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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,400 --> 00:00:02,753 CHARLIE: ONCE UPON A TIME, 2 00:00:03,040 --> 00:00:05,952 THERE WERE THREE L/TTLE GIRLS WHO WENT TO THE POL/CE ACADEMY. 3 00:00:16,800 --> 00:00:22,113 AND THEY WERE EACH ASSIGNED VERYHAZARDOUS DUTIES. 4 00:00:22,400 --> 00:00:24,436 BUTI TOOK THEMA WA Y FROM ALL THA 7'. 5 00:00:24,720 --> 00:00:27,917 AND NOW THEY WORK FOR ME. MYNAME IS CHARLIE. 6 00:02:20,000 --> 00:02:22,560 MR. MALLIN, YOUR OFFICE SAFE 7 00:02:22,840 --> 00:02:24,512 HAS JUST BEEN OPENED AND SOME MONEY TAKEN. 8 00:02:24,800 --> 00:02:26,279 HAVE YOU CALLED THE POLICE? 9 00:02:26,560 --> 00:02:28,232 I DIDN'T THINK YOU'D WANT ME TO. 10 00:02:28,520 --> 00:02:31,114 IT WAS YOUR WIFE, MR. MALLIN. 11 00:02:31,400 --> 00:02:33,436 CHARLIE: WHA TABOUT TINA MALLIN’S BACKGROUND? 12 00:02:33,720 --> 00:02:36,553 SHE DID SOME WORK AS A BIT ACTRESS. 13 00:02:36,880 --> 00:02:37,995 SHE WORKED A LOT WHEN SHE WAS AVAILABLE, 14 00:02:38,280 --> 00:02:40,475 BUT SHE HASN'T WORKED SINCE SHE'S BEEN MARRIED TO MALLIN. 15 00:02:40,800 --> 00:02:42,199 I CHECKED HER WITH THE POLICE DEPARTMENTS. 16 00:02:42,480 --> 00:02:44,710 NO ARRESTS. NOT EVEN ANY OUTSTANDING TRAFFIC TICKETS. 17 00:02:45,000 --> 00:02:46,797 WHA T WAS THE LAST YOU HEARD FROM SABRINA? 18 00:02:47,080 --> 00:02:48,798 SHE FOLLOWED MRS. MALLIN TO A BEAUTY SHOP, 19 00:02:49,080 --> 00:02:50,593 THEN TO A DEPARTMENT STORE. 20 00:02:50,880 --> 00:02:53,553 MRS. MALLIN PICKED OUT A FUR COAT, SIGNED FOR IT, 21 00:02:53,840 --> 00:02:55,159 AND TOOK IT WITH HER WHEN SHE LEFT. 22 00:02:55,480 --> 00:02:57,710 DIDN'T EVEN LEAVE IT TO BE MONOGRAMMED ON THE LINING. 23 00:02:58,000 --> 00:02:58,910 [TELEPHONE RINGS] 24 00:02:59,240 --> 00:03:01,435 HOLD ON ONE, CHARLIE. YEAH. 25 00:03:01,720 --> 00:03:02,835 BOSLE Y 26 00:03:03,160 --> 00:03:05,515 MRS. MALLIN JUST WENT INTO THE POKER PALACE, 27 00:03:05,800 --> 00:03:07,836 AND ON HER WAY HERE SHE TOOK HER NEW FUR COAT 28 00:03:08,160 --> 00:03:12,950 TO A PAWN SHOP ON CALVIN AVENUE-- 862 WEST. 29 00:03:13,240 --> 00:03:14,593 SHE HOCKED IT. 30 00:03:14,920 --> 00:03:16,831 WHAT DID THE PAWNBROKER SAY? 31 00:03:17,120 --> 00:03:18,314 THA TMRS. MALLIN’SA REGULAR-- 32 00:03:18,600 --> 00:03:20,431 LIKE ONCE A MONTH FOR THE LAST THREE MONTHS. 33 00:03:20,760 --> 00:03:22,113 SHE COMES IN HERE WITH A BRAND-NEW MINK 34 00:03:22,400 --> 00:03:23,515 OR A DIAMOND RING. 35 00:03:23,840 --> 00:03:25,592 ONCE SHE EVEN CAME IN WITH A MARQUISE EMERALD. 36 00:03:25,880 --> 00:03:27,950 SHE GOES IN ONCE A MONTH? 37 00:03:28,240 --> 00:03:30,549 SECOND TUESDAYOF THE MONTH, LIKE CL OCK WORK. 38 00:03:30,840 --> 00:03:32,910 LOOK, THAT'S ALL I GOT FOR NOW. 39 00:03:33,200 --> 00:03:35,191 I'M GOING TO GO IN AND WATCH HER PLAY CARDS. 40 00:03:35,520 --> 00:03:37,351 WE'LL COME WATCH WITH YOU, BREE. 41 00:03:37,640 --> 00:03:39,437 THAT'S A GOOD IDEA. 42 00:03:39,720 --> 00:03:41,517 WE WATCH FOR CHEATS FROM UP HERE. 43 00:03:41,800 --> 00:03:42,869 THE CUSTOMERS THAT KNOW ABOUT IT 44 00:03:43,200 --> 00:03:45,270 REALLY APPRECIATE THE PROTECTION. 45 00:03:45,560 --> 00:03:48,518 DOES SHE ALWAYS PLAY WITH THE SAME THREE PEOPLE? 46 00:03:48,800 --> 00:03:50,870 EVER SINCE THEY STARTED TO COME IN HERE 47 00:03:51,200 --> 00:03:52,679 ABOUT FIVE OR SIX MONTHS AGO. 48 00:03:53,000 --> 00:03:57,198 SAME PLAYERS, SAME TABLE. SECOND TUESDAY OF THE MONTH. 49 00:04:13,040 --> 00:04:15,873 HAVE ANY IDEA HOW MUCH MONEY'S IN THAT GAME? 50 00:04:16,160 --> 00:04:20,517 THAT'S NONE OF OUR BUSINESS. WE JUST RENT THEM THE TABLES. 51 00:04:20,800 --> 00:04:22,313 SO MUCH A HALF-HOUR. 52 00:04:22,600 --> 00:04:24,272 BUT IT LOOKS RICH TO ME. 53 00:04:24,560 --> 00:04:26,516 IT DOES, HUH? 54 00:04:26,800 --> 00:04:30,236 HERE COMES MY GROUND-LEVEL RECON TEAM. 55 00:04:39,040 --> 00:04:40,359 EXCUSE ME. 56 00:04:40,640 --> 00:04:41,993 I SAW THE EMPTY CHAIR. MIND IF I SIT IN? 57 00:04:42,280 --> 00:04:44,953 SORRY, PRETTY. THAT ONE'S FOR A FRIEND. 58 00:04:45,240 --> 00:04:47,629 I CAN BE A FRIEND. 59 00:04:47,920 --> 00:04:49,478 WOMAN: TWO CARDS, PLEASE. 60 00:04:49,800 --> 00:04:52,951 YEAH, BUT THIS ONE HAS A MUSTACHE AND DRIVES A TRUCK. 61 00:04:58,920 --> 00:05:01,150 STRUCK OUT. 62 00:05:01,480 --> 00:05:05,029 MAYBE I'M NOT THE WORLD'S BEST CARD PLAYER, 63 00:05:05,360 --> 00:05:06,315 BUT THAT LADY-- LOOK AT HER. 64 00:05:06,600 --> 00:05:09,433 TELL ME IF THE WAY SHE'S PLAYING MAKES SENSE TO YOU. 65 00:05:20,160 --> 00:05:21,752 DID YOU SEE WHAT SHE JUST DID? 66 00:05:22,080 --> 00:05:23,559 SHE JUST RAISED AND THEN SHE FOLDED 67 00:05:23,880 --> 00:05:26,713 WITH THREE KINGS IN A FIVE-CARD DRAW GAME. 68 00:05:27,960 --> 00:05:30,394 SHE'S BANANAS. 69 00:05:30,720 --> 00:05:32,358 MALLIN: I CAN'T BELIEVE IT. 70 00:05:32,680 --> 00:05:35,752 WELL, I WATCHED HER THROUGH A ONE-WAY GLASS CEILING. 71 00:05:36,040 --> 00:05:37,359 I SAW HER CARDS. 72 00:05:37,680 --> 00:05:39,796 SHE'S A GOOD PLAYER. 73 00:05:40,080 --> 00:05:41,195 SHE'S SO MUCH BETTER THAN I AM 74 00:05:41,520 --> 00:05:43,670 THAT SHE WON'T EVEN PLAY A HAND OF GIN WITH ME. 75 00:05:43,960 --> 00:05:46,110 SHE REMEMBERS ALL THE CARDS. SHE BEATS ME EVERY TIME. 76 00:05:46,440 --> 00:05:47,919 DOES THAT SOUND LIKE SOMEONE WHO RAISES 77 00:05:48,240 --> 00:05:49,559 AND THEN TOSSES IN THREE KINGS? 78 00:05:49,840 --> 00:05:53,435 NO, IT DOESN'T, BUT THAT'S WHAT SHE DID. 79 00:05:53,720 --> 00:05:57,190 ALL RIGHT. THEN FIND OUT WHY SHE'S GAMBLING LIKE THIS. 80 00:05:57,480 --> 00:05:59,311 WELL, IT MIGHT HELP, MR. MALLIN, IF YOU COULD 81 00:05:59,600 --> 00:06:02,239 GIVE US SOME PERSONAL DETAILS OF YOUR RELATIONSHIP. 82 00:06:02,520 --> 00:06:04,272 PERSONAL? 83 00:06:06,800 --> 00:06:09,951 WHAT CAN I TELL YOU? I LOVE HER. 84 00:06:10,240 --> 00:06:12,276 I THINK SHE LOVES ME. 85 00:06:12,600 --> 00:06:13,510 I KNOW SHE LOVES ME. 86 00:06:13,840 --> 00:06:15,876 SHE WOULDN'T DO ANYTHING TO HURT ME. 87 00:06:19,160 --> 00:06:21,310 BUT SHE IS. 88 00:06:24,360 --> 00:06:25,713 YES, SHE IS. 89 00:06:27,040 --> 00:06:29,235 SO, PLEASE... 90 00:06:29,520 --> 00:06:32,034 PLEASE FIND OUT WHY. 91 00:06:32,360 --> 00:06:34,874 CHARLIE: WHATHA I/E WE GOT ON THE OTHER POKER FLA YERS 92 00:06:35,200 --> 00:06:36,428 MRS. MALLIN WAS FLA YING WITH? 93 00:06:36,720 --> 00:06:39,553 I CHECKED OUT THE WOMAN. HER NAME IS NADDY SAMUELS. 94 00:06:39,840 --> 00:06:41,239 SHE'S MARRIED TO HUGH SAMUELS. 95 00:06:41,520 --> 00:06:43,556 NOW, HE'S ANOTHER PLAYER AT THE TABLE. 96 00:06:43,880 --> 00:06:45,438 THE THIRD PLAYER IS SIDNEY CARVER, 97 00:06:45,720 --> 00:06:47,153 A TRUCK DRIVER, LA. TO NEW YORK RUN. 98 00:06:47,440 --> 00:06:49,192 WHA TABOUT THE SAMUELS COUPLE? 99 00:06:49,480 --> 00:06:51,948 WELL, THEY OWN A SMALL BOUTIQUE IN WESTWOOD, 100 00:06:52,240 --> 00:06:53,355 AND HE ALSO WORKS AS A WAITER 101 00:06:53,680 --> 00:06:54,908 IN A FRENCH RESTAURANT IN SANTA MONICA. 102 00:06:55,200 --> 00:06:57,156 CONSIDERING MRS. MALLIN'S LOSSES, 103 00:06:57,440 --> 00:06:59,954 THEIR FINANCIAL SITUATION MAKES NO SENSE AT ALL. 104 00:07:00,240 --> 00:07:01,593 THE DAY AFTER EACH GAME, 105 00:07:01,880 --> 00:07:03,950 THEY DEPOSIT ONLY $1,000 TO THEIR ACCOUNT. 106 00:07:04,240 --> 00:07:05,468 NEVER MORE, NEVER LESS. 107 00:07:05,760 --> 00:07:07,716 WHA TABOUT CARVER, THE TRUCK DRIVER? 