. 678 00:33:34,280 --> 00:33:35,315 NOW CALL ME WHEN YOU GET THERE. 679 00:33:35,600 --> 00:33:36,316 LET ME KNOW. 680 00:33:36,600 --> 00:33:38,158 THE MINUTE WE GET MURDOCH, CHARLIE. 681 00:33:38,440 --> 00:33:39,759 THE VERY MINUTE. 682 00:33:57,800 --> 00:33:59,995 BE FIRM AND VERY CONVINCING. 683 00:34:16,080 --> 00:34:17,229 MURDOCH! 684 00:34:17,520 --> 00:34:18,509 IT'S BROWN AND MICHAELS. 685 00:34:18,800 --> 00:34:19,630 LET US IN. 686 00:34:21,520 --> 00:34:22,873 IT'S LOCKED. 687 00:34:23,200 --> 00:34:24,076 STEP BACK. 688 00:34:51,880 --> 00:34:53,472 COME ON. 689 00:34:55,480 --> 00:34:57,391 KEEP YOUR HANDS WHERE I CAN SEE THEM. 690 00:35:15,840 --> 00:35:16,875 THAT'S MURDOCH. 691 00:35:24,240 --> 00:35:26,879 HE'S DEAD, LADY. 692 00:35:46,880 --> 00:35:47,949 LIKE THE DOCTOR SAID, 693 00:35:48,280 --> 00:35:49,349 HE WAS A WALKING DEAD MAN. 694 00:35:49,640 --> 00:35:51,995 WELL, THERE'S NO DIAMONDS. NO NOTHING. 695 00:35:54,280 --> 00:35:56,919 EARL JACKSON, THE FENCE, CAME TO MAKE THE BUY, 696 00:35:57,200 --> 00:35:58,599 FOUND MURDOCH DEAD, 697 00:35:58,920 --> 00:36:00,399 TOOK THE DIAMONDS, AND SPLIT. 698 00:36:02,360 --> 00:36:03,509 WE'VE GOT LESS THAN AN HOUR. 699 00:36:03,840 --> 00:36:04,989 WHAT ARE WE GOING TO DO WITH THESE TWO? 700 00:36:05,280 --> 00:36:07,032 WE DON'T HAVE TIME TO TAKE THEM IN. 701 00:36:07,320 --> 00:36:09,595 GET AGAINST THE WALL. COME ON. NOW. 702 00:36:11,920 --> 00:36:13,353 HERE, TAKE THIS, KRIS. 703 00:36:22,280 --> 00:36:24,236 STRAIGHT AHEAD, MISTER. 704 00:36:33,680 --> 00:36:35,511 OKAY, YOU TWO. IN THERE. 705 00:36:35,800 --> 00:36:36,789 HEY, LOOK... 706 00:36:37,120 --> 00:36:38,314 MURDOCH IS GONE. 707 00:36:38,600 --> 00:36:39,999 THE FENCE HAS THE DIAMONDS. 708 00:36:40,280 --> 00:36:41,838 WHY DON'T YOU LET US GO? 709 00:36:42,120 --> 00:36:43,109 SURE. WHY NOT? 710 00:36:43,400 --> 00:36:44,879 I MEAN, YOU GUYS DIDN'T HAVE 711 00:36:45,160 --> 00:36:46,149 ANYTHING TO DO WITH ALL THIS, 712 00:36:46,440 --> 00:36:48,158 EXCEPT HELP SET IT ALL UP 713 00:36:48,440 --> 00:36:49,793 IN THE FIRST PLACE. 714 00:36:50,080 --> 00:36:51,798 NOW, GET IN THERE. 715 00:36:52,080 --> 00:36:53,513 CALL THE POLICE. 716 00:36:53,800 --> 00:36:54,915 START TAKING IT OFF. 717 00:36:55,200 --> 00:36:56,110 SHIRTS, PANTS, 718 00:36:56,440 --> 00:36:58,158 EVERYTHING. 719 00:37:04,200 --> 00:37:06,031 IS THIS THE MANAGER? 720 00:37:06,360 --> 00:37:08,874 YES, I'D LIKE TO REPORT A DISTURBANCE IN ROOM SIX. 721 00:37:09,200 --> 00:37:10,189 IT SOUNDED LIKE A GUNSHOT. 