108 00:07:08,000 --> 00:07:09,399 HE DEPOSITS A THOUSAND, TOO. 109 00:07:09,680 --> 00:07:11,398 WHA TDO YOU SUPPOSE HAPPENS TO THE RES T OF THE MONEY? 110 00:07:11,680 --> 00:07:12,874 WE DON'T KNOW. 111 00:07:13,200 --> 00:07:15,668 WE HAVE LEARNED ONE THING THAT COULD TIE MRS. MALLIN 112 00:07:15,960 --> 00:07:17,678 TO SAMUELS AND THE TRUCK DRIVER. 113 00:07:17,960 --> 00:07:20,997 MRS. MALLIN WAS A DANCER IN THE CHORUS LINE AT-- 114 00:07:21,280 --> 00:07:24,636 MR. AND MRS. SAMUELS WORKED AS A WAITER AND A WAITRESS AT-- 115 00:07:24,960 --> 00:07:28,589 SIDNEY CARVER MAKES WEEKLY DELIVERIES ON WEDNESDAYS TO-- 116 00:07:28,920 --> 00:07:30,797 THE VERSAILLES HOTEL IN LAS VEGAS. 117 00:07:31,080 --> 00:07:32,798 WHICH IS THE ONLY PERSON, PLACE, 0R THING 118 00:07:33,080 --> 00:07:34,035 THAT THEY ALL FOUR HAVE IN COMMON. 119 00:07:34,320 --> 00:07:35,514 AND IF WE WERE RIGHT IN THE BEGINNING 120 00:07:35,840 --> 00:07:37,114 IN THINKING THIS WAS BLACKMAIL, 121 00:07:37,400 --> 00:07:39,356 THE VERSAILLES COULD BE WHERE IT ALL STARTED. 122 00:07:39,680 --> 00:07:41,955 IF THE BLACKMAILER ISN'T ONE OF THE POKER PLAYERS 123 00:07:42,240 --> 00:07:44,071 BUT SOMEBODY STILL AT THE VERSAILLES, 124 00:07:44,400 --> 00:07:45,515 THAT EXPLAINS WHAT HAPPENS 125 00:07:45,800 --> 00:07:47,677 TO THE REST OF THE MONEY MRS. MALLIN LOSES. 126 00:07:47,960 --> 00:07:50,554 SID TAKES IT TO VEGAS ON HIS RUN AND DROPS IT OFF. 127 00:07:50,840 --> 00:07:52,193 THEN YOU THINK THE POKER GAME 128 00:07:52,480 --> 00:07:54,948 IS THE WA YMRS. MALLIN PA YS HER BLACKMAIL INS TALLMEN TS .7 129 00:07:55,280 --> 00:07:57,794 WELL, IT'S THE ONLY WAY HER LOSING IN THOSE GAMES 130 00:07:58,120 --> 00:07:59,473 MAKES ANY SENSE, CHARLIE. 131 00:07:59,760 --> 00:08:01,796 IT ALSO EXPLAINS THE SAMUELS AND SID 132 00:08:02,120 --> 00:08:04,031 ONLY GETTING $1,000 OF THEIR WINNINGS 133 00:08:04,320 --> 00:08:06,038 AS A CUT AS COLLECTORS. 134 00:08:06,320 --> 00:08:08,436 ALL RIGHT THA T'S THE TRAIL WE HA VE TO FOLLOW 135 00:08:08,720 --> 00:08:10,551 YOULL ALL HA VE TO GO UP TO VEGAS. 136 00:08:10,880 --> 00:08:12,916 ONLY PROBLEM IS, WE DON'T HAVE ANY REAL LEAD 137 00:08:13,200 --> 00:08:14,269 ONCE WE GET THERE. 138 00:08:14,560 --> 00:08:16,516 CHARLIE, WE'VE GOT TO TALK TO MRS. MALLIN. 139 00:08:16,840 --> 00:08:19,149 WITHOUT THAT, WE COULD SPEND SIX MONTHS IN VEGAS 140 00:08:19,440 --> 00:08:20,919 AND COME BACK WITH NOTHING BUT A SUNTAN. 141 00:08:21,200 --> 00:08:23,475 THA T'S MORE THAN A LOT OF PEOPLE COME BACK WITH. 142 00:08:23,760 --> 00:08:25,990 ILL CALL MALLIN AND TELL HIM 143 00:08:26,280 --> 00:08:28,919 AND SINCE WE REPRESENT THE INSURANCE COMPANY 144 00:08:29,200 --> 00:08:31,953 THAT COVERS YOUR HUSBAND, HIS OFFICE, AND HIS CORPORATION, 145 00:08:32,280 --> 00:08:35,875 THE INVESTIGATION OF THE ROBBERY FELL TO US. 146 00:08:36,200 --> 00:08:37,633 THIS IS RIDICULOUS. 147 00:08:37,920 --> 00:08:40,229 MRS. MALLIN, YOUR FINGERPRINTS WERE FOUND 148 00:08:40,520 --> 00:08:42,511 ON THE INSIDE OF YOUR HUSBAND'S SAFE. 149 00:08:42,800 --> 00:08:44,279 WHY WOULD I ROB MY OWN HUSBAND? 150 00:08:44,560 --> 00:08:45,913 THAT'S THE QUESTION THAT WE'RE HERE 151 00:08:46,200 --> 00:08:48,270 TO GET THE ANSWER FOR, MRS. MALLIN. WHY DID YOU? 152 00:08:48,560 --> 00:08:49,993 WE THINK YOU'RE BEING BLACKMAILED. 153 00:08:50,280 --> 00:08:53,158 THAT'S EVEN MORE ABSURD, MR. BOSLEY. 154 00:08:53,440 --> 00:08:55,954 MRS. MALLIN, WE KNOW ABOUT THE MONTHLY POKER GAMES 155 00:08:56,240 --> 00:08:58,310 AT TABLE NINE AT THE POKER PALACE. 156 00:08:58,640 --> 00:09:00,358 POKER'S LEGAL IN THAT COUNTY. 157 00:09:00,680 --> 00:09:01,556 YES, IT IS. 158 00:09:01,840 --> 00:09:04,638 BUT GOOD PLAYERS DON'T USUALLY LOSE. 159 00:09:04,920 --> 00:09:05,955 AND YOU'RE A GOOD CARD PLAYER. 160 00:09:06,240 --> 00:09:11,155 ANYONE COULD HAVE A STREAK OF BAD LUCK. I DID. 161 00:09:12,800 --> 00:09:15,314 MRS. MALLIN, YOUR HUSBAND'S ACCOUNT 162 00:09:15,600 --> 00:09:16,589 IS WORTH MORE TO US 163 00:09:16,880 --> 00:09:18,199 THAN THE MONEY YOU'VE TAKEN. SO FAR. 164 00:09:18,480 --> 00:09:21,358 BUT NOT WITH A BLACK CLOUD HANGING OVER YOU. 165 00:09:21,640 --> 00:09:24,837 UNLESS YOU LET US HELP YOU, WE'LL HAVE NO CHOICE 166 00:09:25,160 --> 00:09:27,071 BUT TO INFORM YOUR HUSBAND, HIS COMPANY, 167 00:09:27,360 --> 00:09:30,318 AND PROSECUTE YOU FOR THE $22,000 LOSS. 168 00:09:30,600 --> 00:09:32,511 YOU'RE BLACKMAILING ME, TOO! 169 00:09:40,360 --> 00:09:43,158 SOMEONE... 170 00:09:43,440 --> 00:09:46,238 SENT PICTURES OF ME IN A HOTEL ROOM 171 00:09:46,560 --> 00:09:49,154 TAKEN FIVE YEARS AGO IN LAS VEGAS, 172 00:09:49,480 --> 00:09:51,994 AND THEY TOLD ME TO LOSE $30,000 A MONTH 173 00:09:52,320 --> 00:09:54,550 EVERY MONTH AT THOSE POKER GAMES. 174 00:09:55,920 --> 00:09:58,480 I DON'T KNOW WHO-- 175 00:09:58,760 --> 00:10:00,751 HONESTLY, I DON'T KNOW WHO'S DOING THIS TO ME! 176 00:10:01,040 --> 00:10:04,032 ALL RIGHT. OKAY. LOOK, UH... 177 00:10:07,000 --> 00:10:08,877 MRS. MALLIN, YOU KNOW YOU'LL HAVE 178 00:10:09,200 --> 00:10:11,031 TO TELL US ABOUT THOSE PICTURES. 179 00:10:19,480 --> 00:10:22,233 IWAS INAROOM... 180 00:10:24,680 --> 00:10:26,591 WITH A MAN... 181 00:10:28,280 --> 00:10:31,078 AND THE LIGHTS WERE OUT. 182 00:10:31,400 --> 00:10:34,233 I DON'T KNOW HOW ANYBODY COULD'VE TAKEN THOSE PICTURES. 183 00:10:39,000 --> 00:10:41,673 LOOK, I'M NOT COPPING OUT, OKAY? 184 00:10:41,960 --> 00:10:43,916 I DID WHAT I DID. 185 00:10:44,240 --> 00:10:46,435 IT'S TAKEN ME MONTHS WITH A PSYCHIATRIST 186 00:10:46,720 --> 00:10:48,039 TO BE ABLE TO SAY THAT. 187 00:10:48,320 --> 00:10:50,629 I DID WHATI DID, BUT I WAS NO TRAMP. 188 00:10:50,960 --> 00:10:52,598 I WASN'T THEN, AND I'M NOT NOW. 189 00:10:52,920 --> 00:10:56,151 I WAS ALONE, I WAS BROKE. 190 00:10:56,440 --> 00:11:01,116 | WAS UP FOR A JOB IN THE CHORUS AT THE VERSAILLES HOTEL. 191 00:11:01,400 --> 00:11:04,278 THE NEXT OPENING WAS MINE, BUT THERE WAS NO OPENING. 192 00:11:04,600 --> 00:11:08,149 EVERY DAY PASSING IS TIME. 193 00:11:08,440 --> 00:11:09,793 TIME COSTS MONEY. 194 00:11:10,080 --> 00:11:13,072 AND MINE JUST RAN OUT. 195 00:11:13,400 --> 00:11:18,155 ANYWAY, A GUY INTRODUCED ME TO A HIGH ROLLER 196 00:11:18,480 --> 00:11:21,040 WHO WAS LOOKING FOR COMPANY FOR THE EVENING. 197 00:11:21,360 --> 00:11:23,032 I WENT. 198 00:11:25,360 --> 00:11:29,638 AND THE HIGH ROLLER MADE ME AN OFFER THAT I COULDN'T REFUSE. 199 00:11:31,560 --> 00:11:32,709 NO, SCRATCH THAT. 200 00:11:33,040 --> 00:11:36,350 I COULD HAVE REFUSED, BUT I WAS TOO DUMB TO REFUSE. 201 00:11:38,640 --> 00:11:41,393 WHEN THE SUN CAME UP THE NEXT MORNING... 202 00:11:42,720 --> 00:11:46,474 I HAD $500 IN MY PURSE... 203 00:11:48,440 --> 00:11:54,231 AND FEELING SO DIRTY, I COULDN'T WASH IT OFF. 204 00:11:54,560 --> 00:11:55,959 | TOOK THE NEXT FLIGHT OUT. 205 00:11:56,240 --> 00:11:59,073 MRS. MALLIN, DO YOU REMEMBER THE NAME OF THE MAN 206 00:11:59,400 --> 00:12:01,675 WHO INTRODUCED YOU TO THE HIGH ROLLER? 207 00:12:03,240 --> 00:12:04,389 CASS HARPER. 208 00:12:04,680 --> 00:12:07,956 HE RUNS THE SHOWROOM AT THE VERSAILLES HOTEL. 209 00:12:08,280 --> 00:12:10,316 I THOUGHT HE WAS DOING ME A FAVOR. 210 00:12:10,600 --> 00:12:13,797 BIG FAVOR. 211 00:12:14,120 --> 00:12:17,351 I REMEMBER EVERY ROTTEN DETAIL. 