722 00:37:10,480 --> 00:37:11,356 I THINK YOU BETTER CALL THE POLICE 723 00:37:11,640 --> 00:37:12,550 AND SEND SOMEBODY RIGHT OVER. 724 00:37:12,840 --> 00:37:14,239 THANK YOU. 725 00:37:17,200 --> 00:37:18,519 OKAY, LET'S GO. 726 00:37:18,800 --> 00:37:20,199 ALL OF IT. 727 00:37:27,200 --> 00:37:29,191 OKAY, CLOSE THE DOOR. 728 00:37:49,880 --> 00:37:52,314 MAYBE WE BETTER CALL AND ASK FOR MORE TIME. 729 00:37:52,600 --> 00:37:53,919 IF WE ASK FOR MORE TIME, 730 00:37:54,240 --> 00:37:55,275 THEY'LL THINK WE'RE STALLING. 731 00:37:55,560 --> 00:37:56,595 IF WE TELL THEM ABOUT MURDOCH, 732 00:37:56,880 --> 00:37:58,279 THEY'LL THINK WE'RE LYING. 733 00:37:58,560 --> 00:37:59,788 WELL, HOW ARE WE SUPPOSED 734 00:38:00,120 --> 00:38:01,838 TO FIND A FENCE THAT WE'VE NEVER SEEN, 735 00:38:02,120 --> 00:38:03,519 WHO IS PROBABLY OUT OF THE COUNTRY 736 00:38:03,840 --> 00:38:04,750 BY NOW? 737 00:38:05,040 --> 00:38:07,952 KRIS, DO YOU REMEMBER WHAT BROWN SAID 738 00:38:08,240 --> 00:38:09,309 BACK AT THE HOUSE 739 00:38:09,640 --> 00:38:11,073 ABOUT THROWING IN WITH THEM. 740 00:38:11,360 --> 00:38:12,873 WELL, WE DIDN'T TAKE THE OFFER, 741 00:38:13,160 --> 00:38:14,275 BUT SUPPOSE WE COULD 742 00:38:14,600 --> 00:38:15,396 MAKE DINSMORE AND WILLIAMS 743 00:38:15,720 --> 00:38:16,835 THINK WE DID? 744 00:38:17,120 --> 00:38:20,157 IT'S THE ONLY WAY. 745 00:38:24,960 --> 00:38:27,076 [TELEPHONE RINGING] 746 00:38:35,400 --> 00:38:36,992 TOWNSEND ASSOCIATES. 747 00:38:37,280 --> 00:38:38,395 KELLY: BREE, LISTEN, HA VE YOU HEARD FROM KRIS? 748 00:38:38,680 --> 00:38:39,430 KRIS? 749 00:38:39,720 --> 00:38:40,516 ISN'T SHE WITH YOU? 750 00:38:40,800 --> 00:38:41,710 NO. 751 00:38:42,040 --> 00:38:43,678 WE GOT A TIP ON WHERE MURDOCH WAS STAYING. 752 00:38:44,000 --> 00:38:46,833 KRIS WENT TO CHECK IT OUT AND NEVER RETURNED. 753 00:38:47,120 --> 00:38:49,111 | WENT TO THE ADDRESS AND THE PLACE WAS EMPTY. 754 00:38:49,400 --> 00:38:52,039 KRIS'S STATION WAGON WAS PARKED OUTSIDE 755 00:38:52,320 --> 00:38:54,072 AND THERE WAS NO SIGN OF HER 0R MURDOCH 756 00:38:54,360 --> 00:38:55,759 HER STATION WAGON? 757 00:38:56,040 --> 00:38:57,029 RIGHT 758 00:38:57,320 --> 00:38:58,639 THAT'S STRANGE. 759 00:38:58,920 --> 00:39:00,114 YOU'RE SUPPOSED TO BE LOOKING FOR MURDOCH, 760 00:39:00,440 --> 00:39:01,634 NOT YOUR GIRLFRIEND. 761 00:39:01,920 --> 00:39:03,239 LOOK, I'M DOING THE BEST I CAN. 762 00:39:03,560 --> 00:39:05,869 WOULD YOU GET OFF MY BACK, PLEASE? 763 00:39:06,160 --> 00:39:07,149 BREE: JUSTCALM DOWN 764 00:39:07,480 --> 00:39:08,674 AND TRY TO RELAX, OKAY? 765 00:39:08,960 --> 00:39:11,030 I'M SURE THERE'S AN EXPLANATION. 