212 00:12:17,640 --> 00:12:19,517 EVEN THE ROOM NUMBER. 213 00:12:20,760 --> 00:12:22,955 EIGHT-SIX-TWO. 214 00:12:25,320 --> 00:12:29,711 ROOM 862. CASS HARPER, HUH? 215 00:12:43,840 --> 00:12:45,910 HER PARENTS ARE DEAD, AND NOBODY ELSE 216 00:12:46,240 --> 00:12:48,549 REALLY MUCH CARES WHETHER SHE'S ALIVE OR DEAD. 217 00:12:48,840 --> 00:12:50,831 MONEY'S ALMOST GONE. 218 00:12:51,160 --> 00:12:52,513 I DON'T KNOW. IN HER PLACE, 219 00:12:52,800 --> 00:12:56,156 MAYBE I COULD ALMOST CON MYSELF INTO IT. 220 00:12:56,440 --> 00:12:59,079 I DON'T KNOW. I THINK I COULD. 221 00:12:59,360 --> 00:13:01,590 WELL, LET'S HOPE NONE OF US EVER GETS PUT IN A POSITION 222 00:13:01,920 --> 00:13:04,832 WHERE WE'D HAVE TO FIND OUT WHAT WE'D DO. 223 00:13:05,120 --> 00:13:08,476 WHERE IS KELLY AND THAT OTHER RENTAL CAR? 224 00:13:08,800 --> 00:13:11,553 SHE IS AT THE VERSAILLES 225 00:13:11,840 --> 00:13:14,673 AUDITIONING FOR THE CHORUS LINE. 226 00:13:14,960 --> 00:13:16,712 HOPE SHE HAS BETTER LUCK WITH CASS HARPER 227 00:13:17,000 --> 00:13:18,718 THAN MRS. MALLIN DID. 228 00:13:19,000 --> 00:13:20,752 [PIANO PLAYING] 229 00:13:25,400 --> 00:13:28,312 HEY, BABY, I GOT TO TELL YOU, YOU ARE A WINNER. 230 00:13:28,600 --> 00:13:30,750 YOU MOVE LIKE SHEER SILK IN A SUMMER BREEZE. 231 00:13:31,080 --> 00:13:33,116 YOU'RE OUT OF SIGHT. REALLY. DO YOU KNOW THAT? 232 00:13:33,400 --> 00:13:34,992 DO I HAVE THE JOB, MR. HARPER? 233 00:13:35,280 --> 00:13:36,793 NO, IT'S CASS, SWEETHEART. 234 00:13:37,120 --> 00:13:38,997 I SWEAR, IF THERE WAS ONE, YOU'D HAVE IT. 235 00:13:39,280 --> 00:13:41,589 YOU SEE, RIGHT NOW-- WAIT A MINUTE. 236 00:13:41,920 --> 00:13:44,480 THERE'S A CHICK, SHEILA-- 237 00:13:44,800 --> 00:13:46,756 RIGHT, SHE'S SUPPOSED TO BE GETTING MARRIED SOON. 238 00:13:47,040 --> 00:13:48,837 I TELL YOU WHAT, LET ME HAVE A LITTLE TALK WITH HER, 239 00:13:49,120 --> 00:13:50,235 SEE IF SHE'S SET A DATE YET. 240 00:13:50,520 --> 00:13:53,239 SHE GOES, YOU'RE IN. IS THAT FAIR? 241 00:13:53,560 --> 00:13:57,075 CAN'T ASK FOR MUCH MORE THAN THAT, CAN I? 242 00:13:57,360 --> 00:13:59,112 BABY, THIS TOWN IS FULL OF BEAUTIFUL BROADS 243 00:13:59,440 --> 00:14:01,431 WHO'D GIVE AN ARM AND A LEG TO HAVE AS MUCH. 244 00:14:01,720 --> 00:14:03,119 HEY, THEY GOT LOOKS, 245 00:14:03,440 --> 00:14:05,635 BUT THEY GOT NOWHERE NEAR YOUR TALENT. 246 00:14:05,920 --> 00:14:07,069 NOW, YOU KEEP IN TOUCH. 247 00:14:07,400 --> 00:14:09,755 IT'S JUST A MATTER OF TIME, YOU KNOW? 248 00:14:10,040 --> 00:14:12,315 IN THE MEANWHILE, WHAT I WANT YOU TO DO 249 00:14:12,600 --> 00:14:15,068 IS COME DOWN AND SEE THE SHOW, CHECK OUT THE ROUTINES. 250 00:14:15,360 --> 00:14:18,352 YOU FEEL FREE TO JUST COME BACKSTAGE 251 00:14:18,640 --> 00:14:21,154 AND WATCH ANY TIME YOU WANT. OKAY? 252 00:14:21,440 --> 00:14:22,475 OKAY. 253 00:14:22,760 --> 00:14:24,512 I'LL SEE YOU LATER. 254 00:14:33,640 --> 00:14:35,198 EXCUSE ME, BUT... 255 00:14:35,480 --> 00:14:37,357 YOU DON'T LOOK DUMB ENOUGH TO BELIEVE THAT JIVE 256 00:14:37,680 --> 00:14:39,557 CASS WAS LAYING ON YOU. 257 00:14:39,840 --> 00:14:41,068 YOU MEAN HE WAS LYING TO ME? 258 00:14:41,400 --> 00:14:42,913 THERE ISN'T A JOB THAT'S OPENING UP? 259 00:14:43,200 --> 00:14:44,758 LET'S LOOK AT IT THIS WAY. 260 00:14:45,040 --> 00:14:46,837 IF THERE WAS, AND HE OFFERED IT TO YOU, 261 00:14:47,120 --> 00:14:49,031 I'D BREAK YOUR LEG BEFORE YOU COULD TAKE IT. 262 00:14:49,360 --> 00:14:52,079 LOOK, IF YOU THINK I HAVE ANY INTEREST IN MR. HARPER-- 263 00:14:52,400 --> 00:14:54,868 JUST GO CRAWL BACK INTO THE WOODWORK, SWEETUMS. 264 00:14:55,200 --> 00:14:58,112 THERE'S NOTHING FOR YOU HERE. NOTHING AT ALL. 265 00:15:11,040 --> 00:15:11,995 BOSLEY, DON'T YOU THINK YOU PUT 266 00:15:12,280 --> 00:15:13,633 A LITTLE TOO MUCH GARLIC IN THERE? 267 00:15:13,920 --> 00:15:17,595 NO ADVICE, PLEASE. WHEN I COOK, I DO IT ALONE. 268 00:15:17,880 --> 00:15:19,757 YOU EAT THAT MUCH GARLIC, YOU'LL DO EVERYTHING ALONE. 269 00:15:20,040 --> 00:15:21,155 WE'LL ALL DO EVERYTHING ALONE. 270 00:15:21,480 --> 00:15:22,117 DO YOU REALLY THINK I PUT IN TOO MUCH? 271 00:15:22,440 --> 00:15:23,634 UH-HUH. UH-HUH. 272 00:15:23,920 --> 00:15:27,674 HEY, JILL, DO YOU THINK IF WE LOBBIED IN WASHINGTON, 273 00:15:27,960 --> 00:15:31,748 WE COULD GET GARLIC DECLARED AN ENDANGERED SPECIES? 274 00:15:32,040 --> 00:15:34,508 BOY, I COULD FIND MY WAY HERE FROM DOWNTOWN 275 00:15:34,800 --> 00:15:35,755 WITH MY EYES CLOSED. 276 00:15:36,080 --> 00:15:36,876 NOBODY HAS TO EAT THIS, YOU KNOW. 277 00:15:37,200 --> 00:15:38,110 GOOD. 278 00:15:38,400 --> 00:15:39,992 NOW, NOW, IF BOSLEY WENT OUT HUNTING 279 00:15:40,280 --> 00:15:42,157 AND SHOT THIS WHOLE GARLIC FOR OUR DINNER, 280 00:15:42,440 --> 00:15:43,270 WE MUSTN'T TEASE HIM. 281 00:15:43,560 --> 00:15:44,754 SORRY, BOZ. 282 00:15:45,080 --> 00:15:46,991 DID YOU GET TO MEET CASS HARPER, KELLY? 283 00:15:47,280 --> 00:15:49,589 IMET HIM. THERE WAS NO WAY TO AVOID HIM. 284 00:15:49,920 --> 00:15:51,273 HE SLITHERED IN, 285 00:15:51,560 --> 00:15:53,198 GAVE ME THE "SUGAR BABY, HONEY PIE" ROUTINE, 286 00:15:53,480 --> 00:15:55,232 TOLD ME I HAD REAL TALENT, 287 00:15:55,520 --> 00:15:56,873 THAT THERE WASN'T A JOB RIGHT NOW 288 00:15:57,160 --> 00:15:59,116 BUT THAT THE FIRST ONE THAT OPENED UP WOULD BE MINE. 289 00:15:59,400 --> 00:16:01,038 HE ALSO SAID TO BE SURE AND COME BACK. 290 00:16:01,320 --> 00:16:02,639 AHA. 291 00:16:02,920 --> 00:16:04,911 WE'VE BEEN TALKING ABOUT THIS BLACKMAIL SETUP, 292 00:16:05,200 --> 00:16:06,918 AND IT DOESN'T MAKE SENSE 293 00:16:07,200 --> 00:16:09,236 THAT A BLACKMAILER WOULD WANT PICTURES OF THE CHORUS GIRLS. 294 00:16:09,560 --> 00:16:11,039 THEY DON'T MAKE ANY MONEY. 295 00:16:11,360 --> 00:16:12,998 THEY'D WANT PICTURES OF THE MEN THEY WERE WITH. 296 00:16:13,320 --> 00:16:14,309 HE JUST HAPPENED TO LUCK OUT 297 00:16:14,600 --> 00:16:16,113 WHEN TINA MALLIN MARRIED A MAN WITH MONEY. 298 00:16:16,400 --> 00:16:18,755 JILL, DON'T BE SUCH A FEMALE CHAUVINIST. 299 00:16:19,080 --> 00:16:20,433 WHY DOES A BLACKMAILER HAVE TO BE A MAN? 300 00:16:20,720 --> 00:16:21,596 BET IT IS. 301 00:16:21,880 --> 00:16:23,108 OH, SO DO I. 302 00:16:23,400 --> 00:16:26,631 BUT ON PRINCIPLE, I RESENT THE SEXIST PRESUMPTION. 303 00:16:26,960 --> 00:16:30,077 POINT WELL TAKEN, BOSLEY. WE APOLOGIZE. 304 00:16:30,360 --> 00:16:31,076 SORRY. 305 00:16:31,360 --> 00:16:33,191 - ACCEPTED. - OKAY, OKAY, COME ON. 306 00:16:33,480 --> 00:16:35,391 IT DOESN'T SEEM LIKELY THAT THE HOTEL MANAGEMENT 307 00:16:35,720 --> 00:16:37,551 WOULD GO ALONG WITH HAVING THEIR CUSTOMERS BLACKMAILED. 308 00:16:37,880 --> 00:16:39,359 I MEAN, IT'S BAD FOR BUSINESS. 309 00:16:39,680 --> 00:16:40,590 MAKES SENSE. 310 00:16:40,880 --> 00:16:42,279 YEAH, SO, WHAT'S OUR NEXT MOVE? 311 00:16:42,600 --> 00:16:46,195 ENTER WILL THURMAN, TEXAS HIGH ROLLER. 312 00:17:08,120 --> 00:17:10,998 11. 11,AW|NNER. 313 00:17:22,480 --> 00:17:24,118 HOWDY. 314 00:17:24,400 --> 00:17:27,597 MY NAME IS WILL THURMAN. 315 00:17:27,880 --> 00:17:31,236 THAT'S MY CASHIER'S CHECK FOR 50,000, 316 00:17:31,560 --> 00:17:35,758 AND THIS IS MY IDENTIFICATION TO PROVE IAM WHO I SAY I AM. 317 00:17:36,040 --> 00:17:38,349 I'D LIKE $1,000 IN CHIPS, PLEASE, 318 00:17:38,640 --> 00:17:42,076 AND THEN BANK THE REST IN CASE I SHOULD NEED IT LATER. 