766 00:39:11,360 --> 00:39:12,554 AND WHILE YOU'RE CALMING DOWN 767 00:39:12,840 --> 00:39:13,590 AND PULLING YOURSELF TOGETHER, 768 00:39:13,880 --> 00:39:14,835 I JUST WANT YOU TO KNOW 769 00:39:15,160 --> 00:39:15,876 YOU GOT LESS THAN AN HOUR. 770 00:39:16,200 --> 00:39:17,553 BOSLE Y BREE 771 00:39:17,840 --> 00:39:18,670 IF KRIS CALLS, 772 00:39:19,000 --> 00:39:21,230 TELL HER I'M LOOKING FOR HER, OKA Y? 773 00:39:21,520 --> 00:39:22,794 YEAH, OKAY, KELLY. 774 00:39:23,120 --> 00:39:24,155 UH... 775 00:39:24,440 --> 00:39:26,396 YEAH, GOT YOU. 776 00:39:26,680 --> 00:39:29,035 ALRIGHTY. BYE. 777 00:39:29,320 --> 00:39:31,550 SO FAR, SO GOOD. 778 00:39:31,880 --> 00:39:32,835 LISTEN, DO YOU THINK BOSLEY WILL REALIZE 779 00:39:33,120 --> 00:39:35,111 THAT I NEVER DROVE A STATION WAGON? 780 00:39:35,400 --> 00:39:36,833 BREE WILL. 781 00:39:37,120 --> 00:39:38,314 GO CALL CHARLIE. 782 00:39:40,080 --> 00:39:40,876 WAIT A MINUTE. 783 00:39:41,160 --> 00:39:42,115 THAT DOESN'T MAKE ANY SENSE. 784 00:39:42,440 --> 00:39:43,873 KRIS LEAVING HER STATION WAGON BEHIND LIKE THAT? 785 00:39:44,160 --> 00:39:44,956 YEAH, I KNOW. SHE... 786 00:39:45,240 --> 00:39:46,719 SHE REALLY LOVED THAT OLD CAR TOO. 787 00:39:47,000 --> 00:39:48,558 YEAH, BUT KELLY SOUNDS 788 00:39:48,840 --> 00:39:49,795 LIKE SHE'S COMING UNGLUED. 789 00:39:50,080 --> 00:39:52,674 WELL, MAYBE THIS WAS THE MISSION IMPOSSIBLE. 790 00:39:52,960 --> 00:39:53,949 WELL, IN THAT CASE, THEN, 791 00:39:54,280 --> 00:39:55,679 YOU KNOW WHAT'S GOING TO HAPPEN TO THE TWO YOU. 792 00:39:55,960 --> 00:39:57,678 WELL, WE KNEW THE RISK WHEN WE TOOK THIS JOB, 793 00:39:57,960 --> 00:39:58,790 DIDN'T WE, BOS? 794 00:39:59,120 --> 00:40:00,075 [TELEPHONE RINGING] 795 00:40:00,360 --> 00:40:01,270 YEAH, RIGHT. 796 00:40:07,040 --> 00:40:08,075 TOWNSEND INVESTIGATIONS. 797 00:40:08,360 --> 00:40:09,156 CHARLIE: HELLO, SABRINA. 798 00:40:09,440 --> 00:40:11,078 ARE BOSLEYAND KELLY THERE? 799 00:40:11,360 --> 00:40:14,511 WELL, HI, CHARLIE. KRIS AND KELLY ARE... 800 00:40:14,840 --> 00:40:15,795 OUT. 801 00:40:16,080 --> 00:40:17,479 WELL, I .IUS THAD A CALL FROM KRIS. 802 00:40:17,800 --> 00:40:20,155 SHE S OUNDED VERY S TRANGE. 803 00:40:20,440 --> 00:40:21,634 IS THERE ANYTHING THE MA TTER? 804 00:40:21,920 --> 00:40:23,990 N0, CHARLIE. NO. 805 00:40:24,280 --> 00:40:25,156 EVERYTHING'S FINE. 806 00:40:25,480 --> 00:40:26,708 WELL, SHE SEEMED LIKE SHE WAS 807 00:40:27,000 --> 00:40:28,194 IN A BIG HURRY TO GET SOMEWHERE 808 00:40:28,520 --> 00:40:30,351 AND WANTED TO TAKE ONE OF OUR PLANES, 809 00:40:30,640 --> 00:40:33,712 NANTUCKET3563 BA YSHORE 810 00:40:34,000 --> 00:40:35,069 NOW, IDON'T KNOW 811 00:40:35,400 --> 00:40:36,310 WHY SHE WOULD ASK 812 00:40:36,600 --> 00:40:37,350 SPECIFICALLY FOR THA T PLANE 813 00:40:37,640 --> 00:40:38,629 DO YOU? 814 00:40:38,920 --> 00:40:39,716 WELL, CHARLIE, 815 00:40:40,040 --> 00:40:41,678 NANTUCKET 3583 BAYSHORE HAS 816 00:40:42,000 --> 00:40:45,310 THE LONGEST CRUISING RANGE. 