319 00:17:44,320 --> 00:17:46,276 THANK YOU. 320 00:18:02,840 --> 00:18:06,310 WELL, LOOK WHO DECIDED NOT TO DO WHAT SHE WAS TOLD. 321 00:18:06,640 --> 00:18:07,755 LOOK, I NEED THIS JOB. 322 00:18:08,040 --> 00:18:10,235 POOR BABY. 323 00:18:11,240 --> 00:18:12,878 I'LL SEE YOU LATER. 324 00:18:13,160 --> 00:18:14,513 HI, BABY. GLAD YOU COULD MAKE IT. 325 00:18:14,800 --> 00:18:16,153 HOW DO YOU LIKE THE SHOW SO FAR? 326 00:18:16,480 --> 00:18:18,118 IT'S FANTASTIC. I THINKI COULD LEARN 327 00:18:18,440 --> 00:18:19,589 ALL THE ROUTINES IN A COUPLE OF DAYS. 328 00:18:19,880 --> 00:18:22,189 SURE YOU CAN. I STAGE IT MYSELF. 329 00:18:22,480 --> 00:18:24,630 A LITTLE REHEARSAL, YOU'LL BE FANTASTIC. 330 00:18:24,920 --> 00:18:25,716 MR. HARPER-- 331 00:18:26,040 --> 00:18:27,234 HIYA, BABY. 332 00:18:27,520 --> 00:18:29,829 MEET KELLY. KELLY, THIS IS ELSBETH. 333 00:18:32,160 --> 00:18:34,071 SURE. AM I EVER TOO BUSY FOR YOU? 334 00:18:36,080 --> 00:18:38,640 MR. HARPER, LOOK. 335 00:18:38,960 --> 00:18:41,315 I AM RUNNING OUT OF MONEY, AND YOU DID PROMISE ME A PLACE-- 336 00:18:41,640 --> 00:18:43,392 AND I WILL. JUST TRUST ME, WILL YOU, BABE? 337 00:18:43,720 --> 00:18:46,712 I GOT TO SPLIT. I'LL CATCH YOU LATER. 338 00:18:48,480 --> 00:18:50,710 CAN WE TALK, ELSBETH? 339 00:18:51,000 --> 00:18:53,434 YEAH, SURE. WHAT ABOUT? 340 00:18:53,720 --> 00:18:55,233 WELL, IT'S KIND OF IMPORTANT, SO NOW'S FINE. 341 00:18:55,560 --> 00:18:58,120 BUT NOT HERE, OKAY? COME ON. 342 00:18:58,440 --> 00:18:59,873 SURE. 343 00:19:00,200 --> 00:19:01,519 CASS IS GOING TO GET A SHOCK 344 00:19:01,800 --> 00:19:04,439 IF HE EVER TRIES TO PUT ME ON THE STREET. 345 00:19:04,720 --> 00:19:07,473 WOW, I ONLY KNOW YOU TWO FOR 10 MINUTES, 346 00:19:07,760 --> 00:19:10,354 AND I'VE GONE FROM THINKING YOU'RE A COUPLE OF WEIRDOS 347 00:19:10,640 --> 00:19:12,756 TO TELLING YOU MY WHOLE LIFE STORY. 348 00:19:14,360 --> 00:19:17,591 GUESS I'M KIND OF AT THE END OF MY ROPE. 349 00:19:17,920 --> 00:19:22,755 I GUESS I REALLY JUST NEED SOMEONE TO TALK TO. 350 00:19:24,120 --> 00:19:25,633 WE'RE GOOD LISTENERS. 351 00:19:29,120 --> 00:19:31,111 OKAY. 352 00:19:33,960 --> 00:19:35,473 PRESENT. 353 00:19:35,760 --> 00:19:39,309 I HAVE GOT $34 IN THE BANK, 354 00:19:39,600 --> 00:19:44,151 $11 IN MY WALLET, AND MY RENT'S DUE FRIDAY. 355 00:19:46,040 --> 00:19:48,156 PAST. 356 00:19:49,240 --> 00:19:52,152 I GOT MARRIED WHEN I WAS 18. 357 00:19:53,200 --> 00:19:55,156 IT WAS VERY ROMANTIC. 358 00:19:55,440 --> 00:19:58,159 WE RAN AWAY TOGETHER. 359 00:19:59,520 --> 00:20:01,795 WHEN IWAS 19, 360 00:20:02,080 --> 00:20:05,709 HE PUT ME IN A LITTLE KIND OF SHORT SKIRT 361 00:20:06,000 --> 00:20:07,956 AND SENT ME OUT TO THE STREET. 362 00:20:08,240 --> 00:20:10,549 THEN FOR MY 20TH BIRTHDAY, 363 00:20:10,840 --> 00:20:12,831 HE SENT ME BACK ONTO THE STREET 364 00:20:13,120 --> 00:20:17,591 WITH A FAT LIP... 365 00:20:18,560 --> 00:20:20,437 AND A BLACK EYE... 366 00:20:22,120 --> 00:20:23,758 AND TOLD ME NOT TO COME BACK 367 00:20:24,040 --> 00:20:26,395 WITH ANYTHING LESS THAN 100 BUCKS. 368 00:20:26,680 --> 00:20:30,195 WELL, HE'S STILL WAITING. 369 00:20:31,840 --> 00:20:33,558 STRAIGHTENED MYSELF UP, 370 00:20:33,840 --> 00:20:35,592 TOOK SOME SINGING LESSONS, 371 00:20:35,920 --> 00:20:37,273 HERE IAM. 372 00:20:37,560 --> 00:20:42,839 WELL, SOUNDS LIKE YOU'VE GOTTEN YOURSELF TOGETHER. 373 00:20:44,600 --> 00:20:46,636 CASS'LL FIND OUT HOW TOGETHER I AM 374 00:20:46,920 --> 00:20:48,911 IF HE EVER TRIES TO PUT ME ON THE STREET. 375 00:20:51,040 --> 00:20:52,792 YOU KNOW, 376 00:20:53,080 --> 00:20:55,275 YOU REALLY ARE THE SAME PERSON, 377 00:20:55,600 --> 00:21:00,628 WHETHER YOU SELL YOURSELF FOR FIVE BUCKS OR A THOUSAND. 378 00:21:00,920 --> 00:21:02,956 NO ONE... 379 00:21:03,280 --> 00:21:07,353 IS EVER GOING TO BUY OR SELL ME ANYMORE. 380 00:21:26,000 --> 00:21:28,309 [CROUPIER CALLING NUMBERS, BETS] 381 00:21:46,560 --> 00:21:50,553 DON'T WORRY. IT'LL BE FINE. 382 00:21:50,840 --> 00:21:52,353 MAN, I THINK WE GOT TROUBLE. 383 00:21:52,640 --> 00:21:53,675 REALLY? WHAT KIND? 384 00:21:53,960 --> 00:21:55,871 THERE'S A BROAD IN HERE AT ONE OF THE BLACKJACK TABLES. 385 00:21:56,200 --> 00:21:58,316 SHE TRIED TO CRASH OUR GAME AT THE POKER PALACE. 386 00:21:58,600 --> 00:22:00,079 SO? WHAT MAKES HER TROUBLE? 387 00:22:00,360 --> 00:22:02,351 SHE'S THERE SAYING SHE WANTS TO PLAY IN OUR GAME, 388 00:22:02,640 --> 00:22:04,358 THEN SHE SHOWS UP HERE. THAT'S NOT TROUBLE? 389 00:22:04,640 --> 00:22:05,834 COME ON, DON'T GET PARANOID, SID. 390 00:22:06,120 --> 00:22:07,951 SHE'S PROBABLY JUST A PLAYER. IT'S A COINCIDENCE. 391 00:22:08,240 --> 00:22:10,754 NOT THAT SHE'S HERE, BUT THAT YOU'D REMEMBER HER. 392 00:22:11,040 --> 00:22:12,632 YOU DON'T FORGET THAT KIND OF BROAD. 393 00:22:12,920 --> 00:22:15,115 WHY DON'T YOU JUST BUY HER A DRINK 394 00:22:15,400 --> 00:22:16,310 AND GET ACQUAINTED? 395 00:22:16,640 --> 00:22:18,835 SHE'S PROBABLY JUST CRAZY FOR YOU 396 00:22:19,120 --> 00:22:20,439 AND FOLLOWED YOU HERE. 397 00:22:20,720 --> 00:22:22,438 I'M TELLING YOU, CASS, BAD VIBES, MAN. 398 00:22:24,520 --> 00:22:27,478 THEN WHY DON'T YOU JUST TAKE THE BROAD 399 00:22:27,760 --> 00:22:29,716 OUT IN THE DESERT AND ICE HER, SID? 400 00:22:30,000 --> 00:22:33,595 MAYBE I SHOULD, JUST TO BE SURE. 401 00:23:49,560 --> 00:23:51,073 TAXI! 402 00:23:51,400 --> 00:23:54,631 BY DOG, FRED, IS THAT YOU? FRED HAMMOND FROM BEAUMONT? 403 00:23:54,920 --> 00:23:56,751 WHAT ARE YOU DOING HERE IN LAS VEGAS? 404 00:23:57,080 --> 00:23:58,149 YOU GOT THE WRONG GUY, BUDDY. 405 00:23:58,440 --> 00:24:00,829 I GET IT. YOU DON'T WANT NOBODY KNOWING WHERE YOU ARE. 406 00:24:01,160 --> 00:24:03,390 I'LL TELL YOU, OLD HOUND DOG, WHO AM I GOING TO TELL? 407 00:24:03,680 --> 00:24:05,113 I AIN'T SEEN YOU IN THE LAST TEN YEARS! 408 00:24:05,400 --> 00:24:07,277 I'M NOT YOUR OLD BUDDY. YOU GOT THE WRONG GUY, OKAY? 409 00:24:07,560 --> 00:24:09,039 OH, NOW, COME ON. 410 00:24:09,320 --> 00:24:10,594 I'LL TELL YOU WHAT I'LL DO. I'LL BUY YOU A DRINK. 411 00:24:10,920 --> 00:24:12,194 THEN TELL ME WHY YOU DON'T WANT TO SAY WHO YOU ARE. 412 00:24:13,120 --> 00:24:14,189 I'M NOT FRED. 413 00:24:14,480 --> 00:24:16,198 I'M SID CARVER FROM LOS ANGELES, ALL RIGHT? 414 00:24:16,480 --> 00:24:17,708 OKAY, THEN, I'M SORRY, 415 00:24:18,000 --> 00:24:19,433 BUT THAT'S NO REASON TO GET ALL HET UP ABOUT IT. 416 00:24:19,760 --> 00:24:20,749 I'LL TELL YOU WHAT I'M WILLING TO DO. 417 00:24:21,040 --> 00:24:23,873 I'LL BUY YOU A DRINK NO MATTER WHO YOU ARE. 418 00:24:24,160 --> 00:24:25,593 N0, THANKS. 419 00:24:25,880 --> 00:24:28,030 OKAY. TAXII 420 00:24:29,800 --> 00:24:31,438 THANKS, FRED! 421 00:24:39,440 --> 00:24:41,590 I KNOW SID CARVER SAW ME WHEN I TRIED 422 00:24:41,880 --> 00:24:43,757 TO SIT IN ON THE CARD GAME AT THE POKER PALACE. 423 00:24:44,080 --> 00:24:45,752 AND YOU'RE NOT SURE IF HE SAW YOU TWO. 424 00:24:46,080 --> 00:24:47,195 HE MIGHT'VE. 425 00:24:47,480 --> 00:24:48,435 I DON'T THINK SO. 426 00:24:48,720 --> 00:24:50,438 WELL, IT COULD'VE BEEN NOTHING. 427 00:24:52,360 --> 00:24:53,793 AND WAS JUST TRYING TO PICK HER UP. 428 00:24:54,080 --> 00:24:55,593 THAT HAS HAPPENED BEFORE. 429 00:24:55,920 --> 00:24:58,275 HE NEVER SPOKE TO ME IN THE CASINO. 430 00:24:58,600 --> 00:25:01,034 IN FACT, I WASN'T EVEN AWARE HE WAS THERE. 