817 00:40:45,600 --> 00:40:47,033 OH, MA YBE THA T'S WHY. 818 00:40:47,320 --> 00:40:49,072 AN YWA Y, WHEN I ASKED WHEN SHE '0 BE BACK, 819 00:40:49,360 --> 00:40:50,998 SHE SEEMED I/ERY VAGUE 820 00:40:51,280 --> 00:40:52,156 WELL, I DON'T THINK 821 00:40:52,440 --> 00:40:53,759 IT'S ANYTHING TO WORRY ABOUT. 822 00:40:54,040 --> 00:40:55,029 I SUPPOSE NOT. 823 00:40:55,320 --> 00:40:57,390 ANYWA Y, YOU BO TH HA VE A NICE DA Y. 824 00:41:00,360 --> 00:41:01,429 THAT EXPLAINS IT. 825 00:41:01,760 --> 00:41:02,829 EXPLAINS WHAT? WHAT ARE YOU TALKING ABOUT? 826 00:41:03,120 --> 00:41:04,075 WHAT DOES SHE NEED A PLANE FOR? 827 00:41:04,360 --> 00:41:05,429 WELL, ISN'T IT OBVIOUS? 828 00:41:05,720 --> 00:41:06,675 SHE FOUND MURDOCH, HE GAVE HER THE RUSH, 829 00:41:06,960 --> 00:41:07,676 AND NOW THEY'RE RUNNING TOGETHER. 830 00:41:07,960 --> 00:41:08,710 RUNNING TOGETHER? 831 00:41:09,000 --> 00:41:09,796 WHAT'S THAT SUPPOSED TO MEAN? 832 00:41:10,080 --> 00:41:10,990 SHE TOOK HER BEST SHOT. 833 00:41:11,320 --> 00:41:12,594 SHE SOLD US OUT. 834 00:41:12,880 --> 00:41:13,676 YOU MEAN KRIS PULLED A SWITCH? 835 00:41:13,960 --> 00:41:14,995 YEAH, WELL, WHAT DOES SHE CARE? 836 00:41:15,320 --> 00:41:16,594 SHE HARDLY KNOWS US. 837 00:41:16,880 --> 00:41:18,438 BOSLEY: | BEGGED CHARLIE NOT TO HIRE HER. 838 00:41:18,720 --> 00:41:19,755 WELL, THEY'LL SPEND THE NEXT 20 YEARS 839 00:41:20,080 --> 00:41:21,559 ENJOYING THE MONEY, WON'T THEY? 840 00:41:21,840 --> 00:41:24,513 MY GOD, IT MAKES SENSE. 841 00:41:24,800 --> 00:41:26,995 ALL THAT MONEY. WHY NOT? 842 00:41:27,280 --> 00:41:28,030 MURDOCH'S HURT. 843 00:41:28,320 --> 00:41:29,719 HE'D NEED SOMEBODY TO HELP HIM. 844 00:41:30,040 --> 00:41:31,314 THAT LOUSY LITTLE BROAD! 845 00:41:31,600 --> 00:41:32,635 LISTEN, 846 00:41:32,960 --> 00:41:33,915 CHARLIE SAID SHE JUST CALLED, 847 00:41:34,200 --> 00:41:35,428 SO SHE'S EITHER AT THE AIRPORT 848 00:41:35,760 --> 00:41:36,670 OR SHE'S STILL 849 00:41:36,960 --> 00:41:38,234 ON THE WAY TO THE AIRPORT. 850 00:41:38,520 --> 00:41:40,078 MAYBE WE CAN STILL CATCH THEM. 851 00:41:40,360 --> 00:41:41,918 YEAH. 852 00:41:42,200 --> 00:41:43,713 KRIS IS NEW IN TOWN. 853 00:41:44,000 --> 00:41:46,195 I MAY KNOW A SHORTCUT. 854 00:41:49,240 --> 00:41:50,559 ALL RIGHT. UM... 855 00:41:50,840 --> 00:41:52,319 ALL RIGHT, ALL RIGHT. UH... 856 00:41:52,600 --> 00:41:53,828 EVERYBODY OUTSIDE AND GET IN THE CAR, 857 00:41:54,120 --> 00:41:55,030 AND JUST IN CASE 858 00:41:55,360 --> 00:41:56,190 YOU WANT TO TRY SOMETHING FUNNY, 859 00:41:56,480 --> 00:41:57,276 ISTILL GOT THIS. 860 00:41:57,560 --> 00:41:58,356 CAN I GET MY COAT? 861 00:41:58,640 --> 00:41:59,390 YEAH, YEAH. 862 00:41:59,680 --> 00:42:01,238 WE DON'T EVEN OWN A PLANE. 863 00:42:01,520 --> 00:42:03,238 WHAT'S THIS NANTUCKET BAYSHORE STUFF? 864 00:42:03,520 --> 00:42:04,270 IT'S A STREET. 865 00:42:04,560 --> 00:42:05,993 COME ON! 866 00:42:18,800 --> 00:42:20,119 YOU KNOW, 867 00:42:20,400 --> 00:42:21,628 WHETHER YOU TWO LIVE OR DIE 868 00:42:21,920 --> 00:42:23,672 DEPENDS ON IF WE GET TO THE AIRPORT IN TIME, 869 00:42:23,960 --> 00:42:24,995 YOU KNOW THAT, 870 00:42:25,280 --> 00:42:27,396 S0 THIS BETTER BE A SHORTCUT. 871 00:42:27,720 --> 00:42:30,917 YEAH, WELL, JUST STAY ON THE ROAD. 872 00:42:31,200 --> 00:42:32,235 IT'LL BE ALL RIGHT. 873 00:42:58,320 --> 00:42:59,230 WHAT... 874 00:42:59,520 --> 00:43:00,350 WHAT IS THIS? 875 00:43:00,680 --> 00:43:01,476 WHAT'S GOING ON HERE? 876 00:43:01,800 --> 00:43:02,710 I DON'T KNOW. 877 00:43:03,000 --> 00:43:04,353 GO AROUND THAT WAY. 878 00:43:04,680 --> 00:43:06,557 SAME DIFFERENCE. 879 00:44:16,360 --> 00:44:18,112 SEE WHAT'S WRONG. 880 00:44:25,680 --> 00:44:27,636 WHAT'S WRONG, FELLA? 881 00:44:33,680 --> 00:44:35,511 [SNEEZES] 882 00:44:39,240 --> 00:44:40,673 HOLD IT. 883 00:44:57,480 --> 00:44:59,436 HAND ME THE GUN. 884 00:45:01,600 --> 00:45:04,717 OKAY, PACK IT IN. 885 00:45:05,000 --> 00:45:06,228 THOSE THINGS DON'T TRANSMIT 886 00:45:11,640 --> 00:45:13,312 COME ON. 887 00:45:22,800 --> 00:45:24,836 HAND IT OVER. 888 00:45:31,400 --> 00:45:32,674 OKAY, NOW THE KEY TO THE BELT. 889 00:45:44,280 --> 00:45:45,918 OKAY, BREE, COME ON OUT. 890 00:45:46,200 --> 00:45:47,189 EVERYTHING'S FINE. 891 00:45:50,360 --> 00:45:51,588 GO ON. 892 00:45:51,880 --> 00:45:53,313 GO ON. 893 00:46:07,800 --> 00:46:09,153 OH, GEEZ. 894 00:46:09,440 --> 00:46:10,350 OH, BREE. 895 00:46:12,680 --> 00:46:13,795 THERE YOU GO. 896 00:46:14,120 --> 00:46:16,156 COLOR COORDINATED AGAIN. 897 00:46:16,440 --> 00:46:17,316 OH! 898 00:46:17,600 --> 00:46:19,556 AW, GEE, 899 00:46:19,880 --> 00:46:21,233 YOU GOT ALL WET. 900 00:46:41,800 --> 00:46:42,835 [SNEEZING] 901 00:46:46,120 --> 00:46:47,109 HOW DO YOU FEEL? 902 00:46:47,440 --> 00:46:48,555 I FEEL LIKE I'D HAVE TO GET BETTER 903 00:46:48,840 --> 00:46:49,750 JUST TO DROP DEAD, 904 00:46:50,040 --> 00:46:51,234 BUT I'VE GOT TO ADMIT, 905 00:46:51,520 --> 00:46:54,239 THAT WAS GENIUS TO SET IT UP BY THE POOL. 906 00:46:54,520 --> 00:46:57,114 WELL, YOU REALIZING DINSMORE'S LITTLE TOY 907 00:46:57,400 --> 00:46:58,150 WAS TOO WEAK 908 00:46:58,440 --> 00:46:59,555 TO TRANSMIT THROUGH WATER, 909 00:46:59,840 --> 00:47:01,876 THAT TOOK A LITTLE SMARTS TOO. 910 00:47:02,160 --> 00:47:03,639 WOULD YOU LIKE SOMETHING TO EAT? 911 00:47:03,960 --> 00:47:04,710 NO, NO, NO. 912 00:47:05,040 --> 00:47:06,792 YOU STARVE A COLD. YOU FEED A FEVER. 