431 00:25:01,320 --> 00:25:04,471 ALL RIGHT, THEN, ON THE CHANCE THAT HE IS SUSPICIOUS OF YOU 432 00:25:04,760 --> 00:25:07,069 AND HE IS AT THE CASINO TOMORROW, 433 00:25:07,400 --> 00:25:08,515 WE'LL REWORK THE PLAN 434 00:25:08,800 --> 00:25:11,360 SO AS YOU KEEP HIM AWAY FROM THE REST OF US. 435 00:25:11,640 --> 00:25:13,915 I WISH I KNEW WHAT YOU WERE ALL TALKING ABOUT. 436 00:25:14,240 --> 00:25:16,356 I'LL EXPLAIN IT TO YOU WHEN I DRIVE YOU HOME. 437 00:25:16,640 --> 00:25:20,076 WHICH SHOULD BE NOW, AS I AM VERY TIRED. 438 00:25:20,360 --> 00:25:22,510 IT HAS BEEN A LONG DAY. 439 00:25:22,800 --> 00:25:24,438 LISTEN, WHILE I'M GONE, 440 00:25:24,720 --> 00:25:28,110 YOU THREE CAN CHECK OUT THE ELECTRONIC EQUIPMENT. 441 00:25:28,400 --> 00:25:29,753 RIGHT. 442 00:25:30,080 --> 00:25:31,911 OH, SURE. 443 00:25:32,200 --> 00:25:33,076 MM-HM. 444 00:25:37,440 --> 00:25:38,793 WELL, ARE WE THREE READY 445 00:25:39,080 --> 00:25:41,355 TO CHECK OUT THE ELECTRONIC EQUIPMENT? 446 00:25:41,680 --> 00:25:43,511 I THINK BOSLEY WAS LAYING 447 00:25:43,800 --> 00:25:45,597 A LITTLE MACHO ACTION ON ELSBETH. 448 00:25:45,880 --> 00:25:48,110 THINK HE'S INTERESTED IN HER? 449 00:25:48,440 --> 00:25:49,589 SURE WOULDN'T HURT. 450 00:25:49,880 --> 00:25:51,711 LET'S SEE IF WE CAN FIND THAT ELECTRONIC EQUIPMENT. 451 00:25:52,000 --> 00:25:54,878 | WOULDN'T KNOW WHAT IT LOOKS LIKE! 452 00:25:55,160 --> 00:25:56,878 YOU SEE, OUR PROBLEM IS 453 00:25:57,200 --> 00:25:59,031 WE DON'T KNOW WHAT APPROACH CASS USES 454 00:25:59,360 --> 00:26:04,673 T0 PERSUADE A GIRL TO PLAY IT COZY WITH A CLIENT. 455 00:26:05,000 --> 00:26:07,594 AND THEN YOU'D BE THE CLIENT IN THIS CASE. 456 00:26:07,880 --> 00:26:09,313 AND THEN I WOULD ASK FOR A GIRL 457 00:26:09,600 --> 00:26:11,113 FITTING KELLY'S DESCRIPTION. 458 00:26:11,400 --> 00:26:12,674 MM-HM. 459 00:26:13,000 --> 00:26:15,992 AND I'LL CONVINCE CASS, THEN, 460 00:26:16,280 --> 00:26:18,077 THAT KELLY'D GO ALONG WITH ALL THIS. 461 00:26:18,360 --> 00:26:20,078 RIGHT. 462 00:26:20,360 --> 00:26:25,832 AND I GET A TICKET TO LA. AND SOME WALK-AROUND MONEY. 463 00:26:26,120 --> 00:26:29,237 THAT'S REALLY A LOT TO EARN FOR DOING NOTHING MUCH. 464 00:26:29,560 --> 00:26:32,757 LISTEN, YOUR BEING THERE TO GIVE YOUR OKAY TO KELLY, 465 00:26:33,040 --> 00:26:34,393 THAT'S ALREADY AVOIDED US 466 00:26:34,680 --> 00:26:37,148 HAVING TO SPEND A COUPLE OF WEEKS ON HER BUILDUP. 467 00:26:37,480 --> 00:26:40,233 I MEAN, ON A PRO RATA BASIS, WE'RE GETTING AWAY CHEAP. 468 00:26:40,520 --> 00:26:44,911 WELL, I DON'T REALLY AGREE, BUT I'M NOT ABOUT TO ARGUE. 469 00:26:45,240 --> 00:26:47,993 AND WITH A COUPLE OF BREAKS, YOUR PART IN THIS 470 00:26:48,280 --> 00:26:50,748 SHOULD BE OVER TOMORROW NIGHT AT THE SAME TIME. 471 00:26:51,080 --> 00:26:52,877 WITH A COUPLE OF BREAKS, HONEY, 472 00:26:53,160 --> 00:26:54,912 I COULD BE A BIG STAR ON BROADWAY. 473 00:26:57,240 --> 00:26:58,798 I'M SORRY. 474 00:26:59,080 --> 00:27:03,232 I DIDN'T MEAN TO BE A WISEACRE. 475 00:27:03,520 --> 00:27:05,078 HERE YOU ARE BEING SO NICE, 476 00:27:05,360 --> 00:27:08,557 AND I'M COMING OFF FLIP AND TOUGH. 477 00:27:08,840 --> 00:27:10,592 I GUESS THAT'S REALLY WHAT I AM. 478 00:27:14,560 --> 00:27:18,109 BUT INSIDE I DON'T THINK YOU'RE SO TOUGH. 479 00:27:18,440 --> 00:27:20,317 I'M SORRY. I DIDN'T MEAN TO BE PERSONAL. 480 00:27:20,600 --> 00:27:22,352 WHAT DO I KNOW? 481 00:27:22,640 --> 00:27:24,551 IT'S ALL RIGHT. I DON'T MIND. 482 00:27:24,840 --> 00:27:27,957 WELL, I'LL SEE YOU TOMORROW. 483 00:27:28,280 --> 00:27:29,429 BOSLEY? 484 00:27:31,160 --> 00:27:33,754 UH, COULD YOU DO ME A FAVOR? 485 00:27:34,080 --> 00:27:35,877 SURE, IF I CAN. 486 00:27:37,000 --> 00:27:38,956 COULD YOU KISS ME GOOD NIGHT? 487 00:27:39,240 --> 00:27:42,357 I MEAN, NO ONE'S EVER KISSED ME GOOD NIGHT AT MY FRONT DOOR, 488 00:27:42,680 --> 00:27:45,672 AND I'VE ALWAYS KIND OF-- I WONDERED WHAT IT WAS LIKE. 489 00:28:04,800 --> 00:28:07,189 YOU KNOW, THE WAY I KEEP SIGNING MY NAME, 490 00:28:07,480 --> 00:28:10,517 I'M BEGINNING TO FEEL SORRY FOR THEM MOVIE STARS 491 00:28:10,800 --> 00:28:12,756 SIGNING AUTOGRAPHS ALL THE TIME! 492 00:28:13,080 --> 00:28:15,435 WELL, THERE WE GO, JACKSON. LET HER RIP. 493 00:28:15,720 --> 00:28:21,078 AND WHAT DO YOU SAY I WIN A HAND OR TWO THIS TIME, HUH? 494 00:28:21,360 --> 00:28:23,396 I'D LIKE TO SEE YOU WIN THEM ALL, MR. THURMAN. 495 00:28:23,720 --> 00:28:26,234 THANK YOU, JACKSON. 496 00:28:26,520 --> 00:28:29,159 YOU KNOW, MEANTIME, COULD YOU FETCH THE LITTLE WAITRESS? 497 00:28:29,440 --> 00:28:31,158 I'M GETTING READY FOR A LITTLE DRINKING. 498 00:28:31,440 --> 00:28:35,228 CERTAINLY. COCKTAILS, BJ THREE, PLEASE. 499 00:28:35,560 --> 00:28:36,993 OH, OH! 500 00:28:37,280 --> 00:28:40,875 OLD WILL'S LUCK IS STARTING TO CHANGE. HOT DOG! 501 00:28:41,160 --> 00:28:42,513 TELL YOU WHAT WE'RE GOING TO DO, JACKSON. 502 00:28:42,800 --> 00:28:46,031 WE'RE JUST GOING TO DOUBLE UP AND LET HER RIDE. 503 00:28:48,120 --> 00:28:49,553 WELL, MR. THURMAN. 504 00:28:49,840 --> 00:28:51,159 I'M CASS HARPER WITH THE HOTEL. 505 00:28:52,600 --> 00:28:54,556 THIS IS JANINE. ANYTHING WE CAN DO FOR YOU? 506 00:28:54,840 --> 00:28:55,909 WELL, HOWDY, JANINE. 507 00:28:56,200 --> 00:28:58,668 WELL, MAYBE JUST A LITTLE SIPPING WHISKEY 508 00:28:59,000 --> 00:29:00,228 ON SOME SHAVED ICE, THANK YOU. 509 00:29:00,520 --> 00:29:02,158 YOU GOT THAT? 510 00:29:04,240 --> 00:29:05,309 SO, HOW'S IT GOING? 511 00:29:05,600 --> 00:29:06,794 OH, IT'S GETTING BETTER ALL THE TIME. 512 00:29:07,080 --> 00:29:09,753 GOOD. THE HOUSE'D LIKE TO INVITE YOU AND YOUR LADY 513 00:29:10,040 --> 00:29:11,598 TO TAKE IN THE DINNER SHOW ON US. 514 00:29:11,880 --> 00:29:13,518 THAT IS, IF YOU HAVE NO OTHER PLANS. 515 00:29:13,800 --> 00:29:16,633 OH, I'VE GOT NO PLANS, BUT I GOT NO LADY. 516 00:29:16,920 --> 00:29:19,957 WELL, I KNOW A YOUNG LADY-- A VERY NICE YOUNG LADY-- 517 00:29:20,240 --> 00:29:22,276 WHO WOULD BE MORE THAN HAPPY 518 00:29:22,560 --> 00:29:25,279 TO SHARE DINNER WITH YOU, IF YOU'D LIKE ME TO ARRANGE IT. 519 00:29:25,560 --> 00:29:27,357 WELL, ANY MAN THAT WOULD SAY NO TO A FREE MEAL 520 00:29:27,640 --> 00:29:29,198 AND A LADY COMPANION IS A FOOL. 521 00:29:29,480 --> 00:29:32,358 AND MY MAMA DIDN'T RAISE UP NO FOOLS. 522 00:29:32,640 --> 00:29:34,392 THEN I'LL ARRANGE IT. 523 00:29:34,680 --> 00:29:35,874 WHEN YOU'RE READY TO GO IN, 524 00:29:36,200 --> 00:29:37,110 JUSTGIVE THE MAITRE 0' YOUR NAME, 525 00:29:37,400 --> 00:29:39,118 AND YOUR TABLE WILL BE ARRANGED. 526 00:29:39,400 --> 00:29:42,073 I DIDN'T REALIZE I'D LOSTENOUGH 527 00:29:42,360 --> 00:29:43,634 TO GET THE A-1 TREA TMENT, OLD BUDDY! 528 00:29:43,960 --> 00:29:45,552 I'M NOT SURE WHETHER YOU DID OR YOU DIDN'T, 529 00:29:45,880 --> 00:29:47,677 BUT YOU MIGHT, AND IF YOU DO, 530 00:29:47,960 --> 00:29:49,473 THE HOUSE WOULD LIKE YOU TO DO IT HERE 531 00:29:49,800 --> 00:29:50,994 RATHER THAN SOMEPLACE ELSE. 532 00:29:51,280 --> 00:29:53,111 THEIR MAMAS DIDN'T RAISE UP NO FOOLS EITHER. 533 00:29:53,400 --> 00:29:56,949 I LIKE THAT. BLESS YOU FOR AN HONEST MAN. 534 00:29:57,240 --> 00:29:59,993 BY THE WAY, THAT YOUNG LADY, SHE WOULDN'T BE 535 00:30:00,280 --> 00:30:03,033 ABOUT SO HIGH AND HAVE LONG DARK HAIR, WOULD SHE? 536 00:30:03,360 --> 00:30:05,476 IF SHE DOESN'T, SHE WILL BY THE TIME YOU SEE HER. 537 00:30:05,760 --> 00:30:06,351 OH, HO HO! 538 00:30:06,640 --> 00:30:07,595 GOOD LUCK. 539 00:30:07,880 --> 00:30:09,552 THANK YOU, MR. CASS. 540 00:30:09,840 --> 00:30:10,750 HE'S A NICE MAN. 541 00:30:12,280 --> 00:30:14,316 THANK YOU, JANINE. 542 00:30:14,600 --> 00:30:17,398 SHAVED ICE AND EVERYTHING. 543 00:30:25,040 --> 00:30:26,075 I THINK CASS IS HERE 544 00:30:26,360 --> 00:30:28,749 TO FIND BOSLEY'S LADY FOR THE EVENING. 545 00:30:36,200 --> 00:30:38,634 TERRIFIC. YOU JUST GOT ACED OUT! 546 00:30:38,920 --> 00:30:41,992 AVRIL? SHE DOES A LITTLE MOONLIGHTING? 547 00:30:42,280 --> 00:30:43,429 I'VE HEARD SOME RUMORS. 548 00:30:43,720 --> 00:30:45,631 OH, NO. I GOT TO DO SOMETHING. 549 00:30:45,920 --> 00:30:48,036 I DON'T THINK BOSLEY'S UP TO THAT. 550 00:30:52,600 --> 00:30:56,434 YOU KNOW, I'VE BEEN THINKING OVER WHAT YOU SAID, 551 00:30:56,720 --> 00:30:57,630 AND I'VE DECIDED 552 00:30:57,920 --> 00:31:00,798 THAT YOU'RE THE ONE WHO SHOULD PACK IT IN, NOT ME. 553 00:31:02,440 --> 00:31:03,953 GET LOST, SWEETUMS. 554 00:31:04,240 --> 00:31:06,674 YOU'RE TELLING ME TO GET LOST? 555 00:31:07,000 --> 00:31:07,910 I THINK YOU HEARD ME CORRECTLY. 556 00:31:08,200 --> 00:31:09,792 GET AWAY FROM ME. 557 00:31:21,240 --> 00:31:23,754 COME ON, NOW. WHAT DO YOU USE FOR BRAINS? 558 00:31:24,040 --> 00:31:26,156 YOU JUST LOST 500, MAYBE 1,000. STUPID. 559 00:31:26,480 --> 00:31:28,118 I CAN GO CHANGE. 560 00:31:28,440 --> 00:31:29,793 THE JOHN'S JUST GOING TO STAND AROUND 561 00:31:30,080 --> 00:31:31,911 AND PLAY A LITTLE SOLITAIRE WHILE HE WAITS? 562 00:31:32,240 --> 00:31:33,832 GO HOME. 563 00:31:36,200 --> 00:31:39,158 I COULD USE 500 OR 1,000, MR. HARPER, 564 00:31:39,440 --> 00:31:40,634 AND I'M NOT STUPID. 565 00:31:40,960 --> 00:31:42,154 YOU'RE A PRO? 566 00:31:42,440 --> 00:31:46,194 NO, JUST A GIFTED AMATEUR WHO'S SHORT OF CASH. 567 00:31:46,480 --> 00:31:50,598 IF THE BIDDING'S OPEN, I WANT IN. 568 00:31:50,920 --> 00:31:53,115 YOU'RE NOT WHAT THE JOHN WANTS, ELSBETH. 569 00:31:53,400 --> 00:31:55,516 BUT I AM, OR AM I WRONG? 570 00:31:55,840 --> 00:31:58,798 NO, YOU'RE WHAT HE WANTS. 571 00:32:00,880 --> 00:32:03,838 NEW SHOOTER COMING OUT. 572 00:32:08,000 --> 00:32:09,353 HOW YOU DOING? 573 00:32:09,640 --> 00:32:11,437 GOOD. I THOUGHT I WAS GOING TO HAVE COMPANY. 574 00:32:11,720 --> 00:32:13,233 SHE'S ON HER WAY. IF IT TURNS OUT YOU TWO 575 00:32:13,520 --> 00:32:17,308 WANT TO GO SOMEPLACE AND HAVE A PRIVATE CHAT-- 576 00:32:17,600 --> 00:32:19,272 SPEAK OF THE LADY, 577 00:32:19,560 --> 00:32:21,710 AND LIKE MAGIC HERE SHE IS. KELLY! 578 00:32:22,040 --> 00:32:23,917 KELLY, I'D LIKE YOU TO MEET WILL. 579 00:32:24,200 --> 00:32:24,950 WELL, HOWDY, KELLY. 580 00:32:25,240 --> 00:32:27,435 YOU TWO KIDS HAVE A GOOD TIME, YOU HEAR? 581 00:32:27,720 --> 00:32:29,915 THANK YOU, MR. HARPER. 582 00:32:30,200 --> 00:32:33,078 COULD I TALK TO YOU FOR JUST A SECOND, KELLY, HONEY? 583 00:32:33,360 --> 00:32:34,679 SURE. 584 00:32:34,960 --> 00:32:37,758 JUST A LITTLE SWEET TALK, JACKSON. 585 00:32:38,040 --> 00:32:38,950 NO PROBLEMS? 586 00:32:39,240 --> 00:32:40,992 NONE | COULDN'T HANDLE. 587 00:32:41,280 --> 00:32:44,113 SABRINA? SABRINA, IT'S BOSLEY. 588 00:32:44,440 --> 00:32:47,716 CASS JUST GAVE ME THE KEY TO ROOM 562. 589 00:32:48,000 --> 00:32:50,560 THAT'S THE SAME NUMBER THAT OUR CLIENT GAVE US, 590 00:32:50,840 --> 00:32:52,068 SO IT'S GOTTA BE RIGGED. 591 00:32:52,400 --> 00:32:54,550 WE'RE ON OUR WAY UP THERE NOW. 592 00:32:56,560 --> 00:32:57,788 SID STILL WITH YOU, JILL? 593 00:32:58,120 --> 00:32:59,519 OH, YEAH. 594 00:32:59,800 --> 00:33:01,199 ANY WA Y YOU CAN PUTHIM ON ICE FORA WHILE? 595 00:33:01,480 --> 00:33:02,993 HE COULD POP UP AND MESS THINGS UP. 596 00:33:03,280 --> 00:33:04,679 SURE. I THINK SO. 597 00:34:38,040 --> 00:34:40,634 DROP THE GUN. 598 00:34:40,920 --> 00:34:42,035 DROP IT. 599 00:34:45,960 --> 00:34:47,996 DROP IT. 600 00:34:48,280 --> 00:34:50,032 KICK IT BACK TO ME. 601 00:34:51,560 --> 00:34:54,120 OKAY, NOW REACH IN AND LEAN ON THE HORN. 602 00:34:55,240 --> 00:34:57,674 [HORN BLARING] 603 00:35:06,840 --> 00:35:09,559 I'M SO GLAD YOU'RE HERE. I'VE NEVER BEEN THIS UPSET. 604 00:35:09,840 --> 00:35:11,478 THIS MAN WAS FOLLOWING ME IN THE CASINO. 605 00:35:11,760 --> 00:35:13,557 THEN HE WRECKED MY CAR. IT'S NOT EVEN MY CAR. 606 00:35:13,880 --> 00:35:16,030 IT'S MY ROOMMATE'S CAR. I CAN'T BELIEVE IT HAPPENED TO ME. 607 00:35:16,320 --> 00:35:18,151 HERE, TAKE THIS THING. I DON'T KNOW WHAT TO DO. 608 00:35:18,440 --> 00:35:19,919 NOTHING LIKE THIS HAS EVER HAPPENED TO ME BEFORE. 609 00:35:20,200 --> 00:35:21,269 I'M GOING TO GO UP TO MY ROOM. 610 00:35:21,560 --> 00:35:22,959 I'LL GO TO THE POLICE STATION TOMORROW. 611 00:35:23,240 --> 00:35:25,310 YOU'RE SWEET TO UNDERSTAND. HE WRECKED MY ROOMMATE'S CAR. 612 00:35:25,640 --> 00:35:28,029 WHAT AM I GOING TO TELL MY ROOMMATE? 613 00:35:28,320 --> 00:35:29,719 GOOD NIGHT, SID. 614 00:35:49,000 --> 00:35:51,150 OH, YES. COZY. 615 00:35:51,440 --> 00:35:53,032 MM-HM. 616 00:35:54,200 --> 00:35:56,350 HELLO, GOOD-LOOKING. 617 00:35:56,640 --> 00:36:00,838 WELL, NOW, THIS IS A REAL YAHOO ROOM, AIN'T IT? 618 00:36:01,120 --> 00:36:02,872 WHAT IT AIN'T GOT, YOU DO, RIGHT? 619 00:36:03,160 --> 00:36:04,752 WELL, WE AIM TO PLEASE, HONEY. 620 00:36:05,040 --> 00:36:08,749 MA'AM, DO YOU KNOW WHERE I AM? I AM BETWIXT AND BETWEEN. 621 00:36:09,040 --> 00:36:10,996 I MEAN, HERE WE ARE, 622 00:36:11,280 --> 00:36:13,555 AND I GOT THIS ITCH TO GAMBLE. 623 00:36:13,840 --> 00:36:15,114 I MEAN, GOOD FEELINGS LIKE 624 00:36:15,440 --> 00:36:17,158 I COULDN'T ROLL ANYTHING BUT SEVENS. 625 00:36:17,480 --> 00:36:20,677 WELL, FIRST THINGS FIRST. LET'S GO. 626 00:36:20,960 --> 00:36:22,109 HA HA! 627 00:36:49,680 --> 00:36:51,432 JILL, THIS ONE. 628 00:36:53,080 --> 00:36:54,672 HERE, HELP ME WITH THIS. 629 00:36:54,960 --> 00:36:56,279 THIS ONE. 630 00:37:21,040 --> 00:37:23,952 NOW WE KNOW HOW THE PICTURES ARE TAKEN AND WHO TAKES THEM. 631 00:37:24,240 --> 00:37:26,037 OR AT LEAST WHAT HE LOOKS LIKE. 632 00:37:26,320 --> 00:37:29,357 I'VE SEEN HIM IN THE CASINO. I THINK HE WORKS FOR THE HOTEL. 633 00:37:29,680 --> 00:37:31,477 WELL, HE USES INFRARED FILM. 634 00:37:31,800 --> 00:37:33,597 THAT'S AN INFRARED LIGHT, RIGHT? 635 00:37:33,880 --> 00:37:34,835 RIGHT. 636 00:37:35,120 --> 00:37:36,155 SO HE CAN GET A SHOT 637 00:37:36,480 --> 00:37:40,075 WHETHER THE LIGHT IS ON OR OFF IN THAT ROOM. 638 00:37:40,400 --> 00:37:42,789 AND THERE'S NO DOUBT CASS HARPER'S BEHIND IT. 639 00:37:43,080 --> 00:37:43,956 HE'S OUR BLACKMAILER. 640 00:37:44,280 --> 00:37:46,236 LET'S GET OUT OF HERE. 641 00:38:02,800 --> 00:38:05,075 NO, NO, NOT ALL YOUR BOOKS, MR. SHARFE. 642 00:38:05,360 --> 00:38:06,475 JUST YOUR SHOWROOM BOOKS. 643 00:38:06,800 --> 00:38:09,712 YOU SEE, I'M NEW WITH THE STATE AUDITING DEPARTMENT, 644 00:38:10,000 --> 00:38:12,150 AND THEY ONLY ALLOW NON-TENURED ACCOUNTANTS 645 00:38:12,440 --> 00:38:13,839 TO CHECK LIMITED RECORDS. 646 00:38:14,120 --> 00:38:16,315 YOU WANT THE SHOWROOM BOOKS? YOU GET THE SHOWROOM BOOKS. 647 00:38:16,640 --> 00:38:18,790 YOU WANT THEM BROUGHT HERE, OR YOU WANT TO GO TO THEM? 648 00:38:19,080 --> 00:38:21,958 WELL, WHATEVER WOULD BE MOST CONVENIENT FOR YOU. 649 00:38:22,240 --> 00:38:23,593 YEAH, MAX? 650 00:38:23,880 --> 00:38:26,917 THIS IS MY EXECUTIVE ASSISTANT FREDDY. 