913 00:47:07,080 --> 00:47:07,990 I THOUGHT IT WAS 914 00:47:08,280 --> 00:47:09,679 FEED A COLD AND STARVE A FEVER. 915 00:47:11,280 --> 00:47:12,076 SO WE CAN GO EITHER WAY. 916 00:47:12,360 --> 00:47:13,190 [GROANS] 917 00:47:13,480 --> 00:47:15,710 [TELEPHONE RINGING] 918 00:47:17,560 --> 00:47:18,310 HELLO? 919 00:47:18,640 --> 00:47:19,868 CHARLIE: HELLO, BOSLEY. 920 00:47:20,160 --> 00:47:21,388 I'IIII JUST CHECKING 0N SABRINA 'S COLD. 921 00:47:21,680 --> 00:47:22,999 [SNEEZES] 922 00:47:23,280 --> 00:47:24,429 WELL, WHAT DO YOU THINK? 923 00:47:24,720 --> 00:47:25,755 SOUNDS WORSE 924 00:47:26,040 --> 00:47:27,268 TELL HER T0 DRINK FRUITJUICES. 925 00:47:27,560 --> 00:47:28,959 OH, WE'VE BEEN ALL THROUGH THAT, CHARLIE. 926 00:47:29,280 --> 00:47:30,633 I THOUGHT/D BRING YOU UP TO DA TE 927 00:47:30,920 --> 00:47:31,955 ON WHA T'S HAPPENED. 928 00:47:32,280 --> 00:47:33,474 THE POLICE GOT TO THE PINE TREE LODGE 929 00:47:33,760 --> 00:47:35,591 IN TIME TO PICK UP BROWN AND MICHAEL S. 930 00:47:35,880 --> 00:47:37,029 WHEN LA S T HEARD, 931 00:47:37,320 --> 00:47:38,230 THEY WERE S TILL TRYING TO EXPLAIN 932 00:47:38,520 --> 00:47:40,112 HOW THEY GOTLOCKED IN THE BA THROOM 933 00:47:40,400 --> 00:47:42,038 WITH NO CLOTHES 0N 934 00:47:42,320 --> 00:47:43,639 WHAT ABOUT THE FENCE, MR. JACKSON? 935 00:47:43,960 --> 00:47:44,676 JACKSON MANAGED 936 00:47:45,000 --> 00:47:46,069 T0 SLIP OUT OF THE COUNTRY 937 00:47:46,360 --> 00:47:47,076 WITH THE DIAMONDS, 938 00:47:47,360 --> 00:47:48,509 BUT WE WERE ABLE TO S UFPL Y IN TERPOL 939 00:47:48,840 --> 00:47:50,478 WITH DETAIL S. 940 00:47:50,800 --> 00:47:52,028 HE WAS APPREHENDED A TAN AIR TERMINAL 941 00:47:52,320 --> 00:47:53,389 IN THE SOUTH OF FRANCE 942 00:47:53,720 --> 00:47:54,709 THE... 943 00:47:55,000 --> 00:47:56,149 THE TOUCHY PART, CHARLIE, WAS WONDERING 944 00:47:56,440 --> 00:47:58,317 WHETHER DINSMORE AND WILLIAMS 945 00:47:58,640 --> 00:48:00,392 WOULD BELIEVE THAT KRIS WAS LEAVING THE COUNTRY 946 00:48:00,720 --> 00:48:01,596 WITH MURDOCH. 947 00:48:01,880 --> 00:48:03,108 WELL, WHY WOULDN'T THEY? 948 00:48:03,440 --> 00:48:04,839 SHE GETS OFFERS ALL THE TIME. 949 00:48:06,760 --> 00:48:08,830 OH, POOR THING. 950 00:48:15,920 --> 00:48:19,356 WI 62839

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