651 00:38:27,240 --> 00:38:28,116 HOW DO YOU DO? 652 00:38:28,440 --> 00:38:29,839 FREDDY, TAKE THIS LADY FROM THE TAX DEPARTMENT 653 00:38:30,160 --> 00:38:31,275 TO SEE CASS. 654 00:38:31,560 --> 00:38:32,754 SHE'S HERE TO SEE THE SHOWROOM BOOKS. 655 00:38:33,080 --> 00:38:36,117 AND, FREDDY, NO DANCING. JUST SHOW HER THE BOOKS. 656 00:38:36,400 --> 00:38:38,152 THANK YOU VERY MUCH, MR. SHARFE. 657 00:38:38,440 --> 00:38:39,714 MY PLEASURE. 658 00:38:40,040 --> 00:38:41,439 NOW, ANYTHING YOU WANT, FREDDY'LL GET IT FOR YOU. 659 00:38:41,720 --> 00:38:43,517 FOOD, COFFEE-- ANYTHING SHE WANTS, FREDDY. 660 00:38:43,840 --> 00:38:45,114 JUST THE BOOKS. THAT'S ALL. 661 00:38:45,400 --> 00:38:47,436 THIS ISN'T A BRIBE. I JUST DON'T WANT A LADY 662 00:38:47,760 --> 00:38:49,910 TO STARVE TO DEATH ON MY PREMISES, THAT'S ALL. 663 00:38:50,200 --> 00:38:51,553 THAN KS AGAIN. 664 00:38:57,800 --> 00:38:59,358 KNOW WHAT THE FRUSTRATING THING IS? 665 00:38:59,680 --> 00:39:00,669 WHAT? 666 00:39:00,960 --> 00:39:02,518 WE HAVE ENOUGH EVIDENCE AGAINST CASS HARPER 667 00:39:02,800 --> 00:39:03,710 TO HAVE HIM ARRESTED FOR PANDERING, 668 00:39:04,000 --> 00:39:05,353 AND HE'S STILL WALKING THE STREETS. 669 00:39:05,640 --> 00:39:07,756 IF WE CALLED THE POLICE, WE'D HAVE CLEANER STREETS 670 00:39:08,040 --> 00:39:09,837 BUT WE WOULDN'T HAVE THE BLACKMAIL EVIDENCE, 671 00:39:10,120 --> 00:39:11,269 AND THAT'S WHAT WE CAME HERE FOR. 672 00:39:11,560 --> 00:39:13,790 YOU KNOW, THERE'S MORE JUSTICE IN WHAT HE'S GOING GET 673 00:39:14,120 --> 00:39:16,270 THAN ANY THREE-MONTH SENTENCE HE'D GET FOR PANDERING. 674 00:39:16,560 --> 00:39:18,676 YES, THERE IS, ISN'T THERE? 675 00:39:22,360 --> 00:39:23,952 YOU BACK SO SOON? 676 00:39:24,240 --> 00:39:27,516 WELL, IT DIDN'T TAKE LONG TO FIND OUT WHAT I FOUND. 677 00:39:27,840 --> 00:39:30,308 YOU FOUND SOMETHING ILLEGAL? 678 00:39:30,600 --> 00:39:34,036 WELL, YES AND NO. SEE, THEFT IS ILLEGAL. 679 00:39:34,320 --> 00:39:36,880 IT'S JUST NOT WHAT I WAS SENT HERE TO LOOK FOR. 680 00:39:37,160 --> 00:39:39,071 I MEAN, IT'S NOT TAX FRAUD. 681 00:39:39,360 --> 00:39:41,078 WHAT I FOUND WAS 682 00:39:41,360 --> 00:39:44,113 THAT SOMEONE IS STEALING FROM YOU, MR. SHARFE. 683 00:39:44,440 --> 00:39:45,873 SOMEONE IS WHAT? 684 00:39:46,160 --> 00:39:47,354 STEALING FROM YOU. 685 00:39:47,640 --> 00:39:50,518 YOU SEE, THIS BILL SAYS 100 CASES OF CHAMPAGNE 686 00:39:50,800 --> 00:39:52,119 WERE DELIVERED AND PAID FOR, RIGHT? 687 00:39:52,440 --> 00:39:54,795 THE CELLAR ENTRY HERE... 688 00:39:56,280 --> 00:39:57,713 SAYS 75. 689 00:39:58,040 --> 00:40:01,999 NOW, AT $180 A CASE, 25 CASES COMES TO $4,500. 690 00:40:02,280 --> 00:40:05,352 ALL THESE OTHER BILLS HAVE THE SAME DISCREPANCY. 691 00:40:05,640 --> 00:40:08,632 ALL TOLD, IN JUST A FEW MINUTES, I HAVE FOUND THAT SOMEONE 692 00:40:08,960 --> 00:40:11,554 HAS STOLEN AT LEAST $29,000 FROM YOU, 693 00:40:11,880 --> 00:40:13,393 AND PROBABLY A GREAT DEAL MORE. 694 00:40:13,720 --> 00:40:16,837 NOW, IF I WERE YOU, IWOULD CONSULT MY OWN ACCOUNTANT 695 00:40:17,120 --> 00:40:19,190 AND THEN I WOULD NOTIFY THE POLICE. 696 00:40:21,680 --> 00:40:26,037 MISS, I CAN'T TELL YOU HOW MUCH I APPRECIATE THIS. 697 00:40:26,360 --> 00:40:28,920 YOU'RE NEVER GOING TO SPEND ANOTHER NICKEL IN THIS HOTEL 698 00:40:29,200 --> 00:40:30,838 AS LONG AS YOU LIVE. 699 00:40:31,120 --> 00:40:32,348 YOU'RE REDLINE ALL THE WAY. 700 00:40:32,640 --> 00:40:35,791 AGAIN, NOT AS A BRIBE. RAW GRATITUDE. 701 00:40:36,120 --> 00:40:38,953 YES, WELL, THANK YOU VERY MUCH, MR. SHARFE. 702 00:40:39,280 --> 00:40:42,750 SOMEONE FROM OUR OFFICE SHOULD BE BY IN ABOUT THREE WEEKS. 703 00:40:43,080 --> 00:40:44,354 THAT SHOULD GIVE YOU TIME TO CLEAR THIS UP. 704 00:40:44,640 --> 00:40:45,436 AT LEAST. 705 00:40:45,720 --> 00:40:47,915 - GOOD DAY. - GOODBYE. THANK YOU. 706 00:40:51,000 --> 00:40:52,228 FREDDY. 707 00:40:55,240 --> 00:40:56,992 WHAT'S WRONG, MAX? 708 00:40:57,280 --> 00:40:58,759 NOW, LISTEN TO ME. 709 00:40:59,040 --> 00:41:01,395 CASS HARPER IS STEALING FROM US. 710 00:41:03,680 --> 00:41:05,238 YOU TAKE THESE BOOKS DOWN TO EDDY 711 00:41:05,560 --> 00:41:07,915 AND TELL HIM TO GO OVER THEM WITH A FINE-TOOTH COMB. 712 00:41:08,200 --> 00:41:11,431 YOU CHECK HIS ENTRIES AGAINST OUR BILLS. 713 00:41:11,720 --> 00:41:13,153 I KNOW THE PUNK IS STEALING FROM ME. 714 00:41:13,480 --> 00:41:14,754 I JUST DON'T KNOW HOW MUCH. 715 00:41:15,040 --> 00:41:16,598 STAY WITH THESE BOOKS, DON'T LET THEM OUT OF YOUR SIGHT, 716 00:41:16,880 --> 00:41:19,678 WHEN HE FINISHES, YOU BRING THEM BACK UP HERE. NOW MOVE. 717 00:41:28,520 --> 00:41:31,353 SAMMY, I HAVE A TOP-LEVEL EMPLOYEE 718 00:41:31,640 --> 00:41:34,074 I WANT WATCHED FOR STEALING-- CASS HARPER. 719 00:41:34,360 --> 00:41:35,873 NO, NO, JUST WATCHED. 720 00:41:36,160 --> 00:41:38,799 UNLESS HE GETS WISE AND TRIES TO RUN. 721 00:41:39,080 --> 00:41:42,038 WHAT DO YOU MEAN, "STARTING WHEN?" NOW! 722 00:41:42,320 --> 00:41:45,198 ALL RIGHT, 20 MINUTES. JUST GET SOMEBODY ON IT QUICK. 723 00:41:45,520 --> 00:41:47,556 ALL RIGHT. 724 00:41:47,840 --> 00:41:49,068 WE GOT TROUBLE. MAX IS STEAMING. 725 00:41:49,400 --> 00:41:50,469 YOU JUST SLOW DOWN, FREDDY. 726 00:41:50,760 --> 00:41:52,876 YOU GIVE IT TO ME SO I CAN UNDERSTAND WHAT YOU'RE SAYING. 727 00:41:53,160 --> 00:41:54,354 I'M SAYING MAX IS FURIOUS! 728 00:41:54,640 --> 00:41:56,312 HE KNOWS YOU'VE BEEN RIPPING OFF THE SHOWROOM. 729 00:41:56,600 --> 00:41:58,909 I'M TAKING THESE BOOKS TO EDDY NOW SO HE CAN CHECK THEM, 730 00:41:59,240 --> 00:42:00,753 AND THAT MEANS YOU'D BETTER GET OUT QUICK. 731 00:42:01,080 --> 00:42:03,640 I NEVER RIPPED OFF A QUARTER. I'M NOT THAT DUMB. 732 00:42:03,920 --> 00:42:05,990 IT DOESN'T MATTER YOU DID OR YOU DIDN'T. 733 00:42:06,280 --> 00:42:08,919 YOU KNOW HIM. THOROUGH LIKE A SCIENTIST. 734 00:42:09,200 --> 00:42:10,394 HE GETS AHOLD OF YOU, 735 00:42:10,680 --> 00:42:11,908 HOW YOU GOING TO EXPLAIN ALL THAT BLACKMAIL CASH? 736 00:42:12,200 --> 00:42:13,997 YOU THINK HE'S GOING TO LOVE YOU IF YOU TELL HIM 737 00:42:14,280 --> 00:42:17,033 YOU'VE BEEN USING HIS HOTEL TO SET UP SUCKERS? 738 00:42:17,320 --> 00:42:18,878 SUCKER, HE'D BREAK YOU IN HALF! 739 00:42:19,160 --> 00:42:21,754 MAYBE I CAN TALK TO HIM, EXPLAIN IT. 740 00:42:22,040 --> 00:42:23,837 THAT MEANS YOU'D HAVE TO INCLUDE ME, CASS. 741 00:42:24,120 --> 00:42:27,112 NO WAY! I'LL KILL YOU BEFORE I LET YOU DO THAT. 742 00:42:27,400 --> 00:42:28,355 YOU HOLD IT JUST A MINUTE. 743 00:42:28,680 --> 00:42:30,318 NO. NO MORE ARGUMENTS. 744 00:42:30,640 --> 00:42:33,518 I'M HERE TOO LONG ALREADY. RUN! 745 00:42:35,360 --> 00:42:37,316 NOW! 746 00:42:41,000 --> 00:42:43,514 HE'S GOT THREE QUARTERS OF A MIL IN HOW MANY BANKS? 747 00:42:43,800 --> 00:42:44,755 [KNOCK ON DOOR] 748 00:42:45,080 --> 00:42:45,910 MR. SHARFE? 749 00:42:46,240 --> 00:42:48,310 HI, I'M LAURIE FROM LUXURY LIMITED, 750 00:42:48,600 --> 00:42:51,114 AND I THOUGHT YOU MIGHT LIKE TO SEE MR. HARPER'S NEW CAR. 751 00:42:51,400 --> 00:42:53,231 WHAT NEW CAR? 752 00:42:53,520 --> 00:42:55,636 AND I'M TELLING YOU, THAT'S NOT MY CAR! 753 00:42:55,960 --> 00:42:57,518 MR. HARPER, A CHICK DROVE UP IN IT. 754 00:42:57,840 --> 00:42:59,910 SHE SHOWED ME YOUR OWNER'S PAPERS. 755 00:43:00,200 --> 00:43:01,428 SHE TOOK YOUR OLD ONE AND DROVE OFF. 756 00:43:01,760 --> 00:43:02,988 WHAT CAN I TELL YOU? 757 00:43:03,280 --> 00:43:04,156 CRAZY. THIS IS JUST CRAZY. 758 00:43:04,440 --> 00:43:07,000 SUCH CRAZY SHOULD HAPPEN TO ME. A $50,000 CAR. 759 00:43:07,280 --> 00:43:09,999 I WONDER HOW LONG HE'S GOING TO ARGUE ABOUT IT. 760 00:43:10,280 --> 00:43:11,508 NOT LONG. 761 00:43:11,800 --> 00:43:14,872 KELLY SHOULD HAVE MR. SHARFE ON THE SCENE ANY SECOND. 762 00:43:18,760 --> 00:43:19,988 MAYBE YOU WON IT IN A RAFFLE. 763 00:43:20,320 --> 00:43:23,915 I DIDN'T WIN IT IN A RAFFLE. THAT'S NOT MY CAR. 764 00:43:27,160 --> 00:43:28,798 HARPER! 765 00:43:32,120 --> 00:43:34,475 HEY, YOU! COME BACK HERE! 766 00:43:48,080 --> 00:43:49,832 THIS IS MAX. GIVE ME SAMMY. 767 00:43:50,120 --> 00:43:52,031 SAMMY, WHERE THE HELL ARE YOUR GUYS? 768 00:43:52,320 --> 00:43:53,912 THE PUNK'S ALREADY RUNNING. 769 00:43:54,200 --> 00:43:55,997 ALL RIGHT, THEY GOT A PHONE IN THE CAR. 770 00:43:56,320 --> 00:43:57,719 SO CALL THEM AND TELL THEM HE TOOK OFF. 771 00:43:58,000 --> 00:43:59,353 I DON'T KNOW. MAYBE HE'S GOING TO HIS PLACE. 772 00:43:59,640 --> 00:44:01,949 I JUST DON'T WANT HIM TO GET AWAY CLEAN. YOU UNDERSTAND ME? 773 00:44:03,480 --> 00:44:04,754 LET ME KNOW. 774 00:44:07,080 --> 00:44:08,479 BOSLEY: THERE HE COMES. 775 00:44:08,760 --> 00:44:10,591 I'D BE WILLING TO BET A YEAR'S PAY 776 00:44:10,880 --> 00:44:12,313 THAT EVERY BIT OF BLACKMAIL EVIDENCE 777 00:44:12,600 --> 00:44:14,352 IS IN THAT ATTACHE CASE. 778 00:44:14,640 --> 00:44:16,551 WHERE ARE YOU EVER GOING TO FIND A SUCKER 779 00:44:16,880 --> 00:44:18,359 TO TAKE A BET LIKE THAT? 780 00:44:18,640 --> 00:44:20,517 ONE COULD ALWAYS HOPE. 781 00:44:35,160 --> 00:44:37,151 JILL: UH-OH. LOOKS LIKE SOMEBODY ELSE 782 00:44:37,480 --> 00:44:38,913 IS LOOKING FOR CASS. 783 00:44:48,840 --> 00:44:49,909 WHAT ARE WE GOING TO DO NOW? 784 00:44:50,240 --> 00:44:52,071 THEY'RE GOING TO GET TO CASS BEFORE WE DO. 785 00:44:52,360 --> 00:44:54,920 WELL, PRUDENCE WOULD INDICATE WE JUST FOLLOW BOTH CARS 786 00:44:55,200 --> 00:44:57,668 AT A REASONABLE DISTANCE AND WAIT FOR A BREAK. 787 00:44:58,000 --> 00:45:00,275 HOW MUCH GAS IS REALLY LEFT IN THE ROLLS? 788 00:45:00,560 --> 00:45:03,074 FIVE, MAYBE SIX MILES. JUST ENOUGH TO GET HIM 789 00:45:03,360 --> 00:45:05,476 RIGHT OUT IN THE MIDDLE OF NOWHERE. 790 00:45:46,760 --> 00:45:48,716 BOSLEY: LET'S HANG BACK A LITTLE. 791 00:46:00,480 --> 00:46:02,152 [ENGINE SPUTTERING] 792 00:46:24,120 --> 00:46:25,155 WE WERE TOLD TO TAKE YOU 793 00:46:25,440 --> 00:46:27,271 FOR A LITTLE WALK IN THE DESERT, MR. HARPER. 794 00:46:27,560 --> 00:46:31,678 LOOK, I'M NOT A THIEF. I DIDN'T STEAL FROM MR. SHARFE. 795 00:46:31,960 --> 00:46:33,393 WE DON'T KNOW ANY MR. SHARFE. 796 00:46:33,720 --> 00:46:34,948 WE DON'T KNOW ANYTHING ABOUT STEALING. 797 00:46:35,240 --> 00:46:37,834 ALL WE KNOW IS TO TAKE YOU FOR A WALK IN THE DESERT. 798 00:46:38,120 --> 00:46:39,519 LOOK, I'M TELLING YOU, I'M NOT A THIEF. 799 00:46:39,800 --> 00:46:41,279 I'M A BLACKMAILER. 800 00:46:41,600 --> 00:46:43,670 I KNOW MAX, HE'S A LITTLE MAD BECAUSE I USED HIS HOTEL, BUT-- 801 00:46:43,960 --> 00:46:47,635 WE'RE TALKING, NOT WALKING. NOW, WE WANT TO WALK. COME ON. 802 00:46:47,920 --> 00:46:49,990 I'M A BLACKMAILER. YOU SEE THIS CASE? 803 00:46:50,320 --> 00:46:53,596 IT'S FULL OF PICTURES, SEE? IMPORTANT PEOPLE. 804 00:46:53,880 --> 00:46:56,394 I'LL TELL YOU WHAT. I'LL MAKE YOU GUYS A DEAL. 805 00:46:56,680 --> 00:46:58,671 YOU LET ME GO, AND YOU TAKE THE WHOLE THING. 806 00:46:59,000 --> 00:47:00,274 YOU CAN HAVE THE WHOLE DEAL. MAKE YOURSELVES RICH. 807 00:47:00,560 --> 00:47:02,516 THAT WOULD PUT US IN THE TROUBLE YOU'RE IN. 808 00:47:02,840 --> 00:47:03,909 JUST TAKE A LOOK AT WHAT I GOT! 809 00:47:04,200 --> 00:47:06,589 WE'RE NOT HERE TO LOOK AT DIRTY PICTURES. COME ON. 810 00:47:17,000 --> 00:47:20,629 HELLO? HEY, YOU GOT CAR TROUBLE? 811 00:47:20,920 --> 00:47:23,832 YOU MAKE A NOISE, MR. HARPER, YOU'LL REGRET IT. | PROMISE YOU. 812 00:47:24,120 --> 00:47:25,553 FELLAS, CAN WE HELP? 813 00:47:25,840 --> 00:47:27,193 N0, THANKS. 814 00:47:27,520 --> 00:47:28,475 OUR FRIEND'S SICK. WE'RE GETTING HIM SOME AIR. 815 00:47:28,760 --> 00:47:30,512 I'M A NURSE. MAYBE I CAN HELP. 816 00:47:30,800 --> 00:47:31,391 JUST A HANGOVER. NO BIG THING. 817 00:47:31,680 --> 00:47:32,510 LET'S GO. 818 00:47:32,800 --> 00:47:33,869 ARE YOU SURE? 819 00:47:34,200 --> 00:47:35,713 I'M A DOCTOR, LADY. I'M SURE. 820 00:47:36,000 --> 00:47:37,274 THANKS JUST THE SAME. 821 00:47:37,560 --> 00:47:39,073 OKAY. 822 00:47:40,840 --> 00:47:42,751 I GOT A HALF MILLION BUCKS. I'LL GIVE YOU HALF. 823 00:47:43,080 --> 00:47:43,796 N0, THANKS. 824 00:47:50,840 --> 00:47:53,752 TAKE IT ALL, BUT PLEASE LEAVE ME ALONE. 825 00:47:54,040 --> 00:47:55,678 LOOK, WHY DON'T YOU SHUT UP, MR. HARPER? 826 00:47:55,960 --> 00:47:58,155 THIS IS GOING TO BE ROUGH ENOUGH ON YOU AS IT IS. 827 00:47:58,440 --> 00:47:59,839 [PUNCHING SOUNDS] 828 00:48:00,120 --> 00:48:02,475 YOU KNOW, I ALMOST FEEL SORRY FOR HIM. 829 00:48:02,760 --> 00:48:03,636 YOU WHAT? 830 00:48:03,920 --> 00:48:05,148 I SAID "ALMOST." 831 00:48:05,480 --> 00:48:09,109 WASH YOUR MOUTH OUT WITH SOAP, BOSLEY. 832 00:48:09,440 --> 00:48:11,635 WELL, IN THE LARGE PHILOSOPHIC SENSE, 833 00:48:11,920 --> 00:48:13,433 HE IS OUR FELLOW MAN. 834 00:48:13,720 --> 00:48:14,550 NOT MINE! NOT MINE! 835 00:48:14,840 --> 00:48:16,193 YOU OWE ME A SODA. 836 00:48:22,920 --> 00:48:26,390 YEAH, AND THE ADDRESSES OF ALL THE OTHER BLACKMAIL VICTIMS 837 00:48:26,680 --> 00:48:29,353 WERE IN THE ATTACHE CASE WITH THE EVIDENCE. 838 00:48:29,640 --> 00:48:30,550 WE CALLED THEM 839 00:48:30,880 --> 00:48:33,553 AND TOLD THEM THAT THE EVIDENCE HAD BEEN DESTROYED. 840 00:48:33,880 --> 00:48:36,030 LOOK, I'M NOT SURE THAT YOU'LL APPROVE, 841 00:48:36,320 --> 00:48:39,232 BUT I PUT THE CALLS ON MR. MALLIN'S BILL. 842 00:48:39,560 --> 00:48:41,835 FINE WHERE ARE THE ANGELS? 843 00:48:42,120 --> 00:48:46,796 I'M NOT SURE. THEY TOOK MRS. MALLIN WITH THEM. 844 00:48:47,080 --> 00:48:48,911 SOMETHING ABOUT DOING SOMETHING 845 00:48:49,200 --> 00:48:51,873 THAT THEY FELT AS WOMEN THEY HAD TO DO. 846 00:48:52,720 --> 00:48:53,914 [CLEARS THROAT] 847 00:48:54,240 --> 00:48:55,434 HELLO, CASS, BABY. 848 00:48:55,720 --> 00:48:58,359 GOOD TO SEE YOU. 849 00:48:58,640 --> 00:49:01,154 WE'VE NOTIFIED ALL YOUR FORMER BLACKMAIL VICTIMS 850 00:49:01,440 --> 00:49:03,635 THAT THE EVIDENCE AGAINST THEM HAS BEEN BURNED. 851 00:49:03,960 --> 00:49:06,155 AND WE TOLD THEM WHO YOU ARE AND WHERE YOU ARE, 852 00:49:06,440 --> 00:49:08,351 AND THEY JUST CAN'T WAIT TO COME VISIT YOU. 853 00:49:08,640 --> 00:49:11,074 REMEMBER ALL THAT MONEY YOU SQUEEZED FROM US? 854 00:49:11,360 --> 00:49:13,032 WON'T DO YOU ANY GOOD NOW, CASS. 855 00:49:13,320 --> 00:49:17,199 FOR ONCE, A LOUSE GETS EXACTLY WHAT HE DESERVES. 856 00:49:17,480 --> 00:49:19,038 SO, WE WOULD LIKE TO LEAVE YOU 857 00:49:19,320 --> 00:49:21,880 A LITTLE SOMETHING TO REMEMBER US BY. 858 00:49:23,560 --> 00:49:24,595 HERE WE GO. 859 00:49:24,880 --> 00:49:26,154 WE'LL MAKE THESE GOOD. 860 00:49:26,480 --> 00:49:28,277 SURE HOPE THIS DOESN'T TICKLE. 861 00:49:28,600 --> 00:49:30,352 BE CAREFUL. 862 00:49:30,640 --> 00:49:32,392 IT DOESN'T HURT, DOES IT, CASS? 863 00:49:32,680 --> 00:49:35,353 KELLY, HOW DO YOU SPELL... 63948

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